WEBVTT - Blood is Thicker

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<v Speaker 1>Hey, listeners, it's James Parker. Can you keep a secret?

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<v Speaker 1>The next episode of Daughters of d C is up next,

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<v Speaker 1>But first a quick word from our sponsor, Iron Horn's

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<v Speaker 1>Epic Productions. And I heard Radio present Daughters of d C.

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<v Speaker 1>Oh God, I know, I said, getting into trouble is

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<v Speaker 1>the right thing to do, but this is a little

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<v Speaker 1>too much trouble. Natalie and Celia are getting expelled from

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<v Speaker 1>Dupomp Prep even as we speak, all because I couldn't

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<v Speaker 1>keep my dumb mouth shut. I told Onyx all about

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<v Speaker 1>our break and at the school, God, I told him

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<v Speaker 1>all about Lock Smith. I told him everything. Brilliant James,

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<v Speaker 1>absolutely genius, and now he knows my real name, and

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<v Speaker 1>I have no idea who he is here. I am

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<v Speaker 1>going around like some kind of hotshot hacker, when in

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<v Speaker 1>fact I've been giving away all of my friend's secrets

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<v Speaker 1>to unknown agents. What was I thinking? How am I

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<v Speaker 1>going to help Peyton? How am I going to help anyone? Oh? No?

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<v Speaker 1>What now? How could things possibly get any worse? It's

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<v Speaker 1>no secret that in Washington, d C. Corruption is everywhere.

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<v Speaker 1>You could say it's gone viral. That's why my friends

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<v Speaker 1>and I decided to take on the system from the inside.

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<v Speaker 1>I'm James, I'm Peyton, I'm Celia, I'm Natalie, and we're

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<v Speaker 1>the daughters of DC. Natalie, Celia, are you okay? What happened?

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<v Speaker 1>Are you expelled? What's going on? Call at you two?

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<v Speaker 1>We're fine. Our parents took care of it. What how,

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<v Speaker 1>Never underestimate the persuasiveness of a lieu or the persistent

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<v Speaker 1>pain in the aasteness of a Rosenberg. I think the

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<v Speaker 1>headmaster just wanted them out of office as quickly as possible.

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<v Speaker 1>I'm so relieved. Oh my god, I'm so so relieved.

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<v Speaker 1>You guys, I'm sorry why. It's not your fault. We

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<v Speaker 1>knew what we were getting into. Yeah. Yeah, I mean

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<v Speaker 1>I'm relieved because my suspension is over. Tomorrow we can

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<v Speaker 1>all see each other again. You're back, Yeah, my suspension

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<v Speaker 1>is over. Oh wait, my suspension is her. Have a

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<v Speaker 1>good first day back, Jane. Oh and one more thing, yeah, Mom,

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<v Speaker 1>about the botillion this weekend. I know I've been complaining,

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<v Speaker 1>but of course I'll go. I went and miss Cole's

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<v Speaker 1>big day. I know. I had a discussion with Judge

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<v Speaker 1>Reid and you'll be attending with Tanner. Tanner me no, no, never,

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<v Speaker 1>no way. I'm afraid it's not your decision, it's Judge Reads.

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<v Speaker 1>So he gets to invade our gathering with our community.

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<v Speaker 1>Maybe if you hadn't gotten suspended, you'd have a say

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<v Speaker 1>in this. What does that have to do with James

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<v Speaker 1>Renee Parker. I believed you when you said you had

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<v Speaker 1>good reason to hack your own school. Now you're going

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<v Speaker 1>to trust me on this. That's how this works. I

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<v Speaker 1>won't dance with him. Have an uneventful day in school, please,

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<v Speaker 1>So I guess things can get worse. I'm banned from

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<v Speaker 1>going to Cole Parker's botillion. Keep your voice down. The

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<v Speaker 1>whole alumni dining room doesn't need to hear our business.

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<v Speaker 1>This is outrageous. This is the cost of me taking

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<v Speaker 1>care of your expulsion. You're not to associate with those

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<v Speaker 1>girls anymore. We were just trying to get back at Tanner.

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<v Speaker 1>We don't interfere with the Reads. We interfere with whoever

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<v Speaker 1>we want. There's a reason your father and I have

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<v Speaker 1>been so meticulous in guiding your friendships. You and Mackenzie

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<v Speaker 1>will be attending a different event this weekend. There's a

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<v Speaker 1>new gallery opening downtown. Why do you care about Mackenzie.

