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Speaker 1: Hey, it's Sam with a quick little show announcement.

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Speaker 2: As you may know, I've been running my hour trying

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Speaker 2: to you know, really figure it out, and so I've

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Speaker 2: been doing it in New York and LA and all

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Speaker 2: those dates have sold out. So I've decided to add

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Speaker 2: one more New York date and one more LA date.

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Speaker 2: So in New York, I'll be at Union Hall on

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Speaker 2: May third, that's a Sunday, and then in LA I

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Speaker 2: will be at Lyric Hyperion on May fourteenth, that's a Thursday.

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Speaker 2: So I would simply love to see you there. I've

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Speaker 2: been really having a good time doing this and I

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Speaker 2: appreciate you guys coming out and make me O look

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Speaker 2: like a fucking idiot.

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Speaker 1: Okay, enjoy the episode.

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Speaker 3: Bye.

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Speaker 2: Podcast starts now, what is up everyone around the globe?

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Speaker 2: You're listening to Radio Lab and we were just talking

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Speaker 2: about this thing. I almost want to just like start talking. Okay,

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Speaker 2: we're actually in an amazing flow state. Okay, Yeah, we

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Speaker 2: were talking about the things my favorite thing that get

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Speaker 2: garyas do.

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Speaker 1: First of all, police want more guest janjard and this

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Speaker 1: is not about we won't target.

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Speaker 3: That makes it seem like it is yea his special Yes,

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Speaker 3: man is streaming on huloup.

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Speaker 2: Yes, I just wanted you to be able to talk

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Speaker 2: it because you were allowed to speak before and now

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Speaker 2: you weren't and it didn't feel right.

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Speaker 1: Yeah.

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Speaker 3: Usually we do an intro and then bring in a guest,

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Speaker 3: but we cannot.

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Speaker 4: No, but we've all seen the podcast and heard the

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Speaker 4: podcast where you go. Y'all have been talking over twenty minutes.

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Speaker 4: It's this person giggling and that there's a third laugh.

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Speaker 4: There's a third laugh, and so we were talking about

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Speaker 4: this thing.

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Speaker 2: That is my favorite type of crash out is when

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Speaker 2: a gay guy who posts almost all the time very

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Speaker 2: sexy picks themselves also has like specifically I like it

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Speaker 2: when they have a visual art career. Yeah yeah, and

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Speaker 2: they then are like they post the visual art and

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Speaker 2: then they get mad because it only gets one hundred

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Speaker 2: and fifty likes, and they'll post the stories being like,

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Speaker 2: so when I post my body, it gets two thousand likes,

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Speaker 2: and when I post my art, it only it's one

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Speaker 2: hundred fe likes.

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Speaker 4: This and Sam, the art is always a collage. It's

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Speaker 4: always a collage that looks like a ransom letter.

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Speaker 1: It's I go. That's definitely the O from a Vogue

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Speaker 1: magazine and there's like references to like Pokemon somewhere in there.

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Speaker 4: Yeah, yeah, yeah, Pokemon poke very My husband was playing

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Speaker 4: Pokemon Pacopeia this morning, and I played Pokemon z A

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Speaker 4: last night. Pokemon fully gay, fully gay now that when

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Speaker 4: gay guys don't know about Pokemon. It was like when

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Speaker 4: that period of time when someone be like, you don't

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Speaker 4: know your star signs. And that's what Pokemon feels like

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Speaker 4: to me.

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Speaker 1: This is tough. Are you not?

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Speaker 4: Are you're not a trainers? I was, you were a

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Speaker 4: Pokemon trainer. I was deep into it. But Pokemon the franchise.

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Speaker 4: And sorry to alienate George, he doesn't know anything about this.

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Speaker 1: Because George has books he gotta read.

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Speaker 4: I knew, I knew it was I knew that was

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Speaker 4: going to be no and books to write it busy.

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Speaker 3: It's actually even worse. It's like, no, it's even worse.

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Speaker 3: It's like when other people are playing video games. I'm

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Speaker 3: just scrolling Instagram because everyone has the time that they're

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Speaker 3: doing something kind of like mindless and sort of passive,

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Speaker 3: and I, you know, my hobby, my like mindless hobbies

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Speaker 3: are basically just scrolling the internet. Like it's it's or

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Speaker 3: it's like learning about a sort of argument that is

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Speaker 3: happening outside of my world and being like, okay, got it.

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Speaker 3: So someone wrote something that shades this drag queen and

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Speaker 3: then she said this on a podcast, and then I

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Speaker 3: will spend like forty five minutes learning that that time

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Speaker 3: I could be using training Pokemon. Yeah, and that's different

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Speaker 3: than my reading time or than my theater time.

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Speaker 1: So I wish I wish I was training Pokemon. You're

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Speaker 1: allotted reading time, Okay, go on.

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Speaker 2: Well, I felt like wronged by the franchise because they

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Speaker 2: kept doing like it kept not improving. I felt like,

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Speaker 2: be honest, I'm kind of bored, and I would get

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Speaker 2: I would finish, but I'd be like, this is kind

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Speaker 2: of boring. And so then I was of course curious

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Speaker 2: with Pocopia, but I'm almost trying to be like what

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Speaker 2: if I.

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Speaker 1: Skip this one? Okay?

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Speaker 2: And also it's specifically like a grocery store, Like it's

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Speaker 2: like you're like doing your like going grocery shopping, and

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Speaker 2: I'm like grocery store.

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Speaker 1: There's certain games.

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Speaker 3: But I just call like running errands of the game

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Speaker 3: is animal crossing. So you're saying you're talking about the

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Speaker 3: Pokemon franchise. I'm asking this with no.

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Speaker 1: Judgment, and that's going to be a literally che sentence.

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Speaker 3: So over the last twenty years, you have been keeping

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Speaker 3: up with Pokemon games and playing them as they come out, correct,

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Speaker 3: That is so for it to Pokemon is something that

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Speaker 3: I remember the card game when I was in second

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Speaker 3: I have not thought about it since then, And I

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Speaker 3: remember actually crying in the Pokemon movie where when the

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Speaker 3: clones thought each other.

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Speaker 1: I was like, this is the most meaningful.

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Speaker 3: The only other thing I made me cry at that

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Speaker 3: age was I Am Sam starring Champagne, which do not

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Speaker 3: do not do not check out now because it has

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Speaker 3: not aged well. But specifically I cried Michelle Fifer going

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Speaker 3: through a divorce, not at Champagne losing custody of his daughter.

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Speaker 3: The entire movie is about, like, it's the harrowing story

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Speaker 3: of Champann losing custody of his daughter, and it's like

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Speaker 3: about how he is being there's prejudice against him whatever.

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Speaker 3: At the moment I cry is when Michelle Pfeiffer is

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Speaker 3: getting divorced. Guys, her husband is cheating on her.

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Speaker 4: Okay, yeah, so that sparked the same sort of emotional.

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Speaker 1: Yes, as the two charmanders fighting its.

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Speaker 4: Yeah, yeah, which those two Pokemon fighting that are closing

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Speaker 4: each other. That's kind of what we were talking about

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Speaker 4: at the beginning, which is gay guys getting mad at

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Speaker 4: other gay guys are not liking their art projects and

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Speaker 4: liking it. Well, gay guys are kind of like the

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Speaker 4: last form of POKEMONA every gay guy does think he

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Speaker 4: is a Pokemon that is going to evolve.

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Speaker 1: Like every things.

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Speaker 4: They have a three stage evolution, yes, and sometimes it's

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Speaker 4: just two stages. Yeah, Donovan, you're just squirtle. And often

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Speaker 4: they don't get the go anywhere. There may be new forms,

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Speaker 4: maybe a different regional form, but.

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Speaker 1: Maybe they learned a new attack. Yeah, Yes, I love

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Speaker 1: when a gig guy learns a new attack. Yeah.

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Speaker 4: I've been I've been very invested in Pokemon only because

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Speaker 4: I kind of went away for a long time, so

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Speaker 4: I've had I've had the opposite experience that Sam had.

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Speaker 1: So I went away.

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Speaker 4: I said I'm not touching it, and then you know,

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Speaker 4: had a little bit of time.

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Speaker 1: I'll say it also a little bit disposable income.

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Speaker 4: It doesn't hurt, and now I pokemon go to the store,

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Speaker 4: I can pokemon good as a Nintendo store online and

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Speaker 4: buy it. But I also bought the Dragon Ball Z

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Speaker 4: video games, so it's it's still very like I bro

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Speaker 4: coded well.

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Speaker 2: And the thing is like video games are like the true,

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Speaker 2: the one true, unproductive thing one can do. Like if

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Speaker 2: I'm like watching a TV show now, I'm like, okay, well,

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Speaker 2: this will be good to be able to talk about

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Speaker 2: on the podcast, or like if I'm like going to

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Speaker 2: say a movie and like, this will be helpful to

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Speaker 2: like have conversations to know.

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Speaker 1: If you're playing Final Fantasy, you can tagle bow and

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Speaker 1: that's true. That's true.

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Speaker 4: If you're playing pocobe YEA, you could talk about there's

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Speaker 4: there's very specific places you can go discuss that stuff.

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Speaker 4: But as far as like big picture, it is, you know,

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Speaker 4: it is hard.

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Speaker 2: And honestly I found some alienation in the sense that

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Speaker 2: I got too good at Super Smash Bros.

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Speaker 1: My God stopped inviting you. People got mad at me. Yeah,

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Speaker 1: well do you gloat? No, I'm the most humble and respectful.

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Speaker 1: It's even worse if you're a quiet winner who's like, yeah.

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Speaker 2: We had a time on Fire Island where everyone was

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Speaker 2: like playful, like, ah, let's play Super smash pros, and

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Speaker 2: I was like, I don't want to because, like I,

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Speaker 2: this is like something, It's like a drug to me.

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Speaker 2: It's like so addictive, and I honestly have kind of

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Speaker 2: sworn it off because I like played for hours and

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Speaker 2: hours and hours for years and years and years.

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Speaker 4: Sam, you are the living embodiment of this. The T

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Speaker 4: shirt people used to get at the fair that said

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Speaker 4: Dick too big might kill somebody.

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Speaker 1: That's that's you, a smash bro. I would love to,

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Speaker 1: but I can't. I can't. Everyone's gonna be mad. We

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Speaker 1: played and I won like every single time.

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Speaker 3: List of people you beat, my god, who's who?

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Speaker 1: List of people, many of them have credits, you wouldn't believe.

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Speaker 1: List of the people you beat, some of them around

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Speaker 1: Grande Chris. And I was even like using like different characters.

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Speaker 1: I don't know.

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Speaker 4: You.

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Speaker 1: I wasn't even using my may like it was and

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Speaker 1: to the past.

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Speaker 2: And then we ended after like maybe a half hour,

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Speaker 2: and everyone was like fully in a bad mood.

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Speaker 1: Done and I was like, I told you.

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Speaker 2: And then like years later I was going back and

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Speaker 2: somebody was like, I'm bringing my switch, we can play

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Speaker 2: smash and I was like, we are not doing this.

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Speaker 4: We are not doing that code word for Sam in

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Speaker 4: a different group chat like fucking Bowser Junior over here.

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Speaker 1: It's it wears.

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Speaker 3: Me out when you have elements of life that I

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Speaker 3: have no connections. I love it, like so you are

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Speaker 3: just like I know that Sam is playing video games

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Speaker 3: like consistently.

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Speaker 1: And I haven't read.

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Speaker 3: I have no idea what any of them are, what

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Speaker 3: his tastes are, because it is a world I'm not

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Speaker 3: familiar with. Adull like I wouldn't even able to tell you,

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Speaker 3: like are Sam's taste in video games good?

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Speaker 1: Are they like sophisticated? Are they like populous?

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Speaker 4: I don't know what's a game that you know that

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Speaker 4: you think Sam plays outside of the ones we've listened to.

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Speaker 1: It is so I literally know nothing. It is like

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Speaker 1: it is like.

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Speaker 3: I My references are like things I remember from what

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Speaker 3: I was gonna say it, and he's gonna shoot me.

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Speaker 1: It's all Greek to me I have. He's not gonna

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Speaker 1: like it.

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Speaker 3: But I have a memory of when I was a kid,

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Speaker 3: and when we live in New Jersey already I felt

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Speaker 3: very foreign and I was just like I always like

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Speaker 3: said the wrong thing, and.

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Speaker 1: There was some kids were coming over and they were like,

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Speaker 1: we should play video games.

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Speaker 3: And I didn't know anything about video games, but I

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Speaker 3: had heard of the video games Zelda, okay, and that

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Speaker 3: was the one I knew. And I was like, I

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Speaker 3: was like, oh, what if we play Zelda? And so

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Speaker 3: then the kid goes maybe a multiplayer one.

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Speaker 1: I was like, fuck multiplayer. But that and that's like

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Speaker 1: a real core memory. Yeah, that's a real core memory.

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Speaker 3: Already I'm like, my parents are four and I'm like whatever,

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Speaker 3: And and that was such a core memory where I

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Speaker 3: was like, damn, I couldn't even suggest the right video.

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Speaker 2: That's really tight because at that age it really was

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Speaker 2: how you like communicate it.

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Speaker 3: I know it was that and I actually then later

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Speaker 3: on I have another memory of I really loved the

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Speaker 3: movie White Chicks, and I.

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Speaker 1: I know you have good taste, thank you.

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Speaker 3: But then I may I made this group of boys

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Speaker 3: watch White Chicks, and none.

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Speaker 1: Of them liked it. Well, your friends were racist. Now

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Speaker 1: that's an interesting thing. I get. That could go either way.

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Speaker 3: It's like they not like it because they were racist,

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Speaker 3: or they not like it because the movie is racist.

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Speaker 1: I think I'm joking.

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Speaker 4: I think there was a there, like I think the

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Speaker 4: cultural the cultural take, the overwhelming cultural take on White

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Speaker 4: Chicks at first was it's kind of silly urban comedy,

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Speaker 4: and then it like it's like snowball effect and became

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Speaker 4: so huge, and now everyone's like, it's pretty funny. That's

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Speaker 4: wait a second, that's actually really funny. And now it's

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Speaker 4: kind of reached this TikTok level where it's always like in.

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Speaker 1: One of the scrolls or something from it.

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Speaker 4: Sure, and like people still use audio from it in

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Speaker 4: so many videos. The minute there's like a white person

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Speaker 4: doing anything, they use the Terry Crews careful white chocolate.

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Speaker 1: You might melt like audio. I mean, it's iconic.

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Speaker 3: It's also people regardless of whether it's funny or not,

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Speaker 3: or whether it's like in good taste or not. What

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Speaker 3: bothers me is when people don't recognize the talent that

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Speaker 3: goes into it, like oh yeah, it's like the level

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Speaker 3: of comedic performance happening in that movie is better than

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Speaker 3: anything winning the Golden Globe for Best Comedy.

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Speaker 1: It's yeah, whatever.

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Speaker 4: Wow, I have nothing no say about. I think only

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Speaker 4: because there was no word show last night. I went this,

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Speaker 4: yes right now. I think that like comedy, opinions shift

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Speaker 4: in a way that like drama opinions don't like over time,

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Speaker 4: and not just from a like cult classic standpoint, but

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Speaker 4: just people go, oh, this is like really really good.

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Speaker 1: Even now, people I still see people.

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Speaker 4: Online who go, wait a minute, I kind of like BookSmart.

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Speaker 4: I go, yeah, like so people watch these things and

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Speaker 4: I think it changes.

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Speaker 1: It's right now.

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Speaker 4: When it comes to comedy, I'm always like, oh, well,

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Speaker 4: it could be a comedy that's like really good for clips.

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Speaker 4: It could be a comedy. It's really good for like

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Speaker 4: elevating them already established star. It could be a comedy.

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Speaker 4: It's good for making us remember this person can still

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Speaker 4: be funny. It's a comedy. That's like comedies are expected

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Speaker 4: to do so many things where it's like a good

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Speaker 4: dramatic story is just kind of like, that's an amazing story,

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Speaker 4: that's a visionary director, that's an amazing actres, that's an

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Speaker 4: amazing actress, that's oh my god, supporting actor here at

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Speaker 4: the whole movie, whereas comedies kind of serve as these

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Speaker 4: like Swiss army knives.

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Speaker 3: Yeah, well, I'm glad you brought up comedy that's meant

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Speaker 3: for clips, because I'm.

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Speaker 1: Seeing that more and more.

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Speaker 3: Yeah, right, it's like sometimes like a TV show or

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Speaker 3: a movie or whatever, it's like it's you can tell

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Speaker 3: that it was made so that this clip will be

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Speaker 3: I even think they're purposely making wigs worse.

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Speaker 4: So that well, okay, I want to hear this, but

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Speaker 4: oh we have we have I just getting so bad.

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Speaker 1: So people go that wigs terrible.

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Speaker 2: People tweet about it, so that then people are talking

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Speaker 2: about the show or like post about it.

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Speaker 1: What are they just like everything's rushed? Have you seen then?

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Speaker 1: You have you seen any clips from a unicle Kidman show? No?

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Speaker 1: Is that what she's promoting right now? It'sh I think

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Speaker 1: she plays detective or something.

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Speaker 3: But Jamie Lee Curtis is in it, and they they

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Speaker 3: give her a look that's like, you know when.

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Speaker 1: The look is white trash like that. You know. It's

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Speaker 1: like what they did with Glenn Close and Hillbilly Elegit.

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Speaker 3: There's a specific book and they made Jamie Lee Curtis

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Speaker 3: look intentionally funny and ridiculous so that people would be like, look.

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Speaker 1: At this bitch. Okay, Yeah.

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Speaker 4: The memorification of Glenn Close in Billy Elegy, in the

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Speaker 4: Mammas shirt, the big pink shirt.

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Speaker 1: In the kitchen.

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Speaker 4: It was just gonna take this stuff in a vacuum

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Speaker 4: and go terrible movie. You shouldn't give up your kids

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Speaker 4: for precosets. But look at Grandma.

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Speaker 1: Yeah, or well you know we saw how that. Yeah,

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Speaker 1: actually give that kid up.

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Speaker 4: If the kid is if the vibes are that bad

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Speaker 4: that early, go ahead and justice from Ama Van.

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Speaker 1: The want to be like, I don't like this fucker.

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Speaker 1: I've got to get fucked up to deal with him.

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Speaker 3: When do you think we're gonna have because we're overdue

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Speaker 3: for like Amy Adams or Glenn Close to actually grapple

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Speaker 3: with that decision to have to be you know, Amy Adams,

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Speaker 3: especially who I love but does need to win, like

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Speaker 3: there needs to be a press store where she like

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Speaker 3: grapples with the fact that she agreed to do that

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Speaker 3: movie thinking it was like an inspirational story.

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Speaker 1: Yeah.

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Speaker 4: Well, the governor of Kentucky, Andy Brush here right now.

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Speaker 4: He talks about how much he hates it and how

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Speaker 4: much he hates that Jeddie Vans kind of plays on

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Speaker 4: the fact.

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Speaker 1: That he says he's a hillbilly.

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Speaker 4: He says he's from this kind of like poor white

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Speaker 4: rule background, but he does everything against them when it

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Speaker 4: comes to his policy. So I think that politicians from

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Speaker 4: Kentucky like have a vested interest in the Ohio, Kentucky

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Speaker 4: West Virginia area.

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Speaker 1: They can like talk about it.

