1 00:00:00,160 --> 00:00:10,160 Speaker 1: The Laundronots is a production of I Heart Radio. This 2 00:00:10,320 --> 00:00:13,560 Speaker 1: is what we remember. Remember is what it sounded like. 3 00:00:14,840 --> 00:00:18,360 Speaker 1: What we couldn't hear, we made up. The rest of 4 00:00:18,400 --> 00:00:32,120 Speaker 1: it is true. What about they say, And the scritor says, well, 5 00:00:32,159 --> 00:00:56,480 Speaker 1: I can clearly see your nuts because the hell is weak. 6 00:00:57,120 --> 00:01:01,760 Speaker 1: Good tithings and tithings to you and more. They're superior, ma'am. 7 00:01:02,280 --> 00:01:10,720 Speaker 1: Children keep making them as with you, don't, he was, 8 00:01:13,040 --> 00:01:17,480 Speaker 1: how do wefer children? I found something, sir? Where in 9 00:01:17,640 --> 00:01:22,000 Speaker 1: his dream? Something? He found a thing? An object? Did 10 00:01:22,080 --> 00:01:29,720 Speaker 1: you retrieve it? Of course? Wait, it was a dream. 11 00:01:30,200 --> 00:01:33,320 Speaker 1: You can't retrieve an object from a dream. Maybe you 12 00:01:33,440 --> 00:01:36,480 Speaker 1: listen to nothing I've been telling you, child, I did 13 00:01:36,520 --> 00:01:40,480 Speaker 1: find something, sir. Well, you've got anybody who knows, here's 14 00:01:40,560 --> 00:01:43,640 Speaker 1: only me dang ring. I found a book, sir, A book, 15 00:01:43,880 --> 00:01:47,240 Speaker 1: a gideatic book, er than me, order than you, as 16 00:01:47,280 --> 00:01:50,840 Speaker 1: big as a building, sir. At first I thought it 17 00:01:50,880 --> 00:01:52,960 Speaker 1: was just a building along the road, and I almost 18 00:01:52,960 --> 00:01:55,360 Speaker 1: walked by it in my dream. But then I noticed, 19 00:01:55,400 --> 00:01:59,000 Speaker 1: like you said, sir, I noticed a namorration. I trained 20 00:01:59,080 --> 00:02:03,720 Speaker 1: him all week. Well done, since hey, I noticed the 21 00:02:03,760 --> 00:02:07,040 Speaker 1: building didn't have any windows. It had pages. I shouted, 22 00:02:07,320 --> 00:02:11,200 Speaker 1: buildings don't have pages. Everything got brighter and sharper, and 23 00:02:11,200 --> 00:02:13,680 Speaker 1: I was looking at a Jane book rested flat on 24 00:02:13,760 --> 00:02:17,440 Speaker 1: its side. So I started climbing so many pages I 25 00:02:17,480 --> 00:02:20,520 Speaker 1: thought I would never answer. Luckily, there are many bookmarks 26 00:02:20,520 --> 00:02:23,280 Speaker 1: and sticky notes and dog gears for hand and footholds. 27 00:02:23,680 --> 00:02:25,680 Speaker 1: Then I was standing on the cover. It was like 28 00:02:25,720 --> 00:02:27,920 Speaker 1: being on one of those beautiful maces you see on 29 00:02:27,960 --> 00:02:30,839 Speaker 1: the front of a Zane Gray Western paperback. Sir, under 30 00:02:30,880 --> 00:02:33,920 Speaker 1: my feet were these huge letters stretching out right and left. 31 00:02:34,240 --> 00:02:36,040 Speaker 1: I had to walk back and forth across the summit 32 00:02:36,160 --> 00:02:37,960 Speaker 1: three times be where I could figure out what they 33 00:02:37,960 --> 00:02:44,560 Speaker 1: finally spelled her, and they spelled Anti disastonishment. Terry isnyasmia 34 00:02:44,680 --> 00:02:50,119 Speaker 1: nightly like you likeular list. Excuse me Anti his astonishment? 35 00:02:50,240 --> 00:02:53,560 Speaker 1: Terryan isasmia night and like you likecular list? Could you 36 00:02:54,000 --> 00:02:59,919 Speaker 1: repeat that just one more time? Anti? This astonishment here 37 00:03:00,200 --> 00:03:04,040 Speaker 1: isn't ask me a nice letts consider your London or 38 00:03:04,280 --> 00:03:08,680 Speaker 1: challenge some mounted young man poray. But what does it mean? 39 00:03:09,120 --> 00:03:12,640 Speaker 1: Is it culture? Far from it, Captain. The word is 40 00:03:12,760 --> 00:03:16,840 Speaker 1: neither derived nor concocted. It means exactly what it says 41 00:03:16,919 --> 00:03:21,520 Speaker 1: that says exactly what it means. I'm confused. Did you 42 00:03:21,600 --> 00:03:26,160 Speaker 1: perchance get the author's name, my intrepid interloper, I did, sir, 43 00:03:26,680 --> 00:03:29,360 Speaker 1: Or at least it's how initials near the spine B 44 00:03:29,639 --> 00:03:39,240 Speaker 1: F K. Benjamin Franklin, Kingman, Rhino himself, the house all 45 00:03:39,280 --> 00:03:42,640 Speaker 1: in its own time and proper order. Children, For it 46 00:03:42,720 --> 00:03:47,320 Speaker 1: is here as promised, or at least foreshadowed, that we 47 00:03:47,480 --> 00:03:53,360 Speaker 