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Speaker 1: So, I mean, I actually thought it was really nice

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Speaker 1: when Dustin Brown came to us and was like, sorry

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Speaker 1: for the misunderstanding. You guys are the LA Kings.

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Speaker 2: Obviously, the greed to misagree that wasn't nice.

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Speaker 3: It's as if I don't know that.

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Speaker 1: Well, they're the the LA Goalies. Now, I think that's

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Speaker 1: a good that's a good name.

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Speaker 2: Greed to misagree. Hey, welcome to Hollywood Handbook.

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Speaker 1: What up? What up? But insiders, guys, the kicking button

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Speaker 1: dropping names in the red carpet lineback hallways of this

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Speaker 1: industry we call show biz. Uhhh, a lot of action

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Speaker 1: this week it was it was Valentine's Day. Ellen Page

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Speaker 1: is gay. We watched a lot of good TV.

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Speaker 2: Oh baby. We like to call ourselves the Watchman's.

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Speaker 1: So this is a segment called who watches the Watchman's

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Speaker 1: because we watch we're the Watchman's because we watch a

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Speaker 1: lot of good TV and we're checking our watches to

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Speaker 1: know when the good shows are on.

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Speaker 2: And so who watches the Watchman's And set your watch

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Speaker 2: to do it?

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Speaker 3: Because they R and.

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Speaker 2: DVR is for remember to DVR the show.

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Speaker 1: Yes, we always say that.

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Speaker 2: Yeah, we always say that because it's DV digital Video.

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Speaker 2: Remember to dv R digital video record the show you

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Speaker 2: want to watch.

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Speaker 1: Mm hmmm, the Watchman's Now you should explain because you

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Speaker 1: don't own a TV.

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Speaker 2: I don't own a TV. That's been well documented, and

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Speaker 2: some people don't believe me. Search my house. It'll take

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Speaker 2: you all friggin' week. It's so big. But and my

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Speaker 2: dad won't like that you're there. He, you know, will

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Speaker 2: set a time. Because he does. There's times when no

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Speaker 2: one can come in and I'm grinded right now.

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Speaker 3: But search, there's noe. I don't own a TV.

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Speaker 2: So when I want to watch one of the Watchman's

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Speaker 2: favorite shows, I have a nice little ritual where I

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Speaker 2: put on a good suit and I go down to

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Speaker 2: one of my favorite restaurants, one of the b strows

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Speaker 2: that Hayes and I frequent movies, Bistro or any one

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Speaker 2: of those, and I order the shrimp scallipini, the paste Pomodoro,

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Speaker 2: the meat balls, and I get my napkin all set

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Speaker 2: and I have the made or do you run down

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Speaker 2: to a best Buy or to to a circuit city

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Speaker 2: or whatever it is, and I say, get me the

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Speaker 2: biggest TV they have, and they come and they set

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Speaker 2: it up in front of me on my table, and

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Speaker 2: I crank it and I just blast the volume so

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Speaker 2: the whole restaurant can enjoy whatever show the Watchman's are

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Speaker 2: deciding to watch.

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Speaker 1: You are telling me you really enjoyed this past week's

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Speaker 1: episode of the following ooh.

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Speaker 2: My, well, I haven't seen all of them, so it

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Speaker 2: was a little tough to follow, but not for me

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Speaker 2: because I've seen so much movies and TV. Kevin Baking

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Speaker 2: is playing a mean detective. A mean detective. He kind

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Speaker 2: of hates detecting, but that's his job. It would be

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Speaker 2: like if I hate making movies. What a conflict, And

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Speaker 2: it's nice to have conflict inside your character. So he

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Speaker 2: and this week is looking at pictures driving driving, He's

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Speaker 2: yelling and he and he also the whole time has

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Speaker 2: his badge with him just in case. So when he

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Speaker 2: finds out the killer he hates is wanting wants to

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Speaker 2: do more killing. You don't want this mean guy mad

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Speaker 2: at you?

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Speaker 1: Like that?

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Speaker 2: He screams.

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Speaker 3: And he just about smashes right out of the TV.

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Speaker 1: What he say, cut it out?

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Speaker 3: I mean I threw my scalapinie in my own face.

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Speaker 2: I got scared by it, but not a bad scare,

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Speaker 2: not a Dracula scare, but just a emotion scare. And

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Speaker 2: so it was good. And another thing about following is

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Speaker 2: he is following this guy. I give it a minus. Now,

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Speaker 2: Hayes this week was really enthralled with the latest The Blacklist,

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Speaker 2: our favorite criminal turned trying to help get criminals on

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Speaker 2: the Blacklist.

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Speaker 1: Yes, the Blacklist follows, don't confuse it with the following.

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Speaker 1: It does follow characters, but it's not that kind of

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Speaker 1: following from from this show. The Blacklist follows Artemis Black,

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Speaker 1: famous killer, and he in the very beginning is wearing

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Speaker 1: a black hat and a black jacket, a list of

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Speaker 1: clothes that are black. And he goes to the police

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Speaker 1: station and he says he holds out his arms and

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Speaker 1: they think that he's going to strangle somebody, but really

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Speaker 1: what he wants to do is to them is put

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Speaker 1: the handcuffs on. And now he is on the police

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Speaker 1: and because he has a killer's mind, he knows the

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Speaker 1: next step of every killer. And when he sees footprints,

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Speaker 1: he goes inside the killing and he can watch it

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Speaker 1: take place and he can tell the police what's going

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Speaker 1: to happen. Next, and who is who is, who will who,

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Speaker 1: what the killing is about, and so at the same

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Speaker 1: time there's always the danger that he will escape, and

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Speaker 1: this week he did. This week he did escape, and

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Speaker 1: they said Artemis Black is on the loose and all

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Speaker 1: he wants to do is kill. And so he did

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Speaker 1: kill somebody. But the person he killed was the killer

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Speaker 1: that they were searching out, and he did it on purpose.

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Speaker 1: Oh my, it's addicting.

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Speaker 2: Mmm. Yes, when you start watching, and I'm afraid, I mean,

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Speaker 2: my spaghetti bills are going to go through the roof

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Speaker 2: this month because I think I want to see at

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Speaker 2: least two more of the following and maybe even one

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Speaker 2: of the blacklists. And that's three meals.

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Speaker 1: It means you have to eat a wata spaghetti for

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Speaker 1: all the binge watching you're doing, That's right, which is

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Speaker 1: why they call it binge watching.

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Speaker 3: Yeah.

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Speaker 2: Yes, I don't know if you guys have heard of this,

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Speaker 2: but some people like to binge and that means that

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Speaker 2: you go to a nice restaurant and you eat meat

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Speaker 2: balls and spaghetti, Pomodoro and the and the shimp scalpini,

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Speaker 2: and then you stick your toothbrush down your throat and

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Speaker 2: you make yourself throw up, because in this town you

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Speaker 2: gotta be finn baby. We wanted to.

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Speaker 1: Do we we got a lot of heat in the

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Speaker 1: forums about doing a teaser freezer. We haven't done one

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Speaker 1: in a while. It's a very popular segment we do.

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Speaker 1: Teasers are movie commercials. They show in front of the movies.

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Speaker 1: They tell you who's gonna be in them very quickly.

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Speaker 2: If you want to see movies and you want to

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Speaker 2: know what we mean, go to La go to New York,

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Speaker 2: even for just a day. They have big movie house

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Speaker 2: screens and you go in and.

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Speaker 1: You got to kind of get in with the ticket boss.

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Speaker 2: Yes, you need to kind of make friends with the

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Speaker 2: tickets and a guy and find out what he likes.

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Speaker 2: And then if you can make that connection, he'll get

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Speaker 2: you the ticket.

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Speaker 3: You go in, you sit down.

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Speaker 2: Don't panic when the first thing comes on the screen.

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Speaker 3: That's not the movie you paid for. That's the teaser.

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Speaker 1: Is the teasers. And so what we like to do

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Speaker 1: we have a little appliance in the studio and it's

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Speaker 1: called a teaser freezer, and it's full of cold teasers,

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Speaker 1: and we like to open it up and reach inside

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Speaker 1: and pull out one of the best teasers and play

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Speaker 1: it for you guys, and we talk.

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Speaker 2: Explain why it's a good teaser and why it's going

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Speaker 2: to be a good movie and worth coming out all

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Speaker 2: the way out here to see if you live in

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Speaker 2: one of the very bad states or even countries that

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Speaker 2: litter this world.

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Speaker 1: Mexico.

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Speaker 4: So, oh my eyes, it's just too snowy frost bite.

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Speaker 3: I'm rthing my fingals. Okay, we got the.

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Speaker 1: T We got the teaser, and this week's teaser is

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Speaker 1: three Days to Kill, starring Kevin Kopsner. Let's let's let's

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Speaker 1: play the teaser. Now that's a green part.

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Speaker 3: Five minutes from now. This team will save thousands of lives.

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Speaker 1: Under no circumstances. Does this briefcase leave the area. So

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Speaker 1: we already told you that Kevin Coppner wasn't it. But

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Speaker 1: you might be hearing that voice and saying, who is that?

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Speaker 1: That sounds like an old guy who just woke up.

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Speaker 3: Maybe an old kind of cartoon.

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Speaker 2: Duck's chumping on a cigar, chomping on a duck cigar.

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Speaker 1: Yeah, somebody the main cartoon's mean neighbor.

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Speaker 2: Yeah here, come here, you mean beaver.

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Speaker 3: It's a duck and a beaver in a cartoon, come

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Speaker 3: out and you'll be here and now trick you. And

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Speaker 3: so that's sort of the voice. M hmm, but that's

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Speaker 3: Kevin Kopsner. Yes, and we know the secret to talking

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Speaker 3: like that.

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Speaker 2: Yes, And we know that our old friend Kevin has

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Speaker 2: borrowed a trick from another old friend of ours. Juaqing

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Speaker 2: Phoenix lent Kevin, And this is the kind of scoop

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Speaker 2: you only get on this show. He lent Kevin his

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Speaker 2: same Hogi that he was munching on during the entirety

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Speaker 2: of the filming of Her and the Master, and he

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Speaker 2: let Kevin take a big bite of the hogi before

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Speaker 2: every take, and so it gives you that nice gritty

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Speaker 2: feeling to your speech.

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Speaker 1: Now. He plays a guy who is on a killing team,

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Speaker 1: but he is killing people and it's maybe for the government,

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Speaker 1: and he's gonna save a lot of people. It's a

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Speaker 1: good killing team. He they kill only the bad guys.

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Speaker 2: He's a lot like Artemis Black because when he's doing killing,

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Speaker 2: and it does make him a killer, he's also doing

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Speaker 2: killing so other people don't kill someone else, Yes, good

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Speaker 2: or bad.

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Speaker 3: When you work for the agency, all teams in positions,

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Speaker 3: it becomes your whole life.

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Speaker 1: Okay, he said good or bad, But he also said

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Speaker 1: it was good because they're supposed to save a lot

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Speaker 1: of lives.

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Speaker 3: That's right.

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Speaker 2: And this is sort of a new concept in storytelling

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Speaker 2: to have a killer killing somebody who would kill someone else,

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Speaker 2: so that it is bad to kill, but good to

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Speaker 2: not let the other guy kill. And one thing I

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Speaker 2: want to point out, he says, when you work for

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Speaker 2: the agency. Now you might think they're talking about me

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Speaker 2: and Hayes. We work for big agencies because we make

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Speaker 2: a fuck ton of money for the fucking big ten

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Speaker 2: percentaries in this town. William Morris, caaa Utah, WM Endeavor

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Speaker 2: and gersh we make so much money for them. It's like,

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Speaker 2: but they work for the agency. That's not what he means.

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Speaker 2: We don't know what agency this is. Maybe it's paradigmic.

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Speaker 1: And he put a bomb on his foot and he

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Speaker 1: put it under the car with his shoe, and oh,

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Speaker 1: he's done. And he's shot in the car, and now

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Speaker 1: he threw a guy out, and now he's driving and

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Speaker 1: he's wearing a gas mask and the other guy gets

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Speaker 1: the car, bomb blows up under the car. Yeah's spend

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Speaker 1: the rest of my life killing for you. You're the

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Speaker 1: best agent for this job, Ethan.

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Speaker 3: We need you Ethan for Mission Impossible.

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Speaker 1: Over time than my daughter and my wife.

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Speaker 2: Why did you now, I want to say, I said,

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Speaker 2: ethanform Mission Impossible. That's just a note I made to

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Speaker 2: myself to remember, when you are making a movie about

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Speaker 2: a sort of a secret agent who works for a

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Speaker 2: top secret agency, a hired killer who's sort of being

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Speaker 2: dragged in to do another job that's very difficult and

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Speaker 2: maybe is a little reluctant, but they're highly skilled.

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Speaker 3: They're the best man.

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Speaker 2: For it, why not use the same name, first name

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Speaker 2: as that exact same character in another popular movie, because

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Speaker 2: now we really know this guy really is this kind

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Speaker 2: of guy.

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Speaker 1: I have a note, and it's that I think this

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Speaker 1: character should have been named James Bond.

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Speaker 3: Okay, I love that note.

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Speaker 2: And in fact, Ethan from Mission Impossible was called James

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Speaker 2: Bond in the draft we made, and we did sue

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Speaker 2: and win when they did it, shoot that one when

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Speaker 2: they change it, and so thanks for the boat and

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Speaker 2: the two houses and the helicopter boat. But we're still

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Speaker 2: mad about that, and you still could fix it if

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Speaker 2: you name this guy James bond.

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Speaker 1: So he wants to spend more time with his daughter,

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Speaker 1: and he doesn't want to kill anymore for the agency.

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Speaker 1: But he's the best agent they've got, presumably because he

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Speaker 1: is an old man and nobody shoots and does flips

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Speaker 1: like a guy who sounds just so tired.

