1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. We're all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama. Girl Drama Girl, all about them 3 00:00:06,360 --> 00:00:09,520 Speaker 1: high school queens. We'll take you for a ride at 4 00:00:09,560 --> 00:00:15,520 Speaker 1: our comic Girl cheering for the drama Queens Girl Fashion, 5 00:00:15,560 --> 00:00:18,200 Speaker 1: but you'll tough, girl. You could sit with us Girl Drama, 6 00:00:18,239 --> 00:00:27,840 Speaker 1: Queens Drama, Queen's Drama, Queen's Drama Drawn MC, Queen's Drama, Queens. Oh, Friends, 7 00:00:28,000 --> 00:00:31,920 Speaker 1: welcome back. This is again season three, just kicking ass 8 00:00:31,920 --> 00:00:35,160 Speaker 1: and take a names. One of our favorite episodes. Uh. 9 00:00:35,200 --> 00:00:38,559 Speaker 1: The original air date was October two thousand five. This 10 00:00:38,720 --> 00:00:43,479 Speaker 1: is our Halloween episode, Season three, episode four, an attempt 11 00:00:43,560 --> 00:00:47,360 Speaker 1: to tip the scales. It's the infamous masquerade party at 12 00:00:47,360 --> 00:00:52,040 Speaker 1: Trick with Fallout Boy. This is a huge episode. I 13 00:00:52,080 --> 00:00:55,120 Speaker 1: don't know how how we shot this and learned like 14 00:00:55,280 --> 00:00:57,720 Speaker 1: regular number of days. I don't know, because there's like 15 00:00:58,280 --> 00:01:02,840 Speaker 1: massive stuff happening. Literally every actor in the show is 16 00:01:02,960 --> 00:01:06,120 Speaker 1: dressed up. Um, everyone dresses up in costume Peyton and 17 00:01:06,200 --> 00:01:09,720 Speaker 1: mouth dance. Uh, oh my god. Haley and Nathan are 18 00:01:09,760 --> 00:01:14,880 Speaker 1: like kissing undercover as Batman and bad Sandy Dan Blackmail's 19 00:01:14,920 --> 00:01:18,319 Speaker 1: the mayor to resign, which was super weird. Yeah, it's 20 00:01:18,360 --> 00:01:22,000 Speaker 1: so strange, and it's so he can run for mayor himself. 21 00:01:22,160 --> 00:01:26,280 Speaker 1: And then he asks deb to play along, which zoeks. 22 00:01:26,400 --> 00:01:30,240 Speaker 1: What a what a fun turn of events that was, um. 23 00:01:30,319 --> 00:01:34,440 Speaker 1: And then Peyton decides to pursue a relationship with Ellie, 24 00:01:34,720 --> 00:01:38,680 Speaker 1: which was, you know, a big, huge step. A lot 25 00:01:38,720 --> 00:01:43,600 Speaker 1: of like fantastical stuff in this episode really heightened reality, 26 00:01:43,880 --> 00:01:47,640 Speaker 1: but then some other storylines that really grounded it. Um. 27 00:01:47,720 --> 00:01:50,279 Speaker 1: You know, I said it while we were watching the episode. 28 00:01:50,320 --> 00:01:52,960 Speaker 1: I'll say it right now to kick things off. Haley 29 00:01:53,200 --> 00:01:57,240 Speaker 1: just like calling bullshit on all the game playing is 30 00:01:57,280 --> 00:02:00,640 Speaker 1: the voice of reason in this episode because everyone is 31 00:02:00,680 --> 00:02:05,680 Speaker 1: playing a game. Yeah, yeah, it's true. You've got Dan 32 00:02:05,760 --> 00:02:11,280 Speaker 1: and Debb who were just like peak game playing, Brooke 33 00:02:11,320 --> 00:02:14,320 Speaker 1: and Lucas. You know, Peyton's like will I won't I 34 00:02:14,520 --> 00:02:17,799 Speaker 1: with the Ellie of it all, even though she's even 35 00:02:17,800 --> 00:02:19,799 Speaker 1: though it's very real and sincere with Peyton. It is 36 00:02:19,840 --> 00:02:23,040 Speaker 1: a lot of tug of war. Back in teenager Ship, 37 00:02:23,360 --> 00:02:25,680 Speaker 1: Human mouth Mouth is kind of playing games two with 38 00:02:25,720 --> 00:02:30,120 Speaker 1: the Erica situation. Yeah, I think Chris Keller Keller and 39 00:02:30,200 --> 00:02:33,679 Speaker 1: Nathan also the two of them, and so yeah, to 40 00:02:33,760 --> 00:02:36,160 Speaker 1: see Hayley just acknowledging, and I think Karen also added 41 00:02:36,200 --> 00:02:39,120 Speaker 1: a groundedness to this episode as well. Um, I mean 42 00:02:39,240 --> 00:02:42,880 Speaker 1: Moira always comes through in that way. But we did 43 00:02:42,880 --> 00:02:44,600 Speaker 1: have a lot of fun in this episode. Let's start 44 00:02:44,600 --> 00:02:47,200 Speaker 1: out we talked about I mean, we we watched the 45 00:02:48,080 --> 00:02:51,320 Speaker 1: costume trying on and I remember shooting out with Chad. 46 00:02:51,639 --> 00:02:55,000 Speaker 1: We had so much fun that day. Yeah, you guys 47 00:02:55,000 --> 00:02:57,119 Speaker 1: shot the ship out of that. That was such a 48 00:02:57,280 --> 00:03:00,760 Speaker 1: great sequence. And this was was this our first time 49 00:03:00,800 --> 00:03:04,120 Speaker 1: working with Janice Cook as a director. It was I 50 00:03:04,200 --> 00:03:09,519 Speaker 1: love Janice Man. She came in, she had was so strong, 51 00:03:09,600 --> 00:03:11,800 Speaker 1: she knew exactly what she wanted, but she was also 52 00:03:11,880 --> 00:03:15,000 Speaker 1: really flexible and interested in our ideas, which always felt 53 00:03:15,000 --> 00:03:18,959 Speaker 1: good because often on this show, because we were so young, 54 00:03:19,040 --> 00:03:21,600 Speaker 1: directors would come in and they didn't take us seriously 55 00:03:21,720 --> 00:03:24,959 Speaker 1: as actors, and they didn't take our ideas seriously because 56 00:03:25,000 --> 00:03:26,840 Speaker 1: they thought, well, one of these kids know their kids, 57 00:03:26,840 --> 00:03:31,320 Speaker 1: they don't have they can't really have ideas about these characters, right. No, 58 00:03:31,639 --> 00:03:33,920 Speaker 1: it's not possible that they're so smart they actually earned 59 00:03:33,960 --> 00:03:36,920 Speaker 1: their way into this job, or that we were closer 60 00:03:36,960 --> 00:03:40,280 Speaker 1: to being teenagers than anybody else on the production was. 61 00:03:40,320 --> 00:03:43,040 Speaker 1: And so we could be like, oh guy, it's different now. 62 00:03:43,920 --> 00:03:46,320 Speaker 1: But Janice was one of the rare ones who came 63 00:03:46,320 --> 00:03:50,040 Speaker 1: in and I always felt respected listen to, and she 64 00:03:50,200 --> 00:03:53,680 Speaker 1: really welcomed our ideas and so I was super grateful 65 00:03:53,760 --> 00:03:56,320 Speaker 1: to see all of her work here and she did 66 00:03:56,360 --> 00:03:59,880 Speaker 1: a great job. Anyway, we opened this episode with hey 67 00:04:00,040 --> 00:04:02,720 Speaker 1: Le and Lucas in the costume shop trying on all 68 00:04:02,720 --> 00:04:06,640 Speaker 1: these fun costumes, and Chad had a blast. Let me 69 00:04:06,680 --> 00:04:09,600 Speaker 1: just tell you that day. We laughed our asses off. 70 00:04:09,800 --> 00:04:12,360 Speaker 1: He had so much fun in that costume store. And 71 00:04:12,400 --> 00:04:14,320 Speaker 1: what they did was they didn't have it all planned out. 72 00:04:14,680 --> 00:04:17,159 Speaker 1: They just brought in a real They brought in a 73 00:04:17,200 --> 00:04:19,520 Speaker 1: whole Halloween store of costumes and they were like, what 74 00:04:19,600 --> 00:04:21,680 Speaker 1: do you want to try on? And he just went 75 00:04:21,720 --> 00:04:24,480 Speaker 1: for it. Oh, I didn't know that. I thought those 76 00:04:24,480 --> 00:04:27,280 Speaker 1: were all scripted. Not No, they weren't all scripted. No, 77 00:04:27,600 --> 00:04:30,000 Speaker 1: some of them were. I think Elvis was scripted, and 78 00:04:30,080 --> 00:04:32,680 Speaker 1: maybe the Cowboy was scripted, but it was sort of, 79 00:04:33,360 --> 00:04:36,560 Speaker 1: you know, just a barrage of of all these costumes. 80 00:04:36,600 --> 00:04:39,080 Speaker 1: So that was really it's it's just so fun to 81 00:04:39,120 --> 00:04:41,719 Speaker 1: see the chemistry that you two have together, because I 82 00:04:41,960 --> 00:04:45,480 Speaker 1: buy that they are best friends, Like I totally buy it, 83 00:04:46,080 --> 00:04:50,120 Speaker 1: and you know, and to not have it be will 84 00:04:50,160 --> 00:04:53,800 Speaker 1: they won't they is so rare joy Like there's always 85 00:04:53,839 --> 00:04:57,920 Speaker 1: that like sexual tension in these scripted shows between you know, 86 00:04:58,200 --> 00:05:03,440 Speaker 1: boy and girl friendships. You guys nailed an authentic platonic 87 00:05:03,640 --> 00:05:06,760 Speaker 1: relationship and you guys make each other funnier and make 88 00:05:06,800 --> 00:05:12,360 Speaker 1: each other better. Like, I loved that sequence. Your responses 89 00:05:12,440 --> 00:05:15,240 Speaker 1: to it were so great. It was you know, there 90 00:05:15,320 --> 00:05:17,880 Speaker 1: was just no stress. It was like chatted. I always 91 00:05:17,920 --> 00:05:19,520 Speaker 1: had a pretty good time together whenever the two of 92 00:05:19,600 --> 00:05:23,120 Speaker 1: us had scenes. I mean, we worked at that relationship 93 00:05:23,200 --> 00:05:27,120 Speaker 1: at the at the friendship of those two because it 94 00:05:27,160 --> 00:05:30,000 Speaker 1: did feel so platonic between the two of us anyway 95 00:05:30,120 --> 00:05:32,240 Speaker 1: in real life. So it's so I think that just 96 00:05:32,320 --> 00:05:36,400 Speaker 1: kind of translated really easily. And um, I think we 97 00:05:36,520 --> 00:05:38,279 Speaker 1: just kind of felt safe with each other's friends, So 98 00:05:38,279 --> 00:05:42,680 Speaker 1: it was pretty easy to you know, to do the thing. Um. 99 00:05:42,800 --> 00:05:45,960 Speaker 1: But I loved the figure out your costume for this episode. 100 00:05:46,160 --> 00:05:48,240 Speaker 1: Did you did you try on multiple things? Or was 101 00:05:48,279 --> 00:05:50,680 Speaker 1: it always going to be bad, bad Sandy from the 102 00:05:50,720 --> 00:05:53,919 Speaker 1: beginning they wrote it in, which makes sense. Haley was 103 00:05:53,960 --> 00:05:57,279 Speaker 1: such a Sandy d it was I thought that was 104 00:05:57,320 --> 00:06:01,800 Speaker 1: really clever. I was like, oh, yeah, you amazing, like 105 00:06:02,600 --> 00:06:06,880 Speaker 1: things amazing. Um, you should have been on the blonde 106 00:06:06,920 --> 00:06:09,200 Speaker 1: on the show the whole time. Like, I don't know 107 00:06:09,240 --> 00:06:12,400 Speaker 1: why we didn't just lean into it. You know, this 108 00:06:12,520 --> 00:06:15,239 Speaker 1: was the season where we were like rules back, hum, 109 00:06:15,240 --> 00:06:18,080 Speaker 1: like we don't know what we're doing anymore. Hayley is 110 00:06:18,120 --> 00:06:21,359 Speaker 1: Peyton and Peyton is Haley, and you know, like Deb 111 00:06:21,520 --> 00:06:24,920 Speaker 1: is all of us. Okay, Deb was. It was amazing. 