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Speaker 1: It's nine with Jenny Garth and Tori Spelling. Hi, guys,

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Speaker 1: welcome to another episode of what is it called? Oh Yeah,

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Speaker 1: I was called b H nine O two. I know,

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Speaker 1: I'm g it's just nine O two. I know. I'm

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Speaker 1: In case you're wondering, it's me Jenny. I'm here with

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Speaker 1: Tori and Amy. Hi, ladies, he lou Hi. How are

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Speaker 1: the gals after this episode? Amazing? What are you talking about? Amy?

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Speaker 1: Sugar loved its reaction? Really I liked, Okay, you guys,

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Speaker 1: this episode was horrific. Oh my god, oh my god.

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Speaker 1: See here I am. I'm such a follower that I

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Speaker 1: was in the middle of the two of you, and

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Speaker 1: when Amy said that she loved it, I felt pressured

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Speaker 1: to say, like I felt different, but I like certain

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Speaker 1: on Men's and then John's like it was terrific. I'm like,

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Speaker 1: oh thanks, I dated this episode? Did it hated? I mean, listen,

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Speaker 1: if I want to go, if I want to watch

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Speaker 1: Luke Perry like Western, I'll go to the theater and

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Speaker 1: watch it or rent it like it was beautiful. Let's

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Speaker 1: let's tell the Let's tell the people what we're talking about.

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Speaker 1: We're talking about season three episode fourteen Wild Horses, aired November. Synopsis.

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Speaker 1: After his car breaks down while on the road, Dylan

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Speaker 1: finds comfort with Anne, a wealthy heiress living at a

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Speaker 1: remote ranch in the mountains. Back in Beverly Hills, Brandon

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Speaker 1: learns firsthand about Nikki's abusive past when her musician ex

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Speaker 1: boyfriend diesel Stone suddenly suddenly shows up and drags Nicky away.

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Speaker 1: Donna helps in a vest and no shirt. Donna helps

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Speaker 1: repair Brenda and Kelly's damage friendship after Hutchins threatens to

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Speaker 1: blow the whistle on Steve. Steve drives talk Herbert into

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Speaker 1: taking the rab and looks like a pirate in this episode,

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Speaker 1: directed by Bobby Roth, written by Chris Brancato and Kenneth Biller.

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Speaker 1: You got it. I loved it. I loved it. I

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Speaker 1: didn't remember it. Did you remember it? This was like

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Speaker 1: watching something totally new to me because it wasn't at

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Speaker 1: all our show, Like what okay. First of all, it

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Speaker 1: started out really weird, like with extreme close ups on

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Speaker 1: Iron and Gabrielle, Like right out of the game there

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Speaker 1: was like extreme close ups, which our show was not

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Speaker 1: into that, And they did that with with Wicky and

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Speaker 1: and feature film. He was shooting a feature film. Bobby

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Speaker 1: Roth is big great. Sorry I didn't look him up,

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Speaker 1: but well, apparently he didn't for for us because he

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Speaker 1: only directed one episode. I feel like he's not Yeah,

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Speaker 1: I feel like he's not a TV director. Am I wrong?

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Speaker 1: It's so interesting you noticed that because I thought this

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Speaker 1: is shot differently and just as like a lay person.

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Speaker 1: I was like, there's some real close ups in the

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Speaker 1: kitchen of Nikki and Brandon. I also wrote, is this

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Speaker 1: Dynasty a TV director? I mean, what wild horses? Wait, Tory,

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Speaker 1: tell us what you're reading and learning. Well, I'm on

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Speaker 1: IMDb and Bobby Roth is an American television director known

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Speaker 1: for Dynasty Wait for it. I don't know, not getting

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Speaker 1: that he isn't a smart story Yeah, tons, I'm just

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Speaker 1: starting to think of something of our show. You didn't

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Speaker 1: like those clothes, and I felt like he really tried to, like,

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Speaker 1: you know, shake things up and get you know, real

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Speaker 1: artsy with it, but it just didn't work for me.

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Speaker 1: I don't know if it was the directing that did

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Speaker 1: more for me, but or the storyline. I'm getting angry

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Speaker 1: just thinking of about it. I'm pretty riled at myself.

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Speaker 1: The whole look the wardrobe. Everything was different. I was

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Speaker 1: just like, I'm it wasn't nine o two and no.

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Speaker 1: When I was easily distracted when I was watching this,

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Speaker 1: I was like, I said it out loud. I was like,

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Speaker 1: I don't like this episode, and I was like, oh God,

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Speaker 1: you can't saying that. Would I be canceled? Well, they

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Speaker 1: just said it. You just said it, so we'll see

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Speaker 1: what happens for the integrity of Beverly Hills. Nine two

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Speaker 1: was the reason I couldn't watch this episode because it

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Speaker 1: wasn't true to us. It had some great moments and

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Speaker 1: great scenes, obviously, like yeah, yeah, Tor, tell me a

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Speaker 1: little more, Jenny, tell me more. I need to hear

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Speaker 1: why you guys did not like this well storyline, like,

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Speaker 1: what the heck? Who? What the this is my note?

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Speaker 1: This is what where it turned for me. When she

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Speaker 1: goes I'm Anne is happening? You got about off for

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Speaker 1: one second because I forgot to tell you this part.

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Speaker 1: I'm pretty sure the reason she got cast in this

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Speaker 1: is because she was in one of my favorite horror

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Speaker 1: films ever, and it's Sleepwalkers, and I loved it so

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Speaker 1: much that I was obsessively telling my dad, you have

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Speaker 1: to put her in something, and I think that's why

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Speaker 1: he used her in this. Did you write the story

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Speaker 1: to Alice Creek? Hell? So Alice Creek saying her last

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Speaker 1: name right, I only know it in Okay, So she's

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Speaker 1: amazing and you guys, she was just in the brand

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Speaker 1: new incarnation of Texas Street saw Masks. She's so good. Okay,

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Speaker 1: what were you saying? I have no response. Okay, I

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Speaker 1: need to start from the top. Here are my questions

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Speaker 1: for you guys. Was Luke like, I want to do

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Speaker 1: something with horses, and here's what I've investigated. Thank you? Okay,

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Speaker 1: good question. I did some investigation with our with our

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Speaker 1: good friends over at the show that is cheating Petz too.

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Speaker 1: I was going to ask Pete too, and I didn't

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Speaker 1: resourcing this is this is called research. So that's why

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Speaker 1: he suddenly So Pete Farr was like freaking out because

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Speaker 1: he's like Jenny Garth followed, that was the bargain. Follow

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Speaker 1: first some insight. It talked to Chuck Charles Rosen, the

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Speaker 1: producer and apparently, uh, okay, I just have to read it.

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Speaker 1: Let me just find it. Yeah, tell us read it.

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Speaker 1: Read it is because I did feel like I was

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Speaker 1: watching Dynasty, but I was loving it. I'm surprised you guys,

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Speaker 1: I didn't love it like I loved it. No, I

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Speaker 1: mean it wasn't Dynasty. It was like Dallas, which for

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Speaker 1: the record, was not my dad's show. Even though everybody

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Speaker 1: over the years has told me like, oh I loved Alice,

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Speaker 1: I'm like, didn't know how to ride because I felt

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Speaker 1: like there was that scene in him with him in

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Speaker 1: the white tank top where he was like a professional, Yeah,

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Speaker 1: he knows how to ride. Okay, this is what he said.

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Speaker 1: Luke was doing the Rodeo movie eight Seconds eight at

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Speaker 1: the time, so you were right, and they did it

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Speaker 1: as a vehicle to drive people to see that. Pete

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Speaker 1: also went on to say it is awful. No, Pete,

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Speaker 1: the woman, I'm sure is nice but not great, and

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Speaker 1: it's viewed by many as the word the worst episode,

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Speaker 1: one of the worst episodes. Interesting. So what she's saying,

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Speaker 1: which Pete our friend is saying, who's a nine guru?

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Speaker 1: He is saying this episode wasn't great, not eight seconds

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Speaker 1: of the movie, because I love that movie eight Seconds

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Speaker 1: such a good movie. I would watch that every Saturday

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Speaker 1: if I could. I did not hate this episode at all.

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Speaker 1: Not remotely at all. It did feel like I was watching.

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Speaker 1: I even said to our other producer this morning, I

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Speaker 1: was like, I think I literally have never seen this

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Speaker 1: episode before. Well here this is the problem because okay, so,

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Speaker 1: so Luke wanted to do something with horses, right, Remember

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Speaker 1: when when they said that, oh, Luke wanted to work

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Speaker 1: with the blonde. So automatically my mind goes to, oh wait,

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Speaker 1: wait he worked. Now he doesn't want to work with me,

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Speaker 1: and now he wants to work with an older woman.