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<v Speaker 1>We have ties with her family. We have similar ties

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<v Speaker 1>to the Reeds. You are not to act against Tanner again, understood?

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<v Speaker 1>And what if I said no? There are many real

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<v Speaker 1>life Okay, so I'm trying to be good. But it's

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<v Speaker 1>not my fault if they let us use our laptops

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<v Speaker 1>and a p trig. Isn't or that I already did

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<v Speaker 1>this assignment last night. This is just what happens when

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<v Speaker 1>students get bored, they go online and try to find

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<v Speaker 1>out more about their secret hacking mentors. Right ay, Storm,

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<v Speaker 1>there you are. I haven't seen you around in a while.

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<v Speaker 1>Ready to share more secrets? No, not with you on.

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<v Speaker 1>I can't believe what you did. What did I do?

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<v Speaker 1>You betrayed me? What? What are you talking about? We're friends?

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<v Speaker 1>What about the security footage? What security footage? Don't play

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<v Speaker 1>dumb and enough with your secrets. You know who I

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<v Speaker 1>am and you won't tell me who you are? I

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<v Speaker 1>promised I'm going to tell you who I am. Actually,

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<v Speaker 1>I'm gonna show you. You know. Locksmith was right. I

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<v Speaker 1>can't trust anyone. Oh, I see Locksmith said that. Huh.

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<v Speaker 1>Maybe the better advice is don't trust Locksmith. You try

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<v Speaker 1>to dig up dirt on a guy and he's a

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<v Speaker 1>total fan of And someone stabs you in the back

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<v Speaker 1>and you immediately assume it was me. James Parka, James, James,

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<v Speaker 1>what this Caruth? Ask you what the coast sine of

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<v Speaker 1>bee is? Sorry, since it's the right triangle, the coastine

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<v Speaker 1>a B is equal to sign be. Then the distakes

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<v Speaker 1>between a Cole's friend from Celia's party, right, Adrian, Yeah, yeah, no, sweat,

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<v Speaker 1>I got your back. See you at the bottilio, right, um, yeah, yeah,

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<v Speaker 1>see you there. Heymon, yo, paymon, Wait up, hi, Cole,

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<v Speaker 1>what's all this? Boys? Lacrosse is doing a car wash

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<v Speaker 1>to raise money for a table at my bottillion. That's nice. Hey,

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<v Speaker 1>you want to help me wash some cars? I might

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<v Speaker 1>even show you the secret to my game changing scrubbing technique.

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<v Speaker 1>Spoiler alert, it's too handed read coming at you. What's wrong?

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<v Speaker 1>As you can see you're washing? Hey you okay? What? Yeah? Nothing,

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<v Speaker 1>I'm just feeling a little under the weather. I'm going

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<v Speaker 1>to go home now. Can I give you a ride?

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<v Speaker 1>That's all right, you go back to your car wash. Nah,

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<v Speaker 1>Tanner can do some of the work for once, yea,

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<v Speaker 1>all right? Hey, can we give Celia rode to she's

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<v Speaker 1>coming over right now. Sure, Hey, Celia, you want to ride?

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<v Speaker 1>Thanks anyway, but it looks like my driver's here. Are

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<v Speaker 1>you guys? Can we not with a capop today? William? Sorry, miss,

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<v Speaker 1>but music affects mood, and I thought you'd want to

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<v Speaker 1>see more cheerful to show your parents how grateful you

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<v Speaker 1>are to still be in de DuPont. Grateful. They're constricting me.

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<v Speaker 1>I don't need rules. I make my own rules. They

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<v Speaker 1>have your best interests at heart, Miss Luke, not my interests, William,

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<v Speaker 1>the family's interests. Your parents are in a delicate space.

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<v Speaker 1>They move cautiously and deliberately, and I strike to kill,

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<v Speaker 1>not to disagree, Miss lu But that's not always the

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<v Speaker 1>most effective method. You don't know this, but I'm not

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<v Speaker 1>welcome in China anymore. Oh yeah, I'm not. Your parents,

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<v Speaker 1>through their careful influence, ensured my safe passage to the

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<v Speaker 1>United States. I owe them my life. Their actions have

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<v Speaker 1>kept my family safe and allowed me to communicate with

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<v Speaker 1>them discreetly. Hmm. Sorry, it's the price I had to pay.

