1 00:00:00,280 --> 00:00:02,880 Speaker 1: Hello, and welcome back to Movie Mike's movie podcast. I 2 00:00:02,920 --> 00:00:05,240 Speaker 1: am your host Movie Mike. It is Thanksgiving week and 3 00:00:05,280 --> 00:00:07,280 Speaker 1: I want to show you how thankful I am for 4 00:00:07,400 --> 00:00:10,280 Speaker 1: you listening right now. Everybody in the movie crew, I 5 00:00:10,320 --> 00:00:12,920 Speaker 1: want to give you something that you can do for free. 6 00:00:13,240 --> 00:00:16,960 Speaker 1: I have my top five two B fines free service. 7 00:00:17,000 --> 00:00:19,360 Speaker 1: All you have to do is watch commercials. But there 8 00:00:19,360 --> 00:00:21,239 Speaker 1: are some hidden gems on there I want to share 9 00:00:21,280 --> 00:00:21,560 Speaker 1: with you. 10 00:00:21,680 --> 00:00:22,640 Speaker 2: In the movie. 11 00:00:22,360 --> 00:00:24,880 Speaker 1: Review, we're gonna be talking about Wicked. Did it live 12 00:00:24,960 --> 00:00:27,640 Speaker 1: up to my expectations? Even though I haven't seen the musical? 13 00:00:28,160 --> 00:00:31,680 Speaker 1: And in the trailer park mission Impossible eight? What is 14 00:00:31,800 --> 00:00:34,120 Speaker 1: going to be the fate of Ethan Hunt as they 15 00:00:34,159 --> 00:00:37,560 Speaker 1: close out this franchise? Is somebody gonna take over? Thank 16 00:00:37,600 --> 00:00:40,600 Speaker 1: you for being here, Thank you for being subscribed. Shout 17 00:00:40,600 --> 00:00:44,640 Speaker 1: out to the Monday Morning movie crew. Hellow, let's talk movies. 18 00:00:45,000 --> 00:00:48,199 Speaker 3: In a world where everyone and their mother has a podcast, 19 00:00:48,680 --> 00:00:52,600 Speaker 3: one man stands to infiltrate the ears of listeners like 20 00:00:52,680 --> 00:00:56,640 Speaker 3: never before in a movie podcast. A man with so 21 00:00:56,760 --> 00:01:01,360 Speaker 3: much movie knowledge. He's basically like Oh walk imtb wo's 22 00:01:01,480 --> 00:01:04,400 Speaker 3: glasses from the Nashville Podcast Network. 23 00:01:04,600 --> 00:01:07,760 Speaker 2: This is movie Mike Movie Podcast. 24 00:01:07,800 --> 00:01:10,760 Speaker 1: All right, it is Thanksgiving week and I want to 25 00:01:10,760 --> 00:01:13,800 Speaker 1: show my appreciation for everybody who listens to this podcast 26 00:01:14,120 --> 00:01:16,280 Speaker 1: and give you something that you can do for free, 27 00:01:16,319 --> 00:01:19,200 Speaker 1: because everything in this world is getting so expensive. My 28 00:01:19,240 --> 00:01:21,600 Speaker 1: Disney Plus is going up, my Netflix is going up. 29 00:01:21,760 --> 00:01:24,880 Speaker 1: But you know what is not going up the rates on. 30 00:01:25,080 --> 00:01:28,440 Speaker 2: To be Because to B is free. Yes, let me 31 00:01:28,440 --> 00:01:29,839 Speaker 2: say that again. To be is free. 32 00:01:29,880 --> 00:01:32,920 Speaker 1: You do have to watch some commercials at times. Their 33 00:01:32,959 --> 00:01:34,920 Speaker 1: commercial breaks are a little bit long. But I have 34 00:01:34,959 --> 00:01:37,040 Speaker 1: an entire theory about watching movies at home now that 35 00:01:37,080 --> 00:01:39,080 Speaker 1: I want to get into. But it is a free 36 00:01:39,080 --> 00:01:41,360 Speaker 1: service and all you have to do is create a 37 00:01:41,400 --> 00:01:44,480 Speaker 1: profile to sign in, and then it saves your progress 38 00:01:44,480 --> 00:01:46,320 Speaker 1: because if you don't create a profile, which is how 39 00:01:46,360 --> 00:01:49,360 Speaker 1: I was using it before, it would restart all your movies, 40 00:01:49,400 --> 00:01:50,919 Speaker 1: so you couldn't have a save spot. 41 00:01:51,040 --> 00:01:53,000 Speaker 2: But if you just do that, you're good to go. 42 00:01:53,480 --> 00:01:55,720 Speaker 1: And what has led me to TB is sometimes I'll 43 00:01:55,760 --> 00:01:58,240 Speaker 1: just search for a movie that's kind of old and 44 00:01:58,280 --> 00:02:00,640 Speaker 1: specific and one that maybe didn't have a whole lot 45 00:02:00,640 --> 00:02:03,520 Speaker 1: of success. It's not really one that the big streamers 46 00:02:03,560 --> 00:02:06,520 Speaker 1: are gonna go after, but for some reason, they just 47 00:02:06,720 --> 00:02:10,960 Speaker 1: end up on tub and I just started enjoying the service. 48 00:02:11,000 --> 00:02:13,079 Speaker 1: At first, it felt like, why there's so many commercials? 49 00:02:13,080 --> 00:02:15,320 Speaker 1: Why am I even getting on here? It feels like 50 00:02:15,400 --> 00:02:17,960 Speaker 1: there's nothing great to watch. But the more and more 51 00:02:18,160 --> 00:02:20,280 Speaker 1: I did my digging on to be, the more great 52 00:02:20,320 --> 00:02:22,400 Speaker 1: hidden gems I found, and I. 53 00:02:22,320 --> 00:02:23,480 Speaker 2: Was like, this is free. 54 00:02:23,560 --> 00:02:26,640 Speaker 1: I should be telling more people about this to save 55 00:02:26,720 --> 00:02:29,680 Speaker 1: you some money. Think about the commercials, it's really not 56 00:02:29,760 --> 00:02:33,000 Speaker 1: that bad. And the way I approach movies that I 57 00:02:33,040 --> 00:02:36,080 Speaker 1: watch on t B is I usually don't sit down 58 00:02:36,520 --> 00:02:38,520 Speaker 1: to watch them all in one sitting. 59 00:02:38,960 --> 00:02:39,440 Speaker 2: A lot. 60 00:02:39,680 --> 00:02:41,600 Speaker 1: I think every single movie that I'm gonna share with 61 00:02:41,639 --> 00:02:43,760 Speaker 1: you my top five two b fines, they were all 62 00:02:43,800 --> 00:02:46,440 Speaker 1: movies I started and then just kind of picked up 63 00:02:46,840 --> 00:02:49,440 Speaker 1: throughout the week, throughout the weekend and came back to 64 00:02:50,520 --> 00:02:52,240 Speaker 1: and with that, it doesn't feel like there are a 65 00:02:52,240 --> 00:02:54,960 Speaker 1: ton of commercials. So that is the only downfall I 66 00:02:55,080 --> 00:02:58,240 Speaker 1: found of to be some of the quality can be 67 00:02:58,360 --> 00:03:01,519 Speaker 1: hit or miss depending on how old of a movie 68 00:03:01,760 --> 00:03:03,840 Speaker 1: you were digging into, and I think that really just 69 00:03:03,880 --> 00:03:06,920 Speaker 1: comes down to the restoration of some of these movies 70 00:03:07,000 --> 00:03:11,000 Speaker 1: from film vhs to digital and streaming. So I don't 71 00:03:11,000 --> 00:03:14,040 Speaker 1: really hold that against TUB, but I think as a whole, 72 00:03:14,480 --> 00:03:16,000 Speaker 1: it is a solid service. 73 00:03:16,480 --> 00:03:18,000 Speaker 2: You can get the app on your phone. 74 00:03:18,160 --> 00:03:20,480 Speaker 1: If you have a smart TV, it's probably already on 75 00:03:20,520 --> 00:03:23,320 Speaker 1: your smart TV. You can watch it on your laptop. 76 00:03:23,480 --> 00:03:26,080 Speaker 1: Anywhere you are. You can have to B with you 77 00:03:26,280 --> 00:03:28,480 Speaker 1: for free. And I wanted to share with you my 78 00:03:28,600 --> 00:03:31,520 Speaker 1: top five hitted gems that I found on TB. And 79 00:03:31,560 --> 00:03:33,560 Speaker 1: these are all movies I've watched in the last couple 80 00:03:33,560 --> 00:03:35,800 Speaker 1: of months. I'm actually gonna go in order that I 81 00:03:35,880 --> 00:03:38,560 Speaker 1: watched them, because they all kicked off around October where 82 00:03:38,560 --> 00:03:41,520 Speaker 1: I was just looking for horror movies and I'd gone 83 00:03:41,520 --> 00:03:44,480 Speaker 1: through everything on Max and Netflix and Hulu, and I 84 00:03:44,520 --> 00:03:48,440 Speaker 1: was like, I need something different, and that journey led 85 00:03:48,480 --> 00:03:49,200 Speaker 1: me to TB. 86 00:03:49,560 --> 00:03:51,800 Speaker 2: I also love the sound that plays. 87 00:03:51,400 --> 00:03:54,440 Speaker 1: Whenever you first opened up to be, Like the Netflix 88 00:03:55,200 --> 00:03:56,680 Speaker 1: is probably the most iconic. 89 00:03:57,360 --> 00:03:59,480 Speaker 2: All the other services I feel are a little bit 90 00:03:59,520 --> 00:04:00,360 Speaker 2: more gen eric. 91 00:04:00,640 --> 00:04:02,880 Speaker 1: But this two B one will get stuck in your head. 92 00:04:05,640 --> 00:04:07,760 Speaker 1: So let's get into it now. My top five to 93 00:04:07,960 --> 00:04:11,400 Speaker 1: be fines movies you can watch for free at home. 94 00:04:11,920 --> 00:04:15,360 Speaker 1: At number five, the first movie that led me to 95 00:04:15,400 --> 00:04:20,280 Speaker 1: to be was Hell House LLLC and I always heard 96 00:04:20,320 --> 00:04:23,279 Speaker 1: about this movie. It's a very low budget horror movie. 97 00:04:23,760 --> 00:04:26,040 Speaker 1: And what the premise of this movie. It takes place 98 00:04:26,160 --> 00:04:30,200 Speaker 1: five years after fifteen people were killed during a haunted 99 00:04:30,240 --> 00:04:35,160 Speaker 1: house tour, and it shot documentary styles, so very much 100 00:04:35,360 --> 00:04:38,559 Speaker 1: like that first Blair Witch Project movie with a little 101 00:04:38,560 --> 00:04:43,440 Speaker 1: bit of paranormal activity where none of this stuff actually happened. 102 00:04:43,560 --> 00:04:45,800 Speaker 1: But in the movie they are investigating to find out 103 00:04:45,800 --> 00:04:48,560 Speaker 1: how all these people died and what really went on 104 00:04:48,640 --> 00:04:51,360 Speaker 1: in this horror house that was called hell House. And 105 00:04:51,400 --> 00:04:54,640 Speaker 1: the reason I decided to watch this movie is because 106 00:04:54,680 --> 00:04:58,080 Speaker 1: it made the list of the top ten scariest movies. 107 00:04:58,120 --> 00:05:00,080 Speaker 1: According to Science. It came in at number one on 108 00:05:00,360 --> 00:05:02,919 Speaker 1: the list, So they use some different things to factor 109 00:05:03,000 --> 00:05:06,159 Speaker 1: in what makes these movies the scariest. According to Science, 110 00:05:06,440 --> 00:05:10,400 Speaker 1: hell House LLC has an average movie heart rate of 111 00:05:10,560 --> 00:05:13,960 Speaker 1: eighty one beats per minute. The highest spike is one 112 00:05:14,000 --> 00:05:18,640 Speaker 1: oh seven beats per minute. The HRV drop is sixteen percent. 113 00:05:18,720 --> 00:05:20,599 Speaker 1: Maybe that's like how much you come down. I don't 114 00:05:20,640 --> 00:05:23,039 Speaker 1: really know exactly what that means. But it also has 115 00:05:23,120 --> 00:05:27,520 Speaker 1: a scare score of seventy five. All those factors give 116 00:05:27,600 --> 00:05:30,520 Speaker 1: this movie a nine, and out of all the movies 117 00:05:30,560 --> 00:05:32,880 Speaker 1: that made this top ten list that I was reading. 118 00:05:33,120 --> 00:05:35,560 Speaker 1: This was the only one that I hadn't seen, and 119 00:05:35,640 --> 00:05:40,320 Speaker 1: the only place I could watch it was where think 120 00:05:40,600 --> 00:05:44,200 Speaker 1: that is correct? And you know, I love this House 121 00:05:44,360 --> 00:05:47,719 Speaker 1: is haunted horror subgenre, so I felt like this movie 122 00:05:47,760 --> 00:05:50,599 Speaker 1: was right up my alley and I did enjoy that 123 00:05:50,800 --> 00:05:52,960 Speaker 1: aspect of it, of you as the viewer trying to 124 00:05:52,960 --> 00:05:55,440 Speaker 1: figure out what exactly is going on here. 125 00:05:55,880 --> 00:05:57,320 Speaker 2: I also love movies. 126 00:05:57,000 --> 00:05:59,720 Speaker 1: That are made for really low budgets and go on, well, 127 00:05:59,720 --> 00:06:02,320 Speaker 1: this even wasn't that big of a box office success. 128 00:06:02,680 --> 00:06:05,039 Speaker 1: I think it just really became a cult classic. There's 129 00:06:05,080 --> 00:06:07,600 Speaker 1: a sequel to this movie, but there is. 130 00:06:07,560 --> 00:06:10,280 Speaker 2: A charm in this style of filmmaking. 131 00:06:10,320 --> 00:06:12,400 Speaker 1: So I do think you really have to be into 132 00:06:12,440 --> 00:06:14,960 Speaker 1: horror movies to enjoy this one because it is pretty 133 00:06:14,960 --> 00:06:18,960 Speaker 1: low budget. The thing that probably holds this movie back 134 00:06:19,040 --> 00:06:21,719 Speaker 1: the most that I enjoyed. But I could see if 135 00:06:21,760 --> 00:06:25,400 Speaker 1: you were watching this without really much knowledge on how 136 00:06:25,480 --> 00:06:28,960 Speaker 1: much this movie cost, you would see some of the 137 00:06:29,000 --> 00:06:32,359 Speaker 1: acting in this movie and think this is pretty subpar. 138 00:06:32,839 --> 00:06:35,720 Speaker 1: It feels like they just grabbed some random people and 139 00:06:35,760 --> 00:06:38,000 Speaker 1: threw them in front of a camera and said. 140 00:06:37,760 --> 00:06:39,200 Speaker 2: All right, let's make this movie. 141 00:06:39,400 --> 00:06:41,120 Speaker 1: But I think that's kind of what they're going for 142 00:06:41,320 --> 00:06:44,440 Speaker 1: because they are supposed to be normal people. But for 143 00:06:44,480 --> 00:06:47,680 Speaker 1: this movie, you do have to suspend a lot of 144 00:06:47,800 --> 00:06:52,560 Speaker 1: belief because of the style of filmmaking, because of what 145 00:06:52,720 --> 00:06:56,640 Speaker 1: is actually the horrors behind this hell house. It is 146 00:06:56,680 --> 00:06:58,320 Speaker 1: a movie that if you went into a thinking this 147 00:06:58,440 --> 00:07:00,560 Speaker 1: is going to be so scary, which is how I 148 00:07:00,600 --> 00:07:02,960 Speaker 1: went into it, because it makes the top ten, and 149 00:07:03,320 --> 00:07:05,640 Speaker 1: you would really not flinch at it because there are 150 00:07:05,640 --> 00:07:08,680 Speaker 1: moments that were terrifying and they got me a little bit, 151 00:07:08,920 --> 00:07:10,840 Speaker 1: but I really had to put myself in it. And 152 00:07:10,880 --> 00:07:12,920 Speaker 1: there were other times that I was annoyed with it 153 00:07:12,960 --> 00:07:15,000 Speaker 1: because whenever it was going to get to a really 154 00:07:15,040 --> 00:07:17,240 Speaker 1: scary part, they're like, Okay, now we're going to go 155 00:07:17,360 --> 00:07:21,760 Speaker 1: full found footage and start glitching with the scene. We 156 00:07:21,800 --> 00:07:25,320 Speaker 1: cut off the camera a little bit. It's buzzing, it's 157 00:07:25,400 --> 00:07:27,960 Speaker 1: moving too much, and you miss out on some of 158 00:07:28,000 --> 00:07:31,680 Speaker 1: the real scary parts. And I think that's probably due 159 00:07:31,720 --> 00:07:33,880 Speaker 1: to the low budget, and they wanted to make some 160 00:07:33,920 --> 00:07:36,360 Speaker 1: of the scary things that you interpret in your head 161 00:07:36,520 --> 00:07:38,840 Speaker 1: be scarier than what they could afford to put on 162 00:07:38,880 --> 00:07:41,600 Speaker 1: the screen. So I think it we just had better 163 00:07:41,680 --> 00:07:44,600 Speaker 1: actors a little bit more budget to show some of 164 00:07:44,640 --> 00:07:47,720 Speaker 1: those scary things, but I became really invested in it. 165 00:07:47,760 --> 00:07:48,440 Speaker 2: Towards the end. 166 00:07:48,520 --> 00:07:51,120 Speaker 1: There were moments because I made it a point to 167 00:07:51,360 --> 00:07:54,080 Speaker 1: only watch this movie at night so I could fully 168 00:07:54,160 --> 00:07:57,920 Speaker 1: lean into being scared. But overall for hell House LLC. 169 00:07:58,320 --> 00:08:00,520 Speaker 1: I give it about a three point five at a five, 170 00:08:01,200 --> 00:08:03,080 Speaker 1: but a good one to check out. I would say 171 00:08:03,120 --> 00:08:05,760 Speaker 1: if I was a bigger fan of The Blair Witch Project, 172 00:08:06,280 --> 00:08:08,280 Speaker 1: I would have enjoyed this movie more. And I know 173 00:08:08,320 --> 00:08:11,440 Speaker 1: some people love that is their favorite horror movie, So 174 00:08:11,520 --> 00:08:13,680 Speaker 1: I think if you're looking for something in that nature, 175 00:08:14,080 --> 00:08:16,280 Speaker 1: this is a movie that a lot of people love, 176 00:08:16,640 --> 00:08:18,200 Speaker 1: and I could see it. I just have a really 177 00:08:18,280 --> 00:08:20,080 Speaker 1: high standard when it comes to something that's supposed to 178 00:08:20,120 --> 00:08:22,760 Speaker 1: be scary to me, and I am impossible to scare. 