1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,520 --> 00:00:06,080 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,480 --> 00:00:12,920 Speaker 1: But first a quick word from our sponsor, Iron Horn's 4 00:00:12,920 --> 00:00:16,360 Speaker 1: Epic Productions. And I heard Radio present Daughters of d C. 5 00:00:18,120 --> 00:00:22,360 Speaker 1: Oh God, I know, I said, getting into trouble is 6 00:00:22,360 --> 00:00:24,880 Speaker 1: the right thing to do, but this is a little 7 00:00:24,920 --> 00:00:28,200 Speaker 1: too much trouble. Natalie and Celia are getting expelled from 8 00:00:28,280 --> 00:00:31,520 Speaker 1: Dupomp Prep even as we speak, all because I couldn't 9 00:00:31,600 --> 00:00:34,960 Speaker 1: keep my dumb mouth shut. I told Onyx all about 10 00:00:34,960 --> 00:00:37,120 Speaker 1: our break and at the school, God, I told him 11 00:00:37,120 --> 00:00:41,479 Speaker 1: all about Lock Smith. I told him everything. Brilliant James, 12 00:00:41,520 --> 00:00:45,440 Speaker 1: absolutely genius, and now he knows my real name, and 13 00:00:45,479 --> 00:00:48,320 Speaker 1: I have no idea who he is here. I am 14 00:00:48,400 --> 00:00:50,800 Speaker 1: going around like some kind of hotshot hacker, when in 15 00:00:50,840 --> 00:00:53,600 Speaker 1: fact I've been giving away all of my friend's secrets 16 00:00:53,600 --> 00:00:56,880 Speaker 1: to unknown agents. What was I thinking? How am I 17 00:00:56,880 --> 00:01:01,560 Speaker 1: going to help Peyton? How am I going to help anyone? Oh? No? 18 00:01:02,200 --> 00:01:13,320 Speaker 1: What now? How could things possibly get any worse? It's 19 00:01:13,319 --> 00:01:17,199 Speaker 1: no secret that in Washington, d C. Corruption is everywhere. 20 00:01:17,720 --> 00:01:20,640 Speaker 1: You could say it's gone viral. That's why my friends 21 00:01:20,640 --> 00:01:24,280 Speaker 1: and I decided to take on the system from the inside. 22 00:01:25,160 --> 00:01:28,839 Speaker 1: I'm James, I'm Peyton, I'm Celia, I'm Natalie, and we're 23 00:01:28,880 --> 00:01:40,840 Speaker 1: the daughters of DC. Natalie, Celia, are you okay? What happened? 24 00:01:41,360 --> 00:01:44,960 Speaker 1: Are you expelled? What's going on? Call at you two? 25 00:01:45,440 --> 00:01:49,600 Speaker 1: We're fine. Our parents took care of it. What how, 26 00:01:50,640 --> 00:01:54,960 Speaker 1: Never underestimate the persuasiveness of a lieu or the persistent 27 00:01:55,080 --> 00:01:58,320 Speaker 1: pain in the aasteness of a Rosenberg. I think the 28 00:01:58,320 --> 00:02:01,680 Speaker 1: headmaster just wanted them out of office as quickly as possible. 29 00:02:02,800 --> 00:02:05,400 Speaker 1: I'm so relieved. Oh my god, I'm so so relieved. 30 00:02:05,400 --> 00:02:09,480 Speaker 1: You guys, I'm sorry why. It's not your fault. We 31 00:02:09,560 --> 00:02:12,639 Speaker 1: knew what we were getting into. Yeah. Yeah, I mean 32 00:02:13,120 --> 00:02:16,640 Speaker 1: I'm relieved because my suspension is over. Tomorrow we can 33 00:02:16,639 --> 00:02:21,600 Speaker 1: all see each other again. You're back, Yeah, my suspension 34 00:02:21,680 --> 00:02:31,000 Speaker 1: is over. Oh wait, my suspension is her. Have a 35 00:02:31,040 --> 00:02:35,160 Speaker 1: good first day back, Jane. Oh and one more thing, yeah, Mom, 36 00:02:35,200 --> 00:02:38,240 Speaker 1: about the botillion this weekend. I know I've been complaining, 37 00:02:38,320 --> 00:02:40,880 Speaker 1: but of course I'll go. I went and miss Cole's 38 00:02:40,919 --> 00:02:45,040 Speaker 1: big day. I know. I had a discussion with Judge 39 00:02:45,040 --> 00:02:52,560 Speaker 1: Reid and you'll be attending with Tanner. Tanner me no, no, never, 40 00:02:53,040 --> 00:02:56,360 Speaker 1: no way. I'm afraid it's not your decision, it's Judge Reads. 