WEBVTT - 2025 Update: Dina

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<v Speaker 1>Pushkin Khalila Holt, Welcome to the studio.

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<v Speaker 2>Thanks.

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<v Speaker 1>Today's Encore presentation is an episode called Dina. Spoiler alert.

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<v Speaker 1>You know who Dina is?

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<v Speaker 2>Your mom?

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<v Speaker 3>She's my mother.

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<v Speaker 4>Yeah, that's right.

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<v Speaker 1>Even I have a mother, Khila Holt. You know when

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<v Speaker 1>you like call me like, what is it? You call

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<v Speaker 1>me a motherless cuss sometimes when you get upset. No,

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<v Speaker 1>this episode is about my mother. What do you remember

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<v Speaker 1>about the production?

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<v Speaker 2>I remember it, and I hope I'm not speaking out

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<v Speaker 2>of turn, no please, but I remember it being like

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<v Speaker 2>an emotional one for you to work on, like there

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<v Speaker 2>was a lot you had to delve into.

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<v Speaker 1>Yeah, that's true. My wife Emily was like, you know,

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<v Speaker 1>you're doing all these episodes about other people and intimate

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<v Speaker 1>moments from their lives. You have to have a little

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<v Speaker 1>skin in the game. And yeah, it was kind of scary,

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<v Speaker 1>but I came out the other end stronger and jollier

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<v Speaker 1>and balder than ever.

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<v Speaker 2>And if our listeners come out the other end of

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<v Speaker 2>this episode, they'll get to hear an update from Dina

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<v Speaker 2>herself on her birthday.

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<v Speaker 1>That's right. Yeah, I talked to my mother to catch

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<v Speaker 1>up with her on her various projects. So let's get

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<v Speaker 1>ready to listen voraciously. I'm ready, but before we do,

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<v Speaker 1>let's hear a word from our sponsors.

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<v Speaker 2>Thanks sponsors, Yello.

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<v Speaker 4>Why hello? Now, what kind of greeting is that you've

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<v Speaker 4>got your radio voice on? Could you elaborate on what

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<v Speaker 4>you mean by that?

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<v Speaker 5>I know in the first second if I'm being recorded,

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<v Speaker 5>or I could on your inflections?

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<v Speaker 1>Well, I always talk like this, Jackie. Back to you.

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<v Speaker 1>The way you're speaking with me now is never the

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<v Speaker 1>way you would normally speak. Okay, wait, hang on a second,

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<v Speaker 1>I'm just talking normal. You're not talking normal your radio voice.

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<v Speaker 4>Hey, what's going on? It's still not.

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<v Speaker 3>It's still not. It's still not.

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<v Speaker 4>Hey.

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<v Speaker 1>No, hey Jackie again Jackie, No, you wouldn't say him

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<v Speaker 1>like that.

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<v Speaker 4>How's it going?

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<v Speaker 1>Too much energy?

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<v Speaker 5>Hi?

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<v Speaker 3>I can tell anyway.

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<v Speaker 1>It can't be a radio voice because I do a podcast.

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<v Speaker 1>It's a podcast voice, all right, And welcome to the

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<v Speaker 1>show from Gimblet Media. I'm Jonathan Goldstein and this is

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<v Speaker 1>Heavyweight Today's episode. Dina. Hello, Hello, Okay, uh so we

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<v Speaker 1>just got to Montreal.

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<v Speaker 4>We wee? What's that?

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<v Speaker 6>Is that?

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<v Speaker 2>How you say yes in French?

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<v Speaker 4>Yeah? But you just say it once you to say,

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<v Speaker 4>we wit.

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<v Speaker 1>Folks are about to meet us, pick us up at

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<v Speaker 1>the airport to take us back to their place, where

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<v Speaker 1>we will be staying for the next five days, five days,

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<v Speaker 1>five days in my childhood home, in the childhood bed

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<v Speaker 1>i've not slept in in decades. My wife Emily and

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<v Speaker 1>I are here for passover, to sup upon the bread

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<v Speaker 1>of affliction. Growing up, though, it was everything of affliction,

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<v Speaker 1>candy corn of affliction, road trips of affliction, bedtime stories

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<v Speaker 1>of affliction. I moved out when I was nineteen, but

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<v Speaker 1>from age one to eighteen, what I remember most is

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<v Speaker 1>the vague feeling of worry permeating the household. Worry that

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<v Speaker 1>manifested is yelling, yelling through closed doors, yelling across the

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<v Speaker 1>kitchen table, my father yelling into a junk drawer, desperately

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<v Speaker 1>trying to find a working pen. My mother yelling into

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<v Speaker 1>a clogged toilet, desperately trying to make it go down.

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<v Speaker 1>But more often than not, the yelling wasn't over anything

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<v Speaker 1>at all. We were just a naturally loud, anxious family,

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<v Speaker 1>a race of nervous giants shrunk into the bodies of

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<v Speaker 1>little Jews.

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<v Speaker 7>Man.

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<v Speaker 1>When I move out of here, I'd say in my teens,

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<v Speaker 1>I'm going to live like sting peace and quiet, meditation,

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<v Speaker 1>tea and tantric sex. And now, after years of oolong

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<v Speaker 1>roubis and lemon roubis, I'm home again for my first

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<v Speaker 1>trip back with Emily and our five month old son Agi.

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<v Speaker 4>Day one.

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<v Speaker 1>Here they are my parents. Tyota pulls up to the

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<v Speaker 1>airport pickup. They pass us and passes us.

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<v Speaker 4>Try to catch the eye. They don't see us here.

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<v Speaker 4>We're right here.

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<v Speaker 1>My mother jumps out. She runs back towards us, pointing

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<v Speaker 1>at Oggie's ears.

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<v Speaker 3>His ears are exposed.

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<v Speaker 5>Hi, Hi, emily ears are exposed.

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<v Speaker 1>Both my mother and father where their woolen caps pull

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<v Speaker 1>down well past their ears. In younger, stronger days, they

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<v Speaker 1>might have stretched those caps right down over their feet,

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<v Speaker 1>but they're old now. My mother Dina seventy two, and

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<v Speaker 1>my father Buzz eighty three.

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<v Speaker 3>I want to drive slowly, not too fast.

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<v Speaker 8>I want to go carefully.

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<v Speaker 1>Okay while Buzz is high strung. Dina's intensity is capable

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<v Speaker 1>of raising the emotional temperature of any space she occupies

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<v Speaker 1>in elevators, walk in pantries, and tiotas. Her powers are

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<v Speaker 1>especially cute, like.

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<v Speaker 5>A funny feeling in my throat, like it's like really emotional.

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<v Speaker 7>It's like a dreamed you know, it's like a dream.

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<v Speaker 3>Yeah, it's like such a weird feeling.

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<v Speaker 1>I think the weird, elusive feeling my mother is trying

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<v Speaker 1>to describe is happiness.

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<v Speaker 3>It's just wonderful to see him.

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<v Speaker 7>But I hope he's going to be warm enough. Did

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<v Speaker 7>you bring him up something?

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<v Speaker 3>Home?

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<v Speaker 8>Sweet home?

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<v Speaker 1>Walking through the door, I'm a twelve year old again,

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<v Speaker 1>home from school and looking forward to zoning out with

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<v Speaker 1>petticoat junction. I'm a sixteen year old rushing to the

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<v Speaker 1>bathroom to gargle out the smell of cigarettes. I'm a

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<v Speaker 1>forty eight year old, a grown ass man with a

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<v Speaker 1>grown ass ass. Parenting a newborn leaves a person with

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<v Speaker 1>no time for squats. So don't judge Alex.

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<v Speaker 4>So nice in here.

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<v Speaker 6>I don't believe it.

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<v Speaker 1>Normally, the house, a modest, semi detached bungalow, has a

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<v Speaker 1>certain storage unit, bombshelter, vibe, walls of toilet paper, a

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<v Speaker 1>cold room full of canned fruit, cocktail needle points of

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<v Speaker 1>biblical scenes, and torreadors all leaned up against the walls

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<v Speaker 1>for fear of pounding in a nail and regretting it forever.

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<v Speaker 1>But today the place looks positively sparse.