112 00:06:25,120 --> 00:06:28,719 Speaker 1: I was so obsessed with this storyline for dev and Dan. 113 00:06:28,880 --> 00:06:30,920 Speaker 1: I mean, the whole War of the Roses thing just 114 00:06:31,160 --> 00:06:34,560 Speaker 1: dis wrecked me. It was so good and hilarious. Well, 115 00:06:34,640 --> 00:06:38,320 Speaker 1: it's crazy because I can't make up my mind with 116 00:06:38,400 --> 00:06:41,919 Speaker 1: the really heightened stuff, Like you know, Dan walks in 117 00:06:42,400 --> 00:06:47,560 Speaker 1: on the mayor hog tied by prostitutes who don't look 118 00:06:47,640 --> 00:06:51,480 Speaker 1: like prostitutes. It wasn't really disturbing by the way, just 119 00:06:52,839 --> 00:06:55,920 Speaker 1: shoes in bed. That was the part that bothered me. 120 00:06:57,839 --> 00:07:01,560 Speaker 1: But what is happening here? Actually though those girls would 121 00:07:01,600 --> 00:07:05,840 Speaker 1: not have had their shoes on. I'm sorry. Um yeah, 122 00:07:06,360 --> 00:07:09,800 Speaker 1: that whole scene was so turned up to eleven that 123 00:07:10,400 --> 00:07:14,280 Speaker 1: I can't decide if it's comedic relief or if it 124 00:07:14,400 --> 00:07:18,720 Speaker 1: takes me out of the story. Do you know, like 125 00:07:18,760 --> 00:07:22,640 Speaker 1: if it's just so bonkers for me, but it seems 126 00:07:23,000 --> 00:07:26,840 Speaker 1: okay for me. It took me out because we haven't 127 00:07:27,280 --> 00:07:32,720 Speaker 1: seen usually when you okay, you know this, I'm like babbling, 128 00:07:32,720 --> 00:07:34,240 Speaker 1: but you know this as a mom when you're watching 129 00:07:34,320 --> 00:07:36,840 Speaker 1: something that's maybe PG. Thirteen and you're like, I'm not 130 00:07:36,840 --> 00:07:38,400 Speaker 1: sure if the kids should watch this, but I'll watch 131 00:07:38,400 --> 00:07:41,840 Speaker 1: it with them because usually you can sense when something 132 00:07:41,920 --> 00:07:45,080 Speaker 1: it's coming and so and so for a lot of 133 00:07:45,320 --> 00:07:47,760 Speaker 1: parents out there who have been like, oh, One Tree Hill, Yeah, 134 00:07:47,760 --> 00:07:49,400 Speaker 1: that's a pretty tame show. Okay, I mean there's a 135 00:07:49,400 --> 00:07:51,480 Speaker 1: couple of things, but you can sense when it's coming, 136 00:07:51,520 --> 00:07:56,200 Speaker 1: and you can but just to see that on on 137 00:07:56,280 --> 00:07:58,280 Speaker 1: camera all of a sudden a doorbust open at the 138 00:07:58,320 --> 00:08:01,000 Speaker 1: beginning of the episode. If I was the mom of 139 00:08:01,040 --> 00:08:04,160 Speaker 1: a you know, ten, twelve year old that was watching 140 00:08:04,160 --> 00:08:05,600 Speaker 1: our show at the time, I would have been pretty 141 00:08:05,600 --> 00:08:07,800 Speaker 1: pissed about that. It took me out of it personally. 142 00:08:08,960 --> 00:08:11,680 Speaker 1: You know, we have such good scenes in this episode 143 00:08:11,720 --> 00:08:14,960 Speaker 1: where the little things matter, like Lucas admitting that he's 144 00:08:15,000 --> 00:08:17,600 Speaker 1: like got this heart condition. You know, like we have 145 00:08:17,640 --> 00:08:20,120 Speaker 1: all these really earnest moments that I don't feel like 146 00:08:20,200 --> 00:08:25,040 Speaker 1: we needed the bat ship crazy stuff, like yeah, why 147 00:08:25,560 --> 00:08:29,800 Speaker 1: Dan is just like out of control this season. And 148 00:08:29,880 --> 00:08:32,000 Speaker 1: I don't know if they really thought it was working 149 00:08:33,160 --> 00:08:35,839 Speaker 1: or if they thought, like, let's just see how far 150 00:08:35,880 --> 00:08:38,000 Speaker 1: we can go. I think that's what they thought. I 151 00:08:38,000 --> 00:08:41,839 Speaker 1: think they were like, let's just keep pushing it. Yeah, 152 00:08:41,880 --> 00:08:45,199 Speaker 1: But anyway, so they did that the whole mayor with 153 00:08:45,280 --> 00:08:47,920 Speaker 1: the prostitute thing. But this whole, by the way, as 154 00:08:48,000 --> 00:08:50,480 Speaker 1: someone that works in true crime, now, the mayor with 155 00:08:50,520 --> 00:08:54,320 Speaker 1: the prostitute thing is not even far fetched to me anymore, 156 00:08:54,600 --> 00:08:59,160 Speaker 1: Like it is the most common saying every single time 157 00:08:59,160 --> 00:09:01,679 Speaker 1: we traveled for the Sundance show I work on. We 158 00:09:01,760 --> 00:09:05,400 Speaker 1: find out that the old d A either has coerced 159 00:09:05,440 --> 00:09:07,719 Speaker 1: someone like a victim into sleeping with them, or is 160 00:09:07,760 --> 00:09:10,440 Speaker 1: a drug dealer, or like has been disbarred or like 161 00:09:10,640 --> 00:09:13,959 Speaker 1: crazy ship. So it's not far fetched that the mayor 162 00:09:14,240 --> 00:09:17,160 Speaker 1: was doing something hinky. It's just like, how does Dan 163 00:09:17,280 --> 00:09:19,920 Speaker 1: know to break in that second? Dan knows how to 164 00:09:19,920 --> 00:09:22,880 Speaker 1: be everywhere at exactly the right moment all the time. 165 00:09:22,960 --> 00:09:24,920 Speaker 1: That's like his m O. How I don't know how 166 00:09:24,920 --> 00:09:26,920 Speaker 1: he does it? And I don't know how he keeps 167 00:09:26,960 --> 00:09:30,280 Speaker 1: tabs on everybody, But I like Sophia's a theory that 168 00:09:30,360 --> 00:09:33,120 Speaker 1: Dan's put trackers and he sells the cars to everyone, 169 00:09:33,120 --> 00:09:34,880 Speaker 1: and he puts the trackers in the cars. It's the 170 00:09:34,880 --> 00:09:38,199 Speaker 1: only where he's got a hole. What ire missing from 171 00:09:38,240 --> 00:09:41,200 Speaker 1: this show is a panic room where Dan goes in 172 00:09:41,240 --> 00:09:43,880 Speaker 1: and he's just got video cameras of being entire town, 173 00:09:44,559 --> 00:09:48,440 Speaker 1: their houses, He's tapped into his security system, all the 174 00:09:48,520 --> 00:09:53,760 Speaker 1: traffic camps. Dan's just like got him, got him done. 175 00:09:54,160 --> 00:09:56,720 Speaker 1: That's the only way this works. It is, but I'd 176 00:09:56,720 --> 00:09:59,319 Speaker 1: buy it. Why not, I'd suspend believe. I love the 177 00:09:59,360 --> 00:10:03,120 Speaker 1: practical joke between Dan and Debb. It's it gets fun 178 00:10:03,160 --> 00:10:08,520 Speaker 1: in this episode. Barbara does such a good job of 179 00:10:09,040 --> 00:10:11,920 Speaker 1: putting the comedy in it because the Dan being a dick, 180 00:10:12,040 --> 00:10:15,839 Speaker 1: to Dan be a dick thing is like getting exhausting, 181 00:10:16,640 --> 00:10:20,760 Speaker 1: and she makes it funny and gives Paul something to 182 00:10:20,800 --> 00:10:23,240 Speaker 1: play with, because if Paul were just dealing with like 183 00:10:23,280 --> 00:10:27,839 Speaker 1: a hysterical woman, not funny. But because Barbara is just 184 00:10:28,400 --> 00:10:34,120 Speaker 1: she's reveling in this. Those shopping spree so good. The 185 00:10:34,200 --> 00:10:43,600 Speaker 1: taser in bed Girl talk about Hans the trainer was it. Yeah, 186 00:10:43,640 --> 00:10:45,960 Speaker 1: what did she say? She said, She's like, it got 187 00:10:47,000 --> 00:10:51,120 Speaker 1: your mattress, it got wet when the sprinklers accidentally went 188 00:10:51,160 --> 00:10:53,360 Speaker 1: off after I threw all your stuff out. That was 189 00:10:53,400 --> 00:10:58,560 Speaker 1: on purpose. She's perfect. I love her. I love watching 190 00:10:58,600 --> 00:11:01,720 Speaker 1: her have so much fun because I think when I mean, 191 00:11:01,920 --> 00:11:03,920 Speaker 1: when with when she started on the show, it was 192 00:11:04,120 --> 00:11:07,720 Speaker 1: it was so serious, it was so much drama and 193 00:11:07,760 --> 00:11:11,359 Speaker 1: heavy stuff, and Barbara is such a bubbly, fun personality. 194 00:11:11,440 --> 00:11:13,720 Speaker 1: I was really glad to see her get to play 195 00:11:13,760 --> 00:11:18,360 Speaker 1: around all um. So let's talk about Peyton a bit, 196 00:11:18,440 --> 00:11:22,040 Speaker 1: because this is there's a couple of things I have 197 00:11:22,120 --> 00:11:25,080 Speaker 1: questions about with Peyton. One of them is in relation 198 00:11:25,160 --> 00:11:29,960 Speaker 1: to Haley, which is Peyton. Uh. We've said before that 199 00:11:30,040 --> 00:11:32,720 Speaker 1: she's sort of the most non judgmental character on the show. 200 00:11:32,760 --> 00:11:37,000 Speaker 1: She's she's really open. Not today, Yeah, I mean she's 201 00:11:37,040 --> 00:11:40,280 Speaker 1: been very like, gives people safe space, you know, gives 202 00:11:40,760 --> 00:11:43,600 Speaker 1: gives people room to be messy because she's so openly 203 00:11:43,679 --> 00:11:48,959 Speaker 1: messy and and just she's kind of a great she's 204 00:11:49,000 --> 00:11:51,640 Speaker 1: a great friend in that way. But with Haley, in 205 00:11:51,640 --> 00:11:55,439 Speaker 1: this particular instance, she's been really hard on Haley. And 206 00:11:55,720 --> 00:11:58,960 Speaker 1: I want to know what you thought about that. Um, 207 00:11:59,280 --> 00:12:03,600 Speaker 1: I mean, is it justified? Is it over? You know? Ye? Well, 208 00:12:03,920 --> 00:12:06,600 Speaker 1: here's what I think. She has a history with Nathan 209 00:12:06,840 --> 00:12:11,199 Speaker 1: that predates Haley, right, and it's not necessarily healthy, But um, 210 00:12:11,320 --> 00:12:13,920 Speaker 1: they have run in the same circle probably since middle school. 211 00:12:13,960 --> 00:12:15,600 Speaker 1: Like you know how there's like kids in the same 212 00:12:15,679 --> 00:12:17,719 Speaker 1: pack run together in middle school and then they date 213 00:12:17,720 --> 00:12:20,840 Speaker 1: in high school, and it's just that pack always kind 214 00:12:20,840 --> 00:12:24,920 Speaker 1: of stays herded together. I feel like they've known each 215 00:12:24,960 --> 00:12:27,800 Speaker 1: other a long time. And of all the people who 216 00:12:27,960 --> 00:12:33,400 Speaker 1: asked Nathan if he tried to commit suicide, Lucas is 217 00:12:33,440 --> 00:12:37,320 Speaker 1: one and Peyton's the other, and they're having to totally 218 00:12:37,320 --> 00:12:40,240 Speaker 1: opposite reactions. Lucas is the one that's like, you got 219 00:12:40,240 --> 00:12:42,840 Speaker 1: to talk to your wife, man, Like you drove a 220 00:12:42,880 --> 00:12:46,040 Speaker 1: car into a wall. That's fucked up, Like, talk to 221 00:12:46,080 --> 00:12:51,040 Speaker 1: your wife, whereas Peyton is like, Nathan is a victim 222 00:12:51,080 --> 00:12:53,360 Speaker 1: in this, and how could you do this? And he 223 00:12:53,520 --> 00:12:58,240 Speaker 1: tried to kill himself, you know, like the gravity of that, 224 00:12:59,559 --> 00:13:03,800 Speaker 1: you know, for Peyton having dealt with death, she's a 225 00:13:03,840 --> 00:13:06,880 Speaker 1: morose character. It's hard not to pull her out of that. 226 00:13:07,240 --> 00:13:09,440 Speaker 1: And I can see why she would be a little 227 00:13:11,600 --> 00:13:14,320 Speaker 1: chippy about it. You know. I was also wondering if 228 00:13:14,360 --> 00:13:17,600 Speaker 1: it's because Peyton has such a history of people coming 229 00:13:17,640 --> 00:13:23,760 Speaker 1: and going. Oh, for sure, the projecting is like totally 230 00:13:23,760 --> 00:13:28,200 Speaker 1: on display here right right? Yeah, I think so too. 231 00:13:28,520 --> 00:13:32,200 Speaker 1: But I also there's something I like about it about 232 00:13:32,280 --> 00:13:39,960 Speaker 1: the friend who doesn't just let you let you off easy. Um. 233 00:13:40,080 --> 00:13:42,160 Speaker 1: I think she wants Nathan and Haley to get back 234 00:13:42,160 --> 00:13:45,760 Speaker 1: to why. She's like, he just said you're hot. So 235 00:13:45,840 --> 00:13:48,880 Speaker 1: if that's the green light you're looking for, go nuts, 236 00:13:49,640 --> 00:13:53,160 Speaker 1: you know it's She's not trying to sabotage anything. Um. 237 00:13:53,360 --> 00:13:58,280 Speaker 1: But she's definitely got a chip on her shoulder. And 238 00:13:59,800 --> 00:14:02,880 Speaker 1: I appreciate that in a way because you and I 239 00:14:02,920 --> 00:14:05,400 Speaker 1: have both been in situations where we know people are 240 00:14:05,480 --> 00:14:07,400 Speaker 1: lying to our face. Yeah you know what I mean, 241 00:14:07,480 --> 00:14:09,280 Speaker 1: Like when we're