1 00:00:00,720 --> 00:00:03,200 Speaker 1: And you're here. Thanks for choosing the I heart radio 2 00:00:03,240 --> 00:00:06,280 Speaker 1: and coast to coast, a and paranormal podcast network. Your 3 00:00:06,360 --> 00:00:10,160 Speaker 1: quest for podcasts of the paranormal, supernatural and the unexplained 4 00:00:10,240 --> 00:00:13,240 Speaker 1: ends here. We invite you to enjoy all our shows 5 00:00:13,360 --> 00:00:16,120 Speaker 1: we have on this network, and right now let's start 6 00:00:16,160 --> 00:00:26,840 Speaker 1: with strange things with Joshua P warren. Welcome to our podcast. 7 00:00:27,240 --> 00:00:30,480 Speaker 1: Please be aware of the thoughts and opinions expressed by 8 00:00:30,480 --> 00:00:33,839 Speaker 1: the host are their thoughts and opinions only and do 9 00:00:33,920 --> 00:00:37,320 Speaker 1: not reflect those of I heart media, I heart radio 10 00:00:37,800 --> 00:00:41,880 Speaker 1: coast to coast. AM employees of premier networks or their 11 00:00:41,920 --> 00:00:45,600 Speaker 1: sponsors and associates, we would like to encourage you to 12 00:00:45,640 --> 00:00:49,400 Speaker 1: do your own research and discover the subject matter for yourself. 13 00:01:12,959 --> 00:01:26,120 Speaker 1: Of This strange thing with Joshua Warren. I am Joshua 14 00:01:26,240 --> 00:01:29,120 Speaker 1: Pe Warren and each week on this show I'll be 15 00:01:29,160 --> 00:01:32,960 Speaker 1: bringing you brand new mind blowing content, news, exercises and 16 00:01:33,440 --> 00:01:36,880 Speaker 1: weird experiments you can do at home, and a lot 17 00:01:37,040 --> 00:01:42,679 Speaker 1: more on this edition of the program. How anti gravity 18 00:01:43,440 --> 00:01:51,800 Speaker 1: built the pyramids. You know, for almost twenty years I 19 00:01:51,920 --> 00:01:55,720 Speaker 1: have known nick redfern. He is a great friend uh 20 00:01:55,880 --> 00:01:58,080 Speaker 1: the kind of guy who has slept on my couch, 21 00:01:58,200 --> 00:02:02,520 Speaker 1: you know, and is well. He was born in England 22 00:02:03,080 --> 00:02:06,040 Speaker 1: and he lives in Texas now and he is one 23 00:02:06,120 --> 00:02:10,800 Speaker 1: of the most talented researchers and writers in the world. 24 00:02:11,520 --> 00:02:15,040 Speaker 1: We've been on TV shows together, we've investigated in the 25 00:02:15,080 --> 00:02:19,720 Speaker 1: field together, we have spoken at live events together. As 26 00:02:19,760 --> 00:02:24,000 Speaker 1: a matter of fact, Nick redfern was a part of 27 00:02:24,040 --> 00:02:31,560 Speaker 1: the x OPS TV show debacle uh, from Roswell, New Mexico, 28 00:02:31,680 --> 00:02:35,200 Speaker 1: that I talked about an episode ten of this podcast. 29 00:02:35,240 --> 00:02:38,880 Speaker 1: Now that is a story for you. The results of 30 00:02:38,919 --> 00:02:41,680 Speaker 1: that project are still locked away in a vault somewhere. 31 00:02:41,720 --> 00:02:44,640 Speaker 1: If you don't know what I'm talking about, go back 32 00:02:44,680 --> 00:02:52,720 Speaker 1: and listen to episode ten of this strange things podcast. Um. So, yeah, 33 00:02:52,840 --> 00:02:56,560 Speaker 1: Nick and I we we've got some war stories and uh, 34 00:02:56,639 --> 00:02:58,720 Speaker 1: he has a new book out let just for the 35 00:02:58,760 --> 00:03:00,760 Speaker 1: heck of it. Let me start by reading you the 36 00:03:00,800 --> 00:03:04,160 Speaker 1: little blurb, the kind of bio blurb, on the back 37 00:03:04,200 --> 00:03:07,480 Speaker 1: of the book. And this just scratches the surface of 38 00:03:07,600 --> 00:03:11,640 Speaker 1: his work. UH, the author of more than sixty books, 39 00:03:12,600 --> 00:03:18,840 Speaker 1: including the NASA conspiracies, the real men in black, bloodline 40 00:03:18,840 --> 00:03:22,720 Speaker 1: of the Gods and the Pyramids and the Pentagon. He 41 00:03:22,760 --> 00:03:26,360 Speaker 1: has been on many television shows, including travel channels in 42 00:03:26,400 --> 00:03:33,320 Speaker 1: search of monsters, history channels unexplained, ancient aliens and Monster Quest, 43 00:03:33,680 --> 00:03:38,520 Speaker 1: sci fi channels, proof positive and the National Geographic Channels 44 00:03:38,560 --> 00:03:42,480 Speaker 1: Para natural. Nick is a regular guest on coast to 45 00:03:42,520 --> 00:03:45,240 Speaker 1: coast a m UH. Pretty much, if you're in this 46 00:03:45,280 --> 00:03:49,400 Speaker 1: field you know who nick redfern is and we all 47 00:03:49,400 --> 00:03:51,880 Speaker 1: pay attention when he brings a new book out. And 48 00:03:52,000 --> 00:03:56,920 Speaker 1: his brand new book is called how anti gravity built 49 00:03:57,040 --> 00:04:02,920 Speaker 1: the pyramids. That's a catchy title, and then it says 50 00:04:02,960 --> 00:04:09,360 Speaker 1: the mysterious technology of ancient super structures. Now, I had 51 00:04:09,400 --> 00:04:11,600 Speaker 1: to think about how I was going to present this 52 00:04:11,960 --> 00:04:15,360 Speaker 1: and I want to explain something about how I have 53 00:04:15,520 --> 00:04:20,320 Speaker 1: decided to produce this podcast. Uh, from the very beginning, 54 00:04:20,600 --> 00:04:23,640 Speaker 1: this is is my style. I want you to realize 55 00:04:23,680 --> 00:04:26,520 Speaker 1: that I uh, when I was a kid and I 56 00:04:27,320 --> 00:04:30,880 Speaker 1: decided to start getting involved in media, my thing was like, 57 00:04:31,000 --> 00:04:33,080 Speaker 1: I want to be a writer. You know, I consider 58 00:04:33,160 --> 00:04:35,840 Speaker 1: myself first and foremost a writer. I have published over 59 00:04:35,920 --> 00:04:40,159 Speaker 1: twenty books myself, some with big publishers like Simon and Schuster, 60 00:04:41,120 --> 00:04:46,080 Speaker 1: and I actually still, to this day, consider myself primarily 61 00:04:46,120 --> 00:04:50,960 Speaker 1: a writer, even though I speak it now more than 62 00:04:51,040 --> 00:04:54,800 Speaker 1: I actually write it. It's this. It's the same process. 63 00:04:54,839 --> 00:05:00,400 Speaker 1: It's putting words together and telling stories. And so when 64 00:05:00,520 --> 00:05:05,320 Speaker 1: I am looking at another writer's work, I view it 65 00:05:05,400 --> 00:05:09,919 Speaker 1: a little bit differently than somebody who just hosts a 66 00:05:10,040 --> 00:05:14,760 Speaker 1: podcast or a radio show or a TV show. You see, traditionally, 67 00:05:15,240 --> 00:05:19,360 Speaker 1: when someone writes a book and then decides to go 68 00:05:19,440 --> 00:05:23,320 Speaker 1: out and promote that book, well then they say, okay, 69 00:05:23,360 --> 00:05:26,560 Speaker 1: I'm available for a certain period of time, and then 70 00:05:26,680 --> 00:05:29,520 Speaker 1: what you're supposed to do is bring that person onto 71 00:05:29,560 --> 00:05:34,280 Speaker 1: your show and then you interview that person about the 72 00:05:34,320 --> 00:05:37,680 Speaker 1: book and you have a big conversation about it and 73 00:05:37,720 --> 00:05:40,080 Speaker 1: then maybe people can call it and ask questions. That's 74 00:05:40,080 --> 00:05:44,200 Speaker 1: how everybody does it. But I decided that I was 75 00:05:44,279 --> 00:05:48,120 Speaker 1: going to do things a little differently because, again, I 76 00:05:48,200 --> 00:05:50,520 Speaker 1: can look at this situation from a writer's point of 77 00:05:50,600 --> 00:05:55,800 Speaker 1: view and, uh, what I realized was that when a 78 00:05:55,960 --> 00:06:01,760 Speaker 1: writer is writing a book, that writer is in a 79 00:06:01,880 --> 00:06:08,080 Speaker 1: completely different mindset than when that writer is giving an 80 00:06:08,120 --> 00:06:12,400 Speaker 1: off the cuff interview. Uh, it's not the same thing. 