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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tail pipe admissions, and zero congestion. GM's

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Speaker 1: committed to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for? GM's got the keys,

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Speaker 1: You grabbed the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero Zero initiative at GM dot com,

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Speaker 1: GM everybody else who come to get you guys a

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Speaker 1: show like no other today and every other day that

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Speaker 1: we stepped forward a step in front of this microphone.

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Speaker 1: We want to say thank you to everybody that's tuned

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Speaker 1: in and tapped in. It's up there. Podcast now holds

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Speaker 1: a place in the culture that we have fought for.

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Speaker 1: It is not a place that didn't take us some building.

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Speaker 1: It's not a place that was handed to us. There

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Speaker 1: was a gift that was it was a preoccupied place.

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Speaker 1: But we're just happy to be here. So you're in

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Speaker 1: for a good show today. Just stay tuned in. I

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Speaker 1: feel good about my position in the game right now

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Speaker 1: and feel like a real nigga post to feel man

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Speaker 1: it's up Their podcast. I want to thank everybody for

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Speaker 1: tuning in. Round of applause for my motherfucking supporters. Welcome,

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Speaker 1: Welcome to us up There podcast. Right now you are

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Speaker 1: locked in with Big Loan, the biggest home in I

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Speaker 1: want to say thank you to all my supporters and

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Speaker 1: the people that tune in and always is involved in

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Speaker 1: what it is I brain to the game. Man. I

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Speaker 1: got a high level of respect for y'all. Although when

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Speaker 1: I speak, I know I gotta speak further than just

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Speaker 1: the people that sit close to the stage. I got

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Speaker 1: to try to reach the people that's up in the

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Speaker 1: upper balcony, the people that's even outside the building that time,

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Speaker 1: because I gotta lead people to what the truth sits

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Speaker 1: at right, and so I know this something right. Number one,

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Speaker 1: let me say this and get this out of the way.

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Speaker 1: It's up That podcast. Videos can be exclusively found on

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Speaker 1: Patreon dot com, slashes up There podcast clips and video

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Speaker 1: Stagger on YouTube, Befogfo tv on YouTube. Let's set the

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Speaker 1: record straight while the record reflects that. Let's get back

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Speaker 1: into what I come to speak about. We got a

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Speaker 1: lot going on in the game. I feel a high

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Speaker 1: level of involvement in a lot of the company, in

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Speaker 1: a lot of the conversations that currently sit at the

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Speaker 1: forefront of the culture. It's unfortunate that my name isn't

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Speaker 1: attached to those conversations. But we'll change We'll change that

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Speaker 1: here soon. I want to send a guarantee out to

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Speaker 1: the people that believe in me that you have nothing

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Speaker 1: to worry about, no matter how it looks, no matter

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Speaker 1: what it feels like, no matter what they want you

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Speaker 1: to believe, you have nothing to worry worry about. With

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Speaker 1: me at the head or the situation, I have nothing

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Speaker 1: but courage. I have nothing but understanding of where I

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Speaker 1: need to be and where I'm going Right now, There's

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Speaker 1: some things I don't know, But long as I'm aware

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Speaker 1: that I don't know everything, I'm in a position to

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Speaker 1: get somebody on my team that does podcasting. It's in

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Speaker 1: a very peculiar space right now. When you hit me,

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Speaker 1: holler and say things like yo, I have to take

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Speaker 1: my position. When you hear me say that's about to

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Speaker 1: be a hostile takeover, I see the suckers get offended.

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Speaker 1: I see the suckers have text threads about my indications

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Speaker 1: and how I feel about my product and what I

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Speaker 1: bring to the game. I find that interesting, but it's

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Speaker 1: a familiar place for me. Oftentimes I find myself in

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Speaker 1: situations were people that have nothing to do with have

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Speaker 1: everything to say about. I'm getting better with ignoring niggas

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Speaker 1: to have no motherfucking influence on what it is that

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Speaker 1: I got going on. But with that being said, in

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Speaker 1: this game, I got to make sure the people ahead

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Speaker 1: of me understand that there's no hostility in a hostile takeover.

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Speaker 1: When I say I'm doing a hostile takeover, I'm only

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Speaker 1: speaking for the people that's on my back. But I

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Speaker 1: know the suckers get afraid when when someone's confident in

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Speaker 1: what they don't know to be true at the time.

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Speaker 1: I've seen how they treated Kanye running through the building,

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Speaker 1: seeing how the label did Jay, seeing did I seen Dame,

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Speaker 1: I seen que I've seen niggas had to go and

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Speaker 1: put their own money up and like, YO, didn't I

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Speaker 1: tell you this work? But now look at you ten

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Speaker 1: next that right now, as I fight for my position,

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Speaker 1: I need to be a little more clear and what

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Speaker 1: it is that I'm fighting for. And see, you gotta

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Speaker 1: hit me because I make all my money sitting down

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Speaker 1: and talking right, So you gotta hit me when I

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Speaker 1: say I said, I need to be a little more clearer,

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Speaker 1: not vocal. Those are two different things, although they could

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Speaker 1: be simultaneously mentioned at the same time. Those take two

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Speaker 1: different approaches. The people ahear to you sometimes a paranoire.

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Speaker 1: They're afraid they don't understand that when I say that

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Speaker 1: I gotta fight for my position, that doesn't mean snatching

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Speaker 1: somebody else out of position. That just means simply that

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Speaker 1: I gotta do what it takes to call of minds

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Speaker 1: out because there's no position available for someone of my kind.

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Speaker 1: Now there's variations of what I do out there, very

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Speaker 1: successful ones. But I gotta have the ability to dance

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Speaker 1: in between what us, what was, and what will be.

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Speaker 1: I gotta know where I land in between those three things.

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Speaker 1: But I'm aware that a lot of people ahead of

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Speaker 1: me are only counting on the fact that they ahead

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Speaker 1: of me. They don't have any innovation. Their approach is outdated.

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Speaker 1: They're thinking that approach is extinct. And so when you

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Speaker 1: hear some dude come jazz in it up and say, yo,

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Speaker 1: I make podcasting look a little different than these dudes. Yeah,

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Speaker 1: my jersey, I ain't wearing the small shorts. Yeah, yeah,

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Speaker 1: the way I'm kicking it over here, I'm kicking it

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Speaker 1: like this here. I ain't tucking minds in. I want

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Speaker 1: to west the Yeah. So, but but but what I

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Speaker 1: have to do is again, I have to carve that

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Speaker 1: place out. But the suckers confuse what I say with

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Speaker 1: their insecurities. So they hear me say I'm fighting for

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Speaker 1: my position or a hotstile takeover, and they think that

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Speaker 1: some sort of attack is attached to that. I want

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Speaker 1: to be clear to the people that's ahead of me,

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Speaker 1: and the people below me, and the people on side

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Speaker 1: of me, and the people interested in me, I don't

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Speaker 1: mean attack when I say that. I mean we're gonna

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Speaker 1: outwork people. We're gonna have better product than people. We're

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Speaker 1: gonna have better quality than people. I will put together

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Speaker 1: a team of individuals that do a team volume of

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Speaker 1: work from each individual. Because when I see these guys

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Speaker 1: and they show up with a sixteen team entourage, right,

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Speaker 1: so I can do all that myself. So picture four

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Speaker 1: of me on set, Picture ten of me on a team. Right,

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Speaker 1: they're thinking how much we will be able to get done,

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Speaker 1: the ability to create the new shot for podcasting, because

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Speaker 1: you know the way you approach this thing is so important.

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Speaker 1: But my position is, Yo, I ain't either they're gonna

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Speaker 1: work with me or I'm gonna move in and they work.

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Speaker 1: Gonna be the value, But there will be no attack

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Speaker 1: on anyone. There'll be a peaceful transfer a power. We're

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Speaker 1: just willing to work harder than people were willing to

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Speaker 1: and we're dealing with information and we're willing to go

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Speaker 1: the extra mile. On this side, we know what's at steak.

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Speaker 1: A lot of y'all them being tricked at what's at steak.

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Speaker 1: They didn't tricked you that what's on the other side

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Speaker 1: ain't worth what it takes to get on the other side.

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Speaker 1: I have not been tricked by these individuals. I know

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Speaker 1: on the other side of this there's something that can

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Speaker 1: change a lot of different things. And so for me,

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Speaker 1: I push you with that in mind. But that has

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Speaker 1: that that there will be no attack. We're just gonna

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Speaker 1: show up on the block with the better work I've seen.

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Speaker 1: Mandal Bridget it was one of them that said that Yo.

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Speaker 1: The dude the DM lotto and gave a hard time

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Speaker 1: was Little Wayne. She's been in podcasting for years, but

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Speaker 1: because she's not friendly with a lot of the blogs

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Speaker 1: they read that story as girl says, trust me, everybody

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Speaker 1: in the business knows what that is. They can find out.

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Speaker 1: They have the resources to find out what show this is,

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Speaker 1: tagged that show and run some people that way. But

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Speaker 1: because there's no relationship, those people see this is the thing.

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Speaker 1: The people that stand to make money off the relationship.

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Speaker 1: A lot of times they won't initiate the relationship because

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Speaker 1: if they initiate the relationship, sometimes they think that means

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Speaker 1: that the money comes off the table. Because what most

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Speaker 1: people are gonna say when you reached out to me,

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Speaker 1: everybody that comes crocheted Room and get tagged and things

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Speaker 1: like that, at some point has ran some sort of

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Speaker 1: marketing to pay Shade Room to be on that platform.

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Speaker 1: I don't think that's one person that gets coverage on

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Speaker 1: there just from a standpoint of they never paid outside

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Speaker 1: of maybe Boosey and he may have read ran a

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Speaker 1: cologne add or something. I'm not sure, but Boosted maybe

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Speaker 1: one of one of the only ones. Now let me

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Speaker 1: say this, it's not a hundred percent, but it's in

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Speaker 1: the high nineties. Other people that has spent at some

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Speaker 1: of these platforms in which you see them get a

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Speaker 1: friendly coverage on it's a reason. You see me send

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Speaker 1: a shout out to Richard that earn your leaves de

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Speaker 1: Troy at earn your lesion. You see me send a

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Speaker 1: shout out to my brother Brandon Marsha Chad at eighty

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Speaker 1: five South Show. You know, these people are posted in

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Speaker 1: a way what they're telling people that this is what

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Speaker 1: it is. Popping. You deal with a lot of fragile egos,

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Speaker 1: and when it comes to me in the business, I'm

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Speaker 1: coming to put the business down. I come to put

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Speaker 1: game down, affecting people that's not been affected by the

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Speaker 1: things that y'all are presenting most people in this space.

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Speaker 1: So for me, guess what it is. It ain't saying that, Yo,

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Speaker 1: I'm coming to attack somebody because I'm going to create

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Speaker 1: a space for me that may go past some of

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Speaker 1: the spaces that's currently in position. It ain't saying I'm

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Speaker 1: coming to tech nobody. I look at it like this,

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Speaker 1: when Popeyes show up, KFC got a problem. Popeyes don't

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Speaker 1: gotta you know, run no bill board to say KFC

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Speaker 1: chicken ain't no good or this or that. It's the

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Speaker 1: quality of the chicken. People like Popeyes in the South

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Speaker 1: more than they like KFC. It's a thing. It's it's

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Speaker 1: just a twitch on the chicken. It's something they provide

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Speaker 1: to the market that KFC cain't seem to get their

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Speaker 1: hands around. People like KFC for what they like KFC FU.

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Speaker 1: But there's a situation where there's a KFC and a

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Speaker 1: pop Pass and next teach other you see a clear

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Speaker 1: difference in Popeyes in that situation has has a chokehold

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Speaker 1: on the people that show up. They won't fried Chicken.

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Speaker 1: But now Popeyes is okay to chick for lay show

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Speaker 1: up on the block. Popeyes is doing just well against

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Speaker 1: KFC into Chick fi lay show up on the block.

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Speaker 1: So it's natural in business that things show up, and

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Speaker 1: that's what they gotta deal with with me. They're dealing

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Speaker 1: with disruption. They're dealing with disruption, and they know what

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Speaker 1: they're dealing with. So what happens is in my communication,

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Speaker 1: I gotta do an impeccable job at podcasting. I gotta

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Speaker 1: do a amazing and magnificent job at communicating to the

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Speaker 1: culture because what I'm doing is I'm skipping the line.

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Speaker 1: And if they allowed me to skip the line, and

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Speaker 1: I don't know as much as it is that I'm

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Speaker 1: supposed to know, then it's a failure on the culture.

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Speaker 1: So I got that on my back. I understand that,

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Speaker 1: but I want to be clear to the people ahead

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Speaker 1: of me that there is no attack. We only respond.

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Speaker 1: There is no attacking place, There is no plan to

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Speaker 1: diminish anyone's position to create my own. I just understand

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Speaker 1: the laws of attraction. I understand how things work, and

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Speaker 1: what I provide to the game is yet to be seen.

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Speaker 1: A lot of people have prepped the audience for what

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Speaker 1: it is that I do. A lot of people have

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Speaker 1: massage the audience for what it is I do. I

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Speaker 1: think those people ahead of me, but that has not

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Speaker 1: been a lot of people that's been able to affect

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Speaker 1: the people in a way that I have been able

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Speaker 1: to on Instagram, on TikTok, through podcasting, the communication. It's

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Speaker 1: just not that many people on that list is a

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Speaker 1: very short list. But let's get let's get into the show.

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Speaker 1: Let's talk about ben Zeno. Ben Zeno has had a

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Speaker 1: rough week, a rough couple of weeks. It's been in

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Speaker 1: a situation of where he's had a riff with his daughter.

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Speaker 1: We covered that he had a riff with the lgbtq

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Speaker 1: AI community on club House with Whack one Hunter, we

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Speaker 1: covered that. Now, his first initial thing was was them saying, yo,

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Speaker 1: he's gay because a situation at the hotel. He refuted

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Speaker 1: that had some backup Whack come out. A lot of

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Speaker 1: people come out like, now that's how people travel, like

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Speaker 1: you're hustling, That's how that's how we travel. Right, So

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Speaker 1: that was the response to that. And now he's into

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Speaker 1: a situation where a transgender has came out with some

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Speaker 1: recording of him talking to the transgender, very weird recording.

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Speaker 1: I'm gonna find that and we're gonna play that. Um yeah,

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Speaker 1: we'll take it in section. So I'm gonna find that

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Speaker 1: and we'll play that first. And I'm just now adapting

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Speaker 1: to this type of work. But who I was before,

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Speaker 1: I'm that like counselm over. You know what I'm saying,

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Speaker 1: I'm bad nigger. Now, yes, I'm saying this is all

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Speaker 1: new to me, and I'm trying to be open minded

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Speaker 1: about it. But then I'm like you said, I said,

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Speaker 1: why this is crazy because she looks I mean, the

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Speaker 1: way they got you looking when you it's just you

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Speaker 1: know what I mean. Like, so so, and it's not

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Speaker 1: like I'm even so I'm let me go look at

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Speaker 1: some other trans Now, I haven't even looked at that.

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Speaker 1: I've even done that. I love Point. I don't watch

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Speaker 1: Trading Point. I don't watch game Point. But that's just me.

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Speaker 1: You know what I'm saying, I'm old in my ways.

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Speaker 1: I'm gonna fifty five year old nigger. You know what

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Speaker 1: I'm saying. Listen to daddy. I'm gonna try. I'm gonna

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Speaker 1: try not to be selfish. Okay, since you're saying I'm

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Speaker 1: being selfish about what I So you heard that that

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Speaker 1: conversation with trans woman think her name is Shauna Brooks

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Speaker 1: in a situation to be on the phone call with Benzino.

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Speaker 1: It's a very interesting approach he has on that phone call.

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Speaker 1: It he sounds like he's trying to understand something. Now,

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Speaker 1: Benzino explains that this is for a movie. This is

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Speaker 1: for a movie, um in which he played some role

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Speaker 1: and made him have to not only be comfortable but

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Speaker 1: communicate um um with this woman. So for me, first

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Speaker 1: thing I said was all right, so now what do

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Speaker 1: we say about what Carla Ray said? See, I don't

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Speaker 1: forget these things. So I said, all right, So Corla

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Speaker 1: Ray was saying that you and a financial situation where

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Speaker 1: they wasn't as comfortable as you would like to believe.

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Speaker 1: And if you're doing a low budget movie in a

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Speaker 1: situation that you stand against, that lets me know that

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Speaker 1: the only motivation at that time has to be financial game.

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Speaker 1: So for a financial game, you will place yourself in

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Speaker 1: a situation to maybe adopt certain things that you wouldn't adopt.

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Speaker 1: Maybe you'll you'll take on certain things that you wouldn't

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Speaker 1: take on for a certain amount of money when you

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Speaker 1: financially embarrassed or you're in a situation where you financially vulnerable,

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Speaker 1: you understand. So ben Zino then came to explain a

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Speaker 1: little bit of it. He did get into it, so

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Speaker 1: fifty cent got involved. Now fifty cent is in Coaches

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Speaker 1: headlines this week because Young Bucks said some things, and

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Speaker 1: we'll get to that a little later in the show.

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Speaker 1: Young Bucks said he had to file bankruptcy because of

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Speaker 1: fifty cents games or his legal games were taking music

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Speaker 1: down and things like that, and so Buck mentioned his name,

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Speaker 1: which prime time for fifty to get Buck back in

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Speaker 1: the news and bring back up those rumors about being gay.

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Speaker 1: So he brought that back to the news cycle and

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Speaker 1: grabbed hold to Benzino and made him a part of it,

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Speaker 1: as there was some sort of fresh gay allegations going

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Speaker 1: out online. So fifty is a he's a wizard in

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Speaker 1: regards to how he places those things together. Now, Benzino

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Speaker 1: responded to fifty cent and also, those rumors are being

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Speaker 1: on that phone call? Now what before I play that video,

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Speaker 1: I do want to say that calling you daddy, that

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Speaker 1: is what things get slippery, right, because number one, this

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Speaker 1: person is recording, and if you're recording, that tells me

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Speaker 1: a lot about what you're willing to do with whatever

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Speaker 1: recording it is. Right, So if you got me on

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Speaker 1: a phone and you call him, don't call me daddy.

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Speaker 1: I'm not your daddy. Yeah we are, you know. And

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Speaker 1: that go for even a woman I'm talking to, like, nah,

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Speaker 1: that ain't what that is. But I'll accept it from

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Speaker 1: the opposite six, you know, quicker than I would somebody

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Speaker 1: trying to slip it in, like we don't have that

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Speaker 1: kind of relationship for you to be doing that. But

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Speaker 1: that was part of the game, you know, And so

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Speaker 1: we found himself in there. I wouldn't be talking to

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Speaker 1: nobody that's calling me daddy that I'm not interested in.

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Speaker 1: That's just me. Let's listen to what Busino said. It

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Speaker 1: didn't happen. I came back. I didn't have a place

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Speaker 1: to stay, I didn't have a car, I didn't have

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Speaker 1: too much money. So I was doing my hustle thing

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Speaker 1: out in um out in California. It's about five years ago,

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Speaker 1: you know, and m came back here ended up getting

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Speaker 1: So you're listening to Buzino explain his financial situation. Cavaros

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Speaker 1: from you know, he's the one that made up Don

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Speaker 1: diev a very very very good friend of mine, one

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Speaker 1: of the smartest gangsters I know, really nothing to play with,

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Speaker 1: you know what I'm saying. And you know, like I

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Speaker 1: told Cavarrio, you know all this internet shit, I said,

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Speaker 1: I'm used to it. He ain't used to this type shit,

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Speaker 1: you know. And and and my thing is, you know

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Speaker 1: what I'm saying, like, you know all this shit, like

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Speaker 1: no one's not gonna come up to me or Cavarrio

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Speaker 1: in person, and dare say anything disrespectful in person? But

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Speaker 1: we understand this internet, all right? Cool? I explained it

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Speaker 1: on Glad. What happened that yeah that, you know, Cavarrio

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Speaker 1: pickment from the airporter, came back to Atlanta, and I

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Speaker 1: was staying in hotels before I got my apartment. Of course,

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Speaker 1: the red roofing doesn't cost that much, so you know,

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Speaker 1: if I'm gonna, I was in hotels for almost two weeks,

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Speaker 1: running around. Um, I was doing my one. Two. Don't

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Speaker 1: want to get too much into that because I don't

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Speaker 1: want to, you know, fuck Cavarrio up it in anyway,

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Speaker 1: because he he has programs and he continues to allude

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Speaker 1: to this is what I find interested And I'm not

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Speaker 1: trying to fuck up his situation. But you know, I

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Speaker 1: had to do my one too. He keeps he alludes

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Speaker 1: to getting money through the street. But everybody deal this,

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Speaker 1: dealing with it is saying that they were financially in

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Speaker 1: a situation. It's it's kind of strength. And my dad,

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Speaker 1: when I fell down on my luck, wasn't really nobody

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Speaker 1: there for me. Not too many motherfuckers was there. But

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Speaker 1: that's all right, some man like the streets are there

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Speaker 1: for me. You know, I can go back and sell

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Speaker 1: drugs if I if you know, if if if I'm

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Speaker 1: need be and that's you know, that's always there for me. Okay, Um,

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Speaker 1: I'm not gonna be broke. What what broke? What people

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Speaker 1: would say is brokens to me would be you know, subjective,

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Speaker 1: like what brokers to me might not be broke to

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Speaker 1: the next person. You know what I mean? Um, My

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Speaker 1: thing is I don't I don't hold my head down

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Speaker 1: in situations of financial stress because I'm a hustler and

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Speaker 1: I go get it, you know what I'm saying. That's

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Speaker 1: just that's been me. So that's what happened at the

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Speaker 1: Red Roof Innycavarry. But of course people are gonna try

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Speaker 1: to take shots to whatever vehicle the Shannon Brooks situation.

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Speaker 1: When when all this is going down, it's like it's

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Speaker 1: coming from everywhere that they're dropping old videos of the

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Speaker 1: situation without there, they're dropping old that that Shannon Brooks

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Speaker 1: things like three years ago. Now, let's just have common sense, right,

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Speaker 1: If I was working with a transgender and I was

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Speaker 1: on the phone with him, don't you think that that

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Speaker 1: conversation would be all like nasty as fuck? Don't you

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Speaker 1: think you would have heard something out of me that

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Speaker 1: that in SENI waiting some type of sexual when I'm

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Speaker 1: talking to her? Was after went out there. It made

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Speaker 1: a big thing about it. It was a conversation that

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Speaker 1: people are here and now, and I'm saying, yeah, that

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Speaker 1: lifestyle I'm not used to. I'm not used to talking

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Speaker 1: to a transgender I'm not used to communicating exactly, not

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Speaker 1: saying I'm not I'm used to dealing with her because

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Speaker 1: I've never even met her in person, right, never met

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Speaker 1: her in person. I sent you the trailer to the

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Speaker 1: movie the movie one of Miami, one of the Miami

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Speaker 1: Film Festival. The movie is about to come out on

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Speaker 1: to be next month. The movie is an amazing fucking

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Speaker 1: movie and I'm glad shout out that I didn't know

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00:21:48,680 --> 00:21:51,399
Speaker 1: it won that shout out to that. So when you

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Speaker 1: listen to the tape and there's nothing to me saying

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Speaker 1: any type of sexual or relationships, that you would think that,

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Speaker 1: but people are gonna try to take shit. How to

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Speaker 1: smell my name? Okay? Cool? I noticed that fifty Cents

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Speaker 1: Curtis said something and posted very unfortunate, you know, because

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Speaker 1: when I first met fifty you know what I'm saying,

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Speaker 1: this is when he got stabbed up at the radio station,

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Speaker 1: you know, and he got he got stabbed up at

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Speaker 1: the hit factory on fifty fourth Street. You know what

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Speaker 1: I'm saying, the big studio that everybody was going to,

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Speaker 1: and I was with the maid men at so many studios.