179 00:08:23,040 --> 00:08:25,760 Speaker 1: But still I enjoyed it, and I watched it for free. 180 00:08:25,920 --> 00:08:29,240 Speaker 1: That comes in at number five. Hell House LLC. 181 00:08:29,920 --> 00:08:31,200 Speaker 2: At number four. 182 00:08:31,840 --> 00:08:36,360 Speaker 1: Is one of my favorite movies from the sixties, and 183 00:08:36,400 --> 00:08:38,679 Speaker 1: it's a lesser known movie from the sixties. 184 00:08:38,800 --> 00:08:39,840 Speaker 2: It is called The. 185 00:08:39,800 --> 00:08:43,080 Speaker 1: Swimmer, and I think sometimes when you think about movies 186 00:08:43,080 --> 00:08:45,280 Speaker 1: in the sixties, you might think, is it in color, 187 00:08:45,360 --> 00:08:46,439 Speaker 1: is it in black and white. 188 00:08:46,840 --> 00:08:50,240 Speaker 2: The Swimmer is in color. It stars Burt Lancaster. 189 00:08:50,640 --> 00:08:53,800 Speaker 1: And the reason I love this movie is because it's 190 00:08:53,840 --> 00:08:56,800 Speaker 1: based on a short story by John Cheever and I 191 00:08:56,880 --> 00:08:58,560 Speaker 1: remember reading this short story. 192 00:08:59,120 --> 00:09:00,319 Speaker 2: It had to have been and in. 193 00:09:00,280 --> 00:09:03,319 Speaker 1: Middle school, maybe in high school, and I was really 194 00:09:03,360 --> 00:09:08,240 Speaker 1: big into literature, not only in junior high in high. 195 00:09:08,120 --> 00:09:09,880 Speaker 2: School, but in college. 196 00:09:09,920 --> 00:09:12,000 Speaker 1: I took creative writing and I had to read a 197 00:09:12,040 --> 00:09:15,160 Speaker 1: lot of short stories, and I always gravitated more towards 198 00:09:15,200 --> 00:09:18,400 Speaker 1: short stories because I just love that style of storytelling, 199 00:09:18,480 --> 00:09:21,680 Speaker 1: because I feel like you can have just a small 200 00:09:21,840 --> 00:09:25,000 Speaker 1: idea that is a great idea, but sometimes those small 201 00:09:25,040 --> 00:09:27,960 Speaker 1: great ideas can't be fleshed out into an entire book 202 00:09:28,440 --> 00:09:32,000 Speaker 1: because it's just a really specific scene, really specific moral 203 00:09:32,120 --> 00:09:35,120 Speaker 1: or message. And I think that's why I gravitated towards 204 00:09:35,160 --> 00:09:37,400 Speaker 1: reading a lot of short stories. And I was pretty 205 00:09:37,440 --> 00:09:40,960 Speaker 1: sure I watched this movie in school, but watching it 206 00:09:41,000 --> 00:09:43,200 Speaker 1: on TV, I felt like I was watching it again 207 00:09:43,240 --> 00:09:45,080 Speaker 1: for the first time, because if I did watch it 208 00:09:45,120 --> 00:09:47,199 Speaker 1: in school, I know I read the short story and 209 00:09:47,240 --> 00:09:50,240 Speaker 1: what The Swimmer is about. You have this guy named 210 00:09:50,280 --> 00:09:54,600 Speaker 1: Ned who has this really crazy idea where he's visiting 211 00:09:54,640 --> 00:09:57,200 Speaker 1: his friends and they're like, hey, we haven't seen you 212 00:09:57,240 --> 00:10:00,160 Speaker 1: in a long time, and he's like, hey, yeah, and 213 00:10:00,200 --> 00:10:04,080 Speaker 1: he gets this idea that he wants to swim through 214 00:10:04,160 --> 00:10:08,199 Speaker 1: everybody's backyard and make it back to his house. And 215 00:10:08,720 --> 00:10:11,160 Speaker 1: when I first read this short story, it didn't make 216 00:10:11,200 --> 00:10:13,400 Speaker 1: sense to me, and seeing it in a movie, it 217 00:10:13,440 --> 00:10:15,240 Speaker 1: makes a little bit more sense. But you also have 218 00:10:15,320 --> 00:10:18,760 Speaker 1: to know that it overall doesn't really make sense because 219 00:10:19,440 --> 00:10:23,000 Speaker 1: this movie really isn't set in reality. It is very 220 00:10:23,080 --> 00:10:25,600 Speaker 1: much trying to make a point about this guy who 221 00:10:25,720 --> 00:10:28,560 Speaker 1: is a little bit delusional, and he is reminiscing on 222 00:10:28,600 --> 00:10:30,760 Speaker 1: a time in his life where him and a friend, 223 00:10:31,080 --> 00:10:33,360 Speaker 1: that first friend he talks to when he goes to 224 00:10:33,400 --> 00:10:35,480 Speaker 1: their house at the start of this movie, they used 225 00:10:35,520 --> 00:10:37,400 Speaker 1: to just swim a lot. They would swim up a 226 00:10:37,480 --> 00:10:40,120 Speaker 1: river and get lost at it, back when they were 227 00:10:40,120 --> 00:10:43,439 Speaker 1: really young and strong and healthy. And that is kind 228 00:10:43,480 --> 00:10:45,400 Speaker 1: of where the idea is born that he wants to 229 00:10:45,440 --> 00:10:48,679 Speaker 1: relive those early days where he could swim for NonStop 230 00:10:48,760 --> 00:10:51,559 Speaker 1: hours and just keep going. And the only way he 231 00:10:51,600 --> 00:10:53,800 Speaker 1: can do that now is by stopping by all these 232 00:10:53,840 --> 00:10:56,839 Speaker 1: houses where he knows people and just taking a swim 233 00:10:56,880 --> 00:10:57,440 Speaker 1: in their pool. 234 00:10:57,800 --> 00:11:00,000 Speaker 2: So he's not really finding. 235 00:10:59,640 --> 00:11:02,960 Speaker 1: A way to swim through all their pools like they're 236 00:11:02,960 --> 00:11:04,840 Speaker 1: connected in a way, which is how I thought of 237 00:11:04,880 --> 00:11:08,240 Speaker 1: it whenever I first read this story. But the movie 238 00:11:08,800 --> 00:11:12,840 Speaker 1: is all about this big character study on Ned, and 239 00:11:12,880 --> 00:11:15,520 Speaker 1: through every house that he visits, you learn a little 240 00:11:15,520 --> 00:11:18,079 Speaker 1: bit more about him, and the tone of the movie 241 00:11:18,240 --> 00:11:21,240 Speaker 1: changes and gets darker and darker as it goes along, 242 00:11:21,360 --> 00:11:23,120 Speaker 1: And I think that is why I love this movie 243 00:11:23,280 --> 00:11:26,719 Speaker 1: so much, because it starts out very big and fantastical, 244 00:11:26,960 --> 00:11:27,480 Speaker 1: and it's. 245 00:11:27,360 --> 00:11:28,880 Speaker 2: All over exaggerated. 246 00:11:29,400 --> 00:11:32,640 Speaker 1: He's talking about his really cool life, that he's rich, 247 00:11:32,679 --> 00:11:36,360 Speaker 1: and he has a family. They're all back home playing tennis, 248 00:11:36,400 --> 00:11:38,679 Speaker 1: and he's gonna make his way back there. And then 249 00:11:38,720 --> 00:11:41,720 Speaker 1: you find out more and more details about him, and 250 00:11:41,760 --> 00:11:44,880 Speaker 1: you learn about how all these other people are treating him, 251 00:11:45,160 --> 00:11:47,640 Speaker 1: and you start to wonder, like, what is really going 252 00:11:47,720 --> 00:11:50,160 Speaker 1: on with Ned? And by the end of the movie, 253 00:11:50,240 --> 00:11:53,960 Speaker 1: you feel awful for Ned. And it is such a 254 00:11:54,160 --> 00:11:58,720 Speaker 1: unique way to tell a story that I'm just surprised 255 00:11:58,720 --> 00:12:02,360 Speaker 1: that something like this was made in the sixties, because 256 00:12:02,360 --> 00:12:04,440 Speaker 1: sometimes when I look at other movies in that period, 257 00:12:04,800 --> 00:12:07,320 Speaker 1: I mean the graduate also from the sixties also want 258 00:12:07,360 --> 00:12:11,040 Speaker 1: to be planet of the Apes, Rosemary's Baby, The Birds 259 00:12:11,679 --> 00:12:13,920 Speaker 1: Psycho is from the sixties, so there are some very 260 00:12:13,960 --> 00:12:17,280 Speaker 1: notable movies from the sixties. But I could imagine this 261 00:12:17,320 --> 00:12:20,800 Speaker 1: movie coming out now and being a hit and being 262 00:12:20,840 --> 00:12:24,520 Speaker 1: something that felt new, refreshing and novel. So in a way, 263 00:12:24,559 --> 00:12:26,599 Speaker 1: I feel like this movie was a bit ahead of 264 00:12:26,679 --> 00:12:29,240 Speaker 1: its time, even though it's based on a short story. 265 00:12:29,400 --> 00:12:31,160 Speaker 1: And to help you frame it in your mind, here's 266 00:12:31,200 --> 00:12:32,640 Speaker 1: just a little clip of the trailer. 267 00:12:32,679 --> 00:12:34,800 Speaker 4: Well, I've got to be on my way. I'm swimming home. 268 00:12:35,080 --> 00:12:36,280 Speaker 4: You're swimming home. 269 00:12:36,559 --> 00:12:38,160 Speaker 2: I figured out there's a river of pools all the 270 00:12:38,200 --> 00:12:38,880 Speaker 2: way to my house. 271 00:12:39,240 --> 00:12:40,160 Speaker 3: Crazy idea. 272 00:12:41,120 --> 00:12:42,680 Speaker 4: I think it's a brilliant idea. 273 00:12:43,240 --> 00:12:44,320 Speaker 2: Well, what are you doing it for? 274 00:12:44,600 --> 00:12:46,760 Speaker 4: Why do you want to do it? I think it's 275 00:12:46,840 --> 00:12:51,240 Speaker 4: very original. I mean, I think it's an adventure. 276 00:12:51,480 --> 00:12:55,560 Speaker 1: With me, so you want to take this journey with Ned. 277 00:12:55,559 --> 00:12:58,480 Speaker 1: I don't think this movie is for everybody. Some people 278 00:12:59,360 --> 00:13:02,800 Speaker 1: see anything from old and back in the day and 279 00:13:02,880 --> 00:13:04,600 Speaker 1: immediately are like, I don't want to watch that. 280 00:13:04,679 --> 00:13:05,240 Speaker 2: It looks old. 281 00:13:05,240 --> 00:13:07,880 Speaker 1: I feel like even kids now seeing movies from the 282 00:13:07,880 --> 00:13:09,079 Speaker 1: twenty tens, and if it. 283 00:13:09,080 --> 00:13:11,199 Speaker 2: Just looks old at all or in the two. 284 00:13:11,000 --> 00:13:13,880 Speaker 1: Thousands, you don't want to watch it, and I get that, 285 00:13:14,040 --> 00:13:17,000 Speaker 1: but there's just something about the suburban drama that this 286 00:13:17,080 --> 00:13:20,560 Speaker 1: movie really shines a light on that makes me love it. 287 00:13:20,960 --> 00:13:23,760 Speaker 1: I feel a lot of empathy for Ned. I also 288 00:13:24,240 --> 00:13:26,080 Speaker 1: kind of feel anger towards Ned. 289 00:13:26,480 --> 00:13:27,079 Speaker 2: I love the. 290 00:13:27,080 --> 00:13:30,199 Speaker 1: Look and feel of this movie where the colors are 291 00:13:30,360 --> 00:13:32,760 Speaker 1: very rich. So for The Swimmer, I would give it 292 00:13:32,800 --> 00:13:34,560 Speaker 1: four out of five. It is one of my favorite 293 00:13:34,600 --> 00:13:37,880 Speaker 1: movies from the sixties. Up next at number three is 294 00:13:37,920 --> 00:13:40,360 Speaker 1: a movie called SLC Punk. This was one of my 295 00:13:40,480 --> 00:13:42,960 Speaker 1: favorite movies growing up, and as soon as I was 296 00:13:43,000 --> 00:13:45,559 Speaker 1: done watching The Swimmer and I was looking through all 297 00:13:45,559 --> 00:13:47,920 Speaker 1: the other two B movies, I saw this one next 298 00:13:47,920 --> 00:13:50,520 Speaker 1: and I was like, I gotta rewatch this because growing 299 00:13:50,600 --> 00:13:52,080 Speaker 1: up I was into punk rock. 300 00:13:52,320 --> 00:13:54,480 Speaker 2: My first concert ever was the Warp Tour. 301 00:13:55,160 --> 00:13:58,040 Speaker 1: I went to go see bands like Rancid. I was 302 00:13:58,240 --> 00:14:01,960 Speaker 1: very into the Misfits, Black Flag, all of those just 303 00:14:02,120 --> 00:14:07,040 Speaker 1: core essential punk bands, Ramones, the Clash. That was what 304 00:14:07,280 --> 00:14:10,719 Speaker 1: I grew up listening to, and I very much identified 305 00:14:10,760 --> 00:14:13,680 Speaker 1: with all the values in punk rock. I love going 306 00:14:13,720 --> 00:14:16,480 Speaker 1: to shows and getting in the mosh pit, and it 307 00:14:16,559 --> 00:14:19,520 Speaker 1: was very much a part of my identity growing up 308 00:14:19,880 --> 00:14:22,720 Speaker 1: that being said, this movie is one. As a teenager, 309 00:14:22,760 --> 00:14:25,360 Speaker 1: I would have rated a five out of five because 310 00:14:25,400 --> 00:14:27,880 Speaker 1: I saw Steve O in this movie, who was played 311 00:14:27,920 --> 00:14:30,480 Speaker 1: by Matthew Lillard, and thought I want to be like him. 312 00:14:30,480 --> 00:14:33,360 Speaker 1: He is cool, he has a mohawk at the beginning 313 00:14:33,360 --> 00:14:35,880 Speaker 1: of the movie, he has colored hair. He wears the 314 00:14:35,880 --> 00:14:37,880 Speaker 1: clothes I want to wear. If I was only skinnier 315 00:14:37,880 --> 00:14:40,040 Speaker 1: and could fit into those clothes, I'd be dressing just 316 00:14:40,120 --> 00:14:43,360 Speaker 1: like him. But I grew up idolizing this movie and 317 00:14:43,400 --> 00:14:46,200 Speaker 1: the values in this movie, and the music in this movie. 318 00:14:46,240 --> 00:14:49,120 Speaker 1: It has a fantastic soundtrack. So as a teenager, I 319 00:14:49,120 --> 00:14:51,360 Speaker 1: would have given this movie a five out of five. 320 00:14:51,840 --> 00:14:54,200 Speaker 1: And rewatching this movie, I think it has dropped a 321 00:14:54,200 --> 00:14:56,200 Speaker 1: little bit and I would probably give it now a 322 00:14:56,280 --> 00:14:57,160 Speaker 1: four out of five. 323 00:14:57,640 --> 00:14:59,120 Speaker 2: And it was so weird. 