1 00:00:05,200 --> 00:00:07,480 Speaker 1: Hey, this is Annie and Samantha, and welcome to stuff 2 00:00:07,480 --> 00:00:18,720 Speaker 1: I've never told you your production by Heart Radio, and 3 00:00:18,840 --> 00:00:21,400 Speaker 1: welcome to another edition of Happy Hour. 4 00:00:21,520 --> 00:00:25,599 Speaker 2: As always, if you choose to drink or whatever you're doing, 5 00:00:26,000 --> 00:00:29,240 Speaker 2: please do so responsibly. What are you doing, Samantha? Are 6 00:00:29,240 --> 00:00:30,320 Speaker 2: you doing it responsibly? 7 00:00:30,560 --> 00:00:31,080 Speaker 3: Always? 8 00:00:31,520 --> 00:00:34,120 Speaker 4: Because I get sleepy, like I just love how I'm 9 00:00:34,200 --> 00:00:36,640 Speaker 4: now and to the point of adulthood where I'm like, 10 00:00:36,960 --> 00:00:40,240 Speaker 4: I don't party anymore. Really, I've never really parted, let's 11 00:00:40,240 --> 00:00:42,919 Speaker 4: be very honest, but I barely do any of that. 12 00:00:42,960 --> 00:00:45,560 Speaker 3: I used to. I went to clubs like a short 13 00:00:45,600 --> 00:00:48,240 Speaker 3: spent time because I do love dancing. I do love dancing. 14 00:00:48,600 --> 00:00:50,920 Speaker 4: And now my clubbing is Zumba classes with the other 15 00:00:50,960 --> 00:00:53,800 Speaker 4: forty fifty year olds and we get into it just say, 16 00:00:53,920 --> 00:00:57,680 Speaker 4: you know anyway, But yes, I'm drinking coffee because I 17 00:00:57,720 --> 00:01:00,360 Speaker 4: am tired and it feels groggy. And it's cold again. 18 00:01:00,560 --> 00:01:02,240 Speaker 4: Why is it cold? For the dear love of God, 19 00:01:03,200 --> 00:01:04,520 Speaker 4: it is very cold here. 20 00:01:04,600 --> 00:01:09,440 Speaker 1: And I oh, I made the mistake of turning off 21 00:01:09,480 --> 00:01:12,320 Speaker 1: my radiator because it was hot. 22 00:01:12,360 --> 00:01:14,000 Speaker 2: It was warm for a while. 23 00:01:14,360 --> 00:01:16,959 Speaker 3: And now I'm really worried about that radiator. 24 00:01:19,240 --> 00:01:22,480 Speaker 1: We have a very adversarial relationship me and this radiator. 25 00:01:22,720 --> 00:01:26,520 Speaker 1: But now it's steaming up so much. I can't see 26 00:01:26,520 --> 00:01:27,440 Speaker 1: out my windows. 27 00:01:27,959 --> 00:01:28,680 Speaker 2: And uh. 28 00:01:28,840 --> 00:01:30,800 Speaker 1: This morning a friend of mine texting me and she's like, 29 00:01:30,840 --> 00:01:32,600 Speaker 1: it's knowing where I am. And I was, I was 30 00:01:32,640 --> 00:01:33,959 Speaker 1: trying to look out the window. I was like, I 31 00:01:34,000 --> 00:01:37,000 Speaker 1: can't tell im too cold to go outside, so. 32 00:01:37,440 --> 00:01:38,120 Speaker 2: We'll never know. 33 00:01:39,400 --> 00:01:43,360 Speaker 1: I am drinking wine because today it's a good wine. 34 00:01:44,920 --> 00:01:47,560 Speaker 1: And I want to make this clear at the top, 35 00:01:48,480 --> 00:01:53,280 Speaker 1: this is my opinion. This is my personal opinion. And 36 00:01:53,320 --> 00:01:56,200 Speaker 1: I might ruffle some feathers in the acting community if 37 00:01:56,200 --> 00:02:01,000 Speaker 1: we've got any actors listening, But all right. 38 00:02:01,320 --> 00:02:01,640 Speaker 4: We are. 39 00:02:01,880 --> 00:02:03,120 Speaker 3: Are you really doing something? Huh? 40 00:02:03,120 --> 00:02:05,920 Speaker 4: I feel like that that was such a big warning 41 00:02:06,640 --> 00:02:07,520 Speaker 4: because I love drama. 42 00:02:07,600 --> 00:02:08,400 Speaker 3: Let's do this team. 43 00:02:08,480 --> 00:02:09,240 Speaker 2: Oh my gosh. 44 00:02:09,280 --> 00:02:11,920 Speaker 1: I've gotten into so many arguments with other actors about this. 45 00:02:12,280 --> 00:02:16,200 Speaker 1: All right, So it is award season as we record this. 46 00:02:17,440 --> 00:02:19,799 Speaker 1: And I also want to say it does feel strange. 47 00:02:20,960 --> 00:02:23,520 Speaker 1: I think my Monday mini upcoming will be about this 48 00:02:23,680 --> 00:02:25,480 Speaker 1: kind of but it feels strange to talk about this 49 00:02:25,520 --> 00:02:27,160 Speaker 1: when it feels like the world is falling apart. 