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Speaker 1: He ended up running down there, coming in my studio session.

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Speaker 1: You know what I'm saying, to kind of get away

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Speaker 1: from murder. Inc I didn't know joing them blacking them

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Speaker 1: at the time. Yo, I have been fucking with Red Hot,

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Speaker 1: Lover Tone and the track masters. When he asked me, said, yo,

399
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Speaker 1: I hear a number of good things about you. You're

400
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Speaker 1: a real nigga. He's bleeding on the side from getting stabbed,

401
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Speaker 1: claring he had no money. He showed me a gun

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Speaker 1: with no bullets in it that his man. I guess

403
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Speaker 1: that pulled out but had no bullets in it. And

404
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Speaker 1: I guess when it was beating him up, his man

405
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Speaker 1: dropped the gun. I don't know if it was Yayo,

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Speaker 1: I don't know who it was, you know what I'm saying,

407
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Speaker 1: But he said that, Yeah, his man dropped the gun,

408
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Speaker 1: no bullets in it, and he got away. So he's

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Speaker 1: bleeding on the side of himself and shit. So I'm like, damn,

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Speaker 1: you need some help. You know, back then I was

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Speaker 1: I was a millionaire back then. I had a car

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Speaker 1: service at the source magazine that that that we had

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Speaker 1: on deck. When I called him a car service, I

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Speaker 1: sent him to the hospital. Okay, So I kind of

415
00:23:43,600 --> 00:23:46,840
Speaker 1: got him up out of that situation for him to

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Speaker 1: even play with this, you know, well, hold on, how long?

417
00:23:54,520 --> 00:23:57,960
Speaker 1: How long should it should? I mean, you helped him

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Speaker 1: in a situation which you felt impelled to How long

419
00:24:01,400 --> 00:24:03,200
Speaker 1: should have laughed? For him not to talk about it?

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Speaker 1: Like as far as something like this, it's new. So

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Speaker 1: he felt with how comedian? With how comedian talk about

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00:24:07,560 --> 00:24:10,719
Speaker 1: me being helping him? How come he's never talked about that?

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Speaker 1: We heard that story before you you talked? No, no no, no,

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Speaker 1: how come he ain't never told that story? Business? You

425
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Speaker 1: know it's talking about fifty cents helped him fifty cent? Okay,

426
00:24:21,960 --> 00:24:24,080
Speaker 1: So so you know, later on me and y'all rud

427
00:24:24,160 --> 00:24:26,679
Speaker 1: get close, we're about to get into some game about

428
00:24:26,680 --> 00:24:28,680
Speaker 1: this now. Okay, Now, I guess something his enemy with

429
00:24:28,800 --> 00:24:31,439
Speaker 1: you shaking your head for because you gotta let me

430
00:24:31,440 --> 00:24:34,200
Speaker 1: talk to man. You can't just like come on ze, okay,

431
00:24:34,200 --> 00:24:35,600
Speaker 1: all right, I'm gonna let you all right, all right,

432
00:24:35,720 --> 00:24:39,840
Speaker 1: my back brother, No, no, so you feel like you

433
00:24:40,119 --> 00:24:42,000
Speaker 1: feel like you was enemy now because he became cool

434
00:24:42,040 --> 00:24:44,359
Speaker 1: with y'all rule or it's just a story he's talking about.

435
00:24:44,400 --> 00:24:47,560
Speaker 1: That's that's how that's I mean, Flip like, that's obvious.

436
00:24:48,800 --> 00:24:52,959
Speaker 1: That's that's obvious. No, I mean if I helped you

437
00:24:53,000 --> 00:24:55,520
Speaker 1: out out of the situation and that you was getting

438
00:24:55,800 --> 00:24:58,240
Speaker 1: hands and feet put on, stabbed up, you had no

439
00:24:58,320 --> 00:25:00,320
Speaker 1: money to get to the hospital. If I helped you out,

440
00:25:00,600 --> 00:25:05,679
Speaker 1: wouldn't I be cool with you after that? You have

441
00:25:05,760 --> 00:25:07,879
Speaker 1: you putting me in the situation he told about me.

442
00:25:08,080 --> 00:25:10,520
Speaker 1: I'm saying if if, if, if you was getting hands

443
00:25:10,520 --> 00:25:12,520
Speaker 1: and feet put on you, but you ain't see something

444
00:25:12,520 --> 00:25:16,000
Speaker 1: saying hands if you ain't see, stop stopped you see

445
00:25:16,119 --> 00:25:20,240
Speaker 1: you get bro? Bro, bro listen, Flip, the nigga was

446
00:25:20,280 --> 00:25:23,280
Speaker 1: in the studio, they put hands and feet on him,

447
00:25:23,560 --> 00:25:27,760
Speaker 1: they stabbed They stabbed him. I mean, I've seen the cut.

448
00:25:27,760 --> 00:25:29,480
Speaker 1: He was bleeding, he was leaking on on the side

449
00:25:29,480 --> 00:25:31,600
Speaker 1: of his ship. He showed me Like, So if I

450
00:25:31,720 --> 00:25:34,679
Speaker 1: did that, if I helped you out and sent you

451
00:25:34,720 --> 00:25:40,160
Speaker 1: to the hospital, wouldn't that consider me and you cool? Yeah?

452
00:25:40,200 --> 00:25:42,040
Speaker 1: But then if you then I asked you a question,

453
00:25:42,080 --> 00:25:43,800
Speaker 1: if he was cool with the nigga, then why would

454
00:25:43,800 --> 00:25:45,520
Speaker 1: you be cool with j'all ruling him? Then that's the

455
00:25:45,520 --> 00:25:48,320
Speaker 1: same thing. Listen, listen, listen, listen. First of all, First

456
00:25:48,320 --> 00:25:51,680
Speaker 1: of all, like how me and Jack got cool was

457
00:25:51,720 --> 00:25:55,280
Speaker 1: because I ended up moving the Saddle River and we

458
00:25:55,400 --> 00:25:57,520
Speaker 1: end and and our kids end up going to school together.

459
00:25:57,640 --> 00:26:00,119
Speaker 1: Corey went to school with his daughter, my son at

460
00:26:00,119 --> 00:26:02,000
Speaker 1: the school with his son. We ended up being cool

461
00:26:02,080 --> 00:26:06,360
Speaker 1: that way. Okay, I didn't go be cool with y'all

462
00:26:06,440 --> 00:26:10,359
Speaker 1: rude to go against fifty cents. I really didn't even

463
00:26:10,400 --> 00:26:13,600
Speaker 1: know about that beef until I started hearing about it. Okay,

464
00:26:14,320 --> 00:26:16,040
Speaker 1: this is my thing is I'm gon ask you again

465
00:26:16,359 --> 00:26:18,800
Speaker 1: if I helped you, if I helped you out in

466
00:26:18,840 --> 00:26:23,040
Speaker 1: that situation, because that was a serious situation. Like let's

467
00:26:23,080 --> 00:26:26,480
Speaker 1: say that he didn't come seek refuge in my studio.

468
00:26:26,800 --> 00:26:29,240
Speaker 1: Who knows what murdering could have could could have It

469
00:26:29,480 --> 00:26:32,480
Speaker 1: could have been worse, so so so so, But how

470
00:26:32,520 --> 00:26:35,960
Speaker 1: about also you and his men nigga that sagned him

471
00:26:35,960 --> 00:26:37,359
Speaker 1: with it for a long time, so he could have

472
00:26:37,359 --> 00:26:39,000
Speaker 1: looked at it like that as well. You forgot about

473
00:26:39,000 --> 00:26:41,440
Speaker 1: that part, So that again, say that, hold on, hold on,

474
00:26:41,480 --> 00:26:43,480
Speaker 1: hold on say that again. You and his man that

475
00:26:43,640 --> 00:26:45,680
Speaker 1: signed him, y'all went at there for a long time.

476
00:26:45,760 --> 00:26:48,080
Speaker 1: So so does you save and send him to the hospital.

477
00:26:48,080 --> 00:26:50,160
Speaker 1: Who's this lady? Man? Who's this man? This is new

478
00:26:50,200 --> 00:26:52,520
Speaker 1: to me? Who? Who? Who? Me and his man at signed?

479
00:26:52,640 --> 00:26:57,240
Speaker 1: Oh Eminem? Yeah? Got you? Okay? So then maybe maybe right.

480
00:26:57,320 --> 00:27:01,439
Speaker 1: But but that didn't take place that I obviously because

481
00:27:01,520 --> 00:27:04,840
Speaker 1: obviously he said me, yo, you're a real nigga. Tone

482
00:27:04,880 --> 00:27:07,560
Speaker 1: and Polke talk highly of you and man the block.

483
00:27:07,680 --> 00:27:10,680
Speaker 1: I mean, he was in my fucking studio session talking

484
00:27:10,720 --> 00:27:13,479
Speaker 1: about how dope I was, and I helped him. I

485
00:27:13,520 --> 00:27:16,160
Speaker 1: didn't even know fifty. I didn't know him like that.

486
00:27:16,440 --> 00:27:19,440
Speaker 1: I heard him from the mixtapes, you know what I'm saying.

487
00:27:19,840 --> 00:27:23,440
Speaker 1: The point is I helped that man in a real situation.

488
00:27:24,160 --> 00:27:28,480
Speaker 1: Fuck the Eminem shit, fuck the jarrou shit. I helped

489
00:27:28,760 --> 00:27:34,920
Speaker 1: that man. Me Benzino, helped fifty cents. Regardless of anything,

490
00:27:35,920 --> 00:27:38,400
Speaker 1: I found it in my heart to help that man.

491
00:27:39,560 --> 00:27:41,359
Speaker 1: I could have been like, get the fuck out my studio,

492
00:27:41,400 --> 00:27:42,639
Speaker 1: I don't want to have nothing to do with this.

493
00:27:43,880 --> 00:27:47,520
Speaker 1: Why are you even down here? But I didn't do that,

494
00:27:48,359 --> 00:27:51,000
Speaker 1: called them minute got the mentacost so for those of

495
00:27:51,080 --> 00:27:53,879
Speaker 1: you unaworld while he's speaking on that fifth day, has

496
00:27:53,920 --> 00:27:58,520
Speaker 1: been again bombarding him online with certain things attaching him

497
00:27:58,560 --> 00:28:01,200
Speaker 1: the Young Buck again and fifty had to respond to

498
00:28:01,280 --> 00:28:04,320
Speaker 1: Buck in a slide way. So ben Zeno year there too,

499
00:28:04,440 --> 00:28:06,320
Speaker 1: and you've been mentioning with him and them. Let's get

500
00:28:06,359 --> 00:28:09,240
Speaker 1: you on the plate as well. And it's news things

501
00:28:09,240 --> 00:28:11,720
Speaker 1: are going around. I'm not sure why old videos are

502
00:28:11,720 --> 00:28:15,080
Speaker 1: popping up. We're about to get into him crashing out

503
00:28:15,160 --> 00:28:19,400
Speaker 1: for his first baby mom. I'm sorry for his latest

504
00:28:20,440 --> 00:28:23,639
Speaker 1: baby mom, and we'll get into why that may be

505
00:28:23,720 --> 00:28:30,119
Speaker 1: the case. He's good with this. He got jumped like

506
00:28:30,160 --> 00:28:33,000
Speaker 1: you every we all get jumped out. I'm not I'm

507
00:28:33,040 --> 00:28:37,000
Speaker 1: not got fun of him and getting jumped. I'm not

508
00:28:37,080 --> 00:28:39,360
Speaker 1: making fun of him getting jumped. But when I'm saying,

509
00:28:39,440 --> 00:28:42,719
Speaker 1: hands a lot of situations I'm saying, I'm saying and

510
00:28:42,720 --> 00:28:45,200
Speaker 1: in the history of hip hop, have you ever heard

511
00:28:45,280 --> 00:28:48,000
Speaker 1: fifty two and these with anybody? I have? Ye who

512
00:28:48,480 --> 00:28:51,520
Speaker 1: outside and I'm talking about in hip hop, all the

513
00:28:51,600 --> 00:28:53,720
Speaker 1: enemies that nicking I'm made in hip hop? Has he

514
00:28:53,760 --> 00:28:56,720
Speaker 1: ever done this? They don't want to fight him, Huh.

515
00:28:56,800 --> 00:28:58,560
Speaker 1: They don't want to fight him? Who don't want to

516
00:28:58,600 --> 00:29:00,320
Speaker 1: fight him. A lot of niggas don't want to fight players.

517
00:29:00,360 --> 00:29:03,600
Speaker 1: A lot of niggas who I don't know, he did,

518
00:29:03,640 --> 00:29:07,600
Speaker 1: I heard who? You know? You know, niggle stock, I

519
00:29:07,680 --> 00:29:11,160
Speaker 1: know everybody. Look, look everybody, that niggas. That nigga's a

520
00:29:11,240 --> 00:29:14,640
Speaker 1: rat in the pussy. In my book, he's he's he's

521
00:29:14,640 --> 00:29:17,960
Speaker 1: an informant, and and and and he has no morals,

522
00:29:18,160 --> 00:29:20,720
Speaker 1: and he has no really good judgment. The nigga's a

523
00:29:20,800 --> 00:29:24,560
Speaker 1: multi millionaire and he's posting shit about me that ain't true.

524
00:29:24,760 --> 00:29:27,960
Speaker 1: Fuck that nigga, and I'll stick my dick in in

525
00:29:28,000 --> 00:29:31,480
Speaker 1: his girl's mouth. Wow, you can see who who's a

526
00:29:31,600 --> 00:29:34,600
Speaker 1: trendy or who's all like I don't play those games. Bro.

527
00:29:34,960 --> 00:29:39,160
Speaker 1: Fuck that nigga. Fuck that nigga. Bro, I'm trying to

528
00:29:39,160 --> 00:29:42,120
Speaker 1: make I'm listening. Listen, listen, listen, listen. I'm trying to

529
00:29:42,120 --> 00:29:44,440
Speaker 1: make a point to say that I helped that bitch

530
00:29:44,520 --> 00:29:49,160
Speaker 1: ass nigga, but I helped that pussy ass rat informed

531
00:29:49,200 --> 00:29:52,440
Speaker 1: as so, so you calling him a rat because he's

532
00:29:52,440 --> 00:29:55,760
Speaker 1: a rat. Nigga been on papers. No, he's not. He's

533
00:29:55,760 --> 00:29:58,320
Speaker 1: not a rat, my nigga. He's snitched on joining him

534
00:29:58,360 --> 00:30:00,800
Speaker 1: long time, adad he's not a rats? You know? Come

535
00:30:00,840 --> 00:30:03,000
Speaker 1: on stop? You know my nigga, my nigga, My nigga,

536
00:30:03,040 --> 00:30:05,240
Speaker 1: my nigga, my nigga. Do you need the paperwork? Gee?

537
00:30:05,280 --> 00:30:07,200
Speaker 1: I don't want no paperwork work you don't want then

538
00:30:07,520 --> 00:30:09,400
Speaker 1: if you don't want the paperwork, then you can't say

539
00:30:09,400 --> 00:30:11,240
Speaker 1: he's not a rat. I saw the paperwork whether he

540
00:30:11,360 --> 00:30:13,880
Speaker 1: rather it on the did what the nigga rat it on?

541
00:30:13,960 --> 00:30:17,800
Speaker 1: Y'all ruin them for that ship that that happened? Do

542
00:30:17,840 --> 00:30:20,680
Speaker 1: you need the paperwork? Flips? So why did anybody getting

543
00:30:20,720 --> 00:30:24,760
Speaker 1: casts ready for stabbing? Listen? Listen, anybody getting listen? You

544
00:30:24,800 --> 00:30:27,200
Speaker 1: know what we're gonna get, okay, So why don't we

545
00:30:27,200 --> 00:30:30,400
Speaker 1: get black shouted? Catillac get black? Now? You don't want

546
00:30:30,440 --> 00:30:32,960
Speaker 1: to do that because you don't want to You don't

547
00:30:33,000 --> 00:30:35,520
Speaker 1: want the truth. You want to keep believing that this

548
00:30:35,600 --> 00:30:39,440
Speaker 1: nigga is some type of gangster, that niggas a push

549
00:30:42,320 --> 00:30:45,640
Speaker 1: because but people getting what you want. I'll give him

550
00:30:45,640 --> 00:30:48,000
Speaker 1: what he wants. Now you want to fight thatga? Now

551
00:30:48,000 --> 00:30:50,160
Speaker 1: you want to fight that nigga? You call him? You

552
00:30:50,240 --> 00:30:53,160
Speaker 1: calling him put on pitch hold on. You didn't say

553
00:30:53,680 --> 00:30:56,960
Speaker 1: before when you talked about him. You didn't say that

554
00:30:57,600 --> 00:31:02,640
Speaker 1: the nigga. The nigga, just the nigga just insinuated diad

555
00:31:02,720 --> 00:31:09,400
Speaker 1: relationships with a transgender. Fuck that nigga, Bro, Fuck his mother,

556
00:31:10,000 --> 00:31:14,080
Speaker 1: fuck anybody around him, Bro, not that crazy nigga. I

557
00:31:14,080 --> 00:31:16,680
Speaker 1: died from minds, Bro. I died from my I died

558
00:31:16,720 --> 00:31:19,400
Speaker 1: from my my manhood. Bro, I died from my manhood

559
00:31:20,440 --> 00:31:27,160
Speaker 1: that nigga. Alright, alright, enough because he crazy dits something

560
00:31:27,480 --> 00:31:29,800
Speaker 1: like and okay, now so hold up to hold up,

561
00:31:29,840 --> 00:31:31,959
Speaker 1: so hold up, so let's get back to the conversation.

562
00:31:32,040 --> 00:31:38,440
Speaker 1: Because again, you don't think I'm a nasty nigga, sexual passionate,

563
00:31:38,600 --> 00:31:41,480
Speaker 1: nasty nigga. You don't think that on that phone call

564
00:31:41,760 --> 00:31:44,600
Speaker 1: with Shana, there had been some type of nasty shit

565
00:31:44,760 --> 00:31:48,440
Speaker 1: talk going on, but you could see where motherfucker's been

566
00:31:48,560 --> 00:31:50,920
Speaker 1: chopped up and edited the fun all right. So again

567
00:31:51,000 --> 00:31:54,720
Speaker 1: that's that's ben Zino speaking about that phone call that

568
00:31:54,880 --> 00:31:59,000
Speaker 1: we just listened to and how it was framed and

569
00:31:59,160 --> 00:32:03,760
Speaker 1: his response fifty cent. I wanted to play that because

570
00:32:04,840 --> 00:32:08,320
Speaker 1: ben Zeno, in my opinion, is in a very very

571
00:32:08,680 --> 00:32:15,120
Speaker 1: very interesting place by him having such a prestigious spot

572
00:32:15,320 --> 00:32:20,040
Speaker 1: in hip hop in regards to the source about him

573
00:32:20,080 --> 00:32:23,480
Speaker 1: being one of the most influential in regards to that

574
00:32:23,640 --> 00:32:28,640
Speaker 1: space right crashed other companies and represented a lot of

575
00:32:28,640 --> 00:32:32,960
Speaker 1: what we thought was coach at that time. But I

576
00:32:33,000 --> 00:32:36,800
Speaker 1: think he failed to evolved. I think what we're dealing

577
00:32:36,840 --> 00:32:44,080
Speaker 1: with is someone that's living in a position that they

578
00:32:44,120 --> 00:32:47,360
Speaker 1: may not be so proud of, but they got some

579
00:32:47,480 --> 00:32:53,120
Speaker 1: things and they passed that they foreshowed proud of. And

580
00:32:53,240 --> 00:32:57,400
Speaker 1: that's an interesting situation for human being. Man. I always

581
00:32:57,440 --> 00:33:00,520
Speaker 1: tell people that you gotta know when to evolve. So

582
00:33:00,680 --> 00:33:04,400
Speaker 1: this next clip that we're about to watch is and

583
00:33:04,440 --> 00:33:06,760
Speaker 1: then we'll get into some game about it, because again,

584
00:33:06,800 --> 00:33:09,440
Speaker 1: I just want to view this from a holistic standpoint.

585
00:33:09,880 --> 00:33:11,880
Speaker 1: But the next clip, we're gonna take a look at

586
00:33:11,880 --> 00:33:16,240
Speaker 1: this ben Zeno showing up to get his son, you know,

587
00:33:16,600 --> 00:33:19,000
Speaker 1: showing that he is a part of fatherhood. He's showed

588
00:33:19,040 --> 00:33:23,640
Speaker 1: up to get his son at his latest baby Mothers address.

589
00:33:24,160 --> 00:33:26,800
Speaker 1: She just so happens to be outside with a guy

590
00:33:27,440 --> 00:33:33,160
Speaker 1: walking the neighborhood holding hands and then Benzino gets into

591
00:33:33,160 --> 00:33:37,000
Speaker 1: an altercation with those people and was later arrested. Let's

592
00:33:37,000 --> 00:33:42,080
Speaker 1: take a look at that. Do have a paper I

593
00:33:42,080 --> 00:33:45,080
Speaker 1: got a fan. So for those of you listening, what

594
00:33:45,160 --> 00:33:47,880
Speaker 1: we're listening to is the police audio of them showing

595
00:33:47,960 --> 00:33:52,000
Speaker 1: up on the scene. What Benzino was there and encounter

596
00:33:52,520 --> 00:33:56,440
Speaker 1: the mother of his children or his child outside walking

597
00:33:56,520 --> 00:34:00,959
Speaker 1: with a dude holding hands. Now they have been broken

598
00:34:01,080 --> 00:34:03,160
Speaker 1: up at this time, but let's take a look at

599
00:34:03,200 --> 00:34:09,279
Speaker 1: what takes place. Is up there where there's a whole

600
00:34:09,280 --> 00:34:12,400
Speaker 1: dogust city in their in their house, one of the neighbors,

601
00:34:12,520 --> 00:34:15,239
Speaker 1: very nice neighborhood. One of the neighbors houses that kind

602
00:34:15,280 --> 00:34:17,680
Speaker 1: of closed, a very nice neighborhood. One of the neighbors

603
00:34:17,680 --> 00:34:22,000
Speaker 1: called the Tolie County. This is Gwenette County. Okay, they

604
00:34:22,000 --> 00:34:24,800
Speaker 1: saw big was talking about chance in the house or anything.

605
00:34:25,520 --> 00:34:50,520
Speaker 1: You grab on the child, all right, So what's he's saying.

