1 00:00:00,240 --> 00:00:03,320 Speaker 1: Hello the Internet, and welcome to this episode of why 2 00:00:03,360 --> 00:00:04,840 Speaker 1: Can't We trend Together? 3 00:00:05,280 --> 00:00:06,920 Speaker 2: By Trendy. Tell me what? 4 00:00:07,360 --> 00:00:07,720 Speaker 3: Tell me? 5 00:00:07,760 --> 00:00:09,440 Speaker 2: What is there? 6 00:00:09,480 --> 00:00:09,799 Speaker 3: It is? 7 00:00:10,360 --> 00:00:12,240 Speaker 2: I'm Jack, that is Miles. 8 00:00:12,640 --> 00:00:18,239 Speaker 1: We are currently kind of into this video of a 9 00:00:18,360 --> 00:00:22,120 Speaker 1: performance of the song that said that Hotline Bling samples 10 00:00:22,160 --> 00:00:23,360 Speaker 1: called why Can't We Live Together? 11 00:00:23,640 --> 00:00:25,239 Speaker 2: By Jenny Thomas. 12 00:00:24,920 --> 00:00:27,600 Speaker 3: Nineteen eighty six live performance. We'll just put in the footnotes. Man, 13 00:00:27,640 --> 00:00:30,600 Speaker 3: you just just notice why this it's one of the best. 14 00:00:31,240 --> 00:00:34,720 Speaker 3: My keyboard isn't plugged in and I'm on drugs live performance. 15 00:00:34,840 --> 00:00:40,080 Speaker 1: So much on drugs, on so much drugs. It's really 16 00:00:40,400 --> 00:00:41,400 Speaker 1: infectious or not. 17 00:00:41,560 --> 00:00:43,519 Speaker 4: I don't want to cast his versions. He could just 18 00:00:43,560 --> 00:00:44,519 Speaker 4: be a freak. 19 00:00:44,960 --> 00:00:46,440 Speaker 2: No no, no, no, no no. 20 00:00:46,680 --> 00:00:51,760 Speaker 1: He's high as a high in the only you know, 21 00:00:52,000 --> 00:00:54,720 Speaker 1: only a way that people in the late seventies were 22 00:00:54,880 --> 00:00:56,680 Speaker 1: like that high publicly, you know. 23 00:00:57,240 --> 00:01:01,040 Speaker 3: Yeah, yeah, yeah, if anyone has any details on that, 24 00:01:01,040 --> 00:01:01,520 Speaker 3: please let. 25 00:01:01,480 --> 00:01:03,800 Speaker 2: Me where we can get those drugs. 26 00:01:05,080 --> 00:01:08,720 Speaker 1: He's yeah, he's flying, but it's a good It's it's 27 00:01:08,760 --> 00:01:13,680 Speaker 1: surprisingly close to Hotline Bling, because when Hotline Blink first 28 00:01:13,680 --> 00:01:15,560 Speaker 1: came out, people were like, this is the same as 29 00:01:15,560 --> 00:01:16,440 Speaker 1: that dram song. 30 00:01:16,560 --> 00:01:19,280 Speaker 2: This is like the same as right, right right. 31 00:01:19,240 --> 00:01:21,560 Speaker 1: And it's like no, it is like straight up this 32 00:01:21,800 --> 00:01:22,680 Speaker 1: Timmy Thomas. 33 00:01:22,640 --> 00:01:25,920 Speaker 3: It's called it's like it's the laziest kind of sampling. Yeah, 34 00:01:25,959 --> 00:01:28,080 Speaker 3: like when people are just like, yeah, that part, I'm 35 00:01:28,120 --> 00:01:30,160 Speaker 3: just gonna put some drums on it. It's fine not 36 00:01:30,160 --> 00:01:31,880 Speaker 3: to say that that's not a great way of sampling. 37 00:01:31,880 --> 00:01:34,479 Speaker 3: But it doesn't take it doesn't take much imagination. There 38 00:01:34,600 --> 00:01:37,160 Speaker 3: was no mystery, there was no imagination. 39 00:01:38,760 --> 00:01:41,880 Speaker 1: Anyways, highly recommend it and maybe we'll play it for 40 00:01:41,920 --> 00:01:45,280 Speaker 1: you in one of Air Force Coming vid Jo episodes. 41 00:01:46,720 --> 00:01:47,800 Speaker 2: Keep an eye out for that. 42 00:01:48,160 --> 00:01:50,280 Speaker 5: Yeahah yeah, slowly, we're in the lab. We're in the lab, 43 00:01:50,520 --> 00:01:55,920 Speaker 5: in the lab. Well, Miles uh. Steve Bannon, it's not 44 00:01:56,080 --> 00:01:58,960 Speaker 5: always that I'm happy to see his name trending, but 45 00:01:59,040 --> 00:01:59,880 Speaker 5: today is one of those. 46 00:02:01,680 --> 00:02:02,320 Speaker 2: He's going to. 47 00:02:02,320 --> 00:02:05,520 Speaker 3: Jail, big man in the Big House, and you know, 48 00:02:05,800 --> 00:02:06,520 Speaker 3: this is what happened. 49 00:02:06,520 --> 00:02:09,040 Speaker 4: So it's not because like, well is it for like 50 00:02:09,080 --> 00:02:10,840 Speaker 4: the coup and like all this other stuff. 51 00:02:10,960 --> 00:02:13,760 Speaker 3: No, he is basically going to jail because he was 52 00:02:13,840 --> 00:02:16,960 Speaker 3: you know, he's convicted of contempt of Congress after he 53 00:02:17,000 --> 00:02:20,800 Speaker 3: did not comply with a subpoena from the January sixth. 54 00:02:20,639 --> 00:02:23,520 Speaker 4: Committee and he was like, yeah, asshole, try and force it. 55 00:02:23,880 --> 00:02:27,799 Speaker 3: And he was convicted and he's like someth gonna appeal 56 00:02:28,040 --> 00:02:30,720 Speaker 3: and the appeals court it's like, nah, sorry, asshole. So 57 00:02:30,760 --> 00:02:33,440 Speaker 3: now he must go to jail to report to jail 58 00:02:33,480 --> 00:02:35,200 Speaker 3: for his four month sentence. 59 00:02:35,440 --> 00:02:38,359 Speaker 2: By July first. Yeah, shame that he won't be. 60 00:02:38,360 --> 00:02:41,440 Speaker 1: Not only had he not faced consequence, Like all of 61 00:02:41,440 --> 00:02:45,800 Speaker 1: his behavior in line with this specific conviction is just 62 00:02:46,440 --> 00:02:50,120 Speaker 1: the behavior of somebody who has been so free of 63 00:02:50,160 --> 00:02:52,040 Speaker 1: consequence for their whole life they can't even. 64 00:02:51,880 --> 00:02:56,480 Speaker 2: Like really conceive of the idea of facing consequences, right. 