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Speaker 1: dot Com slash Iron Rappaport. That's Dollar Shaved Club dot

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Speaker 1: com slash I Am Rappaport, Monetti. I noticed that your

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Speaker 1: bald head looks fantastic today. Why does it look so good? Oh? Man?

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Speaker 1: You know I got them raisors man, and I go

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Speaker 1: Am Rappaport. All right, always ready, Monetti two two thousand

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Speaker 1: sixteen podcast closed the year front runner for the third

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Speaker 1: We gotta pay fucking pat Ridle. If we say three

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Speaker 1: pet I'm not paying him ship. And after three pete,

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Speaker 1: I'm gonna relinquish the title. Like you're done. Yeah, you

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Speaker 1: let somebody else win this ship retired. Do like Michael,

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Speaker 1: go to play fucking golfer. Go do like a NASCAR

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Speaker 1: podcast if you can win it over there and then

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Speaker 1: I'll come back home. Get three more Iron Rapports stereo podcast.

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Speaker 1: My name is Michael Rappaport, a k a. The Gringo Man. Dingo. Uh,

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Speaker 1: we're coming live and direct from the Los Angeles. Gloom

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Speaker 1: to him talking big things. We're known as the disco

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Speaker 1: to I'm a little banged up. Yeah, the Dingo got

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Speaker 1: dinged up. I was at RUP Kentucky, Lexic to Kentucky.

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Speaker 1: I want to give a shout out. Listen, we've talked

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Speaker 1: shit about Calipari. Every single person I came across in Kentucky.

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Speaker 1: The nicest people, welcoming, friendly, coolest ship. They love their basketball,

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Speaker 1: they love their sports. Huge wrapper pack out there. A

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Speaker 1: bunch of people came to the show. My man James

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Speaker 1: Anders showed up. Oh from Ohio, yep, drove to the game.

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Speaker 1: Other wrap a pack people showed up. I tried to

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Speaker 1: shake hands and and take pictures with as many people

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Speaker 1: as I can. If I missed anybody, wasn't my fault.

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Speaker 1: It wasn't on purpose. Lexington was dope. We gave away

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Speaker 1: a bunch of tickets on Twitter. Big Three fans. Um.

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Speaker 1: It was cool. The games were cool, intense yo. At

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Speaker 1: one point the Seawan Stevenson, Resul Butler, and Kenyan Martin.

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Speaker 1: On the other team, Al Harrington and Rashaw mccinns, like

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Speaker 1: I was standing on the side of the court, like

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Speaker 1: I was gonna charge the court, like to break it

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Speaker 1: up because I know the dudes and I know Qube

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Speaker 1: can't do that because he's the owner and the commissioner

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Speaker 1: can't do I went, I went to the side of

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Speaker 1: the court like I was, like, I was gonna get

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Speaker 1: on that Jeff Fan Gundy shoot. I had. I had

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Speaker 1: a vision of Kenyan Martin dragging me around the fucking

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Speaker 1: court and Shawan Stevenson like being in the middle of

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Speaker 1: trying to break up a skirmish with Al Harrington, Kenyan Martin,

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Speaker 1: Rashad McCanns um and resumed Butler. It was like I

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Speaker 1: literally was on the side of the court like I

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Speaker 1: was like waiting for something to go down, like to

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Speaker 1: break it up, because you don't want to see that happen.

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Speaker 1: It didn't happen. They were just competing. They were talking

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Speaker 1: ship It was very very physical, very physical. Like I said,

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Speaker 1: it's jail it's it's it's reminiscent of jail ball. So

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Speaker 1: it was really good. The games were dope and Lexican

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Speaker 1: was dope. The problem was Jimonetti. Our flight to Atlanta.

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Speaker 1: We were gonna fly from Kentucky to Atlanta, Atlanta to

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Speaker 1: l A. Right after the games got canceled, me Jimmy

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Speaker 1: Jackson Katino mobile resumed, Butler had to stay up all

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Speaker 1: night and then drive to Ohio. Um, what's the part

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Speaker 1: of Ohio? Columbus. As soon as we crossed the border

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Speaker 1: to gain in the Columbus, Ohio, I told the driver

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Speaker 1: I need to pull over, take a piss. You know why,

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Speaker 1: because a dog's gotta mark his territory. I said, he said,

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Speaker 1: are you serious, Yeah, right here, dead ass. Pulled the

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Speaker 1: fucking car over. As soon as we crossed the border

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Speaker 1: into Columbus, Ohio, the state of Ohio. Let me take

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Speaker 1: a piss. This is my fucking house. I'm marking my territory.

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Speaker 1: The Cleveland Twitter. I pissed all over the fucking city,

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Speaker 1: four thirty in the morning, right on the side of

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Speaker 1: the road, like a fucking dog. You had to do it.

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Speaker 1: I did it. Jimmy jack said, there's a gas station

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Speaker 1: up the road. I said, I don't want a gas station.

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Speaker 1: I want to piss right there on the side of

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Speaker 1: the street like a fucking dog. So I did that.

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Speaker 1: And the one thing I did was I had the driver.

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Speaker 1: There was a couple of people on Twitter who sent

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Speaker 1: me pictures for for the ads. You've been seeing the

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Speaker 1: ads for a typical news show that I'm in on

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Speaker 1: Netflix billboards. Somebody showed me the ad in Columbus, Ohio.

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Speaker 1: I told the drivers to go to this dress please.

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Speaker 1: It was too dark to take the picture. But how

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Speaker 1: fucking good did I feel after being there with the broom,

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Speaker 1: being there with the plunger to watch the Cleveland Cavaliers

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Speaker 1: get flushed right through the fucking tunnel system and then

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Speaker 1: go see my picture hanging in the King's state and

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Speaker 1: let them witness, witness, witness greatness. I was in Ohio.

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Speaker 1: It was a couple of hours, but that's my fucking house.

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Speaker 1: Speaking of Ohio, Mr Ohio Charles Oakley is banned from

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Speaker 1: the Garden for a year. Um, none of the charges

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Speaker 1: have they're all dropped, but he can't go to the

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Speaker 1: Garden for a year. And I've really thought this through.

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Speaker 1: After the Charles Oakley incident, there's been disparaging comments have

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Speaker 1: been against Oakley. You know where we stand on it.

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Speaker 1: The reason why I seguated it because he is from Ohio.

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Speaker 1: I've decided, Genny, I'm not going to the Garden until

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Speaker 1: the Charles Oakley band is lifted, not going Gee, where

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Speaker 1: do we sit when we go to the Garden to

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Speaker 1: tell him we we are gifted? Seats on the on

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Speaker 1: the wood, right on the wood, on the wood. I'm

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Speaker 1: a Knicks fan. Emmy Award winning documentary that I made

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Speaker 1: from the bottom of my heart when the Garden was

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Speaker 1: Eden grew up in New York City, disgusted with the

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Speaker 1: fucking situation that's going on there. You banned Charles Oakley? No,

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Speaker 1: I ban you, you fuck you. You don't ban Charles Oakley.

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Speaker 1: I ban you, you fuck you. So I will not

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Speaker 1: be going to the Garden for a year until that

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Speaker 1: band is lifted. That's my personal band. Fuck it. Yeah, yeah,

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Speaker 1: the franchise can't do that to one if it's uh Cornerstones.

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Speaker 1: Oakley is one of the most beloved nick without winning

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Speaker 1: a championship. Would Rocky Bler get banned from the Pittsburgh Steelers? Yeah?

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Speaker 1: With Rooney? Would Would the Rooney family say, you know what,

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Speaker 1: Mr Bly, get the funk out of here? With with

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Speaker 1: with Lyle Alzado, the the late great Alsando with his family,

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Speaker 1: or with Lyle Alzado during when he was alive. God

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Speaker 1: blessed the Dead, one of the great Jewish athletes of

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Speaker 1: all time. Would he get banned from going to a

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Speaker 1: Raiders game by Al Davis family? Nah? Do you think

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Speaker 1: they would band Big Poppy in Boston? It wouldn't happen.

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Speaker 1: But somehow, someway the Knicks have figure only the band

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Speaker 1: Charles Okie from a house that he fucking kept the

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Speaker 1: lights on. His his workmanship, his his dedication to the team,

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Speaker 1: that that that that paid for the lighting in the nineties.

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Speaker 1: He's one of the guys. So you don't ban him.

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Speaker 1: I ban you. You fuck you. And I saw oak

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Speaker 1: at the games this weekend because we were out Saturday

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Speaker 1: night there was a fight on Lomachenko, and for some

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Speaker 1: reason this struck me. I was talking Oak He looked good,

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Speaker 1: two seventy pounds, and I looked at him and I said,

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Speaker 1: you know what, this is like a fucking seventy two

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Speaker 1: Cadillac that they don't build anymore. This kind of guy,

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Speaker 1: this kind of man, this kind of athlete, this kind

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Speaker 1: of NBA player, It's done. There's no room in the

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Speaker 1: NBA for Charles Oakley's. They don't make him like this anymore.

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Speaker 1: And you know what comes into it. You can't grow

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Speaker 1: up listening to Frank Ocean and turn out like Charles Oakley.

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Speaker 1: You can't listen to hip hop like Little funk Boy

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Speaker 1: and Little Skinny Jean Dick Blick and you're gonna turn

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Speaker 1: out like Charles Okie. It's a different type of person

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Speaker 1: who comes from a different era. That's true. You're not

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Speaker 1: gonna listen to charl You're not gonna listen to Frank

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Speaker 1: Ocean and then turn around and be a kind of guy,

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Speaker 1: the kind of fucking man barrel chest goon like Charles

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Speaker 1: ok It doesn't work. No, you're gonna come up different.

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Speaker 1: You gotta listen to the Spinners, Bobby Womack, Ohio Players,

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Speaker 1: Otis reading. We could go on, man droll, we could

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Speaker 1: go on for days. You gotta come up in that

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Speaker 1: in the eighties. Yeah, you gotta grow up on that ship.

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Speaker 1: That's how you get molded and formed. That bb King,

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Speaker 1: that Freddie King. Yeah, you're coming up on some imagine

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Speaker 1: you listen to fucking Frank Ocean. What kind of basketball

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Speaker 1: player are you gonna be? Gonna be a fucking guy

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Speaker 1: who's diving on the floor, setting fucking smashing picks. No,

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Speaker 1: you're not gonna be the enforcer. Yo. I got to

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Speaker 1: hang out with Rex Chapman. YO, I'm not repeating his stories.

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Speaker 1: Rex Chapman podcast has to happen. He's got way the

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Speaker 1: funk out the NBA stories. I was like, he told

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Speaker 1: me some stories. He told me the first did this

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Speaker 1: story I could share? He said, The first time I

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Speaker 1: played against Charles Oakley, it was my first year, his

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Speaker 1: first year, oak was it was his last year in Chicago,

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Speaker 1: he said. The first quarter, he said, I literally legitimately

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Speaker 1: felt like Charles Oakley didn't like me. You got the

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Speaker 1: impression if you were not on his team he didn't like.

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Speaker 1: It wasn't personally. I know it was the person, but

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Speaker 1: you got the impression. That's what he said. He goes,

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Speaker 1: and I never forget I ran through the lane. He goes,

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Speaker 1: this is when you ran through the lane, you knew

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Speaker 1: you were gonna get tapped. He said. I ran through

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Speaker 1: the lane, and oak just gave me a form to

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Speaker 1: the to the stern right he pointed to the middle

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Speaker 1: of He said. Two weeks. For two fucking weeks, I

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Speaker 1: wasn't breathing correctly my first three weeks in the NBA,

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Speaker 1: and it was just a casual forearm shiver from Oakley.