like is there a problem and they're like, 242 00:14:09,400 --> 00:14:13,240 Speaker 1: m nope, and you're like this isn't helping, Like you're 243 00:14:13,280 --> 00:14:16,880 Speaker 1: literally lying to my face right out. We could talk 244 00:14:16,920 --> 00:14:19,880 Speaker 1: about it and fix it. And so I appreciate that 245 00:14:19,920 --> 00:14:21,760 Speaker 1: they have a friendship where they can be like I 246 00:14:21,960 --> 00:14:25,440 Speaker 1: like this. Yeah, I know I like that too, I 247 00:14:25,480 --> 00:14:27,440 Speaker 1: really do. I think those are fewer and far between, 248 00:14:27,520 --> 00:14:30,600 Speaker 1: especially as you get older. You know, if you don't 249 00:14:30,640 --> 00:14:32,680 Speaker 1: learn to do that when you're young and make friendships 250 00:14:32,720 --> 00:14:34,680 Speaker 1: with that with people that way when you're young. The 251 00:14:34,720 --> 00:14:38,520 Speaker 1: older you get, the more it's just like, oh, well whatever, 252 00:14:38,560 --> 00:14:41,760 Speaker 1: I'll just make friends with somebody else, you know, And 253 00:14:41,920 --> 00:14:44,240 Speaker 1: it's nice to have lots of friends, but it's also 254 00:14:45,320 --> 00:14:47,720 Speaker 1: you know, it's it's only a surface level if you 255 00:14:47,800 --> 00:14:51,800 Speaker 1: haven't allowed someone to really come in on that in 256 00:14:51,800 --> 00:14:55,120 Speaker 1: that space in your life. Well, and looking back on 257 00:14:55,160 --> 00:14:58,120 Speaker 1: the friendships that we had, not like in high school, 258 00:14:58,320 --> 00:15:01,240 Speaker 1: but also in our early twenties, if you don't practice 259 00:15:02,120 --> 00:15:05,880 Speaker 1: confrontation in a healthy way with your friends, you will 260 00:15:06,040 --> 00:15:09,000 Speaker 1: never be able to do it in a romantic relationship. 261 00:15:09,760 --> 00:15:11,800 Speaker 1: That's what I mean. Fabulis are supposed to teach you 262 00:15:11,840 --> 00:15:16,160 Speaker 1: that do whatever you like. It's supposed to be one 263 00:15:16,160 --> 00:15:18,720 Speaker 1: of the things you're learning. It's like we just slam 264 00:15:18,760 --> 00:15:23,840 Speaker 1: doors and ship, you know, conflict. How do we do it? 265 00:15:23,960 --> 00:15:27,280 Speaker 1: How do we do it? Yeah, it's it's really important 266 00:15:27,280 --> 00:15:30,960 Speaker 1: to be able to say I don't like this, I 267 00:15:30,960 --> 00:15:33,680 Speaker 1: don't like it. And you know, my daughter's at that 268 00:15:33,720 --> 00:15:37,040 Speaker 1: button push and age where she's like, no, I don't 269 00:15:37,080 --> 00:15:38,720 Speaker 1: like it, I don't like it, and I just had 270 00:15:38,760 --> 00:15:42,040 Speaker 1: to explain to someone. I was like, look, I need 271 00:15:42,080 --> 00:15:45,000 Speaker 1: her to know that it's safe to say I don't 272 00:15:45,040 --> 00:15:48,600 Speaker 1: like it. And right now it sucks that we're her 273 00:15:48,600 --> 00:15:52,120 Speaker 1: test dummies, but she wants to be a grown up. 274 00:15:52,160 --> 00:15:56,440 Speaker 1: That's like not working for me. I know, and it's hard. 275 00:15:56,680 --> 00:15:59,960 Speaker 1: It's hard to be like I I respect the fact 276 00:16:00,040 --> 00:16:03,880 Speaker 1: that you don't like this. However, these are the boundaries 277 00:16:03,920 --> 00:16:06,960 Speaker 1: that you have to be confined with him. I'm sorry that, Like, 278 00:16:07,040 --> 00:16:09,840 Speaker 1: I know how frustrating it is to be confined by boundaries. 279 00:16:10,280 --> 00:16:12,840 Speaker 1: They will expand as you get older, but right now, 280 00:16:13,680 --> 00:16:16,240 Speaker 1: these are the rules. And I love you and I'm 281 00:16:16,280 --> 00:16:19,040 Speaker 1: here for you, and I know this sex for you. Sorry, 282 00:16:19,080 --> 00:16:24,320 Speaker 1: good luck, good luck kids. Um No, I was excited. 283 00:16:24,480 --> 00:16:29,680 Speaker 1: Season three is always so nice for me because I 284 00:16:29,720 --> 00:16:33,480 Speaker 1: feel like we were finally being heard in like what 285 00:16:33,520 --> 00:16:37,040 Speaker 1: we wanted out of our characters, and they you know, 286 00:16:37,200 --> 00:16:39,560 Speaker 1: Sophie didn't want to do all the sexy time stuff anymore. 287 00:16:39,600 --> 00:16:44,000 Speaker 1: So this whole internal conflict that Brooke is having, She's 288 00:16:44,000 --> 00:16:47,240 Speaker 1: not having to do anything questionable other than, like, you know, 289 00:16:47,400 --> 00:16:49,680 Speaker 1: give a wink and a knob here and there, and 290 00:16:49,720 --> 00:16:53,440 Speaker 1: it's enough enough. She's so sexy as it as it is. 291 00:16:53,480 --> 00:16:56,120 Speaker 1: I mean that's you don't have to be in your 292 00:16:56,160 --> 00:17:00,480 Speaker 1: underwear to be sexy at all. No, and stuff that 293 00:17:00,520 --> 00:17:03,200 Speaker 1: she has with Chad in this episode, like Broke and 294 00:17:03,320 --> 00:17:08,520 Speaker 1: Lucas are such a fun teenage couple to watch. The 295 00:17:09,240 --> 00:17:11,880 Speaker 1: cat and mouse of those two is what a high 296 00:17:11,880 --> 00:17:14,479 Speaker 1: school relationship is supposed to be. Like, we're not supposed 297 00:17:14,480 --> 00:17:16,240 Speaker 1: to be talking about like getting married and having babies. 298 00:17:18,200 --> 00:17:20,560 Speaker 1: It's supposed to be like, you're hot. What book are 299 00:17:20,600 --> 00:17:25,359 Speaker 1: you reading? Okay, where's my mix tape? Yeah? Where is 300 00:17:25,440 --> 00:17:30,040 Speaker 1: my mix tape? Damn it? Speaking of music? And we 301 00:17:30,119 --> 00:17:34,560 Speaker 1: got Fallout Boy on this show. That was huge. Remember 302 00:17:34,600 --> 00:17:36,880 Speaker 1: how excited we all were when we heard that that 303 00:17:37,119 --> 00:17:39,800 Speaker 1: deal went through and they were like, guys, are brain 304 00:17:39,920 --> 00:17:44,560 Speaker 1: a Fallout Boy? We lost our minds. That was. That 305 00:17:44,640 --> 00:17:47,159 Speaker 1: was one of those days where like we stuck around 306 00:17:47,200 --> 00:17:49,680 Speaker 1: for the sound check, we stuck around for the rehearsal. 307 00:17:49,840 --> 00:17:52,320 Speaker 1: We stuck around for every single take, even if we 308 00:17:52,320 --> 00:17:55,360 Speaker 1: were in the shot, like we were being very compliant. Yeah, 309 00:17:55,480 --> 00:17:57,520 Speaker 1: it was like, oh are we during the day we could? 310 00:17:57,520 --> 00:17:59,720 Speaker 1: I don't, I'll stick around out of mind. There's this. 311 00:18:03,680 --> 00:18:07,760 Speaker 1: They were so cool though, I mean yeah, I didn't 312 00:18:07,800 --> 00:18:10,480 Speaker 1: have a crush on them, but I remember thinking like 313 00:18:10,640 --> 00:18:16,960 Speaker 1: I could. I But it was just the fact that 314 00:18:17,040 --> 00:18:20,520 Speaker 1: it was again because we were outside of l A, 315 00:18:20,720 --> 00:18:24,960 Speaker 1: outside of all of all of our own hype. We 316 00:18:25,000 --> 00:18:27,560 Speaker 1: didn't we want experiencing our own hype. It was happening 317 00:18:27,560 --> 00:18:32,080 Speaker 1: outside out there. So it was another validation that somebody 318 00:18:32,119 --> 00:18:36,119 Speaker 1: coming in like that, wait, this is We're kind of 319 00:18:36,119 --> 00:18:39,600 Speaker 1: a big deal. This is really funny. They know our show. 320 00:18:39,720 --> 00:18:50,639 Speaker 1: That's great. So in this episode, obviously like follow up 321 00:18:50,640 --> 00:18:52,760 Speaker 1: boys a big deal. But in the first scene the 322 00:18:52,760 --> 00:18:55,760 Speaker 1: Peyton's in where she's like gonna paint the white wings, 323 00:18:56,119 --> 00:18:58,679 Speaker 1: I'm wearing to he is legend shirt and that was 324 00:18:59,080 --> 00:19:00,679 Speaker 1: That was a metal band and I hung out with 325 00:19:00,800 --> 00:19:02,800 Speaker 1: that was like based out of Wilmington's and I was 326 00:19:03,040 --> 00:19:05,240 Speaker 1: best friends with the lead singer. And I was obsessed 327 00:19:05,280 --> 00:19:08,119 Speaker 1: with these dudes and constantly like, can we promote this 328 00:19:08,200 --> 00:19:11,080 Speaker 1: metal band on One Tree Hill? The most emo show 329 00:19:11,520 --> 00:19:14,840 Speaker 1: on the planet, And they were just like no, Hillary, 330 00:19:14,880 --> 00:19:18,480 Speaker 1: these guys like scream into the microphone like monsters. They 331 00:19:18,520 --> 00:19:20,960 Speaker 1: can't come on One Tree Hill, but you can wear 332 00:19:21,000 --> 00:19:24,880 Speaker 1: a shirt. Um. And so I had duality. I had 333 00:19:24,920 --> 00:19:27,600 Speaker 1: like a band that we were super pumped fallout Boy 334 00:19:27,760 --> 00:19:30,959 Speaker 1: and then representing the local Wilmington's scene. You gave him 335 00:19:31,000 --> 00:19:34,240 Speaker 1: some super exposure. That was a nice scene and it 336 00:19:34,359 --> 00:19:37,880 Speaker 1: was you know, it's not metal joy One Tree Hill. 337 00:19:39,040 --> 00:19:41,840 Speaker 1: We were so not metal, not met all. That would 338 00:19:41,840 --> 00:19:44,960 Speaker 1: have been something that you played and that Brooke got 339 00:19:44,960 --> 00:19:46,440 Speaker 1: mad about. Like you, you would play it as a 340 00:19:46,480 --> 00:19:49,240 Speaker 1: DJ at a party and Brooke would get mad at it. Well. 341 00:19:49,280 --> 00:19:51,480 Speaker 1: I used to take le Norris to their shows. They 342 00:19:51,480 --> 00:19:53,880 Speaker 1: would play at the Soapbox and I'd be like, Lee, 343 00:19:54,440 --> 00:19:56,520 Speaker 1: let's go to a metal show and he got wrapped 344 00:19:56,600 --> 00:19:58,680 Speaker 1: up in a mosh pit one night and he never 345 00:19:58,760 --> 00:20:01,960 Speaker 1: forgave me for it. Was like, why are we here? 346 00:20:02,040 --> 00:20:04,520 Speaker 1: Oh my god, that's scary. That's actually like one of 347 00:20:04,520 --> 00:20:09,320 Speaker 1: my nightmares. Well, yeah, we didn't have to deal with 348 00:20:09,359 --> 00:20:11,159 Speaker 1: that with Fallout Boy. They just did a lot of 349 00:20:11,200 --> 00:20:14,160 Speaker 1: twirling on stage with that was at the bass player 350 00:20:14,200 --> 00:20:16,800 Speaker 1: that would spin, jumping around in a spinning and it 351 00:20:16,960 --> 00:20:22,520 Speaker 1: was the era of angry, angry prep school boys, like 352 00:20:22,600 --> 00:20:24,439 Speaker 1: everyone wanted to be the dude from a C d 353 00:20:24,480 --> 00:20:26,960 Speaker 1: C and the little like baby shorts. Yeah, the school 354 00:20:26,960 --> 00:20:29,800 Speaker 1: boy outfit. Were they co opting the whole like Britney 355 00:20:29,800 --> 00:20:33,200 Speaker 1: Spears schoolgirl thing. It was like going to the Spring 356 00:20:33,240 --> 00:20:36,520 Speaker 1: Awakening came out around the same time. I might be wrong, 357 00:20:36,840 --> 00:20:41,280 Speaker 1: do you really? Isn't that old? Is as old? And 358 00:20:41,359 --> 00:20:43,880 Speaker 1: I feel like I remember that coming out around then 359 00:20:44,000 --> 00:20:47,560 Speaker 1: and it was sort of the same, and Gwen Stefani 360 00:20:47,680 --> 00:20:50,639 Speaker 1: was doing a lot of schoolgirls short um you know, 361 00:20:50,680 --> 00:20:56,040 Speaker 1: the ska, the bananas, ships, like the tallest socks and 362 00:20:56,080 --> 00:20:58,639 Speaker 1: the plaid skirts, and I just feel like there was 363 00:20:58,680 --> 00:21:02,720 Speaker 1: like a prep school unit form slash punk thing happening 364 00:21:02,800 --> 00:21:04,919 Speaker 1: in culture at the time. Side maybe that's where it 365 00:21:04,960 --> 00:21:10,440 Speaker 1: was from, that's ringing true. I liked that We've got 366 00:21:10,480 --> 00:21:14,120 Speaker 1: sixty days of Dan. The deal is the dev has 367 00:21:14,160 --> 00:21:16,400 Speaker 1: to live with him for two months. Could you live 368 00:21:16,480 --> 00:21:21,320 Speaker 1: with someone you hated for two months if you knew 369 00:21:21,359 --> 00:21:25,960 Speaker 1: you would be set free afterwards? Somewhe Well, the first 370 00:21:25,960 --> 00:21:30,040 Speaker 1: thing she should have done is photocopied those documents because 371 00:21:30,640 --> 00:21:33,840 Speaker 1: right now, girl, we got scan apps on our phone. 