1: pivot and depress the pause button, children, returning us to 48 00:03:53,480 --> 00:03:57,640 Speaker 1: the London article of Johnica's Heronicle of Fleet a k A. 49 00:03:58,000 --> 00:04:03,920 Speaker 1: The Tumor proper come in a quixotically quotidian cross stitch 50 00:04:04,280 --> 00:04:13,560 Speaker 1: beyond the pale of past of future comparis, you might 51 00:04:13,640 --> 00:04:17,320 Speaker 1: recall Charlie and Hoodwink had managed to overcome the many 52 00:04:17,440 --> 00:04:22,559 Speaker 1: challenges of Charlie's own vacuous psyche when their way through 53 00:04:22,800 --> 00:04:30,719 Speaker 1: his dream world and make contact with Jonka in absentia Charlie, 54 00:04:31,160 --> 00:04:34,680 Speaker 1: But in doing so they had left Jonica fully exposed 55 00:04:34,720 --> 00:04:37,840 Speaker 1: to the scrutiny of j G in the sucklings in 56 00:04:37,960 --> 00:04:41,080 Speaker 1: the attic like thrown room of the city of What 57 00:04:41,160 --> 00:04:46,239 Speaker 1: the are you talking to, Jonica? Nobody? Liar, liar, pants 58 00:04:46,279 --> 00:04:51,400 Speaker 1: on fire, Jonica thought about lying again, about smoothing it 59 00:04:51,520 --> 00:04:56,400 Speaker 1: all over, about receding to the background like mother Lafita 60 00:04:56,520 --> 00:05:01,040 Speaker 1: taught her, Sorry, I'm talking to Charlie. Instead, she told 61 00:05:01,080 --> 00:05:06,560 Speaker 1: the truth. My great granny Manny had told her he's here. No, 62 00:05:07,320 --> 00:05:11,160 Speaker 1: where is he? I don't know. Can't he hear me? Yeah? 63 00:05:11,600 --> 00:05:15,720 Speaker 1: I can hear. Yes, he can't hear you. Good? And 64 00:05:15,920 --> 00:05:22,120 Speaker 1: hear this, Charlie, I'm saving you for last good? What 65 00:05:22,120 --> 00:05:27,120 Speaker 1: did he say? Jonica hesitated, tone again between naughty and nice. 66 00:05:27,640 --> 00:05:33,040 Speaker 1: He said he's sorry. I did not apology, not accepted. 67 00:05:33,320 --> 00:05:38,320 Speaker 1: Just tell him I'm gonna make it straw. Everybody stop yelling. 68 00:05:38,880 --> 00:05:42,880 Speaker 1: He didn't apologize. I lied, and I won't be doing 69 00:05:42,880 --> 00:05:45,560 Speaker 1: it again. Charlie said he'd be waiting for you, g D. 70 00:05:46,040 --> 00:05:51,839 Speaker 1: He's looking forward to it. Understand good so much, Charlie, 71 00:05:52,440 --> 00:05:55,880 Speaker 1: When did you get so angry? G D's always been 72 00:05:55,920 --> 00:05:58,240 Speaker 1: this angry. I just couldn't back it up until now. 73 00:05:58,640 --> 00:06:02,880 Speaker 1: Unlike you, though, whom you never seem to get too flustered. 74 00:06:03,360 --> 00:06:08,479 Speaker 1: I get flustered plenty. You're more of a healer, aren't you, Johonnica, 75 00:06:08,720 --> 00:06:13,159 Speaker 1: a benign deity. Maybe you see where this hood wink 76 00:06:13,240 --> 00:06:15,919 Speaker 1: sent you after me. Now, Johnica, he didn't send me 77 00:06:15,960 --> 00:06:19,039 Speaker 1: after you. It was an accident. He wants you to 78 00:06:19,240 --> 00:06:21,960 Speaker 1: usurp me. I don't know what that moves. What have 79 00:06:22,040 --> 00:06:25,000 Speaker 1: you discovered your heart was the source of the sickness, 80 00:06:25,279 --> 00:06:28,080 Speaker 1: That it was you who was rotten to the core, 81 00:06:28,440 --> 00:06:34,080 Speaker 1: not them all together now a happy homemaker. How do 82 00:06:34,160 --> 00:06:37,480 Speaker 1: you know about that? I can hear you, Johnica in 83 00:06:37,520 --> 00:06:40,440 Speaker 1: my dreams. You can hear all of you get through 84 00:06:40,440 --> 00:06:43,599 Speaker 1: the heart of obsessial Jonica, getting to take you to 85 00:06:43,680 --> 00:06:47,120 Speaker 1: the heart. We'll meet you there, Jonnica, stood, take me 86 00:06:47,200 --> 00:06:50,320 Speaker 1: to the heart of absentia. And then what you said, 87 00:06:50,360 --> 00:06:53,080 Speaker 1: the heart of absentia sick? You said, I'm a healer 88 00:06:53,560 --> 00:06:58,039 Speaker 1: an Maybe that's fine here, so let's go healing. What 89 00:06:58,160 --> 00:07:01,760 Speaker 1: good will that do? Afterwards? I will return your shades 90 00:07:01,760 --> 00:07:04,080 Speaker 1: and new ones. It will be our bond of trust. 