WEBVTT - Episode 482 w/ Bryson Tiller

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<v Speaker 1>He is drinks chests, motherfucking podcast makes. He's a legends

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<v Speaker 1>every queens rapper. He ain't agreed as your boy in

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<v Speaker 1>O r E. He's a Miami hip hop pioneer. What

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<v Speaker 1>ups d j e f N? Together they drink it

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<v Speaker 1>up with some of the biggest players you me and

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<v Speaker 1>the most professional unprofessional podcast and your number one source

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<v Speaker 1>for drunk drinks chans mother Postcavery Days New Years. See listen,

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<v Speaker 1>It's time for drink Champs. Drink up mother. Would it

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<v Speaker 1>gonna be hoping people to this year? Boy n A

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<v Speaker 1>O n A A. What up is dj e f N?

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<v Speaker 2>It's mill Tammy crazy boar drink Champs yep makes something.

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<v Speaker 2>Now when we talk about this person, we talk about

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<v Speaker 2>a person who makes hits, give out hits, fifteen million

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<v Speaker 2>sold in your face, and he don't even be liking

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<v Speaker 2>to be in front of the public. He don't even care.

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<v Speaker 2>He just makes hits for any reason. We are gonna

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<v Speaker 2>give him his flowers today. He deserves it, from being

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<v Speaker 2>in front of the camera to behind the camera to

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<v Speaker 2>he makes your your favorite artist a better artist because

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<v Speaker 2>he's been pinting this ship for allbody. And in case

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<v Speaker 2>you don't know what we're talking about. My mother, Oh

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<v Speaker 2>do you bring your mother? Listen, listen to my brother.

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<v Speaker 2>I want to get straight to the interview, because silu man,

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<v Speaker 2>I've been doing this, what.

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<v Speaker 1>Ten years, about about to be ten years.

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<v Speaker 2>So I first off, let me, let me let me

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<v Speaker 2>pick you up for being on time. I bet against you.

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<v Speaker 2>I bet that you would not be on time. So

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<v Speaker 2>that's what we do. We we based it on with

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<v Speaker 2>the artist uh order, Like we know if anybody order

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<v Speaker 2>hey and see, it's gonna be a different interview.

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<v Speaker 1>Right.

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<v Speaker 2>We know patroll like certain things. But when you ordered

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<v Speaker 2>as the Spade, I was like, it's gonna be smooth,

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<v Speaker 2>that's one. But I said, he's going to show up late.

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<v Speaker 2>But but so I I I lost on the show

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<v Speaker 2>up lay and.

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<v Speaker 1>We showed them and we showed up. We sucked up.

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<v Speaker 1>So we apologize.

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<v Speaker 2>So like I said, I was trying to point. I

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<v Speaker 2>was trying to make I've been We've been doing this

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<v Speaker 2>almost ten years, right, and when I go through the

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<v Speaker 2>discovery of an artist. That's one of the thing, yo, bro,

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<v Speaker 2>you really are hate maker? Like is that something that

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<v Speaker 2>you you you you set out to be or that's

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<v Speaker 2>something that just comes naturally for you.

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<v Speaker 1>Uh. I definitely got to say I set out to

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<v Speaker 1>be in for show. You know. In the beginning, I

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<v Speaker 1>was like, I had this whole alias called pan Griffy. Yeah. Yeah,

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<v Speaker 1>you get as many hits as Bro. But somebody just

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<v Speaker 1>told me something about it hit today and I was like,

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<v Speaker 1>I was in the studio session. It was like, do

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<v Speaker 1>you know why they started calling it it hit? I

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<v Speaker 1>was like, dang, I never even thought about that. It

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<v Speaker 1>was something that you know, hits whoever's listening to it,

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<v Speaker 1>they was in the meeting or whatever, And I was like, Damn,

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<v Speaker 1>I guess that's really what it is with somebody, you

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<v Speaker 1>know what I mean, Like somebody just feels it like

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<v Speaker 1>it's them, you know, the resonates, you know, even if

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<v Speaker 1>the song never really charted, you know or whatever, it

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<v Speaker 1>doesn't matter. Like a bunch of people in my concert

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<v Speaker 1>singing it hit to me, you know absolutely.

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<v Speaker 2>What's the song that you made for somebody else that

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<v Speaker 2>you regret.

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<v Speaker 1>That I regret for somebody else? What do you mean

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<v Speaker 1>like you.

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<v Speaker 2>Would have wanted to keep it for you, You wanted

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<v Speaker 2>to keep it for yourself?

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<v Speaker 1>Oh, like something that I wrote? Yeah? Uh, I mean

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<v Speaker 1>I don't really got I don't got too many under

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<v Speaker 1>my goat. Okay, it gave to somebody else. Okay, because

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<v Speaker 1>for me is.

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<v Speaker 2>I don't know if you heard this record, but uh

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<v Speaker 2>uh you know Jacob give you heard that record that

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<v Speaker 2>that used to say that dude, and I gave that

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<v Speaker 2>ship away and I regret that.

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<v Speaker 1>So you don't have one of those? Na Okay, okay,

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<v Speaker 1>So let's get to it. Louisville.

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<v Speaker 2>How did how did how did because we're here we

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<v Speaker 2>see Rich hit there? How did how did? How did

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<v Speaker 2>that happen? How did that connection happen? I know Timberland,

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<v Speaker 2>So how did how did this happen?

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<v Speaker 1>My guy King King, He's from Miami, Miami based. He

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<v Speaker 1>knew a couple of people that knew Rich and I

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<v Speaker 1>think they was they might have been playing some video

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<v Speaker 1>games or something. You know, they was connected, interconnected somehow.

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<v Speaker 1>And you know, Rich called Window my music and thought

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<v Speaker 1>I was super talented, and you know, I think I was.

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<v Speaker 1>I was working at UPS when I first met Rich,

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<v Speaker 1>when I first started talking to Rich, and you know,

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<v Speaker 1>I remember they told me they was going to New

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<v Speaker 1>York with Timbling to work on Magna Carter Holy Girl,

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<v Speaker 1>the album. You know, they invited me up to New York.

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<v Speaker 1>So I was like, oh, yeah, I want to go

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<v Speaker 1>to New York.

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<v Speaker 2>Yeah, so didn't tell you to quit your job or

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<v Speaker 2>some ship.

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<v Speaker 1>Like That's that was years later. Okay, yeah, yeah, you

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<v Speaker 1>just talked about about when I met Rich, you know

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<v Speaker 1>what I mean? But yeah, I met I met, I

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<v Speaker 1>flew up to New York. That was my first time

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<v Speaker 1>in New York. I was just so you met Rich first.

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<v Speaker 1>I met Rich and this producer that he was working

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<v Speaker 1>with and who was I think signed to Timblin after

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<v Speaker 1>this producer. So we went up there and uh yeah,

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<v Speaker 1>yeah he was in there. I wasn't evenly supposed to

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<v Speaker 1>be there here. You know, he said what up to

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<v Speaker 1>me a couple of times. I think, my boy Rich

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<v Speaker 1>Timberland probably don't even know this, but Rich like he

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<v Speaker 1>snuck a picture in me Timbo in the studio and

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<v Speaker 1>I was like, he said it to me. I was like, yo,

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<v Speaker 1>that's crazy, Like me and Timblin like that's a big

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<v Speaker 1>deal where you know. You know, I got back home

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<v Speaker 1>to Louisville and he wasn't even really at that time,

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<v Speaker 1>I didn't really have nothing to really show for us.

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<v Speaker 1>I didn't. I really shouldn't have been in the room,

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<v Speaker 1>you know, if I'm being honest. But anyways, I got

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<v Speaker 1>back to Louisville and I remember posting a picture that

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<v Speaker 1>the one that Rich sent me, and I was just like, yo, man,

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<v Speaker 1>I ain't saying that next year is my time. More

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<v Speaker 1>the year after that's my time. But I'm just saying

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<v Speaker 1>my time is coming. That was yeah, that was the caption,

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<v Speaker 1>and I remember everybody was hitting me up and then

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<v Speaker 1>once one person hit me up and was you know,

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<v Speaker 1>I mean I'm going off on the deep end. Yeah. Anyways,

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<v Speaker 1>one person hit me up and was just like, Yo,

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<v Speaker 1>you know, we gotta you know, we gotta. We got

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<v Speaker 1>a contract, we got an agreement, so you can just

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<v Speaker 1>you know, he thought I was signing to Tim with

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<v Speaker 1>something that wasn't even the case. I was just posting

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<v Speaker 1>a pick. So I was like, I was like, what

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<v Speaker 1>are you saying? Like he was like, I'm saying that,

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<v Speaker 1>like we got to figure something out. But he had

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<v Speaker 1>previously agreed to release me from this contract he was

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<v Speaker 1>talking about. But seeing that picture with change everything, he

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<v Speaker 1>knew something that's about to come, you know, come from that.

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<v Speaker 1>Even though he didn't believe in me. But at first,

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<v Speaker 1>like after that he said that, and I was pissed.

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<v Speaker 1>I was like, oh no, I said, you know what, Bro,

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<v Speaker 1>I said, I'll never make music ever again. I said,

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<v Speaker 1>I'm gonna just go work at ups and just keep

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<v Speaker 1>doing what I was doing the first You got it, bro,

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<v Speaker 1>I'm good, you know what I mean. You know, he

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<v Speaker 1>was trying to see if I was bluffing. I wasn't bluffing.

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<v Speaker 1>I was doing that for about two years, two three

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<v Speaker 1>years or something like that. After that, you know, I

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<v Speaker 1>hit rock bottom. I was like, I can't do this

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<v Speaker 1>no more. Man Like, I struggling, I ain't got no money,

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<v Speaker 1>caught up a couple of people asking asking for bread.

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<v Speaker 1>You know, Rich used to send me bread too, you know,

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<v Speaker 1>just stand on me out. But it was another guy,

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<v Speaker 1>that chem dude. I was telling you, you know, I

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<v Speaker 1>hit him up asking for some money, and he was like, bro,

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<v Speaker 1>you gotta you gotta get back in that studio, so

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<v Speaker 1>you know, you know, crying and ship and I was

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<v Speaker 1>just like, all right, you know, I'm gonna get back

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<v Speaker 1>to the studio. Literally. The first song that I made

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<v Speaker 1>was Stone so may you don't, yeah, don't. It was

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<v Speaker 1>the first song I made, uh, you know, and I

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<v Speaker 1>was sitting on there for a little bit fast forward,

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<v Speaker 1>had it on SoundCloud. Uh you know, a couple of

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<v Speaker 1>people was rocking with it. I was a little embarrassed

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<v Speaker 1>about it for some reason because I hadn't did music

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<v Speaker 1>for so long, and I fel like nobody was hit

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<v Speaker 1>me up but talking about it. So I deleted it,

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<v Speaker 1>and then somebody hit me up. I was like, yo,

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<v Speaker 1>you gotta put that. You gotta put that back up online.

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<v Speaker 1>So I was like, all right, bet, and I did,

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<v Speaker 1>and it sounds correct, sound sound, and it just started

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<v Speaker 1>growing like week by week. I remember at this time,

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<v Speaker 1>I think I got a different job at Papa John.

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<v Speaker 1>Papa John. Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 1>I was going back to my locker and I'm just

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<v Speaker 1>like up there, you know, somebody's playing with you. You know,

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<v Speaker 1>what's kept going on?

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<v Speaker 2>Like thousands of ten doollars felt, yeah.

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<v Speaker 1>What's happening? Like this is real viral and yeah for

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<v Speaker 1>real and this is before yeah, all of that. So yeah,

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<v Speaker 1>at that point, then I got a call from Rich again.

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<v Speaker 1>You know, I ain't talking to Rich in a little

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<v Speaker 1>minute at this point, but I got a call from Rich.

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<v Speaker 1>He's like, yo, Timbo won't how at you? You know,

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<v Speaker 1>and this is the first time that I really seen

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<v Speaker 1>Timbo show any interest in my music at all, because

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<v Speaker 1>you had played records before, yeah, a long time ago,

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<v Speaker 1>you know, because I heard you said you thought he

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<v Speaker 1>didn't like it. Yeah, I would say he didn't. He

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<v Speaker 1>probably thought I was talented. But you know, if you

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<v Speaker 1>go back and listen to my ship from twenty eleven,

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<v Speaker 1>you can understand why Timbland was like maybe he wasn't

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<v Speaker 1>ready and I wasn't ready, you know what I mean.

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<v Speaker 1>I was, you know, development that makes perfect sense, you know.

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<v Speaker 1>So at this point I like changed, excuse me, I

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<v Speaker 1>changed my sound up and you know, I had something

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<v Speaker 1>to really grind for at that point, you know, I

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<v Speaker 1>had my daughter and everything was just different. I was like,

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<v Speaker 1>you know what, I'm not gonna I'm not gonna be

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<v Speaker 1>too much of a sing singing, singing nas nigga, you

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<v Speaker 1>know what I'm saying, but just like kind of dumb

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<v Speaker 1>it down a little bit and mix it up with

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<v Speaker 1>a little bit of rap, you know what I'm saying.

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<v Speaker 1>You know. Anyways, got the call from Timbo and then

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<v Speaker 1>it was like, Yo, come to come to Miami. You know,

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<v Speaker 1>and that's that's when everything just went up.

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<v Speaker 2>From ther Okay, so then when does Drake coming into

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<v Speaker 2>this this pitch?

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<v Speaker 1>I feel like every week something crazy what was happening.

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<v Speaker 1>So I can't really one hundred percent remember, but it

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<v Speaker 1>was definitely after the moment because like you know, you

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<v Speaker 1>heard that story was the clips, but it was definitely

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<v Speaker 1>after that. When I was back in Louisville now at

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<v Speaker 1>this point, jobless, trying to figure out what I was

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<v Speaker 1>going to.

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<v Speaker 2>Do next, said put your job. Yeah, yeah, yeah, he

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<v Speaker 2>never he never said that, right, yeah he did that.

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<v Speaker 2>Yeah I think you said that.

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<v Speaker 1>He said. He never said. I think you said you

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<v Speaker 1>called Rick. It's all good. We loved him, love it

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<v Speaker 1>don't matter, None of that matters. It was yeah, exactly.

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<v Speaker 1>So I get back to louis woar, and I'm you know,

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<v Speaker 1>I'm stressed out, but the song is still climbing. People's

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<v Speaker 1>reaching out. And then it's crazy because I always had

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<v Speaker 1>these these wild ass manifestation dreams. And I was sleeping

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<v Speaker 1>at a friend's house on the couch because at this

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<v Speaker 1>point I moved out of my my girlfriend at the

0:10:12.840 --> 0:10:16.120
<v Speaker 1>Times house, and uh, you know, I'm still gonna sleeping

0:10:16.120 --> 0:10:18.240
<v Speaker 1>on this couch making music in the basement, trying to

0:10:18.320 --> 0:10:21.360
<v Speaker 1>like just keep my SoundCloud following fans happy. So I'm

0:10:21.440 --> 0:10:23.760
<v Speaker 1>just like update new ship and I think I just

0:10:23.800 --> 0:10:26.080
<v Speaker 1>put out a remix to a couple of OVERO because

0:10:26.080 --> 0:10:27.160
<v Speaker 1>a lot of people it was like, Yo, you need

0:10:27.200 --> 0:10:28.800
<v Speaker 1>to sign over yoh blah blah blah. They were saying

0:10:28.800 --> 0:10:31.080
<v Speaker 1>that one thought you was signed the over you was

0:10:31.120 --> 0:10:33.400
<v Speaker 1>before anything. So they was like, Yo, it sounded like

0:10:33.480 --> 0:10:34.839
<v Speaker 1>you should be a part of it, you know what

0:10:34.840 --> 0:10:36.160
<v Speaker 1>I mean. So I was like, dang, I mean I

0:10:36.200 --> 0:10:39.080
<v Speaker 1>really love and my everything that comes out of over YO.

0:10:39.520 --> 0:10:40.760
<v Speaker 1>So I was like, it makes sense. So one day

0:10:40.800 --> 0:10:43.880
<v Speaker 1>I just decided to remix uh some Ovio shit. I

0:10:43.880 --> 0:10:46.640
<v Speaker 1>think Macone was signed to O YO one time. Party

0:10:46.960 --> 0:10:49.040
<v Speaker 1>next Door was signed over or still signed over YO.

0:10:49.440 --> 0:10:52.640
<v Speaker 1>But I remixed their songs called Don't Worry Maley remix

0:10:53.440 --> 0:10:56.439
<v Speaker 1>and I posted it and went to sleep or whatever.

0:10:56.640 --> 0:10:58.360
<v Speaker 1>It was probably like a little bit later after this,

0:10:58.440 --> 0:11:00.920
<v Speaker 1>but I remember I had this crazy, vivid dream that

0:11:01.120 --> 0:11:02.880
<v Speaker 1>I was on UK campus. You know, Drake Fun with

0:11:02.960 --> 0:11:05.640
<v Speaker 1>UK basketball, So you know I'm on this campus and

0:11:05.679 --> 0:11:07.920
<v Speaker 1>then you know people they like, yo, bro, you know

0:11:08.000 --> 0:11:09.800
<v Speaker 1>Drake's coming in town. You know we're gonna play this.

0:11:09.840 --> 0:11:12.200
<v Speaker 1>We're gonna play you don't for him and I was like,

0:11:12.240 --> 0:11:14.840
<v Speaker 1>for real, it was like yeah. So then they in

0:11:14.880 --> 0:11:17.200
<v Speaker 1>the dream, they was like, I saw him in the huddle.

0:11:17.280 --> 0:11:18.920
<v Speaker 1>Drake was over in the huddle. They all had blue

0:11:19.559 --> 0:11:23.560
<v Speaker 1>jumpsuits on the ship and he was like and I

0:11:23.600 --> 0:11:25.320
<v Speaker 1>was like, damn. And then I remember waking up from

0:11:25.320 --> 0:11:27.679
<v Speaker 1>that dream, right, I swear to God, woke up from

0:11:27.720 --> 0:11:32.840
<v Speaker 1>that dream and literally I got checked my Twitter just

0:11:32.880 --> 0:11:35.200
<v Speaker 1>said Drake followed you on Twitter. And I was like,

0:11:36.120 --> 0:11:39.040
<v Speaker 1>I was like trying to dream, no, no, no, out

0:11:39.040 --> 0:11:41.400
<v Speaker 1>of the dreams, out of the dream, up out of

0:11:41.440 --> 0:11:45.760
<v Speaker 1>that dream. The very next morning, like and then woke

0:11:45.800 --> 0:11:47.719
<v Speaker 1>up and I saw that he followed me, and I said, yo, bro,

0:11:47.920 --> 0:11:50.640
<v Speaker 1>this is this is crazy. Like I didn't even want

0:11:50.640 --> 0:11:52.079
<v Speaker 1>to get into the whole fact that I just had

0:11:52.080 --> 0:11:55.559
<v Speaker 1>a dream. Like I was like, Yo, this is more

0:11:55.600 --> 0:11:57.200
<v Speaker 1>crazy than you think. He's like, yo, I've been working

0:11:57.240 --> 0:12:00.480
<v Speaker 1>with month. We don't months. And that just my mind

0:12:00.520 --> 0:12:02.440
<v Speaker 1>because it's like in my dream that he was literally

0:12:02.480 --> 0:12:05.040
<v Speaker 1>saying that he didn't he didn't okay. And I had

0:12:05.040 --> 0:12:06.520
<v Speaker 1>no idea that this was about the habit. It was

0:12:06.520 --> 0:12:08.720
<v Speaker 1>just some crazy manifestation ship. I don't know, it's like

0:12:08.760 --> 0:12:11.440
<v Speaker 1>God gave me a vision or something like. But yeah,

0:12:11.440 --> 0:12:11.839
<v Speaker 1>that was when.

0:12:12.120 --> 0:12:14.920
<v Speaker 2>So isn't true that if had he answered to the text,

0:12:15.440 --> 0:12:19.720
<v Speaker 2>you might be on over your right to this day, like, yeah,

0:12:19.760 --> 0:12:22.560
<v Speaker 2>what did he leave you and read and read? Oh

0:12:22.600 --> 0:12:27.160
<v Speaker 2>you know, he's just busy, was just busy.

0:12:24.559 --> 0:12:29.520
<v Speaker 1>Just at this time, BR's really going crazy with all

0:12:29.559 --> 0:12:31.839
<v Speaker 1>the music. I'm sure he had everybody hit in his line.

0:12:32.240 --> 0:12:33.920
<v Speaker 1>But yeah, I think that was the only thing that

0:12:33.960 --> 0:12:35.160
<v Speaker 1>was keeping me from signing. Bro.

0:12:35.640 --> 0:12:39.559
<v Speaker 2>Well, let's we're ready for quick Thomas. Let's go, Let's

0:12:39.600 --> 0:12:41.040
<v Speaker 2>do it. Let's do it, Let's do it. You're ready

0:12:41.040 --> 0:12:41.520
<v Speaker 2>for this part?

0:12:42.320 --> 0:12:45.199
<v Speaker 1>Yeah, okay, you got you gotta.

0:12:45.000 --> 0:12:48.439
<v Speaker 3>Feel your sense it.

0:12:49.160 --> 0:12:52.160
<v Speaker 1>Yeah, but some PARTA I love this ship.

0:12:53.240 --> 0:12:56.440
<v Speaker 2>But by the way, they got the hockey. Okay, yeah,

0:12:56.600 --> 0:13:02.240
<v Speaker 2>I want to do quick Time line first or what? Okay, okay, okay. Well,

0:13:03.520 --> 0:13:07.040
<v Speaker 2>I've been trying to get you, to get you on

0:13:07.080 --> 0:13:09.040
<v Speaker 2>this show, to give you your flowers, to let you

0:13:09.080 --> 0:13:11.840
<v Speaker 2>know how much you mean to the industry. The industry

0:13:11.880 --> 0:13:13.559
<v Speaker 2>is a better place when you make it music, when

0:13:13.559 --> 0:13:14.800
<v Speaker 2>you were a part of it. So we wanted to

0:13:14.840 --> 0:13:16.199
<v Speaker 2>give you a flowers face to face.

0:13:16.440 --> 0:13:22.760
<v Speaker 1>Man the Man Snoop Dogg.

0:13:22.679 --> 0:13:24.640
<v Speaker 2>Said, it's better than a Grammy because it comes from its.

0:13:24.480 --> 0:13:26.120
<v Speaker 1>People and we want to want.

0:13:25.960 --> 0:13:30.800
<v Speaker 2>To give you flowers because bro, you really are something special.

0:13:31.320 --> 0:13:33.600
<v Speaker 1>You really are. You know what I love about you?

0:13:35.720 --> 0:13:37.920
<v Speaker 2>Like it's a rumor that you don't just go in

0:13:37.960 --> 0:13:40.880
<v Speaker 2>the studio with anybody like you have to actually feel

0:13:41.080 --> 0:13:43.439
<v Speaker 2>feel it. Don't never change.

0:13:44.080 --> 0:13:47.680
<v Speaker 1>I like that. You know some people would come and

0:13:47.679 --> 0:13:48.200
<v Speaker 1>be like yo.

0:13:48.120 --> 0:13:51.120
<v Speaker 2>You know he's like they will credit that as being

0:13:51.160 --> 0:13:51.719
<v Speaker 2>like hard to.

0:13:51.640 --> 0:13:54.360
<v Speaker 1>Work with or whatever, But I really don't understand why.

0:13:54.640 --> 0:13:56.680
<v Speaker 2>Yeah, no, I understand it because I'm an artist too,

0:13:56.800 --> 0:13:59.040
<v Speaker 2>you know what I'm saying. But if I love the

0:13:59.040 --> 0:14:01.400
<v Speaker 2>fact that money, I can tell money doesn't move you.

0:14:02.000 --> 0:14:04.920
<v Speaker 2>Has there ever been a time where it was it

0:14:04.960 --> 0:14:09.000
<v Speaker 2>was tempted like like and you want you did something

0:14:09.040 --> 0:14:10.560
<v Speaker 2>that that cost of money?

0:14:11.840 --> 0:14:13.680
<v Speaker 1>You said, did something that costs money? No, no, be

0:14:13.760 --> 0:14:16.600
<v Speaker 1>costs of money and you regret it is like movie

0:14:18.360 --> 0:14:23.080
<v Speaker 1>nah mm hmm. Yeah. I can't think of what it

0:14:23.160 --> 0:14:26.360
<v Speaker 1>is exactly those moments, but I've definitely had those moments.

0:14:26.360 --> 0:14:29.480
<v Speaker 1>But when it comes to the to the music and whatnot,

0:14:29.600 --> 0:14:32.440
<v Speaker 1>Like you know, people especially early on stroing all types

0:14:32.480 --> 0:14:35.280
<v Speaker 1>of crazy numbers that me to do to do certain songs,

0:14:35.280 --> 0:14:38.680
<v Speaker 1>and I'd be like, you know, I just really want to.