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<v Speaker 1>M But that's why I trust to your parents. You

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<v Speaker 1>should trust them too, and do what they tell you

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<v Speaker 1>to do. Do you understand? I understand I have to

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<v Speaker 1>call Mackenzie and tell her we have to go to

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<v Speaker 1>some dumb gallery opening instead of the Botilion. Ridiculous. I

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<v Speaker 1>don't want people looking at Artwin. They could be looking

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<v Speaker 1>at me. Hey, d O DC fans, stay tuned more.

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<v Speaker 1>Daughters of d C is up next, but first a

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<v Speaker 1>Rob Dad, I'm huh so quite How exactly did you

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<v Speaker 1>clear up that security footage stuff so quickly? Let's try

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<v Speaker 1>that again, Natalie. Oh, hello, father, it's nice to see you.

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<v Speaker 1>Thank you for making sure I don't get expelled. You've

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<v Speaker 1>always had such a disdain for education. That's not fair.

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<v Speaker 1>I make effort, I try to try. In what way?

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<v Speaker 1>When would I have seen this supposed effort? Have you

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<v Speaker 1>even started your college essays yet? Why bother? Why bother?

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<v Speaker 1>You can just hire someone to write those essays for me,

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<v Speaker 1>right same way you hired someone to take my SA

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<v Speaker 1>T S. I don't know what you're talking about. You're

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<v Speaker 1>a terrible liar. Okay, let's calm down. Don't tell me

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<v Speaker 1>to calm down. You hire someone to take my test

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<v Speaker 1>for me? Right, say? It's on my face. You're upsetting leon.

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<v Speaker 1>You made me think all that studying actually paid off,

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<v Speaker 1>that I was getting smarter, But I wasn't. Natalie, you

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<v Speaker 1>won't even deny I'm already a congressman's daughter. How many

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<v Speaker 1>more advantages do I get? What about all the disenfranchised

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<v Speaker 1>people out there who legitimately deserve a shot at getting

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<v Speaker 1>into school, you know, like your constituents. For all the

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<v Speaker 1>pressure you've put on me to do great, all the

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<v Speaker 1>shame you've made me feel about not working hard enough,

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<v Speaker 1>and none of it means anything. As a parent, sometimes

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<v Speaker 1>your judgment gets clouded by love for your kids. You

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<v Speaker 1>know you'll do anything to make their lives better. Can

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<v Speaker 1>you understand that all this time we're just more parasitic

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<v Speaker 1>ticks getting fat on our racist, corrupt, unfair, unjust institutional entrenchment.

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<v Speaker 1>You're a hypocrite. What are you going to do? How

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<v Speaker 1>are you going to tell anyone? Wow? That's what you

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<v Speaker 1>really care about, isn't it? You know what keep your election, Congressman.

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<v Speaker 1>H oh boy, I like this song. It's type yep.

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<v Speaker 1>I actually wrote this one because I'm moonlight as a songwriter.

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<v Speaker 1>I've got two Grammys. And you're not listening to a

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<v Speaker 1>word I'm saying, are you? Peyton? I'm sorry? What? Look?

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<v Speaker 1>I hope this isn't crossing a line or anything, but

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<v Speaker 1>it seems like there's something wrong. And if you want

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<v Speaker 1>to talk, I'm a pretty good listener. And if not,

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<v Speaker 1>well then I'm good at not talking too. See. I

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<v Speaker 1>cannot talk all day long. I'm not talking right now.

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<v Speaker 1>You're dumb smiling. I'm not smiling. Oh is that right? Well,

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<v Speaker 1>I'll take what I can get. I don't mind being humored,

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<v Speaker 1>still being quiet. I'm good at it, right, Yeah, you're good.

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<v Speaker 1>Welcome home, help me set the table. Yes, Mama, in

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<v Speaker 1>a better mood today, A little yes? M hmm. What

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<v Speaker 1>is it? Mama? I wish you had told me you

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<v Speaker 1>broke up with Tanner Reid. Instead, I had to hear

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<v Speaker 1>about it at the club today from Mrs Reid. I

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<v Speaker 1>didn't he broke up with me? Vivian Peyton, my two

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<v Speaker 1>favorite gals, Hi Daddy Tanner broke up with Peyton sorry

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<v Speaker 1>to hear that. Now, Now, don't make a fuss, Viv.

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<v Speaker 1>I'm sure Peyton can roll them back in. No, Daddy,

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<v Speaker 1>what do you do? Honey? Bush VIV team squabble and

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<v Speaker 1>then they make up. That's the way of high schools. No,

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<v Speaker 1>I mean it. Don't you raise your voice to your

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<v Speaker 1>father in his house. I'm sorry, daddy, I'm sorry about

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<v Speaker 1>the plate. I'm sorry about Tanner, but I just can't

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<v Speaker 1>date him again. Ever, Please don't ask me why you

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<v Speaker 1>don't think I think I need to have a word

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<v Speaker 1>with Crawford red block Smith blck Smith. I know you're listening.