50 00:02:27,280 --> 00:02:28,400 Speaker 2: But we're going to talk about it. 51 00:02:29,240 --> 00:02:33,639 Speaker 1: So it is a Ward season coming up, and I've 52 00:02:33,639 --> 00:02:36,400 Speaker 1: had this in my on my list of possible happy 53 00:02:36,440 --> 00:02:39,480 Speaker 1: hour topics for a while, but this was a ways back. 54 00:02:40,440 --> 00:02:43,480 Speaker 1: Natalie Portman made this comment where she said method acting 55 00:02:43,600 --> 00:02:48,000 Speaker 1: is a luxury that women can't have, and she was 56 00:02:48,040 --> 00:02:53,440 Speaker 1: mostly commenting on how women are still expected to do 57 00:02:53,480 --> 00:02:56,160 Speaker 1: a lot more domestic work and especially raising kids. So 58 00:02:56,200 --> 00:02:57,600 Speaker 1: she was saying, like, I can't show up at the 59 00:02:57,639 --> 00:03:01,160 Speaker 1: pickup like covered in blood or whatever. I was like, 60 00:03:01,480 --> 00:03:07,480 Speaker 1: thank you. Someone finally said right, I will get into it, 61 00:03:07,520 --> 00:03:09,480 Speaker 1: but I've got a lot of thoughts about method actors. 62 00:03:09,919 --> 00:03:12,160 Speaker 1: Some of them are very good and have produced really 63 00:03:12,200 --> 00:03:16,280 Speaker 1: good performances. I will I will break it down in 64 00:03:16,320 --> 00:03:20,640 Speaker 1: a minute, but I've always kind of had an issue 65 00:03:20,720 --> 00:03:22,800 Speaker 1: with it, and I know. 66 00:03:26,600 --> 00:03:29,120 Speaker 2: For people, I think you know what method acting is. 67 00:03:29,160 --> 00:03:35,120 Speaker 1: It's when someone like quote becomes that character and they 68 00:03:35,160 --> 00:03:37,720 Speaker 1: ask people to call them by that name. They like 69 00:03:37,760 --> 00:03:39,760 Speaker 1: a lot of stuff like that. I do want to 70 00:03:39,800 --> 00:03:43,520 Speaker 1: differentiate between that and doing your research. I think doing 71 00:03:43,520 --> 00:03:46,560 Speaker 1: the research part is good, like going to work at 72 00:03:46,680 --> 00:03:49,520 Speaker 1: a factory for a month or whatever. As long as 73 00:03:49,560 --> 00:03:52,560 Speaker 1: you're not a total jack about it, I think that's good. 74 00:03:54,080 --> 00:03:58,200 Speaker 1: I got a lot of thoughts about this, But that's 75 00:03:58,280 --> 00:04:00,880 Speaker 1: different than what I'm talking about. I'm talking about Jared 76 00:04:00,960 --> 00:04:03,000 Speaker 1: Leto is like one of the most famous examples of 77 00:04:03,080 --> 00:04:07,080 Speaker 1: recent times. Oh yeah, when he was in a suicide squad. 78 00:04:07,080 --> 00:04:10,600 Speaker 1: He was in there for ten minutes. By the way, 79 00:04:10,800 --> 00:04:15,440 Speaker 1: he basically just harassed the rest of the cast. He 80 00:04:15,600 --> 00:04:19,480 Speaker 1: had like an assistant that would sneak into their dressing 81 00:04:19,560 --> 00:04:23,520 Speaker 1: rooms and put things like rats or used condoms our 82 00:04:23,520 --> 00:04:26,760 Speaker 1: fish heads because he's playing the Joker. And he was like, 83 00:04:27,000 --> 00:04:29,560 Speaker 1: it adds a level. That's what the Joker does. It 84 00:04:29,560 --> 00:04:33,760 Speaker 1: adds a level of surprise and a lot Okay, a 85 00:04:33,760 --> 00:04:35,839 Speaker 1: lot of the other actors have spoken about it, and 86 00:04:35,839 --> 00:04:39,320 Speaker 1: it said it made them feel really uncomfortable, makes sense, 87 00:04:40,400 --> 00:04:43,480 Speaker 1: He's kind of said it's been over exaggerated. I am 88 00:04:43,560 --> 00:04:46,800 Speaker 1: leaning more to her. He probably did do that, but 89 00:04:47,080 --> 00:04:50,479 Speaker 1: you know, I wasn't there. I don't know, But that's 90 00:04:50,480 --> 00:04:52,479 Speaker 1: what I'm talking about. That kind of behavior is what 91 00:04:52,600 --> 00:04:57,800 Speaker 1: I was talking right. I just feel that as a 92 00:04:57,880 --> 00:05:05,360 Speaker 1: viewer of something I I can have the capacity to know, Okay, 93 00:05:05,920 --> 00:05:08,040 Speaker 1: you're the Joker and you're a good actor, and I'm 94 00:05:08,040 --> 00:05:11,560 Speaker 1: scared of you, but I actually appreciate this more because 95 00:05:11,600 --> 00:05:13,760 Speaker 1: I know as a human being, you're not that. You 96 00:05:13,839 --> 00:05:16,360 Speaker 1: know what I mean, right, Like, I have the capacity 97 00:05:16,440 --> 00:05:19,880 Speaker 1: to differentiate between those two things. Right, You don't have 98 00:05:19,920 --> 00:05:22,479 Speaker 1: to convince me you are the joker. If you do, 99 00:05:23,560 --> 00:05:25,719 Speaker 1: you've really freaked me out more than I think you 100 00:05:25,839 --> 00:05:29,320 Speaker 1: wanted to. You can be a good actor and not 101 00:05:29,440 --> 00:05:33,360 Speaker 1: convince me that, like maybe you shouldn't be allowed your people, 102 00:05:33,520 --> 00:05:36,560 Speaker 1: Like there's a different there's a difference, right. 