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<v Speaker 5>Johnny, Just don't open a closet or in shore everything.

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<v Speaker 5>I'll tumble on your head.

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<v Speaker 3>Because when you've heard you guys are coming.

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<v Speaker 5>I threw everything into the into the closets and hid them.

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<v Speaker 1>My mother grabs Aggie and heads upstairs for a diaper change.

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<v Speaker 1>Emily and I trail behind.

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<v Speaker 3>I want him to be fresh and clean. Oh you're

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<v Speaker 3>so sweet, You're so sweet, my angel. Where the fridge

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<v Speaker 3>is the bag?

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<v Speaker 1>The friggin bag contains the friggin's that my mother bought

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<v Speaker 1>for our visit. It turns out it's on her lap.

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<v Speaker 5>I kept the bill because I wasn't sure if you

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<v Speaker 5>want me to return them or not.

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<v Speaker 1>Would you be able to return used diapers?

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<v Speaker 5>Yeah, you know me. I could return anything. I could

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<v Speaker 5>return anything.

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<v Speaker 1>You know that, Johnny, I do know that returning stuff

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<v Speaker 1>is what my mother lives for. She sees it as

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<v Speaker 1>a staring contest, a game of chess, but with yelling.

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<v Speaker 1>I remember once going along with her as she returned

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<v Speaker 1>a shirt she'd bought for my father two years earlier.

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<v Speaker 1>It's missing a sleeve, she told the cashier, holding up

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<v Speaker 1>the article of clothing. The cashier turned it around and around.

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<v Speaker 1>It's not supposed to have sleeves. The cashier finally said,

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<v Speaker 1>it's a poncho. A poncho, my mother repeated, as though

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<v Speaker 1>it were a foreign word, which in her I suppose

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<v Speaker 1>it sort of is. I don't care what it is.

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<v Speaker 1>It's factory defective and my husband can't wear it. Whenever

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<v Speaker 1>she'd get this way, I'd adopt the stance meant to

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<v Speaker 1>convey filial loyalty, peppered with a touch of what Vietnam

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<v Speaker 1>vets call the thousand yards stare. I've stood next to

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<v Speaker 1>my mother through countless exchanges, arguments, spectacles and stinks. But

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<v Speaker 1>this is the first time I've stood by her side

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<v Speaker 1>as she diapers my son.

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<v Speaker 5>Oh look how much peep he has.

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<v Speaker 3>Oh, you made a lot of ppa baby.

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<v Speaker 5>See that's how I knew you were sick. When you

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<v Speaker 5>were a baby, Johnny, you weren't peeping.

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<v Speaker 4>What was wrong with me?

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<v Speaker 1>As a kid, it was easy to be embarrassed by

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<v Speaker 1>my mother. One time, a popular boy named Jordie showed

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<v Speaker 1>up at our house. I wasn't home, but my mother

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<v Speaker 1>answered the door with her hair on fire. My hair's

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<v Speaker 1>on fire, she screamed. The next day in school, Geordie

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<v Speaker 1>showed the whole class how she screamed it. He wiggled

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<v Speaker 1>his fingers in the air, looking as though he was

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<v Speaker 1>about to fall to his knees. That night, I asked

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<v Speaker 1>my mother what had happened. It was the barbecue, she said,

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<v Speaker 1>your father wasn't home, and I was so in the

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<v Speaker 1>mood for barbecued lamb chops. It seems that while examining

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<v Speaker 1>the chops for signs of spoilage, she leaned her hair

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<v Speaker 1>sprayed boufont too close to the grill. While this explained

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<v Speaker 1>the fire atop her head, it did not explain why

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<v Speaker 1>she answered the door while nursing a fire atop her head.

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<v Speaker 1>Growing up, this kind of stuff happened all the time,

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<v Speaker 1>so I was always on high alert for humiliating emergencies.

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<v Speaker 1>Being back home again, I feel the old muscle memory

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<v Speaker 1>kicked back in. What's that smells?

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<v Speaker 5>Something's burning?

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<v Speaker 4>Did you turn on the heater?

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<v Speaker 1>Did you touch the heat?

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<v Speaker 7>Though?

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<v Speaker 1>It turns out that one of the rag dolls my

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<v Speaker 1>mother had been hoarding somehow landed onto one of the

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<v Speaker 1>old lamps she'd been hoarding, and had begun to burn,

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<v Speaker 1>I could.

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<v Speaker 5>Have had a fire because I was so careless for

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<v Speaker 5>a hush shim rush.

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<v Speaker 1>The day plays out as a series of minor disasters averted.

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<v Speaker 1>In the morning, my mother loses her cell phone. We

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<v Speaker 1>find it in the night table. In the afternoon, a

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<v Speaker 1>screw to my father's glasses falls out. We replace it

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<v Speaker 1>with a twist tie. At dinner, a waiter charges my

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<v Speaker 1>mother for a potato. She claims she didn't order, but

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<v Speaker 1>after ten minutes of Camp David's style negotiations, it's dropped

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<v Speaker 1>from the bill. Before bed, my father can't find his passport.

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<v Speaker 1>Why do you need a passport? I ask, You always

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<v Speaker 1>need a passport, he says. We find it in the

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<v Speaker 1>night table. In the past, having someone witness all of

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<v Speaker 1>this would have made me feel anxious, But now having

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<v Speaker 1>Emily here makes me feel like I have an ally.

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<v Speaker 1>Turning to her in the midst of some crisis is

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<v Speaker 1>like looking directly into the TV camera and winking.

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<v Speaker 4>At the audience. N Doggy.

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<v Speaker 1>Day two good. After we put Aggie to sleep, Emily

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<v Speaker 1>and I lie in bed. I ask for her thoughts

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<v Speaker 1>and reflections on the trip so far.

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<v Speaker 9>No comment.

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<v Speaker 1>Oh, come on, come on, no comment. How could she resist?

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<v Speaker 1>Look at how my mother acts with Aggie, I say,

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<v Speaker 1>trying to get Emily going. I saw her put a

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<v Speaker 1>pocket mirror under his nose while he was sleeping, to

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<v Speaker 1>see if he was still breathing. After every spoonful she

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<v Speaker 1>feeds him, she asks if he's choking.

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<v Speaker 9>You realize, though, that you say all that about Aggie

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<v Speaker 9>now too, like just a tiny little cough, and you

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<v Speaker 9>are doing it.

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<v Speaker 3>Is he breathing?

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<v Speaker 9>Can he sit like that? Can he touch that thing?

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<v Speaker 9>Can he eat that? Can he do that? Is he

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<v Speaker 9>supposed to be doing that?

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<v Speaker 3>What's wrong? What's wrong? What's wrong? What's he doing? What's

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<v Speaker 3>he doing? Is he choking?

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<v Speaker 4>What's wrong?

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<v Speaker 9>You do a lot of that kind of thing.

0:13:25.050 --> 0:13:27.930
<v Speaker 1>I concede to Emily that maybe I do just a

0:13:28.010 --> 0:13:30.650
<v Speaker 1>little of that kind of thing. But I wasn't even

0:13:30.650 --> 0:13:33.530
<v Speaker 1>in the parking lot of the ballpark of Adina Goldstein.

0:13:38.210 --> 0:13:43.450
<v Speaker 9>One day you dropped, You dropped Aggie off, and you

0:13:43.530 --> 0:13:47.330
<v Speaker 9>called me right afterward because you were so worried.

0:13:47.410 --> 0:13:51.930
<v Speaker 1>You remember this, I do remember this. It was Aggie's

0:13:51.970 --> 0:13:55.170
<v Speaker 1>first week of daycare. He shares a babysitter with two

0:13:55.210 --> 0:13:58.850
<v Speaker 1>little sisters. But on that particular morning, when the babysitter

0:13:58.930 --> 0:14:02.450
<v Speaker 1>opened the door, she was alone. She told me the

0:14:02.490 --> 0:14:04.650
<v Speaker 1>girls were napping in another room.

0:14:05.330 --> 0:14:08.450
<v Speaker 9>You called me and said she was there alone.

0:14:08.570 --> 0:14:09.810
<v Speaker 4>She said, were in bed.

