WEBVTT - The Interview

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<v Speaker 1>Before we start. One production note. In this episode, we

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<v Speaker 1>again have quotes from Roll Dall. Rather than just have

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<v Speaker 1>me read them in my terrible British accent, we decided

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<v Speaker 1>to bring them to life, so we use an actor's

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<v Speaker 1>performance and some custom software to create a Doll like voice. Okay,

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<v Speaker 1>onto the episode, Roll Dall says, comfortably at home giving

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<v Speaker 1>which should be a casual, breezy phone interview to a

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<v Speaker 1>popular magazine called The New Statesman. It's nineteen eighty three.

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<v Speaker 1>Doll is at this point, without question, the most famous

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<v Speaker 1>and most successful children's author of all time. The BFG

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<v Speaker 1>came out just last year and was a phenomenon. The

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<v Speaker 1>Witches is about to be published. A critical acclaim on

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<v Speaker 1>the phone with Dall is Michael Koran, a young theater critic.

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<v Speaker 1>Koran is just out of college. He's not an experienced

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<v Speaker 1>journalist or some sort of master interrogator. This isn't some

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<v Speaker 1>kind of brilliant gotcha moment, but Doll is in one

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<v Speaker 1>of his dark moods. Koran asked about a book review

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<v Speaker 1>that Dall recently wrote. The book centered on the very

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<v Speaker 1>thorny topic of the Israel's invasion of Lebanon. The previous year.

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<v Speaker 1>Doll decides he doesn't just want to talk about the

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<v Speaker 1>book or his review of it. He wants to widen things.

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<v Speaker 1>He wants to talk about the Holocaust, you know, the

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<v Speaker 1>generational tragedy where six million Jewish men, women and children

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<v Speaker 1>were systematically exterminated. It might be the most softball topic

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<v Speaker 1>in all of journalism. Anyone in their right mind recognizes

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<v Speaker 1>the immense scale of the horror and expresses a firm

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<v Speaker 1>desire for it never to be forgotten and to never

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<v Speaker 1>happen again. Instead, here's what Roald Dahl says to the

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<v Speaker 1>young journalist. There is a trait in the Jewish character

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<v Speaker 1>that does provoke animosity. Maybe it's a kind of lack

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<v Speaker 1>of generosity towards non Jews. I mean, there's always a

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<v Speaker 1>reason why anti anything crops up anywhere. And then he

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<v Speaker 1>goes on to say, even a stinker like Hitler didn't

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<v Speaker 1>just pick on them for no reason. Ugh, Okay, this

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<v Speaker 1>is what we've been waiting for, folks. Here we go

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<v Speaker 1>in my hard podcast, Imagine Entertainment and Parallax. I'm Aaron Tracy,

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<v Speaker 1>and this is the Secret world of Roald Dahl. Episode seven. Now,

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<v Speaker 1>if you're worried, we're about to waste a whole lot

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<v Speaker 1>of time dissecting one unrepresentative quote that didn't really reflect

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<v Speaker 1>who Doll was or what he believed in. Don't be

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<v Speaker 1>the quote I just read wasn't a one off comment.

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<v Speaker 1>There's extensive evidence of Doll's bigotry. Dall biographer Jeremy Treglone

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<v Speaker 1>records a bunch of problematic stuff that Dahl said and

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<v Speaker 1>did throughout his life. At a social club, for instance,

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<v Speaker 1>Doll's daughter Tessa remembers her father complained about the number

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<v Speaker 1>of Jews who were members. He got drunk one night

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<v Speaker 1>and stood up to make a speech. Diners at nearby

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<v Speaker 1>tables told him to shut up. Doll was thrown out

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<v Speaker 1>and his club membership was revoked, says Treglone. Dall's editor,

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<v Speaker 1>the legendary Robert Gottlieb, who worked with so many brilliant writers,

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<v Speaker 1>from Nora Ephron to Tony Morrison to Robert Carrow. He

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<v Speaker 1>believes that dolls prejudice against Jews grew worse after he

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<v Speaker 1>and Dahl had a falling out. Now a little context.

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<v Speaker 1>Career wise, Doll was on top, having already published most

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<v Speaker 1>of his iconic children's books. But in his personal life,

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<v Speaker 1>Dall was a bit of a mess. He had divorced

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<v Speaker 1>Patricia Neil after thirty years of marriage. He was in

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<v Speaker 1>constant physical pain from back surgery stemming from that crash

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<v Speaker 1>in the desert decades earlier. And while he's having all

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<v Speaker 1>this career success, he's very insecure about people thinking he

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<v Speaker 1>can only write for kids. So when he's offered the

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<v Speaker 1>chance to review a book about Israel in a literary journal,

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<v Speaker 1>he sees it as a rare opportunity to write for adults,

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<v Speaker 1>and he's going to make the most of it. As

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<v Speaker 1>I mentioned, the review comes out in nineteen eighty three.

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<v Speaker 1>It's not excusing Dall to say that certain prejudices were

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<v Speaker 1>more common in mainstream culture back then. Just look at

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<v Speaker 1>our movies of the era. Some of the biggest films

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<v Speaker 1>of nineteen eighty three to nineteen eighty four were Sixteen Candles,

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<v Speaker 1>the John Hughes classic featuring Long Duck Dung, The Chinese Exchange,

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<v Speaker 1>student Trading Places, The Edding If You Break Out, which

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<v Speaker 1>includes blackface along with a bunch of class based stereotypes,

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<v Speaker 1>Indiana Jones, and The Temple of Doom, where Indian characters

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<v Speaker 1>are depicted as either noble mystics or bloodthirsty savages. And

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<v Speaker 1>on TV three's Company is The Big Show, which is

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<v Speaker 1>basically one long gay panic joke. Now a confession, I

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<v Speaker 1>still love some of those movies, and that's part of

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<v Speaker 1>why this is so complicated. I can still laugh at

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<v Speaker 1>a lot of the jokes in trading places and just

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<v Speaker 1>ignore the offensive ones. But I know I'm in a

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<v Speaker 1>privileged position to be able to do that, and of

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<v Speaker 1>course not everybody wants to do that. So back to

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<v Speaker 1>that book review, it's just as problematic as the interview

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<v Speaker 1>he gives about it. It's for the journal Literary Review.

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<v Speaker 1>The book tells the story of the recent Israeli siege

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<v Speaker 1>of Baybery, but in his review, Dog goes beyond the

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<v Speaker 1>contents of the book. He takes the opportunity to write

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<v Speaker 1>a passionate denunciation of the entire Israeli Palestinian conflict, which

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<v Speaker 1>he brought ends into an attack on Israel and Jewish

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<v Speaker 1>people everywhere. And yes, this has a of contemporary relevance.

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<v Speaker 1>The same stuff is happening all over again today. Here's

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<v Speaker 1>the beginning of Dolls book review.

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<v Speaker 2>In June nineteen forty one, I happened to be in

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<v Speaker 2>of all places, Palestine, flying with the Arif against the Bishi,

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<v Speaker 2>French and the Nazis. Hitler happened to be in Germany,

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<v Speaker 2>and the gas chambers were being built, and the mass

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<v Speaker 2>slaughter of the Jews was beginning. Our hearts bled for

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<v Speaker 2>the Jewish men, women and children, and we hated the Germans.

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<v Speaker 1>Okay, so far dolls throwing in some of his own

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<v Speaker 1>biography to relate to the contents of the buck, and

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<v Speaker 1>then he continues.

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<v Speaker 2>Exactly forty one years later, in June nineteen eighty two,

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<v Speaker 2>the Israeli forces were streaming northwards out of what used

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<v Speaker 2>to be Palestine into Lebanon, and the mass slaughter of

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<v Speaker 2>the inhabitants began. Our hearts bled for the Lebanese and

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<v Speaker 2>Palestinian men, women and children, and we all started hating

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<v Speaker 2>the Israelis.