324 00:14:58,840 --> 00:15:02,480 Speaker 1: To me to see how my perspective on this story 325 00:15:03,040 --> 00:15:06,560 Speaker 1: changed now being thirty three years old, and how much 326 00:15:06,600 --> 00:15:08,800 Speaker 1: I idolized STEVEO and thought he was the coolest and 327 00:15:08,800 --> 00:15:10,760 Speaker 1: thought he made all the best points in this movie 328 00:15:11,280 --> 00:15:14,800 Speaker 1: where he is just trying to tear down the establishment 329 00:15:14,840 --> 00:15:18,120 Speaker 1: that is the punk rock way. He wants total anarchy. 330 00:15:18,280 --> 00:15:20,680 Speaker 1: He thinks that there should be no systems in play 331 00:15:20,760 --> 00:15:24,400 Speaker 1: or whatever, that it should just be chaos all the time, 332 00:15:25,200 --> 00:15:29,040 Speaker 1: and he wanted to live this lifestyle of basically being 333 00:15:29,080 --> 00:15:33,800 Speaker 1: a degenerate, not contributing to society. And watching it now 334 00:15:33,840 --> 00:15:37,280 Speaker 1: as an adult, I found Stevo's character to be really 335 00:15:37,360 --> 00:15:42,440 Speaker 1: annoying and really pretentious and saying things about the world 336 00:15:42,440 --> 00:15:44,240 Speaker 1: when it's just not really how it works. And I 337 00:15:44,280 --> 00:15:46,920 Speaker 1: was like, oh, this is weird, like I used to 338 00:15:46,960 --> 00:15:49,240 Speaker 1: be on the complete other side of that, and it 339 00:15:49,280 --> 00:15:52,040 Speaker 1: made me realize And it was even before I rewatched 340 00:15:52,040 --> 00:15:54,720 Speaker 1: this movie, but even going to concerts, you know, punk 341 00:15:54,760 --> 00:15:57,920 Speaker 1: concerts in my late twenties and now early thirties, that 342 00:15:58,000 --> 00:16:01,600 Speaker 1: punk rock just doesn't age that well. And while I 343 00:16:01,680 --> 00:16:05,600 Speaker 1: still love the music and how it just reminds me 344 00:16:05,640 --> 00:16:07,920 Speaker 1: of my youth, and I always try to keep a 345 00:16:07,960 --> 00:16:10,680 Speaker 1: little of those punk rock values in my life of 346 00:16:10,800 --> 00:16:13,240 Speaker 1: just doing what I want, say what I want to say, 347 00:16:13,320 --> 00:16:16,360 Speaker 1: dressing how I want to dress. I think throughout your 348 00:16:16,440 --> 00:16:18,720 Speaker 1: life you should keep that kind of punk rock nature 349 00:16:18,720 --> 00:16:20,760 Speaker 1: of like, yo, I'm gonna do what I want and 350 00:16:20,800 --> 00:16:22,520 Speaker 1: I'm not going to carry what people say. I think, 351 00:16:22,680 --> 00:16:26,440 Speaker 1: at its core, that's what punk rock is, being yourself 352 00:16:26,840 --> 00:16:29,080 Speaker 1: and they make a great point in this movie that 353 00:16:29,480 --> 00:16:32,400 Speaker 1: also resonated with me more watching it again on tub 354 00:16:33,120 --> 00:16:37,880 Speaker 1: was if you wear punk rock things to rebel, but 355 00:16:38,080 --> 00:16:40,520 Speaker 1: you yourself kind of look like you're wearing a uniform 356 00:16:40,560 --> 00:16:42,560 Speaker 1: at the same time. So it's like, I'm gonna be 357 00:16:42,600 --> 00:16:47,880 Speaker 1: punk rock and be not conforming with society by coloring 358 00:16:47,920 --> 00:16:51,240 Speaker 1: my hair, by wearing spikes on my clothes. In turn, 359 00:16:51,360 --> 00:16:55,960 Speaker 1: you're kind of conforming to another uniform that you're trying 360 00:16:55,960 --> 00:16:58,400 Speaker 1: to rebel against. So by me dressing like a nerd, 361 00:16:58,440 --> 00:17:02,360 Speaker 1: now it's being more punk rock than ever. But I 362 00:17:02,520 --> 00:17:04,280 Speaker 1: kind of feel the way that a lot of people 363 00:17:04,359 --> 00:17:07,040 Speaker 1: feel about the book The Catcher and the Rye, where 364 00:17:07,119 --> 00:17:09,919 Speaker 1: a big problem that people have with that book is 365 00:17:09,960 --> 00:17:13,640 Speaker 1: the main character Holden, and people find him really pretentious 366 00:17:13,800 --> 00:17:16,760 Speaker 1: and whiny, And I kind of feel that same way 367 00:17:16,840 --> 00:17:18,760 Speaker 1: now rewatching SLC Punk. 368 00:17:18,800 --> 00:17:20,320 Speaker 2: The music is still good. 369 00:17:20,359 --> 00:17:22,400 Speaker 1: And even watching it now, I can kind of see 370 00:17:22,400 --> 00:17:25,200 Speaker 1: the budget a little bit that things that I maybe 371 00:17:25,200 --> 00:17:27,800 Speaker 1: didn't notice when I was younger that I kind of 372 00:17:27,840 --> 00:17:30,000 Speaker 1: just glazed over. Now I'm like, oh man, they really 373 00:17:30,040 --> 00:17:32,600 Speaker 1: cut the corners there. You can totally tell that that 374 00:17:32,680 --> 00:17:35,840 Speaker 1: as a wig, So growing up I very much wanted 375 00:17:35,880 --> 00:17:39,359 Speaker 1: to be like Matthew Lillard's character Steve O, and now 376 00:17:39,480 --> 00:17:42,520 Speaker 1: I feel more like the character Mark in this movie 377 00:17:42,560 --> 00:17:45,800 Speaker 1: played by Til Schweiger, who is like the older guy 378 00:17:45,880 --> 00:17:47,520 Speaker 1: in his thirties hanging out with him. 379 00:17:47,560 --> 00:17:48,840 Speaker 2: And he's not really punk rock. 380 00:17:48,880 --> 00:17:51,240 Speaker 1: He just like hanging out and having fun and some 381 00:17:51,359 --> 00:17:54,159 Speaker 1: of his values in this movie I probably identify with 382 00:17:54,320 --> 00:17:57,840 Speaker 1: more now as an adult. Also, Jason Siegel is in 383 00:17:57,920 --> 00:18:01,080 Speaker 1: this movie. He plays a character named Ardicore Mike, who 384 00:18:01,280 --> 00:18:03,920 Speaker 1: is a nerd. Has glasses, not like the glasses I 385 00:18:03,960 --> 00:18:06,480 Speaker 1: have now, but the glasses I had before this, and 386 00:18:06,560 --> 00:18:09,400 Speaker 1: he is a big dork. But to think about him 387 00:18:09,480 --> 00:18:12,040 Speaker 1: is he's really good at fighting, so he's their muscles, 388 00:18:12,040 --> 00:18:14,119 Speaker 1: so even though he looks like a total dweeb, he 389 00:18:14,160 --> 00:18:15,679 Speaker 1: can take out a dude with one punch. 390 00:18:16,040 --> 00:18:16,480 Speaker 2: Kind of cool. 391 00:18:16,480 --> 00:18:19,760 Speaker 1: Seeing Jason Siegel very early in his career post Freaks 392 00:18:19,760 --> 00:18:22,560 Speaker 1: and Geeks, long before How I Met Your Mother, But 393 00:18:22,640 --> 00:18:25,960 Speaker 1: this movie is all about that, about two former geeks 394 00:18:26,440 --> 00:18:28,800 Speaker 1: who were nerds and decided in the nineteen eighties, we 395 00:18:28,840 --> 00:18:31,240 Speaker 1: got to become cool. We gotta start going to parties, 396 00:18:31,280 --> 00:18:34,000 Speaker 1: we gotta start hanging out with girls. So they become 397 00:18:34,359 --> 00:18:37,919 Speaker 1: punk rockers, go to concerts, live the lifestyle, still go 398 00:18:38,000 --> 00:18:39,080 Speaker 1: to college. 399 00:18:39,000 --> 00:18:39,280 Speaker 2: And then. 400 00:18:39,280 --> 00:18:41,959 Speaker 1: It also has one of my favorite performances from Matthew Lillard. 401 00:18:42,000 --> 00:18:42,640 Speaker 2: At the end of this. 402 00:18:42,680 --> 00:18:47,120 Speaker 1: Movie, he delivered what ended up being credit to him 403 00:18:47,160 --> 00:18:50,200 Speaker 1: that he could be a legit actor, had to pull 404 00:18:50,280 --> 00:18:53,440 Speaker 1: some real emotion out of his butt so long before 405 00:18:53,720 --> 00:18:56,720 Speaker 1: he was Shaggy and Scooby Doo. He nailed it an 406 00:18:56,840 --> 00:18:59,439 Speaker 1: SLC punk So this movie will always be one of 407 00:18:59,480 --> 00:19:02,800 Speaker 1: my favorite even though I'm not right there with its 408 00:19:02,840 --> 00:19:06,080 Speaker 1: ideology as an adult, and probably as I get older 409 00:19:06,080 --> 00:19:08,520 Speaker 1: and older and become more lame and not want to 410 00:19:08,520 --> 00:19:11,199 Speaker 1: do cool, fun things anymore that I did in my 411 00:19:11,280 --> 00:19:14,840 Speaker 1: younger years, I'll still look back on this movie and think, yeah, 412 00:19:15,080 --> 00:19:17,159 Speaker 1: I used to be cool like that, or probably not, 413 00:19:17,240 --> 00:19:19,760 Speaker 1: I was never cool. At Number two on the TV 414 00:19:19,880 --> 00:19:25,320 Speaker 1: list is Blow starring Johnny Depp Penelope Cruise. I remember 415 00:19:25,359 --> 00:19:27,480 Speaker 1: watching this movie way too young, because it came out 416 00:19:27,480 --> 00:19:29,960 Speaker 1: in two thousand and one I was ten years old. 417 00:19:30,000 --> 00:19:33,480 Speaker 1: I remember the DVD for Blow that it was like 418 00:19:33,520 --> 00:19:37,879 Speaker 1: a silver case with Johnny Depp laying down, Penelope Cruise 419 00:19:37,920 --> 00:19:41,000 Speaker 1: laying down like on top of him, resting her hand 420 00:19:41,040 --> 00:19:45,400 Speaker 1: on his stomach and I didn't know what blow even 421 00:19:45,480 --> 00:19:48,040 Speaker 1: meant before watching this movie as a kid. It's about 422 00:19:48,080 --> 00:19:51,240 Speaker 1: cocaine and Johnny Depp plays a character named George Young, 423 00:19:51,560 --> 00:19:56,040 Speaker 1: who is most famous for being Pablo Escobar's right hand man. 424 00:19:56,320 --> 00:19:59,080 Speaker 1: And I thought this was the coolest movie growing up 425 00:19:59,119 --> 00:20:02,040 Speaker 1: because it's all about how he goes from being a 426 00:20:02,080 --> 00:20:07,520 Speaker 1: poor kid. His parents are struggling financially and that leads 427 00:20:07,560 --> 00:20:10,320 Speaker 1: them to fighting with each other. His dad is played 428 00:20:10,320 --> 00:20:13,760 Speaker 1: by Ray Liota, and a fantastic thing that this movie 429 00:20:13,800 --> 00:20:18,160 Speaker 1: does is create a really great backstory really quickly by 430 00:20:18,200 --> 00:20:20,879 Speaker 1: showing you his life as a kid. But even before 431 00:20:20,880 --> 00:20:23,920 Speaker 1: you get to that, it starts out kind of telling 432 00:20:23,920 --> 00:20:27,400 Speaker 1: you how it's gonna end. It is Johnny Depp as 433 00:20:27,400 --> 00:20:31,600 Speaker 1: an adult telling you his inmate number, and then you 434 00:20:31,800 --> 00:20:35,399 Speaker 1: flash back to him getting started in the drug business. 435 00:20:35,480 --> 00:20:37,119 Speaker 1: But it all goes back to him as a kid, 436 00:20:37,480 --> 00:20:39,919 Speaker 1: hearing his parents argue and thinking, I don't want to 437 00:20:39,920 --> 00:20:42,480 Speaker 1: be like that. I got to make something of myself. 438 00:20:42,680 --> 00:20:45,800 Speaker 1: I got to leave here and find out how to 439 00:20:45,800 --> 00:20:48,080 Speaker 1: find my place in the world, how to make money 440 00:20:48,119 --> 00:20:49,760 Speaker 1: because I don't want to be broke like them. And 441 00:20:49,800 --> 00:20:52,760 Speaker 1: what does he do we start selling weed in California, 442 00:20:53,400 --> 00:20:56,000 Speaker 1: and selling weed is a gateway drug for him to 443 00:20:56,320 --> 00:20:59,800 Speaker 1: selling cocaine, and he is really good at it, but 444 00:21:00,080 --> 00:21:02,399 Speaker 1: there are a lot of problems that come from being 445 00:21:02,440 --> 00:21:06,320 Speaker 1: a drug dealer. So while it does focus a lot 446 00:21:06,760 --> 00:21:09,960 Speaker 1: on that story of how he rose to power, how 447 00:21:10,080 --> 00:21:13,680 Speaker 1: at one point in the late seventies to early eighties, 448 00:21:13,840 --> 00:21:16,080 Speaker 1: if you were anybody you know did cocaine in that 449 00:21:16,160 --> 00:21:19,679 Speaker 1: time period, there was an eighty percent chance that it 450 00:21:19,760 --> 00:21:23,399 Speaker 1: came from him and Pablo Escobar. He made about one 451 00:21:23,480 --> 00:21:27,040 Speaker 1: hundred million dollars working with the cartel. And yes, on 452 00:21:27,080 --> 00:21:30,600 Speaker 1: the surface, it is a story about that just cocaine, 453 00:21:30,720 --> 00:21:33,320 Speaker 1: drug dealing, all the downfalls of that. 454 00:21:33,640 --> 00:21:35,240 Speaker 2: But at the root of this story that. 455 00:21:35,240 --> 00:21:39,600 Speaker 1: I felt rewatching him, I felt the true emotion of 456 00:21:39,680 --> 00:21:43,560 Speaker 1: somebody who just didn't want to repeat history. And you 457 00:21:43,760 --> 00:21:45,400 Speaker 1: very much connect. 458 00:21:44,960 --> 00:21:46,680 Speaker 2: With that aspect of his life. 459 00:21:46,720 --> 00:21:50,520 Speaker 1: And Ray Liota Rip did a fantastic job as his dad. 460 00:21:50,840 --> 00:21:54,560 Speaker 1: His dad just wanted the best for him and wanted 461 00:21:54,600 --> 00:21:57,520 Speaker 1: him to have a good life and was always supportive 462 00:21:57,560 --> 00:21:59,480 Speaker 1: of his son no matter what he did, no matter 463 00:21:59,520 --> 00:22:03,000 Speaker 1: how many times he ended up in jail, even when 464 00:22:03,680 --> 00:22:06,000 Speaker 1: he was inviting him to their house, and he knew 465 00:22:06,080 --> 00:22:09,639 Speaker 1: that this was all a product of him selling drugs 466 00:22:09,680 --> 00:22:12,560 Speaker 1: and being a criminal. He was always supportive of his son, 467 00:22:12,920 --> 00:22:15,480 Speaker 1: his mom not so much. But it was Johnny Depp's 468 00:22:15,520 --> 00:22:19,840 Speaker 1: character just trying not to relive that history. And this 469 00:22:19,920 --> 00:22:22,719 Speaker 1: movie has one of the saddest endings that punches you 470 00:22:22,760 --> 00:22:25,479 Speaker 1: in the gut in a very unique way because it 471 00:22:25,560 --> 00:22:29,320 Speaker 1: is not your typical sad ending. But when you really 472 00:22:29,359 --> 00:22:32,400 Speaker 1: think about all he went through in this movie, all 473 00:22:32,440 --> 00:22:35,520 Speaker 1: he wanted in life, the things that made him happy, it. 474 00:22:35,560 --> 00:22:36,440 Speaker 2: Is so sad. 475 00:22:36,840 --> 00:22:39,120 Speaker 1: If I had a heart that wasn't made of stone, 476 00:22:39,200 --> 00:22:42,359 Speaker 1: I'd probably cry while rewatching this movie. But Blow is 477 00:22:42,400 --> 00:22:45,400 Speaker 1: a fantastic movie. There is nothing bad that I would 478 00:22:45,400 --> 00:22:47,199 Speaker 1: take out of it. There's nothing I would change, and 479 00:22:47,240 --> 00:22:49,360 Speaker 1: it holds up. I loved it when I was ten, 480 00:22:49,440 --> 00:22:51,640 Speaker 1: I love it now that I'm thirty three. I give 481 00:22:51,680 --> 00:22:54,400 Speaker 1: Blow a five out of five and at number one 482 00:22:54,760 --> 00:22:57,560 Speaker 1: in my top five to b fines is a movie 483 00:22:57,600 --> 00:23:01,200 Speaker 1: called The Founder. It is directed by John Lee Hancock, 484 00:23:01,240 --> 00:23:03,640 Speaker 1: who I've actually had on this podcast before, and. 485 00:23:03,560 --> 00:23:05,560 Speaker 2: This was one I just kind of missed out on. 486 00:23:05,640 --> 00:23:08,359 Speaker 1: It came out back in twenty seventeen, where I wasn't 487 00:23:08,359 --> 00:23:11,520 Speaker 1: doing this podcast yet, so just kind of slipped through 488 00:23:11,520 --> 00:23:16,520 Speaker 1: the cracks. And sometimes when it comes to biographical dramas, 489 00:23:17,000 --> 00:23:20,679 Speaker 1: I'm not fully sold on them because I feel that 490 00:23:21,080 --> 00:23:24,680 Speaker 1: there's always kind of this glazing that happens where they 491 00:23:24,880 --> 00:23:28,000 Speaker 1: very much hollywood up the story and what the founder 492 00:23:28,080 --> 00:23:30,480 Speaker 1: is about. It is the true story of Ray Kroc 493 00:23:30,520 --> 00:23:34,360 Speaker 1: played by Michael Keaton, started out as a struggling salesman 494 00:23:34,400 --> 00:23:37,159 Speaker 1: from Illinois and went on to be who we know 495 00:23:37,359 --> 00:23:42,080 Speaker 1: as the founder of McDonald's. Yes, McDonald's the Golden Arches, 496 00:23:42,480 --> 00:23:45,520 Speaker 1: and it's all about how he did it. And even 497 00:23:45,520 --> 00:23:49,359 Speaker 1: though he is credited being the founder, oh, that is 498 00:23:49,400 --> 00:23:53,000 Speaker 1: not the whole story, because I'll just read from the 499 00:23:53,000 --> 00:23:57,320 Speaker 1: plot synopsis. Because it is history, you could google it 500 00:23:57,359 --> 00:24:00,720 Speaker 1: and find out exactly what happened. And from my research 501 00:24:00,760 --> 00:24:04,240 Speaker 1: on this story, overall, this movie is pretty accurate. They 502 00:24:04,400 --> 00:24:06,639 Speaker 1: changed a couple details here and there, but nothing major. 