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Speaker 1: Tune In Premium has all the radio you want for

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Speaker 1: seven a month. That's all the radio you want for

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Speaker 1: seven nine a month. That means every single Major League

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Speaker 1: tho audiobooks. Download the tune In Radio app for a

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Speaker 1: free seven day trial of tune In Premium, tune In

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Speaker 1: Premium Boundless Audio. Alright, alright, this is the Iron Rappaport

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Speaker 1: podcast and we're coming in hot live from the gloom toom.

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Speaker 1: I'm in here with a man G Moody, and we're

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Speaker 1: all over the place. Yeah, because I was offended G Moody,

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Speaker 1: I was, And I don't want to say I was offended.

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Speaker 1: But the next time they do a list of best

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Speaker 1: hip hop podcasts, I want us mentioned and and and

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Speaker 1: and and what I mean by that is, well, we

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Speaker 1: don't talk about hip hop all the time, but we're

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Speaker 1: a hip hop podcast. Hell so even if we're talking

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Speaker 1: about white girl syndrome. Uh, we're doing a wig a

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Speaker 1: Please segment, Sick a Week, Sick Funk of the Week.

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Speaker 1: De Niro line of the week. It's all coming from

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Speaker 1: a hip hop spirit. Therefore, when there's the next list

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Speaker 1: of best hip hop podcast, consider using the Iron Rappaport podcast.

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Speaker 1: So before we started rocking today me and g Moody

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Speaker 1: live from the New York City gloom to I was

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Speaker 1: playing a song that we've talked about on here before,

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Speaker 1: Heartbeat by the Treacherous Three. People like, oh, you're on

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Speaker 1: your old sheet. Yeah you fuck? If if if if,

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Speaker 1: if there was a podcast about Dizzy Gillespie doing his

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Speaker 1: version of What a Wonderful World, wouldn't you find it interesting? Well,

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Speaker 1: this is the same thing we're gonna if there was

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Speaker 1: a podcast on Louis Armstrong's version of What a Wonderful World?

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Speaker 1: You want to listen? So this is a section of

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Speaker 1: the podcast on the Treacherous Three Heartbeat. So I was

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Speaker 1: rocking the ship before we started and and this song

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Speaker 1: Heartbeat came out in one Cool mo O, D l

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Speaker 1: A Sunshine and Special K. The Treacherous Three they didn't

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Speaker 1: have many songs, but the ship they had Hall of

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Speaker 1: Famous thes a Hall of Famous Yo. I know nothing

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Speaker 1: about why that group broke up. I know nothing about it,

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Speaker 1: but that's a fucking documentary of me because even the

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Speaker 1: story the time, like we I have to figure out

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Speaker 1: a way. It can't just be a fucking feature film.

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Speaker 1: My my dream project, this is my dream project. I'm

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Speaker 1: saying it to you. First, is to do twelve, a

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Speaker 1: twelve part series, one a month on different hip hop groups,

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Speaker 1: an hour long for HBO. So some could be a

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Speaker 1: fifty five minutes, some could be forty two minutes. So

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Speaker 1: we go Treacherous three, that's number one, just like the

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Speaker 1: thirty for thirty. But we do our own ship hip

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Speaker 1: exactly all right. So I'm saying Treacherous three, who would

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Speaker 1: you want second? Like, so if you said Mike, we

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Speaker 1: could do a documentary on anyone, who would be second?

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Speaker 1: So my first name into the hat is a documentary

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Speaker 1: for HBO or whoever is smart enough to get down

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Speaker 1: with this Busy b Kumo d Battle. Just that, the

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Speaker 1: Busy b Kumo d Battle, which I've talked about doing

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Speaker 1: as a short film, and that was inspired when we

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Speaker 1: had TSK Valley on the Iron Rappaport podcast. And I've

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Speaker 1: actually talked to one of the dudes in a SAP

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Speaker 1: them a SAP Dudes, a SAP twelve who's cousin or whatever.

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Speaker 1: I don't know. He has some he has some link

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Speaker 1: lineage to Kumo D. Like these dudes are younger than us.

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Speaker 1: Mo D is like probably fifty. This dude ASAP twelve twelve.

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Speaker 1: From that Asap Mob, I went to Martin Luther King

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Speaker 1: High School with his his aunt. Like, I was like, damn,

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Speaker 1: you made me feel like ship fucking like with George

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Speaker 1: Burns in the mouth. Yo, he made me a SAP twelve.

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Speaker 1: This is a shout out to that's my man. He

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Speaker 1: he fucking made me feel like. He said, you went

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Speaker 1: to Martin Luther King High School with my hunt And

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Speaker 1: I was like, because these guys are like twenty something.

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Speaker 1: I felt like a piece of shit. Shit, but so

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Speaker 1: so those young dudes in Harlem. Harlem is a small

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Speaker 1: place if if you know, if you don't know, like

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Speaker 1: if you think about it, Harlem is not a big area.

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Speaker 1: So everybody kind of knows each other. Everybody if you're

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Speaker 1: if you're there for years, like you're gonna have family,

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Speaker 1: You're gonna know people. And Drew Hamilton's st Nick projects

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Speaker 1: there's people on a hundred twelve st. Hundred twenty thirty

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Speaker 1: nine S eight Avenue seventh that you're gonna know it's

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Speaker 1: a small neighborhood anyway, I'm digressing, but but Harlem has

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Speaker 1: should be. It's so much a part of hip hop.

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Speaker 1: The Bronx harlemed that whole uptownship, not that everything else

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Speaker 1: wouldn't be. I'm just rambling anyway. So this song Heartbeat.

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Speaker 1: I received this record. Here, I'm gonna give you a

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Speaker 1: little history about this. I received this record my father

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Speaker 1: brought this record home from w K to Disco nine two.

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Speaker 1: My father was the program man. Sorry, he gets man

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Speaker 1: when I say that, the general manager of the first

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Speaker 1: radio station in New York City to play disco music,

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Speaker 1: which then turned into one of the first radio stations

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Speaker 1: in New York City to play rap music before the

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Speaker 1: people at the radio station knew the difference between rap,

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Speaker 1: hip hop, and and and all of it. My father

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Speaker 1: brought home a record called the Uh brought home Sugar

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Speaker 1: Hoo Gang promotional copy, and he said, this is rap music.

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Speaker 1: It's gonna be the next big day. And he handed

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Speaker 1: me a giant with the promotional copy for when you

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Speaker 1: saw at the store in your closet, it's still there.

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Speaker 1: We need to fucking go over there and get that

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Speaker 1: from my dad, all right, so so so, so I

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Speaker 1: got that record first, it had the fifteen minute version

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Speaker 1: or was it a twenty minute version of repords fifteen

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Speaker 1: and like a six minute version. That's all that was

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Speaker 1: on the record. Then I got I think the next

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Speaker 1: record I got was a compilation record, like a two

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Speaker 1: record compilation record. Can you belie you don't even have those?

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Speaker 1: I think it was two records. It might have just

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Speaker 1: been one record of all sugar Hill Gang records. So

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Speaker 1: it was like it wasn't grand Master and Flash Infurious right,

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Speaker 1: and who were the girls? Ship? I gotta look up

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Speaker 1: that record, but it was a bunch of people on there.

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Speaker 1: And then probably the third or fourth or fifth record

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Speaker 1: I got was this Treacherous three record. So I've had

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Speaker 1: this record, yo, and I've lived with this record, and

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Speaker 1: I lived with this song Heartbeat, and it was Tanya Gardner.

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Speaker 1: There's a song, right, Tanya Gardner, feel the heartbeat? Look

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Speaker 1: the ship up. Listen to this. Listen to it in

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Speaker 1: the background while you're listening to this iron wrap port

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Speaker 1: this this this goes out to Tanya Gardner. So she

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Speaker 1: had a song called Heartbeat, and they flipped that they

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Speaker 1: flipped that one of the first flips drummer. So if

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Speaker 1: you listen to Heartbeat and then you go listen to

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Speaker 1: Feel the Heartbeat by the Treacherous Tea if you've never

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Speaker 1: heard it, yo, you're gonna be like, yo, that is

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Speaker 1: that ship. Yo. This is as good as any fucking yo.

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Speaker 1: I'm gonna say it right now, Tanya Gardner, The heart

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Speaker 1: Heartbeat and Treacherous Threats Feel the Heartbeat are as good

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Speaker 1: as any Rolling Stone song you could come up with.

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Speaker 1: That ship is classic American music, straight the fuck up,

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Speaker 1: no question about it. So I, me and G Moody

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Speaker 1: were just G Moody was listening to an old episode

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Speaker 1: of the Iron Wrap port podcast for one specific note,

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Speaker 1: not fact checking fun do we look like we're fact

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Speaker 1: checking in? And I was listening to Feel the Heartbeat

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Speaker 1: by the Treacherous Street on my Snos player, which I

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Speaker 1: fucking love my Sanos playing. If you don't have they're

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Speaker 1: not a sponsor of the Iron Wrap Pork podcast. But

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Speaker 1: it's not all about fucking dollars and cents. Gene Moody

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Speaker 1: good products. I fucking love my snos and the Signos

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Speaker 1: takes all my ship, my phone, my iTunes, Library. Apple

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Speaker 1: Music songs are fucking serious. Uh, all that ship, all

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Speaker 1: your music, all you fucking me, and it plays it

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Speaker 1: at a one thing, at a one device. I fucking

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Speaker 1: I funk with Signos Music hard Body Karate. There's no sponsorship.

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Speaker 1: I'm just doing it because I funk with them. I

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Speaker 1: like them. So I was blasting a mixtape, really really

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Speaker 1: good mixtape, which we're gonna talk about. Yo, go on

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Speaker 1: the internet and look up rub radio. Do yourself a favorite.

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Speaker 1: People go on the internet and look up rub radio.

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Speaker 1: I think it's rub radio dot com. They have a

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Speaker 1: set of the best of I hope I'm not blowing

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Speaker 1: them up like I shouldn't be talent. It's on the

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Speaker 1: internet the best of from nineteen seventy nine too, I

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Speaker 1: think two thousand and five, so they have seventy nine,

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Speaker 1: eight eighty one. It's in chronological order. And the thing

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Speaker 1: that I like about that is because you forget, like,

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Speaker 1: oh Ship, this song came out that year, oh Ship,

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Speaker 1: that you could listen to everything from ninety three, everything

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Speaker 1: from ninety five, everything from eighty four, and you just like,

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Speaker 1: here the way that the music change. It's really a

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Speaker 1: fucking great thing. Rub radio dot Com we were listening

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Speaker 1: to one because we were fucking just rocking that old

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Speaker 1: ship in here. That's Spoony G Classics Ship Yo. And

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Speaker 1: the first song and the best of one is Feel

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Speaker 1: the Heartbeat by the Treacherous Three and I and I

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Speaker 1: decided to look up the lyrics to it because they

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Speaker 1: never had the lyrics for these fucking records. It wasn't

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Speaker 1: like like like like a like a fucking Neil Young

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Speaker 1: record where the lyrics were in the liner notes. You

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Speaker 1: gotta listen, you gotta listen to the lyrics. But the

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Speaker 1: way they rocking and they're flowing over that beat, you

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Speaker 1: don't pay attention to the lyrics because the rhythm they

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Speaker 1: so much in the pocket of the rhythm. They're like

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Speaker 1: one the voices and the drummer. I love that you

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Speaker 1: said that. See Yo, G Moody, I'm telling you face me,

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Speaker 1: you need to start breaking down the music more. See

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Speaker 1: you guys. If Ge Moody aka the Black Head McMahon

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Speaker 1: uh a k a. The Black Wolfman Jack today because

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Speaker 1: we're doing radio radio ship, Um, that's good. The black

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Speaker 1: was black was Wolfman Jack black Na he was something

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Speaker 1: though he looked like he was something anyway, Let's stay focused.

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Speaker 1: Let's stay focused. I'm sorry, Moody. Ah Ge Moody knows

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Speaker 1: a lot about music, but he just just from fucking

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Speaker 1: with it, being a fan of it, loving it, So

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Speaker 1: you have to love it. Love music. Premier loves music.

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Speaker 1: I love this about g Moody. He rock loves music.

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Speaker 1: Loves music. You listen to the records that you sample

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Speaker 1: just because you love music. Which brings me to what

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Speaker 1: what do you the first scene, the very first scene

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Speaker 1: in n w A, the very first time you see

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Speaker 1: Dr Dre, what do you see him doing? Headphones surrounded

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Speaker 1: by albums, listening to music. That's a love that's the

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Speaker 1: very first Yo. They talk about the easy Ship and

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Speaker 1: all the beets in in the movie. Yo, there's a

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Speaker 1: reason why. And if you don't think that it was

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Speaker 1: thought out and and figured out, there's a reason why.

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Speaker 1: The opening scene of Straight Out of Compton shows Dr Dre,

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Speaker 1: who was the musician of the group, along with Ice Cube,

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Speaker 1: who was also the musician of the group, but he

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Speaker 1: was more than m C and Dre was the beat.

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Speaker 1: They were. They were the fucking the musicians of the group.

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Speaker 1: They composed the music based on the film you know

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Speaker 1: Yellow obviously had something to do with it, and of

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Speaker 1: course Wren was sick and when you saw the story,

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Speaker 1: but as far as like the fucking producer Dre, the

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Speaker 1: first time you see him in the first thing you

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Speaker 1: hear is that roy Ayr ship and he surrounded by

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Speaker 1: music that he loved, and that shows the image shows

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Speaker 1: you that this kid just is uh. He fantasizes he

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Speaker 1: loves music. That's that's as a child, he loved that ship.

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Speaker 1: That's the that's the foundation of the music. You fucking

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Speaker 1: mcs and rappers and beat think about if you really

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Speaker 1: love this ship, think about if you love love love

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Speaker 1: it like that. I'm so glad I didn't even think

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Speaker 1: that like that. We just I just started thinking that

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Speaker 1: because you said you love it and g Moody, you're

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Speaker 1: not even like a You're just you're just a fan.

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Speaker 1: Love When when when I was sucking, I gotta hold

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Speaker 1: of his hip hop ship. I used to look on

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Speaker 1: the back of the fucking uh tapes to see what

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Speaker 1: record that was that they sampled. That's the love because

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Speaker 1: I want to get that album. I want to listen

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Speaker 1: to that album, and like, right, you weren't making I

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Speaker 1: just love music from your father's record collection, jazz, funk, soul.

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Speaker 1: And then if you love music, you're going into the

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Speaker 1: basements of people's apartment begging for their record collection. Do

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Speaker 1: you want this? You find records on the street, you

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Speaker 1: pick them up and you listen, right, because you love music.

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Speaker 1: This makes me want to watch beat Trimes in Life,

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Speaker 1: The Travels of a Tripical Quest. This makes me want

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Speaker 1: to watch great hip hop document. You see right, you

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Speaker 1: see right, You see him when he's with those records,

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Speaker 1: go to I'm not blowing my own horn. Watch Beat

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Speaker 1: Trimes in Life, The Travels of a trip Coal Quest.

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Speaker 1: Watch the scene with que Tip with those records. It's

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Speaker 1: like if you see Steph Curry dribbling, dribbling a ball,

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Speaker 1: large pros like that. You know, if you see Mars

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Speaker 1: Professor Juju from the beat Nuts, the beat Nuts, fucking

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Speaker 1: large pro so many Molly mall, if you see them

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Speaker 1: handling records, it's literally how you know, how you see

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Speaker 1: Steph Curry warring warming up before the games, it's the

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Speaker 1: same fucking thing. That's good ship. We just came up with. Absolutely,

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Speaker 1: you know. Now you see Larry Bird shooting around, it's

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Speaker 1: just ice water. Chris Smull and it's water. Yo. That's

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Speaker 1: what it's like. If you see Q Tip, if you

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Speaker 1: see any of these producers, there's so fucking many like scratch. Yeah.

