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Speaker 1: What's up with Angela Yee? I'm Angela Ye. Jasmine from

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Speaker 1: the Jasmine brand dot Com is here. Yes, and look

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Speaker 1: one of my favorite groups of all time is here.

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Speaker 1: Tony Tony Tony in the building.

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Speaker 2: Yes, thank you well.

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Speaker 1: No, thank you guys for coming. Honestly, Like when my

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Speaker 1: friend Teresa, who is your publicist, hit me up, I

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Speaker 1: was like, please can I get them in person when

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Speaker 1: you guys come into town. So I'm really honored to

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Speaker 1: have y'all here for real.

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Speaker 3: I always wanted to say your name like Angela Yee.

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Speaker 2: Show.

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Speaker 3: I always try to always try to like say the opening, Okay,

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Speaker 3: I try to like kind of just say but Angela.

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Speaker 3: The thing was the one, the last one I had

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Speaker 3: to like because that's when they said the longest.

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Speaker 4: Ye love that right, Yeah, that's like you said.

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Speaker 1: And I got my Yee hoodies from mister fab too.

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Speaker 1: And I've been to History. Yeah, I had a good time.

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Speaker 1: And y'all when when I was in Oakland, we did

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Speaker 1: my podcast live and we actually went there, and let

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Speaker 1: me tell you, you guys are wild in Oakland.

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Speaker 2: It's a different today.

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Speaker 1: Yeah, It's true.

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Speaker 2: Wild were definitely off the grid, but we.

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Speaker 3: Definitely from there. We definitely like hood Raise and East

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Speaker 3: from the Deep East, you know, and we loved it.

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Speaker 3: But damn you guys, you have some hoodies made.

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Speaker 1: There well, no, actually missed. The fab has a store

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Speaker 1: and the hoodies say ye because it's just a regular phrase.

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Speaker 5: Yeah, it's a regular phrase dope.

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Speaker 2: But is a phrase hot?

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Speaker 5: Can you use it in a sense?

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Speaker 2: Yeah, I mean.

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Speaker 1: It's just like ye, yeah, when he drinks his coffee this.

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Speaker 1: But look, it's interesting because y'all are so sweet too,

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Speaker 1: and that's the way I look at it. And I

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Speaker 1: know you guys have collaborated and worked with you know,

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Speaker 1: too Short Tupac everything, but just your music in particular,

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Speaker 1: it's just very like I remember, first of all, it

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Speaker 1: feels good. That song always reminds me of when I

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Speaker 1: first moved to Jersey. It was my first day of

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Speaker 1: school in a brand new school. I didn't know anybody,

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Speaker 1: and the teachers were on strike, so we had to

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Speaker 1: sit in one room the whole day. And the girl

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Speaker 1: that I met in that room, the first person, Jammel,

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Speaker 1: who's one of my best friends to this day. She

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Speaker 1: was like, there was nothing to do because the teachers

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Speaker 1: were on strike. She gave me her one headphone and

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Speaker 1: she was like, you want to listen to Tony Tony

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Speaker 1: Tony with me? And we sat there. It was like

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Speaker 1: a cassette tape and we were listening to the Tony

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Speaker 1: Tony Tony album together. That's always why that song reminds

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Speaker 1: me of the first day that I moved to New Jersey.

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Speaker 6: That's interesting that your songs have remind people of certain moments.

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Speaker 6: You all created these songs. Does that song, when do

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Speaker 6: you think of that song? What does that song remind

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Speaker 6: you of?

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Speaker 5: It feels good, it feels good? What is that? What

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Speaker 5: does that song remind you? Guys?

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Speaker 3: I think I think it's just just I think it

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Speaker 3: was figuring out, figuring out our way to like making

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Speaker 3: a record, a hit record. It was I think it

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Speaker 3: was the second album?

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Speaker 2: Was it second?

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Speaker 7: So?

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Speaker 3: I think the first album we didn't produce it to

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Speaker 3: get We produced it with Danny and Tony, which is

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Speaker 3: our best friends to this day. They ad to our boys.

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Speaker 3: The second album was on us, So I think we

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Speaker 3: were just just going through it, like what what could

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Speaker 3: be a single? We got a deal and we gotta

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Speaker 3: make this. This has to be a big deal. Whatever

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Speaker 3: this record is. So I don't think we had I

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Speaker 3: had time to enjoy any of it, any of it.

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Speaker 3: I think I just was like, oh, we just can't

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Speaker 3: be whack on the second. I think that's that's all

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Speaker 3: I was thinking about.

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Speaker 1: Really, we're trying to make some numbers.

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Speaker 3: Yeah, we're trying to we're trying to get out here

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Speaker 3: again on this tour. But when it came out and

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Speaker 3: people start, you know, I feel that one kind of

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Speaker 3: slid by. I think later on we started doing like

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Speaker 3: it never rains and whatever you want. I think that's

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Speaker 3: when we started falling into like.

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Speaker 1: Your groove, right, what are you gonna say? Yeah? And

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Speaker 1: I think people also always think they have to do

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Speaker 1: a fastest song first, right, because they always say, like

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Speaker 1: for radio, when you know with the BPM's, like fastest

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Speaker 1: songs play more on the radio than slower songs.

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Speaker 3: Not what I did do for Ready, it was I

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Speaker 3: heard like, you make the intro long so they can.

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Speaker 5: Talk into the song.

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Speaker 3: Were talking to the song. So that's why I made

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Speaker 3: the record long in the beginning, so DJs could talk

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Speaker 3: into the record talking to.

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Speaker 4: Who gave us that game? That was Denny from Foster

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Speaker 4: mckil roy. I remember him saying and get some space

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Speaker 4: in the intro so they can talk. So we learned

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Speaker 4: a lot on the first album. The second album is

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Speaker 4: the one we wrote and produced, and we didn't really

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Speaker 4: know how to write. We were just having fun, so

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Speaker 4: everything came together organic.

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Speaker 1: It worked out.

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Speaker 4: Oh yeah, you know, thirty seven years we're still here.

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Speaker 1: Doing something right now. Listen, But you guys, this is

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Speaker 1: the first time you've been on tour in twenty five

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Speaker 1: years as Tony Tony Tony the original members of the group. Yes,

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Speaker 1: so you know, and this has been a long time

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Speaker 1: coming because I feel like you guys have discussed it now. Listen.

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Speaker 1: Raphaelsa Dick when you came on the Breakfast Club people

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Speaker 1: you know, and I want to hear what your guys

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Speaker 1: reaction was to that interview when he first did it

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Speaker 1: on the Breakfast Club because there were some feathers rough

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Speaker 1: what what did what did you say?

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Speaker 3: Well, it wasn't it wasn't ruffled from their side. I

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Speaker 3: just kind of like, I know, you guys are gonna

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Speaker 3: ask me something controversial anyway, You're gonna let me get

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Speaker 3: away without saying something dirty. So I was like, but

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Speaker 3: they asked me about who was the guy was singing,

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Speaker 3: and as the time, I just didn't like, I really

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Speaker 3: felt like I should.

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Speaker 2: Be saying his name said nobody.

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Speaker 5: I say, no, no, no, no, they came out of

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Speaker 5: came out of what.

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Speaker 2: He asked me.

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Speaker 3: Was he asked me? He said like, how do they

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Speaker 3: tour without you? And who is this guy? And I

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Speaker 3: should have answered that a little different. But what I

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Speaker 3: meant by nobody not was he was not a nobody

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Speaker 3: as a person. I meant that he was a nobody

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Speaker 3: like in this group because he wasn't a part of

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Speaker 3: any of the writing songs. He didn't he didn't do

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Speaker 3: anything I was as a man. I wasn't saying he

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Speaker 3: wasn't nobody. What kind of came out wrong with this policy?

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Speaker 2: Right now?

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Speaker 3: Yeah? But no, no, no no, But I mean what

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Speaker 3: I said he was. He was like, okay, let me

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Speaker 3: get back on my ship. He was nobody in this group.

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Speaker 3: He didn't play, he can't write, he didn't play guitar,

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Speaker 3: he don't play no instrument.

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Speaker 5: In the group.

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Speaker 3: Episode to be back on my shit, it wasn't nobody

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Speaker 3: to this group. I'm somebody this group. You know what

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Speaker 3: I mean? He's somebody, he's somebody to this group. And

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Speaker 3: that's what I said.

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Speaker 4: We started out just not even as a group. It's

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Speaker 4: just family did as us chairman at the house in

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Speaker 4: the room and didn't.

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Speaker 2: Have nothing to do.

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Speaker 4: We couldn't afford to uh pay it for a spaghetti

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Speaker 4: dinner down the street back in the days when we

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Speaker 4: started doing this, So it was all about passion and

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Speaker 4: us learning each other.

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Speaker 2: And we never were like real singers.

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Speaker 4: We played behind some of the dopest singers, the Hawkins family, Tremaine.

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Speaker 2: Hawkins being out with she Le and Prince and this,

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Speaker 2: that and the other.

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Speaker 4: So we we got a chance to take what we

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Speaker 4: grew up learning in Oakland and see how to kind

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Speaker 4: of like take it to the next level. Once we

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Speaker 4: got back off the road with those people, we just

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Speaker 4: moved forward with Tony Tony and then the band situation,

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Speaker 4: all the other people that work with us. It's something

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Speaker 4: that my brother put together because in my mind it

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Speaker 4: was like we going three the hard way. It's like

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Speaker 4: him on bassed meal guitar and him on drum.

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Speaker 2: It's a rap.

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Speaker 3: We like the Black Police for seconds.

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Speaker 2: Yeah, we was trying to get it in.

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Speaker 1: And it is a family affair. How was it when

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Speaker 1: you guys, you know went your separate way is still

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Speaker 1: working on separate things. But like a family, you know

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Speaker 1: how family can talk and so it's a lot of

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Speaker 1: godsip and family like, oh yeah, he got an issue.

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Speaker 1: You know, you need to talk to him. How was

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Speaker 1: that for you guys? Was it always like friendly? You know,

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Speaker 1: there's times I haven't talked to my brother for like

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Speaker 1: a year at a time. But what was it like

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Speaker 1: for you guys?

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Speaker 3: I know, I think he was. Everybody was doing their

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Speaker 3: own thing. We've seen each other. Was always love, but

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Speaker 3: we're all so busy doing different things and having fun

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Speaker 3: at the same time. It wasn't like we had any

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Speaker 3: like bickering, okaying like that and family. Our family is

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Speaker 3: so cool. They're like, whatever they're doing, we're gonna stay

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Speaker 3: out of it. And whatever they're doing, you know, we

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Speaker 3: see him when they come home as peace. So that's

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Speaker 3: how it was pretty much.