0:14:38.840 --> 0:14:41.240
<v Speaker 1>I was just nervous a lot of times, right, you know,

0:14:41.320 --> 0:14:43.480
<v Speaker 1>that was the big, the big thing. But the main

0:14:43.520 --> 0:14:45.360
<v Speaker 1>reason why I don't really like being in the studio

0:14:45.400 --> 0:14:48.560
<v Speaker 1>with people was like, you know, just PTSD and trauma,

0:14:48.640 --> 0:14:50.520
<v Speaker 1>you know, from when I was younger. I'm being honest

0:14:50.560 --> 0:14:53.240
<v Speaker 1>with you. What if I give you an example. I'm

0:14:53.280 --> 0:14:55.960
<v Speaker 1>sixteen years old or seventeen, my bad recording songs, and

0:14:56.720 --> 0:14:58.040
<v Speaker 1>I used to have this one guy, I'm not gonna

0:14:58.040 --> 0:15:00.280
<v Speaker 1>say his name, but he used to record me all

0:15:00.320 --> 0:15:02.280
<v Speaker 1>the time, and uh, you know, he wouldcord me an

0:15:02.320 --> 0:15:06.040
<v Speaker 1>fl studio and yeah, I was just I would cut

0:15:06.040 --> 0:15:07.840
<v Speaker 1>school to go to the studio, go to his crib.

0:15:07.920 --> 0:15:11.400
<v Speaker 1>He was living in Louis and uh yeah, he would

0:15:11.400 --> 0:15:13.080
<v Speaker 1>play play the beat and he would record me because

0:15:13.080 --> 0:15:15.120
<v Speaker 1>I didn't know how to do it. And then you know,

0:15:15.120 --> 0:15:17.600
<v Speaker 1>he would be trolling me sometimes, like playing gunshots and

0:15:18.280 --> 0:15:18.920
<v Speaker 1>while I'm.

0:15:18.760 --> 0:15:24.960
<v Speaker 2>Recording whatever et and I feel like I'd be like, bro,

0:15:25.040 --> 0:15:25.800
<v Speaker 2>I'm trying to make it.

0:15:25.840 --> 0:15:30.440
<v Speaker 1>Bro, like you just stopped, bro, And he would be laughing.

0:15:30.480 --> 0:15:32.200
<v Speaker 1>He was like, you know, its just trolling me and ship.

0:15:32.640 --> 0:15:34.120
<v Speaker 1>At that point, I was just like, you know what, like,

0:15:34.200 --> 0:15:36.160
<v Speaker 1>can you teach me to record myself? Taught me how

0:15:36.200 --> 0:15:39.040
<v Speaker 1>to record myself, and at that point, I was just like,

0:15:39.960 --> 0:15:41.400
<v Speaker 1>I'm just cut out the middle man. I'm gonna just

0:15:41.400 --> 0:15:43.280
<v Speaker 1>do it myself. And I've been recording myself ever since.

0:15:43.560 --> 0:15:46.160
<v Speaker 1>So look at the correct you make the beats.

0:15:46.440 --> 0:15:48.400
<v Speaker 2>I don't make the beat. You don't make the beats, okay,

0:15:48.560 --> 0:15:56.800
<v Speaker 2>but you engineered yourself. Yeah, holy Molyuakami DJ College jumped

0:15:56.840 --> 0:15:58.640
<v Speaker 2>over somewhere to get your vocals.

0:15:58.840 --> 0:16:03.000
<v Speaker 1>That's that's what they say. What is this story? I

0:16:03.080 --> 0:16:05.080
<v Speaker 1>don't know it was. They say he was jumped over

0:16:05.080 --> 0:16:07.040
<v Speaker 1>the fence, but I don't think he jumped over the fence.

0:16:07.080 --> 0:16:08.800
<v Speaker 2>But I know.

0:16:12.280 --> 0:16:14.480
<v Speaker 1>He would do anything. But you know, we got it done.

0:16:14.600 --> 0:16:17.560
<v Speaker 1>You know the story was. You know, I remember I

0:16:17.560 --> 0:16:19.440
<v Speaker 1>told him when they played me the song for wild thoughts,

0:16:19.440 --> 0:16:22.280
<v Speaker 1>that's kind for us. Wild thoughts came.

0:16:22.480 --> 0:16:24.520
<v Speaker 2>You didn't get to hear the Rianna versionuntil it actually

0:16:24.560 --> 0:16:27.880
<v Speaker 2>came out dropped right then you had the party you got.

0:16:27.760 --> 0:16:30.200
<v Speaker 1>The Party next Door version. But not only that, but

0:16:30.240 --> 0:16:32.720
<v Speaker 1>the song was in the lower octave and I recorded it.

0:16:32.760 --> 0:16:34.600
<v Speaker 1>I had already did my part, you know what I'm saying,

0:16:34.640 --> 0:16:38.440
<v Speaker 1>and he had hit me. I knew that she was

0:16:38.480 --> 0:16:40.040
<v Speaker 1>going to record it in the higher octave, and I

0:16:40.040 --> 0:16:41.400
<v Speaker 1>mentioned that to him, but he's like, no, we just

0:16:41.400 --> 0:16:43.560
<v Speaker 1>need it done. We needed all right. I got it done,

0:16:43.920 --> 0:16:45.240
<v Speaker 1>and you know, I didn't know how he was going

0:16:45.240 --> 0:16:46.720
<v Speaker 1>to figure because I know they couldn't just pitch my

0:16:46.800 --> 0:16:50.240
<v Speaker 1>vocals up. So he came knocking on the day on

0:16:50.520 --> 0:16:52.240
<v Speaker 1>a horrible day I was having, like they threw a

0:16:52.240 --> 0:16:54.840
<v Speaker 1>surprise party for an album that I wasn't happy about

0:16:55.480 --> 0:17:03.680
<v Speaker 1>show up. My lambow broke down that day, like it

0:17:03.720 --> 0:17:05.920
<v Speaker 1>was just a bad day overall, and I was like, yo,

0:17:06.000 --> 0:17:08.879
<v Speaker 1>I need it tonight album release day. I was like,

0:17:09.200 --> 0:17:11.120
<v Speaker 1>I can't do it tonight, you know what I mean.

0:17:11.400 --> 0:17:13.560
<v Speaker 1>And I think everybody wasn't answering to answering the phone,

0:17:13.560 --> 0:17:15.639
<v Speaker 1>and that's what happened. So we got to do you

0:17:15.680 --> 0:17:16.160
<v Speaker 1>know what I'm saying.

0:17:16.480 --> 0:17:18.960
<v Speaker 2>I think you said I think arrest somewhere that you

0:17:19.000 --> 0:17:19.720
<v Speaker 2>said to college.

0:17:19.800 --> 0:17:22.080
<v Speaker 1>Uh, like I'm going through something. He was like, put

0:17:22.119 --> 0:17:27.280
<v Speaker 1>it in music. Yeah, yeah, that was The media took

0:17:27.280 --> 0:17:29.640
<v Speaker 1>that one and that thing with that one. But now

0:17:29.680 --> 0:17:32.040
<v Speaker 1>what happened that was early on. If I mean, you

0:17:32.040 --> 0:17:35.639
<v Speaker 1>can go back and listen to it, it was, what the

0:17:35.680 --> 0:17:37.560
<v Speaker 1>fuck is that? The song with me a future on

0:17:37.680 --> 0:17:39.239
<v Speaker 1>Major key album? You know what I mean, you go

0:17:39.280 --> 0:17:41.120
<v Speaker 1>listen to it. What the fuck I'm saying. I'm just talking.

0:17:41.160 --> 0:17:44.000
<v Speaker 1>I literally did that, and it's like I ain't trying

0:17:44.000 --> 0:17:45.960
<v Speaker 1>to listen to that ship. I was just super depressed,

0:17:46.200 --> 0:17:47.320
<v Speaker 1>you know what I mean. That didn't even what I

0:17:47.320 --> 0:17:49.560
<v Speaker 1>want to make music about. You know, but like at

0:17:49.560 --> 0:17:51.320
<v Speaker 1>that time, I was really going through all that ship

0:17:51.359 --> 0:17:52.520
<v Speaker 1>that I was talking about on the song, and I

0:17:52.560 --> 0:17:54.520
<v Speaker 1>was stressed the funk out because I was like, I

0:17:54.520 --> 0:17:57.040
<v Speaker 1>didn't get here to be beefing with niggas in the

0:17:57.119 --> 0:18:00.159
<v Speaker 1>music industry. You know, this person saying I owe him this,

0:18:00.359 --> 0:18:02.679
<v Speaker 1>or this person that literally I ain't spoke to in

0:18:02.760 --> 0:18:05.120
<v Speaker 1>four years, you know what I mean talking about like yo,

0:18:05.160 --> 0:18:06.679
<v Speaker 1>you oh, you know what I'm saying. It's just like

0:18:07.359 --> 0:18:08.919
<v Speaker 1>it was stressful for me to deal with. I had

0:18:08.920 --> 0:18:12.119
<v Speaker 1>people leaving death threats and on my car. My daughter

0:18:12.160 --> 0:18:14.600
<v Speaker 1>was in there sleeping while I'm somewhere else. Had to

0:18:14.600 --> 0:18:18.240
<v Speaker 1>fly back home figuring shit out. CPS called my crib

0:18:18.880 --> 0:18:21.760
<v Speaker 1>coming asking my daughter inappropriate questions, like all types of

0:18:21.800 --> 0:18:24.960
<v Speaker 1>shit that was making me like really be like, damn

0:18:25.000 --> 0:18:26.680
<v Speaker 1>fuck the music is you know what I'm saying? Like

0:18:26.720 --> 0:18:27.880
<v Speaker 1>I don't want to be a part of this shit

0:18:27.960 --> 0:18:30.760
<v Speaker 1>at all, Like is this what like my success is

0:18:30.800 --> 0:18:33.399
<v Speaker 1>making people? Do you know what I'm saying? And I

0:18:33.440 --> 0:18:36.960
<v Speaker 1>remember that was a point where I once my daughter

0:18:37.000 --> 0:18:39.040
<v Speaker 1>was born, I kind of like I stopped talking to everybody.

0:18:39.160 --> 0:18:41.399
<v Speaker 1>Like it wasn't because I knew I was gonna be

0:18:41.400 --> 0:18:43.919
<v Speaker 1>famous someday or whatever. I just was like, let me

0:18:43.920 --> 0:18:46.080
<v Speaker 1>see who really fuck with me for real? So like

0:18:46.200 --> 0:18:49.560
<v Speaker 1>I stopped fucking people, started focusing on my job at ups,

0:18:49.600 --> 0:18:52.439
<v Speaker 1>getting other jobs, and you know, there was only a

0:18:52.440 --> 0:18:54.080
<v Speaker 1>couple of people that was reaching out to me rich

0:18:54.480 --> 0:18:57.960
<v Speaker 1>you know, my Boye Swan you know obviously close family

0:18:57.960 --> 0:19:00.359
<v Speaker 1>members and whatnot, and other than that, you know, nobody

0:19:00.359 --> 0:19:03.399
<v Speaker 1>else was reaching out to me. So excuse me. Whenever

0:19:03.440 --> 0:19:06.879
<v Speaker 1>the song took off, don't and then whenever I started

0:19:06.920 --> 0:19:09.320
<v Speaker 1>having some success and all these people showing me love,

0:19:09.359 --> 0:19:12.159
<v Speaker 1>Timblin Drake, whoever, all these people start knocking at the door,

0:19:12.240 --> 0:19:14.399
<v Speaker 1>like yo, you switched up. It's just like, damn I

0:19:14.440 --> 0:19:20.399
<v Speaker 1>switched up. That's crazy. That was while I blew my

0:19:20.400 --> 0:19:22.679
<v Speaker 1>mind so like at that point, and then they really

0:19:22.920 --> 0:19:25.359
<v Speaker 1>they really was like, nah, we gotta we gotta do

0:19:25.440 --> 0:19:27.439
<v Speaker 1>something about this this guy, you know what I mean,

0:19:27.480 --> 0:19:30.119
<v Speaker 1>this dude who like switched up on us. So they

0:19:30.240 --> 0:19:32.399
<v Speaker 1>just start pulling every trick out the you know what

0:19:32.400 --> 0:19:35.000
<v Speaker 1>I mean. I'm just like add it up. I'm like,

0:19:35.040 --> 0:19:36.840
<v Speaker 1>can I just make music to be happy about it?

0:19:36.880 --> 0:19:39.520
<v Speaker 1>But like the industry was just beat me up man

0:19:39.560 --> 0:19:42.240
<v Speaker 1>for a long time, you know, and I just I

0:19:42.400 --> 0:19:44.200
<v Speaker 1>wasn't funk with it. So that was the whole reason

0:19:44.240 --> 0:19:45.960
<v Speaker 1>why I was like, he was like put it in music,

0:19:46.160 --> 0:19:47.960
<v Speaker 1>you know. I was like, put it into music, But like,

0:19:48.720 --> 0:19:51.280
<v Speaker 1>don't nobody wanted that? But were you were you musically

0:19:51.320 --> 0:19:54.600
<v Speaker 1>trained in anyway? No, No, not at all. I'm really

0:19:54.640 --> 0:19:56.240
<v Speaker 1>just a studio geek at the end of the day.

0:19:56.280 --> 0:19:58.840
<v Speaker 3>Like because hearing you talk about the doctors and all that, Yeah, yeah,

0:19:58.880 --> 0:19:59.480
<v Speaker 3>I'm sure most of the.

0:19:59.440 --> 0:20:02.439
<v Speaker 1>People even were I don't know, just go ahead and

0:20:02.440 --> 0:20:05.280
<v Speaker 1>sing that or I know a little a couple of things,

0:20:05.280 --> 0:20:06.639
<v Speaker 1>you know, not for real, I'll just be in a

0:20:06.640 --> 0:20:09.280
<v Speaker 1>studio like fucking with shit, and I like, I mean

0:20:09.280 --> 0:20:10.879
<v Speaker 1>it's still a lot that I don't know, but like

0:20:11.040 --> 0:20:13.199
<v Speaker 1>you know.

0:20:14.080 --> 0:20:18.760
<v Speaker 2>You know, it was something I'll relate to you very much.

0:20:19.960 --> 0:20:23.520
<v Speaker 2>It's how tough you are on yourself. Watch your second

0:20:23.520 --> 0:20:28.840
<v Speaker 2>album like I you did. I'm gonna lie me hearing

0:20:28.880 --> 0:20:31.399
<v Speaker 2>you talk about your second album, I'd be like, damn,

0:20:31.480 --> 0:20:33.560
<v Speaker 2>I thought I was bad on myself. I actually had

0:20:33.600 --> 0:20:36.280
<v Speaker 2>a line Melvin Flint dropped my whole colossal stop. I

0:20:36.280 --> 0:20:38.639
<v Speaker 2>can't believe I'm fucked up and made a half assed album.

0:20:38.880 --> 0:20:41.160
<v Speaker 2>My excuse is my pops just died and I ain't

0:20:41.200 --> 0:20:44.880
<v Speaker 2>want to make music. My pops just died. I hated

0:20:44.920 --> 0:20:50.359
<v Speaker 2>my second album, and I listened to the critics. I

0:20:50.440 --> 0:20:54.120
<v Speaker 2>listened to the haters, and you're probably the only other

0:20:54.200 --> 0:20:57.199
<v Speaker 2>artists in the world that I know that related to that.

0:20:57.359 --> 0:21:00.960
<v Speaker 2>I was sitting there watching all your interviews and I

0:21:01.000 --> 0:21:04.360
<v Speaker 2>was like, holy, somebody is just as hard on theyself.

0:21:04.720 --> 0:21:08.040
<v Speaker 1>But but have you outgrown that or I want to

0:21:08.080 --> 0:21:10.480
<v Speaker 1>say that there's like a bit of a common misconception

0:21:10.480 --> 0:21:12.480
<v Speaker 1>because every time I see these clips, I always see

0:21:12.480 --> 0:21:14.600
<v Speaker 1>some of my bands coming to my defense, like I

0:21:14.640 --> 0:21:16.680
<v Speaker 1>just want him to know how good blah blah blah

0:21:16.720 --> 0:21:19.360
<v Speaker 1>appreciate it, but I'm just like, yo, it's not about that.

0:21:19.640 --> 0:21:22.440
<v Speaker 1>But the common misconception is this, like a lot of

0:21:22.440 --> 0:21:25.720
<v Speaker 1>people think that I became depressed after my second album.

0:21:25.960 --> 0:21:28.399
<v Speaker 1>It was after the first one that everybody tells me

0:21:28.400 --> 0:21:30.040
<v Speaker 1>now it's such a classic, and it was like this,

0:21:30.160 --> 0:21:32.679
<v Speaker 1>that and the third. It was after that win that

0:21:32.760 --> 0:21:34.840
<v Speaker 1>where I was like where I was fucked up, you

0:21:34.880 --> 0:21:36.760
<v Speaker 1>know what I'm saying. Trap Soul came out, and it's

0:21:36.880 --> 0:21:39.160
<v Speaker 1>just because, like I said, like the fame all that,

0:21:39.640 --> 0:21:41.080
<v Speaker 1>it was all new to me. So it's like when

0:21:41.119 --> 0:21:42.920
<v Speaker 1>it came out and I started seeing all these critics

0:21:43.160 --> 0:21:45.840
<v Speaker 1>going crazy on Trap. So that's when it made me

0:21:46.240 --> 0:21:48.399
<v Speaker 1>have imposter syndrome. And I was like, I don't know

0:21:48.400 --> 0:21:50.159
<v Speaker 1>what I'm doing, you know what I'm saying. I was like,

0:21:50.200 --> 0:21:52.760
<v Speaker 1>I thought that I did something. It wasn't until about

0:21:52.800 --> 0:21:55.600
<v Speaker 1>two years at two three years after that where people

0:21:55.680 --> 0:21:58.840
<v Speaker 1>was really like, yo, this is this is a dope album.

0:21:58.920 --> 0:22:01.280
<v Speaker 1>You know what I'm saying. Guess what. I had a label,

0:22:01.480 --> 0:22:04.199
<v Speaker 1>I had another tour, a tour, a tour agreement that

0:22:04.200 --> 0:22:07.000
<v Speaker 1>I had to fulfill. I had to drop another album

0:22:07.119 --> 0:22:14.560
<v Speaker 1>and because had imposter syndrome. You know what, bro? Yeah, exactly,

0:22:14.600 --> 0:22:17.640
<v Speaker 1>so it was like I didn't get time if I

0:22:17.720 --> 0:22:19.280
<v Speaker 1>you know, we talked about the money thing. You know,

0:22:19.760 --> 0:22:22.360
<v Speaker 1>that's it, right, Okay, that's the money that I shouldn't

0:22:22.359 --> 0:22:23.880
<v Speaker 1>have took at that moment because it's like the.

0:22:23.800 --> 0:22:27.120
<v Speaker 2>Same exact thing with me. I'm sorry because I relate

0:22:27.200 --> 0:22:28.840
<v Speaker 2>to it so much. Was they had gave me so

0:22:28.920 --> 0:22:30.760
<v Speaker 2>much money, and how I'm gonna tell them not to

0:22:30.760 --> 0:22:31.920
<v Speaker 2>go to the studio, you know what I mean?

0:22:32.000 --> 0:22:34.360
<v Speaker 1>Like I spent the money and I was definitely using it.

0:22:34.560 --> 0:22:35.879
<v Speaker 2>So I was like I had to go to the

0:22:35.880 --> 0:22:37.560
<v Speaker 2>studid but it wasn't time for me, you know what

0:22:37.560 --> 0:22:42.320
<v Speaker 2>I'm saying. So if you could do anything to redo

0:22:43.040 --> 0:22:45.880
<v Speaker 2>the process of making that album, what would you do different?

0:22:47.080 --> 0:22:49.720
<v Speaker 1>I wouldn't have made it. I would have waited a while,

0:22:49.960 --> 0:22:51.840
<v Speaker 1>but I wouldn't have made it. But also I was

0:22:51.880 --> 0:22:54.480
<v Speaker 1>gonna say that I would have worked with writers because

0:22:54.480 --> 0:22:56.960
<v Speaker 1>that was the era when everybody was like Jake with

0:22:57.119 --> 0:23:00.600
<v Speaker 1>the platinum with no features, so everybody was so stuck

0:23:00.600 --> 0:23:01.840
<v Speaker 1>on it, and then they was like he went platting

0:23:01.840 --> 0:23:04.280
<v Speaker 1>with no features again, and I was just like, damn,

0:23:04.520 --> 0:23:06.199
<v Speaker 1>like I gotta go platinum with no because you know,

0:23:06.240 --> 0:23:08.159
<v Speaker 1>my first ship platinum with no features. I was like,

0:23:08.160 --> 0:23:10.440
<v Speaker 1>all right, I guess I'm gonna go platinum with no

0:23:10.520 --> 0:23:12.959
<v Speaker 1>features again. You do that twice? Did I do it twice?

0:23:13.080 --> 0:23:16.720
<v Speaker 2>Yeah?

0:23:16.800 --> 0:23:19.600
<v Speaker 1>Yeah, you know what's going on out here? Years later,

0:23:21.000 --> 0:23:22.840
<v Speaker 1>but it happened though, you know. But anyways, I think

0:23:22.880 --> 0:23:25.040
<v Speaker 1>I was so hung up on that and like I said,

0:23:25.080 --> 0:23:28.520
<v Speaker 1>imposter syndrome. So like a big part of me was like, man,

0:23:28.640 --> 0:23:30.200
<v Speaker 1>you know, if I could go back in time, really

0:23:30.200 --> 0:23:31.720
<v Speaker 1>what I would have did, I wouldn't have I wouldn't

0:23:31.720 --> 0:23:34.080
<v Speaker 1>have made an album. I would have waited to see

0:23:34.080 --> 0:23:35.840
<v Speaker 1>what the fun was gonna happen with my first album.

0:23:36.000 --> 0:23:37.560
<v Speaker 1>But I didn't have the luxury of doing that because

0:23:37.600 --> 0:23:41.119
<v Speaker 1>you know, money running dry and something like, damn, you

0:23:41.119 --> 0:23:43.320
<v Speaker 1>know what am I gonna you know what I'm gonna do?

0:23:43.400 --> 0:23:46.240
<v Speaker 1>So you had your kid too, right, my kid? And

0:23:46.280 --> 0:23:47.720
<v Speaker 1>you know at that point there was a lot of pressure.

0:23:47.760 --> 0:23:49.959
<v Speaker 1>I was just like, I can't go back to ups.

0:23:50.000 --> 0:23:52.320
<v Speaker 1>I can't go back to Papa John's right, you know,

0:23:52.359 --> 0:23:54.600
<v Speaker 1>I gotta do something. And that number was nice, so

0:23:54.640 --> 0:23:57.040
<v Speaker 1>I was like, I'm gonna take it, you know, I

0:23:57.080 --> 0:24:00.240
<v Speaker 1>had to, and yeah, just put me. It really put

0:24:00.280 --> 0:24:03.200
<v Speaker 1>me behind and you know, after and then that shit

0:24:03.280 --> 0:24:05.040
<v Speaker 1>came out because, like I said, I went in my

0:24:05.080 --> 0:24:07.199
<v Speaker 1>mind and then the critics went in and that just

0:24:07.280 --> 0:24:09.600
<v Speaker 1>really sent me to yep.

0:24:10.119 --> 0:24:14.760
<v Speaker 2>But like following you, listening to you, I can tell

0:24:14.800 --> 0:24:15.640
<v Speaker 2>that you let.

0:24:15.440 --> 0:24:18.399
<v Speaker 1>The critics get to you. Yeah, get to you. I

0:24:18.440 --> 0:24:18.760
<v Speaker 1>did too.

0:24:18.880 --> 0:24:21.680
<v Speaker 2>I did too, Like so I'm the same human being,

0:24:21.800 --> 0:24:26.919
<v Speaker 2>like like, I know what's crazy. My first album, I

0:24:26.920 --> 0:24:29.520
<v Speaker 2>got four and a half mics in the source right,

0:24:29.560 --> 0:24:31.359
<v Speaker 2>which is a big deal. Which was a big deal,

0:24:31.840 --> 0:24:34.440
<v Speaker 2>so I was supposed to celebrate that. But my second

0:24:34.480 --> 0:24:38.399
<v Speaker 2>album got three mics, and I celebrated the failure of

0:24:38.400 --> 0:24:41.119
<v Speaker 2>the three mics more than I celebrated the success. And

0:24:41.160 --> 0:24:43.320
<v Speaker 2>I let the people get to me. But for years

0:24:43.359 --> 0:24:44.199
<v Speaker 2>later it was it.

0:24:44.240 --> 0:24:46.199
<v Speaker 1>Was people, you know.

0:24:46.200 --> 0:24:48.120
<v Speaker 2>I would see them in the airport and they'd be like.

0:24:47.960 --> 0:24:49.879
<v Speaker 1>Why the funk would you just this album?

0:24:50.040 --> 0:24:52.440
<v Speaker 2>The album changed my life, and I had to sit

0:24:52.520 --> 0:24:54.879
<v Speaker 2>back and I had to say, you know what, this

0:24:54.920 --> 0:24:58.879
<v Speaker 2>ship wasn't about me. So that's why I asked you,

0:24:58.359 --> 0:25:01.040
<v Speaker 2>did you go back to me visit that and say, like,

0:25:01.359 --> 0:25:04.440
<v Speaker 2>you know, you know you you answer the question man,

0:25:04.480 --> 0:25:07.480
<v Speaker 2>when you said, yeah, I can't even listen to it.