91 00:07:04,480 --> 00:07:06,920 Speaker 1: Once you've seen that I'm not here to usurp you, 92 00:07:07,240 --> 00:07:10,720 Speaker 1: that I'm here to help, then maybe you'll come back 93 00:07:10,720 --> 00:07:15,920 Speaker 1: with me. Mctree and splut Russell danger j d R. 94 00:07:16,080 --> 00:07:19,559 Speaker 1: Then what about these two? They will be joining us 95 00:07:19,880 --> 00:07:23,680 Speaker 1: as my protectors, along with someone I here choosing. If 96 00:07:23,680 --> 00:07:26,720 Speaker 1: you wish, just so you don't feel outnumbered. I don't 97 00:07:26,720 --> 00:07:32,360 Speaker 1: have someone else, true, M make you an honorary launch 98 00:07:32,400 --> 00:07:36,120 Speaker 1: or not. But membership comes with a price, and what 99 00:07:36,280 --> 00:07:42,560 Speaker 1: might that be? Trust? Jonica offered her hand. Don't we 100 00:07:42,640 --> 00:07:47,080 Speaker 1: need an oath? Jonica thought hard for a moment, then 101 00:07:47,120 --> 00:07:51,600 Speaker 1: pulled her hand back. Yes, I suppose we do, well, 102 00:07:51,640 --> 00:07:55,000 Speaker 1: I have one. Really, you just happen to have a 103 00:07:55,040 --> 00:07:57,559 Speaker 1: spare oath, handy. I made it up when I was little, 104 00:07:57,800 --> 00:08:03,200 Speaker 1: well little learn it's kind of silly. Let's here a 105 00:08:03,360 --> 00:08:08,160 Speaker 1: begotten all crap, so forgotten the bet and cotton has 106 00:08:08,240 --> 00:08:14,160 Speaker 1: gotten rotten. J d had mentioned the silly, but he 107 00:08:14,240 --> 00:08:19,000 Speaker 1: hadn't fully prepared Jannica for the during jocularity that was 108 00:08:19,080 --> 00:08:22,920 Speaker 1: now just like her job. It's not that funny. It's 109 00:08:22,960 --> 00:08:27,120 Speaker 1: a silly rhyme. I want to not quite so silly, though, 110 00:08:28,440 --> 00:08:32,800 Speaker 1: it's magical. How do you let me show you? He 111 00:08:32,840 --> 00:08:37,640 Speaker 1: reached for her knapsack. Jonica pulled back the suckling rusco. 112 00:08:39,480 --> 00:08:43,839 Speaker 1: Then you do it, he folded his arms. Jonica glanced 113 00:08:44,000 --> 00:08:48,880 Speaker 1: at the Suckling's no harm in trying. I guess they're 114 00:08:48,920 --> 00:08:53,080 Speaker 1: just words, right, words never hurt anybody? How does it 115 00:08:53,080 --> 00:08:58,160 Speaker 1: go again? A begotten allt so forgotten the bet and 116 00:08:58,240 --> 00:09:07,000 Speaker 1: cotton has gotten rotten. It's not that bunny. Sorry, you'll 117 00:09:07,040 --> 00:09:10,680 Speaker 1: need the shades of new ones. Jonica slipped the shades 118 00:09:10,760 --> 00:09:14,480 Speaker 1: out of her sec j D glared at her, had 119 00:09:14,559 --> 00:09:20,120 Speaker 1: them the whole time. Jonica placed the shades on her 120 00:09:20,200 --> 00:09:27,480 Speaker 1: nose and took a long, deep breath. Forgotten of grotten, 121 00:09:27,679 --> 00:09:32,680 Speaker 1: so forgotten that bisotten cotton has gotten rotten. That was 122 00:09:33,080 --> 00:09:37,960 Speaker 1: excellent elocution, couma. Jonica felt a tingle run from her 123 00:09:38,000 --> 00:09:42,080 Speaker 1: corsairs to her nose hairs. The throne room of the 124 00:09:42,240 --> 00:09:46,319 Speaker 1: city of what the dissolved like what takes dust in? 125 00:09:47,920 --> 00:09:51,720 Speaker 1: The colors bled away and behind it was a vast 126 00:09:51,800 --> 00:09:59,320 Speaker 1: expense of absolute nothingness. What happened? Where are we? Jonica 127 00:09:59,400 --> 00:10:04,560 Speaker 1: searched for point of reference, solid ground, anything, There was none. 128 00:10:05,040 --> 00:10:09,160 Speaker 1: Jendy grinned. Still want to make me a laundron? Not 129 00:10:09,920 --> 00:10:14,360 Speaker 1: this is the heart of absentia. Yes, j D offered 130 00:10:14,480 --> 00:10:20,240 Speaker 1: his hands. Jonica shook his hand. She turned slowly, trying 131 00:10:20,320 --> 00:10:23,680 Speaker 1: to figure out whether she was floating or being held 132 00:10:23,840 --> 00:10:27,600 Speaker 1: tightly by the absence. How did you find out this 133 00:10:27,720 --> 00:10:31,480 Speaker 1: was the heart? Because after Charlie Evans shoved me into 134 00:10:31,520 --> 00:10:35,800 Speaker 1: that machine. After you and your laundron not stood by, 135 00:10:35,880 --> 00:10:40,040 Speaker 1: and your laundronot still for now, after you and our 136 00:10:40,559 --> 00:10:45,240 Speaker 1: laundronots stood by and did nothing to help, I ended 137 00:10:45,320 --> 00:10:48,960 Speaker 1: up here. It was like this then nothing no one. 138 00:10:49,480 --> 00:10:52,920 Speaker 1: I was alone, nobody to talk to, nowhere to go. 139 00:10:53,559 --> 00:10:59,720 Speaker 1: For years, decades, I started to feel stretched, pulled apart, 140 00:11:00,200 --> 00:11:04,400 Speaker 1: like taffy and boiling water. I thought I was going crazy. 