103 00:05:37,160 --> 00:05:39,520 Speaker 4: I think it's all comes back to the understanding that 104 00:05:39,960 --> 00:05:43,280 Speaker 4: if you're good at your craft, you don't have to 105 00:05:43,360 --> 00:05:47,279 Speaker 4: change a personality, Like it doesn't have to be that way. Like. 106 00:05:48,080 --> 00:05:49,960 Speaker 4: It also kind of comes to people who are like, 107 00:05:50,400 --> 00:05:53,359 Speaker 4: if you truly do this, then you're truly this, like 108 00:05:53,520 --> 00:05:56,159 Speaker 4: as in like you're not validated until you're boiling to 109 00:05:56,200 --> 00:05:57,320 Speaker 4: push to about me. 110 00:05:57,839 --> 00:05:59,520 Speaker 3: That's not healthy. 111 00:06:01,120 --> 00:06:03,320 Speaker 1: No, it's not healthy. And there have been a million 112 00:06:03,400 --> 00:06:05,040 Speaker 1: examples of how it's not healthy. 113 00:06:06,040 --> 00:06:06,840 Speaker 2: And there is. 114 00:06:08,279 --> 00:06:11,520 Speaker 1: A quote it's frequently attributed to Lawrence Olivier, but I 115 00:06:11,560 --> 00:06:13,480 Speaker 1: don't think it's ever been proven he was like the 116 00:06:13,480 --> 00:06:16,400 Speaker 1: one that said it. But it's you know, my dear boy, 117 00:06:16,440 --> 00:06:21,760 Speaker 1: have you tried acting like you don't have to do 118 00:06:21,960 --> 00:06:26,679 Speaker 1: these things? And it makes people, not just other actors, 119 00:06:26,720 --> 00:06:29,680 Speaker 1: it makes people on set uncomfortable. Like one time I 120 00:06:29,920 --> 00:06:31,960 Speaker 1: was working with somebody who said they were a method actor. 121 00:06:33,120 --> 00:06:37,400 Speaker 1: He was playing a rapist. Oh you know how uncomfortable 122 00:06:37,640 --> 00:06:39,720 Speaker 1: that made everyone? 123 00:06:40,000 --> 00:06:42,120 Speaker 3: What does that mean? This method acting? 124 00:06:42,320 --> 00:06:46,320 Speaker 1: Like? What are you talking about exactly? And it's just 125 00:06:47,480 --> 00:06:53,360 Speaker 1: it's one of those things where I think and I have. 126 00:06:54,040 --> 00:06:56,560 Speaker 1: When I was kind of lightly researching this, I found 127 00:06:56,600 --> 00:07:00,560 Speaker 1: a BuzzFeed list and it was like seventeen worst examples 128 00:07:00,600 --> 00:07:04,760 Speaker 1: of method actors. They were all white men, and I 129 00:07:04,880 --> 00:07:07,880 Speaker 1: just feel like if a woman or a person of 130 00:07:07,960 --> 00:07:14,480 Speaker 1: color did this, the set wouldn't stand for it. They'd 131 00:07:14,560 --> 00:07:18,120 Speaker 1: be like, she's crazy, get her out of here. But 132 00:07:18,160 --> 00:07:20,720 Speaker 1: instead it's like, look at this genius work. 133 00:07:21,280 --> 00:07:21,440 Speaker 3: Right. 134 00:07:22,200 --> 00:07:27,920 Speaker 4: What I don't know did Michael B. Jordan did he do? 135 00:07:28,000 --> 00:07:30,360 Speaker 4: He didn't do method acting for Black Panther, right. He 136 00:07:30,360 --> 00:07:31,880 Speaker 4: said he just isolated himself. 137 00:07:32,240 --> 00:07:36,600 Speaker 2: He like went on the streets and isolated himself. 138 00:07:36,680 --> 00:07:39,200 Speaker 3: Yeah, but not necessarily actually full method. 139 00:07:39,200 --> 00:07:42,000 Speaker 1: Right, which is I do think there are different degrees 140 00:07:42,000 --> 00:07:44,320 Speaker 1: of method, and some of them I'm like, okay, I 141 00:07:44,360 --> 00:07:46,640 Speaker 1: get that. Yeah, that's where it sort of blurs the 142 00:07:46,680 --> 00:07:59,880 Speaker 1: line between research and method to me, right, I do. 143 00:08:00,080 --> 00:08:02,360 Speaker 1: I do think there are some method actors that are 144 00:08:02,400 --> 00:08:07,880 Speaker 1: not as obnoxious and frankly kind of terrifying. One example 145 00:08:08,280 --> 00:08:13,800 Speaker 1: is I know a lot of actors who use accents 146 00:08:13,880 --> 00:08:16,240 Speaker 1: all the time. Yeah, so like if they're doing an 147 00:08:16,240 --> 00:08:19,160 Speaker 1: American accent, they're not an American, they'll just start using 148 00:08:19,160 --> 00:08:21,200 Speaker 1: that accent all the time. I think that's okay. Like 149 00:08:21,240 --> 00:08:24,640 Speaker 1: I I would weird me out if I knew the person, right, 150 00:08:24,760 --> 00:08:28,600 Speaker 1: But that's that's I understand that, right. 151 00:08:28,960 --> 00:08:33,640 Speaker 4: I think, uh Rene Zelleger she did that because she 152 00:08:33,640 --> 00:08:36,520 Speaker 4: couldn't go in and out really well, and she said, 153 00:08:36,520 --> 00:08:37,719 Speaker 4: if I lose it, I'm going to lose it, So 154 00:08:37,720 --> 00:08:39,360 Speaker 4: I just have to keep it the entire time, like 155 00:08:39,440 --> 00:08:42,520 Speaker 4: she would keep her English accent for Bridget Jones diary. 