0:14:10.250 --> 0:14:12.690
<v Speaker 9>I don't know. Maybe she killed the whole family and

0:14:12.890 --> 0:14:16.370
<v Speaker 9>now she's going to kill OGGI and you weren't joking,

0:14:17.050 --> 0:14:20.450
<v Speaker 9>like you knew it was a crazy thought, but you

0:14:20.650 --> 0:14:24.330
<v Speaker 9>needed me to tell you she didn't kill her family.

0:14:24.410 --> 0:14:25.730
<v Speaker 9>She's not gonna kill Aggie.

0:14:26.370 --> 0:14:28.730
<v Speaker 1>I did not need you to tell me that.

0:14:29.250 --> 0:14:32.170
<v Speaker 9>And you're misremembering you were freaked out.

0:14:33.210 --> 0:14:34.290
<v Speaker 3>You were freaked out.

0:14:34.530 --> 0:14:35.650
<v Speaker 1>I thought it was very stoic.

0:14:36.890 --> 0:14:39.050
<v Speaker 9>You called me and said, I think the nanny is

0:14:39.090 --> 0:14:42.370
<v Speaker 9>gonna murder our child, and that she murdered the whole family.

0:14:42.050 --> 0:14:43.450
<v Speaker 1>That we do daycare with.

0:14:44.050 --> 0:14:47.330
<v Speaker 4>I don't consider that stoic, all right.

0:14:47.410 --> 0:14:48.730
<v Speaker 1>I mean, I'm just imaginative.

0:14:50.610 --> 0:14:51.850
<v Speaker 2>That's one way to look at it.

0:14:53.090 --> 0:14:55.370
<v Speaker 1>Yet another way to look at it is that I'm

0:14:55.410 --> 0:15:00.210
<v Speaker 1>also crazy, just like my mom. Well, set my hair

0:15:00.250 --> 0:15:08.930
<v Speaker 1>on fire and open the front door. In the days

0:15:09.130 --> 0:15:13.290
<v Speaker 1>after Aggie was born, I couldn't stop thinking terrible thoughts things.

0:15:13.330 --> 0:15:16.970
<v Speaker 1>I couldn't speak, not even to Emily. With this new

0:15:17.010 --> 0:15:21.250
<v Speaker 1>overwhelming love for my son came new overwhelming fears for

0:15:21.330 --> 0:15:25.210
<v Speaker 1>his safety, his heartbreaks to come, for his old age,

0:15:25.770 --> 0:15:30.690
<v Speaker 1>his loneliness. So I started seeing a therapist. I explained

0:15:30.730 --> 0:15:34.850
<v Speaker 1>how worry was the lingua franca of my childhood. I

0:15:34.970 --> 0:15:37.370
<v Speaker 1>wasn't allowed a paper route because it was a good

0:15:37.410 --> 0:15:41.330
<v Speaker 1>way to get abducted, no barefoot in because of rusty nails.

0:15:41.810 --> 0:15:44.410
<v Speaker 1>And I didn't even learn to swim until junior high

0:15:44.850 --> 0:15:49.250
<v Speaker 1>because water that's where people go to drown. Worry and

0:15:49.370 --> 0:15:52.530
<v Speaker 1>fear were how my mother communicated love. I said to

0:15:52.570 --> 0:15:55.890
<v Speaker 1>my therapist with a shrug. But love is love. The

0:15:55.970 --> 0:15:59.610
<v Speaker 1>important thing is that we feel it. But my therapist's

0:15:59.650 --> 0:16:03.690
<v Speaker 1>response troubled me. She said that love was the transcendence

0:16:03.690 --> 0:16:06.770
<v Speaker 1>of fear, that you might even say fear was the

0:16:06.810 --> 0:16:11.410
<v Speaker 1>opposite of love. Sitting at my childhood desk with Aggie's

0:16:11.450 --> 0:16:15.490
<v Speaker 1>toys scattered at my feet, my therapist's words returned to me.

0:16:16.810 --> 0:16:20.050
<v Speaker 1>If I was becoming my mother, would AGGI someday become me?

0:16:20.610 --> 0:16:24.410
<v Speaker 1>Someone weighed down by fear and worry? Was our genetic line,

0:16:24.490 --> 0:16:28.290
<v Speaker 1>nothing more than an inglorious chain of Russian dolls. Should

0:16:28.330 --> 0:16:30.970
<v Speaker 1>my therapist save the notes from our sessions so I

0:16:31.010 --> 0:16:34.610
<v Speaker 1>can send Aggie to her at a discounted rate. I

0:16:34.650 --> 0:16:37.370
<v Speaker 1>didn't want my son becoming me, and there were only

0:16:37.450 --> 0:16:40.530
<v Speaker 1>two people who could help me understand how I became me,

0:16:41.290 --> 0:16:44.330
<v Speaker 1>One who charged New York therapy rates that might leave

0:16:44.370 --> 0:16:49.010
<v Speaker 1>me bankrupted before I'm cured, and the other my mother

0:16:52.370 --> 0:16:57.090
<v Speaker 1>day three. As a child, I fell trapped and embarrassed

0:16:57.090 --> 0:16:59.850
<v Speaker 1>by my mother. As an adult, I came to be

0:16:59.890 --> 0:17:03.530
<v Speaker 1>amused by her. It's only as a freshly minted father

0:17:03.690 --> 0:17:06.609
<v Speaker 1>visiting home for the first time that I'm beginning to

0:17:06.649 --> 0:17:10.090
<v Speaker 1>see that I am her. How much you pay for

0:17:10.410 --> 0:17:12.489
<v Speaker 1>apples seventy?

0:17:13.330 --> 0:17:16.330
<v Speaker 4>But if I'm desperate, this is what we normally talk about.

0:17:16.770 --> 0:17:19.290
<v Speaker 1>Where to get the best price on paper plates, Where

0:17:19.330 --> 0:17:21.209
<v Speaker 1>to get the best price on honeydew melon?

0:17:21.770 --> 0:17:22.050
<v Speaker 7>Dina?

0:17:22.090 --> 0:17:24.450
<v Speaker 8>What do you pay for a bottle of water.

0:17:25.290 --> 0:17:30.850
<v Speaker 3>Twenty four for a dollar eighty eight? Bottle water cox

0:17:30.929 --> 0:17:32.690
<v Speaker 3>twenty four for six nine?

0:17:33.209 --> 0:17:35.929
<v Speaker 1>Will you pay for a loaf of bread? But after dinner,

0:17:36.169 --> 0:17:39.010
<v Speaker 1>after Aggie's gone to sleep, my mom and I sit

0:17:39.090 --> 0:17:41.809
<v Speaker 1>down at the kitchen table to have a different conversation.

0:17:42.850 --> 0:17:45.689
<v Speaker 1>Emily is reading in bed, and my father's watching TV

0:17:45.810 --> 0:17:46.490
<v Speaker 1>in the basement.

0:17:47.330 --> 0:17:48.889
<v Speaker 4>It's just us.

0:17:50.169 --> 0:17:54.490
<v Speaker 1>Hello, Hello, go ahead and talk here I am Why

0:17:54.490 --> 0:17:55.090
<v Speaker 1>do you say here?

0:17:55.129 --> 0:17:56.369
<v Speaker 7>I am? Well?

0:17:56.530 --> 0:17:57.570
<v Speaker 3>Where should I say?

0:17:57.609 --> 0:17:57.810
<v Speaker 4>There?

0:17:57.850 --> 0:18:01.770
<v Speaker 1>I am tonight. I want to talk about the fear,

0:18:02.330 --> 0:18:05.529
<v Speaker 1>that thing my family lives inside, like a snowsuit with

0:18:05.570 --> 0:18:08.530
<v Speaker 1>a broken zipper that can no more be removed than

0:18:08.570 --> 0:18:11.810
<v Speaker 1>our own flos. I want to talk about the nameless

0:18:11.850 --> 0:18:15.930
<v Speaker 1>thing that binds all Goldstein's, that ignites us, propels us,

0:18:16.530 --> 0:18:20.409
<v Speaker 1>and ultimately paralyzes us. Well, I think about this stuff

0:18:20.449 --> 0:18:22.850
<v Speaker 1>now because you know I have I have a I

0:18:22.889 --> 0:18:28.170
<v Speaker 1>have a son, and I I think, but I think.