372 00:21:33,880 --> 00:21:41,639 Speaker 1: Now into my attorney, save this please two months. I 373 00:21:41,640 --> 00:21:43,360 Speaker 1: mean she's doing it the way I would do it. 374 00:21:44,760 --> 00:21:47,959 Speaker 1: Just being a dick. Yeah why not? I mean, if 375 00:21:48,000 --> 00:21:51,119 Speaker 1: he's got he's just such an ass. Yeah, No, I 376 00:21:51,160 --> 00:21:56,120 Speaker 1: don't know, could you. I don't know, I'm a machine. 377 00:21:56,280 --> 00:22:01,760 Speaker 1: Joy Um probably probably l and I I guess. I'm 378 00:22:01,760 --> 00:22:07,640 Speaker 1: just wondering why she is the deal that she has 379 00:22:07,640 --> 00:22:10,400 Speaker 1: to help him win? Does he have to win mayor 380 00:22:10,480 --> 00:22:12,200 Speaker 1: in order for the like the deal to where I 381 00:22:12,240 --> 00:22:13,719 Speaker 1: don't think he has to win. I think she just 382 00:22:13,800 --> 00:22:17,240 Speaker 1: has to do, like, really play the part like everybody. 383 00:22:17,240 --> 00:22:21,760 Speaker 1: It has to be convincing to his satisfaction. So isn't 384 00:22:21,800 --> 00:22:24,840 Speaker 1: she concerned, like what happens if Dan Scott becomes mayor, 385 00:22:25,200 --> 00:22:27,359 Speaker 1: Like what happens if he gets this power he's after? 386 00:22:27,520 --> 00:22:30,680 Speaker 1: Isn't like shouldn't she be trying to sabotage the campaign? 387 00:22:30,800 --> 00:22:34,680 Speaker 1: Like maybe she was here behind his back. Yeah, maybe 388 00:22:34,760 --> 00:22:37,080 Speaker 1: she will, I don't know. But now she's got that 389 00:22:37,119 --> 00:22:39,280 Speaker 1: signed paper, so maybe she's not so worried about it 390 00:22:39,280 --> 00:22:42,480 Speaker 1: because it's like, well, once he's mayor, then I can 391 00:22:42,520 --> 00:22:45,919 Speaker 1: bail and it'll just be He'll be busy. It'll be 392 00:22:46,080 --> 00:22:49,760 Speaker 1: so busy. I can't believe Dan Scott becomes mayor. It's 393 00:22:49,800 --> 00:22:53,560 Speaker 1: so crazy. I mean, how many people live in tree Hill. 394 00:22:53,600 --> 00:22:56,400 Speaker 1: We're all kissing each other there because only so many people. 395 00:22:56,520 --> 00:23:01,360 Speaker 1: Joy It is a very small town. Yeah, listen. I 396 00:23:01,359 --> 00:23:03,439 Speaker 1: was thinking about it the other day. I was just like, 397 00:23:04,359 --> 00:23:09,160 Speaker 1: you know, the next generation of kids like Brooks kids 398 00:23:09,160 --> 00:23:13,280 Speaker 1: are going to be like, hey, uncle Lucas and Uncle Nathan, 399 00:23:13,760 --> 00:23:18,159 Speaker 1: you slept with those guys like and like they really 400 00:23:18,200 --> 00:23:21,040 Speaker 1: are like Peyton's kids uncles, and you know, like it 401 00:23:21,400 --> 00:23:24,960 Speaker 1: just is that how it is. And I mean, I'm 402 00:23:25,000 --> 00:23:26,800 Speaker 1: not still in New Jersey, so I don't know what's 403 00:23:26,800 --> 00:23:28,600 Speaker 1: going on with the high school crowd there, But with 404 00:23:28,600 --> 00:23:30,600 Speaker 1: the high school you went to, I mean you're still 405 00:23:30,600 --> 00:23:32,159 Speaker 1: in touch with a lot of those people. Did a 406 00:23:32,240 --> 00:23:34,199 Speaker 1: lot of those kids sleep together young and then now 407 00:23:34,200 --> 00:23:36,919 Speaker 1: they're all still friends has grown up. Going to a 408 00:23:37,040 --> 00:23:40,479 Speaker 1: wedding where I was the only person that hadn't slept 409 00:23:40,480 --> 00:23:45,720 Speaker 1: with anyone in the room, and I was like, that's crazy. 410 00:23:45,760 --> 00:23:47,680 Speaker 1: I mean, it's Hollywood is kind of the exact same 411 00:23:47,720 --> 00:23:52,679 Speaker 1: thing though. Sterling, Virginia, Yeah, you're right, you know, you 412 00:23:52,680 --> 00:23:54,840 Speaker 1: know what I mean. It's like it's a small town 413 00:23:55,000 --> 00:23:58,400 Speaker 1: and everybody's on a set with somebody, everybody has location ships, 414 00:23:58,720 --> 00:24:01,119 Speaker 1: and then they move on to the next movie and 415 00:24:01,160 --> 00:24:04,879 Speaker 1: then you know, you're like, oh, yeah, the personal dating 416 00:24:04,920 --> 00:24:07,439 Speaker 1: now used to date like seven other too cool? To 417 00:24:07,600 --> 00:24:12,080 Speaker 1: be forgotten. Text me later. Um, no, I guess you're right. 418 00:24:12,080 --> 00:24:15,160 Speaker 1: I'm trying, Like, because I was so square, I never 419 00:24:16,359 --> 00:24:19,240 Speaker 1: hooked up with anybody. I never slumped with anybody in 420 00:24:19,320 --> 00:24:23,240 Speaker 1: high school. Um, that's a fun tip. Kids just don't 421 00:24:23,240 --> 00:24:24,720 Speaker 1: sleep with even in high school, and they don't have 422 00:24:24,720 --> 00:24:28,879 Speaker 1: anything to feel stupid about. Later. Hey that's the true girl. 423 00:24:29,520 --> 00:24:34,600 Speaker 1: Um so yes, that's you know, when Brooke goes to 424 00:24:34,920 --> 00:24:38,159 Speaker 1: tell Nathan like, hey, there, Sailor, your wife's gonna be 425 00:24:38,240 --> 00:24:42,520 Speaker 1: mega hut tonight, you should show up. We were commenting like, 426 00:24:42,640 --> 00:24:46,000 Speaker 1: we know down the road we're going to find out 427 00:24:46,040 --> 00:24:49,000 Speaker 1: that Brooke and Nathan hooked up with each other. But 428 00:24:49,080 --> 00:24:51,959 Speaker 1: watching the episode now, we didn't know that when we 429 00:24:51,960 --> 00:24:54,480 Speaker 1: were filming it. So they're all like flirty with each 430 00:24:54,480 --> 00:24:58,760 Speaker 1: other and a little like win quait. It just adds 431 00:24:58,760 --> 00:25:02,919 Speaker 1: a slimy. That's one of the downsides of filming a 432 00:25:03,000 --> 00:25:06,240 Speaker 1: TV series is that you just don't have I mean, 433 00:25:06,320 --> 00:25:09,080 Speaker 1: on a on a network anyway. You don't have all 434 00:25:09,080 --> 00:25:11,639 Speaker 1: of the scripts in advance, so you don't it's really 435 00:25:11,640 --> 00:25:14,320 Speaker 1: hard to plan for your character. With a film or 436 00:25:14,359 --> 00:25:17,440 Speaker 1: a you know, limited series, you know what's going to happen. 437 00:25:17,440 --> 00:25:20,160 Speaker 1: In everything, all the backstory and everything. So it's really 438 00:25:20,160 --> 00:25:22,399 Speaker 1: hard when you're filming a series like this and you 439 00:25:22,440 --> 00:25:25,040 Speaker 1: find out new information that really would have affected the 440 00:25:25,040 --> 00:25:26,720 Speaker 1: way that you played your character for the last three 441 00:25:26,800 --> 00:25:30,120 Speaker 1: or four years. Sophia would not have touched his arm 442 00:25:30,520 --> 00:25:32,840 Speaker 1: in this scene had she known they were going to 443 00:25:32,960 --> 00:25:35,439 Speaker 1: come back, you know, in a year or two and 444 00:25:35,520 --> 00:25:38,359 Speaker 1: be like, no, you two boned. You guys did this. 445 00:25:39,600 --> 00:25:43,320 Speaker 1: There's no way she would have touched him. No way, 446 00:25:43,760 --> 00:25:47,120 Speaker 1: she didn't know, sweet girl. He did look really hard 447 00:25:47,119 --> 00:25:51,000 Speaker 1: in that Batman costume. Though, Well, okay, so remember what 448 00:25:51,080 --> 00:25:54,240 Speaker 1: a huge deal that Batman costume was because I feel 449 00:25:54,240 --> 00:25:58,840 Speaker 1: like we got it from like a Batman movie, like 450 00:25:58,880 --> 00:26:03,720 Speaker 1: The Rent Whose was it? Was it Val Killers or 451 00:26:03,720 --> 00:26:06,719 Speaker 1: George Clooney' I'm gonna text James right now and I'm 452 00:26:06,720 --> 00:26:09,360 Speaker 1: gonna ask, yeah, text him, text him and find out 453 00:26:09,640 --> 00:26:15,000 Speaker 1: because that really was a supreme costume. Um, Chad. I 454 00:26:15,040 --> 00:26:18,879 Speaker 1: love Chad's costumes that he finally landed on, like the 455 00:26:18,880 --> 00:26:22,960 Speaker 1: Pirates of the Caribbean and the Tommy Lee costumes are 456 00:26:23,000 --> 00:26:27,000 Speaker 1: great because when he takes off the wig and it's 457 00:26:27,119 --> 00:26:31,439 Speaker 1: blonde Chad with the eyeliner. He and Peyton are the 458 00:26:31,480 --> 00:26:35,840 Speaker 1: same person. It's just like straight blonde hair and eyeliner. 459 00:26:39,200 --> 00:26:42,080 Speaker 1: I loved Peyton's cause while I'm waiting for James to respond, Hey, 460 00:26:42,080 --> 00:26:44,320 Speaker 1: who's Batman costume did you wear in our show? Came 461 00:26:44,400 --> 00:26:49,160 Speaker 1: sending it. Um it was. It was a real costume 462 00:26:49,560 --> 00:26:53,040 Speaker 1: from one of the movies, right, question Mark? I think 463 00:26:53,080 --> 00:26:57,000 Speaker 1: you used the voice baff like I do. I don't 464 00:26:57,040 --> 00:27:00,480 Speaker 1: have time to tape this ship out. Um No, but 465 00:27:00,600 --> 00:27:03,919 Speaker 1: I loved I loved Payton's costume, and I want to 466 00:27:03,960 --> 00:27:05,840 Speaker 1: know the history of that costume. So before we go 467 00:27:05,840 --> 00:27:08,680 Speaker 1: back to Batman, tell me about where this came from 468 00:27:08,680 --> 00:27:12,159 Speaker 1: because it was so original and beautiful. Hey. Thanks. You 469 00:27:12,200 --> 00:27:16,879 Speaker 1: know what's super weird is that, Uh, when we shot 470 00:27:16,880 --> 00:27:19,960 Speaker 1: this episode, we had a goth makeup artist. Um, this 471 00:27:20,200 --> 00:27:23,640 Speaker 1: chick Sandra, who I had done a movie with in Tennessee, 472 00:27:24,320 --> 00:27:27,240 Speaker 1: and she came from the world of opera, and so 473 00:27:27,320 --> 00:27:32,159 Speaker 1: it was used to like making wigs and and doing 474 00:27:32,200 --> 00:27:36,800 Speaker 1: like crazy makeup because she opera. If you've never seen 475 00:27:36,840 --> 00:27:40,000 Speaker 1: the opera, the hair and makeup and opera is it's 476 00:27:40,040 --> 00:27:42,640 Speaker 1: just bananas. So it's on the next level, very extravagant. 477 00:27:43,359 --> 00:27:46,359 Speaker 1: So we couldn't find a wig that we liked, and 478 00:27:46,560 --> 00:27:50,280 Speaker 1: we went through this like tattoo magazine and found a 479 00:27:50,320 --> 00:27:53,040 Speaker 1: girl who had this black and white hair and we 480 00:27:53,040 --> 00:27:56,680 Speaker 1: were both like that that's it. We want red eye 481 00:27:56,720 --> 00:28:00,800 Speaker 1: makeup and we want this black and right wig. And 482 00:28:00,880 --> 00:28:05,240 Speaker 1: so we took two wigs and wove them together and 483 00:28:05,320 --> 00:28:07,920 Speaker 1: it was this thing that we worked on after work together. 