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Speaker 1: I started panicking, like, I was like, it's this is

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Speaker 1: this is how the mind gets all like disturbed. See

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Speaker 1: where my mind was going is why didn't they make

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Speaker 1: that Dylan Kelly storyline? Right? But if they wanted to

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Speaker 1: do horses, like, he just dropped what the heck? They

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Speaker 1: just literally dropped the story that was going and was

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Speaker 1: like super engaging the whole love triangle thing, and then

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Speaker 1: he goes off and does this weird stuff with this

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Speaker 1: weird lady. I feel like there's something else, Jen. I

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Speaker 1: feel like I'm I'm now. You know, sometimes when we

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Speaker 1: talk things out, I have like we both have like

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Speaker 1: oh wait, what there's something tell me. So when the

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Speaker 1: boys would talk they would talk and they got loud

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Speaker 1: girl tools and stuff, and we were young, but we

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Speaker 1: were there and you would just be like, I don't

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Speaker 1: want part of this, but I can here. I wasn't

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Speaker 1: just eavesdropping. I remember some talk about this woman Luke

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Speaker 1: or unless he was just like you know, he was young,

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Speaker 1: just like, oh she's really no, she's beautiful. I don't know,

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Speaker 1: but because I did remember that during the scene, and

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Speaker 1: so I watched his movements with her, and I feel

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Speaker 1: like the only thing I can compare it to is

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Speaker 1: I know, like you guys had real chemistry. So while

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Speaker 1: it was acting like it was real, that like attraction

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Speaker 1: and feelings for each other on some plane in this

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Speaker 1: universe with them, I feel like I feel like he

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Speaker 1: was being respectful and he was to the side, and

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Speaker 1: at one point he puts his hand down. He goes

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Speaker 1: like that on the grass, did you see that? And

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Speaker 1: his other hand is like above, like not engaged, right, Yeah,

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Speaker 1: So I remember your boys talking are over or maybe

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Speaker 1: they were just being boys and be like, oh you

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Speaker 1: talk whatever. I don't know, but something I remember some combat.

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Speaker 1: It didn't feel like a natural or or organic I

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Speaker 1: don't know. There was just no chemistry. It was bizarre.

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Speaker 1: It was bizarre. It was totally random. It was totally random.

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Speaker 1: The thing that I thought was significant is that it

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Speaker 1: got him out and that became a storyline like that

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Speaker 1: he took off and it was a little random. But

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Speaker 1: I loved the scenes with Donna playing therapist between Kelly

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Speaker 1: and Brenda. So what you did? What what I've wrote down,

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Speaker 1: poor Donna stuck in the middle. I loved it. I'm

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Speaker 1: so non confrontational that it was actually those lines I

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Speaker 1: could hear. My voice was higher than like I'd gotten nervous.

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Speaker 1: I was so nervous, so nervous. That was so uncomfortable

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Speaker 1: because I wouldn't do that in real life. So that

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Speaker 1: kind of did that in real life though you kind

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Speaker 1: of were like, that's what I was going to the

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Speaker 1: middle of Shanon and me in the early you know

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Speaker 1: all then okay, so when that would have happened, could

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Speaker 1: you ever picture be being like, guys, I love you

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Speaker 1: both and like we should just like get along, And

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Speaker 1: it's like, never picture you're doing that ever with anyone ever?

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Speaker 1: Or like Donna had the most like profound analysis of

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Speaker 1: the whole thing, because she first of all had like

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Speaker 1: the balls to say to Brenda, Brenda, like you told

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Speaker 1: everybody you wanted to date and that Dylan was free

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Speaker 1: to date. And then Kelly hate and then she says,

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Speaker 1: but killy, but Kelly, it was inconsiderate of you to

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Speaker 1: not at least talk. I thought Donna had such wisdom

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Speaker 1: and I thought she was adorable. How she did it?

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Speaker 1: Oh my god, am I in another planet today? No,

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Speaker 1: I couldn't separate myself from this one. This one I

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Speaker 1: was just I cringed at like being in the middle

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Speaker 1: like that. It just set because it just felt very is.

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Speaker 1: It took me back to places and things I would

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Speaker 1: never do and say or like so, but if I

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Speaker 1: weren't Donna, I can understand what these three best friends. Like, yes,

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Speaker 1: Donna did that was great. It was so Donna of her.

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Speaker 1: And I also think it was such an you know,

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Speaker 1: Donna always had that sort of stigma of like, oh,

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Speaker 1: Donna is not as smart as everybody else. No, Donna

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Speaker 1: is the wisest of all these people. She is behalf

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Speaker 1: of Donna. She's always you know, almost mature about the

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Speaker 1: way she handles situations. And I thought this showed that

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Speaker 1: off showed that, like, oh my god, literal. I'm having

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Speaker 1: to like check my own brain right now. Well, I

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Speaker 1: was happy that the girls had a minute to like

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Speaker 1: being like we're things out, which did It still didn't

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Speaker 1: feel very realistic that correct this would then they would

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Speaker 1: just be like back to the old times in the

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Speaker 1: hallway friends again. High schoolers not hold grudges like maybe

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Speaker 1: high schoolers do forgive faster. Maybe they do. They do,

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Speaker 1: so it was like knock knock, knock, and then I

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Speaker 1: love the moment like knock knock, knock. Here I am

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Speaker 1: and she's on the phone with David. It's like that

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Speaker 1: was very teenager, like we fought for three days and

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Speaker 1: now we need to end it. We need to be

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Speaker 1: friends again. Let's be best friends, but over something that big.

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Speaker 1: I don't think that they would just make up like that,

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Speaker 1: nor does the audience really want to see that, right, Like, well,

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Speaker 1: the attention is like, yeah, we were just getting invested

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Speaker 1: in in the drama of it, like yah and the

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Speaker 1: conflict between the characters, and now they're back together and

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Speaker 1: Dylan just audio Samiga. But maybe they needed well we

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Speaker 1: don't know what's going to happen, right, I do, But

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Speaker 1: they had to bring up us, bring you guys back

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Speaker 1: together so that you can get torn apart again, right,

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Speaker 1: But it still should have lasted a little bit longer.

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Speaker 1: Come on, yeah, I feel like teens forgive quickly. I

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Speaker 1: just my note was, what on God's green Earth is happening?

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Speaker 1: That's my note. Okay, wait, before we finished with Anne

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Speaker 1: and move on to David Arquette, let's dig into Anne

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Speaker 1: and Dylan a little bit more. I did think it

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Speaker 1: was totally random. I also thought, no human in their

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Speaker 1: right mind is like pulling up on a horse to

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Speaker 1: a broken down car and inviting the person into their home.

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Speaker 1: That was like, this is so far fettered. How do

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Speaker 1: you feel about her camel toe, or maybe her her

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Speaker 1: multiple fringe outfits? Like I just it kept getting worse

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Speaker 1: and worse for me. I didn't seem you you are

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Speaker 1: around horses, does not mean you wear fringe. I ride horses.

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Speaker 1: I've never worn fringe. This woman wore fringe in every outfit.

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Speaker 1: Her neighbor comes over for dinner, she's wearing fringe. I

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Speaker 1: was just waiting for Dylan to dawn some fringe, but

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Speaker 1: instead he wears that ugly shirt she left for him.

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Speaker 1: Oh my god, I like fringe. I mean yeah, but

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Speaker 1: not like it just didn't work, and neither did that shirt.

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Speaker 1: Kelly should have been riding horses with him. I mean

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Speaker 1: I would have loved that, Hello, I love my horses.

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Speaker 1: Maybe after the jet ski incident he thought you were

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Speaker 1: a liability. He was like like scenes with her, no activities, activities,

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Speaker 1: just make out. Sorry God. Although I thought it was

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Speaker 1: far fetched and ridiculous, I still loved it. I loved

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Speaker 1: how at the end hold on you love when she says, well,

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Speaker 1: first of all, I just need to do it one

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Speaker 1: more time. I'm an I'm sorry, I can't help myself.

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Speaker 1: And then you liked it when she said stay with

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Speaker 1: me at the ranch you can work shadow caster. That

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Speaker 1: one was it was very odd. I freedom, money can

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Speaker 1: buy happiness one oh, no, your freedom one thing. Money

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Speaker 1: can buy your freedom. Now I'm doing the deep voice.

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Speaker 1: Oh my gosh, I d m her too. Now she's

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Speaker 1: never going to speak to me. I think Alice is

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Speaker 1: she South African? She's she is English and British, like

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Speaker 1: British British. Because she was there was like a weird

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Speaker 1: accent going on. I wasn't sure what was happening, but

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Speaker 1: it was intrigued by it because I couldn't really pin

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Speaker 1: it down. It was like a Madonna accent, like affected. Yeah,

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Speaker 1: but she's trying trying to sound not because she's not

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Speaker 1: like American. Y'all didn't think there was deep meaning in

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Speaker 1: horses get bored if ridden by the same person, don't

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Speaker 1: we all? That's the That's one of the lines I missed,

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Speaker 1: that horses get bored when they're written by the same person.

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Speaker 1: I missed that one. Oh that was major. What does

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Speaker 1: that mean to you? I thought it was a parallel

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Speaker 1: between horses good board. Oh so he's the horse and

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Speaker 1: we're the like we're the same writers. Like it's an analogy,

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Speaker 1: Like that's why he's moving on from his relationship, that's

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Speaker 1: why he had to sort of take off. But means

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Speaker 1: like like like cowgirlscot style. What we're not really getting

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Speaker 1: specific thick with that, but you can. I wasn't being

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Speaker 1: sexual about it. I just feel like she didn't know Dylan,

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Speaker 1: Like it just made me very angry to see her

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Speaker 1: like clawing onto him and inviting him to ride her horse.

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Speaker 1: You're putting some other feelings on here. What if that

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Speaker 1: what if that was Steve, would you have felt the

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Speaker 1: same way or Brandon, but Luke has never looked like

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Speaker 1: this was like I was appreciative of this storyline for

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Speaker 1: one reason, like him shot out there and his white

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Speaker 1: teethed up. I was like, uh, just obviously we all

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Speaker 1: know how beautiful he was, but like, just like this,

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Speaker 1: I was like, this guy like and it still stands

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Speaker 1: up like thirty years later. This is such He's such

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Speaker 1: a heart throb. I thought the performance by the Porsche

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Speaker 1: was also excellent. I thought the car looked cool, and

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Speaker 1: then they had like just enough dirt on it when

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Speaker 1: when he's working in the car, he's going to have

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Speaker 1: some some grease on the face. Are in here strategically placed?