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Speaker 2: Well, yes, when you need to very when it's all

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Speaker 2: about reflexes and out running someone and fighting someone, the

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Speaker 2: older the better. That's why all the best athletes are

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Speaker 2: in their late fifties early sixties, and all of the

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Speaker 2: best secret agents same thing.

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Speaker 1: There's no easy answer.

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Speaker 3: I was gonna ask you to look after Zoe while

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Speaker 3: to go to London for work.

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Speaker 1: I can handle it.

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Speaker 4: You have to.

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Speaker 1: Now you know why she's going to London. It's not

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Speaker 1: for any personal reason. It's for work. And that's the

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Speaker 1: kind of thing that you need to get out of

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Speaker 1: the teaser. When somebody's going somewhere, you need to say

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Speaker 1: why and for what purpose?

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Speaker 2: With any of you dumb fox ever look ass your

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Speaker 2: way into making a movie and you need to cut

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Speaker 2: the teaser for it. Don't make the mistake we've seen

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Speaker 2: get made where somebody's going to London and you think

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Speaker 2: they might be visiting their friend or going to take

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Speaker 2: a pottery class or something.

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Speaker 3: You say, it's for work, and now I'm interested.

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Speaker 1: And now Kevin Copsner is riding a bicycle through Paris

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Speaker 1: with his seventeen year old daughter on his lap. It's

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Speaker 1: like a Parisian thing.

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Speaker 2: You have to make me a promise.

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Speaker 3: Are you done? Are you really done working for them?

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Speaker 2: What's happening to me?

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Speaker 3: He looks sick.

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Speaker 1: You're sick.

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Speaker 3: Yes, I could offer you an experimental drug that might

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Speaker 3: just give you your life.

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Speaker 1: The experimental drug isn't so let's catch everyone up. Ethan

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Speaker 1: was a killer, but he wanted to get out. But

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Speaker 1: then he got sick. He fell on the floor and

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Speaker 1: he wasn't seeing things right.

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Speaker 2: Anyone who's been sick falls on the floor, and you

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Speaker 2: know that at home.

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Speaker 1: And he the only way to get out is to

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Speaker 1: get this experimental drug that only the agency has. It

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Speaker 1: comes in a red velvet box. You go to the pharmacy.

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Speaker 1: If you ask the pharmacy as you say, I'm really sick,

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Speaker 1: I need the certain drug, and they slide a very

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Speaker 1: nice box across the across the table and you open

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Speaker 1: it up and it's a special box design just for

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Speaker 1: the needle that has.

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Speaker 2: Yeah, it's a needle box. You go to do Aine Reid,

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Speaker 2: or you go to the Walgreen and you ask for

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Speaker 2: you say, I fell down on the floor and things

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Speaker 2: don't look right. And now this movie set in the

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Speaker 2: past when this druggle was still experimental period piece. But

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Speaker 2: now they would slide a very expensive box with red

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Speaker 2: velvet and just just shaped perfectly for the needle, and

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Speaker 2: you stick it in.

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Speaker 3: You feel better.

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Speaker 2: That's the job.

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Speaker 3: You have three days to kill.

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Speaker 1: Ah.

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Speaker 2: So that's what that was. Okay, So now always say

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Speaker 2: the name of your movie in the teaser. I can't

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Speaker 2: tell you how pissed I was when I was watching

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Speaker 2: the teaser for American Hustle and they said and they said,

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Speaker 2: this is the biggest hustle yet. And they said, hey, man,

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Speaker 2: that's the American way, and all these different things all.

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Speaker 1: Around, make all these floating, disparate pieces and put them

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Speaker 1: together when it's really their job to do that.

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Speaker 2: And when I went to what editing, when I went

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Speaker 2: to my ticket man friend and tried to talk to

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Speaker 2: him about the movie, I said, I want to see

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Speaker 2: the movie. I think it's the American way, or maybe

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Speaker 2: it's the greatest hustle ever pulled, and he didn't know

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Speaker 2: what I was talking about because they didn't do their job.

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Speaker 1: You know, a lot of my friend's dads are in sales,

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Speaker 1: and not one of them dresses like you. Now, this

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Speaker 1: is something we have to explain because it's a visual joke.

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Speaker 1: She says, a lot of her friend's dads are in sales,

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Speaker 1: but none of them dresses like he does, which is

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Speaker 1: he wears a suit like with a black coat.

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Speaker 2: Yeah, like a coat over his black.

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Speaker 1: Pants and like a white shirt and a tie. Right,

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Speaker 1: it's like, oh, are you really in sales? Are you

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Speaker 1: in sales? Or are you actually a hired killer? Because

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Speaker 1: it's like he's actually and it sounds like we're exaggery.

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Speaker 1: But if you haven't seen it, but he's wearing a

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Speaker 1: full suit tie, like a yellow tie, like you have

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Speaker 1: a big tie on the yeah, over his over a

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Speaker 1: button shirt, a white a white button shirt.

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Speaker 3: So you look at that.

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Speaker 2: What are you selling in that?

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Speaker 3: Selling bullets to out of to somebody's body?

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Speaker 1: So yeah, right into someone's head, real cheap too out

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Speaker 1: of the car.

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Speaker 3: I want to make to do. I want to make spaghetti.

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Speaker 2: Saucae sury to help Okay, So now we get into

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Speaker 2: the meat of what makes this a really great teaser.

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Speaker 1: He's interrogating. You can see that he's interrogating a guy

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Speaker 1: looks like he's about to beat him up in the face.

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Speaker 1: He gets a call from He gets a call from

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Speaker 1: his daughter, who is sitting on an abandoned roller coaster.

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Speaker 1: When she calls, she's just finished taking pictures of it

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Speaker 1: or something. Mm hmmm, she said he got on the

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Speaker 1: abandoned roller coaster. She calls during the interrogation, got I

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Speaker 1: want to make tonight.

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Speaker 2: I don't want to make spaghetti saucecae sur to help.

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Speaker 4: Just so happens.

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Speaker 1: I'm in a meeting here with the real life of talent.

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Speaker 2: He wants to give you as a great recipe. Why

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Speaker 2: don't you.

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Speaker 1: Say hello to my daughter?

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Speaker 2: Hello, I am a guido.

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Speaker 3: Okay, now it's a teaser, all right.

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Speaker 2: Do you see that piece of shit taken? Remember the

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Speaker 2: big failure movie that came out a few years ago.

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Speaker 2: That's the point you didn't. So they made this failed

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Speaker 2: movie a couple of years back, which had a lot

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Speaker 2: of things right. It was a very much older man,

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Speaker 2: so he obviously was the best secret agent. He didn't

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Speaker 2: want to kill anymore, but they need him to because

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Speaker 2: he's an old guy. So then he is going to

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Speaker 2: do all his killing and fighting. But he never is

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Speaker 2: being funny about his daughter because she's got taken away

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Speaker 2: for the whole movie. He never is any sticky situations

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Speaker 2: where he has to pretend to be doing a different

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Speaker 2: job while his daughter. He's trying to just be a

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Speaker 2: normal dad.

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Speaker 1: And so this movie they tried to fix it, the

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Speaker 1: second one, but they made a second.

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Speaker 2: Because that movie lost so much money but was almost

365
00:22:00,000 --> 00:22:02,320
Speaker 2: that's a good idea. They have to make a second one.

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Speaker 2: You see this all the time, that they make another movie.

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Speaker 2: The first Mighty Ducks, Now they got to make Mighty

368
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Speaker 2: d two. The Mighty Ducks. Terminator two they got to

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Speaker 2: make because they screwed it up because in the first

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Speaker 2: Terminator he's not having a kid and being a kind

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Speaker 2: of a dad to the kid, giving high fives in

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Speaker 2: between blowing somebody away.

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Speaker 3: Then the second one they fix it. Now that's a hit.

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Speaker 1: They had to make you five seventy two because in

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Speaker 1: the first one that was just the guys and none

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Speaker 1: of their kids. So the second one they have the

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Speaker 1: sub but it's it's like a father daughter sub.

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Speaker 2: Yeah, it's all Yes, all the daughters are on the

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Speaker 2: sub now, so for take it too.

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Speaker 3: They screwed up.

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Speaker 2: They still don't get it right this they finally fixed it. Said,

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Speaker 2: we can't call it taken three. We're gonna call it

383
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Speaker 2: three days to kill. Yeah, we had disease thing. People

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Speaker 2: love disease stuff. But most importantly the daughter wants to

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Speaker 2: eat spaghetti. And that's funny, and.

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Speaker 1: It just so happens that he's there with an Italian guy.

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Speaker 1: And a really good idea when you have somebody for

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Speaker 1: another country in your movie is to make them say

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Speaker 1: their name in a funny voice and also name them

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Speaker 1: something that is also a racial slur for the type

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Speaker 1: of thing that they are.

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Speaker 2: Yeah. Absolutely, because if somebody, if an Italian guy was

393
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Speaker 2: to say, like, I'm I'm the driver, he'd go, i'm

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Speaker 2: the driver.

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Speaker 1: Right.

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Speaker 3: So this guy's name's Guido.

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Speaker 2: I'm a Guido, i am a Guido, and I'm Guido.

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Speaker 1: If you have an Irish guy, you could name him

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Speaker 1: maybe something like Mick short for Mickey.

400
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Speaker 2: I'm a Mick, I'm a knook. You know, if you

401
00:23:52,960 --> 00:23:58,840
Speaker 2: got some Canadian loser. Right, we just want to point

402
00:23:58,880 --> 00:24:00,679
Speaker 2: out you don't have to go back and make a

403
00:24:00,720 --> 00:24:05,480
Speaker 2: sequel to this one because they actually are doing it right. Yes,

404
00:24:05,560 --> 00:24:08,080
Speaker 2: we could say him all day, I have a million

405
00:24:08,160 --> 00:24:09,880
Speaker 2: of them. Yeah, more than that.

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00:24:09,880 --> 00:24:11,199
Speaker 1: That's not what the podcast is.

407
00:24:11,600 --> 00:24:13,640
Speaker 3: No, that's that's we did.

408
00:24:14,520 --> 00:24:19,880
Speaker 2: Yes, we did that one last week.

409
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Speaker 1: I'm sure that if you don't try this joke, you'll

410
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Speaker 1: be dead in three days, because.

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Speaker 2: Not five.

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Speaker 1: And there's a part where she said there'd be one guy,

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Speaker 1: not five guys. Now that is almost too many guys. Yes,

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00:24:39,240 --> 00:24:41,840
Speaker 1: it's on the edge of too many guys. He is

415
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Speaker 1: old enough that I could imagine him killing five guys

416
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Speaker 1: very easily.

417
00:24:46,240 --> 00:24:48,560
Speaker 2: But you may want to make it four guys if

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Speaker 2: you make it a movie, because he was only expecting

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Speaker 2: one guy. And also, no matter how much time it

420
00:24:54,800 --> 00:24:57,760
Speaker 2: seems has elapsed between, like the last time he talked

421
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Speaker 2: to this woman about the drug and the first time,

422
00:25:00,800 --> 00:25:03,520
Speaker 2: always make sure to remind us it's three days. Yeah,

423
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Speaker 2: you have three days you know to kill So I

424
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Speaker 2: think this is all one day.

425
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Speaker 1: Yes, and that's about the time. Say it was a

426
00:25:13,760 --> 00:25:16,040
Speaker 1: day later that he talked to her, he could conceivably

427
00:25:16,040 --> 00:25:19,480
Speaker 1: have forgotten, like what the drug is for even within

428
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Speaker 1: the trailer.

429
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Speaker 3: Yeah, so you know that was like or whether he's

430
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Speaker 3: sick or not.

431
00:25:25,040 --> 00:25:27,480
Speaker 1: I was like forty five seconds ago that you heard

432
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Speaker 1: that this drug would save his life. And then you

433
00:25:30,320 --> 00:25:34,719
Speaker 1: saw all the punching and the and the cars, and

434
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Speaker 1: so then you sort of think, wait a second, was

435
00:25:36,600 --> 00:25:39,160
Speaker 1: there something with like a drug or do I need

436
00:25:39,200 --> 00:25:39,600
Speaker 1: to know that?

437
00:25:39,720 --> 00:25:42,400
Speaker 3: And being sick? Yeah, that's part of the movie. Yeah,

438
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Speaker 3: that's part of the movie.

439
00:25:46,560 --> 00:25:47,960
Speaker 1: You might want to ride home.

440
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Speaker 5: Did you hear that the spars the truf.

441
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Speaker 1: I have a conversation with my daughter.

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Speaker 4: I'm sorry, sweetie, Now where were we?

443
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Speaker 1: He was in the car with his daughter. There was noise,

444
00:26:01,359 --> 00:26:03,439
Speaker 1: she heard it. He said the spear was loose in

445
00:26:03,480 --> 00:26:05,760
Speaker 1: the trunk. The car's not moving, but sometimes the spare

446
00:26:05,840 --> 00:26:08,360
Speaker 1: will just like hop around, like.

447
00:26:08,560 --> 00:26:12,000
Speaker 2: Yeah, it's if you've got jumping beans or something in

448
00:26:12,119 --> 00:26:15,399
Speaker 2: your spare tire, which makes it more buoyant. Sometimes the

449
00:26:15,480 --> 00:26:18,920
Speaker 2: jumping beans get going and they'll make the spare move

450
00:26:19,119 --> 00:26:20,200
Speaker 2: so he'll get a good cover.

451
00:26:20,359 --> 00:26:22,040
Speaker 1: He gets out of the car, he opens the trunk.

452
00:26:22,200 --> 00:26:24,280
Speaker 1: There's a guido back there who's all tied up.

453
00:26:24,720 --> 00:26:28,800
Speaker 3: Uh, And he says he takes a big bite of hoge.