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Speaker 1: But Yo, the thing about it is they love records,

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Speaker 1: they love music, they love What they do is completely

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Speaker 1: change They flip it, right. That's the art. Isn't just

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Speaker 1: looping ship. It's changing the fucking record. It's turning it

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Speaker 1: into a fucking collage public enemy, bomb squad. There's so many,

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Speaker 1: so many great producers, so many great I know we

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Speaker 1: forgotten fucking mugs. Oh yeah, we forgot, but we include

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Speaker 1: all of your were we're not in our right mind

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Speaker 1: and we're not we're not fact checking. And also that

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Speaker 1: wasn't the point of the podcast. We'll do a whole

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Speaker 1: producer thing another time, because I know I forgot tons

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Speaker 1: of people. But I was going over this record that

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Speaker 1: I've been listening to. I had the record so I

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Speaker 1: could replay it and replay it, and so I didn't

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Speaker 1: just have it on tape. I had the record, and

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Speaker 1: this is one. I'm eleven years old. There's no fucking

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Speaker 1: TV shows, there's no phones, there's not much to do

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Speaker 1: in the house. So if you have you have your

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Speaker 1: like my nine records. I have, like my Rocky record,

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Speaker 1: my fucking my, my Satnite Fever record. I have like

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Speaker 1: a Tavares record. I don't have a lot of records.

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Speaker 1: I don't I don't like. I didn't have a big record.

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Speaker 1: My father had a good record recollection. My mother had

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Speaker 1: a really good record. She has brothers up in June.

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Speaker 1: Brody had a nice record collection. I try to get

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Speaker 1: one of them. Well, what she said, what the fund

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Speaker 1: are you doing? Yeah? Anyway, So so this song, I

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Speaker 1: just turned an articulate how many years I've been listening

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Speaker 1: to this song? And so I just was looking at

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Speaker 1: the lyrics and if you got the I wish we

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Speaker 1: could play this ship. See we need to get hooked

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Speaker 1: up with a fucking then where we could play this ship.

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Speaker 1: But right now you could turn this fucking record ro

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Speaker 1: but cool Modi's rhyme that I've been saying wrong for

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Speaker 1: since it came out. How many years is that one?

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Speaker 1: How many years ago is that? That's thirty four years

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Speaker 1: I've been saying the record rong, that's fucked up, but

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Speaker 1: he freaked that that's you know, that's that's fucked up.

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Speaker 1: I've been listening to this record for thirty one years.

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Speaker 1: That's fun, It's dope, and I had some people are

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Speaker 1: like wow, but I'm like, yo, I'm fucking forty five

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Speaker 1: years old. That's fucked up. I've been listening to this

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Speaker 1: record for thirty one years and I'll go over my

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Speaker 1: man's rhyme and I never knew it. And I'm gonna

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Speaker 1: do this ship because they're like yo. So you know,

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Speaker 1: he said, app to adapt to any handclap. I can

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Speaker 1: change my rap at a finger snapping with the slip

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Speaker 1: of a lip, I could move your hip on an

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Speaker 1: ego trip. Ain't that a blip going up up and down.

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Speaker 1: I'm the talk of the town. I'm world renowned and

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Speaker 1: I'm an m C crown Yo. And you're like, yo,

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Speaker 1: what is that? If you hear him on the beat? Yeah,

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Speaker 1: listen to the record he's got on the back of

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Speaker 1: the drum on that. He said, app to adapt to

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Speaker 1: any hand clap Right there. I was like, oh, ship

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Speaker 1: the drummers one yo. He said, app to a jap

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Speaker 1: and the hand cup. I'm just saying this now because

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Speaker 1: I didn't know what the funk I was saying. I

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Speaker 1: was like, I thought he used to say bap and

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Speaker 1: the hand clap. I didn't even said. He was like

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Speaker 1: something fucking skibop. But do be douche ship yo. That's

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Speaker 1: how fucking yo. He's so in the drum. In that pocket.

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Speaker 1: There's a pocket. James Brown described that there's a pocket

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Speaker 1: of rhythm. Wait with the musicians in the pocket, it

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Speaker 1: sounds like one kobo d's in the pocket of that ship.

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Speaker 1: I'm gonna rock that ship again, he said, app to

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Speaker 1: adapt to any hand clap. I could change my rap

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Speaker 1: at a finger snap. With the slip of a lip,

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Speaker 1: I can move your hip on an ego old trip.

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Speaker 1: Ain't that up blip going up and down. I'm the

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Speaker 1: talk of the town. I'm world where now with an

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00:18:06,240 --> 00:18:10,359
Speaker 1: m C crown getting loose, getting loose, special k get looseness.

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Speaker 1: Just rock heartbeat, show him you got juice, have fun,

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00:18:13,800 --> 00:18:20,240
Speaker 1: have fun, have have have fun, fun, have fun, not

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Speaker 1: kill anyone, keep it, break it down movies. It's it's

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Speaker 1: that those songs, those those early hip hop songs. It's

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Speaker 1: about having fun, you know, it's about enjoying it. It's

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Speaker 1: a party, you know what I mean. M c s

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00:18:34,840 --> 00:18:39,000
Speaker 1: have contests, cold crushed brothers, fantastic right, it's a contest.

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Speaker 1: It's rapping. Who got the best show, who got the

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Speaker 1: best run? They didn't get into fucking a shootout. Have fun,

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Speaker 1: have fun, have fun, and what's the matter? Have have fun?

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Speaker 1: What's the matter? What do you mean? Peace? Unity, love

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Speaker 1: and having fun. Yo, that's the hip hop credo. That's

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Speaker 1: the credo, the original. This is in a hip hop podcast.

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00:19:06,480 --> 00:19:08,840
Speaker 1: Gee Moody, you're breaking it the funk down. That's what

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00:19:08,920 --> 00:19:12,639
Speaker 1: the fuck I want to hear you do. It's not

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00:19:12,720 --> 00:19:15,160
Speaker 1: all tits and ass, g Moody, It's not all fucking

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00:19:15,320 --> 00:19:22,000
Speaker 1: tits and ass and fucking pork chops ox tails. Okay,

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00:19:22,160 --> 00:19:25,800
Speaker 1: it's not all fucking oxtails over here. Give the people

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00:19:26,000 --> 00:19:34,920
Speaker 1: your ship. Peace, unity, peace, unity, love and having fun. Okay,

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00:19:35,640 --> 00:19:39,119
Speaker 1: special K. I'm not a doctor, and I'm gonna prescribe,

341
00:19:39,200 --> 00:19:42,720
Speaker 1: gonna rock seven to five, Gonna rock your whole tribe.

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Speaker 1: I'm traditional custom when I'm in the place, something dancing

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Speaker 1: for joy, no matter what you're rate. I'm like a

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Speaker 1: real cord. I'm like a reoccurring riddler. All I amazon man,

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00:19:54,080 --> 00:19:57,640
Speaker 1: I never knew this. I'm like a reoccurring riddler, all

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Speaker 1: I Amazon man. Let's a well known, own brand, always

347
00:20:00,920 --> 00:20:04,400
Speaker 1: in demand. So let's rock huh, Let's feel the heat.

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00:20:04,520 --> 00:20:07,080
Speaker 1: As I wrapped to the rhythm of the sound of Heartbeat,

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Speaker 1: I'm yo, listen, this is the Iron Wrap or podcast.

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Speaker 1: I don't know what to say. You need to listen

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00:20:14,880 --> 00:20:20,960
Speaker 1: to that song. People need to revisit hip hop, revisit

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00:20:21,040 --> 00:20:26,320
Speaker 1: all of it. You can like the ship now, but

353
00:20:26,440 --> 00:20:28,720
Speaker 1: you have to like you. You can't just like the

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00:20:28,720 --> 00:20:33,000
Speaker 1: ship now, revisit it. You listen to old rock and roll,

355
00:20:33,720 --> 00:20:36,239
Speaker 1: you listen to led Zeppelin. Why won't you listen to

356
00:20:36,240 --> 00:20:40,200
Speaker 1: to I do. You can like new rock and roll,

357
00:20:40,440 --> 00:20:43,000
Speaker 1: but you don't want to know where it came from.

358
00:20:43,040 --> 00:20:45,560
Speaker 1: And then if you want to know where let's supplicate from,

359
00:20:45,680 --> 00:20:47,399
Speaker 1: you don't want to know that that came from blues.

360
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Speaker 1: Don't you want to keep exploring? Or you just want

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00:20:49,440 --> 00:20:53,719
Speaker 1: to listen to dog shit techno fucking piss? Is that

362
00:20:53,760 --> 00:20:56,480
Speaker 1: what you wanna do? You want to fry your fucking

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Speaker 1: brains with that fucking dancyterium music, that fucking he d M.

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00:21:03,840 --> 00:21:09,359
Speaker 1: It's gonna give me a fucking heart, Give me your

365
00:21:09,400 --> 00:21:15,600
Speaker 1: fucking speakers. I'll break your fucking speakers. You play that

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00:21:15,800 --> 00:21:21,800
Speaker 1: fucking he d M ship. Turn that fucking ship off.

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00:21:23,320 --> 00:21:28,760
Speaker 1: It sounds like a fucking David Busters in here. That

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00:21:29,000 --> 00:21:34,359
Speaker 1: fucking he d M. You're gonna make my fucking brain scramble,

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00:21:34,440 --> 00:21:37,399
Speaker 1: you cock sucker. What the fun is E d M?

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00:21:37,840 --> 00:21:44,000
Speaker 1: That fucking E d M, that electronic of ship. You're

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00:21:44,000 --> 00:21:50,640
Speaker 1: gonna scramble my fucking brain. I Hello, that's Danny. I'll

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00:21:50,760 --> 00:21:55,359
Speaker 1: listening to the fucking coach Ella. I'm not fucking going.

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00:21:56,720 --> 00:21:58,720
Speaker 1: You know, they wanted me to fucking do a tent.

374
00:22:00,960 --> 00:22:05,760
Speaker 1: I'm not fucking going to Coachella. They're gonna play that bullshit.

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00:22:06,640 --> 00:22:16,639
Speaker 1: Ce Iron Rapports podcast previewing the Maybe episode Should we

376
00:22:16,640 --> 00:22:20,440
Speaker 1: do it? I want to hear this ship Danny Iello episode.

377
00:22:20,560 --> 00:22:25,040
Speaker 1: All Danny Iello is coming. People have to preface the

378
00:22:25,200 --> 00:22:29,680
Speaker 1: great Dan telling stories about Robert de Niro, telling stories

379
00:22:29,720 --> 00:22:35,560
Speaker 1: about the projects he's in, the Marble Hill projects, in

380
00:22:35,600 --> 00:22:38,240
Speaker 1: the Bronx. You know, this is a real New York guy,

381
00:22:38,560 --> 00:22:43,200
Speaker 1: worked with everybody. He's in the Godfather. He tells all

382
00:22:43,240 --> 00:22:49,400
Speaker 1: the stories about that Ninth Street for the Patch, the Bronx,

383
00:22:51,600 --> 00:22:55,800
Speaker 1: Danny Eello's Yo Eddie Murphy stories, Richard Pryor stories. It's

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00:22:55,840 --> 00:22:58,000
Speaker 1: a great episode. I really hope people listen to it.

385
00:22:58,080 --> 00:23:02,840
Speaker 1: It's coming soon. This guy in Rapporp podcast Mac Weldon.

386
00:23:03,400 --> 00:23:05,320
Speaker 1: I know that mac Weldon is a New York based

387
00:23:05,440 --> 00:23:08,159
Speaker 1: company that lives in Breeds, New York. I know that

388
00:23:08,200 --> 00:23:11,679
Speaker 1: they make the best fucking underwear, T shirt socks at

389
00:23:11,800 --> 00:23:14,200
Speaker 1: Matt at mac Weldon dot com m A c K

390
00:23:14,880 --> 00:23:18,400
Speaker 1: W E L d O N. Got them on soft

391
00:23:18,480 --> 00:23:21,679
Speaker 1: and comfortable and light materials and fabrics. You could shop

392
00:23:21,680 --> 00:23:25,119
Speaker 1: online or use your mobile device check it out. You

393
00:23:25,119 --> 00:23:27,119
Speaker 1: could check out in less than a minute. In and

394
00:23:27,160 --> 00:23:30,119
Speaker 1: out by your fucking soft, comfortable underwear. I'm wearing some

395
00:23:30,280 --> 00:23:33,760
Speaker 1: right now, wearing a mac Weldon T shirt. Mac Weldon

396
00:23:33,840 --> 00:23:36,360
Speaker 1: wants you to be comfortable and look good. It's perfect

397
00:23:36,400 --> 00:23:40,320
Speaker 1: for the guy going for a run or the guy

398
00:23:41,160 --> 00:23:44,439
Speaker 1: freak it off that that actually wasn't what the promo

399
00:23:44,520 --> 00:23:47,800
Speaker 1: thing said. It was, you know, going for a run

400
00:23:47,920 --> 00:23:50,439
Speaker 1: or the guy on the run. But that's also it

401
00:23:50,480 --> 00:23:53,639
Speaker 1: means use the promo code rapp report r A P

402
00:23:53,800 --> 00:23:57,520
Speaker 1: A p O RT for off your mac Weldon underwear

403
00:23:57,600 --> 00:24:01,040
Speaker 1: socks and T shirts to see iron Wrap for podcast.

404
00:24:01,119 --> 00:24:03,560
Speaker 1: What else can I do? Man? We're going live here,

405
00:24:03,800 --> 00:24:06,560
Speaker 1: live and direct from New York. We're flowing and ship.

406
00:24:07,040 --> 00:24:10,280
Speaker 1: We're flowing and showing and let you know, I'll damage you.

407
00:24:10,320 --> 00:24:13,040
Speaker 1: I'm not yo, Let's keep it hip hop. What do

408
00:24:13,080 --> 00:24:15,880
Speaker 1: you what do you want to break? Break into? Fucking

409
00:24:15,960 --> 00:24:20,680
Speaker 1: uh all those early groups man that we love, Yo.

410
00:24:21,040 --> 00:24:26,480
Speaker 1: We on this podcast, we people try to fucking pushed

411
00:24:26,680 --> 00:24:30,280
Speaker 1: cast these people aside. Right, talk about how you see

412
00:24:30,359 --> 00:24:32,440
Speaker 1: dudes in the Bronx, But gerald us in the Bronx,

413
00:24:32,520 --> 00:24:36,520
Speaker 1: he'll see dudes that I just talked about, like legends,

414
00:24:36,600 --> 00:24:40,840
Speaker 1: like iconic motherfucker's I'll see Mellie Melo, you see him

415
00:24:40,880 --> 00:24:43,080
Speaker 1: walking around the Bronx right like it's nothing slick Rick,

416
00:24:43,119 --> 00:24:48,399
Speaker 1: because it's like sucking. The Bronx is hip hop, you damn,

417
00:24:48,560 --> 00:24:52,040
Speaker 1: that's break it down. The Bronx is the altar of

418
00:24:52,160 --> 00:24:55,919
Speaker 1: hip hop. It's like when you're there walking around and

419
00:24:55,960 --> 00:24:58,000
Speaker 1: you you know, I'm not expecting to see anyone because

420
00:24:58,000 --> 00:25:00,280
Speaker 1: I'm from Brooklyn, and you'll be like, yo, that's for can.

421
00:25:00,480 --> 00:25:03,960
Speaker 1: But it's the grand old opery of hip hop music.

