WEBVTT - Heavyweight Short: Yasser

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<v Speaker 1>Stevie Lane. Hello, So now you have a story I

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<v Speaker 1>do to tell to share with the nation. Yes, does

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<v Speaker 1>your grandmother what's your grandmother's name again, Philip, Ruth?

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<v Speaker 2>Ruth close?

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<v Speaker 1>Has she listened to your stories in the past?

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<v Speaker 2>She has?

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<v Speaker 1>Has she listened to my stories?

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<v Speaker 2>No? Not as much, not at all.

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<v Speaker 1>Should we call her up on the telephone to tell

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<v Speaker 1>her that you have a story?

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<v Speaker 3>Who's this?

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<v Speaker 2>Hi, Grandma, it's Stevie. Oh.

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<v Speaker 3>Oh, it just said New York. I almost wasn't going.

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<v Speaker 4>To take it.

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<v Speaker 3>Okay, fun, how to do it?

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<v Speaker 2>I was just calling because I wanted to tell you

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<v Speaker 2>that I'm hosting today's episode of Heavyweight.

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<v Speaker 3>Oh and of course, you know what, I'll hear you

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<v Speaker 3>better because I just came back from the audeologist. She

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<v Speaker 3>fixs my hearing aids so I can hear a little better.

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<v Speaker 3>And no, everybody who listens, you know, so I we're

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<v Speaker 3>hearing age.

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<v Speaker 2>Oh, Grandma, I think that most ninety five year olds

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<v Speaker 2>have hearing aids.

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<v Speaker 3>And right now you're told everyone I'm old.

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<v Speaker 4>I am.

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<v Speaker 3>I was going to say I'm only eighty nine, but okay,

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<v Speaker 3>I've got to say ninety five.

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<v Speaker 2>I'm sorry.

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<v Speaker 3>No, I was only teasing you, and I don't care.

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<v Speaker 3>I don't know me so well, but they don't know

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<v Speaker 3>I don't look my age. You'd have to tell them that.

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<v Speaker 2>Oh yeah, So for everyone listening, she does not look

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<v Speaker 2>her age.

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<v Speaker 3>Good.

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<v Speaker 2>I'm Stevie Lane and this is heavyweight, Today's heavyweight short.

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<v Speaker 3>Yeah, sir, I'm ready to hear it.

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<v Speaker 2>Now you may right after the break. Hello, Hi is

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<v Speaker 2>this Yasir? Yes, this is he. Yaser is twenty eight.

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<v Speaker 2>He lives in Saudi Arabia and he's a dentist. I

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<v Speaker 2>love going to the dentist.

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<v Speaker 5>Actually, oh nice, I see you floss.

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<v Speaker 2>Every day and I have a water floss.

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<v Speaker 5>Wow, A plus do it.

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<v Speaker 2>I could talk about my oral hygiene all day. Cavities,

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<v Speaker 2>zero gum recession. If anything, my gums are advancing. But

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<v Speaker 2>we're not here to talk about my superior dental health.

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<v Speaker 2>We're here to talk about Yaser and a cartoon he

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<v Speaker 2>first encountered when he was a kid. Yaser hasn't seen

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<v Speaker 2>it in twenty years because it's completely vanished. Yasser grew

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<v Speaker 2>up in a small Saudi town. He loved cartoons. This

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<v Speaker 2>was back before streaming, so his mom would go to

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<v Speaker 2>the video store to buy VHS tapes for him, and

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<v Speaker 2>one day, when Yaser was about eight years old, she

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<v Speaker 2>came home with a cartoon that changed his life.

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<v Speaker 5>The show is called Little Eliphonteau. It's about a family

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<v Speaker 5>of elephants living in suburbia.

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<v Speaker 2>The elephant family was called the boom Mills.

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<v Speaker 6>The father works in a company and he's always worried

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<v Speaker 6>about his bonus.

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<v Speaker 5>Oh, when is my boss going to give me my bonus?

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<v Speaker 2>And the show was dubbed in Arabic. Yasser always assumed

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<v Speaker 2>it was originally American.

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<v Speaker 6>You know the fact that they're living in suburbia, that's

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<v Speaker 6>very American. The father's financial woes also American. Brown nosing

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<v Speaker 6>with the boss and trying to make him like him,

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<v Speaker 6>that seems to me very American as well.

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<v Speaker 2>I take offense at yas theer's assumption that all Americans

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<v Speaker 2>are career obsessed sick offense, But I just laughed politely.

