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Speaker 1: How many people would love to hear like a Peak

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Speaker 1: rock produced Locks album.

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Speaker 2: All I need is one piekun of you is pull up?

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Speaker 2: What up y'all?

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Speaker 3: This is Joe Cracked the Dawn, Your Boy, Jenda Master, Joe.

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Speaker 4: And Jena show things is changing in life. Every show legendary,

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Speaker 4: every show iconic.

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Speaker 2: You know what I mean.

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Speaker 4: Shout out to eighteen hundred to Killer eighteen hundred. You

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Speaker 4: know we do it different over here. When you think

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Speaker 4: of today's guests, you think.

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Speaker 2: Of hip hop. You ain't never lie capital letters iced

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Speaker 2: out here.

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Speaker 4: You think of from the basement some of the craziest

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Speaker 4: records you're to ever.

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Speaker 2: Land on your ear drums came out of his basement. Uh.

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Speaker 4: You think of rest in Peace head, you know what

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Speaker 4: I mean. You think of Mount Vernon, money yarning on

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Speaker 4: the map. Because you think of you just think of

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Speaker 4: great production. You think of a timeless legacy, one of

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Speaker 4: the first producers, slash DJs, slash mcs that.

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Speaker 2: Have bars that arguably better than the best bars run

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Speaker 2: the song. Yeah, you know what I mean, And that's

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Speaker 2: hard to have.

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Speaker 4: Back then, from way back, ladies and gentlemen, without further ado,

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Speaker 4: make some noise from my brother pig Rock.

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Speaker 2: Man, it's such an honor to be here, so appreciate you.

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Speaker 1: I support y'all. I'm on a grand sometimes I will

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Speaker 1: post y'alls.

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Speaker 2: You repost anything with the Yankees and Nicks.

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Speaker 4: You argue with anybody that could be from Yugoslavia any

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Speaker 4: time anybody.

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Speaker 2: Says anything about that mix.

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Speaker 4: When I go to the comments, SEC see I see Pall,

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Speaker 4: he's like you.

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Speaker 2: He's going crazy or easy. He's defended the Niggles.

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Speaker 5: They don't want to see us. They don't want to

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Speaker 5: see us.

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Speaker 3: Why do you think they hate New York so much?

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Speaker 2: Because we do it?

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Speaker 1: So we started a lot here, from fashion to music

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Speaker 1: to slang. Everything you could imagine. You know what I'm saying,

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Speaker 1: started in New York.

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Speaker 2: They don't want us to win.

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Speaker 5: Man, I would be jealous too if I was from

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Speaker 5: out of town.

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Speaker 2: Mm hmm.

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Speaker 5: How about that?

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Speaker 3: How about they say y'all, they say we got an accent,

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Speaker 3: like we had it's our accent, and we do got

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Speaker 3: an accent.

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Speaker 2: Baby peep Rock.

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Speaker 3: First of all, let me ask you a questions because

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Speaker 3: you just getting mine threading man questions. Now, I'm all right,

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Speaker 3: I'm gonna let you take the lead. I got I

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Speaker 3: gotta ask you this one.

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Speaker 1: I'm coming on here to keep the beam with everything.

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Speaker 1: If y'all want to ask me whatever.

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Speaker 2: That's that's baby, watch it me.

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Speaker 6: I ain't got no controversy for people.

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Speaker 2: Don't have to be controversy.

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Speaker 6: Yeah, yeah, I ain't got all that.

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Speaker 3: But what I wanted to ask you, Pete bot right,

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Speaker 3: because it's important to me. I'm just asking you. You

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Speaker 3: could tell me yes, no whatever. Do you feel the

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Speaker 3: love and the influence I have from Heavy D? Because

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Speaker 3: you know, you watch everything on the ground, you watch everything.

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Speaker 3: I try to salute him to the hiat he opened

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Speaker 3: the door.

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Speaker 2: I used to dance like every ding man when I

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Speaker 2: was young.

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Speaker 4: Hopefully we could get a clip of that, Jamie, you're

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Speaker 4: fine with dragon question.

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Speaker 6: I know how much you love Heavy D. Is a

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Speaker 6: lot of people.

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Speaker 3: Do you feel like fat Joe try to give it

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Speaker 3: up to Heavy D as much as he can.

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Speaker 1: Yes, Yes, I feel like he opened the door for

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Speaker 1: like the way he met you know what I'm saying,

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Speaker 1: Like he opened the door market D. I used to

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Speaker 1: always say that they looked like Prince Markey D from

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Speaker 1: the Fabris And then once people get inspired.

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Speaker 5: You know, it just multiplies.

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Speaker 1: Bro Like everyone just starts picking up the inspiration, not

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Speaker 1: even they don't even they can't even help it at times.

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Speaker 2: Because I got a guilt.

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Speaker 3: Right now that I'm talking to you, I realized I

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Speaker 3: got a guilt because Heavy D not only was my idol,

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Speaker 3: but he became a good friend of mine, fly to Miami,

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Speaker 3: hang out with us. But I never grabbed his shoulder,

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Speaker 3: looked him in his eyes and say, Yo, I'm here

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Speaker 3: because of you. He inspired me on that level. It

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Speaker 3: wasn't for you, I would have never believed that whatever

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Speaker 3: I'm doing is capable. Yeah, and so that's why every

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Speaker 3: chance I get and I reminisce I have, I post

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Speaker 3: them this and that. But I'm kind of mad at myself.

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Speaker 3: Maybe it was the error we was in where everybody

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Speaker 3: had to act tough, too cool to tell him that

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Speaker 3: a lot of people ain't tell him that a lot

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Speaker 3: of people ain't tell them that holding their hand.

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Speaker 5: In the dark and walking you in this business.

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Speaker 4: Man, I'm saying, I know that he Remember he helped

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Speaker 4: rough riders figure out how.

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Speaker 2: To navigate their way in the game. He told them

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Speaker 2: what to do with acts.

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Speaker 7: I remember us going to have his garage, him on

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Speaker 7: the punching bag as young locks, giving us words of

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Speaker 7: encouragement and telling us what you know the dudes and

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Speaker 7: don'ts to look out for in the industry.

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Speaker 2: So I appreciate its.

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Speaker 7: Time on earth and knowledge and you know what I

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Speaker 7: mean everything he did for the culture and for me

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Speaker 7: personally and for the locks.

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Speaker 1: And so imagine being under that every day, you know

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Speaker 1: what I'm saying. So I came out of that.

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Speaker 2: You got Eddie f What was the other dude, the

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Speaker 2: heavy d.

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Speaker 6: And the boys.

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Speaker 5: Trouble t Roy, Well, Trouble.

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Speaker 3: T Roy is a real guy. Let me salute him now.

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Speaker 3: You know he's the one that moved down to Miami

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Speaker 3: and all that. Right, No, that's she Wis she Whizzed.

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Speaker 3: Trouble t Roy Recipe Gee Whiz is a real dude.

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Speaker 3: He know what I'm talking about. And you know he's

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Speaker 3: a solid guy, cut from the cloth. Then you got

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Speaker 3: your man. You know, I try to get your both

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Speaker 3: at the thirty year anniversary. See yaw smooth.

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Speaker 2: People don't know what he's talking about. You can't side relationships.

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Speaker 2: Well you know what I did, hold on, don't.

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Speaker 3: I don't even know what's going on this month?

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Speaker 2: This much you have a side federal drug talk with him.

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Speaker 3: Wan No, I'm saying, see how smooth, right, I try

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Speaker 3: to get Pete Rock and see how smooth at the joint.

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Speaker 3: Y'all came out at the Lean Back twenty yeth anniversary

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Speaker 3: in the Apollo and Peterbrock said, no way, I forgot.

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Speaker 3: How did that fall apart? And is it to the death?

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Speaker 8: Like hm?

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Speaker 1: You know in this business, bro, like when you come

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Speaker 1: across different personalities but you match foot one talent wise,

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Speaker 1: but like physically and mentally, it don't work. You know,

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Speaker 1: in the very beginning it works, but once you don't

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Speaker 1: get to really know each other, the real that comes

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Speaker 1: out and it stirs up a bad character and me

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Speaker 1: that I don't want to come out. At first, I

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Speaker 1: was mad at the fact that I had to deal

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Speaker 1: with somebody of this stature who's very different from me.

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Speaker 2: What would you say?

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Speaker 5: Is this false though? Jelly jealous jealousy so bad? It's

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Speaker 5: a bad phys bro.

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Speaker 3: He's a he's a rapper, you're the DJ, he's anything, yeah,

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Speaker 3: but you're producing to be so you say he was

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Speaker 3: jealous of your own success.

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Speaker 1: I seen he has that, yeah, and that don't work

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Speaker 1: for grown people when you're growing into a man that

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Speaker 1: don't work no more when.

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Speaker 5: We get older, like you just just be like, come on.

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Speaker 2: Man, I'm like that a lot.

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Speaker 3: I think that's how I maybe like, I ain't catch

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Speaker 3: a heart attack God forbid or stroke yet me cats,

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Speaker 3: I just lay off that when it does crazy too.

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Speaker 2: Yeah, two, you.

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Speaker 6: Got a spot full of ship.

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Speaker 2: Well for God. But I think.

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Speaker 6: But I don't think I could.

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Speaker 2: People could be. I don't want to look you might

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Speaker 2: lose fans.

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Speaker 6: I don't want to look like a crackhead. I don't

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Speaker 6: want to look out of here and go you'll go

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Speaker 6: to twenty.

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Speaker 2: I don't want to look sick and see the reasons

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Speaker 2: A little see.

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Speaker 1: Who was very talented to me that a lot of

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Speaker 1: people used to not get what he used to say,

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Speaker 1: you know what I'm saying.

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Speaker 5: Like, but he got a great voice. He could rap.

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Speaker 1: And I wish we never broke up. I wish we

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Speaker 1: could have still been together. I wish he was a

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Speaker 1: certainty way, you know, But sometimes it just happens like that.

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Speaker 5: Man.

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Speaker 2: You can't go wrong, man.

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Speaker 3: Because it's like rumors like Naughty by Nature, they do

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Speaker 3: shows that they don't even talk to each other.

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Speaker 2: They stay in. I wish I could do that. Though

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Speaker 2: I wish I could do that, you can't even do that.

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Speaker 6: For the best kind of like awk with though I can't.

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Speaker 4: How could you have chemistry on stage then when it's

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Speaker 4: over you go your separate corners and that kind of

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Speaker 4: like make shit feel for me.

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Speaker 2: I don't know about it.

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Speaker 3: I guess I got local. For the most part. I

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Speaker 3: got lucky because I'm a solo artist.

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Speaker 6: I get it. This guy's I was down with that.

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Speaker 3: I would never ever, I don't give a fuck of

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Speaker 3: a billionaire, billionaire Mexican guy come and said, I let

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Speaker 3: Itetic Squad, I give you one.

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Speaker 2: Hundred million for this album.

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Speaker 3: I'll be like, nah, Papa, Nah, I'm not fucking with

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Speaker 3: these guys.

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Speaker 6: And you gotta understand. I look at this whole game different.

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Speaker 3: I'm born in poverty, I'm born in bronx Levenon Hospital.

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Speaker 3: All the odds against me. I got shot at every day,

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Speaker 3: did everything in the world. In the world, there's anybody

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Speaker 3: who ever helped me. Is that I'm inde nord Finess

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Speaker 3: digging in the crates. Besides THEMB nobody ever helped me

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Speaker 3: or gave me a boost. I go and I get

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Speaker 3: myself in a situation where I could sign people and

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Speaker 3: give them half a million million dollars.

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Speaker 6: That use all my juice.

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Speaker 5: You know.

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Speaker 3: The way we get Big Pun to do the song

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Speaker 3: with Jodahs singer. He never met Jodah singer Keith All Massenberg.

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Speaker 3: Kadar is the man. I met Key Doll through his

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Speaker 3: brother from Stetsi son, so I'm cool with Daddyo with

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Speaker 3: Daddy O introduces me to Key Doll. So when we

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Speaker 3: want to make this record for Pun, I call Key

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Speaker 3: Doll and then Daddy O coach signs. Try that shout

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Speaker 3: out to Daddy Yo, and Joe shows up in the

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Speaker 3: studio does the song. He never even met Big Pun

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Speaker 3: before that. So you overhear jostling these moves and doing

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Speaker 3: everything for everybody, And then you get artists who somehow

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Speaker 3: you make it bigg and they start thinking they bigger

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Speaker 3: than you, and they start talking gonna you crazy.

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Speaker 2: That's so I understand how some things.

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Speaker 3: Can't be repaired because people step out of line to

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Speaker 3: a point of where you just like a fuck.

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Speaker 1: That is going to there's no one on your side

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Speaker 1: to say, yocho, fuck out, bro chill man.

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Speaker 3: Every kid should have a logical uncle that's in this game.

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Speaker 3: Any young kid, I don't care if he's worth two

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Speaker 3: hundred million the twenty minu he's hot. He needs an

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Speaker 3: UNC that could tell him your chill before they touched

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Speaker 3: the frying pan. Those people you tell that they touched

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Speaker 3: the shit.

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Speaker 1: In He can't told you to live their roots. Yeah,

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Speaker 1: you can't treat people like that. Can't talk to me,

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Speaker 1: especially your guy. Not not your guy. Let me ask

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Speaker 1: you a questions. Then and then and then then I

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Speaker 1: had a Bronco with the biggest sound system. He said,

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Speaker 1: it felt like a Jamaican party. The window open.

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Speaker 3: I drove up and down one sixty with goofy news

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Speaker 3: mother in lawd I might have drove ten thousand times.

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Speaker 3: This was going to the bottom of the heel, making

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Speaker 3: you turn to the top to the heel. I don't

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Speaker 3: even think I heard a ball. All I heard was

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Speaker 3: then and then to me.

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Speaker 2: In fact, Joe's list, that might be the greatest hip

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Speaker 2: hop beat of all time.

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Speaker 1: That's your greatest sentimental hip hop record.

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Speaker 5: It's the greatest sentimental hip hop record in hip hop.

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Speaker 5: I could agree with that.

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Speaker 6: What I'm talking about is the beat, right and the

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Speaker 6: lyrics is out of control.

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Speaker 3: When I heard that beat, it was almost ancestry turnd

254
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Speaker 3: them horns.

255
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Speaker 2: I was like, let's play it, let's hear it, let's

256
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Speaker 2: crack that ship right now. Oh, we're gonna hurt when

257
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Speaker 2: we talk about music we play. Tell Rich called Jeff

258
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Speaker 2: from we winded and tell them we were shooting this

259
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Speaker 2: toe some eighteen hundred to this classic Jose is Jose legs.

260
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Speaker 3: See that's it for me, your feet, let me get

261
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Speaker 3: let me get that that cop right there, you drink

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Speaker 3: out of it.

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Speaker 9: Oh God, I remember this for rous spell and shall

264
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Speaker 9: I say think back twenty two years ago to keep

265
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Speaker 9: it or attracted with her? Put my child on the

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Speaker 9: eighth of October my toes when my granddaddy came.

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Speaker 2: So bro's count all the figures and the toes. Now,

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Speaker 2: I suppose you all the boy girls eighteen years younger

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Speaker 2: than my mama.

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Speaker 9: You thought I rarely got beetings with the girl loved

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Speaker 9: trauma and single parenthood. There ross stood by the time

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Speaker 9: she was twenty one and had another one. This one

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Speaker 9: is a girl right let's name of damn Saint Bama.

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Speaker 2: But the first pleasing joke here responsible.

275
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Speaker 9: Claim not thinking Papa said, chill, but the brother Keith

276
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Speaker 9: would get until he roll down me.

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Speaker 2: What's here around your high on your side while the

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Speaker 2: baby make a slide. Omama got to watch the game.

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Speaker 2: The youngest the five kids hunting here. It is after

280
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Speaker 2: ten years without no scouts.

281
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Speaker 9: Mama's getting married in the house or listen positive pot

282
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Speaker 9: a negative, put the woman a master mother Queen's rising

283
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Speaker 9: the chapter think yat boom, tell.

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Speaker 2: You what I'm gonna do when they reminis silver you

285
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Speaker 2: my god, timeless clashing.

286
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Speaker 4: If playing this, you just feel good about yourself, no

287
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Speaker 4: matter what's going on, no matter where you are, no

288
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Speaker 4: matter I feel like.

289
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Speaker 2: A great summer. You feel pulif where mountain the comb head?

290
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Speaker 9: When I take back and recall a man off the

291
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Speaker 9: family tree right hand, Papa, doc, go see look me

292
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Speaker 9: from a boy to one man.

293
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Speaker 2: Some one always had a parma withore my biological taking

294
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Speaker 2: care of what is to.

295
00:15:00,800 --> 00:15:02,840
Speaker 9: I've got a bad take upbout them Clock and Pops live,

296
00:15:03,120 --> 00:15:04,720
Speaker 9: but you get them a say that it's like this

297
00:15:04,840 --> 00:15:07,080
Speaker 9: brou flock kids in twenty one believe he.

298
00:15:07,120 --> 00:15:09,520
Speaker 2: Got a right to us here you Wila chick.

299
00:15:09,600 --> 00:15:12,280
Speaker 9: The scene with the Portuguese lover at the age of fourteen,

300
00:15:12,840 --> 00:15:14,120
Speaker 9: the same age front page.

301
00:15:14,200 --> 00:15:15,920
Speaker 2: No fuss, but I've bet your old your nose. They

302
00:15:16,000 --> 00:15:18,640
Speaker 2: live longer than us. I've never been seen now because

303
00:15:18,640 --> 00:15:20,560
Speaker 2: that's where you're born. For give a minute, your.

304
00:15:20,680 --> 00:15:23,840
Speaker 4: Danny's gone, not nor sleep too, but jazz too.

305
00:15:24,160 --> 00:15:27,000
Speaker 2: I can hear his head and the next room I

306
00:15:27,080 --> 00:15:28,920
Speaker 2: get the bill old with Nope. I don't think them

307
00:15:29,040 --> 00:15:30,280
Speaker 2: for this man, the cussy of it.

308
00:15:30,440 --> 00:15:32,760
Speaker 4: On the Verbados, you're telling me how to raise my boy.

309
00:15:32,840 --> 00:15:35,480
Speaker 2: You're less knees taking over, I said, pop, maybe when

310
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Speaker 2: you're older. We left all night about the hook.

311
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Speaker 9: That's at the parties, the old man standing yelling.

312
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Speaker 4: Good God, Almighty, use your kind of big SIPs of

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Speaker 4: the brutal.

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Speaker 2: It's so lovely and it sells.

315
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Speaker 6: It's beautiful coming.

316
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Speaker 1: In something like this.

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Speaker 2: Yeah, come on, I remember this soon. You'll never forget this.

318
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Speaker 9: To day's a way back, so many being witnessed, the fitness,

319
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Speaker 9: and I think the first letter I.

320
00:16:10,200 --> 00:16:12,680
Speaker 2: Had of each word in this joint. Listen close. As

321
00:16:12,680 --> 00:16:15,520
Speaker 2: I proved my point, he took the whole Why how

322
00:16:15,600 --> 00:16:16,920
Speaker 2: did you? And now I'm meet in front of the

323
00:16:16,920 --> 00:16:19,640
Speaker 2: big blue fighting in the street, Big lou.

324
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Speaker 10: I said to keep this to your a shot in

325
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Speaker 10: any weather.

326
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Speaker 11: Us.

327
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Speaker 2: My grandma Pim holds the family together us. My uncle

328
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Speaker 2: Doc's the greatest, better yet the ladies.

329
00:16:30,320 --> 00:16:36,400
Speaker 9: But talking about the call ladies, joy Yes, yes, like

330
00:16:36,520 --> 00:16:37,680
Speaker 9: my aunt Joyce til he.

