WEBVTT - #430 - Chevy Woods

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<v Speaker 1>Yo, what up is your boy Chevy Woods from the

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<v Speaker 1>Taylor Gang? You watching the Bootleg Calf podcast with your boy?

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<v Speaker 1>You know that shit Taylor Gang or motherfucking die you

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<v Speaker 1>bit you.

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<v Speaker 2>Yo?

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<v Speaker 3>Bootleg cav podcast man special guests in here, my guys.

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<v Speaker 3>Chevy Woods is filled it man, Taylor Gang. You came

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<v Speaker 3>with new teeth, Yes, sir, you got them things done?

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<v Speaker 2>Yes, sir?

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<v Speaker 3>What is the if somebody because a lot of people

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<v Speaker 3>getting their teeth done right now. Once that run somebody

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<v Speaker 3>obviously a normal person. If you were to pay full price,

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<v Speaker 3>you didn't. You told me you didn't pay full price.

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<v Speaker 1>Yeah, I mean it depends on if you hit, if

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<v Speaker 1>you're in the States, or if you fly out.

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<v Speaker 3>So you went out of the country. Yeah, not the Turkey.

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<v Speaker 1>That's for the hair Nahu Cali, Columbia.

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<v Speaker 3>So what does that like? Run somebody? If I wanted

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<v Speaker 3>to get my teeth.

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<v Speaker 2>Done, probably like six to ten.

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<v Speaker 3>Ok, yours a good thank you. AD's look crazy.

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<v Speaker 2>I mean, you know, I don't think they look crazy.

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<v Speaker 3>I think they well, I feel like we're used to

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<v Speaker 3>them now, but when they went like I feel like

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<v Speaker 3>AD was like one of the first rappers to get

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<v Speaker 3>the Veneers for real. Yeah, yeah, yeah, it was just

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<v Speaker 3>one of the first guys. So when we first saw

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<v Speaker 3>those a dteth, it was like now we're used to them,

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<v Speaker 3>But initially it was a lot.

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<v Speaker 2>Yeah.

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<v Speaker 1>Even my daughter was like, please don't come back with

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<v Speaker 1>no mister Ed's right.

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<v Speaker 2>You know what I mean. So I had to make

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<v Speaker 2>sure it was right.

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<v Speaker 3>No, for sure. Was it painful?

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<v Speaker 2>Hell yeah.

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<v Speaker 1>I sat in the cheer for five hours the first

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<v Speaker 1>first time, then three hours, then two hours and two hours.

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<v Speaker 3>Did you have to like come home and then fly

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<v Speaker 3>back or was it all No?

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<v Speaker 1>No, no, I was all doing the same week Jesus

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<v Speaker 1>shot to Columbia. Yeahever the nice ten piece and get right.

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<v Speaker 1>Yeh man, you just dropped your new album nineteen ninety eight,

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<v Speaker 1>which is why the ninety eight title. It's like around

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<v Speaker 1>the time where I first fell in love with like storytelling.

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<v Speaker 1>The music got it like big l you know, ghost Face, shit,

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<v Speaker 1>Nature forty first side, all of that Queens Beer, Queens

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<v Speaker 1>Bears was really like where I was looking, you know

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<v Speaker 1>what I mean, where I was listening to music, Nori

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<v Speaker 1>fucking a Z and like all of that shit type.

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<v Speaker 1>So I just wanted to do like an ode too,

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<v Speaker 1>you know what I mean, Like when I when I

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<v Speaker 1>fell in love with it. And another thing is is

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<v Speaker 1>it's my era of music, so I'm not trying to

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<v Speaker 1>not match with you know, my age ranging.

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<v Speaker 3>Well, I feel like your last shit you were like

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<v Speaker 3>kind of like you've been doing a lot more experimenting

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<v Speaker 3>in the type of melodies and just dipping your toe

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<v Speaker 3>into like different sounds. But this is more like some

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<v Speaker 3>rap shit.

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<v Speaker 1>Yeah, yeah, because I structured it like that. I mean

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<v Speaker 1>I worked on the project from intro to and you

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<v Speaker 1>know what I mean, I wasn't just pulling records. I

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<v Speaker 1>was actually going to the studio doing them one by one.

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<v Speaker 3>How many bodies of work do you have out? I

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<v Speaker 3>feel like it's a ship Ton twenty twenty My goodness.

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<v Speaker 1>Yeah, for sure, that is a lot spent a long

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<v Speaker 1>time two thousand and nine.

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<v Speaker 3>Eight they're all on DSPs nah, I.

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<v Speaker 2>Think like three of them aren't, and then the rest are.

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<v Speaker 3>Three of them are on that PIF database. Summer.

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<v Speaker 2>Yeah, for sure. Kept the hustling, for sure, for sure.

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<v Speaker 3>Damn So yeah, ninety eight was it a hell of

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<v Speaker 3>your for hip hop? You know they always say ninety

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<v Speaker 3>four is like the best year, but I about say, like, yeah,

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<v Speaker 3>I mean ninety four was pretty good.

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<v Speaker 1>Yeah, I think ninety eight ran into two thousand, so.

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<v Speaker 3>Yeah, I mean because then you get the rough Riders

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<v Speaker 3>ship in there, you get like fucking the locks you get.

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<v Speaker 3>I mean ninety seven.

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<v Speaker 2>Was was.

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<v Speaker 3>No Way out Wait it was Puff Daddy ninety seven

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<v Speaker 3>or ninety.

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<v Speaker 1>Yeah, that was with them all walking like on the

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<v Speaker 1>album cover. Yeah, yeah, yeah for sure.

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<v Speaker 3>Yeah. And then No Limit Yeah, no, No Limit was

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<v Speaker 3>ninety eight.

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<v Speaker 2>Sledgron had every plastic case.

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<v Speaker 3>Yeah, all of them, the orange one, the fucking c

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<v Speaker 3>Murder one, the Fiend one where I had all them shits, yo,

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<v Speaker 3>It's crazy, Like it sucks that, Like someone needs to

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<v Speaker 3>do that, because you know how it would be dropping vinyls.

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<v Speaker 3>Someone needs to do a hard album release that is

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<v Speaker 3>like a thousand copies and do it with those.

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<v Speaker 1>Cases like those bitches to be fire, and then you

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<v Speaker 1>get it for the case for real.