81 00:06:12,720 --> 00:06:15,440 Speaker 1: It's like, you know, it's to me like sometimes I 82 00:06:15,440 --> 00:06:18,080 Speaker 1: would take like two years to write a book and 83 00:06:18,120 --> 00:06:19,919 Speaker 1: I sit down and I just put a lot of 84 00:06:19,920 --> 00:06:23,159 Speaker 1: thought and effort into gathering the words and the concepts 85 00:06:23,200 --> 00:06:28,000 Speaker 1: and assembling everything to present uh, the exactly as I 86 00:06:28,080 --> 00:06:34,040 Speaker 1: want it presented. Okay, and then after it's released, somebody says, well, 87 00:06:34,080 --> 00:06:36,159 Speaker 1: come on my show at six o'clock in the morning 88 00:06:36,160 --> 00:06:38,039 Speaker 1: and we're gonna, you know, talk about this for thirty 89 00:06:38,080 --> 00:06:41,720 Speaker 1: minutes and you get up in your groggy and and 90 00:06:41,839 --> 00:06:44,200 Speaker 1: you start talking about your book and it's like it's 91 00:06:45,080 --> 00:06:48,280 Speaker 1: it's not. You're not capturing the real essence of what 92 00:06:48,440 --> 00:06:53,279 Speaker 1: you spent two years producing. It's two separate things. So 93 00:06:53,760 --> 00:06:58,040 Speaker 1: what I prefer to do in many cases is, instead 94 00:06:58,160 --> 00:07:03,040 Speaker 1: of interviewing the author of a new book, I will 95 00:07:03,120 --> 00:07:06,719 Speaker 1: contact that author and say, will you please give me 96 00:07:06,839 --> 00:07:12,920 Speaker 1: permission to actually read some of your book on the show, 97 00:07:13,920 --> 00:07:18,320 Speaker 1: and everybody always says yes, that's wonderful, that's fantastic. They 98 00:07:18,320 --> 00:07:20,840 Speaker 1: can sleep late, they don't have to schedule an interview 99 00:07:21,280 --> 00:07:23,480 Speaker 1: and I get to also, I you know, I can 100 00:07:23,560 --> 00:07:25,640 Speaker 1: do this whenever I want. And but the best part 101 00:07:25,760 --> 00:07:29,960 Speaker 1: is you're actually getting a sample of the real product, 102 00:07:30,760 --> 00:07:33,680 Speaker 1: not somebody talking about it. You're getting the real thing. 103 00:07:34,440 --> 00:07:40,280 Speaker 1: And I don't interview a lot of people on this podcast. Intentionally. Uh. Anyway, 104 00:07:40,320 --> 00:07:42,160 Speaker 1: for a number of reasons, I want to get into 105 00:07:42,200 --> 00:07:45,720 Speaker 1: all of those, but I feel like that, again, given 106 00:07:45,760 --> 00:07:48,200 Speaker 1: just my own background as an author and my own 107 00:07:48,240 --> 00:07:51,520 Speaker 1: personal experiences, you're going to get a better feel for 108 00:07:51,560 --> 00:07:54,360 Speaker 1: what the author wanted to produce and put out there 109 00:07:54,360 --> 00:07:56,640 Speaker 1: in the world if if I just read you some 110 00:07:56,720 --> 00:07:58,320 Speaker 1: of it. So that is what I'm going to do 111 00:07:58,440 --> 00:08:00,720 Speaker 1: right now. I'm going to read you some of the 112 00:08:01,120 --> 00:08:05,000 Speaker 1: introduction here from Nick redfern's new book how anti gravity 113 00:08:05,080 --> 00:08:12,360 Speaker 1: built the pyramids. Here we go. Imagine, if you will, 114 00:08:12,840 --> 00:08:18,720 Speaker 1: the following scenario before you. It's several millennia ago and 115 00:08:18,840 --> 00:08:21,200 Speaker 1: deep in the heart of what is now called the 116 00:08:21,240 --> 00:08:26,400 Speaker 1: Middle East, there are desert sands in every single direction. 117 00:08:27,360 --> 00:08:31,800 Speaker 1: The temperature is soaring and it's only getting hotter, and 118 00:08:31,880 --> 00:08:36,079 Speaker 1: the air is as dry as it could be. Suddenly, 119 00:08:36,600 --> 00:08:41,400 Speaker 1: the sky above you begins to grow dark, ominously, to 120 00:08:41,520 --> 00:08:49,080 Speaker 1: be sure. Huge shadows appear here, there and everywhere. Those 121 00:08:49,280 --> 00:08:54,079 Speaker 1: same shadows slowly begin to envelope just about all and 122 00:08:54,240 --> 00:08:58,520 Speaker 1: everyone in sight. They even blot out the light of 123 00:08:58,559 --> 00:09:03,640 Speaker 1: the sun itself. You know all too well from where 124 00:09:03,640 --> 00:09:09,520 Speaker 1: those massive shadows are coming. The skies you have seen 125 00:09:09,520 --> 00:09:12,600 Speaker 1: this happen time and time again, but on each and 126 00:09:12,800 --> 00:09:19,640 Speaker 1: every occasion you simply cannot fail to be completely awed, hypnotized, 127 00:09:19,720 --> 00:09:24,520 Speaker 1: almost perhaps, by the incredible view that is above your head. 128 00:09:26,080 --> 00:09:28,880 Speaker 1: You look up and you squint. It's all you can 129 00:09:28,920 --> 00:09:36,000 Speaker 1: do in all directions. Countless huge stones, many of them 130 00:09:36,120 --> 00:09:41,560 Speaker 1: and excess of one thousand tons in weight, are slowly 131 00:09:41,640 --> 00:09:46,760 Speaker 1: moving above the landscape that's right above like an unstoppable 132 00:09:46,880 --> 00:09:50,959 Speaker 1: army of determined giant ants devoted to their queen. The 133 00:09:51,080 --> 00:09:53,920 Speaker 1: armada of stones follow the paths of those who are 134 00:09:53,960 --> 00:09:59,000 Speaker 1: controlling them. You continue to stare as the stones finally 135 00:09:59,040 --> 00:10:02,320 Speaker 1: reach their location and then, bit by bit and with 136 00:10:02,400 --> 00:10:07,120 Speaker 1: shockingly incredible preciseness, the stones are lowered, one by one, 137 00:10:08,040 --> 00:10:13,120 Speaker 1: all into place. Each massive block has been carefully molded 138 00:10:13,120 --> 00:10:16,360 Speaker 1: into perfect shape and is now becoming part of a 139 00:10:16,440 --> 00:10:22,520 Speaker 1: temple of absolute gigantic proportions. The process takes only a 140 00:10:22,559 --> 00:10:27,920 Speaker 1: few days before it is repeated again and again. Neither 141 00:10:28,040 --> 00:10:33,480 Speaker 1: you nor any of your people have any real sure 142 00:10:33,559 --> 00:10:37,400 Speaker 1: ideas as to who the movers of the stone are. 143 00:10:39,000 --> 00:10:42,400 Speaker 1: And all of the time, and while the work is 144 00:10:42,440 --> 00:10:49,800 Speaker 1: going ahead, deep humming sound penetrates your body, causing it 145 00:10:49,880 --> 00:10:56,240 Speaker 1: to slightly vibrate. Okay, I'm going to stop there for 146 00:10:56,280 --> 00:11:00,240 Speaker 1: a second as we take our first break. These see 147 00:11:00,240 --> 00:11:02,600 Speaker 1: what I mean. Like if if I got nick on 148 00:11:02,679 --> 00:11:04,240 Speaker 1: here and I said tell me about your book, you'd 149 00:11:04,240 --> 00:11:06,920 Speaker 1: be like, well, here I wrote a book about but 150 00:11:07,120 --> 00:11:11,439 Speaker 1: isn't it better to hear the way he has written 151 00:11:11,440 --> 00:11:15,080 Speaker 1: this to help you actually envision what he's writing about? 152 00:11:15,320 --> 00:11:18,880 Speaker 1: And what do you think the secret is here? He 153 00:11:18,960 --> 00:11:22,160 Speaker 1: I mean that's that's a pretty bold title. How anti 154 00:11:22,240 --> 00:11:25,880 Speaker 1: gravity built the Pyramids? Well, what's HE gonna say? How 155 00:11:25,920 --> 00:11:31,040 Speaker 1: does he know? What could his explanation possibly be? Well, 156 00:11:31,080 --> 00:11:32,839 Speaker 1: when we come back, I'm gonna tell you. I'm not 157 00:11:32,840 --> 00:11:34,760 Speaker 1: gonna leave you hanging. This is not just a tease. 158 00:11:34,840 --> 00:11:38,040 Speaker 1: I'm going to tell you exactly what he thinks is 159 00:11:38,080 --> 00:11:40,680 Speaker 1: going on. I'M NOT gonna Spoil his book. Don't worry 160 00:11:40,679 --> 00:11:43,840 Speaker 1: about that, nick, I'M NOT gonna spoil it, but I 161 00:11:43,880 --> 00:11:47,520 Speaker 1: will tell you what he's writing about. Didn't that good stuff? 162 00:11:48,760 --> 00:11:52,439 Speaker 1: All right, before we hit the break, another thing. I 163 00:11:52,440 --> 00:11:57,160 Speaker 1: I'm recording this in September. Next month is October and 164 00:11:57,240 --> 00:12:00,880 Speaker 1: I have a little October. So prize I think I'm 165 00:12:00,880 --> 00:12:04,720 Speaker 1: gonna Spring on you, but I probably I am not 166 00:12:04,800 --> 00:12:07,360 Speaker 1: going to talk about it on this show, at least 167 00:12:07,360 --> 00:12:12,040 Speaker 1: not at first. I break everything through my free e newsletter, 168 00:12:12,160 --> 00:12:13,840 Speaker 1: and if you want to sign up for that and 169 00:12:13,880 --> 00:12:16,880 Speaker 1: get the first word, go to Joshua P WARREN DOT 170 00:12:16,920 --> 00:12:20,960 Speaker 1: COM and sign up for my free e newsletter on 171 00:12:21,000 --> 00:12:23,360 Speaker 1: the homepage. Takes you two seconds. You put your email 172 00:12:23,360 --> 00:12:27,280 Speaker 1: address in there, you have submit, and when you do 173 00:12:27,360 --> 00:12:30,760 Speaker 1: that you'll not only get the first information about all 174 00:12:30,800 --> 00:12:33,640 Speaker 1: my projects and experiments you can participate with, but you'll 175 00:12:33,679 --> 00:12:37,680 Speaker 1: also get instantaneously and automated email sent to you from 176 00:12:37,760 --> 00:12:41,040 Speaker 1: me that's got links to all kinds of cool free gifts, 177 00:12:41,360 --> 00:12:44,040 Speaker 1: digital gifts that can help you start making your life 178 00:12:44,080 --> 00:12:47,319 Speaker 1: more magical, and I hope you'll check out my curiosity 179 00:12:47,360 --> 00:12:50,079 Speaker 1: shop while you're there as well. There is no period 180 00:12:50,200 --> 00:12:54,080 Speaker 1: after the P if you go to Joshua P Warren 181 00:12:54,800 --> 00:12:59,480 Speaker 1: dot com, that's where the show kind of continues. I 182 00:12:59,520 --> 00:13:02,479 Speaker 1: Am Josh Swoope Warren and you are listening to strange 183 00:13:03,160 --> 00:13:06,559 Speaker 1: things on the I heart radio and coast to coast. 