422
00:25:04,200 --> 00:25:08,320
Speaker 1: It was created there, the park jams, all the like

423
00:25:08,400 --> 00:25:12,000
Speaker 1: that whole culture, the clothing, and they're still alive. That's

424
00:25:12,040 --> 00:25:15,159
Speaker 1: the thing that needs to really be taking advantage of

425
00:25:15,280 --> 00:25:18,320
Speaker 1: is that these dudes are still alive and they created

426
00:25:18,400 --> 00:25:22,840
Speaker 1: this art form out of thin air with nothing when

427
00:25:22,840 --> 00:25:27,720
Speaker 1: New York City was basically bankrupt, right and they created

428
00:25:27,840 --> 00:25:31,200
Speaker 1: the Bronx. Was like fucking world like Germany like bombed

429
00:25:31,240 --> 00:25:35,520
Speaker 1: the funk out right, and these guys created ship and

430
00:25:35,880 --> 00:25:38,720
Speaker 1: you know it's it's it's awesome man, and and and

431
00:25:38,720 --> 00:25:40,560
Speaker 1: and and and you know in the Bronx and Brooklyn

432
00:25:40,600 --> 00:25:43,800
Speaker 1: was doing their thing. And a Brooklyn wasn't like what

433
00:25:43,920 --> 00:25:49,160
Speaker 1: it appears like in Girls. Oh, it wasn't even one

434
00:25:49,160 --> 00:25:51,760
Speaker 1: of the people that you know in the seventies bed

435
00:25:51,840 --> 00:25:58,440
Speaker 1: style Canarsie, Brownsville, flat Bush. Yeah, all that all that

436
00:25:58,560 --> 00:26:02,040
Speaker 1: williams bergship, you wouldn't Williamsburg was. You wouldn't be able

437
00:26:02,080 --> 00:26:04,600
Speaker 1: to walk through there. There wasn't that Lena Dunham ship

438
00:26:04,640 --> 00:26:06,920
Speaker 1: going on. It was no hipster ship. I mean hip

439
00:26:06,920 --> 00:26:11,640
Speaker 1: hop trickled down to the burrows. You know, I've seen

440
00:26:11,680 --> 00:26:16,840
Speaker 1: it done outside in sevent with your own eyes, my

441
00:26:16,960 --> 00:26:19,639
Speaker 1: own as a jam in the park and my projects.

442
00:26:19,800 --> 00:26:23,000
Speaker 1: You saw that ship bring out the turntables, hook up

443
00:26:23,040 --> 00:26:26,840
Speaker 1: the turntables to the light. You saw that. I saw it.

444
00:26:27,800 --> 00:26:30,440
Speaker 1: I saw the mixing. I saw the crates of records

445
00:26:30,800 --> 00:26:33,280
Speaker 1: and I stood in front of the rope and was

446
00:26:33,320 --> 00:26:37,000
Speaker 1: an all. It was no rappers, It's just mixing records,

447
00:26:37,240 --> 00:26:41,160
Speaker 1: mixing breaks. In Brooklyn, it was basically a lot more disco.

448
00:26:41,680 --> 00:26:44,840
Speaker 1: In the Bronx, it was cast cutting the brakes, which

449
00:26:44,880 --> 00:26:51,120
Speaker 1: are bouncy Lady by Pleasure, Um James Brown all his brakes,

450
00:26:51,640 --> 00:26:58,320
Speaker 1: fucking uh roy Air's brakes, Billy Squire, rock records breaks

451
00:26:58,359 --> 00:27:00,720
Speaker 1: in them. And it brings me to which brings me

452
00:27:00,760 --> 00:27:03,119
Speaker 1: to a point we brought up before. If you have

453
00:27:03,160 --> 00:27:06,960
Speaker 1: a hip hop radio station, there's so called hip hop radio,

454
00:27:06,960 --> 00:27:11,080
Speaker 1: say why don't you play everything? I always thought that

455
00:27:11,960 --> 00:27:14,439
Speaker 1: why we don't hear breaks? It's hip hop culture, right.

456
00:27:14,840 --> 00:27:17,600
Speaker 1: If you go to Bronx and they have a jam,

457
00:27:17,720 --> 00:27:22,000
Speaker 1: they playing all in bricks in a set. But when

458
00:27:22,000 --> 00:27:26,200
Speaker 1: you have an old school jazz station, they're playing everything yo,

459
00:27:26,800 --> 00:27:29,960
Speaker 1: all the electric jazz, the good, the Dixie Land, the

460
00:27:30,560 --> 00:27:34,760
Speaker 1: Blue Note, the Sixties, the swing. But the hip hop

461
00:27:34,880 --> 00:27:38,480
Speaker 1: radio stations they just play shit. And then every now

462
00:27:38,520 --> 00:27:41,919
Speaker 1: and then, fucking they let somebody come up there and

463
00:27:41,920 --> 00:27:44,320
Speaker 1: do some more of these odd hours and ship every

464
00:27:44,400 --> 00:27:47,920
Speaker 1: hip hop radio station in every state that plays any

465
00:27:47,960 --> 00:27:51,440
Speaker 1: kind of hip hop music, whether it's new old Southern,

466
00:27:51,680 --> 00:27:54,040
Speaker 1: they should always go back to playing the regular ship,

467
00:27:55,200 --> 00:27:58,120
Speaker 1: Like it shouldn't just be These people need to know,

468
00:27:58,440 --> 00:28:01,879
Speaker 1: they need to re educate and continue to educate themselves.

469
00:28:01,920 --> 00:28:04,480
Speaker 1: I don't know everything about this ship. G Moody doesn't

470
00:28:04,520 --> 00:28:07,720
Speaker 1: know where. You can't know everything about this ship. It's

471
00:28:07,720 --> 00:28:11,800
Speaker 1: an ongoing yo. But I heard somebody saying I know

472
00:28:11,880 --> 00:28:15,800
Speaker 1: everything about Like you're an expert. We'll get to that later.

473
00:28:16,760 --> 00:28:20,400
Speaker 1: But you're right, they should play if it's hip hop

474
00:28:20,440 --> 00:28:24,320
Speaker 1: culture and it's like they always bang their chests like, yeah,

475
00:28:24,400 --> 00:28:26,159
Speaker 1: this is the way we play hip hop. Well why

476
00:28:26,160 --> 00:28:28,920
Speaker 1: are we're not hearing no brakes either? Right? You need

477
00:28:29,000 --> 00:28:33,040
Speaker 1: to play it's a jam, right, hip hop as a jam. Right.

478
00:28:33,480 --> 00:28:36,639
Speaker 1: They play all kind of music. There's no you can

479
00:28:36,720 --> 00:28:40,200
Speaker 1: hear all the monkeys. You can hear the fucking uh beatles,

480
00:28:40,440 --> 00:28:42,960
Speaker 1: right right, you can hear everything. So I want to

481
00:28:43,000 --> 00:28:46,200
Speaker 1: hear that ship in the radio. Play the breaks, James right,

482
00:28:46,760 --> 00:28:50,840
Speaker 1: it reads Mohammed everything, Lonnie Listen Smith, all of it,

483
00:28:51,440 --> 00:28:54,800
Speaker 1: every fucking thing, Jerry Mulligan, all kind of records, sess

484
00:28:54,960 --> 00:28:59,280
Speaker 1: Mere Electric Company. If you gotta break Star Wars right,

485
00:28:59,600 --> 00:29:03,000
Speaker 1: Mika Right, if you gotta break they can freak it.

486
00:29:03,560 --> 00:29:05,840
Speaker 1: This is what the funk I'm talking about. Movie. We

487
00:29:05,920 --> 00:29:07,720
Speaker 1: don't get none of that. We don't hear any of

488
00:29:07,720 --> 00:29:11,680
Speaker 1: that ship in the nineties seven point one, get the seven,

489
00:29:12,800 --> 00:29:15,280
Speaker 1: Get the funk out of here with that's you know

490
00:29:15,320 --> 00:29:20,400
Speaker 1: what it is? When I came up, Mr Magic, Hank Glove,

491
00:29:20,640 --> 00:29:24,920
Speaker 1: DNA right and the Hank Glove Show right eighty nine

492
00:29:24,960 --> 00:29:30,160
Speaker 1: point one, p Fine, Molly Ball, Kevy keV Red Alert, Chuck,

493
00:29:30,280 --> 00:29:34,120
Speaker 1: chill Out, Teddy, Ted Special Cake. I went to sleep

494
00:29:34,160 --> 00:29:36,800
Speaker 1: with the ship in my ears. It wasn't on the radio.

495
00:29:37,800 --> 00:29:40,440
Speaker 1: It was in the streets. Remember we had slick ricking

496
00:29:40,480 --> 00:29:44,320
Speaker 1: Douggee Fresh tape Yo, when we when when when Gerald

497
00:29:44,400 --> 00:29:47,080
Speaker 1: got you know when you got ahold of those fucking tapes.

498
00:29:48,080 --> 00:29:51,800
Speaker 1: He had the slick rich slick ricking Douggie Fresh the

499
00:29:51,920 --> 00:29:57,800
Speaker 1: show live, the live ship before before I was on

500
00:29:57,840 --> 00:30:01,480
Speaker 1: the record. You think that the internet out is crazy?

501
00:30:01,840 --> 00:30:05,400
Speaker 1: That was the fucking ship right there. You would chase

502
00:30:05,520 --> 00:30:07,920
Speaker 1: that ship down. Can I borrow it? Can I borrow it?

503
00:30:07,920 --> 00:30:10,800
Speaker 1: Can I borrow it? I remember there was a ship

504
00:30:12,840 --> 00:30:19,680
Speaker 1: rock Um Veronica, Veronica by the Bookie Boys. Yo, dude, dude,

505
00:30:19,920 --> 00:30:26,840
Speaker 1: the Bad Boys one of them. Yeah, dude, dude, yeah Yo.

506
00:30:26,960 --> 00:30:30,240
Speaker 1: The tape for that was as as valuable as anything

507
00:30:30,280 --> 00:30:32,120
Speaker 1: that I had. It was like, Yo, just to have

508
00:30:32,240 --> 00:30:36,320
Speaker 1: that one song, I was like, oh shit. This episode

509
00:30:37,080 --> 00:30:39,239
Speaker 1: of the Iron Rap Corps podcast is brought to you

510
00:30:39,320 --> 00:30:43,560
Speaker 1: by a square Space. Start building a dope ass website

511
00:30:43,600 --> 00:30:47,440
Speaker 1: today at square space dot com. G Moody is in

512
00:30:47,480 --> 00:30:52,280
Speaker 1: the process of building the Gerald Moody, the G Moody website, right,

513
00:30:52,360 --> 00:30:56,000
Speaker 1: g Monetti Space, it's gonna happen this week. And he's

514
00:30:56,040 --> 00:30:58,240
Speaker 1: been on square Space. And if you go to square

515
00:30:58,320 --> 00:31:00,560
Speaker 1: pitch space and you enter the promo code apupport to

516
00:31:00,640 --> 00:31:03,360
Speaker 1: check out, you get ten percent off and as state

517
00:31:03,400 --> 00:31:07,040
Speaker 1: of the art technology and security and stability, so your

518
00:31:07,080 --> 00:31:12,440
Speaker 1: online information and presence is safe and secure. You figured

519
00:31:12,440 --> 00:31:14,840
Speaker 1: this out, You're you're designing and now right, yeah, I'm

520
00:31:15,080 --> 00:31:16,680
Speaker 1: hooking it up. Man. It's it was, it was. It

521
00:31:16,760 --> 00:31:19,719
Speaker 1: was the challenging and as it was like a snap,

522
00:31:19,840 --> 00:31:24,720
Speaker 1: millions of people literally use square Space. It's just eight

523
00:31:24,760 --> 00:31:27,360
Speaker 1: bucks a month and you get your free domain if

524
00:31:27,400 --> 00:31:29,719
Speaker 1: you sign up for a year. Go to square space

525
00:31:29,760 --> 00:31:34,840
Speaker 1: dot com. It's the Iron Rapports podcast coming live and

526
00:31:34,880 --> 00:31:38,400
Speaker 1: direct from the Gloom Tomb in New York City. You

527
00:31:38,480 --> 00:31:41,800
Speaker 1: know we've already been rocking for like thirty minutes uninterrupted,

528
00:31:41,840 --> 00:31:47,280
Speaker 1: Gimon Eddie. What I was saying, Above the Law, we

529
00:31:47,440 --> 00:31:51,040
Speaker 1: we we we we tend to forget Midwest cats. Let's

530
00:31:51,040 --> 00:31:54,440
Speaker 1: not forget. We're going to shout motherfucker's out now, my man,

531
00:31:55,400 --> 00:31:58,920
Speaker 1: the Above the Lord, that first album nineties, when I

532
00:31:58,960 --> 00:32:02,560
Speaker 1: got in doctor naded to that and that Ship's classic.

533
00:32:03,120 --> 00:32:05,440
Speaker 1: We're not on that East coast West Coast. It was

534
00:32:05,520 --> 00:32:08,440
Speaker 1: on that that was the thing between two guys. This

535
00:32:08,480 --> 00:32:10,720
Speaker 1: whole East Coast West it never even called it would

536
00:32:10,720 --> 00:32:12,479
Speaker 1: be l A in New York. It was no. The

537
00:32:12,520 --> 00:32:17,000
Speaker 1: whole West Coast turned into this whole stupid thing for nothing,

538
00:32:17,160 --> 00:32:20,080
Speaker 1: so silly Above the Law. If you look at that now,

539
00:32:20,160 --> 00:32:25,440
Speaker 1: if you go to my fucking my Instagram. A couple

540
00:32:25,480 --> 00:32:28,240
Speaker 1: of weeks ago, I was I was listening to Black

541
00:32:28,280 --> 00:32:30,840
Speaker 1: Superman by Above the Law. It got me out of

542
00:32:30,880 --> 00:32:36,880
Speaker 1: the car dancing that. I didn't plan that to fucking

543
00:32:36,920 --> 00:32:39,640
Speaker 1: to do a dance video on my Instagram, dancing Above

544
00:32:39,720 --> 00:32:42,480
Speaker 1: the Law. But my man Dean Collins came to pick

545
00:32:42,560 --> 00:32:45,400
Speaker 1: me up. D C and when he came to pick

546
00:32:45,480 --> 00:32:48,000
Speaker 1: me up, I was rocking that ship and then I

547
00:32:48,040 --> 00:32:49,960
Speaker 1: said pull over. I got to get out of the

548
00:32:50,000 --> 00:32:53,120
Speaker 1: car and I started dancing and I danced and I

549
00:32:53,360 --> 00:32:56,880
Speaker 1: danced and I fucking danced, and then I said we

550
00:32:56,960 --> 00:33:00,840
Speaker 1: got to a fucking red light. I said pull over again, oh,

551
00:33:00,920 --> 00:33:04,080
Speaker 1: because I was hype. So if you look at the

552
00:33:04,120 --> 00:33:09,680
Speaker 1: now viral fifteen second video of me dancing on my Instagram,

553
00:33:10,000 --> 00:33:12,600
Speaker 1: you could hear in the background above the law Black

554
00:33:12,640 --> 00:33:16,920
Speaker 1: Superman who the last song? Remember that first one? We've

555
00:33:16,960 --> 00:33:21,240
Speaker 1: randing him on it. Yo. That's a fucking good record. Absolutely,

556
00:33:21,360 --> 00:33:24,440
Speaker 1: that fucking record is really fucking good. Their first record

557
00:33:24,560 --> 00:33:27,600
Speaker 1: is fucking it's a it's a it's a forgotten classic.

558
00:33:27,680 --> 00:33:29,560
Speaker 1: I think a lot of the production was done by DRE.

559
00:33:29,680 --> 00:33:31,800
Speaker 1: I don't know, I feel like it. I'm not sure.

560
00:33:32,120 --> 00:33:34,480
Speaker 1: I need to check that ship out. And one of

561
00:33:34,520 --> 00:33:37,680
Speaker 1: the dudes in their hutch Willie Hutch's nephew or some

562
00:33:37,720 --> 00:33:41,880
Speaker 1: ship like that, Yo, related to the great Willie Hutch,

563
00:33:42,920 --> 00:33:47,520
Speaker 1: the great Willie Hutch, Yo, Mac, you know, if you

564
00:33:47,560 --> 00:33:51,640
Speaker 1: don't know Willie Hutch music, go online, just download the

565
00:33:51,680 --> 00:33:55,000
Speaker 1: mac record, pay for it or not. I always pay

566
00:33:55,080 --> 00:33:58,960
Speaker 1: for it, get it. Listen to the fucking soundtrack. Listen

567
00:33:59,000 --> 00:34:05,640
Speaker 1: to this guy's voice, soul and fun. Willie Hudges bad

568
00:34:07,160 --> 00:34:10,840
Speaker 1: who now? Who else? The West Coast Cats. Well, we

569
00:34:10,880 --> 00:34:13,839
Speaker 1: don't need to state the obvious dre We don't need

570
00:34:13,880 --> 00:34:21,080
Speaker 1: to state that Compton's most wanted MC eight em C

571
00:34:21,239 --> 00:34:23,800
Speaker 1: breed in Detroit. We don't need to talk about ice Cube.