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<v Speaker 1>I am not at your beck and call baby hacker.

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<v Speaker 1>I need help. What guidance do you seek more on

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<v Speaker 1>breaking into seemingly secure institutions? No? Thanks, already monted your

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<v Speaker 1>security footage code to run all sorts of alarm busting operations.

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<v Speaker 1>Next time I need to break in somewhere, I'm golden.

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<v Speaker 1>Oh what a swift learner. Then to what do I

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<v Speaker 1>owe this interaction? You get? How how fake it all is?

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<v Speaker 1>Any advice about how to deal with that? I r

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<v Speaker 1>l go on. I'm being forced to attend an event

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<v Speaker 1>with my enemies. I'm going to have to be around

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<v Speaker 1>them for hours with a dumb faced smile on my face.

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<v Speaker 1>And I'm so angry. I'm afraid of what I might do,

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<v Speaker 1>baby hacker. Fear and anger are two very different emotions,

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<v Speaker 1>we two very different utilities. What do you mean Fear paralyzes,

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<v Speaker 1>anger motivates a history lesson. At the turn of the

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<v Speaker 1>last century, journalist Ida B. Wells channeled her anger and

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<v Speaker 1>white violence in the South, violence that targeted her friends,

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<v Speaker 1>toward investigating lynchings, revealing the terrible truths when no one

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<v Speaker 1>else would. Anger channel is constructive, It makes change. Let

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<v Speaker 1>your anger drive what you need, what you seek information,

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<v Speaker 1>leverage the truth. Thanks don't tell Mrs Reed, but this

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<v Speaker 1>is where I keep the good stuff. We need to

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<v Speaker 1>talk about your boy. Oh, I hear the kids broke up. Shame.

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<v Speaker 1>I think your son did a lot worse than just

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<v Speaker 1>break up with my patent. She ain't pregnant. As you know,

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<v Speaker 1>Peyton is a good girl. I see. Now, hold on, Buck,

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<v Speaker 1>we will rowdy teen boys once. I bet you got

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<v Speaker 1>into heaps of trouble as a kid, probably ole mob

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<v Speaker 1>of fathers raising pitch folks against you. Never times have changed, Crawford.

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<v Speaker 1>We have to take action. Show Tanner how to behave

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<v Speaker 1>I don't tell you how to raise your kids before

0:16:08.760 --> 0:16:12.640
<v Speaker 1>you say something you might regret. Remember, I am about

0:16:12.640 --> 0:16:17.200
<v Speaker 1>to be a Supreme Court justice. Well, now what does

0:16:17.240 --> 0:16:20.000
<v Speaker 1>that have to do? I am still figuring out what

0:16:20.120 --> 0:16:24.000
<v Speaker 1>kind of justice I want to be. Am I anton

0:16:24.080 --> 0:16:27.840
<v Speaker 1>in Scalia or my Anthony Kennedy. A lot of gray

0:16:27.880 --> 0:16:32.760
<v Speaker 1>area there. You could help me choose. No, you could

0:16:32.800 --> 0:16:45.480
<v Speaker 1>sit on the sidelines your choice. Senator got a second, sweetheart.

0:16:47.560 --> 0:16:52.800
<v Speaker 1>I wanted to bring you this charm Braceley. I was

0:16:52.880 --> 0:16:56.480
<v Speaker 1>gonna save it for your birthday, but you've been through

0:16:56.520 --> 0:17:03.240
<v Speaker 1>a lot, and well here give me a rist Yeah,

0:17:03.320 --> 0:17:09.200
<v Speaker 1>that's got it all across stick and a flower symbol

0:17:09.240 --> 0:17:17.680
<v Speaker 1>of spring. Thank you, Daddy. Look about Tanner. You two

0:17:17.720 --> 0:17:23.520
<v Speaker 1>should stay broken up and don't feel you need I

0:17:23.600 --> 0:17:28.040
<v Speaker 1>know you didn't. Well, look your Mama and I are

0:17:28.119 --> 0:17:31.800
<v Speaker 1>here for you and we love you. Nothing can change that.