65 00:02:56,480 --> 00:02:59,960 Speaker 1: They're just like Congress is like you're gonna go to jail, man, 66 00:03:00,280 --> 00:03:03,760 Speaker 1: like if you gotta come, and like just at every 67 00:03:04,000 --> 00:03:08,360 Speaker 1: turn just was like, yeah, okay, get me sure, I'm 68 00:03:08,400 --> 00:03:10,960 Speaker 1: sure they had a fourth shirt on and give you 69 00:03:11,000 --> 00:03:12,240 Speaker 1: the double barrel fingers. 70 00:03:12,880 --> 00:03:13,560 Speaker 2: Yeah. 71 00:03:13,600 --> 00:03:15,400 Speaker 4: And it's funny, like like part of me is like 72 00:03:15,440 --> 00:03:19,240 Speaker 4: I hate celebrating people going to jail because prisons. 73 00:03:19,240 --> 00:03:21,200 Speaker 2: I think we can make an exception with this, Like. 74 00:03:21,240 --> 00:03:24,200 Speaker 3: It's we're just so used to these fucking freaks, like 75 00:03:24,200 --> 00:03:24,920 Speaker 3: you're saying. 76 00:03:24,680 --> 00:03:27,560 Speaker 2: Just be like I don't give a fuck about the law. Yeah, 77 00:03:27,600 --> 00:03:29,440 Speaker 2: And you're like, why the fuck do we then? 78 00:03:29,880 --> 00:03:32,600 Speaker 3: And then you're like, okay, glad, so there are I 79 00:03:32,639 --> 00:03:36,960 Speaker 3: guess a four month sentence, but you know, like he'll 80 00:03:36,960 --> 00:03:38,720 Speaker 3: probably come out stronger than ever. 81 00:03:39,120 --> 00:03:42,640 Speaker 1: Yeah, be interesting to see how jail effects him. And 82 00:03:43,120 --> 00:03:45,000 Speaker 1: Trump's not going to jail, right, Like, we can all 83 00:03:45,080 --> 00:03:50,520 Speaker 1: agree like that September or not. September eleventh, July eleventh, 84 00:03:51,080 --> 00:03:53,280 Speaker 1: which I believe is only six point eight weeks from 85 00:03:53,400 --> 00:03:58,240 Speaker 1: September eleventh, is going to be disappointing. Right now, I 86 00:03:58,280 --> 00:04:00,280 Speaker 1: need to look at what six point eight weeks was 87 00:04:00,320 --> 00:04:02,760 Speaker 1: either side of September eleventh, two thousand and one. I 88 00:04:02,800 --> 00:04:07,600 Speaker 1: feel like this may be opening up the secret geometry mode. 89 00:04:08,560 --> 00:04:14,720 Speaker 1: It's a reference to a paragraph about UH pilot, and 90 00:04:16,160 --> 00:04:17,440 Speaker 1: everybody listens every episode. 91 00:04:17,560 --> 00:04:20,520 Speaker 2: Read it again, I didn't say you needed to do that. Well. 92 00:04:20,600 --> 00:04:24,640 Speaker 3: The pre seasonal chocolate pumpkin pie Eminem's is a strategic 93 00:04:24,720 --> 00:04:28,360 Speaker 3: move that taps into mars. I can't, dude, it's I'm 94 00:04:28,360 --> 00:04:30,120 Speaker 3: going to be saying this in the old Folks Home 95 00:04:30,160 --> 00:04:32,359 Speaker 3: when no one comes to visit me anymore. It's the 96 00:04:32,400 --> 00:04:34,359 Speaker 3: one thing I'll have on loop coming out of my mouth. 97 00:04:34,600 --> 00:04:36,960 Speaker 2: What did it mean? What did it all mean. 98 00:04:37,120 --> 00:04:40,080 Speaker 4: Oh he's he's urinating into his plants again. 99 00:04:41,360 --> 00:04:43,800 Speaker 1: Hey man, that's we're actually going to be required to 100 00:04:43,800 --> 00:04:46,640 Speaker 1: do that. By the time we're in an old folks cycle, 101 00:04:46,720 --> 00:04:49,560 Speaker 1: the moistures and then you drink, drink out of the 102 00:04:49,560 --> 00:04:53,120 Speaker 1: bottom and the plant will have mostly cleaned it out. 103 00:04:53,240 --> 00:04:55,240 Speaker 2: Oh like water World, Yeah, exactly. 104 00:04:55,240 --> 00:04:57,000 Speaker 4: Doesn't he drink his piss in water World? 105 00:04:57,000 --> 00:04:57,360 Speaker 2: He does? 106 00:04:57,360 --> 00:05:00,560 Speaker 1: He has like a big funnelly machine full of le Yeah, yeah, 107 00:05:00,600 --> 00:05:01,120 Speaker 1: piss process. 108 00:05:01,120 --> 00:05:06,520 Speaker 2: Who's it? And what's its glory? Clean? He's got funny 109 00:05:07,360 --> 00:05:11,839 Speaker 2: all right. Ikea is uh, there's a new way to 110 00:05:11,839 --> 00:05:12,599 Speaker 2: make money, folks. 111 00:05:13,000 --> 00:05:17,679 Speaker 3: And yeah, what I'm still having trouble this is Ikea 112 00:05:17,720 --> 00:05:22,960 Speaker 3: has created a Roadblocks video our game inside of Roadblocks. 113 00:05:22,960 --> 00:05:24,279 Speaker 4: I'm there, I understand that. 114 00:05:24,720 --> 00:05:30,320 Speaker 1: And then but it pays people to work sixteen thousand 115 00:05:30,400 --> 00:05:34,800 Speaker 1: hour virtual workers who have to be eighteen or older, 116 00:05:35,160 --> 00:05:39,240 Speaker 1: and your duties include organizing products and Ikea showrooms and 117 00:05:39,320 --> 00:05:43,240 Speaker 1: serving endless amounts of meatballs at the Swedish food market. 118 00:05:43,320 --> 00:05:46,000 Speaker 1: So I think it's just like they have actual work 119 00:05:46,279 --> 00:05:49,360 Speaker 1: that needs to be done in the Roadblocks, So like 120 00:05:49,440 --> 00:05:50,240 Speaker 1: it feels. 121 00:05:49,960 --> 00:05:51,800 Speaker 2: Like a paid moderator account. 122 00:05:52,000 --> 00:05:55,240 Speaker 1: But just in a video game where things need to 123 00:05:55,240 --> 00:05:56,479 Speaker 1: be done. 124 00:05:56,200 --> 00:05:59,520 Speaker 4: I I just don't know what what what. 125 00:05:59,440 --> 00:06:03,800 Speaker 3: Do they how how either digital labor being done. This 126 00:06:03,839 --> 00:06:08,160 Speaker 3: just feels like funny right where they're like, hey, you 127 00:06:08,200 --> 00:06:11,000 Speaker 3: work at Ikea, but like you're not moving shit around 128 00:06:11,040 --> 00:06:13,800 Speaker 3: for them in a realistic way that affects their business. 