1 00:00:00,440 --> 00:00:02,560 Speaker 1: Wake that hands up in the morning. 2 00:00:02,840 --> 00:00:07,360 Speaker 2: Breakfast Club Morning, everybody's t J M V Jess hilarious, 3 00:00:07,400 --> 00:00:08,160 Speaker 2: Charlamagne the guy. 4 00:00:08,200 --> 00:00:09,280 Speaker 1: We are the breakfast Club. 5 00:00:09,280 --> 00:00:10,840 Speaker 2: We got a special guest in the building who never 6 00:00:10,880 --> 00:00:12,600 Speaker 2: stops working. 7 00:00:15,240 --> 00:00:18,200 Speaker 3: Roe, Hi, Hi, are you feeling good to see you all? 8 00:00:18,400 --> 00:00:19,760 Speaker 3: Good to be here, good to be. 9 00:00:19,760 --> 00:00:21,120 Speaker 1: Here, just hanging Absolutely? 10 00:00:21,320 --> 00:00:25,760 Speaker 3: Yeah, and congratulations, Mama. This is super, super super dope. 11 00:00:25,920 --> 00:00:27,640 Speaker 3: It's unfortunate you gotta do it with these two. 12 00:00:27,720 --> 00:00:28,280 Speaker 4: Absolutely. 13 00:00:29,840 --> 00:00:32,240 Speaker 3: If there's ever anything you need as far as help 14 00:00:32,280 --> 00:00:37,879 Speaker 3: and getting them in line, I can't help years and 15 00:00:37,960 --> 00:00:39,720 Speaker 3: I still can't. Yeah. 16 00:00:39,360 --> 00:00:40,440 Speaker 2: Yeah, Roxy. 17 00:00:40,560 --> 00:00:41,600 Speaker 1: You in a new movie. 18 00:00:41,560 --> 00:00:44,519 Speaker 2: Dutch two, I am you play lesbian gangster? 19 00:00:45,800 --> 00:00:47,159 Speaker 1: What the lesbian got to do? 20 00:00:50,400 --> 00:00:52,720 Speaker 3: You know? I thought just was gonna call out the lesbians. 21 00:00:54,080 --> 00:00:56,080 Speaker 3: He couldn't wait, couldn't wait, You could not wait to 22 00:00:56,120 --> 00:00:58,400 Speaker 3: put it out there. Gosh, yes I do. 23 00:00:58,760 --> 00:01:01,040 Speaker 1: I wasn't playing that role because you're you're not a lesbian. 24 00:01:01,120 --> 00:01:03,000 Speaker 3: I'm not a lesbian. But shout out to the whole 25 00:01:03,120 --> 00:01:06,920 Speaker 3: lgbt Q, you know, plus community and all my friends 26 00:01:06,920 --> 00:01:11,840 Speaker 3: that are Uh, it was really really different. I mean, 27 00:01:11,880 --> 00:01:13,920 Speaker 3: of course, because you know, but at the same time, 28 00:01:13,959 --> 00:01:15,760 Speaker 3: we all know what it is to be in love. 29 00:01:15,800 --> 00:01:17,959 Speaker 3: And we all know what it is to want love 30 00:01:18,000 --> 00:01:20,800 Speaker 3: and need love, so regardless of who it is on 31 00:01:20,840 --> 00:01:23,800 Speaker 3: the opposite side, it's it's easy to tap into that, 32 00:01:23,800 --> 00:01:25,480 Speaker 3: that feeling of wanting to be loved. 33 00:01:25,840 --> 00:01:28,200 Speaker 5: That's a great perspective because it's not like you got 34 00:01:28,240 --> 00:01:29,800 Speaker 5: to do anything physically. You just got to tap into 35 00:01:29,800 --> 00:01:40,840 Speaker 5: the emotion. 36 00:01:37,640 --> 00:01:39,720 Speaker 3: Out of jail. Not that I've ever just got out 37 00:01:39,720 --> 00:01:41,720 Speaker 3: of jail before in my career, all my life, but 38 00:01:41,760 --> 00:01:43,520 Speaker 3: I would assume the first thing you're gonna want to 39 00:01:43,560 --> 00:01:46,880 Speaker 3: do is, you know, feel love, absolutely, and that's what 40 00:01:46,959 --> 00:01:51,120 Speaker 3: Angel wanted. Angel wanted to feel loved as soon expeditiously. 41 00:01:51,160 --> 00:01:53,560 Speaker 3: In the words of t I Uh, she wanted to 42 00:01:53,560 --> 00:01:55,720 Speaker 3: feel some love and she she linked up with her 43 00:01:55,720 --> 00:02:00,600 Speaker 3: girlfriend Goldilocks uh by Kia and says she's an amazing 44 00:02:00,640 --> 00:02:02,600 Speaker 3: girl too. Yeah, so yeah, it was super fun. 45 00:02:02,760 --> 00:02:04,800 Speaker 4: The first Dutch movie came out twenty twenty one. 46 00:02:04,920 --> 00:02:07,120 Speaker 6: Yeah, do we have to watch the first? Would you 47 00:02:07,160 --> 00:02:09,200 Speaker 6: have to watch the first one to understand the second one? 48 00:02:09,280 --> 00:02:12,799 Speaker 3: You don't, But if you're a fan of Terry Woods's 49 00:02:12,800 --> 00:02:15,920 Speaker 3: book and what she created with the Dutch trilogy, which 50 00:02:15,960 --> 00:02:17,960 Speaker 3: is what I really feel. The fan base and the 51 00:02:17,960 --> 00:02:23,200 Speaker 3: audience that loves from this series. You're gonna be surprised. 52 00:02:23,240 --> 00:02:25,960 Speaker 3: But you do not have to watch the first one 53 00:02:26,040 --> 00:02:28,639 Speaker 3: to understand. But I would say watch it because Lance Gross. 54 00:02:28,720 --> 00:02:31,119 Speaker 3: Lance Gross is you know, a friend, and he's amazing 55 00:02:31,600 --> 00:02:35,440 Speaker 3: and what they do and h but this is Angel's 56 00:02:35,440 --> 00:02:40,200 Speaker 3: story and she's getting revenge for Dutch, you know, and 57 00:02:40,200 --> 00:02:43,000 Speaker 3: it's what she goes through in her journey, and it's 58 00:02:43,040 --> 00:02:47,919 Speaker 3: it's dope because it's a female led cast. I'm at 59 00:02:47,919 --> 00:02:50,760 Speaker 3: the rains. This is my first time ever starring in 60 00:02:50,800 --> 00:02:53,520 Speaker 3: a role being up there number two on the call 61 00:02:53,520 --> 00:02:55,560 Speaker 3: sheet because Dutch is number one on the call sheet. 62 00:02:55,639 --> 00:02:58,359 Speaker 3: So but it was a really, really, really dope experience. 63 00:02:59,000 --> 00:03:01,360 Speaker 3: And shout out to Manny who we all know, Manny Haley, 64 00:03:01,400 --> 00:03:05,000 Speaker 3: for you know, for creating these experiences to put us 65 00:03:05,000 --> 00:03:06,440 Speaker 3: on the screen. So it's really dope. 66 00:03:06,480 --> 00:03:09,160 Speaker 1: How does your hosting background help you with the acting? 67 00:03:09,720 --> 00:03:14,680 Speaker 3: The hurry up and wait, man the hurry up and wait, 68 00:03:14,880 --> 00:03:20,040 Speaker 3: the hurry up and wait, the patients and you know, 69 00:03:20,880 --> 00:03:23,480 Speaker 3: the professionalism of how to act on the set. You know, 70 00:03:23,600 --> 00:03:26,280 Speaker 3: you just already know what those moving parts are. But 71 00:03:26,760 --> 00:03:30,160 Speaker 3: as far as acting goes, it's it's yin and yang. 72 00:03:30,400 --> 00:03:33,520 Speaker 3: It's you know, acting is really raw emotion and where 73 00:03:33,520 --> 00:03:37,320 Speaker 3: you're pulling these things in from experiences Like Angel is 74 00:03:37,360 --> 00:03:40,360 Speaker 3: a very dark She has a very dark history and 75 00:03:40,440 --> 00:03:44,560 Speaker 3: past from being you know, sexually molested from her father 76 00:03:44,640 --> 00:03:48,520 Speaker 3: at a very very young age and always being betrayed 77 00:03:48,760 --> 00:03:52,280 Speaker 3: and taken advantage of by men, and so she has 78 00:03:52,320 --> 00:03:56,920 Speaker 3: this hatred for men that it's like, Okay, Roxy, where 79 00:03:56,960 --> 00:03:59,280 Speaker 3: do you some some things of my past? I don't 80 00:03:59,320 --> 00:04:01,960 Speaker 3: want to revisit, but I had to revisit for this role. 81 00:04:02,520 --> 00:04:04,200 Speaker 3: And then there was some things that's like where do 82 00:04:04,240 --> 00:04:06,760 Speaker 3: you tap in to get this energy and this anger? 