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<v Speaker 3>And then you'd like every every album, you'd open it

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<v Speaker 3>and it would say the five or four Boys album

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<v Speaker 3>was coming soon, but like it was like coming soon

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<v Speaker 3>for like three or four years, and then every new

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<v Speaker 3>album there'd be a different iteration of who was in

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<v Speaker 3>the Five or Four Boys, right for sure. There was

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<v Speaker 3>like one when they signed Snoop and then Snoop was

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<v Speaker 3>all of a sudden in the Five or Four Boys

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<v Speaker 3>Coming Soon album. I was like, oh shit, Snoops in

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<v Speaker 3>the Fiber four Boy and then yeah, damn the Five

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<v Speaker 3>of Four Boys shout.

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<v Speaker 1>Outs a mystical Yeah that shit was just ship right,

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<v Speaker 1>No shout out to them. Yeah, I'll let you have that.

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<v Speaker 3>Master p Man shouts shouts to master p Man. What

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<v Speaker 3>do you think about this whole beat that's going on

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<v Speaker 3>with the within hip hop right now? It's good?

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<v Speaker 2>Yeah, and it's not.

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<v Speaker 1>I don't have no no opinion, like strong opinion about it.

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<v Speaker 1>I just like to hear what what's going on?

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<v Speaker 3>I think I'm I'm very kendrickal with my bias, but

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<v Speaker 3>I said this to you off the camera, like if

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<v Speaker 3>if Drake comes out of this like unscathed, he might

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<v Speaker 3>be the goat man and I'm not. I don't even

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<v Speaker 3>have him. I got him in like around ten because

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<v Speaker 3>I'm a hater.

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<v Speaker 2>I mean it's it's competitive.

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<v Speaker 3>But like if this fools like the whole like he

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<v Speaker 3>posted that picture of Uma Thurman and kill Bill, that's

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<v Speaker 3>really what's happening right now? All his friends in the

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<v Speaker 3>rap game are against him, and everybody else is against him,

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<v Speaker 3>and it's just Drake and like Baka.

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<v Speaker 1>But also I feel like I feel like in hip hop,

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<v Speaker 1>even though like we might have been younger, there was

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<v Speaker 1>situations like this. It' I mean, we might not be

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<v Speaker 1>able to name him, you know what I mean. There

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<v Speaker 1>might have been the situations where it was just that person.

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<v Speaker 1>I know, it happened in New York before. At some

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<v Speaker 1>point it might have been nothing. I mean, you gotta

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<v Speaker 1>think Drake is like the biggest rapper ever.

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<v Speaker 3>Yeah, no, the fifty thing. Everybody was against fifty for

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<v Speaker 3>sure before, but then he linked up with eminem But

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<v Speaker 3>when he did like how to Rob, but he was fifty,

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<v Speaker 3>he was on the come up, like he was not

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<v Speaker 3>working about Drake and Kendrickman and the Weekend is involved

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<v Speaker 3>that metro booming in future and asap Rocky and fucking

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<v Speaker 3>Jamarants catching strays. It's crazy.

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<v Speaker 2>It's definitely crazy. You gotta be ducking out here.

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<v Speaker 3>J Cole just said, my name's Bennett and I'm not

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<v Speaker 3>in it.

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<v Speaker 2>What you think about that?

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<v Speaker 3>I actually I was not as like, I feel like

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<v Speaker 3>people really took that and like really ran with it

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<v Speaker 3>in a way that I mean, Cole's obviously an energy

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<v Speaker 3>type of dude. He's kind of moved the way he's

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<v Speaker 3>moved with like not caring about anybody else and like

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<v Speaker 3>being super in his own vibe. So when he said like,

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<v Speaker 3>it just didn't sit right with my spirit, like I

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<v Speaker 3>think I think I respected it well.

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<v Speaker 2>To me, then that's where you should have stayed.

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<v Speaker 3>I agree, But you know how it is, man, motherfucker's

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<v Speaker 3>being in your ear hyping you up crash out. But

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<v Speaker 3>he should. But but and that's the I mean, listen

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<v Speaker 3>from the hip hop perspective, I would have liked to

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<v Speaker 3>have seen Cole like fully engage. Yeah, and too, I

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<v Speaker 3>thought I thought that what he said on that record

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<v Speaker 3>was just like a nice like, but I don't think

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<v Speaker 3>he believed anything he said. Damn, I don't think he

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<v Speaker 3>believes that. Kendrick's just like he doesn't think the to

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<v Speaker 3>Pimper Butterfly is that that was like, you don't you

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<v Speaker 3>don't even believe that to be true? Like Top Butterfly

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<v Speaker 3>is a fucking in my opinion, of course, I mean

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<v Speaker 3>the albums that like incredible, even his last album that

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<v Speaker 3>everyone's saying. I mean, bitch, the album's platinum. He sold

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<v Speaker 3>out a whole tour and I still listen to that

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<v Speaker 3>on this fucking day. So I don't think he believed.

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<v Speaker 3>Because the thing about Kendrick, unlike Drake, I don't know

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<v Speaker 3>how much you could say about Kendrick Lamarer outside. Maybe

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<v Speaker 3>he didn't have a favorable deal with TD back in

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<v Speaker 3>the day he left. Obviously he's with PG Lane, he's

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<v Speaker 3>got his own thing, and he's short. Because that's really

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<v Speaker 3>all they said. What else can you say about? He's

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<v Speaker 3>so out the way, he's so private that I don't

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<v Speaker 3>know what else you could say. Drake's shit is so

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<v Speaker 3>out there that there's so many things you can mention.

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<v Speaker 3>And that's why I'm just I want to see what I.

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<v Speaker 1>Like to hear what you got to say, because I

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<v Speaker 1>don't got a horse in the rais, and.

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<v Speaker 2>It sound like you do.

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<v Speaker 3>Well, my horse is always I mean, I just think

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<v Speaker 3>Kendrick is, you know, one of the most prolific, incredible

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<v Speaker 3>artists musically musically.

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<v Speaker 1>Your giography, well, I'm just saying you're excited about how

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<v Speaker 1>it's going back and forth.

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<v Speaker 3>I also think if we're going right now and this

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<v Speaker 3>is without hearing anything Kendrick saying next, I think it's

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<v Speaker 3>pretty close because I like Drake's record a lot, and

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<v Speaker 3>I also thought it was fucking hilarious. I know some

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<v Speaker 3>people thought it was corny, but I actually thought it

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<v Speaker 3>was funny that what he said to his mom about

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<v Speaker 3>Rick Ross. I thought that shit was comedy. I was like, man, mom,

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<v Speaker 3>you know the guy you see the songs with, He's

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<v Speaker 3>he's really hungry, he gets angry, and.