606
00:34:51,400 --> 00:34:57,360
Speaker 1: He say, you go, And then essentially that guy and

607
00:34:57,480 --> 00:35:00,680
Speaker 1: the woman he started threading me, well, he's gonna fucking

608
00:35:00,719 --> 00:35:02,760
Speaker 1: shoot me with a gun and all this other ship okay,

609
00:35:02,920 --> 00:35:04,200
Speaker 1: and he just did it to get it from the

610
00:35:04,200 --> 00:35:10,000
Speaker 1: fucking police. Okay. Well, that guy's obviously saying, and the

611
00:35:10,080 --> 00:35:13,439
Speaker 1: other witnesses that are down there saying that they walked back.

612
00:35:13,880 --> 00:35:16,520
Speaker 1: You were already at his truck. You were confrontational from

613
00:35:16,520 --> 00:35:19,880
Speaker 1: the get go, and that you punched his truck twice,

614
00:35:19,960 --> 00:35:23,359
Speaker 1: which I didn't. I did it, you didn't. So you're

615
00:35:23,400 --> 00:35:25,640
Speaker 1: saying you didn't hit his truck. Hell no, hell no,

616
00:35:26,360 --> 00:35:29,919
Speaker 1: hell no, no, fuck no, he haddent's on the fucking

617
00:35:29,960 --> 00:35:35,799
Speaker 1: truck before came. I don't believe the show. So it's

618
00:35:36,040 --> 00:35:38,120
Speaker 1: whatever you want to do. I mean, the truck's immaculate.

619
00:35:38,280 --> 00:35:40,839
Speaker 1: There's two dents on the side. They're both. Everybody down

620
00:35:40,880 --> 00:35:42,560
Speaker 1: there saying that he hit it. I just hit no

621
00:35:42,640 --> 00:35:46,160
Speaker 1: fucking truck. Who did I hit it? Yes, she said

622
00:35:46,160 --> 00:35:53,440
Speaker 1: I hit the truck. Show. So he throws down his

623
00:35:53,600 --> 00:35:58,040
Speaker 1: shirt after day confirmed that his baby mother also said

624
00:35:58,080 --> 00:36:00,840
Speaker 1: that he hit the truckle gon hit you with it?

625
00:36:06,040 --> 00:36:11,759
Speaker 1: A h For those of you listening, there's now three

626
00:36:11,840 --> 00:36:16,040
Speaker 1: cops on on board. That's three Trump's on board that

627
00:36:16,239 --> 00:36:19,800
Speaker 1: now trying to transition into figuring out what's happening unless

628
00:36:19,840 --> 00:36:22,239
Speaker 1: they feel as though they're threatened, which that's what we're

629
00:36:22,239 --> 00:36:25,040
Speaker 1: trying to get to the bottom of. You gotta understand,

630
00:36:25,080 --> 00:36:28,520
Speaker 1: he's saying that you were threatening him too, and everybody

631
00:36:28,560 --> 00:36:30,440
Speaker 1: down there saying that you've been threatening him as well.

632
00:36:30,840 --> 00:36:33,760
Speaker 1: That's only because that's only because that because she's fucking

633
00:36:33,840 --> 00:36:36,440
Speaker 1: him on course to say that, But why would the

634
00:36:36,719 --> 00:36:39,239
Speaker 1: other lady have any business in it? So the other

635
00:36:39,320 --> 00:36:43,000
Speaker 1: lady wasn't even a round, she said she wasn't until

636
00:36:43,239 --> 00:36:45,480
Speaker 1: starts this all this two place over here, shout the

637
00:36:45,760 --> 00:36:47,919
Speaker 1: way over there. They just want me to go. I'll

638
00:36:47,920 --> 00:36:51,440
Speaker 1: call man, I'll fucking gold He trying to get out

639
00:36:51,480 --> 00:36:56,200
Speaker 1: of that, Okay, Now I know she lives here. Where

640
00:36:56,200 --> 00:37:02,600
Speaker 1: do you live in Brookhay work havin? Okay, so I

641
00:37:02,600 --> 00:37:04,640
Speaker 1: can call him to over get the fuck out of here. Man, Well,

642
00:37:04,640 --> 00:37:06,560
Speaker 1: we're just gon't believe this ship though? Do you have

643
00:37:06,640 --> 00:37:15,239
Speaker 1: a like? Did you get his name already? You see

644
00:37:15,360 --> 00:37:17,000
Speaker 1: when he said he about to get out of it? Now?

645
00:37:17,040 --> 00:37:18,719
Speaker 1: They want to make sure they got your ID in

646
00:37:18,760 --> 00:37:22,560
Speaker 1: case he run if you're not driving? I was he

647
00:37:22,600 --> 00:37:25,880
Speaker 1: already here? Yes, he's over there now? She is she

648
00:37:26,000 --> 00:37:28,239
Speaker 1: gonna say that he can't go? Want to ask her?

649
00:37:28,800 --> 00:37:31,319
Speaker 1: I mean we will, I'm not where is she right

650
00:37:31,360 --> 00:37:34,880
Speaker 1: now with him? Yeah? I mean she's right around the

651
00:37:34,880 --> 00:37:37,399
Speaker 1: corner down there with them. Kid talked to her. Please

652
00:37:38,000 --> 00:37:39,680
Speaker 1: can you walk me over and talk to her? Because

653
00:37:39,680 --> 00:37:41,640
Speaker 1: he's down there? Dude, that's not gonna go. Good y'all,

654
00:37:41,920 --> 00:37:44,719
Speaker 1: y'all can't be together. We've been here for to go down.

655
00:37:44,760 --> 00:37:46,879
Speaker 1: They would hurt it because she's fine down there with him.

656
00:37:46,960 --> 00:37:48,439
Speaker 1: She doesn't want to be up here with you. That's

657
00:37:48,440 --> 00:37:52,080
Speaker 1: the problem. To let me go. No, we have your ID.

658
00:37:52,280 --> 00:37:53,960
Speaker 1: Just give us a second. We'll get it back. Yes,

659
00:37:54,840 --> 00:37:58,080
Speaker 1: there we go, Let me go. He's trying to go

660
00:37:58,160 --> 00:38:00,719
Speaker 1: down and talk to Hu. She's with another dude. They

661
00:38:00,719 --> 00:38:08,800
Speaker 1: ain't gonna talk about, so he was. He was getting

662
00:38:09,040 --> 00:38:12,279
Speaker 1: pretty upset in front of the police and customing them out. Yeah,

663
00:38:12,280 --> 00:38:18,319
Speaker 1: I'll get your case number and everything at all. Which

664
00:38:18,320 --> 00:38:20,680
Speaker 1: one has body? Just hang on. If you'll stay right there,

665
00:38:20,760 --> 00:38:23,200
Speaker 1: I'll go find that out. Stare right there. I believe

666
00:38:23,200 --> 00:38:28,919
Speaker 1: it's investigated down here. Your baby's mother flown. Man. It's

667
00:38:28,960 --> 00:38:30,640
Speaker 1: just hard man. How long have y'all have been split?

668
00:38:31,360 --> 00:38:33,200
Speaker 1: I don't know, A couple of months and just fucking

669
00:38:33,239 --> 00:38:35,360
Speaker 1: month ago. Yeah, I mean that's kind of what she

670
00:38:35,360 --> 00:38:36,840
Speaker 1: said as y'all try to make it work, but it

671
00:38:36,880 --> 00:38:54,399
Speaker 1: didn't work, yo, he talks. You gotta maintain your love, man.

672
00:38:54,440 --> 00:38:57,040
Speaker 1: You can't be out here doing stupid shit. Try to

673
00:38:57,120 --> 00:39:03,200
Speaker 1: love somebody. Man ship that's gonna you can't reverse disrespect. Hey,

674
00:39:03,239 --> 00:39:07,839
Speaker 1: hang up here, man, Hey, so he's walking up here?

675
00:39:08,400 --> 00:39:10,400
Speaker 1: You got I know? Do you have to calm down.

676
00:39:11,680 --> 00:39:14,359
Speaker 1: I can't believe it. Ship. I can't believe it. Ship,

677
00:39:14,680 --> 00:39:19,239
Speaker 1: I can't. I can't believe the ship. I can't believe it. Ship.

678
00:39:19,400 --> 00:39:22,080
Speaker 1: I know. Just keep talking to me. They're not gonna

679
00:39:22,120 --> 00:39:28,680
Speaker 1: let you go down there with them. He seems to

680
00:39:28,760 --> 00:39:36,200
Speaker 1: be bullhorn the fuck he talked? Any waiting for the

681
00:39:36,239 --> 00:39:39,160
Speaker 1: police to call. Okay, And that's that's what we're doing.

682
00:39:39,160 --> 00:39:44,000
Speaker 1: We're dealing with it. I get this. Fuck you watch you,

683
00:39:44,120 --> 00:39:47,400
Speaker 1: watch you watch I got Jeff for what you say. Man,

684
00:39:48,120 --> 00:39:51,040
Speaker 1: he's fucking perfectly. I understand. Man, that's what we're trying

685
00:39:51,080 --> 00:40:06,919
Speaker 1: to figure out. Fuck you gotta stop cussing. You gotta

686
00:40:06,960 --> 00:40:12,839
Speaker 1: stop cussing. Okay, compose yourself. Man, we're figuring it out.

687
00:40:16,000 --> 00:40:19,720
Speaker 1: I understand. It's a shitty situation. I understand. I promise

688
00:40:19,800 --> 00:40:42,879
Speaker 1: I do. Oh um, oh, what the fuck about? I'm waiting.

689
00:40:42,880 --> 00:40:48,720
Speaker 1: I'm the happy are we doing? I understand? Missus. Scott

690
00:40:49,360 --> 00:40:54,560
Speaker 1: is that Scotty He's sitting in his truck so he

691
00:40:54,600 --> 00:40:59,399
Speaker 1: doesn't have home, right, No, No, he's not. He has

692
00:40:59,440 --> 00:41:03,240
Speaker 1: to wait until we figure it out. People are writing

693
00:41:03,280 --> 00:41:05,080
Speaker 1: witness statements right now, because that's what we got to

694
00:41:05,120 --> 00:41:07,399
Speaker 1: do in this situation. People have to say what they

695
00:41:07,400 --> 00:41:13,960
Speaker 1: saw you ever a time, all right. I think, yeah,

696
00:41:14,040 --> 00:41:19,719
Speaker 1: she said he was fine. He's got an uber here,

697
00:41:26,040 --> 00:41:29,319
Speaker 1: all right. So that's that's enough for watching that. For

698
00:41:29,360 --> 00:41:32,040
Speaker 1: those of you heart take who are taking the audio

699
00:41:32,080 --> 00:41:34,520
Speaker 1: adventure with us, we're thinking about you guys as well.

700
00:41:35,000 --> 00:41:40,200
Speaker 1: But you see Benzino go through a range of emotions

701
00:41:40,239 --> 00:41:44,160
Speaker 1: at that time. For me, man, he's he's unstable, right,

702
00:41:44,200 --> 00:41:46,520
Speaker 1: You see him go from being angry to being sad.

703
00:41:46,600 --> 00:41:49,800
Speaker 1: And I know love places you in a very slippery slope.

704
00:41:50,360 --> 00:41:53,640
Speaker 1: You know, love doesn't offer you a lot of time

705
00:41:54,000 --> 00:41:57,440
Speaker 1: to deal with emotions in a way that you will

706
00:41:57,520 --> 00:42:00,880
Speaker 1: be proud of when you look back at it, especially

707
00:42:00,880 --> 00:42:04,719
Speaker 1: when you compound problems. Right, so you broke on you

708
00:42:04,760 --> 00:42:07,120
Speaker 1: in love, or you strung out on drugs and you

709
00:42:07,200 --> 00:42:10,520
Speaker 1: in love, or you homeless in you in love meaning

710
00:42:10,560 --> 00:42:13,319
Speaker 1: you need somewhere to stay, or you know, whatever the

711
00:42:13,360 --> 00:42:15,880
Speaker 1: case may be. If you go to compounding those things

712
00:42:15,880 --> 00:42:18,719
Speaker 1: and making those the reason why you are involved with

713
00:42:18,760 --> 00:42:22,120
Speaker 1: an individual or the reason why you are staying involved

714
00:42:22,120 --> 00:42:25,280
Speaker 1: with an individual, then that's a recipe for a disaster.

715
00:42:25,400 --> 00:42:28,720
Speaker 1: What I see when I look at Benzino is that

716
00:42:28,800 --> 00:42:33,440
Speaker 1: he just failed to evolve. Benzino is still moving around

717
00:42:33,480 --> 00:42:37,640
Speaker 1: like the sources popping. He's still moving around like he

718
00:42:37,719 --> 00:42:42,840
Speaker 1: got a multimillion dollar media platform going on. When you

719
00:42:42,960 --> 00:42:48,600
Speaker 1: no longer have that situation, So your circumstances changed for show,

720
00:42:49,440 --> 00:42:52,520
Speaker 1: but your mindset didn't change. And that's the thing about

721
00:42:52,560 --> 00:42:56,520
Speaker 1: being a human being. We hate change. What we don't

722
00:42:56,600 --> 00:43:00,400
Speaker 1: understand is is that change is inevitable because time is

723
00:43:00,400 --> 00:43:02,920
Speaker 1: going to continue to move, whether you sit there and

724
00:43:02,960 --> 00:43:06,360
Speaker 1: hope that it don't, whatever you do, time will continue

725
00:43:06,400 --> 00:43:10,839
Speaker 1: to move, which makes change inevitable. But sometimes when we

726
00:43:10,880 --> 00:43:14,440
Speaker 1: deal with some of the forefathers, right, some of the

727
00:43:14,480 --> 00:43:17,240
Speaker 1: people that was ahead in the race, back when it mattered,

728
00:43:17,280 --> 00:43:20,200
Speaker 1: back when we was just now covering ground, some of

729
00:43:20,239 --> 00:43:23,920
Speaker 1: those people have failed to evolve out of that circumstance,

730
00:43:24,040 --> 00:43:27,359
Speaker 1: out of that character, out of that situation that they

731
00:43:27,440 --> 00:43:30,200
Speaker 1: was in in the nineties. A lot of times, for me,

732
00:43:30,719 --> 00:43:35,239
Speaker 1: it's heartbreaking. See if you hip hop through a different lens,

733
00:43:35,280 --> 00:43:37,879
Speaker 1: so a lot of times I'm heartbroken when I show

734
00:43:38,000 --> 00:43:41,239
Speaker 1: up to a legendary rap group, and they got to

735
00:43:41,320 --> 00:43:45,200
Speaker 1: come out in the outfits from the eighties. I'm horrified

736
00:43:45,280 --> 00:43:48,600
Speaker 1: that we can't accept some of our legendary acts is

737
00:43:48,719 --> 00:43:52,319
Speaker 1: evolved as they are at this day and age, who

738
00:43:52,360 --> 00:43:55,600
Speaker 1: they are at this current stage, and still appreciate who

739
00:43:55,600 --> 00:43:58,520
Speaker 1: they were and what they meant in that time capsule,

740
00:43:58,600 --> 00:44:02,200
Speaker 1: what we called on and what we summons from my

741
00:44:02,400 --> 00:44:06,080
Speaker 1: legendary acts and all facet of our culture is you

742
00:44:06,160 --> 00:44:08,759
Speaker 1: gotta show up, mister t with all the ice, with

743
00:44:08,800 --> 00:44:12,040
Speaker 1: all the gold shit on flavor flavor, you bet not

744
00:44:12,160 --> 00:44:15,960
Speaker 1: take that clock off. But our good ones they knew

745
00:44:16,880 --> 00:44:20,960
Speaker 1: because it ain't but two things that can happen when

746
00:44:20,960 --> 00:44:23,759
Speaker 1: you consider the fact that change is inevitable, and it

747
00:44:23,800 --> 00:44:26,120
Speaker 1: ain't but two things that can happen, and one of

748
00:44:26,120 --> 00:44:28,279
Speaker 1: them are gonna be for showing. You gotta choose what

749
00:44:28,440 --> 00:44:31,040
Speaker 1: side of the streets you fall along. The only two

750
00:44:31,120 --> 00:44:34,520
Speaker 1: things that can happen is that people are gonna tell you, Yo,

751
00:44:34,600 --> 00:44:39,080
Speaker 1: I hate the new you. On the other side of that,

752
00:44:39,160 --> 00:44:42,000
Speaker 1: they're gonna tell you, man, you still act the same.

753
00:44:44,840 --> 00:44:47,480
Speaker 1: So as you're moving through life, there'll be a certain time.

754
00:44:47,520 --> 00:44:51,000
Speaker 1: Because you look at Bussino going through certain things, you like, yo, man,

755
00:44:52,239 --> 00:44:55,239
Speaker 1: what do you do when you don't got all you

756
00:44:55,280 --> 00:45:00,920
Speaker 1: can get from it? What do you do when you're

757
00:45:00,920 --> 00:45:03,560
Speaker 1: ben't told that line so many time they lie, don't

758
00:45:03,600 --> 00:45:08,880
Speaker 1: even work no more? What do you do? It's almost

759
00:45:08,960 --> 00:45:12,240
Speaker 1: better to know when to turn the water off. Didn't

760
00:45:12,360 --> 00:45:14,640
Speaker 1: get the water gone because a lot of these people

761
00:45:14,680 --> 00:45:17,279
Speaker 1: don't know how to get from up under what they

762
00:45:17,440 --> 00:45:20,160
Speaker 1: was at, and it makes it rough. Even if you

763
00:45:20,239 --> 00:45:23,480
Speaker 1: take the Benzino situation and you're like, yo, bro, you

764
00:45:23,520 --> 00:45:26,400
Speaker 1: gotta evolve. Ain't but two things that can happen, Bro.

765
00:45:26,640 --> 00:45:28,680
Speaker 1: I rather them tell me, yo, loon, I hate the

766
00:45:28,800 --> 00:45:31,319
Speaker 1: new you, then loon, you still act like the old Jew.

767
00:45:32,760 --> 00:45:36,240
Speaker 1: Because the new me means new opportunity, new ground, covered,

768
00:45:36,320 --> 00:45:39,279
Speaker 1: new things, new blessings. Knew this, knew that when I

769
00:45:39,320 --> 00:45:42,120
Speaker 1: continue to act like the person that I was, y'all

770
00:45:42,120 --> 00:45:44,040
Speaker 1: are never let me out of that box. And I

771
00:45:44,080 --> 00:45:47,160
Speaker 1: don't plan on living in a box. But what makes

772
00:45:47,160 --> 00:45:53,120
Speaker 1: it rough to evolve because don't take what I'm saying

773
00:45:53,920 --> 00:45:57,680
Speaker 1: and look at it and say, well, loon, niggas is dumb,

774
00:45:57,719 --> 00:46:00,520
Speaker 1: Because dudes ain't dumb. They know they gotta evolved the

775
00:46:00,600 --> 00:46:04,120
Speaker 1: problem is that when they evolve, soon as they hit

776
00:46:04,400 --> 00:46:08,120
Speaker 1: filler the rough pass, they pull back sit. The people

777
00:46:08,120 --> 00:46:11,240
Speaker 1: ain't liking that. Man, they got to just tell me they't.

778
00:46:11,360 --> 00:46:13,560
Speaker 1: I got to keep going with it. I gotta build

779
00:46:13,600 --> 00:46:15,680
Speaker 1: on it. You see what I'm saying. But what they

780
00:46:15,719 --> 00:46:19,040
Speaker 1: do is they success. It's a test to they pass.

781
00:46:21,120 --> 00:46:23,759
Speaker 1: So every time they see somebody, they want to talk

782
00:46:23,800 --> 00:46:27,239
Speaker 1: about the pass. You ever seen an old nigga, see

783
00:46:27,280 --> 00:46:29,640
Speaker 1: the real famous people do their best coming through the

784
00:46:29,680 --> 00:46:34,920
Speaker 1: airport as to be unknown. You know, ain't no jury

785
00:46:35,000 --> 00:46:38,160
Speaker 1: right on the mega famous ain't know it's glasses and

786
00:46:38,280 --> 00:46:40,600
Speaker 1: hood is in trying to come through the airport and

787
00:46:40,719 --> 00:46:43,919
Speaker 1: stealth mold because I'm already in a position to where

788
00:46:43,960 --> 00:46:47,319
Speaker 1: my identity has been compromised. They know who I am.

789
00:46:48,840 --> 00:46:51,560
Speaker 1: They want pictures with me, they want to do things

790
00:46:51,600 --> 00:46:53,600
Speaker 1: when I'm trying to get to the plane. It ain't

791
00:46:53,640 --> 00:46:55,960
Speaker 1: that I'm an asshole. Is that I got ten minutes

792
00:46:56,000 --> 00:47:01,960
Speaker 1: before they start boarding. But sometimes you deal with that

793
00:47:02,040 --> 00:47:06,000
Speaker 1: old football player that played linebacker third string for the

794
00:47:06,200 --> 00:47:09,879
Speaker 1: NFL Super Bowl, still is in the nineties, and he'll

795
00:47:09,960 --> 00:47:13,239
Speaker 1: wear his ring got somewhere and be talking with it up.

796
00:47:13,560 --> 00:47:18,239
Speaker 1: He wants somebody to know that it's pass. Yeah, that's

797
00:47:18,280 --> 00:47:20,680
Speaker 1: my pass. I'm dealing with my pass. I want you

798
00:47:20,719 --> 00:47:23,279
Speaker 1: to see the pass what it was back then. I

799
00:47:23,440 --> 00:47:29,560
Speaker 1: was the man back then. And it ain't from a

800
00:47:29,640 --> 00:47:32,160
Speaker 1: standpoint that you're proud of it, because when you're proud

801
00:47:32,200 --> 00:47:35,600
Speaker 1: of it, you can wear it and not show It's

802
00:47:35,640 --> 00:47:39,239
Speaker 1: a difference between weighing it and showing it, because you

803
00:47:39,320 --> 00:47:42,640
Speaker 1: can wear it and make it visible without showing it.

804
00:47:44,360 --> 00:47:47,640
Speaker 1: Showing it off and showing it to people allows me

805
00:47:48,200 --> 00:47:52,200
Speaker 1: an enter into your mind set, allows me to know

806
00:47:52,800 --> 00:47:56,920
Speaker 1: that you probably was one of the wars that rarely

807
00:47:57,000 --> 00:47:59,280
Speaker 1: got in the game. You was the kicker, the third

808
00:47:59,320 --> 00:48:05,360
Speaker 1: string kick. You gotta ring by default. But because of

809
00:48:05,400 --> 00:48:08,360
Speaker 1: the success of that, and because that is something worth

810
00:48:08,400 --> 00:48:12,960
Speaker 1: writing home about, there's a situation in which you can

811
00:48:13,080 --> 00:48:16,360
Speaker 1: fail to evolve from the person you was because you

812
00:48:16,400 --> 00:48:20,160
Speaker 1: don't trust the person you could be. You gotta be

813
00:48:20,160 --> 00:48:23,839
Speaker 1: careful who you take care of when you're rich, when

814
00:48:23,960 --> 00:48:26,040
Speaker 1: all the money in the world coming through, you gotta

815
00:48:26,320 --> 00:48:29,560
Speaker 1: pick wisely who you really really taking care of, because

816
00:48:29,600 --> 00:48:33,600
Speaker 1: if it all ever goes away, you're gonna have some

817
00:48:33,719 --> 00:48:38,279
Speaker 1: disappointed attest to the feelings. Because you're gonna have some

818
00:48:38,320 --> 00:48:40,680
Speaker 1: people in your mind and post it did some things

819
00:48:40,719 --> 00:48:44,360
Speaker 1: that they wasn't willing to do. You thought you paid

820
00:48:44,480 --> 00:48:47,560
Speaker 1: George for which you thought you paid in advance. You thought,

821
00:48:47,760 --> 00:48:49,600
Speaker 1: hey man, I'm gonna put you in the house, get

822
00:48:49,640 --> 00:48:51,759
Speaker 1: you a car and put you in get you a

823
00:48:51,800 --> 00:48:57,080
Speaker 1: bank account with some minute. Therefore, if something ever happened

824
00:48:57,080 --> 00:49:00,640
Speaker 1: to me, I know, I gotta save haven, and you'll

825
00:49:00,680 --> 00:49:04,239
Speaker 1: be disappointed in the results. You'll come back around that

826
00:49:04,360 --> 00:49:07,680
Speaker 1: corner saying, boy, show I know I'm safe around here. Boy,

827
00:49:07,719 --> 00:49:11,720
Speaker 1: they got all my money and them calls a going answer,

828
00:49:12,120 --> 00:49:14,640
Speaker 1: and it makes it rough to disarm your feelings. Business,

829
00:49:14,640 --> 00:49:16,520
Speaker 1: you know, got to know how to disarm his feelings.