0:25:06.600 --> 0:25:10.240
<v Speaker 1>You know the fans that you want me to do

0:25:10.280 --> 0:25:12.639
<v Speaker 1>a couple on tours. So it's like there some of

0:25:12.680 --> 0:25:15.680
<v Speaker 1>them I cans like, like the more the more popular ones,

0:25:15.720 --> 0:25:17.159
<v Speaker 1>but a lot of them, I'm just like, it's the

0:25:17.160 --> 0:25:19.359
<v Speaker 1>same ship with the cald song. Like when I hear

0:25:19.400 --> 0:25:22.399
<v Speaker 1>the Calis song, I hear I heard my second out,

0:25:22.480 --> 0:25:24.439
<v Speaker 1>you know what I mean. I'm just like, this is

0:25:24.440 --> 0:25:26.160
<v Speaker 1>not where I need to be. He was like, put

0:25:26.160 --> 0:25:27.959
<v Speaker 1>it into the music. That was literally what I did.

0:25:28.040 --> 0:25:29.000
<v Speaker 1>I was like, I don't even know what to make

0:25:29.080 --> 0:25:30.919
<v Speaker 1>music about. And I was like, fuck it, i'ma just

0:25:31.119 --> 0:25:32.800
<v Speaker 1>I guess put it in the music and talk about

0:25:32.840 --> 0:25:35.639
<v Speaker 1>ship that I'm going through. And it's crazy because, like

0:25:36.920 --> 0:25:39.320
<v Speaker 1>you know, I remember one time I had another one

0:25:39.320 --> 0:25:43.239
<v Speaker 1>of those manifestation dreams and I was in Australia and

0:25:43.280 --> 0:25:46.439
<v Speaker 1>my manager at the time was like, yo, you know,

0:25:47.240 --> 0:25:49.919
<v Speaker 1>actually I skipped apart. I had a dream I'm sleeping

0:25:49.920 --> 0:25:53.199
<v Speaker 1>in the in the in the bed whatever. And my

0:25:53.320 --> 0:25:55.640
<v Speaker 1>dream I was in my hood, my old hood in Louisville,

0:25:55.840 --> 0:25:59.040
<v Speaker 1>and they was a jet just flew down in the

0:25:59.040 --> 0:26:01.960
<v Speaker 1>middle of the hood and jay Z and Beyonce got

0:26:01.960 --> 0:26:03.680
<v Speaker 1>off of it, and jay Z was like, were having

0:26:03.680 --> 0:26:07.440
<v Speaker 1>some dreams. He was like, Yo, what you doing here?

0:26:07.440 --> 0:26:07.640
<v Speaker 4>Bro?

0:26:08.119 --> 0:26:10.080
<v Speaker 1>I was just like I don't know, and then like

0:26:10.160 --> 0:26:12.000
<v Speaker 1>I don't know what happened, but I ended up waking up. Right.

0:26:12.520 --> 0:26:14.080
<v Speaker 1>My manager calls me, was like, Yo, you know how

0:26:14.080 --> 0:26:15.560
<v Speaker 1>you say you've been looking for a mentor right, And

0:26:15.600 --> 0:26:17.920
<v Speaker 1>I was like yeah, he said, Yo, jay Z won't

0:26:17.960 --> 0:26:20.280
<v Speaker 1>talk to you. I was like huh and he was

0:26:20.320 --> 0:26:22.879
<v Speaker 1>like yeah. I was like, okay, cool. So you know,

0:26:22.920 --> 0:26:25.120
<v Speaker 1>I think Lenny s put us on the group text

0:26:25.200 --> 0:26:27.680
<v Speaker 1>or whatnot. And then you know, jay Z was talking

0:26:27.680 --> 0:26:29.560
<v Speaker 1>to me about my second album. He was like, yo, man,

0:26:29.560 --> 0:26:32.520
<v Speaker 1>I just want to say, you know, I appreciate you know, Yo,

0:26:32.720 --> 0:26:34.320
<v Speaker 1>I heard when you talked about this and him just

0:26:34.359 --> 0:26:36.520
<v Speaker 1>breaking down ship, and I was saying, really meant a

0:26:36.520 --> 0:26:39.119
<v Speaker 1>lot to me, Like damn, that's crazy, Like you know,

0:26:39.160 --> 0:26:41.440
<v Speaker 1>even though I had, you know, the second album didn't

0:26:41.480 --> 0:26:43.840
<v Speaker 1>perform or whatnot, like I had, you know, jay Z

0:26:44.080 --> 0:26:46.720
<v Speaker 1>pick me up on that ship to me personally, and

0:26:46.720 --> 0:26:48.399
<v Speaker 1>that just made me be like you know what, fuck it,

0:26:48.480 --> 0:26:50.480
<v Speaker 1>Like I just got to keep pushing forward, you know

0:26:50.520 --> 0:26:50.800
<v Speaker 1>what I mean.

0:26:51.200 --> 0:26:56.840
<v Speaker 3>Fucking awesome, bro Thomas dream all right, so this is

0:26:56.880 --> 0:27:00.399
<v Speaker 3>our drinking game We're going to give you two choices.

0:27:01.080 --> 0:27:03.639
<v Speaker 3>If you pick one of the choices, we don't drink.

0:27:04.440 --> 0:27:06.840
<v Speaker 3>But if you say both or neither, like we didn't

0:27:06.880 --> 0:27:09.720
<v Speaker 3>want to pick anybody or whatever, then we drink.

0:27:09.600 --> 0:27:10.280
<v Speaker 1>And everybody drink.

0:27:10.400 --> 0:27:11.639
<v Speaker 2>I got a feeling he's gonna be want to be

0:27:11.640 --> 0:27:14.520
<v Speaker 2>politically correct, and.

0:27:14.480 --> 0:27:16.080
<v Speaker 1>They say, really did this anybody? We just want to

0:27:16.080 --> 0:27:16.760
<v Speaker 1>bring up stories.

0:27:17.119 --> 0:27:20.800
<v Speaker 3>Yeah, anything big a story, buddy, bring it up.

0:27:20.800 --> 0:27:23.240
<v Speaker 1>And and really the choice is really depending on whatever

0:27:23.280 --> 0:27:25.879
<v Speaker 1>for you. It's your criteria. It's it's it's not who's

0:27:25.880 --> 0:27:28.400
<v Speaker 1>better at anything specifica And then I gotta drink these

0:27:28.480 --> 0:27:31.040
<v Speaker 1>right here, right, Yeah, that's that's hockey. Yeah, okay, okay,

0:27:31.160 --> 0:27:34.560
<v Speaker 1>if you want, okay, you can sip to By the way,

0:27:34.560 --> 0:27:37.160
<v Speaker 1>we don't make up these questions. It's the cocaine section

0:27:37.240 --> 0:27:40.600
<v Speaker 1>over there. Colombian and the Dominican right there. They make

0:27:40.640 --> 0:27:41.360
<v Speaker 1>up these questions.

0:27:41.480 --> 0:27:45.160
<v Speaker 2>So if you get mad at anybody, let's just look

0:27:45.160 --> 0:27:48.080
<v Speaker 2>over there. Rich knows them both. He'll he'll send it up.

0:27:50.720 --> 0:27:53.320
<v Speaker 2>This is this is this is one I enjoy saying

0:27:54.480 --> 0:27:55.720
<v Speaker 2>m J or Prince.

0:27:57.520 --> 0:28:00.480
<v Speaker 1>MJ. MJ. Yeah, yeah, I mean because I play video

0:28:00.560 --> 0:28:02.480
<v Speaker 1>games and like I grew up with m J. You

0:28:02.520 --> 0:28:04.600
<v Speaker 1>know Michael Jackson Moonwalker.

0:28:04.640 --> 0:28:06.919
<v Speaker 2>So you know you got your own video game? Drop

0:28:07.640 --> 0:28:08.360
<v Speaker 2>it dropped the radio.

0:28:08.440 --> 0:28:11.040
<v Speaker 1>No, no, no, no, Okay, I'm working on them. Okay, okay,

0:28:11.280 --> 0:28:15.960
<v Speaker 1>jodas He or one twelve. I'm gonna go one twelve.

0:28:16.720 --> 0:28:18.520
<v Speaker 1>I love Joashy, but I'm gonna go one twelve though

0:28:18.920 --> 0:28:24.679
<v Speaker 1>they got like different type of sauce. Chris Brown or Usher.

0:28:26.119 --> 0:28:28.960
<v Speaker 1>I love Usher, but I'm gonna go see Breezing. Yeah,

0:28:29.480 --> 0:28:33.560
<v Speaker 1>just got talk with him too. Yeah, like we're yeah

0:28:35.880 --> 0:28:39.760
<v Speaker 1>Jack Carlo or boss Man Dilo. I gotta go with

0:28:39.800 --> 0:28:41.440
<v Speaker 1>the home with the home team. You know what I'm saying.

0:28:41.480 --> 0:28:47.000
<v Speaker 1>I love boss Man. I gotta go with the home team. Timberlin,

0:28:47.080 --> 0:28:47.480
<v Speaker 1>Ard Pharrell.

0:28:52.440 --> 0:28:56.760
<v Speaker 2>I'm gonna take a shot for you.

0:28:57.520 --> 0:29:06.440
<v Speaker 1>This one's challenging because it's like him when uh.

0:29:06.080 --> 0:29:13.120
<v Speaker 2>So, I just about one in the next one, Okay, Okay,

0:29:14.320 --> 0:29:18.000
<v Speaker 2>well I like all three. The next one, okay, yeah,

0:29:18.080 --> 0:29:20.160
<v Speaker 2>you go to the next you take the next one, boy,

0:29:20.200 --> 0:29:21.360
<v Speaker 2>wondered Charlie.

0:29:21.360 --> 0:29:27.960
<v Speaker 3>Heat Ah, that's a crazy question, man, Charlie.

0:29:28.240 --> 0:29:31.880
<v Speaker 1>Okay, okay, Charlie, Yo, hud away, Way, I didn't pick yet, don'tkay.

0:29:33.800 --> 0:29:36.960
<v Speaker 1>I'm just talking to my brother directly so hard because

0:29:37.080 --> 0:29:39.680
<v Speaker 1>like Charlie, my favorite Charlie, my favorite producer ever, you

0:29:39.680 --> 0:29:41.720
<v Speaker 1>know what I mean, because he just you know, he's

0:29:41.720 --> 0:29:43.760
<v Speaker 1>my favorite producer I've ever worked because he'd just be grinding.

0:29:43.840 --> 0:29:46.360
<v Speaker 1>He's always always ready to work on some new ship.

0:29:46.640 --> 0:29:48.239
<v Speaker 1>You know, we try everything. You know, we didn't need

0:29:48.240 --> 0:29:51.080
<v Speaker 1>a Paw Patrol song to Michael Jackson that song or

0:29:51.080 --> 0:29:55.080
<v Speaker 1>a rap song like just everything Patrol. So yeah we did. Yeah, yeah,

0:29:55.240 --> 0:30:01.240
<v Speaker 1>it's gonna be more hyper. Yeah, tell him like that.

0:30:01.360 --> 0:30:05.760
<v Speaker 1>That's me here, he'll know it. But anyways, but boy,

0:30:05.800 --> 0:30:08.040
<v Speaker 1>one day, he's just somebody that's just been you know,

0:30:08.120 --> 0:30:09.720
<v Speaker 1>me and him. We probably only got like two records

0:30:09.720 --> 0:30:12.000
<v Speaker 1>together or some three, I don't know, but like he

0:30:12.200 --> 0:30:15.680
<v Speaker 1>just super down the earth guy and probably one of

0:30:15.680 --> 0:30:17.640
<v Speaker 1>my best friends in the music industry for show because

0:30:17.680 --> 0:30:20.200
<v Speaker 1>he's always kept it solid. So I gotta take a shot.

0:30:20.200 --> 0:30:23.000
<v Speaker 1>I'm taking a shot with you, man. Follow cheers, just.

0:30:25.440 --> 0:30:31.360
<v Speaker 2>Stevie Wonder And by the way, Stevie, Steve, did you

0:30:31.400 --> 0:30:33.440
<v Speaker 2>see the new story that we just put out about

0:30:33.480 --> 0:30:34.120
<v Speaker 2>Stevie again?

0:30:35.080 --> 0:30:37.040
<v Speaker 1>We need Stevie on drinks already. Man.

0:30:37.640 --> 0:30:43.160
<v Speaker 2>I think if I see Stevie, he sees me, he's

0:30:43.160 --> 0:30:45.280
<v Speaker 2>gonna stop me. He's gonna stop.

0:30:45.840 --> 0:30:46.440
<v Speaker 1>So we just.

0:30:48.360 --> 0:30:51.800
<v Speaker 2>Deon Cole on here, and Deon Cole said that Stevie

0:30:51.880 --> 0:30:52.640
<v Speaker 2>want to back this.

0:30:52.640 --> 0:30:59.800
<v Speaker 1>Girl, damn, and then up the slop back like a bitch.

0:31:01.680 --> 0:31:06.400
<v Speaker 2>Ste Well, I don't think Stevie gets on jokes anymore.

0:31:06.560 --> 0:31:08.760
<v Speaker 2>I think Stevee's mad at us bro. I think I

0:31:08.800 --> 0:31:12.160
<v Speaker 2>think I'm not sure. I'm not too many stories, man,

0:31:12.400 --> 0:31:13.560
<v Speaker 2>so too many stories people.

0:31:13.440 --> 0:31:13.920
<v Speaker 1>Have come on here.

0:31:14.040 --> 0:31:16.240
<v Speaker 2>So the Eisley Brothers came on here said they seen

0:31:16.320 --> 0:31:21.200
<v Speaker 2>Stevie j Stevie on crossing the Highway.

0:31:21.120 --> 0:31:24.440
<v Speaker 3>A business street, not the Highway Man street.

0:31:25.160 --> 0:31:29.000
<v Speaker 1>So I don't think he's trying on jokes for money anymore. Ahead,

0:31:29.080 --> 0:31:32.240
<v Speaker 1>next one's big Stevie wonder stee.

0:31:32.360 --> 0:31:34.360
<v Speaker 2>Okay, okay, okay, I want to I want to ask

0:31:34.360 --> 0:31:40.920
<v Speaker 2>this one Drake or Tory lanez Rake. Okay, you got

0:31:41.120 --> 0:31:43.520
<v Speaker 2>records for both? He said, I got you.

0:31:43.560 --> 0:31:45.520
<v Speaker 1>Got records for both. It ain't about that, you know.

0:31:45.680 --> 0:31:48.400
<v Speaker 1>I love Toy. Toy is super dope artist. I think

0:31:49.920 --> 0:31:53.560
<v Speaker 1>he's just amazing, you know. But I grew up with Drake.

0:31:53.880 --> 0:31:57.080
<v Speaker 2>Okay, so now let me ask the more controversy question

0:31:58.040 --> 0:31:58.920
<v Speaker 2>Drake Kendrick.

0:32:01.360 --> 0:32:03.480
<v Speaker 1>That's easy. I mean, I love Kendrick Labar, but it's

0:32:03.480 --> 0:32:07.880
<v Speaker 1>straight because of your relationship. Relationship. But it's like, I

0:32:08.040 --> 0:32:10.360
<v Speaker 1>just that's the music that I've studied, Like got it,

0:32:10.360 --> 0:32:13.200
<v Speaker 1>you know, like, yeah, makes sense? Cool?

0:32:14.400 --> 0:32:20.280
<v Speaker 3>Al Green and Marvin Gaye Marvin gay Okay, Whitney Houston

0:32:21.400 --> 0:32:23.160
<v Speaker 3>did you all put three in this one?

0:32:24.240 --> 0:32:25.040
<v Speaker 1>They went crazy?

0:32:25.600 --> 0:32:35.920
<v Speaker 3>Whitney Houston and Mariah Carey. Okay, it's the cocaine section.

0:32:36.040 --> 0:32:39.480
<v Speaker 1>You're gonna get roped up one of these days. I

0:32:39.640 --> 0:32:41.160
<v Speaker 1>just gonna not grab people.

0:32:42.600 --> 0:32:46.360
<v Speaker 2>I'm gonna go with Mariah Carey. Okay, I'm not answering

0:32:46.360 --> 0:32:47.560
<v Speaker 2>this one. You asked that one.

0:32:48.200 --> 0:32:50.960
<v Speaker 3>Uh Beyonce, Arihanna.

0:32:51.520 --> 0:32:51.920
<v Speaker 1>Mm hm.

0:33:01.120 --> 0:33:11.400
<v Speaker 5>Hm hmm, Kanye or Swiss Beats Dama, Uh let me go, yeah.

0:33:11.480 --> 0:33:18.719
<v Speaker 2>Okay to speak total or s w B that's w okay.

0:33:20.360 --> 0:33:22.040
<v Speaker 2>Curtis Mayfield or slod Stone.

0:33:22.920 --> 0:33:25.160
<v Speaker 1>I don't know slod Stone, but I do know of

0:33:25.240 --> 0:33:30.440
<v Speaker 1>Curtis Mayfield. So you're going d J Collin or DJ Drama.

0:33:31.760 --> 0:33:33.239
<v Speaker 1>I love you Drama, but I gotta go with my

0:33:33.280 --> 0:33:36.160
<v Speaker 1>brother Calin. So right, he climbing over the walls and gates.

0:33:36.200 --> 0:33:37.880
<v Speaker 2>You should like that you gotta go with them mark

0:33:38.880 --> 0:33:42.600
<v Speaker 2>uh fat Joe or Rick Ross.

0:33:45.320 --> 0:33:47.440
<v Speaker 1>I gotta say fat Joe just because, like you know,

0:33:47.480 --> 0:33:51.280
<v Speaker 1>I got you know, richest, one of the richest best friends.

0:33:51.280 --> 0:33:53.640
<v Speaker 1>So he's just like one of the first famous people

0:33:53.680 --> 0:33:55.120
<v Speaker 1>I've been around, you know what I mean? That like

0:33:55.200 --> 0:33:58.200
<v Speaker 1>treating me, you know, like a human. So that's why

0:33:59.160 --> 0:34:04.400
<v Speaker 1>I gotta make no noise. But we got one more. Well,

0:34:04.600 --> 0:34:05.760
<v Speaker 1>they were going to send a couple more.

0:34:06.280 --> 0:34:12.279
<v Speaker 2>Okay, but that's a question. Did you ever have a

0:34:12.360 --> 0:34:14.440
<v Speaker 2>chance to be on a terror squad?

0:34:15.680 --> 0:34:19.759
<v Speaker 1>Uh m? Was that something? Is that a quiz if

0:34:19.760 --> 0:34:23.120
<v Speaker 1>you don't thinks? So? I don't think. So I mean

0:34:23.560 --> 0:34:25.280
<v Speaker 1>that Joe to me don't seem like type of guys

0:34:25.360 --> 0:34:27.879
<v Speaker 1>is ready to snatch up artists, like you know, even

0:34:28.480 --> 0:34:32.200
<v Speaker 1>lost money. She was saying, like rich, Like you know,

0:34:32.320 --> 0:34:34.680
<v Speaker 1>rich could have made money off me plenty of times

0:34:34.680 --> 0:34:36.719
<v Speaker 1>and just never wanted to. Like was like, yo, I

0:34:36.760 --> 0:34:38.719
<v Speaker 1>want you to be in the best possible I don't

0:34:38.719 --> 0:34:40.960
<v Speaker 1>want to. I don't you know what I mean. I

0:34:41.000 --> 0:34:42.799
<v Speaker 1>don't want to just be a manager or sign you

0:34:42.840 --> 0:34:44.799
<v Speaker 1>to my homie just because like I could get paid

0:34:44.840 --> 0:34:45.920
<v Speaker 1>off of it. He wanted me to be in the

0:34:45.920 --> 0:34:54.080
<v Speaker 1>best situation, and I have you and Joe ever worked together? Yeah,

0:34:54.080 --> 0:34:55.920
<v Speaker 1>I did a song. I did a song for my

0:34:56.000 --> 0:34:58.120
<v Speaker 1>long time ago oh wait, and then I did another

0:34:58.160 --> 0:35:00.400
<v Speaker 1>song with him and uh when he did the album

0:35:00.440 --> 0:35:05.960
<v Speaker 1>with with Dre Cool with Drake, okay, work, Okay, So

0:35:06.000 --> 0:35:07.040
<v Speaker 1>I'm gonna take a shot for that.

0:35:08.280 --> 0:35:10.719
<v Speaker 2>But the last one, there's a couple of more, couple

0:35:10.760 --> 0:35:12.240
<v Speaker 2>more okay, dollar sign.

0:35:12.239 --> 0:35:15.120
<v Speaker 1>T Paint, I'm gonna go. I'm gonna go Teddy Teddy

0:35:15.160 --> 0:35:21.520
<v Speaker 1>Pendergrast with T Pain and applies. What you gotta join

0:35:21.560 --> 0:35:25.040
<v Speaker 1>with T Paint applies? Uh yeah, I do, actually, but

0:35:25.080 --> 0:35:28.440
<v Speaker 1>you know what, I just got caught up on the

0:35:28.480 --> 0:35:31.839
<v Speaker 1>fact I was like Teddy Pain to say Teddy peng

0:35:32.080 --> 0:35:33.200
<v Speaker 1>but I remember I heard him say that on this

0:35:33.200 --> 0:35:36.120
<v Speaker 1>album was Teddy Paint. But anyways, T Paint is somebody

0:35:36.200 --> 0:35:37.799
<v Speaker 1>like my uncle gave me a CD. It was an

0:35:37.800 --> 0:35:41.120
<v Speaker 1>epiphany album and I was just like, love, that's my

0:35:41.120 --> 0:35:43.680
<v Speaker 1>favorite T Paint album ever, even though he had so

0:35:43.760 --> 0:35:46.880
<v Speaker 1>many other hits and ship. Yeah, I really studied that

0:35:46.920 --> 0:35:51.200
<v Speaker 1>album a lot. T Paint like the okay Barman Hill

0:35:51.280 --> 0:36:01.200
<v Speaker 1>or uh well Laurence Hill, Little Baby or the Baby.

0:36:03.840 --> 0:36:17.080
<v Speaker 6>Ye damn uh do the baby baby, Hey, old babies.

0:36:17.200 --> 0:36:20.279
<v Speaker 1>We can say both neither or I can say both. Yea, Yeah,

0:36:20.640 --> 0:36:21.680
<v Speaker 1>I don't know, but I thought I had to take

0:36:21.680 --> 0:36:26.279
<v Speaker 1>you both. Got to take a shot. I mean, I

0:36:26.360 --> 0:36:36.759
<v Speaker 1>say both. Outcast a U g K outcasts. Shout out

0:36:36.760 --> 0:36:40.720
<v Speaker 1>to bun Beato, the great guy. He's always treated me respect.

0:36:40.719 --> 0:36:42.520
<v Speaker 1>Another one of those people that's like down the earth.

0:36:43.680 --> 0:36:46.799
<v Speaker 2>We're doing competing this, this number, this next one a lot.

0:36:47.440 --> 0:36:50.200
<v Speaker 2>I think Niles doesn't care. But I think Jada Kiss.

0:36:50.000 --> 0:36:53.440
<v Speaker 1>Is going to say, that's a long time ago asking

0:36:53.480 --> 0:36:59.279
<v Speaker 1>me to take this out. He's retiring. Well, you know,

0:37:00.120 --> 0:37:02.960
<v Speaker 1>the wrong person asks just because like I studied mostly

0:37:03.680 --> 0:37:05.520
<v Speaker 1>be growing up. I didn't start studying rap until I

0:37:05.560 --> 0:37:08.600
<v Speaker 1>was like, I don't know, nineteen years old or something

0:37:08.640 --> 0:37:12.000
<v Speaker 1>like that. I don't know, I don't know. I mean

0:37:12.719 --> 0:37:16.600
<v Speaker 1>either casual hip hop listener. I mean I listened to

0:37:16.680 --> 0:37:18.880
<v Speaker 1>more of it now, but I would say, no.

0:37:19.320 --> 0:37:22.640
<v Speaker 2>No, all right, cool, the bars are earth winning fire,

0:37:24.280 --> 0:37:27.000
<v Speaker 2>Earth winning fire, Okay, all right, now this is last one.

0:37:27.040 --> 0:37:31.000
<v Speaker 2>We go go back to the interview. Yeah, loyalty or respect.

0:37:32.480 --> 0:37:38.799
<v Speaker 1>Mm hmm, I got I'm gonna go with respect. That's

0:37:38.800 --> 0:37:41.080
<v Speaker 1>a crazy question. I like that I'm gonna go respect.

0:37:42.160 --> 0:37:44.600
<v Speaker 1>I mean, but don't they ain't they kind of hand

0:37:44.600 --> 0:37:46.520
<v Speaker 1>in hand. That's why I figure, I think, yeah, that's

0:37:46.520 --> 0:37:51.360
<v Speaker 1>why I want both. I want to because if you

0:37:51.520 --> 0:37:53.319
<v Speaker 1>if you're not lawyer, how could you respect me? Like

0:37:53.719 --> 0:37:54.600
<v Speaker 1>that's what I agree with you.