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Speaker 2: Well, let's big family, so you.

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Speaker 1: I bet I know you guys got nephews, and.

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Speaker 3: We got sisters that fight, like you know, they pull

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Speaker 3: out twenty twos on each other. I mean, we ain't

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Speaker 3: never put those twenty.

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Speaker 2: Two That's good.

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Speaker 1: That's so fun and love each other.

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Speaker 3: We got so we got so we got I mean

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Speaker 3: they're like really nice people.

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Speaker 5: Situation.

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Speaker 3: Yeah, we got some real gangs in our family.

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Speaker 1: Now, Timothy, let's let's talk about everybody's Timothy, tim Let's

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Speaker 1: talk about everybody's individual adventures. You know, during the past

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Speaker 1: twenty five years of Tony Tony Tony, the original members

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Speaker 1: not being together, what were you up to?

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Speaker 7: I did some production and some a couple of little

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Speaker 7: scoring things.

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Speaker 3: M h.

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Speaker 2: And raising my family.

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Speaker 1: That's important.

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Speaker 3: An amazing job.

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Speaker 2: Hell yeah, dude, I'll see your name. You really did that, man,

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Speaker 2: all of the college, all doing the thing and focused.

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Speaker 3: So proudigent my model.

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Speaker 1: And how do they feel about you being on the

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Speaker 1: road now because they didn't really grow up.

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Speaker 7: It's weird because I see everybody now, like I get

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Speaker 7: these calls and like this past week, I'm getting hit

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Speaker 7: every day. So how's it Going's this? How's the shows?

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Speaker 7: I'm like, it's cool. It's cool because for me, it's

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Speaker 7: just it's back in the day, you know how it was,

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Speaker 7: so you know, now it's it's kind of like surreal

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Speaker 7: because it's been like so long. So I'm seeing us

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Speaker 7: on stage and I see like a lot of growth

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Speaker 7: in this man.

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Speaker 1: Right here, okay, on.

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Speaker 7: The stage, and how it's like wound them out there,

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Speaker 7: you know, a whole lot of screams and yells, and.

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Speaker 4: But you know your kids have never seen us all together. Yeah,

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Speaker 4: they've never seen us all together on stage.

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Speaker 2: So that's that's what's a cold trip.

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Speaker 1: Well, you know, so they've been to the show already

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Speaker 1: or not yet.

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Speaker 2: Coming the rehearsal.

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Speaker 5: They came to one rehearsal, which show they gonna come to?

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Speaker 5: Which one?

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Speaker 2: They're saying, like multiple shows?

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Speaker 1: Okay they had all Right, Now I'm Doane. I have

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Speaker 1: a message for you, but let's talk about what you've

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Speaker 1: been well her, because I know you worked with her.

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Speaker 1: She actually sent me a message. She said, tell him

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Speaker 1: I miss him and appreciate him for teaming up with

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Speaker 1: my dad and forming my first band and low key

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Speaker 1: him and my dad were my first managers slash agents.

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Speaker 2: Do something boy. She gave me a manager name.

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Speaker 4: That's something I was crazy as hell. I have to say,

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Speaker 4: I'm so thankful because every artist that I've had the

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Speaker 4: opportunity to what they may say, groom or whatever else,

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Speaker 4: I always felt like they were grooming me as a man.

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Speaker 4: You know what I mean, Because I took when I

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Speaker 4: first signed Destiny Show, I took that. It's like it

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Speaker 4: was thirteen to fourteen and my daughter was like eight

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Speaker 4: nine and stuff, and I learned how to deal with

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Speaker 4: her and certain things and stuff. And then when I

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Speaker 4: got to working with her and then Sindana and Kaylani

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Speaker 4: and all that be and my sons Dylan and Jaden

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Speaker 4: producing music. You know, I was just trying to keep

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Speaker 4: my kids around the right energy and all this sudden

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Speaker 4: they became this supergroup before my eyes, and I was

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Speaker 4: exposing them.

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Speaker 2: So if I go meet with Santana, I take me.

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Speaker 4: I want you guys see how things work out, how

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Speaker 4: it really works out on Alicia Keys. You see behind

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Speaker 4: the scenes stuff. So her now, I mean my role models.

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Speaker 4: I look at them and they keeping me focused.

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Speaker 1: That's dope.

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Speaker 4: She's doing. Like I always say, hey, follow your passion.

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Speaker 4: You'll never work a day in your life, and that

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Speaker 4: it's all about performing live.

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Speaker 2: And when I see her working, I was like, That's

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Speaker 2: what I'm talking about.

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Speaker 1: Yeah, because Destiny's Child had to be a crash course

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Speaker 1: in working with you know, cause they were, like you said,

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Speaker 1: thirteen and fourteen years old, whole.

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Speaker 2: Nother type of deal.

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Speaker 4: I've done deals with majors since you know, Sylvia Romans

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Speaker 4: first one that gave me a chance to produce some

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Speaker 4: artists from Atlanta. A X time gave me my first

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Speaker 4: production deal with Kenya Groove and all that. So I

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Speaker 4: learned how to do deals. But when it came down

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Speaker 4: to sign in a group under eighteen, it's a whole

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Speaker 4: nother business.

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Speaker 1: Jesus, I can't even imagine what that's like.

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Speaker 6: Do you already know when you work on Destiny's Child,

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Speaker 6: did you know that there were going to be these

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Speaker 6: megastars that they were dope?

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Speaker 5: You know they were dope?

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Speaker 4: First of all, I thought, you know, we were in

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Speaker 4: a time when you know, artists you could sing, But

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Speaker 4: it really was it was about a look and image

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Speaker 4: and stuff. I think it was no disrespect on It

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Speaker 4: was in Paula abdude days.

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Speaker 2: You know what I'm saying, You have to be.

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Speaker 4: A perform lived look at the whole bit. But I

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Speaker 4: knew it like these girls could sing as I hope

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Speaker 4: it works because sometimes you can see.

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Speaker 1: Too good right, and sometimes it might not work for

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Speaker 1: business reasons. It's not even just talent, you know, talent

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Speaker 1: is and everything. It's the foundation, but the.

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Speaker 4: Work ethics, the focus and being solid with your you know,

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Speaker 4: the trust in each other.

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Speaker 1: Now, Rafael, we know you've been working in television and film. Yeah,

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Speaker 1: I mean you've been doing it like Lucy Pearl came out.

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Speaker 1: You know during that time, you put out your solo

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Speaker 1: projects too, and you guys have worked on solo projects

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Speaker 1: as well. So tell us about that period of twenty

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Speaker 1: five years of not being with the band.

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Speaker 3: Was like, it was dope, No, we've been out here. No,

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Speaker 3: because we've been out here, like on my road, just

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Speaker 3: like saying it crazy and stuff kind of get all

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Speaker 3: like that's how crazy we are, like stage yeah, same thing,

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Speaker 3: like we just like crazy, super super goofy. But it

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Speaker 3: was cool. It was like I said, I was good

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Speaker 3: on my own, but I was I'm I'm always better

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Speaker 3: with him. Anything I did on my own, it was

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Speaker 3: it was good, like it was good, it worked, but

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Speaker 3: I always knew like this is this is the power,

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Speaker 3: this is where I feel most comfortable. It gave me.

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Speaker 3: I never would have been a singer, like you said,

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Speaker 3: me and him didn't sing. He'll tell anybody he know

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Speaker 3: I hated singing. I don't have nothing to do with

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Speaker 3: it crazy. You didn't like I was a bass player.

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Speaker 3: I was hide behind it. I was hiding behind the base.

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Speaker 3: It was cool. I didn't want to be the person

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Speaker 3: that to be in the crowdgo how's everybody doing. I

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Speaker 3: was so intimidated about all of that, you know, So

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Speaker 3: when we were in dance we would hire a person.

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Speaker 3: I would say. When I was of the band, I

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Speaker 3: would say, we gotta find a clown. I called it

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Speaker 3: the least a clown.

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Speaker 5: Oh my gosh, because.

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Speaker 3: That's what I should say all the time. I'm like,

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Speaker 3: we need to find a clown.

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Speaker 5: You are a character.

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Speaker 3: But that's what I meant, because they.

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Speaker 2: Could, like the supposed to be compliments.

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Speaker 3: Compliment ye to him?

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Speaker 5: You called to him?

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Speaker 1: If you called somebody a clown, doesn't it I mean?

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Speaker 3: Because they could like just a lot of things you

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Speaker 3: have to do, Yeah, to be that entertains. Why say

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Speaker 3: that you called a clown?

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Speaker 4: Like we be jamming stuff and he comes watch us

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Speaker 4: for her to do something?

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Speaker 3: He's like, or we do something with another way to

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Speaker 3: show with Roger Troutman and my father performed. He was

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Speaker 3: after the show, he looked at us and y'all ain't

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Speaker 3: clowned enough.

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Speaker 1: Okay, wow, Okay, now I understand.

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Speaker 3: Got it from right.

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Speaker 5: So you're not performing, giving enough energy.

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Speaker 3: Not entertaining.

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Speaker 1: It's going to be very interactive with the audience where

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Speaker 1: they feel like.

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Speaker 3: I'm not calling you a clown, right, saying you can

355
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Speaker 3: regulate this whole thing. Every day you got in the morning,

356
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Speaker 3: know that you got to carry this tape.

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Speaker 5: You got the clown every day, and you know.

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Speaker 1: That's a good crash course for you guys early on.

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Speaker 1: So what were those early shows like before y'all?

360
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Speaker 3: Were we we played? We opened up for Ready for

361
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Speaker 3: the World, Bobby Brown, those are huge Roger Trouton. That

362
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Speaker 3: was we opened up for Roger a couple of times,

363
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Speaker 3: and we didn't have a record deal or nothing. We

364
00:15:26,920 --> 00:15:29,120
Speaker 3: were just playing the clubs. And but Dwayne had a

365
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Speaker 3: band before he was in our band. Okay, Tim, He

366
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Speaker 3: was in a band called Alpha Omega. That was amazing.