331
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Speaker 2: Rock hit me and respect you where they remind this

332
00:16:40,840 --> 00:16:47,240
Speaker 2: over you. Listen, listen, just listen. Jesus DJ, we gotta

333
00:16:47,280 --> 00:16:51,040
Speaker 2: let Jay DJ was there. This got call and that's

334
00:16:51,040 --> 00:16:54,440
Speaker 2: the word is bos. I'm not playing.

335
00:16:56,120 --> 00:16:58,080
Speaker 6: Everybody just.

336
00:17:01,960 --> 00:17:05,840
Speaker 5: Took the one and only never be another. He was

337
00:17:05,920 --> 00:17:11,160
Speaker 5: my brother, trouble te Roy. It's like that, y'all.

338
00:17:13,680 --> 00:17:14,879
Speaker 10: They don't stop.

339
00:17:19,200 --> 00:17:28,959
Speaker 2: For ninety two ninety to fuck ray Man Goosebumps.

340
00:17:29,320 --> 00:17:31,440
Speaker 5: Yeah, rest in peace, trouble Tea Boyd.

341
00:17:31,480 --> 00:17:36,359
Speaker 2: That was my man. Man that fucking album Man. What

342
00:17:36,520 --> 00:17:36,960
Speaker 2: to do for you?

343
00:17:37,000 --> 00:17:38,960
Speaker 3: Because you're right here his door, you and y'all and

344
00:17:39,119 --> 00:17:41,760
Speaker 3: still if you could go to fucking Mount Burn and

345
00:17:41,800 --> 00:17:43,240
Speaker 3: the sweet I.

346
00:17:43,280 --> 00:17:45,080
Speaker 2: Went a lot on the tunkle.

347
00:17:45,160 --> 00:17:47,640
Speaker 4: My Eye Jones live right around the corner from Big Look,

348
00:17:48,480 --> 00:17:50,840
Speaker 4: So it felt like a win for the town, you

349
00:17:50,920 --> 00:17:51,280
Speaker 4: know what I mean.

350
00:17:51,359 --> 00:17:53,280
Speaker 2: It was a it was doing ship.

351
00:17:54,000 --> 00:17:57,600
Speaker 4: He was already a wind, but then to have his

352
00:17:57,800 --> 00:18:01,600
Speaker 4: cousin and his man come out with these songs in

353
00:18:01,680 --> 00:18:07,160
Speaker 4: this production. It felt like Westchester and malvernon you's new role.

354
00:18:07,880 --> 00:18:10,000
Speaker 2: We was getting on the map, you know what I mean?

355
00:18:10,480 --> 00:18:14,640
Speaker 2: Major Way only man gave me hope. It gave like yo, hi, y'all.

356
00:18:14,720 --> 00:18:16,680
Speaker 2: Next I got a chance to do this. They brought

357
00:18:16,760 --> 00:18:20,159
Speaker 2: Rue DMC back the King of Rock. What was like

358
00:18:20,359 --> 00:18:23,240
Speaker 2: that when they are what was like that call.

359
00:18:23,240 --> 00:18:24,879
Speaker 5: Like rest of peace? Jam J?

360
00:18:25,080 --> 00:18:26,920
Speaker 1: That was that was the homie, you know, the one

361
00:18:27,119 --> 00:18:30,720
Speaker 1: J J Reid and d M c J shout out

362
00:18:30,760 --> 00:18:33,480
Speaker 1: to run two. But D and J were the ones

363
00:18:33,880 --> 00:18:35,200
Speaker 1: that suit you need this?

364
00:18:36,400 --> 00:18:40,840
Speaker 6: Yeah, he inspired us too, but how would be with that?

365
00:18:41,080 --> 00:18:45,320
Speaker 5: Was the everybody was in that video. Everybody was alive still.

366
00:18:45,760 --> 00:18:49,399
Speaker 2: When they called you to make this song? What was

367
00:18:49,680 --> 00:18:51,000
Speaker 2: going through your mind?

368
00:18:51,440 --> 00:18:51,600
Speaker 12: Man?

369
00:18:52,119 --> 00:18:54,560
Speaker 2: Because you brought the back of the Major Way like

370
00:18:54,680 --> 00:18:57,680
Speaker 2: and they sounded good. We got after he talking about this,

371
00:18:57,840 --> 00:18:59,080
Speaker 2: I don't think we can do that.

372
00:18:59,359 --> 00:19:01,760
Speaker 3: I don't think nobody could do that right now, twenty

373
00:19:01,880 --> 00:19:06,520
Speaker 3: twenty five bring like an o GD like it got the.

374
00:19:06,560 --> 00:19:11,600
Speaker 4: Way you fucking crafted the production and they fit for

375
00:19:12,000 --> 00:19:16,280
Speaker 4: so many years and from you just knowing about rock boxing.

376
00:19:15,920 --> 00:19:16,600
Speaker 2: All that shit.

377
00:19:16,680 --> 00:19:21,440
Speaker 3: And being in fand from being a fan first and

378
00:19:21,520 --> 00:19:25,399
Speaker 3: the then you know, trying to impress Russell Senate a

379
00:19:25,600 --> 00:19:26,200
Speaker 3: young age.

380
00:19:26,280 --> 00:19:29,280
Speaker 1: I'm eighteen nineteen years old. Boy showed rust I could

381
00:19:29,320 --> 00:19:32,200
Speaker 1: do this ship and so after the shut him down

382
00:19:32,280 --> 00:19:35,480
Speaker 1: work the remix work, I was getting kind of pulled

383
00:19:35,520 --> 00:19:38,840
Speaker 1: myself there, and they gave me a shot. I look

384
00:19:38,920 --> 00:19:41,480
Speaker 1: at it as a shot like jam Master Ja showed

385
00:19:41,520 --> 00:19:44,359
Speaker 1: up at my mama house knocking on the door. I

386
00:19:44,440 --> 00:19:47,720
Speaker 1: opened the doors. Jam Mass Jay almost got a little busy,

387
00:19:48,400 --> 00:19:50,320
Speaker 1: you know what I'm saying. Then he was like, Yo,

388
00:19:50,400 --> 00:19:52,320
Speaker 1: come on, let's go work on this. We had a

389
00:19:52,440 --> 00:19:55,080
Speaker 1: meeting and in the meeting, Russell was looking at me

390
00:19:55,240 --> 00:19:58,760
Speaker 1: like you know what I'm saying. And I had to

391
00:19:58,840 --> 00:20:01,680
Speaker 1: prove myself. And I started getting down because I was like,

392
00:20:01,800 --> 00:20:04,880
Speaker 1: maybe they're my work. And Jay showed up at Krid

393
00:20:05,240 --> 00:20:07,560
Speaker 1: was like, let's go next, let's go work on this,

394
00:20:07,880 --> 00:20:11,679
Speaker 1: and you know, we started crafting ideas and me said, Yo,

395
00:20:11,800 --> 00:20:14,680
Speaker 1: this is the beat pattern I want and I was like, no, what.

396
00:20:15,240 --> 00:20:17,200
Speaker 5: I just hit record and I was like, you do it.

397
00:20:17,720 --> 00:20:19,240
Speaker 5: He'd have the B pattern. You did it.

398
00:20:20,000 --> 00:20:23,040
Speaker 1: Then I added siks so he did something else and

399
00:20:23,119 --> 00:20:25,360
Speaker 1: I just finished it off. So we kind of made

400
00:20:25,400 --> 00:20:27,440
Speaker 1: it together. All the sounds came from me, but it

401
00:20:27,560 --> 00:20:29,159
Speaker 1: was it was his idea.

402
00:20:30,840 --> 00:20:32,480
Speaker 2: Wish. Scott Starts gave me that credit.

403
00:20:32,600 --> 00:20:36,080
Speaker 3: Man, just I did lean back Maye ring with I

404
00:20:36,200 --> 00:20:38,320
Speaker 3: did all my joints with him, and I swear to God,

405
00:20:38,359 --> 00:20:40,560
Speaker 3: I ain't pressed the buttons, but I told him the

406
00:20:40,680 --> 00:20:44,040
Speaker 3: sound Yes, Candy Shop, I did it. He denies it.

407
00:20:44,480 --> 00:20:47,159
Speaker 3: I had little Kim there like everybody like a snake

408
00:20:47,240 --> 00:20:50,400
Speaker 3: my mom Scot stored. But you know, you could tell

409
00:20:50,440 --> 00:20:53,440
Speaker 3: him and he could play right, yes, And so I

410
00:20:53,520 --> 00:20:56,120
Speaker 3: went for a long job this weekend, right, and all

411
00:20:56,200 --> 00:21:00,520
Speaker 3: I heard about thirty times in the world was whose

412
00:21:00,800 --> 00:21:01,639
Speaker 3: world is?

413
00:21:01,840 --> 00:21:03,800
Speaker 2: This world is? George?

414
00:21:04,320 --> 00:21:08,600
Speaker 6: This mine is mine is mine? Whose world is? This

415
00:21:09,480 --> 00:21:12,200
Speaker 6: world is yours? Whose world is this?

416
00:21:12,400 --> 00:21:15,720
Speaker 8: You just came up with the like actually he did

417
00:21:16,080 --> 00:21:19,960
Speaker 8: cola la la la la. You know, he came to

418
00:21:20,080 --> 00:21:23,720
Speaker 8: the shout out to large, professor your large.

419
00:21:23,520 --> 00:21:25,480
Speaker 2: And then they left Eric Sermon's career.

420
00:21:25,800 --> 00:21:30,600
Speaker 3: They went to cp O George Professor start help Lord Finnett,

421
00:21:30,640 --> 00:21:33,240
Speaker 3: who was the captain of all of this, And so

422
00:21:33,440 --> 00:21:35,280
Speaker 3: he was like, yo, Pete, I got this, dude.

423
00:21:36,160 --> 00:21:38,800
Speaker 1: Then you played me the barbecue thing and I was like, wow,

424
00:21:39,280 --> 00:21:43,240
Speaker 1: well into the crib and then comes in and it's

425
00:21:43,280 --> 00:21:45,480
Speaker 1: the stands up in stalk and then I popped that

426
00:21:45,560 --> 00:21:47,399
Speaker 1: one in and I was about to say all right,

427
00:21:47,480 --> 00:21:49,040
Speaker 1: let me go to the next one. He was like, hey,

428
00:21:49,119 --> 00:21:50,840
Speaker 1: you Chip, Chip, that's the first time you had to

429
00:21:50,880 --> 00:21:56,240
Speaker 1: say so, and he's just like start doing this. I

430
00:21:56,400 --> 00:22:00,199
Speaker 1: was like right here and he was like good bye then,

431
00:22:00,200 --> 00:22:02,239
Speaker 1: and then he came up with the hook. I gave

432
00:22:02,320 --> 00:22:05,040
Speaker 1: him a few minutes. He had that composition book or

433
00:22:05,080 --> 00:22:07,480
Speaker 1: whatever I think, and then he was like, yo, I

434
00:22:07,560 --> 00:22:10,240
Speaker 1: want you to sing this part. Because I used to

435
00:22:10,240 --> 00:22:12,560
Speaker 1: play around on records and be doing that little stupid

436
00:22:12,600 --> 00:22:13,439
Speaker 1: stuff on records.

437
00:22:13,920 --> 00:22:17,680
Speaker 5: But he wanted me to sing that part. And he

438
00:22:17,840 --> 00:22:20,800
Speaker 5: was like singing like this, and then he started singing, Well,

439
00:22:21,000 --> 00:22:23,320
Speaker 5: there's this grill un.

440
00:22:24,080 --> 00:22:26,000
Speaker 1: I ain't know what's gonna come out the way it did,

441
00:22:27,200 --> 00:22:31,760
Speaker 1: but I said, I'm gonna do my best ridiculous shout

442
00:22:31,800 --> 00:22:32,479
Speaker 1: out to the man.

443
00:22:32,760 --> 00:22:37,040
Speaker 3: We got to ask the brother himself. Now, as you know,

444
00:22:38,000 --> 00:22:39,879
Speaker 3: I ain't got to tell you. You know, you got

445
00:22:40,000 --> 00:22:42,760
Speaker 3: to touch the couch him Jay. They all gonna touch

446
00:22:42,840 --> 00:22:43,320
Speaker 3: this couch.

447
00:22:43,600 --> 00:22:43,800
Speaker 5: Yep.

448
00:22:44,119 --> 00:22:47,520
Speaker 2: They confront all they want he ain't buy new college SEMs,

449
00:22:47,600 --> 00:22:48,760
Speaker 2: whatever the fuck they want.

450
00:22:48,840 --> 00:22:52,680
Speaker 3: They don't they want to touch that stratusphere of real

451
00:22:52,840 --> 00:22:53,200
Speaker 3: hip hop.

452
00:22:54,040 --> 00:22:55,840
Speaker 2: They got to come on it. He's gonna buy new

453
00:22:55,920 --> 00:23:00,640
Speaker 2: college seems, whatever the fuck you want. I don't even see.

454
00:23:01,119 --> 00:23:06,960
Speaker 3: Look my fingers, my Twitter fingers are getting tired of

455
00:23:07,119 --> 00:23:11,640
Speaker 3: hitting jay Z and nods will congratulations If I look

456
00:23:11,680 --> 00:23:15,920
Speaker 3: at my last thirty texts like Yo, congratulations dog he

457
00:23:16,040 --> 00:23:16,760
Speaker 3: pulled it off.

458
00:23:16,920 --> 00:23:21,040
Speaker 6: God bless beans. A lot coming from you, Joe good Man.

459
00:23:21,320 --> 00:23:24,800
Speaker 3: This like these guys one thing. I'm ready to ball

460
00:23:24,960 --> 00:23:28,280
Speaker 3: something from both of them almost ready.

461
00:23:28,680 --> 00:23:31,040
Speaker 1: Well you know what with Jada, not to put you

462
00:23:31,160 --> 00:23:33,120
Speaker 1: on the spot or nothing. But you know I said,

463
00:23:33,119 --> 00:23:34,440
Speaker 1: I ain't chopped liver over here.

464
00:23:34,520 --> 00:23:37,399
Speaker 2: But well you ain't never been chopped lift never We

465
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Speaker 2: know that such thing.

466
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Speaker 1: How many people would love to hear like a Peak

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470
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Speaker 5: Loved that last I liked thank You.

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Speaker 6: I loved that last album with comment that thing was.

516
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Speaker 5: Hell yeah shout out the comment let the brig Yeah, we.

517
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Speaker 2: Was talking about hip problem the game, but this and that.

518
00:26:38,240 --> 00:26:43,520
Speaker 2: When you tap an EMPC shan sample, you know something's coming.

519
00:26:44,600 --> 00:26:48,040
Speaker 3: It can't empty shad the real deal, full wave titles

520
00:26:48,240 --> 00:26:50,240
Speaker 3: can't do give a fuck about it.

521
00:26:50,320 --> 00:26:53,159
Speaker 2: And we hit them off, take the teeth out, and

522
00:26:53,280 --> 00:26:54,639
Speaker 2: it's it's odd.

523
00:26:54,920 --> 00:26:56,000
Speaker 5: I respect him.

524
00:26:57,040 --> 00:26:58,920
Speaker 6: What was he talking about? EMC shad.

525
00:26:58,960 --> 00:27:01,800
Speaker 2: He's wanted his money, he got his minde. He got paid.

526
00:27:01,960 --> 00:27:04,639
Speaker 2: I knew you knew to take care of him. He

527
00:27:04,720 --> 00:27:08,359
Speaker 2: got but he still went crazy, right you you know

528
00:27:08,440 --> 00:27:12,080
Speaker 2: what that is, bro. I paid three times, but the

529
00:27:12,240 --> 00:27:15,000
Speaker 2: last ship I put out the Paradise for STD Beach.

530
00:27:16,000 --> 00:27:16,720
Speaker 6: I paid for the.

531
00:27:16,880 --> 00:27:19,680
Speaker 2: Sample to the niggas that owned you that I know

532
00:27:19,760 --> 00:27:20,160
Speaker 2: the sample.

533
00:27:20,200 --> 00:27:22,000
Speaker 1: You you know.

534
00:27:22,119 --> 00:27:25,119
Speaker 2: I tried my best to not be in the EMPC

535
00:27:25,280 --> 00:27:28,840
Speaker 2: ship like he don't own it? I would him.

536
00:27:28,880 --> 00:27:30,359
Speaker 6: He start telling me, yo, I own it.

537
00:27:30,600 --> 00:27:32,800
Speaker 3: Coming back to twenty twenty eight, this, I said, yo,

538
00:27:33,040 --> 00:27:36,760
Speaker 3: cow much like, please let me pay you. Whoever said

539
00:27:36,800 --> 00:27:39,040
Speaker 3: they owned it? I paid it like yeah, I mean

540
00:27:39,080 --> 00:27:41,480
Speaker 3: I didn't want no beef. I didn't catch no.

541
00:27:41,840 --> 00:27:44,280
Speaker 1: I didn't know that was gonna come afterwards. I thought

542
00:27:44,320 --> 00:27:46,040
Speaker 1: he was gonna be like yo, because he did a

543
00:27:46,160 --> 00:27:49,320
Speaker 1: post where he said, no, the brothers just stand up brothers.

544
00:27:49,640 --> 00:27:52,560
Speaker 1: Then the next week he went in on us. So

545
00:27:52,720 --> 00:27:54,880
Speaker 1: that's the problem I didn't get, Like, how you gonna

546
00:27:54,880 --> 00:27:56,240
Speaker 1: do a poem? Say you a problem?

547
00:27:56,280 --> 00:27:56,399
Speaker 4: Man?

548
00:27:56,480 --> 00:28:00,280
Speaker 3: Like this podcast ship, I bigged up two, three, four

549
00:28:00,359 --> 00:28:02,560
Speaker 3: people that I really love that we all know. It's

550
00:28:02,640 --> 00:28:05,520
Speaker 3: like me big enough, Pete Brock. I'm gonna always use

551
00:28:05,600 --> 00:28:08,720
Speaker 3: Kick Capri. He's one of them top five DJ's Kick Capri.

552
00:28:08,880 --> 00:28:11,320
Speaker 2: The next thing you're like when you put him back,

553
00:28:11,400 --> 00:28:14,200
Speaker 2: man for one d J in the world, what more

554
00:28:14,240 --> 00:28:14,720
Speaker 2: you want to be?

555
00:28:15,000 --> 00:28:18,480
Speaker 3: You called him that, yes, whipping in Man, we gotta

556
00:28:18,640 --> 00:28:20,240
Speaker 3: discuss the latest effect.

557
00:28:20,280 --> 00:28:22,760
Speaker 4: I'm like, yo, I talked to Kick Capri telling that

558
00:28:22,880 --> 00:28:27,200
Speaker 4: people right all the time, you gave DJs they flowers

559
00:28:27,440 --> 00:28:29,200
Speaker 4: and you put Calen on the red.

560
00:28:29,119 --> 00:28:32,959
Speaker 2: Carpet and that's what he got. Man, call him right now.

561
00:28:34,000 --> 00:28:36,320
Speaker 2: You told him call it's too rich to even put

562
00:28:36,400 --> 00:28:36,719
Speaker 2: with them.

563
00:28:37,320 --> 00:28:42,480
Speaker 6: And we talked about jay Z. You look aby Colosseum too.

564
00:28:43,120 --> 00:28:45,440
Speaker 3: So my thing is, you know, I go around calling

565
00:28:45,480 --> 00:28:47,440
Speaker 3: and I'm broke, my nigga, I don't care how much

566
00:28:47,600 --> 00:28:48,600
Speaker 3: money I think I got.

567
00:28:49,400 --> 00:28:52,960
Speaker 2: One day I pull out a watch your calek man says,

568
00:28:53,040 --> 00:28:54,640
Speaker 2: you'll come upstairs, right.