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<v Speaker 1>To me, that felt like, I don't know, that felt

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<v Speaker 1>like something I wouldn't.

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<v Speaker 3>I like seeing like put a record out and then

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<v Speaker 3>play in the internet shit too.

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<v Speaker 2>But they played a different world. You feel me like.

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<v Speaker 3>Rick Ross's you know Rick Ross's He's the ultimate troll

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<v Speaker 3>for sure.

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<v Speaker 2>This is right up his alley.

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<v Speaker 3>Yeah, he's been waiting for this. I actually think that

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<v Speaker 3>Rick Ross record was already a record and he just

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<v Speaker 3>added the end part. M hmm, because if you listen

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<v Speaker 3>to it, it doesn't sound very The rapping part of

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<v Speaker 3>that song isn't very direct. H It's very like it

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<v Speaker 3>just sounds like it was a Rick Ross song that

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<v Speaker 3>was sub and Drake and then he was just like, hey,

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<v Speaker 3>let me throw in these I think he had the

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<v Speaker 3>first part of that and then the outro where he's

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<v Speaker 3>talking about him getting a BBL. I think all that

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<v Speaker 3>was just added and they put it.

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<v Speaker 2>Out, but it sounds cohesive.

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<v Speaker 3>It does shout out to Ross. I wish his rapping

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<v Speaker 3>would have been more direct. He did the outro where

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<v Speaker 3>he was like, you know, that's why I fucked you, bitch,

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<v Speaker 3>you fat motherfucker type shit. You know, but it's like

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<v Speaker 3>I would, I would, you know. The raw shit was cool.

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<v Speaker 3>I'm not. I wasn't too impressed by the Ross record,

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<v Speaker 3>to be honest. It was funny.

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<v Speaker 2>Is do a quality too for you?

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<v Speaker 3>I just thought that when I heard Drake shit Drake specifically,

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<v Speaker 3>he specifically name names. He was very direct. Ross was

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<v Speaker 3>talking shit when the beat was riding.

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<v Speaker 1>Now, I mean well, Ross also said, you grab a

0:10:18.840 --> 0:10:20.080
<v Speaker 1>sea is going to be a long game.

0:10:20.080 --> 0:10:22.400
<v Speaker 3>It's just the first quarter, which I'm looking give me

0:10:22.440 --> 0:10:23.079
<v Speaker 3>the second.

0:10:22.840 --> 0:10:25.600
<v Speaker 2>Quarter, all right, man, I agree, I wont if.

0:10:25.520 --> 0:10:27.600
<v Speaker 3>Drake's I mean, look, man, I'm telling you, if Drake

0:10:27.679 --> 0:10:31.080
<v Speaker 3>comes out of this ship and he's looking good, I

0:10:31.160 --> 0:10:34.760
<v Speaker 3>got nothing else to say, He's the goat because I

0:10:34.840 --> 0:10:36.439
<v Speaker 3>the one thing that disappointed me with Drake was he

0:10:36.480 --> 0:10:39.960
<v Speaker 3>didn't reply to Push Your Tea Like Push Your T's

0:10:40.000 --> 0:10:42.959
<v Speaker 3>dis record was so powerful it a child gained a

0:10:43.040 --> 0:10:49.760
<v Speaker 3>father in this world. Damn, that's crazy, that's crazy. It's true.

0:10:50.640 --> 0:10:55.800
<v Speaker 2>Oh my god, that's crazy.

0:10:56.400 --> 0:10:58.080
<v Speaker 3>A kid is growing up with his dad in his

0:10:58.120 --> 0:10:59.560
<v Speaker 3>life because of Push Your Tea right now.

0:11:00.080 --> 0:11:01.880
<v Speaker 2>You don't think they would have had his dad without it.

0:11:02.920 --> 0:11:05.120
<v Speaker 3>I don't think he'd be putting out records. I don't

0:11:05.120 --> 0:11:07.080
<v Speaker 3>think the little dude would have had a freestyle out

0:11:07.200 --> 0:11:12.280
<v Speaker 3>and be like hanging out, like getting Nike deals. Push

0:11:12.320 --> 0:11:16.560
<v Speaker 3>Your Tea ruined an Adida's deal and expose the child.

0:11:17.920 --> 0:11:19.160
<v Speaker 3>No smoke for him.

0:11:19.240 --> 0:11:21.319
<v Speaker 2>He ruined an Adida's deal, but didn't get a bigger

0:11:21.360 --> 0:11:21.920
<v Speaker 2>deal with Nike.

0:11:22.520 --> 0:11:25.640
<v Speaker 3>No one's wearing those Nikes. Don't know anybody wearing them.

0:11:25.679 --> 0:11:27.240
<v Speaker 2>But did he get a bigger deal? He might.

0:11:28.280 --> 0:11:29.720
<v Speaker 3>I think you'd rather have the Nike deal if you're

0:11:29.760 --> 0:11:32.280
<v Speaker 3>Drake anyway, Yeah, for sure, shout out to Drake man.

0:11:32.400 --> 0:11:34.560
<v Speaker 2>I think no horse on the raised neither. I just

0:11:34.559 --> 0:11:35.360
<v Speaker 2>want to hear the music.

0:11:35.440 --> 0:11:37.400
<v Speaker 3>Look, I'm telling you, if you just take like that,

0:11:37.520 --> 0:11:39.720
<v Speaker 3>like that's a better song. Obviously it's a number one record.

0:11:39.760 --> 0:11:42.280
<v Speaker 3>In the country. It's a fucking banger. But if you

0:11:42.320 --> 0:11:45.400
<v Speaker 3>were to just take Kendrick's verse and Drake's verse or

0:11:45.480 --> 0:11:48.680
<v Speaker 3>Drake's shit, I think it's a toss up. I fuck

0:11:48.760 --> 0:11:54.280
<v Speaker 3>with Drake. I think Drake surprised me, and but he can't.

0:11:54.559 --> 0:11:56.280
<v Speaker 3>There's nothing else he could say about Kendrick.

0:11:56.440 --> 0:11:58.520
<v Speaker 1>Yeah, the quotables matched up, and I feel like a

0:11:58.600 --> 0:11:59.400
<v Speaker 1>mag was dumped.