83 00:04:06,920 --> 00:04:09,400 Speaker 3: And then you find things you know, as life were 84 00:04:09,400 --> 00:04:12,040 Speaker 3: already up there. So there's so many experiences that we've 85 00:04:12,040 --> 00:04:14,680 Speaker 3: had that you could find like a substitution or something 86 00:04:14,720 --> 00:04:16,560 Speaker 3: to help you get into the role and the character. 87 00:04:16,760 --> 00:04:17,000 Speaker 4: Yeah. 88 00:04:17,200 --> 00:04:19,200 Speaker 6: Is it completely identical to the book or is it 89 00:04:19,200 --> 00:04:22,000 Speaker 6: things that were left out or I. 90 00:04:22,000 --> 00:04:24,560 Speaker 3: Think it's a good representation of the book, you know, 91 00:04:24,680 --> 00:04:27,760 Speaker 3: I think it's I think it runs parallel to what 92 00:04:27,839 --> 00:04:32,240 Speaker 3: the book. The book is and what the story, what 93 00:04:32,279 --> 00:04:33,040 Speaker 3: the story tells. 94 00:04:33,440 --> 00:04:37,680 Speaker 5: Yeah, how would you describe how respect influences Angel's actions? 95 00:04:37,680 --> 00:04:39,680 Speaker 5: Throughout the film because it seems like she's seeking respect. 96 00:04:39,720 --> 00:04:42,919 Speaker 3: That's all she wants, That's all she wants. She not 97 00:04:43,120 --> 00:04:47,599 Speaker 3: only she thrives off of respects, but I think she 98 00:04:47,600 --> 00:04:49,880 Speaker 3: also gets a high off. It's almost like an addiction. 99 00:04:50,120 --> 00:04:53,040 Speaker 3: It's not even like it's like if you cross, if 100 00:04:53,080 --> 00:04:56,800 Speaker 3: you cross Angel anything by any means necessary. It's like 101 00:04:57,120 --> 00:04:59,400 Speaker 3: you out. It's almost like the Godfather's like that, well 102 00:04:59,400 --> 00:05:02,000 Speaker 3: the'se got to go, you know, like she's ruthless. She 103 00:05:02,120 --> 00:05:04,440 Speaker 3: is completely completely ruthless. 104 00:05:04,640 --> 00:05:04,719 Speaker 1: Uh. 105 00:05:04,920 --> 00:05:08,360 Speaker 3: And what I what I enjoyed doing was playing something 106 00:05:08,360 --> 00:05:12,440 Speaker 3: that is completely opposite of. 107 00:05:11,560 --> 00:05:12,120 Speaker 2: Who I am. 108 00:05:12,880 --> 00:05:16,359 Speaker 3: Yeah, who I am. It's like, I mean, you know me, 109 00:05:16,440 --> 00:05:18,039 Speaker 3: I don't think I don't think you guys could have 110 00:05:18,040 --> 00:05:20,480 Speaker 3: a picture of me like just blasting off a gun 111 00:05:20,520 --> 00:05:24,040 Speaker 3: and shooting up, shooting up a corner. 112 00:05:24,120 --> 00:05:27,120 Speaker 2: Like it's not roxy you know, do you have to 113 00:05:27,160 --> 00:05:27,800 Speaker 2: learn how to shoot? 114 00:05:28,200 --> 00:05:30,680 Speaker 3: I mean I already knew how to shoot. Okay, register 115 00:05:30,720 --> 00:05:32,920 Speaker 3: gun on us. So I was like, I wish them 116 00:05:33,240 --> 00:05:36,400 Speaker 3: would at my house. So you gotta do that as 117 00:05:36,440 --> 00:05:38,600 Speaker 3: a single woman, you gotta do that. So yeah, no, 118 00:05:38,680 --> 00:05:40,800 Speaker 3: I knew how to That was actually the funnest part 119 00:05:40,839 --> 00:05:43,679 Speaker 3: on the set, because that was the part that shocked 120 00:05:43,720 --> 00:05:45,960 Speaker 3: some of the prop guys. They were like, okay, put 121 00:05:46,000 --> 00:05:52,120 Speaker 3: your hand like this, Like yeah, okay, So it was fun. 122 00:05:52,120 --> 00:05:52,880 Speaker 3: It was a lot of fun. 123 00:05:52,960 --> 00:05:55,720 Speaker 5: What about respect as far as like in your real life, 124 00:05:55,720 --> 00:05:58,760 Speaker 5: have you ever felt like you had to demand respecting 125 00:05:58,800 --> 00:05:59,240 Speaker 5: this business? 126 00:05:59,240 --> 00:06:01,320 Speaker 3: I think all the time. I think all the time. 127 00:06:01,400 --> 00:06:03,760 Speaker 3: I think I still fight for it even today, even 128 00:06:03,839 --> 00:06:08,080 Speaker 3: being you know, on a platform like Good Morning America 129 00:06:08,279 --> 00:06:11,200 Speaker 3: and GMA three shout out to my family over there. 130 00:06:11,440 --> 00:06:14,880 Speaker 3: But you know, we still, we still as a culture, 131 00:06:15,080 --> 00:06:19,360 Speaker 3: still fight for respect in those big rooms and in 132 00:06:19,400 --> 00:06:22,840 Speaker 3: those big meetings because people don't think to take us 133 00:06:22,839 --> 00:06:25,800 Speaker 3: seriously when we are driving force in this economy and 134 00:06:25,839 --> 00:06:28,000 Speaker 3: we are driving force to a lot of decisions that 135 00:06:28,040 --> 00:06:33,200 Speaker 3: are made politically. You know, it's just it's amazing how 136 00:06:33,200 --> 00:06:38,520 Speaker 3: we still don't get the level of respect in those boatrooms. 137 00:06:38,560 --> 00:06:40,320 Speaker 3: Just like how Jay Z says, you keep on fighting, 138 00:06:40,360 --> 00:06:42,480 Speaker 3: you keep on showing up until they call you CEO, 139 00:06:42,600 --> 00:06:44,440 Speaker 3: until they call you the bosson so you you know, 140 00:06:44,680 --> 00:06:48,360 Speaker 3: and then to call upon you for decision making things, 141 00:06:48,400 --> 00:06:51,200 Speaker 3: you know, until they are scared of you when it's 142 00:06:51,240 --> 00:06:53,800 Speaker 3: an election season and they're calling you a threat. You know, 143 00:06:53,880 --> 00:06:56,440 Speaker 3: it's like those kinds of things that it's like you 144 00:06:56,560 --> 00:07:01,400 Speaker 3: have to demand respect. So yeah, me personally, roxy, I 145 00:07:01,400 --> 00:07:04,640 Speaker 3: mean in my journalistic career and my hosting career, I'm 146 00:07:04,680 --> 00:07:08,080 Speaker 3: always fighting to be like what I'm like, Tyreese, what 147 00:07:08,240 --> 00:07:09,279 Speaker 3: more do you want for me? 148 00:07:09,400 --> 00:07:09,520 Speaker 5: Like? 149 00:07:09,880 --> 00:07:10,960 Speaker 3: What more do you. 150 00:07:10,840 --> 00:07:11,560 Speaker 4: Want me to do? 151 00:07:11,840 --> 00:07:14,760 Speaker 3: Like, honestly, there's like there's nothing else that I have 152 00:07:14,920 --> 00:07:17,200 Speaker 3: I should have to do, but you know, you always 153 00:07:17,200 --> 00:07:18,200 Speaker 3: have to still tap dance. 154 00:07:18,440 --> 00:07:19,960 Speaker 1: I feel like y'all, I feel like you one just 155 00:07:20,000 --> 00:07:20,800 Speaker 1: because you're still here. 156 00:07:23,160 --> 00:07:28,080 Speaker 3: Hey, I got bills to pay? 157 00:07:28,280 --> 00:07:30,280 Speaker 4: Yeah, and how do you how are you doing all that? 158 00:07:30,360 --> 00:07:33,160 Speaker 2: Of course you're doing the hosting stuff, you're doing the acting, 159 00:07:33,200 --> 00:07:34,160 Speaker 2: and then you're back in school. 160 00:07:34,280 --> 00:07:40,160 Speaker 3: Yeah, you went back to your HBCU. Yeah, booe State Universe. Well, 161 00:07:41,160 --> 00:07:43,320 Speaker 3: first of all, you guys, we always use to tour 162 00:07:43,400 --> 00:07:47,119 Speaker 3: the HBCU route and it was always the most fun 163 00:07:47,280 --> 00:07:51,720 Speaker 3: going to HBCU campuses, me specifically going to Booie State. 