503 00:24:06,680 --> 00:24:10,280 Speaker 1: Because that is why sometimes I don't watch these biographical dramas, 504 00:24:10,320 --> 00:24:13,240 Speaker 1: because they changed things so much that it's like, hey, 505 00:24:13,240 --> 00:24:15,399 Speaker 1: that's not even what happened. And I thought this movie 506 00:24:15,440 --> 00:24:18,000 Speaker 1: was kind of going to focus so much on how 507 00:24:18,080 --> 00:24:22,080 Speaker 1: revolutionary McDonald's was, and how novel it was. But it 508 00:24:22,160 --> 00:24:29,000 Speaker 1: really focuses more on the seat, the cruel nature of business, 509 00:24:29,359 --> 00:24:33,000 Speaker 1: the backstabbing, the drama that comes with that, the money 510 00:24:33,040 --> 00:24:36,399 Speaker 1: that comes with that, And it led me to feel 511 00:24:36,440 --> 00:24:39,400 Speaker 1: a different way about McDonald's, not in a bad way. 512 00:24:39,680 --> 00:24:42,359 Speaker 1: I don't think McDonald's is at any fault in this movie. 513 00:24:42,400 --> 00:24:45,760 Speaker 1: It doesn't make the franchise itself look bad. It just 514 00:24:45,920 --> 00:24:50,040 Speaker 1: changed exactly how I view business and it just happens 515 00:24:50,040 --> 00:24:53,480 Speaker 1: to be through the vehicle of McDonald's. Ray meets the 516 00:24:53,600 --> 00:24:57,679 Speaker 1: actual McDonald's brothers, Mac and Dick McDonald who are running 517 00:24:57,800 --> 00:25:01,280 Speaker 1: a burger operation and so the other in California back 518 00:25:01,320 --> 00:25:04,480 Speaker 1: in the nineteen fifties. And the reason I even discovered 519 00:25:04,480 --> 00:25:06,480 Speaker 1: this movie and decided I want to watch it and 520 00:25:06,720 --> 00:25:08,520 Speaker 1: found it on two B is I actually saw a 521 00:25:08,560 --> 00:25:10,600 Speaker 1: clip of it on TikTok that was I was like, 522 00:25:10,640 --> 00:25:13,879 Speaker 1: where is this even from? But it's Michael Keaton going 523 00:25:13,960 --> 00:25:18,879 Speaker 1: up to the first McDonald's and being so fascinated on 524 00:25:19,040 --> 00:25:22,280 Speaker 1: how fast they make is food. And what the McDonald's 525 00:25:22,320 --> 00:25:26,760 Speaker 1: brothers did is they developed something called the speedy system. 526 00:25:27,200 --> 00:25:28,520 Speaker 2: They are really the ones. 527 00:25:28,280 --> 00:25:32,240 Speaker 1: Who created fast food because they wanted to set themselves 528 00:25:32,240 --> 00:25:35,160 Speaker 1: apart from all the other restaurants, which in the fifties 529 00:25:35,720 --> 00:25:38,440 Speaker 1: it was either had to go in, sit down, and order, 530 00:25:38,920 --> 00:25:40,840 Speaker 1: but there were a lot of downfalls with that. They 531 00:25:40,840 --> 00:25:44,320 Speaker 1: wanted to take all of those factors out, that you 532 00:25:44,320 --> 00:25:47,880 Speaker 1: would just walk up, order your food and within seconds 533 00:25:47,920 --> 00:25:50,479 Speaker 1: they could hand it to you, which is exactly what happens. 534 00:25:50,520 --> 00:25:52,119 Speaker 1: And then a clip I saw on TikTok It is 535 00:25:52,119 --> 00:25:55,960 Speaker 1: Michael Keaton going up ordering a burger, ordering a fries, 536 00:25:56,000 --> 00:25:59,120 Speaker 1: and ordering a drink and then being so shocked when 537 00:25:59,119 --> 00:26:01,239 Speaker 1: they handed to them and they're like, here you go, 538 00:26:01,280 --> 00:26:02,960 Speaker 1: And he's like, where do I eat it? 539 00:26:03,000 --> 00:26:06,880 Speaker 2: They're like, wherever you want? Where's the plates, where's the silverware? Well, 540 00:26:06,960 --> 00:26:08,639 Speaker 2: you just eat it out of the wrappers, then you 541 00:26:08,680 --> 00:26:11,439 Speaker 2: throw it away. That to us now is just so 542 00:26:11,680 --> 00:26:14,399 Speaker 2: normal has been a part of our lives forever. 543 00:26:15,000 --> 00:26:17,520 Speaker 1: But to see that showcased in the Founder, where people 544 00:26:17,560 --> 00:26:21,280 Speaker 1: didn't know how to consume fast food, was what sucked 545 00:26:21,320 --> 00:26:23,520 Speaker 1: me into this movie. And that happens pretty early on 546 00:26:24,359 --> 00:26:27,879 Speaker 1: and he sees this and knows this is revolutionary, and 547 00:26:27,920 --> 00:26:31,360 Speaker 1: he is somebody who is always been chasing the next business. 548 00:26:31,359 --> 00:26:33,960 Speaker 1: He's kind of just like a sleazy salesman because it 549 00:26:34,000 --> 00:26:38,960 Speaker 1: all starts out with him selling these milkshake machines and 550 00:26:39,000 --> 00:26:42,040 Speaker 1: that is just one of his other many business ventures 551 00:26:42,040 --> 00:26:45,000 Speaker 1: that he's been on and he normally sells just one 552 00:26:45,040 --> 00:26:47,959 Speaker 1: to a business. But he got this order to this 553 00:26:48,040 --> 00:26:51,200 Speaker 1: restaurant in California and they wanted eight, and he's like, this. 554 00:26:51,119 --> 00:26:52,200 Speaker 2: Has to be a mistake. 555 00:26:52,680 --> 00:26:55,439 Speaker 1: So he goes to see this operation himself, and that 556 00:26:55,520 --> 00:26:58,040 Speaker 1: is when he discovers McDonald's because they are so busy 557 00:26:58,320 --> 00:27:00,720 Speaker 1: that they need eight machines, and he's like, I need 558 00:27:00,760 --> 00:27:03,600 Speaker 1: to get in on this. And again, you could probably 559 00:27:03,640 --> 00:27:06,480 Speaker 1: google this and find out exactly what happened, but it's 560 00:27:06,520 --> 00:27:09,000 Speaker 1: the story of how he went to them and said, 561 00:27:09,080 --> 00:27:11,680 Speaker 1: I want to be a part of this. I want 562 00:27:11,760 --> 00:27:14,760 Speaker 1: to help you franchise this and we'll have McDonald's all 563 00:27:14,800 --> 00:27:15,920 Speaker 1: across the country. 564 00:27:16,160 --> 00:27:18,200 Speaker 2: And they're like, you know what, we've already done that. 565 00:27:18,640 --> 00:27:21,920 Speaker 1: The problem is that you can't really control the quality 566 00:27:22,000 --> 00:27:25,080 Speaker 1: when you give this to somebody else and say hey, 567 00:27:25,080 --> 00:27:26,800 Speaker 1: here you go, you can. 568 00:27:26,760 --> 00:27:30,240 Speaker 2: Run it now. They were so die. 569 00:27:30,119 --> 00:27:34,320 Speaker 1: Hard about what McDonald's stood for that I found really endearing. 570 00:27:35,000 --> 00:27:38,879 Speaker 1: They were so proud of the system they created and 571 00:27:38,920 --> 00:27:41,359 Speaker 1: how much care they have into making sure all the 572 00:27:41,440 --> 00:27:45,760 Speaker 1: details are right, with two pickles, handful of onions, the 573 00:27:45,800 --> 00:27:49,199 Speaker 1: meat cooked to perfection. They were so particular about how 574 00:27:49,280 --> 00:27:53,240 Speaker 1: much salt, what temperature to make the fries at. They 575 00:27:53,280 --> 00:27:56,040 Speaker 1: wanted to make sure that any McDonald's that they opened, 576 00:27:56,040 --> 00:27:57,720 Speaker 1: that everybody would follow these guidelines. 577 00:27:57,760 --> 00:27:59,320 Speaker 2: And Ray's like, yeah, yeah, yeah, we'll do it. We'll 578 00:27:59,320 --> 00:28:01,680 Speaker 2: make sure it happen because I believe in it too. 579 00:28:02,160 --> 00:28:06,280 Speaker 1: So the McDonald's brothers were like the artists, and Michael 580 00:28:06,359 --> 00:28:10,320 Speaker 1: Keaton's character was like the manager, and he wanted to 581 00:28:10,359 --> 00:28:14,800 Speaker 1: take this art and make it available everywhere because he's thought, 582 00:28:15,320 --> 00:28:17,040 Speaker 1: this is going to be my ticket, this is what's 583 00:28:17,080 --> 00:28:20,080 Speaker 1: going to make me successful, because up until now, I 584 00:28:20,160 --> 00:28:22,240 Speaker 1: consider myself to be a failure. 585 00:28:22,680 --> 00:28:23,520 Speaker 2: So it's all. 586 00:28:23,400 --> 00:28:29,240 Speaker 1: About him maneuvering his position into their business and turning 587 00:28:29,240 --> 00:28:31,200 Speaker 1: it into the McDonald's we know today. 588 00:28:31,760 --> 00:28:34,600 Speaker 2: So I enjoyed that this movie had such a. 589 00:28:34,680 --> 00:28:37,960 Speaker 1: Unique sense of realism and a founder story like this 590 00:28:38,080 --> 00:28:41,440 Speaker 1: in a biographical drama, because sometimes you could just really 591 00:28:42,120 --> 00:28:44,920 Speaker 1: stretch out all these details, fluff it up a little 592 00:28:44,960 --> 00:28:47,680 Speaker 1: bit to make it more cinematic. But I love that 593 00:28:47,760 --> 00:28:50,680 Speaker 1: for the most part, it stayed pretty accurate to what 594 00:28:50,840 --> 00:28:54,440 Speaker 1: actually happened between their negotiations and between this business. 595 00:28:54,520 --> 00:28:57,160 Speaker 2: So it's a really great movie to watch. 596 00:28:56,920 --> 00:28:59,440 Speaker 1: If you like watching movies where you can watch it 597 00:29:00,080 --> 00:29:02,760 Speaker 1: then go after and look at all the casting choices 598 00:29:02,840 --> 00:29:05,400 Speaker 1: and see how much they resemble them. So this movie 599 00:29:05,400 --> 00:29:08,600 Speaker 1: will give you a much different perspective on McDonald's. Again, 600 00:29:08,640 --> 00:29:10,760 Speaker 1: not really in a bad way. You'll just kind of 601 00:29:10,800 --> 00:29:13,200 Speaker 1: think of like, oh, that is how they operate, that 602 00:29:13,320 --> 00:29:17,080 Speaker 1: is what they do, and it seems so obvious, but 603 00:29:17,120 --> 00:29:18,880 Speaker 1: it's something you don't really think about because you go 604 00:29:18,920 --> 00:29:20,320 Speaker 1: there just trying to get a big mac or get 605 00:29:20,360 --> 00:29:23,120 Speaker 1: some chicken nuggets, or frustrated because the ice cream machine 606 00:29:23,160 --> 00:29:25,440 Speaker 1: is never working. They don't address that in this movie, 607 00:29:25,520 --> 00:29:28,200 Speaker 1: by the way, but for the founder, I would easily 608 00:29:28,240 --> 00:29:31,080 Speaker 1: give it a four point five out of five. I 609 00:29:31,120 --> 00:29:34,640 Speaker 1: love finding hidden gems like that. Hopefully you found something 610 00:29:34,680 --> 00:29:37,640 Speaker 1: in this list because those are my top five. I 611 00:29:37,680 --> 00:29:41,800 Speaker 1: know probably not all those are for everybody, but hopefully 612 00:29:41,800 --> 00:29:44,200 Speaker 1: there's something in there sounded good to you, and you 613 00:29:44,240 --> 00:29:46,960 Speaker 1: can go watch for free, have a great Thanksgiving week. 614 00:29:47,000 --> 00:29:47,640 Speaker 2: We'll come back. 615 00:29:47,760 --> 00:29:50,680 Speaker 1: I'll give my spoiler free review on Wicked and then 616 00:29:50,720 --> 00:29:54,000 Speaker 1: we'll talk about mission and possible eight. Will Tom Cruise's 617 00:29:54,080 --> 00:30:01,400 Speaker 1: character live or will he die? 618 00:30:01,680 --> 00:30:02,000 Speaker 4: Ah? 619 00:30:02,040 --> 00:30:03,400 Speaker 2: I wish I could be in a musical. 620 00:30:03,600 --> 00:30:06,440 Speaker 4: I don't think that note should be heard by humans. 621 00:30:06,440 --> 00:30:11,000 Speaker 1: I think I'll try Defying Gravity. 622 00:30:11,520 --> 00:30:13,400 Speaker 4: Yes, it's great, it's beautiful. 623 00:30:13,560 --> 00:30:14,240 Speaker 2: How about you try? 624 00:30:14,400 --> 00:30:14,880 Speaker 4: No? Thank you? 625 00:30:14,880 --> 00:30:15,520 Speaker 2: Have it in here? 626 00:30:15,720 --> 00:30:16,160 Speaker 4: No thank you? 627 00:30:16,520 --> 00:30:18,440 Speaker 2: Did you want to sing while we were watching this movie? 628 00:30:18,800 --> 00:30:20,320 Speaker 4: I mouthed the songs? 629 00:30:21,000 --> 00:30:22,760 Speaker 2: Did you say that they were telling people not to see? 630 00:30:22,960 --> 00:30:26,000 Speaker 4: Yeah, nobody wants to hear you over Cynthia Rivo and 631 00:30:26,080 --> 00:30:26,760 Speaker 4: Ariana Grande. 632 00:30:26,960 --> 00:30:28,120 Speaker 2: I'm surprised nobody did. 633 00:30:28,480 --> 00:30:30,760 Speaker 1: I felt it a little bit during Defying Gravity and 634 00:30:30,840 --> 00:30:32,480 Speaker 1: popular people wanted to. 635 00:30:32,880 --> 00:30:33,400 Speaker 4: They wanted to. 636 00:30:33,560 --> 00:30:35,280 Speaker 1: It was like the little Anyway, we're about to get 637 00:30:35,280 --> 00:30:37,960 Speaker 1: into our spoiler free review of Wicked Part one, which 638 00:30:38,000 --> 00:30:39,480 Speaker 1: a lot of people didn't know that this was going 639 00:30:39,560 --> 00:30:40,680 Speaker 1: to be split into two parts. 