156 00:08:43,240 --> 00:08:47,080 Speaker 1: Yes, which I get. That makes sense to me. Yeah, 157 00:08:47,240 --> 00:08:50,679 Speaker 1: I agree, it's still a little weird. It makes sense. 158 00:08:50,720 --> 00:08:52,880 Speaker 4: If I knew you personally and you had an accent, 159 00:08:52,920 --> 00:08:54,319 Speaker 4: I would make fun of you the entire time. I 160 00:08:54,360 --> 00:08:56,920 Speaker 4: would have a hard time. Not like not because I'm 161 00:08:56,920 --> 00:08:59,160 Speaker 4: being mean, but I just think it's hilarious to see 162 00:08:59,200 --> 00:09:00,000 Speaker 4: you doing the switch up. 163 00:09:00,679 --> 00:09:05,120 Speaker 2: Yeah, it is. It's just odd, but I mean. 164 00:09:05,160 --> 00:09:10,240 Speaker 1: Another issue I have with this kind of hardcore method 165 00:09:10,280 --> 00:09:15,400 Speaker 1: acting is it has led to instances of sexual assaw 166 00:09:15,440 --> 00:09:23,640 Speaker 1: and physical abuse, largely against women because they were method 167 00:09:25,520 --> 00:09:31,920 Speaker 1: which I just think is ridiculous and unacceptable. And I 168 00:09:32,000 --> 00:09:34,480 Speaker 1: don't kind of going back to what you were saying, 169 00:09:34,520 --> 00:09:37,679 Speaker 1: I don't think if you had to do that as 170 00:09:37,760 --> 00:09:39,560 Speaker 1: part of a role, it almost feels. 171 00:09:39,320 --> 00:09:39,800 Speaker 2: Like an excuse. 172 00:09:39,840 --> 00:09:40,000 Speaker 4: To me. 173 00:09:40,040 --> 00:09:41,760 Speaker 1: It just kind of feels like an excuse to act 174 00:09:41,800 --> 00:09:46,439 Speaker 1: like a And in some cases, I think that's what 175 00:09:46,480 --> 00:09:50,160 Speaker 1: it is. In other cases, I think that people believe 176 00:09:50,320 --> 00:09:53,240 Speaker 1: they're pursuing brilliance or whatever, like I'm really going to 177 00:09:53,320 --> 00:09:56,960 Speaker 1: capture this thing. But if that's what it takes, then 178 00:09:56,960 --> 00:10:02,280 Speaker 1: I you can go I don't need your brilliance. That's 179 00:10:02,360 --> 00:10:05,800 Speaker 1: what That's what it did, and I will I'm going 180 00:10:05,880 --> 00:10:08,440 Speaker 1: to say here, like actors of all schools can be. 181 00:10:09,440 --> 00:10:12,240 Speaker 1: I know this is true. It's not just method actors. 182 00:10:12,559 --> 00:10:16,120 Speaker 1: People who are just famous can be. People have liked 183 00:10:16,160 --> 00:10:20,840 Speaker 1: that I'm an artiste vibe can be. But I don't know, 184 00:10:20,880 --> 00:10:24,719 Speaker 1: there's something about like I was reading the examples in 185 00:10:24,760 --> 00:10:28,360 Speaker 1: that BuzzFeed article about how people have done this, this 186 00:10:28,520 --> 00:10:32,280 Speaker 1: just sounds like a check to me right right. 187 00:10:32,760 --> 00:10:36,000 Speaker 4: I mean also there's a crossover to where they really 188 00:10:36,080 --> 00:10:39,320 Speaker 4: say this is for film, and it's so much like 189 00:10:39,440 --> 00:10:41,880 Speaker 4: the Last Tango. I was trying to remember which movie was, 190 00:10:41,880 --> 00:10:46,000 Speaker 4: which was Marlon Brando and they assault a woman on 191 00:10:46,640 --> 00:10:50,600 Speaker 4: camera and the director and Marlon Brando the director being 192 00:10:51,440 --> 00:10:53,600 Speaker 4: cause I don't want to just leave one predator name 193 00:10:53,640 --> 00:10:58,560 Speaker 4: out being Bernardo Bortolucci. They hadn't made this plan not 194 00:10:58,679 --> 00:11:00,800 Speaker 4: to tell her what was going to happened in order 195 00:11:00,840 --> 00:11:05,480 Speaker 4: to get her real quote reactions in order to her 196 00:11:05,600 --> 00:11:09,080 Speaker 4: essentially and the fact that that case is so infamous 197 00:11:09,520 --> 00:11:12,079 Speaker 4: that no, and the two of them are still like revered, 198 00:11:12,240 --> 00:11:15,640 Speaker 4: Marlon Brando and Bortolucci really are just still revered. I 199 00:11:15,640 --> 00:11:19,240 Speaker 4: think the conversation has gotten bigger about it and understanding, 200 00:11:19,280 --> 00:11:22,680 Speaker 4: but like that level of it, like it becomes it 201 00:11:22,720 --> 00:11:25,520 Speaker 4: needs to be real conversation, which takes it to the 202 00:11:25,559 --> 00:11:26,760 Speaker 4: point of like why. 203 00:11:26,600 --> 00:11:31,240 Speaker 3: What what what for you? Why? Why does what is 204 00:11:31,280 --> 00:11:32,040 Speaker 3: it doing for you? 205 00:11:32,120 --> 00:11:34,520 Speaker 4: That you need this to happen in this route and 206 00:11:34,559 --> 00:11:37,320 Speaker 4: it's giving you a thrill and that you really want 207 00:11:37,320 --> 00:11:38,280 Speaker 4: to have it on camera. 