164 00:07:51,800 --> 00:07:56,880 Speaker 3: They have an amazing communications department. I connected with them, 165 00:07:56,920 --> 00:07:58,800 Speaker 3: I vibed with them. It was always a goal for 166 00:07:58,840 --> 00:08:02,240 Speaker 3: me to go back and be a college graduate from 167 00:08:02,280 --> 00:08:04,240 Speaker 3: my family, from my lineage. 168 00:08:03,920 --> 00:08:05,560 Speaker 2: Most people don't know when in the middle school you 169 00:08:05,560 --> 00:08:07,640 Speaker 2: got a job off from Boston and you said, I'm out, 170 00:08:07,760 --> 00:08:08,920 Speaker 2: I'm out, Yeah out. 171 00:08:08,960 --> 00:08:10,720 Speaker 3: And it was actually Russ par shout out to Russ 172 00:08:10,720 --> 00:08:14,120 Speaker 3: par that told me that, you know, you could. You're 173 00:08:14,160 --> 00:08:17,440 Speaker 3: gonna starve, You're gonna You're gonna have pizza and Romen 174 00:08:17,480 --> 00:08:19,680 Speaker 3: noodles every single day. He's like, but you can't always 175 00:08:19,680 --> 00:08:22,040 Speaker 3: start in a top ten market, Roxy, you can always 176 00:08:22,080 --> 00:08:25,960 Speaker 3: go back to school. And so that launched my radio career, 177 00:08:26,040 --> 00:08:27,960 Speaker 3: which which is where you and I knew each other 178 00:08:28,000 --> 00:08:31,840 Speaker 3: for so many years. And if it wasn't for radio, 179 00:08:32,240 --> 00:08:35,440 Speaker 3: and I think people don't people have more of a 180 00:08:35,520 --> 00:08:38,440 Speaker 3: respect for radio now, especially because of the culture shift 181 00:08:38,440 --> 00:08:41,400 Speaker 3: than what you guys have created with the Elvis Durance 182 00:08:41,440 --> 00:08:45,280 Speaker 3: has created with like you know, the legends have even 183 00:08:45,360 --> 00:08:47,719 Speaker 3: Russ Parr and Steve Harvey's everybody Russ Parr. At the 184 00:08:47,800 --> 00:08:48,800 Speaker 3: end of the day, you got to give the man 185 00:08:48,880 --> 00:08:53,559 Speaker 3: the respect. What they've created is that people forget that 186 00:08:53,720 --> 00:08:56,960 Speaker 3: radio is really the basic foundation of what television and 187 00:08:57,040 --> 00:09:00,800 Speaker 3: live television is. If you can be in a box 188 00:09:00,960 --> 00:09:03,280 Speaker 3: and pretend to talk to a bunch of people that 189 00:09:03,360 --> 00:09:07,160 Speaker 3: you can't see and be that creative. Then you can 190 00:09:07,200 --> 00:09:11,679 Speaker 3: do that on camera if your face is friendly for camera. 191 00:09:15,960 --> 00:09:19,800 Speaker 5: A lot of radio faces, a lot of big person. 192 00:09:22,720 --> 00:09:23,440 Speaker 1: Changed a lot. 193 00:09:23,760 --> 00:09:25,800 Speaker 3: Yeah, but remember that used to be a thing. They'd 194 00:09:25,800 --> 00:09:28,880 Speaker 3: be like, oh, you gotta face the radio. Yeah, and so. 195 00:09:29,640 --> 00:09:32,679 Speaker 3: But I always, you know, I always credit my radio 196 00:09:32,720 --> 00:09:35,640 Speaker 3: career to everything. It wouldn't have been. I wouldn't have 197 00:09:35,679 --> 00:09:37,560 Speaker 3: got one on six in Park if I didn't. You know, 198 00:09:37,640 --> 00:09:41,080 Speaker 3: Stephen Hill was a fan of radio. Personalities came from radio. 199 00:09:41,240 --> 00:09:44,800 Speaker 3: Came from that station in Boston. So free came from radio. 200 00:09:45,360 --> 00:09:47,480 Speaker 3: You know. It's just like a lot of people come 201 00:09:47,520 --> 00:09:51,160 Speaker 3: from radio and they just transition and go on the television. 202 00:09:51,200 --> 00:09:54,520 Speaker 5: It's don't get the credit he do. You know many 203 00:09:54,520 --> 00:09:56,040 Speaker 5: people Paul putting movies. 204 00:09:55,840 --> 00:09:58,439 Speaker 3: Early Rust Paul was doing it before Tyler Perry was 205 00:09:58,480 --> 00:10:00,800 Speaker 3: doing it and doing those movies and like you know 206 00:10:01,040 --> 00:10:04,520 Speaker 3: before anybody was just trying you're right hard, Yeah. 207 00:10:04,480 --> 00:10:06,840 Speaker 1: Put you to the movie. Yes he did, Tyler lelie, 208 00:10:06,880 --> 00:10:08,520 Speaker 1: what was your what was your part in that movie? 209 00:10:10,200 --> 00:10:12,880 Speaker 5: I did too, like this, like two movies I forgotten 210 00:10:12,880 --> 00:10:15,760 Speaker 5: now or what so long ago. 211 00:10:17,600 --> 00:10:18,600 Speaker 1: But no, he don't get the credit. 212 00:10:18,679 --> 00:10:22,280 Speaker 5: He deserves a lot of black people in movies earlier 213 00:10:22,400 --> 00:10:24,880 Speaker 5: and people that nobody was even expecting to be these 214 00:10:24,920 --> 00:10:25,959 Speaker 5: stars that they are now. 215 00:10:26,040 --> 00:10:26,480 Speaker 3: Exactly. 216 00:10:26,840 --> 00:10:28,400 Speaker 5: Yeah, because I did Me and Tyler did a movie 217 00:10:28,400 --> 00:10:32,960 Speaker 5: together called Ringside. I might have been his lackey. 218 00:10:34,320 --> 00:10:35,760 Speaker 1: He was a box that I might have been like 219 00:10:35,800 --> 00:10:36,920 Speaker 1: this guy. 220 00:10:39,760 --> 00:10:40,800 Speaker 4: From the jump. 221 00:10:46,840 --> 00:10:51,000 Speaker 3: Into character. What was your substitution and what was your motivation? 222 00:10:53,040 --> 00:10:56,000 Speaker 3: I think I was sitting on the shoulders. 223 00:10:56,480 --> 00:11:00,160 Speaker 1: I'm not saying I did that. Would it felt like 224 00:11:00,160 --> 00:11:00,920 Speaker 1: like something you would do. 225 00:11:01,559 --> 00:11:04,800 Speaker 3: It's like something you would do. I can't. 226 00:11:06,240 --> 00:11:10,640 Speaker 5: The movie Dutch two shift your perspective on womanhood? 227 00:11:12,200 --> 00:11:13,000 Speaker 3: Uh in what way? 228 00:11:13,240 --> 00:11:16,000 Speaker 1: Because you know the like I saw you say that. 229 00:11:17,280 --> 00:11:19,360 Speaker 5: Well, now I wonder what your initial perception of your 230 00:11:19,360 --> 00:11:23,160 Speaker 5: own strength was prior to embodying the role of Angel. 231 00:11:23,240 --> 00:11:26,520 Speaker 3: I think Angel empowered me a little bit more. I 232 00:11:26,520 --> 00:11:30,079 Speaker 3: think Angel made me stronger because again, like she commands, 233 00:11:30,640 --> 00:11:34,120 Speaker 3: I'm not like and I'm sorry to face this way 234 00:11:34,160 --> 00:11:36,360 Speaker 3: because I've known them for so many years, but like 235 00:11:36,440 --> 00:11:38,440 Speaker 3: y'all know me, I don't walk into a room loud. 236 00:11:38,800 --> 00:11:42,439 Speaker 3: I'm very specful, I'm very quiet. You know, she walks 237 00:11:42,440 --> 00:11:46,520 Speaker 3: into a room loud, she walks into a room commanding respect. 238 00:11:46,559 --> 00:11:50,240 Speaker 3: But it's not like that commanding respect. I walk into 239 00:11:50,280 --> 00:11:52,480 Speaker 3: a room, Yeah, I want respect, but I'm also very 240 00:11:52,559 --> 00:11:56,040 Speaker 3: I feel like approachable. She walks in like j Prince. 