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Speaker 4: Amy Adams, I don't know if I want to hear

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Speaker 4: her talk about it. It just like what if what

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Speaker 4: if she says I can't wait to talk about it,

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Speaker 4: and then you go, oh, you got it wrong.

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Speaker 3: That would be crazy if she turned out to be

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Speaker 3: right waiting, if she was like, I'm really happy that

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Speaker 3: I could have uplifted.

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Speaker 1: This is a great point.

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Speaker 2: We don't want to talk about it because this kind

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Speaker 2: of did this keeps happening where it was like JD. Vans,

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Speaker 2: Like when this book came out, it was like nobody

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Speaker 2: knows what his deal is, but look a guy was.

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Speaker 1: From I mean Obama loved it. Yeah, and it was

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Speaker 1: like this big thing and he.

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Speaker 4: And Obama's done nothing wrong exactly getting back in the

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Speaker 4: White House.

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Speaker 1: Yeah. It also happened with like Elon Musk, where it's like, oh,

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Speaker 1: look at this cool guy.

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Speaker 2: It makes weird you're making and then the moment he

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Speaker 2: goes like, actually I want to speak on it, it's

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Speaker 2: like no, Well.

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Speaker 1: Because Elon Musk and jd Vance.

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Speaker 4: If not for like whatever ambitions they had past the

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Speaker 4: station that they kind of like exept.

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Speaker 1: For themselves, they would have been annoying. But fine.

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Speaker 4: There was a world where Elon Musk dies and he's

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Speaker 4: that weird dude who was obsessed with electric vehicles and

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Speaker 4: like having more kids, and that was it, and maybe

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Speaker 4: we knew he was weird and South African evil Emerald

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Speaker 4: mind money and his dad fucked and impregnated his stepsister,

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Speaker 4: like we knew he was fucked up, but it wasn't

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Speaker 4: to this degree. I think there's also a world where

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Speaker 4: we go Jadie Man's kind of annoying, but that's it.

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Speaker 1: That's all.

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Speaker 4: It is wild that they chose to keep going. It

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Speaker 4: is like, don't you have enough?

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Speaker 1: Don't you have enough?

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Speaker 4: You knew you were crazy when you were down here.

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Speaker 4: You knew, and people around you knew, and they said

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Speaker 4: keep going.

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Speaker 1: Yes you knew.

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Speaker 3: And not just that, but structurally every door opened for

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Speaker 3: them at every yeah, like Elon Musk, every government was like,

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Speaker 3: oh my god, of course we would love to have

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Speaker 3: a government call.

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Speaker 1: Have y'all had that?

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Speaker 4: Have y'all ever had that experience? Like in I guess

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Speaker 4: in our industry, we don't haven't seen it. We're like

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Speaker 4: you see someone early, Yes, that motherfucker's crazy. Hey everyone, everyone, everyone,

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Speaker 4: I know we had to talk about the show. Great show,

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Speaker 4: that motherfucker's crazy. Do not let them amass any more power.

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Speaker 4: They they're crazy completely, they're bad at what they do whatever,

385
00:18:06,040 --> 00:18:08,720
Speaker 4: but they're crazy, and no one listens to you. And

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Speaker 4: then into six we all go, I told yah, I

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Speaker 4: told y'all.

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Speaker 2: This is you're freaking me out because this is this happens,

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Speaker 2: is happening and will happen more. Oh, there are people

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Speaker 2: where I'm like, no, no, no, no no. If they

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Speaker 2: ever have power, they will kill someone.

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Speaker 1: Yeah.

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Speaker 3: That's also by design, because the crazy people are the

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Speaker 3: ones who do keep going even when they're told no,

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Speaker 3: even when like it's not a coincidence. It's like, you're right, yes,

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Speaker 3: if you have you have to be crazy. You have

397
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Speaker 3: to have that like young Emperor outlook where it's like

398
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Speaker 3: literally Jeoffrey from Game of Thrones, like you have to

399
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Speaker 3: be like I will do everything in my power to

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Speaker 3: ascend to the top.

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Speaker 1: And then, by the way, our industry.

402
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Speaker 3: In terms of like the gay gatekeepers, most of them

403
00:18:51,359 --> 00:18:53,760
Speaker 3: are like stupid, so it's like they're just kind of like, oh, look,

404
00:18:53,800 --> 00:18:56,720
Speaker 3: this guy seems confident and he has three scripts like let's.

405
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Speaker 1: Go, oh my god.

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Speaker 4: I'm literally because right now, whenever I see someone in

407
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Speaker 4: the in like the they're the kind of like whatever

408
00:19:08,080 --> 00:19:12,320
Speaker 4: the superflow, whatever's going on on the internet, I'll be like, Okay,

409
00:19:12,359 --> 00:19:14,760
Speaker 4: have I ever had an interaction with them where like

410
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Speaker 4: something crazy happened? And then if it wasn't me, I go,

411
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Speaker 4: do I know anyone who's ever told me that they're

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Speaker 4: a piece of shit? And I literally this week can

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Speaker 4: think of two different people, one of whom you've interacted

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00:19:25,600 --> 00:19:29,560
Speaker 4: with and the person when you and a different person,

415
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Speaker 4: they both they said, just so you know, this motherfucker

416
00:19:32,400 --> 00:19:36,960
Speaker 4: is horrible to work with, terrible day on set, craziest shit, bad,

417
00:19:37,080 --> 00:19:40,359
Speaker 4: bad vibes. And whenever they those kind of people have

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Speaker 4: a bunch of like shit going on, I'm always like.

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Speaker 3: What oh no, And they're leaving a trail of the structure,

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Speaker 3: Like at any given point that person is making five

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Speaker 3: people cry like a day.

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Speaker 1: It's just crazy. Yeah.

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Speaker 2: Do you ever think it's low self confidence to not

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Speaker 2: make people cry?

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Speaker 1: It is empathy like a flaw. Yeah, so you know,

426
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Speaker 1: as I'm like, wait, I'm too grateful.

427
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Speaker 4: No, no, but because I think there's like a you

428
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Speaker 4: really have to not care about anything if like your

429
00:20:19,600 --> 00:20:21,840
Speaker 4: job is to like make it so intense that a

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Speaker 4: person cries. But then so because if they cry, all

431
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Speaker 4: you can do is be like I won by the

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Speaker 4: way you're crying.

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Speaker 1: You still have to do that thing I told you

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Speaker 1: to do because the crying.

435
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Speaker 4: Is like, please stop, I heard you, Like I will

436
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Speaker 4: try to handle it and the crying wastes my time.

437
00:20:38,920 --> 00:20:41,919
Speaker 4: That sounds me but like it does, like I mean

438
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Speaker 4: we can say now because she's crazy, but like I've

439
00:20:43,760 --> 00:20:46,760
Speaker 4: heard two different hard stories about nick minajen one time

440
00:20:46,760 --> 00:20:49,440
Speaker 4: from an intern at Colbert who said, like they made

441
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Speaker 4: nick manage, made them go run around the city looking

442
00:20:52,440 --> 00:20:53,639
Speaker 4: for a very specific candy.

443
00:20:54,000 --> 00:20:54,920
Speaker 1: It came came.

444
00:20:54,800 --> 00:20:57,960
Speaker 4: Back to the dressing room green room area with the

445
00:20:58,040 --> 00:21:00,360
Speaker 4: candy and Nikimnach was mad it took them so long

446
00:21:00,440 --> 00:21:01,560
Speaker 4: to get it, and I was like, I don't even

447
00:21:01,560 --> 00:21:05,080
Speaker 4: want it now, and they're like crying because Nicki Minaj

448
00:21:05,240 --> 00:21:07,280
Speaker 4: is like that, like she does stuff like that.

449
00:21:07,320 --> 00:21:09,840
Speaker 3: I mean, I've heard stories about Nikki like fully like

450
00:21:09,840 --> 00:21:13,160
Speaker 3: physical violence, like just like on a set. I've heard

451
00:21:13,200 --> 00:21:15,520
Speaker 3: stories about her being literally twelve hours late to a

452
00:21:15,560 --> 00:21:17,320
Speaker 3: photo shoot, which is honestly kind of.

453
00:21:18,160 --> 00:21:21,800
Speaker 1: But she had twelve hours is funny, that's what. Honestly.

454
00:21:21,880 --> 00:21:24,800
Speaker 4: Two hours is rude, twelve hours is finn two hours?

455
00:21:24,920 --> 00:21:29,040
Speaker 4: I go, oh, so was it in Thailand? Like what

456
00:21:29,240 --> 00:21:30,640
Speaker 4: is if that's the case.

457
00:21:30,680 --> 00:21:34,680
Speaker 1: I know the twelve hours. Nikki is someone who I

458
00:21:34,760 --> 00:21:37,320
Speaker 1: understand now. It's like, okay, she's be on the pale.

459
00:21:37,600 --> 00:21:40,080
Speaker 1: I'm not going to be defending her. But before this.

460
00:21:40,280 --> 00:21:43,440
Speaker 3: Latest chapter, like a year ago I was, I would

461
00:21:43,440 --> 00:21:46,439
Speaker 3: still be like yeah, but yeah, well this is the.

462
00:21:46,640 --> 00:21:49,160
Speaker 4: If you have any good art, if you make, if

463
00:21:49,160 --> 00:21:51,399
Speaker 4: you make, if your artist fifty one percent?

464
00:21:51,640 --> 00:21:54,800
Speaker 1: Yeah, I know you can be just.

465
00:21:55,160 --> 00:21:57,760
Speaker 3: At that age where like when Nikki was ascending, that

466
00:21:57,880 --> 00:22:00,320
Speaker 3: was like such a four time and.

467
00:22:01,600 --> 00:22:03,879
Speaker 1: And it's time to what we want to talk about today.

468
00:22:03,880 --> 00:22:09,080
Speaker 4: It's because from a queer perspective, she was the only

469
00:22:09,160 --> 00:22:13,719
Speaker 4: approximation that we had in a wrap space where like

470
00:22:14,480 --> 00:22:17,679
Speaker 4: there was no there was nothing. There was nothing for

471
00:22:17,880 --> 00:22:20,960
Speaker 4: any little gay boys, there was nothing for people who

472
00:22:21,000 --> 00:22:23,240
Speaker 4: wanted to hear a woman. There was nothing. And then

473
00:22:23,280 --> 00:22:26,399
Speaker 4: she showed up and everyone was like, oh my god,

474
00:22:27,160 --> 00:22:30,040
Speaker 4: thank you so much. It's been years since Little Chim,

475
00:22:30,080 --> 00:22:32,400
Speaker 4: It's been years since Foxy Brown. We haven't found it consistent.

476
00:22:32,440 --> 00:22:34,240
Speaker 4: It's been years since Eve, we haven't.

477
00:22:34,040 --> 00:22:35,160
Speaker 1: Found the girl.

478
00:22:35,440 --> 00:22:37,920
Speaker 4: And she was the girl and Wayne gave her the

479
00:22:37,920 --> 00:22:40,200
Speaker 4: approval and Kanye gave her approval and she had this

480
00:22:40,920 --> 00:22:43,560
Speaker 4: wonderful like camp around her and she did that. It's

481
00:22:43,560 --> 00:22:45,320
Speaker 4: funny that she was twelve hours later that photo shoot

482
00:22:45,320 --> 00:22:47,480
Speaker 4: because she did the MTV what was that the MTV

483
00:22:47,600 --> 00:22:48,480
Speaker 4: Diary episode?

484
00:22:48,600 --> 00:22:48,960
Speaker 1: Was it like.

485
00:22:52,320 --> 00:22:54,760
Speaker 4: In the Brother Frank Pink joint? And she was like,

486
00:22:55,600 --> 00:22:58,359
Speaker 4: you go, Nikki, you're right, you should demand more. Did

487
00:22:58,440 --> 00:23:01,400
Speaker 4: you tell you a bit for having for having demands

488
00:23:01,400 --> 00:23:03,199
Speaker 4: and for having rules and for wanting this to be

489
00:23:03,200 --> 00:23:06,439
Speaker 4: a professional photo shoot. You're one right, I'm sorry we

490
00:23:06,520 --> 00:23:09,399
Speaker 4: failed you. But yeah, we found out she was a

491
00:23:09,520 --> 00:23:13,719
Speaker 4: day late. No, it's so awkward.

492
00:23:14,800 --> 00:23:18,199
Speaker 3: It's like the Catherine Heigel situation, like you reclaim, you're like,

493
00:23:18,920 --> 00:23:21,560
Speaker 3: this woman has been treated unfairly by the media, and

494
00:23:21,560 --> 00:23:23,080
Speaker 3: then you find out, wait.

495
00:23:24,240 --> 00:23:27,439
Speaker 2: She actually she actually is a nightmarey you remind me

496
00:23:27,440 --> 00:23:28,560
Speaker 2: what Catherine Heigel did.

497
00:23:28,640 --> 00:23:30,600
Speaker 3: This is like more of a I'm sort of saying

498
00:23:30,600 --> 00:23:33,760
Speaker 3: it joke on me, but like to Kaptain Heigel and

499
00:23:34,040 --> 00:23:37,160
Speaker 3: oh yeah, yeah, Catherine Heigel was sort of like famously

500
00:23:37,240 --> 00:23:39,800
Speaker 3: like on Great like she like had a falling out

501
00:23:39,800 --> 00:23:42,639
Speaker 3: with Shonda Rhymesftergra's Anatomy and then said that her character

502
00:23:42,680 --> 00:23:44,359
Speaker 3: and knocked said in an interview that her character and

503
00:23:44,440 --> 00:23:47,679
Speaker 3: knocked up was like misogynistic or something, and you know,

504
00:23:47,720 --> 00:23:51,880
Speaker 3: the narrative is like she's not grateful enough, blah blah blah,

505
00:23:51,920 --> 00:23:53,880
Speaker 3: and she is, in fact a very I think she's

506
00:23:53,920 --> 00:23:55,760
Speaker 3: a good actress, and I think it's sort of sad

507
00:23:55,800 --> 00:23:58,000
Speaker 3: that she, like you know, had to take like ten

508
00:23:58,080 --> 00:24:00,600
Speaker 3: years off basically. But then recently, the recent thing I

509
00:24:00,600 --> 00:24:03,040
Speaker 3: saw was that she attended some sort of like pet

510
00:24:03,119 --> 00:24:06,560
Speaker 3: charity event and then her comment on it was like, well,

511
00:24:06,600 --> 00:24:10,520
Speaker 3: pets have no politics.

512
00:24:10,800 --> 00:24:14,159
Speaker 4: Here's the in a vacuum. Very funny to like that

513
00:24:14,240 --> 00:24:17,920
Speaker 4: dog can't vote. Yeah, even a dog voted for this man.

514
00:24:18,240 --> 00:24:21,440
Speaker 3: No, It's also a classic celebrity thing of being like, wow, well,

515
00:24:21,560 --> 00:24:23,959
Speaker 3: I guess hate is targeted at me again, like just

516
00:24:23,960 --> 00:24:25,159
Speaker 3: because I care about dogs.

517
00:24:25,680 --> 00:24:30,880
Speaker 4: It's also just such a Republican sentence. Well, because it's

518
00:24:30,920 --> 00:24:35,879
Speaker 4: such a distraction. Wait a second, you went, Tom No,

519
00:24:35,960 --> 00:24:40,560
Speaker 4: I didn't go my dog. I'm not accusing the dog.

520
00:24:40,880 --> 00:24:43,359
Speaker 3: I mean I will go so far as to say,

521
00:24:43,520 --> 00:24:45,280
Speaker 3: and please don't get mad at me if you're a

522
00:24:45,320 --> 00:24:49,200
Speaker 3: dog or pet person. When I hear that someone's passion

523
00:24:49,560 --> 00:24:52,440
Speaker 3: is a pet charity, I'm like, so your right wing,

524
00:24:53,119 --> 00:24:55,800
Speaker 3: because if you weren't, your charity would be something you

525
00:24:55,920 --> 00:24:58,800
Speaker 3: would be like the a cl like you're choosing the thing,

526
00:24:59,200 --> 00:25:03,560
Speaker 3: you're choosing the the cause that is not lin Yeah.

527
00:25:03,320 --> 00:25:06,160
Speaker 4: You know what, I'm gonna say something that is more controversial.

528
00:25:06,280 --> 00:25:10,879
Speaker 4: Oh that's that's how I know your Greek. As you

529
00:25:10,960 --> 00:25:12,720
Speaker 4: go these fucking animals.

530
00:25:13,000 --> 00:25:14,360
Speaker 1: I do not care about that dog.

531
00:25:14,480 --> 00:25:16,919
Speaker 4: We're not caring about a person that is that is

532
00:25:17,080 --> 00:25:21,680
Speaker 4: that is very non white Americans pets, yes, yes, yes,

533
00:25:22,080 --> 00:25:24,920
Speaker 4: every other person who isn't a white American. That includes

534
00:25:24,960 --> 00:25:28,240
Speaker 4: like black people, any immigrants in this country, anyone who

535
00:25:28,280 --> 00:25:32,280
Speaker 4: is in like a waspy American circa like you know,

536
00:25:32,359 --> 00:25:35,400
Speaker 4: the past fifty years, they go that dog, that dog

537
00:25:35,480 --> 00:25:37,320
Speaker 4: bit my son, kill the dog.

538
00:25:38,119 --> 00:25:42,000
Speaker 1: It is and every every and every right, I'm like,

539
00:25:42,400 --> 00:25:42,879
Speaker 1: the thing.

540
00:25:42,800 --> 00:25:45,000
Speaker 3: Is those people are so vicious and I'm literally like,

541
00:25:45,200 --> 00:25:46,639
Speaker 3: don't I love dogs?

542
00:25:46,720 --> 00:25:51,040
Speaker 2: Yeah, it's more like where they put their like public image, well,

543
00:25:51,119 --> 00:25:52,639
Speaker 2: because then where they put their money.

544
00:25:52,760 --> 00:25:53,520
Speaker 1: Yeah, and the money.

545
00:25:53,560 --> 00:25:57,440
Speaker 3: It's not just that, it's also something where for pet

546
00:25:57,480 --> 00:25:58,800
Speaker 3: people and again I love pets.

547
00:25:58,840 --> 00:26:01,240
Speaker 1: For pet people again, it is like it is a

548
00:26:01,280 --> 00:26:01,919
Speaker 1: red line.

549
00:26:02,080 --> 00:26:04,359
Speaker 3: It's like if you suddenly say a slur or something

550
00:26:04,359 --> 00:26:07,639
Speaker 3: and someone is like, well, don't joke about that, Like

551
00:26:07,880 --> 00:26:12,439
Speaker 3: when you bring up let's say, you know, it's like

552
00:26:12,800 --> 00:26:15,040
Speaker 3: arguments around like, well, dog owners in New York can

553
00:26:15,080 --> 00:26:20,000
Speaker 3: be annoying because they you know, have their dog off whatever. Yeah,

554
00:26:20,320 --> 00:26:24,480
Speaker 3: dog people cannot even deal with any sort of criticism

555
00:26:24,560 --> 00:26:24,960
Speaker 3: round that.

556
00:26:25,880 --> 00:26:30,080
Speaker 2: I will say, speaking as a dog owner there, I

557
00:26:30,119 --> 00:26:31,920
Speaker 2: also will say there is a type of person who

558
00:26:31,960 --> 00:26:32,760
Speaker 2: is a dog hater.

559
00:26:33,119 --> 00:26:35,040
Speaker 1: See he's getting defensive. This's what I'm talking about. No,

560
00:26:36,480 --> 00:26:37,359
Speaker 1: I see these people.