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Speaker 1: It wasn't even like a like a real one. But

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Speaker 1: we have to get Rex Chapman and he told me

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Speaker 1: some fucking bugged out great NBA stories. All right, So

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Speaker 1: a lot of ship has went down. Um, I don't

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Speaker 1: know if you follow me on Twitter. I suggest you

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Speaker 1: follow me on Twitter, Instagram and Facebook. It's all Michael

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Speaker 1: rappaport r A p A p R two because a

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Speaker 1: lot of ship goes on in between podcasts. I can't

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Speaker 1: keep up. If I could podcast, I do it. Do it? Gmo?

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Speaker 1: What's your Twitter? Gimo Nettie Gerald Moody fifteen sixty zero.

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Speaker 1: You should be following Gimonettie as well. Yeah, Instagram, Gimo Nettie.

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Speaker 1: So Lena Dunham, you fucking nutcase, the lion with the

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Speaker 1: soapbox liar. Yes, you may or may not heard. Allegedly

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Speaker 1: she made up some stuff about being at an airport.

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Speaker 1: She was tweeting all night and it was this and

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Speaker 1: that was going on at the airport and she was

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Speaker 1: just baffled by the treatment the things that she was saying.

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Speaker 1: And then out of nowhere, of course it's her. She

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Speaker 1: said she heard two American Airlines employees making rans phobic

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Speaker 1: transgender um comments against the transgender and she wanted to

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Speaker 1: tweet about it. And not only did she want to

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Speaker 1: tweet out, she wanted to tweet it to American Airlines

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Speaker 1: to complain, you're such a freedom fighter, Lena Dunham, why

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Speaker 1: didn't you just go ladies, why are you saying that?

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Speaker 1: Or maybe it was guys, you're such a freedom fighter.

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Speaker 1: You you talk so big. You could have done it

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Speaker 1: in a non confrontational way, right, yeah, you you She's

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Speaker 1: like the freedom fighter for for everybody. But you didn't

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Speaker 1: say anything. You had your chance to confront them. You're

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Speaker 1: right behind them, but that this didn't happen. And then

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Speaker 1: and then push came to shoven. American Airlines kind of

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Speaker 1: checked where she said she was, and this, that and

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Speaker 1: the other, and they're saying that based on what you're

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Speaker 1: telling us, there was no American Airlines employees in that

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Speaker 1: part of the airport at three am. The funk out

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Speaker 1: of here, man. So once again it's looking like Lena

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Speaker 1: Lena Dunham may have allegedly I have a feeling Lena

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Speaker 1: Doneham might try to sue me. So I'm saying allegedly

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Speaker 1: and mayhap say it a few times allegedly and mayhem allegedly,

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Speaker 1: Lena Dunham is allegedly a liar. She may be making

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Speaker 1: this ship up. Lena Dunham also said that she she

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Speaker 1: at one point she wishes she had an abortion, shows

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Speaker 1: she could understand that feeling. She she wants the attention

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Speaker 1: and that like it's called Munchausen's syndrome. Oh that's what

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Speaker 1: they call it. I think we don't fact check at

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Speaker 1: the Iron Reports Cereal podcast, but then I put this

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Speaker 1: rant out. Miles, please play my rant. Lena Dunham, you

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Speaker 1: fucking screw ball. I'm here on behalf of Odell Beckham

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Speaker 1: American Airlines and the dog that you just sent off

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Speaker 1: to the glue factory because you were too busy and

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Speaker 1: easily agitated to take care of it. You created the

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Speaker 1: highly successful show Girls on HBO. What should no longer

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Speaker 1: be called Girls. It should be called White Girls. And

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Speaker 1: it needs to be watched with an asterix because clearly

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Speaker 1: it was written by a fucking nutcase. You're clearly smelling

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Speaker 1: your own musk. You're giving a bad name to every

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Speaker 1: skinny gene wearing vintage dressed, buying motherfucker and Williamsburg. They're

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Speaker 1: done with you. Go find refuge in Austin or maybe

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Speaker 1: Portland will take you. Maybe you're just not about this life.

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Speaker 1: Maybe you're too much of a whacka do to be

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Speaker 1: on social media in general. Maybe you should shut it

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Speaker 1: down like that other little hipster as is In Zari did.

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Speaker 1: Maybe you guys are too fragile for this. And then

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Speaker 1: after that rant came out a rappaport rant. Our ranch

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Speaker 1: are now called sucker ship rants. Suck um. I was

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Speaker 1: blocked on Twitter by Lena Dunham the follow I didn't

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Speaker 1: even follow her, but she blocked me. I got word

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Speaker 1: from a rapper pack members that they felt like Lena

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Speaker 1: Dunham sub tweeted me, I never followed you. Lena Dunham,

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Speaker 1: you blocked somebody who's never been following you, But I'm

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Speaker 1: fucking paying attention to you. You got a show that

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Speaker 1: took place in Brooklyn, you fuck It's called Girls in Brooklyn.

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Speaker 1: You had no black people on it until Childish Campaigno

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Speaker 1: came on the second season and he stuffed you your character.

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Speaker 1: Then she put out a tweet saying after she blocked me,

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Speaker 1: I believe this is just towards me. A lot of

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Speaker 1: people said you should frame the picture of her block

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Speaker 1: and you, because that's like you should be proud of that.

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Speaker 1: She said, I got my m f A in defending

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Speaker 1: myself to white men. Luckily got to be a an

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Speaker 1: inflated sense of self worth. She has an m f

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Speaker 1: A in defending herself only to to white men. What's

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Speaker 1: what's m f A in my feelings? Like some sort

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Speaker 1: of like a like like a degree, like an m

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Speaker 1: f A. So she she got her m f A

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Speaker 1: defending herself against white men. White man. Now get ready

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Speaker 1: for me, you crazy fun Yes, moody in the house. Yes, yes,

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Speaker 1: listen man, stop with all the soapbox lying and being

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Speaker 1: an advocate for for trans this make your fucking movies

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Speaker 1: and shut the funk up. It's not your looks, it's

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Speaker 1: not about your looks. I don't. I don't fucking care

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Speaker 1: about it. I know I don't make Brad Pitt I don't.

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Speaker 1: I'm not gonna talk about everybody tacks her looks. I

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Speaker 1: don't care about the looks. I have nothing against this

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Speaker 1: woman her looks. I think she's totally full of ship.

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Speaker 1: I don't support anybody this in your looks you want

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Speaker 1: to be the fucking victim. Lend have done him so bad.

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Speaker 1: You want to be the victim. You want to feel

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Speaker 1: people's pain. She wanted to feel. Yeah, yeah, you want

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Speaker 1: to have a board bortion. You said you wish you

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Speaker 1: knew what it was like to having a boy. You

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Speaker 1: do moody, you can maybe make her wish come true.

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Speaker 1: Gunnil Road, I don't want no woman like that. Lion

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Speaker 1: and Ship. You said you're the voice of your generation.

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Speaker 1: Your generation doesn't want you to be the voice when

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Speaker 1: you fucking whacked out successful show. But I think her

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Speaker 1: show needs an astrick against it because all the line

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Speaker 1: means maybe she didn't write it. The Emmy Awards for

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Speaker 1: for for Girls should have an astric against it. She

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Speaker 1: lied about her dog. Oh yeah, see this is a liar, Yes,

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Speaker 1: pathological just lies for no reason. You you you you

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Speaker 1: you got your b f A and defending yourself against

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Speaker 1: white man. What do you disenfranchise black woman? Yeah, this

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Speaker 1: is a budding dozel. This is a nutcase. When a

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Speaker 1: black man Old Dale Beckham doesn't talk to you, you're baffled,

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Speaker 1: You're confused why O'Dell Beckham doesn't talk to you? And

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Speaker 1: then you make fun of your own body, right, she's

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Speaker 1: always poking front of her body. He looks in your eyes,

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Speaker 1: he knows, he sees you're in. I think the whole

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Speaker 1: thing with Odell Beckham was made up. Yeah, in light

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Speaker 1: of this American area, seems you think that Lena Dunham,

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Speaker 1: and I'm saying this from Bottomore, I think she's troubled,

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Speaker 1: and I'm not saying that in any kind of thing.

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Speaker 1: I'm setting troubled with no funniness to her. I think

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Speaker 1: she's fucking bugged out because you're lying for nothing now,

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Speaker 1: making up the trans leading people alone that they can

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Speaker 1: fight for themselves. They don't need you. They don't need you,

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Speaker 1: they don't want you. Right, nobody's out there saying, oh week,

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Speaker 1: they do it on their own. You see. He even

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Speaker 1: anointed yourself part of these groups. No one's asking you, Um, um,

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Speaker 1: next is I'm black? Um? Anyway, listen, I've talked a

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Speaker 1: lot about the cats in the backyard. They're still on you. Gee,

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Speaker 1: you're here a few hours ago attest to this. Five

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Speaker 1: straight black cats, one of them was half black, half white,

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Speaker 1: peering into my fucking kitchen outside the window. I have

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Speaker 1: a little flower pot they tore the fucking flowers in

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Speaker 1: the flower pot. They tore the shredsy little fox. Now

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Speaker 1: when I go out there with the light soul, the

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Speaker 1: bug spray the fucking water hose and I get crunk,

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Speaker 1: I'm the bad guy. This ain't Bangladesh, my man, you

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Speaker 1: gotta make it an example. I wanted him. Well, fuck yeah,

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Speaker 1: I didn't. I didn't knock off the first two that

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Speaker 1: drowned in the fucking pond. But now it's fucking war.

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Speaker 1: When I wake up and I see my flower pots

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Speaker 1: touring into but not by coyotes, not by wild animals,

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Speaker 1: by fucking straight cats cruise gangs like a fucking warriors

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Speaker 1: trying to mark their turf. My dog, God Blessing, Wheezy's

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Speaker 1: laying at the feet. He's under man back there. He

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Speaker 1: can't find the whole fucking crew, a crew of cats.

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Speaker 1: Man the Siamese. They got the Siamese. Motherfucker's out there

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Speaker 1: street cats. Do I really want him mixing it up

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Speaker 1: with these fucking street cats? No, I don't. I want

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Speaker 1: Weasy to get it in with them. Cats are motherfucker's.

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Speaker 1: I am going to step up my defense out there.

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Speaker 1: I'm telling you that right now we've chronicled our feelings

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Speaker 1: for the Lebotard Show. Uh John from Long Island, the

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Speaker 1: Cupcake King, the quote unquote producers. People thought I was

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Speaker 1: being like, oh, you're with the quote unquote producers. Mike

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Speaker 1: Ryan Ruiz accused me of having her pies. You see

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Speaker 1: what happened to usher? Motherfucker. Yeah, I'm in I'm in

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Speaker 1: Beverly Hills where the lawyers don't play. That's the old

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Speaker 1: time New York motherfucker's. Yes, they're gonna bring you up,

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Speaker 1: put you out the drive talking greet. I never had

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Speaker 1: anyone say anything I don't have herpies. We know what

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Speaker 1: I had. I got a lot of health issues. But

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Speaker 1: Michael Ryan Ruise want to go on Twitter defamation now,

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Speaker 1: people to post that picture all the time. You got herpes?

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Speaker 1: You got herpes? Where did it come from? One of

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Speaker 1: the producers of Lebratard Show. I talked a lot of ship,

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Speaker 1: but I'm just a person. And then the other fuck

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Speaker 1: Roy Bellamy, the other producer, I call him coffee maker,

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Speaker 1: And people thought, oh that they're really producers. It says

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Speaker 1: in their Twitter producer Lebratard Show producer, you're you're so

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Speaker 1: proud to be a producer of the Lebertard Show. I

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Speaker 1: got tipped off one of the quote unquote producers of

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Speaker 1: the Lebratard Show, Roy Bellamy, who was caught up in

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Speaker 1: the beat of two thousand seventeen with me, the Gringo

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Speaker 1: man Dingo that inspired the first ever forty one minutes

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Speaker 1: of fire distract podcast, a fucking thing of beauty. Yeah.