0:11:59.480 --> 0:12:02.679
<v Speaker 3>So got to figure out to me Kendrick thing is

0:12:02.800 --> 0:12:05.680
<v Speaker 3>just like, hey, man, you got to call top Dog

0:12:05.760 --> 0:12:08.760
<v Speaker 3>for permission. You did a song with Taylor Swift that

0:12:08.880 --> 0:12:10.720
<v Speaker 3>by the way, there's a video of Drake dancing to

0:12:10.800 --> 0:12:18.120
<v Speaker 3>in a commercial and you're short, all right, Yeah, I

0:12:18.120 --> 0:12:20.000
<v Speaker 3>don't know what else you got.

0:12:20.600 --> 0:12:21.520
<v Speaker 2>Yeah, we ain't gonna know.

0:12:21.760 --> 0:12:25.280
<v Speaker 3>We don't find out. Man, you've ever been involved I

0:12:25.320 --> 0:12:27.240
<v Speaker 3>mean obviously you almost you know. I mean they've been

0:12:27.280 --> 0:12:30.360
<v Speaker 3>involved in some street ship, but yeah, but have you

0:12:30.400 --> 0:12:33.920
<v Speaker 3>ever been involved in like an on record no beef.

0:12:34.280 --> 0:12:36.320
<v Speaker 1>In the street and when I was coming up in

0:12:36.360 --> 0:12:38.080
<v Speaker 1>the hood type ship but right, but.

0:12:38.040 --> 0:12:40.599
<v Speaker 3>Not since you guys have like nah, I feel like

0:12:40.640 --> 0:12:43.520
<v Speaker 3>anytime there's ever been any even with Wiz, like any

0:12:43.520 --> 0:12:46.959
<v Speaker 3>static with like other artists, like it's never like this

0:12:47.120 --> 0:12:48.320
<v Speaker 3>wiz just don't give a fuck.

0:12:48.559 --> 0:12:50.880
<v Speaker 1>Yeah, you don't give a fuck, and it's like it

0:12:50.920 --> 0:12:53.240
<v Speaker 1>was like it's peace because it ain't nothing going, you

0:12:53.240 --> 0:12:53.640
<v Speaker 1>know what I mean.

0:12:53.920 --> 0:12:58.680
<v Speaker 3>Right, it's the right players around, right exactly? Who else

0:12:58.720 --> 0:12:59.760
<v Speaker 3>on the project? I met a couple of.

0:12:59.720 --> 0:13:03.400
<v Speaker 1>Feature I just did my homie Boas from uh Pittsburgh

0:13:03.480 --> 0:13:05.720
<v Speaker 1>and then I got smoked this on it for shore

0:13:06.720 --> 0:13:08.319
<v Speaker 1>me and bo was in the group back in the

0:13:08.400 --> 0:13:10.600
<v Speaker 1>day and he was like my favorite rapper from Pittsburgh.

0:13:10.679 --> 0:13:14.520
<v Speaker 3>So that's a blog era fucking Pittsburgh rap. So for sure,

0:13:16.160 --> 0:13:20.200
<v Speaker 3>is there anything like for you that you feel like

0:13:20.840 --> 0:13:23.520
<v Speaker 3>you still want to accomplish in the rap game that like,

0:13:24.080 --> 0:13:27.199
<v Speaker 3>you know, because you you've running up this independent catalog,

0:13:27.280 --> 0:13:30.280
<v Speaker 3>But like, is there like anything new? Like I know

0:13:30.320 --> 0:13:32.040
<v Speaker 3>you were talking about trying to like write for other

0:13:32.080 --> 0:13:34.839
<v Speaker 3>people and like doing stuff like that. Is there like

0:13:34.880 --> 0:13:37.240
<v Speaker 3>anything else you want to try to check off the list?

0:13:37.480 --> 0:13:41.680
<v Speaker 1>I mean, not really in in in rap for really,

0:13:41.640 --> 0:13:43.479
<v Speaker 1>you know what I mean. I put out two albums.

0:13:43.840 --> 0:13:45.400
<v Speaker 1>You know, it could have been a point where I

0:13:45.440 --> 0:13:47.959
<v Speaker 1>didn't get no albums and everything was a mixtape, you

0:13:48.000 --> 0:13:48.400
<v Speaker 1>know what I mean.

0:13:48.480 --> 0:13:52.839
<v Speaker 2>So I'm thankful for that. In the writing world. I've been.

0:13:52.920 --> 0:13:56.080
<v Speaker 1>I've been in Nashville, you know, tapping into the county country,

0:13:56.200 --> 0:13:58.120
<v Speaker 1>you know what I mean, Like not even like playing

0:13:58.160 --> 0:14:00.640
<v Speaker 1>around neither. I mean like really right that ship and

0:14:00.640 --> 0:14:04.280
<v Speaker 1>crafting it the right way to move and not for

0:14:04.400 --> 0:14:06.360
<v Speaker 1>no pat on my back. But three years ago I

0:14:06.400 --> 0:14:08.679
<v Speaker 1>put out Escape, which to you know what I mean,

0:14:08.800 --> 0:14:10.960
<v Speaker 1>was already so I always tell people like I was

0:14:11.000 --> 0:14:14.920
<v Speaker 1>already trying to get world. Yeah, that world. So I

0:14:14.960 --> 0:14:17.720
<v Speaker 1>went down to Nashville. I met with my boy Red Faarn.

0:14:18.040 --> 0:14:20.600
<v Speaker 1>He got this song called Jack and Dye Coke that's

0:14:20.640 --> 0:14:23.120
<v Speaker 1>real popping right now. And we just wrote and then

0:14:23.120 --> 0:14:25.240
<v Speaker 1>I wrote in some other sessions and then we linked

0:14:25.240 --> 0:14:27.280
<v Speaker 1>and and you know, once I got the vibe of

0:14:27.320 --> 0:14:29.720
<v Speaker 1>how to go about it and put records together, it's

0:14:29.760 --> 0:14:30.240
<v Speaker 1>a whole.

0:14:30.040 --> 0:14:30.680
<v Speaker 3>World out there.

0:14:30.760 --> 0:14:31.400
<v Speaker 2>Yeah, for sure.

0:14:31.400 --> 0:14:34.600
<v Speaker 3>It's like Nashville is, like the music industry is, it's

0:14:34.600 --> 0:14:38.080
<v Speaker 3>its own. Like you know, we think of New York

0:14:38.120 --> 0:14:42.240
<v Speaker 3>and La. Neither of those places matter in country. No,

0:14:42.720 --> 0:14:46.600
<v Speaker 3>Like Nashville has just secluded its own industry. They got

0:14:46.600 --> 0:14:48.920
<v Speaker 3>their own people, their own studios, their own a and rs.