561
00:26:37,440 --> 00:26:39,959
Speaker 2: There's a certain type that like once it's like a

562
00:26:40,000 --> 00:26:43,919
Speaker 2: mental illness completely, you like start to blame everything on

563
00:26:44,040 --> 00:26:46,760
Speaker 2: like the dog owners large and it's like, no, You've.

564
00:26:46,920 --> 00:26:49,040
Speaker 1: Like some people are bad and some people are good.

565
00:26:49,160 --> 00:26:50,760
Speaker 1: I think this is good for y'all to talk about.

566
00:26:51,520 --> 00:26:52,800
Speaker 1: I think this is good for y'all.

567
00:26:53,080 --> 00:26:56,240
Speaker 3: But I think we're it's two sizes of the same coin,

568
00:26:56,280 --> 00:26:59,280
Speaker 3: which is like for some reason pet ownership is this

569
00:26:59,840 --> 00:27:02,600
Speaker 3: like third rail issue. When you would think it's such

570
00:27:02,600 --> 00:27:05,199
Speaker 3: a like nothing, it's like, yeah, everyone loves pets. Like

571
00:27:05,240 --> 00:27:07,280
Speaker 3: some people are more passionate, some people aren't. You would

572
00:27:07,320 --> 00:27:11,040
Speaker 3: think it's not a controversial issue. And yet you can't

573
00:27:11,160 --> 00:27:13,800
Speaker 3: say the word dog on the internet without someone like

574
00:27:13,840 --> 00:27:14,919
Speaker 3: coming and.

575
00:27:15,440 --> 00:27:19,240
Speaker 4: Because because pets and dogs more importantly can't talk. And

576
00:27:19,280 --> 00:27:23,680
Speaker 4: so people go, ye, exactly, I'm speaking up for the voiceless.

577
00:27:23,720 --> 00:27:30,880
Speaker 1: Yes they can't. Yeah, I am going tomorrow Ago. They

578
00:27:30,920 --> 00:27:33,359
Speaker 1: can't vote, Okay, they can't vote.

579
00:27:32,840 --> 00:27:36,680
Speaker 2: They can't vote, but they can hear very well.

580
00:27:37,080 --> 00:27:40,280
Speaker 1: And smell is committing a voter fraud and voting on

581
00:27:40,320 --> 00:27:46,760
Speaker 1: behalf of every dog in Florida. That's fun. Oh my god.

582
00:27:57,040 --> 00:27:59,119
Speaker 1: Should we do our first segment? Yes, let's do our

583
00:27:59,119 --> 00:28:01,239
Speaker 1: first segment and so we can get into the topic. Okay, ja.

584
00:28:01,320 --> 00:28:03,440
Speaker 2: Our first segment is called Street Shooters, and in this segment,

585
00:28:03,480 --> 00:28:05,920
Speaker 2: we're going to ask you a series of rapid fire questions.

586
00:28:06,280 --> 00:28:08,520
Speaker 2: It's basically this thing or this other thing, and the

587
00:28:08,560 --> 00:28:11,639
Speaker 2: only rule is you can't ask any followup questions or

588
00:28:11,680 --> 00:28:12,840
Speaker 2: we will scream at you.

589
00:28:12,920 --> 00:28:14,879
Speaker 1: Okay, one thing about me as a narcissist follow up

590
00:28:14,920 --> 00:28:16,400
Speaker 1: questions not gonna have.

591
00:28:19,480 --> 00:28:23,560
Speaker 3: Serving cunt or Helen Hunt serving cunt sache away or

592
00:28:24,240 --> 00:28:28,440
Speaker 3: a La Barry's boot camp or Harry nutsuck Harry.

593
00:28:28,240 --> 00:28:33,120
Speaker 2: Nuts that Yaba dabadoo or Maya angelou ya but no.

594
00:28:32,920 --> 00:28:38,040
Speaker 1: May angel I was just crazy choice and I said

595
00:28:38,040 --> 00:28:38,480
Speaker 1: it a pass.

596
00:28:38,880 --> 00:28:39,040
Speaker 3: Yeah.

597
00:28:39,080 --> 00:28:42,280
Speaker 1: You were like, You're like, don't know, Maya? What is

598
00:28:42,280 --> 00:28:44,959
Speaker 1: that he's talk about that bird in a cage? Absolutely not,

599
00:28:46,680 --> 00:28:49,120
Speaker 1: it's a living No my Angela? Okay?

600
00:28:49,760 --> 00:28:54,400
Speaker 3: Calling Mexico City cdm X or falling head over titties,

601
00:28:54,720 --> 00:28:55,800
Speaker 3: back in love with your ex?

602
00:28:56,400 --> 00:29:01,000
Speaker 1: I love rhyme this episode. Can you tell uh?

603
00:29:01,360 --> 00:29:04,160
Speaker 2: Calling Mexico City c d m X a blessing in

604
00:29:04,200 --> 00:29:09,640
Speaker 2: disguise or a blowy from your guy?

605
00:29:09,760 --> 00:29:10,840
Speaker 1: That's memo.

606
00:29:15,880 --> 00:29:23,160
Speaker 4: Both. A blowy from my guys sounds so wholesome because

607
00:29:23,160 --> 00:29:28,320
Speaker 4: a blowy is just yeah, I do love imagine actually

608
00:29:28,360 --> 00:29:29,920
Speaker 4: having sex and being like do you want to blow e?

609
00:29:32,520 --> 00:29:35,320
Speaker 4: See I this works into a theory that I have.

610
00:29:35,600 --> 00:29:39,400
Speaker 4: I think that if you have a penis head is

611
00:29:40,360 --> 00:29:43,000
Speaker 4: like when you give a kid an iPad at a restaurant.

612
00:29:43,080 --> 00:29:48,520
Speaker 1: Totally yeah, you wasn't hit? Yeah I do. Is that

613
00:29:48,560 --> 00:29:50,080
Speaker 1: why you. Is that why you were frowning.

614
00:29:50,680 --> 00:29:50,920
Speaker 3: Yeah.

615
00:29:51,400 --> 00:29:53,480
Speaker 4: One of my friends wasn't getting laid for a long time.

616
00:29:53,720 --> 00:29:56,600
Speaker 4: He started getting dicks up a little bit, like honestly

617
00:29:56,640 --> 00:29:58,280
Speaker 4: the normal amount if you live in New York City.

618
00:29:58,360 --> 00:30:01,040
Speaker 1: Sure, whole mood got better. I said, yeah, oh yeah.

619
00:30:01,400 --> 00:30:03,040
Speaker 1: Someone finally said, y'all did a little bit. I mean

620
00:30:03,080 --> 00:30:05,800
Speaker 1: it changes everything sometimes when you do. Sometimes when you

621
00:30:07,360 --> 00:30:10,560
Speaker 1: when you go, you talk about it was medicine, no way.

622
00:30:10,480 --> 00:30:12,760
Speaker 3: You're going through a dry spell, and then it's you're like, oh,

623
00:30:12,880 --> 00:30:14,000
Speaker 3: I see what was wrong.

624
00:30:14,080 --> 00:30:16,520
Speaker 1: I'll never forget it. Summer twenty twenty one worse summer

625
00:30:16,560 --> 00:30:16,960
Speaker 1: in my life.

626
00:30:17,400 --> 00:30:19,560
Speaker 2: I said, I've got rejected three times, and I said,

627
00:30:20,160 --> 00:30:24,440
Speaker 2: something happened over the pandemic. I'm completely unlovable. And then

628
00:30:24,560 --> 00:30:26,280
Speaker 2: you hook up with two people and you're like, wait,

629
00:30:26,480 --> 00:30:27,320
Speaker 2: I'm hot as fuck.

630
00:30:27,480 --> 00:30:29,440
Speaker 1: No, no that you go. I have a zest.

631
00:30:29,600 --> 00:30:32,040
Speaker 4: I have yeah, I have a will to live. I

632
00:30:32,040 --> 00:30:34,240
Speaker 4: have stories and need be told exactly.

633
00:30:34,480 --> 00:30:35,080
Speaker 1: Oh my god.

634
00:30:35,120 --> 00:30:37,000
Speaker 2: Also, sometimes when you're just cranky and you're like, wait,

635
00:30:37,040 --> 00:30:39,600
Speaker 2: I just need to have sex, it's so embarrassing.

636
00:30:39,880 --> 00:30:43,280
Speaker 4: Yeah, some but the problem is sometimes you're cranky and

637
00:30:43,320 --> 00:30:46,800
Speaker 4: then you have sex and then you go, I'm actually mad.

638
00:30:48,280 --> 00:30:50,880
Speaker 1: I thought I was cranky. Yes, no, this is worse.

639
00:30:51,240 --> 00:30:53,320
Speaker 3: Yeah, and you know what's doing worse than that, realizing

640
00:30:53,360 --> 00:30:57,440
Speaker 3: that midway through the sex, Oh, I gotta finish this project.

641
00:30:58,480 --> 00:31:03,040
Speaker 4: The apartment you don't like God, I'll say you ever

642
00:31:03,120 --> 00:31:04,960
Speaker 4: you've been to someone's apartment, you hook up with them,

643
00:31:05,200 --> 00:31:07,040
Speaker 4: and like you're kind of going through the motions and

644
00:31:07,120 --> 00:31:09,000
Speaker 4: one thing just kind of sets you off. Like you

645
00:31:09,000 --> 00:31:10,920
Speaker 4: go to put someone in the garbage, you open up.

646
00:31:11,000 --> 00:31:13,560
Speaker 4: It's the stinkiest garbage ever. Now you go, I want

647
00:31:13,560 --> 00:31:16,520
Speaker 4: to go home. I have to go home. Now flies

648
00:31:16,560 --> 00:31:17,400
Speaker 4: come out.

649
00:31:18,040 --> 00:31:24,640
Speaker 1: Yeah, I gotta leave. The thecour should just not be distracting.

650
00:31:24,840 --> 00:31:27,520
Speaker 1: I think when it's distracting, I'm out. I can I

651
00:31:27,520 --> 00:31:29,360
Speaker 1: can even deal with like bad decord.

652
00:31:29,440 --> 00:31:31,800
Speaker 4: I just if I'm in a bad I'm saying, like,

653
00:31:31,840 --> 00:31:34,040
Speaker 4: if you're in a bad mood and then like some

654
00:31:34,200 --> 00:31:39,280
Speaker 4: ship is going on in the hookup spaces, you just go.

655
00:31:39,240 --> 00:31:40,480
Speaker 1: Well, you've been a bad mood.

656
00:31:40,640 --> 00:31:42,240
Speaker 3: It's like if you're hungry, you go to a restaurant

657
00:31:42,280 --> 00:31:44,680
Speaker 3: and it's suddenly like music's too loud, nothing in the

658
00:31:44,680 --> 00:31:45,560
Speaker 3: menu looks good.

659
00:31:45,720 --> 00:31:48,840
Speaker 1: Like then it comes and it's not good. George. I know,

660
00:31:49,360 --> 00:31:51,560
Speaker 1: have you ever been hungry? This is specific.

661
00:31:51,600 --> 00:31:53,600
Speaker 4: Have you ever been hungry for carnitas and you go,

662
00:31:53,680 --> 00:31:55,040
Speaker 4: I think, I think these are gonna be good, and

663
00:31:55,080 --> 00:31:57,360
Speaker 4: you get them and you go, these are soft. I

664
00:31:57,360 --> 00:32:00,840
Speaker 4: don't like these texture these What what do you think

665
00:32:00,880 --> 00:32:04,480
Speaker 4: carnita's is? Because I know it's not this. I've had

666
00:32:04,560 --> 00:32:08,200
Speaker 4: it a lot. That's that'll piss me off in such

667
00:32:08,240 --> 00:32:10,000
Speaker 4: a way. When I go to get tacos, because I

668
00:32:10,040 --> 00:32:13,000
Speaker 4: should have got out pastor and I said, carnados. Okay,

669
00:32:13,640 --> 00:32:15,920
Speaker 4: you get the carnadoes and you go, these are soft,

670
00:32:16,040 --> 00:32:16,720
Speaker 4: these are gray.

671
00:32:16,960 --> 00:32:19,000
Speaker 1: Yeah. I don't let me tell you something. I moved

672
00:32:19,000 --> 00:32:20,240
Speaker 1: from San Francisco.

673
00:32:19,840 --> 00:32:22,400
Speaker 3: To Boston, Okay, so you okay, all right, So I

674
00:32:22,480 --> 00:32:27,760
Speaker 3: know what a disappointing carnita's tasted like. And that literally,

675
00:32:29,120 --> 00:32:30,400
Speaker 3: once again means.

676
00:32:31,720 --> 00:32:34,520
Speaker 1: For my full two years living in Boston, I kept

677
00:32:34,640 --> 00:32:39,400
Speaker 1: for I kept trying New Mexican restaurants that native Bostonians,

678
00:32:40,880 --> 00:32:44,520
Speaker 1: often non Mexicans, recommended, and I was like, how is it?

679
00:32:44,600 --> 00:32:47,000
Speaker 1: Like I couldn't believe in New York.

680
00:32:47,080 --> 00:32:49,880
Speaker 4: I'm lucky because I'm in I'm close enough to East

681
00:32:49,880 --> 00:32:52,360
Speaker 4: Harlem that like they have a bunch of good Mexican restaurants.

682
00:32:52,400 --> 00:32:55,320
Speaker 4: People from Puebla like they have like good stuff. But

683
00:32:55,680 --> 00:32:58,520
Speaker 4: once again, truly, I'll go to I'll go to the Bay,

684
00:32:58,680 --> 00:33:01,920
Speaker 4: I'll go to La go to Los Angeles, and I'm like, okay,

685
00:33:01,920 --> 00:33:04,400
Speaker 4: they are God listen, I'm never going to push back

686
00:33:04,440 --> 00:33:06,920
Speaker 4: on this anyone whatever. Someone has a food opinion and

687
00:33:06,920 --> 00:33:08,440
Speaker 4: then you go there and you go, y'all all right,

688
00:33:08,640 --> 00:33:11,960
Speaker 4: just hey, y'all are right. I'm never going to disappoint.

689
00:33:11,920 --> 00:33:14,040
Speaker 3: What saying there's no good Mexican food in New York

690
00:33:14,160 --> 00:33:16,320
Speaker 3: is kind of like saying dog owners are over the

691
00:33:16,360 --> 00:33:18,880
Speaker 3: protective and that people will come for you in.

692
00:33:18,800 --> 00:33:23,560
Speaker 1: The and I get it, and I and you should go.

693
00:33:24,080 --> 00:33:27,560
Speaker 4: Oh okay, tell me where I will go to Jackson

694
00:33:27,640 --> 00:33:29,480
Speaker 4: Heights like everyone suggests every time.

695
00:33:29,560 --> 00:33:35,800
Speaker 1: So yeah, well, what what's your street topics? Curious to

696
00:33:35,840 --> 00:33:37,480
Speaker 1: get today?

697
00:33:38,480 --> 00:33:43,640
Speaker 4: Drake is the straightest musician alive right now, this is like, this.

698
00:33:43,480 --> 00:33:47,320
Speaker 2: Is so I'm literally clear my schedule because for five

699
00:33:47,360 --> 00:33:48,840
Speaker 2: hours to get.

700
00:33:49,200 --> 00:33:53,640
Speaker 4: So Drake is straight. And more importantly, Drake does things

701
00:33:53,760 --> 00:33:58,560
Speaker 4: for straight boys. Yeah, Drake, Drake gets the girls for

702
00:33:58,680 --> 00:34:02,640
Speaker 4: straight boys to see him with girls. Drake By's items

703
00:34:02,680 --> 00:34:05,760
Speaker 4: to see what straight boy's reactions will be to it,

704
00:34:05,800 --> 00:34:08,080
Speaker 4: whether it's girly shit or got he bought. He bought

705
00:34:08,080 --> 00:34:10,799
Speaker 4: all them purses, not to give the girls, but so

706
00:34:10,840 --> 00:34:13,440
Speaker 4: that the persons appreciating value, so people could be like,

707
00:34:13,480 --> 00:34:14,680
Speaker 4: he's got all these birkens.

708
00:34:14,880 --> 00:34:16,560
Speaker 1: He Drake is he?

709
00:34:16,560 --> 00:34:19,640
Speaker 4: He really is this fascinating study in straight culture right now,

710
00:34:19,680 --> 00:34:23,480
Speaker 4: even like his current fuck up kind of like tied

711
00:34:23,520 --> 00:34:27,279
Speaker 4: to straight boy. Like he got in trouble because of

712
00:34:27,280 --> 00:34:30,279
Speaker 4: the beef with Kendrick, but that started primarily because he

713
00:34:30,360 --> 00:34:32,439
Speaker 4: was on the track with Jake Cole and they talked

714
00:34:32,480 --> 00:34:35,600
Speaker 4: about being the Big Three with Kendrick. So straight boys

715
00:34:35,600 --> 00:34:38,719
Speaker 4: were like, hey, what straight boys love you know, it's

716
00:34:38,800 --> 00:34:41,800
Speaker 4: us three, and one of us went, I don't like y'all.

717
00:34:42,320 --> 00:34:44,840
Speaker 4: Kendrick said, I don't Jake Cole, Drake, I don't like

718
00:34:44,880 --> 00:34:47,120
Speaker 4: y'all like that. We are not close like that, don't

719
00:34:47,160 --> 00:34:49,040
Speaker 4: include me in this ship, and I started a fight.

720
00:34:49,120 --> 00:34:51,160
Speaker 4: That's some of the straightest shit ever. It's be like

721
00:34:51,840 --> 00:34:53,360
Speaker 4: me and my boys. Everyone of the boys be like,

722
00:34:53,400 --> 00:34:56,360
Speaker 4: I don't know you that well, yeah.

723
00:34:55,760 --> 00:34:57,759
Speaker 1: I think that I hadn't even considered that.

724
00:34:57,880 --> 00:35:02,360
Speaker 2: It's for like teenage boys, straight and straight and truly

725
00:35:02,440 --> 00:35:04,000
Speaker 2: straight boys who are trying to.

726
00:35:05,640 --> 00:35:09,200
Speaker 4: Present their heterosexuality in such a way. Sometimes they do

727
00:35:09,280 --> 00:35:11,160
Speaker 4: gay ship so the girls laugh at them so they

728
00:35:11,160 --> 00:35:14,680
Speaker 4: can get the girls. Sometimes you make fun of a girl,

729
00:35:14,800 --> 00:35:17,080
Speaker 4: I e. Megan Thee Stallion who was attacked by man

730
00:35:17,120 --> 00:35:19,839
Speaker 4: to get the boys attention because people are thinking you

731
00:35:19,880 --> 00:35:23,080
Speaker 4: were soft. And so now you've reconciled with this man

732
00:35:23,160 --> 00:35:25,600
Speaker 4: who shot this woman in the foot instead of making

733
00:35:25,600 --> 00:35:29,040
Speaker 4: a good track with Meghani Stallion. Like it's it's fascinating

734
00:35:29,160 --> 00:35:34,480
Speaker 4: how much straight specifically boy culture affects his trajectory.

735
00:35:34,520 --> 00:35:35,600
Speaker 1: So it's high school.

736
00:35:35,600 --> 00:35:38,560
Speaker 3: You're saying, he's like operating with like a high school

737
00:35:38,760 --> 00:35:39,920
Speaker 3: set of belief.

738
00:35:40,080 --> 00:35:41,560
Speaker 1: I give him freshman year college.

