1 00:00:00,400 --> 00:00:04,680 Speaker 1: Wake that ass up in the morning. Breakfast Club Morning. 2 00:00:04,720 --> 00:00:08,480 Speaker 2: Everybody is DJ Envy, Jess Hilarious, Charlamagne the guy. We 3 00:00:08,520 --> 00:00:10,319 Speaker 2: are the breakfast Club law on the roster, filling in 4 00:00:10,400 --> 00:00:13,040 Speaker 2: for Jess. And we got a special guest in the building. 5 00:00:13,119 --> 00:00:14,400 Speaker 1: Yes, indeed, the King of. 6 00:00:14,400 --> 00:00:19,000 Speaker 3: Dead told my brother beating man, welcome Zaga. How you 7 00:00:19,040 --> 00:00:21,120 Speaker 3: feel man, I'm feeling good. 8 00:00:21,640 --> 00:00:26,520 Speaker 1: Goodness. Well, how important is it to have access to America? 9 00:00:26,560 --> 00:00:30,520 Speaker 4: Again, Well, it's a very important thing because when you 10 00:00:30,560 --> 00:00:32,240 Speaker 4: do I have access to America, you have access to 11 00:00:32,280 --> 00:00:34,960 Speaker 4: the rest of the world. But America is a place 12 00:00:35,000 --> 00:00:36,240 Speaker 4: how you can work every week. 13 00:00:36,960 --> 00:00:38,599 Speaker 3: Yeah, so really nice. 14 00:00:38,880 --> 00:00:41,360 Speaker 4: You gotta get that money, Yes, you gotta get that money. 15 00:00:42,680 --> 00:00:44,760 Speaker 4: Thirteen years, yes, thirteen years. 16 00:00:44,800 --> 00:00:47,599 Speaker 2: So for people that don't know what happened because you 17 00:00:47,640 --> 00:00:49,680 Speaker 2: were always here. I thought you even had a house here. 18 00:00:50,000 --> 00:00:53,000 Speaker 3: We myself don't know what happened. Wow, but things happen. 19 00:00:53,120 --> 00:00:53,320 Speaker 3: You know. 20 00:00:53,440 --> 00:00:58,000 Speaker 4: We're Jamaican, so we're getting the privilege to come to America. 21 00:00:57,480 --> 00:01:01,360 Speaker 4: So I think something happened and they just beat everybody 22 00:01:01,400 --> 00:01:06,000 Speaker 4: for it. But it's loosing up now. Everybody's being releasing 23 00:01:06,120 --> 00:01:09,040 Speaker 4: and everybody's getting their visa box. 24 00:01:09,520 --> 00:01:10,319 Speaker 3: Yeah, it's a good thing. 25 00:01:10,360 --> 00:01:12,120 Speaker 2: People would think that it was it would be different 26 00:01:12,160 --> 00:01:14,160 Speaker 2: because Trump's in office and he's actually trying to get 27 00:01:14,200 --> 00:01:16,040 Speaker 2: people out, so people think it would be more difficult. 28 00:01:16,040 --> 00:01:16,480 Speaker 1: But it wasn't. 29 00:01:16,959 --> 00:01:18,800 Speaker 3: It wasn't. It was nice. 30 00:01:18,800 --> 00:01:21,400 Speaker 4: It was a nice thing because it just give me 31 00:01:21,400 --> 00:01:23,080 Speaker 4: a chance to toward the rest of the world. 32 00:01:23,280 --> 00:01:23,520 Speaker 1: You know. 33 00:01:23,600 --> 00:01:26,080 Speaker 4: So I've been to Africa a few times then, but 34 00:01:26,160 --> 00:01:29,120 Speaker 4: now I've been to Africa like I lived there, and 35 00:01:29,600 --> 00:01:31,679 Speaker 4: I'm going to England like I lived here, going to 36 00:01:31,720 --> 00:01:33,560 Speaker 4: Europe like I lived there. So we get a chance 37 00:01:33,640 --> 00:01:35,080 Speaker 4: to visit the rest of. 38 00:01:35,000 --> 00:01:38,880 Speaker 1: The world spiritually. When you have those type of setbacks, 39 00:01:38,880 --> 00:01:41,640 Speaker 1: those type of I guess obstacles, how do you? How 40 00:01:41,640 --> 00:01:42,559 Speaker 1: do you embrace it? 41 00:01:42,720 --> 00:01:45,360 Speaker 4: But I'm doing music, I'm making the funds know that 42 00:01:45,400 --> 00:01:47,600 Speaker 4: we're still here, we still alive, and we're just waiting 43 00:01:47,640 --> 00:01:49,440 Speaker 4: to get to them one more time. 44 00:01:50,080 --> 00:01:52,240 Speaker 3: Yeah, embrace it. 45 00:01:52,640 --> 00:01:54,320 Speaker 5: Yeah. I was going to talk about I saw you 46 00:01:54,560 --> 00:01:58,040 Speaker 5: bring up Maya say that was the first yeah ten 47 00:01:58,160 --> 00:02:01,440 Speaker 5: years Yeah, right, for that moment for you. How does 48 00:02:01,480 --> 00:02:01,880 Speaker 5: that feel? 49 00:02:02,200 --> 00:02:04,840 Speaker 4: Well, it's always a great feelings to work with Mayan 50 00:02:04,920 --> 00:02:07,360 Speaker 4: Sticks because she's a great performer, a great entertainer, and 51 00:02:07,440 --> 00:02:09,480 Speaker 4: a great person and she has a nice personality and 52 00:02:09,520 --> 00:02:12,359 Speaker 4: people do love her. So she bring a different energy 53 00:02:12,760 --> 00:02:15,440 Speaker 4: to the show. So you know, ready to cut her 54 00:02:15,520 --> 00:02:20,639 Speaker 4: up in a club show, outdoor event. She always do good. 55 00:02:20,680 --> 00:02:23,400 Speaker 4: And you know, as an artist, that's the type of 56 00:02:23,480 --> 00:02:25,079 Speaker 4: artist that you need with you. 57 00:02:25,720 --> 00:02:27,560 Speaker 5: Are the other artists now that you've done collapse with 58 00:02:27,600 --> 00:02:29,079 Speaker 5: in the past that are hitting you like, hey, since 59 00:02:29,080 --> 00:02:31,000 Speaker 5: you're able to perform in the US now, like we 60 00:02:31,040 --> 00:02:32,600 Speaker 5: need to have that maya moment too. 61 00:02:32,880 --> 00:02:35,640 Speaker 4: Yeah, yeah, yeah, yeah, that's true. But you know you 62 00:02:35,720 --> 00:02:37,680 Speaker 4: have to just have the right time on the right place, 63 00:02:38,160 --> 00:02:38,360 Speaker 4: you know. 64 00:02:38,520 --> 00:02:40,799 Speaker 1: Yeah, are you a surprised about how timeless your music 65 00:02:40,840 --> 00:02:41,320 Speaker 1: still is. 66 00:02:43,760 --> 00:02:47,799 Speaker 4: To this day, But you cannot surprise when you make 67 00:02:47,840 --> 00:02:50,400 Speaker 4: good music. When you make good music, it's lifetime music 68 00:02:50,800 --> 00:02:54,880 Speaker 4: because as people always say, only players and singers that 69 00:02:55,040 --> 00:02:57,480 Speaker 4: instrument will be there when the gate of Zion is open. 70 00:02:57,919 --> 00:02:59,520 Speaker 4: So alli have to do is make sure that you 71 00:02:59,560 --> 00:03:01,799 Speaker 4: have music is there from your music is there you 72 00:03:02,200 --> 00:03:04,560 Speaker 4: are represented, yes. 73 00:03:04,720 --> 00:03:08,280 Speaker 1: When the gate design is open. So there's a spiritual process. 74 00:03:08,080 --> 00:03:11,400 Speaker 4: Yeah, well everything is there is a spiritual process, you know, 75 00:03:11,480 --> 00:03:13,720 Speaker 4: because life is a gambler. Every money and you wake up, 76 00:03:13,760 --> 00:03:14,600 Speaker 4: you have to give times. 77 00:03:15,160 --> 00:03:18,400 Speaker 2: Yeah, do you feel it feels like they people have 78 00:03:18,440 --> 00:03:21,840 Speaker 2: been embracing dance on music and reggae music more in 79 00:03:21,880 --> 00:03:22,480 Speaker 2: the last. 80 00:03:22,240 --> 00:03:22,760 Speaker 1: Couple of years. 81 00:03:22,840 --> 00:03:25,640 Speaker 2: Right, We've seen it with Booju, We've seen it with yourself, 82 00:03:25,680 --> 00:03:28,680 Speaker 2: we see it with Vibes. Does it feel different now 83 00:03:28,760 --> 00:03:30,560 Speaker 2: than it was, let's say, ten years ago. 84 00:03:30,720 --> 00:03:37,080 Speaker 4: No, it's especially here all right. The difference is the 85 00:03:38,120 --> 00:03:42,839 Speaker 4: original formation of the music is always there, So it's 86 00:03:43,320 --> 00:03:46,440 Speaker 4: different because we are here now. It's not like the 87 00:03:46,480 --> 00:03:48,800 Speaker 4: younger generation and Loan is out there trying to push 88 00:03:48,880 --> 00:03:52,560 Speaker 4: the music. We from the nineties are here right now, 89 00:03:52,600 --> 00:03:55,040 Speaker 4: so we're still here doing the music. 90 00:03:55,000 --> 00:03:56,720 Speaker 3: As oh, we know the music to be done. 91 00:03:56,960 --> 00:04:02,640 Speaker 4: So that that's the different feelings between the music three 92 00:04:02,720 --> 00:04:06,640 Speaker 4: years ago from the music today because we're back. 93 00:04:07,080 --> 00:04:09,480 Speaker 2: What do you what do you feel like the music 94 00:04:09,520 --> 00:04:12,240 Speaker 2: from a couple of years ago doesn't transcend like those 95 00:04:12,480 --> 00:04:15,480 Speaker 2: that music from the nineties, They feel like they come 96 00:04:15,520 --> 00:04:17,960 Speaker 2: and go. But now it's people are going back to 97 00:04:18,000 --> 00:04:19,880 Speaker 2: that era of music, alright. 98 00:04:19,960 --> 00:04:23,039 Speaker 3: You see, music always have a face. 99 00:04:23,160 --> 00:04:25,920 Speaker 4: Ever music, hip hop, R and B each and other 100 00:04:26,040 --> 00:04:28,839 Speaker 4: music in the world of a face. Sometimes them mix 101 00:04:28,920 --> 00:04:31,400 Speaker 4: the music with out of the genre of music out 102 00:04:31,440 --> 00:04:34,599 Speaker 4: of beat, mixed up with it what they call it fusion. Yeah, 103 00:04:34,640 --> 00:04:37,440 Speaker 4: sometimes infuse the music. That's what happened to dance. I 104 00:04:37,600 --> 00:04:41,919 Speaker 4: dance out of infused. But don't get it confused because 105 00:04:42,000 --> 00:04:45,279 Speaker 4: the artists them really are split lyrics and they're really 106 00:04:45,600 --> 00:04:48,159 Speaker 4: chatting the same ways. But I don't think they're getting 107 00:04:48,160 --> 00:04:50,279 Speaker 4: across to the audience, like oh, we get across to 108 00:04:50,320 --> 00:04:54,840 Speaker 4: the audience. So I feel like sometimes when you're chatting 109 00:04:54,880 --> 00:04:58,040 Speaker 4: some lyrics you're straight like an eyeway. Sometimes have some curves, 110 00:04:58,080 --> 00:05:00,280 Speaker 4: so sometimes you got to learn to sing. They can 111 00:05:00,560 --> 00:05:02,960 Speaker 4: do something make a difference to the music. So I 112 00:05:02,960 --> 00:05:05,960 Speaker 4: think that's the difference between us, Like we come and 113 00:05:06,000 --> 00:05:09,120 Speaker 4: say memories on live like people do that with a 114 00:05:09,240 --> 00:05:13,880 Speaker 4: comedy boys. The past is it's a whole different genre music. 