569
00:28:54,680 --> 00:28:56,120
Speaker 5: I'm like, here we go.

570
00:28:57,160 --> 00:29:01,280
Speaker 2: He opens his state and the seilings. Lord might have

571
00:29:01,400 --> 00:29:05,760
Speaker 2: been a hundred watches. Look, I don't care what fat

572
00:29:05,920 --> 00:29:10,160
Speaker 2: joy whatever you think. I ain't got DJ CALLI. You

573
00:29:10,200 --> 00:29:10,720
Speaker 2: know what I'm saying.

574
00:29:10,760 --> 00:29:12,800
Speaker 3: The man got his own airplane, so that's what I

575
00:29:12,920 --> 00:29:15,520
Speaker 3: was saying. But up on the number one, he went

576
00:29:15,640 --> 00:29:27,000
Speaker 3: bad on me. Two times of felling back from maternity leaguer. Congratulations, brof, congratulations.

577
00:29:28,960 --> 00:29:29,640
Speaker 2: You gotta hear.

578
00:29:30,360 --> 00:29:33,200
Speaker 4: I'm telling you first head, I gave you a segment

579
00:29:33,760 --> 00:29:37,160
Speaker 4: because nobody ever been able to leave work for a.

580
00:29:37,360 --> 00:29:43,720
Speaker 2: Niece or nephew. No, that's the show how we do it.

581
00:29:43,800 --> 00:29:46,880
Speaker 2: Sh it on our set, yop. He gotta be your son, daughter,

582
00:29:47,160 --> 00:29:52,760
Speaker 2: twins triplets on my one of up or a nephew.

583
00:29:53,640 --> 00:29:57,280
Speaker 2: You gotta be thankful for your coworkers to let you leave.

584
00:29:57,880 --> 00:29:59,560
Speaker 2: And congratulations. What's your name?

585
00:30:02,000 --> 00:30:05,320
Speaker 4: Shout out to Lilah, baby, Lilah, your roses baby.

586
00:30:05,400 --> 00:30:09,080
Speaker 3: We like you, no doubt, God bless But I talked

587
00:30:09,080 --> 00:30:11,440
Speaker 3: to kick Capri all the time. You kick the priest,

588
00:30:11,520 --> 00:30:14,640
Speaker 3: my brother. That's why they understand. I said, yes he is.

589
00:30:15,240 --> 00:30:17,760
Speaker 6: I've seen him at the funeral. I seen him. I

590
00:30:17,880 --> 00:30:19,600
Speaker 6: raided his arms funeral. He came up to me.

591
00:30:19,680 --> 00:30:21,960
Speaker 2: I said, O, kid, like, you gotta stop. You just

592
00:30:22,480 --> 00:30:23,840
Speaker 2: him the man.

593
00:30:23,920 --> 00:30:25,680
Speaker 3: I picked him up as the number one DJ in

594
00:30:25,760 --> 00:30:27,600
Speaker 3: the worldly. This is me, bro, What do you want

595
00:30:27,640 --> 00:30:30,120
Speaker 3: me to do? I'm like, yo, I know they dissed me, man,

596
00:30:30,200 --> 00:30:31,840
Speaker 3: I big them up and then they dissed me. And

597
00:30:31,920 --> 00:30:34,200
Speaker 3: all I'm trying to do is preserve the culture. Sit

598
00:30:34,320 --> 00:30:37,520
Speaker 3: on this couch and big up everybody. That's what I

599
00:30:37,680 --> 00:30:40,120
Speaker 3: was taught in the hip hop and hip hop. I

600
00:30:40,280 --> 00:30:41,960
Speaker 3: was taught that we're one community.

601
00:30:42,800 --> 00:30:46,120
Speaker 2: We all want community, but this we the fakest community.

602
00:30:46,840 --> 00:30:48,120
Speaker 2: Niggaz talk about it.

603
00:30:49,320 --> 00:30:52,000
Speaker 6: No, not a shit eighteen hundred coming because I like

604
00:30:52,120 --> 00:30:52,560
Speaker 6: this trick.

605
00:30:53,440 --> 00:30:56,320
Speaker 3: She's talking about the community of hip hop and the

606
00:30:56,400 --> 00:30:59,800
Speaker 3: love it's fake people give.

607
00:30:59,840 --> 00:30:59,880
Speaker 2: It.

608
00:31:00,040 --> 00:31:02,560
Speaker 4: Didn't need to hear from him eight years from the

609
00:31:03,040 --> 00:31:05,000
Speaker 4: this and that. You see him in the party of

610
00:31:05,040 --> 00:31:08,280
Speaker 4: this action. They said, Joe, let's do it. Let's own effort.

611
00:31:08,800 --> 00:31:09,920
Speaker 4: You never heard of him in the.

612
00:31:11,760 --> 00:31:11,920
Speaker 5: Well.

613
00:31:11,960 --> 00:31:14,680
Speaker 2: I risked my life a million times for rappers.

614
00:31:15,080 --> 00:31:17,680
Speaker 3: Like I've seen rappers getting ruffled up in the corner

615
00:31:17,760 --> 00:31:21,080
Speaker 3: by the extrationists. I've seen them getting chased out the

616
00:31:21,200 --> 00:31:24,240
Speaker 3: clubs by the biggest guys in the world.

617
00:31:24,320 --> 00:31:24,840
Speaker 2: I've seen that.

618
00:31:24,960 --> 00:31:30,280
Speaker 3: I say, Fat Joe has saved so many rappers and

619
00:31:30,440 --> 00:31:33,680
Speaker 3: I never tell a story to really really embarrassing. I

620
00:31:33,840 --> 00:31:37,240
Speaker 3: had beef one time with the whole entire West Coast

621
00:31:37,880 --> 00:31:41,800
Speaker 3: and every New York rapper was there. And when them

622
00:31:41,880 --> 00:31:44,920
Speaker 3: dudes came in from Vultron on this store with everybody

623
00:31:45,040 --> 00:31:47,560
Speaker 3: walked away. I've seen it in my own eyes. Everybody

624
00:31:47,640 --> 00:31:50,080
Speaker 3: we ever thought was tough, who had rhymes in the

625
00:31:50,280 --> 00:31:52,720
Speaker 3: ship like they was killing They was leaving me to

626
00:31:52,800 --> 00:31:54,600
Speaker 3: get beat up in the middle of the street in

627
00:31:54,680 --> 00:31:55,520
Speaker 3: front of everybody.

628
00:31:55,560 --> 00:31:57,920
Speaker 2: I'm like, yo, New York, what's up? It's just like

629
00:32:00,440 --> 00:32:04,120
Speaker 2: it was closing his curtains and ship. The sign on

630
00:32:04,200 --> 00:32:06,360
Speaker 2: the door were closed, closed for business.

631
00:32:06,840 --> 00:32:10,080
Speaker 3: The only rapper from New York that jumped in with

632
00:32:10,320 --> 00:32:11,640
Speaker 3: Juju from the beating us.

633
00:32:12,080 --> 00:32:13,880
Speaker 2: And at that point I wanted to be like, your

634
00:32:13,960 --> 00:32:16,560
Speaker 2: Juju shouldnt have jumped that's my bro. He don't care.

635
00:32:18,120 --> 00:32:21,280
Speaker 3: Ju Yo, Juju, you're a real one, but you man,

636
00:32:21,400 --> 00:32:24,160
Speaker 3: you should have mind your business with there's a pure

637
00:32:24,280 --> 00:32:27,440
Speaker 3: ass whip that shout out your brother from Mount Vernon

638
00:32:27,520 --> 00:32:28,760
Speaker 3: a b A B.

639
00:32:29,000 --> 00:32:29,360
Speaker 5: Butler.

640
00:32:29,800 --> 00:32:32,239
Speaker 3: One time I was in a similar situation that had

641
00:32:32,360 --> 00:32:36,440
Speaker 3: twenty cock these Friday Guards. I'm about to beat me up.

642
00:32:36,760 --> 00:32:39,240
Speaker 3: AV ran over and was like, Yo, Joe, I'm with you,

643
00:32:40,520 --> 00:32:41,320
Speaker 3: little guy like.

644
00:32:41,400 --> 00:32:47,120
Speaker 2: This is like there were cousins.

645
00:32:47,520 --> 00:32:48,080
Speaker 5: You know what I'm saying.

646
00:32:48,560 --> 00:32:49,240
Speaker 2: You know what I'm saying.

647
00:32:49,320 --> 00:32:52,040
Speaker 3: But yo, I admire those guys. Those guys they got

648
00:32:52,120 --> 00:32:54,280
Speaker 3: love for me for life, you know.

649
00:32:54,440 --> 00:32:55,240
Speaker 2: But A B.

650
00:32:55,440 --> 00:32:57,360
Speaker 5: That's that. I grew up with him. Man, he remembers

651
00:32:57,400 --> 00:32:58,760
Speaker 5: me a little man.

652
00:32:59,440 --> 00:33:01,920
Speaker 2: Shut up. Maybe shows me pictures.

653
00:33:02,800 --> 00:33:05,720
Speaker 3: He was no no, of course, but he was behind

654
00:33:05,840 --> 00:33:08,960
Speaker 3: the scenes in Beach Street and Ship like he was outside.

655
00:33:09,040 --> 00:33:11,640
Speaker 3: He was from Mount Vernon, but not from He was

656
00:33:11,800 --> 00:33:15,720
Speaker 3: outside where they shooting B Street, ab Stead, you know,

657
00:33:15,840 --> 00:33:19,360
Speaker 3: taking pictures with Lee and all of them, Impost Avenue

658
00:33:19,400 --> 00:33:20,720
Speaker 3: and the Bronx like he was there.

659
00:33:21,000 --> 00:33:24,440
Speaker 2: He was like, Joe, I was beyond outside. I'm like,

660
00:33:24,520 --> 00:33:25,360
Speaker 2: what do you mean they be?

661
00:33:25,560 --> 00:33:27,239
Speaker 6: Like anybody name them?

662
00:33:27,280 --> 00:33:29,560
Speaker 2: I was there with They think I'm down with their crew.

663
00:33:29,680 --> 00:33:33,520
Speaker 2: I was there. It's right, He's right, he was here.

664
00:33:33,600 --> 00:33:36,760
Speaker 2: I knew A B. Before I knew him to Graddy House.

665
00:33:36,840 --> 00:33:38,920
Speaker 2: He was on this. He was on the phone in

666
00:33:39,000 --> 00:33:43,600
Speaker 2: the studio. Ah was this session like for Don't Curse? Oh,

667
00:33:44,480 --> 00:33:47,160
Speaker 2: everybody under one book. I always got a lot.

668
00:33:48,280 --> 00:33:49,120
Speaker 6: He'll never get that.

669
00:33:49,320 --> 00:33:52,120
Speaker 1: You don't get that. A lot that happened in Green Street,

670
00:33:52,760 --> 00:33:55,760
Speaker 1: that happened in the A room. I remember Kinge coming

671
00:33:55,840 --> 00:33:57,920
Speaker 1: through doing his verse. I remember g Rat coming through.

672
00:33:58,280 --> 00:34:02,600
Speaker 1: I remember Tick coming through Pool Bob. That was automatic Scot.

673
00:34:02,800 --> 00:34:07,440
Speaker 1: That's new role, you know, in new role, and ships

674
00:34:07,480 --> 00:34:09,560
Speaker 1: happened under ones just being very modest.

675
00:34:09,640 --> 00:34:11,560
Speaker 2: That's like idea.

676
00:34:11,800 --> 00:34:13,880
Speaker 5: That was a brilliant idea and make a record like that.

677
00:34:14,040 --> 00:34:16,560
Speaker 4: Have you Yeah, it was this idea, I see you

678
00:34:16,760 --> 00:34:19,520
Speaker 4: like yeah, So they just said we were gonna make

679
00:34:19,600 --> 00:34:21,080
Speaker 4: this song called Don't Curse.

680
00:34:21,680 --> 00:34:24,200
Speaker 1: That was just that shame up with every concept you

681
00:34:24,280 --> 00:34:28,800
Speaker 1: ever hear him wrap up from hooks to like bridges.

682
00:34:29,440 --> 00:34:32,080
Speaker 2: That's where I learned it from how to build songs.

683
00:34:32,400 --> 00:34:34,960
Speaker 2: Don't Curse is one of my favorite. That ship you

684
00:34:35,120 --> 00:34:35,680
Speaker 2: did the beat?

685
00:34:38,040 --> 00:34:42,239
Speaker 13: Hell yeah, I want to play it. No, we don't

686
00:34:42,280 --> 00:34:48,080
Speaker 13: gotta wait eat curse too much? Play that definitely done.

687
00:34:49,360 --> 00:34:55,120
Speaker 2: This is my fanky peaceful journeys. Say what we want

688
00:34:55,160 --> 00:34:59,040
Speaker 2: to say right way. This is still knocking right now.

689
00:34:59,280 --> 00:35:04,120
Speaker 2: You can play j I'm telling this rock. Make it

690
00:35:04,239 --> 00:35:07,719
Speaker 2: clear I can expect. Let them into a French keep

691
00:35:07,800 --> 00:35:09,560
Speaker 2: upon the beaming from them to friends.

692
00:35:09,760 --> 00:35:12,680
Speaker 10: I don't have to soy curse on juggle lyrics enough

693
00:35:12,760 --> 00:35:15,440
Speaker 10: verse to make the Bombo swimster seton ship.

694
00:35:15,520 --> 00:35:17,560
Speaker 2: Tell me what's your problem? Because Cly's on the corner.

695
00:35:17,680 --> 00:35:19,840
Speaker 2: But why he can't solve how did she say it?

696
00:35:19,960 --> 00:35:24,320
Speaker 2: I'm curious. Let's you say, honey, let me be fun anyway.

697
00:35:24,480 --> 00:35:26,200
Speaker 2: We'll say what we want to say, play how we

698
00:35:26,280 --> 00:35:28,399
Speaker 2: want to. It feels good that we so g wrap.

699
00:35:29,080 --> 00:35:30,960
Speaker 2: It's time to give you first to your man a

700
00:35:31,040 --> 00:35:36,040
Speaker 2: favor it. Don't curse you boji rapp g rap rapping on.

701
00:35:36,840 --> 00:35:43,680
Speaker 14: Yeah you grace, you're telling me, don't curse something verse

702
00:35:43,760 --> 00:35:44,799
Speaker 14: and did up worse some first?

703
00:35:44,840 --> 00:35:46,240
Speaker 2: I part of cursing you first.

704
00:35:46,560 --> 00:35:48,600
Speaker 14: I kind of got out rage take it even made

705
00:35:48,600 --> 00:35:50,880
Speaker 14: a record how I'm doing a long ill bed ahs.

706
00:35:51,160 --> 00:35:53,439
Speaker 2: Just sit with them for the fuck have the words

707
00:35:53,480 --> 00:35:53,960
Speaker 2: that you heard?

708
00:35:54,040 --> 00:35:56,560
Speaker 14: Of course I they can give up shucks and your

709
00:35:56,760 --> 00:35:59,320
Speaker 14: homo forgot the purse is a block, but it's getting

710
00:35:59,360 --> 00:36:01,920
Speaker 14: kind of hot. Tell mother pro fanity will tell you, Hey,

711
00:36:02,000 --> 00:36:04,600
Speaker 14: whitter first, come up. I'll come to you Richard Pride,

712
00:36:04,800 --> 00:36:07,440
Speaker 14: so grand foot kick up first, go through your man

713
00:36:07,480 --> 00:36:09,040
Speaker 14: a flight ball and don't curse.

714
00:36:15,320 --> 00:36:18,759
Speaker 2: He wrote my first life, I won't curse.

715
00:36:18,880 --> 00:36:21,840
Speaker 4: I'll take a curse Brither to just say cool flipped

716
00:36:21,840 --> 00:36:24,759
Speaker 4: the round of other babies when I do it, Man.

717
00:36:24,680 --> 00:36:26,640
Speaker 2: I can't get stuffed junk on the mike.

718
00:36:26,719 --> 00:36:29,120
Speaker 5: Then to earn it quick buck mean ain't luke.

719
00:36:29,320 --> 00:36:32,719
Speaker 3: Then I grabbed some blues clues for those that can't

720
00:36:32,760 --> 00:36:35,440
Speaker 3: find away and got stuck coop flipped the other Waveman,

721
00:36:36,360 --> 00:36:36,919
Speaker 3: is this a curse?

722
00:36:36,960 --> 00:36:39,800
Speaker 2: I freak the never say, but I made sure behind

723
00:36:39,840 --> 00:36:41,760
Speaker 2: my heart first see smooth.

724
00:36:41,800 --> 00:36:43,279
Speaker 6: It's trying to kick off first.

725
00:36:43,320 --> 00:36:45,520
Speaker 2: God side for the vibe. We can't curse.

726
00:36:47,560 --> 00:36:55,600
Speaker 15: Ship my head man, go ahead and ask me what

727
00:36:55,760 --> 00:36:57,759
Speaker 15: a kick and send the first out and say nope,

728
00:36:57,840 --> 00:36:59,480
Speaker 15: got mike and he wants your mouth.

729
00:36:59,400 --> 00:37:01,600
Speaker 9: Out with thinking of me the last week with the

730
00:37:01,640 --> 00:37:04,799
Speaker 9: badd Lingo keeping over the skinnings in the church for him, dingo.

731
00:37:04,719 --> 00:37:06,440
Speaker 2: Sounds something going to make it don fresh from your

732
00:37:06,480 --> 00:37:08,680
Speaker 2: tailor because they made the movie any custos like.

733
00:37:08,719 --> 00:37:12,279
Speaker 5: You said you let you like way thing from your.

734
00:37:12,800 --> 00:37:13,799
Speaker 2: Make it go the other way.

735
00:37:14,040 --> 00:37:16,920
Speaker 9: You know who Populary scream, cursing them up, imitate good

736
00:37:17,000 --> 00:37:18,840
Speaker 9: famer and it's so Big Daddy, you know.

737
00:37:18,880 --> 00:37:20,640
Speaker 2: What time the pek a person will do your man

738
00:37:20,719 --> 00:37:33,120
Speaker 2: of faith to Big Daddy. Can the small rapping vetter

739
00:37:33,280 --> 00:37:35,479
Speaker 2: the n question. It's not gonna buy for They're gonna

740
00:37:35,480 --> 00:37:37,040
Speaker 2: be the sense of just warm pepit.

741
00:37:37,200 --> 00:37:38,160
Speaker 5: But you want to beef it?

742
00:37:38,239 --> 00:37:40,080
Speaker 2: What I feel like slapping us stick go on your

743
00:37:40,120 --> 00:37:41,160
Speaker 2: jail chair, SIPs.

744
00:37:41,200 --> 00:37:43,640
Speaker 16: Your magical problems are too tragic goal for any source

745
00:37:43,680 --> 00:37:44,040
Speaker 16: to stop.

746
00:37:44,120 --> 00:37:46,719
Speaker 2: Came from big your capital. What the army just this me,

747
00:37:46,800 --> 00:37:48,360
Speaker 2: man gentle, They wouldn't saying that.

748
00:37:48,440 --> 00:37:48,880
Speaker 5: In fact, that.

749
00:37:50,360 --> 00:37:52,040
Speaker 2: To clean on a fan, to be stealing it on

750
00:37:52,160 --> 00:37:54,680
Speaker 2: the man of bee rocking anybody. You're hearing me so

751
00:37:54,760 --> 00:37:55,200
Speaker 2: heavy day.

752
00:37:55,239 --> 00:37:57,520
Speaker 9: I'm about the six person to kick another person and

753
00:37:57,600 --> 00:37:58,760
Speaker 9: don't forget not the curse.

754
00:38:00,080 --> 00:38:01,359
Speaker 10: Don't Big Daddy check us out.