0:18:28.570 --> 0:18:31.050
<v Speaker 5>He's so beautiful, and I saw those blue eyes like

0:18:32.010 --> 0:18:34.530
<v Speaker 5>no hors bays eggs.

0:18:34.570 --> 0:18:37.889
<v Speaker 1>My mother's not talking crazy talk, she's talking Yiddish.

0:18:38.050 --> 0:18:38.850
<v Speaker 3>So Bay's eggs.

0:18:40.010 --> 0:18:40.930
<v Speaker 1>Yeah, what does that mean?

0:18:41.449 --> 0:18:43.850
<v Speaker 3>The bad oy shouldn't hurt them?

0:18:44.929 --> 0:18:48.729
<v Speaker 1>The bad eye, the evil eye, the belief that merely

0:18:48.810 --> 0:18:52.729
<v Speaker 1>saying something positive is enough to invite evil forces to

0:18:52.770 --> 0:18:55.889
<v Speaker 1>snuff the good thing out. So even bringing up a

0:18:55.929 --> 0:18:59.369
<v Speaker 1>normal son to mom question about good parenting is enough

0:18:59.369 --> 0:19:02.889
<v Speaker 1>to attract the eye. On the day of my bar Mitzvah,

0:19:02.929 --> 0:19:06.330
<v Speaker 1>my mother carefully sewed a red ribbon into my underwear.

0:19:06.970 --> 0:19:09.490
<v Speaker 1>In this way, she reasoned, should the e the lie

0:19:09.490 --> 0:19:14.129
<v Speaker 1>turn its gaze upon me. I'd be protected by my underwear.

0:19:14.770 --> 0:19:15.689
<v Speaker 4>Why do you.

0:19:15.649 --> 0:19:23.409
<v Speaker 1>Think you do that evil eyed stuff? It's what you say,

0:19:23.409 --> 0:19:24.129
<v Speaker 1>it's cuckoo.

0:19:24.490 --> 0:19:26.290
<v Speaker 3>I know it's cuckoo, but I can't help it.

0:19:26.689 --> 0:19:28.369
<v Speaker 1>But then that's a superstition.

0:19:29.010 --> 0:19:30.249
<v Speaker 3>I don't know everybody does it.

0:19:31.530 --> 0:19:33.890
<v Speaker 1>I've never met anybody who puts red ribbons in their

0:19:33.889 --> 0:19:36.650
<v Speaker 1>own I'm saying I personally have never met anyone who

0:19:36.689 --> 0:19:39.729
<v Speaker 1>does that. So I can't say everybody puts red ribbons

0:19:39.770 --> 0:19:42.689
<v Speaker 1>in their underwear. But what what is it supposed to be?

0:19:42.730 --> 0:19:47.489
<v Speaker 1>Warding off? But what is the evil eye?

0:19:48.090 --> 0:19:48.609
<v Speaker 3>I don't know.

0:19:50.889 --> 0:19:54.410
<v Speaker 1>This is how conversations with Dina often go. The derail

0:19:55.010 --> 0:19:58.289
<v Speaker 1>hit dead ends. So when I ask her why was

0:19:58.290 --> 0:20:01.609
<v Speaker 1>our home the way it was? I expect more of

0:20:01.649 --> 0:20:08.530
<v Speaker 1>the same, But instead my mother grows quiet.

0:20:13.050 --> 0:20:16.649
<v Speaker 4>I worry, Yeah, I do too.

0:20:16.889 --> 0:20:18.250
<v Speaker 1>I'm afraid of.

0:20:18.209 --> 0:20:19.330
<v Speaker 3>This, afraid of that.

0:20:20.250 --> 0:20:20.369
<v Speaker 7>Well.

0:20:20.409 --> 0:20:23.369
<v Speaker 5>I was irrational. I wasn't thinking right, and I have

0:20:23.409 --> 0:20:25.649
<v Speaker 5>a chance to redo my a little bit.

0:20:25.730 --> 0:20:27.170
<v Speaker 3>Not with you, but with Augie.

0:20:29.369 --> 0:20:33.330
<v Speaker 1>She stops talking and stares into her lap for a while.

0:20:34.090 --> 0:20:34.929
<v Speaker 1>We just sit there.

0:20:38.050 --> 0:20:42.210
<v Speaker 5>I look upon this as a second chance. I want

0:20:42.250 --> 0:20:46.090
<v Speaker 5>to correct my mistakes. Johnny, I want to redeem myself.

0:20:47.050 --> 0:20:47.530
<v Speaker 3>That's it.

0:20:49.730 --> 0:20:53.129
<v Speaker 1>My mother doesn't usually talk this way. If something's causing

0:20:53.129 --> 0:20:56.289
<v Speaker 1>her grief, she returns it to the store, sends it

0:20:56.330 --> 0:21:00.330
<v Speaker 1>back to the kitchen, and so talk of second chances

0:21:00.369 --> 0:21:03.969
<v Speaker 1>and redemption. The words sound weird coming out of her mouth,

0:21:04.169 --> 0:21:07.169
<v Speaker 1>and I don't know how to respond. Where's all this

0:21:07.290 --> 0:21:07.889
<v Speaker 1>coming from?

0:21:07.929 --> 0:21:08.369
<v Speaker 4>I ask?

0:21:09.169 --> 0:21:10.889
<v Speaker 1>Are you thinking of something specific?

0:21:11.649 --> 0:21:14.290
<v Speaker 3>It's too painful. I don't want.

0:21:16.010 --> 0:21:21.009
<v Speaker 1>Maybe if you talk about it, you won't talk. I

0:21:21.010 --> 0:21:21.970
<v Speaker 1>don't think it could be anything.

0:21:22.010 --> 0:21:22.769
<v Speaker 4>Then I can't.

0:21:22.810 --> 0:21:25.289
<v Speaker 3>I can't talk about it. Don't don't press me.

0:21:25.530 --> 0:21:28.170
<v Speaker 1>Please, well, I don't want to force you. I don't

0:21:28.169 --> 0:21:29.010
<v Speaker 1>want to make you feel bad.

0:21:29.010 --> 0:21:30.409
<v Speaker 4>I am ashamed of myself.

0:21:31.889 --> 0:21:34.090
<v Speaker 3>Let's change the subject.

0:21:35.010 --> 0:21:39.369
<v Speaker 1>And with that the conversation ends. I'd gotten to my

0:21:39.409 --> 0:21:43.010
<v Speaker 1>mother for answers about my childhood, but instead she's left

0:21:43.050 --> 0:21:46.249
<v Speaker 1>me with questions I didn't even know I had. What

0:21:46.369 --> 0:21:48.930
<v Speaker 1>had happened that was so bad? She couldn't even talk

0:21:48.970 --> 0:21:51.769
<v Speaker 1>about it? What was she so afraid to tell me?

0:21:53.330 --> 0:22:06.530
<v Speaker 1>After the break, I find out, Hello, Hello, So mom's

0:22:06.570 --> 0:22:07.529
<v Speaker 1>upstairs with Emily.

0:22:08.530 --> 0:22:10.250
<v Speaker 4>Do you have In day.

0:22:10.010 --> 0:22:13.449
<v Speaker 1>Four, I sit down with my father to see if

0:22:13.449 --> 0:22:16.090
<v Speaker 1>he has any idea what the second chance is that

0:22:16.169 --> 0:22:19.929
<v Speaker 1>my mother's talking about. He's hesitant to talk because that

0:22:20.050 --> 0:22:22.810
<v Speaker 1>goes against the strategy of staying out of the drama.

0:22:23.449 --> 0:22:26.529
<v Speaker 1>In fact, most of my childhood memories of him are

0:22:26.570 --> 0:22:29.730
<v Speaker 1>of a man in bed, napping with a large volume

0:22:29.770 --> 0:22:32.609
<v Speaker 1>of World War II history splayed open on his chest.