484 00:28:08,720 --> 00:28:12,480 Speaker 1: And what's so weird is it's the exact pattern that 485 00:28:12,520 --> 00:28:15,479 Speaker 1: my hair is growing in white right now Like I 486 00:28:15,520 --> 00:28:19,760 Speaker 1: wanted joy. I wanted that hair full time so bad 487 00:28:19,920 --> 00:28:22,880 Speaker 1: at like twenty three years old, and so now when 488 00:28:22,920 --> 00:28:25,600 Speaker 1: I look at it, I mean, look, I have the 489 00:28:25,640 --> 00:28:28,360 Speaker 1: black stripe in the middle, which is how it grows in, 490 00:28:28,520 --> 00:28:31,240 Speaker 1: and then it's just all white on the side. Amazing, 491 00:28:31,640 --> 00:28:35,720 Speaker 1: like Pengel was, it is life imitating arts, so punk 492 00:28:35,800 --> 00:28:38,840 Speaker 1: you got your way, which is girl. It's made me 493 00:28:38,920 --> 00:28:40,840 Speaker 1: unafraid to go great because I was like, oh no, 494 00:28:41,000 --> 00:28:43,080 Speaker 1: people have loved this look on me for a year. 495 00:28:43,240 --> 00:28:46,280 Speaker 1: It looks so good. I love the foreshadowing, by the way, 496 00:28:46,360 --> 00:28:49,800 Speaker 1: it's just so cool. But you looked so good. But 497 00:28:49,800 --> 00:28:52,440 Speaker 1: but the and the wings and everything that that dress 498 00:28:52,720 --> 00:28:55,920 Speaker 1: was it all? Was it a costume they found or 499 00:28:55,960 --> 00:28:58,440 Speaker 1: was this, somebody sketched it out and they built it. 500 00:28:58,520 --> 00:29:01,400 Speaker 1: Do you remember, No, I mean we had fittings they 501 00:29:01,440 --> 00:29:05,360 Speaker 1: wanted like goth angel, and there were some outfits that 502 00:29:05,480 --> 00:29:08,840 Speaker 1: were a little like sexier, and this one was actually 503 00:29:08,840 --> 00:29:12,040 Speaker 1: a really modest outfit. I'm fully covered up, you know, 504 00:29:12,120 --> 00:29:14,400 Speaker 1: the boots cover up a whole bunch. If anything. It's 505 00:29:14,400 --> 00:29:19,080 Speaker 1: got kind of a Frankenstein vibe. Um, and the wings 506 00:29:19,120 --> 00:29:22,880 Speaker 1: were incredibly cumbersome. So having to do that dance routine 507 00:29:23,000 --> 00:29:26,080 Speaker 1: with Lee, he kept getting hit by the wings and 508 00:29:26,080 --> 00:29:28,160 Speaker 1: he was so gracious and just like we had to 509 00:29:28,200 --> 00:29:30,240 Speaker 1: do that thing where we like went up over our 510 00:29:30,240 --> 00:29:33,800 Speaker 1: heads and my arm kept getting like trapped and it's 511 00:29:33,840 --> 00:29:37,320 Speaker 1: like super awkward. But um, let's talk about that dance too. 512 00:29:37,360 --> 00:29:41,640 Speaker 1: By the way, the difference between having to do the 513 00:29:41,680 --> 00:29:45,760 Speaker 1: really like hard sad stuff with Ellie and then be 514 00:29:45,880 --> 00:29:51,360 Speaker 1: super playful with like Lee with Brook scene Rachel all 515 00:29:51,400 --> 00:29:54,440 Speaker 1: that kind of stuff. That's what I liked about our 516 00:29:54,480 --> 00:29:58,040 Speaker 1: show is I never feel one thing all the time, 517 00:29:59,040 --> 00:30:02,479 Speaker 1: you know what I mean, And so being able to 518 00:30:03,400 --> 00:30:07,840 Speaker 1: feel multiple things in one evening. Um, for Peyton, I 519 00:30:07,880 --> 00:30:11,320 Speaker 1: think is authentic, and she's super awkward no matter what, 520 00:30:11,600 --> 00:30:14,760 Speaker 1: like I'm always like, why should be weird? She's just 521 00:30:14,800 --> 00:30:18,280 Speaker 1: trying to figure out life like every young girl out there, 522 00:30:18,480 --> 00:30:21,560 Speaker 1: aren't we all we are At any point at any 523 00:30:21,600 --> 00:30:24,240 Speaker 1: point with Haley in this quest to get Nathan back, 524 00:30:25,160 --> 00:30:29,120 Speaker 1: you know, they have just like put you through the 525 00:30:29,240 --> 00:30:33,400 Speaker 1: ringer um and it's it was like groveling in the 526 00:30:33,480 --> 00:30:36,280 Speaker 1: last episode where it's just like, please please talk to me, 527 00:30:36,320 --> 00:30:39,480 Speaker 1: talk to me, talk to me. Um. What were your 528 00:30:39,520 --> 00:30:42,479 Speaker 1: conversations like at any point where you ever like, guys, 529 00:30:43,600 --> 00:30:46,200 Speaker 1: like I've done enough. You say it in this episode, 530 00:30:46,200 --> 00:30:49,600 Speaker 1: You're like, I'm Haley, that should be enough. Like is 531 00:30:49,600 --> 00:30:52,400 Speaker 1: that the moment of her being like, we're done here? Yeah? 532 00:30:52,520 --> 00:30:54,880 Speaker 1: I think it is. And it wasn't something that I 533 00:30:55,000 --> 00:30:57,720 Speaker 1: remember having a conversation with any writers or anything about. 534 00:30:57,800 --> 00:31:00,520 Speaker 1: I was on board with all of it as it 535 00:31:00,560 --> 00:31:03,360 Speaker 1: as it went along, because that is a very natural 536 00:31:03,440 --> 00:31:05,719 Speaker 1: thing to do. When you think you've screwed something up 537 00:31:05,760 --> 00:31:10,719 Speaker 1: beyond recognition, you are desperate to solve it and fix it, 538 00:31:10,840 --> 00:31:14,600 Speaker 1: and especially a girl like Haley who didn't ever really 539 00:31:14,600 --> 00:31:17,000 Speaker 1: take a lot of risks in life. So she finally 540 00:31:17,040 --> 00:31:20,160 Speaker 1: takes two big risks, but one costs her the other 541 00:31:21,280 --> 00:31:24,920 Speaker 1: and you know you're you're trying to figure out your 542 00:31:24,960 --> 00:31:27,160 Speaker 1: identity and who am I and Haley always felt so 543 00:31:27,160 --> 00:31:30,200 Speaker 1: solid and who she was, and then she started making 544 00:31:30,200 --> 00:31:35,600 Speaker 1: these wild decisions and uh, suddenly it's like everything gets 545 00:31:35,600 --> 00:31:39,320 Speaker 1: called into question and does whether Nathan loves me or 546 00:31:39,360 --> 00:31:43,360 Speaker 1: not affect who I am? And for a while there 547 00:31:43,400 --> 00:31:45,960 Speaker 1: it seemed that she did think that that, you know, 548 00:31:46,000 --> 00:31:48,600 Speaker 1: if he if he doesn't love me, that affects my 549 00:31:48,720 --> 00:31:51,400 Speaker 1: value as a person. And so of course she was 550 00:31:51,440 --> 00:31:54,000 Speaker 1: desperate to get that back and make it work and 551 00:31:54,080 --> 00:31:56,880 Speaker 1: get it fixed. When she says, I just wanted you 552 00:31:56,960 --> 00:32:02,600 Speaker 1: to want me again, that's the worst feeling it is. 553 00:32:03,080 --> 00:32:07,520 Speaker 1: It's really the worst because it's the loneliest place to be. 554 00:32:09,520 --> 00:32:12,280 Speaker 1: And I love that moment when she looks in the 555 00:32:12,280 --> 00:32:14,960 Speaker 1: mirror and it's the recognition of I should be enough, 556 00:32:15,960 --> 00:32:18,360 Speaker 1: just me. It's okay. At the end of the day, 557 00:32:18,880 --> 00:32:23,280 Speaker 1: somebody else can make their choices and I can't take 558 00:32:23,280 --> 00:32:25,440 Speaker 1: back the past. I am where I am now, and 559 00:32:26,480 --> 00:32:29,280 Speaker 1: he's going to have to make his choice. And then 560 00:32:29,320 --> 00:32:32,800 Speaker 1: she kind of gets rewarded with this kiss. I remember 561 00:32:32,800 --> 00:32:36,080 Speaker 1: shooting this with James because the Batman costume was it 562 00:32:36,200 --> 00:32:41,600 Speaker 1: was very hot at trick that that day. No, we 563 00:32:41,600 --> 00:32:45,160 Speaker 1: were there for like four days time, and they could 564 00:32:45,160 --> 00:32:47,400 Speaker 1: not figure out the A C. The first day there 565 00:32:47,600 --> 00:32:52,520 Speaker 1: wasn't a C. They had a tube with an outside 566 00:32:52,640 --> 00:32:55,560 Speaker 1: unit that could only be pumped in when we weren't shooting. 567 00:32:55,720 --> 00:32:59,520 Speaker 1: That's right, that's right. So if we were rolling and 568 00:32:59,600 --> 00:33:03,840 Speaker 1: with many bodies in there, and everyone in a costume, 569 00:33:03,920 --> 00:33:06,840 Speaker 1: and there was a lot of pleather, a lot of 570 00:33:06,840 --> 00:33:11,200 Speaker 1: the feather, a lot of makeup dripping down our faces, 571 00:33:11,920 --> 00:33:13,800 Speaker 1: and that was a rough room to be in. And 572 00:33:13,840 --> 00:33:16,600 Speaker 1: so we all felt really bad, particularly for James because 573 00:33:16,640 --> 00:33:19,520 Speaker 1: he was really I mean I was in spandex it 574 00:33:19,920 --> 00:33:24,040 Speaker 1: head to toe, and Sophia was in a leather skirt too, 575 00:33:24,160 --> 00:33:26,280 Speaker 1: but it was a little breathable. But James was head 576 00:33:26,280 --> 00:33:30,080 Speaker 1: to toe in that leather tank and uh, well, when 577 00:33:30,080 --> 00:33:31,800 Speaker 1: when he takes the cat, he takes the hat off 578 00:33:31,800 --> 00:33:35,400 Speaker 1: and the eye makeups dripping down his face and that 579 00:33:35,480 --> 00:33:38,920 Speaker 1: was also kind of hot. Kidding, they didn't plan that, 580 00:33:39,000 --> 00:33:41,800 Speaker 1: but that was it worked. Let me just let her roll. 581 00:33:43,120 --> 00:33:45,480 Speaker 1: But and I also remember that all the steam in 582 00:33:45,520 --> 00:33:47,440 Speaker 1: that moment when he comes to kiss her, all the 583 00:33:47,440 --> 00:33:49,520 Speaker 1: steam that was coming in behind him. We had to 584 00:33:49,520 --> 00:33:52,280 Speaker 1: shoot that so many times because there was they wanted 585 00:33:52,360 --> 00:33:55,040 Speaker 1: him to come in with his arms up and then 586 00:33:55,200 --> 00:33:58,280 Speaker 1: flap them down right when all of the smoke was coming, 587 00:33:58,320 --> 00:34:01,360 Speaker 1: so it would create this like push of all the 588 00:34:01,400 --> 00:34:05,400 Speaker 1: smoke around him, and it was just I just remember 589 00:34:05,440 --> 00:34:07,600 Speaker 1: it was really hard to get the timing of that 590 00:34:07,840 --> 00:34:10,120 Speaker 1: right with the light and the curtain closing behind him 591 00:34:10,120 --> 00:34:12,160 Speaker 1: and all of the smoke, and I was like, get 592 00:34:12,160 --> 00:34:14,960 Speaker 1: the get the smoke machine going okay, rolling, rolling, okay, 593 00:34:15,000 --> 00:34:17,360 Speaker 1: holding on the roll, and then the smoke has to disappear, 594 00:34:17,360 --> 00:34:19,040 Speaker 1: and then he's just standing there waiting and put it 595 00:34:19,040 --> 00:34:20,759 Speaker 1: put your arms up, and he would put his arms up, 596 00:34:20,800 --> 00:34:22,600 Speaker 1: but then it would push the smoke away by putting 597 00:34:22,600 --> 00:34:25,839 Speaker 1: his arms up, and it's just like such a pain 598 00:34:25,920 --> 00:34:28,080 Speaker 1: and he has so finally he gets it right. But 599 00:34:28,120 --> 00:34:31,040 Speaker 1: you'll see in the episode he flaps his arm down 600 00:34:31,120 --> 00:34:33,960 Speaker 1: and it's just it looks so kind of random, like 601 00:34:34,000 --> 00:34:37,719 Speaker 1: why is he like walking in? Like I was like, 602 00:34:37,840 --> 00:34:41,319 Speaker 1: what's he huffing around about? It looked like he was 603 00:34:41,320 --> 00:34:45,759 Speaker 1: a landing like Batman and then came in for the kiss. Well. 604 00:34:45,800 --> 00:34:48,319 Speaker 1: I just remember them being like, we spent so much 605 00:34:48,360 --> 00:34:50,640 Speaker 1: money on this costume. We're going to