454
00:26:28,800 --> 00:26:32,919
Speaker 5: He goes, oh, excuse for me prime cover fretion with

455
00:26:33,000 --> 00:26:37,439
Speaker 5: bug daughter, and he winds up for daughter because that's

456
00:26:37,680 --> 00:26:40,520
Speaker 5: very funny and you need.

457
00:26:40,160 --> 00:26:41,480
Speaker 3: To really punch it.

458
00:26:41,520 --> 00:26:42,720
Speaker 1: That's the hook, and.

459
00:26:42,600 --> 00:26:43,320
Speaker 3: That's the hook.

460
00:26:43,400 --> 00:26:46,080
Speaker 2: And he's also it's a real fuck you to Liam

461
00:26:46,160 --> 00:26:49,520
Speaker 2: Neeson because he's like, I actually have my daughter in

462
00:26:49,560 --> 00:26:51,720
Speaker 2: the movie with me, and I'm not just yelling about

463
00:26:51,760 --> 00:26:53,119
Speaker 2: her to somebody we don't even know.

464
00:26:54,240 --> 00:26:57,520
Speaker 1: That's the teaser. Freezer, close back up and put the

465
00:26:57,560 --> 00:27:00,240
Speaker 1: teaser back on ice so it doesn't spoil. And then

466
00:27:00,280 --> 00:27:02,880
Speaker 1: we have a guest now coming up and his name

467
00:27:03,000 --> 00:27:07,119
Speaker 1: is Dave Holmes and he's here to talk about Hollywood

468
00:27:07,320 --> 00:27:08,720
Speaker 1: on Hollywood Handbook.

469
00:27:09,800 --> 00:27:11,000
Speaker 5: Hollywood Handbook.

470
00:27:15,600 --> 00:27:17,360
Speaker 3: So I wasn't mad at you. I was just mad

471
00:27:17,359 --> 00:27:17,920
Speaker 3: at myself.

472
00:27:18,000 --> 00:27:19,560
Speaker 1: But do you get it now?

473
00:27:19,600 --> 00:27:23,760
Speaker 2: Like that actor played Arthur Fonzarelli on Happy.

474
00:27:23,560 --> 00:27:26,240
Speaker 1: Days and his name was Ponzi.

475
00:27:26,400 --> 00:27:29,919
Speaker 2: They called no, no, they called him Bunzie. Yeah, So

476
00:27:29,960 --> 00:27:32,720
Speaker 2: if he had put his it doesn't it really doesn't matter.

477
00:27:35,400 --> 00:27:35,720
Speaker 1: What up?

478
00:27:35,760 --> 00:27:36,080
Speaker 2: What up?

479
00:27:36,200 --> 00:27:39,240
Speaker 1: Hey? Welcome to Hollywood Handbook and Insider's Guide to kicking

480
00:27:39,240 --> 00:27:41,520
Speaker 1: button dropping names in the Red Carpet Lineback Hallways of

481
00:27:41,560 --> 00:27:46,000
Speaker 1: this industry we call showbiz. So fired up, so fired

482
00:27:46,040 --> 00:27:48,280
Speaker 1: up today about the guests that we that we have.

483
00:27:48,320 --> 00:27:53,280
Speaker 2: On the show. Such an exciting guest, such an exciting

484
00:27:53,400 --> 00:27:56,920
Speaker 2: day for us to be sitting here with a guy

485
00:27:56,960 --> 00:28:01,080
Speaker 2: who meant so much to both of us. We're here

486
00:28:01,119 --> 00:28:04,920
Speaker 2: with the original noid from the Domino's Pizza commercials.

487
00:28:05,440 --> 00:28:09,040
Speaker 3: That's not actually true, that's not actually true.

488
00:28:09,720 --> 00:28:10,600
Speaker 1: You're Dave Holmes.

489
00:28:10,760 --> 00:28:15,399
Speaker 3: Yeah, yeah, it says right. Yeah, I was working then,

490
00:28:15,440 --> 00:28:17,760
Speaker 3: but I was not. I might have. I might have

491
00:28:17,880 --> 00:28:21,280
Speaker 3: inadvertently influenced that character, but that was not That was

492
00:28:21,320 --> 00:28:22,760
Speaker 3: not me. I did not provide the voice for that.

493
00:28:22,840 --> 00:28:24,000
Speaker 1: No, which noid were you?

494
00:28:24,440 --> 00:28:26,159
Speaker 3: I was never. I was never any of the noids,

495
00:28:27,320 --> 00:28:29,879
Speaker 3: any of the noids, not the original or even the

496
00:28:29,920 --> 00:28:35,280
Speaker 3: second or third noid. No, No, Sam, Yeah, what's going on?

497
00:28:35,440 --> 00:28:36,000
Speaker 3: What's going on?

498
00:28:36,040 --> 00:28:36,680
Speaker 1: Do you want me to.

499
00:28:36,760 --> 00:28:37,600
Speaker 3: Should I come back?

500
00:28:38,200 --> 00:28:38,480
Speaker 2: No?

501
00:28:38,840 --> 00:28:39,400
Speaker 1: This isn't No.

502
00:28:39,520 --> 00:28:43,080
Speaker 2: Let's do this in front of you, because this will

503
00:28:43,080 --> 00:28:46,080
Speaker 2: be good for Sam to be embarrassed, because obviously he

504
00:28:46,120 --> 00:28:49,400
Speaker 2: doesn't care what Heyes, An I think. Yeah, but when

505
00:28:49,440 --> 00:28:51,880
Speaker 2: you give us these note cards, we expect the information

506
00:28:51,960 --> 00:28:53,800
Speaker 2: to be one hundred percent accurate, and we've asked you

507
00:28:53,840 --> 00:28:55,160
Speaker 2: to get two sources on these.

508
00:28:55,560 --> 00:28:57,160
Speaker 1: I swear to you I found that online.

509
00:28:57,680 --> 00:29:01,720
Speaker 3: Well you can. You can find anything online. Yeah, that's like,

510
00:29:01,960 --> 00:29:03,800
Speaker 3: that's like saying I heard it on the street.

511
00:29:04,040 --> 00:29:06,360
Speaker 1: No, someone had left it in a comment.

512
00:29:07,800 --> 00:29:10,360
Speaker 3: That that is not comments. That doesn't make it any better.

513
00:29:11,000 --> 00:29:13,640
Speaker 3: Anybody can say anything in a comment, and now we

514
00:29:13,720 --> 00:29:15,600
Speaker 3: have all these questions that we can't use.

515
00:29:15,600 --> 00:29:17,280
Speaker 1: Sam. These questions are worthless and.

516
00:29:17,280 --> 00:29:20,920
Speaker 2: Sim for your own good. Don't read comments because they're

517
00:29:20,960 --> 00:29:23,920
Speaker 2: not going to be so flattering about you. If you're reading,

518
00:29:24,280 --> 00:29:27,160
Speaker 2: you know, I don't know if you've the Earwolf read it.

519
00:29:29,360 --> 00:29:34,440
Speaker 2: They're not fans, so well, I just said, don't check

520
00:29:34,480 --> 00:29:34,760
Speaker 2: it out.

521
00:29:35,800 --> 00:29:37,960
Speaker 3: Well, I'm I'm so sorry if you guys, if you

522
00:29:38,000 --> 00:29:38,600
Speaker 3: guys want.

523
00:29:38,400 --> 00:29:42,400
Speaker 1: To pull it together, do you know the original Noid?

524
00:29:42,880 --> 00:29:44,840
Speaker 3: I don't know the original anoid, And you're not gonna

525
00:29:44,840 --> 00:29:47,360
Speaker 3: be able to answer any of these. Honestly, nobody knows

526
00:29:47,360 --> 00:29:49,040
Speaker 3: the original Noid. That was a very it was a

527
00:29:49,080 --> 00:29:51,840
Speaker 3: mysterious character. They kind of they kind of kept that

528
00:29:52,040 --> 00:29:54,840
Speaker 3: voice and the person who did the motion capture very

529
00:29:54,880 --> 00:29:57,200
Speaker 3: very much under wrapped. Probably some people know who it is,

530
00:29:57,240 --> 00:30:02,440
Speaker 3: but I'm not privy to that knowledge. Well, uh, he

531
00:30:02,480 --> 00:30:05,760
Speaker 3: hated pizzas, had to destroy all the one he had

532
00:30:05,800 --> 00:30:08,640
Speaker 3: the wizard for it. It was a success. No, I'm

533
00:30:08,680 --> 00:30:11,160
Speaker 3: just going through my banger of an ad campaign. Yeah,

534
00:30:11,160 --> 00:30:13,680
Speaker 3: I'm just going through the questions that I had. I Yeah,

535
00:30:13,840 --> 00:30:15,720
Speaker 3: keep it, keep the pizzas away from him. You got

536
00:30:15,720 --> 00:30:16,200
Speaker 3: to avoid it.

537
00:30:16,560 --> 00:30:18,680
Speaker 1: Do you want to tell us about you? Is that

538
00:30:18,800 --> 00:30:19,640
Speaker 1: like sort of a chance?

539
00:30:19,920 --> 00:30:22,840
Speaker 3: Okay, so what you're saying you would like me to

540
00:30:22,880 --> 00:30:24,760
Speaker 3: do your research for you while I'm here.

541
00:30:25,920 --> 00:30:29,720
Speaker 2: Not exactly, but more what we're in the neighborhood of

542
00:30:29,760 --> 00:30:35,160
Speaker 2: saying is, uh, would it be a fun twist for

543
00:30:35,400 --> 00:30:39,200
Speaker 2: you to take sort of the hosting reins you.

544
00:30:39,240 --> 00:30:41,080
Speaker 3: Guys have improv training. I can feel it. I can

545
00:30:41,120 --> 00:30:43,080
Speaker 3: feel it because you obviously you've made a mistake, but

546
00:30:43,120 --> 00:30:45,360
Speaker 3: you're trying. But in the world of improvs, there are

547
00:30:45,400 --> 00:30:46,040
Speaker 3: no mistakes.

548
00:30:46,240 --> 00:30:46,320
Speaker 1: No.

549
00:30:46,600 --> 00:30:51,280
Speaker 2: The Sufi weaver, when they've made a mistake in their

550
00:30:51,440 --> 00:30:57,080
Speaker 2: loom as they put together a blanket or a rug incorporated

551
00:30:57,120 --> 00:30:59,720
Speaker 2: into the pattern and repeat that mistake so that ultimately

552
00:30:59,760 --> 00:31:00,520
Speaker 2: it's not a mistake.

553
00:31:00,560 --> 00:31:02,840
Speaker 3: It's now part of the piece, right.

554
00:31:02,840 --> 00:31:05,360
Speaker 1: And that's comedy. That's that's sort of what comedy.

555
00:31:05,040 --> 00:31:07,600
Speaker 3: That's sort of what comedy is. And also it surprises.

556
00:31:07,800 --> 00:31:11,120
Speaker 3: It's a tapestry. Uh yeah, I mean, so just tell me,

557
00:31:11,200 --> 00:31:12,760
Speaker 3: tell me what you want me to do. Listen, I'm here.

558
00:31:13,280 --> 00:31:15,560
Speaker 3: I'm here to just point me in a direction. Tell

559
00:31:15,560 --> 00:31:17,040
Speaker 3: me what you want me to do. How about that?

560
00:31:17,240 --> 00:31:19,840
Speaker 3: Why don't we save ourselves some time. It's a beautiful Saturday,

561
00:31:20,080 --> 00:31:22,280
Speaker 3: and save ourselves some time. Really nice?

562
00:31:22,320 --> 00:31:22,960
Speaker 1: What do you need.

563
00:31:22,840 --> 00:31:24,840
Speaker 2: From it for anyone in one of the shitty states.

564
00:31:24,840 --> 00:31:27,200
Speaker 2: It's so nice out today, on this Saturday.

565
00:31:27,600 --> 00:31:29,720
Speaker 3: I'm gonna have a pool party later today, just to

566
00:31:29,800 --> 00:31:30,400
Speaker 3: instagram it.

567
00:31:30,520 --> 00:31:31,360
Speaker 2: Oh, you have a pool.

568
00:31:31,440 --> 00:31:33,000
Speaker 3: I do have a pool, of course. I have a pool,

569
00:31:34,080 --> 00:31:35,600
Speaker 3: and I have a lot of friends on the East

570
00:31:35,600 --> 00:31:37,680
Speaker 3: coast in the Midwest. I grew up in the Midwest.

571
00:31:37,840 --> 00:31:40,600
Speaker 3: They checked their instagrams, especially now because they have nothing

572
00:31:40,600 --> 00:31:42,480
Speaker 3: to do but stay home. So I'm gonna put on

573
00:31:42,480 --> 00:31:44,560
Speaker 3: some board shorts, I'm gonna take my shirt off, I'm

574
00:31:44,560 --> 00:31:46,640
Speaker 3: gonna have some friends over. We're gonna have some bruise,

575
00:31:47,120 --> 00:31:50,320
Speaker 3: We're gonna have some pizzas. Ironically, Oh, and I'm gonna

576
00:31:50,320 --> 00:31:50,880
Speaker 3: instagram it.

577
00:31:50,960 --> 00:31:53,040
Speaker 1: So you're sort of the opposite of the noise.

578
00:31:52,760 --> 00:31:54,720
Speaker 3: I am in fact, the opposite of the noid. That's why,

579
00:31:54,760 --> 00:31:56,920
Speaker 3: that's why that was so galling to me for that

580
00:31:56,960 --> 00:31:58,440
Speaker 3: to be the first thing that I heard when I

581
00:31:58,480 --> 00:31:58,880
Speaker 3: came in here.

582
00:31:58,920 --> 00:31:59,760
Speaker 1: You do eat pizza?