0:17:33.280 --> 0:17:40.840
<v Speaker 1>Thank you. I spoke with Judge Reed. Oh there's a

0:17:40.880 --> 0:17:46.120
<v Speaker 1>lot at stake here, bigger than you or me. It's

0:17:46.160 --> 0:17:52.040
<v Speaker 1>our responsibility to think of the greater good. Sometimes we

0:17:52.359 --> 0:17:58.440
<v Speaker 1>have to lose the battles to win the war. Princess right,

0:18:00.480 --> 0:18:12.560
<v Speaker 1>Good night, daddy. I think my dad knows about what

0:18:12.600 --> 0:18:15.280
<v Speaker 1>Tanner did. He tried to talk to Judge Read about it,

0:18:15.280 --> 0:18:20.320
<v Speaker 1>but then I think he caved. Whoa, Peyton, Um. I'm

0:18:20.320 --> 0:18:23.240
<v Speaker 1>so sorry. I knew he and Judge Read were close,

0:18:23.359 --> 0:18:26.360
<v Speaker 1>but I never thought he'd put politics above our family,

0:18:26.440 --> 0:18:32.480
<v Speaker 1>above me. Dad suck. Yeah, that's tragic, Peyton. I guess

0:18:32.520 --> 0:18:37.720
<v Speaker 1>that's what politics does to people, corrupts them. Isn't this

0:18:37.760 --> 0:18:39.520
<v Speaker 1>where you jump in, Natalie tell us about how your

0:18:39.600 --> 0:18:45.480
<v Speaker 1>dad turned down all that pack money? Huh uh? Yeah,

0:18:45.640 --> 0:18:48.800
<v Speaker 1>I don't know. Y'all are acting funnier than a mule

0:18:48.840 --> 0:18:53.320
<v Speaker 1>after a cactus attack. Oh my god, Peyton, that is

0:18:53.359 --> 0:18:58.000
<v Speaker 1>the most Texan thing anyone's ever said. It's true. Down

0:18:58.000 --> 0:19:00.320
<v Speaker 1>at my uncle's ranch and Blanco. He's old, the old

0:19:00.359 --> 0:19:03.440
<v Speaker 1>Cheeka got into it real bad with a lady finger cactus.

0:19:03.640 --> 0:19:09.359
<v Speaker 1>She walked funny for weeks. Y'all have to come one summer.

0:19:09.680 --> 0:19:14.240
<v Speaker 1>It'll be blast. I wouldn't miss it. Oh, speaking of,

0:19:14.600 --> 0:19:17.920
<v Speaker 1>we're all going to calls Botillion this weekend ride. Oh no,

0:19:18.760 --> 0:19:22.720
<v Speaker 1>I almost forgot. What does something happen to cole Um?

0:19:22.760 --> 0:19:32.520
<v Speaker 1>What Peyton, are you crushing? She totally is No, No, anyway,

0:19:34.160 --> 0:19:36.879
<v Speaker 1>my mom is making me go to the botilion with

0:19:37.119 --> 0:19:44.240
<v Speaker 1>um who We're dying here, Damner. I know. I'm so sorry, Peyton.

0:19:44.600 --> 0:19:46.359
<v Speaker 1>I tried to get out of it. My mom is

0:19:46.400 --> 0:19:50.480
<v Speaker 1>like a dictator, total stalin. I revised my previous statement.

0:19:50.760 --> 0:19:57.640
<v Speaker 1>Parents suck mm hmm is something Upsilia a mine are inconvenience.

0:19:58.160 --> 0:20:01.240
<v Speaker 1>I'll handle it. You've got a gus on this, Tanner sitch,

0:20:01.880 --> 0:20:04.679
<v Speaker 1>you know what. We don't deserve this. Maybe you can

0:20:04.720 --> 0:20:08.960
<v Speaker 1>ask your mom one more time, James, Yeah, I guess

0:20:08.960 --> 0:20:20.600
<v Speaker 1>I can try. Yes, James, what is it? I can't

0:20:20.600 --> 0:20:24.880
<v Speaker 1>go to the battillion with Tanner Reid because because well,

0:20:25.800 --> 0:20:28.159
<v Speaker 1>I can't tell you why. But trust me, he's not

0:20:28.240 --> 0:20:31.679
<v Speaker 1>a good person. I know that, James, but it's non negotiable. No,

0:20:31.920 --> 0:20:34.440
<v Speaker 1>please shut the door behind you. I've got a lot

0:20:34.480 --> 0:20:40.280
<v Speaker 1>of work, so I guess things can always get worse

0:20:41.280 --> 0:20:50.040
<v Speaker 1>now I can't even trust my own mother. Yes, one second, Yes,

0:20:50.080 --> 0:20:53.399
<v Speaker 1>we're ready for this weekend. James will handle herself. I

0:20:53.480 --> 0:20:58.239
<v Speaker 1>promise you don't have to tell me how important this is.

