1 00:00:00,040 --> 00:00:03,680 Speaker 1: Today's episode of Daily Variety is presented by City National Bank, 2 00:00:03,840 --> 00:00:07,200 Speaker 1: proud sponsor of Power of Law, where the entertainment industry's 3 00:00:07,320 --> 00:00:11,440 Speaker 1: most influential deal makers take center stage. City National Bank 4 00:00:11,480 --> 00:00:15,880 Speaker 1: provides specialized financial solutions for entertainment lawyers and firms so 5 00:00:15,920 --> 00:00:19,840 Speaker 1: you can navigate complex deals with confidence. Learn more at 6 00:00:19,840 --> 00:00:24,720 Speaker 1: CNB dot com slash Entertainment. City National is a subsidiary 7 00:00:24,800 --> 00:00:27,440 Speaker 1: of Royal Bank of Canada member FDIC. 8 00:00:37,120 --> 00:00:39,960 Speaker 2: Welcome to Daily Variety, your daily dose of news and 9 00:00:40,000 --> 00:00:44,960 Speaker 2: analysis for entertainment industry insiders. It's Wednesday, April eighth, twenty 10 00:00:45,000 --> 00:00:48,519 Speaker 2: twenty six. I'm your host, Cynthia Littleton. I am co 11 00:00:48,680 --> 00:00:52,520 Speaker 2: editor in chief of Variety alongside Ramin Studa. I'm in LA. 12 00:00:52,760 --> 00:00:55,160 Speaker 2: He's in New York and Bridy has reporters around the 13 00:00:55,200 --> 00:00:58,720 Speaker 2: world covering the business of entertainment. On today's episode, In 14 00:00:58,800 --> 00:01:02,840 Speaker 2: our cover story segment, Variety's Michael Schneider details his reporting 15 00:01:02,960 --> 00:01:06,199 Speaker 2: and the incredible access he received to cover the fifth 16 00:01:06,200 --> 00:01:10,360 Speaker 2: and final season of HBO Max's beloved comedy Hacks and 17 00:01:10,440 --> 00:01:14,640 Speaker 2: its Power of Law day Woo Hoo. Variety Today publishes 18 00:01:14,760 --> 00:01:18,320 Speaker 2: in print and online our annual Power of Law issue, 19 00:01:18,600 --> 00:01:22,440 Speaker 2: It includes the Legal Impact Report, featuring top legal leagles 20 00:01:22,440 --> 00:01:25,360 Speaker 2: who are leading the charge in entertainment in media law. 21 00:01:25,560 --> 00:01:30,880 Speaker 2: Cindy Lynn, executive director of UCLA's ZIFFERENT Institute for Media, Entertainment, 22 00:01:30,959 --> 00:01:35,120 Speaker 2: Technology and Sports, joins us to discuss the big developments 23 00:01:35,160 --> 00:01:38,360 Speaker 2: for barristers over the past year. But before we get 24 00:01:38,400 --> 00:01:41,080 Speaker 2: to all that, here are a few headlines just in 25 00:01:41,160 --> 00:01:44,080 Speaker 2: this morning that you need to know. Save these dates. 26 00:01:44,160 --> 00:01:46,560 Speaker 2: The Motion Picture Academy has set the dates for the 27 00:01:46,600 --> 00:01:50,080 Speaker 2: next two OSCAR ceremonies. Then ninety ninth Oscars will be 28 00:01:50,120 --> 00:01:54,120 Speaker 2: held Sunday, March fourteenth to twenty seven. The one hundredth 29 00:01:54,160 --> 00:01:57,920 Speaker 2: annual gathering is set for March fifth, twenty twenty eight. Oobi, 30 00:01:58,120 --> 00:02:01,440 Speaker 2: the indie streamer and film distribution company, has struck a 31 00:02:01,520 --> 00:02:06,800 Speaker 2: deal with investment fund manager ipr VC to bankroll a 32 00:02:06,840 --> 00:02:11,640 Speaker 2: slate of prestigious European autor driven films. My colleague Elsa 33 00:02:11,720 --> 00:02:15,080 Speaker 2: Keslassi has the scoop. All of these stories and so 34 00:02:15,200 --> 00:02:18,120 Speaker 2: much more can be found on Variety dot com Right 35 00:02:18,440 --> 00:02:28,000 Speaker 2: now and now it's time for conversations with ridy journalists 36 00:02:28,000 --> 00:02:31,679 Speaker 2: about news and trends in show business. Michael Schneider Vridy's 37 00:02:31,680 --> 00:02:35,800 Speaker 2: television editor was given rare access to chronicle the fifth 38 00:02:35,880 --> 00:02:38,720 Speaker 2: and final season of Hacks. He was there for the 39 00:02:38,720 --> 00:02:41,520 Speaker 2: final day of shooting in the United States. It's been 40 00:02:41,680 --> 00:02:45,080 Speaker 2: quite a ride for Debra Vance and company. Michael Schneider, 41 00:02:45,680 --> 00:02:49,880 Speaker 2: my goodness, you have delivered us a cover story, really, 42 00:02:50,120 --> 00:02:54,000 Speaker 2: really quite a portrait of Hacks, not just in season five, 43 00:02:54,520 --> 00:02:58,000 Speaker 2: but the whole journey of this incredible show that defied 44 00:02:58,040 --> 00:03:01,720 Speaker 2: the odds. Mike, you had in credible access to cover 45 00:03:01,840 --> 00:03:05,120 Speaker 2: season five. Tell us some of the memories the experiences 46 00:03:05,120 --> 00:03:08,320 Speaker 2: that stand out to you from your very very exclusive 47 00:03:08,360 --> 00:03:11,360 Speaker 2: perch behind the scenes talking to the key creators and 48 00:03:11,400 --> 00:03:11,920 Speaker 2: the stars. 