41 00:02:57,320 --> 00:03:00,519 Speaker 1: So he gets to invade our gathering with our community. 42 00:03:00,600 --> 00:03:03,000 Speaker 1: Maybe if you hadn't gotten suspended, you'd have a say 43 00:03:03,040 --> 00:03:04,960 Speaker 1: in this. What does that have to do with James 44 00:03:04,960 --> 00:03:08,320 Speaker 1: Renee Parker. I believed you when you said you had 45 00:03:08,320 --> 00:03:11,520 Speaker 1: good reason to hack your own school. Now you're going 46 00:03:11,600 --> 00:03:16,200 Speaker 1: to trust me on this. That's how this works. I 47 00:03:16,280 --> 00:03:21,000 Speaker 1: won't dance with him. Have an uneventful day in school, please, 48 00:03:23,800 --> 00:03:32,280 Speaker 1: So I guess things can get worse. I'm banned from 49 00:03:32,280 --> 00:03:35,360 Speaker 1: going to Cole Parker's botillion. Keep your voice down. The 50 00:03:35,400 --> 00:03:38,080 Speaker 1: whole alumni dining room doesn't need to hear our business. 51 00:03:38,240 --> 00:03:41,000 Speaker 1: This is outrageous. This is the cost of me taking 52 00:03:41,000 --> 00:03:44,000 Speaker 1: care of your expulsion. You're not to associate with those 53 00:03:44,040 --> 00:03:47,160 Speaker 1: girls anymore. We were just trying to get back at Tanner. 54 00:03:47,240 --> 00:03:50,520 Speaker 1: We don't interfere with the Reads. We interfere with whoever 55 00:03:50,680 --> 00:03:54,240 Speaker 1: we want. There's a reason your father and I have 56 00:03:54,320 --> 00:03:57,880 Speaker 1: been so meticulous in guiding your friendships. You and Mackenzie 57 00:03:57,920 --> 00:04:00,640 Speaker 1: will be attending a different event this weekend. There's a 58 00:04:00,640 --> 00:04:04,080 Speaker 1: new gallery opening downtown. Why do you care about Mackenzie. 59 00:04:04,160 --> 00:04:07,000 Speaker 1: We have ties with her family. We have similar ties 60 00:04:07,040 --> 00:04:11,080 Speaker 1: to the Reeds. You are not to act against Tanner again, understood? 61 00:04:11,920 --> 00:04:17,360 Speaker 1: And what if I said no? There are many real 62 00:04:17,520 --> 00:04:23,080 Speaker 1: life Okay, so I'm trying to be good. But it's 63 00:04:23,080 --> 00:04:25,160 Speaker 1: not my fault if they let us use our laptops 64 00:04:25,160 --> 00:04:27,920 Speaker 1: and a p trig. Isn't or that I already did 65 00:04:27,920 --> 00:04:31,600 Speaker 1: this assignment last night. This is just what happens when 66 00:04:31,600 --> 00:04:35,080 Speaker 1: students get bored, they go online and try to find 67 00:04:35,080 --> 00:04:43,760 Speaker 1: out more about their secret hacking mentors. Right ay, Storm, 68 00:04:43,880 --> 00:04:46,240 Speaker 1: there you are. I haven't seen you around in a while. 69 00:04:46,600 --> 00:04:49,120 Speaker 1: Ready to share more secrets? No, not with you on. 70 00:04:49,839 --> 00:04:51,680 Speaker 1: I can't believe what you did. What did I do? 71 00:04:51,760 --> 00:04:55,640 Speaker 1: You betrayed me? What? What are you talking about? We're friends? 72 00:04:55,760 --> 00:04:58,960 Speaker 1: What about the security footage? What security footage? Don't play 73 00:04:59,040 --> 00:05:02,520 Speaker 1: dumb and enough with your secrets. You know who I 74 00:05:02,600 --> 00:05:04,160 Speaker 1: am and you won't tell me who you are? I 75 00:05:04,279 --> 00:05:07,120 Speaker 1: promised I'm going to tell you who I am. Actually, 76 00:05:07,640 --> 00:05:11,640 Speaker 1: I'm gonna show you. You know. Locksmith was right. I 77 00:05:11,640 --> 00:05:15,320 Speaker 1: can't trust anyone. Oh, I see Locksmith said that. Huh. 78 00:05:15,839 --> 00:05:19,480 Speaker 1: Maybe