572
00:34:23,840 --> 00:34:29,680
Speaker 1: It's that's a whole episode. Ghetto Boys, Houston. Scarface Yo

573
00:34:29,960 --> 00:34:33,960
Speaker 1: Scarface is one of the most influential fucking dudes like

574
00:34:34,080 --> 00:34:36,320
Speaker 1: you you you you You listen to like NOAs and

575
00:34:36,360 --> 00:34:39,640
Speaker 1: ship like. He's like Yo Scarface, jay Z scar like

576
00:34:40,160 --> 00:34:44,359
Speaker 1: scar Faces and he's been around everybody knows the fucking

577
00:34:44,400 --> 00:34:47,080
Speaker 1: ghetto boys. So they get a shout out of course

578
00:34:47,200 --> 00:34:54,000
Speaker 1: man anyway, anyway, what else? G Moody? Oh Man, you

579
00:34:54,040 --> 00:34:57,440
Speaker 1: need you? Thank god things are looking good for lamar

580
00:34:57,520 --> 00:35:01,399
Speaker 1: odom Oh yeah, yeah, thank god. He his brain had

581
00:35:01,440 --> 00:35:06,200
Speaker 1: to reboot. What do you mean? You know he's been

582
00:35:06,239 --> 00:35:10,479
Speaker 1: abusing drugs for a long time and his brain took

583
00:35:10,480 --> 00:35:15,800
Speaker 1: it upon itself to say, fuck it, I am cutting

584
00:35:15,800 --> 00:35:20,839
Speaker 1: off to save myself right and save you, and in

585
00:35:20,920 --> 00:35:24,440
Speaker 1: turn that will save you your organs may fail for

586
00:35:24,480 --> 00:35:27,200
Speaker 1: a couple of days, but then I'm gonna come back

587
00:35:27,640 --> 00:35:31,520
Speaker 1: and you're gonna get upright and hopefully you'll learn. That's good.

588
00:35:31,600 --> 00:35:34,440
Speaker 1: That's yo, that's good moody. This. I think it's your

589
00:35:34,480 --> 00:35:36,880
Speaker 1: best Iron Rapp podcast. Man, we got a lot of

590
00:35:36,960 --> 00:35:39,160
Speaker 1: mo yo, so break it to you. So that that

591
00:35:39,280 --> 00:35:42,000
Speaker 1: was g Monetti. That was like Richard Prior ship, Like

592
00:35:42,040 --> 00:35:43,439
Speaker 1: if we did if you did that at a richer

593
00:35:43,520 --> 00:35:46,560
Speaker 1: Prior voice, it would be Richard, it would be Richard Prior.

594
00:35:47,000 --> 00:35:50,040
Speaker 1: That's a good fucking point he had tomorrow him. Thank

595
00:35:50,120 --> 00:35:53,520
Speaker 1: god his brain. That was like a conversation. The brain said,

596
00:35:54,760 --> 00:35:58,800
Speaker 1: I have to rebooting down and die. But your fucking

597
00:35:58,880 --> 00:36:01,880
Speaker 1: kidneys may it off for a while, but you fucked

598
00:36:01,880 --> 00:36:07,000
Speaker 1: me up. You fucked me up. Imagine that in the

599
00:36:07,120 --> 00:36:10,839
Speaker 1: Richard Pryor mill at you. You funked me up. I'm

600
00:36:10,880 --> 00:36:14,279
Speaker 1: ready to sleep now. That'd be like Richard Pryor, go

601
00:36:14,400 --> 00:36:18,239
Speaker 1: to sleep. Yeah, I mean they're trying to wake me

602
00:36:18,280 --> 00:36:20,040
Speaker 1: and then he's like talking about the name I'm in

603
00:36:20,040 --> 00:36:23,560
Speaker 1: the Namiland, wake me up, and then they put that

604
00:36:23,640 --> 00:36:26,960
Speaker 1: good chin on me. Yeah, they put you, they put

605
00:36:27,000 --> 00:36:30,920
Speaker 1: that good that Michael Jackson on you. That's Richard. I'm

606
00:36:30,920 --> 00:36:32,840
Speaker 1: not I'm not doing I'm not an impression person. But

607
00:36:32,880 --> 00:36:36,160
Speaker 1: that's the inflection of Richard Pryor would do a great

608
00:36:36,239 --> 00:36:39,200
Speaker 1: bit on the moral a matter of fact, we just

609
00:36:39,239 --> 00:36:44,440
Speaker 1: did we G Moody did it. That's why G Moody. Okay,

610
00:36:44,480 --> 00:36:46,920
Speaker 1: that's why some people are like hate to be who's

611
00:36:46,960 --> 00:36:50,480
Speaker 1: G Moody. That's why G Moody is the black head

612
00:36:50,520 --> 00:36:52,239
Speaker 1: mac Man and that's why G Moody is the co

613
00:36:52,440 --> 00:36:56,800
Speaker 1: host with the most of the Iron Wrap por podcast

614
00:36:56,880 --> 00:37:00,600
Speaker 1: because he has brilliance in him. That's good ship movie.

615
00:37:00,600 --> 00:37:02,799
Speaker 1: See some people if you know G Movie, like yo,

616
00:37:02,840 --> 00:37:05,799
Speaker 1: that's one of the funniest motherfucker's I know. That's good

617
00:37:05,800 --> 00:37:08,200
Speaker 1: ship there, G movie. This is the Iron Rapport Podcast.

618
00:37:08,280 --> 00:37:11,839
Speaker 1: I don't know, man, we're flowing, but we we never

619
00:37:12,040 --> 00:37:16,799
Speaker 1: you sometimes we take breaks. But but but you know

620
00:37:16,880 --> 00:37:20,600
Speaker 1: you were asking me. You said to me, yo, when

621
00:37:20,640 --> 00:37:23,760
Speaker 1: these things get reported? It said, because after like Lamar

622
00:37:23,920 --> 00:37:29,720
Speaker 1: woke up, it was reported that he said, hey babe

623
00:37:31,640 --> 00:37:35,120
Speaker 1: to Chloe Kardashian he's a strange ex wife. And Moody

624
00:37:35,200 --> 00:37:37,400
Speaker 1: said to me, yo, where did those reports come to?

625
00:37:37,560 --> 00:37:41,440
Speaker 1: Thinking like I'm a newsman. And then I thought to myself, well,

626
00:37:41,440 --> 00:37:45,799
Speaker 1: I know enough about you know, the way reporting and

627
00:37:45,800 --> 00:37:48,640
Speaker 1: the news, and I have my assumption. My assumption is

628
00:37:48,680 --> 00:37:52,680
Speaker 1: this that when thank god, lamar Odin woke up he

629
00:37:52,719 --> 00:37:56,600
Speaker 1: came to there wasn't a lot of people in there.

630
00:37:57,040 --> 00:38:02,200
Speaker 1: The Kardashians haven't been putting up their daily selfies. They

631
00:38:02,239 --> 00:38:05,400
Speaker 1: do it every day, all of them, every day, every

632
00:38:05,520 --> 00:38:09,040
Speaker 1: fucking day. They've they've taken a break from it. They

633
00:38:09,040 --> 00:38:13,400
Speaker 1: were smart, uh, running these people out of the country.

634
00:38:13,880 --> 00:38:16,840
Speaker 1: So if they're all in the room when that happens,

635
00:38:17,120 --> 00:38:20,480
Speaker 1: the doctor's not gonna call the New York Times Twitter.

636
00:38:20,640 --> 00:38:23,160
Speaker 1: The doctor is not calling Okay magazine and US Weekly

637
00:38:23,160 --> 00:38:26,239
Speaker 1: and saying lamar o He's He's saying he's trying to

638
00:38:26,280 --> 00:38:30,160
Speaker 1: continue to keep this guy alive. So somebody had to

639
00:38:30,239 --> 00:38:34,640
Speaker 1: have called somebody to give some assumption of something, and

640
00:38:34,680 --> 00:38:38,279
Speaker 1: it ain't lamar Odom's pops, lamar you don't. He don't

641
00:38:38,320 --> 00:38:44,319
Speaker 1: fucking know any numbers. No, he doesn't. So one of

642
00:38:44,360 --> 00:38:48,640
Speaker 1: the Kardashians people must be articulating that when lamar Odom

643
00:38:48,680 --> 00:38:53,520
Speaker 1: woke up, the first thing he said was hey, hey baby,

644
00:38:54,280 --> 00:38:58,359
Speaker 1: to Chloe, he's a strange dex wife who months ago.

645
00:38:58,480 --> 00:38:59,960
Speaker 1: Now this may it may or may not beat your

646
00:39:00,200 --> 00:39:04,719
Speaker 1: and I'm not here at scutinous because thank god, this man,

647
00:39:05,480 --> 00:39:08,719
Speaker 1: it's looking on the bright side. But somebody had to

648
00:39:08,800 --> 00:39:14,000
Speaker 1: report to somebody on Twitter or on fucking CNN or

649
00:39:14,160 --> 00:39:17,160
Speaker 1: somewhere where this This story has been covered everywhere because

650
00:39:17,160 --> 00:39:21,960
Speaker 1: it's UH an athlete, but more importantly because it's an

651
00:39:21,960 --> 00:39:26,000
Speaker 1: athlete with a Kardashian, because God forbid something happened to

652
00:39:26,320 --> 00:39:29,600
Speaker 1: an athlete of Mr Odram's status. Do you think it

653
00:39:29,600 --> 00:39:34,520
Speaker 1: would be covered on CNN? You think the No. The

654
00:39:34,600 --> 00:39:37,160
Speaker 1: thing that's made this beyond an ESPN and a sports

655
00:39:37,200 --> 00:39:40,959
Speaker 1: story is the Kardashians and whatever. So the point is

656
00:39:40,960 --> 00:39:43,800
Speaker 1: is that GM Moody asked me, where do these reports?

657
00:39:43,840 --> 00:39:46,400
Speaker 1: I don't know, but my assumption is that because a

658
00:39:46,480 --> 00:39:51,040
Speaker 1: publicist reach out to the owner of that a publicist

659
00:39:51,120 --> 00:39:56,759
Speaker 1: from the Kardashian slash Jenner slash Jenner camp is given

660
00:39:56,760 --> 00:39:59,920
Speaker 1: the reason. So he didn't say anything to his daughter first,

661
00:40:00,400 --> 00:40:03,319
Speaker 1: he didn't say anything to his baby mother first, the

662
00:40:03,360 --> 00:40:06,719
Speaker 1: first persons son or his son the first person it

663
00:40:06,800 --> 00:40:12,239
Speaker 1: was reported, Hey, babe, maybe true, it might be true,

664
00:40:12,280 --> 00:40:14,680
Speaker 1: but I'm just letting you know that that was a

665
00:40:14,719 --> 00:40:17,080
Speaker 1: reported our ticket. You know, like you play telephone, like

666
00:40:17,160 --> 00:40:19,400
Speaker 1: I whisper something in your no Bruno, and then you

667
00:40:19,440 --> 00:40:23,759
Speaker 1: whispered into somebody else's here, no Bruno and then telephone.

668
00:40:24,120 --> 00:40:27,040
Speaker 1: It's gonna change. But didn't they shoot on him last

669
00:40:27,480 --> 00:40:31,919
Speaker 1: two weeks ago? Who where? Uh? What's her? Chloe? Where

670
00:40:31,920 --> 00:40:34,480
Speaker 1: he tried to talk to her and he and and

671
00:40:34,480 --> 00:40:37,040
Speaker 1: and she called the bodyguards on him. That's what it's.

672
00:40:37,200 --> 00:40:39,680
Speaker 1: That's what it was on TMZ. We saw that. I

673
00:40:39,719 --> 00:40:42,400
Speaker 1: saw that those and then and then and then and

674
00:40:42,440 --> 00:40:44,799
Speaker 1: then Lamar. This is I think maybe two months ago

675
00:40:45,120 --> 00:40:47,440
Speaker 1: or maybe six weeks ago. Then Lamar was flipping on

676
00:40:47,480 --> 00:40:50,799
Speaker 1: the TMZ dude saying it was heartbreaking here. And that's

677
00:40:50,800 --> 00:40:53,000
Speaker 1: when we talked about it. We were saying, Lamar, go

678
00:40:53,040 --> 00:40:56,080
Speaker 1: to China. Fuck these chicks, get the funk out of here,

679
00:40:56,239 --> 00:40:58,759
Speaker 1: get in shape, your thirty five, go play for five

680
00:40:58,800 --> 00:41:00,480
Speaker 1: more years in China. You don't need need this ship

681
00:41:00,600 --> 00:41:02,759
Speaker 1: over here. Get the statue out there, man, fuck that.

682
00:41:04,440 --> 00:41:07,319
Speaker 1: You'll be so well loved and ship and you you'll

683
00:41:07,320 --> 00:41:09,960
Speaker 1: find you need, You'll find in love within yourself. Play

684
00:41:10,000 --> 00:41:12,080
Speaker 1: a few few more years, getting shape. We wish you

685
00:41:12,160 --> 00:41:16,120
Speaker 1: the best of fucking luck. I'm so glad this guy

686
00:41:16,200 --> 00:41:19,160
Speaker 1: is all right. So yeah, but so yeah. So then

687
00:41:19,200 --> 00:41:21,719
Speaker 1: he was screaming on the TMZ people looking up look

688
00:41:21,760 --> 00:41:24,319
Speaker 1: at TMZ and lamar him and lamar. But like his

689
00:41:24,400 --> 00:41:27,960
Speaker 1: last thing with TMZ, he was about to cry. He

690
00:41:28,040 --> 00:41:30,440
Speaker 1: was about to cry. Those guys are vultures, man, And

691
00:41:30,480 --> 00:41:33,160
Speaker 1: obviously he has to say, I'm not taking responsibility off him.

692
00:41:33,360 --> 00:41:35,680
Speaker 1: This guy. The first thing he's gotta take. Get off

693
00:41:35,719 --> 00:41:43,080
Speaker 1: that crack man. Huh, get off that dope. Take that ship. Serious,

694
00:41:43,120 --> 00:41:45,759
Speaker 1: motherfucker you but you almost die. Oh yeah, Now he's

695
00:41:45,760 --> 00:41:47,680
Speaker 1: got to take it right. Take that ship here, Get

696
00:41:47,680 --> 00:41:51,400
Speaker 1: off that crack. Fuck these brods, fuck everybody. You have

697
00:41:51,480 --> 00:41:55,319
Speaker 1: to go get off that crack, yo, because if you don't,

698
00:41:55,320 --> 00:41:57,600
Speaker 1: you're gonna be back in that situation because these brods

699
00:41:57,640 --> 00:42:03,680
Speaker 1: ain't working with you, right. And seacrests use a sleeve

700
00:42:03,840 --> 00:42:09,440
Speaker 1: ball be who Seacrest, he's the one that he's like

701
00:42:09,480 --> 00:42:13,239
Speaker 1: the p T. Barnum of this ship. Yeah, that's you.

702
00:42:13,600 --> 00:42:16,239
Speaker 1: He's the one that that that that sets everything up,

703
00:42:16,600 --> 00:42:20,080
Speaker 1: all the conflicts. Moody is fucking you're killing He sets

704
00:42:20,120 --> 00:42:24,160
Speaker 1: all the conflict up for ratings and television, so he

705
00:42:24,280 --> 00:42:31,960
Speaker 1: exacerbates your struggle, which plummets your ass deeper. Ryan Seacrest,

706
00:42:32,040 --> 00:42:34,800
Speaker 1: we don't funk with your Seacrest. You want some suckers

707
00:42:34,840 --> 00:42:38,160
Speaker 1: ship Man, I didn't know that at the hospital. You

708
00:42:38,320 --> 00:42:43,480
Speaker 1: see his mother at the hospital. Keep going because they

709
00:42:43,640 --> 00:42:49,279
Speaker 1: damn sure would have said it, right, seacrests. Look, he's concerned. No,

710
00:42:49,360 --> 00:42:53,560
Speaker 1: this motherfucker don't give him fuck. He does care because

711
00:42:53,600 --> 00:43:03,800
Speaker 1: this is drama, right, he didn't die, good Seacrest. You

712
00:43:03,840 --> 00:43:11,520
Speaker 1: know when I come out there, man, you're rap. You

713
00:43:11,560 --> 00:43:13,200
Speaker 1: want to go see you. I want to see where

714
00:43:13,239 --> 00:43:16,520
Speaker 1: he'd be at. Man, I don't know. That's all I

715
00:43:16,520 --> 00:43:21,600
Speaker 1: gotta say about him. Man, that's good man. See Iron Rapport.