49 00:03:12,080 --> 00:03:14,640 Speaker 1: Well, the most exciting part, of course, is that I 50 00:03:14,639 --> 00:03:18,880 Speaker 1: got to fly actually to Vegas and witness in person 51 00:03:18,960 --> 00:03:21,880 Speaker 1: the final day of shooting in America for the show. 52 00:03:22,120 --> 00:03:25,680 Speaker 1: So it was quite a treat to be there and 53 00:03:25,760 --> 00:03:29,840 Speaker 1: to feel a part of that family in standing and 54 00:03:29,880 --> 00:03:32,959 Speaker 1: talking to Gene Smart and Hannah Einbeiner and the rest 55 00:03:32,960 --> 00:03:36,760 Speaker 1: of the cast and producers and share in sort of 56 00:03:36,800 --> 00:03:39,280 Speaker 1: the melancholy feeling that they had as they were winding 57 00:03:39,320 --> 00:03:41,240 Speaker 1: down and shooting some of their last scenes. 58 00:03:41,400 --> 00:03:44,040 Speaker 2: You always learn so much when you observe people in 59 00:03:44,080 --> 00:03:46,680 Speaker 2: those situations where they're waiting to do a scene. What 60 00:03:46,760 --> 00:03:49,440 Speaker 2: kind of stuff did you observe about the body language, 61 00:03:49,520 --> 00:03:51,720 Speaker 2: how the cast and crew, how they all related to 62 00:03:51,800 --> 00:03:52,240 Speaker 2: each other. 63 00:03:52,360 --> 00:03:54,800 Speaker 1: It felt like the producers knew these were the exact 64 00:03:54,840 --> 00:03:57,760 Speaker 1: scenes to do on the final day. They must have 65 00:03:58,320 --> 00:04:01,080 Speaker 1: switched around schedules to make sure that everyone was in 66 00:04:01,160 --> 00:04:03,440 Speaker 1: scenes together. Some of the final scenes I got to 67 00:04:03,440 --> 00:04:07,560 Speaker 1: witness they were just having a ball, sharing these last 68 00:04:07,600 --> 00:04:12,720 Speaker 1: moments together, laughing together and also tearing up together as 69 00:04:12,800 --> 00:04:16,080 Speaker 1: one by one the producer said, that's a series rap 70 00:04:16,240 --> 00:04:19,480 Speaker 1: on this character, or this is a US series rap 71 00:04:19,480 --> 00:04:20,520 Speaker 1: on other characters. 72 00:04:20,839 --> 00:04:23,760 Speaker 2: Gene Smart, what kind of things was she reflecting on it? 73 00:04:24,120 --> 00:04:27,159 Speaker 1: She was feeling very nostalgic thinking about the last long 74 00:04:27,240 --> 00:04:29,520 Speaker 1: running show that she was a part of, which of course, 75 00:04:29,640 --> 00:04:31,680 Speaker 1: was Designing Women. But she was at a very different 76 00:04:31,720 --> 00:04:34,479 Speaker 1: point of her life at that point. She had just 77 00:04:34,520 --> 00:04:36,719 Speaker 1: gotten married when she did Designing Women. She was just 78 00:04:36,760 --> 00:04:40,320 Speaker 1: starting to have kids, so she wasn't as zeroed in 79 00:04:40,480 --> 00:04:43,240 Speaker 1: necessarily on the day to day of working on a show. 80 00:04:43,240 --> 00:04:45,960 Speaker 1: And that also was a multi camera comedy where you're 81 00:04:45,960 --> 00:04:48,880 Speaker 1: not spending as much time with the crew with Hacks, 82 00:04:48,880 --> 00:04:52,400 Speaker 1: though it was very different. She was working living with 83 00:04:52,440 --> 00:04:54,920 Speaker 1: these folks day in and day out, and of course, 84 00:04:55,200 --> 00:04:57,560 Speaker 1: as I go into detail my story, there was so 85 00:04:57,680 --> 00:05:01,159 Speaker 1: much going on personally with both her and with the 86 00:05:01,279 --> 00:05:04,920 Speaker 1: show and with Los Angeles, all sort of leading to 87 00:05:05,000 --> 00:05:09,719 Speaker 1: this group of people bonding like few productions you've seen 88 00:05:09,839 --> 00:05:12,800 Speaker 1: because they've gone through so much together, and so I 89 00:05:12,800 --> 00:05:15,680 Speaker 1: think this is something that will really stand the test 90 00:05:15,720 --> 00:05:18,120 Speaker 1: of time for everyone involved with this show. 91 00:05:18,279 --> 00:05:20,839 Speaker 2: Debra Vance is such a TV character for the age 92 00:05:20,960 --> 00:05:24,360 Speaker 2: is even just a character name now embodies so much 93 00:05:24,560 --> 00:05:27,599 Speaker 2: about people Now. On the other end of the spectrum, 94 00:05:27,600 --> 00:05:31,000 Speaker 2: you had Hannah Einbinder, who had very little on camera 95 00:05:31,120 --> 00:05:34,480 Speaker 2: experience before Hacks, and she has not only has her 96 00:05:34,520 --> 00:05:37,440 Speaker 2: profile as an actor grown, but she tells you and 97 00:05:37,600 --> 00:05:40,480 Speaker 2: very candidly, just about how much she has grown as 98 00:05:40,520 --> 00:05:43,080 Speaker 2: a person during the course of this series. 