0:37:54.760 --> 0:38:02.839
<v Speaker 2>So I'm yes, this is something I want to ask

0:38:02.920 --> 0:38:03.400
<v Speaker 2>you personally.

0:38:05.760 --> 0:38:08.279
<v Speaker 1>Do you enjoy being a part of the industry. Do

0:38:08.400 --> 0:38:12.000
<v Speaker 1>I enjoy being part of the music industry? Yeah, yeah, no,

0:38:12.120 --> 0:38:14.960
<v Speaker 1>you don't. No, I believe you right, like nothing about it.

0:38:15.400 --> 0:38:18.960
<v Speaker 1>I'm making this game brough industry, you know, Like you know,

0:38:20.560 --> 0:38:23.520
<v Speaker 1>as soon as you mentioned respect, it just got me thinking, like,

0:38:24.400 --> 0:38:27.359
<v Speaker 1>you know, I might get a lot of respect from

0:38:27.360 --> 0:38:30.440
<v Speaker 1>like fans and you know, the consumers and whatnot out there,

0:38:30.480 --> 0:38:33.560
<v Speaker 1>and then sometimes maybe not. But you know a lot

0:38:33.560 --> 0:38:36.000
<v Speaker 1>of times I always really wanted to respect my peers

0:38:36.680 --> 0:38:40.320
<v Speaker 1>and the ones that are like in it, like really

0:38:40.320 --> 0:38:42.840
<v Speaker 1>in it, and like are still out here competing to

0:38:42.920 --> 0:38:45.359
<v Speaker 1>be number one or whatever, Like I don't really ever

0:38:45.400 --> 0:38:48.719
<v Speaker 1>get the respect from them. And I'm a type of

0:38:48.719 --> 0:38:51.279
<v Speaker 1>person like I feel like when I came into the

0:38:51.320 --> 0:38:53.399
<v Speaker 1>industry and probably still know, there's a lot of people

0:38:53.440 --> 0:38:58.200
<v Speaker 1>that treat me like I'm a threat or something threat threat, yeah,

0:38:58.520 --> 0:39:00.759
<v Speaker 1>and I don't want to think that, but like the

0:39:00.800 --> 0:39:03.520
<v Speaker 1>way they treat me day to day. You know, I've

0:39:03.520 --> 0:39:05.279
<v Speaker 1>been in shit ten years. There's so many people that

0:39:05.320 --> 0:39:07.280
<v Speaker 1>I can name that like I've been so we celebrating

0:39:07.280 --> 0:39:12.520
<v Speaker 1>ten years to try sold. Yeah, but there's so many

0:39:12.560 --> 0:39:14.120
<v Speaker 1>people that I feel like I've reached out to or

0:39:14.120 --> 0:39:16.000
<v Speaker 1>try to talk to or try to get a meeting

0:39:16.040 --> 0:39:18.319
<v Speaker 1>with for five minutes and they just be blowing me

0:39:18.360 --> 0:39:21.240
<v Speaker 1>off or treat me like I'm just like some funky

0:39:21.280 --> 0:39:24.520
<v Speaker 1>ass a nigga that's trying to be around.

0:39:24.560 --> 0:39:28.759
<v Speaker 2>Say that, and I could believe, Like when when I

0:39:28.800 --> 0:39:31.680
<v Speaker 2>forget what interview this was, I'm for searching you and

0:39:31.719 --> 0:39:35.239
<v Speaker 2>then they said the tea paining features and it was

0:39:35.239 --> 0:39:37.839
<v Speaker 2>like they were saying that how they they love that

0:39:37.880 --> 0:39:40.520
<v Speaker 2>you went and got teap pain implies. And then they

0:39:40.640 --> 0:39:42.640
<v Speaker 2>mentioned some other artists that I'm not going to name,

0:39:42.960 --> 0:39:44.600
<v Speaker 2>and then you said, well, I can't even get them

0:39:44.600 --> 0:39:47.640
<v Speaker 2>on the phone, And I was just like, is that

0:39:47.800 --> 0:39:50.400
<v Speaker 2>you or is that them?

0:39:50.480 --> 0:39:52.680
<v Speaker 1>Right? It's still because it's like I reach out, like

0:39:52.880 --> 0:39:54.839
<v Speaker 1>I like I'm a man man, and I like I

0:39:54.880 --> 0:39:57.759
<v Speaker 1>like conversation. We got a problem. We gotta fight, you

0:39:57.840 --> 0:39:59.440
<v Speaker 1>know what I'm saying. We got to go back and forth,

0:39:59.520 --> 0:40:01.560
<v Speaker 1>like we could just as men sit down and talk

0:40:01.600 --> 0:40:03.640
<v Speaker 1>about it and nobody ever got to know about it.

0:40:03.880 --> 0:40:05.920
<v Speaker 1>Like I don't know what the problem be. Like a

0:40:05.920 --> 0:40:07.439
<v Speaker 1>lot of people will be saying it's like, oh, I'm

0:40:07.480 --> 0:40:10.640
<v Speaker 1>just busy. They always put it on that. But you know,

0:40:10.719 --> 0:40:12.839
<v Speaker 1>even jay Z hit me back every time I send

0:40:12.880 --> 0:40:14.640
<v Speaker 1>him a message, and you know, I imagine he's one

0:40:14.680 --> 0:40:17.840
<v Speaker 1>of the busy busiest I'm saying, so to see people

0:40:17.840 --> 0:40:20.560
<v Speaker 1>that ain't nowhere even near that, you know, I get it.

0:40:20.560 --> 0:40:22.520
<v Speaker 1>We all kings, we all got our own kingdoms, and

0:40:22.560 --> 0:40:24.560
<v Speaker 1>we got people that's trying to get the Lite promise.

0:40:24.840 --> 0:40:26.920
<v Speaker 1>You know, I'm sure you got twenty people trying to

0:40:26.920 --> 0:40:28.799
<v Speaker 1>get with you right now, so you know what I mean,

0:40:29.400 --> 0:40:32.040
<v Speaker 1>And like I respect that, but like also I feel like,

0:40:32.640 --> 0:40:36.719
<v Speaker 1>you know, if somebody was calling me saying, or are

0:40:36.719 --> 0:40:38.839
<v Speaker 1>trying to get in touch with you, you know, he really

0:40:38.880 --> 0:40:41.120
<v Speaker 1>want to talk to you. I'm gonna we're going to

0:40:41.200 --> 0:40:42.800
<v Speaker 1>have a conversation. You know, we don't have a conversation

0:40:42.920 --> 0:40:45.879
<v Speaker 1>or something. But like so I always felt like if

0:40:45.920 --> 0:40:47.560
<v Speaker 1>I did the same thing, maybe people will give me

0:40:47.560 --> 0:40:49.319
<v Speaker 1>that same respect, Like y'all, I'm trying to get into

0:40:49.360 --> 0:40:51.440
<v Speaker 1>contact so we can like either talk about a record

0:40:51.560 --> 0:40:53.920
<v Speaker 1>or let me show you something I'm working on, and

0:40:53.960 --> 0:40:54.880
<v Speaker 1>it would just be crickets.

0:40:55.360 --> 0:41:00.880
<v Speaker 2>Not even listen you, I swear to I can't imagine

0:41:00.880 --> 0:41:03.520
<v Speaker 2>that ship, bro, Like, don't be a lot of I

0:41:03.560 --> 0:41:07.160
<v Speaker 2>don't see artists right now not picking up into.

0:41:07.080 --> 0:41:11.320
<v Speaker 1>The sword of God, like I swear it's because they're busy.

0:41:11.880 --> 0:41:13.840
<v Speaker 2>Listen, I've studied you enough to know that if I

0:41:13.840 --> 0:41:17.800
<v Speaker 2>bring up an artist name, you're gonna say you know nothing.

0:41:18.040 --> 0:41:21.440
<v Speaker 1>So I know that. But because I care about them,

0:41:21.520 --> 0:41:22.759
<v Speaker 1>you know what I mean, I don't want to put

0:41:22.760 --> 0:41:24.000
<v Speaker 1>them out because I know what the media is gonna do.

0:41:24.000 --> 0:41:26.160
<v Speaker 1>They gonna take those in your alcohol. They're gonna a

0:41:26.160 --> 0:41:28.919
<v Speaker 1>little you know what I'm saying, Like they got of context. Yeah,

0:41:28.960 --> 0:41:30.880
<v Speaker 1>it's like shave room. They're gonna post some ship the

0:41:30.960 --> 0:41:32.479
<v Speaker 1>next thing. You know, all the people are gonna be saying,

0:41:32.600 --> 0:41:34.239
<v Speaker 1>and I just I don't want to do them like that.

0:41:34.600 --> 0:41:38.000
<v Speaker 1>You're gonna bring that on them because I care? Yeah,

0:41:38.120 --> 0:41:38.719
<v Speaker 1>and you sure.

0:41:39.239 --> 0:41:42.799
<v Speaker 2>Now this is me asking as a person because I

0:41:42.840 --> 0:41:46.040
<v Speaker 2>know the industry and a lot of the times artists

0:41:46.040 --> 0:41:47.840
<v Speaker 2>will sit right in the position that you're at and

0:41:47.880 --> 0:41:50.719
<v Speaker 2>they'll say, you know how it is, right, and yeah,

0:41:50.800 --> 0:41:52.799
<v Speaker 2>I do, I know how it is. But we're not

0:41:52.840 --> 0:41:55.719
<v Speaker 2>speaking to me. We're speaking to this whole audience. Is

0:41:55.760 --> 0:41:59.360
<v Speaker 2>it you reaching out? Is it management? Because I can't

0:41:59.360 --> 0:42:02.560
<v Speaker 2>see like I'll just throw out a random name, right,

0:42:02.719 --> 0:42:04.200
<v Speaker 2>I'm not gonna it's not gonna be a real person.

0:42:04.400 --> 0:42:07.400
<v Speaker 2>But can reaches out rights Until the reaches out the

0:42:07.440 --> 0:42:12.359
<v Speaker 2>can can, it's higher, it's hollering back. I can't see that.

0:42:12.640 --> 0:42:16.800
<v Speaker 2>So you do, like, especially fifteen millions so or the

0:42:16.840 --> 0:42:19.240
<v Speaker 2>success that you have, I don't see nobody not picking

0:42:19.280 --> 0:42:20.000
<v Speaker 2>up your phone call.

0:42:20.040 --> 0:42:20.239
<v Speaker 4>You know what?

0:42:20.320 --> 0:42:22.279
<v Speaker 1>I thought that same I swear to god I saw

0:42:22.320 --> 0:42:24.160
<v Speaker 1>I thought that same thing. As soon as they told me,

0:42:24.600 --> 0:42:26.560
<v Speaker 1>I called like ten people to verify that that was

0:42:26.600 --> 0:42:29.080
<v Speaker 1>even real. I was like, Yo, is this real? Is

0:42:29.120 --> 0:42:32.000
<v Speaker 1>this true? Because if it is, I'm about to reach

0:42:32.000 --> 0:42:33.360
<v Speaker 1>out to a couple of people. You know what I

0:42:33.440 --> 0:42:35.320
<v Speaker 1>mean that you know that I want to talk to

0:42:35.360 --> 0:42:38.080
<v Speaker 1>about my game and whatnot, reach out to them. And

0:42:38.200 --> 0:42:40.719
<v Speaker 1>you know, I said them the thing that they saw

0:42:40.760 --> 0:42:43.319
<v Speaker 1>me like, yo, you know, thinking like maybe that's what

0:42:43.880 --> 0:42:45.600
<v Speaker 1>maybe that's what they respect, you know what I mean.

0:42:45.680 --> 0:42:47.239
<v Speaker 1>I was like, Okay, they don't. They might, they might

0:42:47.280 --> 0:42:49.880
<v Speaker 1>not respect me, but maybe they just respect winners. So

0:42:49.920 --> 0:42:52.520
<v Speaker 1>I was like, I'm winning, you know this, Maybe they're intimidated.

0:42:52.719 --> 0:42:55.160
<v Speaker 1>It's sound like a win to me. Possibly. I was like,

0:42:55.200 --> 0:42:56.440
<v Speaker 1>that's sounded like a win to me. So I was like,

0:42:56.440 --> 0:42:58.319
<v Speaker 1>reach out to a couple of people. Still to this day,

0:42:58.320 --> 0:43:00.799
<v Speaker 1>I'm going to show you no response. I was like, yo, man,

0:43:00.920 --> 0:43:04.400
<v Speaker 1>just I don't know, Man, yeah, I do be reaching

0:43:04.400 --> 0:43:06.920
<v Speaker 1>out to him person. It's not managements to me, and

0:43:06.960 --> 0:43:08.840
<v Speaker 1>you know who knows. I just feel like, if you

0:43:08.920 --> 0:43:11.120
<v Speaker 1>got a problem, just hit my phone. You know what

0:43:11.120 --> 0:43:13.399
<v Speaker 1>I'm saying. It's whatever, it is, like, it don't matter.

0:43:13.520 --> 0:43:16.040
<v Speaker 1>Like I feel like people in the industry, it's be

0:43:16.120 --> 0:43:21.080
<v Speaker 1>so many beefs between artists and I just I'm for

0:43:21.160 --> 0:43:22.560
<v Speaker 1>the people, you know what I mean, And I feel

0:43:22.560 --> 0:43:24.840
<v Speaker 1>like the people need music and the fact that we

0:43:24.880 --> 0:43:28.280
<v Speaker 1>can't collaborate, like fucking we didn't even got to collaborate

0:43:28.280 --> 0:43:30.239
<v Speaker 1>on music, Like I don't even funk about that. But like,

0:43:30.600 --> 0:43:32.359
<v Speaker 1>you know what I mean, some people look at it like, oh,

0:43:32.400 --> 0:43:34.080
<v Speaker 1>maybe he just want the clout, you know what. I mean,

0:43:34.560 --> 0:43:37.080
<v Speaker 1>what does it do for me to do a feature

0:43:37.120 --> 0:43:39.160
<v Speaker 1>with you? Like it's doing more for you than it

0:43:39.200 --> 0:43:40.560
<v Speaker 1>is for me. Some people look at it like that

0:43:40.600 --> 0:43:42.160
<v Speaker 1>and they're like, I'm not working him, you know what

0:43:42.200 --> 0:43:45.120
<v Speaker 1>I'm saying, Like that's what happens to me all the time. Like,

0:43:45.480 --> 0:43:47.399
<v Speaker 1>so I just don't don't. That's why I don't bother

0:43:47.440 --> 0:43:52.839
<v Speaker 1>collaborating with people, because like, what's the point, man? People

0:43:52.880 --> 0:43:56.680
<v Speaker 1>think it's me they say, Oh, I'm like, I'm here,

0:43:56.719 --> 0:43:57.800
<v Speaker 1>like at the same place.

0:43:58.760 --> 0:44:01.799
<v Speaker 2>You know what's crazy? And I don't want to say, well,

0:44:01.840 --> 0:44:05.000
<v Speaker 2>i've seen you that seems you were cool and shit

0:44:05.719 --> 0:44:07.680
<v Speaker 2>and I'm sitting back and I'm like, wait a minute.

0:44:08.000 --> 0:44:11.279
<v Speaker 1>These people think that, like you're a dick. They might

0:44:11.320 --> 0:44:13.560
<v Speaker 1>think you're a dick, right because you know what I mean.

0:44:13.880 --> 0:44:17.040
<v Speaker 2>But I've seen you cool, calm, collective, and I'm like,

0:44:17.120 --> 0:44:20.200
<v Speaker 2>holy shit, do you think that's that's a room about

0:44:20.239 --> 0:44:22.600
<v Speaker 2>you that you don't want to collab with people you

0:44:22.640 --> 0:44:23.319
<v Speaker 2>don't want to.

0:44:23.280 --> 0:44:27.600
<v Speaker 1>Be But here's the thing, Like that was when I

0:44:27.640 --> 0:44:29.920
<v Speaker 1>first came into the industry, a lot of people was

0:44:30.200 --> 0:44:32.839
<v Speaker 1>ringing my manager phone at the time, Yo, we want

0:44:32.840 --> 0:44:34.160
<v Speaker 1>to get toll on the song and that was just

0:44:34.160 --> 0:44:36.960
<v Speaker 1>like it was overwhelming because like at that time, like

0:44:37.000 --> 0:44:39.279
<v Speaker 1>I didn't even have time, Like will people be like, yo,

0:44:39.360 --> 0:44:40.799
<v Speaker 1>you got any think she was working on when he

0:44:40.840 --> 0:44:43.239
<v Speaker 1>was working on traps. So I'm like nah, because like

0:44:43.239 --> 0:44:44.799
<v Speaker 1>I had to go on tour right after that shit,

0:44:44.880 --> 0:44:47.759
<v Speaker 1>and I was so fucked up about the idea that

0:44:47.800 --> 0:44:49.399
<v Speaker 1>I had to be on stage in front of people

0:44:49.440 --> 0:44:51.359
<v Speaker 1>for the first time that I was like, I ain't

0:44:51.360 --> 0:44:52.919
<v Speaker 1>had no time to make music, you know what I'm saying.

0:44:52.920 --> 0:44:55.680
<v Speaker 1>So that was all I was thinking about, and and

0:44:55.760 --> 0:44:57.319
<v Speaker 1>people was reaching out like yo, we need you on

0:44:57.320 --> 0:44:59.239
<v Speaker 1>the song, and I was just like, I just can't

0:44:59.280 --> 0:45:01.560
<v Speaker 1>do features right now now, like because I don't funk

0:45:01.560 --> 0:45:04.040
<v Speaker 1>with these artists, but just because like I literally don't

0:45:04.040 --> 0:45:05.640
<v Speaker 1>even have time to make music for myself, you know

0:45:05.680 --> 0:45:07.920
<v Speaker 1>what I'm saying. So that was the main reason. So

0:45:07.960 --> 0:45:10.240
<v Speaker 1>maybe that you know, I ran into one of them artists.

0:45:10.239 --> 0:45:13.439
<v Speaker 1>Actually I ain't gonna say his name, but uh like gonna

0:45:13.440 --> 0:45:14.560
<v Speaker 1>say his name, but I ran into him at the

0:45:14.640 --> 0:45:16.840
<v Speaker 1>Hit Factory and he was like, yeah, man, your manager

0:45:16.840 --> 0:45:18.480
<v Speaker 1>told me you ain't trying to speak with people, man

0:45:18.719 --> 0:45:25.000
<v Speaker 1>laying man about you. I said, I'm here right now

0:45:25.040 --> 0:45:27.440
<v Speaker 1>and something. Yeah, I think I played him some ship

0:45:27.440 --> 0:45:28.919
<v Speaker 1>and he was like, I'm gonna do it. I'm gonna

0:45:29.400 --> 0:45:30.920
<v Speaker 1>like he put a verse on that bitch and it

0:45:30.960 --> 0:45:32.520
<v Speaker 1>came out like a week or two later.

0:45:32.840 --> 0:45:34.399
<v Speaker 2>But let me, let me, let me, let me give

0:45:34.440 --> 0:45:36.560
<v Speaker 2>you a problem. Let me just let you know. I've

0:45:36.600 --> 0:45:39.920
<v Speaker 2>been in this music business after Trap Soul. You changed

0:45:40.719 --> 0:45:43.000
<v Speaker 2>the whole game. I don't tell you, okay, said.

0:45:42.840 --> 0:45:47.920
<v Speaker 1>You changed the whole game? Is no, no, no, I.

0:45:47.880 --> 0:45:50.799
<v Speaker 2>Figure out because I know I can feel that your humbleness.

0:45:50.880 --> 0:45:55.160
<v Speaker 2>But like the way music is made now has changed

0:45:55.239 --> 0:45:58.319
<v Speaker 2>since Trap so and it's celebrating ten years. Correct, Yeah

0:45:58.600 --> 0:46:01.160
<v Speaker 2>you're going to take a shot for that. Yeah yeah,

0:46:01.160 --> 0:46:02.080
<v Speaker 2>hell yeah, come on.

0:46:02.200 --> 0:46:08.479
<v Speaker 1>I got do you do you realize what Trap Soul

0:46:08.680 --> 0:46:10.400
<v Speaker 1>did to the people. Always let it to me, and

0:46:10.600 --> 0:46:12.440
<v Speaker 1>I don't never hear it or see it. To be

0:46:12.440 --> 0:46:15.560
<v Speaker 1>honest with you, You're just too humble, man, I just

0:46:15.600 --> 0:46:17.680
<v Speaker 1>don't see it. Like I'm just being honest, Like I hear,

0:46:17.880 --> 0:46:20.600
<v Speaker 1>like I don't hear what they hear. Maybe they hear it,

0:46:20.920 --> 0:46:23.920
<v Speaker 1>but like for me, I just hear people making music.

0:46:23.960 --> 0:46:25.960
<v Speaker 1>You know what I'm saying. That's all right?

0:46:26.000 --> 0:46:29.400
<v Speaker 2>Well, well well and I've seen an interview where they

0:46:29.480 --> 0:46:32.640
<v Speaker 2>asked you about this and they say that you actually

0:46:32.640 --> 0:46:40.040
<v Speaker 2>have babies out there. People follow exactly Trap Soul and

0:46:40.800 --> 0:46:42.080
<v Speaker 2>I know you don't want to claim it.

0:46:42.520 --> 0:46:44.960
<v Speaker 1>Yeah. I was talking to some of my homies at

0:46:44.960 --> 0:46:49.680
<v Speaker 1>OVO at this party one time and prayings.

0:46:50.560 --> 0:46:50.759
<v Speaker 4>People.

0:46:50.840 --> 0:46:51.400
<v Speaker 1>Yeah, they was.

0:46:51.440 --> 0:46:53.040
<v Speaker 4>They was pissed at me because I was like, the

0:46:53.120 --> 0:46:54.920
<v Speaker 4>say yo, such and such as a song of the.

0:46:54.920 --> 0:46:57.279
<v Speaker 2>Story they said at the club, at the club and

0:46:57.480 --> 0:47:00.600
<v Speaker 2>come on at the club.

0:47:01.120 --> 0:47:02.920
<v Speaker 1>I was like, bron, I was like, nah, they're not

0:47:02.960 --> 0:47:04.440
<v Speaker 1>my son, but you didn't like the fact that they

0:47:04.520 --> 0:47:06.440
<v Speaker 1>was calling the son. Yeah, I don't like that. I

0:47:06.480 --> 0:47:10.120
<v Speaker 1>don't like because anytime I heard sons and him, it's bad.

0:47:10.480 --> 0:47:12.040
<v Speaker 1>It's like, you know what I mean, the way rappers,

0:47:12.040 --> 0:47:13.680
<v Speaker 1>you's like, Yo, this so and so is my son,

0:47:14.560 --> 0:47:16.840
<v Speaker 1>and it's always some ship that's putting them down in

0:47:16.920 --> 0:47:22.000
<v Speaker 1>the wraps New York. Not always.

0:47:22.080 --> 0:47:24.320
<v Speaker 3>You got to you gotta tell me the time, just

0:47:24.360 --> 0:47:26.759
<v Speaker 3>say like I'm the O G and they coming up

0:47:26.800 --> 0:47:27.160
<v Speaker 3>behind me.

0:47:27.239 --> 0:47:30.280
<v Speaker 1>That's really I guess I get it. When he explained

0:47:30.280 --> 0:47:31.920
<v Speaker 1>it to the collect Okay, I get it, you know

0:47:31.880 --> 0:47:33.480
<v Speaker 1>what I mean, But I you know, I just don't

0:47:33.520 --> 0:47:36.080
<v Speaker 1>ever want an artist to feel like I'm they daddy.

0:47:36.120 --> 0:47:38.719
<v Speaker 1>You know what I'm saying. I get that. I'm just

0:47:38.719 --> 0:47:41.720
<v Speaker 1>saying like I never want that. Like you just inspired

0:47:41.760 --> 0:47:43.759
<v Speaker 1>by me, you know what I'm saying. You took you know,

0:47:44.120 --> 0:47:46.120
<v Speaker 1>a page out of my book, study my you know

0:47:46.160 --> 0:47:48.160
<v Speaker 1>you're gonna make it your own. You know, they say

0:47:48.400 --> 0:47:51.239
<v Speaker 1>a thief stials with a genius borrows, and you know

0:47:51.280 --> 0:47:54.879
<v Speaker 1>for the artists that do that, you know, but yeah,

0:47:55.080 --> 0:47:57.160
<v Speaker 1>it's cool. I get the whole You got some babies

0:47:57.200 --> 0:47:59.520
<v Speaker 1>out there, I get it. No, it's the truth. It's

0:47:59.520 --> 0:47:59.839
<v Speaker 1>the truth.