141 00:11:04,840 --> 00:11:07,360 Speaker 1: I began reciting a rhyme I made up as a 142 00:11:07,400 --> 00:11:11,760 Speaker 1: little boy, something that gave me solace in my worst times. 143 00:11:12,240 --> 00:11:19,120 Speaker 1: And when I spoke, Absentia responded with harmony. The notes 144 00:11:19,320 --> 00:11:23,199 Speaker 1: were like seeds on the wind. They took root and grew. 145 00:11:23,760 --> 00:11:29,959 Speaker 1: I watched Assentia become animate, watched this world I imagined 146 00:11:30,400 --> 00:11:38,880 Speaker 1: become four from music, my music born from soul. Soul 147 00:11:47,240 --> 00:11:59,880 Speaker 1: who was no crowd, no sky, no soul, no I, 148 00:12:00,280 --> 00:12:04,880 Speaker 1: no no no way, no f no no heights, no free, 149 00:12:04,880 --> 00:12:17,800 Speaker 1: no light, no empathy, just me, a see of a typathy. 150 00:12:18,760 --> 00:12:28,280 Speaker 1: He ain't cry youry, no big binkle. That's my story. 151 00:12:30,320 --> 00:12:43,920 Speaker 1: No care, no father, no there, no mother, no birth, 152 00:12:44,080 --> 00:12:48,640 Speaker 1: no duty, no birth, no beauty, no fuss, no no lust, 153 00:12:48,679 --> 00:12:55,000 Speaker 1: no we just me in a sea of a typathy 154 00:12:58,720 --> 00:13:01,120 Speaker 1: with the socks and the just and the heat, and 155 00:13:01,280 --> 00:13:03,679 Speaker 1: the bunckets and the boys, and the pens and the 156 00:13:03,679 --> 00:13:06,959 Speaker 1: butters and the pens and the things, and think anything, anything. 157 00:13:08,320 --> 00:13:17,480 Speaker 1: It was whirling all around me. Just spend it, heat, 158 00:13:17,520 --> 00:13:31,040 Speaker 1: animals shine upbended by an invitation from the seat of 159 00:13:31,200 --> 00:13:42,000 Speaker 1: a t me. Now'll be gotten all Crotton so for gotten. No, 160 00:13:42,360 --> 00:13:51,800 Speaker 1: he's uncut and the sea of agility, and spoke to 161 00:13:51,920 --> 00:14:03,360 Speaker 1: me in LG what the matter of must rooms? You're 162 00:14:03,440 --> 00:14:09,439 Speaker 1: the god on garlic. I was born to buging, So 163 00:14:09,720 --> 00:14:26,920 Speaker 1: let's get started original. He ain't riory. That's a story. 164 00:14:27,800 --> 00:14:50,560 Speaker 1: He ain't riory. Lovely bang, that's a story. J D 165 00:14:50,800 --> 00:14:54,480 Speaker 1: turned back to Jessica. With what eyes? He wiped it clean? 166 00:14:55,320 --> 00:14:59,440 Speaker 1: That's how I found out. Jonica removed the shades of 167 00:14:59,560 --> 00:15:03,200 Speaker 1: new I wiped her own with eyes. That was the 168 00:15:03,280 --> 00:15:07,520 Speaker 1: voice from earlier. How did you? Who did he let 169 00:15:07,520 --> 00:15:10,960 Speaker 1: me show you? He reached for the shades. Jonica pulled 170 00:15:10,960 --> 00:15:15,040 Speaker 1: back a treaty and spread by her side. Instantly, I 171 00:15:15,200 --> 00:15:18,440 Speaker 1: fulfilled my end of the bargain. We still have to 172 00:15:18,480 --> 00:15:22,760 Speaker 1: heal the heart. J D folded his arms defiantly. Fine, 173 00:15:23,560 --> 00:15:29,840 Speaker 1: haven't puma? Jonica looked around. What do you mean sing sing? 174 00:15:31,280 --> 00:15:36,640 Speaker 1: You're no happy homemaker, Johnnica. You're a stone called domestic 175 00:15:36,800 --> 00:15:42,760 Speaker 1: goddess in disguise, waiting to take us all by complete surprise. 176 00:15:43,400 --> 00:15:52,400 Speaker 1: Isn't that right? Maybe then? See? Jonica glanced at the suckling. 177 00:15:53,200 --> 00:15:57,960 Speaker 1: What about them? They'll be fine. They were here before us, 178 00:15:58,360 --> 00:16:03,560 Speaker 1: they'll be hereafter. Really, they weren't always like this? What 179 00:16:03,680 --> 00:16:09,120 Speaker 1: were they like? Nothing? I made them something, then they 180 00:16:09,160 --> 00:16:14,240 Speaker 1: became something else. J D shook his head ruefully. I'm sorry, 181 00:16:14,280 --> 00:16:18,320 Speaker 1: the tweeting. The suckling turned away. What did he do? 182 00:16:18,680 --> 00:16:22,479 Speaker 1: Jonica touched his shoulder gently. He shrugged her off violently. 183 00:16:22,920 --> 00:16:27,760 Speaker 1: It doesn't matter, now, does it, Jonica. What's done, it's done, 184 00:16:28,240 --> 00:16:31,840 Speaker 1: and once it's done, it can't be undone. That's not true. 185 00:16:32,160 --> 00:16:38,600 Speaker 1: I'm here here anywhere. It's done something you know, oh 186 00:16:38,840 --> 00:16:45,080 Speaker 1: so well, Jaunty colver on a color wait, clean of 187 00:16:45,200 --> 00:16:50,920 Speaker 1: the sidelines, guardian of the unengaged, mistress of the miss 188 00:16:51,080 --> 00:16:56,760 Speaker 1: maturity now seeing or send me back to my prison. 