99 00:05:43,320 --> 00:05:45,040 Speaker 1: Yeah. One of the things she points out is when 100 00:05:45,080 --> 00:05:47,760 Speaker 1: she started this show, she was just twenty four and 101 00:05:47,800 --> 00:05:50,880 Speaker 1: now she's hovering around thirty. So she feels like she 102 00:05:50,960 --> 00:05:54,200 Speaker 1: really did grow up, come of age working on this show, 103 00:05:54,400 --> 00:05:56,600 Speaker 1: and it gave her a whole new perspective on what 104 00:05:56,680 --> 00:05:58,919 Speaker 1: she wanted to do for a living. She was convinced 105 00:05:58,920 --> 00:06:00,920 Speaker 1: that she was really just going to be a stand up. 106 00:06:00,960 --> 00:06:04,159 Speaker 1: She really wasn't thinking at all about acting. But this, 107 00:06:04,160 --> 00:06:07,080 Speaker 1: this role came along, a role of a lifetime to 108 00:06:07,120 --> 00:06:10,360 Speaker 1: some degree, and it really gave her a whole new 109 00:06:10,560 --> 00:06:12,919 Speaker 1: career and a whole new perspective on what she wanted 110 00:06:12,920 --> 00:06:14,920 Speaker 1: to do with her life and who she is as 111 00:06:14,920 --> 00:06:15,400 Speaker 1: a person. 112 00:06:16,120 --> 00:06:16,279 Speaker 3: You know. 113 00:06:16,320 --> 00:06:19,599 Speaker 1: By the way, it's also given her just more strength. 114 00:06:20,040 --> 00:06:22,240 Speaker 1: Being in spotlight is hard to begin with when you're 115 00:06:22,279 --> 00:06:25,799 Speaker 1: someone that young, but she's never been afraid to speak 116 00:06:25,839 --> 00:06:29,480 Speaker 1: her truth and that's caused a lot of folks to 117 00:06:29,839 --> 00:06:33,040 Speaker 1: really hammer against her, and she's gotten plenty of criticism 118 00:06:33,040 --> 00:06:36,120 Speaker 1: online and she's had to deal with that, but she's 119 00:06:36,120 --> 00:06:40,640 Speaker 1: still really upbeat and really just isn't willing to back 120 00:06:41,040 --> 00:06:44,360 Speaker 1: back down and has real strength of character, probably even 121 00:06:44,400 --> 00:06:46,400 Speaker 1: more so, and I think being in the limelight through 122 00:06:46,480 --> 00:06:50,440 Speaker 1: Hacks really gave her that really developed that strong personality 123 00:06:50,480 --> 00:06:51,039 Speaker 1: that she has. 124 00:06:51,240 --> 00:06:54,440 Speaker 2: The three secret weapons behind Hacks, of course, are it's 125 00:06:54,480 --> 00:06:57,800 Speaker 2: three creators, Luccia n Elo, Anni Ello, Anni yellow Any, 126 00:06:57,960 --> 00:07:00,800 Speaker 2: Paul w Downs, who also plays Jim Me a key role, 127 00:07:01,000 --> 00:07:04,760 Speaker 2: and Jen Statsky. This trio has been steadfast and they 128 00:07:04,800 --> 00:07:07,599 Speaker 2: have all been on the show the whole run. Oftentimes, 129 00:07:07,680 --> 00:07:10,960 Speaker 2: you know producers will leave, but they have so clearly 130 00:07:11,000 --> 00:07:15,200 Speaker 2: loved this. It's their baby, and Paul and Luccia literally 131 00:07:15,240 --> 00:07:17,320 Speaker 2: had a baby during the run of the show. Obviously, 132 00:07:17,360 --> 00:07:19,760 Speaker 2: Paul and Lucier are a couple, so there's that bond there, 133 00:07:19,800 --> 00:07:22,520 Speaker 2: but the friendship between them, the way they just so 134 00:07:22,880 --> 00:07:26,800 Speaker 2: protect the show. It's an interesting arrangement of executive producers, 135 00:07:26,800 --> 00:07:32,160 Speaker 2: show runner, director. They're all multi hyphenates. What having covered 136 00:07:32,160 --> 00:07:33,960 Speaker 2: them for a long time, now, what do you think 137 00:07:34,000 --> 00:07:37,880 Speaker 2: about that factor? What has that trio and their disparate 138 00:07:37,960 --> 00:07:39,720 Speaker 2: skills brought to Hacks. 