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Speaker 1: Even Moody was concerned, like, Yo, this is getting out

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Speaker 1: of hand. And I said what And I said, I

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Speaker 1: got a hold and then I went in the studio

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Speaker 1: like Tupac put on that hit him up beat and

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Speaker 1: putout forty one minutes of fire. Haven't heard from him

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Speaker 1: since Michael Ryan loruise you blocked me a little fun

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00:23:33,200 --> 00:23:38,439
Speaker 1: boy talking all that ship where you at Lebertard. They're like,

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Speaker 1: we're not gonna say anything because there's cut off, and

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Speaker 1: your fucking boss over there said something and then this

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Speaker 1: ain't allege. I know what's good. I talked to the

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Speaker 1: same people you talked to. Somebody on Twitter hit me

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Speaker 1: to the producer Roy Bellamy, who also this is a

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Speaker 1: black man. He lets them call him on their Lebatarde

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00:24:00,480 --> 00:24:03,320
Speaker 1: the black hockey guy. He's in there with all these

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Speaker 1: white dudes, and they referred him he's big on hockey.

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Speaker 1: They referred him as the black hockey guy, and he's

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Speaker 1: cool with that. Ye'ah'll gonna do this in the fashion

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00:24:12,880 --> 00:24:15,359
Speaker 1: that my man ghost Face did it. You have to

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Speaker 1: check that, dude, your miles. Play that Willie Hudge, this

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00:24:18,960 --> 00:24:23,760
Speaker 1: ship that gim Nettie made, Play that track. You hear

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00:24:23,840 --> 00:24:27,400
Speaker 1: this ship. I'm playing that soul ship for you down

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00:24:27,400 --> 00:24:31,640
Speaker 1: in Miami. You don't know about this fucking ship right here.

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00:24:32,000 --> 00:24:36,560
Speaker 1: I'm gonna tell you what's really gucci with these lebotard motherfucker's.

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00:24:36,920 --> 00:24:41,200
Speaker 1: You hear that, Willie. This is inspired by my man

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Speaker 1: ghost Face, and I didn't like it because I funk

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Speaker 1: with Action Bronson, but he but he laid it down crazy.

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Speaker 1: This right here goes out to my man ghost Face.

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Speaker 1: Killer fucking clowns down there. Maam, you don't funk with

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Speaker 1: ghost You don't know about this, Willie Hutch, Yeah you

402
00:24:57,080 --> 00:24:59,280
Speaker 1: don't know about this. No no, no, no, no no,

403
00:25:00,160 --> 00:25:05,000
Speaker 1: tell Willie Roy Bellamy, this fucking clown I've never seen

404
00:25:05,040 --> 00:25:12,240
Speaker 1: anybody on Twitter duders every Apparently he's married, Allegedly, apparently

405
00:25:12,640 --> 00:25:17,439
Speaker 1: he's having a baby, and this broke motherfucker has his

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00:25:17,560 --> 00:25:21,640
Speaker 1: baby registry up on Twitter. Man, These are producers. These

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00:25:21,680 --> 00:25:27,720
Speaker 1: are producers. Who are you talking ship to me? Ebt producers?

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00:25:27,720 --> 00:25:31,199
Speaker 1: Come on, man, listen. When I come out to Miami,

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Speaker 1: I want my motherfucking car wash. I want an ice

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00:25:33,960 --> 00:25:38,360
Speaker 1: vanilla latte. And don't make no motherfucking eye contact. Don't

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00:25:38,359 --> 00:25:42,200
Speaker 1: even say Mr Rapports signed the motherfucking car and stay

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00:25:42,280 --> 00:25:45,800
Speaker 1: the funk out my face. You got your fucking baby

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Speaker 1: registry on Twitter and you work for ESPN as a producer.

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Speaker 1: You're fat fucking boss. Ain't hitting you off. You're not

415
00:25:53,440 --> 00:25:56,320
Speaker 1: making miney. You got your fucking baby registry on Twitter

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Speaker 1: and you work for ESPN. You got your nerve, the

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00:25:59,040 --> 00:26:02,240
Speaker 1: nerve to call yourself a producer. Are you a Are

418
00:26:02,280 --> 00:26:04,720
Speaker 1: you getting paid? It's hard out here for a producers.

419
00:26:04,800 --> 00:26:07,600
Speaker 1: It's hard out here for a producer. Try to pop

420
00:26:07,640 --> 00:26:12,640
Speaker 1: ship to me, Michael Rappaport, the gringold man dingle. You're

421
00:26:12,680 --> 00:26:15,359
Speaker 1: posting pictures when I got a little cist on my face,

422
00:26:15,840 --> 00:26:18,720
Speaker 1: like that's gonna do something. Talk about my fucking career.

423
00:26:18,920 --> 00:26:21,600
Speaker 1: You gotta fucking baby registry on Twitter. I never seen

424
00:26:21,640 --> 00:26:26,640
Speaker 1: anyone do that. And there's some broake ass, bumass hustling motherfucker's.

425
00:26:26,720 --> 00:26:29,440
Speaker 1: I've never seen anybody put their wedding registry or their

426
00:26:29,440 --> 00:26:32,399
Speaker 1: baby registry on Twitter. We're not giving you ship, dude,

427
00:26:32,520 --> 00:26:36,360
Speaker 1: Mike Ryan Louise, Yo, if you need your motherfucking August

428
00:26:36,400 --> 00:26:39,520
Speaker 1: Rent paid you, holler at me. You you slide up

429
00:26:39,520 --> 00:26:42,399
Speaker 1: into my d M. I got you. These motherfucker's might

430
00:26:42,400 --> 00:26:45,520
Speaker 1: be living on the street. Miami has a huge tense

431
00:26:45,520 --> 00:26:49,800
Speaker 1: city community. Yeah, you never know the producers might be.

432
00:26:50,200 --> 00:26:52,680
Speaker 1: They might be rock intense. They got the ESPN tense

433
00:26:52,720 --> 00:26:55,080
Speaker 1: Like they show up at like the ESPN football games.

434
00:26:55,400 --> 00:26:58,160
Speaker 1: They're like YoY, they steal a tents like, Yo, I'm

435
00:26:58,240 --> 00:27:02,200
Speaker 1: funked up out here. My wife, we're getting married, we're

436
00:27:02,200 --> 00:27:05,920
Speaker 1: having a baby. Yo. You think I would let anybody

437
00:27:05,920 --> 00:27:08,679
Speaker 1: in my crew put their fucking bit. I would just

438
00:27:08,680 --> 00:27:11,200
Speaker 1: do it all out of out of respect for them.

439
00:27:11,240 --> 00:27:14,280
Speaker 1: Be like you do. Don't don't do it through. Take

440
00:27:14,320 --> 00:27:17,320
Speaker 1: your motherfucking baby registry down, hold your head. You on

441
00:27:17,359 --> 00:27:19,920
Speaker 1: Twitter with your baby registry. So what I'm gonna do,

442
00:27:21,400 --> 00:27:24,679
Speaker 1: because I'm a body fucking broke motherfucker something out of

443
00:27:24,680 --> 00:27:27,000
Speaker 1: the bottom of my heart, I'm gonna go through his

444
00:27:27,040 --> 00:27:29,320
Speaker 1: whole fucking registers buy him and some A and D

445
00:27:29,520 --> 00:27:31,840
Speaker 1: for the kid. Little anti ointment. Yeah, I'm gonna get

446
00:27:31,880 --> 00:27:35,440
Speaker 1: him some motherfucking ointment, a couple of baby bottles, and

447
00:27:35,600 --> 00:27:40,399
Speaker 1: some motherfucking Onesie trying to front on me at toys

448
00:27:40,440 --> 00:27:43,880
Speaker 1: on us. He got six items noted on the nursery thing,

449
00:27:44,440 --> 00:27:47,639
Speaker 1: thirty eight feeding items. Let me see what your body is, broke, motherfucker.

450
00:27:48,560 --> 00:27:51,320
Speaker 1: He got a munchkin fresh food feed. I'm gonna get

451
00:27:51,359 --> 00:27:53,880
Speaker 1: him that. I'm a matter of fact, I'm gonna get

452
00:27:53,920 --> 00:27:57,600
Speaker 1: you everything on your fucking registry in the feeding sex.

453
00:27:57,640 --> 00:28:00,040
Speaker 1: You're gonna get you all thirty eight items from I

454
00:28:00,280 --> 00:28:05,280
Speaker 1: rap you broke, pumass motherfucker's Michael Ryan, Gruise, Dan Labratard,

455
00:28:05,520 --> 00:28:10,360
Speaker 1: your fucking brother his pops, Leave his pops alone, his pops.

456
00:28:10,760 --> 00:28:14,000
Speaker 1: Pops ain't got some fucking money. You got your producer.

457
00:28:14,040 --> 00:28:16,720
Speaker 1: How many coughs does you think? This motherfucker got Poppy

458
00:28:16,760 --> 00:28:20,560
Speaker 1: and you got your ship on fucking on Twitter. Poppy

459
00:28:20,640 --> 00:28:23,159
Speaker 1: should be like yo, take it down, Take it down.

460
00:28:24,720 --> 00:28:27,560
Speaker 1: Everything on his feeding things come from me. And I

461
00:28:27,840 --> 00:28:30,400
Speaker 1: see you funked up out there, yea, And send him

462
00:28:30,400 --> 00:28:32,679
Speaker 1: a money all the thirty eight all thirty eight items

463
00:28:32,680 --> 00:28:36,320
Speaker 1: I'm buying and send him. And if you need your

464
00:28:36,320 --> 00:28:39,360
Speaker 1: motherfucking rent Paige, you broke Fox, you holler at me.

465
00:28:42,600 --> 00:28:46,160
Speaker 1: G I see you're wearing your Vincerro Collective watch. You

466
00:28:46,200 --> 00:28:48,800
Speaker 1: look good, you look like you know what time it

467
00:28:48,840 --> 00:28:52,320
Speaker 1: is because you've got a good watch. At Vincerro Collective,

468
00:28:52,600 --> 00:28:57,040
Speaker 1: a luxury watch doesn't have to cost the fortune. Vincero's

469
00:28:57,160 --> 00:29:00,800
Speaker 1: years of manufacturing experience allows them to create innovative and

470
00:29:00,880 --> 00:29:05,240
Speaker 1: luxurious time pieces and deliver them for a ridiculously fair price.

471
00:29:06,120 --> 00:29:09,400
Speaker 1: I've been wearing my marble black face with Roman numeral

472
00:29:09,520 --> 00:29:12,880
Speaker 1: numbers with a white circle interior that is attached to

473
00:29:12,920 --> 00:29:16,320
Speaker 1: a beautiful Italian leather band. I get compliments all the

474
00:29:16,400 --> 00:29:19,400
Speaker 1: time about this watch. A watch like this can easily

475
00:29:19,520 --> 00:29:23,320
Speaker 1: retail from more than five bucks, but at Vincero you

476
00:29:23,360 --> 00:29:25,080
Speaker 1: can score one for a little bit more than a

477
00:29:25,160 --> 00:29:29,160
Speaker 1: hundred bucks. Vincero is more than three thousand five star reviews.