241 00:11:57,640 --> 00:11:58,200 Speaker 1: That's what I mean. 242 00:11:59,679 --> 00:12:03,080 Speaker 3: Yeah, Or Jimmy Hinchman, or like like these people that 243 00:12:03,240 --> 00:12:07,240 Speaker 3: like I know, and it's like that's like by any 244 00:12:07,280 --> 00:12:10,400 Speaker 3: means necessary, people that just you don't you you only 245 00:12:10,480 --> 00:12:13,800 Speaker 3: hear about their reputation, but you don't really you know 246 00:12:14,640 --> 00:12:18,199 Speaker 3: why they have this reputation or why they got this 247 00:12:18,559 --> 00:12:24,880 Speaker 3: street cred of respect. And so yeah, like I dove 248 00:12:24,920 --> 00:12:28,480 Speaker 3: into my New Orleans roots. I dove into like knowing 249 00:12:28,520 --> 00:12:30,360 Speaker 3: what it was to grow up in the box and 250 00:12:30,400 --> 00:12:34,360 Speaker 3: you know, every ward was different. I tapped into my 251 00:12:34,480 --> 00:12:37,600 Speaker 3: days in Chicago and knowing whether you have to wear 252 00:12:37,640 --> 00:12:39,880 Speaker 3: the hat to the left to the right, or who 253 00:12:39,960 --> 00:12:43,400 Speaker 3: he was dealing with, Like, you know, my life has 254 00:12:43,559 --> 00:12:47,760 Speaker 3: round parallel to this lifestyle. But just you know, blessing 255 00:12:47,880 --> 00:12:49,760 Speaker 3: that I wasn't caught up in the middle of it. 256 00:12:49,800 --> 00:12:51,640 Speaker 3: But I'm not going to act naive like I don't 257 00:12:51,679 --> 00:12:54,840 Speaker 3: know what's going on in the streets. And that helped 258 00:12:54,880 --> 00:12:57,720 Speaker 3: me with the character of Angel. But Angel is like 259 00:12:58,320 --> 00:13:02,680 Speaker 3: I'm scared of her, scared of her like she's I wouldn't. 260 00:13:03,040 --> 00:13:06,720 Speaker 3: It's like a Griseldo Blanco type, she's she's she's got 261 00:13:06,760 --> 00:13:09,560 Speaker 3: a very very very short temper. 262 00:13:09,800 --> 00:13:12,320 Speaker 2: So in the movie, you don't give respect that easily, right. 263 00:13:12,360 --> 00:13:14,839 Speaker 2: I remember when I think roly Poly, whenever he came, 264 00:13:14,880 --> 00:13:16,880 Speaker 2: he brought you out some drinks, like you didn't show respect. 265 00:13:17,200 --> 00:13:19,280 Speaker 2: Are you like that in your real life where it's 266 00:13:19,280 --> 00:13:20,880 Speaker 2: like you have to earn it before I give it 267 00:13:20,880 --> 00:13:22,480 Speaker 2: to you, Because that's how she was in a movie. 268 00:13:23,760 --> 00:13:26,960 Speaker 3: I respect everybody. It's kind of like in class. I 269 00:13:26,960 --> 00:13:29,560 Speaker 3: always thought like you start off with an A and 270 00:13:29,600 --> 00:13:32,920 Speaker 3: then you start losing that A throughout the semester. I'm 271 00:13:32,920 --> 00:13:35,280 Speaker 3: gonna always do onto others as I would have done 272 00:13:35,280 --> 00:13:37,800 Speaker 3: onto myself. I'm always gonna treat everybody with the utmost 273 00:13:37,880 --> 00:13:40,320 Speaker 3: respect whenever I come up. But then when you start 274 00:13:40,559 --> 00:13:44,480 Speaker 3: trying to play me, that's when then I'm like, I'm 275 00:13:44,480 --> 00:13:47,120 Speaker 3: not a pushover, Like you're not gonna You're not gonna 276 00:13:47,200 --> 00:13:49,120 Speaker 3: just take advantage of me, because I'm like, why would 277 00:13:49,160 --> 00:13:50,880 Speaker 3: you want to even take it? I'm a sweet person. 278 00:13:50,920 --> 00:13:52,280 Speaker 3: Why do you want to take advantage of me? Why 279 00:13:52,320 --> 00:13:54,960 Speaker 3: would you want to treat me bad? So if if 280 00:13:55,040 --> 00:13:58,200 Speaker 3: somebody were to, you know, start disrespecting me, then I'm 281 00:13:58,240 --> 00:14:00,560 Speaker 3: you know, I'm gonna stand up with myself. But Angel, 282 00:14:00,640 --> 00:14:04,920 Speaker 3: she'll just shoot you. She ain't got time and she 283 00:14:05,040 --> 00:14:07,880 Speaker 3: not thrown hands. She's shooting. She she's got no times 284 00:14:07,880 --> 00:14:11,360 Speaker 3: for explanations. So and that's that's who she is. She's 285 00:14:11,480 --> 00:14:12,880 Speaker 3: just great. 286 00:14:13,040 --> 00:14:14,600 Speaker 5: There's a scene in the movie where Angel says to 287 00:14:14,600 --> 00:14:16,320 Speaker 5: her girlfriend that she don't need love and that she 288 00:14:16,400 --> 00:14:17,440 Speaker 5: values loyalty more. 289 00:14:17,600 --> 00:14:19,240 Speaker 1: Yeah, how does roxy feel about that? What do you 290 00:14:19,280 --> 00:14:21,280 Speaker 1: feel about the importance of loyalty of a love? 291 00:14:21,680 --> 00:14:24,000 Speaker 4: Ah? 292 00:14:24,240 --> 00:14:29,680 Speaker 3: I think. I think with loyalty comes love. I think 293 00:14:29,880 --> 00:14:35,120 Speaker 3: that loyalty makes you love somebody because you wouldn't want 294 00:14:35,160 --> 00:14:40,280 Speaker 3: to betray that person. So I value loyalty more than 295 00:14:40,320 --> 00:14:43,200 Speaker 3: love because anybody could say they love you. Sure, anybody 296 00:14:43,200 --> 00:14:46,040 Speaker 3: can throw those words around. Anybody could even do the 297 00:14:46,160 --> 00:14:50,359 Speaker 3: actions nowadays and play like they love you, but secretly 298 00:14:50,440 --> 00:14:53,880 Speaker 3: be doing some stuff in the background you know that 299 00:14:54,040 --> 00:14:56,320 Speaker 3: you find out about and then there goes the loyalty 300 00:14:56,360 --> 00:15:00,680 Speaker 3: and the trust. So for me, loyalty and trust is 301 00:15:00,880 --> 00:15:04,640 Speaker 3: above love because with loyalty and trust comes the love, 302 00:15:04,720 --> 00:15:08,000 Speaker 3: and it comes unconditionally and I'm I'm a Scorpio and 303 00:15:08,000 --> 00:15:11,200 Speaker 3: I'm a Latin woman, so I love unconditionally. But once 304 00:15:11,240 --> 00:15:13,640 Speaker 3: you kind of betray that love and that trust, is 305 00:15:13,680 --> 00:15:15,480 Speaker 3: like how you go back to that? Like it's never 306 00:15:15,520 --> 00:15:18,360 Speaker 3: ever ever going to be the same, you know, it's 307 00:15:18,120 --> 00:15:19,640 Speaker 3: it's it's a challenge. 308 00:15:20,800 --> 00:15:22,480 Speaker 1: Lord over love, love over LORDI. 309 00:15:24,200 --> 00:15:29,600 Speaker 6: Mmm, loyalty over love. I respect loyalty way more than love. 310 00:15:29,680 --> 00:15:31,920 Speaker 6: Like she said, you can love, you can say you 311 00:15:31,960 --> 00:15:34,560 Speaker 6: love anybody, you know what I mean, But actions don't 312 00:15:34,560 --> 00:15:36,920 Speaker 6: amount up to it then because they go hand in hand. 313 00:15:37,040 --> 00:15:38,240 Speaker 4: But it has to. 314 00:15:38,200 --> 00:15:41,080 Speaker 6: Be a bar like set of loyalty for you to 315 00:15:41,080 --> 00:15:42,000 Speaker 6: even really mean that. 316 00:15:42,000 --> 00:15:42,480 Speaker 1: You love me. 317 00:15:43,040 --> 00:15:43,720 Speaker 4: You get what I'm saying. 318 00:15:43,800 --> 00:15:45,480 Speaker 3: And y'all been married for a long time. You could 319 00:15:45,520 --> 00:15:47,360 Speaker 3: love your wife one day and not like her the 320 00:15:47,400 --> 00:15:49,040 Speaker 3: next day, but not married. 