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<v Speaker 1>Okay, so he's connecting what he saw as a pilot

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<v Speaker 1>in the war with what he sees now, but then

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<v Speaker 1>ramps up to this referring to the Jewish people.

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<v Speaker 2>Never before in the history of Man has a race

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<v Speaker 2>of people switched so rapidly from being much pitted victims

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<v Speaker 2>to barbarous murderers. Never before has a race of people

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<v Speaker 2>generated so much sympathy around the world, and then, in

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<v Speaker 2>the space of a lifetime, succeeded in turning that sympathy

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<v Speaker 2>into hatred and revulsion. It is as though a group

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<v Speaker 2>of much loved nuns in charge of an orphanage had

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<v Speaker 2>suddenly turned around and started murdering all the children.

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<v Speaker 1>He continues, It is.

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<v Speaker 2>Like the good old Hitler and Himler times all over again.

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<v Speaker 1>Wow, there's a lot there, like calling a whole race

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<v Speaker 1>of people, namely the Jews, barbarous murderers because he opposes

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<v Speaker 1>the actions of a handful of people in the Israeli government. Honestly,

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<v Speaker 1>I'm just not enough of an expert in these issues

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<v Speaker 1>to do this conversation justice, So I want to bring

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<v Speaker 1>in someone who is Yeah, you're Rosenberg has dedicated his

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<v Speaker 1>professional life to study and thinking about this stuff in

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<v Speaker 1>a really brilliant way. Yayir is a writer for The Atlantic.

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<v Speaker 1>He's also written for The Washington Posts, The New York Times,

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<v Speaker 1>the Wall Street Journal, you name it. He speaks around

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<v Speaker 1>the world on the topic of anti Semitism and I

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<v Speaker 1>love this. He's credited with coining the sarcastic Internet term

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<v Speaker 1>Gerbel's gap, which is the amount of time between a

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<v Speaker 1>negative event transpiring in the world and someone finding a

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<v Speaker 1>way to blame it on the Jews. I'm going to

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<v Speaker 1>ask Gayer to help provide context for various things Dall said.

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<v Speaker 1>First up, I asked Gayer why blaming all Jews for

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<v Speaker 1>the actions of the Israeli leadership is thought to be antisemitic.

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<v Speaker 3>Yeah, so there's a general human tendency here and a

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<v Speaker 3>particular anti Jewish one. Generally speaking, a lot of prejudice

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<v Speaker 3>takes the form of people looking at a minority group

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<v Speaker 3>and saying, anybody in this minority community that does anything

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<v Speaker 3>or says anything reflects on the entire group and every

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<v Speaker 3>person in it, such that if you're a member of minority,

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<v Speaker 3>you're collectively culpable for what anyone else and that minority

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<v Speaker 3>may say or do anywhere, no matter where they are,

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<v Speaker 3>and no matter your connection or lack there off to

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<v Speaker 3>those people. And that's not unique to Jews, right, that's

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<v Speaker 3>textbook racism, textbook bigotry. Think the spike in anti Muslim

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<v Speaker 3>hate crimes after nine to eleven, which was people taking

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<v Speaker 3>out anger at a specific group of fundamentalist terrorists on

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<v Speaker 3>everyday Americans who happened to have some identifying characteristic that

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<v Speaker 3>they associated with them. And so that is the general

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<v Speaker 3>human tendency towards prejudice. That's an old, old thing that

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<v Speaker 3>many of us have experienced or seen. And then there's

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<v Speaker 3>this specifically Jewish version of it where you see people

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<v Speaker 3>saying that, yeah, old Jews are to blame for anything

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<v Speaker 3>else any other Jew did in my perception, but you

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<v Speaker 3>have to think of Rode Doll in this particular context.

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<v Speaker 3>He was raised on a continent that for centuries persecuted, abused, expelled,

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<v Speaker 3>and murdered Jews over allegations of what other Jews thousands

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<v Speaker 3>of miles away did in the Middle East, namely they

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<v Speaker 3>allegedly killed Jesus, and that was seen to justify centuries

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<v Speaker 3>of anti Semitism on the European continent. Roade Doll grows

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<v Speaker 3>up in that place, right, that sort of way of

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<v Speaker 3>thinking about Jews, and you know, is part of what

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<v Speaker 3>pays the way for the Holocaust and the ideas of

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<v Speaker 3>the Nazis spread. It's not particularly new. It does get

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<v Speaker 3>secularized later on, where the Jews in Europe and the

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<v Speaker 3>United States and elsewhere get attacked over whatever Jews thousands

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<v Speaker 3>of miles away in the Middle East may have done,

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<v Speaker 3>and that somebody is angry about. It's not exactly different,

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<v Speaker 3>it's just the name's changed. And so in that way,

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<v Speaker 3>Dallas reflecting a general human tendency towards prejudice, and he's

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<v Speaker 3>also reflecting a very age old story that people tell

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<v Speaker 3>about Jews. And I think actually he's not particularly unique

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<v Speaker 3>in this respect. As you can see, this is a

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<v Speaker 3>very common way of thinking about minorities as mendacious monoliths.

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<v Speaker 3>What is unique is us asking the question and saying,

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<v Speaker 3>maybe we shouldn't do that. We're the exception. He's actually

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<v Speaker 3>the rule.

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<v Speaker 1>Interesting, and I mean we see this a lot today. Obviously,

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<v Speaker 1>what's going on in Israel and Gaza right now is

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<v Speaker 1>you know, on the front page every day, and people

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<v Speaker 1>are doing it again. People are blaming Jews in America,

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<v Speaker 1>Jews all over the world with what the Israeli government

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<v Speaker 1>is doing right now to the Palestinians.

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<v Speaker 3>Yeah, it's a very similar dynamic. If Rodal was alive today,

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<v Speaker 3>he would be doing the same thing. He'd be blurring

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<v Speaker 3>these lines between actions committed by an Israeli government and

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<v Speaker 3>a specific place in time for specific people with all

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<v Speaker 3>Jews around the world, rather than treating everybody as individuals

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<v Speaker 3>and judging them based on those characteristics. It's disheartening and

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<v Speaker 3>obviously it's wrong, but it's just something that's always been

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<v Speaker 3>with us as human beings. It's a sort of a

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<v Speaker 3>shortcut we use for thinking about minority groups that we

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<v Speaker 3>don't know well. Rather than trying to get to know

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<v Speaker 3>them and to understand them in their complexity and diversity,

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<v Speaker 3>we often try to reduce them to stereotypes, and in

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<v Speaker 3>some cases that means negative stereotypes or the worst thing

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<v Speaker 3>that anyone has ever said or done in that group.

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<v Speaker 3>There is a parallel to this, because it's a very

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<v Speaker 3>old thing. Ever since Israel has existed, there have been

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<v Speaker 3>people who have been angry about this or that Israeli

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<v Speaker 3>policies that have taken that out on proximate Jews. And

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<v Speaker 3>before Israel existed, whatever Jews in the Middle East did

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<v Speaker 3>was also taken out on any nearby approximate Jews, no

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<v Speaker 3>matter what connection they had to what happened in that place.

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<v Speaker 1>Dahl also makes reference to quote those powerful American Jewish bankers,

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<v Speaker 1>any asserts that the United States government is quote a

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<v Speaker 1>literally dominated by the great Jewish financial institutions over there.

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<v Speaker 1>Can you talk a little bit about those anti Semitic trips.

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<v Speaker 2>Sure.

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<v Speaker 3>There are two kinds of anti semitism, generally speaking. One

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<v Speaker 3>is the personal prejudice. This is the kind of bigotry

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<v Speaker 3>that most of us are familiar with, which is, I

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<v Speaker 3>don't like that person because they're different, they're too Jewish,

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<v Speaker 3>they're too Muslim, they're too black. And that's a social

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<v Speaker 3>prejudice and it's very harmful to the people targeted by it.