755
00:38:01,560 --> 00:38:02,800
Speaker 2: I'm about this monta.

756
00:38:02,600 --> 00:38:05,000
Speaker 10: Fly my first friend I wrote this.

757
00:38:05,239 --> 00:38:07,239
Speaker 2: I'm gonna bring my little cousin, the producer up his joint.

758
00:38:07,280 --> 00:38:08,040
Speaker 2: His name is d J P.

759
00:38:12,160 --> 00:38:12,560
Speaker 3: To get that.

760
00:38:14,200 --> 00:38:14,359
Speaker 17: Check.

761
00:38:15,320 --> 00:38:16,319
Speaker 10: They rock, can't get.

762
00:38:16,239 --> 00:38:19,000
Speaker 2: Hurt, but don't curse God blessed. But I can't message

763
00:38:19,080 --> 00:38:20,080
Speaker 2: around with the curses.

764
00:38:20,160 --> 00:38:21,200
Speaker 12: So I'm gonna kick them first?

765
00:38:21,680 --> 00:38:24,200
Speaker 2: Why first food about the number one? Here to kick

766
00:38:24,200 --> 00:38:27,160
Speaker 2: the facts? Smoke Michael phone and produced crazy track. Y

767
00:38:27,280 --> 00:38:29,120
Speaker 2: all are bad broke, Let's start to float.

768
00:38:29,320 --> 00:38:30,200
Speaker 5: I'm gonna kick line.

769
00:38:30,239 --> 00:38:31,279
Speaker 10: So the time for me to go.

770
00:38:31,719 --> 00:38:35,919
Speaker 2: I say hurt because every de set. So now I'll

771
00:38:36,000 --> 00:38:37,360
Speaker 2: get back to the subject.

772
00:38:37,680 --> 00:38:39,560
Speaker 10: Get wreck get if you take a bluff to just

773
00:38:39,719 --> 00:38:41,920
Speaker 10: check with the crew, he rock and see em smans

774
00:38:42,040 --> 00:38:44,680
Speaker 10: very down to earth and we didn't have to cut.

775
00:38:49,680 --> 00:38:56,840
Speaker 2: You wish catching that I would definitely chilling.

776
00:38:58,840 --> 00:38:59,840
Speaker 6: So let's do that.

777
00:39:00,080 --> 00:39:05,080
Speaker 5: You flin flam flint, black stuff?

778
00:39:05,280 --> 00:39:08,080
Speaker 2: What's the kicker? Curse the beat rob? You could put

779
00:39:08,080 --> 00:39:10,800
Speaker 2: the stick to list sun shine back and let me

780
00:39:10,920 --> 00:39:13,720
Speaker 2: get mine. This is in my age when this yellow

781
00:39:13,760 --> 00:39:17,000
Speaker 2: with hits. If my half poor girls than out Wait,

782
00:39:17,200 --> 00:39:21,879
Speaker 2: don't want to hear no drama my father's so I'll

783
00:39:21,920 --> 00:39:24,160
Speaker 2: go out and get mad and lifted. Don't have to

784
00:39:24,239 --> 00:39:26,560
Speaker 2: say up the show that I'm gifting. God bless me

785
00:39:26,640 --> 00:39:30,200
Speaker 2: because I've reached my twenty first ft. Don't drop a curse.

786
00:39:31,960 --> 00:39:41,239
Speaker 16: A fact that hell yeah, peace peace, peace too for

787
00:39:41,239 --> 00:39:43,279
Speaker 16: a preacher, I'm talking about it first without a curse.

788
00:39:43,320 --> 00:39:45,279
Speaker 2: That's im a reacher. I'll can rock a party without

789
00:39:45,280 --> 00:39:45,800
Speaker 2: a swear.

790
00:39:45,600 --> 00:39:49,920
Speaker 16: Over horseburn words, no curse words, heavy D preferred, so sweat, swing, timber,

791
00:39:49,960 --> 00:39:51,960
Speaker 16: soon be clean rhythm before we're saying the bombs.

792
00:39:52,040 --> 00:39:54,040
Speaker 2: Let me tell you how ihead cl.

793
00:39:57,000 --> 00:39:59,400
Speaker 16: Me as well, trying to say peace, take beef for

794
00:39:59,560 --> 00:40:02,200
Speaker 16: the beats. This spooking people was made for the street.

795
00:40:02,600 --> 00:40:05,080
Speaker 16: Notice how cleaning that with that first, But that forst

796
00:40:05,120 --> 00:40:05,600
Speaker 16: came the worst.

797
00:40:05,640 --> 00:40:11,880
Speaker 2: Are you fuck you? We started cursing.

798
00:40:11,920 --> 00:40:15,839
Speaker 5: That was fun.

799
00:40:16,400 --> 00:40:18,680
Speaker 2: That's what had made me me.

800
00:40:19,000 --> 00:40:21,479
Speaker 5: That's the funniest time I've ever had hip hop working

801
00:40:21,520 --> 00:40:22,000
Speaker 5: with that man.

802
00:40:22,200 --> 00:40:25,080
Speaker 2: That's man, rest of fish that have man. Let me

803
00:40:25,160 --> 00:40:28,520
Speaker 2: ask you a question, Peter. They can come back from

804
00:40:28,560 --> 00:40:32,000
Speaker 2: the bathroom and this is dirty.

805
00:40:32,280 --> 00:40:34,880
Speaker 3: That's how you doing this? Else, No, that's how you

806
00:40:35,040 --> 00:40:36,800
Speaker 3: do it. You know, every time I'm in the studio

807
00:40:37,000 --> 00:40:39,160
Speaker 3: game starting, I used the bathroom.

808
00:40:39,200 --> 00:40:41,400
Speaker 2: When I'm right, I go in there.

809
00:40:41,520 --> 00:40:42,080
Speaker 12: I go in there.

810
00:40:43,239 --> 00:40:46,600
Speaker 2: It's freezing in this motherfucker. You have to come back

811
00:40:46,640 --> 00:40:48,960
Speaker 2: to this new stoley On. You just came with a

812
00:40:49,040 --> 00:40:49,960
Speaker 2: five hour Jodan.

813
00:40:50,360 --> 00:40:51,680
Speaker 5: Let them let him ask this question.

814
00:40:52,040 --> 00:40:56,160
Speaker 3: I hate to say top five, but top five produces

815
00:40:56,400 --> 00:40:58,920
Speaker 3: last DJ That rat for me.

816
00:40:59,320 --> 00:41:02,520
Speaker 2: Yeah, for you you heard a lot. J Dillon Simond

817
00:41:02,560 --> 00:41:04,880
Speaker 2: d came out with through smokers.

818
00:41:05,120 --> 00:41:07,719
Speaker 5: Eric Oh, doctor Dre.

819
00:41:10,520 --> 00:41:13,719
Speaker 1: You ma.

820
00:41:15,600 --> 00:41:17,240
Speaker 2: Said, I don't like people.

821
00:41:17,719 --> 00:41:19,799
Speaker 6: I don't like people, putting himself in the list.

822
00:41:19,880 --> 00:41:26,240
Speaker 3: But you definitely thought Yo Dazz Dylaner was doing them beats,

823
00:41:26,680 --> 00:41:29,000
Speaker 3: and I looked at him more as a m C.

824
00:41:29,280 --> 00:41:32,080
Speaker 6: I didn't realize the years later, did that Tupac he

825
00:41:32,280 --> 00:41:32,799
Speaker 6: was doing the.

826
00:41:34,840 --> 00:41:36,719
Speaker 2: Shout out the dazz he was he was.

827
00:41:37,200 --> 00:41:40,560
Speaker 3: I thought they were rappers like I always looked at Dazzer,

828
00:41:40,680 --> 00:41:41,640
Speaker 3: Corrupt the spitter.

829
00:41:42,440 --> 00:41:46,080
Speaker 1: I got a drink with Dre and Corrupt, right, and

830
00:41:46,200 --> 00:41:49,279
Speaker 1: I did both beats because the beat changes in the

831
00:41:49,320 --> 00:41:51,920
Speaker 1: second verse. So Dre comes in on the second verse,

832
00:41:52,040 --> 00:41:57,840
Speaker 1: killing ship but corrupt, Yeah, yeah, he's underrated. Young tee

833
00:41:57,920 --> 00:42:01,120
Speaker 1: to listen, just search up people by Doctor Dre's gonna pop.

834
00:42:01,800 --> 00:42:06,560
Speaker 1: This all didn't come out, but it's it's amazing. I

835
00:42:06,640 --> 00:42:09,360
Speaker 1: remember Finesse went out there. He was working with doctor

836
00:42:09,440 --> 00:42:11,840
Speaker 1: j pehard to join ahead of time, and then you.

837
00:42:11,920 --> 00:42:12,640
Speaker 2: Know it came out.

838
00:42:12,880 --> 00:42:13,359
Speaker 5: We're joint.

839
00:42:13,640 --> 00:42:19,800
Speaker 3: That's different the Chinese sound and joining my no, no no,

840
00:42:21,520 --> 00:42:22,400
Speaker 3: I forgot the name of it.

841
00:42:22,600 --> 00:42:23,680
Speaker 2: Chinese sounded joint.

842
00:42:24,080 --> 00:42:26,560
Speaker 3: He worked a lot with Iced Tea too at the

843
00:42:26,680 --> 00:42:30,040
Speaker 3: early at the beginning, Finess was working where Ice.

844
00:42:29,920 --> 00:42:34,680
Speaker 2: Seeing the producer that was working Ice, Yeah, yeah, I

845
00:42:34,760 --> 00:42:36,640
Speaker 2: mean I wanted to, but I never got to.

846
00:42:37,480 --> 00:42:38,960
Speaker 5: But when I seen that, I was like, damn, I

847
00:42:39,040 --> 00:42:40,920
Speaker 5: want to work with Ice Tee.

848
00:42:41,040 --> 00:42:48,040
Speaker 3: Origin about the West Coach was Magna, Yeah, we need

849
00:42:48,160 --> 00:42:50,520
Speaker 3: ice Ty on here, Kelly, we need iced Ty gotta

850
00:42:50,640 --> 00:42:54,080
Speaker 3: touch this couch. You know what I'm saying. He's originally

851
00:42:55,480 --> 00:42:58,200
Speaker 3: beyond deserve. And I never forget they threw this all.

852
00:42:58,560 --> 00:43:00,560
Speaker 3: You know, it was a concert, but not really because

853
00:43:00,560 --> 00:43:02,320
Speaker 3: it was at the movie there that we used to

854
00:43:02,360 --> 00:43:04,560
Speaker 3: watch the ch This ship was like good.

855
00:43:04,520 --> 00:43:06,839
Speaker 2: Luck Ricaus Island or whatever. You know what I'm saying.

856
00:43:06,920 --> 00:43:08,839
Speaker 2: This ship was Prospect Movie Theater.

857
00:43:08,920 --> 00:43:12,840
Speaker 3: They do one concert for some reason, Ice Tea performed

858
00:43:13,320 --> 00:43:15,359
Speaker 3: and and I never forget. It was around the time

859
00:43:15,480 --> 00:43:17,440
Speaker 3: Larry Davis has shot them cops.

860
00:43:18,280 --> 00:43:18,480
Speaker 2: Ice.

861
00:43:18,640 --> 00:43:20,800
Speaker 3: He was on top of the speaker talking about gold

862
00:43:20,880 --> 00:43:24,320
Speaker 3: Larry Go. Niggas was going to go Larry Go. He

863
00:43:24,440 --> 00:43:27,480
Speaker 3: had the whole crowd screaming. I knew this nigga was

864
00:43:27,560 --> 00:43:29,799
Speaker 3: bucked out. I'm watching him. I say, Yo, this dude

865
00:43:29,960 --> 00:43:32,520
Speaker 3: is the only Robin Hood will ever have from New

866
00:43:32,640 --> 00:43:36,120
Speaker 3: York that Larry Davis, that situation.

867
00:43:37,560 --> 00:43:40,799
Speaker 2: He's a hero for that. And he was corrupt. They

868
00:43:40,960 --> 00:43:42,799
Speaker 2: was corrupt. They lined them up.

869
00:43:42,840 --> 00:43:43,960
Speaker 6: They never let him come home.

870
00:43:44,080 --> 00:43:46,600
Speaker 5: They lined them. You know, it wasn't gonna let him

871
00:43:46,600 --> 00:43:47,120
Speaker 5: get away with that.

872
00:43:47,640 --> 00:43:48,280
Speaker 2: These Nicks.

873
00:43:48,320 --> 00:43:52,040
Speaker 3: You you trade the whole team for Johnnas. Nope, Jada

874
00:43:52,080 --> 00:43:53,719
Speaker 3: says he wants to trade the whole team.

875
00:43:54,560 --> 00:43:58,840
Speaker 6: Take everybody, you know, everybody.

876
00:44:00,040 --> 00:44:01,040
Speaker 2: Old team and get y.

877
00:44:01,520 --> 00:44:03,080
Speaker 5: That's exactly what say.

878
00:44:03,160 --> 00:44:06,040
Speaker 2: Just now, oh no, we're not keeping the whole che's

879
00:44:06,080 --> 00:44:07,719
Speaker 2: the major players not doing that.

880
00:44:07,800 --> 00:44:10,279
Speaker 3: That's the only one. I'm not giving up everybody. The

881
00:44:10,440 --> 00:44:14,160
Speaker 3: only seven footer to shoot threes like that. But besides Jokiic,

882
00:44:14,640 --> 00:44:19,200
Speaker 3: this cat talk slow to the well you so the

883
00:44:19,280 --> 00:44:19,880
Speaker 3: threes got that?

884
00:44:20,520 --> 00:44:20,560
Speaker 5: No?

885
00:44:21,520 --> 00:44:25,399
Speaker 3: Wait, I'm trying to tell you, y'all hate it, y'all

886
00:44:25,440 --> 00:44:27,400
Speaker 3: gotta give cat this perhaps.

887
00:44:28,040 --> 00:44:30,400
Speaker 2: Yeah east side, right there where you was at. He

888
00:44:30,480 --> 00:44:31,440
Speaker 2: didn't say none of that.

889
00:44:31,840 --> 00:44:33,080
Speaker 5: What what?

890
00:44:34,640 --> 00:44:34,680
Speaker 18: No?

891
00:44:35,360 --> 00:44:41,560
Speaker 3: And he's from uptown, promost of New your soul, lendies

892
00:44:41,560 --> 00:44:48,520
Speaker 3: from uptown for most and they said keep cat, come on, Manna.

893
00:44:49,080 --> 00:44:51,920
Speaker 3: But when you hear fans say, yo, trade this one,

894
00:44:52,280 --> 00:44:55,439
Speaker 3: send this one away. That's them haters trying to break

895
00:44:55,520 --> 00:44:58,960
Speaker 3: up the team. Yes, they scared to death for what

896
00:44:59,120 --> 00:45:01,360
Speaker 3: we got and and it's the same team run at

897
00:45:01,400 --> 00:45:05,160
Speaker 3: that day. So let me tell you something. Shout out Daylight.

898
00:45:05,760 --> 00:45:08,480
Speaker 3: The album was incredible. Yeah, they keep coming up to

899
00:45:08,560 --> 00:45:10,680
Speaker 3: me because they know I love the Knicks and I'm

900
00:45:10,680 --> 00:45:14,520
Speaker 3: not even talking about men and women are coming up

901
00:45:14,560 --> 00:45:17,120
Speaker 3: to me. Yo, we need to greet the freak. Yo,

902
00:45:17,320 --> 00:45:19,440
Speaker 3: we need to get cat out of here. I'm like, Yo,

903
00:45:19,800 --> 00:45:22,840
Speaker 3: we went the furthest we ever went last year, twenty

904
00:45:22,920 --> 00:45:23,520
Speaker 3: five years.

905
00:45:23,640 --> 00:45:26,360
Speaker 2: That's preposterous. By the way, we really winning.

906
00:45:26,520 --> 00:45:30,120
Speaker 1: Were one series away from taking it off last year

907
00:45:31,040 --> 00:45:31,640
Speaker 1: with Thibodeau.

908
00:45:32,160 --> 00:45:34,799
Speaker 2: This man right here, Mike Brown. I like him.

909
00:45:35,280 --> 00:45:37,520
Speaker 6: I was starting to like him too, and he got

910
00:45:37,640 --> 00:45:38,040
Speaker 6: to move it.

911
00:45:38,239 --> 00:45:38,960
Speaker 2: Ah, there you go.

912
00:45:39,320 --> 00:45:41,239
Speaker 5: You don't like Mike Brown, No, he like him.

913
00:45:41,239 --> 00:45:41,799
Speaker 10: We like him.

914
00:45:41,920 --> 00:45:42,440
Speaker 2: I love to.

915
00:45:42,840 --> 00:45:44,840
Speaker 4: I still don't know why we got rid of Tims.

916
00:45:44,880 --> 00:45:47,920
Speaker 4: But smoked to a couple of NBA plays and now

917
00:45:48,040 --> 00:45:51,160
Speaker 4: they said he maxed out. He did his way of coaching,

918
00:45:51,960 --> 00:45:53,360
Speaker 4: he don't do his starter is correct.

919
00:45:55,080 --> 00:45:55,880
Speaker 2: And then once.

920
00:45:56,520 --> 00:45:58,919
Speaker 4: Bridges never missed the game in his life, and he said,

921
00:45:58,960 --> 00:46:00,319
Speaker 4: this guy's playing us too much.

922
00:46:00,960 --> 00:46:03,320
Speaker 5: They got him that. I know Jaylen Brunston.

923
00:46:03,400 --> 00:46:06,200
Speaker 1: People have their issues with him with drilling and stuff

924
00:46:06,280 --> 00:46:09,040
Speaker 1: like that, but drinking too much, driveling ballhog.

925
00:46:09,200 --> 00:46:11,360
Speaker 2: Anybody else would have been considered a ballhog.

926
00:46:11,560 --> 00:46:15,960
Speaker 3: Yeah, he's the man, He's the captain. I love him

927
00:46:16,320 --> 00:46:19,400
Speaker 3: and I think he's gonna ship without Jayleen Trunks. Imagine

928
00:46:19,480 --> 00:46:22,400
Speaker 3: right now they were saying, trade Jalen Brunson in the

929
00:46:22,560 --> 00:46:23,279
Speaker 3: Johanna's trade.

930
00:46:23,400 --> 00:46:24,160
Speaker 2: Nobody wan.

931
00:46:26,680 --> 00:46:29,239
Speaker 5: Give away your start player. Why would we do that?

932
00:46:29,400 --> 00:46:36,360
Speaker 6: If they right now said Giannis, I would he do it?

933
00:46:37,400 --> 00:46:45,040
Speaker 2: Wow? Would we last? Right? How you saying last Nay?

934
00:46:45,840 --> 00:46:47,719
Speaker 2: I wouldn't do it, Jada, I wouldn't do it.

935
00:46:47,800 --> 00:46:53,040
Speaker 3: I lined you up, Jada. If they said trade Jalen

936
00:46:53,080 --> 00:46:57,279
Speaker 3: Brunton and Milwaukee in that deal for Johnnys, do you.

937
00:46:58,920 --> 00:47:02,760
Speaker 2: Jan No way? The old city is? This is this manthew,

938
00:47:03,320 --> 00:47:04,920
Speaker 2: That's what we've been doing for years.

939
00:47:05,080 --> 00:47:07,200
Speaker 5: That's why donest don't even shoot like that. Bro.

940
00:47:07,440 --> 00:47:11,640
Speaker 3: Come on, man in the nick uniform. It's beautiful York

941
00:47:11,719 --> 00:47:15,160
Speaker 3: dunkan on. I'll take him without giving up. No, No,

942
00:47:16,600 --> 00:47:17,600
Speaker 3: you can't get him.