0:22:33.209 --> 0:22:36.529
<v Speaker 1>This retiring nature might be the secret to having stayed

0:22:36.530 --> 0:22:40.609
<v Speaker 1>married to my mother for more than fifty years. What

0:22:40.730 --> 0:22:42.690
<v Speaker 1>is the thing that she is carrying around with her?

0:22:42.730 --> 0:22:47.409
<v Speaker 8>She's a very private person and she feels she doesn't

0:22:47.409 --> 0:22:50.210
<v Speaker 8>want to be intruded upon. Don't take it the wrong way.

0:22:50.409 --> 0:22:53.170
<v Speaker 4>So you have no inkling. You don't know what's going on.

0:22:53.449 --> 0:22:55.529
<v Speaker 8>It isn't even discussing with me. I don't know what guilt.

0:22:55.609 --> 0:22:56.409
<v Speaker 3>I don't know what she's talking.

0:22:56.449 --> 0:22:58.970
<v Speaker 1>Don't find it odd or intriguing in a way.

0:22:59.050 --> 0:23:04.169
<v Speaker 8>It's a touchy subject for her, and she's very reluctant

0:23:04.169 --> 0:23:05.250
<v Speaker 8>to talk about it.

0:23:05.570 --> 0:23:06.689
<v Speaker 4>Talk about it. What's the it?

0:23:07.250 --> 0:23:08.650
<v Speaker 8>I don't know. You have to ask her, and she's

0:23:08.649 --> 0:23:11.970
<v Speaker 8>going to shut down. She's gonna shut down.

0:23:13.609 --> 0:23:16.850
<v Speaker 1>This means she'll try to change the subject or start

0:23:16.889 --> 0:23:20.330
<v Speaker 1>to yell. But today I don't care. I just want

0:23:20.330 --> 0:23:23.850
<v Speaker 1>to know what the big secret is. I wonder what

0:23:23.929 --> 0:23:27.090
<v Speaker 1>it is, I say to Emily, who knows? She says

0:23:27.209 --> 0:23:30.169
<v Speaker 1>while brushing her hair. So many things about your mom

0:23:30.250 --> 0:23:32.729
<v Speaker 1>are a mystery to me, like why is the kitchen

0:23:32.770 --> 0:23:35.810
<v Speaker 1>faucet always running full blast? And why does she keep

0:23:35.850 --> 0:23:40.010
<v Speaker 1>offering me paper towels? I think she says, you should

0:23:40.090 --> 0:23:47.169
<v Speaker 1>just let it go, but of course I can't. What

0:23:47.330 --> 0:23:50.010
<v Speaker 1>had my mother done that she wanted a second chance at?

0:23:50.530 --> 0:23:52.409
<v Speaker 1>Was it for the time she bought me a shirt

0:23:52.449 --> 0:23:56.369
<v Speaker 1>for my birthday that she later admitted was actually a dress?

0:23:56.850 --> 0:23:58.969
<v Speaker 1>Did you want to redo the time she dropped me

0:23:59.010 --> 0:24:02.130
<v Speaker 1>off at a birthday party and hollered out the car window.

0:24:02.689 --> 0:24:03.330
<v Speaker 4>Have fun?

0:24:03.649 --> 0:24:06.609
<v Speaker 1>But if you get diarrhea and someone's on the toilet

0:24:07.129 --> 0:24:10.490
<v Speaker 1>just making the bathtub die, arhea is not a time

0:24:10.609 --> 0:24:14.409
<v Speaker 1>for pride. Of course, I now see the wisdom, but

0:24:14.530 --> 0:24:17.369
<v Speaker 1>as a child, her words were a source of shame.

0:24:18.730 --> 0:24:19.409
<v Speaker 4>I need to know.

0:24:19.889 --> 0:24:22.209
<v Speaker 1>So I invite my mother out for a Sunday stroll

0:24:22.250 --> 0:24:25.369
<v Speaker 1>with Aggie and me. Maybe if she can just relax,

0:24:25.850 --> 0:24:31.730
<v Speaker 1>it'll come out like diarrhea talk.

0:24:32.409 --> 0:24:33.210
<v Speaker 3>What should I say?

0:24:33.889 --> 0:24:36.409
<v Speaker 1>Let I just take your level, So tell me.

0:24:38.409 --> 0:24:39.850
<v Speaker 4>So, do you find walking with Hogy.

0:24:39.929 --> 0:24:42.649
<v Speaker 3>Relaxing, very relaxing, so nice.

0:24:43.330 --> 0:24:46.729
<v Speaker 5>It's a pleasure to walk with my little friend.

0:24:47.530 --> 0:24:51.449
<v Speaker 1>To start things off, I lobber an easy question, cocktail

0:24:51.490 --> 0:24:55.769
<v Speaker 1>party stuff. What's your first memory?

0:24:58.689 --> 0:25:03.490
<v Speaker 5>Kindergarten? And we lived on Colonial four h three nine Colonial,

0:25:04.169 --> 0:25:08.090
<v Speaker 5>And I remember my father used to play peanockle and

0:25:08.209 --> 0:25:11.529
<v Speaker 5>he had a thumb that was the nail like the

0:25:11.609 --> 0:25:15.570
<v Speaker 5>thumbnail was very cut off, and all of a sudden

0:25:15.609 --> 0:25:18.210
<v Speaker 5>I thought of it and I started screaming and crying

0:25:18.250 --> 0:25:24.010
<v Speaker 5>and carrying on. I'm worrying. Oh, I remember how old

0:25:24.050 --> 0:25:26.330
<v Speaker 5>are you must have been four or five.

0:25:26.409 --> 0:25:29.009
<v Speaker 1>So so an early memory as being at kindergarten and

0:25:29.050 --> 0:25:32.369
<v Speaker 1>remembering your father's thumbnail and starting to cry.

0:25:33.050 --> 0:25:36.090
<v Speaker 4>What was it that upset you about it?

0:25:36.090 --> 0:25:38.969
<v Speaker 5>Shorried about it because it wasn't like a regular thumb.

0:25:40.850 --> 0:25:43.090
<v Speaker 3>I was worried crazy.

0:25:43.770 --> 0:25:46.969
<v Speaker 1>I tried to guide her towards happy reminiscences, but all

0:25:46.970 --> 0:25:51.770
<v Speaker 1>her memories are awful. Rheumatic fever, scarlet fever, her mother

0:25:51.889 --> 0:25:55.250
<v Speaker 1>slapping her in Woolworth's for whining about a balloon she wanted,

0:25:55.649 --> 0:25:57.689
<v Speaker 1>waking up in the middle of the night to find

0:25:57.689 --> 0:25:59.850
<v Speaker 1>a wall in the kitchen covered in moths.

0:26:00.490 --> 0:26:03.330
<v Speaker 5>Then I remember my mother's pressure cooker in that house

0:26:03.649 --> 0:26:07.729
<v Speaker 5>hits the ceiling and pea soup was flattered everywhere.

0:26:11.889 --> 0:26:17.649
<v Speaker 1>All your memories, Let's hear another memory. With the small

0:26:17.689 --> 0:26:21.729
<v Speaker 1>talk exhausted, I trepidaciously bring the subject back around to

0:26:21.810 --> 0:26:22.409
<v Speaker 1>the do over.

0:26:23.409 --> 0:26:24.930
<v Speaker 3>I don't know, Johnny.

0:26:25.290 --> 0:26:26.690
<v Speaker 5>I don't want to talk about it. I don't want

0:26:26.689 --> 0:26:31.850
<v Speaker 5>to remind myself the way I f felt. Doesn't conjure

0:26:31.929 --> 0:26:35.090
<v Speaker 5>up good memories. Please, and that's the end of it.

0:26:35.169 --> 0:26:35.770
<v Speaker 3>I don't want to.

0:26:35.689 --> 0:26:36.809
<v Speaker 5>Go into details.

0:26:39.730 --> 0:26:42.969
<v Speaker 1>Nonetheless, for the rest of the day, I can't stop

0:26:42.970 --> 0:26:46.530
<v Speaker 1>myself from asking for details. Here we go, I ask,

0:26:46.649 --> 0:26:48.369
<v Speaker 1>as she puts away the breakfast dishes.