367
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Speaker 3: It sounds like earth when it fired the commodoors and

368
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Speaker 3: they had like this where the rehearsed at it said

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Speaker 3: close rehearsal, you couldn't get in. But since I was

370
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Speaker 3: his brother, right, my father picked me up and take

371
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Speaker 3: me and I'm knocking the door. They let me in

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Speaker 3: and I just I should love walking in there and

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Speaker 3: closing the door and watching people standing outside and couldn't

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Speaker 3: come in, Like this is so cool because I'm hearing

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Speaker 3: the whole band right in front of me. But now,

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Speaker 3: but that's what I do. I try to have close

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Speaker 3: rehearsals because that's why they were good, right, because they

378
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Speaker 3: were focused because they say on the door set closed,

379
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Speaker 3: nobody could come in, but people were just standing out

380
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Speaker 3: in the hood, just standing there, watching them listening from

381
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Speaker 3: the outside.

382
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Speaker 2: In Oakland.

383
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Speaker 4: For me growing up, you know, seventies, I got a

384
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Speaker 4: chance to see slid Stone, you know what.

385
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Speaker 2: I mean, like see him.

386
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Speaker 1: I remember, you know when I used to work for D'Angelo,

387
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Speaker 1: that's who he really used to channel, was sliding the

388
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Speaker 1: Family Stone. He used to watch those videos to think

389
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Speaker 1: about his own performances.

390
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Speaker 3: Yeah, for sure, this dude.

391
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Speaker 4: You know, we lived across the street from the Firmary

392
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Speaker 4: Park and that's where the Panthers used to do their

393
00:16:42,760 --> 00:16:44,560
Speaker 4: rallies and stuff, and.

394
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Speaker 2: You know sl Stones group would be over there playing.

395
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Speaker 4: I was like seven, eighties old whatever, so I've seen

396
00:16:49,480 --> 00:16:51,320
Speaker 4: these type of things, see them walking around with the boots,

397
00:16:51,360 --> 00:16:53,360
Speaker 4: which is probably why White these boots to this day,

398
00:16:53,680 --> 00:16:56,000
Speaker 4: it's just like, you know, that's my my nikes, you

399
00:16:56,000 --> 00:16:58,480
Speaker 4: know what I'm saying. So seeing it in Larry Graham

400
00:16:58,520 --> 00:17:01,920
Speaker 4: and then you see the you see the Whispers, all

401
00:17:01,960 --> 00:17:04,480
Speaker 4: these type of groups, you know, it was a wealth

402
00:17:04,480 --> 00:17:06,639
Speaker 4: of you know, I learned how I play guitar on

403
00:17:06,640 --> 00:17:09,240
Speaker 4: the streets learning. The first thing I learned was the

404
00:17:09,320 --> 00:17:11,320
Speaker 4: guitar of Hey Joe by Jimi.

405
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Speaker 1: Hendrix Well and that you guys do definitely channel a

406
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Speaker 1: lot of that. What songs do you think, because there's

407
00:17:15,680 --> 00:17:18,000
Speaker 1: one song that I love from you guys that I

408
00:17:18,000 --> 00:17:20,199
Speaker 1: feel like doesn't get enough attention. But what songs do

409
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Speaker 1: you think from Tony Tony? Tony should have been like

410
00:17:23,040 --> 00:17:25,280
Speaker 1: you know that especial to your heart, but weren't like

411
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Speaker 1: big singles.

412
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Speaker 3: I can't keep it to myself, but I think it's

413
00:17:30,080 --> 00:17:33,600
Speaker 3: a great B side. People know it the shows, you know,

414
00:17:34,000 --> 00:17:35,960
Speaker 3: it feels like a single. I feel like if you

415
00:17:36,000 --> 00:17:38,920
Speaker 3: can make an album and the b sides are like singles,

416
00:17:38,960 --> 00:17:40,600
Speaker 3: then you did a job. I think when you make

417
00:17:40,640 --> 00:17:44,399
Speaker 3: an album, everything shouldn't be made to be a single.

418
00:17:44,800 --> 00:17:48,760
Speaker 3: It should just be you know, good and trust the

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Speaker 3: ear of the fans.

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Speaker 1: They trust them right, you know what I mean, take

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Speaker 1: the whole thing in because thinking of you. I always

422
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Speaker 1: have loved that song, like I'm always that's like one

423
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Speaker 1: of my favorite Tony Tony. So my favorite Tony Tony

424
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Speaker 1: Tony song though it's just me and you, okay here

425
00:18:03,480 --> 00:18:05,720
Speaker 1: it is, that will always be my favorite. I've said

426
00:18:05,720 --> 00:18:07,879
Speaker 1: that forever. I remember I had did like when I

427
00:18:07,880 --> 00:18:10,960
Speaker 1: worked as serious. I put together this like mixtape for

428
00:18:11,040 --> 00:18:15,040
Speaker 1: Valentine's Day and everybody, you know, everybody gave their favorite

429
00:18:15,080 --> 00:18:16,800
Speaker 1: song and I hit up like all these other artists,

430
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Speaker 1: like I remember Nicki Minaj sent one, Little Duvall sent one,

431
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Speaker 1: but mine was just me and you because I feel

432
00:18:22,240 --> 00:18:26,040
Speaker 1: like that is like the perfect romantic song, you know

433
00:18:26,400 --> 00:18:26,960
Speaker 1: for love?

434
00:18:27,480 --> 00:18:30,479
Speaker 6: Yes, is there is there a song that you were

435
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Speaker 6: surprised that you didn't think it was gonna be as

436
00:18:32,440 --> 00:18:35,879
Speaker 6: big that's like huge now or it was huge then

437
00:18:36,000 --> 00:18:36,400
Speaker 6: it was good?

438
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Speaker 5: You didn't think that was gonna be as big.

439
00:18:38,119 --> 00:18:41,080
Speaker 4: No, I mean that I went through, just went through

440
00:18:41,080 --> 00:18:43,280
Speaker 4: a lot of I know, it felt good, no fun

441
00:18:43,400 --> 00:18:47,000
Speaker 4: intended the way it came about. It wasn't like we

442
00:18:47,040 --> 00:18:50,359
Speaker 4: went in there to write the song great actionally from

443
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Speaker 4: here now he was irritated.

444
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Speaker 2: About how I used to bring a lot of people

445
00:18:53,160 --> 00:18:53,719
Speaker 2: to the studio.

446
00:18:53,800 --> 00:18:57,520
Speaker 4: But that made me feel comfortable because I gravitate towards

447
00:18:57,560 --> 00:18:59,399
Speaker 4: the energy and stuff. But the way he came up

448
00:18:59,440 --> 00:19:01,320
Speaker 4: with the hook was just off the fly, and the

449
00:19:01,400 --> 00:19:03,280
Speaker 4: beat itself went from one thing to the next.

450
00:19:03,320 --> 00:19:04,920
Speaker 2: Started out on with a t R or something.

451
00:19:05,760 --> 00:19:10,320
Speaker 3: Kind of walked into the studio with like maybe fifteen people.

452
00:19:10,440 --> 00:19:12,080
Speaker 5: That's a lot and it feels like a lot.

453
00:19:12,200 --> 00:19:14,240
Speaker 1: Definitely got a close rehearsal, doesn't.

454
00:19:14,240 --> 00:19:17,480
Speaker 3: Close all that close thing do you have. When his

455
00:19:17,560 --> 00:19:20,640
Speaker 3: younger went out the window, he came in and I

456
00:19:20,640 --> 00:19:22,879
Speaker 3: was like, they all had balloons and we were in Salcelyo.

457
00:19:23,640 --> 00:19:26,679
Speaker 3: Second album, so fresh, probably a fresh new deal. So

458
00:19:26,760 --> 00:19:29,000
Speaker 3: it's people from my neighborhood. Some of them are just

459
00:19:29,040 --> 00:19:30,520
Speaker 3: lived in the bay. I didn't know all of them.

460
00:19:30,880 --> 00:19:33,560
Speaker 3: But when they walked in, I was already in the

461
00:19:33,600 --> 00:19:36,680
Speaker 3: booth and the music was playing, and I was like, man,

462
00:19:36,720 --> 00:19:38,440
Speaker 3: I wish they would probably be another room. But I

463
00:19:38,480 --> 00:19:40,639
Speaker 3: couldn't say can you kick him out? Because then the

464
00:19:40,760 --> 00:19:42,480
Speaker 3: word was spread out he lost and he think he

465
00:19:42,600 --> 00:19:44,800
Speaker 3: is he thinking that? So I just looked and I

466
00:19:44,840 --> 00:19:47,679
Speaker 3: was like I started thinking it feels good because they

467
00:19:47,680 --> 00:19:48,720
Speaker 3: looked was having a party.

468
00:19:49,040 --> 00:19:52,280
Speaker 1: Oh see, I love when organic things like that happened.

469
00:19:52,480 --> 00:19:55,720
Speaker 1: I remember when I'm Not Rogers talks about how he

470
00:19:55,760 --> 00:19:59,960
Speaker 1: made how he made freak Out. They couldn't get it

471
00:20:00,080 --> 00:20:03,080
Speaker 1: Studio fifty four, and the song was really called funk

472
00:20:03,080 --> 00:20:05,439
Speaker 1: off because they went and they couldn't get in and

473
00:20:05,440 --> 00:20:07,240
Speaker 1: they had like a jam session afterward.

474
00:20:07,840 --> 00:20:08,199
Speaker 2: Off.

475
00:20:08,880 --> 00:20:12,679
Speaker 1: Yeah, and then I liked that freak Out.

476
00:20:13,600 --> 00:20:17,200
Speaker 6: I have a question because Angela thinks that the song

477
00:20:17,280 --> 00:20:18,000
Speaker 6: means something else.

478
00:20:18,280 --> 00:20:20,080
Speaker 1: Listen I to everybody that you may or may not be.

479
00:20:20,160 --> 00:20:22,600
Speaker 6: So my favorite song is lay your Head on My pillow.

480
00:20:24,119 --> 00:20:26,440
Speaker 6: Like I don't know the song anyway, and she says

481
00:20:26,480 --> 00:20:30,800
Speaker 6: that it means something sexual, really lay your head and like.

482
00:20:30,800 --> 00:20:31,840
Speaker 5: Just for a man.

483
00:20:32,080 --> 00:20:33,280
Speaker 1: I said, it means for him to perform.

484
00:20:34,200 --> 00:20:36,399
Speaker 5: And that's what the best means. That's what she told me,

485
00:20:36,400 --> 00:20:37,800
Speaker 5: and so I said, oh, I didn't know.