the better advice is don't trust Locksmith. You try 79 00:05:19,480 --> 00:05:21,039 Speaker 1: to dig up dirt on a guy and he's a 80 00:05:21,080 --> 00:05:23,720 Speaker 1: total fan of And someone stabs you in the back 81 00:05:23,800 --> 00:05:30,000 Speaker 1: and you immediately assume it was me. James Parka, James, James, 82 00:05:30,320 --> 00:05:32,599 Speaker 1: what this Caruth? Ask you what the coast sine of 83 00:05:32,680 --> 00:05:36,640 Speaker 1: bee is? Sorry, since it's the right triangle, the coastine 84 00:05:36,640 --> 00:05:39,560 Speaker 1: a B is equal to sign be. Then the distakes 85 00:05:39,760 --> 00:05:45,800 Speaker 1: between a Cole's friend from Celia's party, right, Adrian, Yeah, yeah, no, sweat, 86 00:05:46,040 --> 00:05:50,280 Speaker 1: I got your back. See you at the bottilio, right, um, yeah, yeah, 87 00:05:50,440 --> 00:05:58,880 Speaker 1: see you there. Heymon, yo, paymon, Wait up, hi, Cole, 88 00:05:59,680 --> 00:06:02,360 Speaker 1: what's all this? Boys? Lacrosse is doing a car wash 89 00:06:02,440 --> 00:06:05,720 Speaker 1: to raise money for a table at my bottillion. That's nice. Hey, 90 00:06:06,120 --> 00:06:08,479 Speaker 1: you want to help me wash some cars? I might 91 00:06:08,560 --> 00:06:11,279 Speaker 1: even show you the secret to my game changing scrubbing technique. 92 00:06:11,839 --> 00:06:17,200 Speaker 1: Spoiler alert, it's too handed read coming at you. What's wrong? 93 00:06:17,320 --> 00:06:22,440 Speaker 1: As you can see you're washing? Hey you okay? What? Yeah? Nothing, 94 00:06:23,240 --> 00:06:25,159 Speaker 1: I'm just feeling a little under the weather. I'm going 95 00:06:25,200 --> 00:06:27,720 Speaker 1: to go home now. Can I give you a ride? 96 00:06:27,800 --> 00:06:30,279 Speaker 1: That's all right, you go back to your car wash. Nah, 97 00:06:31,000 --> 00:06:33,599 Speaker 1: Tanner can do some of the work for once, yea, 98 00:06:35,560 --> 00:06:38,839 Speaker 1: all right? Hey, can we give Celia rode to she's 99 00:06:38,880 --> 00:06:42,599 Speaker 1: coming over right now. Sure, Hey, Celia, you want to ride? 100 00:06:43,040 --> 00:06:46,000 Speaker 1: Thanks anyway, but it looks like my driver's here. Are 101 00:06:46,080 --> 00:06:53,040 Speaker 1: you guys? Can we not with a capop today? William? Sorry, miss, 102 00:06:53,040 --> 00:06:55,760 Speaker 1: but music affects mood, and I thought you'd want to 103 00:06:55,760 --> 00:06:58,760 Speaker 1: see more cheerful to show your parents how grateful you 104 00:06:58,800 --> 00:07:04,200 Speaker 1: are to still be in de DuPont. Grateful. They're constricting me. 105 00:07:04,800 --> 00:07:08,800 Speaker 1: I don't need rules. I make my own rules. They 106 00:07:08,839 --> 00:07:13,920 Speaker 1: have your best interests at heart, Miss Luke, not my interests, William, 107 00:07:13,960 --> 00:07:20,040 Speaker 1: the family's interests. Your parents are in a delicate space. 108 00:07:20,680 --> 00:07:25,360 Speaker 1: They move cautiously and deliberately, and I strike to kill, 109 00:07:26,920 --> 00:07:30,320 Speaker 1: not to disagree, Miss lu But that's not always the 110 00:07:30,360 --> 00:07:35,720 Speaker 1: most effective method. You don't know this, but I'm not 111 00:07:35,840 --> 00:07:40,680 Speaker 1: welcome in China anymore. Oh yeah, I'm not. Your parents, 112 00:07:41,080 --> 00:07:45,120 Speaker 1: through their careful influence, ensured my safe passage to the 113 00:07:45,200 --> 00:07:49,800 Speaker 1: United States. I owe them my life. Their actions have 114 00:07:49,920 --> 00:07:53,000 Speaker 1: kept my family safe and allowed me to communicate with 115 00:07:53,080 --> 00:07:59,800 Speaker 1: them discreetly. Hmm. Sorry, it's the price I had