129 00:06:14,120 --> 00:06:14,720 Speaker 2: I don't do it. 130 00:06:14,760 --> 00:06:19,279 Speaker 1: Maybe like maybe you have to. Maybe it helps bring 131 00:06:19,360 --> 00:06:23,719 Speaker 1: people to the Ikea Roadblocks game. Is like there's somebody 132 00:06:23,760 --> 00:06:28,960 Speaker 1: who's there doing reliable work that you can like interact with. 133 00:06:29,720 --> 00:06:32,920 Speaker 3: Yeah, I mean it's it allows quote player employees to 134 00:06:32,960 --> 00:06:36,760 Speaker 3: immerse themselves in the working world of Ikea. Applying for 135 00:06:36,800 --> 00:06:39,200 Speaker 3: this job includes answering questions like if you were pixelated 136 00:06:39,200 --> 00:06:41,280 Speaker 3: at Ikea Furniture, what would you be. I think it's 137 00:06:41,320 --> 00:06:43,600 Speaker 3: just like a fun way too, cause I don't think 138 00:06:43,720 --> 00:06:46,200 Speaker 3: everybody can now get a gig working at digital Ikea, 139 00:06:46,200 --> 00:06:48,400 Speaker 3: because if that was the case, I know a lot 140 00:06:48,400 --> 00:06:50,240 Speaker 3: of people who would probably just do that. Like sixteen 141 00:06:50,279 --> 00:06:53,000 Speaker 3: an hour, I can be fully butt naked, smoking weed, 142 00:06:53,440 --> 00:06:55,680 Speaker 3: and I eat digital meatballs. 143 00:06:55,760 --> 00:06:58,360 Speaker 2: Fine, fine, sure, sure, but. 144 00:06:58,320 --> 00:07:01,520 Speaker 3: Maybe this is like the testing for our future matrix 145 00:07:01,560 --> 00:07:04,400 Speaker 3: battery world where they're like, yeah, man, suit up for 146 00:07:04,440 --> 00:07:05,960 Speaker 3: your digital shift. 147 00:07:06,120 --> 00:07:11,240 Speaker 1: We need your human calories to power our machine world. Yeah, 148 00:07:11,720 --> 00:07:15,320 Speaker 1: I'll take So there's a already a popular game three 149 00:07:15,360 --> 00:07:18,720 Speaker 1: thousand and eight three zero zero eight, which is a 150 00:07:18,720 --> 00:07:24,760 Speaker 1: horror survival game set in an infinite Ikea, and Ikea 151 00:07:24,880 --> 00:07:28,600 Speaker 1: has a history of taking legal action against indie horror 152 00:07:28,680 --> 00:07:32,240 Speaker 1: action games that are set in Ikea like stores but 153 00:07:32,480 --> 00:07:34,760 Speaker 1: aren't actually associated with them. 154 00:07:34,840 --> 00:07:38,680 Speaker 3: So yeah, I think, I mean, a more fun video 155 00:07:38,800 --> 00:07:41,760 Speaker 3: game is like, I don't know if it takes place 156 00:07:41,760 --> 00:07:44,480 Speaker 3: in the only thing I associate with Ikea is Swedish 157 00:07:44,480 --> 00:07:46,840 Speaker 3: meatballs and couples fighting and arguing. 158 00:07:47,640 --> 00:07:50,640 Speaker 1: Yeah, I feel like, a is there no movie that 159 00:07:50,680 --> 00:07:53,320 Speaker 1: takes place in Nikea like should be? 160 00:07:53,520 --> 00:07:53,880 Speaker 2: There was? 161 00:07:53,920 --> 00:07:56,440 Speaker 3: Remember there were like people who were illegally shooting like 162 00:07:56,920 --> 00:07:58,360 Speaker 3: a show inside. 163 00:07:57,960 --> 00:08:00,400 Speaker 4: Of an ike there's like ten years ago, I feel like, but. 164 00:08:00,400 --> 00:08:03,160 Speaker 1: Why was there not like a good big budget like 165 00:08:03,560 --> 00:08:07,480 Speaker 1: zombie movie or rom com or. 166 00:08:07,520 --> 00:08:11,080 Speaker 2: Action movie like die Hard in an Ikea. Yes? 167 00:08:11,160 --> 00:08:13,640 Speaker 3: Please, Oh you're just saying like as the venue. Yeah, 168 00:08:13,680 --> 00:08:17,160 Speaker 3: there were, oh two thousand and nine, it was called Dude. Yeah, 169 00:08:17,160 --> 00:08:19,000 Speaker 3: it was a Channel one oh one show. It was 170 00:08:19,000 --> 00:08:25,240 Speaker 3: called Ikea Heights. 171 00:08:23,520 --> 00:08:25,960 Speaker 2: And did it like presupposed did it? 172 00:08:26,000 --> 00:08:28,240 Speaker 1: Did it like create a fictional universe where like different 173 00:08:28,240 --> 00:08:30,320 Speaker 1: people lived in different sections of an ikea. 174 00:08:30,840 --> 00:08:32,640 Speaker 4: Yeah, like it was like a soap opera. 175 00:08:33,160 --> 00:08:36,280 Speaker 3: Wow, But I think they were just using the sets 176 00:08:36,400 --> 00:08:38,680 Speaker 3: basically the built out things as sets. 177 00:08:38,720 --> 00:08:40,840 Speaker 2: Oh wow in. 178 00:08:40,960 --> 00:08:45,360 Speaker 3: Nikea, dude, man, then like Randall Randall Park was in it, 179 00:08:47,080 --> 00:08:47,840 Speaker 3: past guests. 180 00:08:48,000 --> 00:08:52,480 Speaker 1: I could see an ikea set movie in like basically 181 00:08:52,520 --> 00:08:58,000 Speaker 1: every genre, like the like an it's like that apocalyptic 182 00:08:58,080 --> 00:09:01,200 Speaker 1: movie where the world that we've built for ourselves indoors 183 00:09:01,480 --> 00:09:03,960 Speaker 1: is just like one big ikea you like sleep in 184 00:09:04,000 --> 00:09:07,880 Speaker 1: like one, you sleep in the one bedroom set up 185 00:09:07,920 --> 00:09:10,600 Speaker 1: and then like get out of bed and you're in 186 00:09:10,600 --> 00:09:12,240 Speaker 1: the middle of an ikea with like a bunch of 187 00:09:12,320 --> 00:09:13,640 Speaker 1: other bedroom setups. 188 00:09:13,840 --> 00:09:16,600 Speaker 2: Then also, yeah, it could be easily a comedy. 