0:48:00.080 --> 0:48:06.279
<v Speaker 2>Like you know what I mean, uh me personally, you know,

0:48:06.760 --> 0:48:11.040
<v Speaker 2>Sorry to keep twisting it to me, but there was

0:48:11.080 --> 0:48:14.120
<v Speaker 2>a whole genre after I worked with Pharrell, Like people

0:48:14.200 --> 0:48:16.279
<v Speaker 2>didn't want to work with Pharrell, and then people just

0:48:16.320 --> 0:48:19.080
<v Speaker 2>follow that that thing. And that's why it reminds me

0:48:19.120 --> 0:48:23.960
<v Speaker 2>of trap soul with you is because after that people

0:48:24.160 --> 0:48:29.240
<v Speaker 2>followed you and they mimicked and they made music exactly

0:48:29.360 --> 0:48:31.680
<v Speaker 2>sounding like you. And I know you humble enough not

0:48:31.719 --> 0:48:35.160
<v Speaker 2>to be like fuck them, Oh that's my son. You

0:48:35.200 --> 0:48:38.040
<v Speaker 2>ain't claiming that shit at all, but but you do

0:48:38.120 --> 0:48:39.759
<v Speaker 2>recognize people are following you.

0:48:39.800 --> 0:48:42.560
<v Speaker 1>I don't recognize that. Nah. I mean I've seen people

0:48:42.560 --> 0:48:45.239
<v Speaker 1>come out with albums called trap soul and like you

0:48:45.280 --> 0:48:47.000
<v Speaker 1>know what I mean, or went out or they'll tell

0:48:47.040 --> 0:48:49.120
<v Speaker 1>me that they like I'm their favorite artist and they'll

0:48:49.120 --> 0:48:50.600
<v Speaker 1>make music. I have just seen that.

0:48:50.680 --> 0:48:52.880
<v Speaker 3>But like you know, you can say it differently. You

0:48:52.920 --> 0:48:55.880
<v Speaker 3>inspired a movement is probably a better yeah way to

0:48:55.920 --> 0:48:56.239
<v Speaker 3>say it.

0:48:56.520 --> 0:48:58.640
<v Speaker 1>Yeah yeah, but like noah, I don't really I don't

0:48:58.680 --> 0:48:59.600
<v Speaker 1>really see it.

0:49:00.880 --> 0:49:02.880
<v Speaker 2>So if if let me let me so, let me

0:49:02.880 --> 0:49:09.200
<v Speaker 2>ask you a question, God comes down to Earth, h price,

0:49:10.760 --> 0:49:15.919
<v Speaker 2>You're gonna make one record to save humanity, get one

0:49:15.960 --> 0:49:18.600
<v Speaker 2>feature and one producer.

0:49:19.280 --> 0:49:26.080
<v Speaker 1>Who you calling dahm. One feature and if you want

0:49:26.080 --> 0:49:30.640
<v Speaker 1>to make it easier for you that a uh, okay

0:49:30.760 --> 0:49:32.800
<v Speaker 1>do I get to do? I get as many chances

0:49:32.840 --> 0:49:36.600
<v Speaker 1>with that. Let's say this feature does a hundred can

0:49:36.600 --> 0:49:38.279
<v Speaker 1>they do a hundred verses until I get it right?

0:49:46.480 --> 0:49:50.000
<v Speaker 4>But the producer might not get it right. I might

0:49:50.040 --> 0:49:52.640
<v Speaker 4>not get it right, like I just want to try.

0:49:52.920 --> 0:49:57.160
<v Speaker 1>I'm probably I'm gonna go with my boy Charlie Heat

0:49:57.320 --> 0:50:02.600
<v Speaker 1>for sure, so just because I believe in them so much.

0:50:03.440 --> 0:50:11.560
<v Speaker 1>And then as the feature, uh, and I get to

0:50:11.640 --> 0:50:14.920
<v Speaker 1>like vocal produce everything, Like I get to really craft

0:50:14.920 --> 0:50:19.200
<v Speaker 1>this ship together. Save a minute. I'm going with Drake. Yeah,

0:50:21.560 --> 0:50:27.440
<v Speaker 1>I can see it what you said. You you've vocal

0:50:27.480 --> 0:50:31.080
<v Speaker 1>produced him. No, not ever vo Okay, but like if

0:50:31.120 --> 0:50:32.640
<v Speaker 1>I could like be like yo, now we gotta do

0:50:32.680 --> 0:50:35.160
<v Speaker 1>it like this and you know what I'm saying and

0:50:35.320 --> 0:50:37.080
<v Speaker 1>really be a part of our our go with bro.

0:50:38.200 --> 0:50:41.879
<v Speaker 2>Is there anybody like you know, we got these collab albums.

0:50:41.719 --> 0:50:43.240
<v Speaker 1>That's like being popular.

0:50:43.280 --> 0:50:46.360
<v Speaker 2>Now, what is there anybody you will do a collab

0:50:46.400 --> 0:50:48.280
<v Speaker 2>album with a Yeah, there was a bunch of people.

0:50:48.320 --> 0:50:51.320
<v Speaker 2>I'll do one with Future for sure. I really love Future,

0:50:51.440 --> 0:50:54.640
<v Speaker 2>like pick up the Future. I just seen him another day.

0:50:55.719 --> 0:50:58.000
<v Speaker 2>We squashed it. We had a little first and we

0:50:58.080 --> 0:51:02.200
<v Speaker 2>squashed it and I told him I'm sorry for my bad.

0:51:02.000 --> 0:51:04.640
<v Speaker 1>Part's not even doing.

0:51:06.360 --> 0:51:09.760
<v Speaker 2>Talk about the good part, and thank you Future because

0:51:09.920 --> 0:51:11.640
<v Speaker 2>he was actually right and you know what I mean,

0:51:12.000 --> 0:51:14.600
<v Speaker 2>thick him up. But that's what you in Future.

0:51:14.800 --> 0:51:16.759
<v Speaker 1>Yeah, I would love to do some Future just because,

0:51:16.840 --> 0:51:20.480
<v Speaker 1>like you know, Future, you got the melodies for show.

0:51:20.600 --> 0:51:22.719
<v Speaker 1>You definitely got through caduses and like you know, I

0:51:22.800 --> 0:51:26.640
<v Speaker 1>understand like rap music. I study his catalog for a

0:51:26.640 --> 0:51:28.880
<v Speaker 1>long time. You know, if it's for him. I wouldn't

0:51:29.080 --> 0:51:31.080
<v Speaker 1>There's so much shit that I just would have never made,

0:51:31.080 --> 0:51:32.640
<v Speaker 1>you know what I mean? But I feel like we

0:51:32.640 --> 0:51:34.799
<v Speaker 1>would make some some real dope ship, not just for

0:51:34.800 --> 0:51:38.520
<v Speaker 1>the ladies, but just for the fellas who love ladies.

0:51:38.520 --> 0:51:43.279
<v Speaker 1>So what do you love more? Rapping? Or I mean,

0:51:43.640 --> 0:51:45.600
<v Speaker 1>R and B is my first love. But I always

0:51:45.640 --> 0:51:48.440
<v Speaker 1>say we're rapping. I can I can say more, you know, singing.

0:51:48.480 --> 0:51:51.720
<v Speaker 1>It's like it's it's a lot more slow, slow paced,

0:51:52.200 --> 0:51:55.640
<v Speaker 1>and uh yeah, we're rapping. I don't know, it's just

0:51:55.680 --> 0:51:58.480
<v Speaker 1>like a million words that I could say in sixteen

0:51:58.520 --> 0:52:01.120
<v Speaker 1>bars versus was the moment you decided I want to

0:52:01.120 --> 0:52:10.439
<v Speaker 1>start with? I started rapping because of who gotta started

0:52:10.480 --> 0:52:13.160
<v Speaker 1>rapping because I got a credit c B as a

0:52:13.200 --> 0:52:15.360
<v Speaker 1>person that made me want to start rapping. But also

0:52:20.680 --> 0:52:21.440
<v Speaker 1>there another CB.

0:52:22.080 --> 0:52:27.360
<v Speaker 2>You know, we don't know, we don't know.

0:52:28.880 --> 0:52:34.680
<v Speaker 1>Anyways, Yeah, yeah, yeah, he's the person that made me want.

0:52:35.000 --> 0:52:37.040
<v Speaker 1>You can relate to him because he was a singer

0:52:38.440 --> 0:52:39.919
<v Speaker 1>like for me, like I was like, yeah, I really

0:52:39.960 --> 0:52:42.160
<v Speaker 1>want to really really really rap. And I feel like

0:52:42.160 --> 0:52:44.319
<v Speaker 1>even y'all, I ain't never heard me really really rap,

0:52:44.360 --> 0:52:46.640
<v Speaker 1>and I could play out you got a double album.

0:52:47.200 --> 0:52:50.160
<v Speaker 1>The double album, I was like, he could you can

0:52:50.200 --> 0:52:52.440
<v Speaker 1>listen to Minny Kelly, you know on vices you know

0:52:52.480 --> 0:52:54.279
<v Speaker 1>what I mean, and hear me spit and whatnot, But

0:52:54.320 --> 0:52:56.960
<v Speaker 1>I got some other songs and whatnot where it's like,

0:52:58.280 --> 0:53:00.279
<v Speaker 1>I think that's the hardest part about being me, like

0:53:00.320 --> 0:53:03.239
<v Speaker 1>because it's like, you know, I really don't feel like

0:53:03.239 --> 0:53:06.799
<v Speaker 1>there's as it's like a catch twenty two almost because

0:53:06.800 --> 0:53:08.920
<v Speaker 1>it's not a It's not a singer out there that

0:53:08.920 --> 0:53:10.520
<v Speaker 1>can rap better than me, and there's not a rapper

0:53:10.560 --> 0:53:13.040
<v Speaker 1>that could sing better than me. So it's like, I'm like,

0:53:13.120 --> 0:53:15.279
<v Speaker 1>but where do I fit in in this industry? But

0:53:15.360 --> 0:53:21.120
<v Speaker 1>to answer your question, I probably yeah, I mean singamore

0:53:21.239 --> 0:53:23.600
<v Speaker 1>and who made me want to rap? Or when did

0:53:23.600 --> 0:53:26.000
<v Speaker 1>I start taking rap? Seriously, there was a reverse that

0:53:26.080 --> 0:53:29.759
<v Speaker 1>Jay V did on a song called Click and I

0:53:29.840 --> 0:53:32.120
<v Speaker 1>remember you know for a long time, Wayne was my

0:53:32.160 --> 0:53:34.560
<v Speaker 1>favorite rapper for a long time. Way I got to say,

0:53:34.680 --> 0:53:37.160
<v Speaker 1>I can't believe I forgot bro He the main person

0:53:37.160 --> 0:53:39.319
<v Speaker 1>that made me want to rapt. Way yeah, A little wait,

0:53:39.320 --> 0:53:43.279
<v Speaker 1>but then Broa when I think when you stuff, when

0:53:43.280 --> 0:53:44.960
<v Speaker 1>I seen be doing it, I was like, oh yeah,

0:53:44.960 --> 0:53:46.480
<v Speaker 1>maybe I should try to fuck it, you know what

0:53:46.480 --> 0:53:50.520
<v Speaker 1>I mean. I start trying and and but you know,

0:53:50.800 --> 0:53:52.560
<v Speaker 1>I was never really that good at it, Like you

0:53:52.560 --> 0:53:55.040
<v Speaker 1>go back to my twenty eleven twenty ten shit, I

0:53:55.080 --> 0:53:58.279
<v Speaker 1>wasn't that good at it. And then I heard people

0:53:58.360 --> 0:54:00.200
<v Speaker 1>used to always say jay Z was the best for

0:54:00.480 --> 0:54:02.920
<v Speaker 1>best rapper to ever do it, and for me, I

0:54:03.000 --> 0:54:05.480
<v Speaker 1>never really understood it because and then I heard him

0:54:05.520 --> 0:54:07.920
<v Speaker 1>say someone times like yo, people just ain't listening so

0:54:07.960 --> 0:54:10.040
<v Speaker 1>they can't catch up to what I'm saying, something like that.

0:54:10.600 --> 0:54:13.160
<v Speaker 1>And then one day, you know, I just heard, like

0:54:13.600 --> 0:54:16.040
<v Speaker 1>you know, it was just like mumbo jumbo. You know,

0:54:16.200 --> 0:54:18.239
<v Speaker 1>for me as a person who didn't really listen to

0:54:18.320 --> 0:54:20.839
<v Speaker 1>rap music, but Wayne somehow connected to me. But one

0:54:20.920 --> 0:54:24.160
<v Speaker 1>day on the way to work ups this click versus playing,

0:54:24.880 --> 0:54:26.839
<v Speaker 1>and then he said everything he said on that verse,

0:54:26.920 --> 0:54:28.920
<v Speaker 1>and I said, yo, I just get it.

0:54:28.920 --> 0:54:30.520
<v Speaker 4>It was like an awakening. I was like, yo, I

0:54:30.560 --> 0:54:32.960
<v Speaker 4>fucking get it. Jay Z is the best. I was like, yo,

0:54:33.000 --> 0:54:35.680
<v Speaker 4>hold up. I was like, let me go back, let

0:54:35.680 --> 0:54:37.759
<v Speaker 4>me listen to all this man ship. Then I started listening.

0:54:37.800 --> 0:54:39.760
<v Speaker 4>I started understanding. I don't know if I got smarter

0:54:39.920 --> 0:54:40.640
<v Speaker 4>or what.

0:54:42.920 --> 0:54:45.080
<v Speaker 1>I got smarter than I finally started understanding what bro

0:54:45.200 --> 0:54:48.120
<v Speaker 1>was saying. But like I started because I really appreciate words,

0:54:48.160 --> 0:54:49.600
<v Speaker 1>you know what I'm saying. So he really is a

0:54:49.640 --> 0:54:52.480
<v Speaker 1>worsmith for real. So like I started listening to everything

0:54:52.520 --> 0:54:55.040
<v Speaker 1>he was saying. I was like, yeah, I gotta get

0:54:55.080 --> 0:54:56.960
<v Speaker 1>better at rapping for sure, you know what I mean.

0:54:57.239 --> 0:54:59.399
<v Speaker 1>And then shit, that's kind of.

0:55:00.560 --> 0:55:03.600
<v Speaker 2>Jay Z's first album. I didn't I didn't even get it.

0:55:04.160 --> 0:55:06.600
<v Speaker 2>I wasn't getting money at the time. Then I started

0:55:06.600 --> 0:55:07.080
<v Speaker 2>getting money.

0:55:07.080 --> 0:55:07.839
<v Speaker 1>I was like, you couldn't relate.

0:55:08.120 --> 0:55:12.600
<v Speaker 3>You couldn't relate to that some money.

0:55:12.719 --> 0:55:16.920
<v Speaker 2>I'm sorry, all right, I've been looking at your wrists

0:55:16.920 --> 0:55:23.520
<v Speaker 2>this whole time. I'm a watch cornoisur holds of VVS diamonds.

0:55:24.400 --> 0:55:27.480
<v Speaker 2>That is a very beautiful watch. What is that?

0:55:28.320 --> 0:55:32.120
<v Speaker 1>Uh? This is a rich Can you help me out here?

0:55:32.680 --> 0:55:37.239
<v Speaker 1>It's just ibby right coat? Can you show it to

0:55:37.280 --> 0:55:37.640
<v Speaker 1>the camera?

0:55:37.680 --> 0:55:41.680
<v Speaker 2>Plan holy ship, it's it's blinding people, it's lying.

0:55:43.960 --> 0:55:45.759
<v Speaker 1>I ain't gonna I stick out some braze bowl dust

0:55:45.760 --> 0:55:49.120
<v Speaker 1>on it. I ain't clean this one. It looks it

0:55:49.160 --> 0:55:51.880
<v Speaker 1>looks band appreciate it. I only got it because, I

0:55:51.880 --> 0:55:53.320
<v Speaker 1>mean because of the tour and ship. I was like,

0:55:53.360 --> 0:55:55.480
<v Speaker 1>you know what, I ain't got no background dancers, none

0:55:55.520 --> 0:55:58.680
<v Speaker 1>of that. So I was like, I need sometime some dancing.

0:55:58.800 --> 0:56:12.160
<v Speaker 7>You know, I've never heard of that.

0:56:12.160 --> 0:56:15.640
<v Speaker 2>That no bad his his risk is his background. Dann

0:56:15.640 --> 0:56:21.680
<v Speaker 2>sas motherfucker believe that. Holy moly moly, your dad is

0:56:21.719 --> 0:56:23.560
<v Speaker 2>a beautiful beautiful Are you in the watchers?

0:56:23.800 --> 0:56:24.040
<v Speaker 1>No?

0:56:24.080 --> 0:56:26.560
<v Speaker 2>Not really, not really, No, you're not You're not in

0:56:26.600 --> 0:56:26.959
<v Speaker 2>the ship.

0:56:28.080 --> 0:56:31.000
<v Speaker 1>I only got it, not really.

0:56:33.160 --> 0:56:36.600
<v Speaker 2>Shot for you, just yo. But yo, I ain't gonna

0:56:36.600 --> 0:56:38.640
<v Speaker 2>lie to you. I admire that for you, like the

0:56:38.719 --> 0:56:44.879
<v Speaker 2>fact that the industry hasn't you know what I'm saying,

0:56:44.920 --> 0:56:49.279
<v Speaker 2>Like I see your motherfucker into this industry and the

0:56:49.320 --> 0:56:52.120
<v Speaker 2>way they come pause, the way they enter, and the

0:56:52.120 --> 0:56:55.680
<v Speaker 2>way they consumed you. It's too different. You ain't let

0:56:55.760 --> 0:56:58.400
<v Speaker 2>it affect you. You didn't let it make you a

0:56:58.520 --> 0:57:03.120
<v Speaker 2>bad person. Trust me, I've saw it all. Thank you,

0:57:03.200 --> 0:57:05.080
<v Speaker 2>and I'm gonna take a shot to you being human.

0:57:05.719 --> 0:57:08.640
<v Speaker 2>Thank you, bro, appreciate that's real ship human. That's a

0:57:08.719 --> 0:57:12.879
<v Speaker 2>crazy pause though, you know that, you know what I'm

0:57:12.880 --> 0:57:18.120
<v Speaker 2>trying to say, like, yes, thank you, thank you for

0:57:18.160 --> 0:57:19.400
<v Speaker 2>correcting what he paused me.

0:57:19.440 --> 0:57:19.680
<v Speaker 1>Thank you.

0:57:20.400 --> 0:57:23.000
<v Speaker 2>But you have no idea how many people you see

0:57:23.040 --> 0:57:26.440
<v Speaker 2>coming up pause and when when.

0:57:26.680 --> 0:57:28.800
<v Speaker 1>When it's time for them to you know what I mean?

0:57:29.880 --> 0:57:32.000
<v Speaker 2>And that's when they want to be humble, that's when

0:57:32.000 --> 0:57:33.160
<v Speaker 2>they want to be cool people.

0:57:33.320 --> 0:57:36.120
<v Speaker 1>And then no one takes their call. Man.

0:57:36.840 --> 0:57:47.360
<v Speaker 2>Yeah, but boy when they there, homie, God, I tell

0:57:47.400 --> 0:57:51.400
<v Speaker 2>them I'm there. I've been here twenty five years.

0:57:51.920 --> 0:57:57.760
<v Speaker 1>I'm gonna stay here. You might not. I gat me more.

0:58:00.120 --> 0:58:06.120
<v Speaker 2>I'm sorry I went. I went. No, but for real, man,

0:58:06.200 --> 0:58:13.040
<v Speaker 2>like yo yo. I watched Rory and Maul your interview

0:58:14.280 --> 0:58:17.520
<v Speaker 2>and Rory just called me as funny as hell. And

0:58:17.760 --> 0:58:20.720
<v Speaker 2>Ory said that the time that he went to your show,

0:58:21.840 --> 0:58:23.920
<v Speaker 2>it was the most females he ever seen.

0:58:23.800 --> 0:58:28.840
<v Speaker 1>In New York City. Come out, maybe you gotta it's

0:58:28.840 --> 0:58:31.040
<v Speaker 1>a breezy bubble, of course, you know what I'm saying.

0:58:32.520 --> 0:58:32.640
<v Speaker 4>With me.

0:58:32.920 --> 0:58:34.920
<v Speaker 1>I mean, but like they're there for the you know, no,

0:58:35.040 --> 0:58:39.480
<v Speaker 1>they said this is your show, Chris Brown about show?

0:58:39.560 --> 0:58:41.360
<v Speaker 1>It was your show? Yeah, come on.

0:58:44.680 --> 0:58:47.200
<v Speaker 2>Rory said that he went to your show at Webster

0:58:47.280 --> 0:58:50.680
<v Speaker 2>Hall and it was the most females in New York

0:58:50.760 --> 0:58:52.919
<v Speaker 2>City that he ever saw.

0:58:53.760 --> 0:58:57.720
<v Speaker 1>Did you know that? I mean he said it to you, Yes,

0:58:58.160 --> 0:59:00.360
<v Speaker 1>he said it to you. You know, you know, you know,

0:59:00.520 --> 0:59:07.040
<v Speaker 1>no is that is that something? Does that make you

0:59:07.120 --> 0:59:09.840
<v Speaker 1>a sex symbol? Nah? Definitely not. Do you think you're

0:59:09.840 --> 0:59:12.840
<v Speaker 1>a sex symbol? No? When you make sexy fucking music, right,

0:59:12.920 --> 0:59:16.439
<v Speaker 1>I appreciate that, man, I appreciate that. No, I'm just nerve.

0:59:16.560 --> 0:59:16.720
<v Speaker 7>Man.

0:59:17.000 --> 0:59:19.560
<v Speaker 1>Let's just be chilling. That was a whole gamer man,

0:59:19.600 --> 0:59:21.800
<v Speaker 1>I just be chilling, like you know, the girls are

0:59:21.880 --> 0:59:23.960
<v Speaker 1>like me, like me and the girls who don't you

0:59:24.000 --> 0:59:26.400
<v Speaker 1>know whatever. I just make music and you know for

0:59:26.520 --> 0:59:30.760
<v Speaker 1>people who you know love women, and I appreciate women

0:59:30.800 --> 0:59:33.760
<v Speaker 1>a lot, so you know you don't think the new

0:59:34.680 --> 0:59:40.440
<v Speaker 1>Definitely not. I'll be sure none of those. I'm just

0:59:40.520 --> 0:59:42.920
<v Speaker 1>a guy who's uh, I'm just I'm just a guy

0:59:42.960 --> 0:59:45.160
<v Speaker 1>who's in the house. Break.

0:59:46.960 --> 0:59:49.000
<v Speaker 2>I'm gonna take a shot for you, man, because I

0:59:49.080 --> 0:59:50.840
<v Speaker 2>wanted to give you your flowers.

0:59:51.160 --> 0:59:53.720
<v Speaker 1>Solo, Solo should go take a shot. I don't want to,

0:59:54.280 --> 0:59:58.440
<v Speaker 1>and I just want to say something real quick. That's one.

0:59:58.520 --> 1:00:01.439
<v Speaker 1>Everybody didn't know that. I just ran in New York City,

1:00:01.480 --> 1:00:02.400
<v Speaker 1>motherfucking marriga.

1:00:04.880 --> 1:00:10.760
<v Speaker 2>I think this is no other artists. I would have

1:00:10.800 --> 1:00:11.280
<v Speaker 2>came out.

1:00:11.240 --> 1:00:20.360
<v Speaker 1>For a pause, stop that ship, bro, but I would

1:00:20.360 --> 1:00:21.160
<v Speaker 1>have been in bed.

1:00:21.880 --> 1:00:24.800
<v Speaker 2>Yeah, but they said I appreciate you got right, and

1:00:24.960 --> 1:00:27.760
<v Speaker 2>I'm coming off he came shimmering. He was like, yeah

1:00:29.200 --> 1:00:35.960
<v Speaker 2>for you, motherfucker because you and the motherfucker. So is

1:00:36.240 --> 1:00:38.600
<v Speaker 2>there anything that you felt like you didn't do in

1:00:38.680 --> 1:00:42.480
<v Speaker 2>the industry that you is this something that you want

1:00:42.520 --> 1:00:43.680
<v Speaker 2>to get an accomplished.