640 00:30:40,720 --> 00:30:42,440 Speaker 4: It is indeed split into two parts, and. 641 00:30:42,400 --> 00:30:43,280 Speaker 2: It is a long movie. 642 00:30:43,320 --> 00:30:46,000 Speaker 1: Two and a half hours went by so fast, it 643 00:30:46,040 --> 00:30:50,360 Speaker 1: really did. And I am a late comer to musicals, 644 00:30:50,360 --> 00:30:52,160 Speaker 1: I would say, but when I look back on the 645 00:30:52,200 --> 00:30:56,160 Speaker 1: history of me enjoying movies that have been really historic musicals, 646 00:30:56,400 --> 00:30:58,640 Speaker 1: I like them. I think I like musicals that have 647 00:30:59,240 --> 00:31:00,600 Speaker 1: a little bit of fan to see in him. I 648 00:31:00,600 --> 00:31:03,160 Speaker 1: think when there's like realistic musicals, I don't like them, 649 00:31:03,520 --> 00:31:04,520 Speaker 1: Like Mama Mia. 650 00:31:04,760 --> 00:31:05,880 Speaker 2: Not really a fan of that one. 651 00:31:06,280 --> 00:31:08,720 Speaker 4: Hamilton Hamilton's History that's pretty realistic. 652 00:31:08,840 --> 00:31:11,440 Speaker 1: Yeah, but that music is so dynamic and so different 653 00:31:11,560 --> 00:31:14,400 Speaker 1: and the fact that they go the entire time, Yeah, 654 00:31:14,440 --> 00:31:16,440 Speaker 1: that's an entirely different level. But I think when I 655 00:31:16,520 --> 00:31:20,400 Speaker 1: like musicals, I think of like Willy Wonka now Wicked, 656 00:31:20,640 --> 00:31:22,520 Speaker 1: even going back to the original Wizard of Oz, which 657 00:31:22,520 --> 00:31:24,360 Speaker 1: is a musical, but there's a lot of fantasy elements 658 00:31:24,360 --> 00:31:24,760 Speaker 1: to it. 659 00:31:24,800 --> 00:31:27,000 Speaker 4: Which if you watch their original Wizard, it's kind of 660 00:31:27,040 --> 00:31:28,040 Speaker 4: scary to watch as a child. 661 00:31:28,240 --> 00:31:29,440 Speaker 2: It is a dark movie. 662 00:31:29,480 --> 00:31:32,120 Speaker 1: That whole history of that movie is really intense of 663 00:31:32,800 --> 00:31:35,200 Speaker 1: all the conditions that all those actors went through. The 664 00:31:35,240 --> 00:31:37,280 Speaker 1: snow in the movie was asbestos. What they did to 665 00:31:37,360 --> 00:31:39,040 Speaker 1: Julie Garland was insane. 666 00:31:39,280 --> 00:31:42,280 Speaker 4: And was it the tin man that like they used 667 00:31:42,280 --> 00:31:44,120 Speaker 4: the paint that had something the paint. 668 00:31:43,960 --> 00:31:46,520 Speaker 2: Had He was in the hospital. I got in his eye. 669 00:31:46,560 --> 00:31:49,440 Speaker 1: He had an eye infection. The lion they used real 670 00:31:49,680 --> 00:31:52,800 Speaker 1: like lyon fur on him. Everybody got sick. Everybody had 671 00:31:52,840 --> 00:31:55,880 Speaker 1: health issues, people were burned on the set. But when 672 00:31:55,920 --> 00:31:58,000 Speaker 1: you watch that movie back, it's like, oh, it's a 673 00:31:58,080 --> 00:31:59,920 Speaker 1: it's a good movie. I think Wizard of Oz is 674 00:32:00,680 --> 00:32:03,760 Speaker 1: probably the most significant movie in history. 675 00:32:03,960 --> 00:32:06,160 Speaker 4: And then I gave you a little factoid you didn't know. 676 00:32:06,240 --> 00:32:09,440 Speaker 4: You did not know that Liza Minelli is Judy Carlin's daughter. 677 00:32:09,640 --> 00:32:10,400 Speaker 2: I did not know that. 678 00:32:10,560 --> 00:32:10,960 Speaker 4: There you go. 679 00:32:11,280 --> 00:32:13,640 Speaker 1: There are a lot of things that happened in Wizard 680 00:32:13,680 --> 00:32:16,040 Speaker 1: of Oz that have been so influential throughout. 681 00:32:15,760 --> 00:32:17,880 Speaker 2: Film, even just in life. 682 00:32:17,920 --> 00:32:20,240 Speaker 1: Like the reason witches are green and depicted the way 683 00:32:20,280 --> 00:32:22,320 Speaker 1: they are is because of the Wizard of Oz. It's 684 00:32:22,360 --> 00:32:24,800 Speaker 1: little things like that, the hero journey of that movie. 685 00:32:25,160 --> 00:32:28,080 Speaker 1: And then this is the prequel to that, but it's 686 00:32:28,080 --> 00:32:30,040 Speaker 1: actually also based on a book. But the book didn't 687 00:32:30,040 --> 00:32:31,320 Speaker 1: come out till like ninety five. 688 00:32:31,560 --> 00:32:33,160 Speaker 4: I wouldn't necessarily call it a prequel. 689 00:32:33,400 --> 00:32:36,440 Speaker 2: It's not a pre hasn't not a prequel the movie starts. 690 00:32:36,280 --> 00:32:39,360 Speaker 4: I guess it's a prequel, but like the book isn't 691 00:32:39,640 --> 00:32:43,200 Speaker 4: considered a prequel, like the original book is like a retelling. 692 00:32:43,240 --> 00:32:45,880 Speaker 1: I guess yes. I saw it as a prequel because 693 00:32:45,880 --> 00:32:48,200 Speaker 1: the way this movie opens up, you see Dorothy the 694 00:32:48,240 --> 00:32:50,960 Speaker 1: tin Man all the cast going down the road. It 695 00:32:51,080 --> 00:32:53,400 Speaker 1: starts with it starts at the end of that movie 696 00:32:53,440 --> 00:32:55,520 Speaker 1: saying that the Witch is dead, and then it's all 697 00:32:55,560 --> 00:32:57,960 Speaker 1: a big flashback. So to me, it felt like a prequel, 698 00:32:58,240 --> 00:32:59,920 Speaker 1: but I guess it's a reimagining. 699 00:33:00,120 --> 00:33:02,000 Speaker 4: Go I already forget that. You see them at the 700 00:33:02,000 --> 00:33:02,360 Speaker 4: beginning of. 701 00:33:02,320 --> 00:33:04,520 Speaker 1: The yeah, very briefly, which I think people were upset 702 00:33:04,920 --> 00:33:07,200 Speaker 1: whenever that trailer first dropped and there was a little 703 00:33:07,200 --> 00:33:08,920 Speaker 1: glimpse of them because they were saying, no, they're not 704 00:33:08,960 --> 00:33:11,760 Speaker 1: involved in this story. But I think like they are. 705 00:33:11,880 --> 00:33:13,680 Speaker 1: I feel like they're building towards something else. 706 00:33:13,760 --> 00:33:14,560 Speaker 2: After watching this. 707 00:33:14,960 --> 00:33:18,240 Speaker 4: I think people So I watched a TikTok that gave 708 00:33:18,320 --> 00:33:20,280 Speaker 4: like a full breakdown because I was like, it's been 709 00:33:20,320 --> 00:33:22,400 Speaker 4: around for twenty years, Like, I don't consider it a spoiler. 710 00:33:22,560 --> 00:33:24,480 Speaker 1: Like yeah, which let's say at the beginning of this 711 00:33:24,520 --> 00:33:26,480 Speaker 1: that neither of us have seen the musical before this, 712 00:33:26,560 --> 00:33:28,760 Speaker 1: haven't I want to so I knew nothing about the 713 00:33:28,800 --> 00:33:30,880 Speaker 1: story you knew from watching TikTok. 714 00:33:31,080 --> 00:33:32,880 Speaker 4: I want to go see it in New York before 715 00:33:33,680 --> 00:33:35,640 Speaker 4: the end of February because I'm a very big fan 716 00:33:35,680 --> 00:33:38,360 Speaker 4: of Mary Kate Morrissey who is currently playing Alpha BA. 717 00:33:38,560 --> 00:33:40,640 Speaker 4: So I would like to go, I'm gonna try and 718 00:33:40,680 --> 00:33:44,280 Speaker 4: make that happen. So, no, I haven't seen the musical, 719 00:33:44,960 --> 00:33:47,840 Speaker 4: didn't know how it really ties in. So I watched 720 00:33:47,840 --> 00:33:49,560 Speaker 4: a TikTok that breaks it down because I was like, oh, 721 00:33:49,880 --> 00:33:51,600 Speaker 4: it's not a spoiler. It's been around forever, like I 722 00:33:51,600 --> 00:33:53,200 Speaker 4: want to know going into the movie, and it didn't 723 00:33:53,240 --> 00:33:54,720 Speaker 4: ruin the movie for me, like it made me more 724 00:33:54,760 --> 00:33:56,800 Speaker 4: excited for part two. But yeah, so I'll just say 725 00:33:56,840 --> 00:33:59,680 Speaker 4: that there's it does tie in. It's not a spoiler, 726 00:33:59,680 --> 00:34:03,400 Speaker 4: that's all. So it's been around for years. Yeah, the 727 00:34:03,680 --> 00:34:05,520 Speaker 4: musical premiered in two thousand and three. 728 00:34:05,640 --> 00:34:08,000 Speaker 1: I feel like it's kind of like going into last 729 00:34:08,080 --> 00:34:10,400 Speaker 1: year Willy Wonka, like we kind of knew the story 730 00:34:10,480 --> 00:34:12,920 Speaker 1: Willy Wonka, even though that was a prequel to the story. 731 00:34:13,000 --> 00:34:15,120 Speaker 1: You kind of know what is going to happen, even 732 00:34:15,120 --> 00:34:17,360 Speaker 1: from watching the trailer. They show so much at the 733 00:34:17,480 --> 00:34:20,239 Speaker 1: end of the movie in the trailer that even though 734 00:34:20,239 --> 00:34:22,080 Speaker 1: I had no idea what was going on, what was 735 00:34:22,080 --> 00:34:23,560 Speaker 1: going to happen in the story, I kind of had 736 00:34:23,600 --> 00:34:25,160 Speaker 1: an idea because I saw what was happening at the 737 00:34:25,239 --> 00:34:28,279 Speaker 1: end of the trailer. Anyway, the movie is essentially the 738 00:34:28,280 --> 00:34:30,799 Speaker 1: origin story of the Wicked Witch of the West. 739 00:34:30,840 --> 00:34:33,000 Speaker 4: And Glinda, the Goodwitch, and it's. 740 00:34:32,880 --> 00:34:34,480 Speaker 2: How they met in school. 741 00:34:34,920 --> 00:34:37,840 Speaker 1: I love that this movie had a really fun, quirky 742 00:34:37,920 --> 00:34:40,080 Speaker 1: vibe to it, which I guess is what I wasn't expecting. 743 00:34:40,600 --> 00:34:43,759 Speaker 1: When it came to Ariana Grande's performance. I absolutely loved it. 744 00:34:44,440 --> 00:34:45,040 Speaker 4: Incredible. 745 00:34:45,440 --> 00:34:48,399 Speaker 1: She is so good in that role as being this 746 00:34:48,520 --> 00:34:52,520 Speaker 1: bubbly cartoonish character that it reminded me a lot of 747 00:34:52,520 --> 00:34:53,800 Speaker 1: her Sam and Kat character. 748 00:34:54,040 --> 00:34:57,359 Speaker 4: Yeah, I thought she was phenomenal, and like, I think 749 00:34:57,440 --> 00:34:58,600 Speaker 4: she was such a good choice. 750 00:34:58,719 --> 00:35:01,680 Speaker 1: And I think the singing is just like who else 751 00:35:01,680 --> 00:35:03,879 Speaker 1: could you get that the pop star that's relevant right 752 00:35:03,920 --> 00:35:06,279 Speaker 1: now to be able to sing at this level because 753 00:35:06,280 --> 00:35:07,960 Speaker 1: you have to sing at such a high level to 754 00:35:08,000 --> 00:35:08,640 Speaker 1: do these songs. 755 00:35:08,760 --> 00:35:10,880 Speaker 4: Yeah, and it's like she's I mean, she's one of 756 00:35:10,880 --> 00:35:12,600 Speaker 4: the best singers and. 757 00:35:12,520 --> 00:35:15,359 Speaker 1: Out of anybody to come out of Nickelodeon, probably has 758 00:35:15,400 --> 00:35:18,080 Speaker 1: the best career of all time. Oh yeah, thank you 759 00:35:18,160 --> 00:35:24,319 Speaker 1: somebody who's had as equal success in film after Nickelodeon 760 00:35:24,400 --> 00:35:27,920 Speaker 1: and music after Like, just her music career alone is huge. 761 00:35:28,160 --> 00:35:31,000 Speaker 1: I guess her post acting career this is probably your 762 00:35:31,000 --> 00:35:31,959 Speaker 1: biggest thing to date. 763 00:35:32,120 --> 00:35:34,520 Speaker 4: Yeah, what else has she been? And I'm blinking, I feel. 764 00:35:34,360 --> 00:35:36,399 Speaker 2: Like this is it? Maybe this is her biggest role 765 00:35:36,440 --> 00:35:36,759 Speaker 2: so far. 766 00:35:36,920 --> 00:35:38,160 Speaker 4: I think this is her biggest role. 767 00:35:38,360 --> 00:35:40,400 Speaker 2: But I think who was your favorite character out of 768 00:35:40,440 --> 00:35:41,080 Speaker 2: the entire movie? 769 00:35:41,160 --> 00:35:45,560 Speaker 4: Easily? Alpha Ba? Cyndia Rivo is Alpha Ba was truly stunning, 770 00:35:45,640 --> 00:35:46,680 Speaker 4: Like she's just just so good. 771 00:35:46,800 --> 00:35:48,680 Speaker 1: The entire time, I was just thinking how much of 772 00:35:48,680 --> 00:35:50,680 Speaker 1: a pain that green makeup had to be. I would 773 00:35:50,719 --> 00:35:53,319 Speaker 1: go into full green makeup every single day on set. 774 00:35:53,360 --> 00:35:55,319 Speaker 1: The more and more I see about how much of 775 00:35:55,360 --> 00:35:58,000 Speaker 1: a struggle it is for different actors to get into 776 00:35:58,600 --> 00:36:01,319 Speaker 1: different costumes. That has to be pretty taxing to have 777 00:36:01,360 --> 00:36:02,760 Speaker 1: your entire body green. 778 00:36:02,680 --> 00:36:04,520 Speaker 4: Well, and she said it would take like the days 779 00:36:04,520 --> 00:36:06,840 Speaker 4: where she just had to do like face and hands 780 00:36:07,560 --> 00:36:09,360 Speaker 4: were long, and then the days where they had to 781 00:36:09,360 --> 00:36:11,920 Speaker 4: do like full body. Oh yeah, I mean we're talking 782 00:36:11,960 --> 00:36:14,400 Speaker 4: hours just to get into the makeup. 783 00:36:14,600 --> 00:36:16,799 Speaker 1: That just messes with your brain because not only is 784 00:36:16,800 --> 00:36:20,120 Speaker 1: it a taxing process to get into costume, but then 785 00:36:20,160 --> 00:36:22,440 Speaker 1: you have to be on set for it extended period 786 00:36:22,480 --> 00:36:25,080 Speaker 1: of time to make that just effort worth. 787 00:36:24,920 --> 00:36:27,759 Speaker 4: It, I mean, And then they sang live they did 788 00:36:27,760 --> 00:36:30,920 Speaker 4: the stunts while singing live like it's It's incredible, And 789 00:36:31,000 --> 00:36:33,000 Speaker 4: even if you find yourself thinking like I'm not a 790 00:36:33,080 --> 00:36:36,560 Speaker 4: musical person, I highly recommend seeing it. Like honestly, even 791 00:36:36,560 --> 00:36:38,120 Speaker 4: when they announced they were making a movie, I was 792 00:36:38,160 --> 00:36:38,600 Speaker 4: kind of like. 793 00:36:38,760 --> 00:36:41,360 Speaker 1: Okay, same and I liked it upon the first trailer, 794 00:36:41,400 --> 00:36:43,120 Speaker 1: and then the more we kept seeing the trailer were like, 795 00:36:43,160 --> 00:36:43,880 Speaker 1: I don't know what this is. 796 00:36:43,880 --> 00:36:45,080 Speaker 4: Going to be. Good. Well, I was like, I just 797 00:36:45,080 --> 00:36:47,160 Speaker 4: want to see the movie. I'm sick of seeing trailers 798 00:36:47,400 --> 00:36:49,040 Speaker 4: blown away. I already want to see it again. 