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Speaker 1: I feel like that was a very like Aaron Spelling

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Speaker 1: note sucking about him like he's not my dad, but

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Speaker 1: like always like that. The whole episode felt like all

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00:19:15,960 --> 00:19:19,719
Speaker 1: your dad shows. That's why I kept saying Dynasty like

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00:19:20,119 --> 00:19:23,080
Speaker 1: it felt it moved quick, lots of different things happening,

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Speaker 1: beautiful things, rich, Like I just was like, where does

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Speaker 1: this rich lady live? I mean it looked so fun

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Speaker 1: riding those horses, like the mansion, her mansion, that beautiful barn,

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Speaker 1: it was really gorgeous. Yeah, I don't know where that was.

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Speaker 1: I was thinking, like Lucy Levos generally like, Nope, Santa

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Speaker 1: Clarita doesn't seem probably more like that. I don't know.

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Speaker 1: Oh hi, o hi. Remember she said it was in

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Speaker 1: the sticks out here in the stick X didn't she?

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Speaker 1: I feel like Santa Clarite is probably where they filmed.

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Speaker 1: She also said I can't. She can't since she won't,

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Speaker 1: but I shall. What a weird dinner party? Like those

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00:20:12,320 --> 00:20:15,399
Speaker 1: are her friends that certally we're getting a note that

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00:20:15,440 --> 00:20:18,919
Speaker 1: it was in Thousand Oaks, Like, really, that's as far

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Speaker 1: as he made it, from Beverly Hills to thousands. You're

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Speaker 1: taking it literally, he made it. It's just where they filmed.

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Speaker 1: They filmed it, but it was probably set yeah, in

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Speaker 1: Northern County for my purposes. He was like, in o

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Speaker 1: hi or los A, Levo made it out of l A. Yeah. Good.

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Speaker 1: All right, now that we've cleared that, So do you

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Speaker 1: want to stop with her and move on to David Arquette?

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Speaker 1: And I can do it. I can do it. We

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Speaker 1: should let her go. There's more friends. It's like therapy.

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Speaker 1: Her gloves, her gloves had fringe. I just want you

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Speaker 1: to know too, the gloves had I actually do own

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Speaker 1: a pair of gloves that I ride with that have

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Speaker 1: fringe on them. Now embarrassed to say I'm throwing them out. Uh,

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Speaker 1: but my note was, oh my god, if I see

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Speaker 1: any more friends, I'm gonna lose it. And then it's weird,

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00:21:08,440 --> 00:21:10,440
Speaker 1: like each week you don't have that reaction when you

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Speaker 1: see multiple plaid on plaid on everybody, but the French

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00:21:14,520 --> 00:21:16,560
Speaker 1: is it? French sent me over the edge. And then

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Speaker 1: at the end when he says he says that he's

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Speaker 1: got a trust fund with worth hundreds of millions of dollars.

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Speaker 1: I made a note too. I was like, that's a

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Speaker 1: lot of money. Also, the horse saved for one millions.

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Speaker 1: Do you know where my mind just went. I'm like,

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00:21:33,520 --> 00:21:35,560
Speaker 1: wait was that put in? Because that was supposed to

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Speaker 1: be my originals fun been nice. The horse sold for

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Speaker 1: one point three million dollars like our horses five million dollars.

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Speaker 1: She's just gonna let a stranger rod. Don't you watch Yellowstone? Yeah,

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00:21:55,160 --> 00:22:02,280
Speaker 1: they're they're expensive in Ny. And plus would she really

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00:22:02,359 --> 00:22:05,520
Speaker 1: let him be writing it? It was like running it

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Speaker 1: in a field. What if it falls and hurts, it's

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Speaker 1: leg there you go, it's worth nothing And then he

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00:22:12,640 --> 00:22:16,480
Speaker 1: was so offended by her selling it this basic, complete

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Speaker 1: stranger business dude. And also, okay, so then you you

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00:22:21,440 --> 00:22:24,560
Speaker 1: you humiliate her and tell her like how materialistic or

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Speaker 1: whatever she was she is, then you don't you kiss

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Speaker 1: her one last kiss for the road. It's very dill

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Speaker 1: and sorry. I hope Kelly never gets together with this guy.

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Speaker 1: That's what I hope someone was. And I feel like

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Speaker 1: we just lost our whole audience and we done. We're

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Speaker 1: done here. I'm so bored. Can we move on? Yeah,

358
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Speaker 1: let's move on. Okay, I'll talk about it therapy. It's fine. Yeah.

359
00:23:03,760 --> 00:23:08,600
Speaker 1: Were you happy to see the air Ties return? The

360
00:23:08,680 --> 00:23:12,040
Speaker 1: return of the air Ties? Steve right out of the

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Speaker 1: gate back to the air Ties, just say that. I

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00:23:14,200 --> 00:23:16,600
Speaker 1: totally noted that. I was like, I didn't want them

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Speaker 1: to really go away. You guys, air Ties were very nineties,

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00:23:19,240 --> 00:23:23,960
Speaker 1: Like hello, I think so well with the unbuttoned Later

365
00:23:24,040 --> 00:23:27,080
Speaker 1: in the episode, he's unbuttoned. Yeah, I don't know he's

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00:23:27,560 --> 00:23:29,320
Speaker 1: he's not. He's kind of in, but he doesn't know

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Speaker 1: what to do right now. I feel like he's lost.

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Speaker 1: I'm telling you, right now, I want to research to this.

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Speaker 1: I'm telling you are a wardrobe person change, like, this

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00:23:37,359 --> 00:23:40,359
Speaker 1: is different. You do that your research colors. The moody

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00:23:40,440 --> 00:23:45,320
Speaker 1: is moody mists of the colors. And okay, all right,

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Speaker 1: let's talk about steve storyline. What do you all think.

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Speaker 1: We'll get to David ar Kent in a minute, we'll

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Speaker 1: go to Steve. There was a lot of close ups

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Speaker 1: of Steve pondering his situation, and I felt it it

376
00:23:57,520 --> 00:24:00,200
Speaker 1: was interesting that he used a pay phone. I like

377
00:24:00,400 --> 00:24:04,639
Speaker 1: that phones. I do remember when they were dime and

378
00:24:04,640 --> 00:24:06,480
Speaker 1: then it went up to twenty cents. Everyone was like

379
00:24:07,640 --> 00:24:14,320
Speaker 1: yellow Pages, yellow Pages, collect calls, real thing. Um I didn't.

380
00:24:14,480 --> 00:24:20,040
Speaker 1: I just I really like Herbie is Herbie right? Yeah? Yeah,

381
00:24:20,160 --> 00:24:23,240
Speaker 1: but I just really wanted to cut that ponytail off.

382
00:24:23,840 --> 00:24:25,959
Speaker 1: I just want to go snip. Here's what I liked

383
00:24:25,960 --> 00:24:30,480
Speaker 1: about Herbie. He he was like, no, yes, Steve. I

384
00:24:30,600 --> 00:24:34,560
Speaker 1: was like, go Herbie, Yes. He laid it down. Steve

385
00:24:34,720 --> 00:24:38,160
Speaker 1: hit the lowest of his low just being disgusting. I wrote,

386
00:24:38,200 --> 00:24:42,920
Speaker 1: you're disgusting, and then at the end he's now redeeming himself,

387
00:24:43,600 --> 00:24:47,200
Speaker 1: which I thought was okay. He yeah, he had like

388
00:24:47,280 --> 00:24:51,159
Speaker 1: a he had his aha moment. M hm, yes, and

389
00:24:51,240 --> 00:24:54,440
Speaker 1: then he you know, he was apologizing for so many things,

390
00:24:55,119 --> 00:24:59,880
Speaker 1: and he's all vulnerable and since he I liked that. Yeah.

391
00:25:00,080 --> 00:25:02,040
Speaker 1: I thought it was so sweet when he said to Andrea, like,

392
00:25:03,640 --> 00:25:05,480
Speaker 1: this is a terrible thing I did, but I never

393
00:25:05,600 --> 00:25:07,920
Speaker 1: need a reason to hang out with you. And I

394
00:25:08,040 --> 00:25:11,120
Speaker 1: was like, he was sweet and it wasn't like too much,

395
00:25:11,359 --> 00:25:13,600
Speaker 1: like it wasn't all tearful or anything. It was very

396
00:25:13,640 --> 00:25:17,600
Speaker 1: straightforward but vulnerable. I liked it. Yeah, But from just

397
00:25:17,880 --> 00:25:21,240
Speaker 1: finding him vile to liking him again, that's how it works,

398
00:25:23,640 --> 00:25:26,919
Speaker 1: young love. He does seem to be in a bit

399
00:25:27,000 --> 00:25:30,520
Speaker 1: of a pickle. You've kicked out of school, right, It's like,

400
00:25:30,560 --> 00:25:33,040
Speaker 1: how's he How does he get back in? And does

401
00:25:33,080 --> 00:25:37,879
Speaker 1: he get back in? I don't know. Well, obviously you

402
00:25:38,080 --> 00:25:41,840
Speaker 1: can't ruin things from maybe I'm remembering something I probably

403
00:25:41,840 --> 00:25:44,159
Speaker 1: don't remember. Right, it doesn't matter. I can't find the

404
00:25:44,160 --> 00:25:46,800
Speaker 1: wardrobe designer for season three. Well you look, while we

405
00:25:46,880 --> 00:25:49,040
Speaker 1: take a break away, come back and talk more about

406
00:25:49,080 --> 00:26:04,240
Speaker 1: this episode. I'm telling you it started to change you guys, Like,

407
00:26:04,359 --> 00:26:08,040
Speaker 1: I feel like you're probably a hundred percent right because

408
00:26:08,560 --> 00:26:13,360
Speaker 1: we had a number of different heads of wardrobe. Well,

409
00:26:13,480 --> 00:26:15,359
Speaker 1: whatever's happening is they're giving all the good clothes to

410
00:26:15,400 --> 00:26:20,080
Speaker 1: Brenda because she looks awesome again, she had a full

411
00:26:20,160 --> 00:26:24,439
Speaker 1: black thing. She looked good. Diane Kennedy was the costume

412
00:26:24,480 --> 00:26:27,840
Speaker 1: designer Tory, that's the original one. Okay, maybe she just

413
00:26:27,920 --> 00:26:31,800
Speaker 1: changed her taste a little. Or are we at this

414
00:26:31,880 --> 00:26:34,040
Speaker 1: point starting to get a little more vocal about what

415
00:26:34,200 --> 00:26:38,840
Speaker 1: we want and we're changing colors and ruining it? Can

416
00:26:38,880 --> 00:26:43,680
Speaker 1: we talk about David Ark? Can we? Because he was smoldering, right,

417
00:26:44,080 --> 00:26:46,240
Speaker 1: he was, So I liked him with that whole like

418
00:26:46,480 --> 00:26:50,720
Speaker 1: piano guitar situation whatever, whatever that instrument was he was playing.