830
00:49:16,560 --> 00:49:18,239
Speaker 1: I know when he was a million they feel like

831
00:49:18,280 --> 00:49:20,000
Speaker 1: he's done a lot of stuff for a lot of

832
00:49:20,040 --> 00:49:23,440
Speaker 1: people and didn't get that back. And that's how this

833
00:49:23,560 --> 00:49:27,000
Speaker 1: game is. You went in the trick bag. You wasn't

834
00:49:27,040 --> 00:49:31,200
Speaker 1: doing business. You was doing favors. And let's be clear

835
00:49:31,200 --> 00:49:35,080
Speaker 1: as a difference between doing business and doing favors. Some

836
00:49:35,280 --> 00:49:42,239
Speaker 1: favors turn out to be business, but I don't know,

837
00:49:42,360 --> 00:49:46,200
Speaker 1: business turn out to be favors, you know what I'm saying.

838
00:49:46,200 --> 00:49:48,920
Speaker 1: So you gotta know when somebody approaching you doing business

839
00:49:49,280 --> 00:49:53,160
Speaker 1: versus somebody doing your favor. And in my opinion, in

840
00:49:53,719 --> 00:49:56,680
Speaker 1: our culture, we have a limited understanding of what happens

841
00:49:56,719 --> 00:49:59,239
Speaker 1: on the backside of some of these businesses when they

842
00:49:59,320 --> 00:50:02,480
Speaker 1: do crag. All the people talk to ben Zino never

843
00:50:02,520 --> 00:50:04,919
Speaker 1: got a real side of how it happened, What did

844
00:50:04,960 --> 00:50:09,560
Speaker 1: you mismanage? What took place? But I hate to see

845
00:50:09,640 --> 00:50:15,040
Speaker 1: him stuck to his history. History is important, but not

846
00:50:15,880 --> 00:50:19,200
Speaker 1: at the expense of the future, you know what I'm saying.

847
00:50:20,040 --> 00:50:22,040
Speaker 1: I see a lot of people running around putting a

848
00:50:22,040 --> 00:50:24,160
Speaker 1: lot of history in people and telling them people a

849
00:50:24,160 --> 00:50:26,680
Speaker 1: lot of history. And I get that, I understand, but

850
00:50:26,880 --> 00:50:31,160
Speaker 1: history ain't that important to where I'm I'm gonna study

851
00:50:31,320 --> 00:50:35,080
Speaker 1: history at the expense of the future. I gotta look forward.

852
00:50:35,800 --> 00:50:38,880
Speaker 1: We don't plan on going backwards. It's important to know

853
00:50:38,920 --> 00:50:41,160
Speaker 1: where we come from. And I get the game attached

854
00:50:41,200 --> 00:50:43,200
Speaker 1: to that because they were doing high level game. They

855
00:50:43,200 --> 00:50:46,160
Speaker 1: were putting game down back then. And when I say game,

856
00:50:46,280 --> 00:50:49,200
Speaker 1: let me help people understand what I mean. When I

857
00:50:49,280 --> 00:50:53,640
Speaker 1: say game, I just mean structure. I just mean people

858
00:50:53,760 --> 00:50:56,839
Speaker 1: going for something. They're trying to put something together. Just

859
00:50:57,360 --> 00:51:02,160
Speaker 1: that's game. So they were putting game down back then.

860
00:51:02,680 --> 00:51:06,920
Speaker 1: I just think that I can't put the put our

861
00:51:07,080 --> 00:51:09,479
Speaker 1: history in front of in front of our future. Now

862
00:51:09,760 --> 00:51:12,360
Speaker 1: there's a balance in which we got to study the history,

863
00:51:12,480 --> 00:51:16,960
Speaker 1: but prepare for the future right and be diligent and

864
00:51:17,080 --> 00:51:20,800
Speaker 1: understanding what we're going as well as aware where we

865
00:51:20,920 --> 00:51:24,680
Speaker 1: come from. In my opinion, but seeing ben Zino not evolved, man,

866
00:51:24,719 --> 00:51:31,600
Speaker 1: it's just it's interesting speaking of Benzino. Um, let's talk

867
00:51:31,640 --> 00:51:35,360
Speaker 1: about Collay For those of you don know what collorad numbers.

868
00:51:35,360 --> 00:51:39,400
Speaker 1: I came in and she's only settling eleven k in

869
00:51:39,400 --> 00:51:46,759
Speaker 1: the first week. That is number one. Shocking to me

870
00:51:46,880 --> 00:51:50,279
Speaker 1: for a couple of different reasons. I'm not sure if

871
00:51:50,320 --> 00:51:52,880
Speaker 1: marketing worked on me, but I did think that the

872
00:51:52,960 --> 00:51:56,120
Speaker 1: Nicki Minaj feature would have did more than he did. Now.

873
00:51:56,360 --> 00:51:59,480
Speaker 1: Coloray album, in my opinion, is a good attempt at

874
00:51:59,520 --> 00:52:02,640
Speaker 1: what she does. I like it, and then the girls

875
00:52:02,680 --> 00:52:05,000
Speaker 1: I speak to like it. I'm not sure what didn't

876
00:52:05,000 --> 00:52:08,160
Speaker 1: connect or what happened, or what may have took place

877
00:52:08,200 --> 00:52:10,520
Speaker 1: to make it where it's eleven k on the road out.

878
00:52:10,520 --> 00:52:12,440
Speaker 1: It may have been the competition because it was a

879
00:52:12,440 --> 00:52:16,160
Speaker 1: lot going on with Cola rate draw and maybe she

880
00:52:16,200 --> 00:52:18,120
Speaker 1: should have rolled out a couple of more singles. I

881
00:52:18,160 --> 00:52:20,760
Speaker 1: know they wanted to come right after the Nicki Minaj single,

882
00:52:21,840 --> 00:52:27,120
Speaker 1: but something didn't resonate. You know that eleven K. It's

883
00:52:27,200 --> 00:52:30,000
Speaker 1: not good in regards to what we thought she would

884
00:52:30,000 --> 00:52:33,440
Speaker 1: have sold. Now. I do think that she may have

885
00:52:33,480 --> 00:52:35,760
Speaker 1: a couple records in that it's gonna do some slow

886
00:52:35,840 --> 00:52:38,319
Speaker 1: burns and may get another goal or platinum out of

887
00:52:38,320 --> 00:52:41,719
Speaker 1: one of those. She's gonna have to work those records.

888
00:52:42,360 --> 00:52:44,880
Speaker 1: I think it could be discouraging. I think that you

889
00:52:44,920 --> 00:52:47,200
Speaker 1: can be down on yourself when you when you are

890
00:52:47,280 --> 00:52:49,759
Speaker 1: expecting to do so much and then he come in

891
00:52:49,920 --> 00:52:57,560
Speaker 1: low like that. That's why expectations are important to harness, right,

892
00:52:57,560 --> 00:53:01,120
Speaker 1: That's why you got to do business sometime. Now, dream big,

893
00:53:02,040 --> 00:53:04,680
Speaker 1: but when you really, when you really time, when we're

894
00:53:04,680 --> 00:53:06,719
Speaker 1: really doing business, we gotta be like, all right, what

895
00:53:06,800 --> 00:53:09,520
Speaker 1: are we looking at? Who are we affecting? What are

896
00:53:09,520 --> 00:53:14,400
Speaker 1: the numbers? You gotta drill it down, and somehow you

897
00:53:14,480 --> 00:53:17,759
Speaker 1: gotta still dream even when you get them kind of

898
00:53:17,840 --> 00:53:22,719
Speaker 1: numbers back. Somehow you still gotta find the wits and

899
00:53:22,800 --> 00:53:24,840
Speaker 1: the wear of thought to say I am who I

900
00:53:24,920 --> 00:53:27,279
Speaker 1: am when you get them kind of numbers back. I

901
00:53:27,360 --> 00:53:30,359
Speaker 1: was always saying that Lane was doing a podcast when

902
00:53:30,400 --> 00:53:33,480
Speaker 1: I first kicked off with two, three, four, five hundred people,

903
00:53:36,920 --> 00:53:39,000
Speaker 1: but I was still doing it like it was six

904
00:53:39,120 --> 00:53:43,439
Speaker 1: million listening. Number one, I enjoyed doing it. But number two,

905
00:53:43,480 --> 00:53:46,760
Speaker 1: I know I gotta position uphill I got. I'm fighting

906
00:53:46,800 --> 00:53:50,160
Speaker 1: for something. I'm going out to something right, so I'm

907
00:53:50,239 --> 00:53:52,839
Speaker 1: diligent with it, and I gotta shine even when it's

908
00:53:52,840 --> 00:53:57,280
Speaker 1: in the dog. I gotta do it when ain't nobody looking,

909
00:53:57,320 --> 00:54:00,000
Speaker 1: I gotta do the work there won't nobody never see.

910
00:54:00,160 --> 00:54:02,960
Speaker 1: But I always found the silver lining in and said, Louone,

911
00:54:03,000 --> 00:54:07,160
Speaker 1: you're working on your catalog, loon shi catalog, but you

912
00:54:07,239 --> 00:54:09,719
Speaker 1: gotta find something and get yourself a reading. I had

913
00:54:09,719 --> 00:54:11,880
Speaker 1: to tell me. I said, Louon, you're working on your catalog.

914
00:54:11,960 --> 00:54:14,520
Speaker 1: You just about your catalog. Now, boy, when they go back,

915
00:54:14,520 --> 00:54:17,200
Speaker 1: they're gonna say he'd been boy, you should catalog. Now boy,

916
00:54:17,200 --> 00:54:19,919
Speaker 1: they're gonna go back, you know, And that's what keeps

917
00:54:20,000 --> 00:54:22,320
Speaker 1: me like now, keep putting the game down, keep putting

918
00:54:22,360 --> 00:54:25,360
Speaker 1: the game down, keep putting it down. High level, high level,

919
00:54:25,640 --> 00:54:28,680
Speaker 1: chase it, go at it pat at a high level. Nigga,

920
00:54:28,760 --> 00:54:32,360
Speaker 1: know what you're talking about, you know, but you know

921
00:54:32,440 --> 00:54:34,440
Speaker 1: I do think that again, she'll have a couple of

922
00:54:34,480 --> 00:54:38,200
Speaker 1: records that probably be slow burns. I do think that

923
00:54:38,400 --> 00:54:41,480
Speaker 1: coming out and selling at eleven k first week hurts

924
00:54:41,560 --> 00:54:45,880
Speaker 1: yall bogging in price. Right, it's a lot of labels

925
00:54:46,120 --> 00:54:49,000
Speaker 1: and if she did fight to get that album out

926
00:54:49,000 --> 00:54:51,040
Speaker 1: when they was in that build and saying no, it's

927
00:54:51,040 --> 00:54:55,120
Speaker 1: not ready, now she has to deal with them being

928
00:54:55,400 --> 00:55:00,319
Speaker 1: very very uninterested in her approach on her knicks temp.

929
00:55:01,200 --> 00:55:04,040
Speaker 1: You know, when you fight for something like that, you

930
00:55:04,239 --> 00:55:06,680
Speaker 1: gotta probably do more interviews. You might want to go

931
00:55:06,719 --> 00:55:10,640
Speaker 1: to every platform calling right, because now it's all on

932
00:55:10,719 --> 00:55:13,360
Speaker 1: the line. You don't put yourself on front street like

933
00:55:13,440 --> 00:55:15,960
Speaker 1: then people probably was saying, and I don't notice to

934
00:55:16,000 --> 00:55:19,640
Speaker 1: be the case. I'm just examining business at this point.

935
00:55:20,600 --> 00:55:22,440
Speaker 1: But a lot of times the labels will be like,

936
00:55:22,520 --> 00:55:25,080
Speaker 1: now you're not ready, let's single amount a little more

937
00:55:25,120 --> 00:55:28,520
Speaker 1: because you're more effective singles like and you want to

938
00:55:28,520 --> 00:55:30,360
Speaker 1: put out a body of work and you fight for

939
00:55:30,480 --> 00:55:32,799
Speaker 1: it and then it comes out and does that now

940
00:55:33,600 --> 00:55:36,120
Speaker 1: from a labeled perspective, now that says, all right, we

941
00:55:36,239 --> 00:55:40,600
Speaker 1: put more products out there, which does mean more streams, right,

942
00:55:40,719 --> 00:55:43,600
Speaker 1: because it's just like a pot like if you keep

943
00:55:43,840 --> 00:55:46,600
Speaker 1: like when you got song, if you keep just adding

944
00:55:46,680 --> 00:55:49,040
Speaker 1: more and more dirt to a pot high mound up.

945
00:55:49,080 --> 00:55:51,800
Speaker 1: And if one person listening to one of these songs

946
00:55:51,840 --> 00:55:53,920
Speaker 1: at all times, we make a lot of money. So

947
00:55:53,960 --> 00:55:56,720
Speaker 1: I get it from that standpoint. But what they're saying

948
00:55:56,920 --> 00:55:59,919
Speaker 1: is from a show standpoint, you now have to lord

949
00:56:00,040 --> 00:56:05,239
Speaker 1: that number. Probably dirt just tweeted the other week there

950
00:56:05,320 --> 00:56:08,520
Speaker 1: Yo cored needs her two hundy kre show. It's like,

951
00:56:08,600 --> 00:56:11,719
Speaker 1: all right, so now with those numbers come back in,

952
00:56:11,920 --> 00:56:14,759
Speaker 1: that number goes down extremely, not that she was at

953
00:56:14,800 --> 00:56:18,080
Speaker 1: two hundred, but wherever she was at that number goes down.

954
00:56:18,200 --> 00:56:21,080
Speaker 1: You had momentum coming off the Nikki feature, could have

955
00:56:21,160 --> 00:56:24,320
Speaker 1: had your number, your booking price number at a certain point.

956
00:56:24,560 --> 00:56:27,160
Speaker 1: Now you still have the Nikki feature, but it's a

957
00:56:27,160 --> 00:56:29,920
Speaker 1: different perspective on it now because then you have something

958
00:56:29,920 --> 00:56:31,799
Speaker 1: that came out that didn't do as well as we

959
00:56:31,880 --> 00:56:34,600
Speaker 1: thought it to do, which may speak to your reaching

960
00:56:34,640 --> 00:56:37,120
Speaker 1: its market. And that's what people on the other side,

961
00:56:37,239 --> 00:56:40,279
Speaker 1: the people that's paying, they're gonna argue that fact in

962
00:56:40,360 --> 00:56:45,000
Speaker 1: that negotiation. If you had just left that Nikki song

963
00:56:45,040 --> 00:56:47,480
Speaker 1: and it was charting and doing good, and you rolled

964
00:56:47,480 --> 00:56:50,200
Speaker 1: that out for a minute, they'd probably be like, Yo, man,

965
00:56:50,239 --> 00:56:53,520
Speaker 1: she getting close to get that two hundred, you know,

966
00:56:53,960 --> 00:56:56,760
Speaker 1: but I think she'll have another chance that I'll speak

967
00:56:56,760 --> 00:57:00,720
Speaker 1: to Core soon, have a conversation, and we should probably

968
00:57:00,719 --> 00:57:02,719
Speaker 1: put some game down and kind of dig into how

969
00:57:02,760 --> 00:57:04,920
Speaker 1: she feels, what she thinks of the next steps are,

970
00:57:05,480 --> 00:57:07,640
Speaker 1: you know, things like that. You know, we like to

971
00:57:07,640 --> 00:57:11,759
Speaker 1: see people coming up and trying to chase after it.

972
00:57:11,840 --> 00:57:13,480
Speaker 1: We know what that's like. And we got a lot

973
00:57:13,560 --> 00:57:16,000
Speaker 1: of a lot of a lot of respect for what

974
00:57:16,120 --> 00:57:19,440
Speaker 1: it takes and what it takes from you to be

975
00:57:19,520 --> 00:57:22,720
Speaker 1: able to do a meaning not only what the directions

976
00:57:22,760 --> 00:57:25,880
Speaker 1: they need to be done, but the drainage that's on

977
00:57:26,000 --> 00:57:29,200
Speaker 1: top of that, because what people don't know about this

978
00:57:29,240 --> 00:57:32,320
Speaker 1: game is it drains you. My Earn Your Leisure Interview,

979
00:57:32,400 --> 00:57:35,080
Speaker 1: and I'm gonna bring them back again, My Earn your

980
00:57:35,160 --> 00:57:38,000
Speaker 1: Leisure Interview. I had just flew from LA to New York.

981
00:57:39,240 --> 00:57:42,320
Speaker 1: I was in two cities in one day doing interviews.

982
00:57:42,440 --> 00:57:44,560
Speaker 1: Then I get to the Earn Your Leisure Interview. I'm

983
00:57:44,600 --> 00:57:47,040
Speaker 1: in New York driving Kin't Fan Park and I gotta

984
00:57:47,080 --> 00:57:50,000
Speaker 1: pay some girl just to part like, so I get

985
00:57:50,080 --> 00:57:52,600
Speaker 1: up there, boom, We instantly got a role. I really

986
00:57:52,640 --> 00:57:56,479
Speaker 1: needed time. But this game sometimes you don't got time.

987
00:57:56,600 --> 00:57:59,200
Speaker 1: Go let's get it. But I really needed time to

988
00:57:59,280 --> 00:58:02,200
Speaker 1: gather my thoughts. I just come firing, you know what

989
00:58:02,200 --> 00:58:04,440
Speaker 1: I'm saying. And so again you gotta be willing to

990
00:58:04,920 --> 00:58:07,600
Speaker 1: adjust on the flying this game. Let me talk about

991
00:58:07,640 --> 00:58:11,920
Speaker 1: this really quick and then we'll move on. It's crazy

992
00:58:11,960 --> 00:58:15,440
Speaker 1: how the music business work, Like if you pay attention

993
00:58:15,480 --> 00:58:19,760
Speaker 1: to how the waves move into music business. I bet

994
00:58:19,800 --> 00:58:23,080
Speaker 1: if somebody did a graph and show, like, you know,

995
00:58:23,200 --> 00:58:26,680
Speaker 1: sales and songs and how that thing works, and of

996
00:58:26,680 --> 00:58:29,760
Speaker 1: course they would have to categorize and sub categorize it

997
00:58:29,840 --> 00:58:31,800
Speaker 1: so it can be that specific. Because I would like

998
00:58:31,880 --> 00:58:35,000
Speaker 1: to see what happens when Dirk is at all time

999
00:58:35,080 --> 00:58:37,600
Speaker 1: had with the no interviews, with the head tap or

1000
00:58:37,600 --> 00:58:40,200
Speaker 1: whatever that song g is with the what happened to

1001
00:58:40,320 --> 00:58:43,360
Speaker 1: Virgil and he's floating hind then little baby dropped in

1002
00:58:43,400 --> 00:58:47,760
Speaker 1: a minute and right on like what happens there? I'm

1003
00:58:47,760 --> 00:58:52,560
Speaker 1: sure there's no competition them dudes, it's brothers. But to

1004
00:58:52,720 --> 00:58:55,439
Speaker 1: what happened to Virgil? A lot of people sub then

1005
00:58:55,600 --> 00:58:58,080
Speaker 1: in a minute for that, you know what I'm saying. Now,

1006
00:58:58,120 --> 00:58:59,880
Speaker 1: both of them a fire, and if you got enough

1007
00:58:59,880 --> 00:59:01,560
Speaker 1: to time, you run both of them. But if you

1008
00:59:01,640 --> 00:59:06,600
Speaker 1: got one minute or just that for one song. You know,

1009
00:59:06,800 --> 00:59:09,880
Speaker 1: it's just funny to see how songs and music and

1010
00:59:10,000 --> 00:59:12,640
Speaker 1: some of your favorite artists creep into each other lane

1011
00:59:12,680 --> 00:59:14,800
Speaker 1: with some of these records. He's just interesting to watch

1012
00:59:14,840 --> 00:59:17,440
Speaker 1: the market. I like to see everything move around. I

1013
00:59:17,560 --> 00:59:21,720
Speaker 1: like to watch shit like that, Like I see little

1014
00:59:21,760 --> 00:59:25,200
Speaker 1: Dirt just dropped to what happened to Virgil video? It's dope.

1015
00:59:25,200 --> 00:59:27,480
Speaker 1: Shout out gott and shout out Dirt, shout out baby

1016
00:59:27,520 --> 00:59:29,640
Speaker 1: two doing this thing. You know. The South is into

1017
00:59:29,680 --> 00:59:33,120
Speaker 1: the chat. And when I say into the chat, anytime

1018
00:59:33,160 --> 00:59:35,400
Speaker 1: I say somebody into the chat, they mean they just

1019
00:59:35,440 --> 00:59:39,120
Speaker 1: got a big bank roll. And that's this lingo come

1020
00:59:39,200 --> 00:59:41,920
Speaker 1: from this side, this come from its up there podcat right.

1021
00:59:42,200 --> 00:59:44,760
Speaker 1: So if you say, oh, man, Lud just into the chat,

1022
00:59:44,800 --> 00:59:50,720
Speaker 1: they just gave him fitty ms slime just into the chat.

1023
00:59:50,800 --> 00:59:53,400
Speaker 1: But they just could have checked for twenty ms for slime,

1024
00:59:55,160 --> 00:59:57,680
Speaker 1: you understand me. So that's what into the chat mean.

1025
00:59:57,800 --> 00:59:59,800
Speaker 1: I'm just putting you down, giving you the game or

1026
01:00:00,240 --> 01:00:02,440
Speaker 1: my lean go, just keeping you up more, you know

1027
01:00:02,440 --> 01:00:04,240
Speaker 1: what I mean? Just how the lean go go, So

1028
01:00:04,960 --> 01:00:07,200
Speaker 1: I think I think all of them little niggas gotta

1029
01:00:07,200 --> 01:00:10,360
Speaker 1: watch out for baby. It's funny because all the dope

1030
01:00:10,480 --> 01:00:13,360
Speaker 1: verses I help or babies, and it may be just me,

1031
01:00:13,760 --> 01:00:16,360
Speaker 1: But I can't never remember the songs. But i'd be

1032
01:00:16,440 --> 01:00:18,400
Speaker 1: knowing he going off. But when I go to the

1033
01:00:18,440 --> 01:00:21,120
Speaker 1: Apple Music, I'm like, what a song get out? Like

1034
01:00:21,280 --> 01:00:24,120
Speaker 1: i'd be. It's like I don't know something. I don't know.