716
00:43:22,040 --> 00:43:24,279
Speaker 1: We're going all all day. We're just rocking right here.

717
00:43:24,719 --> 00:43:27,080
Speaker 1: We're just rocking right here. G Moody has yet to

718
00:43:27,120 --> 00:43:29,960
Speaker 1: get a fucking physical. I'm I'm looking at what you said.

719
00:43:30,360 --> 00:43:33,000
Speaker 1: I said the physical, but it hasn't been set up.

720
00:43:33,080 --> 00:43:36,600
Speaker 1: I can't fucking bring you to the doctor. You gotta

721
00:43:36,640 --> 00:43:39,680
Speaker 1: fucking work with me here. Your brother Dean and and

722
00:43:39,680 --> 00:43:42,480
Speaker 1: and our and our guy friend of the fucking friend

723
00:43:42,480 --> 00:43:45,320
Speaker 1: of the show and friends in real life. Patrick, he said,

724
00:43:45,600 --> 00:43:47,000
Speaker 1: they can hook you up with the doctor. Do I

725
00:43:47,040 --> 00:43:51,960
Speaker 1: gotta fucking bring the guy to stethoscope to you, Patrick, Man,

726
00:43:52,200 --> 00:43:54,120
Speaker 1: tell why do you? Why are you doing it? On now?

727
00:43:54,960 --> 00:43:56,480
Speaker 1: I try to kick it to him. I try to

728
00:43:56,560 --> 00:43:59,080
Speaker 1: kick You're gonna call the fucking doctor and man, you

729
00:43:59,120 --> 00:44:00,839
Speaker 1: have to go. You're gonna go of the doctor's office

730
00:44:00,840 --> 00:44:03,359
Speaker 1: because I want them to do everything to you, full

731
00:44:03,440 --> 00:44:06,680
Speaker 1: check off. I want him. Look at your fucking toenails,

732
00:44:07,200 --> 00:44:12,480
Speaker 1: Gimo Neetti's tone nails. They look like shit. My man

733
00:44:12,520 --> 00:44:17,000
Speaker 1: cuts his fucking toes with the same knife that he

734
00:44:17,160 --> 00:44:20,680
Speaker 1: fucking he'll he'll scrape some fucking plaster off the wall

735
00:44:20,760 --> 00:44:23,360
Speaker 1: with at the at the at the construction project. Is

736
00:44:23,360 --> 00:44:29,160
Speaker 1: that not true? No, you're aligning morefucking man, Yo, what else? Man?

737
00:44:29,800 --> 00:44:32,680
Speaker 1: The Iron rap coor podcast? They wait, wait, hold on,

738
00:44:32,719 --> 00:44:38,880
Speaker 1: hold on what what they fucking tazard? This is the cops.

739
00:44:38,920 --> 00:44:41,840
Speaker 1: They tazared I was gonna do a drop after the

740
00:44:42,120 --> 00:44:47,719
Speaker 1: after Black Ahead. They tazared an autistic guy in in

741
00:44:47,760 --> 00:44:52,120
Speaker 1: the Bronx because the cops came to him and they

742
00:44:52,239 --> 00:44:56,440
Speaker 1: mistakenly I thought that he was being you know, not

743
00:44:56,640 --> 00:45:00,239
Speaker 1: cooperating because he couldn't talk, So they tased of him

744
00:45:00,400 --> 00:45:04,560
Speaker 1: like he has an autism recently. Yeah, and I'm saying

745
00:45:04,800 --> 00:45:06,840
Speaker 1: if they fucked my whole ship up, because that's the

746
00:45:06,840 --> 00:45:13,280
Speaker 1: ship I use. When they pull me over, I act

747
00:45:13,360 --> 00:45:21,120
Speaker 1: like I'm an autistic mother. License and registration and you

748
00:45:21,160 --> 00:45:25,920
Speaker 1: start rocking back and forth, you do that? Yeah, I

749
00:45:26,320 --> 00:45:30,279
Speaker 1: did that one time. Get the funk out here, I said,

750
00:45:30,360 --> 00:45:39,480
Speaker 1: He said, license of registrator. Yo, no disrespect to autism.

751
00:45:39,520 --> 00:45:42,359
Speaker 1: But as a black person, you gotta have strategy. You know,

752
00:45:43,480 --> 00:45:47,320
Speaker 1: you gotta have strategy to deal with these motherfucker's ship.

753
00:45:47,560 --> 00:45:51,800
Speaker 1: Come up with ship yo, to save your ship. G Moody,

754
00:45:51,840 --> 00:45:53,800
Speaker 1: you're on the yo. This is the fucking This is

755
00:45:53,800 --> 00:45:57,800
Speaker 1: an m v P fucking broadcast from G Moody. G

756
00:45:58,360 --> 00:46:01,200
Speaker 1: Moody is on that fucking Richard. See, you should be

757
00:46:01,239 --> 00:46:06,000
Speaker 1: a stand up comedian. This dude could be on that

758
00:46:06,080 --> 00:46:08,080
Speaker 1: fucking Dave Chappelle. You like, what do you? I know

759
00:46:08,200 --> 00:46:10,839
Speaker 1: he could do it. I know and I'm not just

760
00:46:10,880 --> 00:46:14,359
Speaker 1: talking to fucking Street Corner ship. I know he can

761
00:46:14,400 --> 00:46:16,680
Speaker 1: do it. He's been saying funny ship like this for

762
00:46:16,920 --> 00:46:22,200
Speaker 1: our whole life. What you got bro? Do your drops man?

763
00:46:22,239 --> 00:46:26,279
Speaker 1: I gotta take a squirt you're not gonna do the

764
00:46:26,400 --> 00:46:29,759
Speaker 1: drop for me. You're sleeping on the fucking bed. You're

765
00:46:29,800 --> 00:46:32,680
Speaker 1: sleeping on a Casper mattress. I gotta I can't, I

766
00:46:32,719 --> 00:46:35,239
Speaker 1: can't leave. How can we not fuck? How could you

767
00:46:35,320 --> 00:46:38,840
Speaker 1: not do your drop for Casper Mattress. The Iron Rappaport

768
00:46:38,960 --> 00:46:46,120
Speaker 1: podcast is sponsored by Casper Mattresses. Go to Casper dot com.

769
00:46:46,440 --> 00:46:50,320
Speaker 1: You say fifty dollars off your purchase of it already

770
00:46:50,440 --> 00:46:55,359
Speaker 1: cheap comfortable mattress comfort. G Moody. How are you enjoying

771
00:46:55,400 --> 00:46:58,360
Speaker 1: your cast from Mattress? I can't get enough, man, you

772
00:46:58,440 --> 00:47:00,680
Speaker 1: love it. I can't get enough of it. I've never

773
00:47:01,440 --> 00:47:03,680
Speaker 1: I didn't know a mattress meant you saw me? Mother.

774
00:47:03,880 --> 00:47:09,160
Speaker 1: I slept in the tub. That's that's real ship, G. Moody.

775
00:47:09,360 --> 00:47:13,319
Speaker 1: During the summertime eighties seven, eighties five, something like that.

776
00:47:13,680 --> 00:47:16,480
Speaker 1: I had a mosquito problem in my fucking house man,

777
00:47:18,040 --> 00:47:20,520
Speaker 1: and I couldn't kill all the motherfucker's right, and it

778
00:47:20,719 --> 00:47:24,160
Speaker 1: was buzzing around my ear, driving me nuts. So I

779
00:47:24,200 --> 00:47:28,000
Speaker 1: went into the bathroom and I slept in the tub. So,

780
00:47:28,080 --> 00:47:33,040
Speaker 1: of course, my Casper, you're your Casper. I love my

781
00:47:33,160 --> 00:47:37,120
Speaker 1: Casper Mattress. Go to casper dot com c A sp

782
00:47:37,520 --> 00:47:40,600
Speaker 1: R check out. The website used the promo code wrapp

783
00:47:40,600 --> 00:47:45,520
Speaker 1: report r A P A p O r T. Let's

784
00:47:45,560 --> 00:47:49,879
Speaker 1: talk about Ringing Simone and her dumb ass You want

785
00:47:49,880 --> 00:47:53,120
Speaker 1: to start on her as one day you you fucking

786
00:47:53,160 --> 00:47:56,040
Speaker 1: put the icing on the cake with this ship. She said,

787
00:47:56,840 --> 00:48:01,400
Speaker 1: Raven Simone, who her name is Raven Simone. First of all,

788
00:48:01,440 --> 00:48:05,759
Speaker 1: your name is Raven Simon. And she said, and your

789
00:48:05,840 --> 00:48:10,040
Speaker 1: name is Raven Simone. And she says, I'm from every

790
00:48:10,320 --> 00:48:15,280
Speaker 1: continent in Africa and every continent in Europe. Let everyone

791
00:48:15,360 --> 00:48:20,439
Speaker 1: marinate on that that fucking statement. Break it down. I'm

792
00:48:20,480 --> 00:48:25,000
Speaker 1: from every continent in Africa and every continent in Europe.

793
00:48:26,560 --> 00:48:28,200
Speaker 1: We're not gonna go too much because this is a

794
00:48:28,280 --> 00:48:31,600
Speaker 1: dumb motherfucker man. And and and I'm not gonna give

795
00:48:31,640 --> 00:48:37,040
Speaker 1: you the energy. You're dumb. Why explain what you mean?

796
00:48:37,600 --> 00:48:44,040
Speaker 1: Africa is one continent. You're dumb? Fuck you see cute, right,

797
00:48:44,200 --> 00:48:47,040
Speaker 1: you're on TV. You got your fucking you got your

798
00:48:47,040 --> 00:48:51,600
Speaker 1: crusty clown hair. Here's red right, you know, mildy color

799
00:48:51,680 --> 00:48:55,200
Speaker 1: blind people. She got that crusty clown ship, that bozo ship.

800
00:48:55,560 --> 00:48:58,919
Speaker 1: You got Bozo the clown hair do all that? Cause

801
00:48:59,040 --> 00:49:01,480
Speaker 1: your name is Raven Simon. And the reason why I

802
00:49:01,560 --> 00:49:04,520
Speaker 1: keep saying that she's talking about black names. Oh yes,

803
00:49:06,040 --> 00:49:09,799
Speaker 1: you're up there trying to front stop front Yo. You

804
00:49:09,840 --> 00:49:12,240
Speaker 1: look yo. I'm gonna tell you, I'm not gonna exult

805
00:49:12,280 --> 00:49:15,080
Speaker 1: her looks because it's not about her looks. It's about

806
00:49:15,160 --> 00:49:17,360
Speaker 1: something that comes out of her spirit that I don't like.

807
00:49:17,440 --> 00:49:19,080
Speaker 1: I'm not to say this as a devil or anything

808
00:49:19,120 --> 00:49:21,319
Speaker 1: like that. I'm not. I'm not saying anything crazy like that.

809
00:49:21,480 --> 00:49:25,280
Speaker 1: But there's something about the Raven Simon. Maybe it's a character.

810
00:49:25,360 --> 00:49:27,319
Speaker 1: It could be a character on the TV show, but

811
00:49:27,360 --> 00:49:29,880
Speaker 1: you are playing yourself, so there has to be like

812
00:49:29,920 --> 00:49:31,480
Speaker 1: when I go up there and I'm talking about ship

813
00:49:32,040 --> 00:49:34,960
Speaker 1: as Michael Rappaport, I'm responsible for myself whether I'm want

814
00:49:34,960 --> 00:49:37,840
Speaker 1: to talk show or whatever. There's something about Raven Simone

815
00:49:37,840 --> 00:49:43,359
Speaker 1: that comes off not nice, mean spirited, mean spirited. And

816
00:49:43,400 --> 00:49:46,080
Speaker 1: you said that bullshit about at us. You're talking about us,

817
00:49:46,080 --> 00:49:49,000
Speaker 1: She's talking about your own people. You up there, this

818
00:49:49,200 --> 00:49:53,160
Speaker 1: in your own people? So what their names are Hunique

819
00:49:53,320 --> 00:49:56,200
Speaker 1: or tarn Asia? And this your name is Raven Simone?

820
00:49:56,600 --> 00:49:59,319
Speaker 1: So what and you know? And you do you know

821
00:49:59,360 --> 00:50:01,160
Speaker 1: they're they're like, if you look up Raven someone she

822
00:50:01,280 --> 00:50:04,320
Speaker 1: had her hair like, talk about those are ghetto names.

823
00:50:04,360 --> 00:50:07,799
Speaker 1: Those are essentially ghetto hair, dude, no disrespect, but they

824
00:50:07,800 --> 00:50:10,960
Speaker 1: would be considered that whole term ghetto. That ship is

825
00:50:11,000 --> 00:50:14,600
Speaker 1: whacked anyway, But she's saying these ghetto ass names, right.

826
00:50:14,719 --> 00:50:17,239
Speaker 1: You see when you have your ship all crazy with

827
00:50:17,360 --> 00:50:20,799
Speaker 1: that's that's from the hood. No, that's some other ship.

828
00:50:21,080 --> 00:50:23,439
Speaker 1: That's Spikes ship and all that. You know what I'm saying,

829
00:50:23,440 --> 00:50:25,720
Speaker 1: Like when the old pictures with her ship in braids,

830
00:50:26,800 --> 00:50:29,760
Speaker 1: that's black culture. And then you're up there talking about

831
00:50:29,800 --> 00:50:35,160
Speaker 1: bullshit self hate up on TV. Why not say nothing?

832
00:50:36,520 --> 00:50:38,840
Speaker 1: You don't like those names? What you want motherfucker's to

833
00:50:38,840 --> 00:50:42,440
Speaker 1: be named Jane and your name is ravens Raven and

834
00:50:42,440 --> 00:50:46,080
Speaker 1: that's fine too, Yo. A name is a name. Break

835
00:50:46,120 --> 00:50:50,040
Speaker 1: it down to why your name isn't fucking Amy or Jennifer,

836
00:50:50,640 --> 00:50:54,799
Speaker 1: Like you should be celebrating that ship to try and

837
00:50:55,440 --> 00:51:00,759
Speaker 1: be different. You don't understand they're gonna let you go

838
00:51:00,800 --> 00:51:02,839
Speaker 1: off that show anyway, just just how they do. It's

839
00:51:02,840 --> 00:51:04,640
Speaker 1: not like that show is the end all beer. You're

840
00:51:04,760 --> 00:51:07,920
Speaker 1: up there talking all that ship to try to appease

841
00:51:07,960 --> 00:51:10,040
Speaker 1: these motherfucker's and make a name for yourself and then

842
00:51:10,080 --> 00:51:12,200
Speaker 1: they're gonna be the ones who let you go. That's

843
00:51:12,200 --> 00:51:14,360
Speaker 1: a revolving door over there. What is it the view?

844
00:51:15,680 --> 00:51:17,719
Speaker 1: She looked like she's like under thirty. She looks like

845
00:51:17,719 --> 00:51:21,520
Speaker 1: a woman who's struggling through menopause. Raven Samone looks like

846
00:51:21,560 --> 00:51:24,600
Speaker 1: a woman, And I no disrespect to menopause. It's it's

847
00:51:24,640 --> 00:51:26,960
Speaker 1: it's that's that's all I'm saying. She looks like a

848
00:51:26,960 --> 00:51:30,640
Speaker 1: woman who's struggling through menopause. And I don't think she's thirty.