139 00:07:39,880 --> 00:07:42,560 Speaker 1: It really it starts with them. This was their passion 140 00:07:42,600 --> 00:07:45,880 Speaker 1: project for years and a show that they really had 141 00:07:46,160 --> 00:07:48,320 Speaker 1: an idea from the beginning what they wanted this to be. 142 00:07:49,000 --> 00:07:51,040 Speaker 1: And you know, they all have their own strengths. They're 143 00:07:51,040 --> 00:07:54,840 Speaker 1: all excellent writers, obviously, but Luccia really led the pack 144 00:07:54,880 --> 00:07:58,480 Speaker 1: as the director. She's won DJ Awards for this. Paul, 145 00:07:58,560 --> 00:08:01,760 Speaker 1: of course on camera and Jen came from the world 146 00:08:01,840 --> 00:08:04,920 Speaker 1: of Late Night and so that played a big part 147 00:08:04,960 --> 00:08:08,040 Speaker 1: of last season when they parodied Late Night, and she 148 00:08:08,160 --> 00:08:11,080 Speaker 1: has that strong writing background from that world. So you 149 00:08:11,120 --> 00:08:13,960 Speaker 1: put them all together, and they all had their own 150 00:08:14,000 --> 00:08:18,720 Speaker 1: strengths that came together and built this really remarkable show. 151 00:08:18,760 --> 00:08:22,560 Speaker 1: That the attention to detail on Hacks comes from a 152 00:08:22,600 --> 00:08:26,880 Speaker 1: place of just passion wanting to do the best job possible, 153 00:08:27,120 --> 00:08:29,520 Speaker 1: and you can see it in the work in the 154 00:08:29,560 --> 00:08:33,400 Speaker 1: production down to even the graphic design on the show, 155 00:08:33,760 --> 00:08:38,280 Speaker 1: the production design, everything that they really spend time thinking about, 156 00:08:38,320 --> 00:08:41,640 Speaker 1: hashing about making sure it's the best possible of it all. 157 00:08:41,920 --> 00:08:45,079 Speaker 2: Of course, Variety has had sort of a special relationship 158 00:08:45,120 --> 00:08:48,840 Speaker 2: with Hacks over the years. In season three, Variety's Mark Malcolm, 159 00:08:48,880 --> 00:08:51,800 Speaker 2: who everybody knows from the Red Carpet, he did a 160 00:08:51,840 --> 00:08:54,920 Speaker 2: cameo in season three of Hacks. And then in season four, 161 00:08:55,280 --> 00:08:59,040 Speaker 2: you and Kate Arthur, Variety's managing editor, did more than 162 00:08:59,080 --> 00:09:01,480 Speaker 2: a cameo. You were in a press conference scene. I 163 00:09:01,520 --> 00:09:04,000 Speaker 2: know these things happen organically, but what was the spark 164 00:09:04,080 --> 00:09:07,280 Speaker 2: that created this great relationship between Variety and Hacks. 165 00:09:07,480 --> 00:09:11,680 Speaker 1: I think there's a mutual respect and also just a 166 00:09:11,840 --> 00:09:18,280 Speaker 1: love for storytelling, a love for this industry, and so 167 00:09:18,520 --> 00:09:20,680 Speaker 1: in a weird way, it made sense they wanted the 168 00:09:20,679 --> 00:09:24,600 Speaker 1: most authentic press conference possible for the announcement that Debora 169 00:09:24,640 --> 00:09:26,560 Speaker 1: Vance was starting her own talk show, So why not 170 00:09:26,720 --> 00:09:30,160 Speaker 1: have real journalists interview Debor Vance? Same with on the 171 00:09:30,200 --> 00:09:33,480 Speaker 1: Red Carpet? Why not have real red carpet journalists there, 172 00:09:33,520 --> 00:09:35,800 Speaker 1: which is why Mark Malkolm was there. So again it 173 00:09:35,840 --> 00:09:38,080 Speaker 1: goes back to that attention to detail. 174 00:09:38,360 --> 00:09:41,440 Speaker 2: Mike, let me close by asking you, of course, no spoilers, 175 00:09:41,480 --> 00:09:43,600 Speaker 2: what can you tell us about season five, which, as 176 00:09:43,640 --> 00:09:46,480 Speaker 2: I understand, you've seen most if not all, of last season. 177 00:09:46,600 --> 00:09:50,480 Speaker 1: Things got probably their darkest between Deborah and Ava, and 178 00:09:50,760 --> 00:09:53,800 Speaker 1: we've seen that redemption story already begin. They're in a 179 00:09:53,880 --> 00:09:56,840 Speaker 1: much different place now, the two of them, and I 180 00:09:56,880 --> 00:09:59,559 Speaker 1: think you'll see the show and on some of the 181 00:09:59,640 --> 00:10:02,920 Speaker 1: funny moments of the entire series, by the way, happened 182 00:10:02,920 --> 00:10:07,000 Speaker 1: this season, but also some of the probably most poignant moments. 