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<v Speaker 2>After all, I have an interview to finish, and I

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<v Speaker 2>want to make my talented and intelligent boss, Jonathan Stuart

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<v Speaker 2>Goldstein proud. Maybe this year I'll finally get that bonus.

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<v Speaker 2>The show quickly became a classic in Yasser's home, He

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<v Speaker 2>and his brother would watch it every morning before school

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<v Speaker 2>with a breakfast sandwich and a big cup of Nest Cafe.

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<v Speaker 2>The star of the show was the baby elephant, Filo,

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<v Speaker 2>who was.

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<v Speaker 6>Very young and still in diapers and has a teddy

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<v Speaker 6>bear named Hong.

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<v Speaker 2>Filo and Hong would go on imaginary adventures together.

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<v Speaker 5>Fodo was so magical to me whenever we would go

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<v Speaker 5>on camping trips or desert outings.

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<v Speaker 6>Every time we would go, I would try to discover something,

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<v Speaker 6>a secret door, a treasure like Fido.

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<v Speaker 2>Yes, or love the show because like Philo, he was

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<v Speaker 2>a kid with a big imagination, the kind of kid

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<v Speaker 2>it would pretend that inanimate objects were alive. He tells

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<v Speaker 2>me about one time when he was driving down a

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<v Speaker 2>bumpy road with a friend.

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<v Speaker 6>I was kind of imagining the car, kind of going, oh,

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<v Speaker 6>what are you doing to me?

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<v Speaker 2>Oh, calm down, slow bloo. But in Yaser's small town,

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<v Speaker 2>he didn't feel like there was a lot of support

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<v Speaker 2>for kids like him, kids who looked drawing and making

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<v Speaker 2>up stories.

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<v Speaker 6>And I longed for a place to bring my creativity

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<v Speaker 6>to light.

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<v Speaker 2>Pursuing a creative field didn't feel like an option for Ya, Sir,

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<v Speaker 2>And when he got older, he chose a career that

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<v Speaker 2>was practical and prestigious dentistry. Now a decade later, Yasser

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<v Speaker 2>admits that he doesn't love it. He's always been this

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<v Speaker 2>really imaginative person, but in his daily routine, he's not

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<v Speaker 2>that excited by what he does. He spends his days

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<v Speaker 2>looking at rows of teeth and checking gums. There's no

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<v Speaker 2>sense of wonder like there was when he was a

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<v Speaker 2>kid living in his imaginary world. He's nostalgic for that

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<v Speaker 2>feeling and sees the cartoon as a sort of portal.

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<v Speaker 2>He knows that watching Philo would bring him right back

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<v Speaker 2>to his childhood. The only problem is Filo is gone.

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<v Speaker 5>I tried to find it everywhere. No one ever recognizes it.

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<v Speaker 5>No one knows this show aside from our family. It's

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<v Speaker 5>so insane. It almost feels like a like a dream

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<v Speaker 5>we had as a family.

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<v Speaker 2>It's as though Little Philo has been wiped from existence.

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<v Speaker 2>Yaser has poured over media archives, has tried googling Elephant

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<v Speaker 2>cartoon in every language he can think of. Once, he

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<v Speaker 2>even heard an actor's voice on TV and recognized him

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<v Speaker 2>as one of the characters from the show.

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<v Speaker 6>So I looked up the guy on Facebook, and then

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<v Speaker 6>I find Hi.

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<v Speaker 5>I tell him about this show. He does not recognize it.

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<v Speaker 2>In a last ditch effort, Yaser made a drawing of

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<v Speaker 2>the characters from memory, the dad and his bowtie, invest

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<v Speaker 2>the mom in her green, ruffled house dress. He bought

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<v Speaker 2>ads based on Instagram and posted the drawing to see

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<v Speaker 2>if anyone could identify it. Nothing.

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<v Speaker 6>I keep thinking there must be like some like cartoon

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<v Speaker 6>lunatic guy living in a basement that would like instantly

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<v Speaker 6>pick it up.

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<v Speaker 5>But I just don't know.

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<v Speaker 2>I mean lunatic basically cartoon guides.

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<v Speaker 1>So you want to break it down with the maestro?

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<v Speaker 1>Is that what this is about?

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<v Speaker 2>From Gimblet Media, he's Jonathan Goldstein, post of Most Heavyweight Episodes.

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<v Speaker 2>I tell him about my conversation with Yaser and his

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<v Speaker 2>beloved TV show about a family of elephants.