583
00:32:00,000 --> 00:32:02,080
Speaker 3: Of course I hate pizza, Sam, I doesn't eat pizza.

584
00:32:03,560 --> 00:32:05,880
Speaker 3: Do you see what you did? Was it literally in

585
00:32:05,960 --> 00:32:08,520
Speaker 3: the notes for me that I don't eat pizza, or

586
00:32:08,560 --> 00:32:09,840
Speaker 3: that I hate and want.

587
00:32:09,600 --> 00:32:11,480
Speaker 1: To destroy you want to destroy all people?

588
00:32:11,520 --> 00:32:16,160
Speaker 3: Well, that's just fucking foolish. That's fucking foolish. Let's cut

589
00:32:16,160 --> 00:32:18,320
Speaker 3: the shit. I've worked in TV for a couple of

590
00:32:18,360 --> 00:32:21,920
Speaker 3: decades and a lot of different capacities. I've been on camera,

591
00:32:21,960 --> 00:32:24,400
Speaker 3: I've been behind the camera. I've been at the laptop.

592
00:32:24,520 --> 00:32:27,200
Speaker 3: I've been at the edit bay. I've been on the stages.

593
00:32:27,360 --> 00:32:29,440
Speaker 3: I've been under the headphones, I've been at the mic.

594
00:32:29,600 --> 00:32:31,840
Speaker 3: I've done all kinds. Really, honestly, it would take less

595
00:32:31,840 --> 00:32:34,040
Speaker 3: time for me to say what I haven't done? Do

596
00:32:34,080 --> 00:32:36,240
Speaker 3: you want to do that? Let's really quickly.

597
00:32:36,440 --> 00:32:38,680
Speaker 2: Let's get into quickly what you haven't done and done,

598
00:32:39,000 --> 00:32:40,520
Speaker 2: just to get it out of the way, Just to

599
00:32:40,520 --> 00:32:41,200
Speaker 2: get out of the way.

600
00:32:41,280 --> 00:32:43,840
Speaker 3: I haven't flown a plane, never flown a plane. Not

601
00:32:43,880 --> 00:32:44,480
Speaker 3: to say that I want.

602
00:32:44,520 --> 00:32:48,560
Speaker 2: You would love it really? Oh oh yeah?

603
00:32:48,600 --> 00:32:49,400
Speaker 3: Have I flown private?

604
00:32:49,480 --> 00:32:49,680
Speaker 1: Yes?

605
00:32:49,720 --> 00:32:52,160
Speaker 3: Have I Have I jumped out of a plane. Yes,

606
00:32:52,400 --> 00:32:53,280
Speaker 3: never flown a plane.

607
00:32:53,960 --> 00:32:58,200
Speaker 1: A lot of pressure, the perspective up there, it's just

608
00:32:58,280 --> 00:33:01,280
Speaker 1: a whole new outlook. Well, you don't never look at

609
00:33:01,280 --> 00:33:02,120
Speaker 1: things the same way.

610
00:33:02,160 --> 00:33:05,840
Speaker 2: Again, these things fly themselves these days, and I don't

611
00:33:05,960 --> 00:33:09,160
Speaker 2: like that. I liked the old fashion when I would

612
00:33:09,160 --> 00:33:12,120
Speaker 2: be pushing the buttons and pulling the levers.

613
00:33:14,400 --> 00:33:18,960
Speaker 3: But golden era is gone. Haven't flown a plane? Have not?

614
00:33:19,200 --> 00:33:21,360
Speaker 3: Have not done a board game? I mean I've played

615
00:33:21,360 --> 00:33:22,880
Speaker 3: a board game, but there is no board game that

616
00:33:22,920 --> 00:33:23,680
Speaker 3: has my name on it.

617
00:33:23,800 --> 00:33:25,640
Speaker 1: Mm not like a Rob Delaney.

618
00:33:26,520 --> 00:33:28,240
Speaker 3: No, I haven't done that yet. Again, these are things

619
00:33:28,240 --> 00:33:30,720
Speaker 3: that are on my listeners. Haven't haven't gotten to them yet.

620
00:33:31,400 --> 00:33:32,600
Speaker 2: Why you do Twitter?

621
00:33:32,720 --> 00:33:32,880
Speaker 6: Right?

622
00:33:33,200 --> 00:33:35,720
Speaker 3: So of course I do Twitter? Why is the game

623
00:33:35,840 --> 00:33:38,440
Speaker 3: you have to do Twitter? You just see if you're

624
00:33:38,480 --> 00:33:41,600
Speaker 3: head above water these days, get your pen scoop group listen.

625
00:33:41,640 --> 00:33:44,800
Speaker 3: You have to be generating content at all times these days.

626
00:33:45,120 --> 00:33:46,080
Speaker 3: So of course I'm on Twitter.

627
00:33:46,200 --> 00:33:48,520
Speaker 1: But why is there no board game where people can

628
00:33:48,720 --> 00:33:49,600
Speaker 1: fill in the blanks?

629
00:33:49,600 --> 00:33:52,760
Speaker 3: And you're like, wait, my tweets? You say that as

630
00:33:52,800 --> 00:33:54,520
Speaker 3: though I'm not working on it or work shopping it.

631
00:33:55,400 --> 00:33:57,160
Speaker 3: I'm of course doing that, but it's you know, I

632
00:33:57,160 --> 00:33:59,640
Speaker 3: think it's a good year two years out, Okay, because

633
00:33:59,640 --> 00:34:02,200
Speaker 3: I want to give us a quick sample of one

634
00:34:02,280 --> 00:34:05,000
Speaker 3: of the cards, Lord Gambia, Yeah, of course I can.

635
00:34:06,320 --> 00:34:10,880
Speaker 3: I'll do one from the Grammys. Uh boy that Lord

636
00:34:11,080 --> 00:34:15,480
Speaker 3: sure looks blank. Oh so then it's like, you know,

637
00:34:15,520 --> 00:34:18,440
Speaker 3: and I think this will be as relevant to five, ten,

638
00:34:18,560 --> 00:34:20,680
Speaker 3: twenty years down the road as it is today, so

639
00:34:21,120 --> 00:34:23,800
Speaker 3: even more so, so what do you think? What's your answer?

640
00:34:24,640 --> 00:34:25,120
Speaker 1: Smart?

641
00:34:25,200 --> 00:34:27,360
Speaker 3: Lord sure looks she'll looks smart? Smart?

642
00:34:27,719 --> 00:34:30,160
Speaker 2: Okay, I was gonna say genius.

643
00:34:30,520 --> 00:34:36,279
Speaker 3: Wow, yeah, interesting, interesting, disheveled, oh, dishoveled. She means she's

644
00:34:36,280 --> 00:34:38,680
Speaker 3: a run of brush through the hair if she if

645
00:34:38,719 --> 00:34:40,200
Speaker 3: she wants to, if she wants to have a second,

646
00:34:40,280 --> 00:34:41,919
Speaker 3: if she wants to stretch this out for another year.

647
00:34:42,320 --> 00:34:44,839
Speaker 3: Let's get a little leaving conditioner and let's fucking brush

648
00:34:44,880 --> 00:34:45,160
Speaker 3: the hair.

649
00:34:45,239 --> 00:34:47,839
Speaker 2: That new song of hers is really touching on some

650
00:34:48,000 --> 00:34:49,719
Speaker 2: new topics, you know.

651
00:34:50,120 --> 00:34:52,879
Speaker 1: Like what well, because her friends are different from other

652
00:34:53,520 --> 00:34:55,120
Speaker 1: people who care about being famous.

653
00:34:55,160 --> 00:34:59,759
Speaker 3: Well, it's and it's not about glamour, no, you know. Yeah,

654
00:34:59,800 --> 00:35:01,520
Speaker 3: she's versatile. She's versatile.

655
00:35:01,760 --> 00:35:05,880
Speaker 1: Songs are usually about glamour and nice clothes and.

656
00:35:05,800 --> 00:35:08,800
Speaker 2: Diamond rings, diamond fancy car and.

657
00:35:08,440 --> 00:35:10,440
Speaker 1: Drinking expensive wickuors.

658
00:35:10,520 --> 00:35:12,640
Speaker 3: Right, I don't have. There's not a lot of regrets

659
00:35:12,680 --> 00:35:14,040
Speaker 3: that I have in my life. There's not a lot

660
00:35:14,080 --> 00:35:15,759
Speaker 3: that I look at and I go like, oh, you know,

661
00:35:15,800 --> 00:35:17,279
Speaker 3: I wish that I was able to be there.

662
00:35:17,760 --> 00:35:18,520
Speaker 2: I wish.

663
00:35:18,840 --> 00:35:20,319
Speaker 3: This is the only time that I really wish that

664
00:35:20,440 --> 00:35:22,680
Speaker 3: A that there was still, you know, a channel that

665
00:35:22,719 --> 00:35:25,520
Speaker 3: played music videos, and B that I was on it,

666
00:35:25,600 --> 00:35:27,680
Speaker 3: because I would love to. I would just love to

667
00:35:27,719 --> 00:35:30,279
Speaker 3: introduce one of hers, because I think she's genius. I

668
00:35:30,320 --> 00:35:32,680
Speaker 3: would love to say, here's Lord on camera, and I

669
00:35:32,680 --> 00:35:34,040
Speaker 3: don't I mean, I can. Can I do it in

670
00:35:34,120 --> 00:35:36,000
Speaker 3: my webcam and put it wherever I want and have

671
00:35:36,080 --> 00:35:37,920
Speaker 3: millions of people watch it. Yeah, but it won't be

672
00:35:37,960 --> 00:35:39,600
Speaker 3: the same thing. It won't be the same thing. I

673
00:35:39,640 --> 00:35:41,960
Speaker 3: would like to be on a deck somewhere in a

674
00:35:41,960 --> 00:35:44,920
Speaker 3: warm climate and just say, you know, here she is.

675
00:35:45,440 --> 00:35:47,799
Speaker 3: Can't do it, can't do it, can't do it yet?

676
00:35:48,040 --> 00:35:50,239
Speaker 1: Why don't they play music videos anymore?

677
00:35:50,520 --> 00:35:54,600
Speaker 3: Well, you know, it's the people seem to want to

678
00:35:54,719 --> 00:35:58,920
Speaker 3: watch people who've been in a Real World house slip

679
00:35:59,120 --> 00:36:03,520
Speaker 3: on on on slick patios and uh and drink drinks

680
00:36:03,560 --> 00:36:04,920
Speaker 3: and punch each other in the fact. I don't know

681
00:36:04,960 --> 00:36:07,359
Speaker 3: if you if you're familiar with the Challenge franchise, but

682
00:36:07,400 --> 00:36:11,359
Speaker 3: it's really taken over. It's really taken over really quickly.

683
00:36:11,440 --> 00:36:14,120
Speaker 3: They take people from the real It's a genius idea.

684
00:36:14,360 --> 00:36:16,879
Speaker 3: They take people from the real world who who were

685
00:36:17,040 --> 00:36:19,319
Speaker 3: just gonna stay in the real World house for a while.

686
00:36:19,360 --> 00:36:22,399
Speaker 3: They've you know, they've modest ambitions to the people who

687
00:36:22,400 --> 00:36:24,120
Speaker 3: go into the real World house. They want to go in.

688
00:36:24,320 --> 00:36:26,600
Speaker 3: They want to learn something about themselves, about their fellow men.

689
00:36:26,600 --> 00:36:27,960
Speaker 3: They want to broad their minds. They want to go

690
00:36:28,040 --> 00:36:31,600
Speaker 3: back home and just get a regular job. The producers

691
00:36:31,600 --> 00:36:33,880
Speaker 3: step in and say, no, no, let's stretch it out

692
00:36:33,920 --> 00:36:35,640
Speaker 3: for another six months. Let's put you in a house

693
00:36:35,719 --> 00:36:39,520
Speaker 3: with other people who've been in different houses. We will

694
00:36:39,600 --> 00:36:42,759
Speaker 3: we will uh, we will deprive you of oxygen and

695
00:36:42,800 --> 00:36:47,399
Speaker 3: give you just gallons of booze and then you'll you'll

696
00:36:47,480 --> 00:36:50,400
Speaker 3: roll tires over or you'll be in you'll be in

697
00:36:50,440 --> 00:36:53,719
Speaker 3: the giant inflatable ball that rolls down a hill. You know,

698
00:36:54,080 --> 00:36:57,160
Speaker 3: that kind of thing. Okay, Yeah, is that what it's called?

699
00:36:57,520 --> 00:36:59,800
Speaker 3: I never knew or never knew?

700
00:37:00,239 --> 00:37:00,520
Speaker 2: Have you?

701
00:37:00,760 --> 00:37:01,000
Speaker 1: Wow?

702
00:37:01,160 --> 00:37:01,520
Speaker 3: You haven't?

703
00:37:02,719 --> 00:37:05,680
Speaker 2: No, No, okay, so that's on the list. So it's boor,

704
00:37:05,800 --> 00:37:08,600
Speaker 2: game Plane, and Zorb, but you should start with zorb.

705
00:37:08,960 --> 00:37:15,080
Speaker 1: Yeah. That thing you're describing is just not TV. Like

706
00:37:15,560 --> 00:37:20,120
Speaker 1: what happened to real TV of watching people sing the

707
00:37:20,160 --> 00:37:22,040
Speaker 1: song that you're hearing right right?

708
00:37:22,280 --> 00:37:26,040
Speaker 2: Yeah, you know, yeah, and then pretend that they're you

709
00:37:26,080 --> 00:37:28,880
Speaker 2: know that a girl who's an ACTRESSI is their girlfriend

710
00:37:28,960 --> 00:37:32,600
Speaker 2: and they're singing about her, right and what's actually their daughter?