486
00:20:37,760 --> 00:20:39,720
Speaker 1: That, but it sounds good. Lay ahead on my pillow

487
00:20:39,760 --> 00:20:40,560
Speaker 1: and just relaxed.

488
00:20:40,560 --> 00:20:41,480
Speaker 5: Is that you were false?

489
00:20:42,359 --> 00:20:43,240
Speaker 1: It's against.

490
00:20:45,320 --> 00:20:46,480
Speaker 5: You're mumbling. We want to hear.

491
00:20:48,359 --> 00:20:49,440
Speaker 2: It's a thing that happened.

492
00:20:53,200 --> 00:20:55,919
Speaker 4: Remember, okay, I remember I was talking about when you

493
00:20:55,960 --> 00:20:56,919
Speaker 4: put the lyric.

494
00:20:57,600 --> 00:20:59,479
Speaker 2: Just relax, yes, and I'll say it.

495
00:21:00,040 --> 00:21:02,400
Speaker 4: I don't know about saying that you said, but that's

496
00:21:02,400 --> 00:21:03,399
Speaker 4: what you were saying when.

497
00:21:06,240 --> 00:21:08,080
Speaker 2: Okay, okay, So anyway.

498
00:21:08,119 --> 00:21:11,760
Speaker 4: The song came about I can't there's no short way

499
00:21:11,800 --> 00:21:12,239
Speaker 4: of saying it.

500
00:21:13,359 --> 00:21:15,680
Speaker 2: First of all, the keyboard on there is.

501
00:21:15,640 --> 00:21:18,200
Speaker 4: The wordlers cern, which right now has been like a

502
00:21:18,240 --> 00:21:20,640
Speaker 4: brand that the Tony's brought back to the table, which

503
00:21:20,840 --> 00:21:23,119
Speaker 4: ended up being with I would think it's part of

504
00:21:23,200 --> 00:21:27,399
Speaker 4: the whole thing that makes it kneel soul, so to speak,

505
00:21:27,440 --> 00:21:28,680
Speaker 4: because that's something that we do.

506
00:21:28,720 --> 00:21:32,359
Speaker 2: On anniversary pillow a whole lot of these songs. That

507
00:21:32,480 --> 00:21:35,800
Speaker 2: was our little weapon we bring out. But anyway, so

508
00:21:35,920 --> 00:21:36,680
Speaker 2: we were writing a song.

509
00:21:36,720 --> 00:21:38,760
Speaker 4: I mean when I brought the worldss off to his path,

510
00:21:39,000 --> 00:21:40,680
Speaker 4: it's like, man, you gotta put this keyboard on it

511
00:21:40,800 --> 00:21:41,280
Speaker 4: and such.

512
00:21:41,440 --> 00:21:44,000
Speaker 2: Everything you do, especially with the twelve hundred rum machine

513
00:21:44,080 --> 00:21:44,760
Speaker 2: is dope.

514
00:21:45,119 --> 00:21:49,800
Speaker 4: And you was laying the melody down there, and I

515
00:21:49,840 --> 00:21:51,639
Speaker 4: was playing guitar, and I started saying.

516
00:21:51,560 --> 00:21:55,640
Speaker 2: Lay your head on my pillow whatever. I kept doing

517
00:21:55,640 --> 00:21:57,879
Speaker 2: that and then we're ready with and just real last,

518
00:21:58,200 --> 00:22:02,800
Speaker 2: really last. Now we gotta put some more just relaxes,

519
00:22:02,840 --> 00:22:06,480
Speaker 2: like no, that's what you were saying, I was watch

520
00:22:06,560 --> 00:22:06,880
Speaker 2: you eat.

521
00:22:07,440 --> 00:22:10,560
Speaker 4: It's like see it is oh I remember that was

522
00:22:10,680 --> 00:22:13,720
Speaker 4: Terry first.

523
00:22:13,800 --> 00:22:15,520
Speaker 3: Is one his first ye.

524
00:22:20,160 --> 00:22:24,200
Speaker 5: Ca okay, So so Angela is right.

525
00:22:24,280 --> 00:22:27,880
Speaker 1: So it is about that pretty much. Thank you. See

526
00:22:27,960 --> 00:22:29,040
Speaker 1: h do not tell me.

527
00:22:28,960 --> 00:22:30,760
Speaker 3: That no, no, no. If you have went to the

528
00:22:30,800 --> 00:22:33,840
Speaker 3: park that says like, just relax your the girl that

529
00:22:33,880 --> 00:22:39,320
Speaker 3: knows my treasure, go down and find my plas see whatever. Yeah,

530
00:22:39,440 --> 00:22:41,120
Speaker 3: let me see where my prol is at that.

531
00:22:41,480 --> 00:22:41,680
Speaker 5: See.

532
00:22:41,840 --> 00:22:43,240
Speaker 1: So it is about that.

533
00:22:43,280 --> 00:22:45,200
Speaker 5: How you is that? How you realize what it was about.

534
00:22:45,840 --> 00:22:47,840
Speaker 4: You're not just trying to come out and say girls,

535
00:22:48,280 --> 00:22:49,560
Speaker 4: let me get it in and all nobody.

536
00:22:51,080 --> 00:22:53,240
Speaker 2: Yeahs in between the sheets.

537
00:22:53,400 --> 00:22:54,960
Speaker 3: You have brother When you have brothers in the house

538
00:22:55,080 --> 00:22:58,240
Speaker 3: and the house is small, you can't help but walk by.

539
00:22:58,240 --> 00:22:59,920
Speaker 3: When you're young and you hear something, you just stop.

540
00:23:00,240 --> 00:23:04,760
Speaker 2: Do like it was a lot of doing.

541
00:23:06,520 --> 00:23:06,720
Speaker 3: You know.

542
00:23:06,760 --> 00:23:07,679
Speaker 1: He had a band before that.

543
00:23:09,520 --> 00:23:15,320
Speaker 3: Dwayne had a van.

544
00:23:13,080 --> 00:23:14,920
Speaker 5: Had a van with a bed in it in.

545
00:23:14,880 --> 00:23:15,639
Speaker 3: The tenth grade.

546
00:23:16,200 --> 00:23:16,920
Speaker 2: It was a make sure.

547
00:23:17,119 --> 00:23:20,240
Speaker 1: It wasn't like it's a concept air mattress.

548
00:23:20,240 --> 00:23:23,440
Speaker 3: It was. It was a really nice van. It wasn't

549
00:23:23,480 --> 00:23:26,720
Speaker 3: like some tacky man. It was really nice everybody knew it.

550
00:23:26,760 --> 00:23:30,920
Speaker 3: So we have different We have different mothers, and my

551
00:23:30,920 --> 00:23:34,960
Speaker 3: mother's a super like sisters. Right. So I lived maybe

552
00:23:35,000 --> 00:23:38,480
Speaker 3: fifteen blocks from doing right, but I was always at

553
00:23:38,480 --> 00:23:40,640
Speaker 3: their house all the time, more than I was in mind.

554
00:23:41,240 --> 00:23:43,639
Speaker 3: But the guys in my neighborhood, when I will come

555
00:23:43,720 --> 00:23:47,800
Speaker 3: on there, Bro, your brother man. We was at a

556
00:23:47,840 --> 00:23:50,840
Speaker 3: club last night and Bro just drove up and took

557
00:23:50,880 --> 00:23:52,240
Speaker 3: all the girls off in his van.

558
00:23:52,400 --> 00:23:55,120
Speaker 1: Oh my god, this is always happening.

559
00:23:57,359 --> 00:23:57,879
Speaker 2: Heart beats.

560
00:23:57,960 --> 00:24:00,520
Speaker 5: It is really definitely the movie.

561
00:24:00,640 --> 00:24:02,480
Speaker 3: Then we grew up and had a record deal. Didn

562
00:24:02,560 --> 00:24:05,960
Speaker 3: Dwayne start having these like you know, uh, the vans

563
00:24:06,000 --> 00:24:08,520
Speaker 3: at the hotels have the ones the party man. So

564
00:24:08,560 --> 00:24:11,080
Speaker 3: then he will pull up to a pub and take

565
00:24:11,200 --> 00:24:14,480
Speaker 3: everybody from Oakland to San Francisco, all the girls, and

566
00:24:14,600 --> 00:24:16,520
Speaker 3: I will wake up if people call me like, Bro,

567
00:24:16,640 --> 00:24:19,920
Speaker 3: come on, your brother did it again? He took all

568
00:24:19,960 --> 00:24:21,639
Speaker 3: the baddest chicks out of the club.

569
00:24:23,840 --> 00:24:27,720
Speaker 4: Karaoke bus, carry the wireless mike. You get on there

570
00:24:27,760 --> 00:24:29,400
Speaker 4: and you can pull up and it just turned into

571
00:24:29,560 --> 00:24:30,040
Speaker 4: the party.

572
00:24:30,359 --> 00:24:32,000
Speaker 3: I didn't see. I just heard about it.

573
00:24:32,440 --> 00:24:36,080
Speaker 1: He was young. I want young, I'm playing. I'm trying

574
00:24:36,080 --> 00:24:36,560
Speaker 1: to help.

575
00:24:40,520 --> 00:24:41,320
Speaker 5: You give sneaky.

576
00:24:41,400 --> 00:24:42,240
Speaker 1: Yeah, I'm sneaky.

577
00:24:42,320 --> 00:24:45,639
Speaker 3: He gives that call me secret squirrel.

578
00:24:48,320 --> 00:24:50,680
Speaker 1: Oh man, Well, how is it feeling now? You guys

579
00:24:50,840 --> 00:24:52,080
Speaker 1: just kicked off this new tour?

580
00:24:52,240 --> 00:24:52,400
Speaker 3: Right?

581
00:24:52,680 --> 00:24:55,719
Speaker 1: So the first show was where Charlotte. It was in Charlotte.

582
00:24:55,800 --> 00:24:56,560
Speaker 1: So what was that like?

583
00:24:56,840 --> 00:25:02,399
Speaker 3: Nuts, It's pretty amazing the reception. The crowd was really

584
00:25:02,440 --> 00:25:05,600
Speaker 3: into it. We was. We was kind of surprised how

585
00:25:05,640 --> 00:25:06,920
Speaker 3: we have it set up, you know what I mean?