184 00:13:06,559 --> 00:13:11,000 Speaker 1: Stay am paranormal podcast network, and I will be right 185 00:13:11,000 --> 00:13:47,760 Speaker 1: back and welcome back to strange things on the I 186 00:13:47,920 --> 00:13:52,160 Speaker 1: heart radio and coast to coast. Am Paranormal podcast network. 187 00:13:52,720 --> 00:13:56,440 Speaker 1: I am your host, the wizard of Weird, Joshua Kei Warren. 188 00:13:56,880 --> 00:13:59,680 Speaker 1: Beat me into your wormhole brain from my studio and 189 00:14:00,040 --> 00:14:03,719 Speaker 1: in the city Las Vegas, Nevada, where every day is 190 00:14:03,760 --> 00:14:07,959 Speaker 1: golden and every night is silver. Of course you can 191 00:14:08,000 --> 00:14:12,360 Speaker 1: go to Amazon Dot Com and just look up the 192 00:14:12,480 --> 00:14:16,959 Speaker 1: name Nick Redfern, R E D F E R N, 193 00:14:17,920 --> 00:14:20,200 Speaker 1: or just look up the name of his book how 194 00:14:20,240 --> 00:14:25,600 Speaker 1: anti gravity built the pyramids, and he has a blog 195 00:14:25,640 --> 00:14:33,400 Speaker 1: spot here, nick redfern forten dot blog spot dot com. 196 00:14:33,440 --> 00:14:38,120 Speaker 1: And of course, Fortien, named after the Great Charles Fort. 197 00:14:38,280 --> 00:14:41,440 Speaker 1: Charles Fort was an American writer. He lived from eighteen 198 00:14:41,480 --> 00:14:44,800 Speaker 1: seventy four until nineteen thirty two and he specialized in 199 00:14:45,680 --> 00:14:49,760 Speaker 1: documenting and writing about anomalous phenomena. So the terms Fort 200 00:14:49,800 --> 00:14:54,440 Speaker 1: Ian and forty ANA are often used to characterize these 201 00:14:54,480 --> 00:14:59,040 Speaker 1: types of bizarre things, and he's always been a hero 202 00:14:59,200 --> 00:15:03,120 Speaker 1: of mine. Nick read fern obviously enjoys the work of 203 00:15:03,240 --> 00:15:05,480 Speaker 1: Charles Fort and I guess I should point out that 204 00:15:06,760 --> 00:15:13,479 Speaker 1: just recently I submitted a short film about o Ufos 205 00:15:13,600 --> 00:15:19,600 Speaker 1: that I produced years ago to the first fourteen film 206 00:15:19,800 --> 00:15:24,920 Speaker 1: festival in England and UH guess what? It won the 207 00:15:25,080 --> 00:15:30,080 Speaker 1: Gold Award. Oh ufos, a new discovery. It won the 208 00:15:30,200 --> 00:15:35,800 Speaker 1: Gold Award for best documentary short at the fourteen film festival. 209 00:15:35,880 --> 00:15:41,440 Speaker 1: So how cool is that? Um goes to show how 210 00:15:41,920 --> 00:15:46,000 Speaker 1: this concept of Fortiana just keeps popping up and tying 211 00:15:46,080 --> 00:15:52,160 Speaker 1: us all together. So, okay, let's get back to the 212 00:15:52,200 --> 00:15:56,040 Speaker 1: amazing story, shall we, from Nix's book, How anti gravity 213 00:15:56,120 --> 00:16:03,080 Speaker 1: built the pyramids. You have pondered long on who the WHO? 214 00:16:03,120 --> 00:16:07,880 Speaker 1: These people, these people who come from the skies, are 215 00:16:09,120 --> 00:16:15,040 Speaker 1: a mighty race from a land far away from Earth, gods, 216 00:16:15,920 --> 00:16:19,640 Speaker 1: beings from another world in the sky. All you really 217 00:16:19,680 --> 00:16:23,000 Speaker 1: know is that one day they weren't there and then 218 00:16:23,080 --> 00:16:26,000 Speaker 1: one day they were there. Now, of course, let me 219 00:16:26,040 --> 00:16:28,120 Speaker 1: remind you he's talking about the point of view of 220 00:16:28,120 --> 00:16:31,440 Speaker 1: ancient people. Okay, he says, one day they these things, 221 00:16:31,480 --> 00:16:34,120 Speaker 1: these beings, moving these stones. One day they weren't there 222 00:16:34,160 --> 00:16:36,600 Speaker 1: and all of a sudden they're there, and not only there, 223 00:16:36,600 --> 00:16:43,360 Speaker 1: but they're in massive, near worldwide proportions, and their arrival, 224 00:16:44,240 --> 00:16:48,040 Speaker 1: along with their increasing and growing presence, is changing the world, 225 00:16:48,520 --> 00:16:51,840 Speaker 1: nodding the planet with huge stone enigmas that still have 226 00:16:52,000 --> 00:16:55,440 Speaker 1: yet to be beaten. When it comes to the mystery stakes, 227 00:16:56,320 --> 00:16:59,760 Speaker 1: and now they're even teaching you how to create such 228 00:17:00,040 --> 00:17:04,160 Speaker 1: structures for you and those of your villages, towns and cities. 229 00:17:05,520 --> 00:17:09,520 Speaker 1: Such as the ease of how the operations work. Indeed, 230 00:17:09,560 --> 00:17:13,320 Speaker 1: it turns out that the entire process is amazingly simple 231 00:17:13,359 --> 00:17:15,919 Speaker 1: to put into place and far quicker than you thought 232 00:17:16,320 --> 00:17:21,200 Speaker 1: such a thing could be achieved. Eventually, though, the time 233 00:17:21,320 --> 00:17:24,919 Speaker 1: arrives when those who have all of the power to 234 00:17:25,040 --> 00:17:29,600 Speaker 1: raise the mighty stones and create massive buildings with amazing, 235 00:17:29,800 --> 00:17:36,600 Speaker 1: awesome ease leave. There were rumors and tales of this incredible, 236 00:17:36,680 --> 00:17:43,000 Speaker 1: mysterious civilization having sculpted unimaginable landscapes and other lands and 237 00:17:43,160 --> 00:17:49,240 Speaker 1: nations overseas even two you never forgot them. How could 238 00:17:49,280 --> 00:17:59,400 Speaker 1: you welcome to the world of what I call the levitators? Today, 239 00:17:59,640 --> 00:18:03,239 Speaker 1: all the is left of this enigmatic civilization and of 240 00:18:03,280 --> 00:18:08,560 Speaker 1: their sensational aerial skills are myths, legends and untold numbers 241 00:18:08,600 --> 00:18:12,919 Speaker 1: of massive blocks of stone that forever perplex and tantalize us. 242 00:18:12,960 --> 00:18:17,160 Speaker 1: How could such incredible technology have been created put into 243 00:18:17,240 --> 00:18:21,920 Speaker 1: action with such ease and speed? These questions were asked, 244 00:18:24,080 --> 00:18:27,880 Speaker 1: and then they're asked then and they're still asked now, 245 00:18:27,960 --> 00:18:31,439 Speaker 1: and although we don't have the full story, we do 246 00:18:31,640 --> 00:18:35,600 Speaker 1: know that the key to moving immense blocks of stones 247 00:18:37,000 --> 00:18:46,280 Speaker 1: was nothing less than sound. Yes, really, the levitators mastered 248 00:18:46,280 --> 00:18:50,400 Speaker 1: the technology of sound thousands of years ago. What they 249 00:18:50,480 --> 00:18:55,320 Speaker 1: called the technology back then? Well, we have no idea. Today, however, 250 00:18:56,320 --> 00:19:00,800 Speaker 1: it's known as Acoustic Levitation and, for all of our 251 00:19:00,840 --> 00:19:03,280 Speaker 1: science and technology, when it comes to it, we're still 252 00:19:03,400 --> 00:19:08,760 Speaker 1: very much in our infancy, trying to solve something that 253 00:19:08,960 --> 00:19:14,159 Speaker 1: we simply cannot grasp, not to a significant degree at least. 254 00:19:16,119 --> 00:19:19,359 Speaker 1: Later we'll get to the deeper side of this amazing 255 00:19:19,400 --> 00:19:22,800 Speaker 1: science that, for centuries upon centuries, allowed so many incredible, 256 00:19:22,840 --> 00:19:26,240 Speaker 1: famous structures to be put into place, and so long ago. 257 00:19:27,400 --> 00:19:30,560 Speaker 1: For now, though, here's a perfect, concise description of acoustic 258 00:19:30,600 --> 00:19:34,680 Speaker 1: levitation from Marie D Jones and Larry Flaxman, who have 259 00:19:34,800 --> 00:19:39,000 Speaker 1: themselves sought to solve the mystery of ancient anti gravity. Okay, 260 00:19:39,040 --> 00:19:42,359 Speaker 1: so here's a passage from Marie D Jones and Larry Flaxman, 261 00:19:44,280 --> 00:19:51,359 Speaker 1: the Jones flaxman team. Actually, we're not quite the passage yet. Okay, 262 00:19:51,359 --> 00:19:54,040 Speaker 1: so here let me just start this over and say 263 00:19:54,040 --> 00:19:58,440 Speaker 1: the Jones Flaxman team present the phenomenon, as quote too, 264 00:19:58,640 --> 00:20:04,960 Speaker 1: opposing sound frequencies with interfering sound waves, thus creating a 265 00:20:05,040 --> 00:20:10,320 Speaker 1: resonant zone that allows the levitation to occur. Theoretically, to 266 00:20:10,520 --> 00:20:15,639 Speaker 1: move a levitating object, simply change or alter the two 267 00:20:15,680 --> 00:20:21,760 Speaker 1: sound waves and tweak accordingly. End Quote. You may think 268 00:20:22,040 --> 00:20:25,639 Speaker 1: that is all very simple, too simple even in some ways. 269 00:20:25,760 --> 00:20:28,520 Speaker 1: It actually is, at least on a very small scale, 270 00:20:28,960 --> 00:20:32,280 Speaker 1: and that's the big problem for us today. The technology 271 00:20:32,320 --> 00:20:37,360 Speaker 1: allows us to successfully utilize it only on a tiny level. Somehow, though, 272 00:20:37,400 --> 00:20:40,680 Speaker 1: the ancients were able to use acoustic levitation on almost 273 00:20:41,000 --> 00:20:47,159 Speaker 1: unbelievable size. For us, it's very much like not seeing 274 00:20:47,200 --> 00:20:51,600 Speaker 1: the forest for the trees. How stuff works says the following, 275 00:20:52,160 --> 00:20:56,439 Speaker 1: demonstrating that the science is now growing and adding to 276 00:20:56,520 --> 00:20:58,800 Speaker 1: the science of all of this. And now here's a passage. 