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<v Speaker 1>Can I stop you and ask a question?

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<v Speaker 2>Please?

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<v Speaker 1>This family of elephants is one of them wearing a crown.

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<v Speaker 2>I know what you're thinking. You're thinking Babar. I'm thinking Babar.

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<v Speaker 2>I think it's Babar. What's Who's b bar? B Bar

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<v Speaker 2>is the elephant with a crown? But Yaser sent me

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<v Speaker 2>the drawing he made and it looks nothing like Babar

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<v Speaker 2>or bab Bar.

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<v Speaker 1>Oh, now you're calling him babar. Huh.

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<v Speaker 2>I'm just trying to I'm just trying to be agreeable,

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<v Speaker 2>you know.

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<v Speaker 1>Can can you hear this?

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<v Speaker 2>You're ready? Oh? I think you're right? I mean you

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<v Speaker 2>were right. I knew I was right.

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<v Speaker 7>I just didn't.

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<v Speaker 1>Let's see one more, one more, hang on, here it comes.

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<v Speaker 4>Oh did you hear that?

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<v Speaker 2>Okay, so you're gonna take the set what sounds like

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<v Speaker 2>a barely literate child and use that.

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<v Speaker 1>Who would know better? Who would know better than a

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<v Speaker 1>ba bar?

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<v Speaker 2>Okay? So let's just say we're both right. Well, Jonathan

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<v Speaker 2>says he isn't the basement dweller. I seek he does know,

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<v Speaker 2>just the guy.

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<v Speaker 1>He has a very quick mind, very quick on his toes,

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<v Speaker 1>fleet of foot and fleet of mouth. It's like everything

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<v Speaker 1>that he says sounds like it could be scored to

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<v Speaker 1>flight of the bumblebee? Does that make sense?

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<v Speaker 8>Not really?

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<v Speaker 1>You'll you'll see what I'm talking about.

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<v Speaker 2>Hi, Stev, how are you? This is Howard? And Jonathan

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<v Speaker 2>was right. Talking to Howard feels like clinging to an

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<v Speaker 2>electric fence. Like here's what he says when I send

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<v Speaker 2>him asters drawing.

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<v Speaker 9>They actually look like elephant seals. Holy shit, they have

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<v Speaker 9>known known that they are elfan seals. They would have

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<v Speaker 9>they would have flippers. They're They're definitely most evil animals

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<v Speaker 9>on the planet. I think male elephant seals. They smother

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<v Speaker 9>their babies to death. What Dolphins are also not the nicest.

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<v Speaker 9>I love dolphins so much, but they're really mean. They're

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<v Speaker 9>mean to sharks.

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<v Speaker 2>Howard is a cartoonist himself and has an extensive knowledge

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<v Speaker 2>of all things animation. I tell him all about the

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<v Speaker 2>boom Mill family and some of the other characters, like

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<v Speaker 2>the janitor elephant with a cigarette butt hanging out of

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<v Speaker 2>her mouth.

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<v Speaker 9>That changes a lot. Then it's most likely not an

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<v Speaker 9>American or Canadian kid series because they would never put

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<v Speaker 9>a cigarette in the mouth, especially if it was like

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<v Speaker 9>late nineties, early two thousands.

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<v Speaker 2>Oh that's a good point.

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<v Speaker 9>I'm going to find this Philo Elefanto little Elephants.

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<v Speaker 2>I'm obsessed with this now. I expect to hang up

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<v Speaker 2>and get a call from Howard in a few days

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<v Speaker 2>with the answer. Instead, he launches into his investigation right

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<v Speaker 2>then and there with a dizzying speed. He turns to Wikipedia.

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<v Speaker 9>And if Philiu camp Plasio, Chico Bombon, Edward and Friends, Elephant,

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<v Speaker 9>Edward and Friends. That's who that is clearmation Now see

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<v Speaker 9>Jungle Cubs, Kirian Lou knowing Asanski Wikiyaku jungle junction, as

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<v Speaker 9>of tay Lulu's islands. Well, I'm searching. We can have

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<v Speaker 9>all kinds of discussions without other things. It's spaghetti here,

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<v Speaker 9>Philu are you talking about Tarzan? You're not talking about

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<v Speaker 9>tet now, I'm sorry, Yo, Nakima Ton Tour, Tonturs elephant

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<v Speaker 9>mean the Tarzan san any adventures remember that ton Tour

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<v Speaker 9>Elephant Magic adventures A mumpy now he's sound right. My big,

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<v Speaker 9>my big big friend. Nelly the elephant arguing the cock

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<v Speaker 9>coroaches meet Poco yo. What's is poco yo? The one's

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<v Speaker 9>called Nelfie Nelly, No, sorry, Nelly. The resk in mompfy

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<v Speaker 9>tesc and moumfy Oh.