0:14:49.440 --> 0:14:50.880
<v Speaker 3>They don't give a funk about New York. To give

0:14:50.880 --> 0:14:53.760
<v Speaker 3>a fuck about LA. Most of the executives on both

0:14:53.760 --> 0:14:57.160
<v Speaker 3>of those sides, and they got their own executives.

0:14:58.480 --> 0:15:00.640
<v Speaker 1>Then all of all of the music spot for music

0:15:00.720 --> 0:15:03.640
<v Speaker 1>or like it's called music row. Everything's right there anyway,

0:15:03.720 --> 0:15:05.520
<v Speaker 1>you know what I mean. So you go to you

0:15:05.560 --> 0:15:07.680
<v Speaker 1>go to Broadway to party, but the.

0:15:07.800 --> 0:15:10.240
<v Speaker 3>Music, all the studios are in the offices and all

0:15:10.240 --> 0:15:13.680
<v Speaker 3>that shout out to jelly Roll. Man, I guess that

0:15:13.720 --> 0:15:15.240
<v Speaker 3>foe has gotten me in the country music.

0:15:15.440 --> 0:15:19.200
<v Speaker 1>Yea jelly Roll is to homie having a run.

0:15:19.480 --> 0:15:20.080
<v Speaker 2>Yes he is.

0:15:20.240 --> 0:15:23.480
<v Speaker 3>Some wedding bands trying to sue him. What there's a

0:15:23.480 --> 0:15:26.880
<v Speaker 3>wedding band named jelly Roll that is trying to sue

0:15:26.920 --> 0:15:32.080
<v Speaker 3>him right now? Wow? Good luck. Yeah, it's over. That's ridiculous.

0:15:32.080 --> 0:15:33.600
<v Speaker 2>Money long can.

0:15:33.560 --> 0:15:34.160
<v Speaker 3>Forget about it?

0:15:34.880 --> 0:15:35.840
<v Speaker 2>Can forget about it?

0:15:37.280 --> 0:15:42.240
<v Speaker 3>What about uh? For you? Like? Uh? Is there any yo?

0:15:42.400 --> 0:15:42.760
<v Speaker 3>There was?

0:15:42.760 --> 0:15:42.920
<v Speaker 2>This?

0:15:44.600 --> 0:15:48.160
<v Speaker 3>Is there ever gonna be a fucking Taylor Gang album?

0:15:48.200 --> 0:15:49.720
<v Speaker 3>There's tons of songs for it?

0:15:50.520 --> 0:15:52.400
<v Speaker 1>Yeah, we I mean we did the one and that

0:15:52.520 --> 0:15:53.800
<v Speaker 1>was with Atlantic at the time.

0:15:54.080 --> 0:15:55.920
<v Speaker 3>But was that that came out on DSPs?

0:15:56.240 --> 0:15:56.560
<v Speaker 2>Yeah?

0:15:56.760 --> 0:15:58.560
<v Speaker 3>Oh ship, I thought that was just a mixtape.

0:15:58.600 --> 0:16:02.000
<v Speaker 1>No, that came out on DSPs. I don't know, man,

0:16:03.160 --> 0:16:07.240
<v Speaker 1>I think we're all at a point where it can

0:16:07.320 --> 0:16:10.400
<v Speaker 1>happen whenever. But everybody's working on their own thing. I

0:16:10.440 --> 0:16:13.240
<v Speaker 1>always tell people that once the brand is built, it's

0:16:13.600 --> 0:16:15.640
<v Speaker 1>it's on us and the people that we signed and

0:16:15.720 --> 0:16:18.080
<v Speaker 1>the people that's a part of it to make branches

0:16:18.120 --> 0:16:20.520
<v Speaker 1>and you know, create new leafs and shit in new life.

0:16:20.560 --> 0:16:23.520
<v Speaker 1>So like that's my thing. We're gonna go do the

0:16:23.560 --> 0:16:26.520
<v Speaker 1>country writing or trying to write for other artists and

0:16:26.600 --> 0:16:28.640
<v Speaker 1>you know things, getting those rooms and stuff like that,

0:16:28.720 --> 0:16:32.560
<v Speaker 1>starting our gaming company and like things like so it's

0:16:32.600 --> 0:16:34.720
<v Speaker 1>like just doing stuff to keep it going, you know

0:16:34.760 --> 0:16:37.720
<v Speaker 1>what I mean, because we all having kids and like

0:16:37.800 --> 0:16:39.800
<v Speaker 1>ship like that, you want to have something to show,

0:16:40.000 --> 0:16:42.480
<v Speaker 1>something to give, you know, generational type ship.

0:16:42.560 --> 0:16:44.480
<v Speaker 3>Is there anybody out of Pittsburgh right now that's bubbling

0:16:44.480 --> 0:16:45.280
<v Speaker 3>that we should know about?

0:16:46.160 --> 0:16:50.000
<v Speaker 1>I mean we signed the Homie fed to God Fire.

0:16:50.240 --> 0:16:54.440
<v Speaker 1>Yeah him hard oh hard has been hard thought but

0:16:55.000 --> 0:16:56.560
<v Speaker 1>he but yeah for sure.

0:16:57.560 --> 0:16:59.640
<v Speaker 3>Crazy though he had a record with twenty one Savage

0:16:59.680 --> 0:17:01.400
<v Speaker 3>like years ago. That was my ship.

0:17:01.840 --> 0:17:03.880
<v Speaker 2>No hard hard for me.

0:17:05.040 --> 0:17:08.840
<v Speaker 1>For me, Hardo is like the one that like I

0:17:09.000 --> 0:17:12.280
<v Speaker 1>seen him get better and better and he you know

0:17:12.280 --> 0:17:15.879
<v Speaker 1>what I mean, there's also the one homie. There's a

0:17:15.920 --> 0:17:17.280
<v Speaker 1>young Homievanessa Hardy.

0:17:17.400 --> 0:17:17.960
<v Speaker 2>He's nice.