189 00:09:16,920 --> 00:09:19,720 Speaker 1: Easily a rom and where you're like trapped in an 190 00:09:19,760 --> 00:09:22,040 Speaker 1: ikea trying to I don't know. 191 00:09:22,120 --> 00:09:24,600 Speaker 4: Wait, everyone's trapped in an ikea. I just felt like as. 192 00:09:24,520 --> 00:09:28,760 Speaker 1: A ve in the broad existential sense for the comedy, 193 00:09:28,880 --> 00:09:31,160 Speaker 1: for the rom com you know, in the way that 194 00:09:31,720 --> 00:09:34,880 Speaker 1: the reason that couples actually fight in ikeas, because. 195 00:09:34,600 --> 00:09:37,679 Speaker 2: Yeah, is this the rest of my life. 196 00:09:38,320 --> 00:09:44,160 Speaker 1: Like turn into like an overwhelming existential experience. 197 00:09:44,920 --> 00:09:48,720 Speaker 3: Yeah, well look, just just fucking make just open up 198 00:09:48,760 --> 00:09:50,880 Speaker 3: like a fucking drive through for meat balls. 199 00:09:51,360 --> 00:09:53,000 Speaker 2: Yeah, that would really help out. 200 00:09:53,520 --> 00:09:55,720 Speaker 3: I think that's honestly the only move Ikea has to 201 00:09:55,760 --> 00:09:59,320 Speaker 3: play after this, after obviously just giving people fast furniture, 202 00:09:59,360 --> 00:10:03,480 Speaker 3: but create a window drive through section just for the meatballs, 203 00:10:03,480 --> 00:10:04,440 Speaker 3: because I will eat them. 204 00:10:05,000 --> 00:10:08,199 Speaker 1: They need help. Come on, Ikea, listen to us. Uh, 205 00:10:08,280 --> 00:10:10,680 Speaker 1: let's take a quick break and we'll be right back. 206 00:10:20,600 --> 00:10:21,559 Speaker 2: And we're back. 207 00:10:21,840 --> 00:10:24,600 Speaker 1: We're back, and uh, as I said, during the break, 208 00:10:24,640 --> 00:10:26,960 Speaker 1: we got the story where Will Smith gets slapped in 209 00:10:27,559 --> 00:10:28,839 Speaker 1: Big Boys four. 210 00:10:30,880 --> 00:10:31,400 Speaker 2: Misspoke. 211 00:10:35,320 --> 00:10:40,240 Speaker 1: Yeah boys boys, Wait boy, what you're going to do? 212 00:10:40,600 --> 00:10:40,960 Speaker 2: So weird? 213 00:10:40,960 --> 00:10:43,880 Speaker 3: They're leaking so much weird shit, like incrementally about this 214 00:10:43,920 --> 00:10:47,040 Speaker 3: because I feel like no one like I loved the 215 00:10:47,080 --> 00:10:50,640 Speaker 3: first one and then just diminishing returns after that. And 216 00:10:50,679 --> 00:10:53,320 Speaker 3: then this time I saw a thing where like Lionel 217 00:10:53,440 --> 00:10:55,560 Speaker 3: Messi was like in an ad for it that was 218 00:10:55,559 --> 00:10:57,160 Speaker 3: just sort of like, what the fuck? 219 00:10:57,440 --> 00:11:01,040 Speaker 1: That's just so many weird sports time for movies around 220 00:11:01,080 --> 00:11:03,880 Speaker 1: this time of year. Like I remember, was it two 221 00:11:03,960 --> 00:11:07,880 Speaker 1: years ago when Nope came out and there were like 222 00:11:07,960 --> 00:11:11,960 Speaker 1: all these like Steph Curry NBA Finals. 223 00:11:12,080 --> 00:11:14,240 Speaker 2: Oh yeah, tie ins with Nope? 224 00:11:14,640 --> 00:11:18,920 Speaker 1: Yeah wait why is why is Steph Curry playing basketball 225 00:11:19,040 --> 00:11:21,400 Speaker 1: inside the house from Nope? 226 00:11:21,840 --> 00:11:22,000 Speaker 2: Right? 227 00:11:22,040 --> 00:11:24,160 Speaker 3: You know, right, but no, this one was like MESSI 228 00:11:24,320 --> 00:11:28,320 Speaker 3: was like their neighbor. But all he's like saying in Miami, right. 229 00:11:28,320 --> 00:11:30,000 Speaker 2: Yeah, yeah yeah, and You're like okay. 230 00:11:30,040 --> 00:11:31,440 Speaker 3: And then the last thing I saw was just like 231 00:11:31,480 --> 00:11:33,840 Speaker 3: a clip of behind the scenes clip of this camera 232 00:11:33,960 --> 00:11:37,160 Speaker 3: rig that Will Smith was using to create like these 233 00:11:37,160 --> 00:11:40,080 Speaker 3: POV shots, like for when he was like drawing his weapon, 234 00:11:40,360 --> 00:11:42,360 Speaker 3: and it would just like be like POV of him 235 00:11:42,360 --> 00:11:44,560 Speaker 3: holding the gun, then POV back looking at him and 236 00:11:44,600 --> 00:11:46,959 Speaker 3: like he was able to he was operating the camera 237 00:11:47,000 --> 00:11:47,160 Speaker 3: with it. 238 00:11:47,240 --> 00:11:49,400 Speaker 4: I was like, oh, that's an interesting filmmaking thing. 239 00:11:49,440 --> 00:11:52,320 Speaker 3: But there's just like so much shit being like bad boys, 240 00:11:52,320 --> 00:11:54,239 Speaker 3: bad boys, bad boys that I'm like, okay. 241 00:11:54,000 --> 00:11:57,880 Speaker 2: We get it. Like now what he gets. 242 00:11:57,360 --> 00:12:01,080 Speaker 1: The great piece of viral marketing they came up with 243 00:12:01,200 --> 00:12:05,839 Speaker 1: is putting something that is going to be headline generating 244 00:12:06,200 --> 00:12:10,959 Speaker 1: inside the movie. In this case, there is a scene 245 00:12:11,559 --> 00:12:16,280 Speaker 1: in which Will Smith gets is having a panic attack 246 00:12:16,360 --> 00:12:19,199 Speaker 1: and Martin Lawrence has to slap him several times to 247 00:12:19,280 --> 00:12:23,439 Speaker 1: shake him out of it, and I do deeply apologize 248 00:12:23,480 --> 00:12:27,520 Speaker 1: for if that spoiled one of the set pieces of 249 00:12:27,760 --> 00:12:32,720 Speaker 1: Bad Boys for for people. And I then but what 250 00:12:32,880 --> 00:12:36,959 Speaker 1: happens probably if I had to guess, he gets snapped 251 00:12:36,960 --> 00:12:39,920 Speaker 1: out of it, like does it the thing the only 252 00:12:39,960 --> 00:12:42,360 Speaker 1: way having a panic attack and then get like brutally 253 00:12:42,440 --> 00:12:43,880 Speaker 1: murdered by the drug cartel. 