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<v Speaker 4>I found it.

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<v Speaker 2>I found it. What are you saying? He's holding a

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<v Speaker 2>teddy bear. This has got to be him. It's all

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<v Speaker 2>in Arabic.

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<v Speaker 9>Is a little baby elephant and he's holding a teddy bear.

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<v Speaker 2>A teddy bear my heart sores and the teddy bear

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<v Speaker 2>is like a panda and sinks in Yasser's drawing, the

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<v Speaker 2>teddy bear is not a panda. It turns out all

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<v Speaker 2>Howard has found is a book called The Elephant Learns

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<v Speaker 2>to Share about an angry elephant who keeps everything for himself.

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<v Speaker 2>It was never adapted into a TV show, which is

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<v Speaker 2>probably why the Elephant is so angry. After Howard's failure,

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<v Speaker 2>I lose faith in guy's and basements everywhere. I need

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<v Speaker 2>a professional, one who dwells above ground. So I call Ramins,

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<v Speaker 2>a heat editor in chief of Animation Magazine, and send

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<v Speaker 2>him Yaser's drawing. He'll post it to the magazine's Facebook page,

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<v Speaker 2>which has hundreds of thousands of follows. A few days later,

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<v Speaker 2>I get an email Stevie exclamation Point. We found it,

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<v Speaker 2>exclamation Point. At the bottom of the email, there's a

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<v Speaker 2>YouTube link to an animated show about a family of elephants.

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<v Speaker 2>Many of the details match up with what Yaser had

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<v Speaker 2>told me about Filo, right down to the little kid

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<v Speaker 2>elephant with a teddy bear, and it's an Arabic flo

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<v Speaker 2>Filo Helentie Hula. I don't speak Arabic, but I feel

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<v Speaker 2>like I can hear them saying Filo. Surely this must

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<v Speaker 2>be it. I am like ninety percent sure this is

0:12:43.080 --> 0:12:48.680
<v Speaker 2>not it. This naysayer is my producer, Mona. She speaks Arabic,

0:12:48.760 --> 0:12:50.520
<v Speaker 2>so I ask her to take a look at the clip,

0:12:50.679 --> 0:12:52.840
<v Speaker 2>and she says. There are a number of differences between

0:12:52.840 --> 0:12:56.280
<v Speaker 2>this show and what Yaser described. For one, the baby

0:12:56.280 --> 0:12:59.160
<v Speaker 2>elephant isn't named Filo. That's just a way of saying

0:12:59.200 --> 0:13:03.240
<v Speaker 2>elephant in air. And like this show is extremely boring.

0:13:03.559 --> 0:13:07.200
<v Speaker 2>I would say that's like my strongest reason that I

0:13:07.200 --> 0:13:10.800
<v Speaker 2>don't think this is it. Yaser described a magical show

0:13:10.880 --> 0:13:14.680
<v Speaker 2>where Philo went on fantastical adventures. The episode of this

0:13:14.760 --> 0:13:18.240
<v Speaker 2>show that Mona watched was about watering a neighbor's plants.

0:13:19.120 --> 0:13:21.840
<v Speaker 2>Hat in hand, I returned to the Maestro to see

0:13:21.840 --> 0:13:23.360
<v Speaker 2>if he has any ideas.

0:13:23.840 --> 0:13:27.200
<v Speaker 1>Is it not possible or even likely that he is

0:13:27.640 --> 0:13:30.520
<v Speaker 1>Key and his family have conflated a couple different cartoons

0:13:30.559 --> 0:13:31.080
<v Speaker 1>into one.