1035
01:00:24,200 --> 01:00:27,520
Speaker 1: Maybe I'm not keeping up with titles. But I've seen

1036
01:00:27,600 --> 01:00:30,240
Speaker 1: little Dirt dropped to what happened to Virgil? I see

1037
01:00:30,320 --> 01:00:34,320
Speaker 1: him dropped the blocklist shout out the blocklist. Let's play

1038
01:00:34,320 --> 01:00:37,480
Speaker 1: a little bit of that and not the song. I

1039
01:00:37,520 --> 01:00:40,600
Speaker 1: just want to show y'all what the look alike looks like.

1040
01:00:41,600 --> 01:00:43,560
Speaker 1: So if you're looking at the screen right now, you

1041
01:00:43,640 --> 01:00:50,280
Speaker 1: see little Dirk and his look alike right. You know,

1042
01:00:50,360 --> 01:00:52,440
Speaker 1: I always say the young boys like to look like

1043
01:00:52,520 --> 01:00:56,960
Speaker 1: the robbers. You know, I think this is an interesting situation. Now,

1044
01:00:57,480 --> 01:01:01,000
Speaker 1: the look alike does look like dirt, especially down the

1045
01:01:01,080 --> 01:01:03,920
Speaker 1: same kind of outfit jumping out of a six figure car.

1046
01:01:04,080 --> 01:01:07,000
Speaker 1: Here Hill passes dirt. But if you're looking right here,

1047
01:01:07,040 --> 01:01:11,000
Speaker 1: you can see up close to the differences but I

1048
01:01:11,120 --> 01:01:14,439
Speaker 1: think he does look like dirt. People ask me, yo, lord,

1049
01:01:14,520 --> 01:01:16,200
Speaker 1: how do you feel about it? I hear Joe Budden

1050
01:01:16,320 --> 01:01:21,200
Speaker 1: say that he kind of doesn't feel that dirt. It's

1051
01:01:21,240 --> 01:01:24,280
Speaker 1: big enough to have a double I think that's relative,

1052
01:01:24,360 --> 01:01:28,120
Speaker 1: especially with social media to reach your that the creativity online.

1053
01:01:28,200 --> 01:01:31,360
Speaker 1: We got mascots and shit everywhere, like I know, you know,

1054
01:01:31,400 --> 01:01:34,360
Speaker 1: so now you know, I don't. I don't know that

1055
01:01:34,400 --> 01:01:36,400
Speaker 1: to be the case. I even hit him say that

1056
01:01:36,920 --> 01:01:39,760
Speaker 1: the Hollywood Walk of Fame standard that has changed to

1057
01:01:39,880 --> 01:01:42,520
Speaker 1: something I think because they see more of from people

1058
01:01:42,560 --> 01:01:46,280
Speaker 1: from our culture getting a placement on the Hollywood Walk

1059
01:01:46,320 --> 01:01:50,360
Speaker 1: of Fame. I think that we are evolving as a

1060
01:01:50,440 --> 01:01:54,160
Speaker 1: coach and starting to recognize the contributions of some of

1061
01:01:54,280 --> 01:01:56,680
Speaker 1: hip hop's greatest acts and some of the things that

1062
01:01:56,760 --> 01:01:58,800
Speaker 1: we do bring to the coach. I think that our

1063
01:01:58,840 --> 01:02:03,000
Speaker 1: effectiveness in the market has been second to none. I

1064
01:02:03,040 --> 01:02:06,640
Speaker 1: think when we talk about the driving force behind some

1065
01:02:06,680 --> 01:02:09,680
Speaker 1: of the biggest brands, the driving force behind some of

1066
01:02:09,680 --> 01:02:14,720
Speaker 1: the most luxurious brands, no matter how up the charting

1067
01:02:14,800 --> 01:02:18,480
Speaker 1: will to do the people that where those things are,

1068
01:02:18,520 --> 01:02:21,160
Speaker 1: the driving force behind a lot of those things still

1069
01:02:21,280 --> 01:02:24,920
Speaker 1: lie somewhere along the lines of hip hop or influence.

1070
01:02:25,000 --> 01:02:28,000
Speaker 1: Therefore buy hip hop. When we deal with some of

1071
01:02:28,040 --> 01:02:31,920
Speaker 1: the high level, like Louis Vaton can almost sell us anything.

1072
01:02:33,560 --> 01:02:36,959
Speaker 1: You know, we'll damn near by. You know, we'll buy

1073
01:02:37,000 --> 01:02:40,640
Speaker 1: air bull, AirPods, air buds or ear bud. We'll buy

1074
01:02:40,680 --> 01:02:45,160
Speaker 1: earbuds from Louis Vaton for fifteen hundred dollars and they

1075
01:02:45,680 --> 01:02:48,520
Speaker 1: sign the same as the two hundred dollars raid cons

1076
01:02:49,440 --> 01:02:51,520
Speaker 1: or they sign the same as the two hundred dollars

1077
01:02:51,560 --> 01:02:54,440
Speaker 1: air pods, but because of the LV casing on it,

1078
01:02:54,520 --> 01:02:58,040
Speaker 1: which is something that somebody can do custom in the neighborhood,

1079
01:02:58,120 --> 01:03:00,400
Speaker 1: but it doesn't come from the real people, so it

1080
01:03:00,440 --> 01:03:02,920
Speaker 1: doesn't mean the same thing too us. I think we

1081
01:03:03,000 --> 01:03:07,880
Speaker 1: have an obsession with playing keep up with people that's

1082
01:03:08,000 --> 01:03:12,800
Speaker 1: uninterested in us. You ever try to show up on

1083
01:03:12,800 --> 01:03:15,520
Speaker 1: the park and you got on everything you need to

1084
01:03:15,560 --> 01:03:18,600
Speaker 1: have on to play basketball, but they just won't pick you.

1085
01:03:18,600 --> 01:03:20,840
Speaker 1: You need to find a different park. You need to

1086
01:03:20,880 --> 01:03:24,320
Speaker 1: create a gem. Look like look at see I pay

1087
01:03:24,360 --> 01:03:26,720
Speaker 1: attention to the detail it took you to try to

1088
01:03:26,800 --> 01:03:29,840
Speaker 1: cater your message to the people that was uninterested. I

1089
01:03:29,880 --> 01:03:32,920
Speaker 1: think if you spent more time catering that message to

1090
01:03:32,960 --> 01:03:35,080
Speaker 1: the people that come from where you come from. I

1091
01:03:35,120 --> 01:03:37,920
Speaker 1: think that's more effective. That's just loan, loan. Try to

1092
01:03:37,960 --> 01:03:39,760
Speaker 1: talk to the people that want to be talked to.

1093
01:03:39,880 --> 01:03:42,280
Speaker 1: I'm uninterested in the ones that think they will to

1094
01:03:42,400 --> 01:03:49,200
Speaker 1: do the BOURGEOISI right, I come from the street. You

1095
01:03:49,280 --> 01:03:53,120
Speaker 1: just think you got more money than me. That's just

1096
01:03:53,200 --> 01:03:55,720
Speaker 1: a fit, that's just your imagination because they got you

1097
01:03:55,800 --> 01:03:58,000
Speaker 1: in the building every day. You think you got more

1098
01:03:58,000 --> 01:04:01,080
Speaker 1: money than me, that's your listen. I'm then listen. I

1099
01:04:01,200 --> 01:04:04,120
Speaker 1: come in the game living a certain way, and I

1100
01:04:04,160 --> 01:04:06,440
Speaker 1: don't say that the brag. I say that to claim

1101
01:04:06,440 --> 01:04:09,320
Speaker 1: my independence. Y'all didn't say nothing when America did it,

1102
01:04:10,400 --> 01:04:13,960
Speaker 1: when they when they stood up and say, Yo, we come, Nigga,

1103
01:04:14,000 --> 01:04:16,480
Speaker 1: we come. I'm claiming my end. I come into game

1104
01:04:16,640 --> 01:04:21,360
Speaker 1: like this hill and let me calm down. Let me

1105
01:04:21,440 --> 01:04:28,720
Speaker 1: not get a little too excited or passionate about my position,

1106
01:04:29,000 --> 01:04:34,240
Speaker 1: because sometimes it evokes a certain devotion that I I

1107
01:04:34,280 --> 01:04:39,560
Speaker 1: can only fulfill when I get that, when I get

1108
01:04:39,600 --> 01:04:43,000
Speaker 1: that type of feeling. But I think little Dirt with

1109
01:04:43,120 --> 01:04:46,200
Speaker 1: the double I think Dirt was in a situation. That's

1110
01:04:46,200 --> 01:04:50,000
Speaker 1: why I say, y'all think Dirk dumb, either he thinking

1111
01:04:50,120 --> 01:04:53,280
Speaker 1: or somebody over the thinking, because in my opinion, Dirk

1112
01:04:53,360 --> 01:04:56,360
Speaker 1: Winning got that double before NBA young boy, one of

1113
01:04:56,360 --> 01:04:59,080
Speaker 1: the op niggas canna use that double because had he

1114
01:04:59,240 --> 01:05:01,920
Speaker 1: not aligned y'all keep telling y'all, Waine had to learn

1115
01:05:02,000 --> 01:05:05,760
Speaker 1: this from Thug. Waine tried to kick back, Thug, get

1116
01:05:05,760 --> 01:05:08,880
Speaker 1: out of here, Thud, Thug, nigga. I'm this what it is,

1117
01:05:09,080 --> 01:05:12,400
Speaker 1: and damn it was more effective at that time, not

1118
01:05:12,600 --> 01:05:16,440
Speaker 1: more influential, just effective in the market at that particular time.

1119
01:05:16,600 --> 01:05:20,560
Speaker 1: Thug was effective. So you gotta deal with that. And

1120
01:05:20,680 --> 01:05:23,600
Speaker 1: at that moment, if you were paying attention in hip hop,

1121
01:05:24,000 --> 01:05:25,880
Speaker 1: a light should have clicked off and you should have

1122
01:05:25,920 --> 01:05:30,520
Speaker 1: told yourself, Oh, the trick is to embrace that. The

1123
01:05:30,600 --> 01:05:32,760
Speaker 1: trick ain't to try to bury it and run from

1124
01:05:32,800 --> 01:05:36,880
Speaker 1: that because it's inevitable. With the Internet, discovery is of

1125
01:05:37,000 --> 01:05:42,040
Speaker 1: the assets. When you're dealing with the Internet, interesting things

1126
01:05:42,160 --> 01:05:46,320
Speaker 1: will be discovered online. You remember back in the day

1127
01:05:46,480 --> 01:05:51,800
Speaker 1: when they say the revolution will not be televised, that's

1128
01:05:51,840 --> 01:05:54,960
Speaker 1: one of them quotes. Interesting things will be found online.

1129
01:05:55,000 --> 01:05:58,680
Speaker 1: So what happens? Ire? I think Dirt was thinking from

1130
01:05:58,760 --> 01:06:00,560
Speaker 1: that standpoint, like, all right, let me, get him on

1131
01:06:00,600 --> 01:06:02,760
Speaker 1: my squaw, put him in a real video. So now

1132
01:06:02,840 --> 01:06:06,040
Speaker 1: his alliances with me. When NBA young boy called, he

1133
01:06:06,040 --> 01:06:08,640
Speaker 1: probably ain't gonna do that. Now knowing these young niggas,

1134
01:06:08,640 --> 01:06:12,040
Speaker 1: they're still dual. When young boy called, you don't embraced him,

1135
01:06:12,080 --> 01:06:14,439
Speaker 1: put money in this pocket? Did that and he'll steal

1136
01:06:14,560 --> 01:06:17,880
Speaker 1: duor some mom. Not all of them, but some of

1137
01:06:17,920 --> 01:06:24,840
Speaker 1: these young niggas they still a door because they cloud Chasey. Yeah,

1138
01:06:24,840 --> 01:06:27,960
Speaker 1: it's Paulick clouded where they at. So they're looking for clouds,

1139
01:06:28,000 --> 01:06:31,200
Speaker 1: so they're gonna do whatever they need to get where

1140
01:06:31,200 --> 01:06:35,800
Speaker 1: it's clouded. So nigga, that's why. But but I see

1141
01:06:35,840 --> 01:06:38,560
Speaker 1: he thinking, I see paying attention. He's trying to eye

1142
01:06:38,920 --> 01:06:41,520
Speaker 1: and that's just my opinion. And if he wasn't thinking

1143
01:06:41,600 --> 01:06:43,919
Speaker 1: like that, I'm just ahead of the characa. I would

1144
01:06:43,920 --> 01:06:45,919
Speaker 1: have been thinking like that, Oh shit, that's a double

1145
01:06:46,000 --> 01:06:48,440
Speaker 1: nigga looked jet like me with the right liut fit on.

1146
01:06:48,920 --> 01:06:50,680
Speaker 1: They can't wait to put him in a video and

1147
01:06:50,760 --> 01:06:53,560
Speaker 1: stomp him out, or put him in a video and

1148
01:06:53,720 --> 01:06:57,760
Speaker 1: smack him around, drag him on the back of a

1149
01:06:57,840 --> 01:07:00,800
Speaker 1: truck or something. They can't wait to do something evil

1150
01:07:00,800 --> 01:07:03,760
Speaker 1: to him. So let me and not evil to him

1151
01:07:03,760 --> 01:07:06,080
Speaker 1: in the name of him being him, evil to him

1152
01:07:06,120 --> 01:07:08,720
Speaker 1: in the name of him being met in that visual.

1153
01:07:10,000 --> 01:07:12,000
Speaker 1: Let me get him off they off the table and

1154
01:07:12,000 --> 01:07:14,200
Speaker 1: put him on my team. But these is high level

1155
01:07:14,320 --> 01:07:17,600
Speaker 1: jujitsu mind games. If you're not paying attention, you will

1156
01:07:17,640 --> 01:07:20,040
Speaker 1: miss it. It's up there podcast to be there to

1157
01:07:20,120 --> 01:07:24,040
Speaker 1: catch it. Though, every single time, eyes wide open. They

1158
01:07:24,040 --> 01:07:29,320
Speaker 1: can't really getting unpassed. Man paying attention because they pay

1159
01:07:29,440 --> 01:07:32,360
Speaker 1: me to pay attention. We're gonna We're gonna speak about

1160
01:07:32,360 --> 01:07:35,320
Speaker 1: Eli Musk. I'm gonna take a break. We'll come back.

1161
01:07:35,320 --> 01:07:37,200
Speaker 1: We still got plenty of most show. We got the

1162
01:07:37,200 --> 01:07:39,800
Speaker 1: Subway shooter. We had a lot to talk about the day.

1163
01:07:39,840 --> 01:07:43,520
Speaker 1: I come to give my people quality. I couldn't give

1164
01:07:43,600 --> 01:07:46,720
Speaker 1: my people quality something they can hold on to, some

1165
01:07:46,840 --> 01:07:52,120
Speaker 1: tangible content. We're getting real tired and getting real weary

1166
01:07:52,680 --> 01:07:55,000
Speaker 1: of the approach to the game. At this point, it's

1167
01:07:55,000 --> 01:08:00,280
Speaker 1: starting to be more unattractive the further get it. In

1168
01:08:00,320 --> 01:08:02,720
Speaker 1: regards to the information what it takes to get some

1169
01:08:02,800 --> 01:08:05,320
Speaker 1: of these things done. I just see a lack of

1170
01:08:05,360 --> 01:08:07,360
Speaker 1: effort in a lot of things, and I come to

1171
01:08:07,480 --> 01:08:10,400
Speaker 1: change that. And not from a standpoint of an ass kicking.

1172
01:08:11,560 --> 01:08:16,680
Speaker 1: But just from a standpoint of example, man, we come

1173
01:08:16,760 --> 01:08:18,840
Speaker 1: to raise the bar and put the standard in a

1174
01:08:18,880 --> 01:08:22,679
Speaker 1: different place. Let's talk about Elon Musk. Elon Musk offers

1175
01:08:22,720 --> 01:08:26,320
Speaker 1: to buy Twitter for forty three billion dollars and take

1176
01:08:26,360 --> 01:08:30,400
Speaker 1: company private. Now people are saying, what is this about.

1177
01:08:31,320 --> 01:08:34,080
Speaker 1: I have a limited understanding, but I have a unique

1178
01:08:34,120 --> 01:08:39,639
Speaker 1: ability to explain my understanding. So I'll try to give

1179
01:08:39,760 --> 01:08:42,920
Speaker 1: to you what I got just in my limited reading

1180
01:08:43,000 --> 01:08:45,679
Speaker 1: of what I was looking into dealing with Elon Musk.

1181
01:08:45,720 --> 01:08:47,679
Speaker 1: For those of you are the way I watch Elon,

1182
01:08:48,080 --> 01:08:52,360
Speaker 1: I watch some of the greatest minds that this culture

1183
01:08:52,439 --> 01:08:56,200
Speaker 1: in game and world has to offer, not only in

1184
01:08:56,240 --> 01:08:59,480
Speaker 1: the United States but even abroad. I study the ancestors

1185
01:08:59,640 --> 01:09:02,080
Speaker 1: understand saying all these kind of things. Right, So when

1186
01:09:02,080 --> 01:09:06,200
Speaker 1: I look at Elon or Kanye, I understand them from

1187
01:09:06,200 --> 01:09:08,760
Speaker 1: a standpoint of I knew who they was when they

1188
01:09:08,760 --> 01:09:13,240
Speaker 1: first started out. Not nor them personally, but nor them creatively.

1189
01:09:13,960 --> 01:09:17,320
Speaker 1: So you can know someone creatively. You can be very

1190
01:09:17,400 --> 01:09:19,960
Speaker 1: in tune with what someone was there, or at least

1191
01:09:19,960 --> 01:09:23,479
Speaker 1: what they was front facing and consumer facing, what they

1192
01:09:23,479 --> 01:09:26,880
Speaker 1: were showing consumers in a time when they were vulnerable

1193
01:09:26,920 --> 01:09:29,880
Speaker 1: before the money got a whole tum. Sometimes you get

1194
01:09:29,920 --> 01:09:33,479
Speaker 1: people's real perspective right before they get in a tunnel.

1195
01:09:36,400 --> 01:09:38,679
Speaker 1: Some almost like tim Z, you asked the right question

1196
01:09:38,760 --> 01:09:40,479
Speaker 1: right for they getting the ky, you might get a

1197
01:09:40,479 --> 01:09:43,479
Speaker 1: hell of answer, you know. But if they got time,

1198
01:09:43,520 --> 01:09:46,120
Speaker 1: they walking and they thinking they got time. But if

1199
01:09:46,160 --> 01:09:49,120
Speaker 1: you can catch them, sometimes you can get the truth

1200
01:09:49,160 --> 01:09:51,080
Speaker 1: out of them when they have limited time to make

1201
01:09:51,120 --> 01:09:53,479
Speaker 1: a lie. But this isn't a one step process. With

1202
01:09:53,560 --> 01:09:56,360
Speaker 1: Elon Munks. This started off with him first buying nine

1203
01:09:56,400 --> 01:10:00,920
Speaker 1: percent of Twitter. It's being said that he'd done that

1204
01:10:01,000 --> 01:10:07,439
Speaker 1: in a way that was not sneaky, not illegal, but unconventional. Right.

1205
01:10:10,200 --> 01:10:13,759
Speaker 1: It's like back in the day when it wasn't considered

1206
01:10:13,840 --> 01:10:17,639
Speaker 1: cheating from holding the ball in basketball, but because they

1207
01:10:17,640 --> 01:10:20,640
Speaker 1: didn't have a twenty four second clock or dude to

1208
01:10:20,720 --> 01:10:22,920
Speaker 1: score one time and they'll just hold the ball for

1209
01:10:22,960 --> 01:10:27,320
Speaker 1: the rest of the quarter, the score be eight to ten,

1210
01:10:28,360 --> 01:10:31,639
Speaker 1: four quarters been played because the strategy of the game

1211
01:10:32,720 --> 01:10:36,840
Speaker 1: was influenced by the rules or lack there. So he

1212
01:10:36,920 --> 01:10:41,479
Speaker 1: went and got Twitter in a position to get nine

1213
01:10:41,520 --> 01:10:45,240
Speaker 1: percent and become Twitter's large as stakeholder. What that comes

1214
01:10:45,280 --> 01:10:48,679
Speaker 1: with is control. Now it's not a hundred percent control,

1215
01:10:48,760 --> 01:10:52,000
Speaker 1: but when you become the largest stakeholder, you can literally

1216
01:10:52,120 --> 01:10:55,439
Speaker 1: stop decisions from being made because you got nine percent

1217
01:10:55,479 --> 01:10:59,160
Speaker 1: of the company and everybody else got a small amount

1218
01:10:59,240 --> 01:11:01,680
Speaker 1: in that. When you first look at Elon Must, you

1219
01:11:01,800 --> 01:11:04,920
Speaker 1: understand that he's a free thinker. He's a free mind

1220
01:11:05,000 --> 01:11:12,280
Speaker 1: in the cage position, right, although he's rich and famous

1221
01:11:12,600 --> 01:11:15,799
Speaker 1: and powerful. You even heard him speak on his latest

1222
01:11:15,800 --> 01:11:19,000
Speaker 1: TED talk about how he was placed in a position

1223
01:11:19,080 --> 01:11:22,439
Speaker 1: or where he had to save Tesla's life by saying

1224
01:11:22,520 --> 01:11:29,880
Speaker 1: something publicly that he didn't stand by privately. That will

1225
01:11:29,960 --> 01:11:33,840
Speaker 1: be a time where sacrifices have to be made to

1226
01:11:34,600 --> 01:11:39,599
Speaker 1: gain power. Now I don't know this to be true

1227
01:11:39,680 --> 01:11:42,400
Speaker 1: or not, but he spoke about the SCC and how

1228
01:11:42,439 --> 01:11:45,280
Speaker 1: he had to come out and say that Tesla he

1229
01:11:45,320 --> 01:11:48,280
Speaker 1: said something about Tesla had funding, and I think it

1230
01:11:48,400 --> 01:11:51,320
Speaker 1: was sort of illegal based on the current rules, and

1231
01:11:51,360 --> 01:11:53,439
Speaker 1: so he had to come out and say something or

1232
01:11:53,439 --> 01:11:59,000
Speaker 1: he would lose financial backing. And it wasn't what he said.