115 00:05:14,279 --> 00:05:20,480 Speaker 4: So now I'm just come and you see that's the difference. 116 00:05:20,839 --> 00:05:22,760 Speaker 4: So when you have the music with a melody and 117 00:05:22,880 --> 00:05:26,120 Speaker 4: more understanding and people can dance to and play for 118 00:05:26,160 --> 00:05:30,040 Speaker 4: their kids and play for their grandma cars alcohol woman 119 00:05:30,120 --> 00:05:32,320 Speaker 4: come out at ninety eight and said being the money 120 00:05:32,360 --> 00:05:35,400 Speaker 4: on my DJs. It's feeling good to know that people 121 00:05:35,560 --> 00:05:38,920 Speaker 4: like in those age and those category can look at 122 00:05:38,960 --> 00:05:41,120 Speaker 4: you and said you sing my favorite song. 123 00:05:41,240 --> 00:05:44,080 Speaker 1: So yeah, I always wonder what that line. Man, you said, 124 00:05:44,080 --> 00:05:46,919 Speaker 1: memories don't live like people do. Yeah, what do you 125 00:05:47,000 --> 00:05:47,440 Speaker 1: mean by that? 126 00:05:47,920 --> 00:05:49,080 Speaker 3: Memories don't live like people? 127 00:05:49,240 --> 00:05:56,400 Speaker 1: I feel like memories long, That's what I'm saying. 128 00:05:57,800 --> 00:06:01,080 Speaker 5: That was a moment been lightning for you. 129 00:06:02,760 --> 00:06:05,120 Speaker 2: Do you feel like Afro Beats took some of the 130 00:06:05,240 --> 00:06:09,520 Speaker 2: dance halls thunder because it's not all the time because 131 00:06:09,560 --> 00:06:14,159 Speaker 2: you see, yeah, the music is. 132 00:06:13,600 --> 00:06:17,599 Speaker 4: The drum is from Africa anyway, so we took their jumps. 133 00:06:18,120 --> 00:06:23,920 Speaker 4: See so dance our music is that come from conga music, 134 00:06:24,000 --> 00:06:27,880 Speaker 4: conga drums and all these jumps. That's any drums years 135 00:06:27,880 --> 00:06:31,200 Speaker 4: from Africa. But we put in a different manner because 136 00:06:31,279 --> 00:06:33,560 Speaker 4: we come from reggae music, which reggae music is the 137 00:06:33,560 --> 00:06:36,880 Speaker 4: original one jump. But we're just a tree dropped to 138 00:06:36,960 --> 00:06:39,800 Speaker 4: the beat. So we can dance rock to it more, 139 00:06:39,880 --> 00:06:41,680 Speaker 4: we can do more styling it. 140 00:06:41,880 --> 00:06:46,839 Speaker 3: But what after music? Did it wake up Africa? 141 00:06:47,279 --> 00:06:49,719 Speaker 4: Because there's a lot of people that live in Africa 142 00:06:50,480 --> 00:06:53,320 Speaker 4: that live from dance all music and reggae music all 143 00:06:53,360 --> 00:06:55,839 Speaker 4: their life. So if them come now with that with 144 00:06:55,920 --> 00:06:58,840 Speaker 4: the original sound, which is not an original sound, the 145 00:06:59,320 --> 00:07:02,479 Speaker 4: Gopa pizza and still but either he's dear drums, So 146 00:07:02,839 --> 00:07:04,080 Speaker 4: you can'try argue with it. 147 00:07:04,480 --> 00:07:06,040 Speaker 3: But if they come with the music that. 148 00:07:06,040 --> 00:07:09,080 Speaker 4: The country, the old entire continent to Africa can follow, 149 00:07:09,600 --> 00:07:11,920 Speaker 4: is a great move. Because you have one city, you 150 00:07:11,960 --> 00:07:13,960 Speaker 4: have twenty million people. You have one city, have the 151 00:07:13,960 --> 00:07:16,520 Speaker 4: next twenty six million people. So if them you can 152 00:07:16,600 --> 00:07:18,480 Speaker 4: get all of them people that to follow their music, 153 00:07:18,520 --> 00:07:21,640 Speaker 4: the world is going to follow. Yeah, so it was 154 00:07:21,680 --> 00:07:24,440 Speaker 4: a good move and the great just and they be after. 155 00:07:24,760 --> 00:07:26,600 Speaker 1: Do you feel like this new generation of dance or 156 00:07:26,680 --> 00:07:28,440 Speaker 1: artists are representing the culture. 157 00:07:28,200 --> 00:07:31,520 Speaker 3: Right, Well, it depends on their culture. 158 00:07:32,520 --> 00:07:32,760 Speaker 1: Yeah. 159 00:07:32,840 --> 00:07:35,000 Speaker 4: My culture is moras and you have to have more 160 00:07:35,080 --> 00:07:37,520 Speaker 4: morality when it come to the music, and you have 161 00:07:37,560 --> 00:07:39,760 Speaker 4: to respect where the music is coming from and respect 162 00:07:39,800 --> 00:07:42,640 Speaker 4: the elders in the music. You know, I don't think 163 00:07:42,880 --> 00:07:45,600 Speaker 4: some of these young artists respect the elders in the music. 164 00:07:45,640 --> 00:07:47,800 Speaker 3: And they're no respect where the music is coming from. 165 00:07:48,040 --> 00:07:52,360 Speaker 4: They respect where the music is apt today you know famous, 166 00:07:52,640 --> 00:07:55,280 Speaker 4: buy a car, get a house. Music is not about that. 167 00:07:56,000 --> 00:07:59,320 Speaker 4: The music is about langugevity, language and keeping yourself alive. 168 00:07:59,680 --> 00:08:03,200 Speaker 4: Because I can said Robert Nest the Maley died but 169 00:08:03,240 --> 00:08:05,960 Speaker 4: Bob Marley is still alive today and that's what the 170 00:08:06,040 --> 00:08:06,720 Speaker 4: music is. 171 00:08:07,360 --> 00:08:11,320 Speaker 1: Yeah, so what does Respect'm sorry, what does I gonna say? 172 00:08:11,400 --> 00:08:14,200 Speaker 1: What does respect look like from the new generation? Yeah? 173 00:08:14,240 --> 00:08:19,000 Speaker 4: Well I don't I wouldn't know because you know, I 174 00:08:19,200 --> 00:08:22,480 Speaker 4: we don't deal with a lot of these young generations 175 00:08:22,520 --> 00:08:24,520 Speaker 4: because they don't deal with us. 176 00:08:24,840 --> 00:08:28,080 Speaker 3: So you know, I can't talk about me. I can't 177 00:08:28,080 --> 00:08:29,000 Speaker 3: talk with the next month. 178 00:08:29,160 --> 00:08:33,439 Speaker 4: But yeah, a lot of them, Oh, we are bond 179 00:08:33,520 --> 00:08:36,800 Speaker 4: with the love of the music within them, So then 180 00:08:36,880 --> 00:08:39,720 Speaker 4: them love the music from our mother's point of you, 181 00:08:39,800 --> 00:08:42,440 Speaker 4: our father's pint of your, a big brother point of you. 182 00:08:42,440 --> 00:08:44,920 Speaker 4: You know, sometimes you will find out some person say, 183 00:08:44,960 --> 00:08:47,160 Speaker 4: your music just said BUNTI and may I grew up 184 00:08:47,160 --> 00:08:49,640 Speaker 4: a music said being the man and their sisters and brothers. 185 00:08:49,840 --> 00:08:52,360 Speaker 4: So you know that that's how the music used to go. 186 00:08:52,800 --> 00:08:55,160 Speaker 4: But this time of today, our money is our money. 187 00:08:55,160 --> 00:08:58,080 Speaker 4: Every mone is on their own. So it's not like 188 00:08:58,200 --> 00:08:59,640 Speaker 4: no one helping nobody else. 189 00:09:00,120 --> 00:09:00,280 Speaker 3: Is that? 190 00:09:00,400 --> 00:09:02,800 Speaker 4: Like you go in there helping their next artists, and 191 00:09:02,880 --> 00:09:05,480 Speaker 4: you don't even business if this artists want to say 192 00:09:05,480 --> 00:09:07,560 Speaker 4: that you help him or not. You just know that 193 00:09:07,600 --> 00:09:10,520 Speaker 4: you put in your two cents and make him, m 194 00:09:10,559 --> 00:09:11,680 Speaker 4: firm and a better person. 195 00:09:12,120 --> 00:09:12,920 Speaker 6: Why do you think that is? 196 00:09:12,920 --> 00:09:13,079 Speaker 1: Though? 197 00:09:13,160 --> 00:09:15,920 Speaker 6: If you look at pop music, you look at country music, 198 00:09:16,200 --> 00:09:18,720 Speaker 6: you'll see the elder. 199 00:09:18,400 --> 00:09:21,240 Speaker 2: Statesman working with the younger artists and making music. But 200 00:09:21,280 --> 00:09:23,480 Speaker 2: you never see that in reggae music. You don't see 201 00:09:23,480 --> 00:09:25,280 Speaker 2: that in dance all you don't see definitely don't see that. 202 00:09:25,320 --> 00:09:25,840 Speaker 3: In hip hop. 203 00:09:27,240 --> 00:09:30,720 Speaker 4: It's there and dance atin. But as what I'm saying 204 00:09:31,960 --> 00:09:34,960 Speaker 4: a little while ago, it's like people get help, but 205 00:09:35,000 --> 00:09:38,240 Speaker 4: they don't appreciate it. They don't come out and say, oh, 206 00:09:38,280 --> 00:09:40,440 Speaker 4: you know that man put me in the streeter the 207 00:09:40,440 --> 00:09:43,320 Speaker 4: first time. They just remember the first they get. Let 208 00:09:43,360 --> 00:09:46,760 Speaker 4: me remember when them try and try and try until 209 00:09:46,760 --> 00:09:50,600 Speaker 4: you succeed. And that's what dancehall music is about, and 210 00:09:50,640 --> 00:09:52,920 Speaker 4: that's what it was about, and that's what it's supposed 211 00:09:52,960 --> 00:09:57,120 Speaker 4: to be always about. So each one helped one in Jamaica, 212 00:09:57,160 --> 00:09:59,080 Speaker 4: and much of that's what it is out of many 213 00:09:59,160 --> 00:10:02,880 Speaker 4: one people. So we as a people know that we're 214 00:10:02,920 --> 00:10:05,360 Speaker 4: supposed to come together and help the use them. But 215 00:10:05,520 --> 00:10:07,840 Speaker 4: if you them the one take help, I cannot bust 216 00:10:07,880 --> 00:10:11,360 Speaker 4: a bard and put the words out the melody inside it. 217 00:10:12,480 --> 00:10:15,280 Speaker 5: Yeah, is there any young artists right now in particular 218 00:10:15,320 --> 00:10:18,040 Speaker 5: that like you wrapping your arms around, that's doing it right, 219 00:10:18,040 --> 00:10:19,760 Speaker 5: that's doing like the respect and. 220 00:10:19,720 --> 00:10:22,800 Speaker 4: Yeah, well I respect each of them man from Dejah 221 00:10:22,920 --> 00:10:24,720 Speaker 4: right now. You don't have to like a person to 222 00:10:24,760 --> 00:10:27,440 Speaker 4: respect them job. You know, you don't have to be 223 00:10:27,520 --> 00:10:30,000 Speaker 4: a friend with a person to respect what he's doing. 