0:26:48.730 --> 0:26:52.370
<v Speaker 5>I I have nothing more to say, Johnny.

0:26:52.409 --> 0:26:54.969
<v Speaker 1>Leave me be, wait, I ask, as she cuts coupons

0:26:55.010 --> 0:26:58.810
<v Speaker 1>while watching Judge Judy with Emily in broad strokes.

0:26:58.730 --> 0:27:01.930
<v Speaker 5>Alone, Please Emily take them off me.

0:27:02.530 --> 0:27:05.850
<v Speaker 1>And while she peels boiled eggs for lunch, Leave me alone.

0:27:07.250 --> 0:27:10.289
<v Speaker 1>Later we all sit down for dinner and with it

0:27:10.369 --> 0:27:10.929
<v Speaker 1>some wine.

0:27:11.409 --> 0:27:14.290
<v Speaker 3>What's wrong with me? I think I'm off my rock.

0:27:15.209 --> 0:27:16.970
<v Speaker 1>My mother rarely drinks wine.

0:27:17.689 --> 0:27:19.930
<v Speaker 3>Oh my god, how did I get like this?

0:27:21.449 --> 0:27:21.770
<v Speaker 7>A mom?

0:27:21.889 --> 0:27:26.890
<v Speaker 1>You just had a glass of wine as she drifts

0:27:26.929 --> 0:27:30.810
<v Speaker 1>off into an inebriated slumber. I give it one last try,

0:27:32.689 --> 0:27:35.929
<v Speaker 1>can I Is there anything you need to tell me? No,

0:27:36.169 --> 0:27:47.570
<v Speaker 1>any secrets to reveal? No, I was getting nowhere. Day five?

0:27:48.730 --> 0:27:56.050
<v Speaker 1>All right, you want to change him? What any It's

0:27:56.090 --> 0:27:58.570
<v Speaker 1>our last day and I've decided to give it a rest.

0:27:59.250 --> 0:28:02.770
<v Speaker 1>I stop asking weird questions and we all just hang out.

0:28:02.929 --> 0:28:05.130
<v Speaker 1>We talk about the price of things, We yell from

0:28:05.169 --> 0:28:08.050
<v Speaker 1>room to room, We search for lost cell phones, and

0:28:08.090 --> 0:28:12.570
<v Speaker 1>grow pleasantly bored word with each other's company. Overall, it's

0:28:12.609 --> 0:28:16.009
<v Speaker 1>pretty nice. Well, while putting Aggie down for a nap,

0:28:16.530 --> 0:28:18.130
<v Speaker 1>my mother has a question for me.

0:28:19.290 --> 0:28:21.649
<v Speaker 5>Sonny, what was it that you were hoping to get

0:28:21.770 --> 0:28:22.050
<v Speaker 5>from me?

0:28:23.530 --> 0:28:23.690
<v Speaker 8>Oh?

0:28:23.770 --> 0:28:26.490
<v Speaker 1>I really just want to be able to have a conversation,

0:28:26.730 --> 0:28:28.770
<v Speaker 1>that's all I'm not. I don't want to I don't

0:28:28.810 --> 0:28:30.010
<v Speaker 1>want to cause your distress.

0:28:30.369 --> 0:28:33.850
<v Speaker 3>They're not causing distress. It's it's what it was.

0:28:35.050 --> 0:28:37.209
<v Speaker 4>And I don't ever want to talk about old, painful

0:28:37.250 --> 0:28:37.689
<v Speaker 4>for stuff.

0:28:37.730 --> 0:28:48.690
<v Speaker 5>But what.

0:28:50.490 --> 0:28:54.330
<v Speaker 1>She lays Aggie down, she stands over the crib. She

0:28:54.450 --> 0:29:00.130
<v Speaker 1>starts to say something, but then trails away. What we're saying.

0:29:03.530 --> 0:29:08.530
<v Speaker 1>All right, I'm gonna turn it off. Then I was

0:29:08.610 --> 0:29:11.690
<v Speaker 1>not a doctor did I had no secret twin, and

0:29:11.810 --> 0:29:15.330
<v Speaker 1>my mother had no secret family. There were no murders,

0:29:15.530 --> 0:29:19.130
<v Speaker 1>no affairs. It turns out that my mother's big secret,

0:29:19.530 --> 0:29:21.210
<v Speaker 1>the thing that was so hard for her to say,

0:29:21.970 --> 0:29:24.650
<v Speaker 1>was that she was sorry for a lot of things,

0:29:25.330 --> 0:29:29.570
<v Speaker 1>some small, some not so small. Some I remember, some

0:29:30.050 --> 0:29:34.290
<v Speaker 1>I don't, calling me names, screaming at me a lot.

0:29:34.450 --> 0:29:37.090
<v Speaker 1>How she could have been nicer to my girlfriends, How

0:29:37.090 --> 0:29:41.050
<v Speaker 1>she used to pull my hair, hit me. Hitting kids

0:29:41.170 --> 0:29:43.969
<v Speaker 1>was like the hula hoop. Back then, I say, a fad.

0:29:44.570 --> 0:29:48.850
<v Speaker 1>Everyone did it. It wasn't right, she says. Back then

0:29:48.930 --> 0:29:52.410
<v Speaker 1>people didn't know better. I say, I should have known better.

0:29:52.450 --> 0:29:57.370
<v Speaker 1>She says, I forgive you. I say, I don't forgive myself.

0:29:58.450 --> 0:30:02.090
<v Speaker 1>So I forgive her again, and I mean it, And

0:30:02.130 --> 0:30:04.370
<v Speaker 1>then I turned the recorder back on.

0:30:09.770 --> 0:30:13.050
<v Speaker 3>I love you, honey. You made it a little easier

0:30:13.090 --> 0:30:14.009
<v Speaker 3>for me. Thank you.

0:30:15.810 --> 0:30:25.850
<v Speaker 1>I love you too, Mum. When you become a parent,

0:30:26.130 --> 0:30:29.770
<v Speaker 1>your whole life changes, but you forget that some things

0:30:29.770 --> 0:30:33.289
<v Speaker 1>stay the same. I had been so focused on becoming

0:30:33.290 --> 0:30:36.450
<v Speaker 1>a better father that I forgot I was still a son.

0:30:37.690 --> 0:30:40.410
<v Speaker 1>And maybe learning to be a better son is how

0:30:40.410 --> 0:30:45.249
<v Speaker 1>you become a better dad anyway, I want him to

0:30:45.290 --> 0:30:48.890
<v Speaker 1>be safe. On the last morning of our visit, my

0:30:48.970 --> 0:30:51.809
<v Speaker 1>mother and I head to the park. As a kid,

0:30:51.970 --> 0:30:54.530
<v Speaker 1>the park was someplace I usually went with my grandfather

0:30:54.890 --> 0:30:57.570
<v Speaker 1>or father. One of the only times I remember going

0:30:57.610 --> 0:31:00.570
<v Speaker 1>with my mother, two colleagues appeared out of nowhere and

0:31:00.610 --> 0:31:04.610
<v Speaker 1>began chasing us. I remember we separated and the dogs

0:31:04.690 --> 0:31:08.610
<v Speaker 1>chased her while I hid behind a tree. I look

0:31:08.610 --> 0:31:12.009
<v Speaker 1>around the playground from my own childhood with her. I

0:31:12.050 --> 0:31:15.370
<v Speaker 1>knew most things were out sandbox because someone could have

0:31:15.370 --> 0:31:19.210
<v Speaker 1>peed in there. Same for the swings, monkey bars, teeter totters,

0:31:19.250 --> 0:31:24.249
<v Speaker 1>and merry go rounds. But then something surprising happens. Picking

0:31:24.290 --> 0:31:26.850
<v Speaker 1>Aggie up out of the stroller, my mother.

0:31:26.690 --> 0:31:28.810
<v Speaker 5>Says, I'll take him down the slide.

0:31:28.970 --> 0:31:30.729
<v Speaker 1>He's never he's never gone down the side.

0:31:30.810 --> 0:31:33.370
<v Speaker 3>Come with Bobby, Honey, we'll go down the slide together.