1233
01:11:59,040 --> 01:12:02,280
Speaker 1: He had to specifically say that he was lying. And

1234
01:12:02,320 --> 01:12:05,160
Speaker 1: so now he says, lets you know that the reason

1235
01:12:05,200 --> 01:12:07,320
Speaker 1: he did that is because they would have killed Tesla

1236
01:12:07,360 --> 01:12:10,439
Speaker 1: had that not been the case Tesla is his access

1237
01:12:10,479 --> 01:12:14,280
Speaker 1: to power, access to the next level. With that being said,

1238
01:12:14,360 --> 01:12:17,760
Speaker 1: he's still connected to voices of the culture, Dudes like

1239
01:12:17,920 --> 01:12:23,439
Speaker 1: Kanye West, people like Joe Rogan. Right, He's still next

1240
01:12:23,439 --> 01:12:29,439
Speaker 1: to those guys, Joe Rogan. I think he watches in

1241
01:12:29,479 --> 01:12:31,880
Speaker 1: a different way than he watches Kanye. Him being a

1242
01:12:32,040 --> 01:12:36,320
Speaker 1: study a person with high level game and thinking that

1243
01:12:36,400 --> 01:12:40,240
Speaker 1: he has. I know he studies these people from different perspectives,

1244
01:12:40,280 --> 01:12:48,920
Speaker 1: but Joe I think affected his understanding. If you ever

1245
01:12:49,000 --> 01:12:51,400
Speaker 1: listen to Elon talk, he has a lot of information

1246
01:12:51,439 --> 01:12:54,280
Speaker 1: about a lot of different things, especially the things that

1247
01:12:54,360 --> 01:13:00,559
Speaker 1: he's interested in, like free speech, Twitter, AI rockets, you know,

1248
01:13:01,400 --> 01:13:05,720
Speaker 1: Tesla the real one, you know, the history of electric

1249
01:13:05,760 --> 01:13:08,040
Speaker 1: cars and things like He's gonna really give you some

1250
01:13:08,120 --> 01:13:11,200
Speaker 1: game about that. And so with him being so close

1251
01:13:11,240 --> 01:13:16,120
Speaker 1: to Rogan and seeing them try to cancel Rogan, what

1252
01:13:16,160 --> 01:13:19,760
Speaker 1: they did to Kanye, how they try to ostracize Kanye,

1253
01:13:20,600 --> 01:13:24,880
Speaker 1: He's now moving to try to buy Twitter. Now people say, man,

1254
01:13:25,920 --> 01:13:30,559
Speaker 1: why is this a big deal? Number one, A lot

1255
01:13:30,560 --> 01:13:34,080
Speaker 1: of different things come in place right here. You don't

1256
01:13:34,120 --> 01:13:37,599
Speaker 1: buy Twitter like you do any other company to say, well,

1257
01:13:37,960 --> 01:13:40,880
Speaker 1: we are now players in the social media game. You

1258
01:13:41,040 --> 01:13:43,479
Speaker 1: become bigger than the government if you get to acquire

1259
01:13:43,560 --> 01:13:49,439
Speaker 1: Twitter at one hundred percent. Twitter has single handedly been

1260
01:13:49,720 --> 01:13:54,959
Speaker 1: instrumental in the last few elections. Twitter has single handedly

1261
01:13:55,040 --> 01:14:02,759
Speaker 1: been instrumental in the canceling and the springboarding of brands,

1262
01:14:02,920 --> 01:14:08,479
Speaker 1: people and things. Twitter and social media has an effect

1263
01:14:08,600 --> 01:14:12,240
Speaker 1: on things that we won't know within the next two

1264
01:14:12,320 --> 01:14:14,519
Speaker 1: or three years. It'll take five to ten years to

1265
01:14:14,560 --> 01:14:17,519
Speaker 1: really know the fix of this social media thing. So

1266
01:14:17,600 --> 01:14:20,320
Speaker 1: you don't acquire this like some old company. This is

1267
01:14:20,360 --> 01:14:24,200
Speaker 1: a big, big deal. You become a major player in

1268
01:14:24,240 --> 01:14:27,360
Speaker 1: the world game at that point. And see his buddy

1269
01:14:27,479 --> 01:14:31,080
Speaker 1: Joe Rogan at Jack Dorsey and see, I don't really

1270
01:14:31,080 --> 01:14:32,840
Speaker 1: talk about a lot of these things yet in the

1271
01:14:32,920 --> 01:14:36,320
Speaker 1: culture because I'm just dealing with the hip hop shit

1272
01:14:36,520 --> 01:14:39,960
Speaker 1: right now. But we gotta we got a large audience

1273
01:14:40,000 --> 01:14:42,040
Speaker 1: that we gotta tap into. We got a lot a

1274
01:14:42,040 --> 01:14:44,320
Speaker 1: lot of things that we know about, talk about, se

1275
01:14:45,280 --> 01:14:49,960
Speaker 1: and view with a different understanding. So Rogan end up

1276
01:14:50,000 --> 01:14:52,479
Speaker 1: having a Twitter CEOs on there, a couple of them,

1277
01:14:52,520 --> 01:14:56,000
Speaker 1: and you know they talked and talked about a couple

1278
01:14:56,040 --> 01:14:58,840
Speaker 1: of different things, and that it wasn't a clear understanding

1279
01:14:58,880 --> 01:15:01,439
Speaker 1: about what was took off, Why I was took off?

1280
01:15:01,840 --> 01:15:05,280
Speaker 1: What's accepted? Why it's accepted. You know, there's a great

1281
01:15:05,320 --> 01:15:08,439
Speaker 1: area there and when you had those conversations, it couldn't

1282
01:15:08,479 --> 01:15:12,160
Speaker 1: be more clear, right, But the thing gives you battling

1283
01:15:12,160 --> 01:15:15,559
Speaker 1: with robots, Like a lot of times I post something,

1284
01:15:15,640 --> 01:15:19,960
Speaker 1: it's down within seconds and flagged for something, and a

1285
01:15:20,040 --> 01:15:22,879
Speaker 1: lot of times that's wrong. I wonder how many accounts

1286
01:15:22,880 --> 01:15:25,960
Speaker 1: are being took off Instagram and Twitter and these different

1287
01:15:25,960 --> 01:15:28,719
Speaker 1: things in which the algorithm may not having a hundred

1288
01:15:28,760 --> 01:15:32,679
Speaker 1: percent wrong. But let's say you have six strikes before

1289
01:15:32,720 --> 01:15:35,799
Speaker 1: your accounts took and two or three of those strikes

1290
01:15:35,800 --> 01:15:40,000
Speaker 1: are a mistake, and you have no one, no avenue

1291
01:15:40,000 --> 01:15:41,519
Speaker 1: to be able to get that back, and then that

1292
01:15:41,560 --> 01:15:44,559
Speaker 1: affects your livelihood and alledge I just wonder how far

1293
01:15:44,680 --> 01:15:47,960
Speaker 1: that goes, because again, there's rules in place, but we

1294
01:15:48,120 --> 01:15:53,280
Speaker 1: not had we don't have any human beings examining those rules.

1295
01:15:53,360 --> 01:15:57,439
Speaker 1: Now we have people putting rules in position. Anything like

1296
01:15:57,560 --> 01:16:00,479
Speaker 1: this can't go, anything like that can't go. And a

1297
01:16:00,479 --> 01:16:04,760
Speaker 1: lot of the people want to know who makes that decision,

1298
01:16:05,120 --> 01:16:07,240
Speaker 1: and is it leaning towards the left for the right,

1299
01:16:07,280 --> 01:16:10,000
Speaker 1: And that's a political talk and the left or the right,

1300
01:16:10,080 --> 01:16:12,960
Speaker 1: the Republicans or the Democrats, is it leaning which way?

1301
01:16:13,000 --> 01:16:17,360
Speaker 1: And why? Um? And and and and who makes those decisions.

1302
01:16:17,360 --> 01:16:22,720
Speaker 1: Elon talked about him acquiring nine percent of Twitter, and

1303
01:16:22,760 --> 01:16:28,000
Speaker 1: then he spoke about him making that forty three billion

1304
01:16:28,040 --> 01:16:33,320
Speaker 1: dollar advanced at buying it case and then we'll come

1305
01:16:33,320 --> 01:16:37,280
Speaker 1: back with some game. Let's listen to that. Will it

1306
01:16:37,360 --> 01:16:39,200
Speaker 1: will be miserable, but you still want to do that? Well,

1307
01:16:39,240 --> 01:16:43,360
Speaker 1: I mean, I hope it's not too much. Well, but UM,

1308
01:16:45,000 --> 01:16:48,720
Speaker 1: I just think it's important to the funk like, UH,

1309
01:16:50,439 --> 01:16:54,040
Speaker 1: it's important to the fun function of democracy. UM, it's

1310
01:16:54,040 --> 01:16:58,360
Speaker 1: important to the function of uh the United States as

1311
01:16:58,439 --> 01:17:00,640
Speaker 1: as a free country on many other countries and to

1312
01:17:00,680 --> 01:17:04,519
Speaker 1: help actually to help freedom in the world more broadly

1313
01:17:04,520 --> 01:17:08,400
Speaker 1: than the US. UM. And So I think it's a

1314
01:17:09,920 --> 01:17:13,200
Speaker 1: it's a you know, I think there's there's the risk

1315
01:17:13,400 --> 01:17:18,880
Speaker 1: civilization or risk is decreased if Twitter the more we

1316
01:17:18,880 --> 01:17:22,520
Speaker 1: can increase the trust of Twitter as a public platform.

1317
01:17:23,040 --> 01:17:26,320
Speaker 1: And so I do think this will be somewhat painful,

1318
01:17:26,360 --> 01:17:28,000
Speaker 1: and I'm not sure that I will actually be able

1319
01:17:28,040 --> 01:17:31,360
Speaker 1: to acquire it. Um. And I should also say the

1320
01:17:31,600 --> 01:17:37,200
Speaker 1: intent is to retain as many shareholders as is allowed

1321
01:17:37,200 --> 01:17:39,040
Speaker 1: by the law in a private company, which I think

1322
01:17:39,120 --> 01:17:42,320
Speaker 1: is run two thousand or so. So we'll it's not

1323
01:17:42,400 --> 01:17:45,120
Speaker 1: like it's definitely not not from the standpoint of let

1324
01:17:45,120 --> 01:17:47,879
Speaker 1: me figure out how to monopolize or maximize my ownership

1325
01:17:47,880 --> 01:17:50,960
Speaker 1: of Twitter. But we'll try to bring along as many

1326
01:17:50,960 --> 01:17:53,760
Speaker 1: shoulders as we as we're allowed to. You don't necessarily

1327
01:17:53,760 --> 01:17:55,639
Speaker 1: want to pay out forty or whatever it is, billion

1328
01:17:55,680 --> 01:17:58,000
Speaker 1: dollars in cash. You'd you'd like them to come come

1329
01:17:58,040 --> 01:18:01,759
Speaker 1: with you. And then it's I mean, I could technically

1330
01:18:01,800 --> 01:18:07,120
Speaker 1: afford it, um, I have but but but it's but

1331
01:18:07,400 --> 01:18:09,720
Speaker 1: what I'm saying is this is this is this is

1332
01:18:09,760 --> 01:18:13,439
Speaker 1: a This is not a way to sort of make money,

1333
01:18:14,000 --> 01:18:16,479
Speaker 1: you know, I think this is. It's just that I

1334
01:18:16,479 --> 01:18:21,160
Speaker 1: think this is UM. This could my my strong intuitive

1335
01:18:21,200 --> 01:18:26,120
Speaker 1: sense is that having a public platform that is maximally

1336
01:18:26,160 --> 01:18:33,519
Speaker 1: trusted UM and any and broadly inclusive UM is extremely

1337
01:18:33,560 --> 01:18:37,799
Speaker 1: important to the future of civilization. But you've you've described yourself,

1338
01:18:37,800 --> 01:18:40,880
Speaker 1: I don't care about the economics at all. Okay, that's

1339
01:18:40,960 --> 01:18:43,880
Speaker 1: that's cool to hear you. This is not about the economics.

1340
01:18:43,920 --> 01:18:46,400
Speaker 1: It's for the moral good that you think it will

1341
01:18:46,400 --> 01:18:49,000
Speaker 1: shave you You've described yourself elon as a free speech

1342
01:18:49,040 --> 01:18:53,760
Speaker 1: absolute test. But does that mean that there's literally nothing

1343
01:18:53,840 --> 01:18:58,320
Speaker 1: that people can't say and it's okay? Well, I think,

1344
01:18:58,680 --> 01:19:03,280
Speaker 1: uh obviously, uh Twitter or any forum is bound by

1345
01:19:03,320 --> 01:19:06,719
Speaker 1: the laws of the country that it operates in. Um.

1346
01:19:06,920 --> 01:19:12,320
Speaker 1: So obviously there are some limitations on free speech in

1347
01:19:12,600 --> 01:19:16,280
Speaker 1: the US, and of course uh Twitter would have to

1348
01:19:16,320 --> 01:19:19,760
Speaker 1: abide by those uh rights. So so, so you can't

1349
01:19:19,800 --> 01:19:22,880
Speaker 1: incite people to violence like that. That that the like

1350
01:19:23,400 --> 01:19:26,200
Speaker 1: a direct incitement to violence. You know, you can't do

1351
01:19:26,240 --> 01:19:29,479
Speaker 1: the equivalent of crying fire in a in a movie theater,

1352
01:19:29,560 --> 01:19:32,639
Speaker 1: for example. No, that would be a crime, right, pretty

1353
01:19:32,760 --> 01:19:35,479
Speaker 1: should be a crime. But here's here's the challenge is

1354
01:19:35,760 --> 01:19:39,439
Speaker 1: that it's it's such a nuanced difference between different things.

1355
01:19:39,680 --> 01:19:43,800
Speaker 1: So there's there's insignment to violence. Yeah, that's a no

1356
01:19:43,960 --> 01:19:47,799
Speaker 1: if it's illegal. Um, there's hate speech, which some forms

1357
01:19:47,800 --> 01:19:51,240
Speaker 1: of hate speech are fine. You know, I hate spinach.

1358
01:19:51,760 --> 01:19:56,559
Speaker 1: Um if it's a sortet in a you know, cream

1359
01:19:56,600 --> 01:20:00,760
Speaker 1: source for me. Quite But so the problem is so

1360
01:20:00,760 --> 01:20:03,400
Speaker 1: so so let's say someone says, Okay, here's one tweet

1361
01:20:03,479 --> 01:20:06,759
Speaker 1: I hate politician X. Yeah, next tweet is I wish

1362
01:20:06,760 --> 01:20:10,559
Speaker 1: politian politician X wasn't alive, as we some of us

1363
01:20:10,600 --> 01:20:13,000
Speaker 1: have said about put in right now for example, so

1364
01:20:13,439 --> 01:20:17,640
Speaker 1: that's a legitimate speech. Another tweet is I wish politician

1365
01:20:17,840 --> 01:20:20,360
Speaker 1: X wasn't alive with a picture of their head with

1366
01:20:20,400 --> 01:20:25,120
Speaker 1: a gun sight over it. Well that plus their address.

1367
01:20:25,439 --> 01:20:28,960
Speaker 1: I mean, at some point someone has to make a

1368
01:20:29,040 --> 01:20:31,920
Speaker 1: decision as to which of those is not okay? Can

1369
01:20:32,000 --> 01:20:35,240
Speaker 1: an algorithm do that or surely you need human judgment

1370
01:20:35,240 --> 01:20:38,639
Speaker 1: at some point? No, I think the like I said,

1371
01:20:38,640 --> 01:20:45,320
Speaker 1: we're in my view, Twitter should um match the laws

1372
01:20:45,439 --> 01:20:49,400
Speaker 1: of the country of and and really you know that

1373
01:20:49,560 --> 01:20:55,160
Speaker 1: there's an obligation to do that, um uh. But going

1374
01:20:55,240 --> 01:20:59,240
Speaker 1: beyond that um and having it be unclear who's making

1375
01:20:59,360 --> 01:21:03,680
Speaker 1: what changes to who to where, having tweets sort of

1376
01:21:03,720 --> 01:21:07,760
Speaker 1: mysteriously be promoted and demoted with no insight into what's

1377
01:21:07,800 --> 01:21:11,679
Speaker 1: going on, having a black box algorithm promote some things

1378
01:21:11,720 --> 01:21:14,320
Speaker 1: and other not other things, I think this can be

1379
01:21:14,400 --> 01:21:17,840
Speaker 1: quite dangerous. So so so the idea of opening the

1380
01:21:17,920 --> 01:21:19,960
Speaker 1: algorithm is is a huge deal, and I think many

1381
01:21:20,000 --> 01:21:23,240
Speaker 1: people would would welcome that of understanding exactly how it's

1382
01:21:23,280 --> 01:21:27,439
Speaker 1: making the decision and critique it. And like I want

1383
01:21:27,160 --> 01:21:28,880
Speaker 1: to put it wondering it is like like I think,

1384
01:21:28,920 --> 01:21:31,559
Speaker 1: like the code should be on GitHub, you know, so

1385
01:21:31,720 --> 01:21:34,559
Speaker 1: then and so people can look through it and say,

1386
01:21:34,600 --> 01:21:36,960
Speaker 1: like I see a problem here, I don't, I don't

1387
01:21:36,960 --> 01:21:42,360
Speaker 1: agree with this. They can highlight issues, UM suggest changes

1388
01:21:42,439 --> 01:21:45,120
Speaker 1: and in the same way that you update Linux or

1389
01:21:45,160 --> 01:21:47,439
Speaker 1: signal or something like that. You know. But as I

1390
01:21:47,520 --> 01:21:52,040
Speaker 1: understand it, like at some point right now, what the

1391
01:21:52,040 --> 01:21:54,360
Speaker 1: algorithm would do is it would look at, for example,

1392
01:21:54,360 --> 01:21:58,719
Speaker 1: how many people have flagged a tweet as obnoxious um

1393
01:21:58,800 --> 01:22:01,760
Speaker 1: And then at some point a human has to look

1394
01:22:01,800 --> 01:22:04,679
Speaker 1: at it and make make a decision as to does

1395
01:22:04,760 --> 01:22:07,120
Speaker 1: this cross the line or not that that the algorithm

1396
01:22:07,120 --> 01:22:10,639
Speaker 1: itself can't I don't think yet. UM tell the difference

1397
01:22:10,680 --> 01:22:15,200
Speaker 1: between legal and okay and and and definitely obnoxious. Legal

1398
01:22:15,520 --> 01:22:21,639
Speaker 1: would definitely make that call things like that that right now,

1399
01:22:21,800 --> 01:22:25,640
Speaker 1: Twitter and Facebook about this. You know, they've hired thousands

1400
01:22:25,720 --> 01:22:28,800
Speaker 1: of people to try to help make wise decisions. And

1401
01:22:28,800 --> 01:22:30,360
Speaker 1: the trouble is that no one can agree on on

1402
01:22:30,360 --> 01:22:35,240
Speaker 1: what is wise. How do you solve that? Well, I

1403
01:22:35,439 --> 01:22:38,519
Speaker 1: I think we would want to err on this if

1404
01:22:38,640 --> 01:22:42,519
Speaker 1: in doubt, uh, let let let the speech that let

1405
01:22:42,520 --> 01:22:45,320
Speaker 1: it exist. It would have. You know, if it's a

1406
01:22:46,800 --> 01:22:50,519
Speaker 1: you know, a great area, I would say, let let

1407
01:22:50,520 --> 01:22:54,840
Speaker 1: the let the tweet exist. Um, but obviously you know

1408
01:22:54,960 --> 01:22:58,280
Speaker 1: in a case where there's perhaps a lot of controversy

1409
01:22:59,120 --> 01:23:01,439
Speaker 1: that you would not want to necessarily promote that to

1410
01:23:01,479 --> 01:23:05,880
Speaker 1: tweet if you know. So the I'm not I'm not

1411
01:23:05,920 --> 01:23:08,479
Speaker 1: saying this is that I have all the answers here. Um,

1412
01:23:08,920 --> 01:23:12,280
Speaker 1: but I do think that we want to be just

1413
01:23:12,439 --> 01:23:17,479
Speaker 1: very reluctant to delete things and have just just be

1414
01:23:17,600 --> 01:23:21,479
Speaker 1: very cautious with with with permanent bands. Uh, you know,

1415
01:23:22,080 --> 01:23:25,160
Speaker 1: timeouts I think are better or than than than per

1416
01:23:25,160 --> 01:23:31,000
Speaker 1: permanent bands. And uh, but just just in general, like

1417
01:23:31,040 --> 01:23:35,519
Speaker 1: I said, how how it won't be perfect, but I

1418
01:23:35,560 --> 01:23:39,919
Speaker 1: think we wanted to really have like so the possession

1419
01:23:40,040 --> 01:23:44,320
Speaker 1: and reality that speeches as free as reasonably possible. And

1420
01:23:44,479 --> 01:23:47,519
Speaker 1: a good sign as to whether there's free speech is

1421
01:23:48,280 --> 01:23:52,400
Speaker 1: uh is is someone you don't like allowed to say

1422
01:23:52,479 --> 01:23:56,160
Speaker 1: something you don't like? Right? Here's here's the challenge is

1423
01:23:56,760 --> 01:24:00,479
Speaker 1: that it's it's such a nuanced difference between different things.

1424
01:24:00,720 --> 01:24:04,840
Speaker 1: So there's do'sn't something to violence? Yeah, that's a no.

1425
01:24:04,960 --> 01:24:08,840
Speaker 1: If it's illegal. Um, there's hate speech, which some forms

1426
01:24:08,840 --> 01:24:12,200
Speaker 1: of hate speech are fine. You know, I hate spinach

1427
01:24:12,760 --> 01:24:17,559
Speaker 1: um if it's a sortet in a you know, cream

1428
01:24:17,600 --> 01:24:20,840
Speaker 1: source for me, quite nice in the US. And and

1429
01:24:20,920 --> 01:24:23,840
Speaker 1: of course that the moral good that you think it

1430
01:24:23,840 --> 01:24:26,400
Speaker 1: will shave you. You've described yourself get on as a

1431
01:24:26,520 --> 01:24:29,960
Speaker 1: thing that people can't say that the moral good that

1432
01:24:29,960 --> 01:24:33,000
Speaker 1: you think it will shave you. The risk civilization or

1433
01:24:33,080 --> 01:24:38,360
Speaker 1: risk is decreased if Twitter, the more we can increase

1434
01:24:38,400 --> 01:24:42,320
Speaker 1: the trust of Twitter as a public platform. And so

1435
01:24:43,400 --> 01:24:45,360
Speaker 1: I do think this will be somewhat painful, and I'm

1436
01:24:45,400 --> 01:24:48,240
Speaker 1: not sure that I will actually be able to acquire it.

1437
01:24:48,840 --> 01:24:52,760
Speaker 1: And a couple of different things. One, now that the

1438
01:24:52,880 --> 01:24:56,600
Speaker 1: word is out that Twitter is for sale, there's a

1439
01:24:56,600 --> 01:24:59,920
Speaker 1: lot of people always seized it is interested. I've seen

1440
01:25:00,120 --> 01:25:02,599
Speaker 1: some king from one of these spots come out and say, Yo,

1441
01:25:02,680 --> 01:25:07,200
Speaker 1: forty three billion, it's too low. We offer more. And

1442
01:25:07,240 --> 01:25:11,000
Speaker 1: that's not because they're dealing with some product that's gonna

1443
01:25:11,120 --> 01:25:14,120
Speaker 1: sail around the world. A lot of you guys know

1444
01:25:14,240 --> 01:25:17,120
Speaker 1: that you get on Twitter for free. You're on Twitter

1445
01:25:17,160 --> 01:25:21,040
Speaker 1: for free. It's about controlling the narrative. If you're on Twitter,

1446
01:25:21,080 --> 01:25:23,800
Speaker 1: you have the ability to control the narrative. Now you

1447
01:25:23,880 --> 01:25:27,080
Speaker 1: hear Elon speak again, it's all funny games while you

1448
01:25:27,160 --> 01:25:33,360
Speaker 1: are alive. To have so many different structured ideas, so

1449
01:25:33,400 --> 01:25:37,679
Speaker 1: many things in place, that's noble. Right. The thing is

1450
01:25:37,680 --> 01:25:41,479
Speaker 1: is when you pass right, we see what happens to Apple. Right.