254 00:12:43,920 --> 00:12:46,920 Speaker 3: That it's just such a weird thing like it for 255 00:12:47,000 --> 00:12:49,400 Speaker 3: it to be like this sort of like meta culture joke, 256 00:12:49,600 --> 00:12:53,880 Speaker 3: like does does Will Smith during this panic attack say 257 00:12:53,920 --> 00:12:55,920 Speaker 3: something about Martin Lawrence's wife? 258 00:12:56,480 --> 00:12:59,559 Speaker 2: So we don't know we have this setup? Im possible 259 00:12:59,600 --> 00:13:04,000 Speaker 2: to know that, Miles, it's just such a stupid weight. 260 00:13:04,200 --> 00:13:06,320 Speaker 2: I don't like why tease that out. 261 00:13:06,720 --> 00:13:10,480 Speaker 1: It's a pop exorcism, Miles, It's a pop exorcism. That's 262 00:13:10,480 --> 00:13:12,800 Speaker 1: what some critics are calling it, command the ones who 263 00:13:12,800 --> 00:13:16,200 Speaker 1: were paid to like it. Other people are calling it 264 00:13:16,320 --> 00:13:19,240 Speaker 1: a lame meta joke, a tasteless nod to the slap 265 00:13:19,400 --> 00:13:21,120 Speaker 1: meant to rehab Smith's image. 266 00:13:21,559 --> 00:13:24,439 Speaker 2: People are really mad about the slap. Still I've noticed. 267 00:13:24,880 --> 00:13:28,160 Speaker 4: Yeah, well you know I didn't. I wasn't expecting that. 268 00:13:28,760 --> 00:13:30,040 Speaker 2: You weren't expecting the slap. 269 00:13:30,400 --> 00:13:33,400 Speaker 3: I just I can't I didn't see things like that 270 00:13:33,960 --> 00:13:37,440 Speaker 3: on stage like that, I don't know. Yeah, granted it 271 00:13:37,520 --> 00:13:40,400 Speaker 3: was like a weird moment, but what whatever. 272 00:13:40,160 --> 00:13:45,280 Speaker 1: Man, sure a tasteless nod to the slap? How dare 273 00:13:45,320 --> 00:13:48,600 Speaker 1: you cheapen that moment when he walked on stage and 274 00:13:49,240 --> 00:13:50,240 Speaker 1: slapped so. 275 00:13:50,120 --> 00:13:52,120 Speaker 3: Which is funny too, because like on the internet, like 276 00:13:52,880 --> 00:13:54,240 Speaker 3: you know, I felt like a lot of black people 277 00:13:54,240 --> 00:13:59,439 Speaker 3: were like, I mean, you know, it's kind and then 278 00:14:00,040 --> 00:14:02,880 Speaker 3: there was so much pearl clutching happening from like like 279 00:14:02,920 --> 00:14:05,960 Speaker 3: that's just so shameful. So you're like, okay, I see 280 00:14:06,000 --> 00:14:09,719 Speaker 3: like the racism part creeping in right, But like it 281 00:14:09,800 --> 00:14:12,080 Speaker 3: was just funny because most people were like, yo, he's 282 00:14:12,120 --> 00:14:16,080 Speaker 3: been saying shit about Jada for so long that you 283 00:14:16,080 --> 00:14:18,160 Speaker 3: could kind of see like a timeline or where it 284 00:14:18,200 --> 00:14:20,840 Speaker 3: comes to that. Obviously, no one's saying like, yeah, I 285 00:14:20,840 --> 00:14:23,480 Speaker 3: advocate for putting hands on people constantly out of nowhere, 286 00:14:23,560 --> 00:14:24,680 Speaker 3: just on a on a dime. 287 00:14:25,160 --> 00:14:26,760 Speaker 2: But it was sort of one of those things. I mean, 288 00:14:27,120 --> 00:14:30,120 Speaker 2: dude's talking about his wife. I don't know, Yeah, shit 289 00:14:30,240 --> 00:14:33,880 Speaker 2: like that happens. Call it a tasteless reference to the slap? 290 00:14:34,000 --> 00:14:35,680 Speaker 2: Is weird? Slap is like. 291 00:14:37,240 --> 00:14:41,960 Speaker 1: Is a tasteless, like tabloid moment, So. 292 00:14:41,840 --> 00:14:43,600 Speaker 2: What what the fuck are you even talking about? 293 00:14:43,720 --> 00:14:46,560 Speaker 4: Yeah, clearly they don't care if they're saying. 294 00:14:46,360 --> 00:14:48,840 Speaker 1: They don't give a shit in the movie is getting 295 00:14:48,840 --> 00:14:53,680 Speaker 1: like about the same reviews as previous Bid Boys the 296 00:14:53,720 --> 00:14:58,320 Speaker 1: three Bad Boys three, which was the top grossing film 297 00:14:58,520 --> 00:15:02,200 Speaker 1: for the year twenty twenty. Because it was the last 298 00:15:02,200 --> 00:15:04,400 Speaker 1: movie to come out before the pandemic shut everything down, 299 00:15:04,480 --> 00:15:05,280 Speaker 1: it feels weird. 300 00:15:05,120 --> 00:15:08,120 Speaker 3: For a Bad Boys movie to come out in the 301 00:15:08,360 --> 00:15:10,920 Speaker 3: early part of the year, Like Bad Boys has always 302 00:15:10,960 --> 00:15:12,440 Speaker 3: felt like a summer movie thing. 303 00:15:13,160 --> 00:15:13,680 Speaker 2: It was. 304 00:15:15,040 --> 00:15:18,040 Speaker 1: I think they had very extremely low expectation. 305 00:15:18,800 --> 00:15:20,560 Speaker 2: I think was why they did that. 306 00:15:20,640 --> 00:15:23,280 Speaker 1: They were like and they knew about the pandemic, and 307 00:15:23,320 --> 00:15:27,280 Speaker 1: they had some sense with you know, not everybody obviously 308 00:15:27,720 --> 00:15:30,000 Speaker 1: Christopher Nolan, they didn't tell about it because he had 309 00:15:30,080 --> 00:15:31,320 Speaker 1: tenant about to come out. 310 00:15:31,440 --> 00:15:35,720 Speaker 2: But we'll yeah, well yeah. 311 00:15:35,120 --> 00:15:36,720 Speaker 3: I mean because yeah, I mean because like when I 312 00:15:36,720 --> 00:15:39,040 Speaker 3: think about Bad Boys Too, I was so hyped because 313 00:15:39,080 --> 00:15:41,800 Speaker 3: I was the summer I graduated high school and like 314 00:15:41,880 --> 00:15:44,800 Speaker 3: that Boys Too, Yeah, yeah, yeah, I was like, oh 315 00:15:44,840 --> 00:15:47,600 Speaker 3: fuck yeah, bro, Bad Boys to the world is fucking 316 00:15:47,680 --> 00:15:50,240 Speaker 3: smiling on me. I can't wait to graduate college in 317 00:15:50,240 --> 00:15:52,400 Speaker 3: two thousand and seven, everything will be okay. 318 00:15:53,120 --> 00:15:58,720 Speaker 1: Yeah, that's funny that every Bad Boys movie, like Herald 319 00:15:59,000 --> 00:16:03,520 Speaker 1: some plague upon us. Like Bad Boys two is the 320 00:16:03,520 --> 00:16:09,360 Speaker 1: global financial collapse, Bad Boys three is uh COVID nineteen. Well, 321 00:16:09,480 --> 00:16:12,600 Speaker 1: we'll see what we got coming to us, a second 322 00:16:12,680 --> 00:16:15,120 Speaker 1: Trump presidency, another global pandemic. 