189 00:16:57,080 --> 00:17:01,320 Speaker 1: Jonica felt the waves of unease crashed again. She could 190 00:17:01,320 --> 00:17:05,520 Speaker 1: hear Mother Lafitte calling her back Granny Manny's cackle calling 191 00:17:05,560 --> 00:17:10,040 Speaker 1: her onward. She glanced at the sucklings. They nodded excitedly. 192 00:17:10,480 --> 00:17:14,920 Speaker 1: She looked at the shade. You won't need those not here. 193 00:17:15,359 --> 00:17:21,280 Speaker 1: She tucked them in her knapsack. Charlie, are you still there? Yes, 194 00:17:21,600 --> 00:17:26,600 Speaker 1: I'm gonna try something. What? No, do not try something? 195 00:17:26,840 --> 00:17:29,680 Speaker 1: The post and get to the key or send the signal. 196 00:17:30,000 --> 00:17:33,800 Speaker 1: They'll pull you through a be ready. Why do you say, 197 00:17:33,880 --> 00:17:38,399 Speaker 1: go to the heart told me to. I think he's 198 00:17:38,440 --> 00:17:44,200 Speaker 1: there with you. Yes, more saved by stroke counsel Johnny, 199 00:17:45,480 --> 00:17:51,359 Speaker 1: Why didn't you tell me, Charlie, No, wind, don't believe 200 00:17:51,480 --> 00:17:55,280 Speaker 1: a word he says Johonnica closed her eyes, took a 201 00:17:55,359 --> 00:18:02,520 Speaker 1: deep breath, bowed to the now, and sang homegrown, mon shone, 202 00:18:03,359 --> 00:18:10,720 Speaker 1: blown zones, don't telephone, bones a toombs and fair amon 203 00:18:11,200 --> 00:18:20,720 Speaker 1: so long, Oh God, the spine, Say you got the spine? 204 00:18:21,160 --> 00:18:40,720 Speaker 1: Say God, the spine? You got the spine? What's a 205 00:18:40,840 --> 00:18:47,800 Speaker 1: little girl facing? What's your face? And the hats? Whence 206 00:18:47,840 --> 00:18:57,240 Speaker 1: sugar and spicy loves all that says for niceness, logos, 207 00:18:57,359 --> 00:19:08,879 Speaker 1: the nices, I'm silman, that's the sinnamon. Can I begin again? 208 00:19:10,960 --> 00:19:19,600 Speaker 1: Can I begin again? What's a little girl facing? What's 209 00:19:19,600 --> 00:19:30,400 Speaker 1: your place in the When? Should bessy with my snips? 210 00:19:32,040 --> 00:19:43,359 Speaker 1: Long as the vices? I mean this sin? Can I 211 00:19:43,560 --> 00:19:51,640 Speaker 1: begin again? Can I begin again? Color cascaded out of Jessica, 212 00:19:51,800 --> 00:19:56,320 Speaker 1: filling the nothingness. Gold Dust sprinkle out of air. That's 213 00:19:56,359 --> 00:20:00,719 Speaker 1: about you. The mountain fountains erupted from my mouth, filling 214 00:20:00,760 --> 00:20:04,760 Speaker 1: the land with crystal clear lakes and rivers. A streak 215 00:20:04,800 --> 00:20:08,720 Speaker 1: of cobalt blue exploded from the water into the empty sky, 216 00:20:09,080 --> 00:20:12,920 Speaker 1: spreading like dark clouds popped out of the blue and 217 00:20:13,040 --> 00:20:18,000 Speaker 1: speckled the heavens with white. Jonica smiled, and a smile 218 00:20:18,240 --> 00:20:22,600 Speaker 1: exploded from her face, like a supernova, embedding itself in 219 00:20:22,680 --> 00:20:27,320 Speaker 1: the sky, becoming a new blazing sun. In that moment, 220 00:20:27,680 --> 00:20:32,480 Speaker 1: the warmth of Absentia increased a hundredfold, now lit from 221 00:20:32,560 --> 00:20:57,440 Speaker 1: above and below. Castlest the mother of the water, sister side, 222 00:20:58,040 --> 00:21:02,480 Speaker 1: the shaker of the salt. You're the baker of the 223 00:21:02,600 --> 00:21:14,120 Speaker 1: coser man, you are mister plan, You're sen am. There 224 00:21:14,359 --> 00:21:21,800 Speaker 1: is no saying alone always begin again. You can't always 225 00:21:21,920 --> 00:21:32,040 Speaker 1: begin again. Cares those stay in your doing even when 226 00:21:32,280 --> 00:21:53,920 Speaker 1: you whinny, you're speaking again. Set to fight, you say 227 00:21:57,280 --> 00:22:25,680 Speaker 1: waking back sid you're can I begin again? Wait? Wait, 228 00:22:25,760 --> 00:22:29,120 Speaker 1: I can do a better one. Let me just catch 229 00:22:29,280 --> 00:22:42,920 Speaker 1: my well hued Jonica spun. Gone was the wheezing, chocolate, 230 00:22:43,160 --> 00:22:48,440 Speaker 1: foul smelling, the launge of wet blankets and tangled whiskers, 231 00:22:49,400 --> 00:22:53,879 Speaker 1: and instead was an iron spined man in a golden robe, 232 00:22:54,280 --> 00:22:58,920 Speaker 1: a cavernous cowl pulled down low over his face. Do 233 00:22:59,040 --> 00:23:02,879 Speaker 1: you like anyone so inspired by you? Of course? Why 234 00:23:02,920 --> 00:23:08,800 Speaker 1: are you doing here? He bowed at your invitation? Why hoodwink? 