1:00:49.160 --> 1:00:50.960
<v Speaker 1>I ain't really collaborated with all the people that I

1:00:50.960 --> 1:00:53.520
<v Speaker 1>would have loved to collaborate. I won't name the names,

1:00:53.800 --> 1:00:55.800
<v Speaker 1>but like, I really love but let's go it out

1:00:55.840 --> 1:00:58.640
<v Speaker 1>there in a positive way. YEA, Yeah, Well I love artists,

1:00:58.760 --> 1:01:02.880
<v Speaker 1>I love people that create. I appreciate icons. I appreciate

1:01:03.000 --> 1:01:06.040
<v Speaker 1>people who you know, it's not easy to bring people

1:01:06.080 --> 1:01:09.000
<v Speaker 1>out to your shows. You know, a thousand people, five

1:01:09.080 --> 1:01:11.400
<v Speaker 1>thousand people, ten thousand people that some people doing fifty

1:01:11.440 --> 1:01:14.040
<v Speaker 1>thousand and six the Bridge Bowl's crazy. So it's like

1:01:15.000 --> 1:01:17.600
<v Speaker 1>anybody that can do that, like, I appreciate them, you

1:01:17.640 --> 1:01:19.640
<v Speaker 1>know what I'm saying. And you know, there's so many

1:01:19.680 --> 1:01:21.520
<v Speaker 1>people that I would just have loved to work with,

1:01:22.080 --> 1:01:24.040
<v Speaker 1>not because I feel like it could do something for me,

1:01:24.200 --> 1:01:26.520
<v Speaker 1>or like it's gonna bring me more money or more fans,

1:01:26.680 --> 1:01:28.560
<v Speaker 1>or like I get a chance to shit on them

1:01:28.920 --> 1:01:30.800
<v Speaker 1>on the song and sang better than them, or rap

1:01:30.840 --> 1:01:32.800
<v Speaker 1>better than them. But just because we get to make

1:01:32.880 --> 1:01:35.920
<v Speaker 1>something create people to you know, to just enjoy and

1:01:36.000 --> 1:01:38.240
<v Speaker 1>live with for their life, you know. And there's a

1:01:38.280 --> 1:01:40.520
<v Speaker 1>lot of people in the industry that I really never

1:01:40.560 --> 1:01:42.560
<v Speaker 1>got the chance to like sit in the studio and

1:01:42.640 --> 1:01:44.880
<v Speaker 1>chop it up with and be like yo, whatever and

1:01:44.920 --> 1:01:46.800
<v Speaker 1>then we make a song. You know. I used to

1:01:46.840 --> 1:01:49.160
<v Speaker 1>think that that's how the music industry was, like, you know,

1:01:49.240 --> 1:01:51.680
<v Speaker 1>because in high school, I wasn't really the cool guy,

1:01:52.600 --> 1:01:54.800
<v Speaker 1>so you know, but I was really fucking good at music.

1:01:55.240 --> 1:01:56.880
<v Speaker 1>So I was like, you know, that made me cool.

1:01:57.360 --> 1:01:59.520
<v Speaker 1>So whenever I started looking at the music industry, I

1:01:59.640 --> 1:02:01.520
<v Speaker 1>was like, okay, ship, when I get a music industry,

1:02:01.520 --> 1:02:04.800
<v Speaker 1>it's gonna be like I'm meeting all my my people.

1:02:05.080 --> 1:02:06.720
<v Speaker 1>This is my table right here, like all the people

1:02:06.760 --> 1:02:08.320
<v Speaker 1>in high school that wasn't you know, I had no

1:02:08.440 --> 1:02:10.480
<v Speaker 1>table there, like this is my table. And then I

1:02:10.560 --> 1:02:13.600
<v Speaker 1>got there and it just was like more tables, a

1:02:13.640 --> 1:02:15.640
<v Speaker 1>lot of tables. I was like, my damn, you know,

1:02:15.760 --> 1:02:18.680
<v Speaker 1>and I was just like, holy shit. Uh so that's

1:02:18.720 --> 1:02:22.640
<v Speaker 1>probably the one thing that I haven't done. But want

1:02:22.680 --> 1:02:25.160
<v Speaker 1>me throw a couple of features that I think I

1:02:25.200 --> 1:02:30.720
<v Speaker 1>would like I love shot that. I don't know if

1:02:30.720 --> 1:02:33.080
<v Speaker 1>she that would come out the you know, she don't

1:02:33.080 --> 1:02:35.240
<v Speaker 1>come out, but but I would. I would do that.

1:02:35.480 --> 1:02:38.400
<v Speaker 1>I would do that. Who's producing that I would? I

1:02:38.520 --> 1:02:41.880
<v Speaker 1>mean probably probably Charlie, but I would let her do.

1:02:42.000 --> 1:02:43.560
<v Speaker 1>I was like, yo, shot that, What do you need

1:02:43.680 --> 1:02:46.200
<v Speaker 1>me to do? Like if it's just an ad lib?

1:02:46.240 --> 1:02:47.800
<v Speaker 1>If I just got to sing in a lower octave

1:02:47.960 --> 1:02:50.000
<v Speaker 1>under you and I don't even get no shine in

1:02:50.080 --> 1:02:51.680
<v Speaker 1>time like no verse, you just sing it back up?

1:02:51.680 --> 1:02:54.000
<v Speaker 1>I don't get it damn. You know, like I'm doing

1:02:54.080 --> 1:03:03.400
<v Speaker 1>that taking a shot for that took still on? How

1:03:03.440 --> 1:03:08.000
<v Speaker 1>about a joint with Josh? Yeah, I do that. I

1:03:08.040 --> 1:03:09.600
<v Speaker 1>want I want them to push me to be a

1:03:09.680 --> 1:03:11.960
<v Speaker 1>better singer for sure, you know, so I would. I

1:03:11.960 --> 1:03:13.840
<v Speaker 1>would try to do some ship that I've never done before.

1:03:14.560 --> 1:03:19.320
<v Speaker 2>Now up, up, who is somebody you would want to

1:03:19.360 --> 1:03:24.480
<v Speaker 2>write for? C? B.

1:03:25.200 --> 1:03:28.240
<v Speaker 1>Drake? Those are people always named for, I mean, name

1:03:28.720 --> 1:03:32.840
<v Speaker 1>a lot of female artists. You know, I haven't really

1:03:32.880 --> 1:03:36.480
<v Speaker 1>gotten into my songwriting bag so like to be honest,

1:03:36.600 --> 1:03:38.560
<v Speaker 1>like it's hard for me to really to say, but

1:03:38.640 --> 1:03:40.360
<v Speaker 1>those will be the people that come to mind, like

1:03:40.480 --> 1:03:44.120
<v Speaker 1>right away, and honestly newer artists who you know, don't

1:03:44.160 --> 1:03:46.600
<v Speaker 1>have nothing at all, like let me, let me, let

1:03:46.640 --> 1:03:48.600
<v Speaker 1>me write from ship for you, Like if there's somebody

1:03:48.640 --> 1:03:51.680
<v Speaker 1>out there, honestly, another thing is like FIRS, a rapper

1:03:51.760 --> 1:03:54.920
<v Speaker 1>with a really really really really good rapping voice, I

1:03:54.920 --> 1:03:57.560
<v Speaker 1>would write for them just because, like the thing that

1:03:57.760 --> 1:04:00.560
<v Speaker 1>about me is like the fact that I'm a singer.

1:04:00.960 --> 1:04:03.640
<v Speaker 1>You know, people will never in a million years ever

1:04:03.720 --> 1:04:05.600
<v Speaker 1>take me serious as a rapper. It's just how it goes.

1:04:05.680 --> 1:04:08.720
<v Speaker 1>When you sing really good or whatever, you make really

1:04:08.720 --> 1:04:10.720
<v Speaker 1>good R and B songs and then you rap, They're

1:04:10.720 --> 1:04:12.840
<v Speaker 1>just gonna be like you're trying to rap. Even if

1:04:12.920 --> 1:04:16.400
<v Speaker 1>you rap than anybody else, you know what I'm saying,

1:04:16.440 --> 1:04:18.600
<v Speaker 1>It's just like nah, you're trying to blah blah blah,

1:04:18.720 --> 1:04:20.600
<v Speaker 1>or like I don't like when you rap whatever. So

1:04:21.000 --> 1:04:22.720
<v Speaker 1>I would take all my raps and I would give

1:04:22.760 --> 1:04:25.840
<v Speaker 1>it to somebody who has that rapper you know, rapper

1:04:25.960 --> 1:04:27.840
<v Speaker 1>voice and that rapper energy. You know what I'm saying.

1:04:30.040 --> 1:04:37.120
<v Speaker 2>You think like one time I came outside, right, I

1:04:37.240 --> 1:04:38.800
<v Speaker 2>was in Puerto Rico, in fact, I'm going to Puerto

1:04:38.840 --> 1:04:41.520
<v Speaker 2>Rico tonight, and the dude bumped into me.

1:04:44.120 --> 1:04:46.200
<v Speaker 1>And he sung me my song. Guys, he was this

1:04:46.400 --> 1:04:49.480
<v Speaker 1>is me as he was this singer. Yeah, he was like.

1:04:53.120 --> 1:04:57.200
<v Speaker 2>I looked at it and it's awesome to me. But

1:04:57.320 --> 1:04:59.760
<v Speaker 2>I looked at this guy and I was like, holy shit,

1:05:01.320 --> 1:05:06.280
<v Speaker 2>and I knew that record is bigger than me, but

1:05:06.560 --> 1:05:09.280
<v Speaker 2>he knew it was you, right, hell no, oh that's

1:05:09.320 --> 1:05:12.320
<v Speaker 2>even hell know, like the video wasn't really out.

1:05:12.280 --> 1:05:14.840
<v Speaker 1>Like that, like you know what I mean, like Puerto Rican.

1:05:16.280 --> 1:05:19.520
<v Speaker 2>Maybe he thought she looked like the video wasn't out yet,

1:05:19.640 --> 1:05:22.120
<v Speaker 2>so he's no, it's he just really wanted to beef

1:05:22.160 --> 1:05:22.400
<v Speaker 2>with me.

1:05:22.720 --> 1:05:25.440
<v Speaker 1>And want to be for him that song in his head.

1:05:27.040 --> 1:05:30.480
<v Speaker 2>Do you like, do you think that music sometimes superseds

1:05:30.960 --> 1:05:31.880
<v Speaker 2>a person's image?

1:05:32.480 --> 1:05:36.160
<v Speaker 1>Yeah, absolutely absolutely. I'm one of those people. You know,

1:05:36.240 --> 1:05:38.840
<v Speaker 1>there's so many people that be like I never knew

1:05:38.840 --> 1:05:40.800
<v Speaker 1>what you looked like. There'd be some people that be

1:05:40.920 --> 1:05:41.800
<v Speaker 1>trying so hard to.

1:05:41.880 --> 1:05:43.920
<v Speaker 2>Not know what I look like because you're like you're

1:05:43.960 --> 1:05:49.320
<v Speaker 2>like you're like hip hop's clark In. Yeah, you get

1:05:49.360 --> 1:05:50.960
<v Speaker 2>what I'm trying to say, Like you can put on

1:05:51.040 --> 1:05:53.600
<v Speaker 2>your cape when you go perform, but then you can

1:05:53.680 --> 1:05:56.840
<v Speaker 2>take it off and you go and be ship. And

1:05:57.880 --> 1:05:59.440
<v Speaker 2>I said, I seen you in a restaurant.

1:05:59.520 --> 1:05:59.960
<v Speaker 1>He was mad.

1:06:00.240 --> 1:06:04.120
<v Speaker 2>I was think, you ain't loading. But what I'm saying

1:06:04.240 --> 1:06:08.000
<v Speaker 2>is that's fucking that's genius. Yeah, that's genius that you

1:06:08.080 --> 1:06:13.920
<v Speaker 2>can do. Do you feel like, because this is a

1:06:14.040 --> 1:06:17.280
<v Speaker 2>very hard question, do you even like being famous?

1:06:18.280 --> 1:06:20.840
<v Speaker 1>Nah? I was just talking to somebody about this earlier.

1:06:21.680 --> 1:06:24.200
<v Speaker 2>Nah, just because I mean, it definitely has this perks,

1:06:24.320 --> 1:06:26.360
<v Speaker 2>you know, but like you don't want to wait and

1:06:26.360 --> 1:06:28.320
<v Speaker 2>there's a couple of lines in the restaurant. Yeah, that's

1:06:28.360 --> 1:06:30.200
<v Speaker 2>what I was gonna say, Like I get to skip

1:06:30.320 --> 1:06:31.320
<v Speaker 2>up people the apple.

1:06:33.120 --> 1:06:34.680
<v Speaker 1>I guess that's okay, you know what I'm saying, Like

1:06:34.800 --> 1:06:36.520
<v Speaker 1>that's the one thing, and the other thing is like,

1:06:36.840 --> 1:06:38.280
<v Speaker 1>you know, you still get to use your fame to

1:06:38.320 --> 1:06:41.200
<v Speaker 1>get money later on in life, you know, m And

1:06:41.320 --> 1:06:43.720
<v Speaker 1>that's cool. But other than that, what other perks doesn't

1:06:43.760 --> 1:06:49.720
<v Speaker 1>really have to being famous? You know? And bro, yeah,

1:06:49.720 --> 1:06:51.520
<v Speaker 1>it's just like you know, I've never been, don't get

1:06:51.560 --> 1:06:53.280
<v Speaker 1>me wrong. In the first year when I came out,

1:06:53.360 --> 1:06:55.840
<v Speaker 1>like it was cool to see people knowing who I was,

1:06:56.000 --> 1:06:58.240
<v Speaker 1>but mainly because I love music so much and the

1:06:58.320 --> 1:06:59.960
<v Speaker 1>fact that people knew my music and they see me

1:07:00.040 --> 1:07:01.840
<v Speaker 1>on the street, it was different. You know what I'm saying.

1:07:01.880 --> 1:07:04.920
<v Speaker 1>It was like, oh, Ship, like people recognize me. But

1:07:05.120 --> 1:07:07.400
<v Speaker 1>like after a while, I was like, Okay, I don't.

1:07:07.480 --> 1:07:10.080
<v Speaker 1>I don't care to be famous at all. Like you're different.

1:07:10.440 --> 1:07:11.960
<v Speaker 1>I want to walk around like I don't give a

1:07:12.000 --> 1:07:14.360
<v Speaker 1>funk about Like I'll be the nigga waiting outside in

1:07:14.440 --> 1:07:16.000
<v Speaker 1>the line to get in the club if I have to,

1:07:16.200 --> 1:07:18.320
<v Speaker 1>like I'll be trying to skip line and ship like

1:07:18.480 --> 1:07:20.280
<v Speaker 1>I be chilling, you know, and I'm just.

1:07:25.600 --> 1:07:27.920
<v Speaker 2>Look, Josey, you have a question, you have any questions

1:07:27.960 --> 1:07:30.440
<v Speaker 2>you want to This is your biggest.

1:07:30.160 --> 1:07:39.480
<v Speaker 1>Fan, you know. That's that's good. We got a song.

1:07:39.640 --> 1:07:41.080
<v Speaker 1>We got a song. Let's repeat?

1:07:41.120 --> 1:07:41.560
<v Speaker 3>What is.

1:07:43.120 --> 1:07:46.040
<v Speaker 1>Okay? Yes? Yeah, shout out to Caroline. Man, we've been

1:07:46.080 --> 1:07:48.880
<v Speaker 1>friends for a long time. You know, we both kind

1:07:48.880 --> 1:07:51.640
<v Speaker 1>of came into the music industry somewhere around the same time.

1:07:51.680 --> 1:07:53.400
<v Speaker 1>And uh yeah, we got we got, we got, we

1:07:53.440 --> 1:07:55.640
<v Speaker 1>got a song together. You know, we always just been

1:07:55.880 --> 1:07:58.200
<v Speaker 1>you know, real friends. So like, you know, we never

1:07:59.000 --> 1:08:01.720
<v Speaker 1>forced the music. We do have something. I think it

1:08:01.880 --> 1:08:06.080
<v Speaker 1>might be coming out. I don't know, so yeah, yeah, Ship,

1:08:06.080 --> 1:08:08.600
<v Speaker 1>I'm taking a shot for that. I'm sorry, man, Yeah,

1:08:09.480 --> 1:08:15.840
<v Speaker 1>so what what what is I know?

1:08:15.960 --> 1:08:18.639
<v Speaker 2>I asked this earlier, so my access him reverse because

1:08:19.120 --> 1:08:21.719
<v Speaker 2>I asked alive and you picked Drake and you picked

1:08:22.040 --> 1:08:24.479
<v Speaker 2>So Now I was like, what would be your dream

1:08:25.560 --> 1:08:29.000
<v Speaker 2>collab of a person that's passed away? Who would you

1:08:29.040 --> 1:08:30.400
<v Speaker 2>Who would you dig up from the grave?

1:08:32.520 --> 1:08:38.960
<v Speaker 1>Mm hmm. That has to be music, right, No, I mean,

1:08:39.040 --> 1:08:44.160
<v Speaker 1>go ahead, pick anybody. Now that's direction because like I

1:08:44.240 --> 1:08:46.160
<v Speaker 1>love I swear to god, I love music so much,

1:08:46.240 --> 1:08:47.920
<v Speaker 1>but like not to the point where I wanted to

1:08:48.200 --> 1:08:52.880
<v Speaker 1>think him up out of the grave. Okay, grave, Like, man,

1:08:52.920 --> 1:08:54.920
<v Speaker 1>I wish I wish you could have did a song

1:08:55.000 --> 1:08:57.000
<v Speaker 1>like I don't think I like, I don't think I

1:08:57.080 --> 1:09:00.200
<v Speaker 1>cared that much about music. But if there's somebody I

1:09:00.280 --> 1:09:01.840
<v Speaker 1>was like, I just wish I could have picked their

1:09:01.880 --> 1:09:03.680
<v Speaker 1>brain and just talk to them and tell them to

1:09:03.680 --> 1:09:06.360
<v Speaker 1>tell them about my ideas. Be Steve Jobs. For sure,

1:09:07.680 --> 1:09:10.880
<v Speaker 1>I didn't expect that, but I didn't. I'm really really

1:09:11.000 --> 1:09:14.360
<v Speaker 1>curious about just like what was going on? Is oude

1:09:14.360 --> 1:09:16.679
<v Speaker 1>of his mind? You know I'm mistaking about.

1:09:17.240 --> 1:09:20.760
<v Speaker 2>Okay, So let me ask you this, speaking of Steve Jobs,

1:09:21.080 --> 1:09:22.120
<v Speaker 2>do you respect streaming?

1:09:22.640 --> 1:09:27.400
<v Speaker 1>Streaming? Yeah, well, I gotta say streaming is the main

1:09:27.479 --> 1:09:31.479
<v Speaker 1>reason why I'm the highest certified R and B song.

1:09:31.760 --> 1:09:33.639
<v Speaker 2>So, like I remember at one point people were mad

1:09:33.680 --> 1:09:37.040
<v Speaker 2>at you for keeping loading up a sound Clouds. They

1:09:37.120 --> 1:09:38.880
<v Speaker 2>wanted you to stay on Apple, they wanted you to

1:09:38.920 --> 1:09:42.200
<v Speaker 2>be pe. You kept you kept going back to sound

1:09:42.439 --> 1:09:46.640
<v Speaker 2>even Soundclouds still streaming. Yeah, it's almost like free though,

1:09:46.720 --> 1:09:49.120
<v Speaker 2>like Geff free, and a lot of people don't really

1:09:49.520 --> 1:09:51.919
<v Speaker 2>I mean sorry SoundCloud, but there's a lot of people.

1:09:51.680 --> 1:09:52.920
<v Speaker 1>That don't have it, you know. I mean they're going

1:09:52.960 --> 1:09:55.560
<v Speaker 1>to Spotify, They're going to Yeah, that platform is not

1:09:56.240 --> 1:09:59.840
<v Speaker 1>used as much as it. Yeah, but I gotta you know,

1:10:00.040 --> 1:10:02.400
<v Speaker 1>a soft spot a special place in my heart for

1:10:02.479 --> 1:10:05.320
<v Speaker 1>SoundCloud because for one reason, and one reason only really

1:10:05.439 --> 1:10:10.360
<v Speaker 1>is just because it's just lip not just that too

1:10:10.760 --> 1:10:14.120
<v Speaker 1>thousand percent. And in this instant, like when I'm feeling

1:10:14.200 --> 1:10:17.479
<v Speaker 1>something like and I love what I'm doing, I'm like,

1:10:17.560 --> 1:10:20.240
<v Speaker 1>I gotta drop this tonight, right. You can control when

1:10:20.240 --> 1:10:22.120
<v Speaker 1>that compit? Yeah, I can drop. I can litle go

1:10:22.200 --> 1:10:24.519
<v Speaker 1>on my computer. That that is, that is that is

1:10:24.600 --> 1:10:26.240
<v Speaker 1>I can't do that way for music. I can't do

1:10:26.320 --> 1:10:28.840
<v Speaker 1>that with Spotify. I got a call this person and

1:10:28.920 --> 1:10:32.760
<v Speaker 1>that's the second for the Yeah, and as an artist,

1:10:32.800 --> 1:10:34.160
<v Speaker 1>I ain't really trying to do all that, you know

1:10:34.200 --> 1:10:36.479
<v Speaker 1>what I mean, Like if I'm just feeling something, you know,

1:10:36.640 --> 1:10:38.479
<v Speaker 1>fans like, we want music, we want music, you know

1:10:38.520 --> 1:10:40.800
<v Speaker 1>what I'm saying. I feel like SoundCloud is the easiest way.

1:10:41.360 --> 1:10:42.800
<v Speaker 1>But you know, so a lot of times when I

1:10:42.840 --> 1:10:44.880
<v Speaker 1>did that, they would be pissed because they're like, why

1:10:44.880 --> 1:10:47.320
<v Speaker 1>are you still dropping on SoundCloud? Like you know you're

1:10:47.360 --> 1:10:48.200
<v Speaker 1>getting free music?

1:10:48.240 --> 1:10:50.080
<v Speaker 3>What do you mean about a lot of artists came

1:10:50.120 --> 1:10:52.320
<v Speaker 3>out for SoundCloud, but there was a whole generation of

1:10:52.439 --> 1:10:53.360
<v Speaker 3>art discovered.

1:10:53.400 --> 1:10:56.439
<v Speaker 1>I believe he's king. Yeah, you know what I'm saying.

1:10:56.479 --> 1:10:57.960
<v Speaker 1>You know what I'm saying, Like, you got to give

1:10:58.400 --> 1:11:02.920
<v Speaker 1>SoundCloud his credit? Yeah, yeah, we will. And it was

1:11:02.920 --> 1:11:03.679
<v Speaker 1>another time.

1:11:05.360 --> 1:11:08.439
<v Speaker 2>You posted a picture online with your girl, people were

1:11:08.520 --> 1:11:09.320
<v Speaker 2>mad at you that you.

1:11:09.320 --> 1:11:16.600
<v Speaker 1>Were happy that happened. Yeah, what the fuck is this? So?

1:11:17.240 --> 1:11:19.960
<v Speaker 2>Is it true that they want they want you guys

1:11:20.040 --> 1:11:24.120
<v Speaker 2>to be sad to make a thousands. They think that

1:11:24.240 --> 1:11:25.920
<v Speaker 2>you have to be sad to make good. The reason

1:11:26.000 --> 1:11:28.280
<v Speaker 2>why they were I just know they wanted you to

1:11:28.320 --> 1:11:29.000
<v Speaker 2>they want me to be.

1:11:30.560 --> 1:11:30.760
<v Speaker 1>Yeah.

1:11:30.840 --> 1:11:31.000
<v Speaker 2>Yeah.

1:11:31.080 --> 1:11:33.479
<v Speaker 1>They would always tell my girl, like, you know, break

1:11:33.560 --> 1:11:35.960
<v Speaker 1>his heart so we can get into love. Man, I'm

1:11:36.040 --> 1:11:37.120
<v Speaker 1>kind a terrible fan. Is that?

1:11:37.320 --> 1:11:37.479
<v Speaker 3>Man?

1:11:37.880 --> 1:11:43.320
<v Speaker 1>This is horrible. It's hard. Yeah, yeah yeah.

1:11:43.640 --> 1:11:46.519
<v Speaker 2>Do you do you believe that that you have to

1:11:46.600 --> 1:11:48.160
<v Speaker 2>go through pain to make your music?

1:11:48.400 --> 1:11:49.920
<v Speaker 1>No, that's not the case at all, because a lot

1:11:49.920 --> 1:11:51.960
<v Speaker 1>of people are like, yo, Trap, So he was heartbroken.

1:11:52.040 --> 1:11:53.720
<v Speaker 1>It's just like, how do you How would y'all know

1:11:53.840 --> 1:11:57.120
<v Speaker 1>that I'm heartbroken? You know what I mean? Nobody knew

1:11:57.160 --> 1:11:58.360
<v Speaker 1>what I was going on, and I don't want to

1:11:58.360 --> 1:12:00.240
<v Speaker 1>spoil the magic for nobody. I'm not going to y'all

1:12:00.240 --> 1:12:01.439
<v Speaker 1>who Trap Soul was about.

1:12:01.680 --> 1:12:01.840
<v Speaker 2>Who.