323 00:16:15,240 --> 00:16:16,840 Speaker 2: I don't know, we don't know. 324 00:16:17,040 --> 00:16:20,840 Speaker 3: There was no the like a person in Mexico dying 325 00:16:20,840 --> 00:16:24,560 Speaker 3: a bird flew and everyone was like, yeah, that was 326 00:16:24,600 --> 00:16:25,120 Speaker 3: something that. 327 00:16:25,040 --> 00:16:30,120 Speaker 1: I recently asked my wife about. She's not an epidemiologist. 328 00:16:30,400 --> 00:16:32,280 Speaker 1: She's a medical doctor, though, and I was like, stop 329 00:16:33,200 --> 00:16:36,800 Speaker 1: hearing stuff that, Like, it's not going to be one 330 00:16:36,880 --> 00:16:40,960 Speaker 1: hundred years until the next global pandemic, like this last 331 00:16:41,040 --> 00:16:44,400 Speaker 1: break that we had between nineteen eleven and COVID nineteen. 332 00:16:45,120 --> 00:16:47,760 Speaker 1: It might be a lot sooner because of climate change. 333 00:16:47,920 --> 00:16:49,680 Speaker 1: She's like, yeah, yeah, no, of course. 334 00:16:49,920 --> 00:16:54,040 Speaker 3: I was like, what, see, what, where's your bedside manner? 335 00:16:54,840 --> 00:16:57,240 Speaker 3: Don't fucking be don't give me the fucking truth. 336 00:16:57,280 --> 00:17:00,480 Speaker 1: And I do leave her reviews about her bedside manner 337 00:17:00,520 --> 00:17:05,120 Speaker 1: all the time, and she's leaving me so uh. 338 00:17:04,640 --> 00:17:07,240 Speaker 2: Yeah, that sounds very scary to me. 339 00:17:07,600 --> 00:17:09,879 Speaker 3: The World Health Organization was like the risk of like 340 00:17:10,240 --> 00:17:12,120 Speaker 3: human transmission. 341 00:17:11,560 --> 00:17:14,160 Speaker 4: Is pretty low. That's what they're still saying. 342 00:17:14,000 --> 00:17:21,000 Speaker 1: At the moment. Can transmiss anyways? Uh, stay safe out there, folks. Yes, 343 00:17:22,480 --> 00:17:25,640 Speaker 1: the reviews look about the same. We'll see if Bad 344 00:17:25,640 --> 00:17:29,760 Speaker 1: Boys four is the movie that gets the box office 345 00:17:29,800 --> 00:17:31,000 Speaker 1: out of its dule drum. 346 00:17:31,240 --> 00:17:32,159 Speaker 2: Will you go see it? 347 00:17:32,760 --> 00:17:32,840 Speaker 1: No? 348 00:17:34,520 --> 00:17:35,840 Speaker 4: Will you watch it on an airplane? 349 00:17:36,119 --> 00:17:37,720 Speaker 2: Yeah? Yeah, Yeah, that's what I think. 350 00:17:37,760 --> 00:17:39,240 Speaker 4: That's where I think this one that's out at at 351 00:17:39,320 --> 00:17:39,800 Speaker 4: least for me. 352 00:17:39,960 --> 00:17:40,760 Speaker 2: But I get it. 353 00:17:40,720 --> 00:17:43,040 Speaker 1: That that scene in Bad Boys too where they're throwing 354 00:17:43,080 --> 00:17:47,160 Speaker 1: things off of the car carrier is uh And isn't 355 00:17:47,200 --> 00:17:50,560 Speaker 1: there like bodies in this throwing dead bodies like it's 356 00:17:50,560 --> 00:17:53,879 Speaker 1: a car chase the yeah, yeah, yeah, car carry and 357 00:17:53,880 --> 00:17:57,359 Speaker 1: then thrown dead bodies is one of the wildest things. 358 00:17:57,359 --> 00:18:00,640 Speaker 1: Like it's it's not a high point in the history cinema, 359 00:18:00,760 --> 00:18:01,120 Speaker 1: but it. 360 00:18:01,200 --> 00:18:02,000 Speaker 2: Is a point. 361 00:18:02,480 --> 00:18:05,560 Speaker 1: Things that make you go, things that you can never 362 00:18:06,080 --> 00:18:07,320 Speaker 1: your brain can't forget. 363 00:18:07,800 --> 00:18:08,800 Speaker 2: Yeah, I get it. 364 00:18:09,119 --> 00:18:13,320 Speaker 1: Let's see the Academy might finally listen to us and 365 00:18:13,400 --> 00:18:16,400 Speaker 1: add a stunt category to the Oscars. This is something 366 00:18:16,480 --> 00:18:18,800 Speaker 1: we've been saying, you know, they need to. 367 00:18:19,160 --> 00:18:23,160 Speaker 3: Said something we specifically have been clamoring for again, You're welcome, 368 00:18:23,600 --> 00:18:24,720 Speaker 3: You're welcome the world. 369 00:18:24,800 --> 00:18:28,960 Speaker 1: So they already just added a casting category, which I 370 00:18:28,960 --> 00:18:32,560 Speaker 1: think is fun, right, Like casting is when I hear 371 00:18:32,640 --> 00:18:35,880 Speaker 1: that movie podcasts like talk about and this is who 372 00:18:35,920 --> 00:18:39,439 Speaker 1: they were initially going to cast and then they either 373 00:18:39,720 --> 00:18:43,479 Speaker 1: because of like circumstance or just good decision making, like 374 00:18:43,960 --> 00:18:46,440 Speaker 1: went with who they went with and it like changes 375 00:18:47,320 --> 00:18:53,320 Speaker 1: fucking everything like that. That that's cool. I like the 376 00:18:53,400 --> 00:18:56,440 Speaker 1: idea of being able to appreciate casting more. Granted, they're 377 00:18:56,480 --> 00:18:58,080 Speaker 1: not going to be like and look at who we 378 00:18:58,160 --> 00:19:01,920 Speaker 1: almost went with on this fucking sucked right, Like Will 379 00:19:01,960 --> 00:19:05,040 Speaker 1: Smith was gonna