use the ship 606 00:34:50,760 --> 00:34:54,759 Speaker 1: out of it, like they were pumped. Every dude on 607 00:34:54,840 --> 00:34:58,440 Speaker 1: the set took pictures with that, so I wanted to 608 00:34:58,440 --> 00:34:59,920 Speaker 1: try it on. I think they went back and try 609 00:35:00,040 --> 00:35:04,480 Speaker 1: it on later. I was a sweaty costume man, hard pass. 610 00:35:04,840 --> 00:35:06,279 Speaker 1: I don't want to put that on my body. To say, 611 00:35:06,320 --> 00:35:08,319 Speaker 1: it was pretty fun to get rescued by Batman for 612 00:35:08,360 --> 00:35:12,080 Speaker 1: a moment, that's yeah, it's pretty cool. It's pretty cool, 613 00:35:12,200 --> 00:35:14,719 Speaker 1: and it's a big part of you know, the One 614 00:35:14,760 --> 00:35:19,600 Speaker 1: Tree Hill, kind of like the iconic moments you getting 615 00:35:19,640 --> 00:35:23,640 Speaker 1: swooped up by your husband. I loved it when he 616 00:35:23,719 --> 00:35:26,680 Speaker 1: was like, Haley always looks hot, like it was such 617 00:35:26,719 --> 00:35:32,320 Speaker 1: a thing to say, just kind of succinct. It always 618 00:35:32,320 --> 00:35:37,480 Speaker 1: looks hot. We were just talking about boys using Batman 619 00:35:37,560 --> 00:35:50,160 Speaker 1: by a couple of episodes ago. Oh yeah, the ominous call, 620 00:35:50,840 --> 00:35:52,920 Speaker 1: I asked when we were watching, there's a picture of 621 00:35:53,000 --> 00:35:55,160 Speaker 1: him and some girl, and we're supposed to believe that 622 00:35:55,239 --> 00:36:00,120 Speaker 1: he's calling some girl high flyers. It's crisp. But but 623 00:36:00,120 --> 00:36:02,960 Speaker 1: when do we have a reference the girl again, or 624 00:36:03,160 --> 00:36:05,200 Speaker 1: did we have a reference her before or was it 625 00:36:05,320 --> 00:36:08,600 Speaker 1: just like a device. I'm confused. I don't know. I 626 00:36:08,640 --> 00:36:12,319 Speaker 1: think she comes up again in the future. Um, I 627 00:36:12,360 --> 00:36:18,160 Speaker 1: can't remember. I can't remember what it is. I mean, 628 00:36:18,600 --> 00:36:25,799 Speaker 1: I get him in the end, but I remember, is 629 00:36:25,840 --> 00:36:29,200 Speaker 1: she like I think maybe like a little romance that 630 00:36:29,280 --> 00:36:31,840 Speaker 1: he had at High Flyers. I don't know. She's like 631 00:36:31,880 --> 00:36:34,160 Speaker 1: the water girl or like the trainer or something that 632 00:36:34,320 --> 00:36:37,319 Speaker 1: Hivelires made a good friend there. I think she does 633 00:36:37,360 --> 00:36:41,400 Speaker 1: show up. I just can't remember. But it is weird framed. No, 634 00:36:41,560 --> 00:36:43,799 Speaker 1: it was on his computer, wasn't it. But he was. 635 00:36:43,920 --> 00:36:45,520 Speaker 1: What's weird about is that he was looking at the 636 00:36:45,560 --> 00:36:49,439 Speaker 1: photo and then called Chris. You know what I mean. 637 00:36:49,880 --> 00:36:54,600 Speaker 1: It's such a strange transition. Anyway, Sometimes things don't make sense. 638 00:36:54,640 --> 00:36:58,160 Speaker 1: You know what made sense in this episode the appearance 639 00:36:58,680 --> 00:37:05,120 Speaker 1: of Danielle Harris at Yes Girl. Let's talk about that, 640 00:37:05,840 --> 00:37:08,840 Speaker 1: because she was also in pleather. Yes, she was a 641 00:37:08,960 --> 00:37:11,880 Speaker 1: very little a little little bit of it, but she 642 00:37:11,920 --> 00:37:14,080 Speaker 1: looked so good. Oh my god, I need you to 643 00:37:14,120 --> 00:37:17,880 Speaker 1: go back and tell everyone about the Pam Anderson crushed 644 00:37:17,960 --> 00:37:21,600 Speaker 1: that we had back like during this era. You were 645 00:37:21,680 --> 00:37:25,320 Speaker 1: obsessed with hers. I just loved her look. And I 646 00:37:25,360 --> 00:37:27,160 Speaker 1: think I've talked about this on the show before. I 647 00:37:27,200 --> 00:37:30,040 Speaker 1: was at one point in my life hanging out backstage 648 00:37:30,040 --> 00:37:33,120 Speaker 1: of Home Improvement. I saw her early early on in 649 00:37:33,120 --> 00:37:35,279 Speaker 1: her career in the white tank top and overalls and 650 00:37:35,320 --> 00:37:37,920 Speaker 1: no makeup, and she was just backstage, just you know, 651 00:37:38,000 --> 00:37:40,040 Speaker 1: chatting with the makeup artist and being super sweet. She 652 00:37:40,120 --> 00:37:42,160 Speaker 1: was very very nice to me and the other people 653 00:37:42,200 --> 00:37:45,000 Speaker 1: that I saw her interacting with. And I thought, she's 654 00:37:45,000 --> 00:37:46,960 Speaker 1: the most beautiful woman I've ever seen in person in 655 00:37:47,000 --> 00:37:50,319 Speaker 1: my life ever, Oh my god. Um. And she was 656 00:37:50,360 --> 00:37:53,440 Speaker 1: also just so kind and sweet and and like a 657 00:37:53,480 --> 00:37:59,000 Speaker 1: small town girl. So as her career progressed, um, I know, 658 00:37:59,120 --> 00:38:00,920 Speaker 1: she got a bad rap and she she did a 659 00:38:00,960 --> 00:38:03,160 Speaker 1: lot of things that a lot of people disagreed with 660 00:38:03,280 --> 00:38:07,120 Speaker 1: or judged her for or you know whatever, And especially 661 00:38:07,120 --> 00:38:09,920 Speaker 1: people and me having grown up in a more evangelical community, 662 00:38:09,920 --> 00:38:11,359 Speaker 1: there were a lot of people in that community who 663 00:38:11,400 --> 00:38:13,239 Speaker 1: really didn't like her. But I always loved her. But 664 00:38:13,360 --> 00:38:16,080 Speaker 1: I don't know, I love Pam. I love me some Pam. 665 00:38:16,120 --> 00:38:19,080 Speaker 1: So uh yeah, I loved Pam Pam and the whole 666 00:38:19,080 --> 00:38:20,880 Speaker 1: time Elie thing. And that was really fun. When I 667 00:38:20,880 --> 00:38:23,200 Speaker 1: saw Danielle come on in that in that little red 668 00:38:24,040 --> 00:38:28,200 Speaker 1: leather dress, she looked bang in man, she looked so good. 669 00:38:29,440 --> 00:38:32,479 Speaker 1: I you know, like this you and I laughed the scene, 670 00:38:32,520 --> 00:38:35,920 Speaker 1: were like Peyton and Brooke are just watching her dance 671 00:38:36,000 --> 00:38:39,879 Speaker 1: with Lucas guys. That was my real reaction, just like 672 00:38:40,239 --> 00:38:43,759 Speaker 1: what is this? Your face was so good? We were 673 00:38:43,840 --> 00:38:48,840 Speaker 1: laughing about that. I was like, I fell so in 674 00:38:48,960 --> 00:38:51,319 Speaker 1: love with Danielle when she first showed up, Like I 675 00:38:51,320 --> 00:38:57,960 Speaker 1: couldn't stop buying her presence. I was just like such 676 00:38:58,000 --> 00:39:02,560 Speaker 1: a dork for her. We had that charity softball game 677 00:39:02,600 --> 00:39:06,160 Speaker 1: with the guys from Surface, and like, I got tube 678 00:39:06,160 --> 00:39:07,960 Speaker 1: socks and I was like, hey, do you want me 679 00:39:08,000 --> 00:39:09,680 Speaker 1: to pick you up? I bought you these tube socks. 680 00:39:10,120 --> 00:39:13,120 Speaker 1: And also, um, do you want pizza? I bought a pizza. 681 00:39:13,200 --> 00:39:14,880 Speaker 1: I just have a pizza for you. And do you 682 00:39:14,920 --> 00:39:18,279 Speaker 1: like coffee? Because I bought you a coffee. I just 683 00:39:18,480 --> 00:39:21,759 Speaker 1: was so enamored with her. It's hard not to be. 684 00:39:21,920 --> 00:39:25,680 Speaker 1: She's so full of life, and she's so smart, and 685 00:39:26,040 --> 00:39:29,839 Speaker 1: she's an interesting person. She's lived an interesting life and 686 00:39:30,760 --> 00:39:35,840 Speaker 1: she gets I think that because she's so beautiful. Um, 687 00:39:35,920 --> 00:39:38,920 Speaker 1: and she has a high voice, and beautiful girls with 688 00:39:38,960 --> 00:39:43,359 Speaker 1: that cute voice. Often in my experience I've seen get 689 00:39:43,920 --> 00:39:46,799 Speaker 1: look over overlooked and people ignore the fact that they 690 00:39:46,880 --> 00:39:49,680 Speaker 1: might have a brain completely. We all have to lower 691 00:39:49,719 --> 00:39:51,440 Speaker 1: a voice like a man to safe read in that 692 00:39:53,320 --> 00:39:57,319 Speaker 1: homes Elizabeth holes don't have to talk like this. The 693 00:39:57,440 --> 00:40:02,160 Speaker 1: need to reduce blood samples. And now I need to 694 00:40:02,200 --> 00:40:07,000 Speaker 1: hear Danielle used that tenors. We're gonna we're gonna have 695 00:40:07,040 --> 00:40:10,799 Speaker 1: her use that voice when she comes on. Danielle, can 696 00:40:10,840 --> 00:40:14,200 Speaker 1: you talk like a man. Please make us take more 697 00:40:14,280 --> 00:40:16,960 Speaker 1: seriously by lowering your voice till you sound like Comedia. 698 00:40:17,840 --> 00:40:20,800 Speaker 1: We just sound like Bill and teded so free South. 699 00:40:23,719 --> 00:40:27,160 Speaker 1: But it's true. And and once you have one conversation 700 00:40:27,239 --> 00:40:30,560 Speaker 1: with her, she's just so damned smart and she's so 701 00:40:30,719 --> 00:40:34,960 Speaker 1: interesting and so kind and thoughtful and um, you know, 702 00:40:34,960 --> 00:40:37,120 Speaker 1: would never let somebody pass her by without saying it 703 00:40:37,200 --> 00:40:40,680 Speaker 1: thank you or um, you know, how are you? I 704 00:40:40,719 --> 00:40:45,360 Speaker 1: love Danielle. Just good people. And it's intimidating when you 705 00:40:45,440 --> 00:40:49,719 Speaker 1: see someone that beautiful, especially because we've been very transparent 706 00:40:49,880 --> 00:40:52,799 Speaker 1: about how we were all kind of pity against each 707 00:40:52,800 --> 00:40:57,279 Speaker 1: other and we were competing with like hair and wardrobe 708 00:40:57,320 --> 00:41:00,120 Speaker 1: and screen time and who's sexy and who's not it 709 00:41:00,280 --> 00:41:05,400 Speaker 1: And for someone that gorgeous to show up and not 710 00:41:05,520 --> 00:41:10,280 Speaker 1: be a threat and immediately endear herself to literally every 711 00:41:10,320 --> 00:41:12,520 Speaker 1: single member of the cast. I don't know one person 712 00:41:12,560 --> 00:41:16,240 Speaker 1: that was like Daniel is a problem, Like she endeared 713 00:41:16,280 --> 00:41:22,120 Speaker 1: herself to every single cast member crew member. Um, it's 714 00:41:22,120 --> 00:41:25,879 Speaker 1: a charisma that is, I know, it's really magnetic. It's 715 00:41:25,880 --> 00:41:28,279 Speaker 1: a confidence there too, to be able to show up 716 00:41:28,280 --> 00:41:30,920 Speaker 1: in in a space like on a show that was 717 00:41:30,960 --> 00:41:33,200 Speaker 1: already really popular. It was a well oiled machine by 718 00:41:33,200 --> 00:41:35,640 Speaker 1: that point. We all had sort of figured out our 719 00:41:35,760 --> 00:41:38,960 Speaker 1: roles in the social climate behind the scenes of the show. 720 00:41:39,480 --> 00:41:43,200 Speaker 1: To come into an arena like that and just be 721 00:41:43,360 --> 00:41:45,400 Speaker 1: who she is and just fit in and not worry 722 00:41:45,440 --> 00:41:47,920 Speaker 1: about where do I fit and and who likes me 723 00:41:47,960 --> 00:41:50,040 Speaker 1: and who doesn't like me, which is a very natural 724 00:41:50,080 --> 00:41:52,879 Speaker 1: thing to do. That was just there's a maturity there 725 00:41:52,920 --> 00:41:54,960 Speaker 1: that that. I think we all had a girl. That's 726 00:41:54,960 --> 00:41:57,360 Speaker 1: why we all had a crush on her because of that. Dude, 727 00:41:57,800 --> 00:42:01,000 Speaker 1: have