419
00:26:50,760 --> 00:26:55,600
Speaker 1: I was like, you get it a keyboard on a drap.

420
00:26:57,720 --> 00:27:01,640
Speaker 1: So I did not remember because I like was friends

421
00:27:01,800 --> 00:27:04,800
Speaker 1: with him during this time period, friends, like we would

422
00:27:04,800 --> 00:27:09,920
Speaker 1: be at clubs together and stuff, but like I forgot anybody,

423
00:27:10,440 --> 00:27:14,120
Speaker 1: yeah right, And I mean we knew he and Luke

424
00:27:14,200 --> 00:27:17,680
Speaker 1: were friends forever, but I didn't realize that he was

425
00:27:17,720 --> 00:27:20,399
Speaker 1: on nine O two and O like I forgot or

426
00:27:20,720 --> 00:27:26,840
Speaker 1: I mean obviously like Luke recommended him, right, pretty important part.

427
00:27:27,520 --> 00:27:31,240
Speaker 1: This was his first it seemed like really early in

428
00:27:31,400 --> 00:27:35,280
Speaker 1: his career, early early, if you know, he was endurable.

429
00:27:36,800 --> 00:27:42,560
Speaker 1: He's such a jerk, but David Arquett was never known,

430
00:27:42,840 --> 00:27:45,640
Speaker 1: you know, to be like the jerk, the like tough guy,

431
00:27:45,720 --> 00:27:50,919
Speaker 1: alternative like leading man basically, you know, like he's kind

432
00:27:50,960 --> 00:27:54,080
Speaker 1: of quirky and he does comedy. But like look here,

433
00:27:54,200 --> 00:27:57,480
Speaker 1: I was like, oh my gosh, whoa his career could

434
00:27:57,520 --> 00:28:01,080
Speaker 1: have gone a different path, Like he's so like body

435
00:28:01,280 --> 00:28:05,600
Speaker 1: pot broody. Ah. Oh. He was on Buffy the Vampire

436
00:28:05,680 --> 00:28:13,080
Speaker 1: Slayer as well. Wow, and you don't mean you mean

437
00:28:13,160 --> 00:28:16,879
Speaker 1: the movie right, yeah? And and and Blossom okay, and

438
00:28:17,000 --> 00:28:19,200
Speaker 1: he was never been Kissed, which was a great movie

439
00:28:20,960 --> 00:28:24,200
Speaker 1: that was later because that is a fabulous movie. And

440
00:28:24,280 --> 00:28:28,040
Speaker 1: then then he went into the Scream there. Okay, so

441
00:28:28,160 --> 00:28:32,080
Speaker 1: this is making sense because he and Luke possibly could

442
00:28:32,119 --> 00:28:36,240
Speaker 1: have met on Buffy the Vampire Slayer. Yes, that makes sense.

443
00:28:36,520 --> 00:28:41,040
Speaker 1: Ding you the prize that one story they used to

444
00:28:41,160 --> 00:28:44,120
Speaker 1: live together, remember this story. They were very good friends. Yeah,

445
00:28:44,120 --> 00:28:49,320
Speaker 1: I don't know up until Luke passed, like always remained

446
00:28:49,880 --> 00:28:55,080
Speaker 1: like close close friends because I remember Luke was very

447
00:28:55,360 --> 00:29:01,360
Speaker 1: close with Alexis right. Wow, I didn't know any of this.

448
00:29:02,560 --> 00:29:05,360
Speaker 1: The whole family at Jen It's coming back. I feel

449
00:29:05,400 --> 00:29:09,920
Speaker 1: like Luke lived with Arquette family. I know he was

450
00:29:10,440 --> 00:29:16,040
Speaker 1: like lived with Alexis Arcade. Remember that I could have

451
00:29:16,120 --> 00:29:23,440
Speaker 1: sworn David telling some story at some point, and I thought, like,

452
00:29:26,920 --> 00:29:29,200
Speaker 1: I don't know, like when Luke first moved out here,

453
00:29:29,240 --> 00:29:31,880
Speaker 1: he might have lived with them for a bit, but

454
00:29:32,120 --> 00:29:34,320
Speaker 1: already friends. So I think that's it. I mean, the

455
00:29:34,440 --> 00:29:37,640
Speaker 1: story was it was good, I guess. I don't know,

456
00:29:37,840 --> 00:29:40,120
Speaker 1: but I just was like, oh, here we go again

457
00:29:40,240 --> 00:29:44,040
Speaker 1: with Brandon and his big temper tantrums and storm off.

458
00:29:44,440 --> 00:29:48,040
Speaker 1: But I thought rightfully. So this episode features a lot

459
00:29:48,520 --> 00:29:52,000
Speaker 1: of focus on guest characters. It really does kind of

460
00:29:52,080 --> 00:29:55,640
Speaker 1: taking the place of leading, like you know, Dana Barron's storyline.

461
00:29:55,720 --> 00:29:58,320
Speaker 1: It's like with diesel Stone, like great, but like when

462
00:29:58,360 --> 00:29:59,720
Speaker 1: we get back to our we have you have a

463
00:29:59,800 --> 00:30:03,960
Speaker 1: really big main cast, get back to them, I feel like,

464
00:30:04,080 --> 00:30:08,160
Speaker 1: and then make a great point out Tory because it's

465
00:30:08,320 --> 00:30:11,120
Speaker 1: very rare that we see a scene, which we did

466
00:30:11,160 --> 00:30:14,280
Speaker 1: in this that was David Arquette and Dana Baron. So

467
00:30:14,400 --> 00:30:16,960
Speaker 1: there's like a major scene happening and not one of

468
00:30:17,040 --> 00:30:21,720
Speaker 1: the regulars. He was just like in the back lurking, like,

469
00:30:22,280 --> 00:30:25,680
Speaker 1: but first she's at his house. He shows up there,

470
00:30:26,200 --> 00:30:28,280
Speaker 1: and you're right, he does show up and he is

471
00:30:28,600 --> 00:30:31,640
Speaker 1: he's involved in it. But we had that interaction between

472
00:30:31,800 --> 00:30:38,840
Speaker 1: Nikki and Dennis Diesel Weasel without anyone else player. Man,

473
00:30:40,240 --> 00:30:43,920
Speaker 1: I just thought, whoever wrote the lines between Brandon and

474
00:30:44,120 --> 00:30:50,440
Speaker 1: David are you Jason and David? Oh my god, I

475
00:30:50,480 --> 00:30:52,280
Speaker 1: mean it was like, dump this boom and get a

476
00:30:52,400 --> 00:30:58,320
Speaker 1: real man, don't be it chump, so that I must

477
00:30:58,400 --> 00:31:02,240
Speaker 1: get lost chump. Oh god, I mean all the lines

478
00:31:02,320 --> 00:31:04,440
Speaker 1: they went on and on and how he called him weasel,

479
00:31:05,960 --> 00:31:07,560
Speaker 1: and then I mean the whole thing. Just his name

480
00:31:07,640 --> 00:31:10,479
Speaker 1: is Diesel, she calls him Dennis, he freaks out, Brandon

481
00:31:10,520 --> 00:31:13,560
Speaker 1: calls him weasel. That I love that you can call

482
00:31:13,680 --> 00:31:16,360
Speaker 1: them weasel, But what about when Brandon says, I don't

483
00:31:16,360 --> 00:31:20,560
Speaker 1: really give a rats ask what his name is. The

484
00:31:20,680 --> 00:31:23,680
Speaker 1: whole interaction between them, and then that they that they fought,

485
00:31:24,560 --> 00:31:29,080
Speaker 1: they punched. Those were real punches, I know, but they

486
00:31:29,240 --> 00:31:32,960
Speaker 1: fought and like Brandon was pushing him. Do you see

487
00:31:33,000 --> 00:31:37,200
Speaker 1: the scene where where Weasel slaps uh Dana Baron and

488
00:31:37,520 --> 00:31:40,920
Speaker 1: it's literally a mile away from her face, the worst

489
00:31:41,000 --> 00:31:44,720
Speaker 1: fake slap I've ever seen, which is because she told

490
00:31:44,800 --> 00:31:47,840
Speaker 1: us she likes to rehearse a lot. So I'm I

491
00:31:47,920 --> 00:31:50,720
Speaker 1: don't know surprised they didn't rehearse that slap. I don't know,

492
00:31:50,880 --> 00:31:53,080
Speaker 1: it didn't look so good. And you guys didn't love

493
00:31:53,640 --> 00:31:57,000
Speaker 1: Nikki just being so in on the music biz and

494
00:31:59,240 --> 00:32:03,880
Speaker 1: what you're she she freshman? She's no, she's a sophomore.