0:17:18.200 --> 0:17:22.239
<v Speaker 1>He from my hood actually, and then there's just I

0:17:22.240 --> 0:17:24.880
<v Speaker 1>think his name is d Cools. I think he's dope

0:17:24.920 --> 0:17:27.240
<v Speaker 1>as hell, Like lyrical as fuck. He got some dope

0:17:27.320 --> 0:17:31.080
<v Speaker 1>music out, yeah, But for me, as far as the

0:17:31.119 --> 0:17:34.240
<v Speaker 1>look ecsthetic and like being around and moving around and

0:17:34.280 --> 0:17:37.639
<v Speaker 1>got better and grown from you know, just being around

0:17:37.720 --> 0:17:39.960
<v Speaker 1>him in the studio, I think like Hardo at this

0:17:40.040 --> 0:17:42.359
<v Speaker 1>point right now like really got it and got a

0:17:42.400 --> 0:17:45.520
<v Speaker 1>wave that he's moving on and he just needs to keep.

0:17:45.920 --> 0:17:47.399
<v Speaker 3>How crazy is it for you to have been like

0:17:47.480 --> 0:17:49.760
<v Speaker 3>around mc millan early on, like I know, Wiz and

0:17:49.800 --> 0:17:52.359
<v Speaker 3>Mackworth like making as much music together as they probably

0:17:52.400 --> 0:17:57.240
<v Speaker 3>would have liked, but just to like see him be

0:17:57.520 --> 0:18:00.760
<v Speaker 3>like this. Obviously he was appreciate when he was here,

0:18:01.720 --> 0:18:03.639
<v Speaker 3>but I feel like after he passed he's kind of

0:18:03.640 --> 0:18:07.760
<v Speaker 3>become this like this fucking icon, like yeah, you know

0:18:07.880 --> 0:18:10.159
<v Speaker 3>like that and well deserved, like because his musically he

0:18:10.240 --> 0:18:11.919
<v Speaker 3>was one of the greats bro Like he could do

0:18:11.960 --> 0:18:14.399
<v Speaker 3>any sound Like I feel like he was ahead of

0:18:14.400 --> 0:18:16.240
<v Speaker 3>the curve on a lot of the sonics that he

0:18:16.320 --> 0:18:18.560
<v Speaker 3>was fucking with on his last couple of albums. But

0:18:19.160 --> 0:18:21.080
<v Speaker 3>it's just kind of crazy to think, like damn, like

0:18:21.080 --> 0:18:24.680
<v Speaker 3>this was just kind of turning into this like mythical

0:18:24.720 --> 0:18:25.679
<v Speaker 3>figure in music.

0:18:25.840 --> 0:18:26.800
<v Speaker 2>Yeah, for sure.

0:18:26.880 --> 0:18:30.560
<v Speaker 1>No, he's he's like an angel over top of all

0:18:30.560 --> 0:18:34.080
<v Speaker 1>of this shit to me for sure, personally, Like because

0:18:34.119 --> 0:18:36.760
<v Speaker 1>I see the way that people react and feel and

0:18:36.960 --> 0:18:40.560
<v Speaker 1>cry and go through emotions and like stuff. That's that's

0:18:40.560 --> 0:18:42.879
<v Speaker 1>a different type of connect People can listen to you

0:18:42.960 --> 0:18:45.160
<v Speaker 1>all the time, they don't got to feel you though.

0:18:45.160 --> 0:18:46.800
<v Speaker 1>That's just for their airs, you know what I mean.

0:18:46.840 --> 0:18:49.960
<v Speaker 1>So I know that people, I know, people really really

0:18:50.040 --> 0:18:52.320
<v Speaker 1>like feel his presence when they listen to your music.

0:18:52.359 --> 0:18:55.920
<v Speaker 3>And what point in time did you guys stop did

0:18:55.920 --> 0:18:58.760
<v Speaker 3>you guys go full papers and stop fucking with blunts?

0:18:58.760 --> 0:19:05.040
<v Speaker 1>And like, oh, I think when Currency and Wiz is

0:19:05.080 --> 0:19:08.439
<v Speaker 1>working on how Fly. So Wiz was in nor I

0:19:08.480 --> 0:19:11.560
<v Speaker 1>mean in New Orleans working on that with Currency, and

0:19:11.560 --> 0:19:13.480
<v Speaker 1>then he came back was like, na, we ain't doing

0:19:13.520 --> 0:19:17.399
<v Speaker 1>the Taylor Gang, we ain't doing the Blakers. Yeah, and

0:19:17.440 --> 0:19:19.880
<v Speaker 1>we was on like fifty boxes of Swishers type shit.

0:19:20.400 --> 0:19:22.240
<v Speaker 1>Been in the studio crazy.

0:19:22.080 --> 0:19:25.320
<v Speaker 3>Because it's like everybody is off a fucking it's always

0:19:25.760 --> 0:19:27.560
<v Speaker 3>leafs backwards now.

0:19:27.520 --> 0:19:29.919
<v Speaker 1>Yeah, yeah, yeah, for sure, Yeah, no, I do. We

0:19:29.960 --> 0:19:32.440
<v Speaker 1>gotta do the papers, man, It's just a cleaner smoke.

0:19:32.480 --> 0:19:33.120
<v Speaker 3>It tastes the weed.

0:19:33.240 --> 0:19:36.840
<v Speaker 1>It's a cleaner smoke. And it's like you run and

0:19:36.880 --> 0:19:39.280
<v Speaker 1>keep running to the store. It's thirty two papers.

0:19:38.960 --> 0:19:39.440
<v Speaker 3>In my pack.

0:19:39.560 --> 0:19:41.040
<v Speaker 2>I ain't got to really keep doing that.

0:19:41.119 --> 0:19:42.879
<v Speaker 1>Yeah, you get it for a couple of days, and

0:19:43.240 --> 0:19:44.760
<v Speaker 1>you know what I mean, while you didn't bought five

0:19:44.840 --> 0:19:45.640
<v Speaker 1>packs smoking.

0:19:45.800 --> 0:19:50.200
<v Speaker 3>So yeah, this album is out, now, is there any

0:19:50.240 --> 0:19:52.320
<v Speaker 3>anything coming out? I mean, I'm sure you're sitting on

0:19:52.359 --> 0:19:52.960
<v Speaker 3>a ton of music.

0:19:54.480 --> 0:19:57.200
<v Speaker 1>I got projects, bro, Like I was in the studio

0:19:57.320 --> 0:19:59.840
<v Speaker 1>last night playing Problem Records and he was just like,

0:20:00.080 --> 0:20:00.920
<v Speaker 1>the fuck are you doing?

0:20:01.480 --> 0:20:04.280
<v Speaker 3>That's a problem And I'm just like, bro, Problem, like

0:20:04.320 --> 0:20:06.359
<v Speaker 3>a little fucking honorary tailor gang member.