to pay. 116 00:08:00,040 --> 00:08:03,560 Speaker 1: M But that's why I trust to your parents. You 117 00:08:03,560 --> 00:08:06,400 Speaker 1: should trust them too, and do what they tell you 118 00:08:06,440 --> 00:08:11,560 Speaker 1: to do. Do you understand? I understand I have to 119 00:08:11,600 --> 00:08:13,560 Speaker 1: call Mackenzie and tell her we have to go to 120 00:08:13,640 --> 00:08:18,560 Speaker 1: some dumb gallery opening instead of the Botilion. Ridiculous. I 121 00:08:18,720 --> 00:08:21,000 Speaker 1: don't want people looking at Artwin. They could be looking 122 00:08:21,040 --> 00:08:28,880 Speaker 1: at me. Hey, d O DC fans, stay tuned more. 123 00:08:28,960 --> 00:08:31,560 Speaker 1: Daughters of d C is up next, but first a 124 00:08:31,640 --> 00:08:38,439 Speaker 1: quick word from our sponsor. What's up? Daughters of DC 125 00:08:38,640 --> 00:08:41,080 Speaker 1: fans want to be a real d O DC insider? 126 00:08:41,320 --> 00:08:44,080 Speaker 1: Follow us on Instagram at Daughters of DC Official to 127 00:08:44,080 --> 00:08:47,760 Speaker 1: get exclusive d ODC news updates and content before everybody else. 128 00:08:53,200 --> 00:09:02,240 Speaker 1: Rob Dad, I'm huh so quite How exactly did you 129 00:09:02,280 --> 00:09:05,280 Speaker 1: clear up that security footage stuff so quickly? Let's try 130 00:09:05,280 --> 00:09:09,079 Speaker 1: that again, Natalie. Oh, hello, father, it's nice to see you. 131 00:09:09,400 --> 00:09:13,000 Speaker 1: Thank you for making sure I don't get expelled. You've 132 00:09:13,000 --> 00:09:16,000 Speaker 1: always had such a disdain for education. That's not fair. 133 00:09:16,559 --> 00:09:19,880 Speaker 1: I make effort, I try to try. In what way? 134 00:09:20,320 --> 00:09:24,200 Speaker 1: When would I have seen this supposed effort? Have you 135 00:09:24,200 --> 00:09:28,960 Speaker 1: even started your college essays yet? Why bother? Why bother? 136 00:09:29,320 --> 00:09:31,400 Speaker 1: You can just hire someone to write those essays for me, 137 00:09:31,559 --> 00:09:34,040 Speaker 1: right same way you hired someone to take my SA 138 00:09:34,120 --> 00:09:38,040 Speaker 1: T S. I don't know what you're talking about. You're 139 00:09:38,080 --> 00:09:41,320 Speaker 1: a terrible liar. Okay, let's calm down. Don't tell me 140 00:09:41,360 --> 00:09:43,680 Speaker 1: to calm down. You hire someone to take my test 141 00:09:43,720 --> 00:09:49,120 Speaker 1: for me? Right, say? It's on my face. You're upsetting leon. 142 00:09:49,440 --> 00:09:52,280 Speaker 1: You made me think all that studying actually paid off, 143 00:09:52,840 --> 00:09:55,719 Speaker 1: that I was getting smarter, But I wasn't. Natalie, you 144 00:09:55,760 --> 00:10:00,280 Speaker 1: won't even deny I'm already a congressman's daughter. How many 145 00:10:00,320 --> 00:10:03,600 Speaker 1: more advantages do I get? What about all the disenfranchised 146 00:10:03,600 --> 00:10:06,200 Speaker 1: people out there who legitimately deserve a shot at getting 147 00:10:06,240 --> 00:10:09,400 Speaker 1: into school, you know, like your constituents. For all the 148 00:10:09,440 --> 00:10:12,040 Speaker 1: pressure you've put on me to do great, all the 149 00:10:12,160 --> 00:10:15,040 Speaker 1: shame you've made me feel about not working hard enough, 150 00:10:15,160 --> 00:10:20,560 Speaker 1: and none of it means anything. As a parent, sometimes 151 00:10:20,640 --> 00:10:23,760 Speaker 1: your judgment gets clouded by love for your kids. You 152 00:10:23,800 --> 00:10:26,880 Speaker 1: know you'll do anything to make their lives better. Can 153 00:10:26,920 --> 00:10:29,679 Speaker 1: you understand that all this time we're just more parasitic 154 00:10:29,720 --> 00:10:35,480 Speaker 1: ticks getting fat on our racist, corrupt, unfair, unjust institutional entrenchment. 