224 00:10:30,400 --> 00:10:34,200 Speaker 4: So I do respect the effort that they put out 225 00:10:34,679 --> 00:10:38,720 Speaker 4: and they try hard, you know, So I respect all 226 00:10:39,040 --> 00:10:43,439 Speaker 4: young artists they ever wanted them, you know, seriously, because 227 00:10:43,920 --> 00:10:47,320 Speaker 4: it's not easy to face a twenty thousand crowded it's 228 00:10:47,320 --> 00:10:49,800 Speaker 4: not easy to face forty thousand and fifty thousand people. 229 00:10:50,040 --> 00:10:52,280 Speaker 4: It's not easy to take you have minely get nervous 230 00:10:52,320 --> 00:10:56,800 Speaker 4: break down backstage, you know better tell him said no, man, 231 00:10:56,920 --> 00:11:02,520 Speaker 4: just take a deeper and defense because you have my 232 00:11:02,679 --> 00:11:05,400 Speaker 4: nervous before them going to stay it even me. Sometimes 233 00:11:05,400 --> 00:11:10,240 Speaker 4: you get butterfly still yeah, because too much confident cars 234 00:11:10,400 --> 00:11:15,040 Speaker 4: distraction mm hmmmm mmm. You get that confident when you 235 00:11:15,120 --> 00:11:17,040 Speaker 4: go on that stage and the people go wow, then 236 00:11:17,200 --> 00:11:20,400 Speaker 4: say okay, I got it now boom and move to 237 00:11:20,559 --> 00:11:23,400 Speaker 4: But sometimes you're going to stay. There's too much confident 238 00:11:23,480 --> 00:11:25,840 Speaker 4: and say yo, may I have this, and you end 239 00:11:25,960 --> 00:11:26,400 Speaker 4: up flap. 240 00:11:27,200 --> 00:11:30,640 Speaker 1: You don't want that that first show, that first show 241 00:11:30,640 --> 00:11:33,600 Speaker 1: in America Field you came back, did you have that 242 00:11:33,720 --> 00:11:35,160 Speaker 1: those butterflies or what? 243 00:11:35,600 --> 00:11:37,839 Speaker 4: You haven't performed a place for thirteen years, and now 244 00:11:38,200 --> 00:11:40,800 Speaker 4: you're performing for different type of people. You're performing for 245 00:11:40,840 --> 00:11:45,120 Speaker 4: the working class people that you know, left work, go home, 246 00:11:45,440 --> 00:11:48,280 Speaker 4: left home, go to work. This is their time to 247 00:11:48,320 --> 00:11:51,560 Speaker 4: go out and party. So the only time them listen 248 00:11:51,600 --> 00:11:55,360 Speaker 4: to a beating man is either on the radio or 249 00:11:55,400 --> 00:11:59,120 Speaker 4: watching TV, or on the youtubear you know, anywhere else 250 00:11:59,480 --> 00:12:01,719 Speaker 4: you know them. They don't really go to a being 251 00:12:01,800 --> 00:12:04,480 Speaker 4: them on shore. So these are the type of audience 252 00:12:04,520 --> 00:12:07,040 Speaker 4: that we have at this Judge in the Garden show. 253 00:12:07,760 --> 00:12:10,400 Speaker 4: But when when you go on stage and you do 254 00:12:10,480 --> 00:12:16,400 Speaker 4: the first who and you the reaction from the audience, 255 00:12:16,440 --> 00:12:18,760 Speaker 4: then you know you got them. Yes see, you just 256 00:12:18,800 --> 00:12:21,480 Speaker 4: give them music. It's after it sung after song. It's 257 00:12:21,480 --> 00:12:24,280 Speaker 4: after it sung after song. You don't make the vibes drop. 258 00:12:24,679 --> 00:12:27,040 Speaker 4: When the vibe drop, you have something to say, but 259 00:12:27,080 --> 00:12:30,000 Speaker 4: make sure it's something that keeping the vibes up. So, yeah, 260 00:12:31,120 --> 00:12:34,920 Speaker 4: I did have a little butterfly there because literally itchin 261 00:12:35,080 --> 00:12:37,840 Speaker 4: go on back stage with my antchans and thing. 262 00:12:37,960 --> 00:12:39,400 Speaker 3: But it just work out, right. 263 00:12:40,240 --> 00:12:42,840 Speaker 6: I was gonna ask too. You know, dance hall is 264 00:12:43,120 --> 00:12:46,960 Speaker 6: very competitive. Yeah, and back then you guys were warrant. 265 00:12:47,240 --> 00:12:50,200 Speaker 2: You're like it was a competitive sport, like y'all were 266 00:12:50,200 --> 00:12:51,000 Speaker 2: going back and forth. 267 00:12:51,080 --> 00:12:53,679 Speaker 6: Yeah, but was there a mutual respect there? 268 00:12:53,679 --> 00:12:55,000 Speaker 2: And the reason I say that because in hip hop 269 00:12:55,000 --> 00:12:58,120 Speaker 2: it seems like they want to kill each other after 270 00:12:58,160 --> 00:13:00,600 Speaker 2: those type of battles. But you guys like it got 271 00:13:00,640 --> 00:13:03,959 Speaker 2: there many times, but we've never seen any bloodshed, We've 272 00:13:04,000 --> 00:13:05,640 Speaker 2: never seen any fist fights and nothing like that. 273 00:13:05,679 --> 00:13:06,880 Speaker 6: But it was still competitive. 274 00:13:07,040 --> 00:13:08,560 Speaker 3: Yeah, well just say it all right. 275 00:13:09,240 --> 00:13:14,360 Speaker 4: When I come to competition and competing with another artist. 276 00:13:14,400 --> 00:13:16,520 Speaker 3: You just have to respect the artists for who is 277 00:13:17,120 --> 00:13:17,760 Speaker 3: you know so? 278 00:13:18,360 --> 00:13:21,120 Speaker 4: And stage you are no friends. Backstage, you recal to 279 00:13:21,160 --> 00:13:21,520 Speaker 4: each other. 280 00:13:22,400 --> 00:13:22,800 Speaker 3: That's it. 281 00:13:22,960 --> 00:13:25,720 Speaker 4: They don't have to be violent, don't have to be me. 282 00:13:26,080 --> 00:13:27,839 Speaker 4: May I send my friend to shoot out for you? 283 00:13:28,200 --> 00:13:29,920 Speaker 4: Are you are sending your friend and a step on 284 00:13:29,960 --> 00:13:33,920 Speaker 4: my canner as a feeling mine and olypends and who 285 00:13:33,960 --> 00:13:37,360 Speaker 4: the person is or where the person is from. Because 286 00:13:37,920 --> 00:13:42,240 Speaker 4: you have artists who are read youngsters, you know, and 287 00:13:42,559 --> 00:13:45,360 Speaker 4: before them becomes a superstar. So you just make that 288 00:13:45,760 --> 00:13:47,920 Speaker 4: highlight you don't have to highlight it because you have 289 00:13:48,000 --> 00:13:50,560 Speaker 4: people who know who you was and what you used 290 00:13:50,559 --> 00:13:53,160 Speaker 4: to do. So our next brother come to you in 291 00:13:53,400 --> 00:13:56,360 Speaker 4: just know incumber at much respect. But when it comes 292 00:13:56,400 --> 00:13:59,239 Speaker 4: to stage and showing lyrics, there's no respect in showing lyrics, 293 00:13:59,559 --> 00:14:02,839 Speaker 4: but there's respecting. You see the person, he got a boom. 294 00:14:02,880 --> 00:14:04,679 Speaker 4: If you don't have to boom infit, sorry, nothing, you 295 00:14:04,840 --> 00:14:09,960 Speaker 4: just acknowledge. There's respect and acknowledgement. So if you acknowledge 296 00:14:09,960 --> 00:14:12,319 Speaker 4: that person and know say that person will. 297 00:14:12,360 --> 00:14:13,120 Speaker 3: Go deal with you. 298 00:14:13,440 --> 00:14:15,440 Speaker 4: If you try to go deal with that person, you 299 00:14:15,480 --> 00:14:18,480 Speaker 4: don't try to start nothing if you don't want nothing. 300 00:14:19,440 --> 00:14:22,400 Speaker 1: So after the sound clash, if the person doesn't give 301 00:14:22,400 --> 00:14:24,080 Speaker 1: you a fist bump or something, that's no. 302 00:14:24,200 --> 00:14:28,160 Speaker 3: Well you come off the stage with with all you got. 303 00:14:28,160 --> 00:14:31,600 Speaker 4: Some people's ignorant, but they put arrogance in the ignorant. 304 00:14:32,320 --> 00:14:35,160 Speaker 4: So then when you put arrogant in the insurance, that 305 00:14:35,240 --> 00:14:37,640 Speaker 4: cave a right to be mad. And you know you 306 00:14:37,640 --> 00:14:39,840 Speaker 4: don't make in a sense, So sometimes you just slow 307 00:14:39,920 --> 00:14:43,440 Speaker 4: it down. By good night tonight, then when we see 308 00:14:43,440 --> 00:14:45,480 Speaker 4: our next night, it's going to be my night, So 309 00:14:45,960 --> 00:14:47,760 Speaker 4: that is it. You just slow down all of that 310 00:14:48,160 --> 00:14:52,600 Speaker 4: right there. So sometime when yes to say it becomes 311 00:14:52,680 --> 00:14:56,640 Speaker 4: a violent argument. Sometimes you just be the better man 312 00:14:56,480 --> 00:14:56,920 Speaker 4: then smile. 313 00:14:57,000 --> 00:14:59,560 Speaker 1: You know. Yeah, you ever been on stage with an 314 00:14:59,640 --> 00:15:02,680 Speaker 1: artists and didn't like how they was performing and snatched 315 00:15:02,680 --> 00:15:03,880 Speaker 1: the mic from him like. 316 00:15:03,840 --> 00:15:11,120 Speaker 4: This, sometimes you got to do Yeah. I'm not gonna 317 00:15:11,160 --> 00:15:13,880 Speaker 4: be like yeah, no, I didn't do that. Now I've 318 00:15:13,920 --> 00:15:16,160 Speaker 4: done that because sometimes you caught up. 319 00:15:16,760 --> 00:15:17,360 Speaker 3: You have artists. 