1:12:02.520 --> 1:12:03.920
<v Speaker 1>I'm not gonna I don't even want to ruin it

1:12:03.960 --> 1:12:06.439
<v Speaker 1>for people, So like, think whatever you think. But like,

1:12:06.920 --> 1:12:10.519
<v Speaker 1>you know, I definitely wasn't heartbroken. You know. It's just

1:12:10.600 --> 1:12:13.439
<v Speaker 1>like as humans, we have we have our days, you know,

1:12:13.479 --> 1:12:15.760
<v Speaker 1>we go we go through specific things. One day we

1:12:15.840 --> 1:12:18.599
<v Speaker 1>might be feeling this way, you know, and like when

1:12:18.600 --> 1:12:20.240
<v Speaker 1>I'm feeling a certain way, I wrote about it. You know,

1:12:20.760 --> 1:12:23.160
<v Speaker 1>I'm feeling happy and I'm feeling good, like I'm about

1:12:23.200 --> 1:12:25.200
<v Speaker 1>to make it and like all my ex is gonna

1:12:25.200 --> 1:12:27.320
<v Speaker 1>be calling I made this song. Sorry, not sorry, you

1:12:27.360 --> 1:12:29.400
<v Speaker 1>know what I'm saying. So it was like it was

1:12:29.479 --> 1:12:32.200
<v Speaker 1>different emotions, you know, that I was feeling so well

1:12:32.240 --> 1:12:35.320
<v Speaker 1>for people to be like, you know, yeah, break his

1:12:35.400 --> 1:12:38.120
<v Speaker 1>heart so we can get a new album. Like bro,

1:12:38.280 --> 1:12:41.080
<v Speaker 1>I just you know, it's not my job, you know,

1:12:41.240 --> 1:12:45.200
<v Speaker 1>like y'all need therapist, yeah, for real life or like

1:12:45.439 --> 1:12:48.479
<v Speaker 1>you know, I mean even my my Solid, the album

1:12:48.520 --> 1:12:52.320
<v Speaker 1>that I just released was the first time since Trap,

1:12:52.479 --> 1:12:53.560
<v Speaker 1>so I was like, you know, what the fuck it,

1:12:53.560 --> 1:12:56.559
<v Speaker 1>I'm gonna be super vulnerable, you know, and talk about

1:12:56.640 --> 1:12:58.560
<v Speaker 1>like some of my hard times and what I'm what

1:12:58.640 --> 1:13:01.800
<v Speaker 1>I'm going through, so so people can just relate to it,

1:13:01.840 --> 1:13:03.760
<v Speaker 1>because I know that sometimes people need to hear other

1:13:03.800 --> 1:13:06.320
<v Speaker 1>people talk about their feelings so they could feel comfortable

1:13:06.320 --> 1:13:08.800
<v Speaker 1>to talk about theirs or you know, like they need

1:13:08.880 --> 1:13:11.400
<v Speaker 1>something that's gonna help them heal and to heal me ship.

1:13:11.520 --> 1:13:13.240
<v Speaker 1>Like I was listening to the you know, my last

1:13:13.280 --> 1:13:16.360
<v Speaker 1>album Solid on the on the treademill a lot. But

1:13:17.000 --> 1:13:19.479
<v Speaker 1>I still think it's fucked up that, like, you know,

1:13:19.600 --> 1:13:22.000
<v Speaker 1>people would just you know, I think they do that

1:13:22.120 --> 1:13:24.519
<v Speaker 1>to Ryle Wave too. They're like, yo, make sad music again.

1:13:24.600 --> 1:13:26.479
<v Speaker 1>It's just like he he ain't or not, like he

1:13:26.479 --> 1:13:28.040
<v Speaker 1>don't want to do sad kind of do it to

1:13:28.160 --> 1:13:32.000
<v Speaker 1>Oi y'all. It kind of went y'all side yeah, but

1:13:32.160 --> 1:13:34.120
<v Speaker 1>like that's like you got you got some other issues

1:13:34.120 --> 1:13:37.439
<v Speaker 1>you gotta work out. There's so many other songs music

1:13:37.479 --> 1:13:39.679
<v Speaker 1>that you can listen to. That's like for me personally,

1:13:39.800 --> 1:13:42.120
<v Speaker 1>like I'm not listening to those sad music to help

1:13:42.200 --> 1:13:46.639
<v Speaker 1>me get through my sadness. Like so see me personally,

1:13:46.680 --> 1:13:48.600
<v Speaker 1>like I'm not. That's not like I think I was

1:13:48.680 --> 1:13:52.919
<v Speaker 1>listening to Latin music the entire time I was heartbroken.

1:13:52.920 --> 1:13:54.920
<v Speaker 1>I was listening to nothing but Latin music because I

1:13:54.960 --> 1:13:56.720
<v Speaker 1>didn't understand none of the lyrics and I was like,

1:13:57.360 --> 1:13:58.960
<v Speaker 1>I was like, it sound like music and they happy

1:13:59.000 --> 1:14:06.640
<v Speaker 1>and talk about exactly. I'm just like, yo, this is

1:14:06.680 --> 1:14:08.800
<v Speaker 1>what I'm rocking, you know what I mean, just because

1:14:08.800 --> 1:14:10.360
<v Speaker 1>like I don't want to hear nothing that's gonna put

1:14:10.400 --> 1:14:14.560
<v Speaker 1>me deeper in that, you know, Like yeah, like I

1:14:14.600 --> 1:14:17.479
<v Speaker 1>don't know. So I hate that, I really do, But

1:14:18.040 --> 1:14:19.519
<v Speaker 1>at this point it don't matter to me no more.

1:14:19.520 --> 1:14:22.000
<v Speaker 1>They can say whatever they want, make this type of music,

1:14:22.040 --> 1:14:23.640
<v Speaker 1>make that type music. I'm going to make whatever the

1:14:23.720 --> 1:14:24.639
<v Speaker 1>fuck I feel like making.

1:14:24.840 --> 1:14:29.280
<v Speaker 2>You know, so, you're one of the only artists that

1:14:29.439 --> 1:14:32.760
<v Speaker 2>dropped the double album, and like this era.

1:14:33.520 --> 1:14:35.720
<v Speaker 1>Oh for real? Yeah, what do you mean this era?

1:14:35.920 --> 1:14:38.400
<v Speaker 2>Like I believe the last time a double album was

1:14:38.439 --> 1:14:39.479
<v Speaker 2>Biggie and Tupac.

1:14:39.840 --> 1:14:45.240
<v Speaker 1>No, no, no Scorpion. Oh it's a double goddamn it?

1:14:45.360 --> 1:14:47.880
<v Speaker 1>My bad? Yeah, all right, my bad.

1:14:48.320 --> 1:14:51.120
<v Speaker 2>You know, niggas I recognized dropping a double album.

1:14:51.080 --> 1:14:53.599
<v Speaker 1>I would say that this might be. I mean, now,

1:14:53.600 --> 1:14:55.599
<v Speaker 1>I got to say that Bruh's album was a true

1:14:55.640 --> 1:14:58.519
<v Speaker 1>double album too, though, because he did like arm mostly

1:14:58.600 --> 1:15:00.160
<v Speaker 1>like R and B feels and shouldn't.

1:14:59.840 --> 1:15:03.680
<v Speaker 2>Rap on right, Okay to me, let me make my

1:15:03.800 --> 1:15:07.840
<v Speaker 2>question make more sense us knowing that you being the writer,

1:15:08.479 --> 1:15:10.040
<v Speaker 2>like we want to get paid for like eight to

1:15:10.160 --> 1:15:13.920
<v Speaker 2>ten songs when you do that double album, that double

1:15:14.040 --> 1:15:17.160
<v Speaker 2>album is basically that second album is basically a giveaway?

1:15:17.760 --> 1:15:19.200
<v Speaker 2>Did you honestly you knew that?

1:15:20.960 --> 1:15:21.200
<v Speaker 4>Yeah?

1:15:21.720 --> 1:15:24.280
<v Speaker 1>Shut out? Shut out my manager, man, you found out

1:15:24.560 --> 1:15:26.200
<v Speaker 1>talking a lot about this. But like, I don't be

1:15:26.280 --> 1:15:29.280
<v Speaker 1>doing it for that reason. Man. I think what I

1:15:29.439 --> 1:15:32.080
<v Speaker 1>was going through with Solace and Ship, it was so

1:15:32.600 --> 1:15:34.360
<v Speaker 1>sad that I was like, bro, I just want to

1:15:34.400 --> 1:15:36.240
<v Speaker 1>have fun. I ain't trying to think about all the

1:15:36.280 --> 1:15:39.719
<v Speaker 1>other ship And the main reason I did, I decided

1:15:39.760 --> 1:15:41.720
<v Speaker 1>to make it a double album. Solace was supposed to

1:15:41.720 --> 1:15:44.160
<v Speaker 1>be his own thing, and then the Vices was like,

1:15:45.520 --> 1:15:47.920
<v Speaker 1>you know when I dropped whatever She Wants or whatever

1:15:48.040 --> 1:15:50.479
<v Speaker 1>that came out and it was going crazy. I was like,

1:15:51.320 --> 1:16:01.639
<v Speaker 1>whatever he wants, God damn it. Man, like up that record.

1:16:02.040 --> 1:16:04.760
<v Speaker 2>Every time a person gets into an argument with the girl,

1:16:04.880 --> 1:16:06.080
<v Speaker 2>they girl plays whatever.

1:16:06.240 --> 1:16:12.240
<v Speaker 1>See it's cool to you man ahead, but nah, So

1:16:13.479 --> 1:16:16.040
<v Speaker 1>when I had that song, it was going crazy. I

1:16:16.160 --> 1:16:18.400
<v Speaker 1>had my last album, which is called it was the

1:16:18.439 --> 1:16:20.920
<v Speaker 1>Bright until album was self titled, and I was like,

1:16:21.200 --> 1:16:22.640
<v Speaker 1>it was like mostly like a bunch of R and

1:16:22.760 --> 1:16:25.840
<v Speaker 1>B shit, and I was like, yo, I was sitting

1:16:25.880 --> 1:16:27.439
<v Speaker 1>on the four minute. I was like, Yo, let's pivot,

1:16:27.880 --> 1:16:29.479
<v Speaker 1>let's do it. Let's do it like an album that

1:16:29.560 --> 1:16:32.040
<v Speaker 1>feels like this, that's catered to the women, that's fun,

1:16:32.200 --> 1:16:34.880
<v Speaker 1>just flying vibe, you know what I mean. And you know,

1:16:35.000 --> 1:16:36.880
<v Speaker 1>they was like, nah, we should just you know, we

1:16:36.920 --> 1:16:39.559
<v Speaker 1>should just put it as a bonus on this album.

1:16:40.040 --> 1:16:42.400
<v Speaker 1>And you know, I was a little upset about that

1:16:42.439 --> 1:16:44.680
<v Speaker 1>because I was like, I guess we can do that,

1:16:45.120 --> 1:16:46.640
<v Speaker 1>you know. So we ended up putting it as a

1:16:46.680 --> 1:16:49.679
<v Speaker 1>bonus on the album, and you know, it just sucks

1:16:49.680 --> 1:16:51.800
<v Speaker 1>because it's like it's the most popular, it's the most

1:16:52.000 --> 1:16:54.840
<v Speaker 1>stream song on that album, and like, you know, even

1:16:55.040 --> 1:16:57.080
<v Speaker 1>I feel like even Quincy Jones would listen to the

1:16:57.120 --> 1:17:00.080
<v Speaker 1>album maybe, like nah, this ain't the best song on

1:17:00.120 --> 1:17:02.240
<v Speaker 1>the album, you know what I mean? This is lod

1:17:03.080 --> 1:17:05.280
<v Speaker 1>whatever she wants, whatever the fuck I'm talking about, you

1:17:05.360 --> 1:17:07.120
<v Speaker 1>know what I mean. But that's other songs like Prize

1:17:07.200 --> 1:17:09.280
<v Speaker 1>on there or like just I won't even get into it,

1:17:09.320 --> 1:17:10.840
<v Speaker 1>but that's songs where I'm really singing, I'm putting a

1:17:10.880 --> 1:17:13.360
<v Speaker 1>lot of armonies in Charlie Heat really doing his thing,

1:17:13.479 --> 1:17:16.360
<v Speaker 1>and like they all got overshadowed and overlooked because people

1:17:16.479 --> 1:17:18.920
<v Speaker 1>is looking for whatever she wants. They're like, Yo, where's

1:17:18.960 --> 1:17:21.320
<v Speaker 1>that where's that energy at? You know what I'm saying.

1:17:21.840 --> 1:17:24.120
<v Speaker 1>And I wanted to do that, but you know, people

1:17:24.400 --> 1:17:28.040
<v Speaker 1>you know labels like nah, So you.

1:17:28.360 --> 1:17:31.479
<v Speaker 2>Think you are like a victim of your own success,

1:17:32.240 --> 1:17:36.800
<v Speaker 2>because now I'm gonna give you an example, right and

1:17:36.880 --> 1:17:39.000
<v Speaker 2>then I know you went through this, so I'm gonna

1:17:39.080 --> 1:17:43.280
<v Speaker 2>just say it. When I did what what What?

1:17:43.520 --> 1:17:43.560
<v Speaker 3>What?

1:17:44.479 --> 1:17:46.479
<v Speaker 2>Then I came out with oh no, right after that,

1:17:47.160 --> 1:17:50.880
<v Speaker 2>it was the same exact thing, and they compared it to.

1:17:50.960 --> 1:17:53.759
<v Speaker 1>That don't was so huge.

1:17:54.120 --> 1:17:57.439
<v Speaker 2>Yeah, that they kept comparing you know what I'm saying

1:17:57.520 --> 1:18:02.040
<v Speaker 2>like that, it's not don't, but it's it's good. Do

1:18:02.160 --> 1:18:04.160
<v Speaker 2>you do you feel like you're victim of your own

1:18:04.200 --> 1:18:08.720
<v Speaker 2>success like that? Oh no, uh, because everywhere they say

1:18:08.760 --> 1:18:11.240
<v Speaker 2>the compared to your last head, they always compare to see.

1:18:11.080 --> 1:18:11.840
<v Speaker 1>Your last Yeah.

1:18:11.880 --> 1:18:13.240
<v Speaker 2>Yeah, that's what I mean, That's what I'm That's what

1:18:13.280 --> 1:18:13.840
<v Speaker 2>I'm trying to say.

1:18:14.880 --> 1:18:17.519
<v Speaker 1>Well, fortunately for me, don't wasn't my last head, you

1:18:18.600 --> 1:18:19.200
<v Speaker 1>know what mean?

1:18:19.400 --> 1:18:19.599
<v Speaker 4>Yeah?

1:18:20.040 --> 1:18:23.080
<v Speaker 1>But yeah, like yeah, I've heard people say make another don't,

1:18:23.479 --> 1:18:25.640
<v Speaker 1>But like I've always been the type of artist that, like,

1:18:27.600 --> 1:18:30.120
<v Speaker 1>I'm not trying to make the same song. And there's

1:18:30.160 --> 1:18:32.599
<v Speaker 1>people out there that will argue, like all his music

1:18:32.680 --> 1:18:34.519
<v Speaker 1>sound the same, He's just making the same song over

1:18:34.560 --> 1:18:36.760
<v Speaker 1>and over and over about you. Yeah, yeah I've heard that.

1:18:37.840 --> 1:18:40.280
<v Speaker 1>But like I'm just boalid because the songs that literally

1:18:40.360 --> 1:18:42.240
<v Speaker 1>don't sound like each other at all, you know what

1:18:42.280 --> 1:18:45.600
<v Speaker 1>I mean. But now, like I don't like trying to

1:18:45.640 --> 1:18:48.120
<v Speaker 1>make the same like even me as an artist, Oh no, no,

1:18:48.240 --> 1:18:51.519
<v Speaker 1>I'm sorry. As a fan listening to artists, I'm not like, Yo,

1:18:52.160 --> 1:18:55.720
<v Speaker 1>I need Frank Ocean to make another Channel Orange. I

1:18:55.800 --> 1:18:57.639
<v Speaker 1>need him make I need jay Z to make another

1:18:57.640 --> 1:19:00.360
<v Speaker 1>you know what I mean? Like for what made it?

1:19:00.680 --> 1:19:02.920
<v Speaker 1>You know what I mean? Like he already made it

1:19:03.000 --> 1:19:04.560
<v Speaker 1>for me to listen to, So like why do I

1:19:04.600 --> 1:19:06.880
<v Speaker 1>need him to go make another one of those? But

1:19:07.000 --> 1:19:09.160
<v Speaker 1>a lot of these fans nowadays, they just they really

1:19:09.280 --> 1:19:11.720
<v Speaker 1>and shiit. People might see this and be like, nah,

1:19:11.800 --> 1:19:13.200
<v Speaker 1>you don't know what he's talking about. We need you

1:19:13.280 --> 1:19:15.360
<v Speaker 1>need to go back and make it again. Like it's

1:19:15.439 --> 1:19:17.080
<v Speaker 1>like nah, but that's not how it works, you know.

1:19:17.439 --> 1:19:21.920
<v Speaker 1>Like you know, so for me, I don't really pay

1:19:21.920 --> 1:19:23.920
<v Speaker 1>too much attention when people say that. I just keep

1:19:24.000 --> 1:19:27.519
<v Speaker 1>making ship And you know, I'm so glad. I thank

1:19:27.600 --> 1:19:29.880
<v Speaker 1>God that I'm blessed and I've been able to just

1:19:30.000 --> 1:19:33.439
<v Speaker 1>continue to take care of my family and and make

1:19:33.479 --> 1:19:37.120
<v Speaker 1>money in the music industry doing whatever the fuck. But

1:19:37.240 --> 1:19:38.760
<v Speaker 1>I really want to do you know what I'm saying.

1:19:39.040 --> 1:19:42.559
<v Speaker 1>But I listened to him every Here's when I when

1:19:42.600 --> 1:19:46.160
<v Speaker 1>I do my fans a solid, you know, those people

1:19:46.200 --> 1:19:51.720
<v Speaker 1>that really rock with trap soul. Every anniversary, So like

1:19:51.760 --> 1:19:53.839
<v Speaker 1>when it's a five year anniversary or a ten year anniversary.

1:19:53.880 --> 1:19:56.320
<v Speaker 1>For the five year anniversary, I dropped the album called Anniversary,

1:19:56.800 --> 1:19:59.880
<v Speaker 1>paying homage to Trap Soul, which is my first album.

1:20:00.080 --> 1:20:02.240
<v Speaker 1>Like I didn't call it Trap so Too because I'm

1:20:02.240 --> 1:20:05.559
<v Speaker 1>just like, that's that's just suicide. I'm like, but I'm

1:20:05.560 --> 1:20:09.479
<v Speaker 1>gonna compare it, you know what, But I'm compared it anyway.

1:20:09.560 --> 1:20:11.880
<v Speaker 1>But like this is what that is. You're paying how

1:20:11.920 --> 1:20:14.479
<v Speaker 1>much to yourself, like to it. So I did that,

1:20:14.600 --> 1:20:17.439
<v Speaker 1>and then on the ten years I dropped Solad, so

1:20:17.560 --> 1:20:19.679
<v Speaker 1>I was like, yo, I'm paying homage and I'm going

1:20:19.800 --> 1:20:22.320
<v Speaker 1>back and tapping into that bag, you know, even getting

1:20:22.320 --> 1:20:24.000
<v Speaker 1>the old beats that I was listening to back then.

1:20:24.680 --> 1:20:27.120
<v Speaker 1>But even still it don't matter, like they're still gonna

1:20:27.120 --> 1:20:28.960
<v Speaker 1>be like nah, it's still not the same, you know

1:20:29.000 --> 1:20:31.560
<v Speaker 1>what I mean. But you know it's like when you

1:20:31.640 --> 1:20:34.080
<v Speaker 1>hear people make new new Christmas music, you know what

1:20:34.080 --> 1:20:36.920
<v Speaker 1>I'm saying, Like somebody might make a new original Christmas

1:20:36.960 --> 1:20:38.680
<v Speaker 1>song and it ain't gonna hit as hard as the

1:20:38.720 --> 1:20:41.439
<v Speaker 1>Frank Sinatra and all that, you know, all them Christmas songs.

1:20:41.600 --> 1:20:45.120
<v Speaker 1>Then you make a Christmas album. I did, but it's

1:20:45.160 --> 1:20:51.840
<v Speaker 1>not a shame, yeah, but not making a point that like,

1:20:51.880 --> 1:20:57.120
<v Speaker 1>you know, it ain't nostalgia. People are really driven by

1:20:57.200 --> 1:20:58.519
<v Speaker 1>nostalgia and they think like.

1:20:59.160 --> 1:21:01.599
<v Speaker 3>Now, but they can plain now and then five ten

1:21:01.680 --> 1:21:04.360
<v Speaker 3>years later look back at Oh man, that was great.

1:21:04.439 --> 1:21:07.360
<v Speaker 1>Yeah, that's exactly. That's why you can't listen to it

1:21:07.439 --> 1:21:09.960
<v Speaker 1>in and now. Nope at all. He's got to keep

1:21:10.000 --> 1:21:12.360
<v Speaker 1>moving forward and even listen to none of that. I

1:21:12.600 --> 1:21:15.080
<v Speaker 1>just right now. I'm in the space ever since twenty twenty.

1:21:15.600 --> 1:21:18.360
<v Speaker 1>You know, I recently posted something like, yo, it's a

1:21:18.400 --> 1:21:21.360
<v Speaker 1>common misconception that pricing till it don't drop enough, And

1:21:21.400 --> 1:21:23.600
<v Speaker 1>I hate hearing that shit he don't drop enough. But

1:21:23.720 --> 1:21:26.880
<v Speaker 1>like I've been dropping ever since twenty twenty, Like I

1:21:26.960 --> 1:21:29.840
<v Speaker 1>haven't stopped. It's the algorithm, it's the social media, it's

1:21:29.880 --> 1:21:33.000
<v Speaker 1>all that. It's the brutal industry that's keeping me suppressed

1:21:33.479 --> 1:21:36.240
<v Speaker 1>and keeping me, you know, smothered to where it's like

1:21:36.479 --> 1:21:38.640
<v Speaker 1>nobody would ever know that I'm releasing, you know what

1:21:38.680 --> 1:21:42.000
<v Speaker 1>I mean. Twenty twenty, I dropped my anniversary album twenty

1:21:42.040 --> 1:21:44.360
<v Speaker 1>twenty one, I dropped I Think the Deluxe, and then

1:21:44.439 --> 1:21:46.200
<v Speaker 1>I went into the Christmas album, and then I dropped

1:21:46.240 --> 1:21:49.479
<v Speaker 1>a ten year anniversary of my first mixtape ever, Killer

1:21:49.560 --> 1:21:53.559
<v Speaker 1>Instinct Too, and then I dropped BTA, the album which

1:21:53.600 --> 1:21:55.680
<v Speaker 1>I was working on nine stop putting out singles when

1:21:55.680 --> 1:21:58.080
<v Speaker 1>I could, and then then I came out with slum

1:21:58.160 --> 1:22:00.479
<v Speaker 1>Till the mixtape. Singage was Whatever she Wants was featured

1:22:00.520 --> 1:22:03.640
<v Speaker 1>on That's three three I think three of them. And

1:22:03.760 --> 1:22:06.360
<v Speaker 1>then I came out with a double album this year

1:22:07.120 --> 1:22:09.000
<v Speaker 1>and like I'm working on the next ship, you know

1:22:09.040 --> 1:22:14.200
<v Speaker 1>what I'm saying. So it's like I can't I'm saying

1:22:14.200 --> 1:22:15.760
<v Speaker 1>all that to say, like you know, it's just people

1:22:15.840 --> 1:22:17.320
<v Speaker 1>like all here and dropping. I was just like, nah,

1:22:17.360 --> 1:22:20.000
<v Speaker 1>you just you know, you can't. You can't see it,

1:22:20.040 --> 1:22:20.600
<v Speaker 1>you can't hear it.

1:22:20.640 --> 1:22:22.760
<v Speaker 2>And that's cool, you know, just the mean lot of

1:22:22.880 --> 1:22:27.720
<v Speaker 2>question for me, this is my favorite question in Dream

1:22:27.800 --> 1:22:28.479
<v Speaker 2>Champs history.

1:22:29.960 --> 1:22:36.240
<v Speaker 1>Independent or major. I never experienced what it was like

1:22:36.320 --> 1:22:39.800
<v Speaker 1>to be independent, so I couldn't really tell you. I'm

1:22:39.800 --> 1:22:42.720
<v Speaker 1>trying to learn a little bit more. I'm trying to

1:22:42.760 --> 1:22:46.360
<v Speaker 1>I'm trying to learn. I'm trying to learn a little

1:22:46.360 --> 1:22:48.799
<v Speaker 1>bit more what what what it means to be independent.

1:22:48.840 --> 1:22:52.439
<v Speaker 1>That's somebody I was gonna reach out to. Don't that

1:22:52.560 --> 1:22:55.479
<v Speaker 1>I want to be not that I want to be independent,

1:22:55.600 --> 1:22:57.599
<v Speaker 1>but more so just because I just want to understand

1:22:57.960 --> 1:22:59.400
<v Speaker 1>what it means to be independent.

1:22:59.439 --> 1:23:02.120
<v Speaker 3>I would imagine in the R and B field, it

1:23:02.120 --> 1:23:03.799
<v Speaker 3>would be a lot more different.

1:23:04.000 --> 1:23:06.439
<v Speaker 1>I would say. Right now, as an artist, it feels

1:23:06.479 --> 1:23:08.920
<v Speaker 1>like that the labels are just bank, you know, like

1:23:09.720 --> 1:23:14.719
<v Speaker 1>just what a bank? Yeah, I mean that you're correct,

1:23:15.600 --> 1:23:17.200
<v Speaker 1>because it's not like they're taking this song.

1:23:17.080 --> 1:23:20.479
<v Speaker 3>And making it independent is wrong. But listen, you can't

1:23:20.560 --> 1:23:22.559
<v Speaker 3>say that right now. It's different than back then.