277 00:20:58,880 --> 00:21:03,520 Speaker 1: To understand how acoustic levitation works, you first need to 278 00:21:03,560 --> 00:21:07,200 Speaker 1: know a little about gravity, air and sound. First, gravity 279 00:21:07,240 --> 00:21:09,959 Speaker 1: is a force that causes objects to attract to one another. 280 00:21:10,960 --> 00:21:14,360 Speaker 1: The simplest way to understand gravity is through Isaac Newton's 281 00:21:14,440 --> 00:21:18,440 Speaker 1: law of Universal gravitation. This law states that every particle 282 00:21:18,440 --> 00:21:21,440 Speaker 1: in the universe attracts every other particle, and the more 283 00:21:21,520 --> 00:21:25,719 Speaker 1: massive an object is, the more strongly it attracts other objects. 284 00:21:26,160 --> 00:21:30,240 Speaker 1: The closer objects are, the more strongly they attract each other. 285 00:21:31,200 --> 00:21:35,080 Speaker 1: An enormous object like the earth easily attracts objects that 286 00:21:35,119 --> 00:21:39,240 Speaker 1: are close to it, like apples hanging from trees. Scientists 287 00:21:39,280 --> 00:21:43,480 Speaker 1: haven't decided exactly what causes this attraction, but they believe 288 00:21:43,520 --> 00:21:50,080 Speaker 1: it exists everywhere in the universe. And then he gets 289 00:21:50,160 --> 00:21:53,480 Speaker 1: gets back into his UH intro and he says, could 290 00:21:53,560 --> 00:21:57,480 Speaker 1: the construction of the world's biggest buildings really have been 291 00:21:57,520 --> 00:22:02,200 Speaker 1: achieved so incredibly easy and when we can't even barely 292 00:22:02,520 --> 00:22:06,920 Speaker 1: get off the starting blocks? For the LEVITATORS, at least, 293 00:22:06,920 --> 00:22:11,120 Speaker 1: the answer is a decisive yes to both questions. As 294 00:22:11,200 --> 00:22:13,960 Speaker 1: for us, to a degree, we're still fumbling around in 295 00:22:13,960 --> 00:22:17,679 Speaker 1: the dark, or perhaps fumbling in the sand would be 296 00:22:17,720 --> 00:22:22,080 Speaker 1: a more appropriate phrase, taking into consideration that many of 297 00:22:22,080 --> 00:22:24,639 Speaker 1: the amazing sites that we will be visiting as this 298 00:22:24,760 --> 00:22:28,560 Speaker 1: amazing story grows and grows, for the most part, beliefs 299 00:22:28,560 --> 00:22:32,600 Speaker 1: in the existence of these vanished, mighty ancient people who 300 00:22:32,640 --> 00:22:36,720 Speaker 1: cracked the secrets of nothing less than anti gravity are 301 00:22:36,840 --> 00:22:42,320 Speaker 1: largely scoffed at, ignored and dismissed by many even in 302 00:22:42,400 --> 00:22:46,520 Speaker 1: some aspects of the scientific community. We're talking about Millennia 303 00:22:46,600 --> 00:22:51,200 Speaker 1: old aspects of ancient, real world people similar to those 304 00:22:51,240 --> 00:22:56,879 Speaker 1: described and the tales of mythical Atlantis and move or. Conversely, 305 00:22:57,240 --> 00:23:00,880 Speaker 1: we might be talking about honest to goodness X or terrestrials. 306 00:23:01,480 --> 00:23:04,400 Speaker 1: As we continue with our story, the origin of these 307 00:23:04,440 --> 00:23:09,480 Speaker 1: stonemasons of the absolutely incredible kind begin to clear. Did 308 00:23:09,560 --> 00:23:13,520 Speaker 1: these people, whatever their origins, finally leave our world behind, 309 00:23:13,840 --> 00:23:17,320 Speaker 1: taking all of their incredible secrets with them? Were those 310 00:23:17,359 --> 00:23:20,919 Speaker 1: same secrets destroyed, leaving us with only fragments of a 311 00:23:21,000 --> 00:23:24,080 Speaker 1: science that was radically different to that of ours? Have 312 00:23:24,240 --> 00:23:27,919 Speaker 1: they periodically come back to share their secrets with a 313 00:23:28,000 --> 00:23:33,159 Speaker 1: few of us, or is everything lost to us? Do 314 00:23:33,200 --> 00:23:35,760 Speaker 1: we only have now myths and legends to work on? 315 00:23:36,600 --> 00:23:39,080 Speaker 1: All of these questions will be addressed in the pages 316 00:23:39,119 --> 00:23:42,840 Speaker 1: of this book. To try to get the answers to 317 00:23:43,040 --> 00:23:46,360 Speaker 1: the enigmatic riddle, we need to travel much of the globe, 318 00:23:46,760 --> 00:23:49,320 Speaker 1: and that's exactly what we will be doing. We will 319 00:23:49,400 --> 00:23:53,240 Speaker 1: cross paths with the likes of Stonehenge, the massive stones 320 00:23:53,359 --> 00:23:57,480 Speaker 1: of Ball Beck and Lebanon, the Egyptian pyramids, Easter Island 321 00:23:57,680 --> 00:24:00,880 Speaker 1: and numerous other creations that may, they well have been 322 00:24:00,880 --> 00:24:04,320 Speaker 1: erected in some of the most alternative ways that one 323 00:24:04,400 --> 00:24:09,520 Speaker 1: could possibly imagine. And then, having done that, we'll take 324 00:24:09,560 --> 00:24:14,120 Speaker 1: a handful of trips through the centuries and then, after 325 00:24:14,160 --> 00:24:17,520 Speaker 1: all of that, a final great leap to see how 326 00:24:18,000 --> 00:24:22,200 Speaker 1: we today and the twenty first century are now slowly 327 00:24:22,240 --> 00:24:28,200 Speaker 1: starting to realize just why our civilization and our historians 328 00:24:28,640 --> 00:24:37,600 Speaker 1: have gotten so much massively wrong. Alrighty, time for another 329 00:24:37,800 --> 00:24:41,440 Speaker 1: short break and okay, when we come back I want 330 00:24:41,440 --> 00:24:45,040 Speaker 1: to tell you some about my own personal experiments with 331 00:24:45,080 --> 00:24:49,520 Speaker 1: Acoustic Levitation and some of my ideas on how realistic 332 00:24:49,640 --> 00:24:56,000 Speaker 1: this is. Um and you know it's it's an amazing concept, 333 00:24:56,200 --> 00:24:59,880 Speaker 1: but those are amazing structures. So I think we've got 334 00:24:59,880 --> 00:25:05,119 Speaker 1: to have a pretty profound change in our thinking to 335 00:25:05,359 --> 00:25:08,400 Speaker 1: grasp how that people who lived thousands of years ago 336 00:25:09,920 --> 00:25:12,560 Speaker 1: may been able to produce some of these things that 337 00:25:12,680 --> 00:25:18,840 Speaker 1: we say that we really can't even produce today. Boy, 338 00:25:18,960 --> 00:25:21,800 Speaker 1: that is a mystery, isn't it? I'm Joshua Pete Warren. 339 00:25:22,040 --> 00:25:25,280 Speaker 1: You're listening to strange things all on the I heart 340 00:25:25,400 --> 00:25:29,000 Speaker 1: radio and coast to coast I am peer normal podcast network. 341 00:25:29,760 --> 00:26:07,480 Speaker 1: I will be back after these important messages. Welcome back 342 00:26:07,480 --> 00:26:12,119 Speaker 1: to strange things on the I heart radio and coast 343 00:26:12,119 --> 00:26:16,240 Speaker 1: that coast. I am Pama, normal podcast network, I'm your host, 344 00:26:16,320 --> 00:26:18,919 Speaker 1: Joshua Pete Warren, and this is the show where the 345 00:26:19,080 --> 00:26:25,479 Speaker 1: unusual becomes usual. I want to read to you just 346 00:26:25,640 --> 00:26:29,760 Speaker 1: a little bit more from Nick redfern's new book how 347 00:26:29,840 --> 00:26:36,960 Speaker 1: anti gravity built the pyramids, the mysterious technology of ancient superstructures. 