208 00:11:38,800 --> 00:11:40,400 Speaker 3: And I think the same thing with like. 209 00:11:40,960 --> 00:11:44,440 Speaker 4: The shining with the shining and how they tortured fall 210 00:11:44,600 --> 00:11:46,640 Speaker 4: like they tortured her because she wasn't. 211 00:11:46,480 --> 00:11:48,920 Speaker 3: Quote unquote real enough in her reaction, Like. 212 00:11:48,920 --> 00:11:52,960 Speaker 4: It's such a way that it is white men wanting 213 00:11:52,960 --> 00:11:53,760 Speaker 4: to torture women. 214 00:11:54,640 --> 00:11:59,360 Speaker 1: Yeah, And one of the examples the BuzzFeed article gave 215 00:11:59,520 --> 00:12:02,320 Speaker 1: was I never heard of this. I've never seen this movie, 216 00:12:02,600 --> 00:12:06,160 Speaker 1: but it was Meryl Streep and Dustin Hoffman. Apparently Dustin 217 00:12:06,200 --> 00:12:10,000 Speaker 1: Hoffman slapped her in a scene and it wasn't he 218 00:12:10,040 --> 00:12:11,640 Speaker 1: wasn't supposed to, and he said he did it to 219 00:12:11,800 --> 00:12:15,160 Speaker 1: like get her in character. Meryl Streep is one more 220 00:12:15,240 --> 00:12:19,320 Speaker 1: Oscars than like anyone. You tell me you need to 221 00:12:19,360 --> 00:12:20,760 Speaker 1: get her in character. 222 00:12:21,640 --> 00:12:24,440 Speaker 3: No, they hate each other, right? 223 00:12:24,720 --> 00:12:29,200 Speaker 4: Did I feel like they really like disliked each other 224 00:12:29,240 --> 00:12:31,520 Speaker 4: and never wanted to work with each other again with 225 00:12:31,760 --> 00:12:35,160 Speaker 4: relevance to things like that, Maybe I look it up 226 00:12:35,160 --> 00:12:37,760 Speaker 4: before I'm missing I present myself here. 227 00:12:38,800 --> 00:12:42,679 Speaker 1: But the director apparently told Meryl Streeplake, I'm sorry you 228 00:12:42,720 --> 00:12:45,160 Speaker 1: didn't need that, and she like nailed this scene, and 229 00:12:45,200 --> 00:12:48,080 Speaker 1: she nailed the scene and as she would have, right, 230 00:12:48,440 --> 00:12:51,960 Speaker 1: And so it's just so like you made it about 231 00:12:52,040 --> 00:12:56,160 Speaker 1: you and you belittled her at the same time, and 232 00:12:56,400 --> 00:12:57,400 Speaker 1: you hit her. 233 00:12:58,280 --> 00:13:00,480 Speaker 4: Apparently he's abused her a lot. But that's a first 234 00:13:00,559 --> 00:13:06,120 Speaker 4: literal quote that I see from a headline, because it 235 00:13:06,240 --> 00:13:09,080 Speaker 4: wasn't the only time. Doesn't Hoffin allegedly abused Meryl Streep 236 00:13:09,400 --> 00:13:12,240 Speaker 4: And this was from screen rant. So like the fact 237 00:13:12,280 --> 00:13:15,560 Speaker 4: that he continue to do that to this woman, who 238 00:13:15,600 --> 00:13:18,680 Speaker 4: I think had already been nominated for things. She even 239 00:13:18,720 --> 00:13:20,640 Speaker 4: those is one of her earlier films. 240 00:13:21,040 --> 00:13:23,760 Speaker 1: Yeah, well that's the thing. I don't even know if 241 00:13:23,760 --> 00:13:25,320 Speaker 1: he know he was on that list. He is a 242 00:13:25,320 --> 00:13:25,839 Speaker 1: method actor. 243 00:13:27,679 --> 00:13:31,040 Speaker 2: I just it feels like so much of it is. 244 00:13:32,520 --> 00:13:35,079 Speaker 1: It is causing harm to someone else, and then you're 245 00:13:35,120 --> 00:13:38,120 Speaker 1: taking credit for like I'm sure probably in private conversations 246 00:13:38,160 --> 00:13:40,920 Speaker 1: he said, you know, I made Meryl Streep who she is, 247 00:13:41,280 --> 00:13:45,320 Speaker 1: Like I was the one she complains about it, but I, 248 00:13:45,720 --> 00:13:50,040 Speaker 1: by doing this right helps her get further. And we've 249 00:13:50,080 --> 00:13:53,000 Speaker 1: even talked about it with Bridgett, like the is it 250 00:13:53,000 --> 00:13:57,680 Speaker 1: Evan rachel Wood the music video? And I was thinking 251 00:13:57,720 --> 00:14:02,199 Speaker 1: about it too, because I was lying awake as I 252 00:14:02,360 --> 00:14:04,680 Speaker 1: want to do, and I'm wrestling with these topics, and 253 00:14:04,720 --> 00:14:07,400 Speaker 1: I was thinking about the audition process and I was like, 254 00:14:07,440 --> 00:14:11,320 Speaker 1: did Jared leto who again was in that movie for 255 00:14:11,400 --> 00:14:15,680 Speaker 1: ten minutes. Did he start the method acting for the 256 00:14:15,760 --> 00:14:18,880 Speaker 1: audition or did he start it after, Because if you 257 00:14:19,160 --> 00:14:21,240 Speaker 1: did the audition you got the part, then I think 258 00:14:21,840 --> 00:14:23,280 Speaker 1: you've already proven you can do it. 259 00:14:23,320 --> 00:14:26,120 Speaker 2: I don't think you need this method. I don't know. 260 00:14:26,160 --> 00:14:29,840 Speaker 2: Maybe he was doing it before, but like I just don't. 261 00:14:29,680 --> 00:14:33,160 Speaker 3: Bad actor, maybe he needs it. There's a few that's 262 00:14:33,280 --> 00:14:34,360 Speaker 3: like you, genuinely good. 263 00:14:34,400 --> 00:14:35,080 Speaker 2: He don't need this. 264 00:14:35,440 --> 00:14:38,640 Speaker 3: Maybe Jared Letto from These Infamous. 