495
00:32:04,360 --> 00:32:06,720
Speaker 1: I found out from somebody that because I do read

496
00:32:06,720 --> 00:32:09,960
Speaker 1: all the comments that she because she had a buddy,

497
00:32:10,440 --> 00:32:14,000
Speaker 1: because she transferred, So that's why she was assigned Donna

498
00:32:14,080 --> 00:32:18,720
Speaker 1: as a buddy. Oh so she's not quite as young.

499
00:32:20,640 --> 00:32:24,480
Speaker 1: But you guys, I mean they I wish I almost

500
00:32:24,520 --> 00:32:26,080
Speaker 1: want the whole script that we could do a dramatic

501
00:32:26,160 --> 00:32:32,120
Speaker 1: recreation because he's like, alright, Axel, So Brandon calls him

502
00:32:32,160 --> 00:32:35,960
Speaker 1: Axel and then he's like Axel Roses a sellout. That

503
00:32:36,200 --> 00:32:39,480
Speaker 1: loser was your boyfriend, like the you don't know the

504
00:32:39,640 --> 00:32:43,600
Speaker 1: music biz, Brandon like it was, Oh, I can watch

505
00:32:43,680 --> 00:32:45,760
Speaker 1: just let's I want you to get drunk and then

506
00:32:45,840 --> 00:32:50,160
Speaker 1: do all the lines from the show. If somebody could.

507
00:32:50,520 --> 00:32:53,840
Speaker 1: This wasn't like some of the best lines, maybe the worst.

508
00:32:53,920 --> 00:32:57,160
Speaker 1: I don't. I think, Yeah, you're you're teetering back and

509
00:32:57,280 --> 00:33:01,280
Speaker 1: forth between worst and worst. We have to recreate a scene.

510
00:33:01,400 --> 00:33:07,160
Speaker 1: How come we're doing okay? You guys. You know what

511
00:33:07,240 --> 00:33:09,080
Speaker 1: I want to do. I want to I want us

512
00:33:09,120 --> 00:33:12,080
Speaker 1: to all watch the episode, and I want to do

513
00:33:12,200 --> 00:33:16,280
Speaker 1: the podcast while we're all together watching the episode, because

514
00:33:16,440 --> 00:33:18,880
Speaker 1: like if someone were to see what happens to me

515
00:33:19,000 --> 00:33:20,960
Speaker 1: when I watched one of the episodes and like the

516
00:33:21,040 --> 00:33:25,000
Speaker 1: commentary and I know we've watched together before one story

517
00:33:25,080 --> 00:33:30,840
Speaker 1: and it's ridiculous. It was golden. Yeah, it's like pillow

518
00:33:30,880 --> 00:33:35,959
Speaker 1: talk with people like Innerjet, like we need to do that. Okay,

519
00:33:36,320 --> 00:33:38,440
Speaker 1: we have a new sponsor that might be coming in

520
00:33:39,160 --> 00:33:41,960
Speaker 1: and they want us to do like something extra cool.

521
00:33:42,400 --> 00:33:44,360
Speaker 1: So why don't we have like a girl's girls night

522
00:33:44,400 --> 00:33:51,520
Speaker 1: and we all get in bed watched watch an episode? Yeah, okay,

523
00:33:51,680 --> 00:33:53,760
Speaker 1: did anybody else? So I'm in a hotel right now

524
00:33:53,800 --> 00:33:56,920
Speaker 1: because I'm out on a work trip and I watched

525
00:33:56,960 --> 00:34:00,240
Speaker 1: it last night. Did anybody else have this experience when

526
00:34:00,400 --> 00:34:05,800
Speaker 1: David's doing his performance and his feedback is so bad.

527
00:34:05,960 --> 00:34:12,800
Speaker 1: I thought the fire was Nope, that was just David singing.

528
00:34:15,920 --> 00:34:18,319
Speaker 1: Wait wait wait, you thought that fire alarm in your

529
00:34:18,400 --> 00:34:25,080
Speaker 1: hotel was going off? You guys, because it was. I'm

530
00:34:25,120 --> 00:34:28,200
Speaker 1: watching it, you know, but I'm like kind of doing

531
00:34:28,239 --> 00:34:29,880
Speaker 1: a couple of things around here while I'm watching it,

532
00:34:30,280 --> 00:34:33,080
Speaker 1: and that noise was so high pitched and so awful

533
00:34:33,480 --> 00:34:37,799
Speaker 1: that I'm like, oh god, I've set the fire alarm off, Dell.

534
00:34:38,280 --> 00:34:40,960
Speaker 1: And then I pause it and I'm like, oh my god.

535
00:34:41,040 --> 00:34:47,320
Speaker 1: It's the feedback from well I felt bad for poor David,

536
00:34:47,400 --> 00:34:53,719
Speaker 1: and and the feedback it's like, too but did you

537
00:34:53,840 --> 00:34:59,680
Speaker 1: like Different Eyes by Diesel? Different Eyes? That was his song?

538
00:35:00,880 --> 00:35:03,480
Speaker 1: And then the Waste Management or something? What was the

539
00:35:03,640 --> 00:35:11,560
Speaker 1: name of his band, Waste Management? Okay, waste Management, duh?

540
00:35:12,960 --> 00:35:15,279
Speaker 1: Like as soon as I heard that, I laughed out loud,

541
00:35:15,360 --> 00:35:17,080
Speaker 1: and then I just couldn't focus, and I was like, oh,

542
00:35:17,120 --> 00:35:19,400
Speaker 1: get it together. David Darkett's on the screen, come up,

543
00:35:19,719 --> 00:35:23,040
Speaker 1: shows up. Then Diesel Weesel shows up at the school,

544
00:35:27,560 --> 00:35:30,040
Speaker 1: and then you let her get in the car with him.

545
00:35:31,000 --> 00:35:35,600
Speaker 1: I agree with Donna, you're not the drunk. May have

546
00:35:35,760 --> 00:35:38,239
Speaker 1: you been drinking? Yeah, okay, let me get in the

547
00:35:38,280 --> 00:35:40,719
Speaker 1: car with you. Great idea, and Brandon standing, I don't

548
00:35:40,760 --> 00:35:44,800
Speaker 1: know why did you don't get in the car with

549
00:35:44,960 --> 00:35:48,040
Speaker 1: a drunk cold Nicki? She said he has a hold

550
00:35:48,120 --> 00:35:52,799
Speaker 1: over her. Apparently that happens. Have you ever had someone

551
00:35:52,920 --> 00:35:56,880
Speaker 1: have a hold over you? Like that. Yeah, like my

552
00:35:57,000 --> 00:36:00,480
Speaker 1: first like my first bad boyfriend. Yeah, my first boyfriend.

553
00:36:00,760 --> 00:36:02,640
Speaker 1: Everything he did was just wrong, wrong, wrong and bad

554
00:36:02,719 --> 00:36:08,279
Speaker 1: bad bad. But looking back at the time, I thought,

555
00:36:08,640 --> 00:36:11,800
Speaker 1: I didn't know why, but I couldn't leave and I

556
00:36:11,880 --> 00:36:16,759
Speaker 1: couldn't not be with him. But it was my self worth.

557
00:36:16,840 --> 00:36:20,040
Speaker 1: He had destroyed that so bad, because that's what people

558
00:36:20,160 --> 00:36:24,200
Speaker 1: do like that in our addicts and stuff like that. Um,

559
00:36:24,840 --> 00:36:27,640
Speaker 1: Diesel Weasel's at I'm missing me. I don't know, like

560
00:36:27,800 --> 00:36:33,279
Speaker 1: he's just like serious because it is real. I just

561
00:36:33,400 --> 00:36:35,279
Speaker 1: felt like, oh my gosh, no one's gonna love me,

562
00:36:35,400 --> 00:36:37,680
Speaker 1: like I have to go back to this person. Like so,

563
00:36:37,880 --> 00:36:40,000
Speaker 1: I don't know if it's so much like she's just like, ah,

564
00:36:40,120 --> 00:36:42,400
Speaker 1: he's just so amazing, Like deep down she doesn't think

565
00:36:42,440 --> 00:36:45,759
Speaker 1: he's amazing, but he has this hold on her. Yeah,

566
00:36:45,800 --> 00:36:51,879
Speaker 1: they have history. He's a musician. I get it, Like yeah, yeah,

567
00:36:51,880 --> 00:36:53,600
Speaker 1: I mean I think she even says that in the

568
00:36:53,760 --> 00:36:58,040
Speaker 1: kitchen as she's got the like ice on her I which,

569
00:36:58,120 --> 00:37:01,040
Speaker 1: by the way, that make looked really good. I thought,

570
00:37:01,200 --> 00:37:05,000
Speaker 1: like the bad iye thing the punch or whatever was

571
00:37:05,680 --> 00:37:08,200
Speaker 1: Now did I get this part wrong? And I probably

572
00:37:08,200 --> 00:37:11,120
Speaker 1: should have watched it like six more times she talks

573
00:37:11,239 --> 00:37:14,640
Speaker 1: to him about the shots of tequila. This is back

574
00:37:14,760 --> 00:37:17,680
Speaker 1: when when he doesn't come she doesn't come home and

575
00:37:17,760 --> 00:37:20,799
Speaker 1: said told her aunt she was sleeping at Donna. Did

576
00:37:20,880 --> 00:37:25,239
Speaker 1: he say, and you made it with him? I don't know.