478
00:29:29,640 --> 00:29:32,720
Speaker 1: Three thousands five star reviews on the internet. That is

479
00:29:32,720 --> 00:29:36,479
Speaker 1: a tough place. They're very judgmental, sure, me being one

480
00:29:36,520 --> 00:29:39,080
Speaker 1: of the very judgmental people on the Internet. To get

481
00:29:39,120 --> 00:29:43,560
Speaker 1: three thousand five star reviews, that's big free shipping and

482
00:29:43,600 --> 00:29:47,000
Speaker 1: a twenty four month warranty. Seriously, you have to check

483
00:29:47,040 --> 00:29:48,960
Speaker 1: them out. So whether you're heading to an important meeting

484
00:29:49,520 --> 00:29:53,120
Speaker 1: getting ready for hot date, Vincero has the versatility you need.

485
00:29:53,200 --> 00:29:57,720
Speaker 1: Impressed at a glance with bold and uncompromising time pieces

486
00:29:57,920 --> 00:30:02,200
Speaker 1: from Vinceero. To receive fifteen percent off your very own

487
00:30:02,280 --> 00:30:07,000
Speaker 1: Vincero watching, go to Vincero Collective dot com slash rapp

488
00:30:07,040 --> 00:30:10,880
Speaker 1: report The promo code is buttered. Build your legacy today

489
00:30:10,920 --> 00:30:17,360
Speaker 1: at Vinceero Collective dot com. Caitlyn Jenner, why don't you

490
00:30:17,480 --> 00:30:27,360
Speaker 1: stop making public public statements now? She reportedly allegedly reportedly

491
00:30:27,720 --> 00:30:35,120
Speaker 1: allegedly reportedly reportedly allegedly to test Donald Trump and apologizes

492
00:30:35,240 --> 00:30:39,480
Speaker 1: for wearing her MAGA hat make America Great Again hat.

493
00:30:41,640 --> 00:30:47,320
Speaker 1: Nobody's listening to you can see nobody's fucking with you

494
00:30:47,760 --> 00:30:51,000
Speaker 1: at all. I'm over there at Yum yums on Santa

495
00:30:51,000 --> 00:30:57,240
Speaker 1: Minico Boulevard. I go there to get my coffee. Nobody's

496
00:30:57,280 --> 00:30:59,560
Speaker 1: fucking with you up there. That's a community for the

497
00:30:59,640 --> 00:31:03,959
Speaker 1: trans coman, the down, trotten, bounted bout it in the streets,

498
00:31:04,000 --> 00:31:06,880
Speaker 1: in the struggle community. Every day. They're not fucking would

499
00:31:06,920 --> 00:31:11,000
Speaker 1: you do you at Mallibu talking ship? She's not at Mallibu.

500
00:31:11,600 --> 00:31:13,720
Speaker 1: She's at the top of the top of Malibi. Yeah,

501
00:31:13,760 --> 00:31:16,360
Speaker 1: she's cooling. You're voted for this motherfucker's thinking you were

502
00:31:16,360 --> 00:31:22,440
Speaker 1: gonna change ship and now you detest them. Funk all

503
00:31:22,480 --> 00:31:27,240
Speaker 1: that yeah, fun, all that ship? All right? Coming up,

504
00:31:28,040 --> 00:31:29,960
Speaker 1: we got the young shooter Dean Collins in the here.

505
00:31:31,000 --> 00:31:34,880
Speaker 1: But before we do that, Miles, please cut the sick

506
00:31:35,160 --> 00:31:39,320
Speaker 1: Funck of the Week music. This award is earned, not given.

507
00:31:39,400 --> 00:31:42,840
Speaker 1: It's called the sick fucking a Week. This guy is

508
00:31:42,880 --> 00:31:45,840
Speaker 1: really sick. Lock him off? How could you do it?

509
00:31:45,880 --> 00:31:49,480
Speaker 1: Don't let him out? Damn when you fuck the door?

510
00:31:49,720 --> 00:31:52,120
Speaker 1: You want you fuck the door? Why would you fuck

511
00:31:52,200 --> 00:31:57,200
Speaker 1: the dog? Why would you fuck your girlfriend's dog? What sick? Fuck?

512
00:31:57,360 --> 00:32:01,680
Speaker 1: The sick funck of the week. It's earned, earned, not giving.

513
00:32:01,760 --> 00:32:11,320
Speaker 1: You did what No? No, no, yes, yes, yes, yes.

514
00:32:11,480 --> 00:32:14,240
Speaker 1: This is the sick funk of a Week. This is

515
00:32:14,240 --> 00:32:17,400
Speaker 1: an award that has earned, not given. Is an award

516
00:32:17,480 --> 00:32:23,400
Speaker 1: that has earned not given. Um In Tennessee a bride

517
00:32:25,240 --> 00:32:29,240
Speaker 1: who packs he she carries a pistol. She pulled it

518
00:32:29,280 --> 00:32:33,720
Speaker 1: out on her groom room hours after the wedding, pointed

519
00:32:33,760 --> 00:32:39,440
Speaker 1: out my man's head. She got arrested the weddings off,

520
00:32:39,480 --> 00:32:41,640
Speaker 1: She pulled out the nine on him and was like,

521
00:32:41,680 --> 00:32:46,640
Speaker 1: what's good damn on wedding the wedding day, hours after

522
00:32:46,680 --> 00:32:54,120
Speaker 1: the fucking wedding. Sick fuck um. Kiki Valentine in New

523
00:32:54,200 --> 00:32:58,960
Speaker 1: York City goes around on the subways. She considers herself

524
00:32:59,080 --> 00:33:04,120
Speaker 1: a breast fee eating um protester. She's in the breastfeeding movement.

525
00:33:05,280 --> 00:33:08,080
Speaker 1: Did you hear about this fucking ship breast Oh? She's like,

526
00:33:08,120 --> 00:33:11,160
Speaker 1: fuck it, we're gonna do this ship anywhere. Her son's three,

527
00:33:11,200 --> 00:33:13,440
Speaker 1: which is too old to be feeding your kids. Listen,

528
00:33:14,120 --> 00:33:16,000
Speaker 1: everybody could raise the kid how they want. I'm not

529
00:33:16,040 --> 00:33:20,440
Speaker 1: I'm not I'm not gonna judge that. But when Shorty can,

530
00:33:21,880 --> 00:33:24,440
Speaker 1: if Shorty could turn on the phone and put his

531
00:33:24,480 --> 00:33:27,800
Speaker 1: cartoon on on his iPhone, you shouldn't be breastfeeding him anymore.

532
00:33:28,960 --> 00:33:32,400
Speaker 1: She's out there breastfeeding. She got fat titties, supple titties,

533
00:33:32,520 --> 00:33:35,680
Speaker 1: pretty looking girl. She's doing this to try to take

534
00:33:35,680 --> 00:33:40,360
Speaker 1: away breastfeeding shaming. Nobody you. The only person who should

535
00:33:40,360 --> 00:33:44,400
Speaker 1: be embarrassed is your three year old. Yeah, Shorty's walking

536
00:33:44,400 --> 00:33:47,560
Speaker 1: around with sneakers the train during the middle of the day.

537
00:33:47,680 --> 00:33:52,080
Speaker 1: Jordan's sucking on his titty. No blanket, no towel, no

538
00:33:52,280 --> 00:33:54,960
Speaker 1: nothing in the middle of Nobody wants to see that

539
00:33:55,000 --> 00:33:58,560
Speaker 1: you're you're sucking up the kid, yeah, and the lady.

540
00:33:58,600 --> 00:34:01,719
Speaker 1: Everybody wants to have pro None of your motherfucker's at

541
00:34:01,720 --> 00:34:05,240
Speaker 1: Malcolm X. You're not more of Luther King. You're not

542
00:34:05,360 --> 00:34:07,840
Speaker 1: part of the struggle. Everything is a movement, the shoe

543
00:34:07,840 --> 00:34:11,360
Speaker 1: string movement, the fucking shoe string moment, the chitty milk movement.

544
00:34:12,520 --> 00:34:15,760
Speaker 1: Who yeah, Shorty's starving to death, so he's like, runs

545
00:34:15,800 --> 00:34:20,120
Speaker 1: over to the titty. He's three. Shorty got an iPhone

546
00:34:20,160 --> 00:34:22,759
Speaker 1: in one hand and a tit in his mouth in

547
00:34:22,840 --> 00:34:27,719
Speaker 1: the other hand. The breast feet, What the fun? Kicky Valentine,

548
00:34:27,719 --> 00:34:30,000
Speaker 1: you're a sick fun yea. Why you want to have

549
00:34:30,040 --> 00:34:32,040
Speaker 1: your breasts out on the train anyway? Just to prove

550
00:34:32,080 --> 00:34:33,920
Speaker 1: a point. There's no ship. There is no ship. No

551
00:34:34,000 --> 00:34:36,800
Speaker 1: shame in that. I mean, I'm saying, like, but can't

552
00:34:36,800 --> 00:34:38,640
Speaker 1: you do that in your crib? What about me? If

553
00:34:38,640 --> 00:34:41,520
Speaker 1: I had my fucking if I unfolded the loaf on

554
00:34:41,600 --> 00:34:44,799
Speaker 1: the four train, what's gonna happen to me? We're gonna

555
00:34:44,800 --> 00:34:49,640
Speaker 1: have a loaf movement. I'm tired of people saying that

556
00:34:49,680 --> 00:34:51,839
Speaker 1: I shouldn't pull out my loaf on the train. Yeah,

557
00:34:51,920 --> 00:34:55,800
Speaker 1: I'm tired of that. Yeah, I can't about the cats.

558
00:34:56,320 --> 00:35:00,680
Speaker 1: I would never hurt an animal a early other people

559
00:35:00,680 --> 00:35:04,719
Speaker 1: don't feel that way. Thirty three year old man accused

560
00:35:04,719 --> 00:35:08,440
Speaker 1: of beating his roommates cat to death with a hammer

561
00:35:08,680 --> 00:35:14,680
Speaker 1: in Oakland. Oh man, the image, the imagery of that.

562
00:35:15,360 --> 00:35:18,160
Speaker 1: I can't even comment on that. Bro. Sick funk of

563
00:35:18,160 --> 00:35:23,240
Speaker 1: the week. Hell yeah. On a Toronto subway a woman

564
00:35:23,320 --> 00:35:25,800
Speaker 1: was caught on video. Apparently she's a heroin atic. I

565
00:35:25,800 --> 00:35:28,600
Speaker 1: don't know, I know who didn't anything. She's pushing the door,

566
00:35:28,760 --> 00:35:34,359
Speaker 1: kicking the dog, tried to eat, like, bite the fucking dog. Shit,

567
00:35:34,600 --> 00:35:40,000
Speaker 1: nobody did anything. Quote on video sick fucking a week. Yeah,

568
00:35:40,920 --> 00:35:45,280
Speaker 1: she's doing that. Man, the motherfucker man that Jerome Maurice,

569
00:35:46,200 --> 00:35:51,560
Speaker 1: those great skies. I don't know who the sick funker

570
00:35:51,680 --> 00:35:57,839
Speaker 1: this is. But in Mountclair, California, Montclair, they were trying

571
00:35:57,880 --> 00:36:00,359
Speaker 1: to serve and the rest warren on somebody. They went

572
00:36:00,400 --> 00:36:06,600
Speaker 1: into an industrial building. Over two thousand animals alive, many dead,

573
00:36:06,680 --> 00:36:10,000
Speaker 1: found in the building. Imagine you're a cop and you're

574
00:36:10,000 --> 00:36:13,760
Speaker 1: going to give somebody a rest warrant, it say none violent.

575
00:36:13,800 --> 00:36:16,239
Speaker 1: The rest warrant could be for you know, cops do

576
00:36:16,320 --> 00:36:18,319
Speaker 1: all sorts that. They could be traffic tickets, it could

577
00:36:18,320 --> 00:36:21,280
Speaker 1: be court of who knows. You go into a building

578
00:36:21,719 --> 00:36:26,719
Speaker 1: and there's two thousand animals and many of them are dead.