348 00:26:37,840 --> 00:26:40,000 Speaker 1: And again, just go to Amazon and look up Nick 349 00:26:40,040 --> 00:26:45,480 Speaker 1: redfern and you'll you will find a whole rabbit hole 350 00:26:45,920 --> 00:26:51,760 Speaker 1: of material that nick has produced. Just a little bit more, though, 351 00:26:53,040 --> 00:26:55,840 Speaker 1: there is no doubt that, when it comes to the 352 00:26:55,960 --> 00:27:01,560 Speaker 1: controversial issue of anti gravity and ways and means by 353 00:27:01,560 --> 00:27:05,960 Speaker 1: which it may have been spectacularly achieved thousands of years ago, 354 00:27:06,800 --> 00:27:10,520 Speaker 1: most researchers of this enigmatic phenomenon tend to head in 355 00:27:10,560 --> 00:27:13,639 Speaker 1: the direction of Egypt for the answers to the riddle 356 00:27:14,920 --> 00:27:17,840 Speaker 1: that or in the direction of that bastion of data, 357 00:27:18,000 --> 00:27:20,720 Speaker 1: the Internet. You only have to look at the Pyramids 358 00:27:20,760 --> 00:27:24,080 Speaker 1: to see why the Pyramids of Giza still amaze people 359 00:27:24,119 --> 00:27:27,960 Speaker 1: after such a long period of time. Largely it's because 360 00:27:28,000 --> 00:27:31,959 Speaker 1: the mighty structures are so immense and so unmissable. On 361 00:27:32,040 --> 00:27:35,760 Speaker 1: top of that, they are so incredibly precise in their construction, 362 00:27:36,480 --> 00:27:38,800 Speaker 1: and that's why we are beginning with Egypt and its 363 00:27:38,840 --> 00:27:42,800 Speaker 1: connections to anti gravity. It's the ultimate story to get 364 00:27:42,840 --> 00:27:47,720 Speaker 1: the whole thing going. You gotta Add this book to 365 00:27:47,760 --> 00:27:51,320 Speaker 1: your collection. Thank you, Nick Redfern, for allowing me to 366 00:27:51,359 --> 00:27:55,600 Speaker 1: read those passages to the audience. And, uh, you know 367 00:27:55,680 --> 00:27:59,280 Speaker 1: his stuff. It's talking about a page Turner and you know, 368 00:27:59,320 --> 00:28:01,840 Speaker 1: it's kind of funny because when you think about it's 369 00:28:01,840 --> 00:28:05,040 Speaker 1: called how anti gravity built the Pyramids and he's saying 370 00:28:05,280 --> 00:28:09,439 Speaker 1: sound waves, we're we're working. I don't know it technically 371 00:28:09,480 --> 00:28:13,480 Speaker 1: that would be anti gravity because gravity is still it's 372 00:28:13,680 --> 00:28:16,760 Speaker 1: it's not like you're negating gravity. Gravity is still there, 373 00:28:17,640 --> 00:28:23,680 Speaker 1: but you're actually working within the constraints of gravity to 374 00:28:24,119 --> 00:28:27,879 Speaker 1: still produce levitation. So I don't know, like I'm not 375 00:28:27,960 --> 00:28:31,000 Speaker 1: sure how a scientist would sit down and split hairs 376 00:28:31,040 --> 00:28:33,320 Speaker 1: on that, but you get the picture. You understand what 377 00:28:33,359 --> 00:28:37,720 Speaker 1: he's talking about and it is just mind boggling when 378 00:28:37,720 --> 00:28:40,000 Speaker 1: you try to think about some of these things that 379 00:28:40,080 --> 00:28:44,720 Speaker 1: have been moved by ancient people. I mean think about 380 00:28:44,760 --> 00:28:47,320 Speaker 1: how long ago, like, uh, we'll think about what you 381 00:28:47,360 --> 00:28:50,040 Speaker 1: were doing ten years ago. Just take a second think 382 00:28:50,040 --> 00:28:52,560 Speaker 1: about what you were doing ten years ago and how 383 00:28:52,600 --> 00:28:58,120 Speaker 1: long ago that seems to you. Think of thousands of years. 384 00:28:58,880 --> 00:29:01,320 Speaker 1: I mean you really can't imagine what people were like 385 00:29:01,360 --> 00:29:04,400 Speaker 1: thousands of years ago. And we really don't even know 386 00:29:04,640 --> 00:29:07,160 Speaker 1: because we, you know, we have these little, you know, 387 00:29:07,240 --> 00:29:11,200 Speaker 1: scattered writings that have been pieced together and mistranslated and 388 00:29:11,440 --> 00:29:14,720 Speaker 1: that's just a little tiny, you know, figment of of 389 00:29:14,760 --> 00:29:20,760 Speaker 1: what things were obviously like back then. Um, you know 390 00:29:20,840 --> 00:29:23,800 Speaker 1: one thing that nick talks about, you know, he mentioned 391 00:29:23,840 --> 00:29:27,040 Speaker 1: the ball back stones. That's spelled B A A L 392 00:29:27,120 --> 00:29:31,440 Speaker 1: B E K ball back. These are six massive blocks 393 00:29:31,480 --> 00:29:36,720 Speaker 1: and Lebanon and if you look them up, uh, scholars 394 00:29:36,720 --> 00:29:42,400 Speaker 1: say that these are characterized by how do you like 395 00:29:42,520 --> 00:29:57,280 Speaker 1: this term? Megalithic gigantism, unparalleled in antiquity. Wow, megalithic gigantism somehow. 396 00:29:57,320 --> 00:29:59,240 Speaker 1: I think I need to turn that into a t 397 00:29:59,440 --> 00:30:06,840 Speaker 1: shirt from myself. Some megalithic gigantism unparalleled. Uh, eight hundred tons. 398 00:30:07,480 --> 00:30:09,440 Speaker 1: Some people have claimed that some of these blocks are 399 00:30:09,440 --> 00:30:12,080 Speaker 1: even bigger, but they are. We're talking eight hundreds. Now, 400 00:30:12,080 --> 00:30:15,320 Speaker 1: you know, a ton like an American ton. I know 401 00:30:15,360 --> 00:30:18,880 Speaker 1: it's over two thousand pounds. Let's see. Let mean, how 402 00:30:19,320 --> 00:30:22,280 Speaker 1: I'm gonna do that. How many tons is a pound? 403 00:30:22,360 --> 00:30:23,960 Speaker 1: If you were on who wants to be a millionaire, 404 00:30:23,960 --> 00:30:27,360 Speaker 1: would would you know the answer to that? Um or 405 00:30:28,000 --> 00:30:31,440 Speaker 1: listen to me. How many pounds is a ton? That 406 00:30:31,640 --> 00:30:35,200 Speaker 1: was kind of a spoonerism. Okay, well, it is. It's okay, 407 00:30:35,200 --> 00:30:37,520 Speaker 1: so it's two thousand pounds. Here in America one ton 408 00:30:37,680 --> 00:30:44,160 Speaker 1: is two thousand pounds. So you're talking about eight hundred tons. 409 00:30:46,040 --> 00:30:48,560 Speaker 1: Oh my goodness, that's a lot. That's you know, that's 410 00:30:48,560 --> 00:30:50,760 Speaker 1: a big number. You can you can do your own 411 00:30:50,800 --> 00:30:53,080 Speaker 1: research if you want to figure out like what. You 412 00:30:53,080 --> 00:30:56,440 Speaker 1: can compare that to eight hundred tons. This is a 413 00:30:56,600 --> 00:31:02,120 Speaker 1: quarried stone. Um. How did they do that? You know, 414 00:31:03,320 --> 00:31:05,360 Speaker 1: was this thing moved or did it stay in place? 415 00:31:05,560 --> 00:31:08,320 Speaker 1: Nick thinks that it was moved. He goes, why would 416 00:31:08,360 --> 00:31:10,280 Speaker 1: you just carve that and leave it there? You know, 417 00:31:10,600 --> 00:31:12,440 Speaker 1: I guess maybe you could. You would do it if 418 00:31:12,440 --> 00:31:14,360 Speaker 1: it was just too big and you're like, okay, maybe 419 00:31:14,400 --> 00:31:16,960 Speaker 1: we went too far with this one this time, guys. 420 00:31:18,040 --> 00:31:19,680 Speaker 1: And then, of course, you know, I've been to the 421 00:31:19,720 --> 00:31:23,520 Speaker 1: Coral Castle down there in Florida, were this little old 422 00:31:23,520 --> 00:31:29,520 Speaker 1: guy named Ed Lead Skalnon. Um. He of course, pretty 423 00:31:29,600 --> 00:31:32,880 Speaker 1: much single handedly created this fortress made of these huge 424 00:31:32,880 --> 00:31:36,680 Speaker 1: blocks of coral and nobody knows exactly how he did it, 425 00:31:36,840 --> 00:31:38,440 Speaker 1: but he would he would hint and say like Oh, 426 00:31:38,520 --> 00:31:40,680 Speaker 1: I know the secrets of the Pyramids and I know 427 00:31:40,760 --> 00:31:44,280 Speaker 1: he used levers and pulleys and stuff like that. I mean, 428 00:31:44,320 --> 00:31:46,520 Speaker 1: you can see some of that stuff still there when 429 00:31:46,520 --> 00:31:49,200 Speaker 1: you go there, but I mean I don't know if 430 00:31:49,240 --> 00:31:52,560 Speaker 1: that alone can explain it. And I do know that, Um, 431 00:31:52,600 --> 00:31:54,719 Speaker 1: there is this guy. I should have looked this up 432 00:31:54,760 --> 00:31:56,680 Speaker 1: before I did this podcast, but you probably know I'm 433 00:31:56,680 --> 00:31:59,120 Speaker 1: talking about. There's this guy years ago who made the news, 434 00:31:59,160 --> 00:32:01,360 Speaker 1: and I want to say he lived somewhere up north 435 00:32:01,400 --> 00:32:04,440 Speaker 1: here in the US, and he started studying all this 436 00:32:04,600 --> 00:32:06,560 Speaker 1: these laws of leverage and he was able to go 437 00:32:06,600 --> 00:32:10,120 Speaker 1: out by himself and moved some pretty Gargangel in blocks 438 00:32:10,160 --> 00:32:14,960 Speaker 1: around using simple, uh simple machines. Like I think at 439 00:32:14,960 --> 00:32:21,200 Speaker 1: one point he had this gigantic concrete slab and Um, 440 00:32:21,320 --> 00:32:24,600 Speaker 1: he it was it was just, you know, lying there 441 00:32:24,800 --> 00:32:27,000 Speaker 1: on the ground and he took like a water hose 442 00:32:27,160 --> 00:32:29,600 Speaker 1: just started wetting the ground at one end of it 443 