577
00:37:26,520 --> 00:37:30,759
Speaker 1: We definitely need to rewind it, Like I think that's

578
00:37:30,800 --> 00:37:33,879
Speaker 1: the way. Like maybe he said you made out with him.

579
00:37:34,120 --> 00:37:37,200
Speaker 1: I thought he said made it way to believe that.

580
00:37:38,040 --> 00:37:40,600
Speaker 1: And then she's so just musicians are very competitive, like

581
00:37:42,040 --> 00:37:44,720
Speaker 1: she was just a little bit in on the music.

582
00:37:45,120 --> 00:37:49,000
Speaker 1: She didn't know what she's talking about. Can we go

583
00:37:49,080 --> 00:37:55,560
Speaker 1: back on one thing about Dylan? Sure? Okay? How the

584
00:37:55,840 --> 00:37:59,480
Speaker 1: woman had that backstory of sleeping with the headmaster and

585
00:37:59,560 --> 00:38:04,200
Speaker 1: then not married flag marrying the guy who's trust fund

586
00:38:04,320 --> 00:38:06,759
Speaker 1: was bigger than hers, Like that was a whole hot

587
00:38:06,880 --> 00:38:09,840
Speaker 1: mess over there, good good choices. Dylan get involved with

588
00:38:09,920 --> 00:38:14,600
Speaker 1: this looney tune class act. Maybe she quickly had a

589
00:38:14,680 --> 00:38:18,360
Speaker 1: hold on him and she's all no pressure, no strings,

590
00:38:18,520 --> 00:38:22,000
Speaker 1: Like it was weird. It was I enjoyed it. It

591
00:38:22,120 --> 00:38:27,040
Speaker 1: was weird. Yeah, it was weird. Guys, I'm gonna ask you,

592
00:38:27,160 --> 00:38:34,319
Speaker 1: like a real tough one. Did Luke Perry? I don't

593
00:38:34,320 --> 00:38:38,000
Speaker 1: know how to say this right, wheeled a lot of

594
00:38:38,280 --> 00:38:44,279
Speaker 1: power because for an actor who has another project to

595
00:38:44,360 --> 00:38:49,040
Speaker 1: have enough power to work something into a TV show

596
00:38:49,160 --> 00:38:54,920
Speaker 1: script where he's like an actor that encourages people to

597
00:38:54,960 --> 00:39:00,560
Speaker 1: see his movie, like that seems like whoa. He was huge.

598
00:39:01,760 --> 00:39:06,839
Speaker 1: He was huge. He was huge, and he was really

599
00:39:07,040 --> 00:39:12,360
Speaker 1: nice like anybody. The new Luke would have done anything

600
00:39:12,440 --> 00:39:14,520
Speaker 1: for him. So it's not like I mean, of course

601
00:39:14,560 --> 00:39:16,919
Speaker 1: he had power because he was like the biggest star,

602
00:39:17,920 --> 00:39:22,120
Speaker 1: but also like that nice a guy like yeah, because

603
00:39:22,200 --> 00:39:25,480
Speaker 1: these days they would make the movie studio pay like

604
00:39:25,600 --> 00:39:29,520
Speaker 1: a fortune to the TV studio and the network for

605
00:39:29,640 --> 00:39:31,759
Speaker 1: the product integration. Do you know what I'm saying. To

606
00:39:31,840 --> 00:39:33,400
Speaker 1: be able to see a different that was just a

607
00:39:33,440 --> 00:39:35,719
Speaker 1: wink wink, Like it was a wink wink. You're right.

608
00:39:36,760 --> 00:39:39,359
Speaker 1: It wasn't so straightforward like and I'll be on the horse.

609
00:39:43,080 --> 00:39:48,880
Speaker 1: That was good. That's still he's powerful. Yeah, yeah, I

610
00:39:48,960 --> 00:39:55,239
Speaker 1: feel like the producers loved him, and um they hung

611
00:39:55,280 --> 00:39:58,239
Speaker 1: out and talked and you know, I remember spending a

612
00:39:58,320 --> 00:40:01,040
Speaker 1: lot of time in Paul's office and a lot of

613
00:40:01,120 --> 00:40:04,080
Speaker 1: time talking to the producers over the hill. We used

614
00:40:04,080 --> 00:40:06,920
Speaker 1: to call it over the hill, remember, because we were

615
00:40:06,960 --> 00:40:12,400
Speaker 1: in the Valley and our writing staff was in what

616
00:40:12,480 --> 00:40:14,960
Speaker 1: would that be called Beverly Beverly holds a Jason. I

617
00:40:14,960 --> 00:40:18,479
Speaker 1: don't know where's that will share mid mid Wi Shore area,

618
00:40:19,880 --> 00:40:21,839
Speaker 1: and so we always used to say over the hill.

619
00:40:22,440 --> 00:40:25,800
Speaker 1: So were the writers at Spelling Entertainment or at Fox?

620
00:40:28,480 --> 00:40:32,440
Speaker 1: They were not at Fox. They would come into Spelling Entertainment,

621
00:40:33,239 --> 00:40:35,520
Speaker 1: I think, but I don't know what I mean. My

622
00:40:36,000 --> 00:40:39,239
Speaker 1: dad and Luke were super close to I mean Luke.

623
00:40:39,600 --> 00:40:43,239
Speaker 1: Luke came to our Christmas Eve every year. Yeah, like

624
00:40:43,360 --> 00:40:47,200
Speaker 1: one phone call from him. Hey, so I'm really into

625
00:40:47,239 --> 00:40:49,560
Speaker 1: horses right now and I'm doing this movie. Is there

626
00:40:49,560 --> 00:40:52,800
Speaker 1: anyway we can kind of do like a horse? And

627
00:40:52,920 --> 00:40:55,040
Speaker 1: did any of the rest of you do that? I

628
00:40:55,160 --> 00:40:59,200
Speaker 1: did it once, don't tell us the only time in

629
00:40:59,320 --> 00:41:02,920
Speaker 1: the entire years and ten years. I sorry, it was

630
00:41:02,960 --> 00:41:05,399
Speaker 1: too much, you guys. Like at some point I had

631
00:41:05,480 --> 00:41:06,840
Speaker 1: to go and I said it to my dad and

632
00:41:06,840 --> 00:41:09,440
Speaker 1: I was like, it's enough. Donna needs to lose her virginity.

633
00:41:10,080 --> 00:41:13,120
Speaker 1: Oh wow. I didn't ever like family dinner or Sunday

634
00:41:13,200 --> 00:41:15,840
Speaker 1: night was off site and feel worthy of that. But

635
00:41:15,920 --> 00:41:20,239
Speaker 1: I was like, I was like, like everyone like, it's

636
00:41:21,120 --> 00:41:24,719
Speaker 1: like you know, I mean, at that point, Donna was

637
00:41:24,719 --> 00:41:27,960
Speaker 1: supposed to be like early twenty right, like it was.

638
00:41:28,360 --> 00:41:30,960
Speaker 1: It was way into the show. Yeah, it was time.

639
00:41:31,400 --> 00:41:34,040
Speaker 1: I can't imagine you ever doing that. I don't think so.

640
00:41:34,200 --> 00:41:37,440
Speaker 1: I think Randall James, come to the phone. Randall James,

641
00:41:38,960 --> 00:41:41,840
Speaker 1: what I'm here? The choice of Hollywood can come in

642
00:41:41,920 --> 00:41:44,200
Speaker 1: for second theory is okay. No, I don't think that

643
00:41:44,280 --> 00:41:48,640
Speaker 1: we ever went and made any special requests for storylines.

644
00:41:49,719 --> 00:41:53,440
Speaker 1: We're helping Jenny and some of So you're saying I

645
00:41:53,600 --> 00:42:00,160
Speaker 1: did not have the power. I certainly did not he

646
00:42:01,120 --> 00:42:05,320
Speaker 1: the power since since you asked, I would suggest that

647
00:42:05,640 --> 00:42:08,200
Speaker 1: this actually would help the show as well. I mean,

648
00:42:08,280 --> 00:42:10,880
Speaker 1: this was Luke's first big movie that he was starring.

649
00:42:10,920 --> 00:42:14,360
Speaker 1: It was a studio movie, and I think for his

650
00:42:15,160 --> 00:42:19,359
Speaker 1: star to rise even more by concoming a movie star,

651
00:42:20,440 --> 00:42:23,160
Speaker 1: I would argue that that would help the show. And

652
00:42:23,280 --> 00:42:26,920
Speaker 1: so I would agree, Yeah, yeah, I thought. I think

653
00:42:26,960 --> 00:42:29,440
Speaker 1: it's served both of their interests. Well, it served my

654
00:42:29,600 --> 00:42:35,360
Speaker 1: interest because he looked good on that horse. Alright, carry on, Okay,

655
00:42:35,400 --> 00:42:37,120
Speaker 1: I have another weird note that I want to see

656
00:42:37,120 --> 00:42:39,200
Speaker 1: if you guys thought and I don't even know, I

657
00:42:39,360 --> 00:42:42,640
Speaker 1: apologize in advance if I'm saying something inappropriate because I

658
00:42:42,680 --> 00:42:47,160
Speaker 1: don't even understand what it was. First of all, Brandon

659
00:42:47,239 --> 00:42:50,040
Speaker 1: and Brenda are in the school hallway sort of having

660
00:42:50,080 --> 00:42:54,480
Speaker 1: a little, you know, chitty chat, and he hugs her

661
00:42:55,200 --> 00:42:59,759
Speaker 1: in the weirdest that scene. That scene right there was

662
00:43:00,280 --> 00:43:06,920
Speaker 1: Shannon and Jason. That wasn't Brandon, and Brandon hugs her

663
00:43:07,000 --> 00:43:11,440
Speaker 1: on the waist like a boyfriend always like that, Like

664
00:43:11,680 --> 00:43:14,720
Speaker 1: why do you think people started, like in real life

665
00:43:14,920 --> 00:43:19,320
Speaker 1: being like wondering, this is an ancestral relationship, Like obviously

666
00:43:19,400 --> 00:43:22,399
Speaker 1: it wasn't, but they were, like there were vibes there.