0:31:33.450 --> 0:31:35.610
<v Speaker 4>Okay, you're gonna go with him down the slide. Well,

0:31:35.610 --> 0:31:38.770
<v Speaker 4>what do you think i'll put himself? I didn't. You're

0:31:38.810 --> 0:31:40.810
<v Speaker 4>not afraid to go down the slide. Why would I

0:31:40.850 --> 0:31:45.289
<v Speaker 4>be afraid? I don't know. Okay, be careful, Yeah, now

0:31:45.330 --> 0:31:50.570
<v Speaker 4>you've got my nervous I wasn't afraid be careful. I

0:31:50.570 --> 0:31:50.930
<v Speaker 4>don't know.

0:31:52.370 --> 0:31:56.170
<v Speaker 1>My mother hands me back Aggie and holding onto the railing,

0:31:56.650 --> 0:31:59.930
<v Speaker 1>she carefully climbs the steps to the top of the slide.

0:32:00.250 --> 0:32:03.090
<v Speaker 1>When she gets there, I climb up too and hand

0:32:03.130 --> 0:32:07.250
<v Speaker 1>Aggie back to her with hesitation. She positions him onto

0:32:07.250 --> 0:32:09.850
<v Speaker 1>her lap and I run around to the bottom of

0:32:09.850 --> 0:32:11.810
<v Speaker 1>the slide to await their arrival.

0:32:12.330 --> 0:32:15.130
<v Speaker 3>And you stand there and catch us in chase.

0:32:15.170 --> 0:32:19.769
<v Speaker 1>Part from me, and then Dina lets go, You're.

0:32:19.690 --> 0:32:20.410
<v Speaker 3>Gonna go down.

0:32:20.490 --> 0:32:28.410
<v Speaker 4>Whoo whoo. He's having fun.

0:32:28.530 --> 0:32:32.490
<v Speaker 1>Huh, so much fun in fact, that my mother decides

0:32:32.530 --> 0:32:36.410
<v Speaker 1>to do it again, And so again she climbs up

0:32:36.410 --> 0:32:39.810
<v Speaker 1>the steps, all three of them, to the top of

0:32:39.850 --> 0:32:42.769
<v Speaker 1>the ladder, and from the grand height of three and

0:32:42.770 --> 0:32:46.050
<v Speaker 1>a half feet, my mother and son descend the toddler

0:32:46.130 --> 0:32:47.250
<v Speaker 1>slide once more.

0:32:48.050 --> 0:32:52.090
<v Speaker 5>Slidey snidey down the slide.

0:32:57.130 --> 0:33:01.209
<v Speaker 1>Oggie loves it, so they do it again a third chance,

0:33:01.450 --> 0:33:05.249
<v Speaker 1>a fourth, and even a fifth. Then we move on

0:33:05.290 --> 0:33:11.010
<v Speaker 1>to the bouncy caterpillar, the rope bridge, and the swings.

0:33:09.770 --> 0:33:16.890
<v Speaker 3>Swam, sleepy doggies going sweeny.

0:33:16.610 --> 0:33:21.170
<v Speaker 5>The itsy bitsy spider quin up the water.

0:33:22.209 --> 0:33:25.930
<v Speaker 1>Parenthood is like a redo of your own childhood and

0:33:26.050 --> 0:33:29.850
<v Speaker 1>grandparenthood is like a redo of that. That's all life

0:33:29.890 --> 0:33:34.050
<v Speaker 1>is learning and relearning the same lessons over and over,

0:33:35.050 --> 0:33:38.209
<v Speaker 1>all of us, like those itsy bitsy spiders crawling up

0:33:38.330 --> 0:33:41.490
<v Speaker 1>endless water spouts, trying to make just a little more

0:33:41.530 --> 0:33:45.650
<v Speaker 1>progress each time we set out. There's comfort in knowing

0:33:45.690 --> 0:33:48.130
<v Speaker 1>that no one ever gets it right, no matter how

0:33:48.209 --> 0:33:52.370
<v Speaker 1>many chances we get. But hopefully at least a few

0:33:52.370 --> 0:33:56.370
<v Speaker 1>things go right, a few purely kind gestures somehow get through.

0:33:57.330 --> 0:34:01.489
<v Speaker 1>And for everything else we ask for forgiveness, and if

0:34:01.530 --> 0:34:06.330
<v Speaker 1>we're lucky, we'll receive it, and if we're luckier, we'll

0:34:06.330 --> 0:34:07.610
<v Speaker 1>forgive ourselves too.

0:34:09.090 --> 0:35:36.530
<v Speaker 7>I love the horrors and faces.

0:35:02.650 --> 0:35:07.370
<v Speaker 3>Now that the fern entures returned to its.

0:35:07.250 --> 0:35:08.650
<v Speaker 5>Good will hol.

0:35:11.890 --> 0:35:16.290
<v Speaker 3>Now that the last month's rant is scheming with the

0:35:16.490 --> 0:35:18.610
<v Speaker 3>damage to take.

0:35:18.490 --> 0:35:28.690
<v Speaker 4>This moment to des if we mention Chi felt around from.

0:35:40.850 --> 0:35:43.650
<v Speaker 1>It's been nearly a decade since I recorded that episode

0:35:43.650 --> 0:35:46.850
<v Speaker 1>with my mother. Recently I flew home to Montreal to

0:35:46.850 --> 0:35:52.210
<v Speaker 1>see her again, same airport, same toyota, same parents, nearly

0:35:52.290 --> 0:35:53.210
<v Speaker 1>leaving me on the current.

0:35:53.410 --> 0:35:55.650
<v Speaker 4>Oh I didn't, I've already gone in.

0:35:57.050 --> 0:35:59.330
<v Speaker 1>I've come to visit this weekend because it's my mother's

0:35:59.370 --> 0:36:02.450
<v Speaker 1>eightieth birthday. She's planned a big dinner as well as

0:36:02.450 --> 0:36:04.890
<v Speaker 1>a visit to the Senior Center, where I'm told there

0:36:04.930 --> 0:36:06.330
<v Speaker 1>will be music and dancing.

0:36:06.610 --> 0:36:07.210
<v Speaker 4>You don't want to.

0:36:07.210 --> 0:36:08.410
<v Speaker 3>Come with me to the club?

0:36:09.170 --> 0:36:09.850
<v Speaker 4>Do you want me to?

0:36:10.610 --> 0:36:13.610
<v Speaker 1>Only if you feel like I can come for a

0:36:13.650 --> 0:36:14.770
<v Speaker 1>little bit, if.

0:36:14.650 --> 0:36:17.090
<v Speaker 3>You're gonna have to say, for like an hour and

0:36:17.170 --> 0:36:18.370
<v Speaker 3>a half, two hours?

0:36:18.970 --> 0:36:21.530
<v Speaker 1>So why can't I just drop in and say, Hi, Hey,

0:36:22.010 --> 0:36:23.009
<v Speaker 1>how much do you have to pay?

0:36:23.410 --> 0:36:23.570
<v Speaker 5>Well?

0:36:24.930 --> 0:36:27.610
<v Speaker 3>I can pay that, I know, but for five seconds

0:36:27.610 --> 0:36:28.730
<v Speaker 3>it doesn't pay.

0:36:29.530 --> 0:36:32.890
<v Speaker 6>One day they had the salsa.

0:36:35.090 --> 0:36:37.290
<v Speaker 4>I got up to dance. Then, Oh you like that?

0:36:37.410 --> 0:36:39.930
<v Speaker 4>I loved it, and they all loved.

0:36:40.010 --> 0:36:42.570
<v Speaker 3>Nobody was Dan, just your mom and me because they

0:36:42.970 --> 0:36:45.570
<v Speaker 3>know I'm always begging him to come dance, and I

0:36:45.650 --> 0:36:46.730
<v Speaker 3>couldn't stop dancing.

0:36:52.010 --> 0:37:02.810
<v Speaker 6>Hi, guys from Minnesota, Hello, because he's no.

0:37:03.690 --> 0:37:06.970
<v Speaker 3>Because some people watch on zoom, they don't come, okay

0:37:07.050 --> 0:37:09.450
<v Speaker 3>because they don't want to pay the five Do.