849
00:51:32,520 --> 00:51:35,000
Speaker 1: That says something about like about like what she comes

850
00:51:35,040 --> 00:51:36,920
Speaker 1: off and she's like she got like her back hurts

851
00:51:37,000 --> 00:51:39,080
Speaker 1: or something, or she got like a funked up like

852
00:51:39,160 --> 00:51:41,680
Speaker 1: she got like a like a nail infection in her foot.

853
00:51:42,320 --> 00:51:45,719
Speaker 1: And think about the name that they uh they would

854
00:51:45,719 --> 00:51:49,799
Speaker 1: focus that. There's nobody named Watermelon Dree or whatever that

855
00:51:49,880 --> 00:51:53,319
Speaker 1: ship work. That's just some some sambo ship that they're

856
00:51:53,320 --> 00:51:57,919
Speaker 1: doing on TV. Nobody names their kid that I've never

857
00:51:57,960 --> 00:52:01,040
Speaker 1: heard that Watermelon Dree. And even if they are, your

858
00:52:01,080 --> 00:52:03,640
Speaker 1: name is Raven Simone. You got crusty the clown hair.

859
00:52:03,800 --> 00:52:06,640
Speaker 1: What the fund is you talking? About you look crazy

860
00:52:07,000 --> 00:52:10,239
Speaker 1: and you're trying to diss people. All that Cosby show,

861
00:52:10,320 --> 00:52:13,560
Speaker 1: all that ship's breaking up, all that show. I never

862
00:52:13,640 --> 00:52:17,160
Speaker 1: was looked at these motherfuckers. That's a show, the TV show.

863
00:52:17,480 --> 00:52:20,799
Speaker 1: These motherfucker's just that they played those characters. Look at

864
00:52:20,880 --> 00:52:24,440
Speaker 1: fucking my man Todd Bridges. People say, oh my, oh

865
00:52:24,800 --> 00:52:28,080
Speaker 1: these were but for you crazy. If you believe that

866
00:52:28,120 --> 00:52:35,200
Speaker 1: what you see of a TV show, you're crazy. Oh

867
00:52:35,840 --> 00:52:38,440
Speaker 1: how could the swear to do motherfucker? You don't know

868
00:52:38,600 --> 00:52:44,479
Speaker 1: him talking about Bill? Oh like the Black Family where

869
00:52:44,480 --> 00:52:48,239
Speaker 1: I come from, right, the only doctors your motherucking seen

870
00:52:48,360 --> 00:52:56,040
Speaker 1: was E. M. S. Motherfucker's So that really is fake.

871
00:52:57,960 --> 00:53:01,640
Speaker 1: So for me to see the ship crumble, I don't

872
00:53:01,680 --> 00:53:06,040
Speaker 1: know none of them. That's real ship. I don't know

873
00:53:06,120 --> 00:53:09,600
Speaker 1: none of those people. So it's not surprised. Ain't motherfucker's

874
00:53:09,920 --> 00:53:15,520
Speaker 1: of course, right you Some people look at that as

875
00:53:15,840 --> 00:53:21,640
Speaker 1: being us. No it, no it, you don't think that.

876
00:53:21,960 --> 00:53:26,520
Speaker 1: But people think he Bill Cosby pushed and pushed and

877
00:53:26,600 --> 00:53:29,399
Speaker 1: pushed to get that image out there, And then it's

878
00:53:29,520 --> 00:53:32,279
Speaker 1: really even more fun up if these allegations are true,

879
00:53:32,280 --> 00:53:35,320
Speaker 1: because it's the same guy that was doing the wildest

880
00:53:35,360 --> 00:53:37,880
Speaker 1: ship and then and then later on started shipping on

881
00:53:37,960 --> 00:53:41,279
Speaker 1: the same people that he made the fucking image for,

882
00:53:42,480 --> 00:53:44,759
Speaker 1: like that Cosby ship, like he said, this is to

883
00:53:44,840 --> 00:53:47,440
Speaker 1: show this image. And then but then you're shipping on

884
00:53:48,000 --> 00:53:51,080
Speaker 1: the same you're saying people. But by the way the

885
00:53:51,200 --> 00:53:55,040
Speaker 1: universe works, you get it in the end, you see,

886
00:53:55,200 --> 00:53:58,319
Speaker 1: or you get it in the ass. You get it

887
00:53:58,360 --> 00:54:00,719
Speaker 1: in the end. You get it in the end, or

888
00:54:00,760 --> 00:54:05,400
Speaker 1: you get it in the ass. So getting getting it

889
00:54:05,440 --> 00:54:07,480
Speaker 1: in the ass it's one of one of the scene

890
00:54:07,760 --> 00:54:12,000
Speaker 1: legacy destroyed. You might as well not even been acting. Damn.

891
00:54:13,320 --> 00:54:15,200
Speaker 1: And now they go back to your bits in the

892
00:54:15,280 --> 00:54:19,000
Speaker 1: record and they hear you're talking about putting Spanish fly,

893
00:54:19,680 --> 00:54:22,640
Speaker 1: talking greasy in sixty nine. He was, Oh, yeah, I

894
00:54:22,680 --> 00:54:27,600
Speaker 1: was fantasizing about putting Spanish fly. He was talking greasy,

895
00:54:27,840 --> 00:54:31,560
Speaker 1: talking greasy. And now your whole ship is over. Oh

896
00:54:31,640 --> 00:54:37,560
Speaker 1: your doctorates, give me that ship back. All the murals

897
00:54:37,560 --> 00:54:45,760
Speaker 1: in Philadelphia scrubbing them? So did in Philadelphia? I didn't?

898
00:54:45,800 --> 00:54:50,280
Speaker 1: Did they really? Yes? So it's like you never acted

899
00:54:50,640 --> 00:54:54,480
Speaker 1: like you never did comedy. Damn. And then now what's next?

900
00:54:54,719 --> 00:54:57,960
Speaker 1: Death is next? Damn. G Moody, You're fucking this is

901
00:54:58,360 --> 00:55:01,680
Speaker 1: m v P. This is like your Russell what's your

902
00:55:01,760 --> 00:55:04,960
Speaker 1: Russell Westbrook fucking game. This is like when you're like,

903
00:55:05,000 --> 00:55:09,759
Speaker 1: you know, fuck you, I'm like grab Moses Malone with

904
00:55:09,800 --> 00:55:16,640
Speaker 1: with I Kim Yes that ship. American Giants sponsors the

905
00:55:16,640 --> 00:55:21,440
Speaker 1: Iron Rapport podcast. Go to American hyphen Giant dot com.

906
00:55:21,719 --> 00:55:26,080
Speaker 1: Check it out. T shirts, sweatshirts, American made, American manufactured,

907
00:55:26,400 --> 00:55:29,560
Speaker 1: the slogan for American Giant that we created this American

908
00:55:29,640 --> 00:55:35,080
Speaker 1: Giant Clothing champion. Can't funk with this ship, Joe. So

909
00:55:36,320 --> 00:55:38,840
Speaker 1: the Mets beat the fucking ship out of the Cubs.

910
00:55:40,160 --> 00:55:42,040
Speaker 1: All right, this is this is baseball. We we don't

911
00:55:42,040 --> 00:55:45,600
Speaker 1: really talk about baseball with those poor fucking Chicago Cubs fans.

912
00:55:46,600 --> 00:55:50,200
Speaker 1: They haven't won a fucking anything, and and and and

913
00:55:50,200 --> 00:55:53,000
Speaker 1: and I don't even know when. And I say, so what,

914
00:55:53,600 --> 00:55:56,759
Speaker 1: fuck them? You can't win the championship when you want

915
00:55:56,760 --> 00:55:58,560
Speaker 1: to win it. Yeah, you don't win it. You don't

916
00:55:58,560 --> 00:56:02,800
Speaker 1: win it. Now you got another curse, yeah, bart Man,

917
00:56:03,000 --> 00:56:05,880
Speaker 1: you gotta fulfill that one. So you've got another hundred years.

918
00:56:05,920 --> 00:56:08,000
Speaker 1: I think I think that the curse of the bart

919
00:56:08,040 --> 00:56:12,440
Speaker 1: Man is gonna come back to bite Chicago Cubs fans

920
00:56:12,440 --> 00:56:15,200
Speaker 1: in the ask the way they treated Bartman when he

921
00:56:15,280 --> 00:56:19,320
Speaker 1: fucked that up back then. He's just an innocent, frumpy

922
00:56:19,320 --> 00:56:22,239
Speaker 1: guy at the game with his walkman on. You know,

923
00:56:22,560 --> 00:56:25,640
Speaker 1: he made the mistake. He touched the ball and and

924
00:56:25,760 --> 00:56:27,279
Speaker 1: then and then all of a sudden, you guys can't

925
00:56:27,320 --> 00:56:30,960
Speaker 1: win a game. That's not his fault. Gentleman's sport spit

926
00:56:31,040 --> 00:56:33,200
Speaker 1: the fans of spitting on the guy. He had to leave.

927
00:56:33,280 --> 00:56:36,040
Speaker 1: He's in hiding ever since. He's like somewhere in Florida

928
00:56:36,160 --> 00:56:39,600
Speaker 1: or something like that for a game. I think that

929
00:56:39,640 --> 00:56:43,920
Speaker 1: they need to make reparations with bart Man before you

930
00:56:43,960 --> 00:56:48,040
Speaker 1: even consider winning it. And also, the Chicago Cubs have

931
00:56:48,160 --> 00:56:53,279
Speaker 1: this coach who's wearing some Elvis Costello porn decks or glasses.

932
00:56:54,280 --> 00:56:56,200
Speaker 1: Who the funk is gonna? I know this guy? What

933
00:56:56,280 --> 00:56:59,840
Speaker 1: is his name? Madden? Joe Madden, John Madden, Joe Madden,

934
00:56:59,880 --> 00:57:02,160
Speaker 1: the coach of the Chicago Cubs. We don't know anything

935
00:57:02,160 --> 00:57:04,520
Speaker 1: about baseball. We don't fact check, we don't proclaim to

936
00:57:04,520 --> 00:57:07,800
Speaker 1: know anything about baseball. But it's baseball time. The coach

937
00:57:07,880 --> 00:57:11,040
Speaker 1: of of of of of of the Chicago clubs before

938
00:57:11,040 --> 00:57:14,200
Speaker 1: they got their assp he's out there with coke bottle glasses.

939
00:57:15,680 --> 00:57:17,760
Speaker 1: You look like a fucking asshole. You're supposed to be

940
00:57:17,840 --> 00:57:22,040
Speaker 1: leading men magnifying glasses. Yeah, you're out there. We we

941
00:57:22,200 --> 00:57:25,640
Speaker 1: some some coke bottle ship. You look like mr asshole.

942
00:57:26,440 --> 00:57:31,040
Speaker 1: Were take the glasses off. They make contacts, now, my man,

943
00:57:31,360 --> 00:57:33,120
Speaker 1: I don't know if you know that, but they do

944
00:57:33,200 --> 00:57:36,080
Speaker 1: make contacts. Yeah, you look like you look crazy. You

945
00:57:36,120 --> 00:57:39,520
Speaker 1: look nuts. I've never seen a manager with coke bottle glasses.

946
00:57:39,720 --> 00:57:42,880
Speaker 1: It looks like him. Yeah, he looks like a Halloween costume.

947
00:57:42,920 --> 00:57:45,320
Speaker 1: And ship looks like like the coke bottle glasses. But

948
00:57:45,360 --> 00:57:50,120
Speaker 1: then they magnify the eyeballs. He looks sick. Yo, That's

949
00:57:50,120 --> 00:57:52,880
Speaker 1: why I think. Also, I don't think your players are

950
00:57:53,160 --> 00:57:56,120
Speaker 1: listening to you, kid. Yeah, you can't see his fucking eye? Yeah,

951
00:57:56,120 --> 00:57:58,480
Speaker 1: how am I supposed to fucking you know? Respect my

952
00:57:58,520 --> 00:58:01,120
Speaker 1: coach when he's saying, dude, you know a squeeze bunt?

953
00:58:01,480 --> 00:58:03,280
Speaker 1: I I don't know what the fund your sa are?

954
00:58:03,280 --> 00:58:05,920
Speaker 1: You are you seriously and not serious? Your eyes are

955
00:58:05,960 --> 00:58:13,720
Speaker 1: bugging out at me. We're em c Ricky p slick rick.

956
00:58:15,000 --> 00:58:19,040
Speaker 1: This is Ricky p All Ricky Rickey pe yall. That's

957
00:58:19,040 --> 00:58:21,000
Speaker 1: an old a slick Ricky lyric when he was just

958
00:58:21,120 --> 00:58:24,760
Speaker 1: Rickey d rickey Y or Ricky Rickety ll Rickety or

959
00:58:24,960 --> 00:58:29,680
Speaker 1: Ricky Ricketty. Remember that ship. But it's Ricky p rick Pattino,

960
00:58:31,080 --> 00:58:38,360
Speaker 1: the fucking the snake, the snake oil salesman, the coach

961
00:58:38,400 --> 00:58:43,240
Speaker 1: from Louisville, allegedly because he he's not gonna make it

962
00:58:43,280 --> 00:58:47,600
Speaker 1: through the season. I don't think. Right before basketball season starts,

963
00:58:49,480 --> 00:58:55,120
Speaker 1: it's come out that boosters. We're taking the young recruits

964
00:58:55,120 --> 00:58:59,640
Speaker 1: that were coming to Louisville to get their freak on

965
00:59:00,360 --> 00:59:03,920
Speaker 1: seventeen eighteen year old, nineteen year old kids. We're getting

966
00:59:03,960 --> 00:59:06,680
Speaker 1: going into the not the brothel where my man Lamar

967
00:59:06,800 --> 00:59:10,560
Speaker 1: was at some other ship. And the kids have confirmed,

968
00:59:10,960 --> 00:59:15,560
Speaker 1: many kids have confirmed. And then the prostitute came on ESPN.

969
00:59:15,680 --> 00:59:18,000
Speaker 1: Inside the line, she said, I have no reason to lie.

970
00:59:18,040 --> 00:59:20,280
Speaker 1: I have no but I don't there's no benefit for

971
00:59:20,400 --> 00:59:23,000
Speaker 1: me to lie. She had an ill wig on and

972
00:59:23,040 --> 00:59:26,360
Speaker 1: I'm pretty sure she had she had some uh uh,

973
00:59:26,480 --> 00:59:29,560
Speaker 1: some green contacts in her eyes. She remembered Donnie Simpson

974
00:59:29,680 --> 00:59:33,320
Speaker 1: from from uh from BT. He was cold, he had

975
00:59:33,360 --> 00:59:36,840
Speaker 1: them them green. She had the Donnie Simpson uh. She

976
00:59:36,960 --> 00:59:39,080
Speaker 1: said she knew she was going on TV. She couldn't

977
00:59:39,080 --> 00:59:42,920
Speaker 1: be in her full blackness. Her ships were like green

978
00:59:43,000 --> 00:59:45,240
Speaker 1: or brown. I don't know, I'm color blind. Not only

979
00:59:45,520 --> 00:59:47,880
Speaker 1: is this the Iron Rapports podcast where where we don't

980
00:59:47,920 --> 00:59:51,840
Speaker 1: fact check, uh, one of us uh steering the steering

981
00:59:51,880 --> 00:59:53,880
Speaker 1: wheels color blind. So we we got a lot of

982
00:59:54,200 --> 00:59:59,080
Speaker 1: strikes against us. But Rick Pettino, he's a wild cowboy.

983
00:59:59,320 --> 01:00:02,640
Speaker 1: You cannot say you didn't know that this was going on.

984
01:00:02,840 --> 01:00:05,480
Speaker 1: You knew it was going on. I told the story

985
01:00:05,480 --> 01:00:07,640
Speaker 1: about when I was in a uh and in one

986
01:00:07,640 --> 01:00:09,840
Speaker 1: of these places when I was with a high level

987
01:00:10,080 --> 01:00:15,200
Speaker 1: high school basketball theologist. I was sixteen. They took me

988
01:00:15,240 --> 01:00:16,760
Speaker 1: and and they were trying to get him. They didn't

989
01:00:16,760 --> 01:00:18,439
Speaker 1: give a funk about me, but he dragged me along.