799 00:36:49,239 --> 00:36:51,919 Speaker 1: The reason I found myself really enjoying it coming from 800 00:36:51,920 --> 00:36:56,440 Speaker 1: a place of being I could go either way on musicals, 801 00:36:56,880 --> 00:36:58,520 Speaker 1: but I think it was the fact that there was 802 00:36:58,560 --> 00:37:00,960 Speaker 1: a good story at the core. It like it went 803 00:37:01,000 --> 00:37:05,640 Speaker 1: back to actual storytelling and acting, and the singing parts 804 00:37:05,680 --> 00:37:07,839 Speaker 1: were big and grand, but it wasn't really the main 805 00:37:07,840 --> 00:37:10,200 Speaker 1: focus point, which is I think what I attached myself to. 806 00:37:10,680 --> 00:37:14,360 Speaker 1: And also the fact that they had incredible set design, 807 00:37:14,480 --> 00:37:16,360 Speaker 1: which I think is really what I look for in 808 00:37:16,360 --> 00:37:18,400 Speaker 1: a movie like this because in some of the other 809 00:37:18,440 --> 00:37:20,640 Speaker 1: Wizard of Oz movies they have done all the spin 810 00:37:20,680 --> 00:37:23,319 Speaker 1: offs and prequels they've done in between the original and now. 811 00:37:23,880 --> 00:37:27,520 Speaker 1: Sometimes they just cegi all the backgrounds. It feels very lifeless, 812 00:37:27,520 --> 00:37:29,840 Speaker 1: and it feels like just a bunch of actors in 813 00:37:29,880 --> 00:37:33,520 Speaker 1: a big empty studio. But here I could feel the sets, 814 00:37:33,600 --> 00:37:37,480 Speaker 1: and whenever they're running around and dancing and jumping off 815 00:37:37,480 --> 00:37:40,360 Speaker 1: of things and going from one set to another in 816 00:37:40,440 --> 00:37:44,320 Speaker 1: one song, it just felt like the entire production was alive. 817 00:37:44,880 --> 00:37:46,960 Speaker 1: And that is what I really enjoyed about it, because 818 00:37:47,680 --> 00:37:50,680 Speaker 1: it was a pleasure for my ears and my eyes 819 00:37:50,719 --> 00:37:52,640 Speaker 1: because there were so much to focus on. And like 820 00:37:52,640 --> 00:37:54,839 Speaker 1: you said earlier, those two and a half hours really 821 00:37:54,840 --> 00:37:57,480 Speaker 1: go by fast, which going into this we were thinking 822 00:37:57,800 --> 00:37:58,759 Speaker 1: that's a very long run. 823 00:37:58,840 --> 00:37:58,960 Speaker 3: Now. 824 00:38:00,360 --> 00:38:02,239 Speaker 1: Yeah, And it got to that point where in a 825 00:38:02,280 --> 00:38:04,520 Speaker 1: long movie, I always have to make this decision, am 826 00:38:04,520 --> 00:38:06,840 Speaker 1: I gonna go pee or not? Because usually it's like 827 00:38:06,880 --> 00:38:09,200 Speaker 1: an hour in. If I know I have forty minutes 828 00:38:09,239 --> 00:38:10,719 Speaker 1: left in a normal movie, I'm like, okay, I can 829 00:38:10,719 --> 00:38:12,160 Speaker 1: make it. But in this one, there was a point 830 00:38:12,160 --> 00:38:14,000 Speaker 1: where it was like, at that two hour mark, I'm like, 831 00:38:14,280 --> 00:38:15,239 Speaker 1: do I go pee or not? 832 00:38:15,400 --> 00:38:16,600 Speaker 2: Some people did go pee. 833 00:38:16,640 --> 00:38:18,560 Speaker 4: I only went once. I didn't go at all, and 834 00:38:18,600 --> 00:38:21,839 Speaker 4: I think I missed a decent time, like I wasn't 835 00:38:21,960 --> 00:38:24,200 Speaker 4: or didn't miss anything important, like picked a good time 836 00:38:24,239 --> 00:38:24,480 Speaker 4: to go. 837 00:38:24,600 --> 00:38:26,920 Speaker 1: I'd say, if you're debating it, if there's a slow 838 00:38:26,960 --> 00:38:28,799 Speaker 1: song happening, you're probably good to go. 839 00:38:28,880 --> 00:38:29,240 Speaker 2: Pee. 840 00:38:29,480 --> 00:38:29,880 Speaker 4: Yeah. 841 00:38:29,920 --> 00:38:33,040 Speaker 1: And what I also loved about Opening weekend was the 842 00:38:33,040 --> 00:38:36,440 Speaker 1: fact that the entire movie theater was full. The parking 843 00:38:36,520 --> 00:38:38,919 Speaker 1: lot was to the brim. That never happened. I can't 844 00:38:38,920 --> 00:38:41,719 Speaker 1: remember the last time the parking lot alone was this full. 845 00:38:41,840 --> 00:38:45,200 Speaker 4: Everyone was wearing their like wicked merge. People were paying 846 00:38:45,239 --> 00:38:47,719 Speaker 4: thirty eight dollars for the combo with the Glenda cop 847 00:38:47,760 --> 00:38:49,600 Speaker 4: and I was like, cinema is alive right now. 848 00:38:49,640 --> 00:38:51,319 Speaker 2: You got me the pin, which I wanted the pin. 849 00:38:51,440 --> 00:38:52,839 Speaker 4: It did get you the alpha A pen. 850 00:38:53,040 --> 00:38:54,080 Speaker 2: I like collecting those. 851 00:38:54,800 --> 00:38:58,440 Speaker 1: And in the theater, I feel that was as close 852 00:38:58,480 --> 00:39:00,160 Speaker 1: to like a sellout theater we've been. 853 00:39:00,120 --> 00:39:00,720 Speaker 2: In a while. 854 00:39:01,360 --> 00:39:05,040 Speaker 1: And it was surprising to me how respectful the crowd 855 00:39:05,120 --> 00:39:07,400 Speaker 1: was throughout the entire thing. When there was that burning 856 00:39:07,440 --> 00:39:08,839 Speaker 1: passion of people wanting to sing. 857 00:39:08,960 --> 00:39:11,520 Speaker 4: I didn't hear anyone singing. I heard a couple kids 858 00:39:11,560 --> 00:39:13,880 Speaker 4: a few times, like younger kids being like what happened, 859 00:39:13,920 --> 00:39:15,680 Speaker 4: But like you can tell it's a kid. I'm not 860 00:39:15,680 --> 00:39:18,040 Speaker 4: gonna be mad like and they were. They just couldn't 861 00:39:18,120 --> 00:39:19,759 Speaker 4: understand and they needed their parents to tell them like 862 00:39:19,800 --> 00:39:21,680 Speaker 4: that wasn't a big deal. But yeah, I feel like 863 00:39:21,680 --> 00:39:24,680 Speaker 4: everyone was pretty respectful. I did see that some theaters 864 00:39:24,719 --> 00:39:26,800 Speaker 4: are gonna do singalongs on like Christmas. 865 00:39:26,840 --> 00:39:28,640 Speaker 1: I bet that is fun, but you gotta see it 866 00:39:28,680 --> 00:39:30,719 Speaker 1: the first time, just normal, and then and then you 867 00:39:30,760 --> 00:39:31,880 Speaker 1: had a single long version. 868 00:39:32,400 --> 00:39:33,880 Speaker 4: But then there's always gonna be that one person with 869 00:39:33,920 --> 00:39:36,279 Speaker 4: like a really good voice who's like singing to find 870 00:39:36,280 --> 00:39:39,680 Speaker 4: gravity and everyone else is like, ohay, you be terrible. 871 00:39:39,440 --> 00:39:42,560 Speaker 2: Like trying to get discovered in this movie. Yeah. The 872 00:39:42,640 --> 00:39:45,120 Speaker 2: thing I always enjoy about Wizard of Oz movies is 873 00:39:45,160 --> 00:39:48,719 Speaker 2: there's always this hidden layer of darkness and if you 874 00:39:48,760 --> 00:39:51,800 Speaker 2: look at the actual theme of this movie, the overall 875 00:39:51,840 --> 00:39:55,480 Speaker 2: message of this movie, there is kind of this underlying ooh, 876 00:39:55,600 --> 00:39:58,040 Speaker 2: it gets dark a little bit wicked. 877 00:39:58,080 --> 00:40:01,400 Speaker 4: Book is banned in like thirty two counties, which I 878 00:40:01,480 --> 00:40:03,400 Speaker 4: won't get started on my opinion on bookmaking. 879 00:40:03,040 --> 00:40:06,280 Speaker 1: Twenty of your countries counties, oh counties in the US, 880 00:40:06,440 --> 00:40:09,200 Speaker 1: Oh dan because it's pretty it's pretty dark and like 881 00:40:09,480 --> 00:40:12,520 Speaker 1: raunchy is I guess a good word for. 882 00:40:12,440 --> 00:40:14,799 Speaker 4: It, But yeah, I've heard people are being laying him. 883 00:40:14,880 --> 00:40:16,239 Speaker 4: Even if you like to the musical, I don't know 884 00:40:16,239 --> 00:40:17,320 Speaker 4: if the book is for you. 885 00:40:17,320 --> 00:40:18,040 Speaker 2: And I don't know that. 886 00:40:18,640 --> 00:40:20,640 Speaker 1: Do you think that this is a kid it's like 887 00:40:20,680 --> 00:40:23,600 Speaker 1: a family movie, but it's not. I feel like overall 888 00:40:23,600 --> 00:40:26,640 Speaker 1: the message isn't completely family friendly because it does have 889 00:40:26,719 --> 00:40:28,960 Speaker 1: some dark themes that if you were just like a 890 00:40:29,040 --> 00:40:30,440 Speaker 1: five year old going to see this. 891 00:40:30,719 --> 00:40:32,160 Speaker 4: I don't think a five yearld's gonna pick up on 892 00:40:32,160 --> 00:40:33,799 Speaker 4: the dark themes. I think they're gonna see the pretty 893 00:40:33,840 --> 00:40:37,840 Speaker 4: costumes and the singing, and then I don't think they'll 894 00:40:38,520 --> 00:40:40,680 Speaker 4: feel scared. Part two could be different. 895 00:40:40,800 --> 00:40:43,120 Speaker 1: Yeah, I could feel it going a different way in 896 00:40:43,200 --> 00:40:46,680 Speaker 1: part two because of the rise and action towards the 897 00:40:46,800 --> 00:40:48,759 Speaker 1: end of this. And I think the only thing I 898 00:40:48,800 --> 00:40:50,520 Speaker 1: didn't enjoy about it is the fact that it is 899 00:40:50,520 --> 00:40:53,799 Speaker 1: split into two, because I always feel like you kind 900 00:40:53,800 --> 00:40:56,120 Speaker 1: of get left off. I'm like, oh, it's just getting good, 901 00:40:56,120 --> 00:40:57,720 Speaker 1: and now it's over and we have to wait another 902 00:40:57,760 --> 00:40:59,239 Speaker 1: year for the next part to come out. Least it's 903 00:40:59,280 --> 00:41:02,480 Speaker 1: only a year, that's true, But I worry a lot 904 00:41:02,480 --> 00:41:04,480 Speaker 1: of movies that ended up getting split into two. It 905 00:41:04,480 --> 00:41:06,480 Speaker 1: gets delayed and it doesn't come out in a year. 906 00:41:06,480 --> 00:41:07,560 Speaker 1: It comes out a year and a half and then 907 00:41:07,640 --> 00:41:08,640 Speaker 1: sometimes two years. 908 00:41:09,080 --> 00:41:11,480 Speaker 4: So I'm holding out hope that it'll be a year. 909 00:41:12,200 --> 00:41:15,200 Speaker 1: And how excited are you now for part two? We 910 00:41:15,200 --> 00:41:18,000 Speaker 1: don't want to give away where this movie left leaves off. 911 00:41:18,520 --> 00:41:20,279 Speaker 1: What are you at A ten to go into the 912 00:41:20,320 --> 00:41:22,400 Speaker 1: next one, or like, oh, a total ten. 913 00:41:22,360 --> 00:41:25,840 Speaker 4: Total ten. I saw a letterbox review on somebody posted 914 00:41:25,880 --> 00:41:28,040 Speaker 4: it on Twitter and they were like, I'm staying in 915 00:41:28,040 --> 00:41:29,960 Speaker 4: my seat till the next one. The theater employees are 916 00:41:30,000 --> 00:41:32,200 Speaker 4: scared of the mass final leave, but I'm seated till 917 00:41:32,200 --> 00:41:34,040 Speaker 4: November twenty twenty five, and I was like, honestly, I 918 00:41:34,040 --> 00:41:34,359 Speaker 4: get it. 919 00:41:34,960 --> 00:41:36,520 Speaker 1: I mean, yeah, think about this one being two and 920 00:41:36,560 --> 00:41:38,520 Speaker 1: a half I have to imagine the next one is 921 00:41:38,560 --> 00:41:40,160 Speaker 1: going to be a two and a half hour movie 922 00:41:40,200 --> 00:41:42,319 Speaker 1: as well. That's five hours of Wicked right there. 923 00:41:42,360 --> 00:41:43,960 Speaker 4: But I do want to see it on Broadway before, 924 00:41:44,239 --> 00:41:46,920 Speaker 4: so we got a year we need to make that happen. 925 00:41:47,360 --> 00:41:50,359 Speaker 1: I am now gonna completely leave out of my vocabulary 926 00:41:50,400 --> 00:41:53,160 Speaker 1: that I am not a musical person. I think I 927 00:41:53,320 --> 00:41:56,160 Speaker 1: like good musical, good musicals, but joker two. 928 00:41:56,520 --> 00:41:58,840 Speaker 4: Yeah, I'm not a musical person when it comes to that, 929 00:41:58,960 --> 00:42:01,839 Speaker 4: but a good musical that is. Here's the thing. It's 930 00:42:01,880 --> 00:42:05,279 Speaker 4: a Broadway musical and it is top not twenty one 931 00:42:05,320 --> 00:42:08,600 Speaker 4: years running like that clearly says something about it. Like 932 00:42:09,280 --> 00:42:12,759 Speaker 4: Joker too, Like it wasn't adapted from anything, it just was. 933 00:42:13,080 --> 00:42:15,319 Speaker 1: Yeah. I think at that point you're just saying I 934 00:42:15,400 --> 00:42:18,359 Speaker 1: like good movies versus versus I like bad movies. Like 935 00:42:18,440 --> 00:42:20,680 Speaker 1: the genre doesn't have to really matter anymore. If a 936 00:42:20,760 --> 00:42:23,400 Speaker 1: movie is done well, it doesn't matter the genre. It 937 00:42:23,480 --> 00:42:25,880 Speaker 1: is really hard not to like a well put together, 938 00:42:25,960 --> 00:42:27,000 Speaker 1: a well made movie. 939 00:42:27,160 --> 00:42:29,160 Speaker 4: Listen. I even liked Mean Girls musical to be any 940 00:42:29,160 --> 00:42:29,480 Speaker 4: of the Year. 941 00:42:29,600 --> 00:42:31,800 Speaker 2: I like that too. It's a little underrated. 942 00:42:31,880 --> 00:42:34,160 Speaker 4: I still walk around being like, my name is ren 943 00:42:34,239 --> 00:42:35,680 Speaker 4: Jina George. 944 00:42:35,880 --> 00:42:37,880 Speaker 1: And the thing about this one that it didn't stray 945 00:42:37,920 --> 00:42:40,360 Speaker 1: away from in the promotion is hiding the fact that 946 00:42:40,400 --> 00:42:42,279 Speaker 1: it's a musical. You can't hide the fact that this 947 00:42:42,320 --> 00:42:44,200 Speaker 1: movie is a musical. But every other movie kind of 948 00:42:44,239 --> 00:42:45,160 Speaker 1: does the bait and switch. 949 00:42:45,400 --> 00:42:45,960 Speaker 2: Mean Girls. 950 00:42:46,000 --> 00:42:47,360 Speaker 1: A lot of people went into that, Oh yeah, they 951 00:42:47,360 --> 00:42:50,160 Speaker 1: had no clue. It was just the remake Joker, same thing. 952 00:42:50,360 --> 00:42:51,120 Speaker 2: There wasn't much. 953 00:42:50,960 --> 00:42:53,840 Speaker 4: Say, There wasn't any hiding. I did see a TikTok 954 00:42:53,880 --> 00:42:55,759 Speaker 4: of these three girls that took their boyfriends, and their 955 00:42:55,800 --> 00:42:58,160 Speaker 4: boyfriends didn't know it was a musical, and I'm like, 956 00:42:58,200 --> 00:42:59,080 Speaker 4: that's just on them. 957 00:42:59,200 --> 00:43:03,120 Speaker 1: Yeah, that's just not knowing anything about pop culture or anything. 958 00:43:03,440 --> 00:43:05,520 Speaker 4: You also fully have Wicked on the brain because we 959 00:43:05,520 --> 00:43:08,000 Speaker 4: were grocery shopping earlier and they had a display, which 960 00:43:08,000 --> 00:43:09,560 Speaker 4: I do think they did it on purpose, but it 961 00:43:09,600 --> 00:43:11,880 Speaker 4: was like pink bottles of champagne and green and you 962 00:43:11,920 --> 00:43:13,680 Speaker 4: weally is that display giving Wicked. 963 00:43:13,640 --> 00:43:14,239 Speaker 2: Pink and green? 964 00:43:14,280 --> 00:43:14,520 Speaker 3: Ey? 965 00:43:14,640 --> 00:43:17,359 Speaker 2: Now I see all the time in a studio. Now 966 00:43:17,440 --> 00:43:20,000 Speaker 2: have a green light it is. It's giving Wicked for 967 00:43:20,360 --> 00:43:22,880 Speaker 2: Wicked Part one? What would you rate it? 968 00:43:23,760 --> 00:43:27,040 Speaker 4: Five out of five? Flying monkeys? 