321 00:15:49,760 --> 00:15:51,920 Speaker 2: That's a rumor, like this is the rumor, it's not. 322 00:15:53,440 --> 00:15:59,120 Speaker 3: I said, Yeah, you guys have been work uh gus 323 00:15:59,240 --> 00:16:02,400 Speaker 3: bins for a very long time, right, And so you know, 324 00:16:02,480 --> 00:16:04,280 Speaker 3: you could love somebody one day and then you don't 325 00:16:04,280 --> 00:16:07,000 Speaker 3: like them the next day, but you're loyal to that person, 326 00:16:07,400 --> 00:16:10,320 Speaker 3: you know, and you're honest and respectful to that person 327 00:16:10,600 --> 00:16:13,120 Speaker 3: even on the days that you can't stand that person. 328 00:16:13,640 --> 00:16:17,280 Speaker 3: To me, that goes more so, like Michelle Obama said, 329 00:16:17,280 --> 00:16:19,040 Speaker 3: every day ain't gonna be fifty to fifty. Some days, 330 00:16:19,080 --> 00:16:20,800 Speaker 3: it's gonna be eighty twenty. Some days, it's gonna be 331 00:16:20,840 --> 00:16:23,400 Speaker 3: ten ninety. Some days, you gonna have nothing to give. 332 00:16:23,920 --> 00:16:26,280 Speaker 3: But if you respect that person and you loyal to 333 00:16:26,320 --> 00:16:29,600 Speaker 3: that person, you won't sidestep on that person and do 334 00:16:29,760 --> 00:16:31,080 Speaker 3: stupid stuff. 335 00:16:31,160 --> 00:16:34,760 Speaker 1: I agree. Loyalty, trust, respect, honesty. To me, that's the 336 00:16:34,880 --> 00:16:35,880 Speaker 1: equation for love. 337 00:16:35,960 --> 00:16:37,640 Speaker 5: Ye, Like I can't say I love you if I'm 338 00:16:37,680 --> 00:16:40,400 Speaker 5: not any of those things to you, right right, Yes, 339 00:16:40,560 --> 00:16:41,720 Speaker 5: I agree, Eric. 340 00:16:41,680 --> 00:16:42,200 Speaker 4: Going back to. 341 00:16:43,760 --> 00:16:48,760 Speaker 6: Briefly you briefly talked about it, do you say docu 342 00:16:48,840 --> 00:16:50,200 Speaker 6: series in the making for that. 343 00:16:51,840 --> 00:16:54,080 Speaker 3: Yeah. I don't know why BT hasn't done it yet. Oh, 344 00:16:54,400 --> 00:16:58,240 Speaker 3: we've done. We've done. We've done the reunions. You know, 345 00:16:58,560 --> 00:17:02,960 Speaker 3: we you know, I talk to Free uh a lot, 346 00:17:03,640 --> 00:17:07,440 Speaker 3: and I talked to Terrence all the time, you know. Uh. 347 00:17:07,840 --> 00:17:10,359 Speaker 3: Jalisa and I always keep it touch like we all 348 00:17:10,400 --> 00:17:12,879 Speaker 3: we all still uh. But I don't, I don't. I 349 00:17:12,920 --> 00:17:15,560 Speaker 3: don't know why they wouldn't. I mean, it's a lot 350 00:17:15,600 --> 00:17:17,199 Speaker 3: of stuff. I think there's a lot of stuff that 351 00:17:17,200 --> 00:17:19,200 Speaker 3: has gone down, And I think that because a lot 352 00:17:19,200 --> 00:17:21,640 Speaker 3: of things that also as adults that we look back 353 00:17:21,640 --> 00:17:25,320 Speaker 3: and we're like, what what he's doing? But I'll say 354 00:17:25,320 --> 00:17:25,960 Speaker 3: this though. 355 00:17:25,920 --> 00:17:27,240 Speaker 2: It was the craziest thing you said, you look back, 356 00:17:27,240 --> 00:17:28,720 Speaker 2: what was one of the craziest things that you look. 357 00:17:28,640 --> 00:17:28,920 Speaker 1: Back at it? 358 00:17:29,800 --> 00:17:35,600 Speaker 3: It's like, you know, one us its park was the 359 00:17:35,600 --> 00:17:39,040 Speaker 3: best job in my entire career when I. 360 00:17:39,040 --> 00:17:41,840 Speaker 4: Was the best show. We was watching that in middle school. 361 00:17:41,880 --> 00:17:43,720 Speaker 3: Yeah, it was a party. It was a party every 362 00:17:43,760 --> 00:17:44,280 Speaker 3: single day. 363 00:17:45,280 --> 00:17:45,920 Speaker 1: Was the best job. 364 00:17:46,880 --> 00:17:50,400 Speaker 3: You know why because and we don't We don't give 365 00:17:50,480 --> 00:17:54,240 Speaker 3: b T enough credit for this. We b T, at 366 00:17:54,320 --> 00:17:59,800 Speaker 3: least in my experience and my and Roxy dias his experiences, 367 00:18:00,400 --> 00:18:05,440 Speaker 3: treated their talent respectively as the stars that they were, 368 00:18:06,680 --> 00:18:11,919 Speaker 3: or are they treat the culture as the stars that 369 00:18:11,960 --> 00:18:15,280 Speaker 3: they are. You gonna get the right dressing room when 370 00:18:15,320 --> 00:18:17,600 Speaker 3: you go, You're gonna get the green room, the big, 371 00:18:17,680 --> 00:18:23,000 Speaker 3: big green room. You know, we don't give BT enough 372 00:18:23,040 --> 00:18:25,960 Speaker 3: credit for that because it wasn't until I left BT 373 00:18:26,040 --> 00:18:28,520 Speaker 3: that I was like, oh, I'm nobody in this business. 374 00:18:28,600 --> 00:18:31,600 Speaker 3: Oh it don't matter what I did on this show 375 00:18:31,600 --> 00:18:35,800 Speaker 3: for seven and a half years. I'm new in white Hollywood. 376 00:18:35,840 --> 00:18:39,159 Speaker 3: I'm new in LA and you have to fight for 377 00:18:39,200 --> 00:18:41,639 Speaker 3: your respect and earn your respect, and you learn what 378 00:18:41,680 --> 00:18:44,840 Speaker 3: it is to be a minority in this big game 379 00:18:44,880 --> 00:18:48,639 Speaker 3: of Hollywood. It's changed now and it's evolved. Like one 380 00:18:48,640 --> 00:18:51,800 Speaker 3: of six was shit long ago. Now yeah, you know, 381 00:18:52,080 --> 00:18:55,199 Speaker 3: we're almost talking twenty is now, like you know, so 382 00:18:57,240 --> 00:19:01,840 Speaker 3: it's it would be interesting to see the perspective of 383 00:19:03,200 --> 00:19:05,439 Speaker 3: we've all grown and we've all done different things with 384 00:19:05,480 --> 00:19:08,879 Speaker 3: our career in our lives, and the appreciation that should 385 00:19:08,880 --> 00:19:11,560 Speaker 3: probably go back to Want to be Et and to 386 00:19:11,640 --> 00:19:13,960 Speaker 3: what that show was and how important it was for 387 00:19:14,000 --> 00:19:16,760 Speaker 3: the culture. Everybody always says it's gonna be another one 388 00:19:16,760 --> 00:19:18,760 Speaker 3: to sick some park is. You know that they won't be. 389 00:19:18,800 --> 00:19:21,280 Speaker 3: No who's watching videos it's doing that. But I do 390 00:19:21,359 --> 00:19:25,479 Speaker 3: believe there was a format there to do like a 391 00:19:25,560 --> 00:19:29,879 Speaker 3: grown night show talk show. Yeah, bet kind and you 392 00:19:30,119 --> 00:19:30,560 Speaker 3: need it. 393 00:19:30,800 --> 00:19:33,480 Speaker 5: Yeah, But you'all weren't competing with everything that you got 394 00:19:33,520 --> 00:19:35,040 Speaker 5: to compete with now, like there wasn't. 395 00:19:35,080 --> 00:19:38,280 Speaker 1: Social media wasn't what it was now, Like TV mattered. 396 00:19:38,760 --> 00:19:41,119 Speaker 5: Yeah, you sat down at six o'clock to watch one 397 00:19:41,119 --> 00:19:42,840 Speaker 5: of those things you off to watch videos to watch 398 00:19:42,880 --> 00:19:43,280 Speaker 5: the interviews. 399 00:19:43,280 --> 00:19:44,560 Speaker 1: That's where you got that kind of content. 400 00:19:44,720 --> 00:19:46,119 Speaker 6: Yeah, I used to make maggage. I ain't mean like 401 00:19:46,119 --> 00:19:50,359 Speaker 6: playing the whole video, but it was. But the guests 402 00:19:50,480 --> 00:19:50,879 Speaker 6: was dope. 403 00:19:50,960 --> 00:19:52,959 Speaker 4: It was like a party. Like I'm telling you. We 404 00:19:53,080 --> 00:19:56,480 Speaker 4: used to like go home and watch it. We I 405 00:19:56,560 --> 00:19:57,240 Speaker 4: was in middle school. 