990
01:00:18,480 --> 01:00:20,800
Speaker 1: I will not name names, and we went to the

991
01:00:20,920 --> 01:00:24,240
Speaker 1: to the spot I didn't know. I had only been

992
01:00:24,280 --> 01:00:28,320
Speaker 1: with one woman at the time, you know, and they

993
01:00:28,320 --> 01:00:29,680
Speaker 1: were trying to get him to go to I'm not

994
01:00:29,680 --> 01:00:33,600
Speaker 1: going to name the college, but this is factual. UH.

995
01:00:33,760 --> 01:00:38,560
Speaker 1: This goes on, and if you're like a young basketball player,

996
01:00:39,200 --> 01:00:41,200
Speaker 1: this goes on. And it was going on to Louise

997
01:00:41,560 --> 01:00:46,200
Speaker 1: and and Rick Pettino, he was accused and wasn't confirmed

998
01:00:46,200 --> 01:00:50,080
Speaker 1: that he was freaking off in nine in an apple Bee's.

999
01:00:50,120 --> 01:00:51,960
Speaker 1: And not only was he freaking off, he was but ass.

1000
01:00:52,520 --> 01:00:54,480
Speaker 1: But he didn't even just like pull his ship down.

1001
01:00:54,520 --> 01:00:56,240
Speaker 1: He went. He took all his ship off in an

1002
01:00:56,240 --> 01:00:59,040
Speaker 1: apple bee And you gotta be wild to do that,

1003
01:00:59,120 --> 01:01:02,400
Speaker 1: Like you know, I don't give a I always say,

1004
01:01:03,200 --> 01:01:07,840
Speaker 1: rarely do you catch me fully butt ass for a

1005
01:01:07,920 --> 01:01:11,040
Speaker 1: prolonged period of time, because I always feel like, what

1006
01:01:11,160 --> 01:01:13,120
Speaker 1: if something happens, what do you mean You're in the

1007
01:01:13,120 --> 01:01:16,240
Speaker 1: safety of your own horn. That's when you never know

1008
01:01:16,280 --> 01:01:18,640
Speaker 1: if some ship happened, and you don't want to have

1009
01:01:18,720 --> 01:01:21,000
Speaker 1: to if something happens on top of it, you have

1010
01:01:21,040 --> 01:01:23,280
Speaker 1: to run in the street but ass with no shoes,

1011
01:01:23,360 --> 01:01:28,320
Speaker 1: no flip pops, but ass running down fucking first Avenue

1012
01:01:29,160 --> 01:01:33,320
Speaker 1: with nothing on because a water pipe broken they needed

1013
01:01:33,360 --> 01:01:35,720
Speaker 1: you out in media, I don't know, So I always

1014
01:01:35,800 --> 01:01:38,000
Speaker 1: try to keep on at least some boxer shorts or

1015
01:01:38,040 --> 01:01:43,240
Speaker 1: some basketball shorts or something, because like a warrant sappy,

1016
01:01:43,600 --> 01:01:46,439
Speaker 1: he was caught butt ass in the hallwayway, you didn't

1017
01:01:46,480 --> 01:01:51,080
Speaker 1: need to be but ass. Keep a T shirt shorts

1018
01:01:51,200 --> 01:01:53,800
Speaker 1: or or a T shirtor something. I always have the

1019
01:01:53,880 --> 01:01:57,160
Speaker 1: shorts something you can't be but asked for you shower whatever,

1020
01:01:57,200 --> 01:02:00,640
Speaker 1: but like yo, you can't be but not not not

1021
01:02:00,640 --> 01:02:03,920
Speaker 1: not not no. So the head coach was but the

1022
01:02:03,960 --> 01:02:07,120
Speaker 1: head coach was bass and Applebee's freaking off. He was

1023
01:02:07,200 --> 01:02:10,560
Speaker 1: married and and they always talk about Rick Pattino. It's

1024
01:02:10,600 --> 01:02:13,680
Speaker 1: such a oh my god, he's such a humanity with

1025
01:02:13,760 --> 01:02:17,439
Speaker 1: the kids, he's so oh yeah, yeah, that's that's mood.

1026
01:02:17,480 --> 01:02:19,680
Speaker 1: He's a Dick Vitell impression. That's a really good impression

1027
01:02:19,720 --> 01:02:25,120
Speaker 1: of he goes, oh, you know, oh, you know, coach

1028
01:02:25,240 --> 01:02:28,200
Speaker 1: Rick Pettino, and then he brings it down. He's a great,

1029
01:02:28,240 --> 01:02:32,000
Speaker 1: he's a great. He's great with these kids. He's teaching

1030
01:02:32,040 --> 01:02:35,880
Speaker 1: them the game. He's allowing him to freak off. He's

1031
01:02:35,880 --> 01:02:39,320
Speaker 1: a lay. He's taking him to whorehouses. It almost sounds

1032
01:02:39,320 --> 01:02:42,440
Speaker 1: like Iello, but Illo and Dick Vitel have a similar canaanence.

1033
01:02:42,480 --> 01:02:48,120
Speaker 1: I have to get the the the Dick Vitel. Chris

1034
01:02:48,160 --> 01:02:52,760
Speaker 1: Bouchard u Uh wanted to chime in on it. Sources

1035
01:02:52,840 --> 01:02:57,280
Speaker 1: have told me that coach Rick Pattino has taken numerous

1036
01:02:57,320 --> 01:03:01,320
Speaker 1: players to whorehouses to freak off in Louisville. So I

1037
01:03:01,360 --> 01:03:04,000
Speaker 1: says that I have also told me that these young

1038
01:03:04,080 --> 01:03:07,840
Speaker 1: men would come back on their own accord to freak off.

1039
01:03:10,760 --> 01:03:14,120
Speaker 1: I don't know what to say, Yo. The fantasy business

1040
01:03:14,200 --> 01:03:19,680
Speaker 1: is in trouble, man. FBI is on that ship. I

1041
01:03:19,680 --> 01:03:22,760
Speaker 1: don't know. I need my fantasy football. But see the

1042
01:03:22,920 --> 01:03:25,440
Speaker 1: see one thing, just so you know, the fantasy football

1043
01:03:25,840 --> 01:03:28,720
Speaker 1: that I play, uh is a fantasy football league. It's

1044
01:03:28,760 --> 01:03:35,080
Speaker 1: a yearly thing. It's the daily fantasy sports DraftKings fan duel,

1045
01:03:35,840 --> 01:03:37,880
Speaker 1: and all those are the ones that are getting harassed

1046
01:03:39,480 --> 01:03:42,439
Speaker 1: because I love DraftKings. The thing that I love about

1047
01:03:42,480 --> 01:03:46,680
Speaker 1: DraftKings is you don't have to play all season. You know,

1048
01:03:47,040 --> 01:03:50,360
Speaker 1: like my My my Stern show league was is sixteen weeks.

1049
01:03:50,680 --> 01:03:52,600
Speaker 1: I gotta wait and then I get paid. You go

1050
01:03:52,680 --> 01:03:57,160
Speaker 1: to DraftKings and start playing one week fantasy football games now,

1051
01:03:57,200 --> 01:04:00,480
Speaker 1: and you, seriously, you still have a chance to win

1052
01:04:00,560 --> 01:04:03,400
Speaker 1: millions of dollars every fucking time you play one week

1053
01:04:03,400 --> 01:04:09,960
Speaker 1: fantasy football at DraftKings dot com. Yeah, man, man, I

1054
01:04:10,000 --> 01:04:13,160
Speaker 1: got all kinds of ship Moody. I love this episode.

1055
01:04:13,480 --> 01:04:16,240
Speaker 1: This is a no cut, iron wrapped port. This is

1056
01:04:16,240 --> 01:04:18,160
Speaker 1: like a lot, This is like a live thing. We

1057
01:04:18,200 --> 01:04:20,880
Speaker 1: want people to start emailing us. Email us at iron

1058
01:04:20,880 --> 01:04:23,320
Speaker 1: Wrapp Report dot com. We want to interact with the

1059
01:04:23,400 --> 01:04:27,480
Speaker 1: fans more. Ask us to ask questions, specifically, go to

1060
01:04:27,480 --> 01:04:31,680
Speaker 1: Iron Wrapp Report podcast on Twitter, email the questions you want,

1061
01:04:31,800 --> 01:04:34,400
Speaker 1: or email me or or or tweet the questions you

1062
01:04:34,440 --> 01:04:38,600
Speaker 1: want on Twitter. Gim Nettie's on there. What's your what's

1063
01:04:38,600 --> 01:04:44,000
Speaker 1: your Twitter handle? Gerald Moody fifteen sixties. Gerald Moody fifteen sixty,

1064
01:04:44,040 --> 01:04:48,440
Speaker 1: fifteen sixty comes from where Brownsville. My address was sixty East,

1065
01:04:48,520 --> 01:04:50,360
Speaker 1: New York. And if you want to kill him, go

1066
01:04:50,400 --> 01:04:53,360
Speaker 1: out there, because he doesn't live there anymore. They're like, oh, yeah,

1067
01:04:53,400 --> 01:04:54,960
Speaker 1: that where you're gonna tell people where he lives. He

1068
01:04:54,960 --> 01:04:58,680
Speaker 1: doesn't live there, You fuck. If you're looking for GM Nettie,

1069
01:04:59,080 --> 01:05:02,040
Speaker 1: you go out there, you say his name, somebody, Mike.

1070
01:05:02,120 --> 01:05:04,400
Speaker 1: You might have a problem though, because he's royalty out

1071
01:05:04,400 --> 01:05:09,520
Speaker 1: in Brownsville, Brooklyn. Yes. Yes, shout out to Brownsville. Yes,

1072
01:05:10,800 --> 01:05:14,440
Speaker 1: shout out to Brownsville. Looking to do a documentary. It's

1073
01:05:14,480 --> 01:05:16,760
Speaker 1: another hope and dream. I'm saying these things public so

1074
01:05:16,800 --> 01:05:19,280
Speaker 1: hopefully the public will put pressure on me to do them.

1075
01:05:19,320 --> 01:05:24,880
Speaker 1: A documentary on Brownsville, hometown place of birth, from Mike

1076
01:05:24,920 --> 01:05:33,360
Speaker 1: Tyson World b Free Pearl Washington, Sean Price, Yes, Jimmy

1077
01:05:33,440 --> 01:05:38,120
Speaker 1: Smith's Lyle Alzado, Willie Randolph, my Man still from Smith

1078
01:05:38,160 --> 01:05:48,240
Speaker 1: and Western no doubt, m Mass Days, Sean Price, Otis Wilson,

1079
01:05:48,960 --> 01:05:53,120
Speaker 1: a lot of great Chicago Bears people, a lot of

1080
01:05:53,120 --> 01:05:55,360
Speaker 1: tough people out of a lot of tragedy, a lot

1081
01:05:55,400 --> 01:05:59,200
Speaker 1: of heartbreak, a lot of fucking devastation. In Brownsville, Brooklyn,

1082
01:06:00,200 --> 01:06:02,560
Speaker 1: We're gonna do something on on Brown'swell at some point,

1083
01:06:02,720 --> 01:06:06,600
Speaker 1: we have to do something. The BRC JOCKO. Big part

1084
01:06:06,640 --> 01:06:11,080
Speaker 1: of of of my upbringing was spending time with gim

1085
01:06:11,240 --> 01:06:16,760
Speaker 1: Neetti in Brownsville, in Brooklyn in the eighties two eighty three,

1086
01:06:18,960 --> 01:06:25,640
Speaker 1: with Hell when it was Hell, Yo, all that ship

1087
01:06:25,680 --> 01:06:28,520
Speaker 1: you hear in the rap songs in eighties, it was

1088
01:06:28,600 --> 01:06:32,320
Speaker 1: that's what the the that ship, That's what was going

1089
01:06:32,360 --> 01:06:34,440
Speaker 1: on out in Brownsville, as it was going on in

1090
01:06:34,960 --> 01:06:38,320
Speaker 1: numerous numerous, numerous other places. But to go out there

1091
01:06:38,600 --> 01:06:41,760
Speaker 1: as a fucking jew prick and eight two, never having

1092
01:06:41,800 --> 01:06:44,560
Speaker 1: been to this neighborhood growing up on the East side

1093
01:06:44,560 --> 01:06:50,400
Speaker 1: of Manhattan, two different worlds, Yo, that was good. We

1094
01:06:50,480 --> 01:06:53,479
Speaker 1: saw some wild ship like Gimnettie was exposed to some ship,

1095
01:06:53,560 --> 01:06:55,240
Speaker 1: and I was exposed to some ship and there was

1096
01:06:55,280 --> 01:06:58,720
Speaker 1: a blessing. And we're bringing all those years of experience,

1097
01:06:59,160 --> 01:07:04,240
Speaker 1: twenty thirty three years of experience to the Iron Rappard

1098
01:07:04,320 --> 01:07:08,320
Speaker 1: Podcast and a lot of more fucker's saying they hip

1099
01:07:08,320 --> 01:07:12,160
Speaker 1: hop this and that were you really did? You did

1100
01:07:12,200 --> 01:07:14,320
Speaker 1: you to bring us to the beginning of the show.

1101
01:07:16,360 --> 01:07:22,280
Speaker 1: I'll frame it. We're fans disappointed that Dave Rothenberg and

1102
01:07:22,360 --> 01:07:25,640
Speaker 1: Ruco Rucco and Rothenberg aren't on ESPN, and and one

1103
01:07:25,640 --> 01:07:27,520
Speaker 1: of the shifts and the guys on there that that

1104
01:07:27,640 --> 01:07:29,720
Speaker 1: replaced them are good. I funk with Michael Kay. He's

1105
01:07:29,720 --> 01:07:33,040
Speaker 1: a legend, Alan Han and those guys. But one of

1106
01:07:33,080 --> 01:07:35,880
Speaker 1: the guys who you may or may not be familiar with,

1107
01:07:36,120 --> 01:07:38,600
Speaker 1: who worked at Hot nineties seven, I think he's still

1108
01:07:38,600 --> 01:07:41,880
Speaker 1: on there, Peter Rosenberg. He said something on the radio

1109
01:07:41,920 --> 01:07:45,080
Speaker 1: that ticked g Moody off. He said something on ninety

1110
01:07:45,120 --> 01:07:48,320
Speaker 1: eight points because now he's doing uh, he's doing uh

1111
01:07:48,360 --> 01:07:51,480
Speaker 1: sports stuff on ninety eight point seven with Michael Kay.

1112
01:07:51,520 --> 01:07:54,120
Speaker 1: I haven't heard him. Gimo Nedy year uh and and

1113
01:07:54,560 --> 01:07:57,800
Speaker 1: uh and uh. And he said something on there that

1114
01:07:57,800 --> 01:08:00,440
Speaker 1: that tick gimo off and set him off onto a tangent,

1115
01:08:01,200 --> 01:08:04,040
Speaker 1: which was what Gimonetti. Since Michael K and uh the

1116
01:08:04,120 --> 01:08:10,200
Speaker 1: Great Donald the Rerecord, they do sports here, Donald Greg seven,

1117
01:08:10,560 --> 01:08:13,560
Speaker 1: Michael K thing, so they do sports. They don't know

1118
01:08:13,560 --> 01:08:16,880
Speaker 1: about hip hop. He's into stay into other ship Bruce

1119
01:08:16,880 --> 01:08:19,439
Speaker 1: Springsteen and yeah, rock and metal and ship like that.