739
00:35:41,560 --> 00:35:46,880
Speaker 2: But it's like there, okay, the bags thing, the Perkins,

740
00:35:47,120 --> 00:35:49,880
Speaker 2: this is everything he does is like kind of that

741
00:35:49,920 --> 00:35:51,760
Speaker 2: straight thing where it's not about the esthetic.

742
00:35:51,960 --> 00:35:54,439
Speaker 1: It's like just about like the numbers.

743
00:35:54,880 --> 00:35:57,680
Speaker 4: Yes, it's even even you know how he you know

744
00:35:57,760 --> 00:35:59,839
Speaker 4: how he both makes a lot of money and loses

745
00:35:59,880 --> 00:36:00,439
Speaker 4: all money.

746
00:36:00,520 --> 00:36:03,799
Speaker 1: Yeah, sports gambling, like and he publicly does it.

747
00:36:03,880 --> 00:36:05,440
Speaker 4: He'll be like, oh I bet a million on this,

748
00:36:05,880 --> 00:36:08,759
Speaker 4: or I publicly like put a bunch of money on this.

749
00:36:08,840 --> 00:36:09,080
Speaker 1: Game.

750
00:36:09,200 --> 00:36:12,080
Speaker 4: Oh, I went to this game. I wore the jersey,

751
00:36:12,160 --> 00:36:14,720
Speaker 4: I went to the locker room. They lost. I'm down.

752
00:36:15,760 --> 00:36:18,600
Speaker 4: You know, however, many hundred thousand dollars, I'm fine. He's

753
00:36:18,760 --> 00:36:22,360
Speaker 4: very straight in the sense that like he he isn't

754
00:36:22,440 --> 00:36:22,719
Speaker 4: just like.

755
00:36:22,719 --> 00:36:24,960
Speaker 1: Rooting for a team. He's on the team. And you go,

756
00:36:28,239 --> 00:36:30,439
Speaker 1: who do you think when he posted that photo where

757
00:36:30,440 --> 00:36:31,240
Speaker 1: he had apps?

758
00:36:31,320 --> 00:36:36,759
Speaker 4: Yes, yeah, yes, once again, once again, who is that for?

759
00:36:37,000 --> 00:36:41,800
Speaker 4: That's like looks back for boys. Okay, that's not for girls.

760
00:36:42,120 --> 00:36:46,080
Speaker 4: He and I And here's what's said. I love Drake,

761
00:36:46,360 --> 00:36:50,160
Speaker 4: I have loved Drake. I think he's a very interesting

762
00:36:50,280 --> 00:36:53,640
Speaker 4: cultural figure. I think he's a very interesting rapper. I

763
00:36:53,680 --> 00:36:56,480
Speaker 4: think it's a I think it's an interesting artist. It's

764
00:36:56,520 --> 00:36:59,759
Speaker 4: this weird study of like you're a child performer, but

765
00:36:59,840 --> 00:37:02,479
Speaker 4: you also like have all this music you want to make.

766
00:37:02,520 --> 00:37:06,600
Speaker 4: You have this fractured existence between this like Toronto life

767
00:37:06,600 --> 00:37:09,880
Speaker 4: with your mom that's like very mama's boy and child actor,

768
00:37:10,360 --> 00:37:12,480
Speaker 4: and you're like in touch with your Jewish faith, and

769
00:37:12,480 --> 00:37:14,880
Speaker 4: then you also have like this wayward father in Memphis,

770
00:37:14,920 --> 00:37:17,240
Speaker 4: so you also love through six Mafia and Project Pat

771
00:37:17,280 --> 00:37:18,880
Speaker 4: and you also want to let people know that like

772
00:37:19,080 --> 00:37:22,880
Speaker 4: you're dangerous and you have this like this really sort

773
00:37:22,920 --> 00:37:25,839
Speaker 4: of I don't know, like once again, like I guess

774
00:37:25,960 --> 00:37:29,319
Speaker 4: like these two dueling factions of what you want to

775
00:37:29,360 --> 00:37:31,920
Speaker 4: be and the way you kind of quiet all the

776
00:37:31,960 --> 00:37:33,719
Speaker 4: noise about like you're not mainly enough. You go, I'm

777
00:37:34,080 --> 00:37:37,480
Speaker 4: I'm I'm the best boy, I'm I'm a man, I'm no,

778
00:37:37,640 --> 00:37:40,240
Speaker 4: I'm I'm boy, and and if you don't.

779
00:37:40,080 --> 00:37:41,120
Speaker 1: Like it, you're not boy.

780
00:37:41,280 --> 00:37:43,000
Speaker 3: But you know what, this ties back to freshman year

781
00:37:43,000 --> 00:37:46,600
Speaker 3: of college because he is stuck between his old self

782
00:37:46,640 --> 00:37:49,839
Speaker 3: and his music. He's very much like, so, I'm trying

783
00:37:49,880 --> 00:37:52,840
Speaker 3: to shed my high school self because in college I

784
00:37:52,880 --> 00:37:54,640
Speaker 3: want to be a tough guy and I want to

785
00:37:54,719 --> 00:37:56,320
Speaker 3: like sis.

786
00:37:56,600 --> 00:37:59,040
Speaker 4: Even say this, and this is like dipping into his

787
00:37:59,080 --> 00:38:01,960
Speaker 4: personal business. And I know, once again I'm saying this

788
00:38:02,000 --> 00:38:04,640
Speaker 4: as a Drake fan. He did the straightest thing you

789
00:38:05,520 --> 00:38:08,440
Speaker 4: are scared to do both their biggest fear and like

790
00:38:08,520 --> 00:38:11,759
Speaker 4: their biggest goal. He had sex with someone who was

791
00:38:11,800 --> 00:38:15,040
Speaker 4: a public sex worker, with someone who was a porn performer,

792
00:38:15,400 --> 00:38:17,439
Speaker 4: and that person got pregnant and he had the kid

793
00:38:17,480 --> 00:38:19,520
Speaker 4: and then he hit the kid. But he also like

794
00:38:19,600 --> 00:38:22,839
Speaker 4: wanted that person to stop doing porn. So he did

795
00:38:22,880 --> 00:38:24,799
Speaker 4: the thing that straight boys you were like gay guys.

796
00:38:25,080 --> 00:38:26,200
Speaker 4: If a gay guy hooks up with the porn, so

797
00:38:26,360 --> 00:38:31,160
Speaker 4: we go, that's crazy. Wow, that's crazy. That happened anyway,

798
00:38:31,320 --> 00:38:36,080
Speaker 4: Bye like tried to hide her and the child and

799
00:38:36,080 --> 00:38:39,200
Speaker 4: then was like, well, no, man, isn't the idea that

800
00:38:39,239 --> 00:38:42,520
Speaker 4: you're so straight you can fuck anyone? You fuck this

801
00:38:43,040 --> 00:38:45,440
Speaker 4: porn lady. Well, he still like cares about his reputation,

802
00:38:45,600 --> 00:38:46,320
Speaker 4: like he still wants.

803
00:38:46,200 --> 00:38:47,440
Speaker 1: To be mamas born. Here's the thing.

804
00:38:47,440 --> 00:38:50,279
Speaker 4: He doesn't care about his reputation among women. He cares

805
00:38:50,320 --> 00:38:57,160
Speaker 4: about his reputation. Man, Yes, it's very it's very straight

806
00:38:57,239 --> 00:38:58,800
Speaker 4: in the sense that it's homosocial.

807
00:38:59,160 --> 00:39:02,959
Speaker 3: Yes, and in the sense that the women's the women

808
00:39:02,960 --> 00:39:06,480
Speaker 3: don't count as people women's feelings. Yes, The women's feelings

809
00:39:06,480 --> 00:39:10,120
Speaker 3: are not being taken into account. He's not making decisions

810
00:39:10,440 --> 00:39:14,400
Speaker 3: based on his relationships with them. They're sort of set dressing.

811
00:39:14,680 --> 00:39:18,480
Speaker 4: His fight with asab Rocki isn't about asab Rocky. It's

812
00:39:18,480 --> 00:39:22,200
Speaker 4: about Rihanna. His fight with Nikki is.

813
00:39:22,200 --> 00:39:24,799
Speaker 1: About people thinking they were gonna date and it never

814
00:39:24,880 --> 00:39:25,359
Speaker 1: worked out.

815
00:39:25,480 --> 00:39:30,320
Speaker 4: His fights with people publicly are always this weird mix

816
00:39:30,400 --> 00:39:32,400
Speaker 4: of like I was supposed to fall in love with

817
00:39:32,440 --> 00:39:35,000
Speaker 4: this girl. We were supposed to have it all. I've

818
00:39:35,080 --> 00:39:39,520
Speaker 4: been scorn. I'm kind of I've been wrong. It's very

819
00:39:40,480 --> 00:39:42,879
Speaker 4: you know, seeing your high school freshman year boy, where

820
00:39:42,920 --> 00:39:45,080
Speaker 4: you go home, you go man, yeah, you gotta get

821
00:39:45,080 --> 00:39:45,320
Speaker 4: out of it.

822
00:39:45,400 --> 00:39:48,320
Speaker 1: Is that. I think it's you, hey man, you grown.

823
00:39:49,000 --> 00:39:51,719
Speaker 2: I think it's honestly an interesting Like his north star

824
00:39:51,920 --> 00:39:55,480
Speaker 2: has always been boy, but like even like boy has changed.

825
00:39:55,840 --> 00:39:59,600
Speaker 2: Like when he started, Boy was like pitchfork cool yeah,

826
00:39:59,640 --> 00:40:01,720
Speaker 2: And so he was like, I'll be pitchfork cool.

827
00:40:01,960 --> 00:40:03,160
Speaker 1: Yeah, I'll be like.

828
00:40:03,280 --> 00:40:08,279
Speaker 4: Emotional and every step of the way he's finely attuned

829
00:40:08,400 --> 00:40:09,920
Speaker 4: in a way that Timley Chalamue has been doing for

830
00:40:09,960 --> 00:40:13,560
Speaker 4: the past been very much. I'm a you know, I'm

831
00:40:13,560 --> 00:40:16,239
Speaker 4: a boy. So he was like, oh, you know what,

832
00:40:16,320 --> 00:40:18,400
Speaker 4: me and Blake Griffin are gonna host the SPS on

833
00:40:19,239 --> 00:40:20,359
Speaker 4: you boy, I'm a boy.

834
00:40:20,360 --> 00:40:22,400
Speaker 1: I mean this athlete. I'm boys with this athlete.

835
00:40:22,640 --> 00:40:25,759
Speaker 4: And then it switched to him being like, oh, I'm

836
00:40:25,800 --> 00:40:28,200
Speaker 4: actually gonna do silly stuff with Drew Ski, and then

837
00:40:28,200 --> 00:40:31,680
Speaker 4: it went, oh, I'm gonna do this other video stuff

838
00:40:31,680 --> 00:40:35,400
Speaker 4: with these streamers. I'm gonna make fun of these girls.

839
00:40:35,480 --> 00:40:39,880
Speaker 4: I'm gonna like be soft Republican. I'm like all of

840
00:40:39,920 --> 00:40:43,360
Speaker 4: these steps along the way you kind of go, yeah,

841
00:40:43,560 --> 00:40:44,480
Speaker 4: I get it.

842
00:40:44,480 --> 00:40:47,920
Speaker 1: It's very straight in a in a sad way, but

843
00:40:48,000 --> 00:40:49,680
Speaker 1: it's very straight. Yeah. Yeah.

844
00:40:49,680 --> 00:40:51,960
Speaker 3: It's like at any given point, he's calculating what is

845
00:40:52,000 --> 00:40:56,719
Speaker 3: the median masculinity sort of point that I should be

846
00:40:56,760 --> 00:40:57,520
Speaker 3: appealing to.

847
00:40:57,800 --> 00:40:59,840
Speaker 4: And what's the biggest payoff and what's the biggest I

848
00:40:59,920 --> 00:41:03,480
Speaker 4: was why, oh my god, oh ship, what was the

849
00:41:03,600 --> 00:41:06,320
Speaker 4: what was the dancy album he released right before?

850
00:41:08,920 --> 00:41:11,759
Speaker 1: Honestly never mind? And here's I was literally you could

851
00:41:11,760 --> 00:41:13,319
Speaker 1: pull it up. I was literally just.

852
00:41:13,280 --> 00:41:17,279
Speaker 4: Listening to the album. Literally, it's a great album. Here's

853
00:41:17,280 --> 00:41:21,000
Speaker 4: a crazy person, Sam. I love that album. But he

854
00:41:21,520 --> 00:41:24,359
Speaker 4: was like, oh, okay, yes, Like I'm gonna make something

855
00:41:24,440 --> 00:41:26,560
Speaker 4: kind of dancy. I'm gonna make something kind of clubby

856
00:41:26,800 --> 00:41:30,000
Speaker 4: this kind of softer boys in right now, like Jacob

857
00:41:30,000 --> 00:41:31,440
Speaker 4: Blordi's wearing bags.

858
00:41:31,600 --> 00:41:32,960
Speaker 1: Okay, I get what's going on.

859
00:41:33,120 --> 00:41:36,360
Speaker 4: I'm gonna do all this kind of fun klubby stuff.

860
00:41:36,840 --> 00:41:39,880
Speaker 4: I'm gonna be even kind of this is like, you know,

861
00:41:40,040 --> 00:41:43,000
Speaker 4: this is a tiny nod to like my gay fans

862
00:41:43,000 --> 00:41:45,440
Speaker 4: and my girls. But like I'm gonna give him something

863
00:41:45,480 --> 00:41:49,640
Speaker 4: like this, and he had to like in that album

864
00:41:49,800 --> 00:41:53,120
Speaker 4: with like a very kind of like very hard rap

865
00:41:53,200 --> 00:41:54,719
Speaker 4: song with twenty one savage and be like, I'm not

866
00:41:54,719 --> 00:41:55,160
Speaker 4: a faggot.

867
00:41:56,520 --> 00:41:58,760
Speaker 1: But it was a very dancy album. People.

868
00:41:58,760 --> 00:42:00,400
Speaker 4: Some people love it, some people didn't like it. I

869
00:42:00,520 --> 00:42:05,200
Speaker 4: liked it personally. But his his reaction to that one afterwards,

870
00:42:05,200 --> 00:42:08,000
Speaker 4: because people said, oh, this is a little bit softer

871
00:42:08,440 --> 00:42:11,399
Speaker 4: than I thought. He was like, he's shit sweet over here,

872
00:42:11,440 --> 00:42:13,000
Speaker 4: and he puts out he like does all this kind

873
00:42:13,000 --> 00:42:17,600
Speaker 4: of hyper aggressive ship afterwards, and he's like, no, Aubrey,

874
00:42:18,040 --> 00:42:22,040
Speaker 4: I mean, his name, even his name being Aubrey fucks

875
00:42:22,120 --> 00:42:23,120
Speaker 4: with him in such a way.

876
00:42:23,239 --> 00:42:23,640
Speaker 1: I think.

877
00:42:24,920 --> 00:42:29,040
Speaker 3: I think it's absolutely It's like the original sin that

878
00:42:29,080 --> 00:42:31,000
Speaker 3: he has to fight is that his name is Aubrey.

879
00:42:31,840 --> 00:42:34,960
Speaker 1: Yeah, well that album. I think it was because gays

880
00:42:35,080 --> 00:42:38,080
Speaker 1: kind of liked it. He was like, no, I like

881
00:42:40,719 --> 00:42:41,120
Speaker 1: and it was.

882
00:42:41,400 --> 00:42:43,120
Speaker 4: But it's so funny because like, you know what happens,

883
00:42:43,239 --> 00:42:45,799
Speaker 4: Like he thinks all the things boys don't love this ship, boys,

884
00:42:46,120 --> 00:42:47,600
Speaker 4: I can't win for boys to eat this ship up.

885
00:42:47,719 --> 00:42:48,640
Speaker 1: And then what happens.

886
00:42:49,160 --> 00:42:52,840
Speaker 4: Everything that goes mega viral because of him is usually

887
00:42:52,920 --> 00:42:54,800
Speaker 4: because a girl on TikTok.

888
00:42:54,680 --> 00:43:00,359
Speaker 1: Does the you know does the sound to this? If

889
00:43:00,360 --> 00:43:02,320
Speaker 1: you ain't, you ain't a model of game been in vogue.

890
00:43:02,320 --> 00:43:03,719
Speaker 4: Like it's like it's one of those things where like

891
00:43:04,200 --> 00:43:06,759
Speaker 4: he assumed it was going to be this crowd, it

892
00:43:06,840 --> 00:43:08,919
Speaker 4: ended up being this crowd, and he's kind of mad

893
00:43:08,960 --> 00:43:10,399
Speaker 4: because he goes, why do y'all like this?

894
00:43:10,640 --> 00:43:14,200
Speaker 2: I did it for the ball, speaking of like as

895
00:43:14,400 --> 00:43:16,560
Speaker 2: he does what boy does in each era. I'm just

896
00:43:16,600 --> 00:43:19,360
Speaker 2: remembering when he was in his feminist era. Yeah, and

897
00:43:19,440 --> 00:43:21,840
Speaker 2: nice for what and it was like all these powerful

898
00:43:21,880 --> 00:43:23,120
Speaker 2: women directed by Oh.

899
00:43:23,040 --> 00:43:26,360
Speaker 1: My god, I forgot about that. Isn't that crazy? That's crazy?

900
00:43:26,360 --> 00:43:29,040
Speaker 1: You think about that once again? Yeah, yeah, well there's

901
00:43:29,120 --> 00:43:29,800
Speaker 1: no backbone.

902
00:43:29,800 --> 00:43:33,879
Speaker 2: There is yeah, yeah, yeah, but it is.

903
00:43:34,400 --> 00:43:38,960
Speaker 4: It is such a As a as a fan of him,

904
00:43:39,280 --> 00:43:41,440
Speaker 4: I do like to see where he's had it, but

905
00:43:41,440 --> 00:43:45,080
Speaker 4: it gets very frustrating, specifically with the Meganistian stuff, because

906
00:43:45,080 --> 00:43:47,280
Speaker 4: like he had like just one he had one reference.

907
00:43:47,680 --> 00:43:49,640
Speaker 4: I think it was on Circle Loco, Like it's a

908
00:43:49,680 --> 00:43:52,200
Speaker 4: song with this like really cool sample from Daft Punk

909
00:43:52,239 --> 00:43:54,600
Speaker 4: One More Time, and like it's a great song and

910
00:43:54,640 --> 00:43:58,720
Speaker 4: he has this one kind of offhanded line about Meganistallion

911
00:43:58,719 --> 00:44:01,560
Speaker 4: getting shot, and it's not it's he definitely constructs it,

912
00:44:01,600 --> 00:44:03,319
Speaker 4: so it's not a direct jab, but it's like it's

913
00:44:03,360 --> 00:44:08,279
Speaker 4: so transparent. You go, man, God damn it, Like you

914
00:44:08,360 --> 00:44:12,200
Speaker 4: didn't you did this because the boys are shitting on

915
00:44:12,320 --> 00:44:16,320
Speaker 4: Megan because she is the reason Tory is in trouble.

916
00:44:16,400 --> 00:44:17,120
Speaker 1: But Tory shot.

917
00:44:17,200 --> 00:44:19,480
Speaker 4: There's no reason for you to defend Megan when you

918
00:44:19,480 --> 00:44:22,040
Speaker 4: don't even like Tory Lanes. You went Tory Lanes dislike

919
00:44:22,160 --> 00:44:23,720
Speaker 4: each other on some boys.