667
00:43:22,520 --> 00:43:25,520
Speaker 1: You would never hug a sibling like that. That was

668
00:43:25,600 --> 00:43:33,920
Speaker 1: really Oh, but you would if it was Brandon. And Okay,

669
00:43:34,040 --> 00:43:50,600
Speaker 1: let's come back and let's talk about fashion. Okay, I

670
00:43:50,800 --> 00:43:58,920
Speaker 1: know you feel Diesel weasel Dennis is you? He was?

671
00:43:59,200 --> 00:44:02,400
Speaker 1: He looked like a rocker. He looked appropriate. Was he

672
00:44:02,480 --> 00:44:06,040
Speaker 1: wearing a key necklace? Yes? Remember when I didn't know

673
00:44:06,080 --> 00:44:07,719
Speaker 1: that was a thing. And now they're back, like you

674
00:44:08,120 --> 00:44:11,799
Speaker 1: can go buy I don't think they might giving keys

675
00:44:11,840 --> 00:44:17,040
Speaker 1: back then this was like the key to his locker

676
00:44:17,160 --> 00:44:18,759
Speaker 1: or something. I don't know. Oh, I thought you were

677
00:44:18,760 --> 00:44:25,840
Speaker 1: going to say a different work. No, Um, I really

678
00:44:26,000 --> 00:44:32,160
Speaker 1: loved the vest shirt combo as seen on Steve Sanders,

679
00:44:32,800 --> 00:44:35,640
Speaker 1: and I did also note that maybe he borrowed it

680
00:44:35,760 --> 00:44:39,040
Speaker 1: from Johnny Depper Pirates of the Caribbean. I don't know,

681
00:44:39,840 --> 00:44:42,920
Speaker 1: it was totally Pirates. Like it was one it was

682
00:44:43,000 --> 00:44:45,960
Speaker 1: like a shirt, but then right here on the shoulder

683
00:44:46,000 --> 00:44:48,920
Speaker 1: there was a vest sewn into onto the front of it.

684
00:44:52,120 --> 00:44:54,400
Speaker 1: Remember those were in but it really looked like a

685
00:44:54,440 --> 00:44:56,600
Speaker 1: pirate this one. Yeah, it was a little too ball,

686
00:44:56,640 --> 00:45:02,200
Speaker 1: I'll see. I just that in general, all of the clothing,

687
00:45:02,280 --> 00:45:06,680
Speaker 1: it was very moody, like maybe this director maybe may

688
00:45:06,800 --> 00:45:08,600
Speaker 1: this director was like kind of wanted to hone in

689
00:45:08,760 --> 00:45:10,759
Speaker 1: on like the dark colors and then he's going out,

690
00:45:10,960 --> 00:45:16,640
Speaker 1: you know, the horses and the nature. Shannon Brenda in

691
00:45:16,880 --> 00:45:20,360
Speaker 1: black a lot. That was her choice. Yeah, and it

692
00:45:20,480 --> 00:45:23,560
Speaker 1: looks good. I mean I always think the black outfits.

693
00:45:23,920 --> 00:45:25,440
Speaker 1: She had sort of a I don't know if it

694
00:45:25,520 --> 00:45:27,120
Speaker 1: was like a jumpsuit, but it was like a black

695
00:45:27,239 --> 00:45:31,799
Speaker 1: tank with black pants, and it was cool. For Pize's sake,

696
00:45:31,840 --> 00:45:34,440
Speaker 1: Why is Donna in all these dark colors black and

697
00:45:34,600 --> 00:45:38,279
Speaker 1: like dark forest green. I can't take it, Donna, or

698
00:45:38,400 --> 00:45:40,759
Speaker 1: maybe I'm putting this on myself. But we are the same,

699
00:45:41,160 --> 00:45:50,440
Speaker 1: Like I'm a bright color girl general. Yeah, yeah, you're

700
00:45:50,480 --> 00:45:52,400
Speaker 1: always trying to get me to wear color, and I

701
00:45:52,920 --> 00:45:54,399
Speaker 1: she looks great in color. By the way, I don't

702
00:45:54,440 --> 00:45:56,520
Speaker 1: like it. Well, you got color on today and you

703
00:45:56,520 --> 00:45:58,520
Speaker 1: know that's my favorite color. And we're in a green hat.

704
00:45:58,719 --> 00:46:04,400
Speaker 1: Doesn't count small winds. I still think Nikki now, I

705
00:46:04,440 --> 00:46:06,400
Speaker 1: think Nikki is going to move back to San Francisco.

706
00:46:06,600 --> 00:46:09,560
Speaker 1: I hope so. I hope so too. But I love

707
00:46:09,600 --> 00:46:14,440
Speaker 1: her fashion. But I love her fashion. Yeah, herst was

708
00:46:14,560 --> 00:46:16,800
Speaker 1: darker this episode, yod they were all in dark colors,

709
00:46:17,640 --> 00:46:21,560
Speaker 1: nothing like wow wow. There was no like, no fun.

710
00:46:23,080 --> 00:46:26,200
Speaker 1: There was no fun. I thought it was a funny.

711
00:46:27,000 --> 00:46:30,320
Speaker 1: I know we're sidebarring, but a funny David Steve Sanders

712
00:46:30,400 --> 00:46:33,920
Speaker 1: scene when David's in the d J booth, my inept

713
00:46:34,040 --> 00:46:37,080
Speaker 1: manager I won't say his name, Steve Sanders, Like that

714
00:46:37,239 --> 00:46:40,759
Speaker 1: was the script was funny. You guys, I know you

715
00:46:40,960 --> 00:46:44,279
Speaker 1: hate this episode. I wrote down in my head because

716
00:46:44,280 --> 00:46:47,920
Speaker 1: I don't write like legal pad notes like you guys. Um.

717
00:46:48,360 --> 00:46:51,480
Speaker 1: I were like, I was like, oh, this is good.

718
00:46:51,640 --> 00:46:54,800
Speaker 1: His timing was really good in that, and I was

719
00:46:54,840 --> 00:46:59,960
Speaker 1: like starting to see his comedy. I agree. I thought

720
00:47:00,080 --> 00:47:03,080
Speaker 1: that I would love to do a dramatic recreation. I

721
00:47:03,360 --> 00:47:05,080
Speaker 1: know we're gonna have to move on next week, but

722
00:47:05,480 --> 00:47:08,200
Speaker 1: I am going to get the script and do this

723
00:47:08,400 --> 00:47:11,759
Speaker 1: script really tickled me. We didn't talk about Donna's hair

724
00:47:11,840 --> 00:47:16,560
Speaker 1: at the nightclub though. Oh the curl. Okay, so you guys,

725
00:47:16,760 --> 00:47:19,439
Speaker 1: I was going to bring it up so that back

726
00:47:19,520 --> 00:47:22,759
Speaker 1: then I have now you know, process and bleach my

727
00:47:22,800 --> 00:47:24,839
Speaker 1: hair for so many years. It just gets a little

728
00:47:24,920 --> 00:47:28,480
Speaker 1: wave underneath. But that was my normal hair. That was

729
00:47:28,560 --> 00:47:31,440
Speaker 1: my hair, but with a diffuser. Remember the diffuser up

730
00:47:31,480 --> 00:47:33,840
Speaker 1: on the end, and you like scrunch it, you scrunch

731
00:47:33,960 --> 00:47:37,680
Speaker 1: it and put it. I just show you my high

732
00:47:37,719 --> 00:47:41,640
Speaker 1: school picture. I have that hair. It looks like poodle hair.

733
00:47:42,160 --> 00:47:46,320
Speaker 1: And then I have bangs the bank super straight, and

734
00:47:46,360 --> 00:47:49,920
Speaker 1: then this, and it's like, yeah, I definitely prefer your

735
00:47:49,960 --> 00:47:56,080
Speaker 1: hair straight, like more like soft and straight. It bothered

736
00:47:56,160 --> 00:47:58,080
Speaker 1: me a lot. I mean I did like that we

737
00:47:58,200 --> 00:48:00,520
Speaker 1: were semi twinning with like half up do, so that

738
00:48:00,760 --> 00:48:03,520
Speaker 1: that made me happy. Yeah, we looked like we're friends.

739
00:48:04,280 --> 00:48:09,440
Speaker 1: Did you like Kelly's brown blazer. I'm obsessed with that

740
00:48:09,600 --> 00:48:14,400
Speaker 1: look because you in an oversized blazer. And a body

741
00:48:14,560 --> 00:48:18,319
Speaker 1: suit and like boyfriend jeans back then before they were

742
00:48:18,360 --> 00:48:24,439
Speaker 1: called boyfriend jeans, Like, I don't know, you look so hot?

743
00:48:24,920 --> 00:48:28,440
Speaker 1: I wrote it too, I wrote, you really, I didn't.