1120
01:08:19,960 --> 01:08:22,760
Speaker 1: This motherfucker said, all right, you know, I'm here with

1121
01:08:22,800 --> 01:08:24,840
Speaker 1: you guys, and you guys know all the sports, and

1122
01:08:24,880 --> 01:08:29,519
Speaker 1: I know all hip hop and I know hip hop,

1123
01:08:29,560 --> 01:08:31,840
Speaker 1: and I stopped in my tracks And why did you

1124
01:08:31,880 --> 01:08:35,559
Speaker 1: stop in your tracks when you heard this little arrogant

1125
01:08:35,760 --> 01:08:40,599
Speaker 1: fuck can say he knows all hip hop? Really? Yo,

1126
01:08:41,160 --> 01:08:48,200
Speaker 1: were spoony g. You ain't even from New York. You're

1127
01:08:48,240 --> 01:08:53,360
Speaker 1: not from New York. Rapp report, I could say knows

1128
01:08:53,640 --> 01:08:56,920
Speaker 1: hip hop rap you. I would never say I know

1129
01:08:57,000 --> 01:09:00,679
Speaker 1: everything about him, but you could vouch because you're coming

1130
01:09:00,720 --> 01:09:07,080
Speaker 1: around my block of three. You're in the rooftop in

1131
01:09:07,120 --> 01:09:11,000
Speaker 1: the and you never say nothing like that, and you

1132
01:09:11,040 --> 01:09:15,160
Speaker 1: were there search m C. Search could say that. He

1133
01:09:15,200 --> 01:09:18,200
Speaker 1: would never say I know everything. He's never said that.

1134
01:09:19,280 --> 01:09:23,840
Speaker 1: Prime Minister Pete Nice, it's not about race. That's why

1135
01:09:23,840 --> 01:09:27,200
Speaker 1: you're saying search, Right, it's not about race. It's it's

1136
01:09:27,200 --> 01:09:30,800
Speaker 1: the fact that these people were actually there and participated

1137
01:09:30,800 --> 01:09:33,639
Speaker 1: in in the ship and seen it with their own eyes.

1138
01:09:33,840 --> 01:09:35,600
Speaker 1: And like you said to me, I'm a fan of

1139
01:09:35,680 --> 01:09:39,920
Speaker 1: new movies. I've been watching movies my entire life. I

1140
01:09:39,960 --> 01:09:41,840
Speaker 1: did a you did a fucking play. You did a

1141
01:09:41,880 --> 01:09:44,320
Speaker 1: play in the fifth grade. Right, I'm not. But you

1142
01:09:44,320 --> 01:09:49,519
Speaker 1: can never say I know everything about acting, nor would

1143
01:09:49,520 --> 01:09:52,519
Speaker 1: Marlon Brando saying he ever knows he knows everything about acting,

1144
01:09:52,560 --> 01:09:56,400
Speaker 1: because it's an ever changing, ever growing puzzle. So I

1145
01:09:56,479 --> 01:10:01,760
Speaker 1: see why that bullshit set you off. Money. No, I've

1146
01:10:01,760 --> 01:10:04,759
Speaker 1: never seen you had no jams back in the day's word,

1147
01:10:05,760 --> 01:10:08,720
Speaker 1: And if you've never done it, you can't say that's

1148
01:10:08,760 --> 01:10:11,240
Speaker 1: one thing. It's like, That's why I think sometimes fighters

1149
01:10:11,280 --> 01:10:13,679
Speaker 1: they would get mad at Larry Merchant because they're like, Yo,

1150
01:10:13,800 --> 01:10:17,120
Speaker 1: you cover this ship and you're a fan of this ship,

1151
01:10:17,200 --> 01:10:20,000
Speaker 1: but you've never been punched in your face and been

1152
01:10:20,120 --> 01:10:23,680
Speaker 1: been scared in the tenth round of a championship fight, like, yo,

1153
01:10:23,720 --> 01:10:27,479
Speaker 1: am I gonna what's going on? Been been fucking knocked

1154
01:10:27,479 --> 01:10:29,519
Speaker 1: down and said yo, I'm gonna get up and fight.

1155
01:10:29,560 --> 01:10:32,160
Speaker 1: You've never done that, and that's why some of those

1156
01:10:32,200 --> 01:10:34,360
Speaker 1: fighters are like, they're like, yo, Larry Merchant and shut

1157
01:10:34,360 --> 01:10:36,720
Speaker 1: the funk up. No disrespect to Larry Merchant, I'm saying.

1158
01:10:36,760 --> 01:10:40,800
Speaker 1: They've said that he speaks with that arrogance, like he

1159
01:10:40,840 --> 01:10:44,800
Speaker 1: got hit in his face and right, because let me

1160
01:10:44,880 --> 01:10:48,040
Speaker 1: tell you something. I boxed one time. I got hit

1161
01:10:48,040 --> 01:10:52,800
Speaker 1: in my face one time boxing. That was enough. Once

1162
01:10:52,600 --> 01:10:55,920
Speaker 1: one punch, it was enough. I was like, I don't

1163
01:10:55,920 --> 01:10:57,640
Speaker 1: want anything to do with that. This is not for me.

1164
01:10:58,920 --> 01:11:01,920
Speaker 1: That's it. I sat down when I was training for

1165
01:11:02,080 --> 01:11:05,599
Speaker 1: Mighty Affrot Diity in wild Card gym with Freddie Roach.

1166
01:11:05,720 --> 01:11:07,920
Speaker 1: He was right there. I was sparing with a guy

1167
01:11:07,920 --> 01:11:10,559
Speaker 1: who was way better than me. The reason why I

1168
01:11:10,560 --> 01:11:12,000
Speaker 1: was spawning with a guy that was way better than me,

1169
01:11:12,040 --> 01:11:15,800
Speaker 1: no because it's safe, he's not gonna hurt me. But

1170
01:11:15,840 --> 01:11:18,559
Speaker 1: I was hitting him, not hurting him, and and and

1171
01:11:18,560 --> 01:11:21,479
Speaker 1: and he hit me boom right in my face, and

1172
01:11:21,520 --> 01:11:23,559
Speaker 1: I fuck it, sat down in the rim and they

1173
01:11:23,600 --> 01:11:25,720
Speaker 1: were like, get up. I was like, I'm good. He

1174
01:11:25,760 --> 01:11:27,800
Speaker 1: didn't knock me down, and I just I had enough

1175
01:11:29,360 --> 01:11:32,680
Speaker 1: one time, and not even hard, just to like, you know,

1176
01:11:33,800 --> 01:11:35,240
Speaker 1: just to like let me know what he was feeling

1177
01:11:35,240 --> 01:11:38,280
Speaker 1: because I was quote unquote training to for the night

1178
01:11:38,400 --> 01:11:40,160
Speaker 1: and for for Mighty affro Diity, which I didn't even

1179
01:11:40,200 --> 01:11:43,080
Speaker 1: put it on a pair of boxing gloves for. That

1180
01:11:43,160 --> 01:11:45,519
Speaker 1: was a second that was almost like we we covered

1181
01:11:45,520 --> 01:11:51,280
Speaker 1: two things and we did uh G Moody acting school

1182
01:11:51,760 --> 01:11:55,080
Speaker 1: like I I addressed the movie Mighty affrot Dity with

1183
01:11:55,760 --> 01:11:59,400
Speaker 1: Woody Allen Mirror Servino. That's my that's my my coffee

1184
01:11:59,400 --> 01:12:02,559
Speaker 1: cup here, Mirror Servino, who won an oscar for that film.

1185
01:12:02,840 --> 01:12:06,559
Speaker 1: Was my first time working with Woody Allen. I was

1186
01:12:06,640 --> 01:12:10,880
Speaker 1: so fucking excited, so amped, and I wasn't even, to

1187
01:12:10,880 --> 01:12:13,280
Speaker 1: be honest a huge Woody Allen fan, as I am

1188
01:12:13,320 --> 01:12:16,680
Speaker 1: now after that. I mean I was a fan. But

1189
01:12:16,840 --> 01:12:19,599
Speaker 1: during that filming of Mighty Affrodity in New York City

1190
01:12:19,600 --> 01:12:21,680
Speaker 1: in the fall, every night I would go to the

1191
01:12:21,760 --> 01:12:25,160
Speaker 1: video store and get VHS tapes of his movies and

1192
01:12:25,200 --> 01:12:27,040
Speaker 1: rewatch him and watch ones I hadn't seen, and I

1193
01:12:27,120 --> 01:12:31,160
Speaker 1: was like, Damn, he is that dude, Woody Allen is

1194
01:12:31,200 --> 01:12:34,800
Speaker 1: that dude. There's some people that are that dude. He's prolific.

1195
01:12:35,960 --> 01:12:38,200
Speaker 1: I was listening to this thing Howard Stern was saying

1196
01:12:38,200 --> 01:12:40,759
Speaker 1: the other day on his show. He was talking about

1197
01:12:41,600 --> 01:12:45,400
Speaker 1: geniuses and they were like he was saying, you know,

1198
01:12:45,439 --> 01:12:48,040
Speaker 1: how he's funny. He was saying, he's a genius in radio.

1199
01:12:48,120 --> 01:12:50,519
Speaker 1: How he had a vision he he and he changed it.

1200
01:12:50,680 --> 01:12:53,240
Speaker 1: And then they asked about certain like other people in

1201
01:12:53,320 --> 01:12:57,000
Speaker 1: other genres of of of comedy and records and and

1202
01:12:57,200 --> 01:12:59,800
Speaker 1: music and broadcasters in this and was he he would

1203
01:12:59,840 --> 01:13:01,760
Speaker 1: say whether they were geniuses or not, like they were

1204
01:13:01,800 --> 01:13:04,120
Speaker 1: they did a heavy thing in the comedy. And like

1205
01:13:04,160 --> 01:13:08,760
Speaker 1: he said, Steve Martin wasn't a genius. Uh, John Belushi

1206
01:13:08,840 --> 01:13:10,800
Speaker 1: wasn't a genius. Not to say that he wasn't good,

1207
01:13:10,920 --> 01:13:12,400
Speaker 1: but I think he was. What he was trying to

1208
01:13:12,400 --> 01:13:14,720
Speaker 1: say is like he was he was only given the

1209
01:13:14,720 --> 01:13:19,080
Speaker 1: genius quality, uh, the genius stamp of approval to people

1210
01:13:19,120 --> 01:13:22,640
Speaker 1: that had changed the genre. So I like, first like

1211
01:13:22,680 --> 01:13:24,400
Speaker 1: he was like, damn, Steve Martin is not a genius,

1212
01:13:24,439 --> 01:13:27,439
Speaker 1: damn uh. Dave Chappelle not a genius, damp like he

1213
01:13:27,479 --> 01:13:29,599
Speaker 1: was even on the fence, like Chris Rock not a genius.

1214
01:13:29,760 --> 01:13:33,080
Speaker 1: I think he gave Eddie Murphy the genius thing, um,

1215
01:13:34,200 --> 01:13:35,880
Speaker 1: you know. And then they were talking about music, like

1216
01:13:35,920 --> 01:13:38,599
Speaker 1: you know, like musicians. It was it was an interesting

1217
01:13:38,640 --> 01:13:40,880
Speaker 1: thing that they did on the On the Stern Show,

1218
01:13:40,920 --> 01:13:43,000
Speaker 1: like his opinion on it, like James Brown is a

1219
01:13:43,040 --> 01:13:46,519
Speaker 1: genius because he took it and he changed the whole thing.

1220
01:13:47,320 --> 01:13:49,559
Speaker 1: Why why did we get on this fund did we

1221
01:13:49,560 --> 01:13:52,040
Speaker 1: get on? I don't know, man, just keep going, fuck,

1222
01:13:52,680 --> 01:13:55,200
Speaker 1: I don't know. Oh what do you out? The reason

1223
01:13:55,240 --> 01:13:56,960
Speaker 1: why I brought up is because Woody Allen. He they

1224
01:13:56,960 --> 01:13:59,760
Speaker 1: said Woody Allen, he said not a genius, and I

1225
01:13:59,840 --> 01:14:03,880
Speaker 1: was Damn. I was like, damn, that's like and he said, like, Yo,

1226
01:14:03,960 --> 01:14:06,680
Speaker 1: he's great. His movies are great. But but I think

1227
01:14:06,680 --> 01:14:08,920
Speaker 1: Woody Allen is a genius. The reason why I would say,

1228
01:14:08,920 --> 01:14:11,040
Speaker 1: I think because I think he did create a genre

1229
01:14:11,400 --> 01:14:16,720
Speaker 1: like he created he brought cinema to the Upper east

1230
01:14:16,800 --> 01:14:20,800
Speaker 1: Side Jews in the seventies before Woody all Like, there

1231
01:14:20,800 --> 01:14:24,720
Speaker 1: were other there were other actors. There was um the

1232
01:14:24,800 --> 01:14:29,839
Speaker 1: fund is his name? Ah Man. This is Gonna Man,

1233
01:14:29,920 --> 01:14:32,519
Speaker 1: not Gilbert, it was funk Man. This is gonna drive

1234
01:14:32,520 --> 01:14:35,960
Speaker 1: me nuts, non fact checking podcast. This proves that we

1235
01:14:36,000 --> 01:14:38,960
Speaker 1: don't fact check. It'll come back to me. It'll come

1236
01:14:38,960 --> 01:14:41,559
Speaker 1: back to me anyway. So that actor who I'm gonna

1237
01:14:41,560 --> 01:14:43,679
Speaker 1: get before he was the biggest star in the world.

1238
01:14:43,960 --> 01:14:48,240
Speaker 1: But but Woody Allen to like Woody Allen like small

1239
01:14:48,360 --> 01:14:53,720
Speaker 1: Nebushi jew character with the glasses you know, um um self,

1240
01:14:53,840 --> 01:14:57,280
Speaker 1: um self, um, you know, sort of making fun of himself,

1241
01:14:57,640 --> 01:15:00,320
Speaker 1: um you know, Jewish humer like. He is one of

1242
01:15:00,360 --> 01:15:02,400
Speaker 1: the first people to bring that and he certainly was

1243
01:15:02,439 --> 01:15:04,880
Speaker 1: the first person to bring it to the two major

1244
01:15:04,960 --> 01:15:10,559
Speaker 1: motion pictures. Yeah, as a as an actor and Roland No,

1245
01:15:10,640 --> 01:15:15,840
Speaker 1: not James Brolin man, Elliot Gould, Elliot Gould, he had

1246
01:15:15,880 --> 01:15:18,320
Speaker 1: that jew but he was a fucking movie star, you know,

1247
01:15:18,360 --> 01:15:20,960
Speaker 1: Elliot Gould at one point. You look at him now

1248
01:15:21,120 --> 01:15:23,599
Speaker 1: and you know, no disrespect, but Elliot could looks like shit.

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01:15:24,240 --> 01:15:27,080
Speaker 1: He needs to get on a vegetable cleanse. Elliot Gould,

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Speaker 1: I funk with you. I'm a big fan of yours

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01:15:29,240 --> 01:15:31,040
Speaker 1: and and and I've been a fan of this for

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01:15:31,080 --> 01:15:34,760
Speaker 1: a long time. You know, he's a Brooklyn Jewel. But

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01:15:34,840 --> 01:15:36,760
Speaker 1: he needs to get on some kind of vegetable cleanse

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01:15:36,800 --> 01:15:39,840
Speaker 1: because he looks bloated as fuck, and he's gonna age.

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Speaker 1: It's gonna happen. But that's what he that's like. It's like,

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01:15:42,840 --> 01:15:46,160
Speaker 1: of course, Elliot Jewels, Ellie Gould bloated. He's Ellie Gould.

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Speaker 1: You know, he has that sort of you know, he

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Speaker 1: personifies the the the the the New York jew You know,

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Speaker 1: we're signing off trying to tell me this isn't a

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01:15:59,760 --> 01:16:02,439
Speaker 1: hip podcast. You can kiss my fucking acid next time

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Speaker 1: you do your top tens. You you can. We want

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Speaker 1: to just be in the consideration. What about what? Dean

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Speaker 1: Collins is down with us, Danny I. Yellow is down

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01:16:13,439 --> 01:16:18,240
Speaker 1: with us. Mr Morris is down with us, Miles Davis

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01:16:18,560 --> 01:16:23,200
Speaker 1: is down with us, Jordan Winter is with us, and

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01:16:23,280 --> 01:16:28,320
Speaker 1: Julian down with us. Emani Moody down with us. Keep

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Speaker 1: be done that number one? What what what