0:20:06.440 --> 0:20:10.120
<v Speaker 1>Yeah, he's always been like even first like coming out

0:20:10.160 --> 0:20:12.199
<v Speaker 1>here WHEREZ introduced me to him and then we just

0:20:12.240 --> 0:20:15.160
<v Speaker 1>clicked and our birthdays that we found out yesterday five

0:20:15.240 --> 0:20:15.800
<v Speaker 1>days apart.

0:20:16.160 --> 0:20:18.560
<v Speaker 3>Now I'll be like, damn combat guys for sure.

0:20:18.840 --> 0:20:20.400
<v Speaker 2>Yeah. Yeah, so it's like dope to see.

0:20:20.520 --> 0:20:22.040
<v Speaker 3>How does it saying for you? Though? Like, what is it?

0:20:22.040 --> 0:20:23.640
<v Speaker 3>How do you know it's time to drop something new.

0:20:26.800 --> 0:20:28.879
<v Speaker 1>I don't know, yeh, you know what I mean. I

0:20:28.920 --> 0:20:31.879
<v Speaker 1>don't know. I like last year, I didn't drop anything.

0:20:32.320 --> 0:20:34.800
<v Speaker 3>I just got my chut, right, You're like, you know what,

0:20:34.840 --> 0:20:36.000
<v Speaker 3>I need to put something out on the fields.

0:20:36.880 --> 0:20:39.760
<v Speaker 1>I don't got to just keep going and keep going

0:20:39.800 --> 0:20:41.439
<v Speaker 1>and keep going, like I like for my ship to

0:20:41.480 --> 0:20:44.560
<v Speaker 1>be fresh. And I learned to not pluck records anymore.

0:20:44.560 --> 0:20:46.879
<v Speaker 1>I usually would do like that and just put it together,

0:20:47.640 --> 0:20:49.440
<v Speaker 1>make my own cover and put it some of them,

0:20:49.480 --> 0:20:51.440
<v Speaker 1>some of them projects, you see, like eight of them.

0:20:51.600 --> 0:20:54.480
<v Speaker 1>I made the cover of myself crazy, So like I

0:20:54.520 --> 0:20:56.280
<v Speaker 1>could just do it when I feel like it. But

0:20:56.320 --> 0:20:58.560
<v Speaker 1>at this point in my career, I gotta gotta count

0:20:58.640 --> 0:20:59.840
<v Speaker 1>and it got to mean something to me.

0:21:00.119 --> 0:21:00.320
<v Speaker 2>Right.

0:21:00.840 --> 0:21:02.359
<v Speaker 3>Do you ever look back at any of the old

0:21:03.320 --> 0:21:06.680
<v Speaker 3>day to day vlogs and also like realize you guys

0:21:06.800 --> 0:21:09.760
<v Speaker 3>kind of started the vlog trend in hip hop. It

0:21:09.800 --> 0:21:12.440
<v Speaker 3>was kind of you guys did it first. Man, Yeah,

0:21:12.440 --> 0:21:12.800
<v Speaker 3>for sure.

0:21:12.840 --> 0:21:14.960
<v Speaker 1>I was in the studio when Twitter first, like with

0:21:15.040 --> 0:21:17.199
<v Speaker 1>Wiz when Twitter first came out and he was like,

0:21:17.480 --> 0:21:19.600
<v Speaker 1>there's this thing called Twitter. I'm about to take over

0:21:19.640 --> 0:21:22.880
<v Speaker 1>the internet with it. And this was after you stream Oh, yeah,

0:21:22.920 --> 0:21:25.240
<v Speaker 1>you stream was and he was on their first you

0:21:25.240 --> 0:21:26.720
<v Speaker 1>know what I mean. I mean he used to like

0:21:27.560 --> 0:21:29.679
<v Speaker 1>he used to like edit his own videos. We do

0:21:29.720 --> 0:21:31.200
<v Speaker 1>a show one night and we got to like take

0:21:31.200 --> 0:21:33.600
<v Speaker 1>an eight hour drive. He edited the day to day

0:21:33.720 --> 0:21:36.000
<v Speaker 1>and put it out like on the road type of crazy.

0:21:36.040 --> 0:21:37.720
<v Speaker 3>So he was added into the early ones himself.

0:21:37.840 --> 0:21:39.840
<v Speaker 2>Yeah, and Will was filming them with one of those

0:21:39.920 --> 0:21:41.800
<v Speaker 2>little that's all.

0:21:41.720 --> 0:21:44.720
<v Speaker 3>We had, Yeah, into.

0:21:44.440 --> 0:21:46.359
<v Speaker 2>The camera, into the fucking computer.

0:21:46.400 --> 0:21:47.800
<v Speaker 3>What were the name of those cameras? Because I used

0:21:47.800 --> 0:21:49.960
<v Speaker 3>to shoot on my interviews on him. He was on

0:21:50.000 --> 0:21:51.600
<v Speaker 3>the side the little handheld.

0:21:52.440 --> 0:21:55.399
<v Speaker 1>Yeah, we used to plug that up edit, Yeah, and

0:21:55.440 --> 0:21:57.520
<v Speaker 1>then I should have be out the next day. That's

0:21:57.560 --> 0:22:00.720
<v Speaker 1>crazy on the internet, he was doing all ship like.

0:22:00.880 --> 0:22:01.640
<v Speaker 3>Early as fuck.

0:22:02.240 --> 0:22:04.200
<v Speaker 1>That ship's crazy, and we all just knew to just

0:22:04.280 --> 0:22:05.640
<v Speaker 1>be a part of it, you know what I mean,

0:22:05.720 --> 0:22:08.080
<v Speaker 1>Like just be ourselves, but also make sure you be

0:22:08.119 --> 0:22:10.720
<v Speaker 1>in the camera so that they see the whole lifestyle

0:22:10.800 --> 0:22:11.280
<v Speaker 1>type of ship.

0:22:11.600 --> 0:22:14.560
<v Speaker 3>Yeah, No, it was definitely early. You know those are

0:22:14.600 --> 0:22:16.520
<v Speaker 3>those are those Some of those bogs are vintage.

0:22:16.200 --> 0:22:17.680
<v Speaker 2>As fucked super vintage.