579
00:36:26,760 --> 00:36:29,680
Speaker 1: Imagine what that smells like. I don't know what the

580
00:36:29,719 --> 00:36:32,440
Speaker 1: funk kind of party they were having over there, but

581
00:36:32,520 --> 00:36:34,040
Speaker 1: they need to get to the bottom it because I

582
00:36:34,080 --> 00:36:36,839
Speaker 1: need to give somebody. I need to tag somebody with

583
00:36:36,880 --> 00:36:38,759
Speaker 1: the sick funk of the week for that. Right now,

584
00:36:40,040 --> 00:36:45,600
Speaker 1: it's an open warrant for the sick funk of the week. Um,

585
00:36:45,719 --> 00:36:47,759
Speaker 1: what can I say? We got the young Shooter coming up.

586
00:36:48,320 --> 00:36:52,760
Speaker 1: Me and Gimnettie see Iron Rapports stereo podcast Dean Collins

587
00:36:52,800 --> 00:36:56,799
Speaker 1: Listen to this. Funk will be right back Me and Gimnettie.

588
00:36:56,800 --> 00:36:58,879
Speaker 1: I know where I'm gonna be. I don't know where

589
00:36:58,920 --> 00:37:00,879
Speaker 1: you guys are gonna be. Me and Moody are going

590
00:37:00,960 --> 00:37:06,600
Speaker 1: to be. It to let Stadium August, the official kickoff

591
00:37:06,640 --> 00:37:12,320
Speaker 1: of the NFL season. I'm hosting Gmo Nettie, Matthew Berry

592
00:37:12,560 --> 00:37:16,799
Speaker 1: Tray Wingo, Jim Brewer and the motherfucking Cronk. Cronk, I

593
00:37:16,880 --> 00:37:20,160
Speaker 1: can't wait to see the kron can't wait, bro Yo,

594
00:37:21,120 --> 00:37:25,960
Speaker 1: my feelings about the Patriots document. Nobody can shoot on

595
00:37:26,000 --> 00:37:29,719
Speaker 1: the Kronk. Even if you can't stand the Patriots, you

596
00:37:29,760 --> 00:37:32,440
Speaker 1: have to love the Gronk. It's the Dingo and the

597
00:37:32,480 --> 00:37:36,160
Speaker 1: Gronk live from Foxborough. Dance with the Dingo. The promo

598
00:37:36,239 --> 00:37:40,480
Speaker 1: code is Dingo for fifteen bucks off live Iron Rapports

599
00:37:40,520 --> 00:37:43,799
Speaker 1: Stereo Podcast at Foxborough. I expect the Boston Wrappa Pack

600
00:37:44,880 --> 00:37:47,399
Speaker 1: to be out there, the Vermont Rappa Pack, the New

601
00:37:47,480 --> 00:37:50,000
Speaker 1: York Wrapper Pack, the Philly Rappa Pack, and all the

602
00:37:50,000 --> 00:37:53,400
Speaker 1: surrounding areas. It's gonna be a fantastic day mock Drafting,

603
00:37:53,480 --> 00:37:58,640
Speaker 1: Durest mock Drafting, and a super duper magnificent Iron Rapports

604
00:37:58,680 --> 00:38:04,279
Speaker 1: Stereo podcast Afthewbury, Trey Window, Jim Brewer, the Ground, Me

605
00:38:04,360 --> 00:38:06,520
Speaker 1: and gem Nitty. It's gonna be fantasy, but it ain't

606
00:38:06,520 --> 00:38:10,440
Speaker 1: gonna be all fantasy. It's gonna be a great day, Foxborough, August.

607
00:38:12,800 --> 00:38:18,280
Speaker 1: All right, as we promised, a historical moment, It's um.

608
00:38:18,320 --> 00:38:21,200
Speaker 1: The young Shooter is here, face to face Live at

609
00:38:21,239 --> 00:38:23,799
Speaker 1: the l a Gloom tune with me G Moody, last

610
00:38:23,880 --> 00:38:26,640
Speaker 1: name rhymes tweet. Uh. You guys have never been in

611
00:38:26,680 --> 00:38:31,919
Speaker 1: the same podcast space together. Correct correct monumental moment. Yeah,

612
00:38:31,920 --> 00:38:33,960
Speaker 1: it's biblical. This is the first time. Just like being

613
00:38:33,960 --> 00:38:36,160
Speaker 1: in the same room as you guys is is it's

614
00:38:36,200 --> 00:38:38,640
Speaker 1: crazy just to see because me and have only communicated

615
00:38:38,640 --> 00:38:40,640
Speaker 1: over the phone. Now now. One of the things that

616
00:38:40,640 --> 00:38:42,960
Speaker 1: that that I want to bring up, because you do

617
00:38:43,040 --> 00:38:45,040
Speaker 1: this a lot when Gerald's on here, is you sometimes

618
00:38:45,040 --> 00:38:48,520
Speaker 1: go I want to co host if Gerald's not around, Like,

619
00:38:48,520 --> 00:38:50,400
Speaker 1: why don't I go? So, why don't you discuss that

620
00:38:50,480 --> 00:38:53,360
Speaker 1: right now with Moody? Love that. I love that we

621
00:38:53,400 --> 00:38:55,520
Speaker 1: get laid on the table right now. So I know

622
00:38:55,640 --> 00:38:57,560
Speaker 1: you like to stir the Michael lies to the pot

623
00:38:57,560 --> 00:38:59,640
Speaker 1: and make it seem like, you know, oh, G's not around,

624
00:38:59,640 --> 00:39:02,319
Speaker 1: why can't I co host? Like I don't think that's

625
00:39:02,320 --> 00:39:04,759
Speaker 1: ever happened on the show where I'm like, yo, he's

626
00:39:04,800 --> 00:39:07,000
Speaker 1: not here, okay, Like sneaky ship like that. I don't

627
00:39:07,040 --> 00:39:11,000
Speaker 1: do that. It wasn't sneaking. It wasn't sneaking until this moment.

628
00:39:11,200 --> 00:39:13,120
Speaker 1: Give me an example, because you just fucking said that

629
00:39:13,360 --> 00:39:14,920
Speaker 1: I'm just telling you because I want to make sure

630
00:39:14,960 --> 00:39:18,120
Speaker 1: there's no fucking weird you've never been on a segment together.

631
00:39:18,840 --> 00:39:21,600
Speaker 1: For those you've never heard, h because we have new

632
00:39:21,640 --> 00:39:26,279
Speaker 1: listeners week after week, episode after episode, month after month.

633
00:39:27,040 --> 00:39:31,240
Speaker 1: Um Dean Collins a k. The Young Shooter. He played

634
00:39:31,280 --> 00:39:33,439
Speaker 1: my son on a show called The War at Home,

635
00:39:34,040 --> 00:39:37,560
Speaker 1: which was canceled. How many years ago, Dean? It's actually

636
00:39:37,560 --> 00:39:40,360
Speaker 1: ten years ago. And for some reason, usually when the

637
00:39:40,400 --> 00:39:43,319
Speaker 1: show gets canceled, people depart and they go there their

638
00:39:43,320 --> 00:39:45,640
Speaker 1: separate ways, and for some reason, Michael has just stuck

639
00:39:45,719 --> 00:39:48,279
Speaker 1: with me every step of the way since I'm like,

640
00:39:48,320 --> 00:39:50,000
Speaker 1: I'm trying to just hang out with my friends, do

641
00:39:50,120 --> 00:39:52,960
Speaker 1: my thing, and you've you've actually stopped by it. When

642
00:39:53,000 --> 00:39:56,719
Speaker 1: I was in college at one point, yes, you did.

643
00:39:56,760 --> 00:39:57,920
Speaker 1: No not my doorm. I at a house and I

644
00:39:57,960 --> 00:39:59,560
Speaker 1: was throwing a party and you knocked on the door

645
00:40:00,160 --> 00:40:02,000
Speaker 1: and it was me and you looked at me like,

646
00:40:02,040 --> 00:40:04,799
Speaker 1: what the fuck are you doing? Was shocked because there's

647
00:40:04,800 --> 00:40:07,640
Speaker 1: a housefold twenty one year old naked girls. Basically they

648
00:40:07,680 --> 00:40:10,359
Speaker 1: have ms and stuff. He's right, and then Michael shows

649
00:40:10,440 --> 00:40:13,160
Speaker 1: up so and he's like, and I what did I say?

650
00:40:13,160 --> 00:40:16,279
Speaker 1: I said can I help you? Yeah, it made me

651
00:40:16,320 --> 00:40:18,399
Speaker 1: feel bad. Okay. I wasn't trying to make you feel bad.

652
00:40:18,400 --> 00:40:20,320
Speaker 1: I was just like it was just kind of weird

653
00:40:20,400 --> 00:40:22,920
Speaker 1: that you were at the college. Okay, Well, I just

654
00:40:22,960 --> 00:40:25,919
Speaker 1: wanted to introduce some of the new listeners to what's

655
00:40:25,960 --> 00:40:28,240
Speaker 1: going on. But g Moody has never been with Dean Collins.

656
00:40:28,560 --> 00:40:30,440
Speaker 1: Do you want to deal with this ship that you've

657
00:40:30,480 --> 00:40:33,160
Speaker 1: brought up behind Moodies? What did I bring up ahead?

658
00:40:34,360 --> 00:40:37,359
Speaker 1: You're you're comfortable with this, I'm not. To me, I'm

659
00:40:37,400 --> 00:40:39,920
Speaker 1: not that comfortable, just because I feel like there's like

660
00:40:39,960 --> 00:40:42,680
Speaker 1: an elephant in the room or something like maybe you know,

661
00:40:42,760 --> 00:40:44,640
Speaker 1: like you think that I said something like I didn't

662
00:40:44,680 --> 00:40:46,680
Speaker 1: say it. He's trying to start some ship? Do you think?

663
00:40:46,840 --> 00:40:48,239
Speaker 1: But do you think he is trying to start it?

664
00:40:48,320 --> 00:40:51,719
Speaker 1: Or have you personally heard me say some ship on

665
00:40:51,760 --> 00:40:54,400
Speaker 1: the podcast? Was there ever a moment you were like

666
00:40:54,520 --> 00:40:56,799
Speaker 1: red flag? Like I like the young Treater, but that

667
00:40:56,920 --> 00:40:58,880
Speaker 1: was kind of like, what are you doing stepping on

668
00:40:58,960 --> 00:41:00,960
Speaker 1: my ship? I know, I know rapp Upoor he starts

669
00:41:01,000 --> 00:41:03,480
Speaker 1: a lot of ship. You know that, right? But so

670
00:41:03,400 --> 00:41:05,560
Speaker 1: so you never you don't want to get anything off

671
00:41:05,640 --> 00:41:08,319
Speaker 1: your chest. Movie nope. I don't have anything on my chest.

672
00:41:08,760 --> 00:41:10,600
Speaker 1: Do you have anything on your chest? Come on, you're

673
00:41:10,600 --> 00:41:12,760
Speaker 1: trying to start some ship. Did he tell you something

674
00:41:12,760 --> 00:41:15,759
Speaker 1: that I should know about? He don't need to tell me.

675
00:41:16,200 --> 00:41:18,120
Speaker 1: He's a coach. You're the one who's trying to fucking

676
00:41:18,160 --> 00:41:20,959
Speaker 1: stab him in the fucking stabbing anyone in the back, dude,

677
00:41:21,080 --> 00:41:24,879
Speaker 1: So shooter, what's been going on? First of all, give

678
00:41:24,920 --> 00:41:27,600
Speaker 1: a shout out to my man, Portugal the Man. Dude.