320 00:15:17,360 --> 00:15:20,760 Speaker 4: I jump on the stage and snatched the mic from you. Yeah, 321 00:15:20,800 --> 00:15:23,480 Speaker 4: to snatch it back. You don't want to disrespect him, 322 00:15:23,520 --> 00:15:25,560 Speaker 4: say bring him out to the front and make the 323 00:15:25,560 --> 00:15:27,200 Speaker 4: people that know that this is a young artist. 324 00:15:27,280 --> 00:15:28,280 Speaker 3: He's trying, you know. 325 00:15:28,640 --> 00:15:31,200 Speaker 5: Yeah, somebody came and snatched the mic. 326 00:15:31,040 --> 00:15:35,960 Speaker 4: From you said it was was last year. I was 327 00:15:36,000 --> 00:15:38,640 Speaker 4: on the stage do my thing to show what's in 328 00:15:38,640 --> 00:15:46,240 Speaker 4: the fire. The mic is gone? What some young kid? 329 00:15:46,760 --> 00:15:46,960 Speaker 1: You know? 330 00:15:47,080 --> 00:15:49,600 Speaker 3: So I have to oh, I see it. Yeah, I 331 00:15:49,600 --> 00:15:51,640 Speaker 3: have to make him knowing stage right here. This is 332 00:15:51,720 --> 00:15:53,400 Speaker 3: not how you do it, you know. 333 00:15:53,680 --> 00:15:55,680 Speaker 4: Yeah, And people want to take him up the stage, 334 00:15:55,680 --> 00:15:57,720 Speaker 4: but I said, that's leave him alone. Give him a chance, 335 00:15:57,720 --> 00:16:00,240 Speaker 4: all right, boom, do what you're got to do. He 336 00:16:00,320 --> 00:16:03,360 Speaker 4: never did well, so I make it bad for him 337 00:16:04,120 --> 00:16:06,760 Speaker 4: because the people was getting really rowdy. So I have 338 00:16:06,840 --> 00:16:08,600 Speaker 4: to get a boy the crowd to get in woman, 339 00:16:08,680 --> 00:16:09,320 Speaker 4: the show is up. 340 00:16:10,680 --> 00:16:12,600 Speaker 2: Do you have you ever had to prove yourself because 341 00:16:12,600 --> 00:16:15,760 Speaker 2: of like you got hard music, you got gangster music, 342 00:16:15,760 --> 00:16:17,240 Speaker 2: but you got a lot of music for the women. 343 00:16:17,520 --> 00:16:18,760 Speaker 3: Yeah, begauds of sugar. 344 00:16:18,840 --> 00:16:20,120 Speaker 6: That's right. 345 00:16:21,360 --> 00:16:22,960 Speaker 2: People ever think you were sweet for that? And you 346 00:16:22,960 --> 00:16:24,880 Speaker 2: have to prove yourself, like play if you want. Did 347 00:16:24,880 --> 00:16:25,520 Speaker 2: that ever happen? 348 00:16:27,360 --> 00:16:29,640 Speaker 4: I think every time I go on the stage with 349 00:16:29,680 --> 00:16:32,160 Speaker 4: out the artists, I have end up proving myself. 350 00:16:32,200 --> 00:16:34,240 Speaker 1: Really not beating Man the king of dance. 351 00:16:34,560 --> 00:16:39,200 Speaker 4: No, but trust me, because you see, all right, when 352 00:16:39,200 --> 00:16:42,560 Speaker 4: I'm on a stage show with everybody, like say, I'm 353 00:16:42,560 --> 00:16:45,640 Speaker 4: on a sum Fest bill, you know, not a beating 354 00:16:45,640 --> 00:16:46,480 Speaker 4: the money concert. 355 00:16:46,640 --> 00:16:48,440 Speaker 3: So I'm in a sum Fest bill. 356 00:16:49,920 --> 00:16:53,120 Speaker 4: It tept me to walk box stage enough I have 357 00:16:53,240 --> 00:16:55,640 Speaker 4: to do you just walk box stage and every artist 358 00:16:55,760 --> 00:16:57,520 Speaker 4: is box stage. Because I might not wonder if MA 359 00:16:57,600 --> 00:17:01,560 Speaker 4: goa work, No, I writ before him. All that was 360 00:17:01,640 --> 00:17:04,760 Speaker 4: never my problem. Whether I work first, in the middle, 361 00:17:04,840 --> 00:17:07,720 Speaker 4: I closed the show. My time is my time. But 362 00:17:07,960 --> 00:17:10,080 Speaker 4: what I like to do is watch the artists who 363 00:17:10,160 --> 00:17:12,399 Speaker 4: working before me, to see the vibes that they're pushing 364 00:17:12,680 --> 00:17:15,840 Speaker 4: to know exactly what I have to do, because if 365 00:17:15,840 --> 00:17:18,399 Speaker 4: you stay back there are staying at your truck underm 366 00:17:18,520 --> 00:17:21,600 Speaker 4: you don't know what vibes go on the man that work, 367 00:17:22,440 --> 00:17:24,560 Speaker 4: the very first who took the show, and you don't know. 368 00:17:26,160 --> 00:17:28,080 Speaker 3: So this is how I build my vibes. 369 00:17:28,080 --> 00:17:31,000 Speaker 4: I build my vibes from your energy, no negativity, but 370 00:17:31,160 --> 00:17:34,159 Speaker 4: your energy. So if I don't have to change the 371 00:17:34,240 --> 00:17:36,320 Speaker 4: starting up the show, or if I don't have to 372 00:17:36,400 --> 00:17:38,159 Speaker 4: change the middle of the show, I don't have to. 373 00:17:38,840 --> 00:17:41,160 Speaker 3: But you watch the artists and see the artists bring 374 00:17:41,200 --> 00:17:43,679 Speaker 3: the crowd. You need to keep the crowd either that 375 00:17:43,840 --> 00:17:45,000 Speaker 3: level or higher than that. 376 00:17:45,880 --> 00:17:48,840 Speaker 4: So you always start I get a middle of keep 377 00:17:48,880 --> 00:17:51,040 Speaker 4: the people them up and hand with that energy that 378 00:17:51,080 --> 00:17:53,639 Speaker 4: you need to end with. Because you ended with the 379 00:17:53,800 --> 00:17:57,760 Speaker 4: energy that you need. We call it an anchor. But 380 00:17:57,840 --> 00:18:00,560 Speaker 4: you can't do no anchor because your time is so 381 00:18:00,600 --> 00:18:03,160 Speaker 4: you end with that energy people shouting for more. 382 00:18:03,640 --> 00:18:06,600 Speaker 3: So this is the reason why I said, you have a. 383 00:18:06,520 --> 00:18:09,320 Speaker 4: Competition every night when you're going stage, but when it's 384 00:18:09,320 --> 00:18:12,320 Speaker 4: you in concert, the only competition you have is the 385 00:18:12,400 --> 00:18:13,320 Speaker 4: energy from the people. 386 00:18:14,320 --> 00:18:16,920 Speaker 5: Now, speaking of your concert and your tours. The name 387 00:18:16,960 --> 00:18:18,880 Speaker 5: of this tour is the King of the Dance Hall Tour. 388 00:18:19,000 --> 00:18:19,240 Speaker 1: Yeah. 389 00:18:19,320 --> 00:18:21,560 Speaker 5: I know there's back and forth with the Vibes, Cartel 390 00:18:21,640 --> 00:18:23,440 Speaker 5: and the fans trying to figure out King of the 391 00:18:23,520 --> 00:18:28,120 Speaker 5: Dance Hall. But this is the dethroning this tour right here. 392 00:18:29,880 --> 00:18:33,159 Speaker 3: Well, I'm not detroning no one. I don't come to 393 00:18:33,200 --> 00:18:34,040 Speaker 3: talk about people. 394 00:18:34,760 --> 00:18:38,280 Speaker 4: I'm a king bezards of my music and my longevity 395 00:18:38,280 --> 00:18:40,560 Speaker 4: in the music and still being here. I've been here 396 00:18:40,600 --> 00:18:44,919 Speaker 4: since the eighties through the nineties and I'm still here 397 00:18:45,440 --> 00:18:48,439 Speaker 4: doing the same thing period. So yeah, so you know, 398 00:18:48,840 --> 00:18:51,400 Speaker 4: I don't have to compare myself with people. People try 399 00:18:51,440 --> 00:18:54,639 Speaker 4: to compare theirself with me. It's a good thing because 400 00:18:54,680 --> 00:18:57,960 Speaker 4: every artist that bust in this music business since me 401 00:18:58,040 --> 00:19:00,760 Speaker 4: buss them, compare me to them. It's a great thing 402 00:19:00,840 --> 00:19:03,399 Speaker 4: to call up your name caught up with a young 403 00:19:03,400 --> 00:19:06,399 Speaker 4: fresh artists. It's a great thing. I'm not fighting it, 404 00:19:06,800 --> 00:19:11,080 Speaker 4: not disputing it, but you know, that's why it is 405 00:19:11,119 --> 00:19:11,560 Speaker 4: what it is. 406 00:19:11,720 --> 00:19:13,720 Speaker 1: You think that's why one of the reason's artists always 407 00:19:13,720 --> 00:19:15,560 Speaker 1: want to challenge you though, because you call yourself the king. 408 00:19:15,600 --> 00:19:15,880 Speaker 1: The king. 409 00:19:15,920 --> 00:19:18,159 Speaker 3: I don't did not call myself the king. I was 410 00:19:18,240 --> 00:19:18,760 Speaker 3: crowned king. 411 00:19:18,960 --> 00:19:21,639 Speaker 1: Oh okay, it's. 412 00:19:21,600 --> 00:19:22,360 Speaker 3: A big difference. 413 00:19:22,880 --> 00:19:23,120 Speaker 1: Yeah. 414 00:19:24,600 --> 00:19:26,919 Speaker 6: Now I also wanted to ask new music. Are you 415 00:19:26,960 --> 00:19:27,680 Speaker 6: working on new music? 416 00:19:27,840 --> 00:19:30,320 Speaker 3: Yeah, I'm working on an album right now. 417 00:19:31,000 --> 00:19:34,879 Speaker 4: Yeah, I got a new music with me and Itana. 418 00:19:35,320 --> 00:19:36,840 Speaker 3: It's called Guide of Us. 419 00:19:37,040 --> 00:19:41,480 Speaker 4: Yeah, it's produced by Kem Marega and majority of this 420 00:19:41,560 --> 00:19:44,360 Speaker 4: album would be producing by me and Keme Magrega. We're 421 00:19:44,359 --> 00:19:48,080 Speaker 4: going to have out of producers. So yeah, we're working 422 00:19:48,119 --> 00:19:50,200 Speaker 4: on a new album right now. But this is the 423 00:19:50,560 --> 00:19:52,919 Speaker 4: new singers called Guide of Us. I was gonna ask 424 00:19:52,960 --> 00:19:55,000 Speaker 4: you you still get inspired? What still inspires you. 425 00:19:55,000 --> 00:19:55,720 Speaker 3: To do new music? 426 00:19:55,920 --> 00:19:58,080 Speaker 6: Because you got classic you got. 427 00:19:58,160 --> 00:20:02,600 Speaker 4: Yeah, yeah, but the paper the funds, because you see 428 00:20:02,640 --> 00:20:05,399 Speaker 4: the funds when you go there them ox, When are 429 00:20:05,440 --> 00:20:06,960 Speaker 4: we going to get a new giant? When a new 430 00:20:07,000 --> 00:20:08,760 Speaker 4: giant is going to jomp? When you're going to put 431 00:20:08,800 --> 00:20:10,200 Speaker 4: out this? When you're going to put out that? So 432 00:20:10,320 --> 00:20:14,520 Speaker 4: that continuously I view in the studio because I went 433 00:20:14,560 --> 00:20:16,480 Speaker 4: in the studio the other night and I did a. 434 00:20:16,440 --> 00:20:19,560 Speaker 3: Song with with Freddie Brown. 