0:22:17.840 --> 0:22:19.760
<v Speaker 3>And then I feel like I feel like hip hop

0:22:19.840 --> 0:22:21.720
<v Speaker 3>was like two years behind y'all because then the other

0:22:21.760 --> 0:22:24.359
<v Speaker 3>artists started doing it, but it was like, I mean,

0:22:24.400 --> 0:22:25.119
<v Speaker 3>he's still doing them.

0:22:25.119 --> 0:22:27.600
<v Speaker 1>I feel like, yeah, for sure, they just they just

0:22:27.640 --> 0:22:30.080
<v Speaker 1>look cleaner, they look for now, you know what I mean.

0:22:30.280 --> 0:22:32.960
<v Speaker 1>But that's just still there's always classic For sure?

0:22:34.800 --> 0:22:37.480
<v Speaker 3>Is how how involved are you when it comes to like,

0:22:37.720 --> 0:22:40.399
<v Speaker 3>by the way, shout out to Wiz who just announced

0:22:41.119 --> 0:22:44.880
<v Speaker 3>Christian Orange us two hm, which I have to hear

0:22:44.960 --> 0:22:47.399
<v Speaker 3>because that means the expectations very high.

0:22:47.480 --> 0:22:48.160
<v Speaker 2>Yeah, for sure?

0:22:48.320 --> 0:22:48.800
<v Speaker 3>How is that?

0:22:50.400 --> 0:22:51.240
<v Speaker 2>It's crazy?

0:22:51.520 --> 0:22:52.720
<v Speaker 3>Is he working with Cardo again?

0:22:54.320 --> 0:22:57.320
<v Speaker 2>Is he look you look you want to be to say?

0:22:57.920 --> 0:23:00.320
<v Speaker 3>I don't know because I know that it's like working

0:23:00.320 --> 0:23:01.040
<v Speaker 3>together for a while.

0:23:01.440 --> 0:23:03.399
<v Speaker 2>Yeah, he could be. He could be.

0:23:04.040 --> 0:23:05.399
<v Speaker 3>I feel like, if you're gonna do it, they're going

0:23:05.480 --> 0:23:07.399
<v Speaker 3>to do that, do you know. I feel like, if

0:23:07.400 --> 0:23:10.320
<v Speaker 3>you're gonna call it that, it's gotta Yeah, it's gotta

0:23:10.359 --> 0:23:11.680
<v Speaker 3>sound a certain ways.

0:23:11.359 --> 0:23:14.040
<v Speaker 2>Certain vibes that you that you would expect, you know

0:23:14.080 --> 0:23:14.480
<v Speaker 2>what I mean.

0:23:14.680 --> 0:23:17.840
<v Speaker 3>So it sounds good though, sounds good as fuck. Okay,

0:23:18.480 --> 0:23:20.879
<v Speaker 3>that's the one thing, because you know mixtape was is different.

0:23:21.680 --> 0:23:24.080
<v Speaker 2>Oh my mama, this is crazy.

0:23:24.240 --> 0:23:26.479
<v Speaker 3>Like Taylor Alder dies and like some of the tapes.

0:23:27.080 --> 0:23:30.040
<v Speaker 3>I'm like, man, I'm glad some of those are on DSPs.

0:23:30.080 --> 0:23:33.680
<v Speaker 1>Now yeah mode right now, man, he's a Khalifa Jones,

0:23:33.760 --> 0:23:37.960
<v Speaker 1>Quincy Jones' nephew. He's really he really going in right

0:23:38.000 --> 0:23:39.600
<v Speaker 1>now with this one pause, you know what I mean?

0:23:40.080 --> 0:23:42.320
<v Speaker 3>Yeah, cushion orders too. When I saw that, I was like,

0:23:42.320 --> 0:23:44.160
<v Speaker 3>oh well.

0:23:44.480 --> 0:23:47.680
<v Speaker 2>And then it's like, you know, if you're really gonna

0:23:47.680 --> 0:23:48.720
<v Speaker 2>take that chance at it?

0:23:49.400 --> 0:23:51.919
<v Speaker 3>Yeah, I try to deliver. There you go, there you go.

0:23:52.000 --> 0:23:54.480
<v Speaker 2>My boy is my boy is He's gonna deliver?

0:23:55.320 --> 0:23:59.840
<v Speaker 3>Nineteen ninety eight is out. Yeah, people can go stream it.

0:24:00.000 --> 0:24:02.280
<v Speaker 3>Is there any murch or anything else that people can.

0:24:03.280 --> 0:24:05.240
<v Speaker 2>Just a tailor gang website? You know what I mean?

0:24:05.320 --> 0:24:09.000
<v Speaker 1>I really like I love the music, man, I don't

0:24:09.040 --> 0:24:11.040
<v Speaker 1>care about all. I mean, of course we do that

0:24:11.080 --> 0:24:13.239
<v Speaker 1>when we feel like it and put together like that,

0:24:13.320 --> 0:24:16.000
<v Speaker 1>but it's the music for me at this point, you

0:24:16.080 --> 0:24:18.359
<v Speaker 1>know what I mean. Like, I really fell in love

0:24:18.400 --> 0:24:21.600
<v Speaker 1>with the shit that I do so all the country.

0:24:22.040 --> 0:24:25.520
<v Speaker 1>I got rock records, I got pop shit, I got

0:24:25.640 --> 0:24:28.280
<v Speaker 1>video game shit. Like I really fell in love with

0:24:28.320 --> 0:24:30.920
<v Speaker 1>this shit. And before I was just like.

0:24:31.600 --> 0:24:34.160
<v Speaker 3>Out here, well the new album is some rap shit.

0:24:34.359 --> 0:24:36.120
<v Speaker 2>Yeah, super rap shit some raps.

0:24:36.160 --> 0:24:38.360
<v Speaker 3>It's called nineteen ninety eight for a reason, and even

0:24:38.640 --> 0:24:41.760
<v Speaker 3>covers very It was very simple but hip hop cover,

0:24:41.960 --> 0:24:42.680
<v Speaker 3>yeah for sure.

0:24:42.800 --> 0:24:45.000
<v Speaker 1>And my other cover is me as a baby and

0:24:45.040 --> 0:24:46.879
<v Speaker 1>this cover is me as a grown up. So I

0:24:46.920 --> 0:24:48.000
<v Speaker 1>thought about what I was doing.

0:24:48.040 --> 0:24:50.920
<v Speaker 3>Feel me go support the album nineteen ninety eight Heavy.

0:24:50.960 --> 0:24:54.200
<v Speaker 3>I appreciate you pulling up. Thank you, sir, my dog, Yes, sir,