00:32:30,200 --> 00:32:32,960 Speaker 1: and making it kind of turn into mud. And so 444 00:32:33,040 --> 00:32:36,080 Speaker 1: as that happened, one end started to kind of synk 445 00:32:36,120 --> 00:32:38,600 Speaker 1: down into the mud and then he would put some 446 00:32:38,640 --> 00:32:41,880 Speaker 1: blocks behind it and shure it up, and then he'd 447 00:32:41,960 --> 00:32:44,840 Speaker 1: keep spraying water there and it would, of course, he'd 448 00:32:44,840 --> 00:32:47,000 Speaker 1: get a little softer and muddier and then that it 449 00:32:47,040 --> 00:32:48,800 Speaker 1: would sink down a little bit more and he'd put 450 00:32:48,800 --> 00:32:50,840 Speaker 1: a block behind it and shut up, and he kept 451 00:32:50,840 --> 00:32:54,520 Speaker 1: doing this until this thing was standing upright. The Guy 452 00:32:54,560 --> 00:32:59,040 Speaker 1: did it all by himself by weakening the soil on 453 00:32:59,040 --> 00:33:01,640 Speaker 1: one side of it as he was propping it up 454 00:33:01,640 --> 00:33:03,800 Speaker 1: with blocks, you know, like pieces of wood, on the 455 00:33:03,840 --> 00:33:06,480 Speaker 1: other side of so like there are some ingenious ways 456 00:33:06,520 --> 00:33:10,920 Speaker 1: out there, for sure that you can do some unbelievable 457 00:33:10,960 --> 00:33:14,959 Speaker 1: stuff as as just you know, well as an individual 458 00:33:16,200 --> 00:33:19,360 Speaker 1: in the right type of setting, well, with some simple 459 00:33:19,400 --> 00:33:22,440 Speaker 1: tools to to move some big blocks around. And so 460 00:33:22,520 --> 00:33:28,120 Speaker 1: I do think that we maybe we overestimate, Um, you know, 461 00:33:28,400 --> 00:33:31,320 Speaker 1: some of the things that we some of these mysteries 462 00:33:31,360 --> 00:33:35,400 Speaker 1: that were so perplexed by it. But here's the thing about, 463 00:33:35,480 --> 00:33:38,800 Speaker 1: like what Nick saying with this acoustic levitation thing. All right, 464 00:33:38,880 --> 00:33:44,400 Speaker 1: so you know, I am infatuated with symantics. I think 465 00:33:44,440 --> 00:33:47,520 Speaker 1: the most immediate gratification that I get in my life 466 00:33:48,240 --> 00:33:52,240 Speaker 1: is using symantics, where I can take sand or water 467 00:33:53,000 --> 00:33:56,880 Speaker 1: and I can play tones below it and just watch 468 00:33:57,000 --> 00:34:00,520 Speaker 1: these particles snap into all of these wild patterns. To me, 469 00:34:01,000 --> 00:34:04,040 Speaker 1: it's just I I can. I can do that all day, 470 00:34:04,040 --> 00:34:06,600 Speaker 1: every day, and I would never lose interest in this 471 00:34:06,680 --> 00:34:10,960 Speaker 1: process because you're seeing the relationship between frequencies and vibrations 472 00:34:10,960 --> 00:34:14,640 Speaker 1: and physical matter, and every time I see a pattern emerge, 473 00:34:14,719 --> 00:34:18,680 Speaker 1: it's to me it's like actually watching magic manifest right 474 00:34:18,719 --> 00:34:22,560 Speaker 1: before my eyes and it's so fulfilling, and that is 475 00:34:22,600 --> 00:34:25,400 Speaker 1: why I took that and turned it into this field 476 00:34:25,400 --> 00:34:28,920 Speaker 1: of study I created called Parasymatics, where I would take 477 00:34:28,960 --> 00:34:33,120 Speaker 1: these cymatic patterns and then interject meaning into them to 478 00:34:33,360 --> 00:34:37,560 Speaker 1: create sigils and symbols, or do the opposite, which is 479 00:34:37,600 --> 00:34:40,480 Speaker 1: parasymatics two point Oh, where I take sigils and symbols 480 00:34:40,480 --> 00:34:43,359 Speaker 1: and I kind of reverse the process and I get 481 00:34:43,400 --> 00:34:47,120 Speaker 1: sounds from them. So, uh, this is a big part 482 00:34:47,160 --> 00:34:48,880 Speaker 1: of what I do and, as a matter of fact, 483 00:34:48,960 --> 00:34:53,480 Speaker 1: next year I planned to announce a brand new division 484 00:34:53,640 --> 00:34:57,560 Speaker 1: of my company that is going to be specializing in 485 00:34:57,880 --> 00:35:03,120 Speaker 1: a whole new line of revelue snary parasigmatics experiments at 486 00:35:03,160 --> 00:35:05,920 Speaker 1: products and I'm really excited. I've been working on this 487 00:35:05,960 --> 00:35:08,759 Speaker 1: for a long time. But the reason I bring this 488 00:35:08,880 --> 00:35:13,399 Speaker 1: up is in my lab where I do para semantics experiments, 489 00:35:13,800 --> 00:35:20,759 Speaker 1: I have performed acoustic levitation and Um, basically, you know, 490 00:35:20,880 --> 00:35:23,120 Speaker 1: I I even shot a video of it, which I'll 491 00:35:23,160 --> 00:35:25,640 Speaker 1: release at some point, but you can find this kind 492 00:35:25,680 --> 00:35:27,360 Speaker 1: of thing pretty easily if you just get on the 493 00:35:27,400 --> 00:35:30,120 Speaker 1: Internet and click around. Well, we're talking about essentially, as 494 00:35:30,160 --> 00:35:35,319 Speaker 1: you take two speakers, uh, one that is mounted above 495 00:35:35,400 --> 00:35:41,279 Speaker 1: the other, and they are playing tones uh and toward 496 00:35:41,360 --> 00:35:44,359 Speaker 1: each other, and they're tuned so that there is this 497 00:35:44,520 --> 00:35:48,160 Speaker 1: zone in the middle, uh, like Marie d Jones and 498 00:35:48,239 --> 00:35:52,239 Speaker 1: Larry Flaxman we're talking about. There's this zone there, UM, 499 00:35:53,239 --> 00:35:57,600 Speaker 1: that holds itself as a steady, independent area, and you 500 00:35:57,640 --> 00:36:00,719 Speaker 1: can take something like a little piece of Styrofoam and 501 00:36:00,760 --> 00:36:03,799 Speaker 1: put it in there and it just boom, it hits 502 00:36:03,840 --> 00:36:06,800 Speaker 1: that spot and it just sits there and floats, using 503 00:36:06,880 --> 00:36:11,319 Speaker 1: nothing other than sound waves, uh, and it's it's a 504 00:36:11,320 --> 00:36:14,160 Speaker 1: lot like the levitation that you've seen with magnets or 505 00:36:14,200 --> 00:36:16,759 Speaker 1: it even kind of reminds me of that effect when 506 00:36:16,840 --> 00:36:20,359 Speaker 1: you take like a beach ball and, uh, you let 507 00:36:20,360 --> 00:36:24,279 Speaker 1: it hover over top of a fan. You know that's 508 00:36:24,280 --> 00:36:27,200 Speaker 1: always a fun looking effect. But in this case you 509 00:36:27,239 --> 00:36:30,839 Speaker 1: know you're using sound to vibrate the air and and 510 00:36:30,880 --> 00:36:34,799 Speaker 1: create this pocket where things can levitate. And so what 511 00:36:34,920 --> 00:36:38,719 Speaker 1: I've done right here on a very small budget in 512 00:36:38,760 --> 00:36:42,200 Speaker 1: my own workshop is exactly what Nick is talking about, 513 00:36:42,239 --> 00:36:45,359 Speaker 1: except we're talking about Dylan. Instead of a piece of Styrofoam, 514 00:36:45,600 --> 00:36:51,239 Speaker 1: we're talking about a huge granite boulder or something like that. So, yeah, 515 00:36:51,360 --> 00:36:54,239 Speaker 1: that's quite a leap from here to there or there 516 00:36:54,280 --> 00:37:00,680 Speaker 1: to hair. But on the other hand, the concept is sound. 517 00:37:01,400 --> 00:37:04,160 Speaker 1: No Pun intended there. I mean it could, it could 518 00:37:04,200 --> 00:37:07,120 Speaker 1: be done, I guess, if you hit the right notes, 519 00:37:07,200 --> 00:37:10,680 Speaker 1: and he gets into that in the book. So I 520 00:37:10,719 --> 00:37:16,839 Speaker 1: started thinking about like, all right, why, if we can 521 00:37:16,880 --> 00:37:19,120 Speaker 1: do this on a small scale and ancient people could 522 00:37:19,200 --> 00:37:21,200 Speaker 1: do it on a big scale, so well, why are 523 00:37:21,239 --> 00:37:25,279 Speaker 1: we struggling right now with reproducing that? And then I 524 00:37:25,280 --> 00:37:31,320 Speaker 1: started thinking more about like extraterrestrials and then ultra terrestrials 525 00:37:32,280 --> 00:37:36,759 Speaker 1: and then enter dimensionals, and I had an experience that 526 00:37:36,840 --> 00:37:39,359 Speaker 1: I want to share with you soon when we come 527 00:37:39,360 --> 00:37:41,279 Speaker 1: back from this break. I guess that's a good time right. 