183 00:10:07,200 --> 00:10:10,600 Speaker 1: And all I gotta say is, grab those tissues. Grab 184 00:10:10,679 --> 00:10:11,440 Speaker 1: those tissues. 185 00:10:11,520 --> 00:10:13,880 Speaker 2: I have no doubt we'll be talking more about it. Mike. 186 00:10:13,920 --> 00:10:16,280 Speaker 2: Thank you for working hard. You spent months on and 187 00:10:16,280 --> 00:10:18,920 Speaker 2: off working on this story, and you really brought it home. 188 00:10:19,280 --> 00:10:29,040 Speaker 2: Thanks Cynthia, And now we turn to Cindy Lynn, Executive 189 00:10:29,040 --> 00:10:33,760 Speaker 2: director of UCLA Laws Zifferent Institute, for Media, Entertainment, Technology, 190 00:10:33,760 --> 00:10:37,400 Speaker 2: and Sports. On tomorrow's episode, we'll have highlights from our 191 00:10:37,480 --> 00:10:40,200 Speaker 2: Power of Law Breakfast event being held this morning in 192 00:10:40,240 --> 00:10:43,320 Speaker 2: West Hollywood. To set the table, Lynn joins me to 193 00:10:43,400 --> 00:10:47,760 Speaker 2: discuss ai changing rules around name, image and likeness and 194 00:10:47,880 --> 00:10:52,200 Speaker 2: other cutting edge issues for lawyers. Cindy Lynn, Executive director 195 00:10:52,240 --> 00:10:56,960 Speaker 2: of the ZIFFERENT Institute for Media, Entertainmentnology, and Sports, Thank 196 00:10:56,960 --> 00:10:59,200 Speaker 2: you so much for joining me. Thank you for having me. 197 00:10:59,280 --> 00:11:01,640 Speaker 2: This is so exciting. Well, it seemed like a great 198 00:11:01,679 --> 00:11:05,880 Speaker 2: fit because Variety is celebrating our annual Power of Law 199 00:11:05,960 --> 00:11:10,120 Speaker 2: issue that is published today in print and online. We 200 00:11:10,200 --> 00:11:13,360 Speaker 2: are gathering with a few hundred of our favorite lawyers 201 00:11:13,400 --> 00:11:16,160 Speaker 2: at our annual Power of Law Breakfast. We look forward 202 00:11:16,200 --> 00:11:17,920 Speaker 2: to this issue this time of year. We get to 203 00:11:18,000 --> 00:11:21,440 Speaker 2: touch base with the absolute top legal eagles in our profession, 204 00:11:21,520 --> 00:11:23,360 Speaker 2: and we get to talk to people about what are 205 00:11:23,400 --> 00:11:26,880 Speaker 2: the issues, what are the areas of pressure of conflict? 206 00:11:27,559 --> 00:11:31,640 Speaker 2: Where do we need legal light shined on issues? Where 207 00:11:31,679 --> 00:11:34,880 Speaker 2: are new opportunities coming? And I know that these are 208 00:11:34,960 --> 00:11:37,959 Speaker 2: exactly the kind of themes that you at UCLA Law 209 00:11:38,120 --> 00:11:41,520 Speaker 2: and at the Different Institute think about and study and 210 00:11:41,600 --> 00:11:44,920 Speaker 2: debate all day long. You are very much at the 211 00:11:44,960 --> 00:11:47,920 Speaker 2: front lines of the young minds that are coming into 212 00:11:47,960 --> 00:11:51,560 Speaker 2: the legal profession. The entertainment industry is going through a 213 00:11:51,600 --> 00:11:56,040 Speaker 2: period of great transition and people need lawyers. How are 214 00:11:56,080 --> 00:11:59,920 Speaker 2: your courses and programs supporting students in the education they 215 00:11:59,880 --> 00:12:02,280 Speaker 2: need to tackle, but the cutting edge issues that they're 216 00:12:02,280 --> 00:12:04,600 Speaker 2: going to experience as they go into the field. This is, 217 00:12:04,640 --> 00:12:08,480 Speaker 2: of course what we pride our program on. Obviously, our 218 00:12:08,559 --> 00:12:12,720 Speaker 2: courses provide a mix of foundational doctrinal issues, you know, 219 00:12:12,840 --> 00:12:17,280 Speaker 2: highp law, corporate law, labor law, cracks. But more excitingly, 220 00:12:17,679 --> 00:12:22,000 Speaker 2: our curriculum provides a lot of specialized electives. And our 221 00:12:22,040 --> 00:12:26,200 Speaker 2: specialized electives are taught by industry leaders who are currently 222 00:12:26,200 --> 00:12:28,440 Speaker 2: still in practice, So a lot of the power lawyers 223 00:12:28,440 --> 00:12:30,800 Speaker 2: that you feature in your publication from year to year, 224 00:12:31,320 --> 00:12:34,600 Speaker 2: and so the content of each course will change as 225 00:12:34,679 --> 00:12:38,160 Speaker 2: the industry changes. So I was thinking of a few examples, 226 00:12:38,240 --> 00:12:41,960 Speaker 2: and I'll start with a class we have called Entertainment Guilts. 