1451
01:25:41,520 --> 01:25:45,360
Speaker 1: He has a plan for Apple in the event of

1452
01:25:45,400 --> 01:25:52,400
Speaker 1: his demise. But those different minds will slowly change the

1453
01:25:52,479 --> 01:25:55,400
Speaker 1: direction of Apple. Right. They said, if you set a

1454
01:25:55,479 --> 01:25:58,200
Speaker 1: watch the day you're born, and put one on your

1455
01:25:58,320 --> 01:26:02,439
Speaker 1: risking and one on your mom risks, and you guys

1456
01:26:02,520 --> 01:26:04,800
Speaker 1: go different ways. She lives in the south and you

1457
01:26:04,840 --> 01:26:08,160
Speaker 1: live up north, that even though you sit there watch

1458
01:26:09,040 --> 01:26:12,040
Speaker 1: at the exact time, that over time it'll have a

1459
01:26:12,080 --> 01:26:14,760
Speaker 1: different time on it. Not just the hour. Was dealing

1460
01:26:14,840 --> 01:26:18,200
Speaker 1: with the time zones, but I'm speaking about over time,

1461
01:26:18,280 --> 01:26:20,880
Speaker 1: just a little bit like they can they can tilt

1462
01:26:20,920 --> 01:26:23,920
Speaker 1: the ship just a tad bit, but because it's going

1463
01:26:24,080 --> 01:26:28,839
Speaker 1: seven thousand miles, that tad bit changed the trajectory over time.

1464
01:26:29,080 --> 01:26:31,800
Speaker 1: Another thing I see Elon speak about it, and I

1465
01:26:31,840 --> 01:26:36,519
Speaker 1: think is interesting to say the leasa is he speaks

1466
01:26:36,520 --> 01:26:40,240
Speaker 1: about opening the algorithm. Now, this is dangerous. When you

1467
01:26:40,360 --> 01:26:44,000
Speaker 1: open the algorithm, not only do you expose the biasess

1468
01:26:44,400 --> 01:26:47,760
Speaker 1: or lack thereof. You either expose that this is the

1469
01:26:47,760 --> 01:26:50,599
Speaker 1: best system we can get or that this system has

1470
01:26:50,640 --> 01:26:54,920
Speaker 1: been full of shit since we started. So something gets

1471
01:26:54,960 --> 01:26:58,479
Speaker 1: discovered once you open that algorithm. And when he speaks

1472
01:26:58,479 --> 01:27:01,240
Speaker 1: about opening the opening in the algorithm, I want to

1473
01:27:01,280 --> 01:27:05,000
Speaker 1: be clear on what that means. Everything you see has cold.

1474
01:27:05,680 --> 01:27:08,880
Speaker 1: They have a very very hard time, and I want

1475
01:27:08,880 --> 01:27:11,919
Speaker 1: to be clear on this too, because the expectations is everything.

1476
01:27:12,320 --> 01:27:16,839
Speaker 1: They have a hard time monitoring the amount of tweets

1477
01:27:16,840 --> 01:27:19,080
Speaker 1: that go up, or the amount of Facebook posts that

1478
01:27:19,200 --> 01:27:22,400
Speaker 1: go up, or the amount of Instagram posts that go up,

1479
01:27:22,479 --> 01:27:26,559
Speaker 1: or even YouTube videos. When we talk about Instagram post

1480
01:27:26,680 --> 01:27:30,240
Speaker 1: or even tweets, those things are coming rapidly. Say that

1481
01:27:30,320 --> 01:27:33,280
Speaker 1: they don't have the manpower or the ability to put

1482
01:27:33,439 --> 01:27:36,679
Speaker 1: someone in a seat to be able to monitor every

1483
01:27:36,720 --> 01:27:43,640
Speaker 1: single tweet. Therefore they have to rely on robots interactions

1484
01:27:43,680 --> 01:27:46,719
Speaker 1: of machines. The same way, where there's so many cars

1485
01:27:46,720 --> 01:27:49,479
Speaker 1: on the road that you can't have someone out there

1486
01:27:49,560 --> 01:27:52,799
Speaker 1: directing traffic. We have to deal with what traffic signs

1487
01:27:53,439 --> 01:27:58,080
Speaker 1: that says red means stop, Greens mean go give up

1488
01:27:58,800 --> 01:28:01,960
Speaker 1: five second delayed, ten second delay for those not paying

1489
01:28:01,960 --> 01:28:09,040
Speaker 1: attention to rushing through and we try to prepare for

1490
01:28:09,120 --> 01:28:11,439
Speaker 1: the worst and hope for the best. Now, when we're

1491
01:28:11,479 --> 01:28:15,759
Speaker 1: dealing with Facebook, TikTok, Instagram, some of those things, again,

1492
01:28:15,800 --> 01:28:20,000
Speaker 1: those robots get it wrong, But what Elon is speaking

1493
01:28:20,040 --> 01:28:22,680
Speaker 1: to is not why they get it wrong, but what

1494
01:28:22,720 --> 01:28:27,400
Speaker 1: they're looking to get. When you identify the algorithm, it

1495
01:28:27,479 --> 01:28:29,760
Speaker 1: allows me to create a round there and make my

1496
01:28:30,000 --> 01:28:34,960
Speaker 1: content more algorithm friendly. Right with the creative minds we

1497
01:28:35,040 --> 01:28:37,800
Speaker 1: have behind the machine, boy, we can just figure out

1498
01:28:37,880 --> 01:28:40,839
Speaker 1: what is cool to be on social media, which therefore

1499
01:28:42,520 --> 01:28:44,840
Speaker 1: is what we call leads. To get more people to

1500
01:28:44,920 --> 01:28:47,320
Speaker 1: come and look at or listen to what it is,

1501
01:28:47,360 --> 01:28:50,280
Speaker 1: we have the offer. It's a win win situation. So

1502
01:28:50,439 --> 01:28:53,439
Speaker 1: number one, you do that. Number two you let us

1503
01:28:53,560 --> 01:28:58,000
Speaker 1: in and you compromise the industry standards because, believe it

1504
01:28:58,080 --> 01:29:01,080
Speaker 1: or not, the same camera to the NBC using ABC

1505
01:29:01,400 --> 01:29:05,160
Speaker 1: using or some variation of it. So once we start

1506
01:29:05,200 --> 01:29:08,519
Speaker 1: to learn what's being used, we start to be able

1507
01:29:08,520 --> 01:29:11,880
Speaker 1: to identify how to use it, and then therefore we

1508
01:29:12,000 --> 01:29:16,559
Speaker 1: become powerful in the space. And you can believe that

1509
01:29:16,640 --> 01:29:20,200
Speaker 1: there's not a coincidence that every time that black folks

1510
01:29:20,240 --> 01:29:24,080
Speaker 1: are the less fortunate figure out the industry standarup in

1511
01:29:24,200 --> 01:29:28,120
Speaker 1: that industry. That industry now is depleted. It's exhausted. There's

1512
01:29:28,160 --> 01:29:32,240
Speaker 1: no more financial gain now, it's a dead industry. Everything

1513
01:29:32,280 --> 01:29:35,280
Speaker 1: that we find out about they either make illegal or

1514
01:29:35,280 --> 01:29:40,479
Speaker 1: they depleted right or keep it at a certain price point. Also,

1515
01:29:40,520 --> 01:29:44,840
Speaker 1: we need the CEO. Why when putting game down about

1516
01:29:44,880 --> 01:29:50,200
Speaker 1: being liberated, getting money information, why isn't that promoted in

1517
01:29:50,240 --> 01:29:52,640
Speaker 1: the same light as rap music? Seeing, we gotta be

1518
01:29:52,680 --> 01:29:56,519
Speaker 1: careful when we communicate even that because they get tricky.

1519
01:29:58,160 --> 01:30:00,439
Speaker 1: They get tricky with what they do to it us. Right,

1520
01:30:01,240 --> 01:30:05,320
Speaker 1: So if we go to arguing that yo, you you,

1521
01:30:05,040 --> 01:30:08,080
Speaker 1: you promote, not wrap, you promoting us talking to each

1522
01:30:08,080 --> 01:30:10,679
Speaker 1: other crazy like this, but you ain't promoting that, they're

1523
01:30:10,760 --> 01:30:13,360
Speaker 1: just say, you know what, we won't promote both, and

1524
01:30:13,400 --> 01:30:16,559
Speaker 1: then therefore will muzzle wrap, which therefore can affect the sales.

1525
01:30:16,640 --> 01:30:20,920
Speaker 1: So we got to communicate clearly that rap in its

1526
01:30:21,200 --> 01:30:26,799
Speaker 1: self isn't an issue. It's a beautiful things. It taps

1527
01:30:26,840 --> 01:30:30,720
Speaker 1: into culture from a standpoint that not many things can do.

1528
01:30:30,800 --> 01:30:33,880
Speaker 1: So we appreciate rap for what it is and how

1529
01:30:33,920 --> 01:30:38,639
Speaker 1: it runs alongside pop culture or culture that in that regard,

1530
01:30:39,240 --> 01:30:42,320
Speaker 1: And so when we classifying things, this is rap. We

1531
01:30:42,360 --> 01:30:44,719
Speaker 1: gotta be careful because I'm telling you they use words

1532
01:30:44,760 --> 01:30:47,200
Speaker 1: against us and we gotta be careful. And makes you

1533
01:30:47,320 --> 01:30:49,760
Speaker 1: to drill it down if people are trying to go

1534
01:30:49,840 --> 01:30:54,000
Speaker 1: against certain violence. That being said, and wrapping things like that,

1535
01:30:54,120 --> 01:30:57,200
Speaker 1: you need to be very specific in doing so because

1536
01:30:57,200 --> 01:31:00,080
Speaker 1: we don't want to ostracize rap in its entire a.

1537
01:31:00,360 --> 01:31:04,720
Speaker 1: It's been a pathway for our people to come out

1538
01:31:04,720 --> 01:31:06,880
Speaker 1: to ghetto, so we got to be cognitive of that.

1539
01:31:08,439 --> 01:31:12,920
Speaker 1: But the industry standard is important. Right, If you knew

1540
01:31:12,960 --> 01:31:15,680
Speaker 1: how your job got the money, you know how to

1541
01:31:15,760 --> 01:31:18,800
Speaker 1: run the business. Right, they'll promote you all the way

1542
01:31:18,880 --> 01:31:21,519
Speaker 1: up into a manager. So you know how to run

1543
01:31:21,560 --> 01:31:24,080
Speaker 1: the business. You just don't know how the business is

1544
01:31:24,120 --> 01:31:29,120
Speaker 1: being ran. You see, so there's two different things happening

1545
01:31:29,160 --> 01:31:34,200
Speaker 1: on the back end. You don't understand the operations standpoint

1546
01:31:34,280 --> 01:31:36,840
Speaker 1: of it, but you got the functionality down. You got

1547
01:31:36,920 --> 01:31:40,560
Speaker 1: all these things down. Once you understand the operational standpoint.

1548
01:31:40,640 --> 01:31:42,920
Speaker 1: Now they have a problem because now they're dealing with

1549
01:31:42,920 --> 01:31:46,559
Speaker 1: a CEO and not a manager. And so if they

1550
01:31:46,600 --> 01:31:49,760
Speaker 1: expose the algorithm, which is the industry standard that all

1551
01:31:49,800 --> 01:31:53,240
Speaker 1: of them tend to use, right, it allows us to

1552
01:31:53,400 --> 01:31:56,400
Speaker 1: now place ourselves in a situation to tap into that

1553
01:31:56,560 --> 01:32:00,760
Speaker 1: algorithm because we're the most creative and take advantage of

1554
01:32:00,800 --> 01:32:03,280
Speaker 1: what it is that set forth. Now with that same breath,

1555
01:32:03,320 --> 01:32:06,080
Speaker 1: it allows other people to do so as well. Again,

1556
01:32:06,120 --> 01:32:09,360
Speaker 1: I just mentioned that, Yo, people saying Twitter for sale,

1557
01:32:09,400 --> 01:32:11,479
Speaker 1: a lot of these dudes won't end on that because

1558
01:32:11,479 --> 01:32:15,000
Speaker 1: it's a powerhouse in the space. It's more important than

1559
01:32:15,040 --> 01:32:18,800
Speaker 1: ABC becomes a tycoon. If you get Twitter, you become

1560
01:32:18,840 --> 01:32:22,679
Speaker 1: a tycoon overnight in the media space. You become bigger

1561
01:32:22,680 --> 01:32:26,559
Speaker 1: than ABC, NBC things like that, if not bigger, just

1562
01:32:26,760 --> 01:32:31,759
Speaker 1: as big as I would almost argue Twitter. Twitter's affect

1563
01:32:31,920 --> 01:32:34,960
Speaker 1: on how people consume and get news at this point,

1564
01:32:35,160 --> 01:32:39,640
Speaker 1: it's more effective than daytime television or ABC now traditionally

1565
01:32:39,680 --> 01:32:41,840
Speaker 1: they can get things out and make it effective in

1566
01:32:41,840 --> 01:32:44,639
Speaker 1: a way. I think it may take more time, there's

1567
01:32:44,680 --> 01:32:47,320
Speaker 1: a different approach to it, but Twitter can get it

1568
01:32:47,400 --> 01:32:51,519
Speaker 1: right out and it's gone. So elon, after doing this

1569
01:32:51,680 --> 01:32:54,120
Speaker 1: and after like laying out what he wanted to do

1570
01:32:54,240 --> 01:32:56,840
Speaker 1: with it and how he wanted to approach it, they

1571
01:32:56,880 --> 01:33:00,639
Speaker 1: see that, oh my god, he already has as many shares.

1572
01:33:02,920 --> 01:33:05,639
Speaker 1: He already has more shares than anyone. So then we're

1573
01:33:05,640 --> 01:33:07,760
Speaker 1: in a position where if we even say no to

1574
01:33:07,840 --> 01:33:10,280
Speaker 1: his offer, he may do a hotstile takeover and just

1575
01:33:10,400 --> 01:33:14,880
Speaker 1: bad out through the market. So they birth this thing

1576
01:33:14,960 --> 01:33:19,240
Speaker 1: that's called the poison peel. Now this is an interesting

1577
01:33:19,280 --> 01:33:23,800
Speaker 1: approach to to this problem because if you just hear it,

1578
01:33:23,920 --> 01:33:25,840
Speaker 1: you think, all right, so that should stop him from

1579
01:33:25,880 --> 01:33:28,839
Speaker 1: being able to What they're trying to do is stop

1580
01:33:28,920 --> 01:33:31,759
Speaker 1: him from being able to take hold of the company

1581
01:33:31,840 --> 01:33:36,280
Speaker 1: or or or have some kind of hostile takeover. Or

1582
01:33:36,320 --> 01:33:38,160
Speaker 1: if they even say we don't want to sell it,

1583
01:33:38,439 --> 01:33:41,400
Speaker 1: he still buys it just going through the market at

1584
01:33:41,640 --> 01:33:45,240
Speaker 1: at a certain price. And if you have as many shares,

1585
01:33:45,439 --> 01:33:48,880
Speaker 1: or you have the most shares, you are more influential

1586
01:33:49,000 --> 01:33:52,200
Speaker 1: in again what happens with that business, and with Twitter

1587
01:33:52,280 --> 01:33:54,439
Speaker 1: being a powerhouse in the space. You see what that

1588
01:33:54,520 --> 01:33:56,840
Speaker 1: problem can arise or why people can kind of get

1589
01:33:56,880 --> 01:34:00,599
Speaker 1: spooked about that, especially on the side of the people

1590
01:34:00,640 --> 01:34:02,679
Speaker 1: that don't agree with Elon or some of the things

1591
01:34:02,680 --> 01:34:05,360
Speaker 1: he may stand for, right, because you're always gonna have

1592
01:34:05,400 --> 01:34:08,120
Speaker 1: people on the other side of you. So they do

1593
01:34:08,160 --> 01:34:10,760
Speaker 1: the poison peel to try to stop him from being

1594
01:34:10,800 --> 01:34:14,439
Speaker 1: able to take over. Then what this means is if

1595
01:34:14,479 --> 01:34:17,439
Speaker 1: they were to reject the bid, he has the enough

1596
01:34:17,520 --> 01:34:20,320
Speaker 1: capital money to be able to just buy it again

1597
01:34:20,400 --> 01:34:23,559
Speaker 1: through stock option. This is my understanding, and I could

1598
01:34:23,640 --> 01:34:25,519
Speaker 1: be wrong. I need to tap me in with some people,

1599
01:34:25,560 --> 01:34:27,920
Speaker 1: but I like to get my own understanding of things.

1600
01:34:28,240 --> 01:34:30,080
Speaker 1: If I'm gonna talk about it, I don't just want

1601
01:34:30,080 --> 01:34:32,680
Speaker 1: to read the ticks or get someone there right, So

1602
01:34:32,720 --> 01:34:36,280
Speaker 1: I try to go see my understanding of it. So

1603
01:34:36,479 --> 01:34:39,880
Speaker 1: my understanding of this pooris and peel thing is it

1604
01:34:39,920 --> 01:34:42,680
Speaker 1: won't You would think that it was to stop him,

1605
01:34:42,680 --> 01:34:46,160
Speaker 1: but it's not. So it can't stop him from buying it.

1606
01:34:46,200 --> 01:34:50,599
Speaker 1: But what it does is it provides that it provides

1607
01:34:50,640 --> 01:34:54,960
Speaker 1: the stocks with inflation. So what it does is say,

1608
01:34:55,200 --> 01:34:57,479
Speaker 1: say that Elon says, all right, so I offered y'all

1609
01:34:57,560 --> 01:35:00,519
Speaker 1: forty three billion, y'all didn't want it. I must spend

1610
01:35:00,520 --> 01:35:03,400
Speaker 1: forty three more billion on just stocks and own it

1611
01:35:03,479 --> 01:35:06,760
Speaker 1: that way. Just whatever forty three big can give me

1612
01:35:06,800 --> 01:35:09,000
Speaker 1: in stocks which would make me the owner if I

1613
01:35:09,120 --> 01:35:13,240
Speaker 1: own twenty nine forty percent, seventy percent of this company

1614
01:35:13,360 --> 01:35:16,360
Speaker 1: or whatever it may be, buy stock options. And so

1615
01:35:17,040 --> 01:35:20,240
Speaker 1: what this does is it makes it gives an option

1616
01:35:20,320 --> 01:35:24,320
Speaker 1: to the shareholders that are already there to buy stocks

1617
01:35:24,360 --> 01:35:29,040
Speaker 1: at a discounted rate. Now, so what that means is

1618
01:35:29,160 --> 01:35:31,400
Speaker 1: if he says, I I'm going to just go out

1619
01:35:31,439 --> 01:35:34,920
Speaker 1: and buy Twitter since y'all rejecting my bid, if the

1620
01:35:34,960 --> 01:35:39,080
Speaker 1: stock is fifty dollars, let's just say for conversation and

1621
01:35:39,200 --> 01:35:42,720
Speaker 1: podcast sake, if the stock is fifty dollars. My understanding

1622
01:35:42,880 --> 01:35:45,880
Speaker 1: is the shareholders will get a discounted rate, so let's

1623
01:35:45,920 --> 01:35:48,320
Speaker 1: just say twenty five dollars. So he would have to

1624
01:35:48,360 --> 01:35:53,519
Speaker 1: buy Twitter out at fifty dollars. Why, people that's already

1625
01:35:53,600 --> 01:35:56,840
Speaker 1: interested in Twitter and shareholders of Twitter will get those

1626
01:35:56,880 --> 01:36:01,320
Speaker 1: same stocks simultaneously at the same time for lesser than

1627
01:36:01,400 --> 01:36:04,440
Speaker 1: he would get it, which would make it really expensive

1628
01:36:04,479 --> 01:36:07,200
Speaker 1: for him to buy the company out because those people

1629
01:36:07,200 --> 01:36:09,920
Speaker 1: are started to buy him too, especially at that discounted

1630
01:36:10,000 --> 01:36:14,040
Speaker 1: right rate, knowing that he wants it. So the idea

1631
01:36:14,120 --> 01:36:16,360
Speaker 1: is just to kind of make it more expensive. Again,

1632
01:36:16,400 --> 01:36:18,960
Speaker 1: it doesn't stop him from being able to buy it

1633
01:36:19,000 --> 01:36:20,920
Speaker 1: if he just wants to buy straight out from a

1634
01:36:20,960 --> 01:36:26,080
Speaker 1: sharehold or stock option standpoint. That's my understanding. I'm not

1635
01:36:26,200 --> 01:36:29,400
Speaker 1: a financial advisors, so I could be wrong, but I

1636
01:36:29,479 --> 01:36:31,799
Speaker 1: like to kind of try to get the information myself.

1637
01:36:31,840 --> 01:36:34,000
Speaker 1: If I'm wrong, somebody let me know. But that's my

1638
01:36:34,080 --> 01:36:38,160
Speaker 1: understanding based on what I'm reading, very powerful thing to

1639
01:36:38,200 --> 01:36:43,639
Speaker 1: do by Twitter. It'll be a very monumental move because again,

1640
01:36:43,680 --> 01:36:46,639
Speaker 1: it makes you one of the big players in this

1641
01:36:46,720 --> 01:36:49,160
Speaker 1: thing that we call media. So we'll take a quick

1642
01:36:49,160 --> 01:36:52,280
Speaker 1: break and then we'll be back with a little more podcast,

1643
01:36:53,720 --> 01:36:55,920
Speaker 1: and then we'll get y'all out of here for the day. Man,

1644
01:36:56,120 --> 01:36:59,679
Speaker 1: get y'all out of church earlier today. We'll be back

1645
01:37:00,160 --> 01:37:02,760
Speaker 1: at some point, y'all gonna admit I was right. I

1646
01:37:02,840 --> 01:37:04,840
Speaker 1: know I got a lot of fans that probably know it,

1647
01:37:04,920 --> 01:37:07,320
Speaker 1: don't vocalize it. But at some point when y'all go

1648
01:37:07,360 --> 01:37:10,160
Speaker 1: back in my catalog and y'a don't see the time

1649
01:37:10,280 --> 01:37:13,040
Speaker 1: frame in which I'm saying certain things, y'all gonna say

1650
01:37:13,040 --> 01:37:16,600
Speaker 1: I'm right, y'all gonna say this dude really knows what

1651
01:37:16,680 --> 01:37:19,960
Speaker 1: he's talking about. If you go back or if you

1652
01:37:20,080 --> 01:37:24,280
Speaker 1: listen down, you hear academics going that coloray because she

1653
01:37:24,280 --> 01:37:27,200
Speaker 1: wouldn't come on this platform. Then we's vocalizing what I

1654
01:37:27,240 --> 01:37:29,880
Speaker 1: said months ago, like Yo, you don't come on my platform,

1655
01:37:30,360 --> 01:37:33,719
Speaker 1: and now we're not favorable on my Instagram in regards

1656
01:37:33,760 --> 01:37:36,439
Speaker 1: to your name, your sales. We're gonna report certain things

1657
01:37:36,439 --> 01:37:41,840
Speaker 1: that may affect the way that you're viewed by the

1658
01:37:42,000 --> 01:37:46,200
Speaker 1: casual consumer. Right, I've been called that, or you hear

1659
01:37:46,280 --> 01:37:49,080
Speaker 1: Joe Budden say Yo, I'm hurt. I got PTSD. Everything

1660
01:37:49,120 --> 01:37:51,400
Speaker 1: I've tried to talk and lead they use against me.