528 00:37:41,600 --> 00:37:43,319 Speaker 1: I had an experience I want to share with you 529 00:37:44,560 --> 00:37:48,640 Speaker 1: along those lines. To explain this. You're listening to strange 530 00:37:48,760 --> 00:37:51,840 Speaker 1: things on the I heart radio end coast to coast 531 00:37:51,880 --> 00:38:30,120 Speaker 1: am Parin normal podcast network. I'll be right back and 532 00:38:30,280 --> 00:38:33,200 Speaker 1: welcome back to the final segment of this edition of 533 00:38:33,239 --> 00:38:37,239 Speaker 1: strange things on the I heart radio and coast to 534 00:38:37,320 --> 00:38:42,560 Speaker 1: coast I am paranormal podcast network. I'm your host, Joshua 535 00:38:42,680 --> 00:38:46,879 Speaker 1: P Warren, and during the break I looked it up 536 00:38:46,960 --> 00:38:50,279 Speaker 1: and okay, the guy you need to take a look 537 00:38:50,320 --> 00:38:54,040 Speaker 1: at here who can move all of these stones by 538 00:38:54,120 --> 00:38:59,960 Speaker 1: himself using these ingenious methods. He lives in Michigan. Has 539 00:39:00,160 --> 00:39:05,360 Speaker 1: Name is Wally Wallington. Go to YouTube. Do yourself a favor. 540 00:39:05,400 --> 00:39:08,640 Speaker 1: I promise you when you watch some of these videos, 541 00:39:08,640 --> 00:39:10,399 Speaker 1: this will be some of the most amazing stuff you've 542 00:39:10,440 --> 00:39:14,640 Speaker 1: ever seen in your life. Wally W A L L Y. 543 00:39:14,960 --> 00:39:17,719 Speaker 1: that's his first name, and the last name is Wallington, 544 00:39:17,960 --> 00:39:20,600 Speaker 1: W A L L I N G T O N. 545 00:39:21,000 --> 00:39:26,359 Speaker 1: Wally Wallington is a retired construction worker and uh, there's 546 00:39:26,400 --> 00:39:29,680 Speaker 1: no doubt that some of the stuff that he has 547 00:39:29,960 --> 00:39:34,120 Speaker 1: demonstrated here u has to be related to what people 548 00:39:34,160 --> 00:39:38,120 Speaker 1: like Ed lead Skalnen did and uh, and of course 549 00:39:38,920 --> 00:39:43,080 Speaker 1: we're talking about these being great clues as to how these, 550 00:39:43,640 --> 00:39:46,520 Speaker 1: some of these megalithic structures, were created in the past. 551 00:39:47,360 --> 00:39:50,040 Speaker 1: Certainly doesn't explain all of them, not by a long shot, 552 00:39:50,080 --> 00:39:56,120 Speaker 1: but it still shows you how, uh, just fascinating it 553 00:39:56,160 --> 00:39:58,440 Speaker 1: is when people, you know, they they really start putting 554 00:39:58,440 --> 00:40:01,360 Speaker 1: their minds and to solve these problems of how to 555 00:40:01,840 --> 00:40:05,680 Speaker 1: move huge things using, uh, actually making gravity work for 556 00:40:05,960 --> 00:40:08,920 Speaker 1: them instead of against them. That's the irony. Like we 557 00:40:08,960 --> 00:40:13,120 Speaker 1: think of anti gravity, but in some cases it's gravity. Uh, 558 00:40:13,160 --> 00:40:17,080 Speaker 1: that is as as making this possible. You see, taking 559 00:40:17,280 --> 00:40:21,080 Speaker 1: like moving with it, almost in a judo type style. 560 00:40:21,440 --> 00:40:25,880 Speaker 1: So really, really cool stuff. Okay, so here's what I 561 00:40:25,960 --> 00:40:28,600 Speaker 1: was alluding to before the break, and I've been thinking 562 00:40:28,640 --> 00:40:31,279 Speaker 1: about how to explain this and let me let me 563 00:40:31,320 --> 00:40:34,040 Speaker 1: give it a shot because, okay, in the past we've 564 00:40:34,040 --> 00:40:38,399 Speaker 1: always talked about the idea of extraterrestrials, beings that came 565 00:40:38,440 --> 00:40:41,680 Speaker 1: here from some other rock out there, and now, of course, 566 00:40:42,120 --> 00:40:45,040 Speaker 1: science has developed more, human thinking has developed more, and 567 00:40:45,080 --> 00:40:50,759 Speaker 1: we talked about other dimensions and portals and ultra not 568 00:40:50,840 --> 00:40:55,360 Speaker 1: just you know, extraterrestrial, ultra extra dimensional and alter demand 569 00:40:55,440 --> 00:40:59,239 Speaker 1: like we're we're reaching beyond and we're we're looking at 570 00:40:59,280 --> 00:41:03,400 Speaker 1: the idea that there are realms that are possibly non 571 00:41:03,440 --> 00:41:06,400 Speaker 1: physical to us most of the time, but from those 572 00:41:06,440 --> 00:41:12,720 Speaker 1: realms occasionally physical things can pop and beings can visit. 573 00:41:13,320 --> 00:41:18,080 Speaker 1: And I was reminded of this in a striking but 574 00:41:18,480 --> 00:41:21,399 Speaker 1: very simple experience that I had a few days ago. 575 00:41:21,960 --> 00:41:26,160 Speaker 1: I have a swimming pool at my house and I 576 00:41:26,239 --> 00:41:32,000 Speaker 1: was out there at night in the swimming pool and 577 00:41:32,080 --> 00:41:37,360 Speaker 1: I bought these inflatable balls. They're kind of like you 578 00:41:37,400 --> 00:41:41,719 Speaker 1: know inflatable beach balls. I got them on Amazon and 579 00:41:41,800 --> 00:41:45,040 Speaker 1: they have a little led light inside of them that 580 00:41:45,120 --> 00:41:48,120 Speaker 1: is solar powered, and it's really cool because you just 581 00:41:48,200 --> 00:41:51,080 Speaker 1: let these things float around on your pool during the 582 00:41:51,200 --> 00:41:54,360 Speaker 1: day and then at night, when you know when the 583 00:41:54,400 --> 00:41:57,920 Speaker 1: sun goes down, they start glowing and so you have 584 00:41:58,040 --> 00:42:01,480 Speaker 1: these glowing balls floating around on top of your pool. 585 00:42:01,520 --> 00:42:04,920 Speaker 1: It's just for decoration. Uh, you wouldn't even want to 586 00:42:04,960 --> 00:42:06,960 Speaker 1: play with them really because you don't want to like 587 00:42:07,400 --> 00:42:12,720 Speaker 1: joggle some circuit loose. Uh, and UH, they can change 588 00:42:12,760 --> 00:42:14,799 Speaker 1: colors and I mean it's really a neat thing. If 589 00:42:14,840 --> 00:42:16,200 Speaker 1: you've got a pool and you want to go out 590 00:42:16,239 --> 00:42:19,880 Speaker 1: at night, have have a little, uh, spectacle. So I 591 00:42:19,960 --> 00:42:24,279 Speaker 1: was sitting there in the pool and you know, I 592 00:42:24,320 --> 00:42:26,759 Speaker 1: actually I was, I guess the water was like it 593 00:42:26,800 --> 00:42:32,480 Speaker 1: about my almost my shoulders, and one of these glowing 594 00:42:33,400 --> 00:42:39,000 Speaker 1: white beach balls came floating up towards me and I 595 00:42:39,120 --> 00:42:44,880 Speaker 1: just looked down and I saw that below it, you know, 596 00:42:44,880 --> 00:42:47,239 Speaker 1: it's on the surface of the water, right, but below it, 597 00:42:47,640 --> 00:42:52,000 Speaker 1: below the surface of the water, was this exact Hologram 598 00:42:52,160 --> 00:42:56,640 Speaker 1: of it. So it looked like a there was a 599 00:42:56,719 --> 00:43:03,960 Speaker 1: three dimensional white ball underneath the water, and so I 600 00:43:04,080 --> 00:43:07,279 Speaker 1: reached out and of course I passed my hand through it, 601 00:43:07,719 --> 00:43:10,600 Speaker 1: just like it was. It was some Phantom and Lauren, 602 00:43:10,600 --> 00:43:12,160 Speaker 1: and of course Lauren was in the pool and I 603 00:43:12,200 --> 00:43:14,920 Speaker 1: was like check that out. How how weird is that? 604 00:43:15,040 --> 00:43:18,960 Speaker 1: Like if you didn't if you could only see, uh, 605 00:43:19,040 --> 00:43:21,439 Speaker 1: what was below the water and not above the water? 606 00:43:21,560 --> 00:43:25,319 Speaker 1: From my point of view, you would see an object there, 607 00:43:25,760 --> 00:43:29,160 Speaker 1: but you try to interact with it and you can't 608 00:43:29,160 --> 00:43:32,200 Speaker 1: touch it. It looks like it's real, it looks like 609 00:43:32,239 --> 00:43:35,719 Speaker 1: there's a physical object there. It's three d but your 610 00:43:35,760 --> 00:43:40,440 Speaker 1: hand passes through it like it's a ghost. And I thought, 611 00:43:40,560 --> 00:43:43,360 Speaker 1: you know, maybe this is another example of what these 612 00:43:43,480 --> 00:43:47,799 Speaker 1: multiple dimensions are like, that in some cases you have 613 00:43:48,680 --> 00:43:52,000 Speaker 1: like a dimension is almost like a different medium in 614 00:43:52,000 --> 00:43:56,600 Speaker 1: a way, almost like how we compare air to water, 615 00:43:57,120 --> 00:44:02,919 Speaker 1: too solid, you know, where you can see almost mirages 616 00:44:02,960 --> 00:44:05,520 Speaker 1: of other things, but you can't always interact with them. 617 00:44:06,480 --> 00:44:10,200 Speaker 1: I mean like there is a physical ball on top 618 00:44:10,200 --> 00:44:13,359 Speaker 1: of the water, at least that is physical to me 619 00:44:13,600 --> 00:44:16,800 Speaker 1: as a human being on this plane. And so since 620 00:44:16,960 --> 00:44:19,920 Speaker 1: I can reach out and touch that thing, well, you know, 621 00:44:20,400 --> 00:44:23,080 Speaker 1: I can interact with it at that level and I 622 00:44:23,120 --> 00:44:26,719 Speaker 1: can't pass my hand through it. But if I'm looking 623 00:44:26,800 --> 00:44:30,000 Speaker 1: at it on this other level, which is where, you 624 00:44:30,040 --> 00:44:33,160 Speaker 