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<v Speaker 3>There's also a different kind of antisemitism that's the conspiratorial

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<v Speaker 3>expression of anti semitism, and this one posits that Jews

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<v Speaker 3>are a sinister string pulling cabal that is behind all

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<v Speaker 3>the world's social and economic problems. It's a theory about

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<v Speaker 3>how the entire world works, and it all traces back

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<v Speaker 3>to Jews. And if you see something going wrong, there's

0:11:41.679 --> 0:11:44.040
<v Speaker 3>definitely a Jew behind it, right, you perceive that there's

0:11:44.040 --> 0:11:46.920
<v Speaker 3>an invisible hand, it belongs to an invisible Jew, and

0:11:47.000 --> 0:11:49.280
<v Speaker 3>so Rodal here is expressing that he did it. That

0:11:49.360 --> 0:11:51.600
<v Speaker 3>my understanding is in other contexts as well, not just

0:11:51.640 --> 0:11:54.240
<v Speaker 3>saying Jews controlled the banks, not just saying they controlled

0:11:54.280 --> 0:11:56.720
<v Speaker 3>the government. He also said they controlled the media. You know,

0:11:56.800 --> 0:11:59.960
<v Speaker 3>Jews are zero point two percent of the human population, right,

0:12:00.240 --> 0:12:02.600
<v Speaker 3>if you were to think about this logically, even if

0:12:02.600 --> 0:12:04.560
<v Speaker 3>they punched one hundred percent above their weight, they would

0:12:04.600 --> 0:12:06.640
<v Speaker 3>zero point four percent of the power. It's just not

0:12:06.720 --> 0:12:09.760
<v Speaker 3>how the world actually works in reality. Of course, Jews

0:12:09.760 --> 0:12:12.840
<v Speaker 3>have been persecuted and exterminated for much of their existence

0:12:12.840 --> 0:12:15.120
<v Speaker 3>because they're a tiny group that doesn't really have this

0:12:15.240 --> 0:12:18.760
<v Speaker 3>kind of power influence. And Jews themselves are extremely diverse

0:12:18.800 --> 0:12:20.640
<v Speaker 3>and fractious and disagree with each other, and there are

0:12:20.679 --> 0:12:23.040
<v Speaker 3>many different sects and different beliefs, and they'll argue with

0:12:23.080 --> 0:12:25.360
<v Speaker 3>each other. And anyone who's ever spent time in a

0:12:25.400 --> 0:12:28.480
<v Speaker 3>Jewish community or with Jews are around shabatar passover a

0:12:28.520 --> 0:12:32.599
<v Speaker 3>table knows right that Jews can't set the therm? Is

0:12:32.679 --> 0:12:34.120
<v Speaker 3>that let alone? How do you know, I don't know,

0:12:34.160 --> 0:12:37.120
<v Speaker 3>control Western civilization. But again, this is sort of a

0:12:37.200 --> 0:12:40.360
<v Speaker 3>very long standing stereotypical way of thinking about Jews, and

0:12:40.600 --> 0:12:43.559
<v Speaker 3>you know, Dollas reflecting it. In the case of Jewish

0:12:43.600 --> 0:12:45.760
<v Speaker 3>bankers and others controlling the government, you might wonder, how

0:12:45.760 --> 0:12:47.840
<v Speaker 3>did two out of every three European Jews get killed

0:12:47.840 --> 0:12:50.640
<v Speaker 3>on the Holocaust. If this incredible Jewish conspiracy was there

0:12:50.720 --> 0:12:53.480
<v Speaker 3>running the show, it seems extremely bad at its job.

0:12:53.840 --> 0:12:56.439
<v Speaker 3>And similarly speaking, there's so many when the state of

0:12:56.480 --> 0:12:58.400
<v Speaker 3>Israel was found that in nineteen forty eight, America put

0:12:58.400 --> 0:13:00.640
<v Speaker 3>it under an arms embargo is very strange thing to

0:13:00.720 --> 0:13:02.640
<v Speaker 3>do if the Jews control of the government. There's a

0:13:02.679 --> 0:13:05.000
<v Speaker 3>lot of examples of this in history. Lots of Jewish

0:13:05.000 --> 0:13:07.520
<v Speaker 3>activists did lobby Franklin Dollan or Roosevelt to try to

0:13:07.559 --> 0:13:10.120
<v Speaker 3>bomb the railway tracks to Auschwitz, the death camp where

0:13:10.120 --> 0:13:11.880
<v Speaker 3>some many Jews were being killed, and he didn't do it.

0:13:12.120 --> 0:13:15.240
<v Speaker 3>Lots of Jewish activists tried to get the United States

0:13:15.280 --> 0:13:17.360
<v Speaker 3>and other countries to lift their immigrant quotas to allow

0:13:17.440 --> 0:13:20.319
<v Speaker 3>more Jewish refugees to flee the Holocaust. They didn't do it.

0:13:20.679 --> 0:13:23.520
<v Speaker 3>There are so many examples of this, it's kind of perverse.

0:13:23.760 --> 0:13:26.000
<v Speaker 3>The anti Semitic world view is kind of an inversion

0:13:26.000 --> 0:13:28.360
<v Speaker 3>of the reality. It posits that this tiny group of

0:13:28.440 --> 0:13:30.760
<v Speaker 3>Jews determines the fate of all the non Jews were

0:13:30.760 --> 0:13:33.560
<v Speaker 3>in fact, logically speaking right, the large non Jewish majority

0:13:33.559 --> 0:13:34.800
<v Speaker 3>of the world desides what the world is going to

0:13:34.840 --> 0:13:37.800
<v Speaker 3>be like for a lot of different minorities, not just Jews.

0:13:38.600 --> 0:13:40.960
<v Speaker 1>Here's another one, and this is when I'm certainly less

0:13:40.960 --> 0:13:43.959
<v Speaker 1>familiar with than the other troops. Talking about Jewish victims

0:13:43.960 --> 0:13:46.960
<v Speaker 1>of the Holocaust, Dahl said, quote, if you and I

0:13:47.000 --> 0:13:49.040
<v Speaker 1>were in a line moving towards what we knew were

0:13:49.040 --> 0:13:51.959
<v Speaker 1>gas chambers, I'd rather have a go at taking one

0:13:51.960 --> 0:13:54.840
<v Speaker 1>of the guards with me. But they, meaning the Jews,

0:13:55.080 --> 0:13:57.559
<v Speaker 1>were always submissive. What is that about?

0:13:58.120 --> 0:14:01.040
<v Speaker 3>So this is more complicated than simply some of antisemitic idea.

0:14:01.120 --> 0:14:03.760
<v Speaker 3>It's actually a critique that many people have leveled against

0:14:04.040 --> 0:14:05.840
<v Speaker 3>Jewish victims of the Hana Claust, which is a hard

0:14:05.960 --> 0:14:08.679
<v Speaker 3>thing to do, to critique victims of the Holocaust, but

0:14:08.760 --> 0:14:10.520
<v Speaker 3>it's been done. And some of those people who leveled

0:14:10.559 --> 0:14:14.320
<v Speaker 3>that critique, ironically, were people that Dahl hated. Scientists, some

0:14:14.480 --> 0:14:17.160
<v Speaker 3>Zionists said that the problem of the Jews of Europe

0:14:17.240 --> 0:14:19.200
<v Speaker 3>is that they didn't defend themselves and that they weren't

0:14:19.200 --> 0:14:20.920
<v Speaker 3>strong enough, and so that they need a state and

0:14:20.960 --> 0:14:23.160
<v Speaker 3>an army so things like this can never happen again.