you ever seen her beauty queen photos? Sorry? What? 728 00:42:01,960 --> 00:42:12,480 Speaker 1: Oh oh? And how you guys? Okay? So like when when? Uh? 729 00:42:12,920 --> 00:42:15,320 Speaker 1: What season was it? Season six? When her and Jensen 730 00:42:15,360 --> 00:42:17,960 Speaker 1: were together, Um, I used to go stay with them 731 00:42:17,960 --> 00:42:19,680 Speaker 1: and sleep on their couch, which is why they pawed 732 00:42:19,719 --> 00:42:21,960 Speaker 1: me off on Jeff. They were like, get Hillary off 733 00:42:22,040 --> 00:42:24,960 Speaker 1: our couch, but they're in their house. She had her 734 00:42:25,000 --> 00:42:28,960 Speaker 1: old beauty queen like head shots with like the big, huge, 735 00:42:29,000 --> 00:42:32,360 Speaker 1: sparkly glitter crown and like a scepter and like the 736 00:42:33,200 --> 00:42:36,600 Speaker 1: and like puffy sleeves on the game. I mean, they 737 00:42:36,640 --> 00:42:40,560 Speaker 1: are magical. We're gonna need to get those. Listen, you know, 738 00:42:40,640 --> 00:42:43,200 Speaker 1: once you make it, they're coming coming down to one 739 00:42:43,200 --> 00:42:47,000 Speaker 1: tree Hills, Like, who are all of you? Big? Whoof Yeah? 740 00:42:47,040 --> 00:42:49,680 Speaker 1: Exactly where any of you are? Beauty queen? I don't 741 00:42:49,680 --> 00:42:53,799 Speaker 1: think I'm a queen. Um No, I mean again, it 742 00:42:53,920 --> 00:42:58,440 Speaker 1: just lends itself to how big this episode was a 743 00:42:58,520 --> 00:43:01,759 Speaker 1: lot of new yeah, I mean the follow up boy, 744 00:43:01,800 --> 00:43:05,799 Speaker 1: a lot of turning points with different relationships and all 745 00:43:05,800 --> 00:43:08,560 Speaker 1: the fun with Dan and Deb and then the introduction 746 00:43:08,719 --> 00:43:12,960 Speaker 1: of Daniel and we have and Kelsey Asbill is in 747 00:43:13,000 --> 00:43:18,320 Speaker 1: the next episode as well, who is now starting on Yellowstone. Um, 748 00:43:18,600 --> 00:43:21,080 Speaker 1: It's like things were really rolling for our show at 749 00:43:21,080 --> 00:43:24,480 Speaker 1: this point. It was just, man, this is what we ever? 750 00:43:24,560 --> 00:43:31,240 Speaker 1: Top three? Season? I don't know. I don't know either, Um, well, 751 00:43:32,040 --> 00:43:37,680 Speaker 1: what else haven't we hit? I loved? Oh? Hey remember? Okay? 752 00:43:37,719 --> 00:43:40,279 Speaker 1: So season three is also when we started to get 753 00:43:40,360 --> 00:43:46,799 Speaker 1: real bitchy because, uh, when Hailey tells Lucas about, oh, 754 00:43:46,920 --> 00:43:50,279 Speaker 1: Brooke is super into Tommy Lee and he says, oh, 755 00:43:50,400 --> 00:43:52,120 Speaker 1: is that something she picked up in the o C 756 00:43:53,120 --> 00:44:00,319 Speaker 1: Like what a dick thing to say? It was so good? Yeah? Good, 757 00:44:00,680 --> 00:44:04,719 Speaker 1: it was fun? Why not? Yeah? I did like that 758 00:44:04,880 --> 00:44:07,080 Speaker 1: he went for it. I like the Chad was just 759 00:44:07,200 --> 00:44:11,000 Speaker 1: game to like, go for whatever. He was always like, sure, 760 00:44:11,040 --> 00:44:13,239 Speaker 1: make me look like a complete idiot, love it, Let's 761 00:44:13,239 --> 00:44:16,919 Speaker 1: go for it. Yeah. He got to be funny here. 762 00:44:17,200 --> 00:44:23,200 Speaker 1: And I think he liked being shirtless too, because he 763 00:44:23,200 --> 00:44:25,960 Speaker 1: he had been working. He'd spent his summer, you know, 764 00:44:26,280 --> 00:44:31,040 Speaker 1: doing push ups and things like check check these out. Well, 765 00:44:31,080 --> 00:44:33,359 Speaker 1: everybody was watching the show. Many he had to be. 766 00:44:33,440 --> 00:44:35,879 Speaker 1: He had to be ready. Our boys looked good season three. 767 00:44:35,920 --> 00:44:38,719 Speaker 1: They were all in great shape. I wish he had 768 00:44:38,800 --> 00:44:43,400 Speaker 1: seen Vaughan and Cullen and you know, I like skills 769 00:44:43,440 --> 00:44:45,319 Speaker 1: wasn't in this episode like they should have been at 770 00:44:45,320 --> 00:44:47,480 Speaker 1: the Halloween problem. It was a big episode though. I 771 00:44:47,480 --> 00:44:49,359 Speaker 1: don't know like how we could have fit everybody else in, 772 00:44:49,440 --> 00:44:52,799 Speaker 1: but it would have been so fun. Who what would 773 00:44:52,800 --> 00:44:56,359 Speaker 1: their costumes have been? Oh, that's such a good question joy, 774 00:44:57,040 --> 00:45:02,319 Speaker 1: Um skills would have been I'm trying to think of, 775 00:45:02,400 --> 00:45:07,319 Speaker 1: like what was happening in two thousand five? Um, yeah, 776 00:45:09,840 --> 00:45:12,920 Speaker 1: I mean I just know how much Antoine loves Samuel L. Jackson. 777 00:45:13,160 --> 00:45:18,640 Speaker 1: Antoine was so in fiction out by then. Oh for sure, yes, yes, yes, 778 00:45:18,800 --> 00:45:22,160 Speaker 1: he's for sure Samuel L. Jackson. And uh, I mean 779 00:45:22,239 --> 00:45:25,920 Speaker 1: Lee is already dressed as John Travolta in Saturday Night Fever. 780 00:45:25,480 --> 00:45:30,520 Speaker 1: But he could double. We could have two Travoltas. I 781 00:45:30,520 --> 00:45:33,520 Speaker 1: would be bad Sandy too. He could have been he 782 00:45:33,560 --> 00:45:36,520 Speaker 1: could have been Oh my god, we could have had 783 00:45:36,560 --> 00:45:46,319 Speaker 1: a Travolta Trifa. How did we have Oh my god, 784 00:45:46,360 --> 00:45:51,439 Speaker 1: Fergie could have been Greece Travolta. Junk could have been 785 00:45:51,520 --> 00:45:55,719 Speaker 1: pulp fiction Travolta, and Lee was Saturday Night Fever Trivolta. 786 00:45:55,840 --> 00:45:58,080 Speaker 1: That would have been really fine. And then they all 787 00:45:58,120 --> 00:46:03,600 Speaker 1: could have done the dance with you tell me a Girl. 788 00:46:03,640 --> 00:46:09,600 Speaker 1: We did that for like an hour one day. It 789 00:46:09,680 --> 00:46:11,600 Speaker 1: was I'm not a good day. I'm not a strong 790 00:46:11,880 --> 00:46:16,919 Speaker 1: dance you're doing because if you notice, I'm watching Lee 791 00:46:17,120 --> 00:46:20,280 Speaker 1: the entire time, like that's not like it works, because 792 00:46:20,320 --> 00:46:22,239 Speaker 1: it looks like Mouth is the one who really is 793 00:46:22,280 --> 00:46:24,000 Speaker 1: doing this, which is for sure what he would be 794 00:46:25,040 --> 00:46:29,839 Speaker 1: is the instigator for sure. I liked having scenes with Lee. Um. 795 00:46:29,880 --> 00:46:32,960 Speaker 1: I think we get paired up later again for the 796 00:46:33,000 --> 00:46:38,319 Speaker 1: Boy draft. Um and Peyton hits this kind of platonic 797 00:46:38,400 --> 00:46:41,960 Speaker 1: stride for season two. I mean, there's not much action 798 00:46:42,040 --> 00:46:44,960 Speaker 1: between her and Jake after that one, like initial wedding 799 00:46:45,000 --> 00:46:48,320 Speaker 1: hook up, because then it's all just trauma, trauma, trauma, trauma. 800 00:46:48,760 --> 00:46:51,960 Speaker 1: UM And I don't think she hooks up with anybody 801 00:46:51,960 --> 00:46:55,560 Speaker 1: again now it's a while because she has to deal 802 00:46:55,600 --> 00:46:58,600 Speaker 1: with all this stuff with Ellie, and that's a lot 803 00:46:58,719 --> 00:47:01,240 Speaker 1: that we also have a really talked much about because 804 00:47:01,280 --> 00:47:06,960 Speaker 1: she God, that's just so hard that he you know 805 00:47:07,000 --> 00:47:08,759 Speaker 1: what when he says, you know, here's the one thing 806 00:47:08,800 --> 00:47:10,719 Speaker 1: you get here as a heads up. At least it's 807 00:47:10,719 --> 00:47:15,480 Speaker 1: not just going to be somebody disappearing, And UM, I 808 00:47:15,480 --> 00:47:17,239 Speaker 1: don't know what what what were you hope? Was there? 809 00:47:17,239 --> 00:47:18,799 Speaker 1: Were you? Was there anything you were hoping for with 810 00:47:18,800 --> 00:47:21,480 Speaker 1: that storyline? When when Cheryl came in and did you 811 00:47:21,520 --> 00:47:25,720 Speaker 1: know how long she was going to be on the show? Um, yeah, 812 00:47:25,800 --> 00:47:30,040 Speaker 1: what shaking your head now? No? No, I joy In 813 00:47:30,120 --> 00:47:31,880 Speaker 1: a million years, I didn't think they were going to 814 00:47:32,000 --> 00:47:38,480 Speaker 1: kill her in a million years. No. I I loved 815 00:47:38,640 --> 00:47:43,280 Speaker 1: this parental situation, and I think, like a teenager would 816 00:47:43,719 --> 00:47:47,680 Speaker 1: real life. Hilary was like maybe her and Larry will 817 00:47:47,680 --> 00:47:50,200 Speaker 1: get together, do you know what I mean? Like, maybe 818 00:47:50,440 --> 00:47:55,160 Speaker 1: maybe I'll get a family. They had great they really did. 819 00:47:55,360 --> 00:47:58,320 Speaker 1: Watching them together, I'm like, how are you too? Not 820 00:47:58,680 --> 00:48:02,240 Speaker 1: just like hey man, let's just do this, you know, um, 821 00:48:02,280 --> 00:48:06,400 Speaker 1: because they they're different energies. He had that real blue 822 00:48:06,400 --> 00:48:09,719 Speaker 1: collar thing and she's like the girl who's lived hard 823 00:48:09,920 --> 00:48:14,040 Speaker 1: and has figured it out. And I liked their energy together. 824 00:48:14,280 --> 00:48:17,239 Speaker 1: And I liked that my storyline wasn't about kissing a 825 00:48:17,280 --> 00:48:19,680 Speaker 1: boy and that it was about kind of this like 826 00:48:20,520 --> 00:48:25,960 Speaker 1: real self discovery. Um, it felt like real work, do 827 00:48:26,040 --> 00:48:28,040 Speaker 1: you know what I mean? Like I liked getting these 828 00:48:28,040 --> 00:48:30,799 Speaker 1: scripts because it was like, oh, this is you know, 829 00:48:31,440 --> 00:48:35,480 Speaker 1: this is the kind of introspection that's interesting. Yeah, because 830 00:48:35,480 --> 00:48:38,680 Speaker 1: everybody's dealt with a romance like oh my heart with 831 00:48:38,760 --> 00:48:42,279 Speaker 1: the boy and the girl and the and you know, 832 00:48:42,360 --> 00:48:45,160 Speaker 1: you can always find something relatable about that, and it's 833 00:48:45,200 --> 00:48:48,800 Speaker 1: interesting for someone always. But when you keep doing repeating 834 00:48:48,800 --> 00:48:51,040 Speaker 1: the same thing over and over, you really need to 835 00:48:51,120 --> 00:48:53,440 Speaker 1: have as an actor. You gotta have a challenge, and 836 00:48:53,880 --> 00:48:56,480 Speaker 1: you really rose to the occasion here. I mean it 837 00:48:56,560 --> 00:49:01,600 Speaker 1: was beautiful. I really love of the both of them, 838 00:49:01,760 --> 00:49:06,080 Speaker 1: and I specifically loved Cheryl because we've talked about it. 839 00:49:06,160 --> 00:49:11,560 Speaker 1: I was so hungry for like, like older female mentorship, 840 00:49:12,000 --> 00:49:14,240 Speaker 1: and I think that's why we love Janice, this director 841 00:49:14,360 --> 00:49:19,600 Speaker 1: so much. I needed someone to model what my life 842 00:49:19,600 --> 00:49:22,400 Speaker 1: would look like. Because I don't come from anybody in 843 00:49:22,440 --> 00:49:26,680 Speaker 1: the industry. I had no model for what I was 844 00:49:26,719 --> 00:49:30,239 Speaker 1: supposed to be doing, Like how do I spend my hiatus? 845 00:49:30,320 --> 00:49:32,680 Speaker 1: Do I audition for stuff? Do I not audition for stuff? 846 00:49:32,760 --> 00:49:35,279 Speaker 1: How aggressive should I be? Should I hire a publicist? 