235 00:23:09,160 --> 00:23:14,240 Speaker 1: I presume Hoodwink turned and bowed to j D. At 236 00:23:14,280 --> 00:23:19,440 Speaker 1: your service, my master. The sucklings rose menacingly. J D 237 00:23:19,720 --> 00:23:22,480 Speaker 1: stood and pulled out his watch. What did they do? 238 00:23:23,040 --> 00:23:28,439 Speaker 1: Exactly what I wanted you to do? Charlie? Are you there, Charlie? 239 00:23:28,920 --> 00:23:32,159 Speaker 1: Charlie has served his purpose dutifully to hear you are 240 00:23:32,240 --> 00:23:36,359 Speaker 1: now alone? Who are you? We're spilt? What do you 241 00:23:36,520 --> 00:23:40,720 Speaker 1: want from me, Charlie? Please? Please? So many questions, so 242 00:23:40,960 --> 00:23:45,480 Speaker 1: little desire to answer. The suckling surroundered him like a contempt. 243 00:23:46,119 --> 00:23:50,600 Speaker 1: J D moved in closer, spinning the watch. Hoodwink remains still, 244 00:23:51,200 --> 00:23:54,360 Speaker 1: thank you, my DearS. This new sun is making things 245 00:23:54,400 --> 00:23:58,239 Speaker 1: a little close look at you, cool, coming into your 246 00:23:58,280 --> 00:24:02,399 Speaker 1: own I see as I'm this is what you wanted. 247 00:24:03,240 --> 00:24:07,600 Speaker 1: I enjoy seeing people revel in their true potention. Give 248 00:24:07,680 --> 00:24:11,240 Speaker 1: me my shades, Jennica, No, you're going to need my help. 249 00:24:11,680 --> 00:24:16,440 Speaker 1: No so much agitation. This man is dangerous. The suckling 250 00:24:16,720 --> 00:24:21,439 Speaker 1: sitened around Hoodwink j D's Wunna watch faster and faster, 251 00:24:21,880 --> 00:24:25,800 Speaker 1: rings of mustard yellow mist gathering. Jessica whipped out the 252 00:24:25,960 --> 00:24:33,640 Speaker 1: carrots like six shooters. Everyone shut it. Amazingly, everyone did. 253 00:24:34,200 --> 00:24:39,240 Speaker 1: The suckling's folded into protecting pillars on either side of Hoodwink. 254 00:24:39,640 --> 00:24:42,480 Speaker 1: J D returned the watch to his pocket and slowly 255 00:24:42,600 --> 00:24:46,600 Speaker 1: sank into a sitting position. Hoodwink was the last to comply, 256 00:24:47,240 --> 00:24:52,680 Speaker 1: melting completely into his cloak, leaving only his cowl standing 257 00:24:52,800 --> 00:24:56,639 Speaker 1: like a small, shadowy cave. I didn't mean to interrupt, 258 00:24:57,720 --> 00:25:02,159 Speaker 1: especially since you've been discussing my favorites object me. You 259 00:25:02,240 --> 00:25:08,720 Speaker 1: are kind of creepy. I prefer eccentric. Why are you 260 00:25:08,920 --> 00:25:14,160 Speaker 1: trying to thwart me towart you. I'm trying to help you, master. 261 00:25:14,840 --> 00:25:18,600 Speaker 1: Why do you keep calling me master? I don't know you? 262 00:25:19,600 --> 00:25:23,959 Speaker 1: Do I you tell me? J D stared intensely at 263 00:25:24,040 --> 00:25:29,720 Speaker 1: the cowl. No, no, well, I expect you won't forget 264 00:25:29,800 --> 00:25:34,080 Speaker 1: me this time, my master. What happened to Charlotte? I'm 265 00:25:34,119 --> 00:25:37,240 Speaker 1: sure he's still sleeping soundly in his little colt were 266 00:25:37,320 --> 00:25:43,399 Speaker 1: slurred safe. The sucklings rustled. I'm here to make everyone whole. 267 00:25:43,920 --> 00:25:48,080 Speaker 1: And why all the theatrics? They were necessary? Master, I 268 00:25:48,240 --> 00:25:51,159 Speaker 1: was stuck. Charlie was simply a necessary can't do it? 269 00:25:51,600 --> 00:25:56,080 Speaker 1: It was imperative. The puma go next. Why only she 270 00:25:56,440 --> 00:26:00,560 Speaker 1: could open a new door. Only she could do this, 271 00:26:01,280 --> 00:26:06,160 Speaker 1: He gestured to the glittering new world of absentio surrounding them. 272 00:26:06,760 --> 00:26:09,960 Speaker 1: This is temporary. J D pull out his watch again. 273 00:26:10,520 --> 00:26:17,439 Speaker 1: The sucklings rustled. Hoodwink grinned derisively. You hope, my master. 274 00:26:18,080 --> 00:26:21,119 Speaker 1: J D clicked over the watch. A plume of yellow 275 00:26:21,200 --> 00:26:26,840 Speaker 1: mist rose off the glass idle. J D blew the mist, 276 00:26:27,320 --> 00:26:30,320 Speaker 1: and it rushed at Hoodwink like a swarm of bees. 277 00:26:30,840 --> 00:26:40,800 Speaker 1: Hoodwink simply sneezed, and the mist was instantly dispersed. The conundrum. 