679
00:41:27,760 --> 00:41:29,759
Speaker 1: I love that you're like you started out because I

680
00:41:29,760 --> 00:41:31,440
Speaker 1: I didn't want to be the first one. But Portugal

681
00:41:31,480 --> 00:41:34,240
Speaker 1: the Man, Holy sh it, dude. I know we've mentioned

682
00:41:34,239 --> 00:41:37,879
Speaker 1: them all the time, but John of Portugal the Man

683
00:41:38,080 --> 00:41:41,880
Speaker 1: singer guitarists. I went to their show recently. It was

684
00:41:42,320 --> 00:41:47,080
Speaker 1: fucking it sold out. People were waiting outside the security guards.

685
00:41:47,080 --> 00:41:49,759
Speaker 1: Portugal the Man is our guy. John in Portugal the Man.

686
00:41:49,920 --> 00:41:53,680
Speaker 1: You think he's out there like sort of growing as

687
00:41:53,680 --> 00:41:56,200
Speaker 1: a stickman, Like right now I would be the time, No,

688
00:41:56,280 --> 00:41:57,799
Speaker 1: But John has been like I feel like John has

689
00:41:57,800 --> 00:42:00,640
Speaker 1: been in the stickman game for like a long time.

690
00:42:00,640 --> 00:42:02,680
Speaker 1: They've been a band for a long time. They give

691
00:42:02,760 --> 00:42:05,799
Speaker 1: us crazy love really okay, I mean just yeah, man,

692
00:42:05,840 --> 00:42:08,320
Speaker 1: growing up in high school, like that was the band

693
00:42:08,760 --> 00:42:11,520
Speaker 1: to listen to, and they were, you know, we're super indie.

694
00:42:11,640 --> 00:42:14,000
Speaker 1: Now they got like a number one fucking hit on

695
00:42:14,040 --> 00:42:17,280
Speaker 1: the radio. The show was epic. I went with Logan Lerman.

696
00:42:17,360 --> 00:42:19,200
Speaker 1: I went with my brother. He hooked us up with

697
00:42:19,239 --> 00:42:23,120
Speaker 1: backstage passes. The guy was homie do but shout out

698
00:42:23,120 --> 00:42:26,319
Speaker 1: to John. They're they're they're on fire right now for real. Yeah,

699
00:42:26,360 --> 00:42:30,040
Speaker 1: shout out to them, guys. Man always good stuff, man, Yo.

700
00:42:30,080 --> 00:42:33,000
Speaker 1: So okay, So Shooter, it's been a little while since

701
00:42:33,000 --> 00:42:35,920
Speaker 1: you've been on the show. People have asked about you.

702
00:42:35,920 --> 00:42:38,040
Speaker 1: You haven't been on the show since you moved to Barstool.

703
00:42:38,680 --> 00:42:40,520
Speaker 1: A lot of the Barstool community may or may not

704
00:42:40,680 --> 00:42:42,960
Speaker 1: know you, Um, which is fine. They're gonna get to

705
00:42:43,000 --> 00:42:46,680
Speaker 1: know you. Today. We chronicle some of other young shooters,

706
00:42:46,800 --> 00:42:51,160
Speaker 1: um for dating stories or yeah. Yeah, So what's been

707
00:42:51,200 --> 00:42:55,120
Speaker 1: the latest. Well, you know, it had been slow before

708
00:42:55,280 --> 00:42:58,480
Speaker 1: last weekend, a couple of nights ago. Um, you know,

709
00:42:58,520 --> 00:43:02,600
Speaker 1: I basically this is how like I'm really looking for

710
00:43:02,719 --> 00:43:04,880
Speaker 1: the girls right now. It was slow and I was like,

711
00:43:04,920 --> 00:43:07,040
Speaker 1: all right, I'm not into my head is into work

712
00:43:07,040 --> 00:43:09,359
Speaker 1: and all this ship. Right, But lately I'm my guy.

713
00:43:09,360 --> 00:43:12,600
Speaker 1: I gotta get back to we want to hear about Okay, No,

714
00:43:12,680 --> 00:43:14,480
Speaker 1: I'm telling it, I'm telling it. So so yeah, So

715
00:43:14,520 --> 00:43:15,800
Speaker 1: I thought, you know, it's time to get back on

716
00:43:15,840 --> 00:43:20,080
Speaker 1: the pogo stick. I find this girl. What should I say?

717
00:43:20,200 --> 00:43:23,600
Speaker 1: It's time for her to get on the pogost Okay,

718
00:43:23,840 --> 00:43:27,719
Speaker 1: thank you, thank you, thank you. But but anyway, so

719
00:43:28,160 --> 00:43:30,759
Speaker 1: I see this girl on Tinder and her Instagram is

720
00:43:30,760 --> 00:43:33,080
Speaker 1: in her bio. I don't even match with this girl. Okay,

721
00:43:33,120 --> 00:43:34,839
Speaker 1: I'm on a new ship where we don't even match.

722
00:43:34,880 --> 00:43:37,399
Speaker 1: And we start talking. I swipe my go oh that girl.

723
00:43:37,400 --> 00:43:39,520
Speaker 1: Look what do you mean you don't match? Like you

724
00:43:39,560 --> 00:43:42,040
Speaker 1: swipe people right, You're like, oh, swipe, swipe, swipe, swipe, swipe.

725
00:43:42,040 --> 00:43:45,000
Speaker 1: You see their picture? Now, this girl said, this girl says,

726
00:43:45,480 --> 00:43:50,240
Speaker 1: looking for a Michael Sarah type. This isn't the bio. Okay,

727
00:43:50,360 --> 00:43:53,600
Speaker 1: so t you could kind of I'm like, I kinda

728
00:43:53,880 --> 00:43:57,320
Speaker 1: like I feel like maybe I have a the Lezaford

729
00:43:57,400 --> 00:44:01,040
Speaker 1: super bad opposite Joe Nerd arrested develop man to kids,

730
00:44:01,080 --> 00:44:04,560
Speaker 1: super nerdy, but super nerdy gets the girls, right, He

731
00:44:04,600 --> 00:44:11,080
Speaker 1: gets the girls. He's sort of like the young hipster Nerd. Yeah.

732
00:44:11,120 --> 00:44:14,239
Speaker 1: Back when but anyway, that aside, I see looking for

733
00:44:14,280 --> 00:44:18,080
Speaker 1: a Michael type. Agree, I agree, unique act agree looking

734
00:44:18,080 --> 00:44:21,080
Speaker 1: for a Michael Sarah type with her Instagram handles. I

735
00:44:21,120 --> 00:44:23,799
Speaker 1: go to Instagram because we're not matching on there, I

736
00:44:23,880 --> 00:44:26,440
Speaker 1: message and I said, I follow her. I hit her

737
00:44:26,440 --> 00:44:27,960
Speaker 1: with the follow. I hit her with a like on

738
00:44:28,000 --> 00:44:31,920
Speaker 1: her latest pick. And then she messages me from the

739
00:44:31,960 --> 00:44:34,760
Speaker 1: Portugal The Man Show. She saw a video I posted

740
00:44:35,120 --> 00:44:37,560
Speaker 1: and she said super jealous, and so I responded, I said,

741
00:44:37,600 --> 00:44:41,719
Speaker 1: are you still accepting Michael Sarah types applications? And she

742
00:44:42,280 --> 00:44:45,759
Speaker 1: said yes I am, And I said, okay, great this

743
00:44:45,840 --> 00:44:47,880
Speaker 1: and now I started spitting my game, you know, whatever

744
00:44:47,960 --> 00:44:51,239
Speaker 1: game I have if and I was kicking some ship

745
00:44:51,280 --> 00:44:52,920
Speaker 1: to her, just like, oh, you know, we should hang

746
00:44:52,920 --> 00:44:55,200
Speaker 1: out this and that, and she started getting kind of

747
00:44:55,239 --> 00:44:58,799
Speaker 1: weird on there. So then she's like, now check this out.

748
00:44:58,840 --> 00:45:00,600
Speaker 1: You guys are gonna trip over this song. I go,

749
00:45:00,840 --> 00:45:03,440
Speaker 1: So I go, what do you? She goes, I don't

750
00:45:03,480 --> 00:45:05,279
Speaker 1: know if I can hang out on Friday because I

751
00:45:05,360 --> 00:45:07,839
Speaker 1: might get called into work. So I said, all right,

752
00:45:08,239 --> 00:45:11,919
Speaker 1: where do you work? She goes, She goes, you don't

753
00:45:11,920 --> 00:45:15,279
Speaker 1: want to know. So I'm going, oh, ship, that's this is.

754
00:45:15,320 --> 00:45:18,279
Speaker 1: This is one that's that's red flag off the top. Okay, now,

755
00:45:18,320 --> 00:45:20,000
Speaker 1: but let me give you a red flag before that.

756
00:45:20,280 --> 00:45:23,200
Speaker 1: I'm gonna give you the user name of what this

757
00:45:23,680 --> 00:45:25,319
Speaker 1: who this girl is to give you an idea of

758
00:45:25,320 --> 00:45:31,920
Speaker 1: who she is. But her user name is daddy Issues. Okay,

759
00:45:31,960 --> 00:45:35,719
Speaker 1: so it's along the lines of daddy issues. Okay, yeah, yeah,

760
00:45:35,800 --> 00:45:38,000
Speaker 1: so I could deal with I could deal with crazy.

761
00:45:38,160 --> 00:45:40,520
Speaker 1: I like crazy, but the right amount of crazy, nothing

762
00:45:40,719 --> 00:45:43,279
Speaker 1: too much. So I start I start saying, she goes,

763
00:45:43,480 --> 00:45:44,600
Speaker 1: she said, I you don't want to know what I

764
00:45:44,640 --> 00:45:46,440
Speaker 1: do for work? I said, I kind of want to

765
00:45:46,440 --> 00:45:48,960
Speaker 1: know now, and she's a she goes, I'm not a

766
00:45:48,960 --> 00:45:51,040
Speaker 1: stripper or anything. If that's where you're thinking, I'm going, okay,

767
00:45:51,360 --> 00:45:52,640
Speaker 1: that was kind of the first thing, right, what do

768
00:45:52,680 --> 00:45:55,040
Speaker 1: you do? Don't You're like, that's just my boy, I know.

769
00:45:55,080 --> 00:45:57,520
Speaker 1: But you're saying it like Walent today, you're doing it now,

770
00:45:58,040 --> 00:46:00,920
Speaker 1: You're going and then you can hear the sniff over

771
00:46:00,920 --> 00:46:03,640
Speaker 1: the mic, like, what do you do? Did you ask her? So? Yeah,

772
00:46:03,640 --> 00:46:05,200
Speaker 1: I asked you what she so? I asked her, what

773
00:46:05,239 --> 00:46:08,279
Speaker 1: did you do? And she said the offer came to me.

774
00:46:08,320 --> 00:46:09,719
Speaker 1: I didn't. She's like what do you do? I just

775
00:46:09,800 --> 00:46:11,040
Speaker 1: want to know what you do. She goes, I'm an

776
00:46:11,040 --> 00:46:14,200
Speaker 1: aftermath cleaner. So I'm thinking that that's what I thought.