847 00:49:35,280 --> 00:49:38,160 Speaker 1: Should I show my boobs like Hilary, I'm the same way. 848 00:49:38,200 --> 00:49:45,600 Speaker 1: That's I never thought about that, but that's so true. Yeah, yeah, 849 00:49:45,640 --> 00:49:50,080 Speaker 1: And she came in so calm, she'd already done the 850 00:49:50,120 --> 00:49:55,040 Speaker 1: whole whirlwind, you know, and was unimpressed. Like when we 851 00:49:55,080 --> 00:49:58,040 Speaker 1: would have scenes together, she would just talk about her son, 852 00:49:58,920 --> 00:50:02,600 Speaker 1: and I was up her a job. I was up 853 00:50:02,640 --> 00:50:04,920 Speaker 1: for this job where they wanted me to be topless, 854 00:50:05,719 --> 00:50:08,440 Speaker 1: and it was a really good movie and I really 855 00:50:08,480 --> 00:50:11,400 Speaker 1: really wanted to do it, but I was really chafing 856 00:50:11,480 --> 00:50:14,120 Speaker 1: at this like topless thing. And I don't have a 857 00:50:14,160 --> 00:50:17,120 Speaker 1: problem with other people who want to do that at all, 858 00:50:17,440 --> 00:50:20,160 Speaker 1: but I didn't know if it was my gig, you know. 859 00:50:21,000 --> 00:50:23,960 Speaker 1: And she she was like, kid, I got a son, 860 00:50:24,560 --> 00:50:26,600 Speaker 1: and one day you're going to have a son. And 861 00:50:26,719 --> 00:50:30,359 Speaker 1: so if you're okay with that, okay, but if you're not, 862 00:50:30,880 --> 00:50:34,839 Speaker 1: think about him. And you know, I was years away 863 00:50:34,920 --> 00:50:37,520 Speaker 1: from having my son. But it made such an impact 864 00:50:37,560 --> 00:50:40,480 Speaker 1: in my decision making process, not just for that one job, 865 00:50:41,239 --> 00:50:43,759 Speaker 1: but for all the jobs, like is this something that 866 00:50:43,880 --> 00:50:46,480 Speaker 1: I want that I want my kid, who I don't 867 00:50:46,520 --> 00:50:50,160 Speaker 1: even know yet to see. Um. Also, she had a 868 00:50:50,160 --> 00:50:53,399 Speaker 1: really sexy snake tattoo on her back. Wait I think 869 00:50:53,400 --> 00:50:57,800 Speaker 1: I remember that. Yeah, yeah, because her son was obsessed 870 00:50:57,840 --> 00:51:05,480 Speaker 1: with snakes. Um, and she's just that cool snake. So 871 00:51:05,520 --> 00:51:07,759 Speaker 1: when I did a movie years later and I had 872 00:51:07,760 --> 00:51:09,400 Speaker 1: to have tattoos, they're like, what do you want? And 873 00:51:09,440 --> 00:51:11,360 Speaker 1: I was like, will you put a snake tattoo on 874 00:51:11,440 --> 00:51:13,759 Speaker 1: my back as a tribute to her? Because she was 875 00:51:13,840 --> 00:51:16,239 Speaker 1: just That's why I really did a snake tattoo. And 876 00:51:16,320 --> 00:51:17,839 Speaker 1: we were doing good Sam and I had to put 877 00:51:17,840 --> 00:51:20,640 Speaker 1: tattoos on myself. He said, put a snake but it does, snake. 878 00:51:21,360 --> 00:51:23,640 Speaker 1: It's the cool girl thing to do. I never in 879 00:51:23,680 --> 00:51:26,680 Speaker 1: a million years thought that they were gonna kill her, Like, 880 00:51:26,800 --> 00:51:31,680 Speaker 1: why would you waste shurly like that? I don't know what, 881 00:51:31,800 --> 00:51:34,239 Speaker 1: I don't know what. We'll We'll have to have her 882 00:51:34,239 --> 00:51:36,920 Speaker 1: on the show and ask her, please what happened? We 883 00:51:37,040 --> 00:51:39,000 Speaker 1: got to find out. I'm sure you felt the same 884 00:51:39,040 --> 00:51:41,520 Speaker 1: way with your parents. I mean you would freaking Huey Lewis. 885 00:51:41,960 --> 00:51:45,200 Speaker 1: Was there a morning period for you when he invests 886 00:51:45,239 --> 00:51:50,520 Speaker 1: like cut and run? Well, no, I mean because I 887 00:51:50,560 --> 00:51:52,680 Speaker 1: think it was. I knew that it was just a 888 00:51:52,719 --> 00:51:58,560 Speaker 1: temporary popping and popping out. It wasn't And we knew 889 00:51:58,560 --> 00:52:01,400 Speaker 1: when Bess was coming back for the cancer storyline. We 890 00:52:01,480 --> 00:52:06,759 Speaker 1: knew what that was when it started. Yeah, so yeah, 891 00:52:07,040 --> 00:52:09,040 Speaker 1: that wasn't a big surprise. I do love best though, 892 00:52:09,080 --> 00:52:10,319 Speaker 1: and I have stayed in touch with her, and she 893 00:52:10,400 --> 00:52:13,600 Speaker 1: and I have had some lunches and just connected because 894 00:52:13,680 --> 00:52:16,879 Speaker 1: I just love her. She's a wonderful woman. Um Hughey. 895 00:52:17,000 --> 00:52:18,759 Speaker 1: I did not stay in touch with because it was 896 00:52:18,880 --> 00:52:21,120 Speaker 1: way too nervous to do that. Also, I guess it 897 00:52:21,160 --> 00:52:24,360 Speaker 1: would have been weird, like you know, you want to 898 00:52:24,400 --> 00:52:26,400 Speaker 1: be friends It's not like now where you can just 899 00:52:26,440 --> 00:52:29,560 Speaker 1: like DM someone like you used to have to ask 900 00:52:29,640 --> 00:52:32,400 Speaker 1: someone for their phone number, which is so shoe Louis 901 00:52:32,440 --> 00:52:35,440 Speaker 1: rispond Ever, I don't blame you, girl. I couldn't have 902 00:52:35,440 --> 00:52:40,400 Speaker 1: done it. God forget about it. Um, well, no, this 903 00:52:40,600 --> 00:52:43,279 Speaker 1: was a big How do we follow this up? Though? 904 00:52:43,320 --> 00:52:45,799 Speaker 1: Like they just keep getting bigger and bigger and bigg Well, 905 00:52:45,800 --> 00:52:48,040 Speaker 1: they're going to give Daniel a bigger storyline. Mouth is 906 00:52:48,080 --> 00:52:51,239 Speaker 1: going to find some interesting things to happen with our 907 00:52:51,760 --> 00:52:57,560 Speaker 1: beautiful talented friend Kelsey has peel. Um, we've got to 908 00:52:57,719 --> 00:53:03,479 Speaker 1: see the Chris Keller batman false. Uh what's it called? 909 00:53:04,200 --> 00:53:05,799 Speaker 1: Oh that's what I was going to ask you. This 910 00:53:05,880 --> 00:53:09,160 Speaker 1: whole idea that Nathan's like, you know, the Brooks, like 911 00:53:09,239 --> 00:53:12,120 Speaker 1: she can't write a song without Nathan, and then Nathan's like, 912 00:53:12,160 --> 00:53:14,920 Speaker 1: she can't write a song without Chris Keller as the 913 00:53:15,000 --> 00:53:18,600 Speaker 1: songwriter in our group of friends. Is that real? Like? 914 00:53:18,680 --> 00:53:20,319 Speaker 1: Can you not write a song if you don't have 915 00:53:20,360 --> 00:53:24,359 Speaker 1: a muse? Not for me, I know there are some 916 00:53:24,480 --> 00:53:26,960 Speaker 1: artists that feel like they need to be tortured in 917 00:53:27,040 --> 00:53:29,320 Speaker 1: order to write, or they need to have a person 918 00:53:29,400 --> 00:53:33,480 Speaker 1: around all the time to be inspired. That's not. But 919 00:53:33,520 --> 00:53:37,480 Speaker 1: I've also been alone most of my life. That's the 920 00:53:37,680 --> 00:53:40,640 Speaker 1: song alone most of my life, you know, have been 921 00:53:40,719 --> 00:53:46,080 Speaker 1: alone forever. Oh man, I'm just gonna use people always 922 00:53:46,200 --> 00:53:57,200 Speaker 1: leave God, damn it. Let's do it most likely to. 923 00:53:57,320 --> 00:53:59,920 Speaker 1: Let's spen a wheel here. I can't certainly pull the 924 00:54:00,040 --> 00:54:01,879 Speaker 1: lot out of this episode. I'm sure we could pull 925 00:54:01,920 --> 00:54:06,200 Speaker 1: a most likely to so many everybody was in this one. 926 00:54:06,280 --> 00:54:10,040 Speaker 1: Everybody be the best, be the best wingman or wing woman. 927 00:54:14,040 --> 00:54:17,200 Speaker 1: I mean, we've all been out at bars together before. Yeah, 928 00:54:17,600 --> 00:54:21,080 Speaker 1: to resting, I'm trying. You're a great I mean, you're 929 00:54:21,080 --> 00:54:23,080 Speaker 1: a really good wing man. I have to say, like 930 00:54:23,600 --> 00:54:27,760 Speaker 1: out of out of everybody, you're so interested in other people. 931 00:54:28,000 --> 00:54:30,960 Speaker 1: You're so you're you're very quick to just keep the 932 00:54:31,000 --> 00:54:33,120 Speaker 1: conversation going, which is, you know, part of why what 933 00:54:33,200 --> 00:54:36,759 Speaker 1: made you being a VJ so successful, because you really 934 00:54:36,760 --> 00:54:41,560 Speaker 1: are good at just keeping everything going. The bulls. We're 935 00:54:41,600 --> 00:54:44,120 Speaker 1: just going to spin this with let you drop into 936 00:54:44,160 --> 00:54:47,399 Speaker 1: real stuff just like that. I mean, there's no it's 937 00:54:47,400 --> 00:54:51,560 Speaker 1: a talent that you have. Um and yeah, so I 938 00:54:51,880 --> 00:54:53,480 Speaker 1: And that's what you need in a wingman, right, You 939 00:54:53,520 --> 00:54:55,560 Speaker 1: need somebody who like knows how to keep everything flowing, 940 00:54:55,560 --> 00:55:00,200 Speaker 1: but also knows to recognize, okay, like something's there's time pending. 941 00:55:00,200 --> 00:55:01,839 Speaker 1: It's time for me to back out a little bit. 942 00:55:01,960 --> 00:55:06,360 Speaker 1: You know, guys, I'm gonna get a drink who needs something? Yeah, 943 00:55:06,840 --> 00:55:09,480 Speaker 1: you know what? Joy Um. I feel like that's the 944 00:55:09,560 --> 00:55:11,719 Speaker 1: drink that you need to make next the wing man. 945 00:55:11,920 --> 00:55:16,840 Speaker 1: Wing Man. Yeah, so where it's just like a dependable 946 00:55:17,000 --> 00:55:22,520 Speaker 1: drink that is like delicious but also like, you know, subtle. 947 00:55:22,880 --> 00:55:24,960 Speaker 1: It's like, oh heay, no, I'm totally not trying to 948 00:55:25,000 --> 00:55:29,560 Speaker 1: hook you two up. Subtle A subtle that's good. It's 949 00:55:29,560 --> 00:55:35,240 Speaker 1: a slow burn. Who's our character wing Man. I feel 950 00:55:35,239 --> 00:55:38,920 Speaker 1: like Deb would be a great wing man for sure, 951 00:55:39,640 --> 00:55:42,680 Speaker 1: for sure because she's not subtle at all. Deb's the 952 00:55:42,680 --> 00:55:45,120 Speaker 1: one that walks up and it's like, hey, heyy, my 953 00:55:45,160 --> 00:55:52,399 Speaker 1: friend wants to kiss you, which is yeah, which is 954 00:55:52,440 --> 00:55:56,320 Speaker 1: a great strategy. I appreciate that you've got to have both. Um. Okay, 955 00:55:56,360 --> 00:56:00,239 Speaker 1: next episode is season three, episode five, a multi food 956 00:56:00,400 --> 00:56:06,879 Speaker 1: of casualties that sounds heavy. Oh um, I love you. 957 00:56:07,080 --> 00:56:14,560 Speaker 1: I love you too. Alright, guys, thanks for joining Great hine. Hey, 958 00:56:14,600 --> 00:56:16,960 Speaker 1: thanks for listening. Don't forget to leave us a review. 959 00:56:17,200 --> 00:56:20,320 Speaker 1: You can also follow us on Instagram at Drama Queens 960 00:56:20,360 --> 00:56:23,839 Speaker 1: O t H. Or email us at Drama Queens at 961 00:56:23,840 --> 00:56:28,359 Speaker 1: I heart radio dot com. See you next time. We 962 00:56:28,360 --> 00:56:31,520 Speaker 1: are all about that high school drama. Girl Drama Girl, 963 00:56:31,600 --> 00:56:34,719 Speaker 1: all about them high school queens. We'll take you for 964 00:56:34,840 --> 00:56:37,960 Speaker 1: a ride at our comic girl sharing for the right 965 00:56:38,360 --> 00:56:42,600 Speaker 1: drama queens up girl fashion, but you'll tough. Girls, You 966 00:56:42,640 --> 00:56:45,520 Speaker 1: can sit with us. Girl Drama Queens, Drama Queens, Drama, 967 00:56:45,600 --> 00:56:49,200 Speaker 1: Queen's Drama Drawn MC Queen's Drama Queens