227 00:12:42,040 --> 00:12:45,600 Speaker 2: So this class is actually taught by Russell Wettinson, who's 228 00:12:45,640 --> 00:12:49,040 Speaker 2: the head of Entertainment and Broadcast Labor Relations at NBCU. 229 00:12:49,240 --> 00:12:52,080 Speaker 2: And in this class, students read and learn about the 230 00:12:52,160 --> 00:12:55,360 Speaker 2: latest versions of agreements with all the guilds, so the WGA, 231 00:12:55,600 --> 00:12:59,080 Speaker 2: the DGA, sag AFTRA, and depending on when they take 232 00:12:59,080 --> 00:13:02,080 Speaker 2: the class, any of these guilds could be a negotiation 233 00:13:02,720 --> 00:13:05,200 Speaker 2: or on strike. And in the last few years, the 234 00:13:05,240 --> 00:13:09,200 Speaker 2: instructor has highlighted, for example, AI as one specific issue 235 00:13:09,200 --> 00:13:12,640 Speaker 2: to discuss even in two full class courses. That's something 236 00:13:12,679 --> 00:13:15,840 Speaker 2: that never happened until now. It's such a gigantic topic. 237 00:13:16,120 --> 00:13:18,440 Speaker 2: How have you gone about tackling it in a way 238 00:13:18,440 --> 00:13:21,640 Speaker 2: that can be studied in kind of digestible portions. 239 00:13:21,840 --> 00:13:25,720 Speaker 3: I think curricularly we were thinking do we offer an 240 00:13:25,720 --> 00:13:28,839 Speaker 3: AI class, you know, is that one way about it? 241 00:13:29,080 --> 00:13:34,440 Speaker 3: Or do we instead inject AI or acknowledge AI in 242 00:13:34,600 --> 00:13:37,400 Speaker 3: every topic that we teach, And the current method is 243 00:13:37,440 --> 00:13:40,080 Speaker 3: the latter, So you know, I gave the example of 244 00:13:40,160 --> 00:13:44,840 Speaker 3: the Entertainment Guilds class. Another example, I was recently talking 245 00:13:44,880 --> 00:13:48,560 Speaker 3: to my colleague Dale Cohen. He teaches a news media 246 00:13:49,240 --> 00:13:52,280 Speaker 3: law class and he's also he's both the director of 247 00:13:52,320 --> 00:13:55,920 Speaker 3: our documentary film Legal Clinic, which is also really special, 248 00:13:56,000 --> 00:13:59,200 Speaker 3: and also he's senior special counsel at Frontline. Ken Different 249 00:13:59,280 --> 00:14:00,839 Speaker 3: himself teaches two seminars. 250 00:14:01,160 --> 00:14:01,840 Speaker 1: He teaches a. 251 00:14:01,840 --> 00:14:06,760 Speaker 3: Class called svod Avod Special Issues, and in that class 252 00:14:06,880 --> 00:14:10,280 Speaker 3: he sort of walks through the seven major streamers, talks 253 00:14:10,320 --> 00:14:15,560 Speaker 3: about their business models, hotly debated issues like transparency, how 254 00:14:15,640 --> 00:14:19,000 Speaker 3: each company calculates their profits and losses. I mean, this 255 00:14:19,120 --> 00:14:22,000 Speaker 3: class changes every single minute, So if we were to 256 00:14:22,040 --> 00:14:24,320 Speaker 3: teach it in the fall and the spring, it would change. 257 00:14:24,320 --> 00:14:26,760 Speaker 3: But this year, of course, again AI is coming up 258 00:14:26,800 --> 00:14:29,360 Speaker 3: as a big topic. You know, every streamer has a 259 00:14:29,360 --> 00:14:33,840 Speaker 3: different relationship with AI and that will obviously affect the 260 00:14:33,840 --> 00:14:35,760 Speaker 3: way that they look at their business. And so the 261 00:14:35,800 --> 00:14:38,760 Speaker 3: students get to sit here and think about these issues 262 00:14:38,760 --> 00:14:41,480 Speaker 3: in real time in the context of the different subject 263 00:14:41,560 --> 00:14:44,080 Speaker 3: of classes that we offer. You're so frontline with the 264 00:14:44,120 --> 00:14:48,560 Speaker 3: students coming in every year. Are you seeing just attitudes 265 00:14:48,680 --> 00:14:53,120 Speaker 3: toward AI itself? Are they changing as you see successive 266 00:14:53,520 --> 00:14:56,680 Speaker 3: waves of students coming into the law Are people Do 267 00:14:56,760 --> 00:15:00,000 Speaker 3: people attitudes about it changing? I think so? I mean 268 00:15:00,120 --> 00:15:02,920 Speaker 3: my attitude has changed, you know. I think I started 269 00:15:03,040 --> 00:15:06,640 Speaker 3: from being a little cautious to and still cautious, but 270 00:15:06,680 --> 00:15:10,040 Speaker 3: in a moment, probably this academic year, where I thought 271 00:15:10,480 --> 00:15:12,680 Speaker 3: I need to use these tools and really understand how 272 00:15:12,720 --> 00:15:14,640 Speaker 3: they work, or else I'm not a part of the 273 00:15:14,680 --> 