777
00:46:14,320 --> 00:46:16,560
Speaker 1: What does that mean? I look it up. She cleans

778
00:46:16,640 --> 00:46:20,080
Speaker 1: the blood off of the crime scenes of dead bodies

779
00:46:20,080 --> 00:46:22,839
Speaker 1: and ship. So I'm like, oh, ship. So I said,

780
00:46:22,840 --> 00:46:28,480
Speaker 1: are you trying to murder Doc and Chill? So she yeah, no,

781
00:46:28,560 --> 00:46:30,879
Speaker 1: for real? So that was your follow up line? I said, oh,

782
00:46:31,080 --> 00:46:32,480
Speaker 1: this is where we have a good tea. And now

783
00:46:32,520 --> 00:46:34,640
Speaker 1: I got it. Now I said, now I gotta meet you,

784
00:46:34,920 --> 00:46:36,359
Speaker 1: and she goes, oh, do you ever do phone calls?

785
00:46:36,400 --> 00:46:37,640
Speaker 1: I said, I can't tell if you're messing with me,

786
00:46:37,680 --> 00:46:39,239
Speaker 1: but I do phone calls. So I go to the

787
00:46:39,320 --> 00:46:42,440
Speaker 1: Roosevelt one night. We're not going to just skip over it.

788
00:46:42,520 --> 00:46:47,160
Speaker 1: That's a fucking murder Doc and Chill. I'm trying to

789
00:46:48,880 --> 00:46:52,040
Speaker 1: brother murder Doc and Chill. Soulmate, bro, that's what I'm

790
00:46:52,080 --> 00:46:55,799
Speaker 1: looking for, Murder Doc and Chill. I think. I think

791
00:46:56,239 --> 00:46:58,440
Speaker 1: I want to hear the people listening to this podcast.

792
00:46:58,760 --> 00:47:01,719
Speaker 1: Tweet me or Instagram if you think Murder Doc and

793
00:47:01,800 --> 00:47:04,840
Speaker 1: Chill should be a t shirt, because have that puppy

794
00:47:04,880 --> 00:47:07,200
Speaker 1: out and because forgetting Netflix is HBO has got the

795
00:47:07,280 --> 00:47:09,359
Speaker 1: jinks we have, you know, making a murder of right,

796
00:47:09,400 --> 00:47:11,680
Speaker 1: It's like it's just a murder dock and chill should

797
00:47:11,680 --> 00:47:15,000
Speaker 1: be a dope T shirt. Okay, anyway, no percentage of

798
00:47:15,040 --> 00:47:18,520
Speaker 1: that though. That sounds fucked up, like why would what

799
00:47:18,520 --> 00:47:21,040
Speaker 1: do you mean percentage of that? Everything that you say

800
00:47:21,080 --> 00:47:23,520
Speaker 1: on the Iron Reports is owned by you and Marston

801
00:47:23,560 --> 00:47:27,240
Speaker 1: my rights. I own it. Murder Dock and chilled T shirts.

802
00:47:27,280 --> 00:47:29,480
Speaker 1: I think people are gonna want Murder Doctor. You don't

803
00:47:29,520 --> 00:47:31,719
Speaker 1: sucking make me like cut the mic and just walk

804
00:47:31,800 --> 00:47:35,239
Speaker 1: out and go home and all that ship whatever. You're

805
00:47:35,239 --> 00:47:38,399
Speaker 1: about the kickf G. We're about to take off. I'm

806
00:47:38,480 --> 00:47:41,960
Speaker 1: right here, dude, We're about the kick off that yok

807
00:47:42,400 --> 00:47:46,680
Speaker 1: Yo butter Soft, Murder Doc and chilled T shirts. I

808
00:47:46,719 --> 00:47:48,400
Speaker 1: just want to go I want to put that on

809
00:47:48,440 --> 00:47:51,640
Speaker 1: the mic really quick. Ever, since I'm not gonna go there,

810
00:47:51,680 --> 00:47:53,920
Speaker 1: but I'll just say this. I don't have a Sucker

811
00:47:53,960 --> 00:47:56,440
Speaker 1: ship T shirt. I haven't gotten any new T shirts

812
00:47:56,440 --> 00:47:58,400
Speaker 1: from you guys. It's like you kind of kick me

813
00:47:58,440 --> 00:48:00,200
Speaker 1: to the curb. Everyone's just wors Dean, why be on

814
00:48:00,200 --> 00:48:02,560
Speaker 1: the podcast. I just want to set the record straight.

815
00:48:03,160 --> 00:48:05,239
Speaker 1: I have not I'm not trying to talk ship talks.

816
00:48:05,280 --> 00:48:09,120
Speaker 1: Just's keeping it honest. I have not gotten invited the podcast.

817
00:48:10,200 --> 00:48:11,719
Speaker 1: I've had a fucked up voice. I've heard it all.

818
00:48:11,760 --> 00:48:15,120
Speaker 1: Everyone knows, dude. But you're still flying to fucking here

819
00:48:15,160 --> 00:48:17,600
Speaker 1: and there and butt funk here and but there to

820
00:48:17,680 --> 00:48:20,040
Speaker 1: go see everyone and to fucking use your voice and

821
00:48:20,080 --> 00:48:22,239
Speaker 1: I can't get a phone call back. It's all good.

822
00:48:22,280 --> 00:48:24,640
Speaker 1: I'm happy to be seeing you here, dude. I respect you,

823
00:48:24,680 --> 00:48:26,280
Speaker 1: I love what you're doing. I love that the social

824
00:48:26,320 --> 00:48:28,600
Speaker 1: media is a growing but just just want you to

825
00:48:28,640 --> 00:48:31,640
Speaker 1: remember your roots, my dude. Okay, go ahead, man. Anyways,

826
00:48:31,920 --> 00:48:33,880
Speaker 1: so I call her outside of the Roosevelt. We're on

827
00:48:33,920 --> 00:48:36,239
Speaker 1: the phone for forty five minutes. I'm in autopilot because

828
00:48:36,239 --> 00:48:39,160
Speaker 1: I got my Milagro tequila in my system. I'm going

829
00:48:39,200 --> 00:48:42,000
Speaker 1: a little crazy. We start talking, she starts getting offended

830
00:48:42,080 --> 00:48:43,600
Speaker 1: with me on the phone, and all of a sudden,

831
00:48:43,840 --> 00:48:45,960
Speaker 1: and so she starts hanging up on me, and I'm like,

832
00:48:46,160 --> 00:48:47,759
Speaker 1: I don't know what's going on. This is like maybe

833
00:48:47,800 --> 00:48:51,840
Speaker 1: I just cut this, cut this out completely, So huh,

834
00:48:52,160 --> 00:48:55,000
Speaker 1: motherfucker's stay focused, man, I'll cut this whole fucking story

835
00:48:55,000 --> 00:48:57,200
Speaker 1: out of the episode. She said, she said, you will. Look,

836
00:48:57,280 --> 00:49:00,280
Speaker 1: you know, I lost interest. The next day. I tech certain.

837
00:49:00,320 --> 00:49:02,560
Speaker 1: She She's like, I lost interest and I said. I

838
00:49:02,600 --> 00:49:04,360
Speaker 1: was like, I'm confused. She goes, don't worry about it.

839
00:49:04,400 --> 00:49:06,880
Speaker 1: I wish you the best. Just you know, buy thanks anyway,

840
00:49:06,880 --> 00:49:08,360
Speaker 1: and I was like, what do you mean. I was like,

841
00:49:08,360 --> 00:49:10,000
Speaker 1: we got a chill, and she goes, I said, we

842
00:49:10,000 --> 00:49:11,600
Speaker 1: still got a chill, and she goes, we're not now,

843
00:49:12,000 --> 00:49:14,520
Speaker 1: And I said why. She said, first of all, the

844
00:49:14,680 --> 00:49:17,919
Speaker 1: not talking thing made me lose interest. And I said,

845
00:49:18,440 --> 00:49:21,560
Speaker 1: but it's been a day. We spoke. We spoke yesterday.

846
00:49:21,680 --> 00:49:23,520
Speaker 1: I said, I'm working on a project right now. It's

847
00:49:23,520 --> 00:49:25,359
Speaker 1: it's been crazy. But if you aren't interested, all good.

848
00:49:25,480 --> 00:49:27,880
Speaker 1: You already know that you're dealing with She goes, When

849
00:49:27,920 --> 00:49:29,719
Speaker 1: I talked to you on the phone, I really liked you,

850
00:49:29,840 --> 00:49:32,040
Speaker 1: and now I can't be talking anymore. And she sent

851
00:49:32,120 --> 00:49:38,360
Speaker 1: me a booty pick and she was reading great, great, great, okay, great,

852
00:49:39,680 --> 00:49:41,880
Speaker 1: he's moving up. Thank you man. I'm just I I

853
00:49:42,200 --> 00:49:44,200
Speaker 1: take after you guys like I. I mean, you guys

854
00:49:44,239 --> 00:49:46,040
Speaker 1: have been in the game for so long, like Michael,

855
00:49:46,040 --> 00:49:48,600
Speaker 1: we are exactly twenty years apart. Not on the day

856
00:49:48,600 --> 00:49:54,839
Speaker 1: but twenty years apart, nineteen seventy. I believe your birthdays March,

857
00:49:55,239 --> 00:49:57,880
Speaker 1: so you've been around longer. You guys have both been around,

858
00:49:57,880 --> 00:50:00,560
Speaker 1: and and I've heard the crazy fucking stories, Like I

859
00:50:00,560 --> 00:50:03,000
Speaker 1: know g was with you during Beautiful Girls set, like

860
00:50:03,080 --> 00:50:04,839
Speaker 1: he came out to visit you and like that was going,

861
00:50:04,960 --> 00:50:06,279
Speaker 1: like I see it in your eyes, like that was

862
00:50:06,280 --> 00:50:10,319
Speaker 1: a crazy time for you both. That was pretty nuts, right,

863
00:50:10,400 --> 00:50:12,080
Speaker 1: So I just want to say, like that was like

864
00:50:12,239 --> 00:50:14,360
Speaker 1: the time when people say, you know, like they like

865
00:50:14,440 --> 00:50:17,080
Speaker 1: that was like the time like Minnesota, what was that

866
00:50:17,200 --> 00:50:23,200
Speaker 1: ninety six? Wow Yo, shout out to the Glam Slam

867
00:50:23,400 --> 00:50:26,680
Speaker 1: And that's before like Twitter and all the bullshits, good

868
00:50:26,719 --> 00:50:31,040
Speaker 1: city shout out to glam Slam. Glam Slam is what

869
00:50:31,280 --> 00:50:33,000
Speaker 1: is that? Like the craziest ship that you guys got

870
00:50:33,040 --> 00:50:35,799
Speaker 1: into what you say, Minneapolis, It wasn't crazy. It wasn't

871
00:50:35,840 --> 00:50:40,840
Speaker 1: like stories. It was just volume every every night. It

872
00:50:40,920 --> 00:50:43,160
Speaker 1: was just working like every night was just like it

873
00:50:43,280 --> 00:50:46,680
Speaker 1: every night and NBA stars who are j R. Ryder

874
00:50:46,760 --> 00:50:49,279
Speaker 1: we was hanging out with because the club was the

875
00:50:49,320 --> 00:50:52,600
Speaker 1: only club in town. So anybody who they can be like, oh,

876
00:50:52,600 --> 00:50:55,799
Speaker 1: the Sacramento the Sacramento Kings are in the club, so

877
00:50:55,840 --> 00:50:58,479
Speaker 1: when you leave the town, it's like a fucking ghost town.

878
00:50:58,600 --> 00:51:01,279
Speaker 1: It was Prince's Club. Oh shoot, there you go. Start

879
00:51:01,320 --> 00:51:04,360
Speaker 1: with that. We had a good time. Okay, all right,

880
00:51:04,520 --> 00:51:07,520
Speaker 1: let's stay focused on your story. Absolutely. So anyway I've started,

881
00:51:07,600 --> 00:51:10,720
Speaker 1: I started cut it with this girl. The biggest mistake.