0:14:23.400 --> 0:14:26.000
<v Speaker 3>And the irony is that road Dall was criticizing these

0:14:26.160 --> 0:14:28.280
<v Speaker 3>Jewish victims of the Holo claust in the same way

0:14:28.680 --> 0:14:30.400
<v Speaker 3>as some of the founders of the State of Israel

0:14:30.440 --> 0:14:34.000
<v Speaker 3>criticized their Jewish warbears, and yet he doesn't support anything

0:14:34.000 --> 0:14:37.360
<v Speaker 3>that Israel does militarily. And Dahl says that Jews were

0:14:37.360 --> 0:14:39.400
<v Speaker 3>too weak and pathetic and they went like lambs to

0:14:39.400 --> 0:14:42.040
<v Speaker 3>their slaughter and they didn't fight back. But then when

0:14:42.240 --> 0:14:44.080
<v Speaker 3>Jews go along and say, you know what, we're going

0:14:44.160 --> 0:14:45.440
<v Speaker 3>to found a state and have an army, and then

0:14:45.440 --> 0:14:47.280
<v Speaker 3>we're going to fight back when we perceive ourselves to

0:14:47.320 --> 0:14:49.760
<v Speaker 3>be threatened, well then he says they're incredibly evil, bloodthirsty

0:14:49.760 --> 0:14:53.280
<v Speaker 3>and militaristic heads world. Dall wins tails the Jews lose.

0:14:53.680 --> 0:14:56.600
<v Speaker 3>And this is a very common way that bigots relate

0:14:56.640 --> 0:14:59.280
<v Speaker 3>to the minorities they don't like. Basically, there's nothing they

0:14:59.280 --> 0:15:01.720
<v Speaker 3>can do that is right, and they're attacked for absolutely

0:15:01.760 --> 0:15:04.200
<v Speaker 3>contradictory things. No matter what they do and no matter

0:15:04.200 --> 0:15:06.880
<v Speaker 3>how they change, they're always subject to the same prejudice,

0:15:06.880 --> 0:15:10.840
<v Speaker 3>because where prejudice comes from prejudging, you've already prejudged the community,

0:15:11.000 --> 0:15:13.880
<v Speaker 3>and then you come up and backfill the justifications afterwards.

0:15:14.760 --> 0:15:17.760
<v Speaker 1>To go back to this specific instance, for just a Yeacond,

0:15:17.880 --> 0:15:20.600
<v Speaker 1>just because it's really something I don't know about. There's

0:15:20.640 --> 0:15:24.000
<v Speaker 1>an idea among people that the Jews during the Holocaust

0:15:24.440 --> 0:15:28.200
<v Speaker 1>should have wrestled their Nazi guards to the ground. More,

0:15:28.240 --> 0:15:30.880
<v Speaker 1>they should have gotten together and wrestled them. What is it?

0:15:31.000 --> 0:15:32.640
<v Speaker 3>Yeah, no, so I think so exactly So this is

0:15:32.680 --> 0:15:33.880
<v Speaker 3>good because you give me a chance to say something

0:15:33.880 --> 0:15:35.200
<v Speaker 3>I should have said. The outset, which is, I think

0:15:35.200 --> 0:15:37.880
<v Speaker 3>it's an unfair critique, whether leveled by Zionists or level

0:15:38.000 --> 0:15:41.000
<v Speaker 3>by Rod Doll, the anti Zionist. I think the idea

0:15:41.000 --> 0:15:44.200
<v Speaker 3>that the Jews could have somehow overturned or bought back

0:15:44.240 --> 0:15:47.800
<v Speaker 3>in any really effective capacity against this Nazi empire is

0:15:47.840 --> 0:15:50.640
<v Speaker 3>not a reasonable critique. That being said, the other thing

0:15:50.680 --> 0:15:52.400
<v Speaker 3>to note is that plenty of Jews did. The critique

0:15:52.440 --> 0:15:55.040
<v Speaker 3>is wrong because plenty of Jews did attempt to file back.

0:15:55.080 --> 0:15:56.840
<v Speaker 3>The reason we know it wouldn't work is because they

0:15:56.840 --> 0:15:59.440
<v Speaker 3>failed or they weren't successful in saving so many of

0:15:59.480 --> 0:16:02.280
<v Speaker 3>the Jews. You have the War Sot Ghetto Uprising, perhaps

0:16:02.280 --> 0:16:04.800
<v Speaker 3>the most famous example of resistance to the Nazis, but

0:16:04.920 --> 0:16:07.680
<v Speaker 3>it did ultimately fail. You similarly had plenty of Jews

0:16:07.720 --> 0:16:10.440
<v Speaker 3>who joined the various resistance movements in different European countries

0:16:10.440 --> 0:16:12.840
<v Speaker 3>against the Nazis and helped fight back and also helped

0:16:12.840 --> 0:16:15.760
<v Speaker 3>spirit Jews and others away to safety. All of these

0:16:15.760 --> 0:16:18.640
<v Speaker 3>things actually did happen, and they did make a difference,

0:16:18.640 --> 0:16:21.040
<v Speaker 3>but they weren't the same thing as defeating the Nazis.

0:16:21.280 --> 0:16:24.720
<v Speaker 3>It wasn't something that the Jews, in their tiny numerical

0:16:24.800 --> 0:16:27.680
<v Speaker 3>rounding era in the human population ever could have possibly done.

0:16:27.760 --> 0:16:29.680
<v Speaker 3>So it's good that you circled back because I do

0:16:29.800 --> 0:16:31.440
<v Speaker 3>think you actually kind of at the foreground by saying

0:16:31.520 --> 0:16:34.080
<v Speaker 3>I think personally right, the critique is wrong, it's historically wrong,

0:16:34.080 --> 0:16:36.640
<v Speaker 3>and it's morally inadequate. At the same time, it is

0:16:36.720 --> 0:16:39.360
<v Speaker 3>very revealing about Doll that he can make this critique

0:16:39.400 --> 0:16:42.240
<v Speaker 3>and that at the same time attack Jews for being,

0:16:42.320 --> 0:16:44.800
<v Speaker 3>you know, so pathetic and so inept and so weak,

0:16:45.080 --> 0:16:48.520
<v Speaker 3>and then when they act strong and they're militaristic, then

0:16:48.520 --> 0:16:52.000
<v Speaker 3>they're evil for being bloodthirsty and villainous. Did he ever

0:16:52.040 --> 0:16:54.160
<v Speaker 3>spell out what he actually thinks Jews were allowed to

0:16:54.160 --> 0:16:56.480
<v Speaker 3>do and what they should be or you know, is

0:16:56.520 --> 0:16:58.640
<v Speaker 3>it no matter what they do, they can ever please Rodal.

0:17:00.160 --> 0:17:03.040
<v Speaker 1>That was Iier Rosenberg, staff writer at The Atlantic and

0:17:03.120 --> 0:17:05.919
<v Speaker 1>author of the newsletter Deep Stuttle. I also want to

0:17:05.920 --> 0:17:09.520
<v Speaker 1>mention that while Dahl died without apologizing for his antisemitic comments,

0:17:09.760 --> 0:17:12.520
<v Speaker 1>years after his death, the Doll family did issue a

0:17:12.520 --> 0:17:15.400
<v Speaker 1>formal apology. It was around the same time that Netflix

0:17:15.440 --> 0:17:19.120
<v Speaker 1>purchased his whole catalog. Here's the statement in its entirety,

0:17:19.280 --> 0:17:22.879
<v Speaker 1>which you can also see at rolldall dot com slash apology.