278 00:26:41,040 --> 00:26:44,520 Speaker 1: I see you have your watch, but without the full ensemble, 279 00:26:44,680 --> 00:26:48,639 Speaker 1: you are not quite so dominating, are you, my master? 280 00:26:49,480 --> 00:26:52,000 Speaker 1: What are you guys talking about? What is it. You 281 00:26:52,119 --> 00:26:56,119 Speaker 1: think you know many things that you don't. I know 282 00:26:56,280 --> 00:26:59,280 Speaker 1: that Benny could never do what needs to be done. Master. 283 00:27:00,160 --> 00:27:03,639 Speaker 1: His powers are of a more rudimentary nature, which is 284 00:27:03,720 --> 00:27:07,080 Speaker 1: why I took it upon myself to invite the puma 285 00:27:07,240 --> 00:27:11,600 Speaker 1: to the party. She is your savior. She is my savior, 286 00:27:11,960 --> 00:27:15,240 Speaker 1: only she cannot tell you from the clutches of absentia. 287 00:27:15,840 --> 00:27:20,080 Speaker 1: I simply ask everyone to trust me. Never not gonna happen. 288 00:27:20,440 --> 00:27:23,440 Speaker 1: Then I shall have to resort to more assertive measures. 289 00:27:24,240 --> 00:27:29,280 Speaker 1: Your majesty, heard Wing turned to MC tweety. Just on 290 00:27:29,400 --> 00:27:32,359 Speaker 1: the puma or you will never see your beloved splurt again. 291 00:27:32,880 --> 00:27:37,960 Speaker 1: Tweety turned furiously to Johaica. Jonathan brandished the carrots. Hey, 292 00:27:38,480 --> 00:27:42,640 Speaker 1: hold on a second, I helped you spot your friends 293 00:27:42,960 --> 00:27:47,000 Speaker 1: with treaty. Unschooled by the less of coiling around Jonathan 294 00:27:47,359 --> 00:27:52,560 Speaker 1: pinning her arms against her body, the pens instantly dropped 295 00:27:52,600 --> 00:27:56,320 Speaker 1: to the ground. Thank you for heeding my advice, Jonica, 296 00:27:57,040 --> 00:28:02,520 Speaker 1: the yummy carrots. The pens were sucked into his cow scratch. 297 00:28:04,320 --> 00:28:13,000 Speaker 1: The suckling coil defied careful splot Sprang snatched the shades 298 00:28:13,080 --> 00:28:17,560 Speaker 1: from Jonica's knapsack. It bounded off MC Tweedie's head ricocheted 299 00:28:17,640 --> 00:28:21,000 Speaker 1: off Hoodwing's cowl and landed in front of j D. 300 00:28:21,480 --> 00:28:25,800 Speaker 1: Glasses at the ready thank you. J D placed the 301 00:28:25,960 --> 00:28:30,760 Speaker 1: shades on his face and it blinked. Jonica's world was 302 00:28:30,880 --> 00:28:35,080 Speaker 1: gone in an instant. In its place with sledges, absentia, 303 00:28:35,800 --> 00:28:42,280 Speaker 1: suck Mountain, the ominous forest, the rainbow striped plane, j 304 00:28:42,480 --> 00:28:51,840 Speaker 1: D breeding and transformed the Baptist. He turned menacingly to 305 00:28:52,040 --> 00:28:58,320 Speaker 1: hoodwin Now, let's see who you really are. Sludger's giant 306 00:28:58,480 --> 00:29:03,280 Speaker 1: foot slammed down on the hoodwinks, cow and cloak, but 307 00:29:03,400 --> 00:29:10,080 Speaker 1: the garment was empty. Hoodwink had vanished. Sludge sniffed interesting. 308 00:29:10,720 --> 00:29:15,280 Speaker 1: He turned and glared at the sucklings, his eyes fizzling 309 00:29:15,720 --> 00:29:20,440 Speaker 1: and smoldering like downed power lines and the rays. The 310 00:29:20,680 --> 00:29:26,560 Speaker 1: socks folded into pajamas under his deathly gaze. Your insurrection 311 00:29:26,680 --> 00:29:31,040 Speaker 1: will not be forgotten, worms, Your punishment will color at time, 312 00:29:31,440 --> 00:29:36,880 Speaker 1: and voice of my choosing, don't ever forget that. He 313 00:29:37,040 --> 00:29:40,280 Speaker 1: raised his arms dramatically, and the dark forms of the 314 00:29:40,360 --> 00:29:44,800 Speaker 1: grubby ramblers slithered out of every whole cave and crevice 315 00:29:44,880 --> 00:29:48,360 Speaker 1: in the area. They fused us one and rose high 316 00:29:48,480 --> 00:29:54,760 Speaker 1: above Jonaka and the two sucklings take the flower despond up. 317 00:29:56,560 --> 00:30:01,320 Speaker 1: The gromblers turned quizzically. What I decided to call my 318 00:30:01,520 --> 00:30:05,960 Speaker 1: house the slower fog. Now take her to the slow 319 00:30:07,320 --> 00:30:12,760 Speaker 1: rumblers nodded and quickly closed around Jonica like a glove 320 00:30:13,800 --> 00:30:17,680 Speaker 1: z kline. I just helped you, bunny. How our allies 321 00:30:17,840 --> 00:30:22,400 Speaker 1: become enemies with our enemies become allies, And the name 322 00:30:23,080 --> 00:30:29,560 Speaker 1: is sludge. Sludge sneezed and vanished, leaving a whole of 323 00:30:29,680 --> 00:30:33,280 Speaker 1: absence in his wake. The whole quickly refilled with color. 