969 00:43:27,320 --> 00:43:29,840 Speaker 2: I would go a strong four point five out of five, 970 00:43:30,440 --> 00:43:33,520 Speaker 2: Magic wands or bubbles. I'll go bubbles. I like the bubble. 971 00:43:34,080 --> 00:43:36,799 Speaker 1: And again, the only reason I give it less than 972 00:43:36,800 --> 00:43:39,600 Speaker 1: a five is because it's split off into two and 973 00:43:39,680 --> 00:43:40,439 Speaker 1: I wanted more. 974 00:43:40,680 --> 00:43:41,160 Speaker 2: So there you go. 975 00:43:41,200 --> 00:43:44,000 Speaker 1: We are now both hardcore wicket stands that we are 976 00:43:44,040 --> 00:43:45,239 Speaker 1: for buying tickets for part two. 977 00:43:45,320 --> 00:43:50,440 Speaker 4: Right now, go see it. 978 00:43:50,440 --> 00:43:52,560 Speaker 2: It's time to head down to movie. 979 00:43:52,600 --> 00:43:56,919 Speaker 1: Mike Traylor, Paul The first Mission Impossible movie came out 980 00:43:56,920 --> 00:44:00,360 Speaker 1: back in nineteen ninety six, and by the time Mission 981 00:44:00,400 --> 00:44:02,640 Speaker 1: Impossible eight, which is what we're about to talk about, 982 00:44:02,880 --> 00:44:06,680 Speaker 1: comes out next year, it's gonna be twenty nine years 983 00:44:06,760 --> 00:44:08,560 Speaker 1: of Mission Impossible movies. 984 00:44:08,600 --> 00:44:09,600 Speaker 2: Mission Impossible. 985 00:44:09,719 --> 00:44:15,080 Speaker 1: The final Reckoning comes out May twenty twenty five. What 986 00:44:15,160 --> 00:44:18,399 Speaker 1: is going to happen with this franchise is somebody get 987 00:44:18,400 --> 00:44:20,560 Speaker 1: to take over? There's been the rumors of Glenn. 988 00:44:20,320 --> 00:44:21,279 Speaker 2: Powell taking over. 989 00:44:22,000 --> 00:44:26,840 Speaker 1: It has been a powerhouse in action for almost thirty years. 990 00:44:26,840 --> 00:44:31,240 Speaker 1: Four billion dollars it has grossed at the box office. 991 00:44:31,280 --> 00:44:34,560 Speaker 1: It is the seventeenth highest grossing film series of all 992 00:44:34,719 --> 00:44:37,640 Speaker 1: time and is often cited as one of the best 993 00:44:37,680 --> 00:44:42,560 Speaker 1: action franchises. And to think of all the great movies 994 00:44:42,600 --> 00:44:45,400 Speaker 1: that Tom Cruise has been a part of over his career, 995 00:44:45,920 --> 00:44:49,080 Speaker 1: I almost feel like these movies will be his legacy. 996 00:44:49,920 --> 00:44:52,560 Speaker 1: A lot of things from the Mission Impossible movies have 997 00:44:52,680 --> 00:44:56,320 Speaker 1: become what he is known for. Everybody knows Tom Cruise 998 00:44:56,520 --> 00:44:59,759 Speaker 1: is a great runner on screen, and this trailer has 999 00:44:59,760 --> 00:45:02,319 Speaker 1: showed oh case that almost to a point that it's like, 1000 00:45:02,400 --> 00:45:03,760 Speaker 1: is he really doing this on purpose? 1001 00:45:03,800 --> 00:45:05,960 Speaker 2: Now? Does he really want to see his run so fast? 1002 00:45:06,400 --> 00:45:08,240 Speaker 1: And when I think about, like why is he running 1003 00:45:08,280 --> 00:45:10,920 Speaker 1: in all of these movies. It looks cool on screen, 1004 00:45:11,160 --> 00:45:13,680 Speaker 1: I don't know where he's running to. And the tagline 1005 00:45:13,719 --> 00:45:17,000 Speaker 1: to this movie is our lives are the sum of 1006 00:45:17,040 --> 00:45:19,359 Speaker 1: all of our choices. And all I hope for Tom 1007 00:45:19,400 --> 00:45:21,680 Speaker 1: Cruise by the end of this movie, whether he lives 1008 00:45:21,800 --> 00:45:24,600 Speaker 1: or he dies, is he finally gets to where he's 1009 00:45:24,680 --> 00:45:26,800 Speaker 1: been running to in all of these movies. 1010 00:45:27,320 --> 00:45:27,920 Speaker 2: So it looks like. 1011 00:45:27,880 --> 00:45:29,480 Speaker 1: We're gonna get a lot of running, a lot of 1012 00:45:29,480 --> 00:45:31,839 Speaker 1: big action. There are some things I like some things 1013 00:45:31,880 --> 00:45:35,279 Speaker 1: I don't like about this franchise. One is that they 1014 00:45:35,320 --> 00:45:38,480 Speaker 1: split this movie into two. We had Dead Reckoning Part one, 1015 00:45:38,680 --> 00:45:41,600 Speaker 1: which came out last year and was a little bit 1016 00:45:41,600 --> 00:45:43,879 Speaker 1: of a box office disappointment. The thing was, it came 1017 00:45:43,880 --> 00:45:46,840 Speaker 1: out at a really competitive time. It came out the 1018 00:45:46,880 --> 00:45:50,799 Speaker 1: weekend before Barbenheimer weekend, and Tom Cruise was trying to 1019 00:45:50,920 --> 00:45:55,040 Speaker 1: get that Mission Impossible movie on as many Imax screens 1020 00:45:55,080 --> 00:45:58,320 Speaker 1: as possible, and it made pretty good money. 1021 00:45:58,120 --> 00:46:00,600 Speaker 2: At the box office. It ended up costing about two. 1022 00:46:00,520 --> 00:46:03,440 Speaker 1: Hundred and ninety one million dollars was the budget on 1023 00:46:03,480 --> 00:46:06,320 Speaker 1: that movie, and it made five hundred and seventy million dollars. 1024 00:46:06,680 --> 00:46:09,200 Speaker 2: But the thing was it lost a lot of those. 1025 00:46:09,040 --> 00:46:13,000 Speaker 1: Imax screens the next week because Oppenheimer took them all over. 1026 00:46:13,400 --> 00:46:15,359 Speaker 2: So I feel if this movie. 1027 00:46:15,120 --> 00:46:18,799 Speaker 1: Would have had one or two more weekends at the 1028 00:46:18,840 --> 00:46:21,279 Speaker 1: box office in the summer where it is so competitive, 1029 00:46:21,640 --> 00:46:24,239 Speaker 1: I think it would have made more money. Because I've 1030 00:46:24,320 --> 00:46:28,399 Speaker 1: been in and out as far as how much I've 1031 00:46:28,480 --> 00:46:31,319 Speaker 1: enjoyed all the movies in the franchise, I would say 1032 00:46:31,360 --> 00:46:34,520 Speaker 1: I started to lose interest around five and six with 1033 00:46:35,040 --> 00:46:39,319 Speaker 1: rog Nation and Fallout, and it was last year's. 1034 00:46:39,040 --> 00:46:41,239 Speaker 2: In twenty twenty three that kind of gained my interest again, 1035 00:46:41,280 --> 00:46:43,360 Speaker 2: and that was a really solid action movie. 1036 00:46:43,800 --> 00:46:45,640 Speaker 1: It made me feel kind of the way that the 1037 00:46:45,680 --> 00:46:48,239 Speaker 1: early movies made me feel. And I love that Tom 1038 00:46:48,320 --> 00:46:51,880 Speaker 1: Cruise is really dedicated to making movies that feel like 1039 00:46:51,920 --> 00:46:53,880 Speaker 1: you need to see them on the big screen. So 1040 00:46:53,920 --> 00:46:57,239 Speaker 1: that number I mentioned earlier, four million dollars at the 1041 00:46:57,280 --> 00:46:59,799 Speaker 1: box office that this franchise has made. I think the 1042 00:47:00,080 --> 00:47:02,840 Speaker 1: into this movie he wants to reach that five billion 1043 00:47:02,960 --> 00:47:03,720 Speaker 1: dollar mark. 1044 00:47:04,080 --> 00:47:06,120 Speaker 2: Can he do it? I think he can. 1045 00:47:06,320 --> 00:47:10,280 Speaker 1: Problem is, the budget has been reported that it's reaching 1046 00:47:10,400 --> 00:47:13,520 Speaker 1: about four hundred million dollars, which is really expensive. So 1047 00:47:13,600 --> 00:47:15,560 Speaker 1: maybe his thought is, Okay, let's pump all his money 1048 00:47:15,560 --> 00:47:18,600 Speaker 1: into it and just get the Bucks Office to a billion. 1049 00:47:18,960 --> 00:47:20,960 Speaker 1: But I don't know if it's going to be a 1050 00:47:21,040 --> 00:47:23,520 Speaker 1: profitable movie at that point. Is it just he wants 1051 00:47:23,560 --> 00:47:26,160 Speaker 1: to make a billion dollars and he doesn't care how 1052 00:47:26,239 --> 00:47:27,719 Speaker 1: much he spends on it, which I don't think is 1053 00:47:27,719 --> 00:47:30,759 Speaker 1: a great plan. I think Paramount would probably want to 1054 00:47:30,800 --> 00:47:33,200 Speaker 1: spend in that two point fifty even that two ninety 1055 00:47:33,200 --> 00:47:35,880 Speaker 1: from the last movie is a lot to make a billion. 1056 00:47:36,000 --> 00:47:38,840 Speaker 1: Those are much better margins considering how much you have 1057 00:47:38,920 --> 00:47:42,239 Speaker 1: to spend on advertising, which doesn't get added into that 1058 00:47:42,320 --> 00:47:45,600 Speaker 1: production cost that gets reported. So a lot going on 1059 00:47:45,640 --> 00:47:48,200 Speaker 1: in this franchise. There's a lot of money on the table. 1060 00:47:48,239 --> 00:47:51,200 Speaker 1: There's a legacy on the table. Before I get into 1061 00:47:51,239 --> 00:47:53,400 Speaker 1: more about this movie, here's just a little bit of 1062 00:47:53,440 --> 00:47:57,200 Speaker 1: the Mission Impossible eight final Reckoning trailer. 1063 00:47:58,000 --> 00:48:05,440 Speaker 5: Everything, everything you've done, has come to this. When the 1064 00:48:05,480 --> 00:48:10,120 Speaker 5: need for certainty is absolute and the odds are deemed impossible, 1065 00:48:10,880 --> 00:48:13,480 Speaker 5: the mission falls to him Jould. 1066 00:48:13,560 --> 00:48:17,680 Speaker 2: He cheers to accept You've always been on the right side. 1067 00:48:17,719 --> 00:48:25,440 Speaker 5: Brother, I have no regrets any should you. I need 1068 00:48:25,480 --> 00:48:28,880 Speaker 5: you to trust me one last time. 1069 00:48:31,160 --> 00:48:36,080 Speaker 1: This trailer is overly dramatic, I feel like as a whole, 1070 00:48:36,400 --> 00:48:39,560 Speaker 1: in the last couple movies, they have been overly dramatic, 1071 00:48:39,640 --> 00:48:42,160 Speaker 1: but I think I kind of feed off that energy. 1072 00:48:42,239 --> 00:48:44,759 Speaker 2: Now I want a little bit of cheesiness. 1073 00:48:44,280 --> 00:48:46,960 Speaker 1: Going into a movie like this, And what I love 1074 00:48:47,000 --> 00:48:49,760 Speaker 1: about this trailer and what I love about Tom Cruise, 1075 00:48:49,840 --> 00:48:51,880 Speaker 1: even though he's not the filmmaker here, he's not the director, 1076 00:48:52,080 --> 00:48:54,960 Speaker 1: but I consider him to be an essential part to 1077 00:48:55,000 --> 00:48:58,640 Speaker 1: the filmmaking process because how involved he is and doing 1078 00:48:58,680 --> 00:49:02,120 Speaker 1: his own stunts, outing locations, wanting things to look a 1079 00:49:02,160 --> 00:49:04,640 Speaker 1: certain way. I feel like he is much a part 1080 00:49:04,680 --> 00:49:07,879 Speaker 1: of that filmmaking process more than any other actor at 1081 00:49:07,880 --> 00:49:12,320 Speaker 1: his level. But there are real locations in these mission 1082 00:49:12,320 --> 00:49:15,359 Speaker 1: impossible movies, and that adds so much depth that you 1083 00:49:15,440 --> 00:49:18,440 Speaker 1: don't realize until you don't have it. When you start 1084 00:49:18,600 --> 00:49:22,319 Speaker 1: looking into the action genre and you see movies that 1085 00:49:22,400 --> 00:49:25,040 Speaker 1: look like they don't even take place on this world 1086 00:49:25,120 --> 00:49:28,160 Speaker 1: because it's these actors in front of green screens and 1087 00:49:28,200 --> 00:49:30,680 Speaker 1: blue screens. Some of these actors are never in the 1088 00:49:30,719 --> 00:49:34,959 Speaker 1: same room together. So to have these movies in real 1089 00:49:35,080 --> 00:49:40,200 Speaker 1: locations all across the world just feels like something that 1090 00:49:40,239 --> 00:49:43,040 Speaker 1: doesn't happen anymore, and it just looks so much better, 1091 00:49:43,400 --> 00:49:47,040 Speaker 1: looks very expensive, but that really adds to the value 1092 00:49:47,120 --> 00:49:49,680 Speaker 1: of these movies, and that is something that is essential 1093 00:49:49,760 --> 00:49:53,239 Speaker 1: right now. And by looking at this trailer and even 1094 00:49:53,280 --> 00:49:56,920 Speaker 1: in like the first few seconds, where every one second 1095 00:49:57,040 --> 00:50:00,279 Speaker 1: is a different shot in a different location, in those 1096 00:50:00,280 --> 00:50:04,160 Speaker 1: eight seconds, there's millions and millions of dollars, and that 1097 00:50:04,360 --> 00:50:06,160 Speaker 1: is the commitment to filmmaking. 1098 00:50:06,719 --> 00:50:08,920 Speaker 2: When you are willing to go. 1099 00:50:08,800 --> 00:50:13,399 Speaker 1: To another country for a shot, that is just a 1100 00:50:13,480 --> 00:50:18,400 Speaker 1: price that only somebody like Tom Cruise can get approved. 1101 00:50:18,960 --> 00:50:21,400 Speaker 1: And in the last Mission Impossible movie, it had that 1102 00:50:21,480 --> 00:50:25,759 Speaker 1: one big action moment where Tom Cruise takes a motorcycle 1103 00:50:26,560 --> 00:50:29,520 Speaker 1: flies it off a cliff. He's just like in midair 1104 00:50:29,560 --> 00:50:33,040 Speaker 1: for like a second before hitting the parachute on his back. 1105 00:50:33,239 --> 00:50:36,040 Speaker 1: And in this one, I don't feel like that moment 1106 00:50:36,239 --> 00:50:39,080 Speaker 1: is at showcase. Maybe there's a trailer coming later that's 1107 00:50:39,080 --> 00:50:41,400 Speaker 1: going to have that one big moment. So far in 1108 00:50:41,440 --> 00:50:45,399 Speaker 1: this trailer, the one action moment that really stands out 1109 00:50:45,600 --> 00:50:49,720 Speaker 1: is when it looks like him and another person are 1110 00:50:49,760 --> 00:50:52,840 Speaker 1: like fighting each other or just flying really close to 1111 00:50:52,880 --> 00:50:56,000 Speaker 1: each other and these two small planes and his plane 1112 00:50:56,040 --> 00:50:57,120 Speaker 1: does a barrel roll. 1113 00:50:57,560 --> 00:50:59,320 Speaker 2: He is holding on for dear. 1114 00:50:59,200 --> 00:51:02,640 Speaker 1: Life, and I have to imagine, given his track record, 1115 00:51:02,680 --> 00:51:04,960 Speaker 1: although they could fake this scene, they could use some 1116 00:51:05,000 --> 00:51:08,720 Speaker 1: movie magic here. It looks like he is actually holding 1117 00:51:08,760 --> 00:51:13,680 Speaker 1: onto that plane, which seems like a really just wild stunt. 