920
00:44:23,719 --> 00:44:26,879
Speaker 2: Shit, it's like when like someone gets transphobic just because

921
00:44:26,880 --> 00:44:28,960
Speaker 2: they're like, well, I want this side to like me.

922
00:44:29,239 --> 00:44:35,200
Speaker 4: Well, I'm glad you've seen my new hour. I think.

923
00:44:35,640 --> 00:44:37,359
Speaker 3: I want to get into the Kendrick beef a little

924
00:44:37,400 --> 00:44:39,800
Speaker 3: bit because I think in terms of in terms of

925
00:44:39,880 --> 00:44:44,000
Speaker 3: straight masculinity, is such a fascinating case study because oh.

926
00:44:43,800 --> 00:44:48,160
Speaker 1: Kendrick is like, you know, Kendrick is like a sort

927
00:44:48,160 --> 00:44:48,440
Speaker 1: of like.

928
00:44:48,440 --> 00:44:54,399
Speaker 3: Little guy, yeah, who also is respected by the sort

929
00:44:54,400 --> 00:44:56,759
Speaker 3: of quote unquote establishment. Yeah, like he literally has won

930
00:44:56,840 --> 00:44:57,640
Speaker 3: to pull Itzer earth.

931
00:44:57,880 --> 00:44:58,160
Speaker 1: Yeah.

932
00:44:58,200 --> 00:45:01,720
Speaker 3: You know, it's not like you know, these two like rugged,

933
00:45:01,960 --> 00:45:05,680
Speaker 3: like eight foot tall masculine guys that are like, you know, threatened.

934
00:45:05,719 --> 00:45:08,720
Speaker 1: It's not like when Mark Zuckerberg and Drift.

935
00:45:10,239 --> 00:45:13,319
Speaker 3: And I find it very interesting the way that the

936
00:45:13,520 --> 00:45:18,120
Speaker 3: entire world seemingly who used to love Drake at some

937
00:45:18,200 --> 00:45:20,720
Speaker 3: point was like, and now he is persona on Grada.

938
00:45:20,760 --> 00:45:24,400
Speaker 1: We're all gonna like sing along at the super Bowl.

939
00:45:24,480 --> 00:45:27,080
Speaker 4: Okay to this, It's like, what is going on that

940
00:45:27,800 --> 00:45:30,479
Speaker 4: I'm going to ruin a bit of the fun. Part

941
00:45:30,520 --> 00:45:32,920
Speaker 4: of the reason why Drake is feminized, and part of

942
00:45:32,920 --> 00:45:36,640
Speaker 4: the reason why Kendrick is masculinized is like racism and

943
00:45:36,760 --> 00:45:42,000
Speaker 4: colorism specifically, because the argument is that because Drake is

944
00:45:42,040 --> 00:45:47,080
Speaker 4: biracial and people do associate softness infeminity with white womanhood,

945
00:45:47,600 --> 00:45:53,000
Speaker 4: the Kendrick was sort of cast basically as this figure

946
00:45:53,000 --> 00:45:56,960
Speaker 4: that was more masculine than Drake because Kendrick is darker.

947
00:45:57,200 --> 00:46:02,080
Speaker 4: Kendrick is a mono racial African American, and so that

948
00:46:02,440 --> 00:46:04,600
Speaker 4: was part of the argument, which is like a tough

949
00:46:04,640 --> 00:46:07,359
Speaker 4: thing to suss out, because if you're just calling Drake

950
00:46:07,400 --> 00:46:11,840
Speaker 4: feminine because he's a light skinned, biracial black man, then like,

951
00:46:12,840 --> 00:46:17,120
Speaker 4: VI's a v that every dark skinned black woman is

952
00:46:17,400 --> 00:46:18,239
Speaker 4: maskuling a lot.

953
00:46:18,440 --> 00:46:20,800
Speaker 1: This is masculinized by this like kind of rhetoric.

954
00:46:20,920 --> 00:46:23,799
Speaker 4: So that's like hard when you see it happen and

955
00:46:23,800 --> 00:46:26,080
Speaker 4: you go, oh you can, hey, you can you can

956
00:46:26,120 --> 00:46:28,880
Speaker 4: say you think Drake is dishonest and not genuine about

957
00:46:28,920 --> 00:46:32,759
Speaker 4: like his rough upbringing or whatever, without being like, oh,

958
00:46:32,800 --> 00:46:35,440
Speaker 4: he's just a sissy because he's light skin, because that

959
00:46:35,480 --> 00:46:37,880
Speaker 4: plays into like a horrible thing. But then to see

960
00:46:37,920 --> 00:46:40,279
Speaker 4: everyone eternal Drake who was a Drake fan, that's like

961
00:46:40,320 --> 00:46:42,839
Speaker 4: a cultural shift. That's like a bit that's like a

962
00:46:42,960 --> 00:46:46,040
Speaker 4: very specific American thing where a lot of people in

963
00:46:46,080 --> 00:46:47,600
Speaker 4: the US were like, what is that?

964
00:46:48,960 --> 00:46:51,960
Speaker 1: I don't like him? And you know what that is?

965
00:46:52,520 --> 00:46:54,480
Speaker 1: That is also similar to the Timothy Showman thing.

966
00:46:54,560 --> 00:46:57,520
Speaker 3: Yeah, so everyone is so fickle and I'm not even

967
00:46:58,360 --> 00:47:00,200
Speaker 3: expressing my own opinion but any of this, right, I'm

968
00:47:00,239 --> 00:47:03,920
Speaker 3: just observing, like Timothy shallow May who was like America's sweetheart. Yeah,

969
00:47:04,239 --> 00:47:07,799
Speaker 3: so everyone, everyone is so ready to like abandon.

970
00:47:07,960 --> 00:47:11,280
Speaker 4: I saw him get groomed by Army Hammer. I thought

971
00:47:11,360 --> 00:47:13,800
Speaker 4: that is the sweetest boy.

972
00:47:14,120 --> 00:47:16,560
Speaker 3: He's like, I mean, he was truly like the new

973
00:47:16,600 --> 00:47:20,719
Speaker 3: movie star and people were just waiting for They're like,

974
00:47:20,760 --> 00:47:23,200
Speaker 3: oh something about the opera?

975
00:47:23,239 --> 00:47:26,399
Speaker 1: Sure kill him? Yeah that was well? That was bad?

976
00:47:26,560 --> 00:47:29,960
Speaker 3: Well yeah, and was that was from twenty nineteen. Right, No,

977
00:47:30,080 --> 00:47:32,920
Speaker 3: so I know what you're Yeah. So there was a

978
00:47:33,120 --> 00:47:35,960
Speaker 3: separate clip from twenty nineteen where he also mentioned the opera, but.

979
00:47:35,920 --> 00:47:39,359
Speaker 1: The new one was current. That's a lot of talk.

980
00:47:39,600 --> 00:47:42,800
Speaker 1: Here's my seven years of opera and ballets.

981
00:47:43,160 --> 00:47:43,640
Speaker 2: The thing was.

982
00:47:44,239 --> 00:47:46,759
Speaker 3: The tough thing with the opera ballet talk is that

983
00:47:47,080 --> 00:47:49,600
Speaker 3: people's interpretation of it is actually completely wrong. Because the

984
00:47:49,680 --> 00:47:52,399
Speaker 3: thing is because Timmy is such a little art kid

985
00:47:52,400 --> 00:47:53,760
Speaker 3: from New York and went to Ward.

986
00:47:53,760 --> 00:47:56,520
Speaker 1: And his mom's like a dancer, and he.

987
00:47:59,560 --> 00:48:02,520
Speaker 3: Actually is talking about the ballet and the opera from

988
00:48:02,560 --> 00:48:05,239
Speaker 3: completely the opposite way that people think. People think he's

989
00:48:05,280 --> 00:48:08,680
Speaker 3: being like a toxic guy. He hates like faggy art. No,

990
00:48:08,880 --> 00:48:11,719
Speaker 3: he grew up going to this to the Lincoln to

991
00:48:11,800 --> 00:48:14,440
Speaker 3: Lincoln Center like with his mom, and he is saying,

992
00:48:14,640 --> 00:48:17,640
Speaker 3: as someone who knows what it's like to see, you know,

993
00:48:19,000 --> 00:48:22,319
Speaker 3: the operas were like dying in his lifetime. It's it's

994
00:48:22,360 --> 00:48:27,400
Speaker 3: actually so the opposite of him being like a toxic guy.

995
00:48:28,040 --> 00:48:29,000
Speaker 1: He's like an art kid.

996
00:48:29,120 --> 00:48:31,640
Speaker 4: Yeah, he said he was happy he doesn't have to

997
00:48:31,719 --> 00:48:34,640
Speaker 4: be the faith yeah of a dying industry.

998
00:48:34,640 --> 00:48:37,759
Speaker 1: And I think that word choice through people, but mean.

999
00:48:40,400 --> 00:48:42,600
Speaker 4: And I get it, and like he is being annoying,

1000
00:48:42,640 --> 00:48:45,520
Speaker 4: but Brotne is like something that they also adopt whenever

1001
00:48:45,560 --> 00:48:49,640
Speaker 4: they're around. Because if he's talking to Misty Copeland, he's

1002
00:48:49,640 --> 00:48:53,560
Speaker 4: saying it, of course he's saying it different, and he's

1003
00:48:53,560 --> 00:48:57,000
Speaker 4: clearly also trying to impress Matthew McConaughey, like whatever, And

1004
00:48:57,000 --> 00:48:57,200
Speaker 4: it was.

1005
00:48:57,760 --> 00:49:00,840
Speaker 1: The context as a Southern girl, that was the coltrics.

1006
00:49:00,840 --> 00:49:01,480
Speaker 1: I was lost here.

1007
00:49:01,560 --> 00:49:05,080
Speaker 4: And you know what actually brings it back to Drake

1008
00:49:05,320 --> 00:49:08,160
Speaker 4: because Drake is one of those people who also as

1009
00:49:08,200 --> 00:49:12,399
Speaker 4: a boy, he adopts whatever city boys think it's cool.

1010
00:49:12,440 --> 00:49:15,440
Speaker 4: So he adopts Atlanta, he adopts Houston, and guess what,

1011
00:49:15,600 --> 00:49:18,359
Speaker 4: he loves both those cities. But those cities have a

1012
00:49:18,440 --> 00:49:21,960
Speaker 4: very specific culture when it comes to midnight ballerinas and strippers.

1013
00:49:21,960 --> 00:49:24,480
Speaker 4: So he also was like, I love Houston, I love

1014
00:49:24,520 --> 00:49:25,160
Speaker 4: this strip club.

1015
00:49:25,200 --> 00:49:25,920
Speaker 1: I love Atlanta.

1016
00:49:25,960 --> 00:49:28,680
Speaker 4: I love this strip club. So he is like he

1017
00:49:28,719 --> 00:49:32,000
Speaker 4: will put on a bit of an affectation in some

1018
00:49:32,120 --> 00:49:35,920
Speaker 4: airs for a place and like Timothy, you kind of go,

1019
00:49:36,160 --> 00:49:38,840
Speaker 4: you boy, too close to the sun yea yeah, which.

1020
00:49:38,600 --> 00:49:41,440
Speaker 3: Is also freshman year of college. Coded it's like you're

1021
00:49:41,480 --> 00:49:43,600
Speaker 3: trying to find a different identity. You're away from your

1022
00:49:43,600 --> 00:49:45,480
Speaker 3: family for the first time. You no longer have to

1023
00:49:45,480 --> 00:49:46,680
Speaker 3: be the child actor from Toronto.

1024
00:49:46,760 --> 00:49:48,680
Speaker 1: You can be like from Houston.

1025
00:49:48,719 --> 00:49:52,080
Speaker 4: It's and a lot of queer men who weren't out

1026
00:49:52,120 --> 00:49:54,440
Speaker 4: there freshman year didn't approximation of this well, like I

1027
00:49:54,480 --> 00:49:58,040
Speaker 4: wasn't completely. I wasn't completely. I know I wasn't out.

1028
00:49:58,120 --> 00:49:59,960
Speaker 4: I wasn't out my freshman year. But there were times

1029
00:50:00,080 --> 00:50:02,400
Speaker 4: were like, you know, one of your friends says, hey, man,

1030
00:50:02,400 --> 00:50:03,240
Speaker 4: we should go to a party.

1031
00:50:03,320 --> 00:50:05,520
Speaker 1: One person says, oh man, I'll be chicken these party, and.

1032
00:50:05,440 --> 00:50:09,759
Speaker 4: You, as this scared queer little freshmen, you go and

1033
00:50:09,800 --> 00:50:12,640
Speaker 4: fuck some bitches at this party, and you go, oh man.

1034
00:50:12,600 --> 00:50:15,360
Speaker 1: Hey, let's leave that up to them. We don't know

1035
00:50:15,440 --> 00:50:16,600
Speaker 1: these bitch you want to fuck us.

1036
00:50:17,840 --> 00:50:20,520
Speaker 2: I there's something still to go back to the Kendrick

1037
00:50:20,560 --> 00:50:23,520
Speaker 2: drag thing a little bit. There's like everyone all of

1038
00:50:23,520 --> 00:50:27,959
Speaker 2: America was like Drake sucks. But then at the same time,

1039
00:50:28,280 --> 00:50:32,440
Speaker 2: like Nokia was like the biggest song, and there's something.

1040
00:50:32,080 --> 00:50:34,960
Speaker 1: Where you're not telling the truth. And guess who was

1041
00:50:34,960 --> 00:50:36,000
Speaker 1: playing Nokia?

1042
00:50:36,080 --> 00:50:40,560
Speaker 4: Me we're playing party next door and right I was

1043
00:50:40,600 --> 00:50:43,040
Speaker 4: playing Nokia and I'm playing when I walk out here.

1044
00:50:43,360 --> 00:50:45,160
Speaker 1: Do you think people are overcompensating?

1045
00:50:45,200 --> 00:50:49,080
Speaker 3: They're listening to Nokia privately, and then they're like trying

1046
00:50:49,080 --> 00:50:50,920
Speaker 3: to be like, but I'm on the right side of history.

1047
00:50:51,200 --> 00:50:53,759
Speaker 2: There's something where it's like people are like, people have

1048
00:50:53,760 --> 00:50:55,359
Speaker 2: no backbone, no matter, yes they don't.

1049
00:50:55,480 --> 00:50:56,919
Speaker 1: And it's hard. Here's the thing.

1050
00:50:57,200 --> 00:51:03,040
Speaker 4: It is so hard to go against someone with a pulletzer. Artistically,

1051
00:51:03,120 --> 00:51:05,439
Speaker 4: yeah you could. You can maybe go hit for him,

1052
00:51:05,680 --> 00:51:08,120
Speaker 4: Maybe you can go popularity for popularity, maybe you can

1053
00:51:08,120 --> 00:51:10,840
Speaker 4: go club song for club song. It is hard to

1054
00:51:10,880 --> 00:51:15,120
Speaker 4: be like and the person with the pulletzer is less artistic.

1055
00:51:15,200 --> 00:51:15,799
Speaker 1: It's just hard.

1056
00:51:15,920 --> 00:51:18,759
Speaker 4: Like one whenever he got that forward to pim a

1057
00:51:18,800 --> 00:51:23,320
Speaker 4: butterfly in a way for so many people that Drake

1058
00:51:23,440 --> 00:51:24,800
Speaker 4: was never going to be able to fix.

1059
00:51:24,840 --> 00:51:25,920
Speaker 1: It's like it's also like you.

1060
00:51:26,080 --> 00:51:28,200
Speaker 4: When you start counting Grammys and shit like that, but like,

1061
00:51:28,440 --> 00:51:29,719
Speaker 4: I'm with you on that. I was one of these

1062
00:51:29,719 --> 00:51:33,320
Speaker 4: people who was like, Kendrick can win. You won that argument.

1063
00:51:33,400 --> 00:51:34,280
Speaker 4: He won that beef.

1064
00:51:34,640 --> 00:51:37,080
Speaker 2: But no, Kia was fun. It was fun, it was fun,

1065
00:51:37,120 --> 00:51:38,960
Speaker 2: it was fun to play, and it was also like

1066
00:51:39,480 --> 00:51:41,640
Speaker 2: but so like I was like, maybe this is weird.

1067
00:51:41,840 --> 00:51:44,320
Speaker 2: And then it's like, no, everyone feels this way. Yeah,

1068
00:51:44,320 --> 00:51:47,200
Speaker 2: there's something literally.

1069
00:51:46,840 --> 00:51:49,840
Speaker 4: In my as I I was in I was in

1070
00:51:49,920 --> 00:51:53,239
Speaker 4: Canada three times last year, and every time whenever I

1071
00:51:53,320 --> 00:51:55,400
Speaker 4: went there, one of the jokes I told I was like, actually,

1072
00:51:55,440 --> 00:51:57,279
Speaker 4: I actually just came here, so I got listening to

1073
00:51:57,320 --> 00:51:58,040
Speaker 4: Drake in Peace.

1074
00:52:00,480 --> 00:52:02,839
Speaker 3: But if you mentioned mentioned Drake on stage in terms

1075
00:52:02,840 --> 00:52:07,279
Speaker 3: people like people like, it's mutiny because people there are

1076
00:52:07,920 --> 00:52:10,040
Speaker 3: a lot of people, a lot of people in Toronto

1077
00:52:10,120 --> 00:52:13,719
Speaker 3: also feel like ashamed of Drake, like especially I'm not

1078
00:52:14,160 --> 00:52:19,360
Speaker 3: especially likest, like politically progressive, and they're like, there was

1079
00:52:19,400 --> 00:52:21,759
Speaker 3: this one person at a show that yelled out, he

1080
00:52:21,920 --> 00:52:24,360
Speaker 3: is humiliating us on a global scale.

1081
00:52:26,040 --> 00:52:29,359
Speaker 1: Yelled, yelled, we're kind of you know what, Drake's last

1082
00:52:29,400 --> 00:52:30,600
Speaker 1: name is Yahoo, and.

1083
00:52:36,520 --> 00:52:44,279
Speaker 5: That's that's fair and music. I think I do think

1084
00:52:44,400 --> 00:52:47,800
Speaker 5: he is embarrassing globals, global.

1085
00:52:47,640 --> 00:52:49,239
Speaker 1: Global scale. I'm so glad you remember that song.

1086
00:52:49,320 --> 00:52:52,440
Speaker 3: People can sniff out in terms of the masculinity thing

1087
00:52:52,760 --> 00:52:54,120
Speaker 3: when someone.

1088
00:52:54,320 --> 00:52:55,440
Speaker 1: Is putting it on.

1089
00:52:55,680 --> 00:52:58,400
Speaker 4: Yeah, he's also having to do with something else that boys,

1090
00:52:58,440 --> 00:53:00,520
Speaker 4: straight boys have to do once they reached an age.