00:15:18,480 Speaker 3: conversation with the students. They're younger, and they're just quick 274 00:15:18,520 --> 00:15:21,440 Speaker 3: to adopt and welcome new technologies in a way that 275 00:15:21,480 --> 00:15:24,720 Speaker 3: I think the faculty may not be put a generational 276 00:15:24,720 --> 00:15:27,160 Speaker 3: stamp on that, and so I think a lot of 277 00:15:27,200 --> 00:15:29,040 Speaker 3: the students are really open to it. I think they're 278 00:15:29,080 --> 00:15:32,720 Speaker 3: open to using it in their classes, in research, in 279 00:15:33,240 --> 00:15:37,200 Speaker 3: thinking about how AI can affect the various pieces of 280 00:15:37,240 --> 00:15:40,600 Speaker 3: the entertainment industry that we talked about, right content creation, 281 00:15:41,120 --> 00:15:44,920 Speaker 3: the distribution of content, post production. I think they're more 282 00:15:44,960 --> 00:15:48,040 Speaker 3: open to it, and they seem less fearful and interested 283 00:15:48,080 --> 00:15:50,440 Speaker 3: in just working with it and seeing how it could 284 00:15:50,480 --> 00:15:52,520 Speaker 3: be incorporated into the space. 285 00:15:52,720 --> 00:15:56,000 Speaker 2: I think just that different perspective, or that changing perspective, 286 00:15:56,160 --> 00:15:59,600 Speaker 2: is going to have an impact on how legal arguments 287 00:15:59,600 --> 00:16:02,880 Speaker 2: are framed and conceived. It's interesting to see how those 288 00:16:02,920 --> 00:16:07,800 Speaker 2: attitudes are evolving as the technology becomes more functional and 289 00:16:07,880 --> 00:16:09,400 Speaker 2: more at our fingertips at. 290 00:16:09,360 --> 00:16:11,720 Speaker 3: Now more than ever, we have to address it. It's 291 00:16:11,720 --> 00:16:14,360 Speaker 3: hard to ignore and it's exciting. It changes so fast. 292 00:16:14,960 --> 00:16:19,960 Speaker 3: One practical example that is both ever changing but also 293 00:16:20,080 --> 00:16:22,880 Speaker 3: not changing that much is a clinic that we had 294 00:16:23,240 --> 00:16:25,480 Speaker 3: from twenty twenty two to twenty twenty five, we had 295 00:16:25,520 --> 00:16:27,840 Speaker 3: a name, Image and Likeness Clinic that we developed with 296 00:16:27,880 --> 00:16:32,040 Speaker 3: our athletics department. It was really exciting, like we had 297 00:16:32,120 --> 00:16:35,440 Speaker 3: the student athletes as clients. We trained law students to 298 00:16:35,480 --> 00:16:38,760 Speaker 3: give them advice and counsel about their endorsement and sponsorship deals. 299 00:16:39,280 --> 00:16:41,800 Speaker 3: And on the one hand, that seems really daunting because 300 00:16:41,800 --> 00:16:44,200 Speaker 3: the NIL landscape is the wild West and it just 301 00:16:44,280 --> 00:16:46,240 Speaker 3: keeps changing and changing and changing. 302 00:16:46,000 --> 00:16:49,480 Speaker 2: And very timely. Given the change and the opportunities that 303 00:16:49,560 --> 00:16:52,840 Speaker 2: have just absolutely opened up for athletes, that's a really 304 00:16:52,880 --> 00:16:56,080 Speaker 2: great idea. Cindy, the Ziffrin Institute every year I have 305 00:16:56,160 --> 00:17:01,680 Speaker 2: been in attendee hosts a really fantastic UCL Entertainment Symposium 306 00:17:01,760 --> 00:17:04,080 Speaker 2: that breaks down a lot of these issues and talks 307 00:17:04,119 --> 00:17:07,120 Speaker 2: about what where the heat and the real cutting edge 308 00:17:07,160 --> 00:17:11,320 Speaker 2: issues are in entertainment law. And you are coming up 309 00:17:11,440 --> 00:17:15,040 Speaker 2: on your fiftieth annual event, So excited. What do you 310 00:17:15,080 --> 00:17:17,280 Speaker 2: think some of the themes? What do you think people 311 00:17:17,320 --> 00:17:19,359 Speaker 2: are going to be talking about it this year's symposium? 312 00:17:19,600 --> 00:17:22,440 Speaker 3: So because it's the fiftieth year, I think this year 313 00:17:22,440 --> 00:17:24,920 Speaker 3: we're really going to focus on the idea of legacy 314 00:17:25,080 --> 00:17:28,320 Speaker 3: and change, you know, and this year, we will probably 315 00:17:28,359 --> 00:17:31,640 Speaker 3: focus on the content creation side, and with respect to AI, 316 00:17:32,240 --> 00:17:34,520 Speaker 3: we also think we're going to focus a bit on 317 00:17:34,680 --> 00:17:38,040 Speaker 3: alternative distribution models and different audience strategies. 