435 00:20:20,080 --> 00:20:23,399 Speaker 4: He's an house music producer, and that beat was so 436 00:20:23,440 --> 00:20:25,639 Speaker 4: wicked that I have to drop a wicked checking it. 437 00:20:26,160 --> 00:20:28,560 Speaker 4: And you know, this is all the music, music type 438 00:20:28,600 --> 00:20:30,439 Speaker 4: me here, music taped me there, music taped me to 439 00:20:30,480 --> 00:20:31,840 Speaker 4: Africa to do some afrod beat. 440 00:20:32,320 --> 00:20:34,879 Speaker 3: I do I have a new song with Maya to 441 00:20:34,960 --> 00:20:35,720 Speaker 3: come up right now? 442 00:20:36,280 --> 00:20:36,800 Speaker 1: Yes, I. 443 00:20:38,600 --> 00:20:40,360 Speaker 3: Make up about that. That that the. 444 00:20:40,400 --> 00:20:43,920 Speaker 4: Juice realdym with you know the biggest small radio. Yeah, 445 00:20:44,160 --> 00:20:45,760 Speaker 4: I'm trying to get Snoop up in there. 446 00:20:45,840 --> 00:20:48,280 Speaker 1: So yeah, yeah, Do you have. 447 00:20:48,280 --> 00:20:51,000 Speaker 2: To change any of your lyrics from back then because 448 00:20:51,040 --> 00:20:53,800 Speaker 2: back then in the in the nineties and two thousand. 449 00:20:53,680 --> 00:20:55,160 Speaker 1: There was words that we use. 450 00:20:55,560 --> 00:20:59,240 Speaker 6: They can't be using that, you know which ones. 451 00:21:01,160 --> 00:21:06,040 Speaker 4: It's the music is adapt and adjusted, so if that's 452 00:21:06,080 --> 00:21:08,240 Speaker 4: what going on, you got to adapt and adjust to 453 00:21:08,280 --> 00:21:11,200 Speaker 4: the to the vibe that's going on. Because in Jamaica, 454 00:21:11,400 --> 00:21:12,840 Speaker 4: we were just singing for Jamaica. 455 00:21:13,200 --> 00:21:13,920 Speaker 3: We didn't know. 456 00:21:13,840 --> 00:21:17,160 Speaker 4: That the music is music gonna go worldwide international. Once 457 00:21:17,200 --> 00:21:19,360 Speaker 4: the music go world right international, you have to sing 458 00:21:19,440 --> 00:21:22,040 Speaker 4: for the world to understand where you're coming from. So 459 00:21:22,359 --> 00:21:25,080 Speaker 4: you have to make some adjustment back up, Like, damn, 460 00:21:25,600 --> 00:21:26,440 Speaker 4: that's that's. 461 00:21:27,880 --> 00:21:29,399 Speaker 1: The times though, Yeah, it was. 462 00:21:29,440 --> 00:21:29,960 Speaker 3: It was the time. 463 00:21:30,040 --> 00:21:32,080 Speaker 4: So there was a time when we used to do 464 00:21:32,119 --> 00:21:35,040 Speaker 4: the music the way like we love it. But now 465 00:21:35,080 --> 00:21:36,800 Speaker 4: the people is into the music. You have to do 466 00:21:36,920 --> 00:21:40,160 Speaker 4: music for people. So you're not doing we music, my music, 467 00:21:40,240 --> 00:21:43,560 Speaker 4: my music for me. You're doing the world music. So 468 00:21:43,680 --> 00:21:46,280 Speaker 4: do the world a favor, play what they want to hear. 469 00:21:46,560 --> 00:21:48,560 Speaker 1: I love what you said earlier too about artists just 470 00:21:48,600 --> 00:21:50,760 Speaker 1: doing the music and they were doing it just, you know, 471 00:21:50,840 --> 00:21:52,560 Speaker 1: just to get the cards and just to get the look. 472 00:21:52,920 --> 00:21:55,320 Speaker 1: I feel like, you know, the reason people have always 473 00:21:55,320 --> 00:21:58,920 Speaker 1: loved reggae music is because it has intention. Yeah, So 474 00:21:58,920 --> 00:22:01,200 Speaker 1: so what is your intention when you all right? 475 00:22:01,600 --> 00:22:02,720 Speaker 3: Just to put it like this. 476 00:22:03,560 --> 00:22:05,600 Speaker 4: When I just started out when I was like five 477 00:22:05,680 --> 00:22:09,520 Speaker 4: years of page and I started doing stage at age seven, 478 00:22:10,080 --> 00:22:14,240 Speaker 4: I never know that money come with music. I never 479 00:22:14,320 --> 00:22:18,280 Speaker 4: know that, yeah, doing it because I was born as 480 00:22:18,320 --> 00:22:21,320 Speaker 4: Tima kid and music is what made me talk today. 481 00:22:21,480 --> 00:22:24,959 Speaker 4: So we can have a conversation because I sing all 482 00:22:25,000 --> 00:22:26,679 Speaker 4: the time. I sing everything. I used to sing the 483 00:22:26,720 --> 00:22:29,040 Speaker 4: reading book in the school. I used to sing the 484 00:22:29,119 --> 00:22:33,000 Speaker 4: list to shop everything, so I can really talk. So 485 00:22:33,440 --> 00:22:36,520 Speaker 4: what I did the music for is to get my 486 00:22:36,640 --> 00:22:39,760 Speaker 4: speech up today so I can speak to people straight. 487 00:22:40,400 --> 00:22:42,600 Speaker 4: So when I started to make money for music is 488 00:22:42,640 --> 00:22:45,080 Speaker 4: when I used to go in DJ competition, DJ contest. 489 00:22:45,440 --> 00:22:47,919 Speaker 4: You got far the artists there but I could do 490 00:22:48,000 --> 00:22:51,080 Speaker 4: three things. I could sing, I could chart, and I 491 00:22:51,119 --> 00:22:55,520 Speaker 4: could dance. So I entered the dancing competition Breeze. I 492 00:22:55,680 --> 00:22:59,200 Speaker 4: entered the singing competition Breeze. When I entered the DJ competition, 493 00:22:59,280 --> 00:23:03,360 Speaker 4: now is a difference because DJ chhow world and each other. 494 00:23:04,240 --> 00:23:07,119 Speaker 4: So if you good enough, you can build a lyrics. 495 00:23:07,160 --> 00:23:09,600 Speaker 3: Backstage, you have the lyrics. 496 00:23:09,240 --> 00:23:14,120 Speaker 4: That already built, but incorporating the next guy name into 497 00:23:14,160 --> 00:23:17,440 Speaker 4: it is this is how the DJ business goes. So 498 00:23:17,840 --> 00:23:21,160 Speaker 4: you know, sometime when I said I started out age 499 00:23:21,200 --> 00:23:23,600 Speaker 4: five was the DJ. People think I used to play music. 500 00:23:24,920 --> 00:23:29,840 Speaker 4: I play music. Yeah, I play records, I play CDs. 501 00:23:29,960 --> 00:23:33,639 Speaker 4: I play music because without you knowing music, you're no 502 00:23:33,800 --> 00:23:34,639 Speaker 4: weird in music. 503 00:23:35,080 --> 00:23:35,480 Speaker 3: So the. 504 00:23:37,320 --> 00:23:40,879 Speaker 4: DJ and the competition and the interest in music, it 505 00:23:41,000 --> 00:23:44,560 Speaker 4: just came from loving the music. It's not really you know, 506 00:23:44,800 --> 00:23:46,640 Speaker 4: you get up and said I'm going to be rich 507 00:23:47,200 --> 00:23:49,399 Speaker 4: because you never know that money. I never know that 508 00:23:49,440 --> 00:23:52,560 Speaker 4: money was into it until I saw King Yellarman he 509 00:23:52,640 --> 00:23:55,840 Speaker 4: come out and buy a car and walking. Julia ram, 510 00:23:55,920 --> 00:24:00,320 Speaker 4: I'm like, what, that's why you become It becomes a tart. 511 00:24:00,560 --> 00:24:03,880 Speaker 1: So yeah, I try to fight to be you love 512 00:24:03,920 --> 00:24:07,200 Speaker 1: what you said about you said you had a speech impediment? Yeah, 513 00:24:07,520 --> 00:24:09,600 Speaker 1: you who taught you that? Like, who said, you know what, 514 00:24:09,640 --> 00:24:11,199 Speaker 1: if you sing everything, it'll teach you. 515 00:24:11,200 --> 00:24:14,440 Speaker 3: How nobody taught me. I really do taught myself. 516 00:24:14,600 --> 00:24:16,520 Speaker 1: So god you said, hey there I got. 517 00:24:16,760 --> 00:24:18,600 Speaker 3: I think that just come in my head and it's 518 00:24:18,720 --> 00:24:20,240 Speaker 3: just bom wow. 519 00:24:20,560 --> 00:24:20,760 Speaker 1: Yeah. 520 00:24:20,800 --> 00:24:23,320 Speaker 4: Because every time I'm in school and the teacher called 521 00:24:23,320 --> 00:24:25,600 Speaker 4: me up and give me the reading book, everybody know 522 00:24:25,680 --> 00:24:28,720 Speaker 4: they're going to get something. So the old classroom is 523 00:24:28,800 --> 00:24:33,280 Speaker 4: like this jaccause I didn't know I'm not going to 524 00:24:33,359 --> 00:24:37,840 Speaker 4: read that. Everybody know I'm a stepach kid, so they 525 00:24:37,920 --> 00:24:39,560 Speaker 4: know there's no reading going on. 526 00:24:39,600 --> 00:24:41,600 Speaker 1: You. So you had when you had a bad experience, 527 00:24:41,640 --> 00:24:43,040 Speaker 1: like the first time you had to read out loud 528 00:24:43,119 --> 00:24:43,360 Speaker 1: or something. 529 00:24:43,359 --> 00:24:44,960 Speaker 3: That's no, it's not really that. 530 00:24:45,760 --> 00:24:50,800 Speaker 4: I couldn't form a full sentence in less than ten minutes, 531 00:24:52,320 --> 00:24:55,440 Speaker 4: trust me, it was odd. You have to stamped your feet, 532 00:24:55,520 --> 00:24:57,200 Speaker 4: beat your chest to all different. 533 00:24:56,880 --> 00:24:58,120 Speaker 1: Type of things. Yeah. 534 00:24:58,160 --> 00:25:01,320 Speaker 4: So I realized that when I started singing, I don't 535 00:25:01,359 --> 00:25:04,480 Speaker 4: stop because there's a kid you have a singing or 536 00:25:04,520 --> 00:25:08,359 Speaker 4: got old down that lay. Yeah, you sing all that, 537 00:25:08,480 --> 00:25:09,919 Speaker 4: but you turn out a lot into lyrics. 538 00:25:10,720 --> 00:25:11,639 Speaker 3: So you just moved there. 539 00:25:11,720 --> 00:25:13,320 Speaker 4: Move from here, and move from there, move from there 540 00:25:13,400 --> 00:25:15,680 Speaker 4: till you start to figure out that when you do 541 00:25:15,840 --> 00:25:18,040 Speaker 4: this thing, it makes you speak better. 