265 00:14:38,200 --> 00:14:47,240 Speaker 4: Times, Robby Jordan, Catilano, Catalana anyway needed can't do it 266 00:14:47,280 --> 00:14:51,040 Speaker 4: without it, especially for a thirty second like preview, because 267 00:14:51,280 --> 00:14:54,680 Speaker 4: he has that baseless in acting. 268 00:14:55,240 --> 00:14:57,200 Speaker 3: They doesn't even about to get attacked on't I mate? 269 00:14:57,280 --> 00:14:59,520 Speaker 1: I'm just why I tell you we're ruffling some actor 270 00:14:59,520 --> 00:15:00,320 Speaker 1: feathers right now. 271 00:15:11,240 --> 00:15:15,360 Speaker 4: Philip Seymour Hoffmann, who was also an infamous method actor. 272 00:15:15,800 --> 00:15:19,400 Speaker 3: He was genuinely great. He was genuinely great. 273 00:15:19,840 --> 00:15:21,960 Speaker 4: I don't know if he needed it again like that 274 00:15:22,160 --> 00:15:24,120 Speaker 4: kind of goes to that same level. 275 00:15:25,520 --> 00:15:25,880 Speaker 3: I don't know. 276 00:15:25,880 --> 00:15:28,000 Speaker 4: Maybe it's that introvert thing, because he was an introvert. 277 00:15:28,040 --> 00:15:30,520 Speaker 4: I think for the most part that really felt like 278 00:15:31,200 --> 00:15:34,800 Speaker 4: his craft came from all the emotions. I'm assuming these 279 00:15:34,800 --> 00:15:37,200 Speaker 4: are like things that I've seen as at an alleged 280 00:15:38,080 --> 00:15:43,520 Speaker 4: so maybe that's the different level. But like again, there's 281 00:15:43,560 --> 00:15:48,520 Speaker 4: nothing about Jared Leto's performances and any performances that I'm like, oh, yeah, 282 00:15:48,520 --> 00:15:51,160 Speaker 4: he's so great unless. 283 00:15:50,840 --> 00:15:52,480 Speaker 3: He has to be, unless he can be extreme. 284 00:15:53,360 --> 00:15:57,400 Speaker 1: That's interesting because I wonder if I did think about 285 00:15:57,400 --> 00:15:59,840 Speaker 1: this too, because I was wondering if there's some level 286 00:15:59,840 --> 00:16:05,360 Speaker 1: of insecurity around it of like I want I when 287 00:16:05,360 --> 00:16:09,000 Speaker 1: the critics come when the awards season rolls around, I 288 00:16:09,040 --> 00:16:11,640 Speaker 1: want them to know I lived in the the winter 289 00:16:11,840 --> 00:16:18,040 Speaker 1: tundra to prepare like quote dedication I put into this 290 00:16:18,240 --> 00:16:22,760 Speaker 1: role and this character, which again we've talked about this before. 291 00:16:22,920 --> 00:16:29,359 Speaker 1: I think it was in our Intimacy Coordinator episode. But personally, 292 00:16:31,520 --> 00:16:35,480 Speaker 1: if you're a good actor, then that doesn't really necessarily 293 00:16:36,680 --> 00:16:39,480 Speaker 1: factor into what I'm thinking, and in fact, it might 294 00:16:39,600 --> 00:16:43,520 Speaker 1: take me out performance. Like I'm not sitting there thinking, oh, wow, 295 00:16:44,760 --> 00:16:49,000 Speaker 1: they definitely lived in the winter dundrum. 296 00:16:50,560 --> 00:16:51,040 Speaker 2: I don't know. 297 00:16:51,720 --> 00:16:53,360 Speaker 1: Like so, I wonder if there's some kind of thing 298 00:16:53,680 --> 00:16:55,520 Speaker 1: I've been guilty of this too, where you want to 299 00:16:55,600 --> 00:16:58,440 Speaker 1: prove when the critics come at you like but I 300 00:16:58,440 --> 00:17:00,520 Speaker 1: did all this research though, like I at all this. 301 00:17:01,840 --> 00:17:07,480 Speaker 2: I think research is good. It's the it's the kind 302 00:17:07,520 --> 00:17:10,320 Speaker 2: of unhingedness, unhinedness. 