711
00:37:32,760 --> 00:37:35,680
Speaker 1: What happened to pretending that your real life daughter is

712
00:37:35,719 --> 00:37:37,720
Speaker 1: your girlfriend in a music video?

713
00:37:38,000 --> 00:37:41,120
Speaker 2: Yes, making your daughter an object of sexual desire, you know,

714
00:37:41,239 --> 00:37:43,040
Speaker 2: in the song that you're singing.

715
00:37:43,400 --> 00:37:44,319
Speaker 3: Where did that go?

716
00:37:44,760 --> 00:37:44,960
Speaker 1: Yeah?

717
00:37:45,000 --> 00:37:47,279
Speaker 3: Those were fun days. Those were fun days. But you

718
00:37:47,320 --> 00:37:50,719
Speaker 3: know what, honestly, things are cyclical, right, They're it come

719
00:37:50,840 --> 00:37:53,880
Speaker 3: it'll come back. Yeah. There there was a time when

720
00:37:54,160 --> 00:37:58,000
Speaker 3: you know, you wouldn't you wouldn't dream of wearing a

721
00:37:58,000 --> 00:38:00,560
Speaker 3: flared trouser. It's coming back, you know. I mean, there

722
00:38:00,600 --> 00:38:02,160
Speaker 3: was a time when you wouldn't think about wearing a

723
00:38:02,239 --> 00:38:05,160
Speaker 3: high waisted pant. But that is coming back. It's coming back.

724
00:38:05,480 --> 00:38:07,480
Speaker 3: So I think, you know, all fashions are cyclical.

725
00:38:07,480 --> 00:38:07,719
Speaker 1: I do.

726
00:38:07,840 --> 00:38:09,680
Speaker 3: I believe that will be back. I think when Live

727
00:38:09,719 --> 00:38:12,480
Speaker 3: Tyler has children of her own, perhaps she'll start singing

728
00:38:12,920 --> 00:38:14,759
Speaker 3: and then and then, you know, forcing them to take

729
00:38:14,760 --> 00:38:15,319
Speaker 3: their shirts off.

730
00:38:15,440 --> 00:38:19,320
Speaker 1: Must have a voice on her. You are hiding, you would.

731
00:38:19,280 --> 00:38:21,440
Speaker 2: Have some pipes. She's been saved, you would.

732
00:38:21,320 --> 00:38:23,560
Speaker 3: Have to imagine. I honestly, I feel like I feel

733
00:38:23,560 --> 00:38:28,440
Speaker 3: like her career has been managed impeccably because you always

734
00:38:28,480 --> 00:38:31,640
Speaker 3: want a little more Live Tyler, don't you. You always

735
00:38:31,680 --> 00:38:34,160
Speaker 3: want to know what she's doing. You always want to

736
00:38:34,160 --> 00:38:35,480
Speaker 3: know what she's going to do next.

737
00:38:36,040 --> 00:38:37,160
Speaker 1: But she doles it out.

738
00:38:37,280 --> 00:38:40,640
Speaker 3: She doles it out with any little with an eye dropper.

739
00:38:41,760 --> 00:38:45,719
Speaker 2: Yeah, she's exquisite scoop troop. If one wants to be

740
00:38:45,800 --> 00:38:50,799
Speaker 2: remembered as tasting well, one must leave them hungry for more.

741
00:38:50,920 --> 00:38:54,440
Speaker 2: That's that's a lesson from misliv Tyler.

742
00:38:54,560 --> 00:39:02,879
Speaker 3: That's right, that's right. Small plates tops the Liz Small Live,

743
00:39:02,960 --> 00:39:05,640
Speaker 3: Small plates Tyler. That's what I will always refer to

744
00:39:05,680 --> 00:39:07,439
Speaker 3: her as. And I just I just think it's smart.

745
00:39:07,480 --> 00:39:08,600
Speaker 3: I think it's a smart career move.

746
00:39:09,080 --> 00:39:14,799
Speaker 1: Dave Holmes stage name, Yes, can I smell a stage name?

747
00:39:14,960 --> 00:39:19,239
Speaker 2: Yes, he is batting a thousand on stage names. I've

748
00:39:19,280 --> 00:39:24,000
Speaker 2: never seen him ask, and not no, for sure and

749
00:39:24,120 --> 00:39:26,839
Speaker 2: not here a yes as the answer to the yes

750
00:39:26,920 --> 00:39:28,799
Speaker 2: or in a question of if it's a stage name

751
00:39:28,840 --> 00:39:32,040
Speaker 2: when he asks that, I.

752
00:39:32,000 --> 00:39:34,480
Speaker 3: Mean, you know, I'm with family, you know what I mean?

753
00:39:34,760 --> 00:39:35,960
Speaker 1: Yeah?

754
00:39:35,560 --> 00:39:36,239
Speaker 3: Yeah?

755
00:39:37,000 --> 00:39:37,480
Speaker 4: Oh yeah?

756
00:39:37,520 --> 00:39:37,880
Speaker 1: Yeah?

757
00:39:38,000 --> 00:39:39,359
Speaker 3: Yeah? So what is there?

758
00:39:39,600 --> 00:39:39,839
Speaker 1: Yeah?

759
00:39:39,920 --> 00:39:41,320
Speaker 3: Where these are your people?

760
00:39:41,640 --> 00:39:42,799
Speaker 1: What is your birth name?

761
00:39:43,160 --> 00:39:45,960
Speaker 3: Ed Speelers, which is crazy because there is now a

762
00:39:45,960 --> 00:39:49,040
Speaker 3: man named Ed Speelers on Downton Abbey.

763
00:39:49,560 --> 00:39:50,160
Speaker 2: Crazy.

764
00:39:50,200 --> 00:39:50,880
Speaker 1: Isn't that crazy?

765
00:39:51,080 --> 00:39:55,239
Speaker 2: Just Ed? Yeah, Ed Speelers, Ed Speelers.

766
00:39:55,040 --> 00:40:00,000
Speaker 3: He's Jimmy, the handsome, handsom cab driver, the handsome cab driver.

767
00:40:00,200 --> 00:40:02,280
Speaker 2: And it makes sense that you've got such a playful

768
00:40:02,320 --> 00:40:04,879
Speaker 2: personality because spiel is the.

769
00:40:04,840 --> 00:40:08,040
Speaker 3: German word for game or play. Oh is that true?

770
00:40:08,320 --> 00:40:08,680
Speaker 1: Yes?

771
00:40:09,080 --> 00:40:10,600
Speaker 3: I hear I hear that. I hear I hear it

772
00:40:10,640 --> 00:40:12,480
Speaker 3: a lot around town. I assumed it was an English word.

773
00:40:12,480 --> 00:40:12,959
Speaker 3: It's a joy.

774
00:40:13,000 --> 00:40:15,720
Speaker 1: So it's like a gamers. Yeah game, you're a huge gamer.

775
00:40:15,920 --> 00:40:16,239
Speaker 2: I am.

776
00:40:16,320 --> 00:40:17,399
Speaker 3: I am a really big gamer.

777
00:40:17,520 --> 00:40:17,719
Speaker 1: Yeah.

778
00:40:17,760 --> 00:40:19,200
Speaker 3: I like to play. I like to play.

779
00:40:19,719 --> 00:40:21,920
Speaker 2: Talk to us about Xbox.

780
00:40:22,000 --> 00:40:25,200
Speaker 3: Yeah, sure, it's a game system.

781
00:40:25,360 --> 00:40:25,759
Speaker 2: You can not.

782
00:40:25,920 --> 00:40:28,160
Speaker 3: But but it's not just that anymore because you can

783
00:40:28,200 --> 00:40:30,480
Speaker 3: watch TV through it. I don't know if you've noticed,

784
00:40:30,520 --> 00:40:32,680
Speaker 3: but like, yeah, TV is not the same as it

785
00:40:32,800 --> 00:40:34,200
Speaker 3: was five ten years ago.

786
00:40:34,280 --> 00:40:35,439
Speaker 2: Okay, okay, you can.

787
00:40:35,680 --> 00:40:39,000
Speaker 3: You can through your Xbox, through your Blu ray on

788
00:40:39,040 --> 00:40:43,200
Speaker 3: your telephone. Take out your telephone. I guess seems strange,

789
00:40:43,200 --> 00:40:45,960
Speaker 3: but okay, I got your telephone. I've got it. I've

790
00:40:45,960 --> 00:40:49,120
Speaker 3: got it right here. I'll turn it turned to once.

791
00:40:49,640 --> 00:40:51,480
Speaker 3: You'll notice that that is about the dimensions of a

792
00:40:51,480 --> 00:40:54,799
Speaker 3: television screen. So you can watch you can. You can

793
00:40:54,840 --> 00:40:59,080
Speaker 3: bring television with you in your pocket or through the Xbox.

794
00:40:59,320 --> 00:41:01,440
Speaker 3: You can watch television and your television.

795
00:41:01,480 --> 00:41:04,040
Speaker 1: Hang on, hang on and hand hand. I'm just still

796
00:41:04,040 --> 00:41:04,879
Speaker 1: working on getting it.

797
00:41:05,360 --> 00:41:07,160
Speaker 2: Getting it right, getting it.

798
00:41:07,200 --> 00:41:11,479
Speaker 3: That's the front. Yeah, yeah, now you want to that's

799
00:41:11,520 --> 00:41:14,160
Speaker 3: the shiny, that's the under touch the ice part part.

800
00:41:15,680 --> 00:41:17,880
Speaker 3: There will be there will be when you touch it

801
00:41:17,920 --> 00:41:20,520
Speaker 3: with your fri You are is that my phone? Are

802
00:41:20,520 --> 00:41:22,120
Speaker 3: you holding my phone and yours?

803
00:41:22,160 --> 00:41:23,439
Speaker 1: Do we change phones?

804
00:41:23,480 --> 00:41:24,160
Speaker 3: Did we switch?

805
00:41:24,800 --> 00:41:29,520
Speaker 1: Okay? Okay, let me get the button down.

806
00:41:30,400 --> 00:41:32,720
Speaker 3: And let me just pour a little.

807
00:41:32,760 --> 00:41:34,400
Speaker 2: It looks like the batteries alone.

808
00:41:34,680 --> 00:41:37,440
Speaker 1: There it is, got it there it is.

809
00:41:37,480 --> 00:41:38,520
Speaker 3: We're gonna we're gonna work on this.

810
00:41:38,600 --> 00:41:39,359
Speaker 1: What do we do now?

811
00:41:39,760 --> 00:41:41,840
Speaker 3: I'm gonna I'm gonna work on this with you a

812
00:41:41,880 --> 00:41:44,279
Speaker 3: little bit later. I'm gonna work on the point that.

813
00:41:44,440 --> 00:41:47,600
Speaker 1: Well it's on. Now, how like to go through the

814
00:41:47,640 --> 00:41:49,719
Speaker 1: whole thing turning off? We did that whole thing?

815
00:41:50,200 --> 00:41:56,680
Speaker 3: How press end, press end, press and press just it's

816
00:41:56,719 --> 00:41:58,760
Speaker 3: not pressed, just pressent.

817
00:41:58,400 --> 00:42:01,120
Speaker 2: Press, hang on, I hang and I'm gonna stomp on it.

818
00:42:01,360 --> 00:42:06,160
Speaker 3: Yeah, yeah, yeah, I got the good case my ankle.

819
00:42:06,320 --> 00:42:07,480
Speaker 2: The case is not good.

820
00:42:07,880 --> 00:42:11,520
Speaker 3: Yes, get get it out of the case. Sam, do

821
00:42:11,520 --> 00:42:14,560
Speaker 3: you have a needle nose or some kind.

822
00:42:14,400 --> 00:42:17,319
Speaker 6: Of got you gotta shove a paper clip in the back.

823
00:42:18,560 --> 00:42:20,160
Speaker 6: Give me a shoehorn. I think I could do it

824
00:42:20,160 --> 00:42:25,320
Speaker 6: with a shoehorn. Well, let's just leave it going.

825
00:42:25,400 --> 00:42:27,960
Speaker 3: Yeah, it's it's irrelevant to the point that I was making.

826
00:42:28,640 --> 00:42:31,800
Speaker 3: What was that, Well, there's a dial tone that's really loud.

827
00:42:32,320 --> 00:42:35,839
Speaker 3: It'll just wear itself at Yeah, that that dial tone

828
00:42:35,880 --> 00:42:38,279
Speaker 3: will get bored. He knows he's not. Well, there is

829
00:42:38,320 --> 00:42:41,719
Speaker 3: a person making that noise. There is one person who's

830
00:42:41,760 --> 00:42:44,479
Speaker 3: in charge of making that noise, and he will tire out. Yeah,

831
00:42:44,520 --> 00:42:48,520
Speaker 3: it's just a sleepy guy. Yeah, so we'll just I

832
00:42:48,520 --> 00:42:50,560
Speaker 3: just want to wait him out. Yeah, he just has

833
00:42:50,680 --> 00:42:53,120
Speaker 3: kind of gotten to work. It is pretty early in

834
00:42:53,120 --> 00:42:53,560
Speaker 3: the morning.

835
00:42:53,600 --> 00:42:53,799
Speaker 5: Mm.

836
00:42:54,480 --> 00:42:57,960
Speaker 3: Yeah, sounds pretty fresh. And it's you know, for the

837
00:42:58,000 --> 00:43:01,040
Speaker 3: listener who might not who might not live here in la. Uh.

838
00:43:01,120 --> 00:43:02,520
Speaker 3: It sounds like a shitty gig.

839
00:43:03,040 --> 00:43:03,360
Speaker 4: It's not.

840
00:43:03,640 --> 00:43:05,920
Speaker 3: It's very It is a it is a union gig.

841
00:43:06,400 --> 00:43:10,680
Speaker 3: There is a great deal of security in that job.