943
00:47:17,520 --> 00:47:21,279
Speaker 2: Without taking take full give them four niggas that we

944
00:47:21,440 --> 00:47:21,800
Speaker 2: don't know.

945
00:47:23,320 --> 00:47:25,560
Speaker 5: Give him one of the third string players on the bed.

946
00:47:25,680 --> 00:47:29,600
Speaker 2: Give them they're not going guys, then just leave it alone.

947
00:47:29,680 --> 00:47:33,560
Speaker 3: Then that's why I told the nick dances, give him

948
00:47:33,680 --> 00:47:36,439
Speaker 3: deuce stop somebody else.

949
00:47:36,520 --> 00:47:37,440
Speaker 5: They're not entertaining.

950
00:47:37,520 --> 00:47:37,560
Speaker 2: No.

951
00:47:38,760 --> 00:47:45,359
Speaker 3: Donovan Mitchell was in my house Sunday. Sunday, we're celebrating

952
00:47:45,400 --> 00:47:47,400
Speaker 3: with me that he's a nick. I went to the

953
00:47:47,560 --> 00:47:51,440
Speaker 3: rucker with him on that Friday, two pictures, was hanging out.

954
00:47:51,520 --> 00:47:56,840
Speaker 2: He was a nick. Last minute, last very second, the

955
00:47:56,920 --> 00:47:58,800
Speaker 2: Knicks played the game and said, we don't want to

956
00:47:58,800 --> 00:48:02,839
Speaker 2: give up rg it. That's why that whole team went south.

957
00:48:03,400 --> 00:48:06,040
Speaker 2: Danny ain't said, oh, you've been playing with me. The

958
00:48:06,160 --> 00:48:06,680
Speaker 2: Knicks ain't.

959
00:48:06,719 --> 00:48:06,759
Speaker 10: No.

960
00:48:07,560 --> 00:48:10,600
Speaker 2: They had the Plan B backup. No, no, no, but

961
00:48:10,760 --> 00:48:15,000
Speaker 2: the Plan B was right on Plan A cle like

962
00:48:15,160 --> 00:48:16,400
Speaker 2: they did Dumpy.

963
00:48:16,680 --> 00:48:18,400
Speaker 5: At the last, last, last minute.

964
00:48:18,440 --> 00:48:21,160
Speaker 2: He was in my house. Jonathan Mitchell was in my

965
00:48:21,280 --> 00:48:23,799
Speaker 2: house in New York. Can you got a Jalen Bunt?

966
00:48:26,239 --> 00:48:31,640
Speaker 2: Who you saying thing? Donan Oh, okay, somebody from the projects.

967
00:48:32,360 --> 00:48:34,360
Speaker 2: The queena is gonna name her baby.

968
00:48:37,640 --> 00:48:44,520
Speaker 4: Donathan Crack Williams, donahthy Crack Williams.

969
00:48:44,880 --> 00:48:46,760
Speaker 6: You know, I was thinking about the other night. Remember,

970
00:48:46,880 --> 00:48:48,359
Speaker 6: Oh it's foul though.

971
00:48:49,160 --> 00:48:51,640
Speaker 2: Remember they used to have bum fights back in the day.

972
00:48:51,960 --> 00:48:53,520
Speaker 5: What those Friday night fights?

973
00:48:53,600 --> 00:48:54,960
Speaker 2: Threadible right in night fights?

974
00:48:55,080 --> 00:48:58,239
Speaker 6: Bling blink cracked pipe in the collar, you remember.

975
00:48:57,960 --> 00:49:01,400
Speaker 2: Those Shiit was the best ship you ever rested.

976
00:49:01,480 --> 00:49:02,680
Speaker 3: Fish to the east side.

977
00:49:02,560 --> 00:49:05,799
Speaker 2: Crackhead man missing wrapping east side man. I miss him.

978
00:49:07,320 --> 00:49:09,880
Speaker 2: They used to go blink blink, crack pipe in the collar.

979
00:49:12,480 --> 00:49:13,040
Speaker 2: You remember that.

980
00:49:13,760 --> 00:49:16,200
Speaker 3: That's like a meat too movement or something that's like

981
00:49:16,360 --> 00:49:20,840
Speaker 3: we was found for that. Whoever had them dudes fighting

982
00:49:20,920 --> 00:49:24,160
Speaker 3: over crack that ship was just fat.

983
00:49:24,800 --> 00:49:25,760
Speaker 2: I seen that nigga.

984
00:49:26,080 --> 00:49:29,839
Speaker 4: They made him drink a cup of hot sauce from

985
00:49:29,920 --> 00:49:32,360
Speaker 4: out of this world that ship.

986
00:49:37,960 --> 00:49:41,239
Speaker 2: Drink a cattle hot sauce. They had to beat the

987
00:49:41,360 --> 00:49:45,719
Speaker 2: ship from the volcano dog. He was on the floord, please.

988
00:49:48,040 --> 00:49:48,320
Speaker 5: Killed.

989
00:49:51,960 --> 00:49:55,759
Speaker 2: They couldn't give him that fast enough. That ship Birtha's inside.

990
00:50:02,800 --> 00:50:05,160
Speaker 3: They got this homeless guy, right, I own my coat,

991
00:50:06,160 --> 00:50:09,120
Speaker 3: old coat. Then do the homeless guy like that, but

992
00:50:09,280 --> 00:50:12,200
Speaker 3: going around for a week with the coat. So if

993
00:50:12,239 --> 00:50:15,000
Speaker 3: there's a such thing as a homeless guy, I don't

994
00:50:15,040 --> 00:50:17,279
Speaker 3: know if he uses drugs or anything like that, but

995
00:50:17,880 --> 00:50:21,000
Speaker 3: he's staying His ship is her mass in the daytime,

996
00:50:22,160 --> 00:50:23,200
Speaker 3: then Noble at night.

997
00:50:23,360 --> 00:50:24,000
Speaker 2: He's just two.

998
00:50:24,520 --> 00:50:28,000
Speaker 4: Those is his locations, Yes, sir, yeah, every day, right,

999
00:50:28,360 --> 00:50:30,160
Speaker 4: you know where the bread is at, you know where

1000
00:50:30,200 --> 00:50:32,960
Speaker 4: the goat they stay over?

1001
00:50:33,360 --> 00:50:38,359
Speaker 2: Highly respected. Yeah, anybody gonna hearn messing fucking Noble Ease.

1002
00:50:39,000 --> 00:50:42,000
Speaker 2: I think it's the matriarch of the bums, the earned mass.

1003
00:50:42,200 --> 00:50:45,520
Speaker 2: People love him, No, they take care of him.

1004
00:50:46,040 --> 00:50:49,640
Speaker 3: Yes, this guy got bedroom. He's like a food truck

1005
00:50:49,680 --> 00:50:51,440
Speaker 3: in front of the spot. You can't miss him.

1006
00:50:51,480 --> 00:50:52,360
Speaker 2: Get him a studio.

1007
00:50:52,600 --> 00:50:53,920
Speaker 6: The point is, every time I.

1008
00:50:53,960 --> 00:50:56,320
Speaker 3: See him throw him a little one hundred dollars, my

1009
00:50:56,360 --> 00:50:58,719
Speaker 3: wife be looking at me like I'm crazy. That's not

1010
00:50:58,840 --> 00:51:01,239
Speaker 3: my job, Like, I'm really not the guy to give

1011
00:51:01,320 --> 00:51:03,120
Speaker 3: somebody who get high money.

1012
00:51:03,239 --> 00:51:05,560
Speaker 6: I just don't now. If it's a lady that looks

1013
00:51:05,560 --> 00:51:06,640
Speaker 6: like you got a family.

1014
00:51:06,560 --> 00:51:09,439
Speaker 4: Taking sides on bum you got you gotta heard mess

1015
00:51:09,480 --> 00:51:12,399
Speaker 4: bum there, you won't give it regular nigga.

1016
00:51:13,400 --> 00:51:16,960
Speaker 2: I don't like that kid. Gotta hearn mess bumm And

1017
00:51:17,080 --> 00:51:19,840
Speaker 2: Noble told me for the first time. He told me

1018
00:51:19,960 --> 00:51:22,480
Speaker 2: the other day. He said, Yo, Joe, you know I'm outside.

1019
00:51:22,520 --> 00:51:23,800
Speaker 2: This ship gets cold.

1020
00:51:25,000 --> 00:51:27,440
Speaker 3: So I went in my house. I brought out the refrigerator.

1021
00:51:27,480 --> 00:51:29,479
Speaker 3: I got a cold up to the angle that ship.

1022
00:51:29,600 --> 00:51:33,520
Speaker 3: That ship called it refrigerated, like sleeping That big might

1023
00:51:33,560 --> 00:51:36,600
Speaker 3: as well be like it's like a sleeping bat. You

1024
00:51:36,680 --> 00:51:40,520
Speaker 3: could stand in as spend for ten hours. That shit

1025
00:51:40,600 --> 00:51:43,439
Speaker 3: ain't going nowhere. That ship is the refrigerator. I drove

1026
00:51:43,520 --> 00:51:46,520
Speaker 3: arown for like a whole week. I ain't see him.

1027
00:51:47,080 --> 00:51:49,360
Speaker 3: Then I go to my spot to go there on

1028
00:51:49,440 --> 00:51:52,800
Speaker 3: one seven eighth. There's always this other guy. He's always

1029
00:51:52,840 --> 00:51:55,759
Speaker 3: sitting out there, and I walk by. He had the

1030
00:51:55,880 --> 00:52:00,000
Speaker 3: Thinness coat on and it was freezing. It got defrigerator.

1031
00:52:00,080 --> 00:52:02,200
Speaker 3: Then just brought it to him and we took off

1032
00:52:02,320 --> 00:52:04,879
Speaker 3: the tags and say, oh man, he say fact Joe.

1033
00:52:04,960 --> 00:52:07,080
Speaker 3: The whole block was jumping up down for they know

1034
00:52:08,080 --> 00:52:09,040
Speaker 3: the man fucked up.

1035
00:52:09,120 --> 00:52:13,839
Speaker 4: Man, you gotta give her mess niggas something great last night.

1036
00:52:14,120 --> 00:52:16,160
Speaker 2: What you're gonna give him nigga for you? You got

1037
00:52:16,239 --> 00:52:16,920
Speaker 2: another figuary.

1038
00:52:17,480 --> 00:52:18,279
Speaker 6: I got another one.

1039
00:52:18,640 --> 00:52:21,279
Speaker 2: I got a gortech, got an fgruary. You know I

1040
00:52:21,400 --> 00:52:22,080
Speaker 2: fight the power.

1041
00:52:22,200 --> 00:52:24,000
Speaker 6: I'm an overdressed.

1042
00:52:25,080 --> 00:52:25,239
Speaker 2: Yo.

1043
00:52:25,800 --> 00:52:29,680
Speaker 3: I remember seeing Okay, I'm an overdresser hit forty.

1044
00:52:29,719 --> 00:52:31,759
Speaker 6: I'm in the fir. I don't give a fuck like

1045
00:52:31,880 --> 00:52:34,800
Speaker 6: I'm an exaggerator. I'm gonna dress.

1046
00:52:35,400 --> 00:52:36,840
Speaker 2: You know how they say dress your age.

1047
00:52:36,880 --> 00:52:38,800
Speaker 6: I dressed that fucking you know what.

1048
00:52:40,040 --> 00:52:42,120
Speaker 1: You say that as we're getting older, because he's just

1049
00:52:42,239 --> 00:52:46,040
Speaker 1: so used to dressing. Like how you dress can help it. Man,

1050
00:52:46,719 --> 00:52:48,640
Speaker 1: you're supposed to put on a suit now.

1051
00:52:48,560 --> 00:52:51,560
Speaker 2: Because you just put on whatever you feel like putting

1052
00:52:51,640 --> 00:52:54,719
Speaker 2: on it. Okay, so are we dressing? I ain't late

1053
00:52:56,320 --> 00:52:58,600
Speaker 2: again when you put on whatever the funk you want.

1054
00:52:58,760 --> 00:53:05,640
Speaker 2: You dressed, Jay says all the old niggas, your niggas.

1055
00:53:05,440 --> 00:53:08,480
Speaker 6: Is like dang the shoes, quartership.

1056
00:53:09,160 --> 00:53:11,879
Speaker 2: The niggas is starting to put rules on all over

1057
00:53:12,080 --> 00:53:17,680
Speaker 2: like quartership. Quarter zips is post. They're not making fun

1058
00:53:17,760 --> 00:53:21,080
Speaker 2: of them. Those ships came back, quarter zips came back.

1059
00:53:21,080 --> 00:53:23,319
Speaker 6: I got a quarter zip for that ass boy. Let

1060
00:53:23,360 --> 00:53:25,760
Speaker 6: me tell you look, I got word.

1061
00:53:25,640 --> 00:53:29,640
Speaker 2: From not the leopard skin joint, uncle el Roy. Quarter

1062
00:53:29,760 --> 00:53:30,760
Speaker 2: zip with the leopid.

1063
00:53:31,320 --> 00:53:34,480
Speaker 3: I'm gonna tell you some leopid when they come to

1064
00:53:34,640 --> 00:53:39,319
Speaker 3: this motherfucking fascist ship and belt to ass man. It's

1065
00:53:41,640 --> 00:53:43,879
Speaker 3: getting bad out here for these guys. Man, you see

1066
00:53:43,920 --> 00:53:45,920
Speaker 3: them victors. The victis that.

1067
00:53:46,080 --> 00:53:53,520
Speaker 4: Bom from my foot. There you go, freeman started man

1068
00:53:53,640 --> 00:53:59,440
Speaker 4: in the Bronx Street, Simpson and Freeman to trade guns bad.

1069
00:53:59,320 --> 00:54:01,600
Speaker 3: He is the other day, I wore this Pelle pellet.

1070
00:54:01,680 --> 00:54:03,440
Speaker 3: They made a nick Pelle pellet. By the way, they

1071
00:54:03,480 --> 00:54:04,040
Speaker 3: took it back.

1072
00:54:04,840 --> 00:54:07,400
Speaker 17: You had to war nobody. Ship took it back. That

1073
00:54:07,480 --> 00:54:13,000
Speaker 17: ship asked me neat that jacket to steal it, about

1074
00:54:13,040 --> 00:54:16,719
Speaker 17: to rob him. I'm keeping from the next year. That's

1075
00:54:16,719 --> 00:54:18,239
Speaker 17: what I take the one for next year. But I

1076
00:54:18,400 --> 00:54:21,719
Speaker 17: was actually about to say, nigga, you dad like I'm there.

1077
00:54:21,840 --> 00:54:26,880
Speaker 17: I was, and we're said, Joe, the man trusted you.

1078
00:54:26,960 --> 00:54:27,480
Speaker 2: He gave me back.

1079
00:54:27,520 --> 00:54:30,239
Speaker 3: I was gonna keep the jacket, is what I'm trying

1080
00:54:30,280 --> 00:54:33,400
Speaker 3: to next day photoshoot whatever. Who kids the fuck but

1081
00:54:33,520 --> 00:54:36,239
Speaker 3: the owner. I'm telling him, I know you used to

1082
00:54:36,320 --> 00:54:39,279
Speaker 3: choose the kid from Jewe Man. That's where I got

1083
00:54:39,320 --> 00:54:41,360
Speaker 3: my start. He said, Man, I know you from Rose

1084
00:54:41,520 --> 00:54:44,920
Speaker 3: Teddy something bro. He said, I used to see you

1085
00:54:45,200 --> 00:54:47,839
Speaker 3: in Jewe Man every day. That's where he was dead.

1086
00:54:50,200 --> 00:54:51,040
Speaker 3: He had the car.

1087
00:54:51,560 --> 00:54:53,920
Speaker 2: Man, It's done. I was just like you, right, the

1088
00:54:54,000 --> 00:54:55,520
Speaker 2: three car chuck a luck.

1089
00:54:55,640 --> 00:54:58,200
Speaker 6: You remember Chuck a l They got the three dice

1090
00:54:58,360 --> 00:54:59,600
Speaker 6: Chuck a I.

1091
00:54:59,719 --> 00:55:02,600
Speaker 2: Was the no one day. I'm a Fordham row my

1092
00:55:02,760 --> 00:55:04,800
Speaker 2: man from out of town, right. He with me.

1093
00:55:05,280 --> 00:55:08,080
Speaker 6: All I know is the dude come back and he says, yo, man,

1094
00:55:08,600 --> 00:55:09,359
Speaker 6: lend me some money.

1095
00:55:09,400 --> 00:55:09,560
Speaker 19: Man.

1096
00:55:09,640 --> 00:55:11,319
Speaker 3: The man just took my I said, what you mean

1097
00:55:11,360 --> 00:55:14,439
Speaker 3: the man took it's the chunk a loak man. I said,

1098
00:55:14,480 --> 00:55:18,040
Speaker 3: you got turn you luck. He said, nah, nah, give

1099
00:55:18,080 --> 00:55:19,480
Speaker 3: me some money. I'll get it back. And I said,

1100
00:55:19,520 --> 00:55:22,360
Speaker 3: you want to know something because he was talking real records.

1101
00:55:22,360 --> 00:55:25,480
Speaker 3: Because the chuckle Luck guy always looked like a regular guy.

1102
00:55:26,080 --> 00:55:28,000
Speaker 3: He always got three guys standing within him.

1103
00:55:28,200 --> 00:55:29,960
Speaker 2: I don't know that. And I said, you see him.

1104
00:55:30,560 --> 00:55:32,600
Speaker 2: I said, you see him, you see.

1105
00:55:32,480 --> 00:55:34,000
Speaker 6: Him, they all with the chuckle Luck.

1106
00:55:35,160 --> 00:55:37,040
Speaker 2: He was like, yeah, but yolda got me. So I

1107
00:55:37,160 --> 00:55:39,839
Speaker 2: go to the chuckle Luck dude. I know Poppy, see

1108
00:55:39,840 --> 00:55:41,399
Speaker 2: your poppy. You know, give him his money.

1109
00:55:41,440 --> 00:55:43,600
Speaker 6: Backer. It's about to be a problem here. This is

1110
00:55:43,719 --> 00:55:44,200
Speaker 6: our store.

1111
00:55:44,239 --> 00:55:46,920
Speaker 3: And you know you robbing niggas. We letting you rob niggas,

1112
00:55:47,440 --> 00:55:49,799
Speaker 3: just not him. He gave him his little two three

1113
00:55:49,880 --> 00:55:50,399
Speaker 3: hundred back.

1114
00:55:50,840 --> 00:55:51,279
Speaker 5: That was that.

1115
00:55:51,480 --> 00:55:53,800
Speaker 3: But he had no clue he was. The place was

1116
00:55:55,200 --> 00:55:57,680
Speaker 3: chuckle Luck always got a team. The guy comes in

1117
00:55:57,800 --> 00:56:01,160
Speaker 3: and wins on purpose. They let somebody win. Do you

1118
00:56:01,280 --> 00:56:03,560
Speaker 3: think he won these part of the tea because that.

1119
00:56:03,680 --> 00:56:06,359
Speaker 2: Reels you in. Then you lose your old school clothes. Yeah,

1120
00:56:06,480 --> 00:56:09,320
Speaker 2: I got a lot sixty lost the school clothes before.

1121
00:56:09,560 --> 00:56:14,760
Speaker 6: Okay, for care, you lost your school street call Molly.

1122
00:56:14,800 --> 00:56:17,799
Speaker 2: You thought you could find the red one. Okay, they

1123
00:56:17,960 --> 00:56:22,480
Speaker 2: fucked you. Good. He's switched the one JIMPI and one

1124
00:56:22,640 --> 00:56:26,480
Speaker 2: pit air Force. Oka. What fuck you girl? They beat

1125
00:56:26,560 --> 00:56:28,799
Speaker 2: you out to school clothes. He was gonna get right.