0:17:23.720 --> 0:17:26.760
<v Speaker 1>The Doll Family and the Roll Doll Story Company deeply

0:17:26.800 --> 0:17:30.480
<v Speaker 1>apologized for the lasting and understandable hurt caused by Roll

0:17:30.560 --> 0:17:35.400
<v Speaker 1>Dall's antisemitic statements. Those prejudice remarks are incomprehensible to us

0:17:35.600 --> 0:17:38.119
<v Speaker 1>and stand in mark contrast to the man we knew

0:17:38.240 --> 0:17:40.920
<v Speaker 1>and to the values at the heart of Rolldahl's stories,

0:17:41.080 --> 0:17:45.280
<v Speaker 1>which have positively impacted young people for generations. We hope that,

0:17:45.680 --> 0:17:48.280
<v Speaker 1>just as he did at his best, at his absolute worst,

0:17:48.600 --> 0:17:51.360
<v Speaker 1>role Dahal can help remind us of the lasting impact

0:17:51.600 --> 0:17:55.239
<v Speaker 1>of words. So what are we supposed to do about this?

0:17:55.720 --> 0:17:58.240
<v Speaker 1>Do we accept that apology from his family? Do we

0:17:58.440 --> 0:17:59.920
<v Speaker 1>chalk it all up to it being a different area,

0:18:00.800 --> 0:18:03.399
<v Speaker 1>or do we stop reading Doll, stop giving his books

0:18:03.400 --> 0:18:06.320
<v Speaker 1>to our children. One thing that makes it especially complicated

0:18:06.320 --> 0:18:09.400
<v Speaker 1>for me is that Doll's personal prejudices didn't really make

0:18:09.400 --> 0:18:11.119
<v Speaker 1>it into his books as far as I can tell.

0:18:11.600 --> 0:18:14.200
<v Speaker 1>Some critics say they see antisemitic tropes in The Wishes.

0:18:14.680 --> 0:18:17.080
<v Speaker 1>It's possible, but I don't know if I agree. And

0:18:17.160 --> 0:18:20.199
<v Speaker 1>if we can't definitively locate those problematic views in his

0:18:20.240 --> 0:18:22.760
<v Speaker 1>writing and he's no longer profiting off the sales of

0:18:22.760 --> 0:18:25.919
<v Speaker 1>his books, does it still make sense to stop reading them.

0:18:26.160 --> 0:18:29.520
<v Speaker 1>I'm fascinated by this question. I'm someone who constantly does

0:18:29.560 --> 0:18:32.240
<v Speaker 1>the mental gymnastics that's required of all of us when

0:18:32.240 --> 0:18:35.159
<v Speaker 1>we consume art from previous generations. I'll just say it,

0:18:35.200 --> 0:18:38.159
<v Speaker 1>all right, some of my favorite writers and favorite filmmakers

0:18:38.280 --> 0:18:40.760
<v Speaker 1>have done awful things. I don't want to have them

0:18:40.760 --> 0:18:43.879
<v Speaker 1>over for dinner. But I still read the novels, still

0:18:43.880 --> 0:18:46.960
<v Speaker 1>worship the movies. And of course it's not always even

0:18:47.040 --> 0:18:51.160
<v Speaker 1>previous generations. The writer Alice Monroe, who died not long ago,

0:18:51.520 --> 0:18:54.159
<v Speaker 1>was revealed to have stayed with her second husband after

0:18:54.240 --> 0:18:57.520
<v Speaker 1>learning that he'd sexually abused her daughter With Roald Dahl,

0:18:57.720 --> 0:18:59.720
<v Speaker 1>I think the issue was even more complicated by the

0:18:59.720 --> 0:19:02.399
<v Speaker 1>fact that we encourage our kids to consume him. I

0:19:02.440 --> 0:19:05.840
<v Speaker 1>would never allow a babysitter with clear, open prejudices to

0:19:05.840 --> 0:19:08.280
<v Speaker 1>be around my kids in real life. Why should authors

0:19:08.320 --> 0:19:10.800
<v Speaker 1>and filmmakers be any different. Maybe because we think we

0:19:10.840 --> 0:19:13.320
<v Speaker 1>have more control over how they're presented to the kids,

0:19:13.680 --> 0:19:16.120
<v Speaker 1>Like we can offer a warning and we know it's

0:19:16.119 --> 0:19:18.560
<v Speaker 1>in there and what's not in there. We know nothing

0:19:18.600 --> 0:19:20.439
<v Speaker 1>crazy is going to be said off the cuff, the

0:19:20.480 --> 0:19:22.680
<v Speaker 1>way it might be if a bigoted old grandmother or

0:19:22.720 --> 0:19:27.120
<v Speaker 1>somebody was left alone with them. Also, forcibly taking away

0:19:27.119 --> 0:19:30.080
<v Speaker 1>books and movies feels like a slippery slope. It feels

0:19:30.080 --> 0:19:32.359
<v Speaker 1>a little bit like censorship, and I hate the idea

0:19:32.359 --> 0:19:35.880
<v Speaker 1>of that. I firmly believe that experiencing art is essential

0:19:35.920 --> 0:19:38.679
<v Speaker 1>to being human, and that art has the capacity to

0:19:38.720 --> 0:19:41.600
<v Speaker 1>do great things, even if it's created by crappy people.

0:19:42.680 --> 0:19:46.680
<v Speaker 1>And I'm absolutely including children's books in that definition of art.

0:19:46.720 --> 0:19:50.040
<v Speaker 1>All kinds of art can affect positive change, often even

0:19:50.040 --> 0:19:53.560
<v Speaker 1>more than protest movements or marches or elections can. Just

0:19:53.600 --> 0:19:55.920
<v Speaker 1>look at how Americans started becoming more tolerant of gay

0:19:55.960 --> 0:19:59.080
<v Speaker 1>families thanks to a silly Network sitcom, Will and Grace

0:20:00.200 --> 0:20:03.119
<v Speaker 1>for your information, Will Walter was the love of my life.

0:20:03.280 --> 0:20:05.520
<v Speaker 1>You said that about each Backstreet Boy at one time

0:20:05.640 --> 0:20:09.960
<v Speaker 1>or another. I also totally buy the argument that America

0:20:10.040 --> 0:20:12.760
<v Speaker 1>was only able to finally elect a black president because

0:20:12.800 --> 0:20:16.879
<v Speaker 1>they saw a prosperous, lovable, familiar black family on TV

0:20:17.080 --> 0:20:20.480
<v Speaker 1>every week in the nineteen eighties, namely the Cosbys.

0:20:22.240 --> 0:20:25.160
<v Speaker 3>It's good great Nessinaraty gave us some fascinating stuff.

0:20:25.240 --> 0:20:27.560
<v Speaker 1>Yeah, we can be pretty fascinating at times. We're on

0:20:27.600 --> 0:20:33.879
<v Speaker 1>away to theasm. Now are you going inside? Yeah?

0:20:33.920 --> 0:20:35.600
<v Speaker 3>Well, I would just like to say that the condition

0:20:35.720 --> 0:20:38.560
<v Speaker 3>of certain rooms in this house do not necessarily reflect

0:20:38.640 --> 0:20:39.680
<v Speaker 3>the views of management.