324 00:30:34,320 --> 00:30:37,640 Speaker 1: But Tweedy lifted Jonica and blended her on his shoulder, 325 00:30:38,360 --> 00:30:43,560 Speaker 1: and they were off splots, galloping the side. The rumblers 326 00:30:43,680 --> 00:30:56,440 Speaker 1: close behind like a wake of ducks. N the luck 327 00:30:56,560 --> 00:30:59,480 Speaker 1: is the earl of hills. We scoot. Oh, come on 328 00:31:00,000 --> 00:31:04,840 Speaker 1: an evening, ladies. Your garments appear deemed and rejuvenated. What 329 00:31:05,040 --> 00:31:10,040 Speaker 1: you wished? I cannot say the same for myself. Cap 330 00:31:12,800 --> 00:31:16,360 Speaker 1: We'll continue in our children until then you have yours. 331 00:31:16,760 --> 00:31:19,000 Speaker 1: Auntie's going to be moving you with us, sir, What 332 00:31:19,680 --> 00:31:22,280 Speaker 1: why on earth would you do such a thing if 333 00:31:22,320 --> 00:31:26,920 Speaker 1: my daddy doesn't come back? Oh nonsense, my dear don't fit. 334 00:31:27,320 --> 00:31:29,560 Speaker 1: He'll be back before you. How do you know that? 335 00:31:30,640 --> 00:31:34,000 Speaker 1: I don't Well, I do know is that your next 336 00:31:34,320 --> 00:31:38,800 Speaker 1: london not task is thus, bring joy to the joyless. 337 00:31:39,400 --> 00:31:43,200 Speaker 1: Doesn't matter whom, doesn't matter. How you must provoke joy 338 00:31:43,680 --> 00:31:46,120 Speaker 1: in the joyless, and yours be able to prove it. 339 00:31:46,800 --> 00:31:50,960 Speaker 1: That's impossible, sir. How do you prove joy? That is 340 00:31:51,080 --> 00:31:54,240 Speaker 1: for you to ascitate? London Notts learned to think for 341 00:31:54,320 --> 00:31:57,920 Speaker 1: themselves children. Yes, we were stronger as a whole, but 342 00:31:58,080 --> 00:32:02,719 Speaker 1: we provided ourselves well, knowing how to improvise when individual 343 00:32:02,920 --> 00:32:05,960 Speaker 1: challenges are round. If you wish to be a launde 344 00:32:06,000 --> 00:32:09,800 Speaker 1: or not, you will find a way a very little one. 345 00:32:11,920 --> 00:32:14,520 Speaker 1: Oh he's no. I would never ask anything of you. 346 00:32:15,000 --> 00:32:24,959 Speaker 1: I would not ask of myself. So keep the joy clothed, stittlings, 347 00:32:25,560 --> 00:32:29,320 Speaker 1: God that protected, feed it and spread it like wildfire. 348 00:32:37,760 --> 00:32:44,400 Speaker 1: I think angry on this funny hair likes you jealous? 349 00:32:49,920 --> 00:33:04,360 Speaker 1: M hmmm. The Laundron of Us a potentially untrue tale 350 00:33:04,520 --> 00:33:09,120 Speaker 1: based on actual events, conceived, written and directed by Colin 351 00:33:09,200 --> 00:33:14,000 Speaker 1: Mackenzie Mitchell. Original music, sound design and editing by Dave McKeever. 352 00:33:14,720 --> 00:33:19,160 Speaker 1: Produced by Monica Michluss and Dave McKeever. Script supervision and 353 00:33:19,360 --> 00:33:24,080 Speaker 1: editorial assistance by Christina Bryant, Casting by Mary Claire Sweeters. 354 00:33:24,680 --> 00:33:29,760 Speaker 1: Executive producers John Cameron, Mitchell, ed Asner and Collin McKenzie Mitchell. 355 00:33:30,320 --> 00:33:35,600 Speaker 1: Starring in order of appearance, Isaac Robinson Smith as the Man, 356 00:33:36,280 --> 00:33:39,880 Speaker 1: Alison Fraser as the Woman, Madam Russia and Great Granny 357 00:33:39,960 --> 00:33:45,080 Speaker 1: Manny ed Asner as the Narrator, Max Mitchell as the Brother, 358 00:33:45,840 --> 00:33:51,000 Speaker 1: Evan Toak as the Sister, Kate Prendigast as Mother Lafleete, 359 00:33:51,520 --> 00:33:56,200 Speaker 1: Corey Krueger as j d and Sludge Blue Girl, Sarasino 360 00:33:56,360 --> 00:34:01,520 Speaker 1: as Jonica, Noah Bentley as Charlie On, Cameron Mitchell as 361 00:34:01,600 --> 00:34:06,600 Speaker 1: of Centia, Stephen Kieran as Hood Drink. The Laundronauts is 362 00:34:06,640 --> 00:34:10,520 Speaker 1: a collaboration between I Heart Media and Little Brother Sam Productions. 363 00:34:11,239 --> 00:34:19,000 Speaker 1: Oh For more podcasts from I heart Radio, visit the 364 00:34:19,080 --> 00:34:22,960 Speaker 1: i heart Radio app, Apple Podcasts, or wherever you get 365 00:34:23,080 --> 00:34:27,040 Speaker 1: your podcasts. The Laundronauts is a production of I Heart 366 00:34:27,160 --> 00:34:27,520 Speaker 1: Radio