155 00:10:35,840 --> 00:10:42,480 Speaker 1: You're a hypocrite. What are you going to do? How 156 00:10:42,520 --> 00:10:49,680 Speaker 1: are you going to tell anyone? Wow? That's what you 157 00:10:49,720 --> 00:10:54,720 Speaker 1: really care about, isn't it? You know what keep your election, Congressman. 158 00:10:56,520 --> 00:11:09,160 Speaker 1: H oh boy, I like this song. It's type yep. 159 00:11:10,480 --> 00:11:15,640 Speaker 1: I actually wrote this one because I'm moonlight as a songwriter. 160 00:11:16,440 --> 00:11:20,319 Speaker 1: I've got two Grammys. And you're not listening to a 161 00:11:20,360 --> 00:11:26,160 Speaker 1: word I'm saying, are you? Peyton? I'm sorry? What? Look? 162 00:11:26,559 --> 00:11:29,360 Speaker 1: I hope this isn't crossing a line or anything, but 163 00:11:29,480 --> 00:11:32,680 Speaker 1: it seems like there's something wrong. And if you want 164 00:11:32,679 --> 00:11:36,000 Speaker 1: to talk, I'm a pretty good listener. And if not, 165 00:11:36,720 --> 00:11:42,720 Speaker 1: well then I'm good at not talking too. See. I 166 00:11:42,760 --> 00:11:47,080 Speaker 1: cannot talk all day long. I'm not talking right now. 167 00:11:48,040 --> 00:11:55,200 Speaker 1: You're dumb smiling. I'm not smiling. Oh is that right? Well, 168 00:11:56,040 --> 00:11:59,360 Speaker 1: I'll take what I can get. I don't mind being humored, 169 00:12:01,840 --> 00:12:07,000 Speaker 1: still being quiet. I'm good at it, right, Yeah, you're good. 170 00:12:11,720 --> 00:12:16,160 Speaker 1: Welcome home, help me set the table. Yes, Mama, in 171 00:12:16,200 --> 00:12:21,640 Speaker 1: a better mood today, A little yes? M hmm. What 172 00:12:21,960 --> 00:12:24,240 Speaker 1: is it? Mama? I wish you had told me you 173 00:12:24,320 --> 00:12:27,199 Speaker 1: broke up with Tanner Reid. Instead, I had to hear 174 00:12:27,200 --> 00:12:30,280 Speaker 1: about it at the club today from Mrs Reid. I 175 00:12:30,360 --> 00:12:38,040 Speaker 1: didn't he broke up with me? Vivian Peyton, my two 176 00:12:38,240 --> 00:12:43,680 Speaker 1: favorite gals, Hi Daddy Tanner broke up with Peyton sorry 177 00:12:43,720 --> 00:12:46,880 Speaker 1: to hear that. Now, Now, don't make a fuss, Viv. 178 00:12:47,240 --> 00:12:50,520 Speaker 1: I'm sure Peyton can roll them back in. No, Daddy, 179 00:12:50,559 --> 00:12:54,400 Speaker 1: what do you do? Honey? Bush VIV team squabble and 180 00:12:54,440 --> 00:12:57,000 Speaker 1: then they make up. That's the way of high schools. No, 181 00:12:57,520 --> 00:13:01,280 Speaker 1: I mean it. Don't you raise your voice to your 182 00:13:01,320 --> 00:13:06,680 Speaker 1: father in his house. I'm sorry, daddy, I'm sorry about 183 00:13:06,720 --> 00:13:10,000 Speaker 1: the plate. I'm sorry about Tanner, but I just can't 184 00:13:10,080 --> 00:13:17,800 Speaker 1: date him again. Ever, Please don't ask me why you 185 00:13:17,880 --> 00:13:22,240 Speaker 1: don't think I think I need to have a word 186 00:13:22,400 --> 00:13:30,760 Speaker 1: with Crawford red block Smith blck Smith. I know you're listening. 187 00:13:32,080 --> 00:13:35,000 Speaker 1: I am not at your beck and call baby hacker. 188 00:13:35,240 --> 00:13:39,079 Speaker 1: I need help. What guidance do you seek more on 189 00:13:39,559 --> 00:13:44,600 Speaker 1: breaking into seemingly secure institutions? No? Thanks, already monted your 190 00:13:44,640 --> 00:13:47,559 Speaker 1: security footage code to run all sorts of alarm busting operations. 191 00:13:48,120 --> 00:13:50,280 Speaker 1: Next time I need to break in somewhere, I'm golden. 192 00:13:51,920 --> 00:13:57,600 Speaker 1: Oh what a swift learner. Then to what do I 193 00:13:57,640 --> 00:14:02,480 Speaker 1: owe this interaction? You get? How how fake it all is? 194 00:14:03,440 --> 00:14:05,559 Speaker 1: Any advice about how to deal with that? I r 195 00:14:05,720 --> 00:14:09,400 Speaker 1: l go on. I'm being forced to attend an event 196 00:14:09,440 --> 00:14:11,920 Speaker 1: with my enemies. I'm going to have to be around 197 00:14:11,960 --> 00:14:14,160 Speaker 1: them for hours with a dumb faced smile on my face. 198 00:14:14,559 --> 00:14:19,120 Speaker 1: And I'm so angry. I'm afraid of what I might do, 199 00:14:20,560 --> 00:14:26,120 Speaker 1: baby hacker. Fear and anger are two very different emotions, 200 00:14:26,440 --> 00:14:32,720 Speaker 1: we two very different utilities. What do you mean Fear paralyzes, 201 00:14:34,200 --> 00:14:40,760 Speaker 1: anger motivates a history lesson. At the turn of the 202 00:14:40,840 --> 00:14:44,720 Speaker 1: last century, journalist Ida B. Wells channeled her anger and 203 00:14:44,800 --> 00:14:48,960 Speaker 1: white violence in the South, violence that targeted her friends, 204 00:14:49,760 --> 00:14:54,920 Speaker 1: toward investigating lynchings, revealing the terrible truths when no one 205 00:14:55,040 --> 00:15:04,120 Speaker 1: else would. Anger channel is constructive, It makes change. Let 206 00:15:04,160 --> 00:15:09,400 Speaker 1: your anger drive what you need, what you seek information, 207 00:15:10,360 --> 00:15:24,320 Speaker 1: leverage the truth. Thanks don't tell Mrs Reed, but this 208 00:15:24,360 --> 00:15:29,440 Speaker 1: is where I keep the good stuff. We need to 209 00:15:29,480 --> 00:15:33,600 Speaker 1: talk about your boy. Oh, I hear the kids broke up. Shame. 210 00:15:34,840 --> 00:15:36,560 Speaker 1: I think your son did a lot worse than just 211 00:15:36,600 --> 00:15:38,760 Speaker 1: break up with my patent. She ain't pregnant. As you know, 212 00:15:39,680 --> 00:15:45,400 Speaker 1: Peyton is a good girl. I see. Now, hold on, Buck, 213 00:15:46,040 --> 00:15:49,000 Speaker 1: we will rowdy teen boys once. I bet you got 214 00:15:49,000 --> 00:15:53,840 Speaker 1: into heaps of trouble as a kid, probably ole mob 215 00:15:53,880 --> 00:15:59,640 Speaker 1: of fathers raising pitch folks against you. Never times have changed, Crawford. 216 00:16:00,080 --> 00:16:02,760 Speaker 1: We have to take action. Show Tanner how to behave 217 00:16:04,440 --> 00:16:08,680 Speaker 1: I don't tell you how to raise your kids before 218 00:16:08,760 --> 00:16:12,640 Speaker 1: you say something you might regret. Remember, I am about 219 00:16:12,640 --> 00:16:17,200 Speaker 1: to be a Supreme Court justice. Well, now what does 220 00:16:17,240 --> 00:16:20,000 Speaker 1: that have to do? I am still figuring out what 221 00:16:20,120 --> 00:16:24,000 Speaker 1: kind of justice I want to be. Am I anton 222 00:16:24,080 --> 00:16:27,840 Speaker 1: in Scalia or my Anthony Kennedy. A lot of gray 223 00:16:27,880 --> 00:16:32,760 Speaker 1: area there. You could help me choose. No, you could 224 00:16:32,800 --> 00:16:45,480 Speaker 1: sit on the sidelines your choice. Senator got a second, sweetheart. 