0:20:39.720 --> 0:20:45.399
<v Speaker 1>Thank you, and yes, the idea that Cosby is responsible

0:20:45.440 --> 0:20:47.800
<v Speaker 1>for anything good at this point is hard to believe,

0:20:48.200 --> 0:20:50.560
<v Speaker 1>But of course there are tons of other examples of

0:20:50.600 --> 0:20:53.800
<v Speaker 1>popular art creating positive change in the world. I was

0:20:53.840 --> 0:20:55.919
<v Speaker 1>commissioned by A and E a few years ago to

0:20:56.000 --> 0:20:58.760
<v Speaker 1>rate a four part limited TV series about how Breakfast

0:20:58.800 --> 0:21:02.439
<v Speaker 1>at Tiffany's jumpstart the feminist movement an Tiffany's manage that

0:21:02.560 --> 0:21:06.200
<v Speaker 1>really positive outcome, while also containing one of cinema's most

0:21:06.240 --> 0:21:11.840
<v Speaker 1>egregious examples of Antiesian stereotyping, namely Mickey Rooney's performance as

0:21:11.880 --> 0:21:15.800
<v Speaker 1>Holly's upstairs neighbor. The racism in Tiffany Is is so egregious

0:21:15.920 --> 0:21:17.320
<v Speaker 1>that it feels like you can use it as a

0:21:17.359 --> 0:21:20.000
<v Speaker 1>teaching moment if you watch it with your kids. The

0:21:20.119 --> 0:21:22.840
<v Speaker 1>much scarier thing to me is when the bigotry is

0:21:22.880 --> 0:21:26.359
<v Speaker 1>more subtle, which brings us back to dull. I can't

0:21:26.359 --> 0:21:29.400
<v Speaker 1>help thinking about it. Very scary, maybe very pertinent metaphor

0:21:29.560 --> 0:21:32.879
<v Speaker 1>suggested by Dall himself in maybe his greatest book, In

0:21:32.920 --> 0:21:35.600
<v Speaker 1>The BFG, he writes that his hero has the ability

0:21:35.600 --> 0:21:39.119
<v Speaker 1>to influence children's thoughts by delivering specific dreams to them

0:21:39.160 --> 0:21:41.840
<v Speaker 1>while they sleep. In the story, it's an act of

0:21:41.920 --> 0:21:44.879
<v Speaker 1>kindness by a sweet, loving creature. But what if the

0:21:44.880 --> 0:21:48.560
<v Speaker 1>guy delivering those dreams and influencing children's thoughts wasn't so

0:21:48.640 --> 0:21:53.280
<v Speaker 1>sweet and wasn't so loving? What then, to get a

0:21:53.320 --> 0:21:56.000
<v Speaker 1>better understanding of this really important issue, I want to

0:21:56.000 --> 0:21:58.399
<v Speaker 1>talk to a few people, people who are really thoughtful

0:21:58.400 --> 0:21:59.200
<v Speaker 1>about this stuff.

0:21:59.560 --> 0:22:04.600
<v Speaker 4>I did read him growing up, and I enjoyed his books.

0:22:05.000 --> 0:22:07.560
<v Speaker 1>That's the voice of a great rock Sane Gay. She's

0:22:07.600 --> 0:22:11.200
<v Speaker 1>a best selling writer and critic. She's written novels, short stories,

0:22:11.320 --> 0:22:14.680
<v Speaker 1>and even a Marvel comic. Your smartest, most engaged friend,

0:22:14.840 --> 0:22:17.520
<v Speaker 1>has definitely forwarded you one of her essays at some point.

0:22:18.160 --> 0:22:20.280
<v Speaker 1>I'm very excited to talk to Roxane about all of this.

0:22:20.720 --> 0:22:27.520
<v Speaker 1>She has really strong, clear feelings on the subject. What

0:22:27.600 --> 0:22:30.080
<v Speaker 1>I want to talk to you about is, you know,

0:22:30.160 --> 0:22:35.200
<v Speaker 1>Dahl also said some very antisemitic things, and I struggle

0:22:35.280 --> 0:22:37.800
<v Speaker 1>with whether or not I can read his work, and

0:22:37.840 --> 0:22:40.080
<v Speaker 1>sort of even more importantly for me, I guess can

0:22:40.160 --> 0:22:42.240
<v Speaker 1>I give his books to my little kids to read?

0:22:42.600 --> 0:22:44.920
<v Speaker 1>Which leads to kind of a larger question about whether

0:22:44.960 --> 0:22:47.399
<v Speaker 1>we can ever separate an artist's private beliefs from their

0:22:47.400 --> 0:22:50.800
<v Speaker 1>public art. So I think you've written really wisely about

0:22:50.800 --> 0:22:52.600
<v Speaker 1>this topic, and I was hoping you could just talk

0:22:52.640 --> 0:22:56.080
<v Speaker 1>a little bit about your own experiences grappling with that question.

0:22:56.800 --> 0:22:59.400
<v Speaker 4>Yes, I mean, it's a question I think about quite

0:22:59.440 --> 0:23:03.520
<v Speaker 4>a lot, and certainly as a feminist, it's a question

0:23:03.600 --> 0:23:06.160
<v Speaker 4>I've asked about a lot, and I, for one, don't

0:23:06.200 --> 0:23:09.520
<v Speaker 4>believe you can separate the art from the artist, nor

0:23:09.560 --> 0:23:13.120
<v Speaker 4>do I think you should. I think that we are

0:23:13.200 --> 0:23:17.000
<v Speaker 4>who we are and that influences the art that we

0:23:17.119 --> 0:23:18.800
<v Speaker 4>put into the world in some way.

0:23:19.000 --> 0:23:20.200
<v Speaker 1>Now, Roald Dahl.

0:23:20.240 --> 0:23:22.840
<v Speaker 4>Wrote some amazing books like James and the Giant Peach

0:23:23.040 --> 0:23:26.840
<v Speaker 4>Charlie in the Chocolate Factory. He's a consummate storyteller, and

0:23:27.200 --> 0:23:31.320
<v Speaker 4>certainly generations of children have fallen in love with his work.

0:23:32.520 --> 0:23:38.160
<v Speaker 4>So the legacy is there, But there's also the legacy

0:23:38.359 --> 0:23:42.880
<v Speaker 4>of virulent anti Semitism. And the reality is that there

0:23:42.880 --> 0:23:45.720
<v Speaker 4>are plenty of children's authors out there who have written

0:23:45.920 --> 0:23:49.120
<v Speaker 4>very good books who also are not anti Semites. And

0:23:49.200 --> 0:23:52.120
<v Speaker 4>so when people sort of wring their hands about this,

0:23:52.480 --> 0:23:55.080
<v Speaker 4>I get a little frustrated because this is not the

0:23:55.080 --> 0:23:57.720
<v Speaker 4>only game in town, And what really people want is

0:23:57.760 --> 0:24:01.040
<v Speaker 4>like a morality hall pass, because oh, he's a genius,

0:24:01.200 --> 0:24:03.600
<v Speaker 4>like so are a lots of other people, and so like,

0:24:03.680 --> 0:24:06.399
<v Speaker 4>read what you want, truly enjoy what you want, but

0:24:07.080 --> 0:24:09.520
<v Speaker 4>accept responsibility for the fact that you are willing to

0:24:09.560 --> 0:24:14.080
<v Speaker 4>overlook some truly bad behavior for your enjoyment or for

0:24:14.160 --> 0:24:15.280
<v Speaker 4>someone else's enjoyment.

0:24:16.160 --> 0:24:18.600
<v Speaker 1>That makes a lot of sense. When Nate Parker's Birth

0:24:18.600 --> 0:24:20.800
<v Speaker 1>of a Nation was going to be released in twenty sixteen,

0:24:20.840 --> 0:24:22.800
<v Speaker 1>you wrote a really great piece of The New York

0:24:22.840 --> 0:24:25.080
<v Speaker 1>Times about just what we're talking about, not being able

0:24:25.119 --> 0:24:28.720
<v Speaker 1>to separate past accusations against Parker for sexual assault from

0:24:28.760 --> 0:24:30.679
<v Speaker 1>his movie. Reading the piece, I mean, tell me if

0:24:30.720 --> 0:24:32.000
<v Speaker 1>I'm wrong, but it felt a little bit like one

0:24:32.000 --> 0:24:34.160
<v Speaker 1>of the things that troubled you most about that situation

0:24:34.280 --> 0:24:36.399
<v Speaker 1>was how he handled it. He sort of made the

0:24:36.440 --> 0:24:40.000
<v Speaker 1>apology all about himself. With Roald Dahl, it's tricky, right

0:24:40.080 --> 0:24:43.240
<v Speaker 1>because he's not around to defend himself anymore or apologize

0:24:43.240 --> 0:24:45.320
<v Speaker 1>for that matter. And I'm not saying he would apologize.