0:37:09.450 --> 0:37:11.930
<v Speaker 4>You think that's why you're hitting? Maybe they don't have trouble, No.

0:37:12.250 --> 0:37:12.690
<v Speaker 6>Don't want to.

0:37:13.170 --> 0:37:15.170
<v Speaker 1>Maybe they can't afford it. They can't afford it.

0:37:15.210 --> 0:37:21.970
<v Speaker 4>There rich say they too long to stay. Just shut

0:37:22.010 --> 0:37:24.410
<v Speaker 4>up and kiss me. Let's clap our hands.

0:37:25.010 --> 0:37:30.530
<v Speaker 6>Whoa yeah, there we go. And how about some feet

0:37:30.610 --> 0:37:32.969
<v Speaker 6>in the tap of feet all the time.

0:37:33.730 --> 0:37:35.850
<v Speaker 8>Oh my gosh, you're almost dancing.

0:37:35.970 --> 0:37:36.570
<v Speaker 4>Watch out.

0:37:37.770 --> 0:37:44.130
<v Speaker 9>Whoa nice by.

0:37:43.850 --> 0:37:53.650
<v Speaker 3>Wishes to our March celebrants, Dean and Goldstein, March sixth today.

0:37:54.850 --> 0:37:56.050
<v Speaker 7>Thank you, thank you.

0:38:00.370 --> 0:38:11.570
<v Speaker 4>Do you have happy birthday?

0:38:11.770 --> 0:38:14.010
<v Speaker 3>Thank you, Johnny, Thank you, sweetheart. You made a.

0:38:14.090 --> 0:38:17.450
<v Speaker 1>Special So I wanted to talk with you about the

0:38:17.530 --> 0:38:21.850
<v Speaker 1>Dina episode. You were seventy two in that.

0:38:22.010 --> 0:38:26.130
<v Speaker 3>In that woman. I was a young girl at seventy two.

0:38:27.290 --> 0:38:30.890
<v Speaker 1>What is different now that you're eighty? That's different than

0:38:30.890 --> 0:38:31.970
<v Speaker 1>when you were in your seventies.

0:38:32.610 --> 0:38:39.090
<v Speaker 3>I changed, I don't know. I'm trying to change even.

0:38:38.890 --> 0:38:41.250
<v Speaker 1>More in what way?

0:38:42.930 --> 0:38:47.090
<v Speaker 3>Well, I'm trying not to get so crazy over things.

0:38:48.770 --> 0:38:50.690
<v Speaker 1>So when you listen to yourself as a young girl

0:38:50.730 --> 0:38:55.170
<v Speaker 1>of seventy two, worried about Aggie, that he's going to

0:38:55.210 --> 0:38:57.690
<v Speaker 1>get cool, that he's not wearing a hat, how does

0:38:57.730 --> 0:38:58.490
<v Speaker 1>that make you feel?

0:38:58.930 --> 0:38:59.090
<v Speaker 7>Well?

0:38:59.130 --> 0:39:02.090
<v Speaker 3>I still worry, like when the children go naked, like

0:39:02.450 --> 0:39:05.410
<v Speaker 3>I call it naked, they don't button up their coats.

0:39:05.730 --> 0:39:08.370
<v Speaker 1>What are the things that you can think of that

0:39:08.370 --> 0:39:09.050
<v Speaker 1>that have changed?

0:39:10.090 --> 0:39:12.130
<v Speaker 3>Well? I got sick. That changed a lot.

0:39:13.650 --> 0:39:15.010
<v Speaker 1>This is when you had your heart attack.

0:39:17.050 --> 0:39:20.170
<v Speaker 3>I mean, I still get anxious sometimes.

0:39:20.650 --> 0:39:22.490
<v Speaker 1>What do you do to try to cope with the

0:39:22.570 --> 0:39:24.010
<v Speaker 1>anxious anxiousness?

0:39:24.650 --> 0:39:25.770
<v Speaker 3>I don't think so much.

0:39:27.130 --> 0:39:30.770
<v Speaker 1>What else changed though when you because I remember, you know,

0:39:30.850 --> 0:39:35.410
<v Speaker 1>before you went into the surgery, the heart surgery, you

0:39:35.490 --> 0:39:38.690
<v Speaker 1>had sort of made your peace. Yeah, you don't remember

0:39:38.690 --> 0:39:39.050
<v Speaker 1>any of that.

0:39:39.290 --> 0:39:42.970
<v Speaker 3>Oh, I wouldn't know. I was that brave. I didn't

0:39:43.010 --> 0:39:47.010
<v Speaker 3>realize that. The doctor told me that he told you

0:39:47.090 --> 0:39:51.370
<v Speaker 3>I wasn't going to make it. He told me when

0:39:51.850 --> 0:39:54.810
<v Speaker 3>they sent me into the basement of the Sante Hospitals

0:39:54.850 --> 0:39:59.009
<v Speaker 3>for tests, and the technician and the doctor there told

0:39:59.050 --> 0:40:01.850
<v Speaker 3>me was that I wasn't going to make it. And

0:40:01.970 --> 0:40:04.330
<v Speaker 3>I remember crying and I was all by myself in

0:40:04.370 --> 0:40:07.770
<v Speaker 3>that horrible dark basement, and then I said stop it.

0:40:08.210 --> 0:40:11.610
<v Speaker 3>I talked to my and I said stop it already,

0:40:11.650 --> 0:40:16.130
<v Speaker 3>It's enough. And I was okay. After that, you know,

0:40:16.170 --> 0:40:18.130
<v Speaker 3>I stopped crying and I went up and I did

0:40:18.170 --> 0:40:18.969
<v Speaker 3>what I had to do.

0:40:20.450 --> 0:40:23.090
<v Speaker 1>Going through something the way that you did with having

0:40:23.610 --> 0:40:26.410
<v Speaker 1>the heart attack the heart surgery, did it make you

0:40:26.490 --> 0:40:27.530
<v Speaker 1>more philosophical?

0:40:28.810 --> 0:40:29.170
<v Speaker 7>I don't know.

0:40:29.210 --> 0:40:32.850
<v Speaker 3>I'm still not a terrific person. I'm still not a saint,

0:40:32.890 --> 0:40:35.090
<v Speaker 3>even though i'd like to be. I still gossip and

0:40:35.170 --> 0:40:39.130
<v Speaker 3>I still say bad things about people, and I still yell,

0:40:39.930 --> 0:40:46.370
<v Speaker 3>and I still get mean. So I can't say I'm better.

0:40:46.490 --> 0:40:49.050
<v Speaker 3>I want to be better, but I'm not not as

0:40:49.090 --> 0:40:52.450
<v Speaker 3>good as I should be. I'm far from an angel.

0:40:54.330 --> 0:40:56.530
<v Speaker 1>Do you ever think that maybe you're a little harsh

0:40:56.570 --> 0:40:57.170
<v Speaker 1>with yourself?

0:40:57.290 --> 0:40:57.330
<v Speaker 8>No?

0:40:59.250 --> 0:41:01.930
<v Speaker 1>So, how's your idioth birthday today? How's it feelingly?

0:41:02.010 --> 0:41:09.050
<v Speaker 3>Because you're here, that doesn't I don't feel like i'm old.

0:41:09.170 --> 0:41:13.210
<v Speaker 3>You feel in my heart some days I feel i'm sixteen.

0:41:14.490 --> 0:41:15.570
<v Speaker 1>Thank you for talking to me.

0:41:16.410 --> 0:41:17.090
<v Speaker 3>You're welcome.

0:41:17.770 --> 0:41:18.330
<v Speaker 4>I love you.

0:41:18.490 --> 0:41:27.170
<v Speaker 3>I love you more, Johnny, You're my precious boy.

0:41:34.370 --> 0:41:37.529
<v Speaker 1>Thanks to everyone who helped put the episode together. This

0:41:37.730 --> 0:41:41.330
<v Speaker 1>is the last of our summer encores, but I fear not.

0:41:41.690 --> 0:41:44.810
<v Speaker 1>Denigoldtem's Precious Boy will be back with a new season

0:41:44.810 --> 0:42:11.770
<v Speaker 1>of Heavyweight on September eighteenth.