318 00:17:38,440 --> 00:17:38,880 Speaker 1: Do have an. 319 00:17:38,840 --> 00:17:42,440 Speaker 3: Announcement for everybody. I'll announce it on this podcast. Tom Wolseyan, 320 00:17:42,880 --> 00:17:45,199 Speaker 3: who has previously joined us, is going to make a 321 00:17:45,240 --> 00:17:48,520 Speaker 3: return just for our special fiftieth anniversary. So he's going 322 00:17:48,560 --> 00:17:51,840 Speaker 3: to do his classic industry overview and probably tell all 323 00:17:51,880 --> 00:17:54,159 Speaker 3: of us what he got right and what he got wrong. 324 00:17:54,560 --> 00:17:58,000 Speaker 2: That will be primetime event because he was always such 325 00:17:58,040 --> 00:18:01,879 Speaker 2: a clear eyed and very objectivetive, in thoughtful analyst for 326 00:18:01,920 --> 00:18:03,560 Speaker 2: so many years. I know a lot of people will 327 00:18:03,600 --> 00:18:06,159 Speaker 2: want to hear what he makes of the wild West 328 00:18:06,160 --> 00:18:08,800 Speaker 2: of today. For sure. That'll be great. Cindy, I am 329 00:18:08,840 --> 00:18:11,160 Speaker 2: looking forward to seeing you in a little over two 330 00:18:11,200 --> 00:18:14,760 Speaker 2: months again on the beautiful UCLA campus June eighteenth for 331 00:18:14,880 --> 00:18:19,359 Speaker 2: the fiftieth annual UCLA Entertainment Symposium. Thank you for your 332 00:18:19,400 --> 00:18:21,639 Speaker 2: time and talking through these issues with me. Can I 333 00:18:21,680 --> 00:18:30,119 Speaker 2: thank you too? Thank you so much. As we close 334 00:18:30,160 --> 00:18:33,160 Speaker 2: out today's episode, here's a few things we're watching for 335 00:18:33,320 --> 00:18:36,040 Speaker 2: on Friday. You are not the boss of me. Here 336 00:18:36,119 --> 00:18:39,120 Speaker 2: comes the Malcolm in the Middle reboot on Disney plus 337 00:18:39,320 --> 00:18:42,280 Speaker 2: Hal and Lois Forever. I love that show in its 338 00:18:42,280 --> 00:18:46,359 Speaker 2: first incarnation. Don't miss my colleague Matt Donnelly's great story 339 00:18:46,400 --> 00:18:50,040 Speaker 2: about how the long stalled Madonna biopic became an arc 340 00:18:50,160 --> 00:18:53,520 Speaker 2: on the upcoming season of the Studio. It's complete with 341 00:18:53,600 --> 00:18:56,800 Speaker 2: the material girl herself. It's a good read, and don't 342 00:18:56,800 --> 00:18:59,720 Speaker 2: forget to listen tomorrow for highlights from our Power of 343 00:18:59,800 --> 00:19:03,959 Speaker 2: Law Breakfast featuring conversations with filmmaker Paul fig and our 344 00:19:04,040 --> 00:19:07,920 Speaker 2: twenty twenty six Power of Law honoree Patricia Glaser. Before 345 00:19:07,960 --> 00:19:11,359 Speaker 2: we go, congrats to Kerry Heally. She's been named vice 346 00:19:11,400 --> 00:19:15,600 Speaker 2: president of Communications for the National Association of Broadcasters. She 347 00:19:15,720 --> 00:19:19,639 Speaker 2: was most recently with public affairs firm Purple Strategies, and 348 00:19:19,680 --> 00:19:22,800 Speaker 2: before that she worked in communications for the US Chamber 349 00:19:22,840 --> 00:19:25,959 Speaker 2: of Commerce. Thanks for listening. This episode was written and 350 00:19:26,000 --> 00:19:30,040 Speaker 2: reported by me Cynthia Littleton, with contributions from Michael Schneider 351 00:19:30,200 --> 00:19:33,520 Speaker 2: Stick's Nix Hickpicks. Please leave us a review at the 352 00:19:33,560 --> 00:19:36,640 Speaker 2: podcast platform of your choice, and please tune in tomorrow 353 00:19:36,720 --> 00:19:38,640 Speaker 2: for another episode of Daily Variety. 354 00:19:38,840 --> 00:19:42,040 Speaker 1: This episode of Daily Variety is presented by City National Bank. 355 00:19:42,280 --> 00:19:45,320 Speaker 1: For over seventy years, City National has proudly served the 356 00:19:45,440 --> 00:19:49,200 Speaker 1: entertainment industry with banking solutions tailored to the unique needs 357 00:19:49,200 --> 00:19:53,880 Speaker 1: of this business. From complex negotiations to long term financial planning, 358 00:19:54,119 --> 00:19:57,520 Speaker 1: City National supports the people and businesses behind the scenes. 359 00:19:58,119 --> 00:20:02,280 Speaker 1: Visit CNB dot com slash Entertainment to learn more here 360 00:20:02,320 --> 00:20:05,119 Speaker 1: for every stage of the journey. City National is a 361 00:20:05,160 --> 00:20:08,120 Speaker 1: subsidiary of Royal Bank of Canada member FDIC