0:24:45.359 --> 0:24:48.120
<v Speaker 1>In fact, he probably wouldn't. But who knows does that

0:24:48.400 --> 0:24:52.360
<v Speaker 1>play in for you in terms of long dead artists,

0:24:52.400 --> 0:24:55.200
<v Speaker 1>Like do you have trouble reading a ground Poe knowing

0:24:55.240 --> 0:24:57.600
<v Speaker 1>that he married his thirteen year old cousin, or Ts

0:24:57.600 --> 0:25:01.040
<v Speaker 1>Eliott or Norman Mahler or more recently Alice. What does

0:25:01.040 --> 0:25:02.440
<v Speaker 1>it do for you when it's sort of someone who

0:25:02.480 --> 0:25:05.560
<v Speaker 1>is not around to defend themselves or not defend themselves.

0:25:05.920 --> 0:25:08.840
<v Speaker 4>I mean, that doesn't even factor for me. I think

0:25:08.880 --> 0:25:11.480
<v Speaker 4>that it would be great if these people could apologize,

0:25:11.480 --> 0:25:13.600
<v Speaker 4>but I doubt that most of them would be apologetic,

0:25:13.640 --> 0:25:15.359
<v Speaker 4>because most of them would not think that they had

0:25:15.359 --> 0:25:17.480
<v Speaker 4>done anything wrong, or they would be like, yeah, I

0:25:17.520 --> 0:25:20.919
<v Speaker 4>said it, and I believe it, and so what It

0:25:21.000 --> 0:25:24.119
<v Speaker 4>just doesn't even factor. And I have no problem not

0:25:24.160 --> 0:25:28.760
<v Speaker 4>reading these people. I just don't because there's so much

0:25:29.080 --> 0:25:32.159
<v Speaker 4>amazing literature out there. And I know, for example, a

0:25:32.200 --> 0:25:35.040
<v Speaker 4>lot of people feel a true sense of loss over

0:25:35.280 --> 0:25:40.560
<v Speaker 4>Alice Munroe. But every time I think about, oh, you know,

0:25:40.680 --> 0:25:44.359
<v Speaker 4>her incredible short stories, I have far more empathy for

0:25:44.400 --> 0:25:47.679
<v Speaker 4>her daughter, who she was willing to sacrifice because of

0:25:47.720 --> 0:25:50.879
<v Speaker 4>her own weakness. I'm a human being. I can understand

0:25:50.920 --> 0:25:54.320
<v Speaker 4>sort of that she you know, why she made that

0:25:54.480 --> 0:25:57.240
<v Speaker 4>choice of choosing her husband despite the harm that he

0:25:57.280 --> 0:26:00.720
<v Speaker 4>was doing to her child. But it's not okay, And

0:26:01.359 --> 0:26:03.800
<v Speaker 4>I'm not speaking for anyone else. I'm only making these

0:26:03.840 --> 0:26:06.520
<v Speaker 4>decisions for me. And you know, a lot of times

0:26:06.560 --> 0:26:11.640
<v Speaker 4>people really overestimate the power of writers in terms of like, oh,

0:26:11.680 --> 0:26:13.919
<v Speaker 4>what do you mean, I can't enjoy this thing? I

0:26:13.920 --> 0:26:16.760
<v Speaker 4>want to enjoy, Like do what you want. But what

0:26:16.800 --> 0:26:19.119
<v Speaker 4>you want is for me to say it's fine, And

0:26:19.400 --> 0:26:21.719
<v Speaker 4>I can't say that because I don't think it is.

0:26:21.800 --> 0:26:24.080
<v Speaker 4>But I also, who cares what I think? What do

0:26:24.160 --> 0:26:28.040
<v Speaker 4>you think? So I don't struggle with these things in

0:26:28.080 --> 0:26:33.399
<v Speaker 4>that I just tend to value the dignity and the

0:26:33.480 --> 0:26:37.879
<v Speaker 4>lives of these people's victims far more than the people

0:26:37.960 --> 0:26:41.240
<v Speaker 4>who have made such egregious mistakes themselves, and the counter

0:26:41.359 --> 0:26:43.520
<v Speaker 4>argument often is that we're all human and we all

0:26:43.600 --> 0:26:47.600
<v Speaker 4>make mistakes, and that is absolutely true. We are all flawed,

0:26:47.880 --> 0:26:51.479
<v Speaker 4>and I include myself in that. But I also know

0:26:51.640 --> 0:26:54.440
<v Speaker 4>that I'm never going to be an anti semi. I'm

0:26:54.480 --> 0:26:57.399
<v Speaker 4>never going to be transphobic. I know who I am.

0:26:57.720 --> 0:27:00.160
<v Speaker 4>There are some mistakes most of us don't make. I'm

0:27:00.160 --> 0:27:03.639
<v Speaker 4>never going to commit sexual violence. So I think that

0:27:03.680 --> 0:27:05.840
<v Speaker 4>we have to also remember that these are things are

0:27:05.840 --> 0:27:09.000
<v Speaker 4>a matter of scale, and that we can't compare our

0:27:09.160 --> 0:27:13.560
<v Speaker 4>normal human foibles and flaws with people who are criminals

0:27:13.960 --> 0:27:14.960
<v Speaker 4>and bigots.

0:27:15.400 --> 0:27:17.359
<v Speaker 1>I think that makes a ton of sense. When I

0:27:17.400 --> 0:27:21.720
<v Speaker 1>buy a Mel Gibson movie, or rent a Roman Planski movie,

0:27:21.800 --> 0:27:24.000
<v Speaker 1>or buy a Kanye West song, I feel like I'm

0:27:24.000 --> 0:27:27.560
<v Speaker 1>giving them money, right, And that bothers me. It sounds

0:27:27.560 --> 0:27:30.359
<v Speaker 1>like for you, it's not as much about whether or

0:27:30.400 --> 0:27:33.120
<v Speaker 1>not we're sort of enriching them or helping them. It's

0:27:33.160 --> 0:27:36.160
<v Speaker 1>more just you have trouble enjoying it, right, Is that right?

0:27:37.040 --> 0:27:41.119
<v Speaker 4>I have trouble looking past, you know, Like, for example,

0:27:41.200 --> 0:27:44.480
<v Speaker 4>I used to really enjoy Kanye West's music before we

0:27:44.560 --> 0:27:47.760
<v Speaker 4>found out who Kanye really is. I just can't enjoy

0:27:47.800 --> 0:27:51.160
<v Speaker 4>it anymore, because every time I start to be like, oh, yes,

0:27:51.600 --> 0:27:54.760
<v Speaker 4>listen to that beat drop because he is brilliant, and

0:27:55.080 --> 0:28:00.080
<v Speaker 4>I acknowledge that he's also truly a horrible person. So

0:28:00.119 --> 0:28:03.400
<v Speaker 4>I just can't. And that's just the way I'm made up.

0:28:03.720 --> 0:28:05.720
<v Speaker 4>I don't even think about the enrichment thing. I think

0:28:05.720 --> 0:28:09.760
<v Speaker 4>people really overvalue their dollars. Like Kanye Rich is already

0:28:09.800 --> 0:28:12.439
<v Speaker 4>wealthy by his music. Down't buy his music. It's not

0:28:12.600 --> 0:28:15.320
<v Speaker 4>really changing his bottom line. I mean, I don't think

0:28:15.320 --> 0:28:17.919
<v Speaker 4>we should consume his music. I don't think we should

0:28:18.160 --> 0:28:22.720
<v Speaker 4>enrich him or fatten his coffers. But I do think

0:28:22.800 --> 0:28:26.840
<v Speaker 4>that for me, it's just something I can't do, and

0:28:26.880 --> 0:28:29.160
<v Speaker 4>I don't not even can't. I of course I could,

0:28:29.200 --> 0:28:31.359
<v Speaker 4>I don't want to. I can no longer enjoy The

0:28:31.359 --> 0:28:34.600
<v Speaker 4>Cosby Show. And I loved that show. I loved it

0:28:34.720 --> 0:28:36.840
<v Speaker 4>because we weren't really allowed to watch TV growing up,

0:28:36.880 --> 0:28:38.840
<v Speaker 4>and that was one of two things we were allowed

0:28:38.840 --> 0:28:41.400
<v Speaker 4>to watch, was that in Little House on the Prairie.