1126
00:56:28,960 --> 00:56:31,759
Speaker 2: He came back with one Jimpy one air Force.

1127
00:56:31,880 --> 00:56:32,000
Speaker 10: Yo.

1128
00:56:32,280 --> 00:56:35,520
Speaker 3: God blessed my mother because she understood what it meant

1129
00:56:35,680 --> 00:56:36,759
Speaker 3: to be flying to her.

1130
00:56:36,960 --> 00:56:39,279
Speaker 2: My father didn't he from Cuba. He ain't give a fuck.

1131
00:56:40,480 --> 00:56:44,280
Speaker 2: My mother gave me you know appear Puma swayed Pumas

1132
00:56:44,320 --> 00:56:45,880
Speaker 2: three years after they were the style.

1133
00:56:46,440 --> 00:56:48,160
Speaker 6: She got it from me, sher Son, you got it.

1134
00:56:48,600 --> 00:56:50,920
Speaker 2: Four of us were in the project. She give me.

1135
00:56:51,600 --> 00:56:54,000
Speaker 2: I go to clam On Pool and I put my

1136
00:56:54,160 --> 00:56:58,640
Speaker 2: sneakers in the locker without a lot done done. That's

1137
00:56:58,719 --> 00:57:05,600
Speaker 2: Boomer's nigga. Maman shot right. Song was this tripp? They

1138
00:57:05,719 --> 00:57:06,279
Speaker 2: got your.

1139
00:57:06,840 --> 00:57:11,160
Speaker 3: Niggas got me. I had to walk thirty blocks in socks.

1140
00:57:12,040 --> 00:57:13,000
Speaker 3: That wasn't even it.

1141
00:57:13,640 --> 00:57:17,280
Speaker 2: What was worse was the ass whipping. They wouldn't in

1142
00:57:17,360 --> 00:57:20,080
Speaker 2: the pool with your ship. Why didn't you get in

1143
00:57:20,160 --> 00:57:21,000
Speaker 2: the pool with them?

1144
00:57:21,200 --> 00:57:22,920
Speaker 3: I had no clue. I threw them in the lock.

1145
00:57:23,000 --> 00:57:26,840
Speaker 3: I played myself. They stole my shits. You know, I'm

1146
00:57:26,880 --> 00:57:28,080
Speaker 3: all about a nigga stealing.

1147
00:57:28,160 --> 00:57:28,800
Speaker 2: You know what I'm saying.

1148
00:57:28,880 --> 00:57:33,040
Speaker 3: You get me today, I'll get you tomorrow. Stole father, No,

1149
00:57:33,560 --> 00:57:37,200
Speaker 3: I know the comment, Nah, so you caught another cars.

1150
00:57:37,320 --> 00:57:39,760
Speaker 3: They stole my car. I robbed this brother.

1151
00:57:39,960 --> 00:57:42,040
Speaker 6: You ever asked somebody to rob your whole apartment?

1152
00:57:43,120 --> 00:57:46,040
Speaker 2: Hmm? Not my old mother.

1153
00:57:46,200 --> 00:57:48,120
Speaker 6: You want to fill the bronx yo.

1154
00:57:48,240 --> 00:57:50,880
Speaker 3: I had an apartment with all the fly leather, the TV,

1155
00:57:51,080 --> 00:57:52,840
Speaker 3: this and that, and I stood in my mother's house

1156
00:57:52,880 --> 00:57:56,760
Speaker 3: for like that four day Christmas. I come back, same

1157
00:57:56,920 --> 00:58:00,280
Speaker 3: dudes always in front of the building, this before rap.

1158
00:58:00,880 --> 00:58:03,200
Speaker 3: So I go upstairs to the apartment. When I tell you,

1159
00:58:03,320 --> 00:58:07,520
Speaker 3: the only thing in there, not even brugs, was the refrigerating.

1160
00:58:08,360 --> 00:58:15,120
Speaker 3: I came downstairs, I pistol whipped every guy in that

1161
00:58:15,680 --> 00:58:17,720
Speaker 3: that block. To this day, I never go near it

1162
00:58:18,160 --> 00:58:20,200
Speaker 3: because I know a pistol whipped the whole block. Like

1163
00:58:20,280 --> 00:58:24,520
Speaker 3: I'm like, like, I can't go back, stopping to store.

1164
00:58:24,640 --> 00:58:25,440
Speaker 3: None of that ship.

1165
00:58:25,960 --> 00:58:27,960
Speaker 6: I'm like, yo, when I tell you, I'm whipped.

1166
00:58:28,000 --> 00:58:30,720
Speaker 2: They asses. These are the guys they in that lobby

1167
00:58:30,880 --> 00:58:35,240
Speaker 2: twenty for they knew if it wasn't done, the big

1168
00:58:35,400 --> 00:58:39,520
Speaker 2: t women did it right past them. Listen, you needed.

1169
00:58:39,440 --> 00:58:43,240
Speaker 3: Eight guys to move that TV. There were no elevating

1170
00:58:43,280 --> 00:58:44,840
Speaker 3: any thing the big TV.

1171
00:58:45,160 --> 00:58:46,240
Speaker 2: The big TV.

1172
00:58:46,440 --> 00:58:50,480
Speaker 3: Remember when the big fat ass, yes, man, you need

1173
00:58:50,600 --> 00:58:54,720
Speaker 3: at least you might need six cock diesel. You not

1174
00:58:54,880 --> 00:58:58,280
Speaker 3: getting away with the TV. Them niggas was actually the

1175
00:58:58,400 --> 00:59:01,520
Speaker 3: lookouts they stole with you. You get your crib rock,

1176
00:59:01,720 --> 00:59:02,600
Speaker 3: the whole.

1177
00:59:04,040 --> 00:59:09,640
Speaker 6: The picture of Jesus was going. I'm surprised they ain't

1178
00:59:09,640 --> 00:59:10,840
Speaker 6: take the refrigerator.

1179
00:59:10,840 --> 00:59:14,600
Speaker 3: I guess those are free in the middlding bright them niggas,

1180
00:59:14,640 --> 00:59:17,040
Speaker 3: they all caught it bad out there in that lobby.

1181
00:59:17,120 --> 00:59:20,520
Speaker 2: But they got me for everything. Everything, They got me fair.

1182
00:59:20,640 --> 00:59:21,760
Speaker 2: That's the biggest relation.

1183
00:59:22,320 --> 00:59:25,240
Speaker 3: So you know, I'm cool with somebody getting o varm media,

1184
00:59:25,320 --> 00:59:28,160
Speaker 3: you know, because you know I've done stuff. There's a

1185
00:59:28,240 --> 00:59:32,000
Speaker 3: Comma based business that straightened it out. That's one of

1186
00:59:32,040 --> 00:59:35,320
Speaker 3: the reasons why I made We made that bootlegging and.

1187
00:59:35,360 --> 00:59:35,880
Speaker 5: Ship like that.

1188
00:59:36,720 --> 00:59:38,120
Speaker 2: That's one of my favorite songs.

1189
00:59:38,640 --> 00:59:40,960
Speaker 5: Ever, that's one of my joints.

1190
00:59:41,160 --> 00:59:45,640
Speaker 1: Oh yeah, you remember the video where we did the

1191
00:59:45,720 --> 00:59:48,120
Speaker 1: video in Essex County in the real jam.

1192
00:59:48,840 --> 00:59:55,120
Speaker 20: Straightening it out videos that's just fire straightened it up.

1193
00:59:55,480 --> 00:59:58,600
Speaker 20: And we did that video timeless that was fired the

1194
00:59:58,720 --> 01:00:02,760
Speaker 20: video jail. Then we went to the women's side of

1195
01:00:02,840 --> 01:00:05,680
Speaker 20: the jail, and I have a few stories about that.

1196
01:00:06,280 --> 01:00:07,160
Speaker 20: I don't know if I want to know.

1197
01:00:07,160 --> 01:00:09,160
Speaker 2: That woman side of the jail. What happened with the

1198
01:00:09,200 --> 01:00:10,800
Speaker 2: woman I.

1199
01:00:10,880 --> 01:00:12,880
Speaker 1: Was signing on the grass and this one woman I

1200
01:00:13,000 --> 01:00:18,400
Speaker 1: saw took the pen and went like this and gave

1201
01:00:18,480 --> 01:00:21,600
Speaker 1: it to me to stein. I didn't touch it though. Yeah,

1202
01:00:22,360 --> 01:00:25,920
Speaker 1: let's talk about she is a gangster and Jay the

1203
01:00:26,000 --> 01:00:31,200
Speaker 1: Kisses a gangster and play whatever he wants to play.

1204
01:00:31,320 --> 01:00:34,360
Speaker 2: That rocks gainst the gate.

1205
01:00:34,760 --> 01:00:38,960
Speaker 4: Yeah, and I said, that's from gangst and the super Gentleman, right,

1206
01:00:39,280 --> 01:00:42,800
Speaker 4: super gentleman and gangs. Gentleman in a super gangster. Yes,

1207
01:00:43,360 --> 01:00:45,960
Speaker 4: he has gangster and and gentleman, and he had a

1208
01:00:46,080 --> 01:00:50,680
Speaker 4: gentleman in a super gangster. Confused, it wasn't a gentleman,

1209
01:00:50,760 --> 01:00:52,440
Speaker 4: it was just superagst. I was trying to figure out

1210
01:00:52,480 --> 01:00:53,080
Speaker 4: which one am.

1211
01:00:53,000 --> 01:00:55,800
Speaker 2: I on gangs in the gentleman. Then the all the

1212
01:00:55,880 --> 01:00:58,560
Speaker 2: album was super Gangster. That's the one Ye put that

1213
01:00:58,960 --> 01:01:00,080
Speaker 2: in a gentleman and it's.

1214
01:01:00,080 --> 01:01:05,200
Speaker 17: Long as gangster gangst war certain ray like music like

1215
01:01:05,320 --> 01:01:06,280
Speaker 17: the over Beast.

1216
01:01:06,080 --> 01:01:19,320
Speaker 2: Burst listen, j like the Coster. She looses against the Pinster.

1217
01:01:19,920 --> 01:01:24,720
Speaker 21: Jada gets us against the Danster stuff Hesdinster, Steve blocks.

1218
01:01:24,760 --> 01:01:27,600
Speaker 12: Once you come up with against the taster, you don't

1219
01:01:27,680 --> 01:01:29,040
Speaker 12: get none for gunshells.

1220
01:01:29,120 --> 01:01:30,360
Speaker 2: I ain't on the ball loops.

1221
01:01:30,400 --> 01:01:31,560
Speaker 21: That's me the dumb bells.

1222
01:01:31,720 --> 01:01:34,640
Speaker 2: I'm in war mode leading more mold the body. You

1223
01:01:34,680 --> 01:01:35,200
Speaker 2: have the body.

1224
01:01:35,280 --> 01:01:37,800
Speaker 21: So the store was four told tell what some real

1225
01:01:37,880 --> 01:01:39,480
Speaker 21: tape just like a corn roller.

1226
01:01:39,480 --> 01:01:41,720
Speaker 2: Looking at their head, greasing bullets and you're hid. You

1227
01:01:41,840 --> 01:01:45,160
Speaker 2: get piece that bullets. What's like canary reach for Canary reasons?

1228
01:01:45,320 --> 01:01:48,160
Speaker 21: The stones and yellow pisolas, the owner in the blood

1229
01:01:48,200 --> 01:01:50,920
Speaker 21: by the maker. Madona crashed the whippepper dealer trying to

1230
01:01:50,960 --> 01:01:52,880
Speaker 21: get me get Alon her. He gotta flipped out of

1231
01:01:52,920 --> 01:01:56,080
Speaker 21: dif the coprona he cock a brown making some Mormona clown,

1232
01:01:56,440 --> 01:01:58,880
Speaker 21: but she has a coma. Don't nobody give him funk.

1233
01:01:58,920 --> 01:02:00,960
Speaker 10: If your paralyzed, gets at the source so.

1234
01:02:01,000 --> 01:02:03,360
Speaker 2: I can shade on the farrel size city with the King.

1235
01:02:03,640 --> 01:02:05,320
Speaker 2: We looked at the Pharao eyes and he will know

1236
01:02:05,400 --> 01:02:07,760
Speaker 2: what's the bowl with the versus the hour rider. What

1237
01:02:08,720 --> 01:02:12,320
Speaker 2: she looses against the nest, The Jada kisses.

1238
01:02:11,960 --> 01:02:16,000
Speaker 21: Against the nest, the steph hesic against the lee block

1239
01:02:16,080 --> 01:02:19,600
Speaker 21: munche comb fuck with against the gangs. Stuff she looses

1240
01:02:19,680 --> 01:02:24,280
Speaker 21: against the tainst The Jada kisses against the youngster staup

1241
01:02:24,640 --> 01:02:26,520
Speaker 21: sic against the lee block.

1242
01:02:26,320 --> 01:02:28,400
Speaker 2: Punch comb fuck with against the hank.

1243
01:02:28,480 --> 01:02:30,400
Speaker 12: King got to remind me I'm on top of the

1244
01:02:30,520 --> 01:02:32,400
Speaker 12: line sheet. If you're a fan, you can say up

1245
01:02:32,440 --> 01:02:34,720
Speaker 12: in Poppins is nine three for my man, Then you know,

1246
01:02:34,840 --> 01:02:37,520
Speaker 12: off and popping my whole life outside to us finish

1247
01:02:37,600 --> 01:02:40,520
Speaker 12: my nigga the whole night you contracting gig pins later

1248
01:02:40,840 --> 01:02:43,800
Speaker 12: turned into false respect mall Tiz and King Penn paper

1249
01:02:43,920 --> 01:02:46,440
Speaker 12: come out in the d and Cardi frames and pank gators.

1250
01:02:46,600 --> 01:02:49,160
Speaker 12: Gotta learn how to deal with the weakling hats. Don't

1251
01:02:49,160 --> 01:02:51,960
Speaker 12: even think about the top ten. Just think Jada never

1252
01:02:52,120 --> 01:02:55,520
Speaker 12: equal less than I think Rader getting being on Philly

1253
01:02:55,640 --> 01:02:58,600
Speaker 12: can still transport breaks a boy on a fight while

1254
01:02:58,640 --> 01:03:01,200
Speaker 12: my man will is con silly shit. Imagine how rich

1255
01:03:01,320 --> 01:03:04,160
Speaker 12: we could really get fucking wool table trip got.

1256
01:03:04,080 --> 01:03:06,960
Speaker 2: A billy and t reaches our brother home alab got

1257
01:03:07,040 --> 01:03:10,280
Speaker 2: on three. He's purple labeled with the hard bodies against us.

1258
01:03:10,320 --> 01:03:13,400
Speaker 2: She looches against the, against the Shada.

1259
01:03:13,160 --> 01:03:17,200
Speaker 21: Kisses against the Tainst, the Stepp's viasy against the dee

1260
01:03:17,320 --> 01:03:17,880
Speaker 21: block munch.

1261
01:03:17,960 --> 01:03:21,200
Speaker 2: It comes up with against the against them, she looches

1262
01:03:21,280 --> 01:03:22,440
Speaker 2: against the then.

1263
01:03:22,400 --> 01:03:27,000
Speaker 21: Sulperrageated kisses against the gangst no doubt down beasy against us.

1264
01:03:27,040 --> 01:03:30,600
Speaker 2: You see block money, y'all, y'all straight up the gate.

1265
01:03:30,640 --> 01:03:34,160
Speaker 22: I'm packed heavy, big chevy twenty fourth man. Danna like

1266
01:03:34,240 --> 01:03:37,000
Speaker 22: a morning that outlast four false set on my lap

1267
01:03:37,240 --> 01:03:37,520
Speaker 22: of a.

1268
01:03:37,520 --> 01:03:38,280
Speaker 2: Thing in the trunk.

1269
01:03:38,440 --> 01:03:41,000
Speaker 22: It's too big and it coming a strap. I got big,

1270
01:03:41,200 --> 01:03:44,600
Speaker 22: this money causing a lot already. God Weed brings the

1271
01:03:44,680 --> 01:03:47,600
Speaker 22: cards to the spot. Coke in the pot, Jack on

1272
01:03:47,680 --> 01:03:50,600
Speaker 22: the count up three money countless, getting from a ground

1273
01:03:50,640 --> 01:03:53,440
Speaker 22: that I'm probably gonna do. Yeah, your fifty sels like

1274
01:03:53,520 --> 01:03:56,200
Speaker 22: they probably won't last. And none of these shells I'm

1275
01:03:56,280 --> 01:04:00,960
Speaker 22: tattooed up. Levi's stumble soul choking, no shirt. Black motherfuckers,

1276
01:04:01,200 --> 01:04:04,680
Speaker 22: the black more fuckers, clack motherfuckers. Keep your little steak

1277
01:04:04,760 --> 01:04:08,600
Speaker 22: Mouth and tack motherfuckers Silver Drack Nika the Brocco a brat,

1278
01:04:08,960 --> 01:04:11,040
Speaker 22: I'm a wax Ce block whole that.

1279
01:04:11,920 --> 01:04:16,440
Speaker 21: She looches against the tanks, the shady kisses against the tankster,

1280
01:04:16,920 --> 01:04:20,240
Speaker 21: steps Fez against the Dee block Munch, comes fuck with

1281
01:04:20,320 --> 01:04:21,600
Speaker 21: against the Thankster.

1282
01:04:22,200 --> 01:04:23,400
Speaker 2: She looches against the.

1283
01:04:23,760 --> 01:04:28,480
Speaker 21: Tinster, shady kisses against the tankster, South Beasy against the

1284
01:04:28,840 --> 01:04:31,840
Speaker 21: Steve Block Bunch. You come fuck with against the tankster.

1285
01:04:40,920 --> 01:04:44,640
Speaker 3: Man man, that was you know, I used that same

1286
01:04:45,200 --> 01:04:49,960
Speaker 3: set LV produced HEGs act is incredible, LB used.

1287
01:04:49,800 --> 01:04:57,560
Speaker 1: That same sad soled uh so uh damn uhs my man?

1288
01:04:58,400 --> 01:04:59,840
Speaker 2: What's my man? That was in the group of.

1289
01:05:03,360 --> 01:05:06,840
Speaker 3: Joelot is a cool dude. Yeah, Joel Ortiz, I'll say

1290
01:05:06,920 --> 01:05:09,480
Speaker 3: that he and I don't mean no right.

1291
01:05:09,800 --> 01:05:12,040
Speaker 2: Flea say't say nothing bad about my man.

1292
01:05:12,280 --> 01:05:14,920
Speaker 3: I'm not going to sell. He's what I'm trying to

1293
01:05:14,960 --> 01:05:20,040
Speaker 3: tell you might want to listen. I think the guy

1294
01:05:20,120 --> 01:05:24,320
Speaker 3: is so phenomenal. I invited him to Miami to make

1295
01:05:25,480 --> 01:05:29,920
Speaker 3: a hit. H I t I sat down with Joel

1296
01:05:30,120 --> 01:05:34,640
Speaker 3: Ortiz for no dollar, no nothing. That's I gave him

1297
01:05:35,320 --> 01:05:38,760
Speaker 3: a hit, a lean back, a number one. This he

1298
01:05:38,880 --> 01:05:43,480
Speaker 3: never put it out. He didn't, Hey body did. Some

1299
01:05:43,720 --> 01:05:46,040
Speaker 3: guys don't want the hit. They want to be underground

1300
01:05:46,120 --> 01:05:50,040
Speaker 3: so much. I never understood why he didn't put out

1301
01:05:50,360 --> 01:05:52,400
Speaker 3: the hit, b Rock.

1302
01:05:52,440 --> 01:05:54,240
Speaker 1: What are some of the beats you wish you did?