1:23:22.720 --> 1:23:24.680
<v Speaker 1>Man, we got, we got, we got. Back then we

1:23:24.800 --> 1:23:27.360
<v Speaker 1>got what's my man name? N B A young boy

1:23:27.360 --> 1:23:35.080
<v Speaker 1>and that's it. He independent. Now I forgot, I forgot,

1:23:35.080 --> 1:23:37.679
<v Speaker 1>I forgot, all right, But what I know, man, there's

1:23:37.720 --> 1:23:40.280
<v Speaker 1>a lot who else is killing the independent?

1:23:40.400 --> 1:23:44.800
<v Speaker 2>Come on, russells Russell ship you make it points then

1:23:44.840 --> 1:23:49.519
<v Speaker 2>you will to the Russ and Russells, Russell and Russ

1:23:50.200 --> 1:23:53.080
<v Speaker 2>Oh Christian artists?

1:23:53.360 --> 1:23:57.559
<v Speaker 1>No, bro, who's the wressel Man from the area? Oh

1:23:57.760 --> 1:24:00.400
<v Speaker 1>my bad? Okay, okay, my bad. I thought it was

1:24:00.560 --> 1:24:04.439
<v Speaker 1>La Russell, but yeah, maybe it is Russell. Yeah yeah,

1:24:04.960 --> 1:24:07.920
<v Speaker 1>but you ain't fucking independent. I mean, I don't know

1:24:08.360 --> 1:24:11.880
<v Speaker 1>who who's I'm signing r C. Okay, I've been signing

1:24:12.200 --> 1:24:18.360
<v Speaker 1>like that. He liked that major. I'm signed R G A.

1:24:18.479 --> 1:24:20.000
<v Speaker 1>I mean, I don't know if that's good or bad,

1:24:20.200 --> 1:24:21.760
<v Speaker 1>but like you know, shout out to them. As long

1:24:21.800 --> 1:24:23.840
<v Speaker 1>as that money comes along. Yeah, as long as you're

1:24:23.920 --> 1:24:25.639
<v Speaker 1>successful and flourishing.

1:24:26.200 --> 1:24:30.000
<v Speaker 2>Independent is yeah, you don't want to be independent, you know,

1:24:30.479 --> 1:24:31.200
<v Speaker 2>you don't listen.

1:24:31.280 --> 1:24:32.240
<v Speaker 1>Don't listen to this guy.

1:24:32.320 --> 1:24:38.640
<v Speaker 2>Man like the Wall, it's not for everybody, but you

1:24:38.640 --> 1:24:41.160
<v Speaker 2>will go back to the Sheraton and not good.

1:24:45.320 --> 1:24:49.000
<v Speaker 3>And he's speaking from the era in the nineties when

1:24:49.040 --> 1:24:51.160
<v Speaker 3>the labels were flushed with money and they were just

1:24:51.680 --> 1:24:53.360
<v Speaker 3>showing these artists with money.

1:24:53.479 --> 1:24:56.320
<v Speaker 1>Yeah, so he's talking from a different area, the Major.

1:24:56.520 --> 1:25:03.760
<v Speaker 1>That sounds fun when you stay in Major. Yeah, no,

1:25:04.360 --> 1:25:06.880
<v Speaker 1>hold on, let me cheers with you. What is that

1:25:07.240 --> 1:25:14.160
<v Speaker 1>ma majuana? What exactly? It's room based? It's a Dominican drink. Okay,

1:25:17.280 --> 1:25:21.840
<v Speaker 1>who over there? All Dominicans?

1:25:21.920 --> 1:25:27.760
<v Speaker 2>All Dominicans when they find out they drinking wanat.

1:25:31.320 --> 1:25:31.920
<v Speaker 1>You open up.

1:25:32.880 --> 1:25:36.400
<v Speaker 2>Let's talk about the game for a second. Stuart, Uh,

1:25:36.520 --> 1:25:42.439
<v Speaker 2>you've been is that it ship? Holy moleague wakamo brutal industry? Okay,

1:25:43.120 --> 1:25:44.479
<v Speaker 2>so you're selling a console.

1:25:44.680 --> 1:25:46.600
<v Speaker 1>I'm not selling the console, but like this is a

1:25:46.920 --> 1:25:50.599
<v Speaker 1>handheld what consoles a handheld piece, It's called an antag.

1:25:51.000 --> 1:25:52.839
<v Speaker 1>I got like six of them. But it's like different,

1:25:54.000 --> 1:25:56.120
<v Speaker 1>and your phone is a Macintosh. What it looks like?

1:25:56.160 --> 1:26:01.560
<v Speaker 1>Actize you really want to see now? But this is

1:26:01.920 --> 1:26:03.760
<v Speaker 1>this is brutal industry. It's like it's like I said,

1:26:03.760 --> 1:26:06.040
<v Speaker 1>it's a handheld PC, so I can like extract files

1:26:06.040 --> 1:26:09.160
<v Speaker 1>and ship. But you know, I basically just download. Every

1:26:09.200 --> 1:26:12.240
<v Speaker 1>Friday we get a new build that comes out, and yeah,

1:26:12.240 --> 1:26:14.120
<v Speaker 1>I download my game on here, I test it out,

1:26:14.439 --> 1:26:16.519
<v Speaker 1>we play it, we see where it goes. And you

1:26:16.560 --> 1:26:17.880
<v Speaker 1>know what I'm saying? And what is it like a

1:26:17.920 --> 1:26:20.720
<v Speaker 1>downloadable app game or is it it's a real game

1:26:20.800 --> 1:26:22.520
<v Speaker 1>that comes out on all platforms.

1:26:22.840 --> 1:26:25.519
<v Speaker 2>And uh so I have to buy that council to

1:26:25.560 --> 1:26:29.080
<v Speaker 2>get that? No, no, no, the Xbox yeah, Xbox any

1:26:29.160 --> 1:26:32.960
<v Speaker 2>anywhayo switch? How about my phone downloaded?

1:26:33.000 --> 1:26:36.880
<v Speaker 1>And wow too? Yeah, so I started working on this

1:26:37.000 --> 1:26:40.439
<v Speaker 1>back in twenty twenty. And uh, but is that your

1:26:40.560 --> 1:26:44.720
<v Speaker 1>console that you know it is? Okay? Yeah? Just so

1:26:45.000 --> 1:26:48.720
<v Speaker 1>uh that little Yeah, I've never said it like some

1:26:48.880 --> 1:26:49.519
<v Speaker 1>Japanese ship.

1:26:49.680 --> 1:26:49.880
<v Speaker 2>Yeah.

1:26:50.479 --> 1:26:52.600
<v Speaker 1>Antex. This is like I was gonna give it to

1:26:52.640 --> 1:26:54.160
<v Speaker 1>my daughter because we got pink on it, but I

1:26:54.240 --> 1:26:55.840
<v Speaker 1>just bought it to see how it runs my game

1:26:55.960 --> 1:26:58.640
<v Speaker 1>or whatever. But it's a handheld PC essentially, it's just

1:26:58.720 --> 1:27:01.880
<v Speaker 1>a PC Windows essentially. So and what's the premise of

1:27:01.920 --> 1:27:05.840
<v Speaker 1>the game. I heard he's killing CEOs. Uh, he wants

1:27:05.840 --> 1:27:09.719
<v Speaker 1>to be independent. It's about it's about the music industry.

1:27:13.120 --> 1:27:20.040
<v Speaker 2>I can't say, yeah, yeah, it's telling leles and.

1:27:24.960 --> 1:27:27.519
<v Speaker 1>It's a very satirical game about the music industry. You know,

1:27:27.640 --> 1:27:30.439
<v Speaker 1>I think a lot of times this industry is like

1:27:30.920 --> 1:27:33.760
<v Speaker 1>the ship that I go through is laughable. You know.

1:27:34.040 --> 1:27:36.720
<v Speaker 1>I'm just like, damn, Like, I can't believe that is

1:27:36.840 --> 1:27:37.200
<v Speaker 1>that way.

1:27:37.320 --> 1:27:37.479
<v Speaker 3>You know.

1:27:37.760 --> 1:27:40.559
<v Speaker 1>I've been somebody that's in the house, Like I said,

1:27:40.600 --> 1:27:43.479
<v Speaker 1>I'm a nerd, like I play video games, and I've

1:27:43.520 --> 1:27:47.639
<v Speaker 1>seen this music industry ship. Make somebody send some goons

1:27:47.680 --> 1:27:50.080
<v Speaker 1>after me, like we gotta get Brice until it touched

1:27:50.560 --> 1:27:54.439
<v Speaker 1>because of they get touched because he disrespected me man

1:27:54.479 --> 1:27:56.880
<v Speaker 1>and he owed me or whatever. That's just like, damn, bro,

1:27:57.439 --> 1:28:00.479
<v Speaker 1>it's a brutal industry, man like, And I think it's sad.

1:28:00.640 --> 1:28:03.479
<v Speaker 1>It's really sad that, you know, artists are gonna have

1:28:03.560 --> 1:28:05.640
<v Speaker 1>to go through this ship. You gotta ship that you

1:28:05.760 --> 1:28:07.960
<v Speaker 1>might not expect. Like I said, I stopped talking to

1:28:08.000 --> 1:28:10.160
<v Speaker 1>everybody when my daughter was born just to see you

1:28:10.240 --> 1:28:12.479
<v Speaker 1>know what I mean, I didn't know what was gonna happen. Yeah,

1:28:12.479 --> 1:28:14.479
<v Speaker 1>who's gonna fuck with me? And then once I popped off,

1:28:14.720 --> 1:28:17.519
<v Speaker 1>which I didn't know was gonna happen, all of a sudden,

1:28:17.520 --> 1:28:19.280
<v Speaker 1>everybody started coming out the world words talking about oh

1:28:19.479 --> 1:28:21.840
<v Speaker 1>miss oh, I'm met, and we're gonna we're gonna put

1:28:21.840 --> 1:28:26.040
<v Speaker 1>death threats outside the house. Oh yeah, yeah yeah, like

1:28:26.120 --> 1:28:29.519
<v Speaker 1>O W E. So yeah, that's just you know, and

1:28:29.560 --> 1:28:31.720
<v Speaker 1>then dealing with egos in the music industry, dealing with

1:28:31.960 --> 1:28:37.800
<v Speaker 1>the media, you know what I'm saying, like media, but

1:28:37.960 --> 1:28:39.840
<v Speaker 1>like you know, there's some people out there that are,

1:28:40.000 --> 1:28:42.040
<v Speaker 1>like y'all that they got malicious intent and they're doing

1:28:42.120 --> 1:28:44.000
<v Speaker 1>it because they know, you know, like I said, there's

1:28:44.000 --> 1:28:46.160
<v Speaker 1>gonna be some clips from this ship that I'm probably

1:28:46.160 --> 1:28:47.840
<v Speaker 1>gonna hate to see. But I ain't even on social

1:28:47.880 --> 1:28:50.400
<v Speaker 1>media right now, like I'm just chilling. H no, broom,

1:28:50.439 --> 1:28:55.960
<v Speaker 1>turn this off, but out right now. But not like

1:28:56.120 --> 1:28:58.479
<v Speaker 1>you know, the industry is just it's fucked up with

1:28:58.640 --> 1:29:02.200
<v Speaker 1>artists have to go through, you know, just there's so

1:29:02.320 --> 1:29:04.760
<v Speaker 1>many different things that I just have made characters out

1:29:04.800 --> 1:29:07.519
<v Speaker 1>of and I love anime and there's a lot of

1:29:07.560 --> 1:29:11.120
<v Speaker 1>anime influenced in this game. And yeah, I just.

1:29:13.040 --> 1:29:16.240
<v Speaker 2>I just want to give you a slight bit of advice.

1:29:17.640 --> 1:29:23.360
<v Speaker 2>You're a legend. Uh, let me let me finish your

1:29:23.360 --> 1:29:27.679
<v Speaker 2>a legend. You're on your way to be in the icon,

1:29:29.920 --> 1:29:34.280
<v Speaker 2>and there's moments that I don't want you to to miss. Yeah,

1:29:35.240 --> 1:29:39.360
<v Speaker 2>enjoy this ride is cool. This ride is cool and

1:29:39.640 --> 1:29:43.720
<v Speaker 2>and and I feel like you're being careful. So you're

1:29:43.800 --> 1:29:45.880
<v Speaker 2>not like really in like you know what I'm saying.

1:29:46.360 --> 1:29:47.960
<v Speaker 2>You're looking at the ride, but you know that.

1:29:48.040 --> 1:29:49.320
<v Speaker 1>That that ride is going to go up.

1:29:49.479 --> 1:29:52.400
<v Speaker 2>You're in Great Adventures, right, so you know that you're

1:29:52.400 --> 1:29:55.559
<v Speaker 2>on the ride, So you're being super careful and you're

1:29:55.640 --> 1:29:58.800
<v Speaker 2>not I want you to enjoy this more. You are

1:29:58.800 --> 1:30:02.080
<v Speaker 2>a legend, bro, You're a legend. These people came out here.

1:30:02.160 --> 1:30:04.439
<v Speaker 2>Look at all these people turn around. We do this

1:30:04.600 --> 1:30:10.000
<v Speaker 2>for ten years. Everyone was like, listen, you're alleged. So

1:30:10.200 --> 1:30:15.160
<v Speaker 2>I went as you know you know what your own family.

1:30:15.600 --> 1:30:18.040
<v Speaker 2>You're our family, whether you know it or not. You

1:30:18.080 --> 1:30:20.560
<v Speaker 2>know what I'm saying, Like, coming through Rich Rich is

1:30:21.000 --> 1:30:24.160
<v Speaker 2>my family. You want my family. I'm your family, and

1:30:24.240 --> 1:30:26.200
<v Speaker 2>I want you to enjoy this a little bit more,

1:30:26.520 --> 1:30:28.320
<v Speaker 2>if I can give you a little bit of advice,

1:30:29.880 --> 1:30:33.920
<v Speaker 2>just a little bit of advice. Enjoy this ride because

1:30:33.960 --> 1:30:36.599
<v Speaker 2>so many people ain't gonna get this, so many people

1:30:36.960 --> 1:30:38.720
<v Speaker 2>like I just ran on New York City Marathon and

1:30:38.800 --> 1:30:41.760
<v Speaker 2>I've seen people fall in front of me. They felt

1:30:41.920 --> 1:30:45.400
<v Speaker 2>they came right to the fucking finish line and fell

1:30:46.720 --> 1:30:49.040
<v Speaker 2>and I couldn't pull them because they wouldn't wh me.

1:30:50.520 --> 1:30:52.599
<v Speaker 2>But you're at the finish line, and I'm gonna tell

1:30:52.600 --> 1:30:55.559
<v Speaker 2>you something. I want to pull you with me because

1:30:55.640 --> 1:30:59.080
<v Speaker 2>you are a good dude, and enjoy this motherfucking ride

1:30:59.080 --> 1:31:00.439
<v Speaker 2>because it's ride is beautiful.

1:31:03.720 --> 1:31:06.240
<v Speaker 1>I'm sorry I got got old, got older, old on

1:31:06.360 --> 1:31:06.720
<v Speaker 1>your own.

1:31:07.000 --> 1:31:10.519
<v Speaker 2>That was old, but yeah, not for real, because I

1:31:10.640 --> 1:31:11.840
<v Speaker 2>was just living a beautiful life.

1:31:11.880 --> 1:31:12.000
<v Speaker 7>Man.

1:31:12.040 --> 1:31:15.200
<v Speaker 1>If you heard my question, I'm just what's what? What's

1:31:15.240 --> 1:31:19.160
<v Speaker 1>the legend to you? To you? To me?

1:31:20.080 --> 1:31:25.519
<v Speaker 2>A legend is person who stays outside, who doesn't listen

1:31:25.600 --> 1:31:29.000
<v Speaker 2>to the critiques of these people fall for both of

1:31:29.080 --> 1:31:31.680
<v Speaker 2>our second album, and they comes back outside and the

1:31:31.840 --> 1:31:34.559
<v Speaker 2>press bevers and keeps going. And I know that word

1:31:34.680 --> 1:31:37.559
<v Speaker 2>might have just sounded a little crazy, but it keeps

1:31:37.640 --> 1:31:42.120
<v Speaker 2>going and does not let anybody crack them, And let

1:31:42.200 --> 1:31:43.040
<v Speaker 2>me just tell you something.

1:31:43.240 --> 1:31:46.759
<v Speaker 1>You have done that. You have done that already. Celebrate yourself.

1:31:46.880 --> 1:31:49.840
<v Speaker 2>Pat yourself on the back, and just in case if

1:31:49.880 --> 1:31:52.120
<v Speaker 2>you don't want to, I'll help you pat yourself on

1:31:52.200 --> 1:31:55.640
<v Speaker 2>the back. Bro, you are fucking legend. Accept that ship, bro,

1:31:56.080 --> 1:32:02.200
<v Speaker 2>accept it because because that's the That's the beautifulest thing

1:32:02.240 --> 1:32:08.960
<v Speaker 2>about this is I know that you're accepting where you at.

1:32:10.600 --> 1:32:13.160
<v Speaker 2>But you're also like, man, fuck this all right, which

1:32:13.240 --> 1:32:13.599
<v Speaker 2>is cool.

1:32:14.280 --> 1:32:19.519
<v Speaker 1>I've been there. But you have to look over that ship.

1:32:19.640 --> 1:32:19.760
<v Speaker 3>Bro.

1:32:20.360 --> 1:32:22.559
<v Speaker 2>You already made it. You're already who it is. There's

1:32:22.560 --> 1:32:26.519
<v Speaker 2>people who already look up to you. Yeah, they're inspired

1:32:26.560 --> 1:32:29.200
<v Speaker 2>by you. So you just got to accept that ship. Bro,

1:32:29.479 --> 1:32:31.240
<v Speaker 2>You're a fucking legend and accepted.

1:32:32.080 --> 1:32:37.640
<v Speaker 1>I'm just is that cool? Is that cool? Yes? I

1:32:38.080 --> 1:32:38.880
<v Speaker 1>just want you to know that.

1:32:38.960 --> 1:32:41.439
<v Speaker 2>I want you to know that, like for real, because

1:32:42.840 --> 1:32:46.799
<v Speaker 2>I know what you humble, Yeah, and sometimes being humble

1:32:47.800 --> 1:32:51.960
<v Speaker 2>it's next to being like not accepting your credits, you

1:32:52.000 --> 1:32:54.719
<v Speaker 2>know what I'm saying. And now you got to accept

1:32:54.760 --> 1:32:57.160
<v Speaker 2>your credits. Bro, You got to look at the fucking

1:32:57.360 --> 1:32:58.960
<v Speaker 2>the end of the film, the end of the film.

1:32:59.040 --> 1:33:01.720
<v Speaker 2>Your name is dead as fucking executive you know what

1:33:01.760 --> 1:33:04.479
<v Speaker 2>I mean. Solute to you, brother, Thank you, bro, Solute

1:33:04.479 --> 1:33:07.200
<v Speaker 2>to you, appreciate it. And salute to your crew for

1:33:07.320 --> 1:33:13.320
<v Speaker 2>holding them down. Salute to you being here man, because

1:33:13.360 --> 1:33:15.719
<v Speaker 2>this is this is this is beautiful and I wanted

1:33:15.720 --> 1:33:18.600
<v Speaker 2>to give you your flowers, brother, and I thank you.

1:33:19.439 --> 1:33:24.760
<v Speaker 1>But this is the last question. How many babies do

1:33:24.760 --> 1:33:27.200
<v Speaker 1>you think you made? Damn?

1:33:28.040 --> 1:33:28.160
<v Speaker 2>Uh?

1:33:30.840 --> 1:33:33.360
<v Speaker 1>Did you make love making music? Motherfucker? You know people

1:33:33.400 --> 1:33:34.960
<v Speaker 1>used to say that to me, and I never understood

1:33:34.960 --> 1:33:37.840
<v Speaker 1>because I was like, really making love to this, like

1:33:38.439 --> 1:33:41.800
<v Speaker 1>motherfucker's to your ship. That's wowd I don't know, man,

1:33:42.040 --> 1:33:47.520
<v Speaker 1>I'm happy that I contributed you like three three thousands,

1:33:48.360 --> 1:33:53.320
<v Speaker 1>maybe three hundred thousand babies, who knows, man. I really

1:33:53.439 --> 1:33:56.960
<v Speaker 1>just hope that I made a lot of men question

1:33:57.280 --> 1:33:59.760
<v Speaker 1>question the decisions, you know what I'm saying, and and

1:34:00.479 --> 1:34:02.880
<v Speaker 1>or not even just had just people men they relationships

1:34:02.920 --> 1:34:05.719
<v Speaker 1>that they might have broken, you know, more than babies.

1:34:05.880 --> 1:34:07.760
<v Speaker 4>You know, hopefully some babies came out of that. But

1:34:07.880 --> 1:34:09.920
<v Speaker 4>like you know, if you just meant like I just

1:34:09.960 --> 1:34:11.160
<v Speaker 4>want to help people get through.

1:34:11.040 --> 1:34:15.160
<v Speaker 1>They they mentioned the sart their relationships or just really

1:34:15.200 --> 1:34:17.200
<v Speaker 1>think about it, like damn, you know what, maybe maybe

1:34:17.240 --> 1:34:19.040
<v Speaker 1>I did up. You know, maybe I need to like,

1:34:19.880 --> 1:34:21.960
<v Speaker 1>maybe I need to revisit that and and see it

1:34:21.960 --> 1:34:23.000
<v Speaker 1>from a different perspective.

1:34:23.160 --> 1:34:25.880
<v Speaker 2>So, so, is there ever a record that you you

1:34:25.960 --> 1:34:28.519
<v Speaker 2>thought you went too personal on? Because I know you

1:34:29.000 --> 1:34:38.160
<v Speaker 2>personal question? Uh ship, I can't. I can't recall right now.

1:34:38.760 --> 1:34:41.800
<v Speaker 1>Especially not about your girl your ex's. Yeah, I can't,

1:34:41.960 --> 1:34:42.519
<v Speaker 1>I can't recall.

1:34:42.720 --> 1:34:45.400
<v Speaker 3>Just leave that alone, like you never released music or

1:34:45.439 --> 1:34:47.439
<v Speaker 3>an album and and kind of like social media.

1:34:47.280 --> 1:34:48.880
<v Speaker 1>Where you kind of like I kind of exposed too

1:34:48.960 --> 1:34:51.639
<v Speaker 1>much there. Definitely my second album for Shure, I was like, yeah,

1:34:51.640 --> 1:34:55.960
<v Speaker 1>I'm saying, wait, way too much, you know, Like the

1:34:56.040 --> 1:34:58.679
<v Speaker 1>Alcum cover itself was inspired by like that that MTV

1:34:58.800 --> 1:35:01.280
<v Speaker 1>show is called True Life or something shit, exposing like

1:35:01.360 --> 1:35:03.080
<v Speaker 1>what people are like really going through. I was like,

1:35:03.560 --> 1:35:05.120
<v Speaker 1>this is all I know that I'm just telling them

1:35:05.120 --> 1:35:07.240
<v Speaker 1>what I'm going through. So but it was too much,

1:35:07.479 --> 1:35:09.400
<v Speaker 1>you know. So listen, man, what day?

1:35:09.479 --> 1:35:11.559
<v Speaker 2>Me and you going, Hey, I just diss each other

1:35:11.680 --> 1:35:13.080
<v Speaker 2>about our second album.

1:35:14.960 --> 1:35:18.519
<v Speaker 1>Because you ain't letting it go. And his second album

1:35:18.600 --> 1:35:19.759
<v Speaker 1>is a classic in my opinion.

1:35:20.600 --> 1:35:24.640
<v Speaker 2>So I relate to you so much because I know

1:35:24.840 --> 1:35:27.960
<v Speaker 2>exactly how you feel. Because it's exactly how I feel.

1:35:28.479 --> 1:35:29.840
<v Speaker 2>But thank you man for being here.

1:35:29.920 --> 1:35:31.360
<v Speaker 1>Man. I appreciate that man.

1:35:31.600 --> 1:35:35.160
<v Speaker 2>Appreciate your energy, appreciate rich appreciate all this.

1:35:35.160 --> 1:35:37.400
<v Speaker 1>Ship man like Yo, You're a legend.

1:35:37.479 --> 1:35:37.599
<v Speaker 7>Man.

1:35:37.640 --> 1:35:42.880
<v Speaker 1>I want to give your flowers. Take a picture. Let's

1:35:42.920 --> 1:35:43.120
<v Speaker 1>do it.

1:35:44.479 --> 1:35:47.920
<v Speaker 3>Drink Champs is a Drink Champs LLC production hosts and

1:35:48.040 --> 1:35:51.439
<v Speaker 3>executive producers n O r E and dj e f N.

1:35:52.640 --> 1:35:53.439
<v Speaker 1>Listen to Drink.

1:35:53.320 --> 1:35:57.600
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1:35:57.720 --> 1:36:01.080
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1:36:01.120 --> 1:36:03.920
<v Speaker 3>episode of Drink Champs hosted by Yours truly, dj e

1:36:04.160 --> 1:36:06.400
<v Speaker 3>f N and n O r E. Please make sure

1:36:06.400 --> 1:36:08.680
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