303 00:17:10,880 --> 00:17:16,480 Speaker 1: Yes, I clearly have strong thoughts about this of making 304 00:17:16,640 --> 00:17:25,040 Speaker 1: everyone else uncomfortable and putting like yourself, your performance before everything, 305 00:17:25,080 --> 00:17:27,520 Speaker 1: because in a good I think in a good movie 306 00:17:27,600 --> 00:17:32,480 Speaker 1: or a good production, everyone's working together in a way, 307 00:17:32,560 --> 00:17:35,040 Speaker 1: and sometimes somebody is such a good actor a method 308 00:17:35,119 --> 00:17:38,720 Speaker 1: or not that you are scared of them because they're 309 00:17:38,720 --> 00:17:40,560 Speaker 1: doing so well and you don't hang out, but you 310 00:17:40,680 --> 00:17:44,520 Speaker 1: still work together really well. Right, you know this isn't 311 00:17:44,560 --> 00:17:45,800 Speaker 1: actually going to kill me. 312 00:17:46,400 --> 00:17:50,080 Speaker 4: Well, like as I'm looking at Jared Leto's like list, 313 00:17:50,480 --> 00:17:53,800 Speaker 4: like he played a serial killer. I don't know any 314 00:17:53,800 --> 00:17:55,480 Speaker 4: of his films, and he did get several awards, so 315 00:17:55,480 --> 00:17:56,639 Speaker 4: people are probably mad at me. 316 00:17:56,880 --> 00:17:57,680 Speaker 3: Like he is a great actor. 317 00:17:57,720 --> 00:17:59,240 Speaker 4: I think he's a great actor when he has someplace 318 00:17:59,280 --> 00:18:02,879 Speaker 4: of extreme like that's different when it's drama drama versus 319 00:18:02,920 --> 00:18:06,920 Speaker 4: like actual minute like detailed acting, that's different, I say, 320 00:18:06,960 --> 00:18:10,719 Speaker 4: as non actor. But like, yeah, he won for Dallas 321 00:18:10,720 --> 00:18:13,200 Speaker 4: Buyers Club. I remember he played a trans woman, which 322 00:18:13,240 --> 00:18:15,680 Speaker 4: spruffled a lot of feathers because he's not a trans woman, 323 00:18:15,720 --> 00:18:19,080 Speaker 4: So how did he method act for that? You know 324 00:18:19,160 --> 00:18:21,280 Speaker 4: what I mean? Like there's a whole biting he there's 325 00:18:21,320 --> 00:18:24,919 Speaker 4: nowhere in life, ever, ever, ever that he can understand 326 00:18:25,400 --> 00:18:29,280 Speaker 4: what a trans woman has been, and so like there's 327 00:18:29,320 --> 00:18:31,480 Speaker 4: a lot of questions in his method and when he 328 00:18:31,520 --> 00:18:33,760 Speaker 4: wants to be method and how deep of a method 329 00:18:33,840 --> 00:18:36,200 Speaker 4: actor he wants to be. I say, this really may 330 00:18:36,520 --> 00:18:38,000 Speaker 4: really just don't like Jared Letto apparently. 331 00:18:38,040 --> 00:18:38,639 Speaker 3: I'm sorry that. 332 00:18:40,480 --> 00:18:43,200 Speaker 2: His autograph. I had a huge crush on him when I. 333 00:18:43,160 --> 00:18:48,560 Speaker 4: Was when he was acting like Emo, like Emo man 334 00:18:49,080 --> 00:18:52,720 Speaker 4: young who wasn't creepy and all the other things. 335 00:18:53,080 --> 00:18:55,840 Speaker 1: Yeah, And I want to say, like, when I think 336 00:18:55,880 --> 00:18:59,240 Speaker 1: about I've done some acting, and when I think about why, 337 00:18:59,240 --> 00:19:02,600 Speaker 1: I like it. I like imagining things and I like 338 00:19:03,160 --> 00:19:09,360 Speaker 1: but I feel like I would never ever maybe part 339 00:19:09,359 --> 00:19:11,720 Speaker 1: of his conditioning as a woman, I don't I wouldn't 340 00:19:11,760 --> 00:19:13,640 Speaker 1: want to make people so uncomfortable. 341 00:19:13,920 --> 00:19:15,080 Speaker 2: I wouldn't want to do. 342 00:19:16,560 --> 00:19:17,040 Speaker 3: Like that. 343 00:19:17,840 --> 00:19:20,240 Speaker 1: And I think there's a health thing too, where you 344 00:19:20,280 --> 00:19:22,920 Speaker 1: can be like, Okay, let me turn this off for now. 345 00:19:23,160 --> 00:19:26,919 Speaker 1: It's a stressful role. I'll be better if I can 346 00:19:27,080 --> 00:19:29,439 Speaker 1: like recharge. I know some people will argue with me, 347 00:19:29,520 --> 00:19:35,199 Speaker 1: But I just don't I get the sentiment of I 348 00:19:35,240 --> 00:19:37,399 Speaker 1: want to really get in the mindset of this per se. 349 00:19:37,920 --> 00:19:40,920 Speaker 1: But I also don't think that's a super healthy thing 350 00:19:41,000 --> 00:19:46,080 Speaker 1: to just do it and completely erase yourself and not 351 00:19:46,119 --> 00:19:48,320 Speaker 1: think about it anybody else anyway. 352 00:19:48,480 --> 00:19:50,760 Speaker 4: I mean again, I think I'm going back way back 353 00:19:50,800 --> 00:19:54,080 Speaker 4: to like because there has been a big conversation just 354 00:19:54,080 --> 00:19:57,000 Speaker 4: because the woman may not be enacting doesn't mean it's 355 00:19:57,040 --> 00:20:00,320 Speaker 4: not something that's questioned by society because as a person 356 00:20:00,359 --> 00:20:02,560 Speaker 4: on the outside, For me, I've heard people talking about this, 357 00:20:02,640 --> 00:20:05,600 Speaker 4: We've had people have had this conversation about it's method 358 00:20:05,640 --> 00:20:08,600 Speaker 4: acting healthy. I think again, like people like Philip Seymour 359 00:20:08,600 --> 00:20:12,480 Speaker 4: Hoffman who died of drug overdose. Like in general, to 360 00:20:12,600 --> 