586
00:25:06,920 --> 00:25:09,000
Speaker 3: It was like really like we really tried hard to

587
00:25:09,000 --> 00:25:12,080
Speaker 3: come out and get people a great show. And it's

588
00:25:12,119 --> 00:25:13,840
Speaker 3: a lot of a lot of couples are coming out,

589
00:25:14,080 --> 00:25:15,600
Speaker 3: a lot of fans, a lot of day ones are

590
00:25:15,640 --> 00:25:19,200
Speaker 3: coming out, and I feel I could tell the energy

591
00:25:19,200 --> 00:25:21,040
Speaker 3: between us is really good and we could see what

592
00:25:21,080 --> 00:25:23,399
Speaker 3: we made and we could feel it from people and

593
00:25:23,400 --> 00:25:24,800
Speaker 3: it's a beautiful feeling.

594
00:25:24,920 --> 00:25:26,439
Speaker 1: And you have a new album that you guys are

595
00:25:26,440 --> 00:25:28,920
Speaker 1: working on, which makes complete sense, right, is it.

596
00:25:28,880 --> 00:25:29,680
Speaker 5: Really gonna come out?

597
00:25:29,840 --> 00:25:30,560
Speaker 3: It's gonna come out?

598
00:25:30,640 --> 00:25:31,679
Speaker 1: Yeah, do you have?

599
00:25:31,920 --> 00:25:33,760
Speaker 3: We just we didn't have time to finish an album

600
00:25:33,800 --> 00:25:35,480
Speaker 3: and do the tour. You know, that's the marketing thing.

601
00:25:35,520 --> 00:25:37,040
Speaker 3: You do an album and then you come out and

602
00:25:37,160 --> 00:25:39,320
Speaker 3: do the tour. But we want to make great albums,

603
00:25:39,320 --> 00:25:40,720
Speaker 3: so we don't want to rush it for a tour.

604
00:25:41,240 --> 00:25:42,600
Speaker 1: How much of it is done so far?

605
00:25:43,400 --> 00:25:45,879
Speaker 3: I mean it's it's really still raws a lot of

606
00:25:45,880 --> 00:25:48,840
Speaker 3: different ideas. All of us have ideas, but it's like

607
00:25:48,880 --> 00:25:50,760
Speaker 3: that's how we work. We put the ideas together and

608
00:25:50,840 --> 00:25:53,000
Speaker 3: we like put it together, form it. But this has

609
00:25:53,040 --> 00:25:55,280
Speaker 3: help because now we're motivated from a tour and we

610
00:25:55,280 --> 00:25:58,200
Speaker 3: get to see see fans, see people cheer. It always

611
00:25:58,240 --> 00:26:00,480
Speaker 3: if you go on the tour, makeing album albums all better?

612
00:26:00,640 --> 00:26:04,280
Speaker 1: Okay? And how is it when you guys because clearly,

613
00:26:04,320 --> 00:26:06,159
Speaker 1: like there's three of you, so there's decisions to be

614
00:26:06,200 --> 00:26:09,000
Speaker 1: made and you guys may not always agree, right, So

615
00:26:09,119 --> 00:26:11,000
Speaker 1: how is it when it's like one person likes something

616
00:26:11,000 --> 00:26:13,720
Speaker 1: the other person doesn't, or somebody wants to add something

617
00:26:14,000 --> 00:26:16,359
Speaker 1: and creatively, I'm sure that's not easy when you're like, no,

618
00:26:16,480 --> 00:26:17,919
Speaker 1: I like how this sounds the way I did it?

619
00:26:17,960 --> 00:26:18,600
Speaker 1: How does that work?

620
00:26:18,720 --> 00:26:22,200
Speaker 4: That's the easiest part because we all know each other's personality, okay,

621
00:26:22,280 --> 00:26:25,359
Speaker 4: And you know I may say somewhat and I may

622
00:26:25,400 --> 00:26:27,680
Speaker 4: think it's cool, and then they'll say no, it should

623
00:26:27,680 --> 00:26:28,199
Speaker 4: be something like that.

624
00:26:28,600 --> 00:26:31,840
Speaker 2: Okay, cool, because I know he knows what the key is.

625
00:26:31,840 --> 00:26:34,680
Speaker 4: But when this dude starts putting hands on the keyboard,

626
00:26:34,880 --> 00:26:37,240
Speaker 4: everything just.

627
00:26:36,480 --> 00:26:39,240
Speaker 3: Like whatever we complish pretty well.

628
00:26:39,359 --> 00:26:41,280
Speaker 4: You know, we don't step on each other's toes at all,

629
00:26:41,600 --> 00:26:44,399
Speaker 4: especially in the creative. For me on stage, it's not

630
00:26:44,440 --> 00:26:46,800
Speaker 4: even like we're performing with speaking with our instruments. I

631
00:26:46,800 --> 00:26:48,600
Speaker 4: don't even have to look over there anything I can hear,

632
00:26:48,680 --> 00:26:49,760
Speaker 4: I can tell where he's moving.

633
00:26:50,000 --> 00:26:51,880
Speaker 1: What about a live album? Would you do that too?

634
00:26:52,200 --> 00:26:55,040
Speaker 3: I thought about you know what I thought about this tour.

635
00:26:55,960 --> 00:26:59,280
Speaker 3: We might put one of these records out live shows.

636
00:26:59,040 --> 00:27:00,760
Speaker 1: Because it's like, that's an Earth went and fire? I

637
00:27:01,200 --> 00:27:02,600
Speaker 1: love what was that devotion?

638
00:27:03,160 --> 00:27:03,520
Speaker 2: Yeah?

639
00:27:03,600 --> 00:27:07,159
Speaker 3: Yeah, the Gratitude album Gratitude. Yeah, when we get together

640
00:27:07,560 --> 00:27:11,320
Speaker 3: to make music, our ideas are kind of our ideas

641
00:27:11,320 --> 00:27:14,600
Speaker 3: and everybody else's ideas, right, So if we have an idea,

642
00:27:14,640 --> 00:27:17,800
Speaker 3: we could say, remember how Maurice Whitenen did this on Gratitude,

643
00:27:17,920 --> 00:27:20,480
Speaker 3: or the Commodore did this, or the Mama's in the

644
00:27:20,520 --> 00:27:23,440
Speaker 3: Populace did this. We should try that. And nobody's gonna

645
00:27:23,440 --> 00:27:25,840
Speaker 3: say no to those legends, right if it came from

646
00:27:25,920 --> 00:27:28,040
Speaker 3: them and it's passing down to us, and that's how

647
00:27:28,080 --> 00:27:31,120
Speaker 3: we make records. All our records have been made from

648
00:27:31,240 --> 00:27:34,320
Speaker 3: all the inspirations that we had listening to Ohio Players

649
00:27:34,320 --> 00:27:37,480
Speaker 3: and hip hop and you know everything we're trying to.

650
00:27:37,880 --> 00:27:40,560
Speaker 1: Yes, that's what that That song that I thinking of

651
00:27:40,560 --> 00:27:42,680
Speaker 1: you sounds like Al Green, and I loved Al Green

652
00:27:42,720 --> 00:27:44,320
Speaker 1: and you love that song too, Yeah, I do. I

653
00:27:44,359 --> 00:27:47,119
Speaker 1: do for some I mean our Greens. I'm Still in

654
00:27:47,160 --> 00:27:49,320
Speaker 1: Love with You album is one of my favorite albums.

655
00:27:50,320 --> 00:27:54,160
Speaker 1: I'm from Brooklyn, from and Green like that. My parents

656
00:27:54,240 --> 00:27:56,800
Speaker 1: we had a lot of vinyl in the house growing up,

657
00:27:56,800 --> 00:27:59,520
Speaker 1: so I would sit downstairs and you know, working with

658
00:27:59,520 --> 00:28:01,560
Speaker 1: Sheilay like I used to love Shelley. I used to

659
00:28:01,560 --> 00:28:03,960
Speaker 1: listen to her album all the time too, And so

660
00:28:04,119 --> 00:28:06,399
Speaker 1: that's why I think with Tony Tony Tony, just the

661
00:28:06,440 --> 00:28:09,720
Speaker 1: sound of you guys, and that is like very nostalgic

662
00:28:09,760 --> 00:28:12,000
Speaker 1: for me. So that's why I'm excited, you know. And

663
00:28:12,040 --> 00:28:13,439
Speaker 1: like I said, I wanted to make sure I got

664
00:28:13,480 --> 00:28:14,639
Speaker 1: you guys all up here together.

665
00:28:14,880 --> 00:28:16,400
Speaker 3: That's a little bit I talk about on the show.

666
00:28:16,520 --> 00:28:17,960
Speaker 3: Talk about Al Green in the show.

667
00:28:19,080 --> 00:28:21,040
Speaker 1: And he has a fascinating story too. What I love

668
00:28:21,119 --> 00:28:23,120
Speaker 1: and the way you talk in the beginning of that too.

669
00:28:23,280 --> 00:28:25,000
Speaker 1: But what I love about Al Green and all those

670
00:28:25,000 --> 00:28:27,160
Speaker 1: stories and back in the day is that we didn't

671
00:28:27,200 --> 00:28:30,119
Speaker 1: have social media. You only hear like the rumors of

672
00:28:30,119 --> 00:28:33,560
Speaker 1: what happened, and everybody used to call him al Gris Green. Yeah,

673
00:28:33,560 --> 00:28:36,520
Speaker 1: and so I just feel like, you know, those periods

674
00:28:36,520 --> 00:28:38,240
Speaker 1: of time when people used to talk on records and

675
00:28:38,240 --> 00:28:40,440
Speaker 1: then we would hear about the crazy things that used

676
00:28:40,480 --> 00:28:43,200
Speaker 1: to happen, especially with women. For some reason back then,

677
00:28:43,960 --> 00:28:46,160
Speaker 1: it was just like a woman here, a woman here.

678
00:28:46,320 --> 00:28:47,560
Speaker 5: You know, I was putting us through it.

679
00:28:47,680 --> 00:28:54,880
Speaker 4: Yeah, you know, I like the the Ohio Players album comes,

680
00:28:55,520 --> 00:28:58,360
Speaker 4: you know, the one that Hunt the album Honey, remember

681
00:28:58,400 --> 00:29:01,920
Speaker 4: that that she died when they put the honey on her?

682
00:29:02,360 --> 00:29:02,720
Speaker 3: You can.

683
00:29:04,880 --> 00:29:09,840
Speaker 1: She's like, okay, well, no, I am super excited for

684
00:29:09,880 --> 00:29:12,320
Speaker 1: this and for you, Rafael, You've got a chance to

685
00:29:12,360 --> 00:29:14,800
Speaker 1: do cuff it. And that was supposed to be a

686
00:29:14,840 --> 00:29:15,840
Speaker 1: Tony Tony Tony song.

687
00:29:16,240 --> 00:29:18,920
Speaker 3: Well it was gonna be a Tony song, but I

688
00:29:18,960 --> 00:29:22,160
Speaker 3: told my friend Damien Damien Smith thought this is gonna

689
00:29:22,160 --> 00:29:26,640
Speaker 3: be a Tony song. But I think it could work

690
00:29:26,680 --> 00:29:30,000
Speaker 3: great for me because she has a billion eyeballs on her.

691
00:29:30,000 --> 00:29:34,120
Speaker 3: She's the hardest worker and the show bitch, she has

692
00:29:34,280 --> 00:29:37,040
Speaker 3: dream as a writer. You know, dream got on and

693
00:29:37,120 --> 00:29:40,160
Speaker 3: now Rogers got on it and it became a whole

694
00:29:40,200 --> 00:29:43,000
Speaker 3: different thing. You know. But the horns? Is that that

695
00:29:42,760 --> 00:29:46,720
Speaker 3: that that you know? It was uh, something I put together,

696
00:29:46,760 --> 00:29:49,560
Speaker 3: but thinking about us getting together, but we got a

697
00:29:49,560 --> 00:29:51,480
Speaker 3: lot more. You know, you gotta be able to give

698
00:29:51,480 --> 00:29:51,840
Speaker 3: it away?

699
00:29:52,240 --> 00:29:54,000
Speaker 1: Is that hard though? When you're like, this is great

700
00:29:54,040 --> 00:29:55,200
Speaker 1: for us, but it is.

701
00:29:57,320 --> 00:30:00,960
Speaker 5: Lady, that's a beautif what song is that?

702
00:30:01,360 --> 00:30:04,120
Speaker 2: That was something that you get laid out? Yeah, and

703
00:30:04,120 --> 00:30:04,880
Speaker 2: all of a sudden.

704
00:30:04,720 --> 00:30:07,600
Speaker 6: You were like, hold up, yeah, we've been beefing about

705
00:30:07,640 --> 00:30:08,400
Speaker 6: that one.

706
00:30:08,880 --> 00:30:10,680
Speaker 3: But you know, when you work with people, I like

707
00:30:10,720 --> 00:30:12,840
Speaker 3: working artists that you know that they're gonna take what

708
00:30:12,880 --> 00:30:14,560
Speaker 3: you did and take it to the next level. And

709
00:30:14,560 --> 00:30:17,480
Speaker 3: that's what That's what b did and that's what d did.

710
00:30:17,840 --> 00:30:19,600
Speaker 3: You know. So if you can work with an artist,

711
00:30:19,720 --> 00:30:22,880
Speaker 3: you know, like got Aretha Franklin, if you sing, you're

712
00:30:22,880 --> 00:30:25,000
Speaker 3: not gonna say if you sing a song and then

713
00:30:25,360 --> 00:30:28,080
Speaker 3: I sing it in Arita singer, yeah, go a different world.

714
00:30:28,720 --> 00:30:31,200
Speaker 3: So if somebody, if it wasn't a beyond it, I

715
00:30:31,280 --> 00:30:33,640
Speaker 3: was probably like, nah.

716
00:30:33,480 --> 00:30:35,760
Speaker 1: How much song does Tony Tony Tony have that has

717
00:30:35,880 --> 00:30:37,280
Speaker 1: never come out, Like you know how a lot of

718
00:30:37,280 --> 00:30:40,600
Speaker 1: times people have recorded so many records that we haven't

719
00:30:40,640 --> 00:30:43,200
Speaker 1: heard yet. But how much catalog do you guys have

720
00:30:43,280 --> 00:30:44,000
Speaker 1: that we haven't heard.

721
00:30:44,240 --> 00:30:46,880
Speaker 7: Yeah, we can put an album like.

722
00:30:46,960 --> 00:30:50,280
Speaker 3: Two or three albums from the ball. But when they

723
00:30:50,280 --> 00:30:52,200
Speaker 3: say the vault, we always meant my friend of mine.

724
00:30:52,240 --> 00:30:54,760
Speaker 3: We laugh about the vault. When things are in the vault.

725
00:30:54,920 --> 00:30:57,040
Speaker 3: The mean is if they don't come out because they're

726
00:30:57,080 --> 00:30:59,040
Speaker 3: not really that good, you know what I mean, everything

727
00:30:59,040 --> 00:30:59,720
Speaker 3: you do is not great.

728
00:30:59,720 --> 00:31:02,280
Speaker 1: They just tell me that, you know, but but you

729
00:31:02,280 --> 00:31:04,080
Speaker 1: feel like those are songs that are great enough.

730
00:31:04,160 --> 00:31:06,480
Speaker 2: We got some hitters well.

731
00:31:06,320 --> 00:31:08,400
Speaker 3: And we gotta share your love with me. I think

732
00:31:08,400 --> 00:31:08,920
Speaker 3: that's one.

733
00:31:09,200 --> 00:31:10,920
Speaker 2: That's one that fole man.

734
00:31:11,360 --> 00:31:13,160
Speaker 3: That's but it have to be and it will need

735
00:31:13,200 --> 00:31:13,520
Speaker 3: some work.

736
00:31:13,560 --> 00:31:20,880
Speaker 2: Now they have that orchestra on. Yeah, excited, let's go.

737
00:31:22,320 --> 00:31:22,800
Speaker 3: Rute it up.

738
00:31:23,200 --> 00:31:26,000
Speaker 2: That's the one that got got you think about that.

739
00:31:26,120 --> 00:31:26,800
Speaker 1: Oh that's old.

740
00:31:26,800 --> 00:31:29,480
Speaker 3: Then it's like an old other colde. And sometimes you

741
00:31:29,480 --> 00:31:31,040
Speaker 3: have good clothes in the close you want to give

742
00:31:31,040 --> 00:31:33,680
Speaker 3: away and it maybe like just twenty twenty three, would

743
00:31:33,720 --> 00:31:36,080
Speaker 3: you really wear that right now? Okay, it's kind of

744
00:31:36,120 --> 00:31:38,200
Speaker 3: like that vibe if you can still wear it. We

745
00:31:38,240 --> 00:31:39,560
Speaker 3: have some stuff we can still wear that.

746
00:31:40,560 --> 00:31:42,480
Speaker 1: I feel like you guys have all your songs that

747
00:31:42,560 --> 00:31:45,280
Speaker 1: I know of, have been timeless. I don't think that

748
00:31:45,360 --> 00:31:47,240
Speaker 1: any of the songs that you've put out are songs

749
00:31:47,240 --> 00:31:48,880
Speaker 1: that you're like, oh, this is dated or it doesn't

750
00:31:48,920 --> 00:31:52,000
Speaker 1: feel like it. Coulrrect today been very blessed, very blessed.

751
00:31:54,360 --> 00:31:55,640
Speaker 2: There's songs and tunes.

752
00:31:55,640 --> 00:31:58,280
Speaker 4: And you just said that even though you say it

753
00:31:58,400 --> 00:32:00,520
Speaker 4: was the time and period when we were forrgeous, So

754
00:32:00,680 --> 00:32:01,600
Speaker 4: it is what it is.

755
00:32:01,960 --> 00:32:03,200
Speaker 2: You know, we in the moment.

756
00:32:03,280 --> 00:32:05,840
Speaker 4: And that's what's cool about songs because it could be

757
00:32:05,880 --> 00:32:07,239
Speaker 4: now or it could be twenty years from now.

758
00:32:07,280 --> 00:32:09,560
Speaker 2: It's a song. And if it's a good song, it's

759
00:32:09,560 --> 00:32:10,080
Speaker 2: a good song.

760
00:32:10,520 --> 00:32:13,360
Speaker 4: And so I never always looked at the music like

761
00:32:13,400 --> 00:32:15,800
Speaker 4: it's just a score of our lives, right, were just learning,

762
00:32:15,800 --> 00:32:16,520
Speaker 4: We didn't know it right.

763
00:32:16,760 --> 00:32:19,120
Speaker 1: What about the business side of things for Tony, Tony Tony,

764
00:32:19,160 --> 00:32:21,160
Speaker 1: have y'all always been able because I know a lot

765
00:32:21,160 --> 00:32:24,560
Speaker 1: of artists talk about getting their first deal and how

766
00:32:24,840 --> 00:32:27,720
Speaker 1: things weren't maybe right with the paperwork. You know, how

767
00:32:27,760 --> 00:32:29,520
Speaker 1: has that been for you guys? Business wise?

768
00:32:30,400 --> 00:32:31,680
Speaker 2: That's the great learning.

769
00:32:31,720 --> 00:32:33,880
Speaker 3: That's his best answer.

770
00:32:34,240 --> 00:32:34,960
Speaker 2: No, no, no, no.

771
00:32:35,080 --> 00:32:39,600
Speaker 3: Man, we have six thousands wait, first deal.

772
00:32:39,680 --> 00:32:44,640
Speaker 2: Yeah, our first deal. We got six thousand dollars each.

773
00:32:44,680 --> 00:32:45,800
Speaker 2: Now is that a bad deal?

774
00:32:46,400 --> 00:32:48,480
Speaker 5: We feel like it feels like it a bad deal.

775
00:32:48,600 --> 00:32:55,400
Speaker 4: Nos, like it feels bad because yeah, budget with the budget.

776
00:32:55,640 --> 00:32:58,200
Speaker 4: But the point is we didn't go into the studio

777
00:32:58,280 --> 00:32:59,959
Speaker 4: thinking about money. We went in there just want We

778
00:33:00,080 --> 00:33:01,600
Speaker 4: just wanted to get on stage and kill We didn't

779
00:33:01,600 --> 00:33:03,479
Speaker 4: even think. We just wanted to get on stage and

780
00:33:04,360 --> 00:33:05,200
Speaker 4: tax the mass.

781
00:33:05,680 --> 00:33:09,040
Speaker 3: Say this. We we had a huge opportunity to sign

782
00:33:09,120 --> 00:33:12,040
Speaker 3: to Wing Records, which was ed ex Stein, Billy x

783
00:33:12,080 --> 00:33:15,239
Speaker 3: Stein's son. He gave us a lot of freedom. You know,

784
00:33:15,520 --> 00:33:17,520
Speaker 3: me and him never we always didn't see I to

785
00:33:17,560 --> 00:33:19,720
Speaker 3: eye as I was growing up and trying to figure

786
00:33:19,760 --> 00:33:23,640
Speaker 3: out things. But always say he he he left it

787
00:33:23,680 --> 00:33:25,480
Speaker 3: open for us. You know, he didn't. He didn't, he didn't,

788
00:33:25,480 --> 00:33:27,240
Speaker 3: He didn't bother us. He let us make the music

789
00:33:27,520 --> 00:33:29,600
Speaker 3: that we thought we could make. He gave us the

790
00:33:29,640 --> 00:33:31,760
Speaker 3: opportunity and a budget to go somewhere on the second

791
00:33:31,760 --> 00:33:33,760
Speaker 3: album and say just go do what you do. And

792
00:33:33,840 --> 00:33:36,120
Speaker 3: that's that's why we hear today because because of ed.

793
00:33:36,440 --> 00:33:38,760
Speaker 1: Okay, so it was like a promo album basically that

794
00:33:38,880 --> 00:33:41,520
Speaker 1: you in a way because you were able to.

795
00:33:41,600 --> 00:33:43,880
Speaker 2: Definitely, wasn't that Yeah, because you're able.

796
00:33:43,760 --> 00:33:46,240
Speaker 1: To still move on quick, to move on and like

797
00:33:46,320 --> 00:33:48,080
Speaker 1: and to figure out what did you learn in school,

798
00:33:48,720 --> 00:33:50,520
Speaker 1: the instruments that you played, what did you learn from

799
00:33:50,520 --> 00:33:51,600
Speaker 1: the teachers in high school?

800
00:33:51,640 --> 00:33:53,920
Speaker 3: And the bands and everybody. You were able to put

801
00:33:53,920 --> 00:33:56,320
Speaker 3: it together and then come back and and people who

802
00:33:57,160 --> 00:33:59,479
Speaker 3: just older than us are teachers or bands that can

803
00:33:59,520 --> 00:34:02,120
Speaker 3: look back like, Okay, that's that's pretty good because in

804
00:34:02,160 --> 00:34:04,720
Speaker 3: my in my mind, I only wanted people like if

805
00:34:04,760 --> 00:34:07,560
Speaker 3: I ran in them or Reswide or the al Green.

806
00:34:08,120 --> 00:34:09,560
Speaker 3: You know, I don't think we did it better than

807
00:34:09,719 --> 00:34:12,439
Speaker 3: those guys, but I at least want them to see

808
00:34:12,440 --> 00:34:16,200
Speaker 3: me and acknowledge me and go, Okay, I see you're

809
00:34:16,200 --> 00:34:19,239
Speaker 3: trying to go to meet out huge, right, I mean

810
00:34:19,280 --> 00:34:20,319
Speaker 3: that's like huge to me.

811
00:34:20,560 --> 00:34:23,479
Speaker 1: Right. So for this new project, are you guys gonna

812
00:34:23,480 --> 00:34:25,080
Speaker 1: put it out independently or do you want to sign

813
00:34:25,120 --> 00:34:25,600
Speaker 1: to a label?

814
00:34:26,320 --> 00:34:26,600
Speaker 2: Hm?

815
00:34:27,200 --> 00:34:31,640
Speaker 3: I don't. I don't think. Well, uh, it's not gonna be.

816
00:34:31,680 --> 00:34:34,520
Speaker 3: It's gonna be some type of independent deal, some type

817
00:34:34,520 --> 00:34:36,279
Speaker 3: of equity deal, it's not gonna be like we're not

818
00:34:36,280 --> 00:34:38,399
Speaker 3: giving not giving anybody no.

819
00:34:39,200 --> 00:34:40,000
Speaker 2: Like a hybrid deal.

820
00:34:40,040 --> 00:34:40,239
Speaker 7: You know.

821
00:34:41,120 --> 00:34:44,760
Speaker 4: One Foot Out were definitely keeping control because we are

822
00:34:44,760 --> 00:34:47,200
Speaker 4: our group that's been owning our trademark from the beginning,

823
00:34:47,560 --> 00:34:50,359
Speaker 4: and we didn't believe in creating something and walking away

824
00:34:50,360 --> 00:34:51,960
Speaker 4: from it so someone else can take it to the

825
00:34:51,960 --> 00:34:55,680
Speaker 4: next level and it just loses its original you know concept.

826
00:34:55,760 --> 00:34:57,759
Speaker 2: You know, like rock and roll started this way.

827
00:34:57,880 --> 00:35:00,799
Speaker 4: Now it's it's like one thing I vout to make

828
00:35:00,840 --> 00:35:03,480
Speaker 4: sure it never happens. It's Tony and Tony sound. And

829
00:35:03,840 --> 00:35:05,439
Speaker 4: I feel when solo and we were doing other things,

830
00:35:05,440 --> 00:35:08,080
Speaker 4: I started bringing other people through the lens of Tony

831
00:35:07,840 --> 00:35:10,800
Speaker 4: Tony because we have to uphold our catalog.

832
00:35:10,680 --> 00:35:12,080
Speaker 2: And what we're about.

833
00:35:12,120 --> 00:35:15,480
Speaker 4: We're blues on blues from the streets to Wokland and

834
00:35:15,560 --> 00:35:18,040
Speaker 4: hip hop and everything is just affusion into our music.

835
00:35:18,880 --> 00:35:19,120
Speaker 3: Is there.

836
00:35:19,239 --> 00:35:21,880
Speaker 6: Do you guys feel pressure yet too, you know with

837
00:35:21,920 --> 00:35:24,400
Speaker 6: the new the new project, because you guys have no.

838
00:35:24,719 --> 00:35:29,279
Speaker 3: I'm feel any pressure. I think the most pressure you

839
00:35:29,320 --> 00:35:31,360
Speaker 3: felt is when you have to go for me I

840
00:35:31,400 --> 00:35:34,040
Speaker 3: speak for myself, when you have to sing it and

841
00:35:34,120 --> 00:35:37,279
Speaker 3: then deliver it. So that's a little pressure there. But

842
00:35:37,360 --> 00:35:40,239
Speaker 3: you know, I feel like in the end, well, well

843
00:35:40,280 --> 00:35:42,520
Speaker 3: we can put up together. But you look at people

844
00:35:42,560 --> 00:35:44,960
Speaker 3: like speak to my independence, like I'll work with Brent

845
00:35:45,000 --> 00:35:45,720
Speaker 3: Fire as.

846
00:35:45,960 --> 00:35:49,040
Speaker 1: Oh my god, she is killing it. Brandfire is amazing.

847
00:35:49,200 --> 00:35:53,840
Speaker 3: Yeah. So and I was introduced to him by some

848
00:35:53,880 --> 00:35:54,760
Speaker 3: friends of mine.

849
00:35:54,840 --> 00:35:56,120
Speaker 1: And did you say it like that?

850
00:35:57,040 --> 00:36:01,279
Speaker 6: He's like he wanted to think about it first. He

851
00:36:01,320 --> 00:36:02,279
Speaker 6: didn't want to blurt it out.

852
00:36:02,320 --> 00:36:07,080
Speaker 3: Continue, No, No, I just think it so so many,

853
00:36:07,280 --> 00:36:12,640
Speaker 3: so many people the new generation are all independent any way, right,

854
00:36:12,719 --> 00:36:15,040
Speaker 3: It's it's an old idea to be like we were.

855
00:36:15,719 --> 00:36:18,480
Speaker 3: Kids are like a lots smarter. They may they in

856
00:36:18,520 --> 00:36:20,600
Speaker 3: some people's eyes. They may not be making music that

857
00:36:21,120 --> 00:36:24,040
Speaker 3: some people like, but not Brenton. Not speaking about Brent,

858
00:36:24,120 --> 00:36:28,279
Speaker 3: but other people. Most the new generation is all independent. Really,

859
00:36:28,960 --> 00:36:29,960
Speaker 3: that's what it is, you know.

860
00:36:30,040 --> 00:36:33,680
Speaker 1: So okay, all right, well listen, guys, I am so

861
00:36:33,719 --> 00:36:36,319
Speaker 1: excited because you know, I'm coming to the show. And

862
00:36:36,360 --> 00:36:38,759
Speaker 1: so for everybody, where can they find out information on

863
00:36:38,800 --> 00:36:40,719
Speaker 1: how they can get tickets to come see Tony Tony

864
00:36:40,719 --> 00:36:43,279
Speaker 1: Tony in the citty near them? Where do they go?

865
00:36:43,560 --> 00:36:47,240
Speaker 3: You can go to Tony Tony Official.

866
00:36:48,880 --> 00:36:51,839
Speaker 1: Okay, I never know, like I can never remember which

867
00:36:51,880 --> 00:36:55,000
Speaker 1: to which it's why the why then the then I.

868
00:36:56,440 --> 00:37:07,600
Speaker 3: And why google it flash, oh my god, clash slash. Okay,

869
00:37:08,040 --> 00:37:10,319
Speaker 3: you can go to Raphael and just course and you

870
00:37:10,320 --> 00:37:10,960
Speaker 3: can see it too.

871
00:37:11,360 --> 00:37:13,000
Speaker 1: All right, well, thank you guys so much. This was

872
00:37:13,040 --> 00:37:14,879
Speaker 1: amazing for me and I'm looking forward to like.

873
00:37:14,880 --> 00:37:18,440
Speaker 3: We want to congratulate you. Oh, this is amazing.

874
00:37:19,680 --> 00:37:22,200
Speaker 1: I appreciate that you like my coffee.

875
00:37:22,560 --> 00:37:25,400
Speaker 2: Coffee, I mean I had, but I mean, this is

876
00:37:25,840 --> 00:37:26,919
Speaker 2: you doing it. I like that.

877
00:37:28,880 --> 00:37:30,600
Speaker 1: Yeah, I'm my way up logo. I wanted it to

878
00:37:30,600 --> 00:37:34,439
Speaker 1: be a little blinged out. So all right, well y'all

879
00:37:34,440 --> 00:37:36,399
Speaker 1: make sure you guys go to this show. I'm gonna

880
00:37:36,400 --> 00:37:38,439
Speaker 1: be there on Saturday in New York. I cannot wait

881
00:37:38,440 --> 00:37:40,040
Speaker 1: for it. And thank you so much. This has been

882
00:37:40,440 --> 00:37:42,279
Speaker 1: You know, I always talk about how certain people in

883
00:37:42,280 --> 00:37:44,080
Speaker 1: my business like I can't believe I have a chance

884
00:37:44,120 --> 00:37:46,600
Speaker 1: to meet people. But Tony, Tony, Tony, this is really

885
00:37:46,600 --> 00:37:48,759
Speaker 1: exciting for me. You don't know. Oh, last thing I

886
00:37:48,760 --> 00:37:50,520
Speaker 1: wanted to make sure I asked who made the call

887
00:37:50,840 --> 00:37:53,799
Speaker 1: to get back together? How did that even happen to

888
00:37:53,880 --> 00:37:55,040
Speaker 1: say let's do this.

889
00:37:55,239 --> 00:37:57,120
Speaker 2: He didn't even make the call, He just made the call.

890
00:37:58,640 --> 00:38:02,719
Speaker 4: He threw out a billboard and we tell pictures back

891
00:38:02,719 --> 00:38:04,600
Speaker 4: in the day, well not back in the day, back

892
00:38:04,840 --> 00:38:07,080
Speaker 4: you know, some months back at this studio and we

893
00:38:07,120 --> 00:38:09,440
Speaker 4: talked as we always do and jammed a little bit.

894
00:38:09,760 --> 00:38:12,200
Speaker 4: And I'm out in Atlanta on this ranch and he's

895
00:38:12,239 --> 00:38:14,680
Speaker 4: somewhere whatever, and I get a call from someone. It

896
00:38:14,840 --> 00:38:17,240
Speaker 4: takes me a picture and I thought they super opposed

897
00:38:17,239 --> 00:38:17,960
Speaker 4: the picture with us.

898
00:38:18,480 --> 00:38:20,480
Speaker 2: Oh that's pretty cool. That least cool. I know it's

899
00:38:20,719 --> 00:38:21,320
Speaker 2: a billboard.

900
00:38:21,680 --> 00:38:22,480
Speaker 3: I was like, the.

901
00:38:24,000 --> 00:38:25,840
Speaker 2: Three of us a picture together.

902
00:38:25,880 --> 00:38:28,040
Speaker 3: Photo session. I was talking to my boy Kirby from

903
00:38:28,040 --> 00:38:30,879
Speaker 3: Piarra Mars and Garby's like, I just need to make this.

904
00:38:31,040 --> 00:38:33,400
Speaker 3: I need to make this feel a certain way, and

905
00:38:33,960 --> 00:38:36,040
Speaker 3: we put together photo session. I was like, you know,

906
00:38:36,120 --> 00:38:39,040
Speaker 3: let's let's put up a billboard in Oakland where we

907
00:38:39,120 --> 00:38:42,520
Speaker 3: started and just buy the Grand Lake Theater. It's huge,

908
00:38:43,280 --> 00:38:45,719
Speaker 3: and just put it up. And they were walking down

909
00:38:45,760 --> 00:38:47,840
Speaker 3: the street and they will see it. People would start

910
00:38:47,920 --> 00:38:50,319
Speaker 3: putting it, they start trending. He's like, did you put

911
00:38:50,320 --> 00:38:54,000
Speaker 3: a billboard up? I'm like, no, I'm talking about to them.

912
00:38:54,040 --> 00:38:55,920
Speaker 3: That's how they knew it was real. But I always

913
00:38:56,000 --> 00:38:58,239
Speaker 3: knew it was real, right, we're gonna do it. But

914
00:38:58,360 --> 00:39:00,640
Speaker 3: I think they didn't think it was real until they

915
00:39:00,640 --> 00:39:02,160
Speaker 3: saw this billboard up right.

916
00:39:02,520 --> 00:39:05,920
Speaker 2: Okay, yeah, you really doing? You're ready because we knew that.

917
00:39:06,000 --> 00:39:07,600
Speaker 2: You know, he had a big business.

918
00:39:07,239 --> 00:39:09,600
Speaker 4: Schedule, all that scoring and stuff and all that, so

919
00:39:09,640 --> 00:39:11,800
Speaker 4: we knew when he ready, we're ready.

920
00:39:11,960 --> 00:39:13,880
Speaker 2: So when he did that, I was like, he's ready,

921
00:39:14,200 --> 00:39:16,440
Speaker 2: you ain't playing, Let's get it, let's go.

922
00:39:16,680 --> 00:39:20,080
Speaker 1: Was there any hesitation to him on your apart? Okay,

923
00:39:20,480 --> 00:39:23,719
Speaker 1: not at all? And what was so you put that up?

924
00:39:23,760 --> 00:39:26,719
Speaker 1: But you guys had been in some preliminary conversations. They

925
00:39:26,760 --> 00:39:28,839
Speaker 1: just didn't quite believe you.

926
00:39:28,719 --> 00:39:32,399
Speaker 4: Right, And I was like you said before, yeah, let

927
00:39:32,400 --> 00:39:33,920
Speaker 4: me know, I just went back to the runs.

928
00:39:34,000 --> 00:39:35,480
Speaker 2: I'm chilling here fishing.

929
00:39:35,680 --> 00:39:39,120
Speaker 3: He thought it was he thought it was a digital board,

930
00:39:39,160 --> 00:39:40,800
Speaker 3: you know, he thought somebody super imposed.

931
00:39:42,640 --> 00:39:42,879
Speaker 1: Nice.

932
00:39:43,680 --> 00:39:45,640
Speaker 3: Yeah, but yeah I did. I was like, you know,

933
00:39:45,800 --> 00:39:47,640
Speaker 3: let's do it. This like this is my father passed

934
00:39:47,640 --> 00:39:49,680
Speaker 3: away five years ago, our dad, And I was like,

935
00:39:49,719 --> 00:39:51,000
Speaker 3: he would have wanted to see this, you know what

936
00:39:51,000 --> 00:39:55,880
Speaker 3: I mean. And then, like I said, the great nieces

937
00:39:55,880 --> 00:39:57,879
Speaker 3: and nephews they don't know why who the hell we are?

938
00:39:57,880 --> 00:39:58,359
Speaker 3: They're like why?

939
00:39:58,560 --> 00:39:59,640
Speaker 2: Why? Why?

940
00:39:59,640 --> 00:40:01,520
Speaker 3: People stop you and say hello to you all the time.

941
00:40:02,080 --> 00:40:02,480
Speaker 1: They know me.

942
00:40:03,320 --> 00:40:04,839
Speaker 5: Did y'all dad have a favorite song?

943
00:40:05,960 --> 00:40:06,160
Speaker 3: Yeah?

944
00:40:06,520 --> 00:40:07,480
Speaker 5: What was it?

945
00:40:07,760 --> 00:40:07,920
Speaker 2: Rock?

946
00:40:08,000 --> 00:40:11,319
Speaker 3: Skate, no Jamaica funk, not ours, Oh.

947
00:40:11,920 --> 00:40:17,000
Speaker 5: Talk about that's what it is, you know.

948
00:40:17,160 --> 00:40:19,919
Speaker 6: But did he have a favorite song from Tony Tony

949
00:40:19,960 --> 00:40:24,240
Speaker 6: to Yeah, but we put him on a song, okay, yeah, movie.

950
00:40:24,400 --> 00:40:29,719
Speaker 3: Just like my papa lyrics, Jason's lyrics, lyrics. I think

951
00:40:29,760 --> 00:40:31,200
Speaker 3: his favorite song was Leaving.

952
00:40:30,880 --> 00:40:33,520
Speaker 2: Though, I'm sure that's something like that, was Leaving.

953
00:40:33,520 --> 00:40:35,040
Speaker 3: He used to singing to people in the hospitals. My

954
00:40:35,080 --> 00:40:36,440
Speaker 3: dad should go by and sing to people at the

955
00:40:36,440 --> 00:40:37,520
Speaker 3: hospitals when he was sick.

956
00:40:38,040 --> 00:40:40,360
Speaker 2: That's so dope, when he was supposed to be retired.

957
00:40:40,880 --> 00:40:43,320
Speaker 1: I love that. And you guys have family, like now

958
00:40:43,320 --> 00:40:45,440
Speaker 1: you have a nephew that's in the business too, is

959
00:40:45,440 --> 00:40:49,279
Speaker 1: a producer, Dylan Dylan, that's your sons. That's your son.

960
00:40:49,400 --> 00:40:51,920
Speaker 2: And Jadens well've been doing some movies.

961
00:40:52,120 --> 00:40:55,640
Speaker 3: He's killing, he's producing. They both producing. I'm in La

962
00:40:55,719 --> 00:40:58,640
Speaker 3: with them a lot, okay, and they're like pretty much.

963
00:41:00,320 --> 00:41:03,719
Speaker 3: I mean, it's just stays crowded. Dude, gotta got a

964
00:41:03,719 --> 00:41:06,160
Speaker 3: place out here. He got a place. She just bought

965
00:41:06,160 --> 00:41:09,840
Speaker 3: a house in l at just like killing it and

966
00:41:09,960 --> 00:41:12,400
Speaker 3: staying focused. You know, it's not easy to stay focused

967
00:41:12,440 --> 00:41:14,360
Speaker 3: in l A, right, you know what I mean. I

968
00:41:14,440 --> 00:41:16,400
Speaker 3: love to see how Dylan and Jay and both of

969
00:41:16,440 --> 00:41:18,560
Speaker 3: them are just like I'm. They're doing nothing, they don't

970
00:41:18,560 --> 00:41:20,239
Speaker 3: say anything. They're real humble and laid back.

971
00:41:20,719 --> 00:41:24,440
Speaker 2: And he's talking about what's the movie something?

972
00:41:24,480 --> 00:41:30,799
Speaker 4: Tyrone when I said, what said all the base things

973
00:41:30,800 --> 00:41:33,440
Speaker 4: in but I said, that's you like that.

974
00:41:34,920 --> 00:41:35,560
Speaker 2: Call and tell me.

975
00:41:39,760 --> 00:41:41,759
Speaker 1: All right, well it's lining the family would say it's

976
00:41:41,760 --> 00:41:46,200
Speaker 1: a family affair, all right, Well, Tony, Tony, Tony, thank

977
00:41:46,200 --> 00:41:49,000
Speaker 1: you so much again. I kept on extending it. Sorry,

978
00:41:49,000 --> 00:41:50,320
Speaker 1: all right up at the

979
00:41:53,400 --> 00:41:53,600
Speaker 3: Way