0:20:58.840 --> 0:21:05.119
<v Speaker 1>I've been waiting three years for this opportunity. Tomorrow's our

0:21:05.200 --> 0:21:14.720
<v Speaker 1>chance to find out, Yes, find out everything. Iron Horn's

0:21:14.760 --> 0:21:19.560
<v Speaker 1>Epic Productions and I Heart Radio present Daughters of d C.

0:21:19.560 --> 0:21:23.640
<v Speaker 1>Created and executive produced by Heather Einhorn and Adam STAFFERONI

0:21:24.000 --> 0:21:30.680
<v Speaker 1>head writer Sasha Stewart, Senior writer, Louis Cornfeld, writers Tyler

0:21:30.760 --> 0:21:37.119
<v Speaker 1>english beckwith Cha Ruth Senha and Adam Stafferoni directed by J. B. Block.

0:21:38.119 --> 0:21:42.280
<v Speaker 1>Executive produced by I Heart Radio. Produced by A Rupe

0:21:42.320 --> 0:21:47.640
<v Speaker 1>Senna Kayla, Kimberly Woods as James Parker, Melissa Vanderska as

0:21:47.680 --> 0:21:53.360
<v Speaker 1>Peyton Blackburn, Talia Romana as Natalie Rosenberg, Susie Young as

0:21:53.359 --> 0:21:58.119
<v Speaker 1>Celia lou with performances by O. G. Banks, k Bess

0:21:58.840 --> 0:22:04.760
<v Speaker 1>Vick Chow, Phaya door Che, Darren DePaul, Dave Panoy, Paul Gayette,

0:22:05.280 --> 0:22:11.840
<v Speaker 1>Juri Lowenthal, Brandon Middleton, Stephanie Shea, Shelley Noy, Richard Tatum,

0:22:11.920 --> 0:22:17.960
<v Speaker 1>Genie Toronto, Andya Winslow Marshall York with Francesca Ramsey and J. B. Blanc.

0:22:18.680 --> 0:22:25.040
<v Speaker 1>Development executive Greg Locker, production manager Gail Artino, Production coordinator

0:22:25.080 --> 0:22:29.720
<v Speaker 1>and script supervisor Laura Martin. Creative direction and designed by

0:22:29.800 --> 0:22:34.600
<v Speaker 1>Ryan McCann. He Aren't illustrated by Heather dan Forth, casting

0:22:34.640 --> 0:22:39.880
<v Speaker 1>by don Neowen, record an Edit, Home and sound recording

0:22:39.880 --> 0:22:47.400
<v Speaker 1>engineer Diana David. Additional recordings Claudio Santos additional recordings Michael Schneider,

0:22:48.720 --> 0:22:54.280
<v Speaker 1>Sound supervision Christian Wiggins, Sound designers R. D. White and

0:22:54.400 --> 0:22:59.960
<v Speaker 1>Josh Melody. Original music Josh Melody, Additional music from Jingle Punks.

0:23:00.640 --> 0:23:06.440
<v Speaker 1>Consultant Kelsey Frasier, M S. W. Culture Consultants, Logan Davis,

0:23:06.720 --> 0:23:10.439
<v Speaker 1>Casey Davis and Davis Family. Special thank you to the

0:23:10.480 --> 0:23:14.520
<v Speaker 1>Shadow Unicorn, Iron Horns, Epic Productions, and I Heart Radio

0:23:14.600 --> 0:23:23.280
<v Speaker 1>present Daughters of d C. Hey there, this is Natalie Rosenberg. Yeah,

0:23:23.320 --> 0:23:26.639
<v Speaker 1>that Natalie Rosenberg. We all know that taking a stand

0:23:26.720 --> 0:23:30.240
<v Speaker 1>and speaking up has never been more important. Looking for

0:23:30.280 --> 0:23:33.119
<v Speaker 1>ways to become more informed and take action, head to

0:23:33.280 --> 0:23:36.320
<v Speaker 1>Daughters of DC dot com for resources to get started.

0:23:36.560 --> 0:23:38.960
<v Speaker 1>Listen to Daughters of d C on I Heart Radio,

0:23:39.160 --> 0:23:41.800
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts.