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Speaker 1: So let's go up and Germo del Toro, it is

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Speaker 1: like what you you know, what'd you think was Crimson peak?

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Speaker 2: Was it scary?

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Speaker 3: Was it smart? All these things?

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Speaker 1: And I said, I love the first like hour and

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Speaker 1: a half. But then when it turns out that it

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Speaker 1: was that it was all Beetlejuice doing all the pranks. Yeah,

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Speaker 1: when it's like Beetlejuice has been hired, remember me, Yeah, yeah,

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Speaker 1: that's when he's small he yeah, remember me when he's

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Speaker 1: in yeah with the when he eats the fly and

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Speaker 1: he goes boo, yeah, which they do again.

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Speaker 4: Yeah, did you do a lot of stuff again, It's like.

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Speaker 1: The first ninety minutes is a new movie, but then terrifying,

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Speaker 1: it's almost as if they stitched the real from Beetlejuice

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Speaker 1: into that, like they didn't finish, like he didn't finish

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Speaker 1: the first movie and then just started playing Beetlejuice.

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Speaker 4: Well yeah, and it's it's so weird. There's just a

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Speaker 4: scene where she suddenly and it seems to have only

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Speaker 4: occurred to Gammel del Toro, like after having filmed the

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Speaker 4: first hour and a half, she goes to wind.

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Speaker 3: The cuckoo clock.

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Speaker 4: Yeah, and then what comes out is Beetlejuice with a

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Speaker 4: little hammer and he bunks himself on the head and he.

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Speaker 3: Goes, cuckoo, cuckoo, remember me?

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Speaker 4: And then she goes, beetle Juice, have you been up

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Speaker 4: to all this nonsense? He's like, you got me, babe,

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Speaker 4: and then he says that's right, Yeah, it's really bad

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Speaker 4: and he honks his crotch.

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Speaker 3: It was a really strange thing.

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Speaker 4: I mean, this is a great thing to to sort

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Speaker 4: of talk about for our Halloween episode which we're doing.

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Speaker 4: And and I was and I was saying, you know

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Speaker 4: when I had a similar note because Gama asked me

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Speaker 4: and I said, well, here's your pull quote, you know,

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Speaker 4: like he goes, did you like it? I go, yeah,

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Speaker 4: I was crimson freaked. That was I was like, you

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Speaker 4: can say that, but I do want to talk to

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Speaker 4: you about the Beetlejuice element of this film and how

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Speaker 4: maybe it weakens some of the other scares and we

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Speaker 4: should say that it's October goose goblins rule the earth

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Speaker 4: freaky time, which is uh, it's monster's um perade. I mean, yes,

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Speaker 4: it's much as unparaded. It's spooky, spooky goblins taking over Disneyland.

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Speaker 3: So we.

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Speaker 4: Are normally an enemy of this stuff. People always said, yeah,

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Speaker 4: too scary, too spooky. Anytime we bring up anything spooky,

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Speaker 4: people almost think that we're being inconsistent with our characters.

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Speaker 4: Which it's like, we're not characters, we're real people. But

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Speaker 4: people tend to call that out. But for October, I

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Speaker 4: hope that you'll give us a pass because basically, it's

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Speaker 4: still about making money in this world. It's still about

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Speaker 4: earning a dollar in a cent and in October time

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Speaker 4: that may you make cash.

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Speaker 3: Yes, yeah, that you got to freak the kiddies.

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Speaker 1: And maybe the scariest thing of all it is how

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Speaker 1: much money you make from talking about ghosts in October.

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Speaker 3: Yeah, it's you know.

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Speaker 4: People also always quote that nerds are cool now. Well,

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Speaker 4: franking Steins are cool now, and that's and that's what

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Speaker 4: October is about. Yeah, And I did have someone come

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Speaker 4: up and say that to me on the street, which

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Speaker 4: nerds are cool? He said, you should talk about how

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Speaker 4: since October Frankingstein's Ellington's are cool now.

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Speaker 3: He came to me on the street a stranger.

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Speaker 1: Yes, well, I'm sure he'll be very discouraged by hearing

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Speaker 1: that on the show. They'll you know, he'll probably just

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Speaker 1: want to do more of that now. I mean, like

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Speaker 1: you've given him now probably the best positive reinforcement he

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Speaker 1: could have gotten by like repeating that on his show.

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Speaker 1: He's listening to it now, it's at his show now, yeah,

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Speaker 1: and now it's his show.

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Speaker 4: Well, let me say officially, that's the last time I'll

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Speaker 4: ever do that. So yeah, I thought the movie ruled

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Speaker 4: Beetle do stuff felt like it was from a different movie,

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Speaker 4: a very specific different movie, Beetlejuice speaking movies.

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Speaker 1: Hey, welcome to Hollywood Handbook, and it's Tider's guy to

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Speaker 1: kicking button dropping names in the red carpet lineback always

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Speaker 1: of this industry.

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Speaker 3: We call show.

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Speaker 1: But what could be scarier for a Halloween episode than

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Speaker 1: doing the teaser freezer secon yes for a non horror

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Speaker 1: movie and getting locked in Yeah, yeah, getting stuck in

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Speaker 1: the teaser freezer. So imagine you've gone in there to

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Speaker 1: just like find a teaser for a dinner party or

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Speaker 1: some such thing. All your friends are coming over, and

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Speaker 1: the door swings shut behind you, as if as if

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Speaker 1: on its own acord.

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Speaker 2: Hi good, anybody hear me?

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Speaker 3: That's you? Yeah, that's you.

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Speaker 1: And so I think that is sufficient connective tissue between

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Speaker 1: the season of Halloween and the second that we had

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Speaker 1: already planned on doing that also suggested by a stranger.

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Speaker 1: Suggested by a stranger, Yeah, b face on Twitter.

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Speaker 4: And this is the last time we use that in

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Speaker 4: your suggestion, so cut it out.

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Speaker 1: He wanted us to do the teaser freezer for the

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Speaker 1: movie Burnt, which we were already gonna do, So why don't.

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Speaker 3: We get into it.

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Speaker 1: I will play the theme song, which I don't think

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Speaker 1: we've ever played before.

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Speaker 5: It's it's so cold, It's so cold in the teazer freezer.

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Speaker 2: It's so cold, It's so fucking cold in.

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Speaker 5: The teazer freezzer.

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Speaker 2: You want me to bleep that up?

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Speaker 3: Yeah? Could you? I hate it? Sure, it's supposed to

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Speaker 3: be like you know, yeah.

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Speaker 4: The teaser freezers supposed to be nice, even when it's scary.

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Speaker 1: It's supposed to be nice. And we don't say the

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Speaker 1: F word about it. I mean, it's not even offensive

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Speaker 1: to me. It's boring, you know. I don't even get

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Speaker 1: offended by that stuff. But it's just like that that

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Speaker 1: just like it's like swearing. It's just boring.

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Speaker 4: No, I've said this before. You can't really find a

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Speaker 4: word that offends me. I can think of maybe a

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Speaker 4: half dozen. And it's like, how about using an original word?

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Speaker 3: Yeah, if you want to really offend me, use it?

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Speaker 4: There you go, thank you. What if you want to

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Speaker 4: really offend me, use a word I don't know? Yeah,

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Speaker 4: using a rect makes me feel stupid at least.

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Speaker 1: How about like deep cursing where they have all kinds

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Speaker 1: of inventives.

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Speaker 3: Oh that's so creative. They say, like, what are you

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Speaker 3: doing here? Whatever? Jonas, You like.

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Speaker 1: It's filthy porcupine, donkey rectum? Yeah, yeah, porcupine's I guess anus.

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Speaker 3: I mean it's usually amus or rectum?

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Speaker 4: Yeah, you hedgehog sphincter. And I'm like, okay, are they cursing?

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Speaker 3: Yeah? Am I busting up?

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Speaker 2: Yeah?

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Speaker 3: It's like Shakespeare. It's our Shakespeare. It's our Shakespeare.

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Speaker 4: Because they're making new words, even better words. So you

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Speaker 4: want them to say hedgehogs anis teaser freezer in the song?

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Speaker 1: Okay, well let's get into the teaser freezer. This is

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Speaker 1: for Burnt. It's a movie about a.

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Speaker 3: Very mean, badass che chef.

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Speaker 1: And it's played by Bradley Cooper, sort of an extension

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Speaker 1: of his Silver Linings playbook character who was also damaged

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Speaker 1: with mental problems.

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Speaker 4: Ohah, this is different for me. This is a departure

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Speaker 4: for him because we're used to seeing him golden boy,

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Speaker 4: got it all, winner, top of the world and no

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Speaker 4: real conflict. So there's a lot of at steak here

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Speaker 4: with this movie for him.

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Speaker 3: S t eak on this chefing food.

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Speaker 1: The will he be able to keep his and bass

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Speaker 1: playing a character that's so scary and rude and so

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Speaker 1: messed up and like, can you root for a guy

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Speaker 1: who's like doing so.

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Speaker 4: Who's so badass and so punk rock and such a

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Speaker 4: dangerous presence that perhaps you would not want your children

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Speaker 4: to even do I want to invite this character into

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Speaker 4: my home, Yes, because he will be sitting in your

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Speaker 4: living room with you, and he will be trash talking.

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Speaker 3: Sixteen quit school, quit school at sixteen hours, ticket to Paris.

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Speaker 6: Oh my god.

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Speaker 1: Maybe I just wanted it really bad and then when

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Speaker 1: I got it too early, I didn't add.

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Speaker 2: To hold onto it.

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Speaker 3: Fire. What do you want, I'm gonna run the best

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Speaker 3: restaurant in the world. If you're a chef.

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Speaker 4: He's like the rolling Stones, the rolling Stones of chefs.

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Speaker 1: He's like the most badass famous band.

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Speaker 4: Yes, And also the Rolling Stones need like four or

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Speaker 4: five guys to be the Rolling Stones, but this guy's

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Speaker 4: only just one.

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Speaker 3: He's not Jagger, he's the whole Stone.

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Speaker 1: No individual person who they could have used. There's not

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Speaker 1: a single one to make a connection that makes more

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Speaker 1: sense to an individual chef. It's only all of the

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Speaker 1: Rolling Stones.

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Speaker 4: And by the way, if you think of like, well,

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Speaker 4: isn't the Beatles more famous than the Rolling Stones? And

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Speaker 4: it's like yeah, but who get who would more kick your.

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Speaker 1: Ass than Ronnie Wood? And Brett laughs like, oh I

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Speaker 1: know who that is? Yeah, my god, I.

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Speaker 3: Just want everyone to know though, like that.

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Speaker 2: That's one of the guys from the bind.

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Speaker 3: Yeah, we know, Brett.

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Speaker 1: Mike doesn't need to be on except to just check in,

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Speaker 1: saying like a music joke, to shut up.

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Speaker 3: Shut up, Barett. We know you know who Ronnie Wood is.

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Speaker 3: He's cutting butter. It's like Philip, I don't want to

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Speaker 3: be a place.

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Speaker 5: Where you come and eat, so I don't want people

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Speaker 5: to sit at that table and be sick with longing.

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Speaker 4: Okay, this is a good philosophy. He wants people to

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Speaker 4: feel sick at his restaurant.

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Speaker 3: Can you not eat.

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Speaker 4: Crazier characteristic for a chef that did not only not

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Speaker 4: want people to eat, but to feel sick without having eaten. Okay,

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Speaker 4: this guy, I don't know if I want him in

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Speaker 4: my house.

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Speaker 3: And then there's a but I do want to go

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Speaker 3: to that restaurant.

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Speaker 1: You want to get sick the way he talks about it,

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Speaker 1: I mean getting sick with lark, I mean this is

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Speaker 1: something that we have talked about a little bit recently.

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Speaker 1: But getting sick with longing, it sounds to me like

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Speaker 1: he's talking about blue balls.

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Speaker 3: Sure, yeah, what else could that mean? Or yes?

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Speaker 4: Or longing is sometimes, of course an action.

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Speaker 3: It's like if I'm longing that sick?

201
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Speaker 1: Oh, no, I thought I thought you met getting sick

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Speaker 1: because your zone is longing too fast.

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Speaker 3: No, I know that too. But also.

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Speaker 4: If you straight up longing someone like that also can

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Speaker 4: make them feel sick.

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Speaker 1: So it's it's an interesting thing for a chef, and

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Speaker 1: this is what makes him so scary that he wants

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Speaker 1: people to go to his restaurant. And I guess be

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Speaker 1: made sick by either becoming long.

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Speaker 3: So quickly that I guess it hits the table too hard,

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Speaker 3: or your version would be.

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Speaker 1: Longing longing a chick, you bet Luisiana, sniffing, storting, injecting.

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Speaker 1: He went to the Louisiana and he did food like

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Speaker 1: a drug. He injected some French toast or something I.

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Speaker 4: Do started a new wrestling or at least a dozen

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Speaker 4: people who will try to have you killed.

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Speaker 3: He got punched.

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Speaker 1: Someone threw an apron at Yeah, so what it's going

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Speaker 1: to try and have you killed? And then they show

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Speaker 1: a woman sort of missing him with an apron.

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Speaker 3: Yes, And that is one nice thing.

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Speaker 4: If you are a chef, you sometimes make a lot

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Speaker 4: of enemies and they are allowed to try to kill you,

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Speaker 4: but they're not allowed to use any of the dangerous

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Speaker 4: kitchen tools because as a chef you're so respectful of

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Speaker 4: like knives and stuff that you do have to use

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Speaker 4: either an apron maybe an egg beater at worst, like

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Speaker 4: a plastic bowl, you know, for like a mixing bowl.

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Speaker 1: And so you can sort of hope that I like,

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Speaker 1: if the apron strings flew in such an exact way

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Speaker 1: that they wrapped around somebody created garrotted them, yes, yes,

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Speaker 1: created a makeshift news.

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Speaker 4: And then they go to run after you, like, don't

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Speaker 4: throw that apron at me, and it yanks the noose

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Speaker 4: tight around their neck, but.

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Speaker 1: In this case it just sort of grazes his shoulder

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Speaker 1: and harmless story, harmlessly to the floor.

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Speaker 3: The only place I've ever felt like I really belonged.

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Speaker 3: I love every minute of it. To heat, the pressure

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Speaker 3: of the violence.

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Speaker 1: Throwing plates, Oh God help you. If you're a plate

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Speaker 1: or at table in this movie. If you know a

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Speaker 1: plate or at table, or you have any friends who

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Speaker 1: are plates, are tables, be careful because not a single

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Speaker 1: plate is going to survive this movie.

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Speaker 4: It's not a safe movie for plates or for tables.

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Speaker 4: And we've been saying this from the beginning, and I

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Speaker 4: now almost am on the side where I don't want

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Speaker 4: to root for this character, but I do want to

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Speaker 4: say this.

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Speaker 3: Hayes.

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Speaker 4: There's a moment where he talks about the kitchen being

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Speaker 4: the only place he ever felt like he belonged, and

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Speaker 4: I thought, that's me with movies and stuff like that,

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Speaker 4: And we all have that, don't we that place where

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Speaker 4: we felt at home That maybe seems crazy to someone else,

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Speaker 4: The pressure, that heat, the violence of the kitchen or

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Speaker 4: the movies place For that to be where you're most

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Speaker 4: comfortable in an area of discomfort, that's a character who's

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Speaker 4: broken in a way I can relate to.

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Speaker 3: Does any of this make sense for me?

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Speaker 1: It's my home office, big, surrounded by my books, my pens.

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Speaker 3: That's it's It's really the only place that I've ever.

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Speaker 4: Really paper fasteners, kind of butterfly clip.

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Speaker 3: Yeah.

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Speaker 1: And it's a kitchen too, and so it is yeah

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Speaker 1: and so on that level, I really connect to this

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Speaker 1: character being forced to put my office in the kitchen

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Speaker 1: by my now live in girlfriend. Carry on, Carrie and

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Speaker 1: Moss and carry on. That's a joke that's just for us. Yeah,

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Speaker 1: and brat you have you have Walgreens. It's like kind

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Speaker 1: of your place.

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Speaker 3: Yeah.

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Speaker 4: I remember seeing you holding court in Walgreens one day

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Speaker 4: when I walked in to grab some chapstick, and it

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Speaker 4: gave me a whole other image of you. Where here

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Speaker 4: you're sort of this sniveling, little weasley loser who everyone

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Speaker 4: just picks on, and you almost look like you're about

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Speaker 4: to piss yourself whenever I see you.

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Speaker 3: But when I.

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Speaker 4: Walked into Walgreens, I thought, oh, that's a full adult

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Speaker 4: man who has this sort of harem of. They look

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Speaker 4: to be very young, very overweight foreign women, uh, who

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Speaker 4: were just hanging.

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Speaker 3: On your every word.

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Speaker 4: Uh, and you were helping them pick out combs and

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Speaker 4: it was just really cool to see you. Why didn't

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Speaker 4: you say hi?

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Speaker 6: Man?

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Speaker 3: I didn't want to spoil the moment.

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Speaker 4: I don't know if it's it's sort of like seeing

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Speaker 4: your teacher at the grocery store.

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Speaker 3: For you, the plate exploded? What happens if he succeeded? Fireworks? Immortality?

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Speaker 2: Mortality?

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Speaker 3: If you fail, iday, I can do it.

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Speaker 6: Adam Jones and god one hoped you were dead.

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Speaker 3: Plate a plate Now he's back.

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Speaker 1: No, man, you are looking at that all the time,

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Speaker 1: the whole time, so you have the past.

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Speaker 6: Yes, yeah, look of this, Yeah, yes, yeah for it, yes, yeah,

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Speaker 6: all right, but show.

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Speaker 3: Yeah, chef.

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Speaker 1: And it ends in this like most badass way possible

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Speaker 1: where he like he's you can tell he's so mean

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Speaker 1: because he goes up to the other chef and he says,

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Speaker 1: you're looking at that right, and she's like yes, and

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Speaker 1: he's like you are right and she's like yes, and

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Speaker 1: he's like okay, Yeah, that's badass. That kind of confrontation

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Speaker 1: is like so heated. That's how crazy you can get

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Speaker 1: in the kitchen where you ask someone twice.

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Speaker 3: If they're doing something and they're like, yeah, you're like, okay,

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Speaker 3: good and you're grilling man.

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Speaker 4: I gotta say this, uh, grilling chef, I gotta say this.

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Speaker 4: So obviously this guy's a badass. People wished he was dead.

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Speaker 4: He might be actually immortal. They don't make it clear

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Speaker 4: if it's a metaphor or not. I think he's maybe

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Speaker 4: really is one. But he's so badass and tough, and

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Speaker 4: they want him dead. I think because he doesn't play

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Speaker 4: by the rules. Now Here, there's a distinction. Let's make

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Speaker 4: there's a difference between not playing by the rules and

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Speaker 4: not knowing the rules. And some people think me and

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Speaker 4: Hayes don't know the rules of podcasting, and maybe that's why, uh,

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Speaker 4: Scott and Scott from you talking to you two to.

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Speaker 3: Me want us dead. We know, we know the rule.

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Speaker 3: We choose not to play by it. Sweetheart, we know

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Speaker 3: the rules.

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Speaker 1: Sugar, we need the rules. Okay, the rule is don't

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Speaker 1: put your tongue on the mic.

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Speaker 3: How is that that sound goodund.

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Speaker 4: That sounds good? Like I'm not like I just had

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Speaker 4: the rule though I know old bad. I don't think

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Speaker 4: I play you get a big look.

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Speaker 2: That's the rule not to shock yourself.

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Speaker 4: It's not about good podcasting. Okay, we we know, we

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Speaker 4: know that we know the rules and we know why

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Speaker 4: they're we like it, but it's so punk to get

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Speaker 4: shocked makes my hair like Johnny Rotten's hair. So just

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Speaker 4: so you know, I think this chef does know the

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Speaker 4: rules and he's ignoring them.

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Speaker 3: Anyways, not.

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Speaker 1: Knowing the rules and breaking them is like being Lenny

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Speaker 1: from Mice and Med and being yes. Or Frankingstein is

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Speaker 1: another example, just to tie in. We've been doing a

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Speaker 1: lot of Halloween stuff.

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Speaker 3: Franking Stein, another example, does not know the rules. That's

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Speaker 3: why he's breaking them. Mm hmmm. He just still like fire.

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Speaker 4: And actually, uh, I'm so sorry to do this, but

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Speaker 4: Frankingstein was the doctor, and I think you're talking about

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Speaker 4: doctor Frankinstein's monster.

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Speaker 1: It's such a I mean, you're right, I just wonder,

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Speaker 1: but I just wonder why you haven't baged that we've brought.

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Speaker 1: We've set fan excites hundreds of times on the show, and.

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Speaker 4: I said it myself earlier, and but what you found

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Speaker 4: out that.

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Speaker 3: You did say it yourself.

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Speaker 4: You found out is that I actually knew the rules.

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Speaker 4: I just refused to play.

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Speaker 1: That's why you're breaking them. So that's like this guy

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Speaker 1: he knows that plates are for food on not the

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Speaker 1: wall throw. Yeah, tables are for legs on the bottom,

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Speaker 1: not for flip upside down. More plates everywhere? And what

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Speaker 1: are some other? Oh, and food restaurants are for eating,

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Speaker 1: not for longing.

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Speaker 3: And some chick. Yeah. So it is really.

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Speaker 4: Movie that I'm scared to see, but it's exciting and

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Speaker 4: I look forward to seeing Coop at the awards.

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Speaker 3: Take them in the hardware.

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Speaker 4: We have a great guest, great week, either Brandon Content.

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Speaker 1: Brand Content and Jeff Wanger or Stephanie Allen, depending on

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Speaker 1: which one we did last week or which one we're doing,

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Speaker 1: although I.

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Speaker 3: Guess Jeff Wanker, Yeah, yeah.

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Speaker 1: This is gonna be that's like the character he is

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Speaker 1: doing in Yeah, where are we guys? I guess we've

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Speaker 1: been talking about this being our Halloween episode, so I

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Speaker 1: guess this will have to go with.

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Speaker 3: Brandon Content and Jeff Wanger.

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Speaker 1: So, so now you heard how how we figured it

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Speaker 1: out on Hollywood Habook by.

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Speaker 3: Hollywood ham Book, so lingering after the Depth tone show

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00:22:58,600 --> 00:23:04,040
Speaker 3: and Tuck closer. Men, do you have a light.

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00:23:05,400 --> 00:23:08,639
Speaker 1: And you know how I can like take my zippo

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00:23:08,800 --> 00:23:12,560
Speaker 1: out and like light it in one very smooth motion.

384
00:23:12,720 --> 00:23:14,520
Speaker 1: It comes out of the holster and it's like already

385
00:23:14,600 --> 00:23:17,520
Speaker 1: lit by the time it's it's out there.

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Speaker 3: Yeah.

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00:23:19,119 --> 00:23:22,520
Speaker 1: Well, this time, it's like on that bungeee to like

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00:23:22,600 --> 00:23:25,480
Speaker 1: keep that attached to the holster. And I think because

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Speaker 1: of the weather being like sort of unseasonably hot, the

390
00:23:30,480 --> 00:23:33,920
Speaker 1: bungee was like more elastic. I don't know if it's

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00:23:33,960 --> 00:23:38,320
Speaker 1: like more or less elastic, but it was the moisture loose, looser.

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Speaker 3: And so I end up just kind of.

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Speaker 1: Throwing it, throwing a flame in his zippo in his face.

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Speaker 3: Yeah it was beard, yeah, yes.

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Speaker 1: And his beard part of his beard exploded, but it

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Speaker 1: wasn't it like went out very fast. So I was like, oh, few, right,

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00:23:56,520 --> 00:23:59,400
Speaker 1: this is okay. But I guess some of the hairs

398
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Speaker 1: are like a fuse that goes like inside his head.

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Speaker 3: Oh god, So they're.

400
00:24:05,160 --> 00:24:07,399
Speaker 1: So connected into his inside of his head, and so

401
00:24:07,440 --> 00:24:09,320
Speaker 1: the inside of his head was on fire.

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00:24:10,160 --> 00:24:11,640
Speaker 3: So some of the.

403
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Speaker 4: Hairs acted as a little fuse that went into like

404
00:24:14,400 --> 00:24:16,639
Speaker 4: almost if his brain is a bomb.

405
00:24:16,480 --> 00:24:20,080
Speaker 1: Yes or not a bomb, but like a stack of

406
00:24:20,920 --> 00:24:24,119
Speaker 1: stack would I guess something that is supposed to catch up.

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00:24:24,119 --> 00:24:24,840
Speaker 2: So you're hearing a.

408
00:24:24,800 --> 00:24:27,359
Speaker 4: Sort of crackling and smokes coming out of his ears.

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00:24:27,840 --> 00:24:31,040
Speaker 1: Yes, but it ended up being sort of okay because

410
00:24:32,000 --> 00:24:35,400
Speaker 1: he got an idea, oh for a book or something.

411
00:24:35,440 --> 00:24:37,760
Speaker 1: You had to write a book about how Muhammad Ali

412
00:24:37,840 --> 00:24:39,159
Speaker 1: invented rap or something.

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00:24:39,359 --> 00:24:41,720
Speaker 3: Mm hmmm, Oh that's interesting and it was a really

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00:24:41,720 --> 00:24:42,320
Speaker 3: smart book.

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00:24:42,960 --> 00:24:43,240
Speaker 2: Yes.

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Speaker 1: Yeah, So welcome to Hollywood Handbook, An Insider's guide to

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00:24:47,080 --> 00:24:49,600
Speaker 1: kicking button dropping me in the red right carpet line

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00:24:49,600 --> 00:24:52,280
Speaker 1: Back always said, this industry we call show bits what up?

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00:24:52,320 --> 00:24:52,760
Speaker 6: What up?

420
00:24:52,800 --> 00:24:56,280
Speaker 3: And Paul is really judging the cold brew that I'm drinking?

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00:24:57,240 --> 00:25:00,840
Speaker 3: Don't say what do? I don't well, I mean we

422
00:25:00,920 --> 00:25:01,679
Speaker 3: want to say who it is?

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00:25:01,720 --> 00:25:04,440
Speaker 4: Oh right, I shouldn't even Oh right, I shouldn't even

424
00:25:04,440 --> 00:25:06,200
Speaker 4: have brought up. And there's no Paul here.

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00:25:07,880 --> 00:25:09,160
Speaker 6: And it wasn't me either.

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00:25:10,440 --> 00:25:14,919
Speaker 4: Thank you, perfect Joe, it's not Joe. Yeah, go ahead. No,

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00:25:15,080 --> 00:25:15,960
Speaker 4: Hayes is doing the intro.

428
00:25:16,040 --> 00:25:16,359
Speaker 3: What up?

429
00:25:16,359 --> 00:25:16,639
Speaker 2: What up?

430
00:25:16,720 --> 00:25:17,880
Speaker 3: We just have a specific way.

431
00:25:18,080 --> 00:25:19,919
Speaker 4: No, we have a way that Hayes wants to do

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Speaker 4: these things.

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Speaker 3: Go ahead.

434
00:25:21,920 --> 00:25:24,440
Speaker 1: So we did an episode a few weeks ago.

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Speaker 6: You could fight it on on how.

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00:25:29,840 --> 00:25:33,280
Speaker 1: Which we we want to talk a lot about today

437
00:25:33,359 --> 00:25:36,240
Speaker 1: as well. But before we get into that, we did

438
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Speaker 1: an episode with Joe Wanger. It didn't go exactly as

439
00:25:40,760 --> 00:25:42,679
Speaker 1: we wanted it to go. I remember it sort of

440
00:25:42,720 --> 00:25:45,120
Speaker 1: being the most scared I've ever been doing an episode.

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00:25:45,200 --> 00:25:45,600
Speaker 3: Mm hmm.

442
00:25:45,920 --> 00:25:48,240
Speaker 1: Yeah, because Joe, you were here as our head of

443
00:25:48,280 --> 00:25:50,080
Speaker 1: branded content, which you still are.

444
00:25:50,320 --> 00:25:53,399
Speaker 6: Yes, now I'm here, yeah, yes, uh.

445
00:25:53,040 --> 00:25:54,680
Speaker 3: And oh welcome Joe.

446
00:25:55,440 --> 00:25:57,439
Speaker 1: It's the first time seeing And when I say and

447
00:25:57,440 --> 00:25:58,800
Speaker 1: when I say you still are, I mean like you

448
00:25:58,880 --> 00:26:01,520
Speaker 1: still are in the room, like you remain in the

449
00:26:01,640 --> 00:26:04,200
Speaker 1: room from that episode.

450
00:26:04,240 --> 00:26:06,160
Speaker 6: You are still here. Yes, that's right.

451
00:26:06,240 --> 00:26:13,720
Speaker 1: Okay, we got into a discussion of a character and.

452
00:26:14,280 --> 00:26:16,440
Speaker 6: I'm sorry before we get into that. Did you get

453
00:26:16,480 --> 00:26:17,960
Speaker 6: any of the stuff that I asked you to bring me?

454
00:26:19,080 --> 00:26:19,280
Speaker 2: Oh?

455
00:26:19,359 --> 00:26:22,480
Speaker 3: What was it? The soup was soup?

456
00:26:22,840 --> 00:26:27,919
Speaker 6: Soup? I need underwear, I need soup. I use sure,

457
00:26:28,520 --> 00:26:32,520
Speaker 6: which is a No, that's a that's that's not a

458
00:26:32,600 --> 00:26:38,400
Speaker 6: gender specific deodorant, but recently they really there's a lot

459
00:26:38,440 --> 00:26:40,719
Speaker 6: more lavender on it, so it makes you think it's

460
00:26:40,760 --> 00:26:43,680
Speaker 6: a ladies deodorant, But it's a gender it's it's.

461
00:26:43,200 --> 00:26:45,680
Speaker 3: Not, And who cares if it is. If it's what

462
00:26:45,720 --> 00:26:46,360
Speaker 3: you like, it.

463
00:26:46,320 --> 00:26:48,800
Speaker 6: Works for me. It works for me in my body.

464
00:26:49,240 --> 00:26:52,359
Speaker 4: It makes you feel confident raising your hand in a classroom.

465
00:26:52,600 --> 00:26:55,440
Speaker 6: It makes me feel confident whenever I have to, you know,

466
00:26:55,560 --> 00:27:00,200
Speaker 6: sort of present to the rest of the team goes out.

467
00:27:00,200 --> 00:27:03,399
Speaker 4: You got to reach up and yeah, twist it. You

468
00:27:03,440 --> 00:27:05,280
Speaker 4: don't have to feel like I can't put my arm up,

469
00:27:05,320 --> 00:27:08,159
Speaker 4: because that's someone unsure who can't put their arm up.

470
00:27:08,160 --> 00:27:09,360
Speaker 3: And you are sure right.

471
00:27:09,520 --> 00:27:12,520
Speaker 6: I'm reaching up into the top shelf of this and

472
00:27:12,560 --> 00:27:16,399
Speaker 6: as you are, cabinet for the tampons for my wife

473
00:27:16,560 --> 00:27:20,240
Speaker 6: or girlfriend, not for me. And I don't want to

474
00:27:20,280 --> 00:27:21,240
Speaker 6: make up a stink.

475
00:27:21,520 --> 00:27:24,760
Speaker 4: Now, I only use I only use Mitcham because of

476
00:27:24,800 --> 00:27:29,040
Speaker 4: course I love the movie Friends of Eddie Coyle, and

477
00:27:29,119 --> 00:27:31,800
Speaker 4: so I can only use the toyoda based on the

478
00:27:31,840 --> 00:27:37,720
Speaker 4: lead actor from that film. And it is incredibly masculine.

479
00:27:37,760 --> 00:27:39,320
Speaker 4: And I don't mean that as a dig at you

480
00:27:39,440 --> 00:27:43,080
Speaker 4: using the lavender flower one. That's not why you know

481
00:27:43,119 --> 00:27:47,959
Speaker 4: it works for you, That's what suits me. And you

482
00:27:48,000 --> 00:27:51,800
Speaker 4: can borrow mine because we don't have your shore here,

483
00:27:51,880 --> 00:27:53,520
Speaker 4: and we also don't have your soup, and we also

484
00:27:53,520 --> 00:27:56,679
Speaker 4: don't have the wafers you requested or the underwear.

485
00:27:58,320 --> 00:28:00,320
Speaker 1: Was it Night of the Hunter that you like with

486
00:28:00,359 --> 00:28:04,440
Speaker 1: the knuckle tattoos and things. Didn't you get something because

487
00:28:04,480 --> 00:28:04,760
Speaker 1: of that?

488
00:28:05,240 --> 00:28:08,240
Speaker 3: Oh? Is that why I got the knock knuckle tattoos? Yeah?

489
00:28:08,320 --> 00:28:14,440
Speaker 1: Okay, yeah, that's a bone on one hand an ing

490
00:28:14,600 --> 00:28:15,280
Speaker 1: on the other end.

491
00:28:17,720 --> 00:28:21,040
Speaker 6: Yes, so I haven't seen Night of the Hunter.

492
00:28:21,680 --> 00:28:24,080
Speaker 4: It's a hyphen on the first knuckle on the left head,

493
00:28:24,400 --> 00:28:26,720
Speaker 4: so it's B O N E across four knuckles, then

494
00:28:26,800 --> 00:28:27,800
Speaker 4: hyphen I N G.

495
00:28:28,040 --> 00:28:30,120
Speaker 3: Okay, yeah, you haven't seen Night of the Hunter.

496
00:28:30,280 --> 00:28:33,040
Speaker 4: No, Well it really makes you want a bone, that's

497
00:28:33,080 --> 00:28:33,640
Speaker 4: for sure.

498
00:28:34,480 --> 00:28:35,000
Speaker 2: Uh.

499
00:28:35,119 --> 00:28:38,720
Speaker 3: And and my knuckles tell that story. But when Joe

500
00:28:38,840 --> 00:28:42,160
Speaker 3: was here in the past and remained where he's been?

501
00:28:42,320 --> 00:28:44,480
Speaker 6: And can I have my phone? Is there a reason

502
00:28:44,480 --> 00:28:45,800
Speaker 6: why you guys took my phone with you?

503
00:28:45,960 --> 00:28:47,760
Speaker 3: We should charge it for you? Okay?

504
00:28:48,680 --> 00:28:50,720
Speaker 6: I feel I just haven't been going to work and

505
00:28:50,760 --> 00:28:51,920
Speaker 6: I've been checking in with the.

506
00:28:52,120 --> 00:28:57,800
Speaker 4: Yeah, and the battery has been finicky, so it will

507
00:28:58,200 --> 00:29:01,280
Speaker 4: take the pluck we want to give it. It's like

508
00:29:01,400 --> 00:29:03,480
Speaker 4: very particular about the plug it wants.

509
00:29:03,720 --> 00:29:05,000
Speaker 6: It's an iPhone six.

510
00:29:05,480 --> 00:29:09,240
Speaker 1: Okay whateveran ones that use like a different jack.

511
00:29:09,800 --> 00:29:11,880
Speaker 3: But we've actually tried to use one of those converters.

512
00:29:13,360 --> 00:29:15,720
Speaker 4: Oh yeah, and I almost feel like the converter practically

513
00:29:15,760 --> 00:29:20,719
Speaker 4: broke it or did so anyways, okay, that and that

514
00:29:21,160 --> 00:29:23,200
Speaker 4: all of that is immaterial to what we're here to

515
00:29:23,200 --> 00:29:24,480
Speaker 4: talk about, yes, which is.

516
00:29:24,480 --> 00:29:26,920
Speaker 1: We were There was a discussion of a character named

517
00:29:26,920 --> 00:29:32,120
Speaker 1: Brandon Brandon Content who we could use to explain the

518
00:29:32,160 --> 00:29:36,800
Speaker 1: concept of branded content and a very which is exploding. Yes,

519
00:29:37,400 --> 00:29:40,800
Speaker 1: And there was discussion of the possibility of Paul F.

520
00:29:40,840 --> 00:29:45,640
Speaker 1: Tompkins appearing in the studio at a specific time playing

521
00:29:45,680 --> 00:29:47,600
Speaker 1: the character branded content.

522
00:29:47,320 --> 00:29:52,040
Speaker 4: And confession time. We said on that show that it

523
00:29:52,160 --> 00:29:52,800
Speaker 4: was not.

524
00:29:52,640 --> 00:29:53,160
Speaker 6: A Paul F.

525
00:29:53,200 --> 00:29:57,720
Speaker 4: Tompkins character, yes, and that he wasn't going to appear,

526
00:29:57,880 --> 00:30:00,760
Speaker 4: but we had wanted him to appear, and actually he

527
00:30:00,920 --> 00:30:02,720
Speaker 4: was just held up at a taping of No you

528
00:30:02,760 --> 00:30:05,600
Speaker 4: shut up, and that is why he wasn't here. And

529
00:30:05,640 --> 00:30:07,040
Speaker 4: we did think he was going to walk it in

530
00:30:07,080 --> 00:30:09,400
Speaker 4: any minute, and of course he did not. But it

531
00:30:09,440 --> 00:30:11,480
Speaker 4: is a funny idea for a character, and he did

532
00:30:11,520 --> 00:30:13,560
Speaker 4: work really hard on a voice for it, and so

533
00:30:13,680 --> 00:30:16,280
Speaker 4: we should actually hear it, and he is here, and

534
00:30:16,320 --> 00:30:17,760
Speaker 4: that is why Joe was waiting.

535
00:30:18,680 --> 00:30:21,160
Speaker 3: And so do you want to swing your microphone?

536
00:30:21,520 --> 00:30:23,560
Speaker 1: Sorry I did I'm sorry you want to I know

537
00:30:23,600 --> 00:30:25,400
Speaker 1: you wanted that to be heard, So you can put

538
00:30:25,400 --> 00:30:28,800
Speaker 1: it back up and like make your microphone swinging down.

539
00:30:28,640 --> 00:30:32,520
Speaker 4: And an announcement is triumphant announcement of his entry. And

540
00:30:32,640 --> 00:30:34,960
Speaker 4: Paul likes to yes, yes.

541
00:30:35,160 --> 00:30:36,960
Speaker 2: It's not making as much noise as everyone.

542
00:30:37,040 --> 00:30:37,800
Speaker 3: You don't want it to.

543
00:30:37,960 --> 00:30:40,480
Speaker 4: And Brett looks so nervous when you jerk around there.

544
00:30:41,120 --> 00:30:44,960
Speaker 2: Who it's me Brandon content?

545
00:30:45,640 --> 00:30:48,479
Speaker 4: Okay, And before we get in to really explore, and

546
00:30:48,520 --> 00:30:52,160
Speaker 4: I love that as a start, Where did you come

547
00:30:52,240 --> 00:30:53,240
Speaker 4: up with this idea?

548
00:30:54,440 --> 00:30:58,080
Speaker 3: What you at all? Yeah?

549
00:30:58,120 --> 00:31:03,440
Speaker 7: Well you know, Brandon, I did it by accident. Brand

550
00:31:03,440 --> 00:31:06,240
Speaker 7: did the content I think is a very important thing.

551
00:31:07,520 --> 00:31:11,640
Speaker 7: And a rising tide lifts all boats. And so I thought,

552
00:31:12,240 --> 00:31:16,200
Speaker 7: you know, I heard your episode. It started, I was

553
00:31:16,240 --> 00:31:18,160
Speaker 7: listening to something else and then that ended, and then

554
00:31:18,240 --> 00:31:21,720
Speaker 7: your episode started playing, and I think I was in

555
00:31:21,760 --> 00:31:25,560
Speaker 7: a situation where I couldn't do anything about that.

556
00:31:25,720 --> 00:31:27,720
Speaker 2: Is that a feature of how Yeah?

557
00:31:28,640 --> 00:31:30,560
Speaker 1: That sounds like it works better than a lot of

558
00:31:30,600 --> 00:31:35,120
Speaker 1: the other I used how Shuffle, which is only for Android.

559
00:31:35,200 --> 00:31:37,960
Speaker 7: It's only for Android. How Shuffle is only for Android.

560
00:31:38,200 --> 00:31:40,400
Speaker 7: And so you listen to a thing that you want

561
00:31:40,400 --> 00:31:43,360
Speaker 7: to listen to and then the the app will surprise

562
00:31:43,440 --> 00:31:48,160
Speaker 7: you and play something else. And so I'm a dedicated

563
00:31:48,560 --> 00:31:51,040
Speaker 7: Android user. I won't use anything else.

564
00:31:51,800 --> 00:31:55,280
Speaker 2: I'm not one of these Steve Jobs cultists or whatever.

565
00:31:56,000 --> 00:31:57,720
Speaker 7: I have my own mind, and so that's why I

566
00:31:57,840 --> 00:32:01,080
Speaker 7: use an Android device that's neither here nor there.

567
00:32:01,080 --> 00:32:02,440
Speaker 2: We're here to talk about branded content.

568
00:32:02,720 --> 00:32:03,520
Speaker 3: And is that a.

569
00:32:03,720 --> 00:32:07,080
Speaker 4: Shot at Joe who talked about his iPhone six just moments?

570
00:32:07,360 --> 00:32:09,760
Speaker 2: Not an intentional shot at Joe. But if you if you.

571
00:32:09,760 --> 00:32:13,080
Speaker 6: Take it in the choir, because my iPhone isn't charging properly,

572
00:32:13,280 --> 00:32:13,960
Speaker 6: that's what these guys.

573
00:32:14,240 --> 00:32:16,520
Speaker 2: Would you consider switching over to an Android?

574
00:32:17,120 --> 00:32:19,200
Speaker 6: Can I still have a thousand songs in my pocket?

575
00:32:20,600 --> 00:32:20,920
Speaker 3: Hmmm?

576
00:32:22,880 --> 00:32:24,920
Speaker 2: Do you need a thousand songs in your pocket?

577
00:32:24,960 --> 00:32:27,080
Speaker 6: I need at least a thousand songs in my pocket.

578
00:32:27,480 --> 00:32:30,479
Speaker 2: Thout, what how many of those songs have you listened to?

579
00:32:31,080 --> 00:32:33,880
Speaker 2: All thousands you listen? Well, then time to start over

580
00:32:34,280 --> 00:32:35,560
Speaker 2: with dozens of songs?

581
00:32:37,080 --> 00:32:37,760
Speaker 3: And thought about it.

582
00:32:38,200 --> 00:32:40,640
Speaker 6: Oh yeah, I keep listening to the same dumb old.

583
00:32:40,480 --> 00:32:43,160
Speaker 3: Songs, the same a thousand songs.

584
00:32:42,920 --> 00:32:46,200
Speaker 6: Reconnecting me to memories that of stuff I've already lived.

585
00:32:46,400 --> 00:32:48,600
Speaker 3: Mm hmmm, And thought about, Yeah.

586
00:32:48,480 --> 00:32:50,280
Speaker 6: Let's get into something.

587
00:32:50,120 --> 00:32:52,760
Speaker 4: And let's make some new memories. And one of the

588
00:32:52,800 --> 00:32:55,800
Speaker 4: new memories we're gonna make is Brandon content and.

589
00:32:55,880 --> 00:32:58,920
Speaker 3: He'll before we get into that.

590
00:32:59,680 --> 00:33:03,320
Speaker 1: Where were you Why was that taping taking so much

591
00:33:03,400 --> 00:33:05,040
Speaker 1: longer than usual?

592
00:33:06,600 --> 00:33:10,680
Speaker 2: Yeah, I remember that day. It was uh, that was rough.

593
00:33:10,840 --> 00:33:16,400
Speaker 7: We Our guest was Tavis Smiley, and he was having

594
00:33:16,480 --> 00:33:19,680
Speaker 7: a bit of an issue with the puppets because there's

595
00:33:19,680 --> 00:33:22,200
Speaker 7: puppets on the show and we had explained to Tavis

596
00:33:22,240 --> 00:33:25,120
Speaker 7: these are puppets, and he accepted that they were puppets,

597
00:33:25,120 --> 00:33:29,320
Speaker 7: except for one puppet. There was a trash can puppet

598
00:33:30,000 --> 00:33:33,280
Speaker 7: that he kept insisting was real and he was kind

599
00:33:33,280 --> 00:33:34,760
Speaker 7: of freaked out by it. And I think because of

600
00:33:34,800 --> 00:33:38,040
Speaker 7: a connection to Push the talking trash can at Disneyland,

601
00:33:38,040 --> 00:33:40,320
Speaker 7: a discontinued character, but it was a trash can that

602
00:33:40,400 --> 00:33:43,760
Speaker 7: looked like a trash can at Disneyland, excepted to talk

603
00:33:43,800 --> 00:33:47,400
Speaker 7: to you. His name was Push, the word push on

604
00:33:47,480 --> 00:33:51,040
Speaker 7: the flap there, and people, of course actually put trash

605
00:33:51,080 --> 00:33:54,240
Speaker 7: into the trash can and they disabled it, I think

606
00:33:54,240 --> 00:33:59,800
Speaker 7: because of terrorism fears. So Tavis is one of those

607
00:33:59,840 --> 00:34:03,040
Speaker 7: guys guys who has a you know, a subscription to Disneyland.

608
00:34:03,080 --> 00:34:06,760
Speaker 7: He like goes all the time, one of those childless

609
00:34:06,760 --> 00:34:09,160
Speaker 7: people that loves to go to Disneyland and collects the

610
00:34:09,200 --> 00:34:10,600
Speaker 7: pins and all that stuff.

611
00:34:11,080 --> 00:34:16,320
Speaker 6: So get in line early for the dull Whip because

612
00:34:16,360 --> 00:34:17,680
Speaker 6: the dull Whip line gets long.

613
00:34:17,920 --> 00:34:19,000
Speaker 2: What is the dull Whip again?

614
00:34:19,600 --> 00:34:24,120
Speaker 6: It's uh, it's a sort of a mixture of vanilla

615
00:34:24,160 --> 00:34:27,319
Speaker 6: ice cream. Oh no, no, no, it's like it's like

616
00:34:27,360 --> 00:34:29,080
Speaker 6: a pineapple flavored ice but.

617
00:34:30,560 --> 00:34:32,719
Speaker 2: Not a ride. It's not okay, I thought it was

618
00:34:32,760 --> 00:34:33,080
Speaker 2: a ride.

619
00:34:33,320 --> 00:34:34,399
Speaker 3: Yeah, long line for.

620
00:34:34,400 --> 00:34:36,760
Speaker 6: The sounds like you're gonna get whipped around.

621
00:34:38,680 --> 00:34:42,080
Speaker 4: Yeah, it sounds like it's gonna slowly whip you around.

622
00:34:42,600 --> 00:34:45,520
Speaker 3: Famously, can't move his arm in the area.

623
00:34:46,320 --> 00:34:48,680
Speaker 7: With the hand that's not holding the pen. He works

624
00:34:48,680 --> 00:34:54,160
Speaker 7: the lever that whips you around. Anyway, So we had

625
00:34:54,200 --> 00:34:55,960
Speaker 7: to really talk Tavis down because he was kind of

626
00:34:55,960 --> 00:34:58,480
Speaker 7: freaking out and he's like, this is the second talking trash.

627
00:34:58,560 --> 00:34:59,960
Speaker 3: Can get it up into a corner?

628
00:35:00,120 --> 00:35:02,440
Speaker 2: Yeah, yep. Yeah. We had to chase him down with

629
00:35:02,440 --> 00:35:04,839
Speaker 2: a broom and.

630
00:35:04,800 --> 00:35:06,560
Speaker 7: So that took a while because you know, obviously the

631
00:35:06,600 --> 00:35:08,000
Speaker 7: ceilings in the studio are very high.

632
00:35:08,280 --> 00:35:10,359
Speaker 6: You spend enough time with a trash can, and then

633
00:35:10,360 --> 00:35:11,520
Speaker 6: they do become real.

634
00:35:12,120 --> 00:35:14,360
Speaker 7: Yeah, that can happen to anyone actually in your home

635
00:35:14,680 --> 00:35:17,279
Speaker 7: if you if you have a yeah, if you, if

636
00:35:17,280 --> 00:35:19,000
Speaker 7: you're a childless person, you have a trash can in

637
00:35:19,000 --> 00:35:22,040
Speaker 7: your home that has one like a lid where there's

638
00:35:22,080 --> 00:35:24,960
Speaker 7: a little door, you know, or a flap or something

639
00:35:25,000 --> 00:35:27,200
Speaker 7: like that, then you will start to see it as

640
00:35:27,200 --> 00:35:27,600
Speaker 7: a mouth.

641
00:35:27,760 --> 00:35:31,359
Speaker 1: Well, it's eating things and it's exactly exactly at its

642
00:35:31,719 --> 00:35:33,560
Speaker 1: main job, and you're waiting.

643
00:35:33,239 --> 00:35:33,880
Speaker 2: For it to speak.

644
00:35:33,960 --> 00:35:37,320
Speaker 6: And Douglas has helped me since Douglas is this trash

645
00:35:37,320 --> 00:35:40,719
Speaker 6: can that's here, and he's allowed me to reach in

646
00:35:40,840 --> 00:35:43,200
Speaker 6: and grab some of the food and stuff that's been

647
00:35:43,239 --> 00:35:45,399
Speaker 6: in there since I've been in the Earwolf studios here

648
00:35:45,840 --> 00:35:47,040
Speaker 6: waiting for you to get here.

649
00:35:47,239 --> 00:35:50,839
Speaker 7: What's what's rare is that Douglas, as you call him,

650
00:35:50,960 --> 00:35:52,720
Speaker 7: is just a regular old waste basket.

651
00:35:52,920 --> 00:35:55,200
Speaker 6: Well, I mean, if you spend enough time in him

652
00:35:55,200 --> 00:35:57,200
Speaker 6: and then at night time it's just you and him.

653
00:35:57,480 --> 00:36:00,239
Speaker 1: If you say allowed me to reach in with that,

654
00:36:00,440 --> 00:36:03,760
Speaker 1: was that like a process oftiation?

655
00:36:04,239 --> 00:36:05,680
Speaker 6: I asked him, and I was like, if you don't

656
00:36:05,680 --> 00:36:07,960
Speaker 6: want me to reach in and get the rest of

657
00:36:08,000 --> 00:36:11,960
Speaker 6: the scone, that Jason and Zucus didn't want then tell me?

658
00:36:13,800 --> 00:36:16,000
Speaker 3: Okay, and what did he say?

659
00:36:16,280 --> 00:36:17,919
Speaker 6: He didn't tell me to not do it?

660
00:36:18,600 --> 00:36:21,560
Speaker 3: Didn't want to wait? I mean, I don't want to

661
00:36:21,600 --> 00:36:23,759
Speaker 3: get into like a real discussion of this stuff. This

662
00:36:23,920 --> 00:36:24,920
Speaker 3: is like but.

663
00:36:25,600 --> 00:36:27,239
Speaker 7: It's I can't I mean because its probably not. This

664
00:36:27,320 --> 00:36:29,040
Speaker 7: is like shop talks, not that interesting to people.

665
00:36:29,160 --> 00:36:30,879
Speaker 6: Oh and I want to get into the thing because

666
00:36:30,880 --> 00:36:32,760
Speaker 6: I've been waiting so long. Brand content.

667
00:36:32,800 --> 00:36:35,399
Speaker 4: Oh yeah, well you has had of branded content, must

668
00:36:35,400 --> 00:36:39,600
Speaker 4: have even stronger about Brandon content than than anyone.

669
00:36:40,080 --> 00:36:44,440
Speaker 2: But very quickly, let's find out more about Joe and the.

670
00:36:44,360 --> 00:36:46,520
Speaker 1: I just feel like that's the idea of like he

671
00:36:46,520 --> 00:36:49,400
Speaker 1: didn't tell me to not do it is kind of

672
00:36:49,440 --> 00:36:51,160
Speaker 1: like dangerous territory.

673
00:36:51,239 --> 00:36:52,840
Speaker 2: You're saying silence equals consent.

674
00:36:53,040 --> 00:36:57,040
Speaker 3: Yeah, yes, that's sort of a that's always been my thing.

675
00:36:59,160 --> 00:36:59,799
Speaker 6: You guys know that.

676
00:37:00,160 --> 00:37:02,360
Speaker 2: Yeah, no, that we do know that that.

677
00:37:02,400 --> 00:37:03,880
Speaker 4: I thought it was like in the past, and we

678
00:37:03,960 --> 00:37:05,960
Speaker 4: thought that we had discussed it to a point that

679
00:37:06,000 --> 00:37:06,879
Speaker 4: we tamped.

680
00:37:06,560 --> 00:37:07,120
Speaker 3: It out a little.

681
00:37:07,160 --> 00:37:09,279
Speaker 1: I honestly thought it was like an on stage thing.

682
00:37:09,640 --> 00:37:13,319
Speaker 1: And I wonder if like like us all laughing at

683
00:37:13,360 --> 00:37:16,000
Speaker 1: you doing bits about tilt's equally could set.

684
00:37:16,440 --> 00:37:19,719
Speaker 4: Hey, nobody told me not to do it? Like that

685
00:37:19,800 --> 00:37:21,520
Speaker 4: was sort of the punchline of a lot of your

686
00:37:21,600 --> 00:37:22,520
Speaker 4: raunchy story.

687
00:37:23,840 --> 00:37:27,720
Speaker 2: It was almost like an Ercle esque catchphrase, no one.

688
00:37:27,600 --> 00:37:29,640
Speaker 6: Told me not to do it? Yep mm hmm, yeah

689
00:37:29,680 --> 00:37:30,040
Speaker 6: it was.

690
00:37:30,800 --> 00:37:35,120
Speaker 4: Yes, it's a story where you're whatever in the Coma

691
00:37:35,200 --> 00:37:38,239
Speaker 4: Ward of a hospital or something, and then you talk

692
00:37:38,280 --> 00:37:39,399
Speaker 4: about some things that you dated.

693
00:37:39,440 --> 00:37:41,480
Speaker 3: Then you go like, eh, well nobody told me not

694
00:37:41,680 --> 00:37:42,200
Speaker 3: to do that.

695
00:37:42,440 --> 00:37:45,080
Speaker 4: And I sort of thought like, oh, this is a raunchy,

696
00:37:45,280 --> 00:37:48,160
Speaker 4: edgy stage persona.

697
00:37:47,200 --> 00:37:51,279
Speaker 6: But this isn't actually listening knows my raunchy stuff, Like yeah, the.

698
00:37:51,280 --> 00:37:55,200
Speaker 7: Coma Award, Yes, it's just it's just room after room.

699
00:37:56,760 --> 00:37:59,399
Speaker 7: It's it's like one guys and girls.

700
00:37:59,560 --> 00:38:03,480
Speaker 1: Yes, one big room, just like a row of beds

701
00:38:03,520 --> 00:38:04,000
Speaker 1: and we're just.

702
00:38:03,960 --> 00:38:05,239
Speaker 2: Waiting for people to wake up.

703
00:38:06,160 --> 00:38:09,359
Speaker 3: Yeah, why what do you? What is I mean?

704
00:38:09,400 --> 00:38:11,160
Speaker 1: I think a lot of people think that there isn't

705
00:38:11,160 --> 00:38:14,600
Speaker 1: like a specific comau of for like people in comas.

706
00:38:14,800 --> 00:38:18,440
Speaker 4: No, because they're friends. Everyone think about it.

707
00:38:18,440 --> 00:38:20,200
Speaker 2: Everyone that's in the Coma Award his friends.

708
00:38:20,239 --> 00:38:22,760
Speaker 3: They're connecting to machine.

709
00:38:23,000 --> 00:38:26,759
Speaker 4: Well, yeah, they connect all the brains with wires.

710
00:38:26,239 --> 00:38:30,239
Speaker 3: Just in case they want to, like hang out, they

711
00:38:30,239 --> 00:38:31,600
Speaker 3: connect all of them with wires.

712
00:38:31,640 --> 00:38:34,000
Speaker 4: And then Joe has this story where his wiener gets

713
00:38:34,040 --> 00:38:37,400
Speaker 4: tangled up in all the brain wires. You know, and

714
00:38:37,440 --> 00:38:39,799
Speaker 4: I won't spoil it because if people haven't seen your.

715
00:38:39,719 --> 00:38:41,719
Speaker 6: Live stuff, I can't spoil it. It's out there.

716
00:38:41,880 --> 00:38:42,200
Speaker 2: Yeah.

717
00:38:42,280 --> 00:38:43,720
Speaker 3: Well, yes, that's true.

718
00:38:43,840 --> 00:38:45,680
Speaker 4: But his wiener gets tangled up in all the brain

719
00:38:45,719 --> 00:38:49,160
Speaker 4: wires in the comb award and then you know the

720
00:38:49,239 --> 00:38:49,600
Speaker 4: end of that.

721
00:38:49,560 --> 00:38:53,200
Speaker 1: Story, nobody told me to do it exactly, yes, big

722
00:38:53,320 --> 00:38:57,719
Speaker 1: big pause. Yes, but the thing about that specific case

723
00:38:57,800 --> 00:39:00,239
Speaker 1: is people people did tell you not to do that.

724
00:39:01,719 --> 00:39:06,560
Speaker 6: Okay, yeah, but you can't when I'm making a bit,

725
00:39:06,640 --> 00:39:08,440
Speaker 6: I'm like, I'm not gonna just tell it exactly one

726
00:39:08,520 --> 00:39:12,400
Speaker 6: hundred is.

727
00:39:11,960 --> 00:39:15,840
Speaker 2: Yeah, I like, no one told you not to do it.

728
00:39:16,400 --> 00:39:18,800
Speaker 3: No, he told you not to goose it. Yeah.

729
00:39:18,840 --> 00:39:25,040
Speaker 4: So but anyway, you're excited about branding content, I'm excited

730
00:39:25,040 --> 00:39:26,000
Speaker 4: to meet him and hang on.

731
00:39:26,800 --> 00:39:27,080
Speaker 2: Okay.

732
00:39:28,000 --> 00:39:31,920
Speaker 4: I think that what we maybe didn't really get to

733
00:39:32,040 --> 00:39:36,680
Speaker 4: is why this character is important today? Yes, why today

734
00:39:37,320 --> 00:39:38,919
Speaker 4: the biggest piece of storytelling.

735
00:39:39,600 --> 00:39:39,799
Speaker 1: Right.

736
00:39:39,920 --> 00:39:42,080
Speaker 4: It's like, you have to know how long have these

737
00:39:42,160 --> 00:39:44,839
Speaker 4: characters known each other and why today are we seeing

738
00:39:44,920 --> 00:39:52,759
Speaker 4: them know each other? So, Joe, you love brands, you

739
00:39:52,800 --> 00:39:55,560
Speaker 4: love content? Why today are we going to meet Brandon?

740
00:39:57,960 --> 00:40:01,080
Speaker 6: Well? You know today, today is the time to do

741
00:40:01,160 --> 00:40:02,200
Speaker 6: it because we're all here.

742
00:40:02,760 --> 00:40:04,040
Speaker 3: Yeah, And how do you know Brandon?

743
00:40:05,560 --> 00:40:09,360
Speaker 6: How do I know him? Because I'm at Wolf Cool

744
00:40:09,960 --> 00:40:14,160
Speaker 6: trying to make content and he comes in and he's going,

745
00:40:14,719 --> 00:40:18,440
Speaker 6: I love brands and he's constantly trying to get the

746
00:40:18,480 --> 00:40:19,760
Speaker 6: brands into the content.

747
00:40:19,920 --> 00:40:23,160
Speaker 3: Uh huh yeah, yeah? And why today? Do you know

748
00:40:23,200 --> 00:40:25,600
Speaker 3: what day it is? Yeah?

749
00:40:25,680 --> 00:40:28,000
Speaker 6: Well, today is I don't know what day it is,

750
00:40:28,080 --> 00:40:30,879
Speaker 6: but today's the day that we're all here, and now

751
00:40:30,920 --> 00:40:34,879
Speaker 6: I to do it and then I get out of room.

752
00:40:35,040 --> 00:40:36,520
Speaker 6: You know, just all I know is room.

753
00:40:36,920 --> 00:40:37,120
Speaker 2: Jill.

754
00:40:37,600 --> 00:40:39,959
Speaker 4: I've noticed you check in with Douglas a lot before

755
00:40:40,000 --> 00:40:42,239
Speaker 4: you answer a question to see if it's okay for

756
00:40:42,320 --> 00:40:43,080
Speaker 4: you to answer the.

757
00:40:43,200 --> 00:40:46,160
Speaker 7: Senate hearing where you keep this, You're almost covering the

758
00:40:46,160 --> 00:40:47,319
Speaker 7: microphone and looking at him.

759
00:40:47,360 --> 00:40:49,400
Speaker 4: You look to Douglas like and then you wait, and

760
00:40:49,440 --> 00:40:52,200
Speaker 4: then you nod like okay, and then you'll turn and respond.

761
00:40:52,360 --> 00:40:55,399
Speaker 6: Douglas doesn't necessarily think that you're gonna let us out

762
00:40:55,400 --> 00:40:59,600
Speaker 6: of room today. He knows he's not going anywhere, and

763
00:40:59,680 --> 00:41:02,680
Speaker 6: so he he says that I should go before branding content.

764
00:41:02,719 --> 00:41:05,440
Speaker 6: But I want to hear branding content. I've wanted to

765
00:41:05,480 --> 00:41:06,920
Speaker 6: hear it, and I want to get there.

766
00:41:07,000 --> 00:41:10,399
Speaker 1: So is that a point? Is that a sticking point

767
00:41:10,440 --> 00:41:13,640
Speaker 1: for you? That he is gonna stay? I mean if

768
00:41:13,640 --> 00:41:17,520
Speaker 1: you leave, he's just gonna be here, like, well here

769
00:41:17,600 --> 00:41:19,040
Speaker 1: there any thought of taking him with you?

770
00:41:22,920 --> 00:41:28,160
Speaker 6: Just think I don't know if he he's happy here,

771
00:41:28,560 --> 00:41:30,440
Speaker 6: and it's gonna be overwhelming for him now.

772
00:41:30,560 --> 00:41:31,440
Speaker 2: So he doesn't want you.

773
00:41:31,760 --> 00:41:34,319
Speaker 7: He doesn't want you to leave more than he It's

774
00:41:34,320 --> 00:41:36,880
Speaker 7: not so much he wants to leave room, but he

775
00:41:36,920 --> 00:41:37,680
Speaker 7: doesn't want you to leave.

776
00:41:37,719 --> 00:41:40,840
Speaker 6: The two options he wants are either we both stay

777
00:41:40,840 --> 00:41:43,040
Speaker 6: in room or he comes with me out of room.

778
00:41:43,800 --> 00:41:46,600
Speaker 4: But you would never give him a plan to escape

779
00:41:46,680 --> 00:41:49,040
Speaker 4: room because he's a great deal smaller than you and

780
00:41:49,400 --> 00:41:54,680
Speaker 4: couldn't conceivably escape in a less conspicuous way, even if

781
00:41:54,719 --> 00:41:57,040
Speaker 4: it was just someone taking him to empty him outside.

782
00:41:57,520 --> 00:41:59,319
Speaker 3: Hm, you know what I mean?

783
00:41:59,400 --> 00:42:02,920
Speaker 6: Yeah? No, I don't. I don't think I totally followed that.

784
00:42:03,120 --> 00:42:05,840
Speaker 4: And again you looked at Douglas before you answer, right,

785
00:42:06,760 --> 00:42:09,360
Speaker 4: and it felt like I just maybe you did know

786
00:42:09,400 --> 00:42:11,400
Speaker 4: what I meant, and he didn't want you to say that.

787
00:42:13,920 --> 00:42:17,200
Speaker 6: No, it's because I'm just hungry. Yeah, does anybody want

788
00:42:17,239 --> 00:42:18,280
Speaker 6: some refreshing gel?

789
00:42:20,040 --> 00:42:21,400
Speaker 3: What brand of gel?

790
00:42:21,920 --> 00:42:22,719
Speaker 2: I'm interested?

791
00:42:24,560 --> 00:42:27,000
Speaker 4: Oh? So funny Brandon, And this is exactly what we

792
00:42:27,040 --> 00:42:27,880
Speaker 4: want to get into.

793
00:42:28,120 --> 00:42:30,719
Speaker 6: It's purele refreshing Jael kills the germs. But if you'd

794
00:42:30,760 --> 00:42:32,800
Speaker 6: mix it with water, it's okay for you to drink

795
00:42:34,120 --> 00:42:35,000
Speaker 6: when you're here.

796
00:42:36,880 --> 00:42:39,720
Speaker 4: And so then we should talk about then. Of course,

797
00:42:39,840 --> 00:42:41,759
Speaker 4: Joe's been here for so long, in part because that

798
00:42:41,840 --> 00:42:43,799
Speaker 4: was several weeks ago that you weren't able to make

799
00:42:43,800 --> 00:42:45,600
Speaker 4: it to that one. Then we scheduled another one, but

800
00:42:45,680 --> 00:42:48,799
Speaker 4: you had a very special spot to do Yes at

801
00:42:48,800 --> 00:42:51,160
Speaker 4: the same time, and so we weren't able to get

802
00:42:51,160 --> 00:42:53,319
Speaker 4: into branding content in that studio. And can you talk

803
00:42:53,360 --> 00:42:54,600
Speaker 4: a little bit about that spot.

804
00:42:54,960 --> 00:42:59,480
Speaker 7: Yes, I did a special episode of Spot where all

805
00:42:59,520 --> 00:43:03,480
Speaker 7: the people on the show had leukemia, and the idea

806
00:43:03,520 --> 00:43:06,600
Speaker 7: was we're trying to show people, hey, just because you

807
00:43:06,640 --> 00:43:09,640
Speaker 7: have leukemia doesn't mean you can't do improv comedy. It

808
00:43:09,640 --> 00:43:12,960
Speaker 7: doesn't mean that you're a freak and you should be

809
00:43:13,000 --> 00:43:17,040
Speaker 7: banished or whatever that people there's everyday people have leukemia

810
00:43:17,080 --> 00:43:20,920
Speaker 7: and leukemia people are funny too. And admittedly a lot

811
00:43:21,040 --> 00:43:28,440
Speaker 7: of the improv was about leukemia, and certainly all we

812
00:43:28,520 --> 00:43:31,239
Speaker 7: talked about was leukemia, but I think we put a

813
00:43:31,280 --> 00:43:36,000
Speaker 7: spin on it that was positive and ten percent of

814
00:43:36,040 --> 00:43:39,080
Speaker 7: the proceeds went to leukemia based awareness groups.

815
00:43:39,160 --> 00:43:41,359
Speaker 1: That's interesting that you'd say that. I mean, I guess

816
00:43:42,080 --> 00:43:45,080
Speaker 1: comedy is subjective because the message I seemed I took

817
00:43:45,120 --> 00:43:47,160
Speaker 1: from it that you seem to be trying to get

818
00:43:47,160 --> 00:43:52,120
Speaker 1: across as not everyone can do what I do. You

819
00:43:52,320 --> 00:43:56,800
Speaker 1: Paul at Tompkins saying basically, like you think that this

820
00:43:57,000 --> 00:43:59,040
Speaker 1: like anyone can just like step up to a microphone

821
00:43:59,040 --> 00:44:02,080
Speaker 1: and like be really funny. You know, I'm bringing in

822
00:44:02,080 --> 00:44:04,040
Speaker 1: all these people to show you like, no, it's like

823
00:44:04,040 --> 00:44:05,799
Speaker 1: an actual talent that I, Paul F.

824
00:44:05,840 --> 00:44:06,640
Speaker 3: Tompkins has.

825
00:44:06,680 --> 00:44:09,600
Speaker 7: Well, here's here's my here's my reasoning, okay, is that

826
00:44:11,920 --> 00:44:15,520
Speaker 7: people with leukemia are just like everyone else, meaning they

827
00:44:15,520 --> 00:44:21,520
Speaker 7: can't do what I can do. Ah, So it's it's

828
00:44:21,600 --> 00:44:25,480
Speaker 7: it's a it's a dual message. It's like, hey, everybody,

829
00:44:25,640 --> 00:44:27,399
Speaker 7: you think you can do this and it's easy. It's

830
00:44:27,440 --> 00:44:31,399
Speaker 7: not Also, guess who's just like you and not being

831
00:44:31,440 --> 00:44:33,600
Speaker 7: able to do this people with leukemia, So treat them nicer.

832
00:44:33,719 --> 00:44:36,640
Speaker 1: Yeah, don't you make them outcasts because you guys have

833
00:44:36,680 --> 00:44:38,840
Speaker 1: a lot of comment and that you're not good at this.

834
00:44:39,000 --> 00:44:40,760
Speaker 7: Like I know, I know this is this is supposed

835
00:44:40,760 --> 00:44:42,600
Speaker 7: to be about Hollywood and everything, but I I just

836
00:44:42,640 --> 00:44:44,839
Speaker 7: want to say, it makes me sick the way people

837
00:44:44,880 --> 00:44:48,160
Speaker 7: treat people with leukemia like they treat them like people

838
00:44:48,200 --> 00:44:49,920
Speaker 7: are always like put them on an island. I don't

839
00:44:49,920 --> 00:44:51,160
Speaker 7: want to have to look at that, you know, that

840
00:44:51,280 --> 00:44:51,759
Speaker 7: kind of thing.

841
00:44:52,280 --> 00:44:54,040
Speaker 2: And I think that I I.

842
00:44:54,440 --> 00:44:55,919
Speaker 7: Hope I'm not going to lose a lot of Twitter

843
00:44:55,920 --> 00:44:57,799
Speaker 7: followers for this. I feel it that's wrong.

844
00:44:57,840 --> 00:44:59,960
Speaker 1: But a lot of money to go to the island,

845
00:45:00,160 --> 00:45:02,960
Speaker 1: stashing them in like a hospital instead of letting them.

846
00:45:02,920 --> 00:45:04,080
Speaker 6: Just locking them away.

847
00:45:04,280 --> 00:45:06,920
Speaker 3: Yeah, just like Akemia war, just like b ou and

848
00:45:07,040 --> 00:45:07,879
Speaker 3: like go to work.

849
00:45:08,040 --> 00:45:13,680
Speaker 6: Yeah, let them out, let them out of there. They

850
00:45:14,520 --> 00:45:19,160
Speaker 6: they need to get out. Bring them some soup.

851
00:45:18,880 --> 00:45:23,160
Speaker 3: At least so hot to want soup.

852
00:45:24,040 --> 00:45:27,080
Speaker 1: I interpreted a suit because you said you wanted food water.

853
00:45:28,239 --> 00:45:32,040
Speaker 1: Oh food water, Now now that makes sense. Yeah, so

854
00:45:32,120 --> 00:45:35,560
Speaker 1: that's what I have here. It's more of this soup

855
00:45:35,680 --> 00:45:38,880
Speaker 1: that I make. Well, you make a soup.

856
00:45:38,800 --> 00:45:40,320
Speaker 2: Yes, the purele.

857
00:45:40,320 --> 00:45:43,800
Speaker 6: We're refreshing gelling water. I want more of that. There's

858
00:45:43,840 --> 00:45:46,280
Speaker 6: not enough because people keep rubbing it on their hands.

859
00:45:46,320 --> 00:45:47,919
Speaker 2: Is it a cold soup, the purel soup?

860
00:45:48,040 --> 00:45:48,440
Speaker 3: Yeah?

861
00:45:48,640 --> 00:45:50,839
Speaker 2: Like a spot show, Yeah.

862
00:45:50,600 --> 00:45:53,920
Speaker 4: Unless you want hot spot show. Remember I do remember

863
00:45:54,280 --> 00:46:01,560
Speaker 4: series Nuts Rain now play on roll We We may

864
00:46:01,560 --> 00:46:04,480
Speaker 4: have gotten a little off topic, just because, of course

865
00:46:06,440 --> 00:46:10,000
Speaker 4: I do need to double back and defend the idea

866
00:46:10,080 --> 00:46:13,719
Speaker 4: that putting a bunch of people who have a specific

867
00:46:13,760 --> 00:46:16,719
Speaker 4: disease on an island is seen as so negative.

868
00:46:17,719 --> 00:46:20,520
Speaker 3: But islands are very nice.

869
00:46:20,719 --> 00:46:22,920
Speaker 2: Well that's there's a lot of nice islands.

870
00:46:22,960 --> 00:46:23,399
Speaker 3: That's true.

871
00:46:24,200 --> 00:46:29,440
Speaker 4: So I rest my case. All right, Now, what my

872
00:46:30,400 --> 00:46:36,239
Speaker 4: Brandon Content have to say about the launch of how

873
00:46:36,280 --> 00:46:37,320
Speaker 4: old dot fm?

874
00:46:37,600 --> 00:46:37,799
Speaker 6: Oh?

875
00:46:39,200 --> 00:46:43,040
Speaker 2: Howelt fm? Are you familiar with our logo?

876
00:46:44,160 --> 00:46:44,279
Speaker 3: Oh?

877
00:46:44,360 --> 00:46:47,480
Speaker 4: Well, hang on, don't do the voice yet, because.

878
00:46:49,480 --> 00:46:51,960
Speaker 1: No, before we really get going with that, it's it's

879
00:46:52,160 --> 00:46:53,040
Speaker 1: time for the popcorn.

880
00:46:53,440 --> 00:46:55,239
Speaker 7: Just just to be clear, Like when you're saying a

881
00:46:55,280 --> 00:46:57,920
Speaker 7: thing like what would Brandon Content think about that?

882
00:46:58,239 --> 00:46:59,920
Speaker 2: Is that not a cue for me to come in from.

883
00:47:00,320 --> 00:47:03,560
Speaker 6: That's time to talk about to get de beefed sponsored

884
00:47:03,600 --> 00:47:06,280
Speaker 6: by our Arby's To get de beefed about the meeting

885
00:47:06,320 --> 00:47:10,560
Speaker 6: that we had about.

886
00:47:08,840 --> 00:47:09,640
Speaker 2: You said de beefed.

887
00:47:09,960 --> 00:47:13,040
Speaker 1: Yeah, that's part of it. Yes, yes, that's yes. Okay,

888
00:47:13,080 --> 00:47:15,000
Speaker 1: so you didn't get any of this pause. I'm sorry, No,

889
00:47:15,080 --> 00:47:18,240
Speaker 1: I really didn't. I just assumed, like, what does Brandon

890
00:47:18,280 --> 00:47:20,080
Speaker 1: content to say about that? That seem like a natural

891
00:47:20,120 --> 00:47:21,360
Speaker 1: cue for me to come in as Brandon.

892
00:47:21,480 --> 00:47:25,520
Speaker 8: No Arby's wants anything to be d beef you would think, yeah,

893
00:47:25,520 --> 00:47:31,439
Speaker 8: it should be rebeat. Yes, if anything, Now when he says,

894
00:47:31,480 --> 00:47:33,839
Speaker 8: what my branded content, because.

895
00:47:33,560 --> 00:47:36,279
Speaker 6: You get the beat, you're de beefing the sandwich when

896
00:47:36,280 --> 00:47:39,400
Speaker 6: you eat it. Well, you're de beefing Arby. You're taking

897
00:47:39,400 --> 00:47:41,800
Speaker 6: a beef away from them. Get deep, not taking the

898
00:47:41,880 --> 00:47:44,200
Speaker 6: beef out of this. You know what if it was

899
00:47:44,640 --> 00:47:47,680
Speaker 6: to help us get de beefed t beef us, d

900
00:47:47,800 --> 00:47:49,000
Speaker 6: bef us beef us.

901
00:47:49,640 --> 00:47:52,840
Speaker 4: Yes, okay, yes, you're d beefing the Rby's location.

902
00:47:53,160 --> 00:47:53,919
Speaker 6: No, you can try.

903
00:47:54,000 --> 00:47:56,640
Speaker 2: But wait a second, Joe, how do you eat sandwiches?

904
00:47:56,719 --> 00:47:58,839
Speaker 7: Do you do you open up the sandwich and then

905
00:47:58,880 --> 00:48:00,200
Speaker 7: take the contents and then eat that.

906
00:48:00,280 --> 00:48:01,640
Speaker 6: I try to get all this stuff out of there,

907
00:48:01,680 --> 00:48:04,480
Speaker 6: and then I think I think maybe he doesn't remember.

908
00:48:05,719 --> 00:48:07,560
Speaker 3: Yeah, I think maybe it's.

909
00:48:07,400 --> 00:48:10,480
Speaker 1: Been a while since you and I'm not going to

910
00:48:10,560 --> 00:48:13,719
Speaker 1: do it the thing what forget it?

911
00:48:14,760 --> 00:48:18,799
Speaker 3: Uh? The scott can even don't even get me.

912
00:48:21,000 --> 00:48:24,160
Speaker 4: Yeah, it's been yeah a while.

913
00:48:24,520 --> 00:48:29,880
Speaker 1: Ye. When yeah, when he says what would branded content

914
00:48:29,920 --> 00:48:33,319
Speaker 1: have to say about that, you say, well, we had

915
00:48:33,320 --> 00:48:35,000
Speaker 1: a meeting to discuss this movie.

916
00:48:35,120 --> 00:48:37,600
Speaker 7: Oh okay, so as myself, then I talk about like

917
00:48:37,680 --> 00:48:39,520
Speaker 7: the behind the store, behind the scenes story.

918
00:48:39,680 --> 00:48:41,120
Speaker 2: Yes, okay, so what.

919
00:48:41,200 --> 00:48:44,479
Speaker 6: Also some of our branded Brandon content is he comes

920
00:48:44,480 --> 00:48:45,440
Speaker 6: in and gets everybody.

921
00:48:45,840 --> 00:48:51,080
Speaker 3: We had a meeting where d beefed us. Yeah. Easy.

922
00:48:51,239 --> 00:48:52,799
Speaker 2: Are we in the popcorn gallery right now?

923
00:48:52,880 --> 00:48:53,080
Speaker 1: Oh?

924
00:48:53,400 --> 00:48:57,359
Speaker 3: Yes, yes, uh you all know what it is. Come on.

925
00:48:59,000 --> 00:49:04,400
Speaker 1: Quick, yes, yes, y'all, it's time for the popcorn gallery, uh,

926
00:49:04,680 --> 00:49:06,840
Speaker 1: where we have questions for branding content.

927
00:49:06,920 --> 00:49:12,360
Speaker 3: Actually for me mm hmm this well, is that the

928
00:49:12,440 --> 00:49:14,480
Speaker 3: cue for him to I actually don't know. Yeah.

929
00:49:14,480 --> 00:49:20,360
Speaker 1: I think it's for Paul to like discuss what brand.

930
00:49:19,719 --> 00:49:22,960
Speaker 4: Okay, okay, all right, that's probably more helpful. Okay, yeah, no,

931
00:49:23,040 --> 00:49:27,160
Speaker 4: absolutely absolutely, Okay, do we need to reach into the

932
00:49:27,160 --> 00:49:36,560
Speaker 4: bag with the questions? Okay, hang on, it's the food

933
00:49:36,640 --> 00:49:38,440
Speaker 4: water and that's what was.

934
00:49:38,400 --> 00:49:41,400
Speaker 7: Inside that popcorn back and so the bottom of the

935
00:49:41,440 --> 00:49:42,359
Speaker 7: popcorn bag was soup.

936
00:49:43,560 --> 00:49:46,920
Speaker 4: Uh yeah, or somebody poured a soda inside the popcorn

937
00:49:46,960 --> 00:49:49,359
Speaker 4: bag and it mixed with the popcorn to make what

938
00:49:49,640 --> 00:49:51,040
Speaker 4: Mark now calls food water.

939
00:49:51,320 --> 00:49:52,640
Speaker 3: My asking for a market doesnig drop.

940
00:49:53,000 --> 00:49:57,880
Speaker 1: It didn't sound like that. It didn't sound like a

941
00:49:57,920 --> 00:50:01,040
Speaker 1: popcorn bag full of soda. Oh yeah, it sounded just

942
00:50:01,080 --> 00:50:03,640
Speaker 1: like all the other ones. Ye yeah, okay almost had

943
00:50:03,680 --> 00:50:05,200
Speaker 1: they all been filled with soda.

944
00:50:05,719 --> 00:50:08,040
Speaker 2: No, that would have been an incredible reveal.

945
00:50:08,760 --> 00:50:11,200
Speaker 4: Oh yes, it's like the end of the Usual Suspects

946
00:50:11,320 --> 00:50:15,600
Speaker 4: or something. Yes, when verbal kints walking away and Kobayashi's

947
00:50:15,640 --> 00:50:21,680
Speaker 4: revealed to have been a plate, Yes, such a great thing.

948
00:50:21,840 --> 00:50:26,160
Speaker 4: When it's a surprise sixth sense, you've seen that big.

949
00:50:26,040 --> 00:50:28,600
Speaker 2: Twist everything Red is death.

950
00:50:28,680 --> 00:50:31,960
Speaker 4: Dead mh, red Dead, Redemption.

951
00:50:33,000 --> 00:50:36,919
Speaker 3: I'm so ready for the question is.

952
00:50:42,239 --> 00:50:47,040
Speaker 1: Here's a question from just Ad Pepper Brandon. What's the

953
00:50:47,080 --> 00:50:49,000
Speaker 1: most important part of advertising?

954
00:50:50,440 --> 00:50:54,400
Speaker 7: I think Brandon would say the most important part?

955
00:50:54,960 --> 00:50:56,719
Speaker 3: Well, you can talk to him to ask him.

956
00:50:56,760 --> 00:50:58,280
Speaker 2: Oh okay, I didn't realize.

957
00:50:58,280 --> 00:51:00,560
Speaker 3: I mean Doug does like speak or you know it's

958
00:51:00,600 --> 00:51:01,279
Speaker 3: funny if you.

959
00:51:01,280 --> 00:51:04,560
Speaker 2: Liked I got you, I got you? Uh? What was

960
00:51:04,560 --> 00:51:04,959
Speaker 2: the question?

961
00:51:05,280 --> 00:51:08,160
Speaker 7: What's the most important part advertising, Brandon, what's the Yeah,

962
00:51:08,960 --> 00:51:10,839
Speaker 7: what's the most important part of advertising?

963
00:51:11,040 --> 00:51:11,960
Speaker 3: Oh?

964
00:51:12,000 --> 00:51:14,960
Speaker 7: Well, of course it's content that's branded.

965
00:51:16,360 --> 00:51:17,480
Speaker 2: I think that's what he would say.

966
00:51:17,719 --> 00:51:18,480
Speaker 3: Hmmmmmm.

967
00:51:19,640 --> 00:51:21,839
Speaker 1: And now that seems like it is part of this

968
00:51:21,920 --> 00:51:26,440
Speaker 1: character that he's lazy, Like he.

969
00:51:26,600 --> 00:51:29,400
Speaker 3: Just answers questions in like a very.

970
00:51:29,160 --> 00:51:36,920
Speaker 7: Like I don't if you if you listen to the question,

971
00:51:37,200 --> 00:51:41,080
Speaker 7: that seems like a layup for brand and content. That,

972
00:51:41,320 --> 00:51:44,120
Speaker 7: of course the most he's gonna think the most important

973
00:51:44,120 --> 00:51:45,760
Speaker 7: part of advertising is branded content.

974
00:51:45,800 --> 00:51:47,920
Speaker 2: Why wouldn't you think that? No, no, what you want?

975
00:51:48,160 --> 00:51:51,279
Speaker 1: No, that's okay, but maybe like explaining why after that

976
00:51:51,360 --> 00:51:53,440
Speaker 1: in like an interesting way. You know, I'm just asking,

977
00:51:53,560 --> 00:51:56,240
Speaker 1: like it's your character. I'm not drying, okay, Lorne Michaels.

978
00:51:56,320 --> 00:51:59,360
Speaker 7: I didn't realize that you had some sort of stake

979
00:51:59,400 --> 00:52:01,400
Speaker 7: in this where you can like tell me what to

980
00:52:01,440 --> 00:52:02,319
Speaker 7: do or how it goes.

981
00:52:02,360 --> 00:52:07,479
Speaker 3: That's not Lorne Michael's. That's one of Michael's nanny. Now, yeah,

982
00:52:07,600 --> 00:52:08,360
Speaker 3: I can understand.

983
00:52:08,440 --> 00:52:09,840
Speaker 2: Yes, I'm sorry, I'm sorry, I got it.

984
00:52:09,880 --> 00:52:10,320
Speaker 6: I'm sorry.

985
00:52:10,400 --> 00:52:12,719
Speaker 4: With Lauren's kids a lot, so I could see why

986
00:52:12,760 --> 00:52:14,520
Speaker 4: you would think I was people.

987
00:52:14,680 --> 00:52:16,400
Speaker 3: I'm giving them fatherly kisses.

988
00:52:16,400 --> 00:52:18,719
Speaker 2: But and you're holding a glass of white wine.

989
00:52:18,840 --> 00:52:22,120
Speaker 1: His adult that's his, that's Lawrence, that's you're holding. I'm

990
00:52:22,120 --> 00:52:26,279
Speaker 1: also been nanny for the wine. Well, I didn't know

991
00:52:26,280 --> 00:52:26,960
Speaker 1: you were a wine name.

992
00:52:27,040 --> 00:52:28,560
Speaker 3: Lauren can't have his hands full.

993
00:52:28,760 --> 00:52:32,400
Speaker 2: Okay, guys, I'm sorry that I got upset. I just

994
00:52:32,800 --> 00:52:34,280
Speaker 2: I say.

995
00:52:34,080 --> 00:52:37,160
Speaker 3: The wine nanny. People might think you're talking about do.

996
00:52:37,239 --> 00:52:41,279
Speaker 6: They great treasure that boy?

997
00:52:41,400 --> 00:52:41,600
Speaker 4: Wow?

998
00:52:42,320 --> 00:52:45,480
Speaker 3: Yeah, I always forget the idea. Oh, I don't know

999
00:52:45,480 --> 00:52:48,440
Speaker 3: how anything about characters and stuff. It's like the wine nanny.

1000
00:52:48,480 --> 00:52:52,240
Speaker 4: And now we know to immediately busts out legendary character.

1001
00:52:52,960 --> 00:52:55,800
Speaker 4: And so maybe you do want to take his notes.

1002
00:52:55,800 --> 00:53:00,759
Speaker 4: And I think we had discussed Brandon content almost as

1003
00:53:00,880 --> 00:53:03,160
Speaker 4: like at one point we were calling him random content

1004
00:53:03,280 --> 00:53:06,000
Speaker 4: because he was very in love with the philosophia, was

1005
00:53:06,080 --> 00:53:12,080
Speaker 4: on rand rights and takers and yes, yeah and just

1006
00:53:12,280 --> 00:53:13,080
Speaker 4: yeah sort of.

1007
00:53:13,120 --> 00:53:15,000
Speaker 3: He's like a.

1008
00:53:14,400 --> 00:53:18,719
Speaker 4: John Gold figure, right, So maybe he works that into

1009
00:53:18,719 --> 00:53:19,680
Speaker 4: some of his answers.

1010
00:53:19,840 --> 00:53:21,800
Speaker 3: Sure have another question for him.

1011
00:53:21,719 --> 00:53:22,800
Speaker 2: Yes, let me give it a shot.

1012
00:53:23,840 --> 00:53:26,200
Speaker 3: Let's discover it in a funny way.

1013
00:53:27,080 --> 00:53:30,160
Speaker 4: Slorp slop slop slop slop.

1014
00:53:30,280 --> 00:53:31,600
Speaker 6: Oh yeah, it sounds much.

1015
00:53:31,440 --> 00:53:36,640
Speaker 3: Sp It's a dry piece of popcorn.

1016
00:53:37,440 --> 00:53:41,040
Speaker 7: So he So you reached through some soda, then into

1017
00:53:41,080 --> 00:53:44,520
Speaker 7: some popcorn, then into some more soda, but you pulled

1018
00:53:44,520 --> 00:53:45,640
Speaker 7: out a dry piece of pop I.

1019
00:53:45,640 --> 00:53:50,239
Speaker 4: Think there was tupperware inside a little bag.

1020
00:53:50,360 --> 00:53:53,680
Speaker 3: Yeah, that he was trying to un Yeah, yeah, I

1021
00:53:53,719 --> 00:53:54,040
Speaker 3: heard that.

1022
00:53:54,360 --> 00:53:58,680
Speaker 1: Yeah, this is from Schizzolo. Brandon content, do you have

1023
00:53:58,680 --> 00:54:01,760
Speaker 1: any embarrassing stories where you're content accidentally got off brand?

1024
00:54:04,760 --> 00:54:09,359
Speaker 2: Hey, Brandon, do you have any embarrassing stories? I'll wait,

1025
00:54:09,400 --> 00:54:10,000
Speaker 2: I'll wait till live.

1026
00:54:10,480 --> 00:54:12,640
Speaker 3: Yeah, huh.

1027
00:54:12,680 --> 00:54:16,200
Speaker 1: Maybe he's drinking some coffee to give this next answer

1028
00:54:16,239 --> 00:54:18,360
Speaker 1: a little more thought.

1029
00:54:19,120 --> 00:54:21,520
Speaker 7: Okay, oh, maybe Brandon is yeah. Oh I see that

1030
00:54:21,560 --> 00:54:22,800
Speaker 7: was Brandon who was drinking the coffee.

1031
00:54:22,840 --> 00:54:23,279
Speaker 3: Yeah, we hope.

1032
00:54:23,320 --> 00:54:27,400
Speaker 7: So, Brandon, did you ever have an experience where what

1033
00:54:27,560 --> 00:54:27,759
Speaker 7: was it?

1034
00:54:27,840 --> 00:54:28,040
Speaker 4: Was it?

1035
00:54:28,080 --> 00:54:28,319
Speaker 2: Again?

1036
00:54:29,320 --> 00:54:30,880
Speaker 3: Is this another thing of the character?

1037
00:54:31,040 --> 00:54:33,560
Speaker 2: Well it's not. I don't remember the question was. I'm

1038
00:54:33,640 --> 00:54:34,719
Speaker 2: genuinely asking.

1039
00:54:34,480 --> 00:54:37,399
Speaker 1: Okay, branding content, do you have any embarrassing stories where

1040
00:54:37,400 --> 00:54:39,160
Speaker 1: your content accidentally got off brand?

1041
00:54:39,200 --> 00:54:39,520
Speaker 2: I got it?

1042
00:54:39,520 --> 00:54:42,040
Speaker 7: Hey, brand, do you have any embarrassing stories where your

1043
00:54:42,040 --> 00:54:43,640
Speaker 7: content accidentally got off brand?

1044
00:54:44,040 --> 00:54:45,799
Speaker 2: Interesting? You should say.

1045
00:54:45,560 --> 00:54:50,120
Speaker 7: That, Paul, because one time I made something for the

1046
00:54:50,160 --> 00:54:54,240
Speaker 7: good of all society, but people wanted it for free.

1047
00:54:54,280 --> 00:54:57,360
Speaker 7: They just wanted to take without making anything of their own.

1048
00:54:57,840 --> 00:55:01,799
Speaker 1: And so I would call that being off Brad what

1049
00:55:01,920 --> 00:55:04,359
Speaker 1: was the something and the.

1050
00:55:04,400 --> 00:55:08,040
Speaker 4: Random as well, because he he does random humor.

1051
00:55:07,840 --> 00:55:08,279
Speaker 6: So like.

1052
00:55:10,280 --> 00:55:13,400
Speaker 7: Right, right, But I thought rand only referred to like

1053
00:55:13,400 --> 00:55:14,520
Speaker 7: an iron Randyan.

1054
00:55:14,280 --> 00:55:17,239
Speaker 4: And then there's no afterwards, and so it was it was.

1055
00:55:18,440 --> 00:55:22,480
Speaker 1: Sorry, sorry, you didn't tell me that until just now.

1056
00:55:23,239 --> 00:55:27,520
Speaker 1: Joe's been trying to sneak under the door. Joe's going

1057
00:55:27,600 --> 00:55:28,520
Speaker 1: to fit under the door.

1058
00:55:28,760 --> 00:55:32,240
Speaker 6: No, I'm going out there because I wrote that's where

1059
00:55:32,280 --> 00:55:35,239
Speaker 6: some of my memories about the old mix ups from

1060
00:55:35,280 --> 00:55:36,480
Speaker 6: the content is in there.

1061
00:55:38,440 --> 00:55:40,120
Speaker 3: I don't have to go out and get one in

1062
00:55:40,239 --> 00:55:41,800
Speaker 3: there outside.

1063
00:55:41,400 --> 00:55:47,320
Speaker 6: And it's in not room, Joe. The pep seeds were

1064
00:55:47,320 --> 00:55:51,400
Speaker 6: were mex up pep seeds, Yeah, we made those pepeeds.

1065
00:55:51,400 --> 00:55:56,520
Speaker 6: Were said pepsi on it pepsieeds. They were pepsi seeds,

1066
00:55:56,560 --> 00:55:59,160
Speaker 6: and but it said pepsi. But then when you plan

1067
00:55:59,239 --> 00:56:01,200
Speaker 6: in them, pepsi can grow.

1068
00:56:01,320 --> 00:56:05,400
Speaker 1: It's it's kind of a it's almost kind of a

1069
00:56:05,440 --> 00:56:06,040
Speaker 1: food water.

1070
00:56:07,920 --> 00:56:09,640
Speaker 2: Soda is food water, right, well.

1071
00:56:10,000 --> 00:56:11,360
Speaker 3: If you're growing it like food.

1072
00:56:11,560 --> 00:56:14,440
Speaker 6: The idea was that it would be a can of pepsi.

1073
00:56:14,520 --> 00:56:17,759
Speaker 6: But it wasn't It was just a plant, Yeah, just

1074
00:56:17,760 --> 00:56:19,240
Speaker 6: a great regular plant.

1075
00:56:20,440 --> 00:56:22,600
Speaker 7: I'm worried, Joe that the way you're hugging Douglas, he's

1076
00:56:22,600 --> 00:56:23,759
Speaker 7: gonna bump the microphone.

1077
00:56:23,880 --> 00:56:24,520
Speaker 3: Is this okay?

1078
00:56:24,800 --> 00:56:26,399
Speaker 2: It's fine. I mean if it makes you feel good,

1079
00:56:26,440 --> 00:56:26,759
Speaker 2: it's good.

1080
00:56:26,840 --> 00:56:26,920
Speaker 4: Right.

1081
00:56:27,000 --> 00:56:30,560
Speaker 6: And you you were shaking your microphone around before. I

1082
00:56:30,600 --> 00:56:36,239
Speaker 6: can't have him up here? He said, yes, okay, I'll

1083
00:56:36,280 --> 00:56:39,320
Speaker 6: answer this time so that there's no gray area.

1084
00:56:40,000 --> 00:56:46,080
Speaker 3: Mm. Yeah, nothing good in here? Do we ever find

1085
00:56:46,080 --> 00:56:47,960
Speaker 3: out what the random?

1086
00:56:47,960 --> 00:56:51,000
Speaker 2: Oh Brandon? What about? What is there anything else about

1087
00:56:51,160 --> 00:56:53,520
Speaker 2: the Brandon content? Getting off brand?

1088
00:56:53,920 --> 00:56:58,520
Speaker 7: Yes, I grew a talking unicorn out of my forehead.

1089
00:56:59,480 --> 00:57:00,160
Speaker 3: That's good.

1090
00:57:00,239 --> 00:57:02,240
Speaker 2: Laserbs John Lazerbeabes.

1091
00:57:03,160 --> 00:57:05,839
Speaker 3: Yeah, that's random, right.

1092
00:57:06,440 --> 00:57:09,200
Speaker 2: No one saw that coming, was that? Yeah, Douglass that

1093
00:57:09,239 --> 00:57:09,600
Speaker 2: said that?

1094
00:57:10,560 --> 00:57:11,640
Speaker 6: Can you hear Douglas?

1095
00:57:12,080 --> 00:57:12,359
Speaker 2: We are?

1096
00:57:12,719 --> 00:57:15,560
Speaker 1: I thought you were translating for I heard someone say

1097
00:57:15,680 --> 00:57:16,480
Speaker 1: I wasn't looking at you.

1098
00:57:16,520 --> 00:57:18,560
Speaker 3: I heard someone say, wow, that's random.

1099
00:57:18,640 --> 00:57:22,680
Speaker 6: Yeah, well, we're kind of It's hard to tell when

1100
00:57:22,680 --> 00:57:25,960
Speaker 6: it's me or when it's Douglas. Now, because we're getting connected.

1101
00:57:25,480 --> 00:57:28,520
Speaker 7: You're achieving like a symbiotic relationship, almost like those come

1102
00:57:28,560 --> 00:57:31,760
Speaker 7: up patients with the brain wires connecting to each other.

1103
00:57:32,160 --> 00:57:34,400
Speaker 7: I was singing, I was thinking, you know a birdman

1104
00:57:34,720 --> 00:57:38,520
Speaker 7: when birdman uh, you know has uh he's walking on

1105
00:57:38,600 --> 00:57:40,960
Speaker 7: the street, and then real birdman is behind him. Oh

1106
00:57:41,040 --> 00:57:44,800
Speaker 7: speaking in the gosh.

1107
00:57:43,280 --> 00:57:45,480
Speaker 3: Oh boo superhero movies.

1108
00:57:45,600 --> 00:57:46,880
Speaker 6: Yay birdman.

1109
00:57:47,920 --> 00:57:51,960
Speaker 4: He becomes the bird at the end, remember in the hospital,

1110
00:57:52,840 --> 00:57:54,680
Speaker 4: fifteen minutes after the movie should have ended.

1111
00:57:54,800 --> 00:57:57,439
Speaker 2: Yeah, oh god. And then it turns out he really

1112
00:57:57,440 --> 00:57:57,880
Speaker 2: could fly.

1113
00:57:58,360 --> 00:58:00,880
Speaker 3: Oh wow, Yeah she looks up.

1114
00:58:00,960 --> 00:58:01,680
Speaker 2: Yeah, she looks up.

1115
00:58:01,680 --> 00:58:04,560
Speaker 3: Oh thank god, looking up could fly? I was afraid

1116
00:58:04,680 --> 00:58:05,640
Speaker 3: something else.

1117
00:58:05,760 --> 00:58:09,200
Speaker 1: Looking up for once finally, because you know, never knows.

1118
00:58:09,200 --> 00:58:10,840
Speaker 1: She even knew how to look up from her Twitter

1119
00:58:10,960 --> 00:58:11,720
Speaker 1: for most of the.

1120
00:58:11,840 --> 00:58:15,560
Speaker 4: All because all she cared about was going viral. Hello,

1121
00:58:15,760 --> 00:58:18,000
Speaker 4: young people, this is at you.

1122
00:58:18,400 --> 00:58:21,800
Speaker 6: This is for you millennials, and it's not pleasurable.

1123
00:58:21,880 --> 00:58:24,360
Speaker 4: Maybe if we stop cutting to different shots, you'll pay

1124
00:58:24,400 --> 00:58:25,240
Speaker 4: attention for what.

1125
00:58:25,520 --> 00:58:31,640
Speaker 7: Yes, here's what's bullshit movies, bullshit plays, also bullshit reviewers,

1126
00:58:31,960 --> 00:58:33,360
Speaker 7: bullshit books.

1127
00:58:33,480 --> 00:58:34,680
Speaker 2: I guess not bullshit.

1128
00:58:34,760 --> 00:58:35,439
Speaker 3: Those are good.

1129
00:58:35,600 --> 00:58:40,240
Speaker 7: Yeah, they're mentioned in a favorable way. John Updike bullshit.

1130
00:58:40,520 --> 00:58:42,680
Speaker 7: He was drunk when he saw that play and wrote

1131
00:58:42,720 --> 00:58:43,320
Speaker 7: on a napkin.

1132
00:58:43,440 --> 00:58:45,440
Speaker 6: I liked it.

1133
00:58:44,760 --> 00:58:45,680
Speaker 3: Being on a toilet.

1134
00:58:45,760 --> 00:58:51,680
Speaker 1: Funny, always funny, Dix, Phones like you forget phones being bullshit.

1135
00:58:51,800 --> 00:58:56,080
Speaker 4: Phones are bulls, are bullshit, social media bullshit, the Internet

1136
00:58:56,120 --> 00:58:57,520
Speaker 4: in total bullshit.

1137
00:58:57,720 --> 00:58:58,840
Speaker 2: So it's that bullshit.

1138
00:58:59,320 --> 00:59:04,680
Speaker 7: Uh and co comes a segment that you can refill

1139
00:59:04,680 --> 00:59:09,240
Speaker 7: again and again with comedy that people enjoy, and it's

1140
00:59:09,360 --> 00:59:13,120
Speaker 7: the proprietary to your the thing that you're putting out there.

1141
00:59:13,800 --> 00:59:14,280
Speaker 4: Mm hmmm.

1142
00:59:14,760 --> 00:59:19,440
Speaker 1: So that's so I thought Brandon and saying refill that

1143
00:59:19,600 --> 00:59:21,960
Speaker 1: he would mention a specific brand.

1144
00:59:23,440 --> 00:59:24,520
Speaker 3: Like Pepsi, I don't know.

1145
00:59:24,480 --> 00:59:28,320
Speaker 4: Peppi, or the Now and Later port take you if

1146
00:59:28,320 --> 00:59:33,160
Speaker 4: you remember the yeah yeah, and their mascot, the Now.

1147
00:59:33,080 --> 00:59:34,440
Speaker 3: And Later Porcupine.

1148
00:59:34,320 --> 00:59:37,560
Speaker 4: Yeah, and he's got he doesn't got now later stuck

1149
00:59:37,600 --> 00:59:39,080
Speaker 4: on all of his quills.

1150
00:59:38,680 --> 00:59:40,480
Speaker 7: And then when you pull when you pull off an

1151
00:59:40,520 --> 00:59:43,600
Speaker 7: owl later, then he shoots the quill into your face.

1152
00:59:44,320 --> 00:59:46,200
Speaker 7: And so the end of the commercial is a cartoon

1153
00:59:46,280 --> 00:59:49,360
Speaker 7: kid's face is filled with porcupine quills and he's saying,

1154
00:59:49,360 --> 00:59:52,200
Speaker 7: at least I'm eating this now, yes and later I'll

1155
00:59:52,200 --> 00:59:52,920
Speaker 7: go to the hospital.

1156
00:59:53,400 --> 00:59:56,040
Speaker 3: Yeah, we have a question.

1157
00:59:56,320 --> 01:00:00,400
Speaker 2: Oh good, Wait, does Douglas have some to say.

1158
01:00:00,400 --> 01:00:01,840
Speaker 6: He has a question.

1159
01:00:02,040 --> 01:00:04,960
Speaker 3: Oh okay, I thought he wanted to be the popcorn bag.

1160
01:00:06,520 --> 01:00:09,400
Speaker 6: It's maybe a better job for him.

1161
01:00:09,640 --> 01:00:11,120
Speaker 3: Well, he doesn't have a job at all.

1162
01:00:11,880 --> 01:00:16,280
Speaker 6: What I'm asleep.

1163
01:00:17,600 --> 01:00:19,600
Speaker 2: That's not what I thought the job was. I thought

1164
01:00:19,600 --> 01:00:22,960
Speaker 2: the job was being a trash receptacle. I'm sorry.

1165
01:00:23,080 --> 01:00:24,560
Speaker 3: He hates that about himself.

1166
01:00:24,680 --> 01:00:24,960
Speaker 1: Sorry.

1167
01:00:25,200 --> 01:00:28,520
Speaker 3: And I guess he would have to sleep now, because.

1168
01:00:28,240 --> 01:00:31,040
Speaker 6: When I'm awake, he's asleep. When I'm asleep, he's awake.

1169
01:00:31,760 --> 01:00:33,720
Speaker 6: That's how we stay safe in room and ship.

1170
01:00:33,880 --> 01:00:37,040
Speaker 3: Oh but you talk to each other? M hmm. Yeah,

1171
01:00:37,240 --> 01:00:38,120
Speaker 3: he's always sleeping.

1172
01:00:38,600 --> 01:00:40,400
Speaker 2: One of you is always asleep. How does that work?

1173
01:00:40,760 --> 01:00:42,680
Speaker 6: Well, we can hear each other when we're asleep.

1174
01:00:42,880 --> 01:00:45,200
Speaker 3: Oh do you ever wonder if you're a character in

1175
01:00:45,280 --> 01:00:46,600
Speaker 3: his dream? And vice versa?

1176
01:00:47,280 --> 01:00:51,640
Speaker 6: Oh my god? Maybe trippy?

1177
01:00:53,520 --> 01:00:55,959
Speaker 4: You guys like to trip out on some crazy ship?

1178
01:00:56,360 --> 01:00:58,880
Speaker 3: Do you got one?

1179
01:00:59,080 --> 01:01:02,480
Speaker 2: Oh? No, you don't have a crazy thing. We can drip?

1180
01:01:02,560 --> 01:01:05,440
Speaker 4: No, But I love like just thought experiments, you know.

1181
01:01:06,240 --> 01:01:11,680
Speaker 4: Oh how about your skin is an organ?

1182
01:01:12,440 --> 01:01:14,360
Speaker 6: Mm hmm what it is?

1183
01:01:14,480 --> 01:01:14,680
Speaker 3: Yeah?

1184
01:01:14,760 --> 01:01:16,760
Speaker 1: To think of like organs being outside they're supposed to

1185
01:01:16,800 --> 01:01:20,160
Speaker 1: be wet, Yeah, and mind kind of they should be soaked.

1186
01:01:20,520 --> 01:01:22,760
Speaker 7: All other organs are wet all the time. There's some

1187
01:01:23,080 --> 01:01:26,800
Speaker 7: eyes are wet. Your appendix is wet.

1188
01:01:26,880 --> 01:01:28,919
Speaker 4: Oh god, it's soaked, Paul.

1189
01:01:29,120 --> 01:01:30,600
Speaker 2: Yeah, it's dripping wet.

1190
01:01:30,840 --> 01:01:33,520
Speaker 7: Yes, like you could if you if you wrung out

1191
01:01:33,560 --> 01:01:35,760
Speaker 7: your appendix, you can be able.

1192
01:01:35,600 --> 01:01:36,640
Speaker 3: To fill a whole Douglas.

1193
01:01:36,880 --> 01:01:42,080
Speaker 6: Yeah, he liked that.

1194
01:01:42,240 --> 01:01:44,000
Speaker 3: He got very excited asleep.

1195
01:01:44,160 --> 01:01:48,640
Speaker 4: But he can hear you really stirred around.

1196
01:01:51,120 --> 01:01:54,680
Speaker 6: Yeah, well, he hates people, so as long as it's

1197
01:01:54,680 --> 01:01:56,320
Speaker 6: over appendix hate.

1198
01:01:56,320 --> 01:01:57,240
Speaker 2: Why does he hate people?

1199
01:01:57,320 --> 01:01:59,200
Speaker 6: The people keep them in room and they put the

1200
01:01:59,320 --> 01:02:02,400
Speaker 6: trash inside of them. I see he doesn't hate me.

1201
01:02:02,560 --> 01:02:05,160
Speaker 6: But have you ever have you ever put trash inside

1202
01:02:05,200 --> 01:02:08,400
Speaker 6: of Douglas a long time ago?

1203
01:02:08,480 --> 01:02:10,720
Speaker 3: Yeah?

1204
01:02:10,840 --> 01:02:15,720
Speaker 6: I had, and he did a little pep me up

1205
01:02:15,760 --> 01:02:20,800
Speaker 6: before coming in to do a PEPSI I need go ahead,

1206
01:02:21,240 --> 01:02:21,720
Speaker 6: pet me up?

1207
01:02:21,800 --> 01:02:22,800
Speaker 3: No, no, no, yeah.

1208
01:02:22,920 --> 01:02:24,800
Speaker 6: So I went to Coffee Bean and Tea Leaf and

1209
01:02:24,800 --> 01:02:27,360
Speaker 6: I got a medium hot coffee with room for cream,

1210
01:02:27,400 --> 01:02:29,600
Speaker 6: and then I put some cream into it.

1211
01:02:30,160 --> 01:02:31,160
Speaker 3: What show were you doing?

1212
01:02:31,440 --> 01:02:33,160
Speaker 6: Well? I was coming here for comedy bang bang.

1213
01:02:33,360 --> 01:02:36,200
Speaker 3: I could say, why you'd want to be on top

1214
01:02:36,200 --> 01:02:36,880
Speaker 3: of your game for that?

1215
01:02:37,400 --> 01:02:39,880
Speaker 6: All cylinders It had been a while, and I wanted

1216
01:02:39,880 --> 01:02:41,280
Speaker 6: to make sure I was ready to do it.

1217
01:02:42,440 --> 01:02:46,640
Speaker 3: Uh huh. And then what happened? You threw it into the.

1218
01:02:46,560 --> 01:02:49,640
Speaker 6: Trash I don't want to tell any more of this story.

1219
01:02:49,800 --> 01:02:52,560
Speaker 1: I'm surprised. See so I'm surprised, like this is what's

1220
01:02:52,560 --> 01:02:54,200
Speaker 1: scarious to me. And I don't know if you wanted

1221
01:02:54,200 --> 01:02:57,960
Speaker 1: someone to point this out, but you as you tell

1222
01:02:58,000 --> 01:02:59,840
Speaker 1: that story about throwing a cup of coffee away, you

1223
01:02:59,840 --> 01:03:02,000
Speaker 1: were urinating into the trash can.

1224
01:03:02,240 --> 01:03:08,080
Speaker 3: That's what I have to do, okay. So yes, okay, okay, that's.

1225
01:03:07,920 --> 01:03:10,120
Speaker 6: Why he bopped his head up. I have the thought

1226
01:03:10,120 --> 01:03:12,720
Speaker 6: of appendix juice. He likes any human fluid.

1227
01:03:12,840 --> 01:03:14,920
Speaker 3: So okay, So that, guys, we gotta.

1228
01:03:14,760 --> 01:03:18,880
Speaker 6: Do the Brandon content thing today. Hello, I have tickets

1229
01:03:18,920 --> 01:03:21,160
Speaker 6: to the Dodgers NLCS game.

1230
01:03:21,920 --> 01:03:23,520
Speaker 1: Okay, that's the only reason I brought out because I

1231
01:03:23,520 --> 01:03:25,280
Speaker 1: thought that would be the thing you would talk about.

1232
01:03:25,280 --> 01:03:27,040
Speaker 1: It was like a bad thing you did to Brandon

1233
01:03:27,320 --> 01:03:28,400
Speaker 1: instead of the coffee cup thing.

1234
01:03:28,440 --> 01:03:32,360
Speaker 9: But that's good bad for him, Douglas. For Douglas, Yes,

1235
01:03:32,440 --> 01:03:40,120
Speaker 9: not for Brandon, right, Douglas. Yeah, we have a question

1236
01:03:40,200 --> 01:03:43,360
Speaker 9: for Brandon. That's what I was thinking. Okay, we want

1237
01:03:43,360 --> 01:03:45,680
Speaker 9: to reach into the bag. Mark's had a lot of

1238
01:03:45,680 --> 01:03:48,760
Speaker 9: time to put together a good sad drop.

1239
01:04:00,120 --> 01:04:03,480
Speaker 3: Now it's the Crampist.

1240
01:04:04,440 --> 01:04:06,480
Speaker 4: Okay, Well, I don't know if you've seen the posters

1241
01:04:06,480 --> 01:04:11,040
Speaker 4: for this Crampist movie that's coming up, but it looked

1242
01:04:11,080 --> 01:04:12,200
Speaker 4: pretty scary.

1243
01:04:12,480 --> 01:04:13,960
Speaker 2: What was the noise at the top. Was it a

1244
01:04:13,960 --> 01:04:15,680
Speaker 2: motorcycle or a helicopter?

1245
01:04:15,800 --> 01:04:18,000
Speaker 3: Well, Jesus Christ, Paul, I'm not Mark.

1246
01:04:18,680 --> 01:04:19,920
Speaker 2: Well what Okay, I'm.

1247
01:04:19,720 --> 01:04:22,800
Speaker 1: Sorry I should say that's good. This is our Halloween episodes.

1248
01:04:22,960 --> 01:04:26,720
Speaker 1: What's good that we got? You can see it's on

1249
01:04:26,920 --> 01:04:32,520
Speaker 1: theme brand of our Yes, that would have been a

1250
01:04:32,520 --> 01:04:34,960
Speaker 1: great thing to say first.

1251
01:04:35,240 --> 01:04:37,720
Speaker 7: Yeah, yeah, yeah, I see now, I see now what

1252
01:04:37,720 --> 01:04:39,440
Speaker 7: I should have done.

1253
01:04:39,360 --> 01:04:39,480
Speaker 4: Yea.

1254
01:04:39,760 --> 01:04:43,439
Speaker 1: Dear Brandon, this is from Spunky Foonerism. Remember that big

1255
01:04:43,560 --> 01:04:45,640
Speaker 1: argument you had with your high school math teacher about

1256
01:04:45,680 --> 01:04:48,040
Speaker 1: how you didn't need to learn trigonometry because none of

1257
01:04:48,040 --> 01:04:50,240
Speaker 1: the real ballers ever used that ship in the real world.

1258
01:04:50,520 --> 01:04:54,000
Speaker 1: How's that working out for you, big guy? And so

1259
01:04:54,080 --> 01:04:58,360
Speaker 1: I think this is like a universe where maybe Brandon

1260
01:04:58,400 --> 01:05:02,600
Speaker 1: has discovered a need to use triggering out like you're like,

1261
01:05:02,680 --> 01:05:03,720
Speaker 1: he feels bad or something.

1262
01:05:03,720 --> 01:05:06,200
Speaker 4: Hey, Paul, I'm sorry, I just texted with Mark it

1263
01:05:06,280 --> 01:05:08,920
Speaker 4: was a motorcycle. Oh okay, Yeah, I'm sorry.

1264
01:05:09,400 --> 01:05:11,560
Speaker 2: No, that's okay. I I I understand your.

1265
01:05:11,400 --> 01:05:13,800
Speaker 3: First I flipped out.

1266
01:05:14,720 --> 01:05:17,080
Speaker 7: I feel like I feel like tempers are really running

1267
01:05:17,280 --> 01:05:20,880
Speaker 7: high in here, and I don't know. I don't know

1268
01:05:20,920 --> 01:05:22,480
Speaker 7: what it is, and I don't know if it's because

1269
01:05:22,520 --> 01:05:24,600
Speaker 7: Joe's talking so much about being trapped in here that

1270
01:05:24,640 --> 01:05:25,400
Speaker 7: we're feeling that.

1271
01:05:25,360 --> 01:05:28,840
Speaker 2: Way, and maybe we are. Do you want to trip

1272
01:05:28,840 --> 01:05:29,440
Speaker 2: out on something?

1273
01:05:29,880 --> 01:05:31,960
Speaker 7: What if we are trapped in this room and none

1274
01:05:32,000 --> 01:05:34,640
Speaker 7: of us can get out and we're all trash cans.

1275
01:05:34,920 --> 01:05:39,040
Speaker 1: That's tripping me out? Oh boy, could be Yeah, it

1276
01:05:39,080 --> 01:05:48,280
Speaker 1: could be that Joe's drifting backwards very slowly. But yeah,

1277
01:05:48,320 --> 01:05:49,280
Speaker 1: because your face.

1278
01:05:49,400 --> 01:05:53,440
Speaker 2: Because you're slowly pushing himself away from the table. I no,

1279
01:05:53,520 --> 01:05:53,840
Speaker 2: you're not.

1280
01:05:54,880 --> 01:05:57,960
Speaker 3: You're so close to the door. It's making me nervous.

1281
01:05:58,080 --> 01:06:00,919
Speaker 3: Your face was so casual. It didn't make me think.

1282
01:06:01,240 --> 01:06:04,040
Speaker 7: I thought I thought we were getting farther away, like

1283
01:06:04,080 --> 01:06:05,000
Speaker 7: the table was moving.

1284
01:06:05,080 --> 01:06:07,200
Speaker 1: Yes, he must be in the same place because his

1285
01:06:07,280 --> 01:06:10,640
Speaker 1: face is It's almost like you were looking very casual

1286
01:06:10,680 --> 01:06:11,240
Speaker 1: on purpose.

1287
01:06:11,360 --> 01:06:15,080
Speaker 7: It was an optical illusion, like the haunted mansion at Disneyland.

1288
01:06:15,360 --> 01:06:17,760
Speaker 6: Yeah, you're just rotating around.

1289
01:06:17,480 --> 01:06:19,960
Speaker 1: Another very scary as you as you know, this is

1290
01:06:19,960 --> 01:06:22,600
Speaker 1: our Halloween episode. And yeah, so it's only appropriate to

1291
01:06:22,640 --> 01:06:26,959
Speaker 1: talk about all manner of haunted. Stuffy want to feel,

1292
01:06:27,240 --> 01:06:28,760
Speaker 1: you guys want to feel I want to feel old.

1293
01:06:28,840 --> 01:06:32,680
Speaker 4: Sure, the crampis hasn't even come out yet.

1294
01:06:35,760 --> 01:06:39,120
Speaker 6: Oh man, who was that?

1295
01:06:41,240 --> 01:06:41,439
Speaker 3: Now?

1296
01:06:42,360 --> 01:06:44,800
Speaker 1: That drive me crazy because the first time when the

1297
01:06:45,120 --> 01:06:47,400
Speaker 1: when the voye said, wow, that's random, I couldn't.

1298
01:06:47,120 --> 01:06:49,160
Speaker 3: See who was talking. But then I was kind of

1299
01:06:49,160 --> 01:06:51,160
Speaker 3: look at look at you and your mouth wasn't moving

1300
01:06:51,200 --> 01:06:51,480
Speaker 3: at all.

1301
01:06:51,560 --> 01:06:53,959
Speaker 6: When I just heard that, Oh that was me mouth

1302
01:06:54,040 --> 01:06:55,880
Speaker 6: move No, I know that was.

1303
01:06:56,320 --> 01:06:59,240
Speaker 3: What it said. What it just said? Oh man, you

1304
01:06:59,360 --> 01:07:00,320
Speaker 3: didn't really.

1305
01:07:00,120 --> 01:07:03,760
Speaker 6: That was me being disappointed that I'm so old because

1306
01:07:03,800 --> 01:07:06,080
Speaker 6: Crampus doesn't even come out yet. It's not Douglas being

1307
01:07:06,080 --> 01:07:08,280
Speaker 6: disappointed in me because I almost got out of room

1308
01:07:08,280 --> 01:07:11,840
Speaker 6: and then I got called back in. Because then that's

1309
01:07:12,000 --> 01:07:16,080
Speaker 6: all that was. It was a okay plan that didn't work,

1310
01:07:16,360 --> 01:07:18,960
Speaker 6: and that's it, and that's all there is to it.

1311
01:07:19,200 --> 01:07:23,400
Speaker 2: So we got to get into the branding content stuff.

1312
01:07:23,440 --> 01:07:27,080
Speaker 6: So there's commercials and questions, and the commercials is the content.

1313
01:07:27,160 --> 01:07:31,360
Speaker 6: The content is the commercials right, and it's every you know. Okay, Okay,

1314
01:07:32,320 --> 01:07:32,880
Speaker 6: I'm sorry.

1315
01:07:33,960 --> 01:07:38,640
Speaker 3: Does Brandon have some brands that he would like to discuss?

1316
01:07:38,880 --> 01:07:44,560
Speaker 7: I mean, I love brands, I love content, and I

1317
01:07:44,600 --> 01:07:49,160
Speaker 7: love brands. Lether Man Tools, Get one of those little ones.

1318
01:07:49,240 --> 01:07:51,960
Speaker 7: You can stick it in your junk draw. It's good

1319
01:07:52,080 --> 01:07:54,240
Speaker 7: for anything. Now you might have to do a little

1320
01:07:54,240 --> 01:07:55,880
Speaker 7: repair od around the house.

1321
01:07:56,120 --> 01:07:58,720
Speaker 4: And there was two times that that commercial almost scared me.

1322
01:07:59,320 --> 01:08:02,960
Speaker 4: One is just leather Man just hearing that it does

1323
01:08:03,000 --> 01:08:04,600
Speaker 4: sound scary, and then other.

1324
01:08:04,520 --> 01:08:08,760
Speaker 7: Face is scary in it, not just his face.

1325
01:08:09,000 --> 01:08:10,960
Speaker 4: And as much as it is our Halloween episode, I

1326
01:08:10,960 --> 01:08:13,880
Speaker 4: don't want to be terrified necessarily so much as I

1327
01:08:13,880 --> 01:08:16,679
Speaker 4: want to sort of reference. Okay, I kind of feel old.

1328
01:08:17,000 --> 01:08:19,519
Speaker 4: Certainly death is impending. The crampits hasn't even come out yet,

1329
01:08:19,560 --> 01:08:19,920
Speaker 4: so how.

1330
01:08:19,840 --> 01:08:20,200
Speaker 3: Old am I?

1331
01:08:21,560 --> 01:08:24,880
Speaker 4: Second though, after I finally get over leather Man, it's like, oh,

1332
01:08:24,920 --> 01:08:25,719
Speaker 4: leather Man Tools.

1333
01:08:25,760 --> 01:08:27,640
Speaker 3: Okay. But then it was it said stick it in

1334
01:08:27,680 --> 01:08:28,560
Speaker 3: you're junk.

1335
01:08:28,760 --> 01:08:33,120
Speaker 4: I thought, this guy, I think that I want to

1336
01:08:33,160 --> 01:08:39,600
Speaker 4: put like sharp metal toolsu into my zone, into my area,

1337
01:08:40,040 --> 01:08:43,160
Speaker 4: you know, like baby the ouch is right, Douglas And

1338
01:08:43,360 --> 01:08:44,000
Speaker 4: so wait was.

1339
01:08:43,920 --> 01:08:46,120
Speaker 2: That Douglas is said that. Yeah, I wasn't looking.

1340
01:08:47,320 --> 01:08:48,680
Speaker 3: Was definitely Douglas.

1341
01:08:49,240 --> 01:08:52,040
Speaker 6: I've always been me, and I've always been the one talking,

1342
01:08:52,160 --> 01:08:52,799
Speaker 6: look Jones.

1343
01:08:53,840 --> 01:08:56,519
Speaker 3: He's lying where the trash can was with his mouth.

1344
01:08:56,360 --> 01:08:58,680
Speaker 6: Though, I don't want nothing to do with leather Man,

1345
01:08:59,120 --> 01:09:06,200
Speaker 6: a trash can, leather Joe's man, leather Man's dry. Leather

1346
01:09:06,240 --> 01:09:09,080
Speaker 6: Man's organs are dry. I like the human with the

1347
01:09:09,120 --> 01:09:12,360
Speaker 6: wet organ. What the liquid from the organ into me?

1348
01:09:12,479 --> 01:09:13,400
Speaker 6: I'm Douglas.

1349
01:09:18,080 --> 01:09:23,640
Speaker 1: Well what that's scary, well terrifying halloweenisode, This is pretty scary.

1350
01:09:24,360 --> 01:09:26,559
Speaker 4: Yeah, so anyway, leather Man, but then his leather Man

1351
01:09:26,600 --> 01:09:28,120
Speaker 4: tool is junk. Then it was junk drawer.

1352
01:09:29,320 --> 01:09:33,000
Speaker 7: Are you scared of uh Eddie Murphy from the Raw

1353
01:09:33,760 --> 01:09:34,840
Speaker 7: Comedy special.

1354
01:09:34,600 --> 01:09:37,719
Speaker 4: The leather Man who comes out and scares me in Raw?

1355
01:09:39,560 --> 01:09:43,920
Speaker 4: I am because it's head he's like fully wearing leather.

1356
01:09:45,479 --> 01:09:46,040
Speaker 3: I'm scared.

1357
01:09:46,040 --> 01:09:48,720
Speaker 4: I'm scared of a few things that are involved in that.

1358
01:09:50,280 --> 01:09:52,840
Speaker 4: I'm scared that the leather Man is seems mad at me.

1359
01:09:53,800 --> 01:09:57,360
Speaker 3: Mm hmm, for sure.

1360
01:09:59,040 --> 01:10:02,120
Speaker 4: I'm scared that somebody who's so cool is so funny

1361
01:10:02,160 --> 01:10:04,799
Speaker 4: because comedy is supposed to be the domain of dorks

1362
01:10:04,920 --> 01:10:08,639
Speaker 4: like me, right and so like I've never seen somebody

1363
01:10:08,680 --> 01:10:12,200
Speaker 4: that cool, be that funny before. And then I was like, okay,

1364
01:10:12,360 --> 01:10:14,920
Speaker 4: and they are they pushing me off my block because

1365
01:10:14,960 --> 01:10:20,200
Speaker 4: nerds like me who are fucking reading computers, books that

1366
01:10:20,240 --> 01:10:26,280
Speaker 4: are comics, friends that are have retainers, science movies.

1367
01:10:25,960 --> 01:10:28,480
Speaker 3: Everything like that. Thank you the man.

1368
01:10:28,760 --> 01:10:35,480
Speaker 4: Yeah, the freaking mars Man eat my asshole, Neil Armstrong.

1369
01:10:35,560 --> 01:10:38,679
Speaker 4: He says in that movie, I'm gonna have to science

1370
01:10:38,760 --> 01:10:42,439
Speaker 4: my dick off. He's saying everything.

1371
01:10:42,360 --> 01:10:46,000
Speaker 1: The mars Man doesn't give in the f what I'm

1372
01:10:46,040 --> 01:10:48,519
Speaker 1: scared about in Raz that the PC police are gonna

1373
01:10:48,520 --> 01:10:50,080
Speaker 1: show up and assassinate him.

1374
01:10:50,160 --> 01:10:52,040
Speaker 2: You can't say anything anymore.

1375
01:10:53,160 --> 01:10:57,360
Speaker 7: It's like that's special. It holds up so well, and

1376
01:10:57,400 --> 01:11:00,760
Speaker 7: those ideas are so fresh even today that it's like,

1377
01:11:00,800 --> 01:11:02,719
Speaker 7: are you telling me that we live in a world

1378
01:11:02,800 --> 01:11:05,759
Speaker 7: where it would not be great to watch raw anymore

1379
01:11:06,080 --> 01:11:08,920
Speaker 7: and not laugh out loud at every single thing.

1380
01:11:09,320 --> 01:11:11,000
Speaker 2: Yeah, I don't want to live in that world.

1381
01:11:10,720 --> 01:11:13,120
Speaker 3: That homosexual people talk different.

1382
01:11:13,720 --> 01:11:15,720
Speaker 2: They're always looking at Eddie Murphy's ass, that.

1383
01:11:16,479 --> 01:11:18,000
Speaker 3: They all want his ass.

1384
01:11:18,520 --> 01:11:24,040
Speaker 4: That every single man in the world is cheating. Yes, yes,

1385
01:11:24,080 --> 01:11:29,960
Speaker 4: that stated as a fact. Yes, just all of these ideas.

1386
01:11:30,040 --> 01:11:32,679
Speaker 4: That's not funny anymore. Yeah, all of a sudden, that

1387
01:11:32,840 --> 01:11:36,960
Speaker 4: is not acceptable as a comedic premise, that all women

1388
01:11:37,080 --> 01:11:39,760
Speaker 4: just want your money in a divorce, and that the

1389
01:11:39,800 --> 01:11:42,760
Speaker 4: only way to really be safe is to go and

1390
01:11:42,800 --> 01:11:47,600
Speaker 4: find some African bitch, which is what he says, and

1391
01:11:46,720 --> 01:11:51,479
Speaker 4: that then she would probably get ruined by our modern

1392
01:11:51,479 --> 01:11:56,080
Speaker 4: American society and also become just a money grubbing right, shrill.

1393
01:11:56,280 --> 01:12:02,480
Speaker 1: Life's hilarious the idea, like, is that not the funniest

1394
01:12:02,520 --> 01:12:03,120
Speaker 1: ship to you?

1395
01:12:03,520 --> 01:12:05,640
Speaker 3: His stereoy happened to America.

1396
01:12:05,720 --> 01:12:07,960
Speaker 1: It certainly deserves the finish of the top three of

1397
01:12:08,680 --> 01:12:13,360
Speaker 1: every appraisal of stand up I've ever been done.

1398
01:12:14,080 --> 01:12:17,320
Speaker 3: Yes, it does, Brandon agrees.

1399
01:12:17,960 --> 01:12:22,680
Speaker 4: I agree, Yes, that's always that's the funniest stuff to me,

1400
01:12:22,840 --> 01:12:27,920
Speaker 4: talking about being cool, fucking all the time, being a badass.

1401
01:12:28,000 --> 01:12:31,800
Speaker 4: This is what people who are different, right, This is

1402
01:12:32,439 --> 01:12:34,120
Speaker 4: pretty good oppressions.

1403
01:12:35,080 --> 01:12:35,479
Speaker 3: Squeers.

1404
01:12:35,920 --> 01:12:38,240
Speaker 6: Back when you could tell a raunchy story and there

1405
01:12:38,280 --> 01:12:41,719
Speaker 6: were no there was no qualifiers after it, whether somebody

1406
01:12:41,760 --> 01:12:43,240
Speaker 6: told you not to do it or whatever.

1407
01:12:43,680 --> 01:12:47,120
Speaker 4: Yeah, exactly. Yeah, And he was the first one to

1408
01:12:47,160 --> 01:12:48,320
Speaker 4: put Cosby on blast.

1409
01:12:51,600 --> 01:12:53,640
Speaker 3: Well, thank you, guys off for coming and being on

1410
01:12:53,720 --> 01:12:54,040
Speaker 3: the show.

1411
01:12:54,200 --> 01:13:01,920
Speaker 4: Everybody, Douglas, Brandon conn all the top kids, Soer, Egineer,

1412
01:13:02,000 --> 01:13:07,200
Speaker 4: Brett Hayes, myself, the whole crew.

1413
01:13:07,479 --> 01:13:09,679
Speaker 3: We haven't done the pro version in a little while.

1414
01:13:11,080 --> 01:13:12,920
Speaker 1: Is there a special thing we'd like to give out

1415
01:13:13,320 --> 01:13:14,880
Speaker 1: for Demon Lover sixty nine?

1416
01:13:15,160 --> 01:13:17,160
Speaker 4: Oh yeah, Demon Lover sixty nine.

1417
01:13:17,280 --> 01:13:18,880
Speaker 3: Uh, you got Joe's phone.

1418
01:13:19,000 --> 01:13:21,760
Speaker 7: That's a good one for the Halloween episode. That's a

1419
01:13:21,760 --> 01:13:25,559
Speaker 7: good user for the Halloween episode Demon Lover broke.

1420
01:13:25,720 --> 01:13:27,960
Speaker 1: That would be a good like Simpsons, like in the

1421
01:13:28,000 --> 01:13:30,599
Speaker 1: Simpsons credits of the tree as of horror, Like, why

1422
01:13:30,640 --> 01:13:34,400
Speaker 1: it doesn't James L. Brooks just be Demon Lover sixty nine.

1423
01:13:34,840 --> 01:13:35,439
Speaker 3: Or James L.

1424
01:13:35,479 --> 01:13:38,559
Speaker 4: Demon Lover sixty nine.

1425
01:13:39,600 --> 01:13:42,679
Speaker 3: Uh, yeah, you can have Joe's phone. Mm hmm.

1426
01:13:42,960 --> 01:13:46,360
Speaker 4: And it's not that you can see the insides of it,

1427
01:13:46,400 --> 01:13:47,960
Speaker 4: which is so interesting.

1428
01:13:47,960 --> 01:13:51,120
Speaker 6: And now and but before next time, you guys will

1429
01:13:51,160 --> 01:13:54,360
Speaker 6: bring me some soup and my short yoda int.

1430
01:13:54,600 --> 01:13:57,200
Speaker 1: Oh, so you've given up on the idea of even leaving.

1431
01:13:58,200 --> 01:14:00,320
Speaker 1: It's almost like you don't want to leave. I mean,

1432
01:14:00,320 --> 01:14:03,200
Speaker 1: it's just assumed that Brooks a week from now. Yeah,

1433
01:14:03,280 --> 01:14:04,880
Speaker 1: it feels like you Christ was here.

1434
01:14:05,240 --> 01:14:06,480
Speaker 2: You've been institutionalized.

1435
01:14:06,800 --> 01:14:08,800
Speaker 6: It feels like, you guys aren't gonna let me out,

1436
01:14:08,840 --> 01:14:10,200
Speaker 6: so whatever you know, I'll.

1437
01:14:10,160 --> 01:14:12,639
Speaker 4: Just what if it's James L. Brooks was here?

1438
01:14:13,280 --> 01:14:22,960
Speaker 6: Bye. This has been an Earwolf production, executive produced by

1439
01:14:22,960 --> 01:14:25,280
Speaker 6: Scott Ackerman, Adam Sachs, and Chris Bannon.

1440
01:14:25,560 --> 01:14:33,679
Speaker 3: For more information and content, visit earwolf dot com