842
00:43:11,239 --> 00:43:14,759
Speaker 3: You're everywhere. Everybody knows who you are so much access.

843
00:43:14,800 --> 00:43:16,960
Speaker 2: I was gonna say, yeah, everyone knows you are, and

844
00:43:17,000 --> 00:43:20,080
Speaker 2: you just have your tentacles in sort of everything.

845
00:43:20,160 --> 00:43:21,560
Speaker 3: If you're the dial tone.

846
00:43:21,440 --> 00:43:24,839
Speaker 2: Guy, Yeah, dial tone off, I command you off.

847
00:43:24,880 --> 00:43:28,239
Speaker 3: Oh that worked, Okay, I knew I remember. Now they've

848
00:43:28,239 --> 00:43:30,279
Speaker 3: gotta be grus something. You gotta be gruffed with them.

849
00:43:30,400 --> 00:43:31,960
Speaker 3: M hm.

850
00:43:32,120 --> 00:43:32,279
Speaker 5: Oh.

851
00:43:32,400 --> 00:43:34,040
Speaker 3: What I was saying was you can watch TV anywhere,

852
00:43:34,080 --> 00:43:37,120
Speaker 3: even on your TV through the x Yeah. You turn

853
00:43:37,200 --> 00:43:39,640
Speaker 3: your Xbox, you pull out one of your one of

854
00:43:39,640 --> 00:43:44,480
Speaker 3: your joystick controllers. You you you gov DA put in

855
00:43:44,480 --> 00:43:48,120
Speaker 3: a TV disc. You scroll through several screens. You type in.

856
00:43:48,440 --> 00:43:50,759
Speaker 3: They have a long keyboard where you you move a

857
00:43:50,800 --> 00:43:53,120
Speaker 3: cursor around. You type in the name of a show

858
00:43:53,160 --> 00:43:55,200
Speaker 3: that you want to watch, and it will sometimes show

859
00:43:55,239 --> 00:43:58,080
Speaker 3: you episodes of that show if if you have already

860
00:43:58,080 --> 00:43:59,600
Speaker 3: subscribed or bought that season.

861
00:43:59,760 --> 00:44:04,840
Speaker 1: So much better with the new face of television to

862
00:44:04,960 --> 00:44:08,040
Speaker 1: move a joystick around a keyboard and type your password

863
00:44:08,120 --> 00:44:11,719
Speaker 1: in instead of just using your fingers. You know, it's

864
00:44:11,840 --> 00:44:14,680
Speaker 1: all changing in such amazing ways. And I love that

865
00:44:14,719 --> 00:44:16,320
Speaker 1: it an longer like an animal.

866
00:44:16,520 --> 00:44:19,000
Speaker 3: I'm so tired of mashing my fingers onto a keyboard.

867
00:44:19,160 --> 00:44:23,480
Speaker 3: I think it's ridiculous. Some day we'll talk to it.

868
00:44:23,560 --> 00:44:25,640
Speaker 3: Someday we'll talk to it and it will understand us. Now,

869
00:44:25,719 --> 00:44:26,160
Speaker 3: some of this.

870
00:44:26,160 --> 00:44:29,839
Speaker 2: Stuff you're talking about, Dave, is this? Is it fair

871
00:44:29,920 --> 00:44:32,840
Speaker 2: to say that it's different? And so it's been changes

872
00:44:32,880 --> 00:44:35,520
Speaker 2: that make it happen, and the models are maybe changing,

873
00:44:35,640 --> 00:44:37,360
Speaker 2: and the industries maybe changing.

874
00:44:37,680 --> 00:44:42,640
Speaker 3: I explain what you mean by that, Like, so if

875
00:44:42,680 --> 00:44:44,360
Speaker 3: twenty thirty years ago.

876
00:44:45,680 --> 00:44:50,120
Speaker 2: It wasn't changed like this, then isn't it maybe changing

877
00:44:50,520 --> 00:44:52,840
Speaker 2: and the industry and the models are changing?

878
00:44:52,920 --> 00:44:55,000
Speaker 3: You know, I think you're really touching on something interesting.

879
00:44:55,520 --> 00:44:57,920
Speaker 3: I think you really are touching on something interesting. The

880
00:44:58,000 --> 00:45:01,759
Speaker 3: marketplace is different. It definitely has a.

881
00:45:01,800 --> 00:45:05,960
Speaker 1: Little dangerous for this show. I mean, you know, it's

882
00:45:05,960 --> 00:45:09,680
Speaker 1: just supposed to be a lighthearted conversation. I know, I

883
00:45:09,680 --> 00:45:11,960
Speaker 1: don't want I just don't know how I know, But

884
00:45:12,000 --> 00:45:13,920
Speaker 1: you can't how far we want to go.

885
00:45:14,040 --> 00:45:16,800
Speaker 2: I don't want to get Scott Anchorman in trouble, but yeah,

886
00:45:16,920 --> 00:45:17,399
Speaker 2: and I don't.

887
00:45:18,640 --> 00:45:21,400
Speaker 3: I don't want to. This show is like a delicious pizza,

888
00:45:21,440 --> 00:45:23,000
Speaker 3: and I don't want to. I don't want to come

889
00:45:23,040 --> 00:45:23,719
Speaker 3: in and destroy it.

890
00:45:23,719 --> 00:45:26,520
Speaker 2: You don't want to get a jackhammer and stand on

891
00:45:26,600 --> 00:45:28,880
Speaker 2: top of it. No, yeah, but you can't.

892
00:45:29,440 --> 00:45:34,279
Speaker 1: You are, secretly, but you're trying to lead us off

893
00:45:34,400 --> 00:45:38,800
Speaker 1: the set. Can't always they don't want to destroy pizza.

894
00:45:39,200 --> 00:45:41,920
Speaker 3: Well, because because what I'm trying to say to mention it,

895
00:45:42,000 --> 00:45:44,360
Speaker 3: most people wouldn't even mention it. What I'm trying to

896
00:45:44,360 --> 00:45:46,319
Speaker 3: say is that there you can get a little. It's

897
00:45:46,320 --> 00:45:48,480
Speaker 3: like that. It's like the Jerry Seinfeld cookbook. Right, you

898
00:45:48,480 --> 00:45:50,600
Speaker 3: can get a little. You can get a little vegetable

899
00:45:51,239 --> 00:45:55,000
Speaker 3: in your in your cookie, in your brownie and you Right,

900
00:45:55,040 --> 00:45:56,480
Speaker 3: So it can't all be pizza. It can't.

901
00:45:56,560 --> 00:45:56,920
Speaker 2: It can't.

902
00:45:56,960 --> 00:45:58,719
Speaker 3: Just it can't all be Sometimes you got to get

903
00:45:58,760 --> 00:46:00,920
Speaker 3: rid of the pizza and you to eat the broccoli.

904
00:46:01,120 --> 00:46:03,080
Speaker 2: So let's just give it's that is what the nooid

905
00:46:03,120 --> 00:46:06,360
Speaker 2: would want to do. And I'm not ammusing you of anything,

906
00:46:07,160 --> 00:46:08,000
Speaker 2: but that's what the.

907
00:46:07,920 --> 00:46:11,080
Speaker 3: Noid would want. Okay, I'm not gonna that's foolish to

908
00:46:11,120 --> 00:46:13,680
Speaker 3: me to go down that at that road. What I'm

909
00:46:13,719 --> 00:46:16,319
Speaker 3: saying is, let's mash up some fucking broccoli. Let's put

910
00:46:16,320 --> 00:46:18,759
Speaker 3: it in the kid's brownies. Let's make the kids eat

911
00:46:18,760 --> 00:46:19,120
Speaker 3: the brocoli.

912
00:46:19,200 --> 00:46:22,000
Speaker 1: That's sort of what he did with his comedy of

913
00:46:22,360 --> 00:46:25,439
Speaker 1: It tasted like a delicious cookie, but there were some

914
00:46:25,680 --> 00:46:30,680
Speaker 1: big ideas that sort of snuck in there with as there.

915
00:46:30,560 --> 00:46:32,759
Speaker 3: Were nutrients and there were shards of glass that would

916
00:46:32,800 --> 00:46:34,680
Speaker 3: just cut up your throat on the way down. But

917
00:46:34,719 --> 00:46:36,880
Speaker 3: you wanted it. You wanted more lot of edge.

918
00:46:37,160 --> 00:46:37,640
Speaker 1: Yeah.

919
00:46:37,719 --> 00:46:39,319
Speaker 3: So, yeah, that was a really interesting point. I'm glad

920
00:46:39,320 --> 00:46:39,880
Speaker 3: you brought that up.

921
00:46:40,200 --> 00:46:42,680
Speaker 2: It is for me too. I'm glad I said it.

922
00:46:42,880 --> 00:46:43,640
Speaker 2: Let's do something.

923
00:46:43,680 --> 00:46:47,120
Speaker 3: Let's let's change a little game or something more light hard.

924
00:46:47,160 --> 00:46:49,359
Speaker 3: I feel I can feel the listener just being like,

925
00:46:50,560 --> 00:46:53,200
Speaker 3: it's maybe too much veggies at this point, right right,

926
00:46:53,280 --> 00:46:55,040
Speaker 3: It's yeah, it's maybe too much broccoli.

927
00:46:55,080 --> 00:46:56,279
Speaker 1: Now we have to put now, we have to put

928
00:46:56,320 --> 00:46:59,120
Speaker 1: some chunks of brownie if you ate j just broccoli,

929
00:46:59,200 --> 00:46:59,799
Speaker 1: if you would die.

930
00:46:59,840 --> 00:47:03,200
Speaker 3: It's really dangerous, right, Uh, you tried it on a pizza, though,

931
00:47:04,239 --> 00:47:06,640
Speaker 3: Have you tried broccoli? Have you tried broccoli?

932
00:47:06,920 --> 00:47:12,640
Speaker 1: You keep coming back to changing pizza slowly. It's just

933
00:47:12,680 --> 00:47:14,160
Speaker 1: a way less and less pizza.

934
00:47:14,480 --> 00:47:16,120
Speaker 3: It's just it's it's just a way that I can

935
00:47:16,200 --> 00:47:19,760
Speaker 3: make you understand things. So I keep coming back to that, okay,

936
00:47:19,840 --> 00:47:21,560
Speaker 3: And there's no there is no deeper meaning to it.

937
00:47:21,600 --> 00:47:22,960
Speaker 3: I just it's just a way that I can.

938
00:47:23,080 --> 00:47:26,560
Speaker 2: Okay, and I'm in it just and it's the last

939
00:47:26,600 --> 00:47:29,319
Speaker 2: time I'll say it. And I don't want to and

940
00:47:29,400 --> 00:47:31,360
Speaker 2: I don't want to talk about the noid anymore.

941
00:47:31,960 --> 00:47:32,640
Speaker 3: Nobody does.

942
00:47:32,920 --> 00:47:40,319
Speaker 2: But he would love, he would love the agenda you're

943
00:47:40,360 --> 00:47:44,319
Speaker 2: pushing right now of transforming pizza into mostly broccoli and

944
00:47:44,360 --> 00:47:46,640
Speaker 2: then ultimately that's how you eliminate pizza.

945
00:47:46,760 --> 00:47:50,600
Speaker 1: And he would probably show up in disguise as like

946
00:47:50,640 --> 00:47:52,640
Speaker 1: an entertainment jack of all trades.

947
00:47:53,160 --> 00:47:55,600
Speaker 3: Yeah, I can't tell you how foolish you look right now.

948
00:47:56,320 --> 00:47:58,840
Speaker 3: I really can't. Let's change the subject. Let's move on.

949
00:47:58,960 --> 00:48:01,040
Speaker 1: It seems like you wouldn't want to talk about it. Also,

950
00:48:01,200 --> 00:48:04,160
Speaker 1: under your hood, you have your hood up I do,

951
00:48:04,360 --> 00:48:07,440
Speaker 1: and it does seem like they're two big ears.

952
00:48:08,800 --> 00:48:11,240
Speaker 3: No, that's just what is that? No, it's it's it's

953
00:48:11,280 --> 00:48:13,880
Speaker 3: it's I a lot of times, you know, I have

954
00:48:13,960 --> 00:48:16,560
Speaker 3: friends in here. You know, we live in Los Angeles.

955
00:48:16,640 --> 00:48:18,880
Speaker 3: It's a very it's a creative town. I have friends

956
00:48:18,960 --> 00:48:21,400
Speaker 3: on the East side of Los Angeles in you know,

957
00:48:21,560 --> 00:48:23,759
Speaker 3: in your your Eagle Rock and your Echo Parks, and

958
00:48:23,800 --> 00:48:25,879
Speaker 3: they design clothes and sometimes asked me to wear them

959
00:48:26,080 --> 00:48:28,680
Speaker 3: because I'm often photographed, and so sometimes I like to

960
00:48:28,680 --> 00:48:30,360
Speaker 3: to try some things that are that are kind of

961
00:48:30,360 --> 00:48:32,359
Speaker 3: new and exciting. So I'm wearing Yeah, I am. Yeah,

962
00:48:32,360 --> 00:48:34,600
Speaker 3: am I wearing a hoodie that looks like there there

963
00:48:34,600 --> 00:48:35,759
Speaker 3: are things stuffed into the top of it.

964
00:48:35,880 --> 00:48:36,080
Speaker 2: Yeah.

965
00:48:36,480 --> 00:48:38,960
Speaker 3: Yeah, it's a It's sixty eight degrees today. I need

966
00:48:39,000 --> 00:48:40,600
Speaker 3: I need a little bit of extra warmth, and I

967
00:48:40,640 --> 00:48:43,279
Speaker 3: want to I want to, you know, shine the spotlight on,

968
00:48:43,600 --> 00:48:47,680
Speaker 3: you know, on my friend Carrie. What's her She she

969
00:48:48,400 --> 00:48:49,640
Speaker 3: stuffed hood hoodies.