00:20:17,720 Speaker 4: be famous and to be in that world alone is stressful. Yeah, 361 00:20:17,800 --> 00:20:20,760 Speaker 4: So to like have that other layer of like you 362 00:20:20,840 --> 00:20:23,440 Speaker 4: want these deep, dark dramas that really get your name 363 00:20:23,480 --> 00:20:27,439 Speaker 4: out there, which is a lot of like conversation. I 364 00:20:27,480 --> 00:20:30,000 Speaker 4: think in the acting world, maybe I'm wrong, like big break, 365 00:20:30,000 --> 00:20:33,680 Speaker 4: and often that big break is something controversial and that 366 00:20:33,800 --> 00:20:36,600 Speaker 4: I can't imagine what kind of toll like just listening 367 00:20:36,640 --> 00:20:38,600 Speaker 4: to people talk about I had to listen to this 368 00:20:38,680 --> 00:20:39,600 Speaker 4: one type of music. 369 00:20:39,640 --> 00:20:41,360 Speaker 3: In order to get me into this dark place. 370 00:20:41,119 --> 00:20:43,400 Speaker 4: I had to think about these deaths and to get 371 00:20:43,440 --> 00:20:46,000 Speaker 4: to me get to this dark place like these things, 372 00:20:46,080 --> 00:20:48,040 Speaker 4: or I had to go through my childhood trauma to 373 00:20:48,119 --> 00:20:52,080 Speaker 4: get Like could not imagine living in that for six 374 00:20:52,119 --> 00:20:54,959 Speaker 4: months to a year saying that I can't let this 375 00:20:55,040 --> 00:20:58,320 Speaker 4: go or I'm going to fail in this and that 376 00:20:58,600 --> 00:21:01,160 Speaker 4: in my career. Like there's so many layers to that 377 00:21:01,160 --> 00:21:04,280 Speaker 4: that you have to have, like a real conversation about 378 00:21:04,280 --> 00:21:08,240 Speaker 4: what is worth sacrificing forum entertainment. 379 00:21:08,960 --> 00:21:12,440 Speaker 1: Yeah, yeah, And you know, we do see a lot 380 00:21:12,480 --> 00:21:19,280 Speaker 1: of unfortunate early deaths in in celebrities, and it's just 381 00:21:21,040 --> 00:21:26,320 Speaker 1: people harmed. I mean people harmed and not just method acting. 382 00:21:26,480 --> 00:21:28,240 Speaker 1: I mean one time I did a scene once with 383 00:21:28,400 --> 00:21:30,760 Speaker 1: somebody I'm supposed to be pushing and the next day 384 00:21:30,760 --> 00:21:32,040 Speaker 1: I found out he had all spruce it. 385 00:21:32,920 --> 00:21:33,800 Speaker 2: I still think about it. 386 00:21:33,840 --> 00:21:39,399 Speaker 1: I feel so bad about But like those things, I 387 00:21:39,440 --> 00:21:42,520 Speaker 1: don't know, I just I got a lot of thoughts 388 00:21:42,520 --> 00:21:44,000 Speaker 1: about it, clearly. 389 00:21:44,560 --> 00:21:47,399 Speaker 3: So maybe we'll come back to talk about with it, 390 00:21:47,560 --> 00:21:48,680 Speaker 3: to be honest. 391 00:21:48,680 --> 00:21:50,720 Speaker 1: Well maybe we'll come back and do a full episode 392 00:21:50,720 --> 00:21:53,080 Speaker 1: on it and not just my rants. 393 00:21:53,240 --> 00:21:56,400 Speaker 4: Uh, but apologies to all the Jared Leto lovers. 394 00:21:56,440 --> 00:21:58,960 Speaker 3: Apparently I really don't like him. I don't know why 395 00:21:59,200 --> 00:22:01,919 Speaker 3: it came out. I know I did. I was like 396 00:22:02,080 --> 00:22:04,320 Speaker 3: this go bad. 397 00:22:04,359 --> 00:22:05,119 Speaker 2: He's the joker. 398 00:22:07,520 --> 00:22:09,920 Speaker 1: Well, listeners, if you have any thoughts about this, please 399 00:22:09,960 --> 00:22:12,719 Speaker 1: let us know. You can email us at Hello at 400 00:22:12,720 --> 00:22:14,119 Speaker 1: Stuffwenever Told You dot com. 401 00:22:14,280 --> 00:22:14,919 Speaker 2: You can find us on. 402 00:22:14,920 --> 00:22:17,520 Speaker 1: Blue Sky at mom stuf podcast, on Instagram and TikTok 403 00:22:17,520 --> 00:22:18,600 Speaker 1: at stuff We've Never Told You. 404 00:22:19,200 --> 00:22:20,280 Speaker 2: We're also on YouTube. 405 00:22:20,400 --> 00:22:21,800 Speaker 1: We have a tea Felt store, and we have a 406 00:22:21,840 --> 00:22:23,720 Speaker 1: book you can get where you get your books. Thanks 407 00:22:23,720 --> 00:22:25,800 Speaker 1: as always here a super produced Christina or executive producer 408 00:22:25,880 --> 00:22:27,040 Speaker 1: My and your contributor Joey. 409 00:22:27,200 --> 00:22:29,439 Speaker 2: Thank you and thanks to you for listening. Stuff Will 410 00:22:29,440 --> 00:22:30,680 Speaker 2: Never Told You production by Heart Radio. 411 00:22:30,720 --> 00:22:32,239 Speaker 1: For more podcast on my heart Radio, you can check 412 00:22:32,240 --> 00:22:34,040 Speaker 1: out the heart Radio app, Apple Podcasts, or where you 413 00:22:34,080 --> 00:22:35,439 Speaker 1: listen to your favorite shows