0:13:32.440 --> 0:13:35.920
<v Speaker 2>Is it? I look at Yaser's drawing again, and this

0:13:36.040 --> 0:13:38.400
<v Speaker 2>time I noticed that the elephants don't even really look

0:13:38.520 --> 0:13:41.800
<v Speaker 2>like elephants. Their trunks are scrunched and wrinkled, much more

0:13:41.880 --> 0:13:45.160
<v Speaker 2>like snouts. They look a bit like alf drawn in

0:13:45.200 --> 0:13:49.280
<v Speaker 2>the style of Maurice Sendak, and over the next few months,

0:13:49.320 --> 0:13:52.600
<v Speaker 2>my luck in finding Philo doesn't improve. I reach out

0:13:52.600 --> 0:13:55.520
<v Speaker 2>to the Museum of the Moving Image, the UCLA Film Archive,

0:13:55.640 --> 0:13:58.360
<v Speaker 2>the Pale Media Center. I speak to a professor of

0:13:58.440 --> 0:14:02.000
<v Speaker 2>animation at Saudi Arabian University. I do a reverse image

0:14:02.000 --> 0:14:05.440
<v Speaker 2>search on Yaser's drawing. I even wait on hold for

0:14:05.520 --> 0:14:08.720
<v Speaker 2>three hours on a live Colin radio show Who's prompt

0:14:08.760 --> 0:14:11.400
<v Speaker 2>that week? As Luckwood have it is for movies and

0:14:11.440 --> 0:14:14.160
<v Speaker 2>TV shows that people can't quite remember the names of,

0:14:15.320 --> 0:14:17.280
<v Speaker 2>but everyone just says the same thing.

0:14:17.800 --> 0:14:20.280
<v Speaker 3>The only elephants family I can think of is Bar.

0:14:20.400 --> 0:14:23.360
<v Speaker 5>The elephant was very famous.

0:14:23.480 --> 0:14:27.400
<v Speaker 1>Maybe I'm just confusing it with people are saying bomb

0:14:27.400 --> 0:14:29.160
<v Speaker 1>al bab Bar. It's pretty close.

0:14:29.280 --> 0:14:32.520
<v Speaker 2>Somebody said bi Bar, So.

0:14:32.520 --> 0:14:35.320
<v Speaker 5>There was something was elephants.

0:14:37.600 --> 0:14:38.680
<v Speaker 2>Are you thinking of Bibar?

0:14:38.880 --> 0:14:41.600
<v Speaker 5>Yes, yes, yes, I'm thinking of Okay.

0:14:41.320 --> 0:14:50.080
<v Speaker 2>It's not ba Bar, And I gotta tell you, like, yes, sir.

0:14:50.360 --> 0:14:53.560
<v Speaker 2>At this point, I'm like starting to doubt your memory

0:14:53.600 --> 0:14:54.120
<v Speaker 2>a little bit.

0:14:55.760 --> 0:14:59.320
<v Speaker 6>I'm starting to doubt my own memory, are you sometimes?

0:14:59.400 --> 0:14:59.640
<v Speaker 3>Yeah?

0:15:00.560 --> 0:15:03.920
<v Speaker 5>Did I actually imagine this show? Or is it a

0:15:03.960 --> 0:15:06.000
<v Speaker 5>real thing that existed at one point?

0:15:07.440 --> 0:15:16.200
<v Speaker 2>An answer to that question after the break. Hi, yes, sir, Hello,

0:15:17.440 --> 0:15:18.520
<v Speaker 2>can I play you something?

0:15:19.080 --> 0:15:19.640
<v Speaker 4>Okay?

0:15:19.680 --> 0:15:32.720
<v Speaker 10>Okay ha ha, Oh my god, No way, that's the intro.

0:15:33.000 --> 0:15:33.800
<v Speaker 2>You recognize it?

0:15:35.800 --> 0:15:36.680
<v Speaker 5>Oh, that's it.

0:15:40.320 --> 0:15:50.920
<v Speaker 2>You found it. We found it, and here's how we

0:15:50.960 --> 0:15:55.240
<v Speaker 2>found it. As a last resort, I posted Yaser's drawing

0:15:55.280 --> 0:15:58.560
<v Speaker 2>from the Heavyweight Twitter account and asked for help. A

0:15:58.600 --> 0:16:02.320
<v Speaker 2>man named Simon in Germany responded, I found your show,

0:16:02.480 --> 0:16:06.680
<v Speaker 2>he said. I wasn't hopeful. How many times had I

0:16:06.680 --> 0:16:10.120
<v Speaker 2>already heard those very same words from Howard, from Amen,

0:16:10.720 --> 0:16:15.040
<v Speaker 2>from anyone and everyone who's ever seen Babar. But Simon

0:16:15.080 --> 0:16:17.920
<v Speaker 2>sent a YouTube link to a German cartoon called Auto's

0:16:17.920 --> 0:16:22.160
<v Speaker 2>Autifantin and the characters looked exactly like the ones in

0:16:22.280 --> 0:16:26.800
<v Speaker 2>Yasser's drawing. And as it turns out, Simon didn't even

0:16:26.840 --> 0:16:29.520
<v Speaker 2>have to be one of those lunatic basement cartoon guys,

0:16:30.080 --> 0:16:34.320
<v Speaker 2>because in Germany the autifants are famous. They're on lunchboxes

0:16:34.360 --> 0:16:37.560
<v Speaker 2>and in video games. There's a whole museum dedicated to them.