970
00:48:49,719 --> 00:48:50,560
Speaker 1: Stuff hoo hoodies.

971
00:48:50,600 --> 00:48:52,439
Speaker 3: That makes sense, that's yeah, you know that sounds new.

972
00:48:53,520 --> 00:48:53,719
Speaker 2: Dave.

973
00:48:53,800 --> 00:48:56,480
Speaker 1: You used to do a lot of work for MTV,

974
00:48:56,760 --> 00:48:59,360
Speaker 1: a lot of hosting gigs. Yeah, I thought we would

975
00:48:59,560 --> 00:49:02,680
Speaker 1: go back through some of your most famous MTV moments

976
00:49:02,719 --> 00:49:03,920
Speaker 1: and you can kind of walk us.

977
00:49:04,239 --> 00:49:05,479
Speaker 3: That'd be great.

978
00:49:05,520 --> 00:49:11,520
Speaker 1: So let's go back to MTV News studios. Sure you've

979
00:49:11,640 --> 00:49:15,720
Speaker 1: just gotten over the wire that Aliyah has passed. Plane crash.

980
00:49:16,360 --> 00:49:18,080
Speaker 3: Oh, I'll remember where we were.

981
00:49:18,239 --> 00:49:23,000
Speaker 1: Loader can't do the show. He's high on goofballs, Serena

982
00:49:23,040 --> 00:49:25,560
Speaker 1: Auchoole's I mean where would she be?

983
00:49:26,719 --> 00:49:27,040
Speaker 5: Uh?

984
00:49:27,160 --> 00:49:28,080
Speaker 3: She?

985
00:49:28,080 --> 00:49:28,719
Speaker 7: She was.

986
00:49:28,880 --> 00:49:31,319
Speaker 3: She was big on the concert circuit. Yes, if there

987
00:49:31,360 --> 00:49:33,720
Speaker 3: was if there was a if there was a package

988
00:49:33,760 --> 00:49:35,920
Speaker 3: tour going on, she was a part of it. H

989
00:49:36,200 --> 00:49:38,960
Speaker 3: she It got to the point where just the sound

990
00:49:39,160 --> 00:49:41,680
Speaker 3: of a motorized golf cart would just send her running

991
00:49:41,680 --> 00:49:43,440
Speaker 3: because she she needed to be behind the scenes. She

992
00:49:43,480 --> 00:49:44,920
Speaker 3: needed to be in the stadium, She needed to be

993
00:49:44,960 --> 00:49:47,799
Speaker 3: going from from dressing room to dressing room. She was

994
00:49:48,000 --> 00:49:48,640
Speaker 3: she liked to be on.

995
00:49:48,760 --> 00:49:50,319
Speaker 1: So she would have been at I guess Boom Boom

996
00:49:50,360 --> 00:49:51,800
Speaker 1: Hug Jam at this she would.

997
00:49:51,600 --> 00:49:53,000
Speaker 3: Have been a boom boom hug Jam. She would have

998
00:49:53,000 --> 00:49:54,840
Speaker 3: been at the Budweiser Super Jam, anything with jam in

999
00:49:54,880 --> 00:49:55,760
Speaker 3: the title cards.

1000
00:49:55,600 --> 00:49:58,600
Speaker 2: Chunky yeah, yeah, yeah, smoking grooves or whatever.

1001
00:49:58,840 --> 00:49:59,600
Speaker 1: Yeah.

1002
00:49:59,800 --> 00:50:02,320
Speaker 3: So so it's got to be taking me back, guys,

1003
00:50:02,520 --> 00:50:03,440
Speaker 3: taking me back.

1004
00:50:03,880 --> 00:50:05,120
Speaker 2: Yeah, well here we go.

1005
00:50:05,920 --> 00:50:08,480
Speaker 3: So it's so they're both out. It's gotta be Dave.

1006
00:50:08,600 --> 00:50:09,160
Speaker 3: It's got to be me.

1007
00:50:09,320 --> 00:50:12,920
Speaker 1: Dave's got to do the show. The little globe is

1008
00:50:12,960 --> 00:50:16,600
Speaker 1: spinning around, We're going three two.

1009
00:50:17,520 --> 00:50:21,040
Speaker 3: The typewriter keys go boom boom, boom boom. And then

1010
00:50:21,080 --> 00:50:24,200
Speaker 3: it's me and I'm live. And it's a Saturday afternoon.

1011
00:50:24,640 --> 00:50:27,040
Speaker 3: You know, the kids are out of school. They just

1012
00:50:27,080 --> 00:50:28,880
Speaker 3: want to They just want to chill out.

1013
00:50:28,960 --> 00:50:32,520
Speaker 1: And watch their favorite artist, Aliyah the artist.

1014
00:50:32,760 --> 00:50:32,920
Speaker 2: Right.

1015
00:50:34,040 --> 00:50:37,759
Speaker 3: Uh so this was this was something where god, I'll

1016
00:50:37,800 --> 00:50:40,400
Speaker 3: never forget this, where I just there was a stool

1017
00:50:40,520 --> 00:50:44,240
Speaker 3: and a spotlight and uh and and just a black

1018
00:50:44,239 --> 00:50:47,040
Speaker 3: stage and uh and they had they got rid of

1019
00:50:47,080 --> 00:50:48,600
Speaker 3: the rest of them. They got rid of the rest

1020
00:50:48,600 --> 00:50:50,719
Speaker 3: of it. I mean, you have to, you can't go

1021
00:50:50,800 --> 00:50:55,120
Speaker 3: on business as usual. Uh So just a stool, a spotlight,

1022
00:50:55,320 --> 00:50:58,279
Speaker 3: a dark stage. I wandered out. I sat down, and

1023
00:50:58,320 --> 00:51:03,320
Speaker 3: I said, everybody, sit the fuck down for a minute.

1024
00:51:04,400 --> 00:51:07,080
Speaker 3: Put put that sit put down your pizza, get it

1025
00:51:07,080 --> 00:51:10,680
Speaker 3: out of the room. Oh, sit down and listen to me.

1026
00:51:12,600 --> 00:51:16,919
Speaker 3: She's gone. And everyone knew who everybody, Yeah, of course

1027
00:51:16,960 --> 00:51:20,399
Speaker 3: everybody knew. Everybody knew. Everybody knew, and I just looked

1028
00:51:20,440 --> 00:51:22,160
Speaker 3: at the camera for a while because I didn't, you know,

1029
00:51:22,800 --> 00:51:25,839
Speaker 3: I think people we were starting to think, like your

1030
00:51:25,880 --> 00:51:27,759
Speaker 3: immediate thought is how does this affect me? You know

1031
00:51:27,800 --> 00:51:30,000
Speaker 3: what I mean? Obviously that was my first thought. Yeah,

1032
00:51:30,000 --> 00:51:32,320
Speaker 3: but I wanted I wanted to just look into the

1033
00:51:32,360 --> 00:51:35,400
Speaker 3: camera and say, God, damn it, stop thinking about yourself

1034
00:51:35,440 --> 00:51:38,080
Speaker 3: for a minute. She's gone, think about her, think about

1035
00:51:38,120 --> 00:51:43,520
Speaker 3: the music that that we were robbed OFA.

1036
00:51:42,320 --> 00:51:44,200
Speaker 1: Yeah, you mentioned getting rid of pizza.

1037
00:51:44,680 --> 00:51:47,000
Speaker 3: Yeah, get rid of it. Get rid of it, get

1038
00:51:47,000 --> 00:51:49,440
Speaker 3: out of the room, put in the trash, put that

1039
00:51:49,480 --> 00:51:53,160
Speaker 3: pizza in the trash, and sit down and think for

1040
00:51:53,239 --> 00:51:57,279
Speaker 3: a minute. So that's that's what I did. And then

1041
00:51:57,320 --> 00:51:59,400
Speaker 3: I held I held my glance on camera for a

1042
00:51:59,400 --> 00:51:59,919
Speaker 3: long long time.

1043
00:52:00,080 --> 00:52:01,959
Speaker 2: Seem like, you need to say the pizza part.

1044
00:52:02,400 --> 00:52:02,879
Speaker 3: Well I did.

1045
00:52:02,920 --> 00:52:03,120
Speaker 1: I did.

1046
00:52:03,160 --> 00:52:05,840
Speaker 3: It seemed important to me. Okay, it seemed important to me.

1047
00:52:06,000 --> 00:52:06,400
Speaker 1: Yeah.

1048
00:52:07,840 --> 00:52:10,000
Speaker 3: So yeah, God, I'm glad you brought that. I get

1049
00:52:10,000 --> 00:52:12,040
Speaker 3: really I get emotion. I get goosebumps thinking about it,

1050
00:52:13,400 --> 00:52:13,880
Speaker 3: I really do.

1051
00:52:14,040 --> 00:52:19,600
Speaker 1: What is that little you've brought something, this little round

1052
00:52:20,520 --> 00:52:24,160
Speaker 1: object that says pizza bomb, right, What is the story

1053
00:52:24,239 --> 00:52:27,759
Speaker 1: behind that you've been sort of hiding it behind your

1054
00:52:27,800 --> 00:52:29,040
Speaker 1: back through.

1055
00:52:28,880 --> 00:52:31,799
Speaker 3: The show that I don't is that for us? That's

1056
00:52:31,840 --> 00:52:35,760
Speaker 3: I'm playing Uh, I'm playing kickball with with some friends

1057
00:52:35,760 --> 00:52:40,120
Speaker 3: in Griffith Park. Amy Adams, I don't, I don't.

1058
00:52:40,280 --> 00:52:40,680
Speaker 1: I didn't.

1059
00:52:40,680 --> 00:52:43,719
Speaker 3: I don't want to. Sorry, put on your helpt names

1060
00:52:43,719 --> 00:52:52,360
Speaker 3: are dropping. Emmanuel Lewis, uh, John Larricket, I have a

1061
00:52:52,440 --> 00:52:54,200
Speaker 3: we have a league. And so anyway, this is this

1062
00:52:54,239 --> 00:52:55,920
Speaker 3: is a fun ball that I put together. It's just

1063
00:52:55,920 --> 00:52:56,919
Speaker 3: like it's a fun it's a joke.

1064
00:52:57,280 --> 00:52:57,680
Speaker 1: Is that.

1065
00:52:59,080 --> 00:53:01,600
Speaker 3: Gonzales, Yes, of course it is. Of course it is.

1066
00:53:02,160 --> 00:53:05,759
Speaker 3: I was invited to that. Saturdays don't work for me.

1067
00:53:06,880 --> 00:53:09,640
Speaker 3: His his Cuban military training is really paying off. That

1068
00:53:09,719 --> 00:53:10,160
Speaker 3: kid's in.

1069
00:53:10,120 --> 00:53:13,240
Speaker 1: Shape as far as kickballs, as far as kickball is concerned.

1070
00:53:13,280 --> 00:53:16,120
Speaker 3: Yeah, yeah, So it's just that's that's enough of that.

1071
00:53:16,160 --> 00:53:17,880
Speaker 3: I'm gonna be I'm gonna be dropping and kicking that

1072
00:53:17,960 --> 00:53:21,560
Speaker 3: later on. And that's because you love pizza. I love it.

1073
00:53:21,640 --> 00:53:22,160
Speaker 3: I love it.

1074
00:53:22,760 --> 00:53:24,640
Speaker 2: I mean at the right time, what do you love

1075
00:53:24,680 --> 00:53:25,239
Speaker 2: about it?

1076
00:53:26,719 --> 00:53:30,560
Speaker 3: I love I love the way that it makes me

1077
00:53:30,880 --> 00:53:33,600
Speaker 3: think about my own mortality because I eat it and

1078
00:53:33,640 --> 00:53:36,920
Speaker 3: it's and it's so bad. For it's so bad for you.

1079
00:53:37,400 --> 00:53:41,919
Speaker 3: It's bad for you. It's sloppily made generally. Uh, it's

1080
00:53:42,040 --> 00:53:45,680
Speaker 3: topped with things that are that are poisoned for your body.

1081
00:53:46,400 --> 00:53:48,080
Speaker 3: So every now and then it's it's a fun thing

1082
00:53:48,120 --> 00:53:50,160
Speaker 3: to eat, but it's I can't stop thinking about how

1083
00:53:50,160 --> 00:53:52,600
Speaker 3: it will eventually kill me, and I probably shouldn't eat it.

1084
00:53:52,640 --> 00:53:54,400
Speaker 3: But it's just it's a fun. It's a thing that

1085
00:53:54,440 --> 00:53:57,640
Speaker 3: I do once in a long a great while. I'll

1086
00:53:57,640 --> 00:53:59,600
Speaker 3: have a slice or a bite of pizza.

1087
00:54:00,080 --> 00:54:04,759
Speaker 1: Wait a second. The letters and Dave Holmes, if you

1088
00:54:04,880 --> 00:54:07,960
Speaker 1: rearrange them, it's the nooid.

1089
00:54:08,800 --> 00:54:12,600
Speaker 2: Fuck. Okay, Dave Holmes is the original noid.

1090
00:54:12,840 --> 00:54:15,839
Speaker 3: All right, yeah, all right, yeah, yeah, all right, let's

1091
00:54:15,840 --> 00:54:16,479
Speaker 3: put it on the table.

1092
00:54:16,560 --> 00:54:21,240
Speaker 1: Yeah yeah, Sam was right, Sam. Why didn't you defend

1093
00:54:21,280 --> 00:54:25,040
Speaker 1: yourself more? Here's the thing. An internet commenter will always

1094
00:54:25,080 --> 00:54:25,680
Speaker 1: expose you.

1095
00:54:26,640 --> 00:54:27,839
Speaker 3: Oh god, damn it.