744
00:48:28,560 --> 00:48:32,239
Speaker 1: I thought it was And then I thought I loved

745
00:48:32,320 --> 00:48:35,759
Speaker 1: the scene too, because it was the typical blazers the

746
00:48:35,800 --> 00:48:38,960
Speaker 1: girls wear, which are like the shoulder pads, double breasted

747
00:48:39,040 --> 00:48:42,520
Speaker 1: or kind of fitted but long. It was literally like

748
00:48:43,120 --> 00:48:45,239
Speaker 1: I'm like, back then it was like ard Vark or

749
00:48:45,320 --> 00:48:49,080
Speaker 1: something you know that was like Melrose. It was almost

750
00:48:49,120 --> 00:48:51,000
Speaker 1: like a thrift store purchased and it was cool and

751
00:48:51,080 --> 00:48:53,480
Speaker 1: it was a guy's and you like wore it, And

752
00:48:53,719 --> 00:48:56,200
Speaker 1: I thought that outfit was everything. That's my favorite in

753
00:48:56,239 --> 00:48:59,360
Speaker 1: that episode. Thank you for bringing it back up. I

754
00:48:59,440 --> 00:49:01,279
Speaker 1: must have been going through like I wear my hair

755
00:49:01,360 --> 00:49:05,800
Speaker 1: off my face face like it's very because when I

756
00:49:05,920 --> 00:49:09,520
Speaker 1: was watching this episode, my husband goes, wait, I've seen

757
00:49:09,600 --> 00:49:12,880
Speaker 1: that look before, that makeup and hair look, and so

758
00:49:13,600 --> 00:49:17,200
Speaker 1: he did a deep dive down the rabbit hole as

759
00:49:17,280 --> 00:49:20,480
Speaker 1: they like to do, and um he saw a picture

760
00:49:20,640 --> 00:49:22,680
Speaker 1: of Oh my god, I have to pull it up

761
00:49:22,719 --> 00:49:25,800
Speaker 1: and show oh please, yes, he goes, were you married

762
00:49:25,880 --> 00:49:35,479
Speaker 1: to Dan then? Who's Dann? Our first husband? Uh, yeah,

763
00:49:35,719 --> 00:49:37,960
Speaker 1: because that's like the blazers he used to wear, but

764
00:49:38,080 --> 00:49:43,680
Speaker 1: he wore him with like T shirts and jeans. Blazer. Yeah. See,

765
00:49:43,719 --> 00:49:45,799
Speaker 1: everyone was starting to like wear what they like kind

766
00:49:45,880 --> 00:49:50,160
Speaker 1: of were into in real life during that time. I mean, okay, wait,

767
00:49:50,160 --> 00:49:53,600
Speaker 1: here's a picture of me wearing Did you have a

768
00:49:53,680 --> 00:49:58,920
Speaker 1: husband that had hair like yours? We were twins, basically

769
00:49:59,160 --> 00:50:03,399
Speaker 1: didn't know. I didn't know you had a husband before Peter. Yes,

770
00:50:04,120 --> 00:50:05,920
Speaker 1: we don't speak. Yeah, we don't speak at the one

771
00:50:05,960 --> 00:50:10,799
Speaker 1: before Peter. We got married when I was so young,

772
00:50:11,640 --> 00:50:17,880
Speaker 1: twenty no one. Do you think it was all the

773
00:50:18,000 --> 00:50:22,160
Speaker 1: nine o two one oh stuff that made y'all get

774
00:50:22,280 --> 00:50:25,799
Speaker 1: married young? Yeah? I felt I know why I got

775
00:50:25,840 --> 00:50:30,839
Speaker 1: married young because he was big in stature like my dad,

776
00:50:31,040 --> 00:50:33,480
Speaker 1: Like he had a similar presence that my dad had,

777
00:50:33,560 --> 00:50:35,239
Speaker 1: and my dad was sick and dying at that time,

778
00:50:35,320 --> 00:50:38,680
Speaker 1: and I was trying to like I needed somebody, or

779
00:50:38,960 --> 00:50:41,520
Speaker 1: you know, I needed You're reminded me and my dad

780
00:50:41,520 --> 00:50:48,160
Speaker 1: a lot, minus the other things. No. Yeah, but he

781
00:50:48,280 --> 00:50:50,360
Speaker 1: was a good guy and my bad boyfriend that I

782
00:50:50,480 --> 00:50:54,279
Speaker 1: referred to a lot during that time period. He and

783
00:50:54,400 --> 00:51:01,279
Speaker 1: Dan were such good friends. Where is that true? Yes? Really? Well,

784
00:51:01,320 --> 00:51:03,000
Speaker 1: I mean they met through us because we were going

785
00:51:03,000 --> 00:51:06,680
Speaker 1: to double dates, but they how do you not remember this? Yes,

786
00:51:07,920 --> 00:51:11,520
Speaker 1: Dan and Nick became really good friends and like would

787
00:51:11,520 --> 00:51:14,440
Speaker 1: do things outside of us and we would sit home.

788
00:51:15,640 --> 00:51:17,520
Speaker 1: This is the story she doesn't remember. But the night,

789
00:51:17,680 --> 00:51:19,399
Speaker 1: like the one night we were sitting home the first

790
00:51:19,440 --> 00:51:23,239
Speaker 1: time she took me to Michaels like like, I loved it.

791
00:51:23,360 --> 00:51:28,320
Speaker 1: We were sitting arts and craft store, Michaels, Michaels. Do

792
00:51:28,440 --> 00:51:32,440
Speaker 1: you have to even get like Michaels. I just never

793
00:51:32,520 --> 00:51:34,879
Speaker 1: occurred to me that that we were making a rug

794
00:51:35,520 --> 00:51:38,080
Speaker 1: and we were in our house and it's because Dan

795
00:51:39,120 --> 00:51:43,279
Speaker 1: and Nick were out, and so we decided to stay

796
00:51:43,320 --> 00:51:48,719
Speaker 1: home and because that was our personalities. Yep, yep, we

797
00:51:48,840 --> 00:51:52,000
Speaker 1: were like, good riddance, guys, go have some fun. I'm

798
00:51:52,080 --> 00:51:57,120
Speaker 1: interested if people rewatching it like well, dislike it like

799
00:51:57,280 --> 00:52:00,800
Speaker 1: you guys and apparently the whole universe back in the

800
00:52:01,000 --> 00:52:06,160
Speaker 1: nineties or with the two eyes. Was it just sort

801
00:52:06,200 --> 00:52:10,399
Speaker 1: of novelty and cheesy and funny. I'm curious as well

802
00:52:10,520 --> 00:52:12,759
Speaker 1: if people tell us, let us know, you guys, did

803
00:52:12,840 --> 00:52:15,840
Speaker 1: you like this episode or did you dislike it? Like

804
00:52:16,000 --> 00:52:19,360
Speaker 1: I did? I just felt like it was super like,

805
00:52:20,400 --> 00:52:23,680
Speaker 1: like like I felt like we were in one gear

806
00:52:23,719 --> 00:52:25,600
Speaker 1: and then all of a sudden we switched to another gear.

807
00:52:25,680 --> 00:52:27,200
Speaker 1: And now what's going to happen? I don't know, We're

808
00:52:27,200 --> 00:52:30,360
Speaker 1: gonna go back to the other gear? Yeah where. I

809
00:52:30,440 --> 00:52:32,440
Speaker 1: think what I loved about it was the script, Like

810
00:52:32,560 --> 00:52:36,040
Speaker 1: I was like, this is hilarious. I'm gonna get you

811
00:52:36,320 --> 00:52:39,480
Speaker 1: assigned autograph script and this is going to be the

812
00:52:39,560 --> 00:52:42,640
Speaker 1: one hilarious is not what nine O two one oh

813
00:52:42,840 --> 00:52:45,120
Speaker 1: was going for. So for you to say you loved it, oh,

814
00:52:45,239 --> 00:52:47,960
Speaker 1: you love to hate it, so we got you. You

815
00:52:48,080 --> 00:52:50,560
Speaker 1: hated this episode? Maybe I don't know, but I just

816
00:52:50,600 --> 00:52:53,440
Speaker 1: thought it was so funny and entertaining and like zingy

817
00:52:53,560 --> 00:52:57,880
Speaker 1: zaggy like. But maybe I'm cuckoo. I just didn't. I

818
00:52:58,239 --> 00:53:01,879
Speaker 1: thoroughly enjoyed myself watching it. Last snife, Well, I'm glad

819
00:53:01,920 --> 00:53:07,520
Speaker 1: you liked it, Amy, you're the only one. Yeah. Sorry, Okay,

820
00:53:07,560 --> 00:53:10,840
Speaker 1: here's your homework, you guys. Next episode, Season three, episode fifteen,

821
00:53:11,080 --> 00:53:15,800
Speaker 1: The Kindness of Strangers m M. Do the Walshes have

822
00:53:15,960 --> 00:53:20,680
Speaker 1: someone live with them because they wouldn't be strangers? Kind

823
00:53:20,719 --> 00:53:25,520
Speaker 1: of strange, no idea strange and so exciting when you

824
00:53:25,600 --> 00:53:29,640
Speaker 1: have zero memory of anything. It's like you're living at

825
00:53:29,680 --> 00:53:33,439
Speaker 1: all again for the first time. I got nothing. Yeah,

826
00:53:34,800 --> 00:53:37,239
Speaker 1: we we shall see. We shall see. Everybody watched next

827
00:53:37,280 --> 00:53:42,080
Speaker 1: week's episode, and um we deeply apologize for this episode

828
00:53:42,120 --> 00:53:44,319
Speaker 1: of nine two one. OMG. Have a great week. Bye

829
00:53:44,320 --> 00:53:46,560
Speaker 1: bye bye