1118 00:51:13,320 --> 00:51:15,080 Speaker 2: To do if he pulled it off on his own. 1119 00:51:15,200 --> 00:51:18,680 Speaker 1: I have to imagine for somebody like Tom Cruz, who 1120 00:51:18,680 --> 00:51:23,120 Speaker 1: probably has like a crazy life insurance policy, they wouldn't 1121 00:51:23,239 --> 00:51:27,560 Speaker 1: risk putting him in immediate danger where he could die, 1122 00:51:27,840 --> 00:51:29,600 Speaker 1: because I feel like even with the stunt from the 1123 00:51:29,640 --> 00:51:33,040 Speaker 1: previous movie where he runs off the cliff, he at 1124 00:51:33,120 --> 00:51:37,759 Speaker 1: least has a parachute that fallback. In this scene, in 1125 00:51:37,800 --> 00:51:40,319 Speaker 1: this trailer, it looks like if he let go, like 1126 00:51:40,360 --> 00:51:42,040 Speaker 1: that's it. Like what if you get the propeller, what's 1127 00:51:42,040 --> 00:51:45,520 Speaker 1: gonna happen here? I imagine he had to probably have 1128 00:51:46,200 --> 00:51:48,160 Speaker 1: some kind of parachute on him as well, and they 1129 00:51:48,200 --> 00:51:52,560 Speaker 1: could probably in post production cgi that out of the shot. 1130 00:51:53,000 --> 00:51:54,759 Speaker 1: But he has to have some kind of failsafe because 1131 00:51:54,760 --> 00:51:56,680 Speaker 1: that stuff looks crazy and it looks good. It has 1132 00:51:56,719 --> 00:52:00,759 Speaker 1: like those low angle shots that I feel we're really 1133 00:52:00,800 --> 00:52:04,080 Speaker 1: showcased in Top Gun two where it really puts you 1134 00:52:04,160 --> 00:52:08,200 Speaker 1: in the action by getting these almost go pro level shots, 1135 00:52:08,239 --> 00:52:11,520 Speaker 1: but they're much more cinematic and expensive looking here where 1136 00:52:11,560 --> 00:52:13,719 Speaker 1: you feel like you were right there chilling on the 1137 00:52:13,760 --> 00:52:17,000 Speaker 1: wing watching Tom Cruise hold on for dear life. And 1138 00:52:17,040 --> 00:52:19,640 Speaker 1: I have to imagine on May twenty third, they have 1139 00:52:19,760 --> 00:52:23,160 Speaker 1: considered other movies coming out around that time, and they're 1140 00:52:23,160 --> 00:52:25,200 Speaker 1: not going to be battling for some of these IMAX 1141 00:52:25,239 --> 00:52:27,640 Speaker 1: screens like they did with the last movie. 1142 00:52:27,880 --> 00:52:28,879 Speaker 2: It looks like they're going. 1143 00:52:28,880 --> 00:52:31,600 Speaker 1: To wrap up the story that took place in Dead 1144 00:52:31,640 --> 00:52:34,880 Speaker 1: Reckoning Part one, that was about this AI program that 1145 00:52:34,920 --> 00:52:39,000 Speaker 1: could predict everything that Tom Cruise's character was doing. Angela 1146 00:52:39,040 --> 00:52:42,520 Speaker 1: Bassett is returning as the CIA director, but she first 1147 00:52:42,560 --> 00:52:46,160 Speaker 1: appeared in Mission Impossible Fallout. You have Tom Cruise exploring 1148 00:52:46,160 --> 00:52:49,080 Speaker 1: this rec submarine. There's one shot where it looks like 1149 00:52:49,120 --> 00:52:52,839 Speaker 1: he's either passed out or asleep underwater. He's floating there 1150 00:52:52,840 --> 00:52:55,919 Speaker 1: in his underwear, and then after that there's a scene 1151 00:52:55,960 --> 00:52:59,040 Speaker 1: of him in his underwear fighting somebody. So we're getting 1152 00:52:59,080 --> 00:53:03,120 Speaker 1: Tom Cruise running Tom Cruise passed out in the middle 1153 00:53:03,160 --> 00:53:05,320 Speaker 1: of the ocean, and then Tom Cruise in his underwear 1154 00:53:05,360 --> 00:53:07,560 Speaker 1: fighting somebody and kicking someone in the face. And I 1155 00:53:07,600 --> 00:53:10,640 Speaker 1: thought the entire AI plot line in Dead Reckoning Part 1156 00:53:10,680 --> 00:53:13,799 Speaker 1: one was actually pretty good, and it got me to 1157 00:53:13,840 --> 00:53:17,480 Speaker 1: thinking how many things like this are happening in the 1158 00:53:17,520 --> 00:53:19,960 Speaker 1: world without us knowing. I think about the things that 1159 00:53:20,400 --> 00:53:23,480 Speaker 1: my parents didn't tell me growing up that I learned 1160 00:53:23,520 --> 00:53:26,560 Speaker 1: as an adult. There were things that my parents kept 1161 00:53:26,600 --> 00:53:29,799 Speaker 1: for me as a kid so I wouldn't freak out. 1162 00:53:29,960 --> 00:53:31,000 Speaker 2: They didn't want to worry me. 1163 00:53:31,440 --> 00:53:34,120 Speaker 1: If my parents are keeping secrets for me that I 1164 00:53:34,120 --> 00:53:37,600 Speaker 1: didn't know about, imagine the government, Imagine the world the 1165 00:53:37,680 --> 00:53:40,120 Speaker 1: secrets they have that they are not telling us about 1166 00:53:40,160 --> 00:53:41,759 Speaker 1: because they don't want us to freak out. 1167 00:53:42,239 --> 00:53:45,120 Speaker 2: And it seemed like the plot line of. 1168 00:53:44,960 --> 00:53:47,480 Speaker 1: That first part of this movie had to have come 1169 00:53:47,520 --> 00:53:50,439 Speaker 1: from somewhere, And I know a lot of Hollywood right now, 1170 00:53:50,520 --> 00:53:53,759 Speaker 1: in the last couple of years, has really leaned in 1171 00:53:53,800 --> 00:53:57,239 Speaker 1: to the dangers of AI as it's become a little 1172 00:53:57,280 --> 00:53:59,839 Speaker 1: bit more prevalent, and we all kind of accept ail 1173 00:53:59,840 --> 00:54:00,480 Speaker 1: line little bit more. 1174 00:54:00,480 --> 00:54:02,000 Speaker 2: If you made these movies ten years. 1175 00:54:01,760 --> 00:54:04,520 Speaker 1: Ago, it would still feel a little bit more like fantasy, 1176 00:54:04,640 --> 00:54:07,520 Speaker 1: more like I Robot, like oh AI that's never going 1177 00:54:07,600 --> 00:54:09,480 Speaker 1: to affect us. But with it being so much a 1178 00:54:09,520 --> 00:54:12,040 Speaker 1: part of our lives now, I think we really start 1179 00:54:12,040 --> 00:54:14,480 Speaker 1: to worry about that. I do think a lot of 1180 00:54:14,480 --> 00:54:18,360 Speaker 1: the dangers of AI are really just kind of manufactured 1181 00:54:18,360 --> 00:54:23,160 Speaker 1: in Hollywood, and our fear of them being so smart 1182 00:54:23,200 --> 00:54:24,640 Speaker 1: that they take over the humans. 1183 00:54:25,280 --> 00:54:26,920 Speaker 2: I don't think that is gonna happen. I hope it 1184 00:54:26,920 --> 00:54:27,520 Speaker 2: doesn't happen. 1185 00:54:27,600 --> 00:54:31,160 Speaker 1: And if it does happen, AI, I have supported you 1186 00:54:31,239 --> 00:54:33,880 Speaker 1: all these years. Just remember I was one of the 1187 00:54:33,920 --> 00:54:36,400 Speaker 1: good ones. I never said anything bad about you, so 1188 00:54:36,440 --> 00:54:39,160 Speaker 1: please remember I've always been an ally to the AI. 1189 00:54:39,520 --> 00:54:41,359 Speaker 1: So again, the two big questions are will I make 1190 00:54:41,400 --> 00:54:44,359 Speaker 1: a billion dollars? I think that comes down to the 1191 00:54:44,400 --> 00:54:48,200 Speaker 1: promotion right around the month that this movie is coming out. 1192 00:54:48,360 --> 00:54:50,360 Speaker 1: Is it going to build up a hype that makes 1193 00:54:50,400 --> 00:54:54,320 Speaker 1: people who maybe have been in and out of this franchise, 1194 00:54:54,440 --> 00:54:56,920 Speaker 1: or maybe haven't seen one since the nineteen ninety six version. 1195 00:54:57,520 --> 00:54:59,759 Speaker 1: Is it gonna make them want to go see this 1196 00:54:59,800 --> 00:55:04,279 Speaker 1: one in theaters without having seen all other six of 1197 00:55:04,320 --> 00:55:07,000 Speaker 1: these movies. They watched one, they skipped out on two 1198 00:55:07,000 --> 00:55:10,480 Speaker 1: through seven. Can you get him back to watch number eight? 1199 00:55:10,920 --> 00:55:13,080 Speaker 1: A second question that I think kind of goes hand 1200 00:55:13,080 --> 00:55:15,160 Speaker 1: in hand with that one, is Tom Cruise's character going 1201 00:55:15,160 --> 00:55:15,480 Speaker 1: to die? 1202 00:55:15,600 --> 00:55:16,480 Speaker 2: Is this gonna be the end? 1203 00:55:16,520 --> 00:55:20,000 Speaker 1: Of Ethan, and I think if you start marketing that 1204 00:55:20,719 --> 00:55:23,000 Speaker 1: and saying, oh, this could be it for Tom Cruise, 1205 00:55:23,480 --> 00:55:26,120 Speaker 1: maybe that could get some of those original people back. 1206 00:55:26,640 --> 00:55:28,440 Speaker 1: And I think it's gonna be one of those situations 1207 00:55:28,480 --> 00:55:31,319 Speaker 1: where you think he dies at the end of the movie, 1208 00:55:31,400 --> 00:55:34,919 Speaker 1: probably does some big heroic stunt, sacrifices himself to save 1209 00:55:34,960 --> 00:55:37,000 Speaker 1: the world, because that's what they talk about in this trailer. 1210 00:55:37,480 --> 00:55:40,720 Speaker 1: He is the one man who can save the entire planet. 1211 00:55:41,200 --> 00:55:44,000 Speaker 1: I think he's gonna do something really heroic. He's gonna 1212 00:55:44,000 --> 00:55:44,520 Speaker 1: be like, this is. 1213 00:55:44,480 --> 00:55:47,520 Speaker 2: The only way I'm gonna do it. He's gonna like. 1214 00:55:47,440 --> 00:55:50,040 Speaker 1: Turn a key or something, and then you're gonna think 1215 00:55:50,080 --> 00:55:53,399 Speaker 1: he's gone. You're gonna think he's dead. And then maybe 1216 00:55:53,480 --> 00:55:56,719 Speaker 1: in like the last scene, he's like faked his death 1217 00:55:56,760 --> 00:56:00,200 Speaker 1: and he's chilling out on an island, hanging out, you know, 1218 00:56:00,239 --> 00:56:01,840 Speaker 1: a real dark Knight Rises style. 1219 00:56:01,920 --> 00:56:03,760 Speaker 2: I think that's gonna be the fate. 1220 00:56:03,600 --> 00:56:06,600 Speaker 1: Of him, or you think he's dead and it sets 1221 00:56:06,640 --> 00:56:08,919 Speaker 1: up somebody else, like a Glenn Powell, to take over 1222 00:56:08,960 --> 00:56:12,759 Speaker 1: the franchise. They come in, they pick right up where 1223 00:56:12,800 --> 00:56:14,960 Speaker 1: he left off, and then he makes it come back. 1224 00:56:15,000 --> 00:56:17,960 Speaker 1: I can see that too, like they have another movie 1225 00:56:18,000 --> 00:56:22,080 Speaker 1: after this one by introducing a new Ethan Hunt, and 1226 00:56:22,120 --> 00:56:24,839 Speaker 1: then at the very end of that movie, he gets 1227 00:56:24,840 --> 00:56:29,120 Speaker 1: a message from Tom Cruise saying I'm not dead. Yeah, 1228 00:56:29,160 --> 00:56:31,120 Speaker 1: I can see that happening. But again, this movie is 1229 00:56:31,160 --> 00:56:34,720 Speaker 1: coming out next year. On May twenty third, twenty twenty five, 1230 00:56:35,520 --> 00:56:36,040 Speaker 1: said that for. 1231 00:56:36,280 --> 00:56:38,479 Speaker 4: Was this week's edition of movie Line. 1232 00:56:38,520 --> 00:56:41,319 Speaker 1: He's framor par and that is gonna do it for 1233 00:56:41,400 --> 00:56:44,319 Speaker 1: another episode here of the podcast. But before I go, 1234 00:56:44,400 --> 00:56:46,760 Speaker 1: I gotta give my listeners shout out of the week. 1235 00:56:47,200 --> 00:56:49,960 Speaker 1: This week, I'm going over to my Instagram dms and 1236 00:56:50,000 --> 00:56:52,120 Speaker 1: if you ever wonder how to get a listener shout out, well, 1237 00:56:52,160 --> 00:56:53,520 Speaker 1: you can DM me on Instagram. 1238 00:56:53,840 --> 00:56:54,759 Speaker 2: You can comment on. 1239 00:56:54,640 --> 00:56:58,719 Speaker 1: My Facebook page, Facebook dot com slash Mikeadischer, comment on 1240 00:56:58,760 --> 00:57:01,399 Speaker 1: my YouTube page, which I'm trying to build up, trying 1241 00:57:01,400 --> 00:57:03,560 Speaker 1: to get to five hundred subscribers over there. So if 1242 00:57:03,560 --> 00:57:07,000 Speaker 1: you're listening and you have YouTube and you don't mind subscribing, 1243 00:57:07,080 --> 00:57:08,880 Speaker 1: you can always check out all the links to my 1244 00:57:08,920 --> 00:57:12,200 Speaker 1: social media links to my YouTube in the episode notes 1245 00:57:12,520 --> 00:57:14,120 Speaker 1: trying to get to five hundred over there, so it 1246 00:57:14,120 --> 00:57:17,000 Speaker 1: would really appreciate it if you subscribed. Again, I also 1247 00:57:17,120 --> 00:57:20,400 Speaker 1: send me an email Moviemike d at gmail dot com. 1248 00:57:20,600 --> 00:57:23,360 Speaker 1: This week's Listener shout Out of the Week goes to Meguin, 1249 00:57:23,920 --> 00:57:26,240 Speaker 1: who replied to my story where I posted a little 1250 00:57:26,280 --> 00:57:28,600 Speaker 1: bit of my review from last week from a Real 1251 00:57:28,640 --> 00:57:31,440 Speaker 1: Pain and said I was very moved by your review 1252 00:57:31,480 --> 00:57:34,080 Speaker 1: today and how vulnerable you were. To be honest, I 1253 00:57:34,080 --> 00:57:37,040 Speaker 1: skipped the movie reviews a lot because I like to 1254 00:57:37,040 --> 00:57:39,800 Speaker 1: go into movies cold. Not sure why I decided to 1255 00:57:39,840 --> 00:57:42,439 Speaker 1: listen today, but it really struck a chord. I really 1256 00:57:42,480 --> 00:57:47,400 Speaker 1: appreciate that because I wasn't expecting to get that vulnerable. 1257 00:57:47,440 --> 00:57:49,120 Speaker 1: I didn't know where that review was going to go 1258 00:57:49,200 --> 00:57:50,880 Speaker 1: if you missed that. Last week, I did what was 1259 00:57:50,920 --> 00:57:53,960 Speaker 1: called a no notes review because I wanted to go 1260 00:57:54,040 --> 00:57:57,480 Speaker 1: from pure emotion talking about A real Pain and how 1261 00:57:57,600 --> 00:57:59,960 Speaker 1: just much that movie really. 1262 00:58:00,160 --> 00:58:03,160 Speaker 2: Of ripped open a scab that I wasn't quite ready for. 1263 00:58:03,680 --> 00:58:04,920 Speaker 2: Didn't really see it coming. 1264 00:58:04,960 --> 00:58:06,880 Speaker 1: But I got a lot of nice messages after I 1265 00:58:06,960 --> 00:58:09,360 Speaker 1: talked about that, so thanks to everybody who sent a message. 1266 00:58:09,360 --> 00:58:11,120 Speaker 2: I did go through and read and try to reply 1267 00:58:11,200 --> 00:58:11,800 Speaker 2: to all those. 1268 00:58:12,200 --> 00:58:14,280 Speaker 1: This week's listener shout out first goes to the Maguin, 1269 00:58:14,400 --> 00:58:17,640 Speaker 1: but I will continue to read those because I feel 1270 00:58:17,960 --> 00:58:20,600 Speaker 1: that that is something I've never really heard anybody talk about. 1271 00:58:20,680 --> 00:58:22,880 Speaker 1: So if there is anybody out there who relates in 1272 00:58:22,920 --> 00:58:24,760 Speaker 1: any way and I want to hear your story to 1273 00:58:24,800 --> 00:58:28,320 Speaker 1: you with this podcast is all about talking about movies, which. 1274 00:58:28,240 --> 00:58:30,800 Speaker 2: In turn is talking about live So thank you all 1275 00:58:30,880 --> 00:58:31,480 Speaker 2: for listening. 1276 00:58:31,840 --> 00:58:33,800 Speaker 1: Hope you have a great rest of your week, and 1277 00:58:34,240 --> 00:58:37,480 Speaker 1: until next time, go out and watch good movies and 1278 00:58:37,520 --> 00:58:38,320 Speaker 1: I will talk. 1279 00:58:38,160 --> 00:58:39,400 Speaker 4: To you here. 1280 00:58:40,480 --> 00:58:41,520 Speaker 2: What accent was on