1096
00:54:27,880 --> 00:54:30,239
Speaker 2: The comments section is where the real truth lives.

1097
00:54:30,320 --> 00:54:30,680
Speaker 3: Damn it.

1098
00:54:30,840 --> 00:54:34,480
Speaker 1: Scoop troop, get out your pens. Dave Holmes was the

1099
00:54:34,520 --> 00:54:36,000
Speaker 1: original nooid all along?

1100
00:54:36,200 --> 00:54:39,560
Speaker 3: Yeah, God damn it. Well listen, it was gonna come out.

1101
00:54:39,560 --> 00:54:41,000
Speaker 3: It might as well be here, might as well be

1102
00:54:41,040 --> 00:54:41,640
Speaker 3: among friends.

1103
00:54:42,239 --> 00:54:44,759
Speaker 2: It doesn't really change the way I feel about you

1104
00:54:44,920 --> 00:54:45,560
Speaker 2: or your work.

1105
00:54:45,840 --> 00:54:48,400
Speaker 1: Well, thanks, thanks, And that's what we originally who we

1106
00:54:48,800 --> 00:54:51,839
Speaker 1: originally thought we were having in here, so even more so,

1107
00:54:51,880 --> 00:54:55,000
Speaker 1: it doesn't really make that much of a difference. Yeah,

1108
00:54:55,280 --> 00:54:57,560
Speaker 1: just waste you know, waste it a lot of time.

1109
00:54:57,880 --> 00:55:00,080
Speaker 3: Yeah, yeah, I'm sorry, I don't know. I'm KG about it.

1110
00:55:00,080 --> 00:55:01,319
Speaker 3: It OMKG about it.

1111
00:55:02,239 --> 00:55:05,960
Speaker 1: Kevin Garnett is in my k You just said you're

1112
00:55:05,960 --> 00:55:06,840
Speaker 1: a KG about.

1113
00:55:07,280 --> 00:55:11,120
Speaker 3: Oh yeah, yeah, I don't fall sports. It's like a

1114
00:55:11,160 --> 00:55:13,319
Speaker 3: word sound joke that Hayes likes to do.

1115
00:55:14,640 --> 00:55:18,320
Speaker 2: His brain is just wired for that kind of stuff

1116
00:55:18,360 --> 00:55:20,440
Speaker 2: where it's like he hears it and like what you

1117
00:55:20,560 --> 00:55:25,279
Speaker 2: or I here the word KG, but something he's a

1118
00:55:25,360 --> 00:55:27,600
Speaker 2: little bit off, and I think that's what makes him

1119
00:55:27,640 --> 00:55:28,280
Speaker 2: so good.

1120
00:55:28,560 --> 00:55:29,920
Speaker 3: What makes a good, That's what makes a good.

1121
00:55:30,360 --> 00:55:34,440
Speaker 2: He's yes, he's looking for a new angle and it

1122
00:55:34,880 --> 00:55:37,279
Speaker 2: just he just takes it somewhere where you're like, w

1123
00:55:37,440 --> 00:55:43,200
Speaker 2: t F, like, where's that coming from? Says but that's

1124
00:55:43,640 --> 00:55:51,760
Speaker 2: his initials is KG. I didn't know that, but Hayes

1125
00:55:51,840 --> 00:55:53,840
Speaker 2: knows that. Pretty cool.

1126
00:55:54,800 --> 00:55:55,959
Speaker 3: You're smarty, Dave.

1127
00:55:56,040 --> 00:55:58,560
Speaker 1: Do you have any big projects coming up that you

1128
00:55:58,560 --> 00:55:59,720
Speaker 1: would like to tell us about?

1129
00:56:00,120 --> 00:56:05,480
Speaker 3: I have some you know, home improvement projects out by

1130
00:56:05,520 --> 00:56:06,880
Speaker 3: the speak on that.

1131
00:56:07,160 --> 00:56:09,440
Speaker 1: I don't want to speak on that. Don't speak on that.

1132
00:56:10,239 --> 00:56:10,960
Speaker 1: I don't want to you.

1133
00:56:10,960 --> 00:56:13,600
Speaker 3: I don't want to bore you because here's the grotto. Yeah,

1134
00:56:13,680 --> 00:56:17,560
Speaker 3: obviously a grotto, Uh, Stations of the Cross Uh, just

1135
00:56:17,640 --> 00:56:21,680
Speaker 3: around the backyard. Uh. Yeah, But I don't that kind

1136
00:56:21,680 --> 00:56:23,319
Speaker 3: of thing that bothers me. I don't. I don't want

1137
00:56:23,360 --> 00:56:24,960
Speaker 3: to talk about that with people because I because I

1138
00:56:25,000 --> 00:56:29,759
Speaker 3: feel like what has allowed me to endure is the

1139
00:56:29,760 --> 00:56:31,759
Speaker 3: fact that I'm kind of an everyman. And I don't.

1140
00:56:31,800 --> 00:56:34,520
Speaker 3: I don't, you know, although it's fun to talk about

1141
00:56:34,560 --> 00:56:36,920
Speaker 3: the things that I'm gonna, you know, embedding concrete in

1142
00:56:36,960 --> 00:56:38,839
Speaker 3: my backyard, I don't. I don't want to. I don't

1143
00:56:38,840 --> 00:56:40,720
Speaker 3: want to lose. I don't want to lose people.

1144
00:56:40,920 --> 00:56:43,640
Speaker 1: You know, people it's just yeah, who don't even have

1145
00:56:43,760 --> 00:56:45,960
Speaker 1: concrete to like embed stuff?

1146
00:56:46,000 --> 00:56:46,160
Speaker 2: Then?

1147
00:56:46,280 --> 00:56:49,640
Speaker 1: Right, are you a dirt and yeah.

1148
00:56:49,520 --> 00:56:51,440
Speaker 2: You have the hell you were gonna build a mesa?

1149
00:56:51,640 --> 00:56:55,600
Speaker 3: Is that right? That's correct? Yeah, a mesa for those

1150
00:56:55,600 --> 00:57:00,480
Speaker 3: who don't know, it's a plateau. Yeah, the smaller mm hmm.

1151
00:57:00,680 --> 00:57:03,840
Speaker 1: Yeah, for you to do peyote in the middle.

1152
00:57:03,920 --> 00:57:05,720
Speaker 3: For me, to do payoti, for me to do tai chi,

1153
00:57:06,920 --> 00:57:10,200
Speaker 3: for me to just just examine the light of the desert,

1154
00:57:10,480 --> 00:57:13,319
Speaker 3: you know, and how it changes. You guys, gotta come out.

1155
00:57:13,400 --> 00:57:13,919
Speaker 3: It'll be fun.

1156
00:57:14,400 --> 00:57:18,800
Speaker 1: Heard that that it's on it. It's a rising mesa, right,

1157
00:57:18,840 --> 00:57:21,200
Speaker 1: so hydraulic get out there. You just stand in what

1158
00:57:21,280 --> 00:57:24,360
Speaker 1: seems to be the ground, right, and then it becomes

1159
00:57:24,400 --> 00:57:24,920
Speaker 1: a mesa.

1160
00:57:25,080 --> 00:57:29,800
Speaker 3: Well, what actually happens is underneath the ground. We uh,

1161
00:57:29,840 --> 00:57:31,760
Speaker 3: it's the whole thing is on hydraulics. So you get

1162
00:57:31,760 --> 00:57:35,280
Speaker 3: on it. When it's just at street level, whoever is,

1163
00:57:35,400 --> 00:57:39,000
Speaker 3: whoever's coming to to the mesa party comes, you hang out,

1164
00:57:39,040 --> 00:57:42,440
Speaker 3: you drop to the level below. Kay, it goes down,

1165
00:57:42,520 --> 00:57:46,640
Speaker 3: It goes down. I have dry ice machines all around it.

1166
00:57:46,960 --> 00:57:48,480
Speaker 3: They spit out dry ice smoke.

1167
00:57:48,920 --> 00:57:51,080
Speaker 1: It's a reverse mesa at that point.

1168
00:57:51,040 --> 00:57:54,360
Speaker 3: Right right, and then on the count of three, boom

1169
00:57:55,120 --> 00:57:57,120
Speaker 3: out of the ground. Yeah, it's just like it's a

1170
00:57:57,120 --> 00:58:00,320
Speaker 3: big entrance on three or three and then go three

1171
00:58:00,400 --> 00:58:04,160
Speaker 3: and then go okay, then go so it'll be one, two,

1172
00:58:04,360 --> 00:58:08,960
Speaker 3: three up arown you up here from the middle of

1173
00:58:08,960 --> 00:58:11,040
Speaker 3: the smoke. It's just fun. It's fun.

1174
00:58:11,920 --> 00:58:18,520
Speaker 2: It sounds fun ed Spieeler. Thanks for coming in. It's

1175
00:58:18,560 --> 00:58:19,800
Speaker 2: been so so great.

1176
00:58:19,880 --> 00:58:20,800
Speaker 3: Thank you for having me.

1177
00:58:20,800 --> 00:58:25,320
Speaker 2: And it's and get and listeners. You're welcome for the

1178
00:58:25,360 --> 00:58:31,200
Speaker 2: good show. Please rate us on iTunes, fill out little reviews,

1179
00:58:31,320 --> 00:58:32,720
Speaker 2: comment on the forums, like.

1180
00:58:32,920 --> 00:58:35,400
Speaker 1: This on Facebook by the pro version. Please buy the

1181
00:58:35,440 --> 00:58:37,520
Speaker 1: pro version. What did we give out in the pro

1182
00:58:37,640 --> 00:58:43,160
Speaker 1: version this week? Oh well there's always goodies. Uh.

1183
00:58:43,680 --> 00:58:46,000
Speaker 3: Hayes will try to make your.

1184
00:58:45,800 --> 00:58:50,200
Speaker 2: Initials into some kind of funny word play thing if

1185
00:58:50,240 --> 00:58:50,800
Speaker 2: you buy.

1186
00:58:50,640 --> 00:58:55,000
Speaker 3: The pro version. Obviously very good at it. Of course.

1187
00:58:56,200 --> 00:59:00,320
Speaker 2: Dave Holmes will custom destroy your pizza that you've to

1188
00:59:00,400 --> 00:59:04,400
Speaker 2: your home if you have. You know, if you have

1189
00:59:04,440 --> 00:59:07,360
Speaker 2: a pizza that you want to eat, He's gonna ruin it,

1190
00:59:07,440 --> 00:59:09,240
Speaker 2: but not in the way that you expect.

1191
00:59:09,360 --> 00:59:10,240
Speaker 1: Nope, Nope.

1192
00:59:10,240 --> 00:59:13,040
Speaker 3: Maybe it'll be a like a back hoe, like a

1193
00:59:13,160 --> 00:59:16,080
Speaker 3: dump you know, like a piece of farm equipment type

1194
00:59:16,080 --> 00:59:19,760
Speaker 3: of a deal. Why don't you tell maybe I'll freeze

1195
00:59:19,800 --> 00:59:21,960
Speaker 3: it and then hit it and I'll just break into.

1196
00:59:22,920 --> 00:59:25,920
Speaker 1: Yes, our user common sense. Uh, this is one of

1197
00:59:25,920 --> 00:59:28,120
Speaker 1: our listeners. How would you destroy his pizza?

1198
00:59:28,240 --> 00:59:31,080
Speaker 3: Oh? Where where does he live? He's a British guy,

1199
00:59:31,480 --> 00:59:33,880
Speaker 3: a British guy. Oh, this will be fun.

1200
00:59:34,640 --> 00:59:34,760
Speaker 5: Uh.

1201
00:59:35,200 --> 00:59:39,520
Speaker 3: What I'll do is I'll roll it out into the street. Uh.

1202
00:59:39,560 --> 00:59:42,320
Speaker 3: And then and then I will I will get on

1203
00:59:42,400 --> 00:59:46,400
Speaker 3: top of a double decker bus and and then uh

1204
00:59:46,440 --> 00:59:49,200
Speaker 3: and then a lorri which is what they call a truck,

1205
00:59:49,880 --> 00:59:52,880
Speaker 3: will will come and we will the the double decker

1206
00:59:52,960 --> 00:59:55,560
Speaker 3: bus and the lorry will will meet and we'll have

1207
00:59:55,600 --> 00:59:59,160
Speaker 3: a head on collision right where the pizza is. I'll

1208
00:59:59,200 --> 01:00:01,400
Speaker 3: jump off at the last. It'll be like the Plasmatics.

1209
01:00:01,400 --> 01:00:02,919
Speaker 3: I don't know if you remember them, but they would

1210
01:00:02,960 --> 01:00:04,120
Speaker 3: do a lot of a lot of that kind of thing.

1211
01:00:04,160 --> 01:00:06,040
Speaker 3: So it'll it'll be yeah, it'll it'll be fun.

1212
01:00:06,240 --> 01:00:08,160
Speaker 1: You're not used to driving on that side, and so

1213
01:00:08,240 --> 01:00:10,640
Speaker 1: it'll be the other course, yeah, of course.

1214
01:00:11,160 --> 01:00:14,400
Speaker 3: And then the smash. Yeah, that can't eat that. Sorry

1215
01:00:14,440 --> 01:00:20,160
Speaker 3: common sense, Bye bye, Hollywood, Hamper.

1216
01:00:25,960 --> 01:00:28,919
Speaker 7: This has been an Earwolf Media production Executive producers Jeff

1217
01:00:28,960 --> 01:00:41,360
Speaker 7: Ulrick and Scott Ackerman. For more information, visit Earwolf dot com.

1218
01:00:36,680 --> 01:00:46,440
Speaker 5: Ear Warf Radio Boom dot com.

1219
01:00:46,480 --> 01:00:47,320
Speaker 3: The Wolf did