be neo in the Matrix. Yeah, Like 380 00:19:05,320 --> 00:19:07,720 Speaker 1: they can't do that at the oscars. So like, the 381 00:19:07,760 --> 00:19:10,159 Speaker 1: casting one is cool in theory, but I feel like 382 00:19:10,280 --> 00:19:12,600 Speaker 1: as an in execution is not going to be that 383 00:19:12,840 --> 00:19:17,160 Speaker 1: fun of an addition to the Academy Awards. However, stunts 384 00:19:17,480 --> 00:19:20,280 Speaker 1: like where you get to see them, like do the 385 00:19:20,320 --> 00:19:22,879 Speaker 1: stunts and show you like what what went into the 386 00:19:22,920 --> 00:19:27,359 Speaker 1: stunts and like think about the art and physicists that 387 00:19:27,480 --> 00:19:28,400 Speaker 1: goes into this shit. 388 00:19:28,960 --> 00:19:32,439 Speaker 3: If we're giving awards for effects, if we're giving awards 389 00:19:32,480 --> 00:19:37,159 Speaker 3: for costumes, we should be giving it for like, this 390 00:19:37,320 --> 00:19:40,760 Speaker 3: is such a part of the filmmaking process that to 391 00:19:40,960 --> 00:19:43,240 Speaker 3: not to ignore that it really does seem a bit odd. 392 00:19:43,400 --> 00:19:45,240 Speaker 4: Like anytime you're like holy. 393 00:19:44,960 --> 00:19:48,520 Speaker 3: Shit in a movie, it's not because like it like 394 00:19:48,600 --> 00:19:52,080 Speaker 3: we have to honor the moments where people holy shit. 395 00:19:52,040 --> 00:19:54,440 Speaker 2: And how those came together, especially like with stunts. 396 00:19:54,880 --> 00:19:57,040 Speaker 1: But I think refers is also like one that we 397 00:19:57,080 --> 00:19:59,720 Speaker 1: should be because they don't have like a category for 398 00:19:59,760 --> 00:20:03,200 Speaker 1: best like visual like effect. 399 00:20:03,320 --> 00:20:07,840 Speaker 2: Do they like best yeah? Special effect? Visual effects? Yeah, 400 00:20:08,119 --> 00:20:13,320 Speaker 2: they do effects. Yeah, yeah, all right? Are you okay? Nah, 401 00:20:14,040 --> 00:20:16,440 Speaker 2: not at all? Go Zillus. 402 00:20:16,760 --> 00:20:19,280 Speaker 4: Really I believe when it this year, this last year? 403 00:20:19,560 --> 00:20:21,160 Speaker 2: Okay yeah yeah yeah. 404 00:20:21,200 --> 00:20:25,040 Speaker 1: I haven't watched the Academy Awards since the slap. It 405 00:20:25,080 --> 00:20:26,040 Speaker 1: made me so upset. 406 00:20:26,240 --> 00:20:28,439 Speaker 2: I get it, I get it, I get it. Yeah. 407 00:20:28,520 --> 00:20:30,399 Speaker 3: But yeah, like I think, what was you like this? 408 00:20:30,560 --> 00:20:32,879 Speaker 3: Like when Mary Poppins like won it this? That's how 409 00:20:32,960 --> 00:20:38,639 Speaker 3: long I've had that ship visual effects? Yeah, okay, hmmm, 410 00:20:40,400 --> 00:20:41,960 Speaker 3: I don't believe you anyways. 411 00:20:43,359 --> 00:20:46,240 Speaker 4: This is like me with the artificial flavors. Shit, I'm like, 412 00:20:46,320 --> 00:20:49,520 Speaker 4: I don't know, man, are you sure about that? It's 413 00:20:49,600 --> 00:20:51,600 Speaker 4: right there, it's right there. 414 00:20:52,160 --> 00:20:57,840 Speaker 1: And finally, uh Joe Biden went over to observe D 415 00:20:58,000 --> 00:21:01,400 Speaker 1: Day in France and and Russia was. 416 00:21:01,359 --> 00:21:04,400 Speaker 2: Not present because even though they were a. 417 00:21:04,320 --> 00:21:07,399 Speaker 1: Big part, but some may say the big part of 418 00:21:07,400 --> 00:21:11,440 Speaker 1: winning World War two, historian. 419 00:21:11,280 --> 00:21:14,600 Speaker 3: A moment experts on the subject say that maybe it 420 00:21:14,680 --> 00:21:17,560 Speaker 3: was the contribution of Russia that ultimately won World War Two. 421 00:21:17,960 --> 00:21:20,960 Speaker 3: I live in America, and it all happened on D Day. 422 00:21:21,160 --> 00:21:21,560 Speaker 2: Okay. 423 00:21:22,080 --> 00:21:24,120 Speaker 3: When you said Biden went to go observe D Day 424 00:21:24,119 --> 00:21:25,719 Speaker 3: in France, I just thought of him as being like 425 00:21:25,760 --> 00:21:28,560 Speaker 3: this Nepo person who was able to dodge the drafts, 426 00:21:28,560 --> 00:21:29,240 Speaker 3: like Daddy. 427 00:21:29,480 --> 00:21:31,480 Speaker 4: I want to see the men land on the beach, 428 00:21:33,280 --> 00:21:35,480 Speaker 4: just like ooh, that looked like it hurt. 429 00:21:36,000 --> 00:21:39,760 Speaker 1: M We all set in dirigibles with our binocular with 430 00:21:39,800 --> 00:21:45,320 Speaker 1: our binoculars on some sporting fighting going on over there. No, 431 00:21:45,560 --> 00:21:49,159 Speaker 1: and then Biden like dunked on Russia during his speech, 432 00:21:49,200 --> 00:21:52,800 Speaker 1: suggesting parallels between the invasion in Ukraine and World War Two, 433 00:21:53,560 --> 00:21:56,359 Speaker 1: which I don't know. Teasing world War three may not 434 00:21:56,480 --> 00:21:59,680 Speaker 1: have been the best tone for right now. 435 00:22:00,040 --> 00:22:02,560 Speaker 4: A lot more too, you're bluster happening. 436 00:22:02,920 --> 00:22:03,360 Speaker 2: Yeah, yeah. 437 00:22:04,400 --> 00:22:07,439 Speaker 1: Also weird to hear someone rant about illegal aggressions in 438 00:22:07,480 --> 00:22:12,119 Speaker 1: the world with absolutely no mention of Gaza. But you 439 00:22:12,160 --> 00:22:13,960 Speaker 1: know this is a campaign stop. 440 00:22:14,440 --> 00:22:14,800 Speaker 2: Uh. 441 00:22:14,840 --> 00:22:16,959 Speaker 1: And in addition to his speech, he dropped a new 442 00:22:16,960 --> 00:22:21,360 Speaker 1: commercial on D Day featuring interviews with veterans, uh crapping 443 00:22:21,400 --> 00:22:23,760 Speaker 1: on Trump for being a draft dodger. 