1: know it's below the water, I'm seeing a reflection of 625 00:44:33,200 --> 00:44:35,799 Speaker 1: it and now I can't interact with it, even though 626 00:44:35,800 --> 00:44:39,600 Speaker 1: it looks like it's physical to me. And so I 627 00:44:39,680 --> 00:44:44,200 Speaker 1: wonder how often that when we see ghostly things, we 628 00:44:44,280 --> 00:44:47,399 Speaker 1: might be seeing kind of a Hologram in our own 629 00:44:47,440 --> 00:44:52,839 Speaker 1: dimension of something that is very tangible, but just outside 630 00:44:52,880 --> 00:44:58,320 Speaker 1: of that medium, in another dimension, it looks real. Uh, 631 00:44:58,440 --> 00:45:00,960 Speaker 1: it looks as solid and corporate real in some cases 632 00:45:01,000 --> 00:45:04,560 Speaker 1: as as anything else, and yet it doesn't interact with 633 00:45:04,600 --> 00:45:06,680 Speaker 1: the environment. You see where I'm going with that. Now, 634 00:45:06,719 --> 00:45:09,200 Speaker 1: on the other hand, I could reach out and grab 635 00:45:09,320 --> 00:45:12,560 Speaker 1: that illuminated beach ball and shove it under the water 636 00:45:14,080 --> 00:45:16,160 Speaker 1: and then I can reach out now, boom boom, I 637 00:45:16,160 --> 00:45:19,160 Speaker 1: would interact with it. Now it has become interdimensional. It 638 00:45:19,200 --> 00:45:23,800 Speaker 1: has passed from this one medium into this other medium 639 00:45:23,840 --> 00:45:28,279 Speaker 1: and now I can touch it. But but it's tendency 640 00:45:28,360 --> 00:45:30,840 Speaker 1: as not to be there. So if I release it 641 00:45:31,320 --> 00:45:34,399 Speaker 1: pal it's gonna pop back up to the other medium. 642 00:45:34,440 --> 00:45:37,600 Speaker 1: And this may be kind of like an example of 643 00:45:37,920 --> 00:45:43,239 Speaker 1: how that some of these interdimensional things can sometimes, under 644 00:45:43,239 --> 00:45:48,839 Speaker 1: the right conditions, appear in our physical realm. They can 645 00:45:48,960 --> 00:45:52,000 Speaker 1: change states, whether they're forced to do it or they 646 00:45:52,080 --> 00:45:53,759 Speaker 1: choose to do it. They know how to do it. 647 00:45:53,840 --> 00:45:56,600 Speaker 1: We don't know what the variables are, but sometimes the 648 00:45:56,640 --> 00:46:00,279 Speaker 1: physical thing can actually come here and then disappear and 649 00:46:00,360 --> 00:46:04,520 Speaker 1: sometimes we only see kind of a holographic reflection of it. 650 00:46:05,760 --> 00:46:08,480 Speaker 1: And that just seemed to me like a pretty good 651 00:46:08,560 --> 00:46:13,480 Speaker 1: metaphor for, uh, for what maybe happening when we interact 652 00:46:13,600 --> 00:46:16,799 Speaker 1: with these other beings from the other places and how 653 00:46:16,840 --> 00:46:20,040 Speaker 1: sometimes they come here and when they're here they're real, 654 00:46:20,120 --> 00:46:25,879 Speaker 1: they're physical, they do tangible things, but then when they 655 00:46:25,920 --> 00:46:29,239 Speaker 1: are when they're done, they just disappear. Where did they go? 656 00:46:29,920 --> 00:46:33,680 Speaker 1: Where is all the evidence? Where are the dead bodies? Well, 657 00:46:33,680 --> 00:46:36,879 Speaker 1: you don't. Well, what do you think is? Is that 658 00:46:37,440 --> 00:46:41,160 Speaker 1: something that kind of helps you understand what maybe interdimensional 659 00:46:41,560 --> 00:46:45,440 Speaker 1: activity is and how these these visitors and beings can 660 00:46:45,440 --> 00:46:50,560 Speaker 1: either be seen from the other side or sometimes they 661 00:46:50,560 --> 00:46:55,239 Speaker 1: cross over and are encountered. You know, Halloween. I told 662 00:46:55,239 --> 00:46:57,719 Speaker 1: you I'm recording this in September. Halloween is coming up. 663 00:46:57,760 --> 00:47:02,640 Speaker 1: That's when they say the veil fins and that that 664 00:47:02,920 --> 00:47:09,160 Speaker 1: separation between the physical and non physical, our world and 665 00:47:09,160 --> 00:47:13,319 Speaker 1: the spiritual world. Uh, it not only fins, but in 666 00:47:13,360 --> 00:47:16,799 Speaker 1: some cases it becomes almost non existent and you have 667 00:47:16,880 --> 00:47:20,440 Speaker 1: more interactions. I've talked about that on this podcast before 668 00:47:21,320 --> 00:47:23,399 Speaker 1: and that's why I've just gotta tell you. I gotta 669 00:47:23,440 --> 00:47:27,600 Speaker 1: remind you now this is a wonderful, wonderful time to 670 00:47:27,680 --> 00:47:31,680 Speaker 1: take one of my ghost tours. I own the haunted 671 00:47:31,760 --> 00:47:36,759 Speaker 1: Asheville walking tour in Asheville, North Carolina, and we win 672 00:47:36,840 --> 00:47:40,600 Speaker 1: awards every year from trip advisor. We've been voted one 673 00:47:40,600 --> 00:47:44,000 Speaker 1: of the top three ghost tours in America by readers 674 00:47:44,040 --> 00:47:47,280 Speaker 1: of USA Today. UH, just go look at the reviews. 675 00:47:47,320 --> 00:47:49,799 Speaker 1: If you'RE gonna be at Ashville, North Carolina, look up 676 00:47:49,840 --> 00:47:53,919 Speaker 1: haunted Ashville, haunted asheville dot com, and we talked about Oh, 677 00:47:54,040 --> 00:47:57,080 Speaker 1: the pink lady and Helen's bridge and you know, and 678 00:47:57,200 --> 00:47:59,000 Speaker 1: some you know, the murderers and like. You know, it's 679 00:47:59,000 --> 00:48:02,160 Speaker 1: a ghost tour. But if you're on the west coast, well, 680 00:48:02,480 --> 00:48:06,640 Speaker 1: out here in Nevada, I have the haunted boulder city 681 00:48:06,760 --> 00:48:11,440 Speaker 1: ghost and UFO tour. It's they're both walking tours. This 682 00:48:11,480 --> 00:48:14,200 Speaker 1: one in Nevada. We gotta throw more ufo stuff in 683 00:48:14,239 --> 00:48:17,560 Speaker 1: there because we're pretty close to area fifty one and 684 00:48:17,760 --> 00:48:20,839 Speaker 1: uh and so there you'll learn about, you know, all 685 00:48:20,880 --> 00:48:24,200 Speaker 1: the guys who died building the Hoover Dam and their 686 00:48:24,239 --> 00:48:28,200 Speaker 1: ghosts and the mobsters, but also like a lot of 687 00:48:28,200 --> 00:48:33,520 Speaker 1: weird creatures and cryptids and all the ufo stuff. So look, 688 00:48:33,560 --> 00:48:35,760 Speaker 1: if you're gonna be in Asheville, go to haunted ASHEVILLE 689 00:48:35,800 --> 00:48:38,600 Speaker 1: DOT COM. Or if you're gonna be in Nevada, it's 690 00:48:38,600 --> 00:48:41,400 Speaker 1: about thirty minutes outside of Vegas. Go to haunted Boulder 691 00:48:41,480 --> 00:48:44,319 Speaker 1: City Dot Com. Come on out and see why that 692 00:48:44,440 --> 00:48:48,799 Speaker 1: I created these things and just read the reviews. All right, 693 00:48:48,840 --> 00:48:51,360 Speaker 1: my friends, the clock has got us, so it is 694 00:48:51,400 --> 00:48:55,600 Speaker 1: time for us now to bring something positive into our lives. 695 00:48:55,640 --> 00:48:57,800 Speaker 1: Shall we take a deep breath? If you can close 696 00:48:57,800 --> 00:49:01,240 Speaker 1: your eyes, let's listen together to the good fortune town. 697 00:49:24,920 --> 00:49:28,440 Speaker 1: That's it for this edition of the show. Follow me 698 00:49:28,560 --> 00:49:32,880 Speaker 1: on twitter at Joshua Pe Warren, plus, visit Joshua PE 699 00:49:33,000 --> 00:49:35,480 Speaker 1: WARREN DOT COM to sign up for my free e 700 00:49:35,640 --> 00:49:40,239 Speaker 1: newsletter to receive a free instant gift, and check out 701 00:49:40,239 --> 00:49:43,760 Speaker 1: the cool stuff and the curiosity shop all at Joshua 702 00:49:43,880 --> 00:49:46,759 Speaker 1: P WARREN DOT com. I have a fun one lined 703 00:49:46,840 --> 00:49:50,359 Speaker 1: up for you next time, I promise. So please tell 704 00:49:50,400 --> 00:49:53,719 Speaker 1: all your friends to subscribe to this show and to 705 00:49:53,880 --> 00:49:59,319 Speaker 1: always remember the golden rule. Thank you for listening, thank 706 00:49:59,360 --> 00:50:02,560 Speaker 1: you for your interest in support, thank you for staying 707 00:50:02,680 --> 00:50:08,239 Speaker 1: curious and I we'll talk to you again soon. You've 708 00:50:08,280 --> 00:50:11,840 Speaker 1: been listening to strange things on the I heart radio 709 00:50:12,239 --> 00:50:26,720 Speaker 1: and coast to coast, a Um paranormal podcast network. Thanks 710 00:50:26,719 --> 00:50:28,680 Speaker 1: for listening to the I heart radio and coast to 711 00:50:28,719 --> 00:50:31,719 Speaker 1: Coast Day and paranormal podcast network. Make sure and check 712 00:50:31,719 --> 00:50:34,479 Speaker 1: out all our shows on the I heart radio APP 713 00:50:34,760 --> 00:50:41,840 Speaker 1: or by going to I heart radio DOT com.