0:28:41.760 --> 0:28:45.360
<v Speaker 4>You know, it's sad and I definitely lament, you know

0:28:45.440 --> 0:28:46.000
<v Speaker 4>the loss.

0:28:46.960 --> 0:28:50.200
<v Speaker 1>Do you think a writer's personal views always, or their

0:28:50.200 --> 0:28:53.000
<v Speaker 1>prejudices or their outlooks or their viewpoints always find a

0:28:53.000 --> 0:28:56.200
<v Speaker 1>way into the work, and if they don't, does that

0:28:56.320 --> 0:28:57.920
<v Speaker 1>change the calculus at all.

0:28:58.760 --> 0:29:02.320
<v Speaker 4>I don't think that a writer's views always infuse themselves

0:29:02.360 --> 0:29:03.920
<v Speaker 4>into the work. I do think that there are some

0:29:04.040 --> 0:29:07.760
<v Speaker 4>writers and other artists who are very capable of hiding

0:29:07.760 --> 0:29:12.280
<v Speaker 4>their true selves. But it's rare. It's rare. I do

0:29:12.400 --> 0:29:16.160
<v Speaker 4>actually think that's what makes Rodall such a tough one.

0:29:16.400 --> 0:29:19.400
<v Speaker 4>For the most part, you really would not know his

0:29:19.560 --> 0:29:22.920
<v Speaker 4>beliefs if you didn't know about them, if you didn't

0:29:22.960 --> 0:29:26.280
<v Speaker 4>go and look up information about the artists. Certainly, it's

0:29:26.320 --> 0:29:29.440
<v Speaker 4>not something I ever knew about until recently, like in

0:29:29.480 --> 0:29:33.040
<v Speaker 4>the past decade. It's challenging, and I think that what

0:29:33.120 --> 0:29:37.080
<v Speaker 4>a lot of people need to believe is that genius

0:29:37.120 --> 0:29:43.560
<v Speaker 4>and genius art matters more than the crimes of the

0:29:43.640 --> 0:29:48.760
<v Speaker 4>genius artists and the toxic beliefs of the genius artist.

0:29:49.360 --> 0:29:51.560
<v Speaker 4>We hear that quite a lot with Woody Allen, with

0:29:51.720 --> 0:29:55.800
<v Speaker 4>Roman Polanski, especially with like the whole slew of anti Semites,

0:29:56.240 --> 0:30:00.239
<v Speaker 4>and I firmly understand that for some people that is

0:30:00.280 --> 0:30:03.600
<v Speaker 4>just the case, and it is, you know, I just disagree.

0:30:03.960 --> 0:30:07.080
<v Speaker 4>I think that you can't separate it Now when people

0:30:07.200 --> 0:30:10.920
<v Speaker 4>just say, like, yes, he's an anti semi and he

0:30:11.040 --> 0:30:15.640
<v Speaker 4>made amazing work, that's more honest that you acknowledge it

0:30:15.960 --> 0:30:19.320
<v Speaker 4>and you're going to consume the work regardless because you

0:30:19.360 --> 0:30:22.400
<v Speaker 4>feel like it offers more than the damage done by

0:30:22.760 --> 0:30:28.400
<v Speaker 4>whatever the toxicity or the crime is. And I think

0:30:28.400 --> 0:30:32.720
<v Speaker 4>that more people believe that than not. Unfortunately, but I'm

0:30:32.760 --> 0:30:34.120
<v Speaker 4>sure you're talking to Claire Debtorer.

0:30:34.640 --> 0:30:36.680
<v Speaker 1>Yeah we are, actually, Yeah.

0:30:36.320 --> 0:30:39.080
<v Speaker 4>She wrote an amazing book about this that I thought

0:30:39.120 --> 0:30:43.160
<v Speaker 4>was really really well done, where she grapples with these questions,

0:30:43.800 --> 0:30:46.680
<v Speaker 4>and when people are at least willing to grapple with

0:30:46.720 --> 0:30:49.680
<v Speaker 4>the questions, I find that more interesting than actually sitting

0:30:49.680 --> 0:30:53.040
<v Speaker 4>around worrying about these horrible people, because again, that's more

0:30:53.080 --> 0:30:56.160
<v Speaker 4>honest that yes, some people are ambivalent about this, or

0:30:56.240 --> 0:30:59.560
<v Speaker 4>some people really struggle, some people don't know how to

0:31:00.280 --> 0:31:03.880
<v Speaker 4>sacrifice these works of art for the sake of the

0:31:03.920 --> 0:31:06.760
<v Speaker 4>greater good. And you know, I do think it's at

0:31:06.840 --> 0:31:10.800
<v Speaker 4>least important to have those conversations. And a book like Monsters,

0:31:10.880 --> 0:31:14.360
<v Speaker 4>which Claire Debtor wrote, was I think our interesting entrance

0:31:14.400 --> 0:31:15.720
<v Speaker 4>into the dialogue about this.

0:31:17.800 --> 0:31:20.360
<v Speaker 1>A huge thanks to Roxanne, and I totally agree with

0:31:20.400 --> 0:31:22.040
<v Speaker 1>what she said at the end there about who to

0:31:22.040 --> 0:31:26.800
<v Speaker 1>speak to next? First thing, if you wouldn't mind introduce yourself.

0:31:27.360 --> 0:31:32.160
<v Speaker 4>I'm Claire Leader. I'm the author of Monsters of Fans Dilemma.

0:31:32.320 --> 0:31:35.200
<v Speaker 1>Here my conversation with Claire in our next episode. She

0:31:35.280 --> 0:31:38.360
<v Speaker 1>feels really differently than Roxanne about all this. We'll also

0:31:38.400 --> 0:31:41.520
<v Speaker 1>get into the nitty gritty of an explosive controversy regarding

0:31:41.560 --> 0:31:44.720
<v Speaker 1>Doll's work thirty two years after his death that seemed

0:31:44.720 --> 0:31:50.440
<v Speaker 1>to get the entire world talking about him again. The

0:31:50.480 --> 0:31:53.760
<v Speaker 1>Secret World of Roald Dahn is produced by Imagine Audio

0:31:53.920 --> 0:31:57.840
<v Speaker 1>and Parallax Studios for iHeart Podcasts. Created and written by

0:31:58.120 --> 0:32:03.440
<v Speaker 1>me Aaron tracyduced by Matt Schrader, post production by wind

0:32:03.560 --> 0:32:07.360
<v Speaker 1>Hill Studios, with editing, scoring, and sound design by Mark

0:32:07.400 --> 0:32:12.160
<v Speaker 1>Henry Phillips. Editing by Ryan Seaton, Music by a PM.

0:32:13.000 --> 0:32:18.640
<v Speaker 1>Executive producers Nathan Cloke, Karl Welker, Brian Grazer, Ron Howard,

0:32:19.240 --> 0:32:23.480
<v Speaker 1>and Aaron Tracy. Additional voice performances and recreation by Mark

0:32:23.520 --> 0:32:27.160
<v Speaker 1>Henry Phillips and Eleven Laps. If you enjoyed this episode,

0:32:27.320 --> 0:32:29.800
<v Speaker 1>be sure to rate and review The Secret World of

0:32:29.880 --> 0:32:33.360
<v Speaker 1>Roll Doll on Apple Podcasts or Wherever you get your podcasts.

0:32:34.000 --> 0:32:39.040
<v Speaker 1>Copyright twenty twenty six. Imagine Entertainment, iHeartMedia and Parallax