444 00:22:25,240 --> 00:22:31,880 Speaker 3: Oh genius, genius. 445 00:22:30,600 --> 00:22:31,440 Speaker 2: Of all the things. 446 00:22:31,720 --> 00:22:39,040 Speaker 1: Like so Trump has like called soldiers who died in wars, 447 00:22:39,119 --> 00:22:41,800 Speaker 1: like you know, just like ship shipped on them, shot 448 00:22:41,840 --> 00:22:42,960 Speaker 1: on their families, like. 449 00:22:43,040 --> 00:22:45,960 Speaker 2: Made like I wouldn't have gotten captured. Yeah. 450 00:22:46,040 --> 00:22:49,399 Speaker 1: Yeah, Like you've done so much bad ship with regards 451 00:22:49,440 --> 00:22:53,520 Speaker 1: to the military that going with like draft dodger just 452 00:22:53,680 --> 00:22:58,159 Speaker 1: feels like we're matt like And granted he you know, 453 00:22:59,040 --> 00:23:01,480 Speaker 1: got out of the draft purely due to his wealth 454 00:23:01,480 --> 00:23:02,119 Speaker 1: and privilege. 455 00:23:02,440 --> 00:23:10,040 Speaker 2: But it was Vietnam. Yeah, exactly like Vietnam draft dodgers, 456 00:23:10,359 --> 00:23:11,120 Speaker 2: right right right. 457 00:23:11,200 --> 00:23:13,479 Speaker 3: It is a weird take, but also just like weirder 458 00:23:13,480 --> 00:23:16,840 Speaker 3: in the larger context because veterans are always used as 459 00:23:16,880 --> 00:23:20,760 Speaker 3: this like political cudgel where but neither party gives a 460 00:23:20,760 --> 00:23:23,359 Speaker 3: fuck about them. They just think it's this thing you have, like, 461 00:23:23,480 --> 00:23:26,560 Speaker 3: especially since nine to eleven, like evoking the troops and 462 00:23:26,600 --> 00:23:29,040 Speaker 3: shit feels like, oh man, it feels good to do 463 00:23:29,200 --> 00:23:31,439 Speaker 3: now do we give a fuck about the condition like 464 00:23:31,640 --> 00:23:34,199 Speaker 3: these people are in when we've used them in our 465 00:23:34,240 --> 00:23:38,360 Speaker 3: wars of empire and resources. No, So, like it's weird 466 00:23:38,400 --> 00:23:42,080 Speaker 3: to be like, do you like you politically? These people 467 00:23:42,080 --> 00:23:44,800 Speaker 3: aren't even respected and just used as like a prop 468 00:23:45,000 --> 00:23:47,439 Speaker 3: so then to like use it to attack another person, 469 00:23:47,480 --> 00:23:49,160 Speaker 3: it's like, but none, none of y'all give a fuck 470 00:23:49,200 --> 00:23:52,720 Speaker 3: about it. So who is this supposed to move? And 471 00:23:52,760 --> 00:23:55,760 Speaker 3: the veterans that support Trump, they don't give a fuck 472 00:23:55,840 --> 00:23:58,400 Speaker 3: that he was disrespecting like gold Star families and all 473 00:23:58,400 --> 00:24:01,480 Speaker 3: that kind of shit. So it's just like, okay, man, yeah, 474 00:24:01,520 --> 00:24:03,359 Speaker 3: you spent a lot of money talking to some like 475 00:24:03,560 --> 00:24:04,160 Speaker 3: older dudes. 476 00:24:04,200 --> 00:24:06,280 Speaker 2: You're talking about the war, right, Yeah? 477 00:24:06,440 --> 00:24:08,400 Speaker 4: Is this like a savvy political move? 478 00:24:08,480 --> 00:24:13,360 Speaker 2: I honestly don't think so. But god, as I said, yeah, look. 479 00:24:15,280 --> 00:24:17,440 Speaker 4: Trying to be the goat of losing elections, I guess, 480 00:24:17,440 --> 00:24:19,080 Speaker 4: so sure, let's try it out. 481 00:24:19,160 --> 00:24:20,000 Speaker 2: Let's try it out. 482 00:24:20,080 --> 00:24:23,199 Speaker 3: Let's try it out, and like, no, maybe like do 483 00:24:23,320 --> 00:24:25,920 Speaker 3: something about veteran care too as president. 484 00:24:26,280 --> 00:24:29,359 Speaker 2: That would be cool. Hey what about that? 485 00:24:29,520 --> 00:24:31,439 Speaker 3: Like, oh man, you know, Donald Trump, he didn't have 486 00:24:31,480 --> 00:24:35,240 Speaker 3: to suffer like you did in a meaningless war. Yah, huh, 487 00:24:35,240 --> 00:24:36,840 Speaker 3: what do you think now about him? It's like, I 488 00:24:36,840 --> 00:24:38,919 Speaker 3: don't know. I think that war was meaningless. I'm kind 489 00:24:38,920 --> 00:24:40,639 Speaker 3: of pissed off that I had to be part of it. 490 00:24:41,720 --> 00:24:44,680 Speaker 1: Okay, no, no, no more on him being like a shithead. 491 00:24:45,280 --> 00:24:47,480 Speaker 1: Maybe you could use like old tiny grizzled RaSE. 492 00:24:47,640 --> 00:24:50,960 Speaker 3: Sorry, colonel, do you mind saying this line? I'm not 493 00:24:51,000 --> 00:24:52,960 Speaker 3: really comfortable. Just just read it just to see how 494 00:24:53,000 --> 00:24:58,439 Speaker 3: it sounds. Okay, Donald Trump is a damn shithead. 495 00:24:58,160 --> 00:25:01,240 Speaker 2: According to me. Perfect. Thank you. We're going to thank 496 00:25:01,240 --> 00:25:02,800 Speaker 2: you so much and thank you for your service. 497 00:25:03,119 --> 00:25:06,320 Speaker 1: All right, those are some of the things that are 498 00:25:06,600 --> 00:25:08,800 Speaker 1: trending on this Thursday afternoon. 499 00:25:08,800 --> 00:25:11,199 Speaker 2: We are back tomorrow with a whole last episode of 500 00:25:11,200 --> 00:25:11,560 Speaker 2: the show. 501 00:25:11,800 --> 00:25:15,160 Speaker 1: Until then, be kind to each other, be kind to yourself, 502 00:25:15,840 --> 00:25:19,040 Speaker 1: get your vaccines, get blue shots, don't do nothing about 503 00:25:19,080 --> 00:25:22,040 Speaker 1: white supremacy, and we will talk to you all tomorrow. 504 00:25:22,119 --> 00:25:27,600 Speaker 2: Bye bye,