1091
00:53:00,640 --> 00:53:03,160
Speaker 4: He's having to hang out with younger straight boys. Is

1092
00:53:03,200 --> 00:53:05,520
Speaker 4: all the older straight boys are married, happy, and they go,

1093
00:53:05,560 --> 00:53:06,880
Speaker 4: I can't do this shit with you no more. So

1094
00:53:06,920 --> 00:53:08,600
Speaker 4: that's why he's thinking out with Drewski. That's why he's

1095
00:53:08,600 --> 00:53:11,560
Speaker 4: hanging out with Who's the Who's a horrible streamer? Who's

1096
00:53:11,600 --> 00:53:13,359
Speaker 4: Aiden Ross's why he's hanging out with Like, that's why

1097
00:53:13,360 --> 00:53:15,960
Speaker 4: we're hanging out with Drewski, Aiden Ross Kat. He was

1098
00:53:16,000 --> 00:53:19,520
Speaker 4: hanging out with the you know that feeling when you

1099
00:53:19,560 --> 00:53:22,400
Speaker 4: see an older guy hanging out with younger guys and

1100
00:53:22,440 --> 00:53:26,160
Speaker 4: they're more younger guys that the older guys in the minority. Now,

1101
00:53:26,200 --> 00:53:27,800
Speaker 4: it's not a young guy who like got welcome to

1102
00:53:27,920 --> 00:53:30,040
Speaker 4: his older established circle. It's an older guy being like

1103
00:53:30,040 --> 00:53:34,080
Speaker 4: which I was trying to do. It's like, what he's

1104
00:53:34,200 --> 00:53:35,200
Speaker 4: that sometimes?

1105
00:53:35,200 --> 00:53:36,680
Speaker 2: Well, and if only he would just hang out with

1106
00:53:36,680 --> 00:53:38,239
Speaker 2: gay guys, you can hang out with people who are

1107
00:53:38,880 --> 00:53:42,480
Speaker 2: still want to find me exactly exactly.

1108
00:53:52,320 --> 00:53:55,560
Speaker 3: Okay, here's the straightest thing about Drake fix it.

1109
00:53:56,000 --> 00:53:58,920
Speaker 1: Here's trader thing about Drake. How bad he is at posting?

1110
00:54:00,680 --> 00:54:02,520
Speaker 3: Do you know you know when you like, you know,

1111
00:54:02,520 --> 00:54:06,799
Speaker 3: when you find you find your girl friend's boyfriend's Instagram

1112
00:54:06,840 --> 00:54:08,799
Speaker 3: and you're like, how did you even manage that?

1113
00:54:08,880 --> 00:54:09,280
Speaker 1: Angle?

1114
00:54:09,520 --> 00:54:12,200
Speaker 3: Like it's like him at like a soccer game and

1115
00:54:12,239 --> 00:54:14,799
Speaker 3: it's like it's like the phone's upside down and it's

1116
00:54:14,800 --> 00:54:16,880
Speaker 3: from below and you're like, you're attractive in person, how

1117
00:54:16,920 --> 00:54:21,040
Speaker 3: do you like Drake's like that image of his abs

1118
00:54:21,040 --> 00:54:25,160
Speaker 3: that he posts like it's all so incorrect, like aesthetically

1119
00:54:25,200 --> 00:54:27,560
Speaker 3: like he cannot even even.

1120
00:54:27,520 --> 00:54:32,040
Speaker 4: Him laughing about the fake maybe not fake dick leek

1121
00:54:32,800 --> 00:54:34,960
Speaker 4: during the whole thing, And then some of me like

1122
00:54:35,080 --> 00:54:37,560
Speaker 4: was that you He's like no, no, you go okay,

1123
00:54:37,600 --> 00:54:38,600
Speaker 4: So I wasn't he alight.

1124
00:54:39,560 --> 00:54:40,520
Speaker 1: And it's like separate.

1125
00:54:40,560 --> 00:54:43,359
Speaker 3: You can release good music, you can be talented, but

1126
00:54:43,480 --> 00:54:46,359
Speaker 3: like he doesn't have the posting gene that gay men

1127
00:54:46,440 --> 00:54:49,040
Speaker 3: and women have to learn at a young age if.

1128
00:54:48,920 --> 00:54:50,800
Speaker 1: They don't want to they don't want to be murdered

1129
00:54:50,800 --> 00:54:51,320
Speaker 1: by the state.

1130
00:54:51,480 --> 00:54:55,080
Speaker 4: Yeah, sometimes he doesn't have the curation. No, he doesn't

1131
00:54:55,080 --> 00:54:57,600
Speaker 4: have the edit button up here for like this, but

1132
00:54:57,680 --> 00:55:00,200
Speaker 4: that's almost like a flex in a way, like being

1133
00:55:00,239 --> 00:55:02,160
Speaker 4: like I don't have to post well, and I think

1134
00:55:02,160 --> 00:55:05,000
Speaker 4: he wants to post well. It's the thing there is

1135
00:55:05,040 --> 00:55:08,640
Speaker 4: a difference than like gen Z, gen Z girls, gen

1136
00:55:08,760 --> 00:55:12,759
Speaker 4: Z gays. When when that Instagram looks like ship that's

1137
00:55:12,760 --> 00:55:13,960
Speaker 4: on period.

1138
00:55:15,280 --> 00:55:18,799
Speaker 1: Like that, like on that outfit looks my brain, Like,

1139
00:55:19,000 --> 00:55:22,000
Speaker 1: I love to post bad. You have to post a

1140
00:55:22,080 --> 00:55:22,560
Speaker 1: bad ankle.

1141
00:55:24,480 --> 00:55:28,560
Speaker 4: I find it somewhere twenty one No one wanted to

1142
00:55:28,600 --> 00:55:33,760
Speaker 4: fuck met photos. Yeah yeah, is this your knee?

1143
00:55:34,280 --> 00:55:35,640
Speaker 1: You it's funny in the caras.

1144
00:55:36,000 --> 00:55:38,280
Speaker 2: This is a really proper call out because I actually

1145
00:55:38,320 --> 00:55:41,479
Speaker 2: do need to, like I post horrible and then.

1146
00:55:41,360 --> 00:55:44,200
Speaker 1: I'm like, how come no one slide? No, you actually do.

1147
00:55:44,400 --> 00:55:48,320
Speaker 3: I'm like, I'm like, you're like objectively an attractive person.

1148
00:55:48,520 --> 00:55:50,800
Speaker 1: Just take a photo straight to me. You can do it.

1149
00:55:51,120 --> 00:55:53,319
Speaker 1: Never no, no, no, no no.

1150
00:55:53,800 --> 00:56:00,640
Speaker 4: Sam's always like what he was like, No, it's like it's.

1151
00:56:00,760 --> 00:56:03,799
Speaker 1: If you've taken a comedy too far. You're so right.

1152
00:56:03,960 --> 00:56:06,040
Speaker 1: It's like it's like someone having sex and being like,

1153
00:56:07,680 --> 00:56:12,280
Speaker 1: witch can't be fun. You see every now.

1154
00:56:12,200 --> 00:56:14,960
Speaker 4: And then if the bottom has a big waiter, that

1155
00:56:15,080 --> 00:56:17,880
Speaker 4: is is the thing flopping around?

1156
00:56:19,200 --> 00:56:22,280
Speaker 1: That was something saying Sam with, oh yeah yeah that clicks.

1157
00:56:22,480 --> 00:56:24,279
Speaker 3: No, this is something that I like, I think I

1158
00:56:24,480 --> 00:56:29,279
Speaker 3: was my creativity and sort of JOI de vive when

1159
00:56:29,280 --> 00:56:31,240
Speaker 3: it comes to sex was beat out of me early

1160
00:56:31,280 --> 00:56:33,120
Speaker 3: on because I was like, wait, isn't it funny that

1161
00:56:33,239 --> 00:56:35,000
Speaker 3: like when I was like twenty two, I was like, wait,

1162
00:56:35,040 --> 00:56:36,799
Speaker 3: isn't it so funny that we're doing this? Like like

1163
00:56:36,880 --> 00:56:40,200
Speaker 3: I was literally like chuckling while having sex. And then

1164
00:56:40,239 --> 00:56:41,680
Speaker 3: at some point you realize that actually, no, this is

1165
00:56:41,680 --> 00:56:43,960
Speaker 3: people's serious time. Like they want to they want to

1166
00:56:43,960 --> 00:56:45,239
Speaker 3: lock in. And I was like, all right, I guess

1167
00:56:45,280 --> 00:56:47,200
Speaker 3: we're like you got you gotta go and waves.

1168
00:56:47,280 --> 00:56:47,520
Speaker 5: Yeah.

1169
00:56:47,640 --> 00:56:53,239
Speaker 4: I had the if with the husband. Sometimes the aftercome

1170
00:56:53,320 --> 00:56:56,319
Speaker 4: giggles can be fun. Yesah, something with a person you

1171
00:56:56,320 --> 00:57:00,360
Speaker 4: don't know. They could kill you. They could be laughing

1172
00:57:00,400 --> 00:57:01,640
Speaker 4: because you're locked in this apartment.

1173
00:57:01,920 --> 00:57:06,320
Speaker 3: Yeah, you know when you reach when you reach the

1174
00:57:06,520 --> 00:57:08,080
Speaker 3: like you know that meme where it's like two gay

1175
00:57:08,080 --> 00:57:09,640
Speaker 3: I guess having sex and one of them goes, sis,

1176
00:57:09,680 --> 00:57:11,879
Speaker 3: we did that yeah, which.

1177
00:57:11,680 --> 00:57:15,640
Speaker 4: Which hilarious enough people have used to reference the Weekend

1178
00:57:15,680 --> 00:57:18,840
Speaker 4: and Drake on tracks together. There's like there's an image

1179
00:57:18,840 --> 00:57:21,000
Speaker 4: of like Drake talking to the Weekend and like they've

1180
00:57:21,040 --> 00:57:23,880
Speaker 4: taken any contacts away from it, and there'll be it'll

1181
00:57:23,920 --> 00:57:25,680
Speaker 4: be like a speech bubble that says, but sis, we

1182
00:57:25,720 --> 00:57:26,520
Speaker 4: still need the top.

1183
00:57:27,880 --> 00:57:28,760
Speaker 1: Okay. But so.

1184
00:57:30,240 --> 00:57:33,560
Speaker 3: One of my greatest shreams is that I love the Weekend.

1185
00:57:33,200 --> 00:57:37,560
Speaker 1: You're allowed to. And I again, I think straight, but

1186
00:57:37,760 --> 00:57:39,760
Speaker 1: not as straight as Drake.

1187
00:57:39,920 --> 00:57:43,840
Speaker 2: No, completely similar art similar are very sensitive, like mysterious.

1188
00:57:43,840 --> 00:57:47,480
Speaker 3: It does have the bone, so there is, yes, there

1189
00:57:47,560 --> 00:57:50,520
Speaker 3: is a central wound with Drake that it's like the

1190
00:57:50,600 --> 00:57:52,520
Speaker 3: more he tries to cover it, the more visible it is.

1191
00:57:52,560 --> 00:57:55,680
Speaker 4: And the Weekend that wound was I love cocaine and strippers,

1192
00:57:55,720 --> 00:57:57,680
Speaker 4: and everyone said, that's.

1193
00:57:57,680 --> 00:58:02,840
Speaker 1: Cool, that's a million we've seen that before. Dude.

1194
00:58:02,880 --> 00:58:05,840
Speaker 4: The Weekend also was the first person who was I

1195
00:58:05,880 --> 00:58:08,760
Speaker 4: remember playing The Weekend and that was the first time

1196
00:58:08,800 --> 00:58:11,680
Speaker 4: I heard a black artist. And I know he's like,

1197
00:58:12,440 --> 00:58:14,120
Speaker 4: he's Africanadian, but that was the first time I heard

1198
00:58:14,120 --> 00:58:18,120
Speaker 4: a black artist really, you know. I mean since the

1199
00:58:18,800 --> 00:58:22,680
Speaker 4: it's gotta be since the seventies embraced cocaine in such

1200
00:58:22,680 --> 00:58:24,840
Speaker 4: a way where I was like, that's right.

1201
00:58:24,960 --> 00:58:27,640
Speaker 1: You know what. Martin Luther King wanted us to be

1202
00:58:27,760 --> 00:58:29,880
Speaker 1: able to do cocaine to.

1203
00:58:29,520 --> 00:58:32,360
Speaker 4: Thank you, Abel, because all these people were saying, we

1204
00:58:32,400 --> 00:58:33,000
Speaker 4: don't do it.

1205
00:58:33,040 --> 00:58:36,280
Speaker 1: Thank you. Some black people have access to good coach.

1206
00:58:36,800 --> 00:58:38,360
Speaker 1: That is a beautiful sentiment.

1207
00:58:38,960 --> 00:58:41,120
Speaker 3: There was a point before it would be like, there

1208
00:58:41,160 --> 00:58:42,200
Speaker 3: was a point in my life for the week and

1209
00:58:42,200 --> 00:58:43,400
Speaker 3: it was like my favorite artist.

1210
00:58:43,640 --> 00:58:43,840
Speaker 4: You know.

1211
00:58:43,880 --> 00:58:47,400
Speaker 3: It was like when that first trilogy of albums, I

1212
00:58:47,440 --> 00:58:50,000
Speaker 3: was like, I'm sorry, but this is unlike I think

1213
00:58:50,000 --> 00:58:50,520
Speaker 3: I've ever heard of.

1214
00:58:51,280 --> 00:58:53,920
Speaker 4: And it's also fun because the weekend enables you to

1215
00:58:54,000 --> 00:58:55,880
Speaker 4: do evil boy stuff.

1216
00:58:55,920 --> 00:59:01,080
Speaker 1: Oh yeah, to be eight. That's what I like. The naughtiness, nasty.

1217
00:59:01,760 --> 00:59:04,200
Speaker 4: You get to do that thing where you have you

1218
00:59:04,200 --> 00:59:06,560
Speaker 4: have sex and then you don't shower and then you

1219
00:59:06,560 --> 00:59:08,360
Speaker 4: go meet people and you.

1220
00:59:08,360 --> 00:59:10,640
Speaker 1: Went, you you come, you know when you come to

1221
00:59:10,680 --> 00:59:12,840
Speaker 1: brunch a little stinky, and I do do.

1222
00:59:12,840 --> 00:59:23,000
Speaker 4: That feeling when you go this is disgusting. There is

1223
00:59:23,040 --> 00:59:26,640
Speaker 4: also like this fousti impack where you go, I get

1224
00:59:26,680 --> 00:59:29,160
Speaker 4: to be boy all the time and then boys are

1225
00:59:29,240 --> 00:59:32,040
Speaker 4: kind of evil and bad sometimes, and so then you

1226
00:59:32,080 --> 00:59:34,000
Speaker 4: have that blowback where someone goes, is.

1227
00:59:33,960 --> 00:59:36,919
Speaker 1: That completely why aren't even get such a boy?

1228
00:59:37,200 --> 00:59:37,400
Speaker 4: Yeah?

1229
00:59:37,560 --> 00:59:39,360
Speaker 1: It's literally like I want to be boy meeting I

1230
00:59:39,400 --> 00:59:41,520
Speaker 1: want to be evil. Yeah. Then you're like, well, are

1231
00:59:41,520 --> 00:59:42,680
Speaker 1: you going to really commit or are you going to

1232
00:59:42,720 --> 00:59:43,360
Speaker 1: do the evil thing?

1233
00:59:43,400 --> 00:59:48,720
Speaker 4: Which as Comedias in twenty twenty six, the rise of

1234
00:59:48,760 --> 00:59:53,400
Speaker 4: that in our profession specifically has been wild to watch.

1235
00:59:53,880 --> 00:59:58,880
Speaker 4: It's been unsettling, and it's It's crazy that there are

1236
00:59:59,000 --> 01:00:03,200
Speaker 4: people boys, men who go see comedy and then if

1237
01:00:03,240 --> 01:00:08,080
Speaker 4: they see comedy online that isn't you know, sometimes my

1238
01:00:08,160 --> 01:00:10,680
Speaker 4: girlfriend and sucks my dick weird. They go this faggot

1239
01:00:10,680 --> 01:00:12,720
Speaker 4: ass ship. You go, well, talk about time aout talking

1240
01:00:12,720 --> 01:00:15,479
Speaker 4: about did you think comedy was just the thing you saw?

1241
01:00:15,800 --> 01:00:18,200
Speaker 1: Only? Did you not know comedy is? Do you know

1242
01:00:18,200 --> 01:00:19,120
Speaker 1: who Joan Rivers is?

1243
01:00:19,120 --> 01:00:23,000
Speaker 4: They go, you go, oh, okay, you like honestly have

1244
01:00:23,200 --> 01:00:26,440
Speaker 4: such a specific once again boy angle on this and

1245
01:00:26,520 --> 01:00:29,160
Speaker 4: such a specific straight angle on this. Yeah, that they'll

1246
01:00:29,200 --> 01:00:30,760
Speaker 4: be like, this is kind of faggy. I'll be like, yeah,

1247
01:00:30,760 --> 01:00:33,400
Speaker 4: it's on stage. Yeah, of course, it's.

1248
01:00:33,440 --> 01:00:34,200
Speaker 1: What are you talking about?

1249
01:00:34,240 --> 01:00:36,720
Speaker 3: Like this has always coexisted with the things you like,

1250
01:00:37,000 --> 01:00:39,000
Speaker 3: you just didn't have access to it, and now because

1251
01:00:39,000 --> 01:00:42,240
Speaker 3: of like Instagram reels, sometimes it crosses your desk like this.

1252
01:00:42,920 --> 01:00:45,000
Speaker 3: It's not gonna like do anything to you, Like, you

1253
01:00:45,000 --> 01:00:46,600
Speaker 3: don't have to like it.

1254
01:00:46,360 --> 01:00:47,720
Speaker 1: It's kind of straight. Boys.

1255
01:00:47,760 --> 01:00:49,600
Speaker 4: You go, this guy's kind of zesty and you go,

1256
01:00:49,760 --> 01:00:51,840
Speaker 4: you mean Martin Short being Jimmy Glick.

1257
01:00:53,440 --> 01:00:56,440
Speaker 3: Yeah, that's the thing. By the way, Jimmy Glick invented

1258
01:00:56,520 --> 01:00:57,160
Speaker 3: queer comedy.

1259
01:00:57,280 --> 01:01:04,080
Speaker 1: Yeah, Mount community, marn Short No Jimmy Glitch.

1260
01:01:07,080 --> 01:01:08,720
Speaker 3: There was a point a couple of years ago. I

1261
01:01:08,720 --> 01:01:10,320
Speaker 3: can't remember if you were there. I was gonna remember

1262
01:01:10,360 --> 01:01:13,640
Speaker 3: the old gay men comedians who were just watching best

1263
01:01:13,680 --> 01:01:16,640
Speaker 3: of Jimmy Glick. I've never seen people laugh harder.

1264
01:01:17,800 --> 01:01:19,880
Speaker 1: And he also he was funny enough that people didn't

1265
01:01:19,880 --> 01:01:21,880
Speaker 1: even get mad a BYuT the fat suit. Well, people

1266
01:01:21,920 --> 01:01:25,880
Speaker 1: do get about it, all right. I got too close

1267
01:01:27,600 --> 01:01:31,880
Speaker 1: as my culture spot. That's you're talking about dog dog walkers,

1268
01:01:32,080 --> 01:01:32,720
Speaker 1: dog walking, and.

1269
01:01:34,880 --> 01:01:38,240
Speaker 4: I think that in comedy, and this is one of

1270
01:01:38,240 --> 01:01:40,080
Speaker 4: the things that is related to like straight culture and

1271
01:01:40,120 --> 01:01:42,480
Speaker 4: like trying to be a boy. Part of like the

1272
01:01:42,520 --> 01:01:48,000
Speaker 4: comedy I loved was when boy was undercut by something.

1273
01:01:48,400 --> 01:01:50,360
Speaker 1: But so many straight guys hate that.