882
00:51:10,760 --> 00:51:13,440
Speaker 1: I'll end with this. She said where at where do

883
00:51:13,440 --> 00:51:15,040
Speaker 1: you want to meet? And I said, I gave her

884
00:51:15,080 --> 00:51:19,640
Speaker 1: my address. I didn't give give her my apartment number.

885
00:51:20,320 --> 00:51:23,359
Speaker 1: But anyway, that's that. Um, things have been good, man.

886
00:51:23,520 --> 00:51:25,879
Speaker 1: I don't know what else there is. Uh um, Yeah,

887
00:51:25,960 --> 00:51:28,480
Speaker 1: other girls have been good. That's for another time. But

888
00:51:28,960 --> 00:51:30,719
Speaker 1: and I'm working, dude, I'm doing a lot of work

889
00:51:30,800 --> 00:51:35,200
Speaker 1: right now. Yeah, I'm gonna be working. I'm directing and

890
00:51:35,360 --> 00:51:42,399
Speaker 1: editing and developing a seven episode uh docuseries for Playboy

891
00:51:42,880 --> 00:51:45,680
Speaker 1: for Playboy, yes, rescription base for not it will be

892
00:51:45,719 --> 00:51:49,160
Speaker 1: digital now. They always have the Midsummer Nights. Yes, And

893
00:51:49,239 --> 00:51:54,000
Speaker 1: I've never been Okay, I was invited there by the

894
00:51:54,040 --> 00:51:57,319
Speaker 1: Stern Show people twenty something years ago and them off

895
00:51:57,760 --> 00:51:59,960
Speaker 1: them off. Let's let's just rewind to last year, because

896
00:52:00,000 --> 00:52:03,520
Speaker 1: who that motherfucker Gary off? Then? And I'll fucking stump

897
00:52:03,600 --> 00:52:07,680
Speaker 1: his ass. It sounds like you lost zip time fuck

898
00:52:07,760 --> 00:52:11,120
Speaker 1: him and the cook him. Yeah, I thought maybe it's

899
00:52:11,320 --> 00:52:14,080
Speaker 1: it's a three it's a three part thing some time

900
00:52:14,480 --> 00:52:17,280
Speaker 1: fun him and they cook him. One of the great

901
00:52:17,280 --> 00:52:20,920
Speaker 1: lines of last week's Emergency podcast is fool me once,

902
00:52:21,440 --> 00:52:24,120
Speaker 1: shame on you, fool me twice. I fun you, and

903
00:52:24,200 --> 00:52:27,239
Speaker 1: he asked, that's that's a line that will go down

904
00:52:27,239 --> 00:52:30,920
Speaker 1: and infamy. It started the Emergency podcast last week and

905
00:52:30,960 --> 00:52:33,319
Speaker 1: a lot of people on Twitter, they responded to it,

906
00:52:33,880 --> 00:52:39,640
Speaker 1: fool me once, shame on you, fool me twice. Okay,

907
00:52:39,640 --> 00:52:42,200
Speaker 1: that's cool man, No, I get that, and it sounds better. Yeah,

908
00:52:43,160 --> 00:52:46,640
Speaker 1: it flows better than like how Bush said it did.

909
00:52:46,280 --> 00:52:49,279
Speaker 1: He said, fool me once, shame on you, fool me twice. Well,

910
00:52:49,520 --> 00:52:53,600
Speaker 1: can't fool me again? Yeah, it doesn't work. You could

911
00:52:53,680 --> 00:52:56,759
Speaker 1: use that, George dub thanks man, now you George W.

912
00:52:56,880 --> 00:53:00,239
Speaker 1: Bush like yo, when you get back up there, quote me. Yeah,

913
00:53:00,239 --> 00:53:03,040
Speaker 1: I'll be taking that fine, um anything, I was shooter.

914
00:53:03,160 --> 00:53:05,800
Speaker 1: So the Playboy Network, Playboy Channel. Yeah, just doing a

915
00:53:05,840 --> 00:53:08,960
Speaker 1: lot of freelance. Mid Summer's night, uh so, just to

916
00:53:09,000 --> 00:53:13,239
Speaker 1: discuss that the Midsummer Nights Dream Party Michael uh to

917
00:53:13,280 --> 00:53:16,880
Speaker 1: everyone listening, was actually invited this time last year, I

918
00:53:16,960 --> 00:53:19,880
Speaker 1: got Michael plus one because I've been you know, fortunate

919
00:53:19,960 --> 00:53:23,680
Speaker 1: enough to have you have connections, not even connections like

920
00:53:23,920 --> 00:53:25,719
Speaker 1: these are my friends or whatever, and I've I've grown

921
00:53:25,800 --> 00:53:29,160
Speaker 1: up whatever they're hanging out at the when you were

922
00:53:29,200 --> 00:53:31,799
Speaker 1: like a little kid, Yes, a little kid, and so

923
00:53:32,040 --> 00:53:34,560
Speaker 1: you wanted to go expect the whole episode in itself,

924
00:53:35,040 --> 00:53:37,040
Speaker 1: Yeah we should. We We could talk about that another time.

925
00:53:37,080 --> 00:53:39,160
Speaker 1: But yeah, we're not talking about last year. I got you.

926
00:53:39,840 --> 00:53:41,919
Speaker 1: You don't say to me, oh, we could talk about

927
00:53:41,960 --> 00:53:45,279
Speaker 1: it another time. Were you talking about it today? I

928
00:53:45,280 --> 00:53:47,000
Speaker 1: know we're not talking about it today. I probably will

929
00:53:47,080 --> 00:53:48,920
Speaker 1: see you can talk about it another time, Like I

930
00:53:48,960 --> 00:53:51,200
Speaker 1: wasn't giving a man to bring it up today, motherfucker.

931
00:53:51,239 --> 00:53:52,640
Speaker 1: I hope you called me in six months when I'm

932
00:53:52,640 --> 00:53:56,799
Speaker 1: on the podcast next and focused. So um, anyway, you

933
00:53:56,880 --> 00:53:58,880
Speaker 1: were invited last year. That was like kind of my

934
00:53:58,920 --> 00:54:01,960
Speaker 1: way of showing you the Mountain Talk. And I'm calling

935
00:54:02,000 --> 00:54:04,800
Speaker 1: Michael like over and over and over all these fucking

936
00:54:05,520 --> 00:54:09,640
Speaker 1: scantly clad ladies just like fucking dressed to the night

937
00:54:11,800 --> 00:54:15,239
Speaker 1: exactly the Zoo's kicking off the some days. But it's

938
00:54:15,280 --> 00:54:17,960
Speaker 1: kind of like, just like a party you want to go, absolutely,

939
00:54:18,040 --> 00:54:20,239
Speaker 1: can me and Moody go this year? I'm not gonna

940
00:54:20,280 --> 00:54:24,080
Speaker 1: be there, so to be honest, ho ho who I'm

941
00:54:24,120 --> 00:54:26,880
Speaker 1: not going to be there? I mean, I mean I could,

942
00:54:27,040 --> 00:54:31,640
Speaker 1: I could mind and Moody's in l A. To be

943
00:54:31,680 --> 00:54:34,920
Speaker 1: honest with you, I would actually I could probably get

944
00:54:34,920 --> 00:54:36,840
Speaker 1: Moody in. I don't know if I can get you

945
00:54:36,880 --> 00:54:38,600
Speaker 1: in because I'm and I'm not trying to make a

946
00:54:38,640 --> 00:54:41,160
Speaker 1: joke right now. Michael last year I got him a

947
00:54:41,160 --> 00:54:43,800
Speaker 1: ticket with me. I'm calling him over and over in Cooper,

948
00:54:44,320 --> 00:54:46,280
Speaker 1: who's putting on the whole event, is saying, where's Michael?

949
00:54:46,320 --> 00:54:47,760
Speaker 1: I got him on the list. It was not easy

950
00:54:47,800 --> 00:54:51,680
Speaker 1: to do that, he called. And then they've already been

951
00:54:51,719 --> 00:54:55,000
Speaker 1: the Rapp Report as yet to enter. Right, no one's

952
00:54:55,040 --> 00:54:59,040
Speaker 1: asked where you were, Yeah, except for Reuire to be like,

953
00:54:59,120 --> 00:55:02,719
Speaker 1: I'm running around in the or me Mike rapping a

954
00:55:02,760 --> 00:55:05,880
Speaker 1: fucking onesie party. You. I was really looking forward to

955
00:55:05,880 --> 00:55:07,919
Speaker 1: bringing you as my plus one. Oh no, we're gonna

956
00:55:07,920 --> 00:55:11,400
Speaker 1: have Toby mcgrare walking around in some silk pajamas. Reports

957
00:55:11,640 --> 00:55:14,320
Speaker 1: fucking running around like a lunatic in a onesie, Okay,

958
00:55:14,400 --> 00:55:16,680
Speaker 1: that's the party, right, But then what that's what I

959
00:55:16,680 --> 00:55:18,720
Speaker 1: thought the party was gonna be. And then you called

960
00:55:18,719 --> 00:55:21,040
Speaker 1: me at what one am or the next morning and

961
00:55:21,080 --> 00:55:23,600
Speaker 1: he said, hey, man, I'm I'm so sorry about last night.

962
00:55:23,560 --> 00:55:28,000
Speaker 1: I go asleep on my couch in the pajamas here

963
00:55:29,840 --> 00:55:32,480
Speaker 1: after I moved. Bro, that's like you should you should

964
00:55:32,480 --> 00:55:34,919
Speaker 1: be embarrassed about that. You should feel like a little

965
00:55:34,960 --> 00:55:37,960
Speaker 1: bit of shame about that, just because like you had

966
00:55:37,960 --> 00:55:41,640
Speaker 1: your show podcast would have. I think I think I

967
00:55:41,640 --> 00:55:46,160
Speaker 1: think the fans listening are probably like, you're a fucking idiot. Sorry.

968
00:55:46,200 --> 00:55:48,000
Speaker 1: I don't mean to like be disrepectful in your show,

969
00:55:48,000 --> 00:55:50,120
Speaker 1: but I'm just saying, like you don't get every day

970
00:55:50,160 --> 00:55:52,479
Speaker 1: to get the the invite to the Midsummer's Party. You

971
00:55:52,480 --> 00:55:54,160
Speaker 1: you blew your chance to that. Maybe made will come

972
00:55:54,239 --> 00:56:01,000
Speaker 1: this year, Um Shooter, I do love episode. Yes, Yes,

973
00:56:01,520 --> 00:56:04,000
Speaker 1: Live and direct with the Young Shooters. Thank you guys,

974
00:56:04,080 --> 00:56:07,080
Speaker 1: and direct with the Young Shooter from the gloom Toomb

975
00:56:07,080 --> 00:56:11,040
Speaker 1: of Los Angeles, Cala, California. Dean Collins at Dean Collins.

976
00:56:11,400 --> 00:56:14,279
Speaker 1: Let's go out on a little Pacific demand. Thanks man.

977
00:56:14,400 --> 00:56:27,200
Speaker 1: All right, We'll stay tuned. Cool, brand new Buttersaft, Iron

978
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986
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Speaker 1: That's it man. I am Rapport Stereo Podcast, fucking banger episode.

987
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988
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989
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990
00:57:19,080 --> 00:57:21,160
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991
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Speaker 1: the Dust Brothers, best producers in the business. Shout out

995
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Speaker 1: to Portugal the man killing it, giving us all the love,

996
00:57:42,520 --> 00:57:44,320
Speaker 1: all of respect. Keep doing your thing. I'm glad to

997
00:57:44,360 --> 00:57:47,160
Speaker 1: see you killing it torn me and Monetti gonna come

998
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Speaker 1: see you. Guys performed I Am Rapors Stereo podcast live

999
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