225 00:16:47,560 --> 00:16:52,800 Speaker 1: I wanted to bring you this charm Braceley. I was 226 00:16:52,880 --> 00:16:56,480 Speaker 1: gonna save it for your birthday, but you've been through 227 00:16:56,520 --> 00:17:03,240 Speaker 1: a lot, and well here give me a rist Yeah, 228 00:17:03,320 --> 00:17:09,200 Speaker 1: that's got it all across stick and a flower symbol 229 00:17:09,240 --> 00:17:17,680 Speaker 1: of spring. Thank you, Daddy. Look about Tanner. You two 230 00:17:17,720 --> 00:17:23,520 Speaker 1: should stay broken up and don't feel you need I 231 00:17:23,600 --> 00:17:28,040 Speaker 1: know you didn't. Well, look your Mama and I are 232 00:17:28,119 --> 00:17:31,800 Speaker 1: here for you and we love you. Nothing can change that. 233 00:17:33,280 --> 00:17:40,840 Speaker 1: Thank you. I spoke with Judge Reed. Oh there's a 234 00:17:40,880 --> 00:17:46,120 Speaker 1: lot at stake here, bigger than you or me. It's 235 00:17:46,160 --> 00:17:52,040 Speaker 1: our responsibility to think of the greater good. Sometimes we 236 00:17:52,359 --> 00:17:58,440 Speaker 1: have to lose the battles to win the war. Princess right, 237 00:18:00,480 --> 00:18:12,560 Speaker 1: Good night, daddy. I think my dad knows about what 238 00:18:12,600 --> 00:18:15,280 Speaker 1: Tanner did. He tried to talk to Judge Read about it, 239 00:18:15,280 --> 00:18:20,320 Speaker 1: but then I think he caved. Whoa, Peyton, Um. I'm 240 00:18:20,320 --> 00:18:23,240 Speaker 1: so sorry. I knew he and Judge Read were close, 241 00:18:23,359 --> 00:18:26,360 Speaker 1: but I never thought he'd put politics above our family, 242 00:18:26,440 --> 00:18:32,480 Speaker 1: above me. Dad suck. Yeah, that's tragic, Peyton. I guess 243 00:18:32,520 --> 00:18:37,720 Speaker 1: that's what politics does to people, corrupts them. Isn't this 244 00:18:37,760 --> 00:18:39,520 Speaker 1: where you jump in, Natalie tell us about how your 245 00:18:39,600 --> 00:18:45,480 Speaker 1: dad turned down all that pack money? Huh uh? Yeah, 246 00:18:45,640 --> 00:18:48,800 Speaker 1: I don't know. Y'all are acting funnier than a mule 247 00:18:48,840 --> 00:18:53,320 Speaker 1: after a cactus attack. Oh my god, Peyton, that is 248 00:18:53,359 --> 00:18:58,000 Speaker 1: the most Texan thing anyone's ever said. It's true. Down 249 00:18:58,000 --> 00:19:00,320 Speaker 1: at my uncle's ranch and Blanco. He's old, the old 250 00:19:00,359 --> 00:19:03,440 Speaker 1: Cheeka got into it real bad with a lady finger cactus. 251 00:19:03,640 --> 00:19:09,359 Speaker 1: She walked funny for weeks. Y'all have to come one summer. 252 00:19:09,680 --> 00:19:14,240 Speaker 1: It'll be blast. I wouldn't miss it. Oh, speaking of, 253 00:19:14,600 --> 00:19:17,920 Speaker 1: we're all going to calls Botillion this weekend ride. Oh no, 254 00:19:18,760 --> 00:19:22,720 Speaker 1: I almost forgot. What does something happen to cole Um? 255 00:19:22,760 --> 00:19:32,520 Speaker 1: What Peyton, are you crushing? She totally is No, No, anyway, 256 00:19:34,160 --> 00:19:36,879 Speaker 1: my mom is making me go to the botilion with 257 00:19:37,119 --> 00:19:44,240 Speaker 1: um who We're dying here, Damner. I know. I'm so sorry, Peyton. 258 00:19:44,600 --> 00:19:46,359 Speaker 1: I tried to get out of it. My mom is 259 00:19:46,400 --> 00:19:50,480 Speaker 1: like a dictator, total stalin. I revised my previous statement. 260 00:19:50,760 --> 00:19:57,640 Speaker 1: Parents suck mm hmm is something Upsilia a mine are inconvenience. 261 00:19:58,160 --> 00:20:01,240 Speaker 1: I'll handle it. You've got a gus on this, Tanner sitch, 262 00:20:01,880 --> 00:20:04,679 Speaker 1: you know what. We don't deserve this. Maybe you can 263 00:20:04,720 --> 00:20:08,960 Speaker 1: ask your mom one more time, James, Yeah, I guess 264 00:20:08,960 --> 00:20:20,600 Speaker 1: I can try. Yes, James, what is it? I can't 265 00:20:20,600 --> 00:20:24,880 Speaker 1: go to the battillion with Tanner Reid because because well, 266 00:20:25,800 --> 00:20:28,159 Speaker 1: I can't tell you why. But trust me, he's not 267 00:20:28,240 --> 00:20:31,679 Speaker 1: a good person. I know that, James, but it's non negotiable. No, 268 00:20:31,920 --> 00:20:34,440 Speaker 1: please shut