0:16:38.120 --> 0:16:40.440
<v Speaker 2>Simon told me anyone on the street would have recognized

0:16:40.480 --> 0:16:46.680
<v Speaker 2>Yasser's drawing. Then, in my own Wikipedia frenzy, I learned

0:16:46.720 --> 0:16:49.440
<v Speaker 2>that the characters were created by a famous German comedian

0:16:49.520 --> 0:16:53.360
<v Speaker 2>named Otto Vodkas. He's sort of like a German Robin Williams.

0:16:53.880 --> 0:16:55.960
<v Speaker 2>If you ever moved to watch the movie ice Age

0:16:55.960 --> 0:16:58.560
<v Speaker 2>in German. He's the voice of Sid the sloth.

0:17:01.720 --> 0:17:03.680
<v Speaker 4>Hello, this is so.

0:17:03.720 --> 0:17:06.200
<v Speaker 2>I called Auto at his home in Fort Lauderdale to

0:17:06.280 --> 0:17:09.040
<v Speaker 2>find out more about the Odifants, and it was easy

0:17:09.080 --> 0:17:12.320
<v Speaker 2>to imagine how he made a famous cartoon character, because

0:17:12.320 --> 0:17:14.440
<v Speaker 2>he's basically a cartoon character himself.

0:17:15.320 --> 0:17:17.120
<v Speaker 4>I have a studio up in the first floor here

0:17:17.119 --> 0:17:19.080
<v Speaker 4>with a little diving board. From there, I can jump

0:17:19.080 --> 0:17:22.760
<v Speaker 4>in my pool. No, yes, I love it.

0:17:23.320 --> 0:17:26.240
<v Speaker 2>If talking to Howard was like clinging to an electric fence,

0:17:26.800 --> 0:17:29.560
<v Speaker 2>talking to Auto was like trying to catch a super

0:17:29.600 --> 0:17:33.200
<v Speaker 2>bouncy ball in a room full of trampolines. Like when

0:17:33.240 --> 0:17:36.480
<v Speaker 2>I tried to ask him about Yaser's favorite episode, That's

0:17:36.520 --> 0:17:43.960
<v Speaker 2>my favorite, and then without warning, he suddenly became the Grinch.

0:17:44.560 --> 0:17:46.719
<v Speaker 4>I'm going to steal Christmas.

0:17:47.640 --> 0:17:48.879
<v Speaker 2>Before whiping out a guitar.

0:17:51.080 --> 0:17:58.040
<v Speaker 7>I wonder, like under one ring Star, I wonder if

0:17:58.240 --> 0:18:00.800
<v Speaker 7>you know it's funny, like you say dog when you

0:18:00.800 --> 0:18:01.159
<v Speaker 7>said that.

0:18:01.760 --> 0:18:12.480
<v Speaker 2>Only when I finally was able to squeeze in a

0:18:12.560 --> 0:18:15.600
<v Speaker 2>question about the otifans. Otto told me he's been drawing

0:18:15.640 --> 0:18:18.800
<v Speaker 2>them ever since he was a child. It all started

0:18:18.800 --> 0:18:21.760
<v Speaker 2>one day in school when Otto was doodling at his desk.

0:18:22.240 --> 0:18:23.800
<v Speaker 2>He tried to draw a self portrait.

0:18:25.600 --> 0:18:29.360
<v Speaker 4>It was so I changed the eyes a little bit,

0:18:29.720 --> 0:18:31.879
<v Speaker 4>extended the nose, a little bit of the legs, A

0:18:31.920 --> 0:18:32.480
<v Speaker 4>little elephant.

0:18:32.520 --> 0:18:36.800
<v Speaker 2>They call it fund Ottiphant, a mash up word of

0:18:36.880 --> 0:18:42.919
<v Speaker 2>Auto an elephant. Auto based the boom Mill family on

0:18:42.960 --> 0:18:46.760
<v Speaker 2>his own. The character Filo, who in Germany is named

0:18:46.800 --> 0:18:49.480
<v Speaker 2>Baby Bruno, was meant to be Otto himself.