542 00:25:19,280 --> 00:25:21,360 Speaker 1: You never did, never thought about doing the children's album 543 00:25:21,440 --> 00:25:22,480 Speaker 1: and just singing all them songs. 544 00:25:22,640 --> 00:25:27,440 Speaker 4: Yeah, I thought about it all the time. But it's 545 00:25:27,680 --> 00:25:31,920 Speaker 4: you know, it's it's not really my thing. But yeah, 546 00:25:32,080 --> 00:25:33,920 Speaker 4: some music things said, sorry, if I can get some 547 00:25:34,000 --> 00:25:37,480 Speaker 4: reggae and some dance all together and put some children 548 00:25:37,600 --> 00:25:40,560 Speaker 4: some together, but that writer might write my original children 549 00:25:40,680 --> 00:25:42,560 Speaker 4: song more than go from myna. 550 00:25:43,240 --> 00:25:45,639 Speaker 1: It's just incredible how God works. Like you know, something 551 00:25:45,680 --> 00:25:47,280 Speaker 1: that some people would look at and say, oh, this 552 00:25:47,400 --> 00:25:49,360 Speaker 1: is an impediment, this might hold me back in life. 553 00:25:49,600 --> 00:25:51,679 Speaker 1: It actually propelled you to be who you are. 554 00:25:53,880 --> 00:25:57,000 Speaker 5: This is not about the children's songs. Yeah, I was 555 00:25:57,480 --> 00:26:00,800 Speaker 5: in here thinking. I remember you guys at Diverses, and 556 00:26:01,080 --> 00:26:02,879 Speaker 5: I was wondering because during that time, you couldn't you 557 00:26:03,040 --> 00:26:05,000 Speaker 5: you're talking about how much money you make here in 558 00:26:05,000 --> 00:26:07,080 Speaker 5: the US, you couldn't come here. I hear a lot 559 00:26:07,119 --> 00:26:09,439 Speaker 5: of US artists talk about how the verses that Swiss 560 00:26:10,119 --> 00:26:12,040 Speaker 5: that they do help them make so much money and 561 00:26:12,080 --> 00:26:13,920 Speaker 5: the catalog numbers go up. What did it do for you? 562 00:26:14,040 --> 00:26:15,520 Speaker 5: At that time, and how did it help because you 563 00:26:15,560 --> 00:26:16,800 Speaker 5: couldn't come here and towards. 564 00:26:16,760 --> 00:26:22,399 Speaker 4: Trust me, my Cadillact numbers go up like figuously like that, 565 00:26:22,920 --> 00:26:23,960 Speaker 4: My Cadillact is just. 566 00:26:26,000 --> 00:26:27,720 Speaker 3: My Cadillac becomes a Cadillac. 567 00:26:28,200 --> 00:26:34,400 Speaker 4: Your catalog, it's just and just move off, like seriously, 568 00:26:34,440 --> 00:26:37,240 Speaker 4: you get more listeners who never used to listen to you. 569 00:26:37,440 --> 00:26:40,119 Speaker 3: You know, you got most streamers who never used to stream. 570 00:26:40,680 --> 00:26:44,119 Speaker 6: So, yeah, what happened that police officer just walked in 571 00:26:44,160 --> 00:26:44,480 Speaker 6: your house? 572 00:26:44,560 --> 00:26:47,200 Speaker 3: Walked through They just walk in time? That's boom? Is 573 00:26:47,240 --> 00:26:48,200 Speaker 3: that how it works? Did you make it? 574 00:26:48,240 --> 00:26:48,280 Speaker 1: It? 575 00:26:48,359 --> 00:26:49,520 Speaker 3: Just just open the door and just come. 576 00:26:49,440 --> 00:26:52,840 Speaker 4: On and all right, everybody was focusing on what was 577 00:26:52,920 --> 00:26:54,800 Speaker 4: going on, so nobody was focusing on. 578 00:26:55,080 --> 00:26:57,080 Speaker 2: So for people that don't know, during the versus, a 579 00:26:57,240 --> 00:27:00,280 Speaker 2: cop just walked right into the rooms, like, hey, what's 580 00:27:00,280 --> 00:27:00,879 Speaker 2: going on here? 581 00:27:01,440 --> 00:27:01,680 Speaker 3: Like what? 582 00:27:02,240 --> 00:27:05,879 Speaker 4: We got millions of people and the life now, so 583 00:27:06,480 --> 00:27:09,520 Speaker 4: why you want to do he started to talk about COVID. 584 00:27:10,400 --> 00:27:14,040 Speaker 4: Oh this like real home, you know, so you're talking 585 00:27:14,160 --> 00:27:16,480 Speaker 4: like you want to get seerious? Do you want to 586 00:27:16,520 --> 00:27:24,400 Speaker 4: be that guy you're looking to himself? Yeah, so yeah, cop, 587 00:27:24,520 --> 00:27:28,240 Speaker 4: do that because if all right? Anyway they see like 588 00:27:28,359 --> 00:27:31,840 Speaker 4: cars gotta even though the door the gate is closed 589 00:27:31,880 --> 00:27:35,040 Speaker 4: and is indoor area. That she like, they're the police, 590 00:27:35,440 --> 00:27:37,240 Speaker 4: so they have to come to find out what's going on. 591 00:27:38,160 --> 00:27:41,040 Speaker 4: It's not like they didn't know what's going on. They 592 00:27:41,119 --> 00:27:43,119 Speaker 4: just want to come show their face, you know. I 593 00:27:43,840 --> 00:27:45,960 Speaker 4: see with them by the time, by the time we 594 00:27:46,040 --> 00:27:48,640 Speaker 4: were taking a break. That's why he could say, what's 595 00:27:48,720 --> 00:27:49,040 Speaker 4: going on? 596 00:27:49,800 --> 00:27:50,679 Speaker 1: Yeah, it was like the. 597 00:27:50,720 --> 00:27:53,240 Speaker 5: Only time I've ever seen a versus battle like interrupted 598 00:27:53,320 --> 00:27:55,080 Speaker 5: like a party. Like yo, y'all make too much nowise 599 00:27:55,119 --> 00:28:01,000 Speaker 5: con you handled it so well. 600 00:28:02,200 --> 00:28:05,560 Speaker 4: You see that the police officers they're waiting for you 601 00:28:05,680 --> 00:28:09,280 Speaker 4: to disrespect so they can do their thing, you know, 602 00:28:09,600 --> 00:28:11,920 Speaker 4: So you just hangl it the best way you can. 603 00:28:12,760 --> 00:28:14,680 Speaker 4: Just do that in the best of your ability to 604 00:28:14,800 --> 00:28:17,680 Speaker 4: make them know, say, we're not disrespect no one. We're 605 00:28:17,760 --> 00:28:22,040 Speaker 4: in a closed door indoor area. We're not outside, We're 606 00:28:22,080 --> 00:28:24,959 Speaker 4: not ivory nobody. You come in there. You see everybody 607 00:28:25,040 --> 00:28:28,240 Speaker 4: in their mass. Everybody's good. It's all that we know 608 00:28:28,400 --> 00:28:32,480 Speaker 4: who's under the versus just doing it raw. And I 609 00:28:32,720 --> 00:28:35,720 Speaker 4: never want to do a versus like upsas and downstairs 610 00:28:35,760 --> 00:28:36,360 Speaker 4: gathering thing. 611 00:28:36,960 --> 00:28:38,040 Speaker 3: You the they are and me the. 612 00:28:38,080 --> 00:28:41,080 Speaker 4: Writers so we get the studio and we just go 613 00:28:41,240 --> 00:28:43,960 Speaker 4: in the studio and just do it right there because 614 00:28:44,000 --> 00:28:45,240 Speaker 4: this is out Jamaican road. 615 00:28:46,720 --> 00:28:49,280 Speaker 1: Why did you have to why why would why was 616 00:28:49,320 --> 00:28:51,200 Speaker 1: trending down to Dibago so mad just because you say 617 00:28:51,240 --> 00:28:52,520 Speaker 1: you ain't like you don't like doubles. 618 00:28:52,560 --> 00:28:56,680 Speaker 4: Man, You see people get mad at things. Yeah, it 619 00:28:56,840 --> 00:28:59,360 Speaker 4: wasn't even not necessary for them to get mad. So 620 00:28:59,720 --> 00:29:02,720 Speaker 4: you know that's where it goes. And I don't think 621 00:29:02,800 --> 00:29:05,000 Speaker 4: Trinidad and tobag I get mad. And some people just 622 00:29:05,160 --> 00:29:05,920 Speaker 4: trying to say that. 623 00:29:06,560 --> 00:29:08,400 Speaker 1: That was the headline. It made it like the whole 624 00:29:08,760 --> 00:29:10,880 Speaker 1: that that's crazy. 625 00:29:11,560 --> 00:29:13,400 Speaker 4: I wat shoot the airports and I take picture with 626 00:29:13,480 --> 00:29:17,120 Speaker 4: Tinnidadians every day. I go to Jamaica, take picture with 627 00:29:17,200 --> 00:29:20,120 Speaker 4: Tinidadians and Tobacons every day. So if they were mad 628 00:29:20,160 --> 00:29:23,200 Speaker 4: at me, they were to tell me personally, yeah. 629 00:29:23,440 --> 00:29:25,040 Speaker 1: Probably whispered you. I don't like doubles either. 630 00:29:28,760 --> 00:29:30,200 Speaker 2: I was gonna say, how are you dealing with with 631 00:29:30,360 --> 00:29:32,080 Speaker 2: with social media? Because you know, when we came up 632 00:29:32,120 --> 00:29:33,920 Speaker 2: in the era where it was no social media. But yeah, 633 00:29:34,320 --> 00:29:36,080 Speaker 2: I mean you walk down the street, people take a picture. 634 00:29:36,120 --> 00:29:38,680 Speaker 2: How are you dealing with social media and people picking apart. 635 00:29:38,520 --> 00:29:41,160 Speaker 4: Your life and I deal with it because I don't 636 00:29:41,160 --> 00:29:44,360 Speaker 4: have a phone. I don't have to look at it 637 00:29:44,440 --> 00:29:45,760 Speaker 4: every day. So you don't have a phone. 638 00:29:45,800 --> 00:29:49,120 Speaker 5: No, wow, I don't know what I would do. 639 00:29:50,080 --> 00:29:51,960 Speaker 3: Oh I got peeping around and got phone. It was 640 00:29:52,040 --> 00:29:54,360 Speaker 3: very difficult, very different. 641 00:29:54,840 --> 00:29:59,440 Speaker 5: Put out the instagram quick little, I do that. 642 00:29:59,520 --> 00:30:01,880 Speaker 4: I don't do that because I got too much problems 643 00:30:01,920 --> 00:30:05,000 Speaker 4: in my life, my real life. I got too much problems. 