1303
01:05:54,880 --> 01:06:00,479
Speaker 1: Oh wow, at least to Doctor d beats, at least

1304
01:06:00,640 --> 01:06:02,160
Speaker 1: two Primo.

1305
01:06:01,960 --> 01:06:05,120
Speaker 6: Beats and yeah when we see you remember them or

1306
01:06:05,160 --> 01:06:05,480
Speaker 6: you just.

1307
01:06:05,560 --> 01:06:08,520
Speaker 1: Know it'll come to me some big l ship. I

1308
01:06:08,600 --> 01:06:11,880
Speaker 1: wish I did the big picture beat. I love that

1309
01:06:12,320 --> 01:06:18,040
Speaker 1: titled what else I said we said to prim and Dre.

1310
01:06:18,360 --> 01:06:24,120
Speaker 1: I wish I made the chronic He's spicey because I

1311
01:06:24,280 --> 01:06:28,920
Speaker 1: was hooked that No, I was along too, very nic

1312
01:06:29,200 --> 01:06:31,120
Speaker 1: Yeah that was some ship I can't front.

1313
01:06:31,160 --> 01:06:35,320
Speaker 2: I got a little jealous, was the chronic. Yeah, that

1314
01:06:35,400 --> 01:06:36,560
Speaker 2: ship took world.

1315
01:06:36,800 --> 01:06:39,680
Speaker 3: What he was using was like he sounded like AI

1316
01:06:40,600 --> 01:06:44,360
Speaker 3: in that day. That ship sounded like motion pictures, little

1317
01:06:44,360 --> 01:06:47,040
Speaker 3: ghetto boy. All that ship was just out of control.

1318
01:06:47,680 --> 01:06:49,760
Speaker 3: Gave Mede a couple of songs you wish you did?

1319
01:06:49,920 --> 01:06:51,880
Speaker 3: So when you hear it in the club, all hits,

1320
01:06:54,360 --> 01:06:55,160
Speaker 3: that's a good question.

1321
01:06:55,560 --> 01:07:02,640
Speaker 4: Lean back in the club, Joe, float Joe, straight it out,

1322
01:07:03,480 --> 01:07:07,320
Speaker 4: reminisce over you fucking who's world is this?

1323
01:07:07,880 --> 01:07:11,919
Speaker 2: I realized I wish I made man show him nothing.

1324
01:07:12,040 --> 01:07:14,520
Speaker 2: I wish I made in the club for sure. He

1325
01:07:14,600 --> 01:07:15,160
Speaker 2: time my head.

1326
01:07:15,200 --> 01:07:17,840
Speaker 3: I'd be like, you know, I made candy Shop with

1327
01:07:18,120 --> 01:07:20,120
Speaker 3: Scott Storche. You know I told him how to make

1328
01:07:20,200 --> 01:07:23,840
Speaker 3: the ship. He made it, and Fifty turned that into

1329
01:07:23,920 --> 01:07:26,600
Speaker 3: some other shit. He called me twenty times. Are you

1330
01:07:26,760 --> 01:07:28,960
Speaker 3: sure I could give it to fifty? His before and

1331
01:07:29,040 --> 01:07:32,000
Speaker 3: they beat for anything. I was like, give it to him. Man.

1332
01:07:32,160 --> 01:07:35,200
Speaker 3: Every time I hear that motherfucker, I'd be like, god dang,

1333
01:07:36,400 --> 01:07:37,600
Speaker 3: But like, how did I let that?

1334
01:07:37,720 --> 01:07:40,400
Speaker 5: I heard how to rob before? Everybody like Fifty don't

1335
01:07:40,400 --> 01:07:43,200
Speaker 5: remember this. But we was in track Masters and saw me.

1336
01:07:43,640 --> 01:07:45,920
Speaker 1: I was like, yo, yo, yo, Pete, check this out,

1337
01:07:45,960 --> 01:07:47,360
Speaker 1: and he just pulled him to the corner and he

1338
01:07:47,440 --> 01:07:51,040
Speaker 1: started spitting alerts to how to rob and I was like,

1339
01:07:51,080 --> 01:07:53,080
Speaker 1: you're gonna upset a lot of people with this one.

1340
01:07:53,960 --> 01:07:55,640
Speaker 5: Then when I heard that beat, I was like, oh.

1341
01:07:55,600 --> 01:07:58,760
Speaker 2: No, that shit was crazy. You know, he's the original troll.

1342
01:07:59,200 --> 01:08:03,080
Speaker 1: Yeah, but checkmate happen? So that one four nine one four, baby,

1343
01:08:03,560 --> 01:08:07,280
Speaker 1: that one four for check mate? Yeah, nine one four.

1344
01:08:07,800 --> 01:08:10,600
Speaker 6: I don't play like I don't listen to eat that.

1345
01:08:11,600 --> 01:08:12,600
Speaker 6: I don't listen to eat that.

1346
01:08:12,680 --> 01:08:14,800
Speaker 2: I don't listen to super Ugly. I don't listen to you.

1347
01:08:15,360 --> 01:08:17,519
Speaker 2: You're on my thiss and that and that. Now that

1348
01:08:17,720 --> 01:08:21,680
Speaker 2: beefs are over, I can't entertain it now, like you know,

1349
01:08:21,840 --> 01:08:24,639
Speaker 2: that ship is over. I did a beef What beef

1350
01:08:24,680 --> 01:08:25,360
Speaker 2: frecking you did?

1351
01:08:25,560 --> 01:08:25,920
Speaker 5: Coming?

1352
01:08:27,200 --> 01:08:27,840
Speaker 2: I heard that?

1353
01:08:28,040 --> 01:08:32,360
Speaker 11: He told us, wowff the bitching you, sir?

1354
01:08:32,960 --> 01:08:35,320
Speaker 2: That's crazy. I remember you did that.

1355
01:08:35,560 --> 01:08:37,680
Speaker 5: What was the hottest beef recking in the game?

1356
01:08:38,520 --> 01:08:41,559
Speaker 3: Me is the bridge is over? Lyrically, the bridge is over.

1357
01:08:41,680 --> 01:08:44,800
Speaker 3: It's the first time I knew Jamaicans think.

1358
01:08:45,320 --> 01:08:52,000
Speaker 2: And then that was what you want me to do.

1359
01:08:52,120 --> 01:08:53,640
Speaker 2: And I was a good one. I like that.

1360
01:08:55,040 --> 01:08:55,519
Speaker 10: I like that.

1361
01:08:56,160 --> 01:08:58,920
Speaker 2: Get some of the South Bronx wasn't too much. How

1362
01:08:58,960 --> 01:09:01,200
Speaker 2: many you're making I like that.

1363
01:09:01,960 --> 01:09:04,439
Speaker 23: People across the country ain't grow up with Puerto Rican.

1364
01:09:04,560 --> 01:09:07,200
Speaker 23: How many rappers got put in any place behind him

1365
01:09:07,200 --> 01:09:10,360
Speaker 23: this dis record? Oh no, behind the dis record. How

1366
01:09:10,400 --> 01:09:14,639
Speaker 23: many rappers said, I ain't going at that, y'all.

1367
01:09:14,720 --> 01:09:17,519
Speaker 6: Let me tell you something. Care rest One was my hero.

1368
01:09:18,960 --> 01:09:20,719
Speaker 2: I get that. He was his ship's creek.

1369
01:09:20,800 --> 01:09:21,120
Speaker 5: I get that.

1370
01:09:21,240 --> 01:09:23,479
Speaker 3: Okay, I don't know what the fuck he was thinking

1371
01:09:23,920 --> 01:09:26,040
Speaker 3: going up against the whole Juice crew and all that.

1372
01:09:26,200 --> 01:09:31,120
Speaker 3: But it was not even me, the number one k

1373
01:09:31,400 --> 01:09:35,560
Speaker 3: r rest fan every show, lessen he did. Eventually we

1374
01:09:35,680 --> 01:09:39,880
Speaker 3: know the outcome. He's the first gangster rapper. Actually, Ice cute,

1375
01:09:40,160 --> 01:09:44,200
Speaker 3: Iced Tea, Nah, I think just Dice, no criminal minded,

1376
01:09:45,080 --> 01:09:46,879
Speaker 3: criminal minded before Yeah.

1377
01:09:47,800 --> 01:09:50,920
Speaker 2: I want to come up before Ice, criminal mind.

1378
01:09:55,120 --> 01:09:59,960
Speaker 24: Oh yeah, but I'm saying but like criminal Ice ta listen,

1379
01:10:00,520 --> 01:10:02,520
Speaker 24: I d had the first record.

1380
01:10:02,320 --> 01:10:05,320
Speaker 2: Did open the rooftop was still open.

1381
01:10:05,800 --> 01:10:09,599
Speaker 24: You're saying that, But Iced Tea at the first video

1382
01:10:09,760 --> 01:10:14,400
Speaker 24: heavy day, I was with him. I was had a

1383
01:10:14,600 --> 01:10:17,760
Speaker 24: song in the viy ic T was in Breaking. That

1384
01:10:17,920 --> 01:10:22,000
Speaker 24: was before Criminals, before everything. Icy definitely got his a

1385
01:10:22,560 --> 01:10:26,040
Speaker 24: P call. Okay, like do you ask to a they

1386
01:10:26,160 --> 01:10:28,439
Speaker 24: just send it over s here you. Oh, but he's

1387
01:10:28,479 --> 01:10:34,080
Speaker 24: the setting gang to the rabbit, Like I think.

1388
01:10:34,000 --> 01:10:36,040
Speaker 3: I'm at the point where I could get a discount

1389
01:10:36,120 --> 01:10:40,479
Speaker 3: on the bus. Criminal minded before me, I told you

1390
01:10:41,240 --> 01:10:44,080
Speaker 3: come out. I told you the movie Breaking, you had.

1391
01:10:44,040 --> 01:10:45,280
Speaker 5: Me questioning my history.

1392
01:10:46,760 --> 01:10:47,720
Speaker 2: Did you hear what he said?

1393
01:10:47,760 --> 01:10:47,920
Speaker 5: Though?

1394
01:10:47,960 --> 01:10:48,040
Speaker 1: Bro?

1395
01:10:48,720 --> 01:10:50,840
Speaker 2: Okay? So I was right.

1396
01:10:51,960 --> 01:10:52,599
Speaker 5: See I was right.

1397
01:10:52,920 --> 01:10:55,640
Speaker 2: Went on the streak eighty three, eighty.

1398
01:10:55,479 --> 01:11:02,120
Speaker 5: Four, criminal minded first okay in July breaking when he

1399
01:11:02,160 --> 01:11:02,519
Speaker 5: came out.

1400
01:11:03,120 --> 01:11:05,680
Speaker 2: Okay, you're right he got him. Oh I see I

1401
01:11:05,800 --> 01:11:07,960
Speaker 2: seem fun out that you got been paying. I'm like

1402
01:11:08,040 --> 01:11:14,720
Speaker 2: a student. No ship, he up this saying gangster back

1403
01:11:14,920 --> 01:11:17,960
Speaker 2: and breaking. They doing ship with the broomstick. He was

1404
01:11:18,080 --> 01:11:19,759
Speaker 2: up there with him a bit.

1405
01:11:22,320 --> 01:11:24,160
Speaker 5: Hesty doing the backslide.

1406
01:11:24,240 --> 01:11:28,479
Speaker 2: Yeah, he was back more killed.

1407
01:11:28,240 --> 01:11:29,439
Speaker 5: Ship Turbo, that's turbo.

1408
01:11:29,560 --> 01:11:30,160
Speaker 2: What the fuck?

1409
01:11:30,240 --> 01:11:34,839
Speaker 3: Then then defense did that shap know sa iicty skirl

1410
01:11:35,520 --> 01:11:36,760
Speaker 3: Beech Street and.

1411
01:11:36,960 --> 01:11:39,679
Speaker 6: He was the ice singing in the deal.

1412
01:11:47,840 --> 01:11:51,519
Speaker 3: Cool J destroyed a lot of careers, like his first

1413
01:11:51,600 --> 01:11:53,680
Speaker 3: battle with kum On d That was like that was

1414
01:11:53,720 --> 01:11:55,240
Speaker 3: the one joint for joint joints.

1415
01:11:55,520 --> 01:11:56,040
Speaker 2: Joint joint.

1416
01:11:56,080 --> 01:11:56,960
Speaker 5: That was a real battle.

1417
01:11:58,040 --> 01:12:01,080
Speaker 2: He was considered the nicest riisists at the time. I

1418
01:12:01,200 --> 01:12:03,439
Speaker 2: was able to make tell my device it was no

1419
01:12:03,640 --> 01:12:05,280
Speaker 2: song better than the Wild Wow with the.

1420
01:12:05,479 --> 01:12:10,360
Speaker 18: Wild West, my pop. He made anything I'm giving. I

1421
01:12:10,479 --> 01:12:15,919
Speaker 18: used to live Town, tell you the Wild Wild West everything.

1422
01:12:18,040 --> 01:12:21,639
Speaker 2: I wouldn't hear this, my pops. I played that as death.

1423
01:12:21,800 --> 01:12:23,560
Speaker 5: That album d how do you Like Me?

1424
01:12:23,640 --> 01:12:23,800
Speaker 1: Now?

1425
01:12:24,120 --> 01:12:24,840
Speaker 2: How you Like Me?

1426
01:12:25,160 --> 01:12:25,320
Speaker 5: Now?

1427
01:12:25,680 --> 01:12:28,160
Speaker 2: Teddy Teddy Brolly did that.

1428
01:12:28,560 --> 01:12:32,639
Speaker 3: Yeah, Big Seddy James at first as you did. You know, man,

1429
01:12:32,760 --> 01:12:36,559
Speaker 3: this is called the Shaw and tr did a lot

1430
01:12:36,600 --> 01:12:41,520
Speaker 3: of did that's new generation generation.

1431
01:12:43,160 --> 01:12:48,400
Speaker 6: For Cool Keith and the Hut this time listen in it.

1432
01:12:48,640 --> 01:12:53,200
Speaker 3: No, that's classical. Two is the name of him. Wraps

1433
01:12:54,240 --> 01:12:57,120
Speaker 3: Rooftop Records. Rooftop had a label No No No. I

1434
01:12:57,240 --> 01:13:00,240
Speaker 3: remember the first time I heard that was was in

1435
01:13:00,360 --> 01:13:03,200
Speaker 3: Vietnam in the Bronx at a at a house party

1436
01:13:03,280 --> 01:13:08,160
Speaker 3: and they played Raps Snoop Genner. You know, he got

1437
01:13:08,200 --> 01:13:11,320
Speaker 3: a video with me about fourteen with the bubble goose

1438
01:13:11,400 --> 01:13:13,599
Speaker 3: with the big in the middle of the fucking gin,

1439
01:13:14,320 --> 01:13:16,200
Speaker 3: I scrilling the whole fucking party.

1440
01:13:17,520 --> 01:13:18,160
Speaker 2: You know what I'm saying.

1441
01:13:18,200 --> 01:13:20,439
Speaker 6: They got a videos with the way out there like that.

1442
01:13:20,600 --> 01:13:22,000
Speaker 6: You gotta find that ship from me.

1443
01:13:22,040 --> 01:13:24,600
Speaker 2: They got a video money back up. And remember the

1444
01:13:24,720 --> 01:13:27,920
Speaker 2: time Michael Jackson, No, we got a video of you.

1445
01:13:28,000 --> 01:13:31,479
Speaker 3: I'm a post it is somewhere it's doing that ship

1446
01:13:31,800 --> 01:13:34,120
Speaker 3: used to wear it. I wasn't like feeling on your

1447
01:13:34,200 --> 01:13:37,479
Speaker 3: hand and hills. I was wind milling and batsmen and

1448
01:13:37,560 --> 01:13:40,160
Speaker 3: I could still do it to this day. Anybody went

1449
01:13:40,240 --> 01:13:43,439
Speaker 3: to bet I got wind mill. I got ten wind mills.

1450
01:13:43,479 --> 01:13:49,479
Speaker 3: And y'all Pete Rodd Whire's hip hop going artists don't

1451
01:13:49,520 --> 01:13:50,599
Speaker 3: even want to rap no more.

1452
01:13:50,720 --> 01:13:52,240
Speaker 2: Now these young boys want to stream.

1453
01:13:53,520 --> 01:13:56,760
Speaker 1: Only the pioneers can say this. Only people like us

1454
01:13:57,000 --> 01:14:00,680
Speaker 1: can say this that understand the realness what we're doing.

1455
01:14:00,960 --> 01:14:04,000
Speaker 1: You know the music we make, you know the now

1456
01:14:04,160 --> 01:14:07,639
Speaker 1: we understand how important the youth is in today's society

1457
01:14:07,760 --> 01:14:10,479
Speaker 1: or everything that's happened, you know what I'm saying, And

1458
01:14:10,560 --> 01:14:12,960
Speaker 1: we want to connect with them because I mean, I

1459
01:14:13,080 --> 01:14:14,680
Speaker 1: had a hard time listening.

1460
01:14:14,400 --> 01:14:15,880
Speaker 5: To that music. I was harsh.

1461
01:14:16,560 --> 01:14:20,160
Speaker 1: And my apology is, you know, the day I sow out,

1462
01:14:20,520 --> 01:14:23,000
Speaker 1: we made a record call Yours to talk to the view.

1463
01:14:23,439 --> 01:14:26,120
Speaker 5: So that's kind of like my power to to the youth.

1464
01:14:26,360 --> 01:14:27,160
Speaker 6: It's called Yours.

1465
01:14:27,400 --> 01:14:29,120
Speaker 2: Yeah I heard it. I didn't.

1466
01:14:29,200 --> 01:14:32,840
Speaker 1: I didn't picture comments on it, all right, Yeah, And

1467
01:14:33,000 --> 01:14:35,559
Speaker 1: so that record was an apology record to the news.

1468
01:14:35,680 --> 01:14:39,519
Speaker 1: So I feel like with us being older that know

1469
01:14:40,080 --> 01:14:42,240
Speaker 1: how to stay the ship, it's gonna be up to

1470
01:14:42,400 --> 01:14:45,439
Speaker 1: us to really have them connect with what we do.

1471
01:14:46,160 --> 01:14:49,759
Speaker 11: And hopefully, you know, they listen, and when we're gone,

1472
01:14:50,200 --> 01:14:52,240
Speaker 11: you know what they tell me? His son because I

1473
01:14:52,560 --> 01:14:55,439
Speaker 11: hustle him all the time. His son company guys having

1474
01:14:55,520 --> 01:14:59,000
Speaker 11: them bates with its crazy. He goes with my son

1475
01:14:59,080 --> 01:15:03,840
Speaker 11: with his daughter. Is it now everybody likes? I don't

1476
01:15:03,840 --> 01:15:05,400
Speaker 11: want to debate. I want to know what the youth

1477
01:15:05,439 --> 01:15:06,120
Speaker 11: with his king.

1478
01:15:06,479 --> 01:15:07,280
Speaker 2: Yeah, that's my man.

1479
01:15:08,080 --> 01:15:09,640
Speaker 3: You know what I'm saying. So I go, Yo, what

1480
01:15:09,760 --> 01:15:11,800
Speaker 3: they say about this or what they think about that?

1481
01:15:12,000 --> 01:15:14,599
Speaker 3: And then they'll tell me and I'm like, are you serious?

1482
01:15:15,600 --> 01:15:17,960
Speaker 3: Cas what get into it? Where they answer?

1483
01:15:18,080 --> 01:15:19,640
Speaker 2: Is it far? Fetch it?

1484
01:15:19,800 --> 01:15:21,040
Speaker 5: Just they don't understand them.