0:18:50.200 --> 0:18:52.960
<v Speaker 4>I had my little teddy bear. You know this crystal

0:18:53.040 --> 0:18:55.560
<v Speaker 4>hug because it was made in Hong Kong. That's why

0:18:55.600 --> 0:18:56.280
<v Speaker 4>I called him Honk.

0:18:57.240 --> 0:19:00.159
<v Speaker 2>Growing up in post war Germany, Otto's family didn't have

0:19:00.200 --> 0:19:02.720
<v Speaker 2>a lot of money for paint and paper, so he'd

0:19:02.720 --> 0:19:06.440
<v Speaker 2>make drawings on the backs of wallpaper scraps. I showed

0:19:06.480 --> 0:19:09.440
<v Speaker 2>Otto the drawing Yaser made of his audifence, and Otto

0:19:09.640 --> 0:19:12.440
<v Speaker 2>was delighted. He asked me to record a message.

0:19:13.160 --> 0:19:16.120
<v Speaker 4>Yes, Sah, when you were here in America, in Fort Lauderdale,

0:19:16.160 --> 0:19:18.280
<v Speaker 4>you gott to visit me. I have a diving board.

0:19:19.080 --> 0:19:22.200
<v Speaker 4>We can talk about Baby Bruno and we can draw,

0:19:23.000 --> 0:19:25.600
<v Speaker 4>and I saw your drawing at a really excellent I'm

0:19:25.640 --> 0:19:29.880
<v Speaker 4>looking forward to meeting you. Holda nity. I can bark

0:19:29.960 --> 0:19:36.199
<v Speaker 4>that I'd do anything for you. Okay, oh my god.

0:19:38.000 --> 0:19:38.440
<v Speaker 5>Wow.

0:19:39.320 --> 0:19:41.879
<v Speaker 2>Back on the phone with Yaser, we debrief about the

0:19:41.920 --> 0:19:45.040
<v Speaker 2>creator of his favorite TV show. He and Otto were

0:19:45.040 --> 0:19:49.960
<v Speaker 2>similar kids, always drawing, always imagining. They both identified with Philo,

0:19:50.960 --> 0:19:54.120
<v Speaker 2>and yet Otto's life went one way towards a career

0:19:54.160 --> 0:19:58.160
<v Speaker 2>in the arts, while Yasers one another. That's the thing.

0:19:58.240 --> 0:20:02.000
<v Speaker 2>Yasers particularly fixated on how Auto stayed true to his

0:20:02.080 --> 0:20:05.840
<v Speaker 2>childhood passion followed his dream of being an artist.

0:20:06.160 --> 0:20:08.240
<v Speaker 5>It's all inspiring.

0:20:10.960 --> 0:20:14.560
<v Speaker 8>I wonder when he made that decision and how did

0:20:14.560 --> 0:20:15.280
<v Speaker 8>it affect his.

0:20:15.320 --> 0:20:19.880
<v Speaker 5>Life, Like did he have to break up with someone,

0:20:20.080 --> 0:20:23.560
<v Speaker 5>did he have like trouble in his household?

0:20:23.960 --> 0:20:28.720
<v Speaker 8>Was it a good decision or did he regret it?

0:20:28.720 --> 0:20:30.919
<v Speaker 2>It feels like these are questions he answer is asking

0:20:31.000 --> 0:20:35.159
<v Speaker 2>himself rather than Auto. Maybe questions he's been asking himself

0:20:35.200 --> 0:20:38.000
<v Speaker 2>for a long time, questions he's still asking.

0:20:41.119 --> 0:20:43.800
<v Speaker 8>I think that no matter how older you get, no

0:20:43.840 --> 0:20:46.600
<v Speaker 8>matter what position in life you're in, there's always the

0:20:46.760 --> 0:20:48.480
<v Speaker 8>question of who.

0:20:48.359 --> 0:20:51.520
<v Speaker 5>Am I and what purpose do I fulfill?

0:20:52.480 --> 0:20:56.680
<v Speaker 8>I just always kind of like, never really feel sure

0:20:56.720 --> 0:21:01.560
<v Speaker 8>of what I'm doing, and in my work sometimes I'm like,

0:21:01.960 --> 0:21:03.239
<v Speaker 8>what do I want out of this?

0:21:03.960 --> 0:21:05.080
<v Speaker 5>What purpose?

0:21:06.400 --> 0:21:09.560
<v Speaker 6>I think that we're always in search of our truest self.