406 00:19:57,280 --> 00:19:59,639 Speaker 6: I am young, but I was in middle school and 407 00:19:59,640 --> 00:20:01,960 Speaker 6: they used to had it on in the cafeteria for us. 408 00:20:01,960 --> 00:20:03,160 Speaker 4: We used to watch it during lunch. 409 00:20:05,000 --> 00:20:13,680 Speaker 6: Yeah, yes, six o'clock, Yes, six o'clock in Baltimore. 410 00:20:14,800 --> 00:20:16,040 Speaker 4: Principal loved it. 411 00:20:16,119 --> 00:20:18,520 Speaker 6: They recorded it for us and they would played from 412 00:20:18,520 --> 00:20:19,240 Speaker 6: the day before. 413 00:20:19,440 --> 00:20:19,720 Speaker 3: Wow. 414 00:20:19,960 --> 00:20:21,520 Speaker 4: Like no, we used to watch that every day. 415 00:20:21,640 --> 00:20:22,360 Speaker 3: That's crazy. 416 00:20:23,400 --> 00:20:26,160 Speaker 1: Part of Baltimore Public school curriculum. 417 00:20:27,480 --> 00:20:31,399 Speaker 4: Was talking about lunch and it was music, music education, music. 418 00:20:33,080 --> 00:20:37,280 Speaker 3: It wasn't that he wasn't learning how to count it on. 419 00:20:38,680 --> 00:20:41,360 Speaker 6: When you talk about like things that y'all probably look 420 00:20:41,440 --> 00:20:43,720 Speaker 6: back on now, there was a time where you went viral. 421 00:20:43,760 --> 00:20:46,720 Speaker 4: Before going viral was the thing you had walked off 422 00:20:46,760 --> 00:20:47,080 Speaker 4: the set? 423 00:20:47,359 --> 00:20:52,600 Speaker 3: This about the mess? Is this the best part? Let 424 00:20:52,640 --> 00:20:53,879 Speaker 3: me break I'm also. 425 00:20:55,960 --> 00:20:57,520 Speaker 4: Just the one you got. 426 00:20:57,640 --> 00:20:57,680 Speaker 3: No. 427 00:20:57,960 --> 00:21:00,199 Speaker 4: I just noticed because I remember this. 428 00:21:00,880 --> 00:21:04,120 Speaker 6: You walked off the set during a lot of sap 429 00:21:04,200 --> 00:21:05,439 Speaker 6: and what what happened? 430 00:21:05,520 --> 00:21:06,720 Speaker 4: Was it like anything with you? 431 00:21:06,960 --> 00:21:09,080 Speaker 3: There's what I have said so many times, that was fake. 432 00:21:09,119 --> 00:21:14,880 Speaker 3: It was planned because it was okay it ma'am. Yes, 433 00:21:15,080 --> 00:21:19,000 Speaker 3: I'm sorry to Bursters Bubble Junior High in Baltimore, lunch 434 00:21:19,040 --> 00:21:22,399 Speaker 3: and you were A single tear came down as I 435 00:21:22,440 --> 00:21:25,200 Speaker 3: walked out with the set. Terence and I were on 436 00:21:25,240 --> 00:21:28,639 Speaker 3: that show Nobody Realizes for three or four years straight 437 00:21:28,680 --> 00:21:32,680 Speaker 3: with no vacation, and we we never took a day off, 438 00:21:33,280 --> 00:21:35,719 Speaker 3: and so it was it came to it came to 439 00:21:35,760 --> 00:21:38,120 Speaker 3: that time. I was like, oh, okay, can we take 440 00:21:38,119 --> 00:21:40,440 Speaker 3: a can we take a week? Can we go live 441 00:21:40,480 --> 00:21:46,160 Speaker 3: our life? You know? Like and uh the masterman, mastermind 442 00:21:46,240 --> 00:21:48,680 Speaker 3: a hand who came up with that idea, was like, well, 443 00:21:48,840 --> 00:21:51,520 Speaker 3: y'all can't one just can't be gone on vacation. And 444 00:21:51,560 --> 00:21:54,240 Speaker 3: then the other one was we got to create a scandal. 445 00:21:55,200 --> 00:21:58,320 Speaker 3: That's all it was. It was literally literally some of 446 00:21:58,359 --> 00:21:59,120 Speaker 3: the best acting. 447 00:21:58,920 --> 00:22:02,120 Speaker 1: That we've ever done. I didn't know that was fake. 448 00:22:03,960 --> 00:22:07,399 Speaker 3: That is so much and it really, you know, it 449 00:22:07,440 --> 00:22:09,760 Speaker 3: really hurts me too, like when it does come up, 450 00:22:09,920 --> 00:22:11,359 Speaker 3: because it comes up a lot, and I guess I 451 00:22:11,359 --> 00:22:13,280 Speaker 3: don't say it enough that it was fake, because it 452 00:22:13,320 --> 00:22:18,920 Speaker 3: really is. It really is. More it doesn't shine a 453 00:22:18,960 --> 00:22:21,760 Speaker 3: good light on Terrence's character, and Terrence is not that guy. 454 00:22:22,240 --> 00:22:25,040 Speaker 3: Terence is a stand up dude. He's never treated me 455 00:22:25,080 --> 00:22:27,960 Speaker 3: with no disrespect. And yeah, we've clowned and we've joked 456 00:22:27,960 --> 00:22:29,760 Speaker 3: and we've said things, as we all do. Once you 457 00:22:29,800 --> 00:22:34,200 Speaker 3: get into a comfortable state, you know where we were 458 00:22:34,240 --> 00:22:36,800 Speaker 3: like brother and sister for so long. So when people 459 00:22:36,800 --> 00:22:38,840 Speaker 3: do ask me that question, I'm so quick to say, guys, 460 00:22:38,880 --> 00:22:41,840 Speaker 3: it was fake because Terence would never ever ever disrespect 461 00:22:41,840 --> 00:22:44,960 Speaker 3: me and let alone maliciously try to hurt my feelings. 462 00:22:45,400 --> 00:22:50,040 Speaker 3: You know, that doesn't come from the breed that me 463 00:22:50,040 --> 00:22:52,439 Speaker 3: and him are, you know, or the relationship that he 464 00:22:52,520 --> 00:22:54,680 Speaker 3: and I have, Because at the end of the day, 465 00:22:54,720 --> 00:22:58,080 Speaker 3: and I always tell TJ this is that nobody went 466 00:22:58,119 --> 00:23:00,800 Speaker 3: through what we went through. We would two kids off 467 00:23:00,800 --> 00:23:03,919 Speaker 3: the street that just got thrown into major television on 468 00:23:03,960 --> 00:23:06,520 Speaker 3: a major show, and we had to fight for what 469 00:23:06,600 --> 00:23:09,840 Speaker 3: we had and nobody went through what we went through. 470 00:23:10,119 --> 00:23:11,640 Speaker 3: And at the end of the day, you either gonna 471 00:23:11,640 --> 00:23:13,480 Speaker 3: be at my funeral, I'm gonna be at your funeral. 472 00:23:13,480 --> 00:23:15,400 Speaker 3: And one of us got to say something nice about 473 00:23:15,440 --> 00:23:18,120 Speaker 3: each other and so like we gonna be in each 474 00:23:18,160 --> 00:23:21,080 Speaker 3: other's last forever and it's because of that show. But yeah, 475 00:23:21,359 --> 00:23:23,000 Speaker 3: it was fake vacation. 476 00:23:24,640 --> 00:23:25,160 Speaker 1: It was nice. 477 00:23:25,240 --> 00:23:26,800 Speaker 3: When was it would we go? 478 00:23:27,040 --> 00:23:28,879 Speaker 4: I don't even remember, but the fact that you had 479 00:23:28,880 --> 00:23:29,560 Speaker 4: to do that to. 480 00:23:29,600 --> 00:23:31,560 Speaker 3: Get a vacation, it was just to get and we 481 00:23:31,640 --> 00:23:35,800 Speaker 3: got ratings. Yeah, we were rating hungry. You know, every 482 00:23:35,880 --> 00:23:39,160 Speaker 3: day you checked what was the rating yesterday before? Every 483 00:23:39,200 --> 00:23:41,399 Speaker 3: single day. It's like waking up on the scale and 484 00:23:41,400 --> 00:23:44,040 Speaker 3: seeing if you gain weight overnight. Like that's literally what 485 00:23:44,080 --> 00:23:46,280 Speaker 3: it was like. We was addicted to ratings. So it 486 00:23:46,359 --> 00:23:47,560 Speaker 3: was ratings. That was it. 487 00:23:48,400 --> 00:23:50,240 Speaker 5: On the Rap City docum series, they said it was 488 00:23:50,280 --> 00:23:53,280 Speaker 5: a beef between Rap City and I was. 489 00:23:53,920 --> 00:23:54,440 Speaker 4: It was. 490 00:23:56,040 --> 00:23:56,159 Speaker 3: Right. 