1485
01:15:21,080 --> 01:15:23,200
Speaker 3: I'm in the pool with Norrie's sons. I said, who's

1486
01:15:23,200 --> 01:15:24,960
Speaker 3: your favorite rapper? They tell me the name of a

1487
01:15:25,040 --> 01:15:27,439
Speaker 3: guy never heard. I said, well, they was like, unc,

1488
01:15:27,880 --> 01:15:28,880
Speaker 3: you're not gonna like it.

1489
01:15:29,240 --> 01:15:30,120
Speaker 2: I said, what you mean?

1490
01:15:30,600 --> 01:15:39,080
Speaker 3: The beats trash, the rappers trash that he's my favorite? Yo, God,

1491
01:15:39,800 --> 01:15:42,160
Speaker 3: who's the best producer in the past five years?

1492
01:15:43,200 --> 01:15:44,200
Speaker 2: Who you think that is?

1493
01:15:45,360 --> 01:15:46,519
Speaker 5: Has five years?

1494
01:15:47,080 --> 01:15:50,960
Speaker 2: That's like a microwave question go from with longevity?

1495
01:15:51,479 --> 01:15:55,760
Speaker 3: Damn it is loaded. I'm gonna say alchemist shines alchemists.

1496
01:15:56,240 --> 01:15:59,880
Speaker 3: I'm gonna say he shines through alchemists. That he say

1497
01:16:00,240 --> 01:16:03,040
Speaker 3: il commiss al comiss.

1498
01:16:03,320 --> 01:16:07,200
Speaker 5: Yeah, we bumped into each other in Japan. Oh shit,

1499
01:16:08,040 --> 01:16:08,800
Speaker 5: I'm walking in the.

1500
01:16:08,760 --> 01:16:13,240
Speaker 1: Record Alcolall was shopping the records store, digging and I

1501
01:16:13,360 --> 01:16:15,360
Speaker 1: walk in and I see this guy and I'm like, yo,

1502
01:16:15,479 --> 01:16:16,960
Speaker 1: that's and then we hung out.

1503
01:16:17,200 --> 01:16:17,360
Speaker 5: Oh.

1504
01:16:18,080 --> 01:16:21,599
Speaker 2: I remember one time I was walking by the train

1505
01:16:21,720 --> 01:16:26,200
Speaker 2: station and somebody was selling some old records and I

1506
01:16:26,320 --> 01:16:29,160
Speaker 2: bought him maybe three dollars a bunch of old reports.

1507
01:16:29,240 --> 01:16:32,680
Speaker 3: I brought him back to Diamond and he looped up

1508
01:16:32,760 --> 01:16:34,760
Speaker 3: this joint I had. I had one of my first

1509
01:16:34,880 --> 01:16:38,280
Speaker 3: demos was He's a big shot, Fred Joe is a

1510
01:16:38,360 --> 01:16:40,920
Speaker 3: big shot. He took it from the record we bought

1511
01:16:41,560 --> 01:16:43,479
Speaker 3: and made a fucking beat out of it. And that

1512
01:16:43,600 --> 01:16:46,519
Speaker 3: was like one of my first demos. You know, with Diamond,

1513
01:16:47,439 --> 01:16:51,040
Speaker 3: I've seen so much greatness with Diamonds. You know, he

1514
01:16:51,200 --> 01:16:53,760
Speaker 3: still got it. Like I go see him DJ and

1515
01:16:53,880 --> 01:16:56,479
Speaker 3: he got the same diddy bop. I like the Diamond

1516
01:16:57,000 --> 01:17:00,320
Speaker 3: diddy bop. And it's crazy, right because I told you

1517
01:17:00,400 --> 01:17:03,280
Speaker 3: did a reminiscences probably the greatest beating.

1518
01:17:03,600 --> 01:17:07,920
Speaker 2: I like horns. Horns hit everybody.

1519
01:17:07,960 --> 01:17:12,120
Speaker 6: Now what even just horns is just like like my

1520
01:17:12,240 --> 01:17:16,080
Speaker 6: life style went in then bab bam and pulling me

1521
01:17:16,080 --> 01:17:19,759
Speaker 6: in And I like horns for some reason.

1522
01:17:20,400 --> 01:17:21,080
Speaker 2: Even that joint.

1523
01:17:21,160 --> 01:17:23,880
Speaker 6: Y'all just played the gangs, the gangster sh gang. That's

1524
01:17:23,920 --> 01:17:24,479
Speaker 6: some horn.

1525
01:17:24,640 --> 01:17:31,000
Speaker 2: That's ship, dude. What's your favorite instrument to sample keyboard sounds?

1526
01:17:31,160 --> 01:17:32,280
Speaker 2: And I like horns.

1527
01:17:32,520 --> 01:17:35,960
Speaker 4: I did the horn things in the days you horned

1528
01:17:36,120 --> 01:17:38,719
Speaker 4: because the heavy horns.

1529
01:17:38,760 --> 01:17:41,519
Speaker 2: Yeah, everybody start following. I got it.

1530
01:17:41,680 --> 01:17:44,519
Speaker 1: I got it mostly from forty five King, but Molly

1531
01:17:44,840 --> 01:17:48,519
Speaker 1: Molly started doing it. First, little doubt, but but forty

1532
01:17:49,200 --> 01:17:51,880
Speaker 1: forty five King like stressed it, and then I just said,

1533
01:17:52,240 --> 01:17:53,320
Speaker 1: I just capitalized.

1534
01:17:54,040 --> 01:17:54,240
Speaker 10: You know.

1535
01:17:54,880 --> 01:17:55,800
Speaker 2: Let me tell you something.

1536
01:17:56,120 --> 01:17:59,360
Speaker 3: I'm starting to work again, right and I'm asking people

1537
01:17:59,720 --> 01:18:02,760
Speaker 3: for that raw sound. The other day I heard, uh,

1538
01:18:03,960 --> 01:18:07,519
Speaker 3: it's a hard knock life or even though that was

1539
01:18:07,600 --> 01:18:10,280
Speaker 3: a commercial hit, if you listen to it now, it

1540
01:18:10,439 --> 01:18:14,240
Speaker 3: had that raw forty five Kings sound.

1541
01:18:15,320 --> 01:18:20,000
Speaker 2: A master. I can't find producers these days to get that.

1542
01:18:20,320 --> 01:18:22,880
Speaker 2: What's the problem. Even when they do the raw sound,

1543
01:18:22,920 --> 01:18:26,080
Speaker 2: they'll do something glossy, they'll do something to it. It

1544
01:18:26,200 --> 01:18:26,719
Speaker 2: won't happen.

1545
01:18:28,040 --> 01:18:30,920
Speaker 5: This is why AI is back for music. Okay.

1546
01:18:31,280 --> 01:18:33,960
Speaker 1: They don't have souls. They don't have the ideas that

1547
01:18:34,160 --> 01:18:38,160
Speaker 1: come from here, sick here and laying here, just a

1548
01:18:38,240 --> 01:18:42,040
Speaker 1: little knowledge about you know, the music. It has to

1549
01:18:42,240 --> 01:18:43,880
Speaker 1: come from a thing for it to be dope.

1550
01:18:44,120 --> 01:18:46,760
Speaker 2: A I could never You know what's crazy is I

1551
01:18:46,880 --> 01:18:48,679
Speaker 2: had this guy every Sunday.

1552
01:18:48,680 --> 01:18:50,479
Speaker 3: I don't want nobody line me up, but I go

1553
01:18:50,600 --> 01:18:54,080
Speaker 3: to the Italian Deli and I go get my olives,

1554
01:18:54,200 --> 01:18:57,040
Speaker 3: my stuff, you know, and they had a guy there.

1555
01:18:57,160 --> 01:18:59,600
Speaker 2: It was almost like the Rayman, you know.

1556
01:18:59,720 --> 01:19:06,400
Speaker 3: He how do we Canole's olix mots of mole you know,

1557
01:19:07,120 --> 01:19:08,240
Speaker 3: motzer route like.

1558
01:19:11,160 --> 01:19:16,320
Speaker 2: Mouza out. He called it fucking what did he calls

1559
01:19:16,560 --> 01:19:17,160
Speaker 2: melt Yo?

1560
01:19:17,360 --> 01:19:21,360
Speaker 6: Come on, hey watch some canes dog.

1561
01:19:27,000 --> 01:19:31,439
Speaker 3: Gets it town his moots it out, called him mocks

1562
01:19:31,479 --> 01:19:35,519
Speaker 3: and melt You can't go back there, and I say.

1563
01:19:35,439 --> 01:19:37,160
Speaker 2: Something but to Melt.

1564
01:19:37,600 --> 01:19:40,120
Speaker 3: So I get to talking to this guy, right So

1565
01:19:40,400 --> 01:19:43,000
Speaker 3: I'm in there talking to him and then he's talking

1566
01:19:43,080 --> 01:19:45,000
Speaker 3: about jazz music and this he says.

1567
01:19:45,200 --> 01:19:48,360
Speaker 2: He says, hip hop you know how to play instruments?

1568
01:19:48,600 --> 01:19:48,920
Speaker 2: You know how?

1569
01:19:49,160 --> 01:19:49,600
Speaker 5: I said no.

1570
01:19:50,160 --> 01:19:52,439
Speaker 2: She was like, so where does hip hop come from?

1571
01:19:52,920 --> 01:19:56,320
Speaker 3: So as I'm explaining to him for the first time

1572
01:19:56,360 --> 01:19:59,720
Speaker 3: in my life, it opened my mind. So I was like, yo,

1573
01:20:00,080 --> 01:20:04,200
Speaker 3: hip hop comes from sampling all other art forms of music,

1574
01:20:04,680 --> 01:20:06,880
Speaker 3: whether it's Jamaican, whether it's jazz.

1575
01:20:06,960 --> 01:20:08,880
Speaker 2: Whether it's certain, it don't matter.

1576
01:20:09,000 --> 01:20:14,439
Speaker 3: We sample everybody else's music, explaining it to him. And

1577
01:20:14,520 --> 01:20:18,200
Speaker 3: while I'm explaining it to him, I'm hearing it myself

1578
01:20:18,320 --> 01:20:19,559
Speaker 3: for the first time where I'm.

1579
01:20:19,479 --> 01:20:23,920
Speaker 2: Like, oh, ship, we come from that kind of music.

1580
01:20:24,800 --> 01:20:27,040
Speaker 6: Fron DMC, I'm the king of rock.

1581
01:20:27,200 --> 01:20:31,320
Speaker 3: I said, you know they sampled Wayley Rud Remember that Rocky,

1582
01:20:31,479 --> 01:20:33,920
Speaker 3: remember that shit. And I'm gonna tell you. We did

1583
01:20:34,000 --> 01:20:37,760
Speaker 3: the fifty offan a versary in Yankee Stadium and if

1584
01:20:37,840 --> 01:20:40,120
Speaker 3: you ask me, I silently you know none of my

1585
01:20:40,240 --> 01:20:42,960
Speaker 3: victory nobody broadcast as fat Joe's victories.

1586
01:20:43,120 --> 01:20:46,360
Speaker 2: They just want whoever you nain't stepped up on the stage.

1587
01:20:46,720 --> 01:20:50,960
Speaker 2: I really believe Top three, top two, I ripped it

1588
01:20:51,000 --> 01:20:53,439
Speaker 2: down more than anybody. I don't care who I'm in.

1589
01:20:53,560 --> 01:20:56,280
Speaker 3: Got busy too. Though Common was there. He did good,

1590
01:20:56,760 --> 01:20:58,439
Speaker 3: he didn't do not better than you. Though all right,

1591
01:20:58,520 --> 01:21:02,519
Speaker 3: Joe ripped that ship down. Yeah, nobody ripped it down

1592
01:21:02,640 --> 01:21:04,439
Speaker 3: like me. But I'm gonna keep it real with you.

1593
01:21:04,800 --> 01:21:08,720
Speaker 3: I go up with my family to the sweet and

1594
01:21:08,880 --> 01:21:12,680
Speaker 3: them boys came on. That's just a doom oom and

1595
01:21:12,800 --> 01:21:16,080
Speaker 3: I was just like a kid again. And one DMC.

1596
01:21:16,240 --> 01:21:20,639
Speaker 19: I was like, yo, the gods is here like one

1597
01:21:20,760 --> 01:21:24,439
Speaker 19: D for me when I was a kid, they were

1598
01:21:24,600 --> 01:21:31,040
Speaker 19: like superhero God, come on bro, fat Boys, one deal,

1599
01:21:31,200 --> 01:21:34,120
Speaker 19: c wrapping, Dupe and something else.

1600
01:21:34,240 --> 01:21:36,320
Speaker 2: My moms bought me there. That was one of my

1601
01:21:36,520 --> 01:21:39,560
Speaker 2: best of my life. This nig got their producer. I

1602
01:21:39,680 --> 01:21:43,599
Speaker 2: know his name, but you remember, right, Larry Larry Smith.

1603
01:21:43,920 --> 01:21:48,120
Speaker 4: Larry took your son Captain's sofa Joe for fit.

1604
01:21:48,240 --> 01:21:53,240
Speaker 2: He never came back. Fucking genius man or Dave cut

1605
01:21:53,320 --> 01:21:54,240
Speaker 2: the record them too.

1606
01:21:55,160 --> 01:21:56,400
Speaker 6: That was Davy Dave.

1607
01:21:59,040 --> 01:22:03,400
Speaker 2: Because it records down to dav D. You called them

1608
01:22:03,520 --> 01:22:05,680
Speaker 2: what you called them days and we said no, you

1609
01:22:05,800 --> 01:22:09,040
Speaker 2: called them something else. Av D. You're all the best.

1610
01:22:09,520 --> 01:22:17,040
Speaker 2: Cut this read. I used to like Malcolm McLaren Worlds, Worlds, Samous, Screen,

1611
01:22:17,160 --> 01:22:22,280
Speaker 2: Team Marks, Supreme, Team Show Show show that ship was crazy.

1612
01:22:22,360 --> 01:22:25,040
Speaker 2: It was crazy. It was right said about ship.

1613
01:22:25,400 --> 01:22:26,280
Speaker 5: Ship was crazy.

1614
01:22:26,560 --> 01:22:28,600
Speaker 3: And you went to the They at the Jams and

1615
01:22:29,080 --> 01:22:32,120
Speaker 3: it wasn't around the same time as the Bronx. The

1616
01:22:32,280 --> 01:22:35,599
Speaker 3: jams in Mount Vernon. They had to have jams too, right.

1617
01:22:35,720 --> 01:22:41,000
Speaker 1: Yes, Graham School Park, Memorial Phield And then there was

1618
01:22:41,080 --> 01:22:43,800
Speaker 1: a seventies concept that the Jackson five came them out,

1619
01:22:44,240 --> 01:22:45,120
Speaker 1: so he said.

1620
01:22:44,920 --> 01:22:48,240
Speaker 4: He well know when he went to the one that

1621
01:22:48,400 --> 01:22:53,439
Speaker 4: boys in the wrapping duke Michael Jackson no No.

1622
01:22:58,520 --> 01:22:59,000
Speaker 5: Performed.

1623
01:22:59,160 --> 01:23:02,120
Speaker 2: Somebody told me they went to that fucking Michael Jackson.

1624
01:23:01,920 --> 01:23:06,559
Speaker 1: Younger Jackson dancing with You know what I'm saying, shout

1625
01:23:06,600 --> 01:23:08,960
Speaker 1: out the grab level, Yes, sir, what was because we

1626
01:23:09,000 --> 01:23:09,519
Speaker 1: were about to go.

1627
01:23:09,720 --> 01:23:13,040
Speaker 3: But what was the first song that you would hear

1628
01:23:13,240 --> 01:23:15,800
Speaker 3: all the time walking into the jams when you was

1629
01:23:15,840 --> 01:23:17,719
Speaker 3: a kid up and dance.

1630
01:23:20,320 --> 01:23:24,559
Speaker 6: M you don't original, not even the party ram master flash.

1631
01:23:24,800 --> 01:23:28,520
Speaker 4: That's your party joint, Like, that's the joint whoever had turntables.

1632
01:23:28,960 --> 01:23:32,439
Speaker 4: But the speaking in the window cut the hell out

1633
01:23:32,520 --> 01:23:33,720
Speaker 4: of that you hearing it for?

1634
01:23:35,200 --> 01:23:39,800
Speaker 25: And I'm gonna tell that to Patsy's one, and I'm

1635
01:23:39,800 --> 01:23:42,479
Speaker 25: gonna tell you that you big beat, good time, good

1636
01:23:43,000 --> 01:23:45,599
Speaker 25: my god, god.

1637
01:23:47,640 --> 01:23:48,800
Speaker 10: That you.

1638
01:23:51,240 --> 01:23:52,439
Speaker 21: That was ship.

1639
01:23:52,760 --> 01:23:56,160
Speaker 2: Nobody playing that ship was right there.

1640
01:23:58,800 --> 01:24:03,000
Speaker 6: That's it you absolutely my phone in another.

1641
01:24:02,760 --> 01:24:11,000
Speaker 2: Way cut to be real, to be real. Yeah, yeah,

1642
01:24:12,720 --> 01:24:18,920
Speaker 2: those two dance dancing, the jumping, No, that drum was

1643
01:24:19,040 --> 01:24:19,639
Speaker 2: less dance.

1644
01:24:21,160 --> 01:24:24,040
Speaker 6: And then and then they will always go here will

1645
01:24:24,160 --> 01:24:25,120
Speaker 6: man playing and.

1646
01:24:25,240 --> 01:24:28,040
Speaker 2: Then producing man go work and something.

1647
01:24:27,880 --> 01:24:33,200
Speaker 6: Go standing everybody got to make a live and I remember.

1648
01:24:32,880 --> 01:24:35,360
Speaker 2: Sitting on the project radiated.

1649
01:24:35,400 --> 01:24:35,760
Speaker 1: You know that.

1650
01:24:39,720 --> 01:24:43,920
Speaker 2: One thing the project don't lack heating heat, my man.

1651
01:24:44,960 --> 01:24:46,320
Speaker 6: I remember sitting.

1652
01:24:47,800 --> 01:24:51,760
Speaker 3: Listening to a cassette one man playing, the man producing

1653
01:24:51,960 --> 01:24:56,040
Speaker 3: Manko and all that from that might be the first

1654
01:24:56,200 --> 01:25:00,280
Speaker 3: lyrics I ever analyzed as a kid, like where I said,

1655
01:25:00,600 --> 01:25:03,000
Speaker 3: what are these women playing?

1656
01:25:03,200 --> 01:25:06,839
Speaker 2: Women producing man go work and some girl stealing?

1657
01:25:07,920 --> 01:25:17,599
Speaker 3: Everybody got to make a kid homeless heaven, Yes, sir,

1658
01:25:19,840 --> 01:25:23,360
Speaker 3: that's the ultimate joint right there. What yo, listen, This,

1659
01:25:23,800 --> 01:25:26,240
Speaker 3: this episode of Joe and Jada was brought to you

1660
01:25:26,400 --> 01:25:32,320
Speaker 3: by eighteen hundred tequila, the finest of Garvi tequila. They honey,

1661
01:25:32,760 --> 01:25:35,760
Speaker 3: I don't want and I don't want to be on

1662
01:25:35,960 --> 01:25:40,200
Speaker 3: another show without my partner drinking eighteen hundred tequila.

1663
01:25:40,800 --> 01:25:42,120
Speaker 6: This rings out the best.

1664
01:25:42,600 --> 01:25:43,200
Speaker 2: This ain't that?

1665
01:25:43,800 --> 01:25:43,840
Speaker 10: That?

1666
01:25:44,040 --> 01:25:44,439
Speaker 4: Ain't this?

1667
01:25:45,200 --> 01:25:47,839
Speaker 2: CRUs make some noise for feet, ropie.

1668
01:26:00,080 --> 01:26:00,280
Speaker 15: Yeah,