0:21:15.000 --> 0:21:17.640
<v Speaker 2>And it turns out there's a reason Yasir is reflecting

0:21:17.680 --> 0:21:21.480
<v Speaker 2>so much on his life because Yaser tells me he

0:21:21.600 --> 0:21:24.320
<v Speaker 2>and his wife just found out that they're having a baby.

0:21:24.960 --> 0:21:26.840
<v Speaker 2>Oh yes, sir, I'm so happy for you.

0:21:27.960 --> 0:21:28.399
<v Speaker 3>Thank you.

0:21:29.720 --> 0:21:33.040
<v Speaker 2>Yeser might still have questions about his truest self, but

0:21:33.080 --> 0:21:35.720
<v Speaker 2>when it comes to his future child's there's one thing

0:21:35.760 --> 0:21:39.120
<v Speaker 2>he knows for sure. Yaser wants something different for his

0:21:39.240 --> 0:21:42.000
<v Speaker 2>kid than what he had. He says that if his

0:21:42.119 --> 0:21:44.880
<v Speaker 2>kid enjoys making art as much as he did, He's

0:21:44.880 --> 0:21:47.000
<v Speaker 2>going to encourage that in any way he can.

0:21:47.840 --> 0:21:50.920
<v Speaker 6>Or even if they're not artistic and just kind of

0:21:51.560 --> 0:21:53.000
<v Speaker 6>are crazy about.

0:21:53.000 --> 0:21:56.480
<v Speaker 3>Math and robotics or whatever.

0:21:56.600 --> 0:21:58.760
<v Speaker 5>I'll try my best to support that.

0:22:04.080 --> 0:22:07.040
<v Speaker 2>A few weeks after we talk, Yasser receives a package

0:22:07.040 --> 0:22:10.720
<v Speaker 2>from Germany. It's full of Audi fund and swag, sent

0:22:10.760 --> 0:22:13.360
<v Speaker 2>by Auto to his number one fan in Saudi Arabia.

0:22:14.240 --> 0:22:17.000
<v Speaker 2>There's a hat, a T shirt, a toe bag, and

0:22:17.080 --> 0:22:20.720
<v Speaker 2>a little stuffed animal otifhant Yasser says he's going to

0:22:20.760 --> 0:22:41.439
<v Speaker 2>give it to his baby, his own little Felo. This

0:22:41.520 --> 0:22:44.920
<v Speaker 2>Heavyweight short was produced by Mohemi mcgouger and me Stevie Lane,

0:22:44.960 --> 0:22:48.960
<v Speaker 2>along with Phoebe Flanagan. Our executive producer is Jonathan Goldstein.

0:22:49.119 --> 0:22:52.120
<v Speaker 2>Our senior producer is Khalila Holt. Special thanks to doctor

0:22:52.200 --> 0:22:56.000
<v Speaker 2>Mohammed Gazala, Pia Gadkari, Bobby Lord, and Tom Sharpling over

0:22:56.040 --> 0:22:59.560
<v Speaker 2>at the Best Show editorial guidance from Emily Condon. Bobby

0:22:59.600 --> 0:23:02.600
<v Speaker 2>Lord makes the episode with original music by Christine Fellows,

0:23:02.680 --> 0:23:06.160
<v Speaker 2>John K. Sampson, Blue Dot Sessions and Bobby Lord. Additional

0:23:06.200 --> 0:23:08.639
<v Speaker 2>music credits can be found on our website gimlipmedia dot

0:23:08.720 --> 0:23:11.480
<v Speaker 2>com slash Heavyweight. Our theme song is by The Weaker

0:23:11.520 --> 0:23:15.800
<v Speaker 2>Theands courtesy of Epitaph Records. Heavyweight is a Spotify original podcast.

0:23:16.080 --> 0:23:19.840
<v Speaker 2>Follow us on Twitter at Heavyweight, Instagram at Heavyweight Podcast,

0:23:20.119 --> 0:23:22.919
<v Speaker 2>or email us at Heavyweight at gimlipmedia dot com. You

0:23:22.960 --> 0:23:25.359
<v Speaker 2>can also follow our show on Spotify and tap the

0:23:25.359 --> 0:23:29.160
<v Speaker 2>bell to receive notifications when new episodes drop and speaking

0:23:29.160 --> 0:23:31.520
<v Speaker 2>of new episodes, will be back with a brand new

0:23:31.560 --> 0:23:32.679
<v Speaker 2>one next week