the door behind you. I've got a lot 269 00:20:34,480 --> 00:20:40,280 Speaker 1: of work, so I guess things can always get worse 270 00:20:41,280 --> 00:20:50,040 Speaker 1: now I can't even trust my own mother. Yes, one second, Yes, 271 00:20:50,080 --> 00:20:53,399 Speaker 1: we're ready for this weekend. James will handle herself. I 272 00:20:53,480 --> 00:20:58,239 Speaker 1: promise you don't have to tell me how important this is. 273 00:20:58,840 --> 00:21:05,119 Speaker 1: I've been waiting three years for this opportunity. Tomorrow's our 274 00:21:05,200 --> 00:21:14,720 Speaker 1: chance to find out, Yes, find out everything. Iron Horn's 275 00:21:14,760 --> 00:21:19,560 Speaker 1: Epic Productions and I Heart Radio present Daughters of d C. 276 00:21:19,560 --> 00:21:23,640 Speaker 1: Created and executive produced by Heather Einhorn and Adam STAFFERONI 277 00:21:24,000 --> 00:21:30,680 Speaker 1: head writer Sasha Stewart, Senior writer, Louis Cornfeld, writers Tyler 278 00:21:30,760 --> 00:21:37,119 Speaker 1: english beckwith Cha Ruth Senha and Adam Stafferoni directed by J. B. Block. 279 00:21:38,119 --> 00:21:42,280 Speaker 1: Executive produced by I Heart Radio. Produced by A Rupe 280 00:21:42,320 --> 00:21:47,640 Speaker 1: Senna Kayla, Kimberly Woods as James Parker, Melissa Vanderska as 281 00:21:47,680 --> 00:21:53,360 Speaker 1: Peyton Blackburn, Talia Romana as Natalie Rosenberg, Susie Young as 282 00:21:53,359 --> 00:21:58,119 Speaker 1: Celia lou with performances by O. G. Banks, k Bess 283 00:21:58,840 --> 00:22:04,760 Speaker 1: Vick Chow, Phaya door Che, Darren DePaul, Dave Panoy, Paul Gayette, 284 00:22:05,280 --> 00:22:11,840 Speaker 1: Juri Lowenthal, Brandon Middleton, Stephanie Shea, Shelley Noy, Richard Tatum, 285 00:22:11,920 --> 00:22:17,960 Speaker 1: Genie Toronto, Andya Winslow Marshall York with Francesca Ramsey and J. B. Blanc. 286 00:22:18,680 --> 00:22:25,040 Speaker 1: Development executive Greg Locker, production manager Gail Artino, Production coordinator 287 00:22:25,080 --> 00:22:29,720 Speaker 1: and script supervisor Laura Martin. Creative direction and designed by 288 00:22:29,800 --> 00:22:34,600 Speaker 1: Ryan McCann. He Aren't illustrated by Heather dan Forth, casting 289 00:22:34,640 --> 00:22:39,880 Speaker 1: by don Neowen, record an Edit, Home and sound recording 290 00:22:39,880 --> 00:22:47,400 Speaker 1: engineer Diana David. Additional recordings Claudio Santos additional recordings Michael Schneider, 291 00:22:48,720 --> 00:22:54,280 Speaker 1: Sound supervision Christian Wiggins, Sound designers R. D. White and 292 00:22:54,400 --> 00:22:59,960 Speaker 1: Josh Melody. Original music Josh Melody, Additional music from Jingle Punks. 293 00:23:00,640 --> 00:23:06,440 Speaker 1: Consultant Kelsey Frasier, M S. W. Culture Consultants, Logan Davis, 294 00:23:06,720 --> 00:23:10,439 Speaker 1: Casey Davis and Davis Family. Special thank you to the 295 00:23:10,480 --> 00:23:14,520 Speaker 1: Shadow Unicorn, Iron Horns, Epic Productions, and I Heart Radio 296 00:23:14,600 --> 00:23:23,280 Speaker 1: present Daughters of d C. Hey there, this is Natalie Rosenberg. Yeah, 297 00:23:23,320 --> 00:23:26,639 Speaker 1: that Natalie Rosenberg. We all know that taking a stand 298 00:23:26,720 --> 00:23:30,240 Speaker 1: and speaking up has never been more important. Looking for 299 00:23:30,280 --> 00:23:33,119 Speaker 1: ways to become more informed and take action, head to 300 00:23:33,280 --> 00:23:36,320 Speaker 1: Daughters of DC dot com for resources to get started. 301 00:23:36,560 --> 00:23:38,960 Speaker 1: Listen to Daughters of d C on I Heart Radio, 302 00:23:39,160 --> 00:23:41,800 Speaker 1: Apple Podcasts, or wherever you get your podcasts.