644 00:30:05,040 --> 00:30:09,040 Speaker 4: I got, you know, not problem, problem, problem, but you 645 00:30:09,160 --> 00:30:12,480 Speaker 4: got mouths to feed. And you know when when you 646 00:30:12,680 --> 00:30:15,480 Speaker 4: sit down and look on certain things, it brings you back, 647 00:30:15,640 --> 00:30:20,479 Speaker 4: make you get mad and crazy over nothing. Because anything 648 00:30:20,560 --> 00:30:24,320 Speaker 4: people say about you is publicity. If people call the 649 00:30:24,400 --> 00:30:27,040 Speaker 4: naime every day, that's every day somebody is talking about you. 650 00:30:27,640 --> 00:30:29,640 Speaker 4: The only thing bad a man can say about you 651 00:30:29,840 --> 00:30:32,160 Speaker 4: is when they say you're dead and you cannot come 652 00:30:32,200 --> 00:30:35,880 Speaker 4: back and say, nah, I'm not dead. So anything bad 653 00:30:35,960 --> 00:30:41,760 Speaker 4: they say you can counteract with goodness. So I don't 654 00:30:41,800 --> 00:30:44,560 Speaker 4: listen to social media. I like it because the music 655 00:30:45,920 --> 00:30:49,440 Speaker 4: is what you call it, evolve it, you know, and 656 00:30:49,760 --> 00:30:51,920 Speaker 4: evolution is a must. That's what they say in. 657 00:30:53,680 --> 00:30:54,080 Speaker 3: Science. 658 00:30:54,680 --> 00:30:58,080 Speaker 4: So when they come with all this technology and everything, 659 00:30:58,240 --> 00:31:00,960 Speaker 4: regardless of you is a part, are a part of 660 00:31:01,120 --> 00:31:03,040 Speaker 4: what this is a part of the world, and this 661 00:31:03,200 --> 00:31:05,959 Speaker 4: is what's happening with the world today. So you can 662 00:31:06,160 --> 00:31:08,440 Speaker 4: just adjust and adapt or just leave it alone. 663 00:31:09,400 --> 00:31:11,360 Speaker 1: That's why I know you an original and you don't 664 00:31:11,400 --> 00:31:13,680 Speaker 1: care about what other people think. A lot of times 665 00:31:13,720 --> 00:31:15,480 Speaker 1: people have social media just because they have a fear 666 00:31:15,520 --> 00:31:16,080 Speaker 1: of missing out. 667 00:31:16,440 --> 00:31:19,120 Speaker 3: Yeah I'm not into that. I don't have a fear 668 00:31:19,160 --> 00:31:22,360 Speaker 3: of missing out because I will always be here. I 669 00:31:22,480 --> 00:31:23,320 Speaker 3: sing same similar. 670 00:31:23,400 --> 00:31:30,840 Speaker 5: Come on, So, because you're such a positive person and 671 00:31:30,920 --> 00:31:32,640 Speaker 5: like your spirit is so common, how do you deal 672 00:31:32,720 --> 00:31:35,200 Speaker 5: with stuff Like I saw when your daughter, you guys 673 00:31:35,200 --> 00:31:37,120 Speaker 5: are going back and forth. She had made those statements 674 00:31:37,120 --> 00:31:38,520 Speaker 5: and then you guys had to come up with a statement, 675 00:31:38,520 --> 00:31:41,680 Speaker 5: and I was like, I've never seen Yeah, I was. 676 00:31:41,760 --> 00:31:42,800 Speaker 3: Not going back and forth. 677 00:31:42,840 --> 00:31:45,840 Speaker 4: And people were trying to react to her because I 678 00:31:45,960 --> 00:31:48,720 Speaker 4: always have this thing as I am father that she's 679 00:31:48,800 --> 00:31:50,920 Speaker 4: that I think, yeah, if she has a problem, she 680 00:31:51,080 --> 00:31:51,440 Speaker 4: come to me. 681 00:31:52,120 --> 00:31:52,360 Speaker 3: See. 682 00:31:52,400 --> 00:31:56,280 Speaker 4: But you see, sometimes people that you think not going 683 00:31:56,360 --> 00:31:58,760 Speaker 4: to do certain things, they're the one that surprised you, 684 00:31:59,160 --> 00:32:00,560 Speaker 4: like tada surprise. 685 00:32:00,800 --> 00:32:04,360 Speaker 5: Your statement seemed hurt by publicly to her. 686 00:32:04,560 --> 00:32:08,560 Speaker 4: Trust me, because you see the problem is he's only 687 00:32:08,640 --> 00:32:11,120 Speaker 4: your own kid can make you feel a certain way. 688 00:32:12,280 --> 00:32:14,600 Speaker 3: You see, when you dedicate your life to take care 689 00:32:14,600 --> 00:32:16,480 Speaker 3: of a person, and a person. 690 00:32:16,320 --> 00:32:19,479 Speaker 4: Dedicated their life to bring your life down, he's going 691 00:32:19,560 --> 00:32:23,080 Speaker 4: to be hurt regardless of what. Yeah, so, yes, she 692 00:32:23,280 --> 00:32:26,760 Speaker 4: did hurt some feelings, but I move on and I 693 00:32:26,840 --> 00:32:27,360 Speaker 4: get over there. 694 00:32:28,400 --> 00:32:31,800 Speaker 3: Yeah now, but she's good. She's she's a thirty other 695 00:32:31,960 --> 00:32:34,440 Speaker 3: old woman, so she knows the balance of herself and 696 00:32:34,760 --> 00:32:35,440 Speaker 3: she's all right. 697 00:32:36,280 --> 00:32:38,040 Speaker 1: Question yourself, like what did I do wrong? 698 00:32:38,320 --> 00:32:38,520 Speaker 3: Yeah? 699 00:32:38,680 --> 00:32:42,520 Speaker 4: I always do that because when you know, it's always 700 00:32:42,600 --> 00:32:46,280 Speaker 4: be wanting already other because he let somebody ask. 701 00:32:46,200 --> 00:32:47,600 Speaker 3: Her something and then to get it at the time 702 00:32:47,640 --> 00:32:50,800 Speaker 3: when they wanted and just take it out to you. 703 00:32:50,960 --> 00:32:52,200 Speaker 3: But yours is yours. 704 00:32:52,280 --> 00:32:54,600 Speaker 4: You work for yours, you know, So all you have 705 00:32:54,680 --> 00:32:58,000 Speaker 4: to do is just be mighty down and know that 706 00:32:58,240 --> 00:33:04,040 Speaker 4: that's your daughter. You know, she speaks foulting and things 707 00:33:04,080 --> 00:33:06,640 Speaker 4: that she's not supposed to speak about me, and it 708 00:33:06,840 --> 00:33:09,160 Speaker 4: was our lives. So it's not true. So it's not 709 00:33:09,280 --> 00:33:11,920 Speaker 4: like she burst any secret. The only secret she burst 710 00:33:12,080 --> 00:33:14,560 Speaker 4: was talking about my maserati. When I never want nobody 711 00:33:14,600 --> 00:33:16,280 Speaker 4: to know that, I'm going to bring it in Jamaica. 712 00:33:20,360 --> 00:33:23,160 Speaker 1: How was it do you have to have to deal 713 00:33:23,240 --> 00:33:25,760 Speaker 1: with that with people? Like do people? You know? Sometimes 714 00:33:26,160 --> 00:33:28,720 Speaker 1: like you might do something for a person ten times 715 00:33:28,840 --> 00:33:30,080 Speaker 1: that one time you don't want it. 716 00:33:30,240 --> 00:33:33,720 Speaker 4: But it's that that's the Caribbean way. I don't think 717 00:33:33,800 --> 00:33:36,440 Speaker 4: that is the Jamaican way. That's the Caribbean way. 718 00:33:37,480 --> 00:33:37,680 Speaker 1: Yeah. 719 00:33:37,880 --> 00:33:39,320 Speaker 3: You do a lot of good, a lot of good, 720 00:33:39,360 --> 00:33:39,880 Speaker 3: a lot of good. 721 00:33:40,280 --> 00:33:44,520 Speaker 4: And then do you ever notice that a guy got 722 00:33:44,560 --> 00:33:47,080 Speaker 4: a two hundred dollar problem while you got a two 723 00:33:47,160 --> 00:33:50,160 Speaker 4: million dollar problem? And this problem is more important than yours? Right, 724 00:33:50,920 --> 00:33:56,280 Speaker 4: that's right, That's why we face every day. Yeah, so 725 00:33:56,480 --> 00:33:58,440 Speaker 4: people in life just have to face life for what 726 00:33:58,560 --> 00:34:01,120 Speaker 4: it is. You know, is either you addressed her at 727 00:34:01,160 --> 00:34:05,200 Speaker 4: that part, just leave life alone. I'm not going nowhere. 728 00:34:05,560 --> 00:34:06,320 Speaker 4: I'm still here. 729 00:34:07,040 --> 00:34:10,080 Speaker 1: Yeah. Did you ever want to leave Jamaica and live 730 00:34:10,120 --> 00:34:12,440 Speaker 1: somewhere else? This is not my thing. 731 00:34:13,520 --> 00:34:16,800 Speaker 4: But I spend time in firing. But I have to 732 00:34:16,880 --> 00:34:20,120 Speaker 4: go back home because first of all, my kids are there. 733 00:34:20,239 --> 00:34:22,840 Speaker 4: So if I plan to leave Jamaica, I have to 734 00:34:22,880 --> 00:34:26,120 Speaker 4: pack up everybody, and I'm not planning. 735 00:34:25,880 --> 00:34:26,239 Speaker 1: That for that. 736 00:34:28,800 --> 00:34:30,520 Speaker 6: I was gonna ask you, what you know what makes 737 00:34:30,560 --> 00:34:31,600 Speaker 6: you such a people person? 738 00:34:31,680 --> 00:34:31,799 Speaker 1: Right? 739 00:34:32,080 --> 00:34:34,880 Speaker 2: Dealt with so many different artists, Caribbean artists, rap artists, 740 00:34:34,920 --> 00:34:37,239 Speaker 2: R and B artists. But when it comes to you, 741 00:34:37,400 --> 00:34:39,560 Speaker 2: you are very a people person. You like to meet 742 00:34:39,600 --> 00:34:42,120 Speaker 2: people where they at. I mean, I talk tell a 743 00:34:42,160 --> 00:34:43,640 Speaker 2: story of the time on time I came to Jamaica 744 00:34:43,640 --> 00:34:45,160 Speaker 2: and you took me to the beach, you took me 745 00:34:45,640 --> 00:34:47,520 Speaker 2: to get food, like and it wasn't you and your 746 00:34:47,560 --> 00:34:50,800 Speaker 2: crew you? Yeah, So what makes you such a people 747 00:34:50,880 --> 00:34:51,520 Speaker 2: person like that? 748 00:34:52,280 --> 00:34:53,440 Speaker 3: I think it's my mom's. 749 00:34:54,880 --> 00:34:57,480 Speaker 4: Yeah, I think it's my mom's because she know that 750 00:34:58,040 --> 00:34:59,960 Speaker 4: I'm not a churchgoer, but I have to go to check. 751 00:35:00,040 --> 00:35:03,360 Speaker 4: It was even one day in the week, but Sundays 752 00:35:03,480 --> 00:35:03,759 Speaker 4: we have. 753 00:35:03,840 --> 00:35:04,600 Speaker 1: To beat in church. 754 00:35:05,000 --> 00:35:07,040 Speaker 4: So that that's where they started to meet people. As 755 00:35:07,080 --> 00:35:10,040 Speaker 4: we learned to start to socialize with people and all that. 756 00:35:10,520 --> 00:35:16,279 Speaker 4: So I bring allah my all upbringing in my music because. 757 00:35:16,000 --> 00:35:17,200 Speaker 6: The startup never got to your head. 758 00:35:17,360 --> 00:35:21,640 Speaker 4: That's never because you see, all right, you want to 759 00:35:21,719 --> 00:35:23,719 Speaker 4: become a star. You have to expect everything that come 760 00:35:23,800 --> 00:35:24,400 Speaker 4: with stardom. 