491 00:23:56,240 --> 00:23:56,919 Speaker 5: I don't remember. 492 00:23:57,040 --> 00:23:59,159 Speaker 3: Rap City was kind of still around when I was 493 00:23:59,240 --> 00:24:01,199 Speaker 3: on one O six, to be honest, because it was 494 00:24:01,240 --> 00:24:08,680 Speaker 3: like that transition because it was already Yeah, I wouldn't 495 00:24:08,720 --> 00:24:11,879 Speaker 3: know about that. I want to know about that. 496 00:24:11,960 --> 00:24:13,600 Speaker 2: It just came out the other day that they were 497 00:24:13,600 --> 00:24:15,439 Speaker 2: talking about AJ's dreads fake and it was like they 498 00:24:15,440 --> 00:24:16,600 Speaker 2: had the so in and something like that. 499 00:24:16,600 --> 00:24:17,000 Speaker 1: I seen that. 500 00:24:17,400 --> 00:24:19,680 Speaker 3: I did hear that, but I don't know if that's true. Either, 501 00:24:19,800 --> 00:24:22,200 Speaker 3: so I wasn't around for for a j stays either. 502 00:24:22,800 --> 00:24:23,919 Speaker 3: They always looked real to me. 503 00:24:24,440 --> 00:24:26,320 Speaker 6: Yeah, and his head was big, so it was like, 504 00:24:26,400 --> 00:24:30,160 Speaker 6: you know they went with his head, Yeah. 505 00:24:30,680 --> 00:24:36,080 Speaker 3: Out looked say I say away. My hair was sewn in. 506 00:24:36,240 --> 00:24:39,280 Speaker 3: I'm dealing with the stress alopeia spots from one apart. 507 00:24:39,359 --> 00:24:42,320 Speaker 3: Right now, we want to talk about than what my 508 00:24:42,440 --> 00:24:45,080 Speaker 3: hair goes through. It girls hairs go through that's seven 509 00:24:45,080 --> 00:24:46,640 Speaker 3: and a half years every day. 510 00:24:47,119 --> 00:24:49,680 Speaker 4: Oh yeah, the flat irons and every different products. 511 00:24:49,760 --> 00:24:56,680 Speaker 3: And Wiggs wasn't in back then. That was so in yes, yes, yes, yes. 512 00:24:57,560 --> 00:25:01,240 Speaker 2: Going be the worst guest person that you hated interviewing 513 00:25:01,320 --> 00:25:02,040 Speaker 2: or it was difficult. 514 00:25:02,040 --> 00:25:05,880 Speaker 4: I should say hate is a strong word. 515 00:25:07,680 --> 00:25:11,320 Speaker 6: She not Now, I don't use that one on my vocabulary, 516 00:25:11,359 --> 00:25:12,840 Speaker 6: but I wouldn't say difficult. 517 00:25:12,840 --> 00:25:15,760 Speaker 3: It's just like you got those awkward ones like on 518 00:25:15,800 --> 00:25:20,520 Speaker 3: that show. In particular, it was Marshmallow. I'm like, why 519 00:25:20,560 --> 00:25:21,000 Speaker 3: is he here? 520 00:25:21,440 --> 00:25:21,720 Speaker 1: DJ? 521 00:25:21,880 --> 00:25:27,159 Speaker 3: Yeah, because he doesn't talk and there was no representative 522 00:25:27,400 --> 00:25:31,159 Speaker 3: there to like, I'm like, what WHOA what do we do? 523 00:25:31,280 --> 00:25:33,960 Speaker 3: He's just standing here, there's no gesture or anything like. 524 00:25:34,080 --> 00:25:36,040 Speaker 3: It was like weird, He's great to have him there, 525 00:25:36,080 --> 00:25:41,159 Speaker 3: but still it's just like, why, yeah, what do you 526 00:25:41,200 --> 00:25:45,200 Speaker 3: want me to do his life? His marshmallow should have 527 00:25:45,280 --> 00:25:47,520 Speaker 3: changed colors for his like emotions or something like that 528 00:25:47,560 --> 00:25:49,080 Speaker 3: back in the day or something like that to give 529 00:25:49,160 --> 00:25:50,920 Speaker 3: us a hint. But no, that was like probably the 530 00:25:50,960 --> 00:25:57,400 Speaker 3: weirdest and most I'm too politically correct too to mess 531 00:25:57,480 --> 00:25:59,000 Speaker 3: up a potential future interview. 532 00:25:59,760 --> 00:26:00,639 Speaker 1: What do keeping? 533 00:26:00,680 --> 00:26:03,600 Speaker 5: It? Just you your longevity. I mean, you got brand 534 00:26:03,600 --> 00:26:05,800 Speaker 5: partnerships with you Tequila, And. 535 00:26:06,040 --> 00:26:09,440 Speaker 3: I'm doing a really really dope uh, a really really 536 00:26:09,520 --> 00:26:15,200 Speaker 3: dope show for Billboard, actually Billboard. It's for Billboard. Billboard 537 00:26:15,200 --> 00:26:19,359 Speaker 3: has partnered with Tequila, and we're going to six different 538 00:26:19,359 --> 00:26:22,760 Speaker 3: cities across the country and we're looking for the anthem 539 00:26:23,119 --> 00:26:26,679 Speaker 3: of that city, but also the new anthem, So the 540 00:26:26,760 --> 00:26:30,840 Speaker 3: new talent that's coming out. That's like creating whatever the 541 00:26:30,920 --> 00:26:33,040 Speaker 3: vibe is for that city. So of course, if we 542 00:26:33,040 --> 00:26:35,960 Speaker 3: go to Atlanta, you know, Welcome to Atlanta is the staple, 543 00:26:36,080 --> 00:26:39,119 Speaker 3: But what is that new Atlanta anthem? Now? You know 544 00:26:39,520 --> 00:26:41,639 Speaker 3: saying with CALLI, who is that person going to be 545 00:26:41,720 --> 00:26:44,000 Speaker 3: in LA Who's that person going to be in Houston? 546 00:26:44,080 --> 00:26:45,879 Speaker 3: You know, who's that person gonna be in New York? 547 00:26:46,400 --> 00:26:50,280 Speaker 3: So this whole year Billboard and is going to go 548 00:26:50,480 --> 00:26:53,520 Speaker 3: across the country. I'm hosting the show, and you know, 549 00:26:53,920 --> 00:26:56,000 Speaker 3: music is what I love, and so we're gonna go 550 00:26:56,080 --> 00:26:59,280 Speaker 3: find those those anthems. And it's not just hip hop, 551 00:26:59,320 --> 00:27:02,480 Speaker 3: it's everything. So it's like, it might be Miami, might 552 00:27:02,520 --> 00:27:04,399 Speaker 3: be you don't know, it might be Pitbull with something 553 00:27:04,440 --> 00:27:07,080 Speaker 3: crazy or flow Rider. You just we don't know. So 554 00:27:07,800 --> 00:27:09,720 Speaker 3: uh so, yeah, that's what we're doing now too. 555 00:27:10,240 --> 00:27:13,560 Speaker 5: You love better hosting actor host. 556 00:27:13,720 --> 00:27:16,760 Speaker 3: I still love being I still love being on your 557 00:27:16,840 --> 00:27:19,560 Speaker 3: side of the and being able to tell our stories 558 00:27:19,880 --> 00:27:23,280 Speaker 3: and giving uh giving us a shot to tell our stories, 559 00:27:23,320 --> 00:27:27,320 Speaker 3: to have honest, open and safe conversations. It's always been 560 00:27:28,000 --> 00:27:31,080 Speaker 3: it's always been my goal. I like what Sherry represents, 561 00:27:31,680 --> 00:27:35,040 Speaker 3: like what Ellen's Degenerous represents. I like what you know 562 00:27:35,240 --> 00:27:40,720 Speaker 3: Sunny Houston represents for us. I mean, I like honesty 563 00:27:40,840 --> 00:27:45,040 Speaker 3: and safe spaces, because when you want that person's bay 564 00:27:45,200 --> 00:27:50,040 Speaker 3: side and they want to be mean, it's not fun. 565 00:27:50,600 --> 00:27:51,720 Speaker 3: And I've never been that person. 