1274
01:01:50,480 --> 01:01:52,720
Speaker 4: They go, no, you're taking away the boy, and yeah,

1275
01:01:52,720 --> 01:01:54,920
Speaker 4: but that's what that's that's that's the funny. Okay, you

1276
01:01:55,000 --> 01:02:00,400
Speaker 4: have to there's so many men who when you take

1277
01:02:00,480 --> 01:02:03,320
Speaker 4: that element out of your comedy, when you go, oh,

1278
01:02:03,520 --> 01:02:04,840
Speaker 4: not only do I have to be a boy all

1279
01:02:04,880 --> 01:02:06,200
Speaker 4: the time, I have to win all the time, and

1280
01:02:06,240 --> 01:02:08,280
Speaker 4: I can only be boy. I can't ever no one

1281
01:02:08,320 --> 01:02:09,640
Speaker 4: else can question my boy.

1282
01:02:09,840 --> 01:02:11,520
Speaker 1: You go, well, okay.

1283
01:02:11,280 --> 01:02:13,640
Speaker 4: Now it's gonna be hard for you to lose and

1284
01:02:13,720 --> 01:02:17,520
Speaker 4: do things comedically as a performer, because you're kind of

1285
01:02:17,600 --> 01:02:21,320
Speaker 4: robbing yourself of the freedom to be seen as anything

1286
01:02:21,320 --> 01:02:23,000
Speaker 4: other than like, I'm a man.

1287
01:02:23,560 --> 01:02:24,479
Speaker 1: You get to be the boy.

1288
01:02:24,560 --> 01:02:27,320
Speaker 3: Yeah, you can't take risks, Yeah, because a risk involves

1289
01:02:27,360 --> 01:02:28,800
Speaker 3: the option that it might not.

1290
01:02:29,040 --> 01:02:31,600
Speaker 1: Make he look the tiniest bit faggy. Yeah, well so much.

1291
01:02:31,600 --> 01:02:33,520
Speaker 1: Stand up. It's just a fear of risk ticking.

1292
01:02:33,800 --> 01:02:37,520
Speaker 3: But it was again, see it watched a New Hour

1293
01:02:38,520 --> 01:02:40,600
Speaker 3: You know what though, But Drake, this is interesting. Drake

1294
01:02:40,800 --> 01:02:44,320
Speaker 3: does take risks. But as you said, then we'll add

1295
01:02:44,360 --> 01:02:47,160
Speaker 3: a little coda that's like and by the way, here's

1296
01:02:47,160 --> 01:02:50,520
Speaker 3: something misogynistic, just in case this was too, because it's not.

1297
01:02:50,840 --> 01:02:51,200
Speaker 1: He does.

1298
01:02:51,600 --> 01:02:54,240
Speaker 3: He doesn't make boring music. He takes risks. He makes

1299
01:02:54,280 --> 01:02:57,840
Speaker 3: interesting music and then just like makes it. Boy is

1300
01:02:57,880 --> 01:03:00,040
Speaker 3: like okay, And now for the final pass where I

1301
01:03:00,080 --> 01:03:01,600
Speaker 3: had a little bit of like massagery.

1302
01:03:02,080 --> 01:03:03,600
Speaker 1: He does at the end of a lot of songs.

1303
01:03:03,640 --> 01:03:06,880
Speaker 4: If you ever like early Drake and mid kind of

1304
01:03:07,040 --> 01:03:10,200
Speaker 4: first the first three albums, in any of the mixtapes,

1305
01:03:10,240 --> 01:03:13,440
Speaker 4: he'd have like a song and it'd be a great song.

1306
01:03:13,720 --> 01:03:15,960
Speaker 4: But then at the end of the song, he'd have

1307
01:03:16,040 --> 01:03:18,400
Speaker 4: to add, what exactly what you're talking would be like?

1308
01:03:18,600 --> 01:03:21,600
Speaker 4: And by the way, I hate you, bitch. I hate

1309
01:03:21,600 --> 01:03:24,200
Speaker 4: this bitch. This bitch ruined my fucking life. This fucking bitch.

1310
01:03:24,280 --> 01:03:26,720
Speaker 4: I hope everything goes terrible for you. Fucking you'd be like.

1311
01:03:26,800 --> 01:03:29,120
Speaker 1: You just talking about how much you love this woman.

1312
01:03:30,360 --> 01:03:32,600
Speaker 1: He goes, She's a fucking bitch. She lies.

1313
01:03:34,320 --> 01:03:40,200
Speaker 4: You. We're all guidance counselors. We go sit do yes,

1314
01:03:40,400 --> 01:03:43,280
Speaker 4: look at me, look at me. You're lashing out. I

1315
01:03:43,320 --> 01:03:46,640
Speaker 4: cannot have you do this in my classroom anymore. Apologize,

1316
01:03:46,720 --> 01:03:49,080
Speaker 4: apologize to her, Apologize for what you said. He goes,

1317
01:03:49,160 --> 01:03:53,000
Speaker 4: I'm sorry, I'm sorry. What I'm sorry? You're such a bitch.

1318
01:03:53,200 --> 01:03:55,280
Speaker 1: No, no, no, no.

1319
01:03:55,320 --> 01:03:57,120
Speaker 2: We're always sitting Drake down and being like, what happened

1320
01:03:57,160 --> 01:03:59,160
Speaker 2: to that nice boy that we knew in six Yes,

1321
01:04:01,280 --> 01:04:04,080
Speaker 2: sweet boy who would come to my classroom during one No,

1322
01:04:04,320 --> 01:04:05,840
Speaker 2: I want to talk more about the reading.

1323
01:04:05,960 --> 01:04:08,320
Speaker 4: We have the chuggiest card again, we go, what happened

1324
01:04:08,320 --> 01:04:09,520
Speaker 4: to him?

1325
01:04:09,720 --> 01:04:14,800
Speaker 1: Hey, hey, yeah, we hold him a picture? We go,

1326
01:04:14,920 --> 01:04:15,720
Speaker 1: what happened to him?

1327
01:04:17,040 --> 01:04:19,800
Speaker 2: Abry was so sweet until he got mixed up with

1328
01:04:19,840 --> 01:04:25,200
Speaker 2: those boys.

1329
01:04:25,280 --> 01:04:26,560
Speaker 1: Well, the time is running out.

1330
01:04:26,680 --> 01:04:28,919
Speaker 4: Time is running out, well, because you know what I mean,

1331
01:04:29,360 --> 01:04:31,960
Speaker 4: I think he's older than everyone in this room.

1332
01:04:33,600 --> 01:04:36,000
Speaker 1: No, he is his I'm like, we might be the

1333
01:04:36,040 --> 01:04:39,760
Speaker 1: same age. Hold, he's old, he's older than he Okay,

1334
01:04:39,800 --> 01:04:41,760
Speaker 1: I'll take it. That's that's that's how you know.

1335
01:04:41,880 --> 01:04:49,760
Speaker 4: I'm like, okay, okay, I think about think about everything

1336
01:04:49,800 --> 01:04:52,280
Speaker 4: that he's been doing the past couple of years, and

1337
01:04:52,600 --> 01:04:56,480
Speaker 4: for Becca to say he's thirty nine, that does change it.

1338
01:04:56,680 --> 01:04:59,960
Speaker 1: That's what I'm saying. If you're if one of your girlfriends.

1339
01:04:59,800 --> 01:05:04,080
Speaker 4: If you're you're at a bar, your girlfriend, everyone's been

1340
01:05:04,080 --> 01:05:05,880
Speaker 4: having a good time, big cool party.

1341
01:05:06,280 --> 01:05:09,840
Speaker 1: You see her, she's in corner like this. You go,

1342
01:05:09,920 --> 01:05:12,960
Speaker 1: what's going on? She goes? You go what? You go?

1343
01:05:13,320 --> 01:05:15,240
Speaker 4: He's bad that I'm here, and like I'm supposed to

1344
01:05:15,320 --> 01:05:21,160
Speaker 4: and you go, oh my god, he's thirty nine. Event yeah,

1345
01:05:21,480 --> 01:05:24,080
Speaker 4: you can go home. I'm not dealing with this. Yeah

1346
01:05:24,120 --> 01:05:26,160
Speaker 4: he's thirty nine. You thirty nine?

1347
01:05:26,320 --> 01:05:27,680
Speaker 1: You hear it.

1348
01:05:27,680 --> 01:05:29,480
Speaker 2: It sounds bad, but I think it's gonna be much

1349
01:05:29,520 --> 01:05:33,200
Speaker 2: worse the moment he is forty something. Oh no, something

1350
01:05:33,800 --> 01:05:35,640
Speaker 2: is going to happen when he is forty and I

1351
01:05:35,680 --> 01:05:36,320
Speaker 2: don't know what.

1352
01:05:36,240 --> 01:05:38,080
Speaker 1: Is I just want to say, I know how he

1353
01:05:38,280 --> 01:05:41,120
Speaker 1: gets out of this, say it. I agree, No, no,

1354
01:05:41,160 --> 01:05:41,920
Speaker 1: it's not anything.

1355
01:05:42,200 --> 01:05:44,440
Speaker 3: I think that what it's going to be. I think

1356
01:05:44,440 --> 01:05:46,120
Speaker 3: what it's going to be is a return to acting.

1357
01:05:46,240 --> 01:05:47,760
Speaker 3: I think he's going to have a sort of Mickey

1358
01:05:47,880 --> 01:05:50,520
Speaker 3: Rourke in the Wrestler type thing, oh where it's like

1359
01:05:50,720 --> 01:05:53,920
Speaker 3: what he actually fully goes for an Oscar. I don't

1360
01:05:53,920 --> 01:05:56,040
Speaker 3: think it's gonna happen for him, but I think he's

1361
01:05:56,360 --> 01:05:59,240
Speaker 3: close like and maybe even with like a woman director

1362
01:05:59,360 --> 01:06:02,360
Speaker 3: like I think my or the two options are either

1363
01:06:02,440 --> 01:06:08,240
Speaker 3: woman director like stripped down or like Safty Brothers movie

1364
01:06:08,440 --> 01:06:09,000
Speaker 3: amped up.

1365
01:06:09,120 --> 01:06:09,840
Speaker 1: I could see.

1366
01:06:09,880 --> 01:06:12,680
Speaker 3: I could there's a world because you see that because

1367
01:06:12,680 --> 01:06:14,600
Speaker 3: he's like, no matter what music he makes, it's not

1368
01:06:14,600 --> 01:06:17,080
Speaker 3: going to change the narrative. As good as it might be,

1369
01:06:17,200 --> 01:06:19,680
Speaker 3: it has to be something different. And then he it's

1370
01:06:19,720 --> 01:06:21,280
Speaker 3: like a press tour where he.

1371
01:06:21,160 --> 01:06:22,080
Speaker 1: Talks about Guy.

1372
01:06:22,480 --> 01:06:24,720
Speaker 4: I hope he uses some of this audio for the

1373
01:06:24,760 --> 01:06:27,520
Speaker 4: promotion of Iceman. He does have a new album coming out,

1374
01:06:27,560 --> 01:06:31,440
Speaker 4: so but that is that is true. That is actually

1375
01:06:31,680 --> 01:06:37,840
Speaker 4: very smart if he did that, if he went Saftie Brothers.

1376
01:06:36,600 --> 01:06:39,640
Speaker 1: Or oh, because weekend, the weekend one Safty brothers.

1377
01:06:39,760 --> 01:06:41,680
Speaker 3: YEA, true, it was just the cameo, but I I

1378
01:06:42,200 --> 01:06:45,080
Speaker 3: think that I think that it could it could be something.

1379
01:06:45,560 --> 01:06:48,320
Speaker 3: Here's what the mistake would be, and I think this

1380
01:06:48,480 --> 01:06:51,000
Speaker 3: is the safe choice. And the huge mistake is if

1381
01:06:51,040 --> 01:06:54,600
Speaker 3: he if his movie was a biopic of like a

1382
01:06:54,600 --> 01:06:57,600
Speaker 3: more respected musician, because that's a very tempting thing to do,

1383
01:06:57,800 --> 01:07:00,560
Speaker 3: or even not a musician, but like an athlete. Yeah,

1384
01:07:00,760 --> 01:07:03,480
Speaker 3: like I mean like Will Smith doing or something like.

1385
01:07:03,600 --> 01:07:05,280
Speaker 3: He doesn't have the jews to do something like you know,

1386
01:07:05,400 --> 01:07:06,080
Speaker 3: he has a dude.

1387
01:07:06,120 --> 01:07:08,120
Speaker 4: I think he needs to be a strong supporting but

1388
01:07:08,200 --> 01:07:11,160
Speaker 4: he needs to he doesn't have these chops yet. But

1389
01:07:11,200 --> 01:07:13,440
Speaker 4: it needs to be this funny. He needs to be

1390
01:07:14,680 --> 01:07:19,440
Speaker 4: He needs to lose every bit of credibility and respect,

1391
01:07:20,120 --> 01:07:23,640
Speaker 4: specifically as this character in the movie. You want to

1392
01:07:23,640 --> 01:07:26,120
Speaker 4: see him do pratfalls. You want to see a woman

1393
01:07:26,160 --> 01:07:28,080
Speaker 4: throw a drink in his face. You want him to

1394
01:07:28,080 --> 01:07:29,480
Speaker 4: be like, oh my did doesn't work? You want you

1395
01:07:29,480 --> 01:07:33,160
Speaker 4: want like you want cry, Yeah, you want him like

1396
01:07:33,240 --> 01:07:35,800
Speaker 4: running from like actual gangsters. You want you want him

1397
01:07:36,120 --> 01:07:39,760
Speaker 4: to flip all of this so then you can be like, wait,

1398
01:07:39,880 --> 01:07:41,360
Speaker 4: the man, are you okay?

1399
01:07:42,600 --> 01:07:42,960
Speaker 1: A man?

1400
01:07:43,480 --> 01:07:47,200
Speaker 4: Only a person? Who's like kind of secure could do this. Yeah,

1401
01:07:47,240 --> 01:07:49,760
Speaker 4: that's but is he secure enough to do it?

1402
01:07:50,160 --> 01:07:52,480
Speaker 1: Aubrey? We have faith in you, I have I have

1403
01:07:52,560 --> 01:07:54,880
Speaker 1: faith in you. Well, it's dwindling, but it is there.

1404
01:07:55,640 --> 01:07:57,400
Speaker 1: I think it could happen. I think it can happen.

1405
01:07:57,400 --> 01:08:01,080
Speaker 1: Maybe at forty five. I'll see you in six years.

1406
01:08:02,680 --> 01:08:06,040
Speaker 4: If Drake gets his oscar before Delroy Lindo, I'm going mad.

1407
01:08:09,160 --> 01:08:11,560
Speaker 1: I can't even get it. Yeah, I was like, just

1408
01:08:11,600 --> 01:08:13,800
Speaker 1: give it to him. You're gonna get to Sean Peter's

1409
01:08:13,840 --> 01:08:24,479
Speaker 1: ain't then there? O, God, I can't. Karen cons I

1410
01:08:24,479 --> 01:08:25,920
Speaker 1: guess he didn't want to be here.

1411
01:08:26,200 --> 01:08:29,439
Speaker 4: That's that's that is the kind of weird, fucked up

1412
01:08:29,479 --> 01:08:32,080
Speaker 4: thing that like when a person like that has to

1413
01:08:32,120 --> 01:08:34,040
Speaker 4: deal with Sean Penn not be there are actors you

1414
01:08:34,080 --> 01:08:36,680
Speaker 4: can go, I graciously accept this on behalf of Shampainne,

1415
01:08:36,920 --> 01:08:40,120
Speaker 4: thank you so much. But because it's cured and cooking,

1416
01:08:40,640 --> 01:08:43,280
Speaker 4: he has also add a little silly, so then it's

1417
01:08:43,280 --> 01:08:45,840
Speaker 4: too silly and you go, well, that's kind of disrespectful.

1418
01:08:46,400 --> 01:08:47,599
Speaker 1: Everyone's putting their stink on.

1419
01:08:48,920 --> 01:08:52,160
Speaker 4: Said he couldn't accept this award, but everyone, just to

1420
01:08:52,160 --> 01:09:08,200
Speaker 4: be clear, he's not here because he's out fucking black girls.

1421
01:08:55,000 --> 01:09:11,599
Speaker 6: Okay, let's sort a final say, let's do it.

1422
01:09:11,920 --> 01:09:14,160
Speaker 2: Our final segment is called shout outs. In this segment

1423
01:09:14,200 --> 01:09:16,080
Speaker 2: we pay Amasha the grand straight tradition of the radio

1424
01:09:16,120 --> 01:09:19,960
Speaker 2: shout out, shouting out to anything that we enjoy, people, places, things, ideas,

1425
01:09:21,920 --> 01:09:23,479
Speaker 2: and we go first.

1426
01:09:23,520 --> 01:09:25,080
Speaker 1: Okay, and we make them up on the spot.

1427
01:09:25,360 --> 01:09:31,120
Speaker 3: Right, what's up, freak some losers? I want to give

1428
01:09:31,120 --> 01:09:34,200
Speaker 3: a shout out to Jay's boots. I have been staring

1429
01:09:34,240 --> 01:09:37,600
Speaker 3: at them all episode. It is such a It's like

1430
01:09:37,720 --> 01:09:40,160
Speaker 3: no matter if you dress it one way, it can

1431
01:09:40,200 --> 01:09:42,240
Speaker 3: read like BDSM. If you dress it another way, it

1432
01:09:42,280 --> 01:09:45,000
Speaker 3: can literally read like businessman going to work. Like yeah,

1433
01:09:45,040 --> 01:09:49,400
Speaker 3: it's truly, it is such a perfect article that you

1434
01:09:49,479 --> 01:09:51,759
Speaker 3: can kind of make what you want. You are pulling

1435
01:09:51,760 --> 01:09:54,759
Speaker 3: them off beautifully. I am someone who has been looking

1436
01:09:54,800 --> 01:09:57,240
Speaker 3: for boots for the last approximately fourteen years.

1437
01:09:57,400 --> 01:09:58,240
Speaker 1: I am inspired.

1438
01:09:58,280 --> 01:10:00,479
Speaker 3: I'm going to get out there and go so, you know,

1439
01:10:00,520 --> 01:10:01,880
Speaker 3: a north Strom rack a sacks off.

1440
01:10:02,880 --> 01:10:06,320
Speaker 1: I'm gonna find a nice pair of black leather boots.

1441
01:10:06,360 --> 01:10:08,360
Speaker 1: So look out for that next year, but for now,

1442
01:10:08,439 --> 01:10:09,839
Speaker 1: you can look at jays feed.

1443
01:10:09,800 --> 01:10:12,760
Speaker 4: Shouts yeah, shout out to Bloomingdale's on fifty nine.

1444
01:10:12,920 --> 01:10:12,960
Speaker 2: No.

1445
01:10:13,280 --> 01:10:15,160
Speaker 4: I mean, if you want to go through sixteen, you

1446
01:10:15,200 --> 01:10:17,280
Speaker 4: want to go to our legacy. But some there are

1447
01:10:17,360 --> 01:10:20,439
Speaker 4: so many other boots once again, for the Boy, for

1448
01:10:20,560 --> 01:10:23,080
Speaker 4: Stratia Lab, for the Boys, everybody who's like, I gotta

1449
01:10:23,080 --> 01:10:25,519
Speaker 4: get this boot because I saw it on Instagram and TikTok.

1450
01:10:25,760 --> 01:10:27,680
Speaker 1: Go to a store. You need to be in the

1451
01:10:27,680 --> 01:10:29,559
Speaker 1: department store. You are not cool.