761 00:35:24,760 --> 00:35:26,600 Speaker 3: You gotta expect. You have to take pictures, you. 762 00:35:26,600 --> 00:35:28,960 Speaker 4: Gotta expect, you have to sign autograph, you have to expect. 763 00:35:28,960 --> 00:35:30,839 Speaker 4: You gotta kiss a baby, You gotta expect. You gotta 764 00:35:30,880 --> 00:35:32,440 Speaker 4: live up. A little kid say, oh, be the man. 765 00:35:32,920 --> 00:35:36,279 Speaker 4: The kid is true you or I'm fifty and little 766 00:35:36,320 --> 00:35:40,600 Speaker 4: kid come up. You've got to hug that kid. You know, 767 00:35:40,719 --> 00:35:42,600 Speaker 4: you got to sign an autograph for that kid, take 768 00:35:42,640 --> 00:35:45,520 Speaker 4: a picture of that kid. And that's that's how it goes. 769 00:35:45,640 --> 00:35:50,200 Speaker 4: Because people love you because of your personality. People don't 770 00:35:50,200 --> 00:35:52,640 Speaker 4: love you because of your songs. People will listen to 771 00:35:52,719 --> 00:35:54,879 Speaker 4: your song and dance to your song, but not buying 772 00:35:54,920 --> 00:35:58,520 Speaker 4: a ticket to come out and see you. That don't 773 00:35:58,560 --> 00:36:01,200 Speaker 4: make no sense. You know, people supposed to love you 774 00:36:01,280 --> 00:36:04,360 Speaker 4: for who you are, not what you do. So you 775 00:36:04,440 --> 00:36:07,360 Speaker 4: could be a TV announcer, You could be a radio announcer. 776 00:36:07,400 --> 00:36:09,920 Speaker 4: You could be a journalist. You can be anything. You 777 00:36:09,960 --> 00:36:12,200 Speaker 4: can be the man that picking up the garbage. You 778 00:36:12,280 --> 00:36:13,240 Speaker 4: have to talk to everybody. 779 00:36:13,239 --> 00:36:15,200 Speaker 3: You have to boom off the mad man face because 780 00:36:15,239 --> 00:36:17,960 Speaker 3: the mad man know it is that mad money. I 781 00:36:18,040 --> 00:36:21,719 Speaker 3: sleep on a girl like this and said, if you 782 00:36:21,800 --> 00:36:23,640 Speaker 3: know I bo my face, give my thing. That's it. 783 00:36:23,800 --> 00:36:26,480 Speaker 4: The money I approached, the Anka, the man Taxi, the 784 00:36:26,560 --> 00:36:31,360 Speaker 4: money lower, the boss, they are all people. So for 785 00:36:31,520 --> 00:36:33,960 Speaker 4: you to grow up in a big family like mine 786 00:36:34,600 --> 00:36:37,279 Speaker 4: and not a people person. Don't make no sense. My 787 00:36:37,360 --> 00:36:40,920 Speaker 4: mom got thirteen kids, and her kids got thirteen kids, and. 788 00:36:41,560 --> 00:36:45,640 Speaker 5: Yeah, thirteen kids number and. 789 00:36:45,719 --> 00:36:46,320 Speaker 3: In the region. 790 00:36:51,080 --> 00:36:53,800 Speaker 1: In the region, you said, people got to love you 791 00:36:53,920 --> 00:36:55,880 Speaker 1: for who you are, not for what you do. 792 00:36:56,040 --> 00:36:59,279 Speaker 4: But but you are the music, right, Yeah, but not 793 00:36:59,640 --> 00:37:02,440 Speaker 4: because you're a musician and not because you're a superstar. 794 00:37:02,960 --> 00:37:03,920 Speaker 3: People need to know you. 795 00:37:04,680 --> 00:37:07,680 Speaker 4: They need to know who Moses David is. Otherwise from 796 00:37:07,760 --> 00:37:09,960 Speaker 4: being the man, being a man is the man that 797 00:37:10,120 --> 00:37:12,000 Speaker 4: go on stairs and pull out the audience and the 798 00:37:12,080 --> 00:37:16,520 Speaker 4: girl them whine and then defense and about who's Moses. 799 00:37:17,719 --> 00:37:20,560 Speaker 4: It's not like I walk and sing and walk and dance. 800 00:37:21,840 --> 00:37:24,320 Speaker 4: You have to be that person who people can talk to, 801 00:37:24,440 --> 00:37:27,120 Speaker 4: come out and shake your hands. You know, you have 802 00:37:27,200 --> 00:37:29,279 Speaker 4: to do presidential like yeah. 803 00:37:30,480 --> 00:37:32,160 Speaker 1: You know, we all get older, and you know, the 804 00:37:32,239 --> 00:37:34,040 Speaker 1: older we get, you know, we have to change things 805 00:37:34,080 --> 00:37:36,480 Speaker 1: about our lifestyle. Did the doctor tell you to slow 806 00:37:36,520 --> 00:37:37,680 Speaker 1: down on the rum in Red Bull? 807 00:37:38,280 --> 00:37:40,640 Speaker 4: Well, doctor, I always say it slowtering and everything I 808 00:37:40,680 --> 00:37:43,480 Speaker 4: can tell you to slow them, and I agree. They 809 00:37:43,600 --> 00:37:45,399 Speaker 4: tell her to slow them the rum and Red Bull 810 00:37:45,400 --> 00:37:48,120 Speaker 4: they always said that. But you are the one that 811 00:37:48,320 --> 00:37:50,960 Speaker 4: feeling it, So you're supposed to know you feel that 812 00:37:51,000 --> 00:37:52,920 Speaker 4: AC should give your advice. Sometimes you have to take 813 00:37:52,960 --> 00:37:56,080 Speaker 4: it when they say critically it is critical, you know, 814 00:37:56,520 --> 00:37:59,120 Speaker 4: but if they give you time over time, you would 815 00:37:59,120 --> 00:38:02,160 Speaker 4: get to balance it. So if you drink a baclay 816 00:38:02,160 --> 00:38:05,799 Speaker 4: around today, drink our back tomorrow, you start to drink 817 00:38:05,880 --> 00:38:09,840 Speaker 4: quarter battle, then you know, you slow down so you 818 00:38:09,960 --> 00:38:12,960 Speaker 4: don't just stop rapp boom, and then you get into 819 00:38:14,880 --> 00:38:18,080 Speaker 4: I don't know sense because I don't think I work 820 00:38:18,160 --> 00:38:18,600 Speaker 4: for people. 821 00:38:18,920 --> 00:38:23,320 Speaker 3: I think you have to rehabilitate yourself. Yeah, excuiously, but 822 00:38:23,480 --> 00:38:25,399 Speaker 3: you can do that. You can jump back. It's still 823 00:38:25,440 --> 00:38:28,200 Speaker 3: the same run. You're just not drinking a batter. You're 824 00:38:28,280 --> 00:38:29,160 Speaker 3: drinking our botty. 825 00:38:29,600 --> 00:38:31,839 Speaker 4: When you reach the our body, then you just force 826 00:38:31,880 --> 00:38:34,160 Speaker 4: it down to a quarter bout it and then you 827 00:38:34,280 --> 00:38:37,400 Speaker 4: can go one drink a day and you can do that. 828 00:38:37,760 --> 00:38:40,000 Speaker 4: You believe in your head, so you believe in your life, 829 00:38:40,080 --> 00:38:43,279 Speaker 4: you can last a little bit longer. Yeah doctor, don't 830 00:38:43,760 --> 00:38:44,000 Speaker 4: you that. 831 00:38:46,520 --> 00:38:48,960 Speaker 2: Email is gonna be performing May twenty fourth at the 832 00:38:49,080 --> 00:38:51,800 Speaker 2: Ubs Arena on h that's a Saturday, the King of 833 00:38:51,920 --> 00:38:52,560 Speaker 2: Dance All Tour. 834 00:38:52,840 --> 00:38:54,800 Speaker 6: You'll be hitting the city. What other cities you're hit in? 835 00:38:55,360 --> 00:38:59,359 Speaker 3: We eatn't a lot of places we eat in Phillip. Yeah, 836 00:38:59,560 --> 00:39:02,160 Speaker 3: it's there. You can find it, but. 837 00:39:02,360 --> 00:39:04,799 Speaker 4: Right now I can't tell you. On top of my well, 838 00:39:04,840 --> 00:39:06,600 Speaker 4: New York is made twenty four I'm coming to you 839 00:39:06,680 --> 00:39:08,840 Speaker 4: know the wife. You can go to ticket mass the 840 00:39:08,880 --> 00:39:11,880 Speaker 4: master ticket Master. Yeah, just check out ticket Monster and 841 00:39:12,160 --> 00:39:14,359 Speaker 4: they will tell you everything. I was supposed to come 842 00:39:14,400 --> 00:39:17,000 Speaker 4: with a old thing of lists and where we're going 843 00:39:17,120 --> 00:39:17,879 Speaker 4: and what we're doing. 844 00:39:18,560 --> 00:39:20,520 Speaker 3: But I didn't know that I was going to be 845 00:39:20,560 --> 00:39:22,160 Speaker 3: here today, so I have to cancel everything. 846 00:39:22,400 --> 00:39:22,560 Speaker 1: I know. 847 00:39:22,680 --> 00:39:24,839 Speaker 2: I called him, I said, call Beanie. I said, you're 848 00:39:24,840 --> 00:39:26,200 Speaker 2: being how you come to New York and don't come 849 00:39:26,239 --> 00:39:29,560 Speaker 2: by us? He goes, hold on, I changed my flight, Bridget, 850 00:39:30,719 --> 00:39:32,640 Speaker 2: he changed his flight together. So I appreciate you, but 851 00:39:32,680 --> 00:39:34,160 Speaker 2: I knew that you in New York said you had 852 00:39:34,200 --> 00:39:36,400 Speaker 2: to come through, yes, man, and we appreciate you. 853 00:39:36,480 --> 00:39:37,160 Speaker 6: Beanie Siegel. 854 00:39:42,880 --> 00:39:46,000 Speaker 3: That's that's funny because used to being the man. 855 00:39:46,560 --> 00:39:50,080 Speaker 1: Really yeah, Beanie Mac. It was Beanie Mac beating Mac 856 00:39:50,520 --> 00:39:51,520 Speaker 1: being Beanie Mack. 857 00:39:51,760 --> 00:39:52,879 Speaker 3: Okay, Betie Man. 858 00:39:53,480 --> 00:39:55,080 Speaker 6: Yeah, because he said, Philly, Beanie. 859 00:39:54,840 --> 00:39:57,800 Speaker 1: Man, wait, don't don't take don't be offended by that 860 00:39:57,800 --> 00:40:03,680 Speaker 1: because he's retarded. I know you can't use it. What's 861 00:40:03,719 --> 00:40:04,960 Speaker 1: the word retarded in Jamaica? 862 00:40:05,120 --> 00:40:11,719 Speaker 4: Dumb, damn under cap? Yeah, a lot of things. Yeah, 863 00:40:13,440 --> 00:40:15,520 Speaker 4: I would just going with nominal stupid. 864 00:40:17,760 --> 00:40:18,279 Speaker 3: Yo envy. 865 00:40:18,320 --> 00:40:22,280 Speaker 5: I'm called you that you normal stupid, normal stupid beauty 866 00:40:22,360 --> 00:40:23,919 Speaker 5: Man is the Breakfast Club? 867 00:40:24,000 --> 00:40:27,000 Speaker 1: Good morning? Wake that ass up in the morning. The 868 00:40:27,200 --> 00:40:27,960 Speaker 1: Breakfast Club