566 00:27:51,840 --> 00:27:52,480 Speaker 1: I'm not mean. 567 00:27:52,720 --> 00:27:53,120 Speaker 2: You are. 568 00:27:54,000 --> 00:27:55,880 Speaker 3: I remember when you used to say TJ was gay? 569 00:27:56,680 --> 00:28:04,080 Speaker 6: Remember that, and now you. 570 00:28:02,400 --> 00:28:05,000 Speaker 1: For real you know you're right, You're right. 571 00:28:05,040 --> 00:28:07,119 Speaker 5: I remember Terrence I remember when I came to one 572 00:28:07,160 --> 00:28:09,399 Speaker 5: who took the park with Windy one time, and I 573 00:28:09,400 --> 00:28:10,480 Speaker 5: don't even remember what I said. 574 00:28:10,520 --> 00:28:13,840 Speaker 1: I just remember Terrence came in and Terrence was like, yo, man, 575 00:28:15,480 --> 00:28:16,200 Speaker 1: he said, Joe. 576 00:28:16,680 --> 00:28:18,400 Speaker 5: He said, Yo, if you if you say something about 577 00:28:18,440 --> 00:28:20,840 Speaker 5: my co host again, You're gonna put you in the face, 578 00:28:21,000 --> 00:28:21,960 Speaker 5: what you know? 579 00:28:22,040 --> 00:28:22,680 Speaker 1: And I was like. 580 00:28:22,840 --> 00:28:25,240 Speaker 5: What, that's what I said, because I couldn't believe he 581 00:28:25,280 --> 00:28:26,920 Speaker 5: came up to me and said that. 582 00:28:26,520 --> 00:28:28,440 Speaker 1: Said matter, I'll funk you up in the chest room. 583 00:28:28,720 --> 00:28:30,600 Speaker 5: And then the security and everybody came to me and 584 00:28:30,640 --> 00:28:32,000 Speaker 5: Terrence had to going to the bathroom and talk. 585 00:28:32,320 --> 00:28:35,200 Speaker 1: You never told you that because. 586 00:28:34,880 --> 00:28:37,280 Speaker 3: Of you, but you never talked about me. You always 587 00:28:37,320 --> 00:28:41,760 Speaker 3: talked about him. Let me tell you when when one 588 00:28:41,800 --> 00:28:45,040 Speaker 3: moment that always stood out to me that made me 589 00:28:45,840 --> 00:28:49,640 Speaker 3: realize that you never know who you're going to be 590 00:28:49,800 --> 00:28:53,520 Speaker 3: working with for or doing project with in the future, 591 00:28:53,600 --> 00:28:55,680 Speaker 3: because I remember you and TJ really never used to 592 00:28:55,720 --> 00:28:57,920 Speaker 3: get along way back, and not to drudge that up, 593 00:28:57,960 --> 00:28:59,280 Speaker 3: and I say it to say because I remember he 594 00:28:59,320 --> 00:29:02,600 Speaker 3: was executive for reducing a show that was supposed to 595 00:29:02,640 --> 00:29:04,560 Speaker 3: be on BET and it was the t m Z 596 00:29:04,760 --> 00:29:09,680 Speaker 3: style of of all that and he wanted and and 597 00:29:09,720 --> 00:29:11,960 Speaker 3: then y'all he wanted you. And I was like, look 598 00:29:11,960 --> 00:29:14,680 Speaker 3: at these two now working with each other. And before 599 00:29:14,760 --> 00:29:16,040 Speaker 3: they was they was. 600 00:29:16,840 --> 00:29:21,320 Speaker 6: I guess they was in the bathroom, but I was 601 00:29:21,360 --> 00:29:21,920 Speaker 6: the asshold. 602 00:29:22,000 --> 00:29:24,440 Speaker 1: I remember seeing had one O six in park and 603 00:29:24,680 --> 00:29:26,000 Speaker 1: y'all was in Harlem. 604 00:29:26,240 --> 00:29:28,760 Speaker 5: It was he was he was It was Mission impossible 605 00:29:28,840 --> 00:29:31,240 Speaker 5: or something. It was something y'all was doing in Harlem, 606 00:29:31,320 --> 00:29:32,560 Speaker 5: and I went up the terms. I said, I'm gonna 607 00:29:32,560 --> 00:29:34,680 Speaker 5: take your job. Like why would I say that. 608 00:29:36,400 --> 00:29:36,840 Speaker 1: At the time. 609 00:29:38,040 --> 00:29:40,440 Speaker 4: We didn't get a mission impossible? That's what you mean, 610 00:29:40,480 --> 00:29:41,240 Speaker 4: is gonna take his job? 611 00:29:41,280 --> 00:29:41,920 Speaker 1: What was he doing? 612 00:29:44,800 --> 00:29:48,040 Speaker 3: Yeah? From Harlem? And I think it was the Indiana Jones. 613 00:29:49,280 --> 00:29:50,800 Speaker 1: I didn't even want the job. No, it was mission 614 00:29:50,800 --> 00:29:58,440 Speaker 1: imposible because remember Tom was doing the parents was there? 615 00:30:00,040 --> 00:30:02,240 Speaker 3: He wasn't. No, that was Julia and Agent. I mean 616 00:30:02,320 --> 00:30:04,640 Speaker 3: Julia jumped on the couch. 617 00:30:05,040 --> 00:30:06,479 Speaker 1: Parents was because I went up to him and sid, 618 00:30:06,480 --> 00:30:07,640 Speaker 1: I'm gonna take your job. 619 00:30:08,200 --> 00:30:10,760 Speaker 3: I hate are you with man? I really do. 620 00:30:11,440 --> 00:30:13,200 Speaker 1: But maybe it wasn't mission impossible. It was something in 621 00:30:13,240 --> 00:30:14,080 Speaker 1: Harlem you always doing. 622 00:30:14,400 --> 00:30:15,920 Speaker 3: Told you what it was. You don't want to listen 623 00:30:15,920 --> 00:30:16,120 Speaker 3: to me. 624 00:30:16,440 --> 00:30:18,680 Speaker 2: You did just clear up one other thing. Charlamagne told 625 00:30:18,760 --> 00:30:21,480 Speaker 2: the story about we all lived in where you all 626 00:30:21,480 --> 00:30:23,240 Speaker 2: lived in the same building, and I used to go 627 00:30:23,320 --> 00:30:26,280 Speaker 2: visit my friend Shaw and Charlamage always we. 628 00:30:26,160 --> 00:30:28,080 Speaker 3: Said the story the last time. 629 00:30:28,160 --> 00:30:29,280 Speaker 1: I don't know why you're clearing it up. 630 00:30:30,040 --> 00:30:30,640 Speaker 4: I never heard it. 631 00:30:31,120 --> 00:30:32,120 Speaker 1: Well, what happened, Jess. 632 00:30:32,280 --> 00:30:34,479 Speaker 5: When I first moved into the building, the woman at 633 00:30:34,480 --> 00:30:35,960 Speaker 5: the front desk told me, I need to watch out 634 00:30:35,960 --> 00:30:39,560 Speaker 5: for Envy because Envy does a guy that lives in 635 00:30:39,560 --> 00:30:43,320 Speaker 5: this building who is about your height, both ball headed, 636 00:30:43,400 --> 00:30:46,240 Speaker 5: same complexion. And you know, she was basically saying, Envy 637 00:30:46,240 --> 00:30:48,040 Speaker 5: got a type. And she was like, Envy being there 638 00:30:48,040 --> 00:30:50,280 Speaker 5: and I've been hearing where noises come from the room. 639 00:30:50,400 --> 00:30:52,320 Speaker 5: She was like, I hear sex sounds coming from it. 640 00:30:52,600 --> 00:30:53,720 Speaker 5: And that's what she said. 641 00:30:54,120 --> 00:30:56,280 Speaker 1: I promise you, yes. 642 00:30:56,160 --> 00:30:59,440 Speaker 3: I promise you always say this story. And I don't 643 00:30:59,440 --> 00:31:01,800 Speaker 3: even I know, I haven't even seen the person that 644 00:31:01,880 --> 00:31:03,520 Speaker 3: he's talking that you're talking about. 645 00:31:04,240 --> 00:31:10,040 Speaker 1: That is good. See you appreciate you for joining us 646 00:31:10,480 --> 00:31:10,920 Speaker 1: for the time. 647 00:31:11,000 --> 00:31:14,560 Speaker 2: Guys Angels Revenge B E T plus appreciate you Roxy. 648 00:31:14,320 --> 00:31:15,080 Speaker 1: And watch Roxy all. 649 00:31:15,120 --> 00:31:17,960 Speaker 3: Good morning America, right yep GM A GM A three 650 00:31:18,120 --> 00:31:19,680 Speaker 3: and yeah. 651 00:31:19,120 --> 00:31:22,480 Speaker 1: That's right, all right. Breakfast Club, good morning. Wake that 652 00:31:22,600 --> 00:31:25,320 Speaker 1: ass up in the morning. The Breakfast Club