1452
01:10:29,920 --> 01:10:32,519
Speaker 4: Go to the department store, get get some get some

1453
01:10:32,560 --> 01:10:33,360
Speaker 4: Macy's points.

1454
01:10:33,640 --> 01:10:36,000
Speaker 1: That's the way. Those are our legacy. These are no

1455
01:10:36,080 --> 01:10:41,000
Speaker 1: these are awesomets. Oh what's up? Free so purpose around

1456
01:10:41,000 --> 01:10:41,400
Speaker 1: the globe.

1457
01:10:41,439 --> 01:10:43,320
Speaker 2: I want to give a huge shout out to the

1458
01:10:43,320 --> 01:10:47,680
Speaker 2: club sandwich I had yesterday, Oh Lock Canteen, I had

1459
01:10:47,680 --> 01:10:50,720
Speaker 2: the most amazing club sandwich, and it was sort of

1460
01:10:50,800 --> 01:10:52,080
Speaker 2: a portal to time.

1461
01:10:52,120 --> 01:10:54,240
Speaker 1: You know, people often say that food tells a story.

1462
01:10:54,439 --> 01:10:56,240
Speaker 2: I've never related to that, and I always kind of

1463
01:10:56,240 --> 01:10:58,600
Speaker 2: thought they were full of shit. But yesterday I was

1464
01:10:58,600 --> 01:11:01,480
Speaker 2: eating a club sandwich and I was I felt transported

1465
01:11:01,520 --> 01:11:03,600
Speaker 2: back to three years ago when I was living in

1466
01:11:03,640 --> 01:11:07,519
Speaker 2: Bushwick and sitting in my apartment that I lived in forever,

1467
01:11:07,600 --> 01:11:10,400
Speaker 2: eating these exact same club sandwich and I said, Wow,

1468
01:11:10,640 --> 01:11:11,360
Speaker 2: I am home.

1469
01:11:11,760 --> 01:11:14,880
Speaker 1: I have felt all my lives at once, and all

1470
01:11:14,880 --> 01:11:15,600
Speaker 1: it takes.

1471
01:11:15,479 --> 01:11:19,160
Speaker 2: Is a beautiful little sandwich and a coffee xoxo.

1472
01:11:19,400 --> 01:11:23,680
Speaker 1: Sam. Wow, that's beautiful. It was actually really weird. I

1473
01:11:23,720 --> 01:11:24,960
Speaker 1: was like, where am I?

1474
01:11:24,960 --> 01:11:30,040
Speaker 4: I'm so, what kind of bacon? Like thick bacon, thin bacon,

1475
01:11:30,360 --> 01:11:34,040
Speaker 4: kind of thick country Bacon's kind of thick. Wait the

1476
01:11:34,120 --> 01:11:35,280
Speaker 4: hesitation was sexual.

1477
01:11:35,560 --> 01:11:37,719
Speaker 2: Well, I know, I was like, I got scared because

1478
01:11:37,760 --> 01:11:42,400
Speaker 2: I'm not good at describing food, and so you insecurity.

1479
01:11:42,960 --> 01:11:45,440
Speaker 1: I got scared because I'm not good at this, loving.

1480
01:11:45,720 --> 01:11:50,760
Speaker 4: Sam, Sam, Sam, I know why because someone can describe food. Oh,

1481
01:11:51,640 --> 01:11:54,400
Speaker 4: someone is very someone has a lot of words to

1482
01:11:54,439 --> 01:11:58,200
Speaker 4: describe food. So I know, I know, I know.

1483
01:11:58,720 --> 01:12:01,639
Speaker 7: And my literally your husband loves to talk about food,

1484
01:12:02,000 --> 01:12:04,920
Speaker 7: and so I'm always like that's his things, Like look,

1485
01:12:05,040 --> 01:12:08,360
Speaker 7: the bacon was to extend to was it thin bacon

1486
01:12:08,439 --> 01:12:08,920
Speaker 7: or thick bacon?

1487
01:12:09,000 --> 01:12:12,280
Speaker 1: Is really funny? Well that's I'm so glad you because

1488
01:12:12,280 --> 01:12:15,280
Speaker 1: you're like what kind of bacon? And like there's bacon? Yeah,

1489
01:12:14,720 --> 01:12:20,960
Speaker 1: you know the panic really rushed across your face. Yeah.

1490
01:12:20,400 --> 01:12:25,000
Speaker 4: Yeah, I'm I'm guilty of when I'm describing food sometimes

1491
01:12:25,320 --> 01:12:28,400
Speaker 4: I sound too much, like I'm trying to like to

1492
01:12:28,560 --> 01:12:31,760
Speaker 4: like the high well, the zippy sort of brightness of

1493
01:12:31,800 --> 01:12:35,320
Speaker 4: the ass. Really it wakes up the dish, but it's

1494
01:12:35,360 --> 01:12:38,800
Speaker 4: not overpowering. I needed some acid, but I didn't need

1495
01:12:38,840 --> 01:12:41,960
Speaker 4: it to be briany, and people go, okay.

1496
01:12:41,720 --> 01:12:46,400
Speaker 1: So lemon, Yeah it's lemon. This is some lemon in there.

1497
01:12:48,240 --> 01:12:51,519
Speaker 1: Yeah it was lemon. What's up you?

1498
01:12:51,720 --> 01:12:54,439
Speaker 4: Hose and bros and bros that are hose and hose

1499
01:12:54,479 --> 01:12:55,040
Speaker 4: that are bros.

1500
01:12:55,040 --> 01:12:56,160
Speaker 1: Those are neutral terms.

1501
01:12:56,400 --> 01:13:03,040
Speaker 4: Shut Shout out to the people in the West Village,

1502
01:13:03,360 --> 01:13:08,439
Speaker 4: in NYU and Washington Square Park. I want to thank

1503
01:13:08,520 --> 01:13:13,759
Speaker 4: y'all for keeping annoying eighteen year old culture alive. Every

1504
01:13:13,880 --> 01:13:17,120
Speaker 4: article I see says, the kids aren't outside, the kids

1505
01:13:17,200 --> 01:13:19,760
Speaker 4: don't want to drink, the kids don't do drugs. They're

1506
01:13:19,760 --> 01:13:23,080
Speaker 4: not fun, y'all kids. Every time I see y'all, y'all

1507
01:13:23,080 --> 01:13:26,680
Speaker 4: having some fun. Y'all are having some fun. Y'all are

1508
01:13:26,760 --> 01:13:29,120
Speaker 4: hyping up men that do not look like any of

1509
01:13:29,120 --> 01:13:30,600
Speaker 4: these lookalike contests.

1510
01:13:30,880 --> 01:13:33,360
Speaker 1: Y'all are shouting at people.

1511
01:13:33,680 --> 01:13:36,720
Speaker 4: Y'all are dancing, y'all are buying the same jacket and

1512
01:13:36,760 --> 01:13:38,719
Speaker 4: the same jeans and the same T shirt.

1513
01:13:38,760 --> 01:13:41,120
Speaker 1: And wearing them all at the same time. I see

1514
01:13:41,240 --> 01:13:42,080
Speaker 1: I'm seeing.

1515
01:13:41,840 --> 01:13:45,920
Speaker 4: Boys walking around and groups of four kind of like

1516
01:13:46,400 --> 01:13:49,360
Speaker 4: destroying any sort of sidewalk maneuverability.

1517
01:13:49,439 --> 01:13:50,719
Speaker 1: But they're out having fun.

1518
01:13:51,200 --> 01:13:53,120
Speaker 4: And as much as it pays me to be stuck

1519
01:13:53,160 --> 01:13:56,360
Speaker 4: behind y'all, I'd rather y'all be outside than online. So

1520
01:13:56,479 --> 01:13:59,760
Speaker 4: shout out to the West Village girly, Shout out to

1521
01:13:59,840 --> 01:14:02,080
Speaker 4: the n Yu boys, shout out.

1522
01:14:02,160 --> 01:14:05,920
Speaker 1: Shout out to all you stupid dumb kids. Shut out.

1523
01:14:06,640 --> 01:14:09,519
Speaker 1: As for me, your uncle someone's older than your mayor.

1524
01:14:10,320 --> 01:14:14,200
Speaker 3: Wow, I completely agree with you because they it has.

1525
01:14:14,360 --> 01:14:16,320
Speaker 3: Actually I've done a real one to eighty on this.

1526
01:14:16,479 --> 01:14:18,880
Speaker 3: I'm like, you know, it's so good that you're not

1527
01:14:18,920 --> 01:14:22,599
Speaker 3: on your phones. Yes, it's I definitely think it's gonna

1528
01:14:22,600 --> 01:14:24,720
Speaker 3: take some time to like get reacclimated to the world.

1529
01:14:24,800 --> 01:14:27,400
Speaker 3: It's like sort of like wild monkeys right around. But

1530
01:14:27,479 --> 01:14:29,639
Speaker 3: like even when I see, for example, in a movie theater,

1531
01:14:29,760 --> 01:14:31,680
Speaker 3: someone on their phone or filming, I'm like, you know what,

1532
01:14:31,840 --> 01:14:34,000
Speaker 3: I don't love that, but it's good that you're at

1533
01:14:34,000 --> 01:14:34,439
Speaker 3: the movies.

1534
01:14:34,640 --> 01:14:38,880
Speaker 4: Imagine being mad you see people wrapped around you can't

1535
01:14:38,920 --> 01:14:39,479
Speaker 4: be mad at that.

1536
01:14:40,479 --> 01:14:43,240
Speaker 1: Let them know this Spaniards. I'm not gonna go let them.

1537
01:14:43,320 --> 01:14:44,880
Speaker 4: Let them go to spair, let them go that little

1538
01:14:44,920 --> 01:14:47,960
Speaker 4: karaoke place right there too, let them have fun. I'm

1539
01:14:48,000 --> 01:14:50,040
Speaker 4: never gonna be mad at them. I will be mad

1540
01:14:50,040 --> 01:14:54,439
Speaker 4: at them. If they're waiting outside of a photo booth museum, well.

1541
01:14:54,320 --> 01:14:56,600
Speaker 1: It's better that than wherever I'm going. Yeah.

1542
01:14:56,680 --> 01:15:01,759
Speaker 4: Yeah, the listen. I'm gonna say it. I'm gonna say it.

1543
01:15:01,760 --> 01:15:04,639
Speaker 4: It's so funny. I truly don't think those people can

1544
01:15:04,680 --> 01:15:07,120
Speaker 4: see pieces. I don't think they'll be in the village.

1545
01:15:07,439 --> 01:15:10,400
Speaker 4: They can't see pieces. They can't see Julius. They truly just.

1546
01:15:10,640 --> 01:15:13,559
Speaker 1: Literally don't don't even say those names on the podcast.

1547
01:15:14,400 --> 01:15:18,519
Speaker 4: It is like, like Becca, censor those and it's truly

1548
01:15:18,600 --> 01:15:19,280
Speaker 4: like they can't see.

1549
01:15:19,400 --> 01:15:22,360
Speaker 3: I'm so happy those places exist. It's like, oh, it's

1550
01:15:22,400 --> 01:15:24,200
Speaker 3: safe to be thirty four.

1551
01:15:24,439 --> 01:15:28,519
Speaker 2: Yeah, yeah, safe and encourage and encourage.

1552
01:15:28,640 --> 01:15:28,880
Speaker 1: Yeah.

1553
01:15:28,920 --> 01:15:31,240
Speaker 4: And this is if you're a thirty nine year old

1554
01:15:31,280 --> 01:15:33,599
Speaker 4: Canadian come to peace.

1555
01:15:33,760 --> 01:15:39,519
Speaker 1: Come Drake. Imagine Drake is that piece the text? Drake

1556
01:15:39,600 --> 01:15:39,920
Speaker 1: is that pea?

1557
01:15:40,160 --> 01:15:43,200
Speaker 4: I guess and guess what I'm sprinting there. Yeah, I'm

1558
01:15:43,200 --> 01:15:45,680
Speaker 4: taking the uber black because I want to be I

1559
01:15:45,720 --> 01:15:47,160
Speaker 4: want to be in the photo like this, I can't

1560
01:15:47,160 --> 01:15:49,000
Speaker 4: say off okay. One time I did a comedy show

1561
01:15:49,320 --> 01:15:52,439
Speaker 4: in Toronto at Comedy Bar. I did my show. There's

1562
01:15:52,479 --> 01:15:55,519
Speaker 4: a second show going on with a very funny comedian,

1563
01:15:55,760 --> 01:15:59,960
Speaker 4: Hassan Pills. He knows Drake, like they message back in

1564
01:16:00,040 --> 01:16:01,280
Speaker 4: for he's a Canadian comedian.

1565
01:16:01,600 --> 01:16:02,840
Speaker 1: Drake's gonna come to this show.

1566
01:16:03,320 --> 01:16:06,920
Speaker 4: Before Drake shows up, security does a sweet They like say,

1567
01:16:06,960 --> 01:16:09,000
Speaker 4: Drake's gonna come at this time. He's gonna come through

1568
01:16:09,040 --> 01:16:12,960
Speaker 4: this door. Be very specific. Also, don't make a scene

1569
01:16:12,960 --> 01:16:15,280
Speaker 4: of it. He just wants to enjoy the comedy show.

1570
01:16:15,600 --> 01:16:18,080
Speaker 4: He's gonna be low key. Everything's gonna be low key.

1571
01:16:18,960 --> 01:16:24,760
Speaker 4: He shows up, floor length, white fur. This is him

1572
01:16:24,760 --> 01:16:27,000
Speaker 4: low key behind the candlebr.

1573
01:16:27,160 --> 01:16:28,639
Speaker 1: That is so fun.

1574
01:16:28,880 --> 01:16:34,040
Speaker 4: I mean, full on miss piggy level Drakes piggy rapper.

1575
01:16:34,439 --> 01:16:36,320
Speaker 4: Drake gives a miss Piggy rap. It used to be nicky,

1576
01:16:37,360 --> 01:16:41,759
Speaker 4: but Drake. Drake shows up, definitely gets as much attention

1577
01:16:41,800 --> 01:16:45,360
Speaker 4: as possible, comes in. Everyone just like is in awe

1578
01:16:45,439 --> 01:16:50,200
Speaker 4: at him. He like sits down at I think Alistair

1579
01:16:50,600 --> 01:16:52,280
Speaker 4: was like going so he had to stretch.

1580
01:16:52,400 --> 01:16:53,200
Speaker 1: Drake shows up.

1581
01:16:53,360 --> 01:16:56,120
Speaker 4: He finally brings Hassan on stage, and so then like

1582
01:16:56,280 --> 01:17:00,000
Speaker 4: the people are like watching Hassan, but every couple second

1583
01:17:00,040 --> 01:17:05,120
Speaker 4: can say like is Drake love and then they have

1584
01:17:05,200 --> 01:17:10,200
Speaker 4: to tell watch me goes up to these the bathroom people.

1585
01:17:10,520 --> 01:17:14,080
Speaker 4: It's like it is hilarious that he will do. So

1586
01:17:14,360 --> 01:17:16,639
Speaker 4: him going to pieces not crazy.

1587
01:17:16,800 --> 01:17:17,000
Speaker 3: Well.

1588
01:17:17,600 --> 01:17:20,040
Speaker 2: I went to the s n L that he hosted

1589
01:17:20,040 --> 01:17:22,679
Speaker 2: when views came out, and he rented out David Busters

1590
01:17:22,720 --> 01:17:25,799
Speaker 2: for the after after party, and he was like dancing

1591
01:17:25,800 --> 01:17:26,719
Speaker 2: on the pinball machin.

1592
01:17:28,160 --> 01:17:31,519
Speaker 1: Hey, I guess I'm gonna say that, George. That works

1593
01:17:31,520 --> 01:17:31,760
Speaker 1: on me.

1594
01:17:32,720 --> 01:17:37,519
Speaker 3: Drake dancing on the pinball trying to get my David boy.

1595
01:17:38,479 --> 01:17:40,559
Speaker 4: I was like, what is this choice that works on

1596
01:17:40,560 --> 01:17:42,920
Speaker 4: me a little bit? I don't, not not in the

1597
01:17:42,920 --> 01:17:45,240
Speaker 4: hookup way, but in like okay, be stupid.

1598
01:17:45,360 --> 01:17:48,240
Speaker 1: Yeah, I mean we talked. We started with Pokemon, were

1599
01:17:48,320 --> 01:17:54,840
Speaker 1: ending with David Busters. Well, hello stream Jay's Special, yes man, yes,

1600
01:17:55,120 --> 01:17:57,680
Speaker 1: oh yeah. And I'm on tour as well. You can

1601
01:17:57,720 --> 01:17:58,120
Speaker 1: catch me.

1602
01:17:58,280 --> 01:18:01,439
Speaker 4: It's called Nothing Special Tour because it's nothing from the Special.

1603
01:18:01,479 --> 01:18:03,760
Speaker 4: I'll be in Los Angeles, I'll be Rapids, I'll be

1604
01:18:03,800 --> 01:18:06,880
Speaker 4: in Chicago, I'll eventually be an SF. I will also

1605
01:18:06,960 --> 01:18:11,000
Speaker 4: be in for worth. I think there's someplace I'm missing. Oh,

1606
01:18:11,080 --> 01:18:12,640
Speaker 4: I'm going to be in Portland, Maine for the for

1607
01:18:12,680 --> 01:18:15,320
Speaker 4: the first time since I was there with Bob. So yeah,

1608
01:18:15,360 --> 01:18:17,240
Speaker 4: so you can catch all.

1609
01:18:17,160 --> 01:18:18,439
Speaker 1: Of those dates.

1610
01:18:18,920 --> 01:18:21,920
Speaker 4: Tickets are going to be at Jajorden dot com and

1611
01:18:22,000 --> 01:18:24,720
Speaker 4: follow me online if you want more silly shit like this,

1612
01:18:24,800 --> 01:18:26,559
Speaker 4: I guess well, this was such a treat.

1613
01:18:26,600 --> 01:18:31,400
Speaker 1: Thanks for doing it. Thank y'all. Bye. Podcast ends now

1614
01:18:31,640 --> 01:18:34,640
Speaker 1: for our visual learners, you can watch full video episodes

1615
01:18:34,680 --> 01:18:36,080
Speaker 1: on our YouTube channel and.

1616
01:18:36,080 --> 01:18:39,080
Speaker 2: Subscribe to our Patreon for two extra episodes a month.

1617
01:18:39,280 --> 01:18:42,880
Speaker 1: At Patreon dot com. Slash Stradio Lab. Stradio Lab is

1618
01:18:42,920 --> 01:18:45,200
Speaker 1: a production by Will Ferrell's Big Money Players Network and

1619
01:18:45,200 --> 01:18:48,559
Speaker 1: iHeart Podcasts. Created and hosted by me George Savers and

1620
01:18:48,600 --> 01:18:49,440
Speaker 1: Sam Taggart.

1621
01:18:49,600 --> 01:18:53,560
Speaker 2: Executive produced by Jenna Caagel, co produced by Becca Ramos, edited.

1622
01:18:53,280 --> 01:18:55,679
Speaker 1: By Laurence Stump, and mixed and mastered by Doug Bain.

1623
01:18:56,200 --> 01:18:58,840
Speaker 2: Artwork by Michael Failes and Matt Grubb. Theme music by

1624
01:18:58,840 --> 01:18:59,280
Speaker 2: Ben Kling.