1661
01:37:51,960 --> 01:37:54,160
Speaker 1: The game I give them they turn around and use

1662
01:37:54,200 --> 01:37:57,400
Speaker 1: against me. I said that months months, months ago, before

1663
01:37:57,400 --> 01:38:00,920
Speaker 1: the breakup even happened. It happened from the I just

1664
01:38:00,960 --> 01:38:04,679
Speaker 1: see by the conversations. You see by what's happening. If

1665
01:38:04,680 --> 01:38:10,600
Speaker 1: you got to understand energy and frequency and vibe and

1666
01:38:10,800 --> 01:38:14,920
Speaker 1: just understand conversation and communicating, you can tell when something

1667
01:38:15,320 --> 01:38:19,800
Speaker 1: it said this way. But it's really what happens is

1668
01:38:19,800 --> 01:38:22,320
Speaker 1: it's like a big circle when you say something right,

1669
01:38:22,800 --> 01:38:26,360
Speaker 1: and so a circle, if you've ever seen a graph,

1670
01:38:26,439 --> 01:38:30,280
Speaker 1: high circle can overlap right, So it can it can

1671
01:38:30,439 --> 01:38:32,840
Speaker 1: mean this, but it can mean that. And so it's

1672
01:38:32,840 --> 01:38:35,680
Speaker 1: just who's saying it, why they said it, what situation like.

1673
01:38:35,720 --> 01:38:38,639
Speaker 1: It's a lot to digest when you try to view

1674
01:38:39,560 --> 01:38:43,959
Speaker 1: destruction of friendships or destruction of business in regards to podcast.

1675
01:38:44,000 --> 01:38:46,160
Speaker 1: And I think a lot of people take this thing lightly.

1676
01:38:46,240 --> 01:38:49,479
Speaker 1: This is not a light thing you see happening when

1677
01:38:49,479 --> 01:38:52,040
Speaker 1: you see people get in front of the mic, Like

1678
01:38:52,280 --> 01:38:55,719
Speaker 1: I watched some of these guys and I'm impressed. I'm like, yo,

1679
01:38:56,080 --> 01:38:59,920
Speaker 1: they're really doing a show. Like they're really really kicking it.

1680
01:39:00,200 --> 01:39:03,680
Speaker 1: You know, in regards to conversation, seguays and dudes are

1681
01:39:05,120 --> 01:39:07,559
Speaker 1: operating at a high level in this game. Now, some

1682
01:39:07,560 --> 01:39:10,080
Speaker 1: people are just sitting down and just asking questions. I

1683
01:39:10,120 --> 01:39:13,719
Speaker 1: think that that's not what really gets it done. Now.

1684
01:39:13,760 --> 01:39:17,680
Speaker 1: That can happen, and that can be effective in the marketplace,

1685
01:39:18,280 --> 01:39:23,800
Speaker 1: but I'm talking about the ability to really resonnate with

1686
01:39:23,840 --> 01:39:27,880
Speaker 1: the people that's viewing. You gotta be able to do both.

1687
01:39:27,920 --> 01:39:33,000
Speaker 1: But that's that's a conversation for another time. But when

1688
01:39:33,040 --> 01:39:35,120
Speaker 1: I when I see act doing that, I told you

1689
01:39:35,160 --> 01:39:37,880
Speaker 1: guys that, yo, you're gonna leverage your platform, and I

1690
01:39:37,920 --> 01:39:40,280
Speaker 1: probably do the same thing. I may not be vocal

1691
01:39:40,320 --> 01:39:45,360
Speaker 1: about it because while I'm being vocal to send a

1692
01:39:45,400 --> 01:39:47,920
Speaker 1: shock wave through the industry and let artists know that

1693
01:39:48,000 --> 01:39:51,120
Speaker 1: this is the results of you not coming to speak

1694
01:39:51,160 --> 01:39:53,280
Speaker 1: to me, because that's really what it's for. This really

1695
01:39:53,320 --> 01:39:56,519
Speaker 1: ain't even about color Ray. It's really about Dirk and

1696
01:39:56,560 --> 01:39:59,400
Speaker 1: other people that's kind of going around him and doing

1697
01:39:59,400 --> 01:40:01,360
Speaker 1: them any of you use you see what I'm saying,

1698
01:40:01,400 --> 01:40:04,839
Speaker 1: and not coming to his platform. And so what's happening

1699
01:40:05,040 --> 01:40:09,519
Speaker 1: is he's using this latest situation with Corla ray As

1700
01:40:09,560 --> 01:40:12,800
Speaker 1: as a way to push out to the industry that, Yo,

1701
01:40:13,400 --> 01:40:16,000
Speaker 1: this is how we're gonna handle you on this page

1702
01:40:16,040 --> 01:40:20,280
Speaker 1: that everybody follows. If you don't come to the podcast,

1703
01:40:23,200 --> 01:40:25,800
Speaker 1: Dirk is still Dirt got back to number one. He

1704
01:40:25,840 --> 01:40:29,639
Speaker 1: hasn't been on there. And so for me, at although

1705
01:40:29,680 --> 01:40:33,880
Speaker 1: you're sending that shock wave to the industry and to

1706
01:40:34,000 --> 01:40:37,960
Speaker 1: the other rappers, I think that it's taken from the

1707
01:40:38,040 --> 01:40:43,400
Speaker 1: brand a little bit. I think for the savvy thinker,

1708
01:40:44,560 --> 01:40:47,960
Speaker 1: the cerebral mind, I think they're viewing it the way

1709
01:40:48,000 --> 01:40:50,479
Speaker 1: that I'm saying, like, oh shit, these people are turning

1710
01:40:50,520 --> 01:40:55,639
Speaker 1: down Academics podcast. And then when you think about they're like, Yo,

1711
01:40:55,680 --> 01:40:59,280
Speaker 1: why the turning it down? You see what I'm saying,

1712
01:40:59,280 --> 01:41:01,599
Speaker 1: and it makes the pressuming thing with them. They turned

1713
01:41:01,640 --> 01:41:05,479
Speaker 1: it down. Damn it's crazy Academics podcast. We thought, you

1714
01:41:05,520 --> 01:41:08,800
Speaker 1: know what I'm saying, and you are solidifying that. So

1715
01:41:09,040 --> 01:41:11,040
Speaker 1: I probably wouldn't do that. There's a lot of dudes

1716
01:41:11,080 --> 01:41:14,840
Speaker 1: that I'm poster had did interviews with that. For whatever reason,

1717
01:41:14,880 --> 01:41:17,720
Speaker 1: the interviews didn't go through. I know I'm powerful enough

1718
01:41:17,760 --> 01:41:20,640
Speaker 1: to get it done by myself, and you fuck with

1719
01:41:20,720 --> 01:41:24,040
Speaker 1: me whenever you fuck with me. But I won't change.

1720
01:41:24,040 --> 01:41:27,640
Speaker 1: But the price will. Yeah, my price is chained. Kay

1721
01:41:27,760 --> 01:41:30,160
Speaker 1: will fucking I was trying to tell dudes, yo, get

1722
01:41:30,200 --> 01:41:33,160
Speaker 1: with me why things were like in a way, well,

1723
01:41:33,200 --> 01:41:36,640
Speaker 1: I could understand that there was some love involved, that

1724
01:41:36,720 --> 01:41:40,560
Speaker 1: you embraced the movement prior to the results being in,

1725
01:41:41,560 --> 01:41:44,479
Speaker 1: prior to the background chicks and dudes figuring out, Oh

1726
01:41:44,680 --> 01:41:49,400
Speaker 1: this dude really should have been you know what I'm saying,

1727
01:41:49,439 --> 01:41:51,760
Speaker 1: and not saying that to be cocky, but I got

1728
01:41:51,840 --> 01:41:55,120
Speaker 1: information about what it is I'm doing. I'm informed about

1729
01:41:55,160 --> 01:41:58,120
Speaker 1: what they doing on the market. I know how those

1730
01:41:58,160 --> 01:42:01,000
Speaker 1: two things weigh against each other. And I'm not gonna

1731
01:42:01,040 --> 01:42:03,879
Speaker 1: dilute what it is that I bring to the market

1732
01:42:04,160 --> 01:42:08,759
Speaker 1: for the sake of other people's comfortability. I do myself

1733
01:42:08,800 --> 01:42:12,040
Speaker 1: for this service along with the others that DM me

1734
01:42:12,240 --> 01:42:15,320
Speaker 1: hundreds of people every day and reach out to me

1735
01:42:15,439 --> 01:42:18,479
Speaker 1: with brands and black people that tell me, yo, man,

1736
01:42:18,600 --> 01:42:24,120
Speaker 1: what you're doing. We ain't never seen that podcasting like that, nigga.

1737
01:42:24,200 --> 01:42:26,320
Speaker 1: We can go to YR one podcast and get a

1738
01:42:26,400 --> 01:42:30,719
Speaker 1: new segment, get a motivational snippet, get a comedy segment,

1739
01:42:30,960 --> 01:42:35,360
Speaker 1: get nigga, so many things. Get information, get some game, nigga.

1740
01:42:35,439 --> 01:42:39,200
Speaker 1: It's so many things you understand, you get from one place.

1741
01:42:41,040 --> 01:42:43,280
Speaker 1: But I gotta be able to identify that to the

1742
01:42:43,320 --> 01:42:45,840
Speaker 1: market because they're gonna try to put a muzzle on

1743
01:42:45,960 --> 01:42:51,479
Speaker 1: a barking dog. Yeah, you're gonna try to put a

1744
01:42:51,600 --> 01:42:53,680
Speaker 1: muzzle on a baking dog. They don't want me to

1745
01:42:53,800 --> 01:42:56,360
Speaker 1: be loud about it. And right now, if I was

1746
01:42:56,439 --> 01:42:59,080
Speaker 1: loud and wrong, that's one thing. They're not offended by

1747
01:42:59,160 --> 01:43:02,000
Speaker 1: loud and wrong. They think it's it's a game. They

1748
01:43:02,360 --> 01:43:07,040
Speaker 1: matter of fact, they bring loud and wrong closer. Let

1749
01:43:07,160 --> 01:43:10,559
Speaker 1: somebody be ignorant, loud on the internet, ignorant and wrong

1750
01:43:10,760 --> 01:43:13,720
Speaker 1: and just spewing things. They get all the interviews and

1751
01:43:13,800 --> 01:43:15,920
Speaker 1: the love in the world from the black sides. That's

1752
01:43:15,960 --> 01:43:19,920
Speaker 1: how this work. But when you loud and right and

1753
01:43:20,160 --> 01:43:24,200
Speaker 1: then he might seem to understand something, he might be

1754
01:43:24,360 --> 01:43:27,479
Speaker 1: doing it in a way that's more effective than right.

1755
01:43:27,600 --> 01:43:32,160
Speaker 1: So anyway, I just think that it kind of may

1756
01:43:32,240 --> 01:43:36,280
Speaker 1: take from the brain right because What it does is

1757
01:43:36,360 --> 01:43:38,519
Speaker 1: it does let us know that they're turning it down

1758
01:43:39,320 --> 01:43:42,080
Speaker 1: when the interview doesn't happen. The consumer doesn't know if

1759
01:43:42,160 --> 01:43:45,160
Speaker 1: you didn't welcome them or they didn't want to come. Now,

1760
01:43:46,040 --> 01:43:47,880
Speaker 1: you know what I'm saying. Then when you get big

1761
01:43:48,040 --> 01:43:51,000
Speaker 1: enough to have enough fans, and he may think he's

1762
01:43:51,040 --> 01:43:54,320
Speaker 1: in that place, I think in a podcasting place, he's

1763
01:43:54,360 --> 01:43:58,240
Speaker 1: not there. But what happens is we operating now in

1764
01:43:58,360 --> 01:44:01,200
Speaker 1: this new era of part casting and things like that,

1765
01:44:01,280 --> 01:44:04,519
Speaker 1: we're operating from a holistic standpoint, just as a brand.

1766
01:44:05,040 --> 01:44:08,800
Speaker 1: So he's viewing it himself as a brand, whether he's

1767
01:44:08,840 --> 01:44:12,280
Speaker 1: effective or not in the podcast space. And we know,

1768
01:44:12,760 --> 01:44:15,040
Speaker 1: you know, he's gonna get certain numbers. He gotta push

1769
01:44:15,120 --> 01:44:18,000
Speaker 1: with Spotify, and he does have a fan base. But

1770
01:44:18,880 --> 01:44:21,439
Speaker 1: I just wouldn't be coming out saying, who ain't coming

1771
01:44:21,560 --> 01:44:24,160
Speaker 1: on him? You know what I'm saying, specially if I

1772
01:44:24,200 --> 01:44:27,719
Speaker 1: ain't just you know, I gotta be providing that salso

1773
01:44:28,120 --> 01:44:31,960
Speaker 1: like that real deal, Like, man, listen, they ain't coming

1774
01:44:32,000 --> 01:44:34,600
Speaker 1: over here. Man, they run like they ain't. You know

1775
01:44:34,640 --> 01:44:36,479
Speaker 1: what I'm saying. I don't know. I may not never

1776
01:44:36,600 --> 01:44:38,640
Speaker 1: do it. I just don't see the value in doing it,

1777
01:44:38,720 --> 01:44:42,519
Speaker 1: I think again, it just affixts people who understand it

1778
01:44:42,760 --> 01:44:46,439
Speaker 1: in a different way. And I hear to talk about

1779
01:44:46,520 --> 01:44:49,880
Speaker 1: first week sales and sales and sales, and you know me,

1780
01:44:50,040 --> 01:44:53,680
Speaker 1: I'm a man of information. I don't deal with emotion, right,

1781
01:44:53,840 --> 01:44:56,439
Speaker 1: and so what's good for the goose is good for

1782
01:44:56,600 --> 01:44:59,519
Speaker 1: the right. So you knew why I was going with that.

1783
01:44:59,680 --> 01:45:02,200
Speaker 1: So what happens is when I hear dudes talk about

1784
01:45:02,280 --> 01:45:06,160
Speaker 1: first week says and how much this in that soul? Yo,

1785
01:45:07,160 --> 01:45:11,599
Speaker 1: don't nobody post their podcast numbers. Don't nobody post how

1786
01:45:11,640 --> 01:45:14,680
Speaker 1: many downloads they podcast get, how many ads they get?

1787
01:45:14,720 --> 01:45:17,880
Speaker 1: You on that last one, right, because the consumers don't

1788
01:45:17,920 --> 01:45:21,280
Speaker 1: know their business right, what you do as a podcaster

1789
01:45:21,439 --> 01:45:24,120
Speaker 1: or as a brand these days, you try to fudge

1790
01:45:24,160 --> 01:45:27,760
Speaker 1: everything together? Right? My rap doing this? But about five

1791
01:45:27,840 --> 01:45:30,040
Speaker 1: companies and I got this going on. Got a little

1792
01:45:30,120 --> 01:45:32,479
Speaker 1: artist right here doing good. I got a company here

1793
01:45:32,600 --> 01:45:37,080
Speaker 1: to airbnbs some laying over and attract the trailer too,

1794
01:45:37,880 --> 01:45:39,920
Speaker 1: you know what I'm saying. So I got my hands

1795
01:45:40,000 --> 01:45:42,439
Speaker 1: in a whole bunch of shit. Because what's happening with

1796
01:45:42,680 --> 01:45:46,120
Speaker 1: music is we thought we locked out the labels. We

1797
01:45:46,240 --> 01:45:48,439
Speaker 1: thought we locked them out with the streaming, we thought

1798
01:45:48,520 --> 01:45:52,160
Speaker 1: we unlocked something the same way we did with the internet.

1799
01:45:53,040 --> 01:45:55,240
Speaker 1: But the thing with the streaming it was so much

1800
01:45:55,360 --> 01:45:58,880
Speaker 1: money involved. Then people had a real interest of on

1801
01:45:59,120 --> 01:46:03,160
Speaker 1: getting a whole love it that they figured out a

1802
01:46:03,240 --> 01:46:06,720
Speaker 1: way how to license the music in real time to

1803
01:46:06,920 --> 01:46:09,240
Speaker 1: these companies and be able to make money with each

1804
01:46:09,280 --> 01:46:12,200
Speaker 1: other and get equity in the company. So these labels

1805
01:46:12,280 --> 01:46:14,920
Speaker 1: have equity in a lot of these big spotifies and

1806
01:46:15,080 --> 01:46:19,200
Speaker 1: things like that. This ain't just a you luckily got

1807
01:46:19,280 --> 01:46:23,360
Speaker 1: on this playlist. There's some thought process behind this. This

1808
01:46:23,600 --> 01:46:27,360
Speaker 1: is carefully crafted. This ain't a thing that you know

1809
01:46:27,600 --> 01:46:29,560
Speaker 1: just because your song, how did all be there? Or

1810
01:46:29,680 --> 01:46:32,479
Speaker 1: just because you famously to be there. There's what does

1811
01:46:32,560 --> 01:46:36,560
Speaker 1: the label have interest in at this time? Who submitted it?

1812
01:46:36,680 --> 01:46:39,680
Speaker 1: From the label? Who submitted it period? How did we

1813
01:46:39,840 --> 01:46:42,120
Speaker 1: even get notice of it? Now you can end up

1814
01:46:42,200 --> 01:46:45,240
Speaker 1: on there, but just like a DJ clue mix tape,

1815
01:46:45,720 --> 01:46:48,040
Speaker 1: it's the number that you end up on there that's

1816
01:46:48,080 --> 01:46:51,760
Speaker 1: even an ineffective. How many times you get into your

1817
01:46:51,880 --> 01:46:55,000
Speaker 1: car you listen to a playlist number one through sixty,

1818
01:46:56,120 --> 01:46:58,479
Speaker 1: or you listen to six albums in a row, it

1819
01:46:58,560 --> 01:47:01,439
Speaker 1: ain't gonna happen so them first five or six is

1820
01:47:01,520 --> 01:47:05,280
Speaker 1: the important ones. And a lot of times the market

1821
01:47:05,439 --> 01:47:08,760
Speaker 1: doesn't determine that. The labels determined that. Now, when you're

1822
01:47:08,800 --> 01:47:12,000
Speaker 1: dealing with somebody like Babel, one of them, they're gonna

1823
01:47:12,080 --> 01:47:15,519
Speaker 1: dictate it, you know, as well as have the label interest,

1824
01:47:16,280 --> 01:47:19,040
Speaker 1: and so it's more organic. But sometimes you a deal

1825
01:47:19,080 --> 01:47:21,519
Speaker 1: with a nigga sitting at number four and be like,

1826
01:47:21,680 --> 01:47:25,920
Speaker 1: what is this song? You see? So it's still a

1827
01:47:26,080 --> 01:47:29,519
Speaker 1: way that they figured out how to influence the numbers. Right,

1828
01:47:29,640 --> 01:47:34,280
Speaker 1: So just imagine in the street, right, just imagine that

1829
01:47:34,960 --> 01:47:37,400
Speaker 1: Lahoma was hustling for you, and you can dictate when

1830
01:47:37,439 --> 01:47:41,160
Speaker 1: the drought come. You know, it's Christmas time, you need

1831
01:47:41,200 --> 01:47:43,960
Speaker 1: a little bit more money. You can dictate the AO.

1832
01:47:44,120 --> 01:47:46,920
Speaker 1: So since I'm supplying it and then he turned around

1833
01:47:47,200 --> 01:47:49,880
Speaker 1: and had to slick go through me to get here, Soul,

1834
01:47:50,280 --> 01:47:52,120
Speaker 1: I can figure out a way how to make a

1835
01:47:52,240 --> 01:47:55,120
Speaker 1: drought on him. And so sometimes you're dealing with a

1836
01:47:55,240 --> 01:47:57,880
Speaker 1: rapper in the midst of the label trying to make

1837
01:47:57,920 --> 01:48:02,599
Speaker 1: a drought for rap Niggas go through weird things when

1838
01:48:02,680 --> 01:48:06,080
Speaker 1: these labels are in the last few tapes on the contract,

1839
01:48:06,200 --> 01:48:10,520
Speaker 1: last few albums of the contract. Because now we understand

1840
01:48:10,640 --> 01:48:14,640
Speaker 1: that we're only helping you in your negotiation. Right, if

1841
01:48:14,680 --> 01:48:19,120
Speaker 1: we turn around and put four more million into these

1842
01:48:19,240 --> 01:48:22,800
Speaker 1: niggs one or two projects. From a marketing standpoint, when

1843
01:48:22,840 --> 01:48:24,600
Speaker 1: it's time to re up, you're gonna say you the

1844
01:48:24,680 --> 01:48:27,400
Speaker 1: biggest shit in the world. So we'll take our foot

1845
01:48:27,439 --> 01:48:30,320
Speaker 1: off the gas. We may move you down on playlists.

1846
01:48:30,360 --> 01:48:32,679
Speaker 1: You still on playlists, so you don't have that fight

1847
01:48:32,720 --> 01:48:35,439
Speaker 1: to say, yo, I'm not on such such playlist. You'll

1848
01:48:35,479 --> 01:48:38,120
Speaker 1: be down on the numbers though you'd be wearing out there.

1849
01:48:38,439 --> 01:48:41,600
Speaker 1: We'll move you down on those playlists. And trust me,

1850
01:48:41,720 --> 01:48:46,439
Speaker 1: that's probably twenty thirty, forty fifty playlists. That really runs

1851
01:48:46,479 --> 01:48:50,640
Speaker 1: the numbers, right. You get most of your players from playlists,

1852
01:48:52,080 --> 01:48:56,800
Speaker 1: especially if you an act that's like famous but but

1853
01:48:57,080 --> 01:49:03,679
Speaker 1: but still in discovering mode. Right, and so again, I've

1854
01:49:03,720 --> 01:49:06,040
Speaker 1: always talked about it being a recipe for you to

1855
01:49:06,120 --> 01:49:07,880
Speaker 1: be a big dog. Now I'm not sure how I

1856
01:49:07,920 --> 01:49:11,760
Speaker 1: can argue in nine thousand records in the first week.

1857
01:49:12,040 --> 01:49:13,760
Speaker 1: You know, it's rough for me to argue with that.

1858
01:49:14,200 --> 01:49:17,840
Speaker 1: You can almost argue that Nikki carried a lot of

1859
01:49:17,920 --> 01:49:20,800
Speaker 1: that because that song is on there. Again, you know,

1860
01:49:20,880 --> 01:49:23,519
Speaker 1: I think Colas is a great artist, and we'll have

1861
01:49:23,640 --> 01:49:26,400
Speaker 1: an opportunity to do it again. And also these records

1862
01:49:26,439 --> 01:49:28,519
Speaker 1: are bubble up. I think some of them are bubble up.

1863
01:49:28,560 --> 01:49:31,760
Speaker 1: Should probably get another goal or something out of it,

1864
01:49:31,920 --> 01:49:34,479
Speaker 1: maybe a goal or two out of it, and in

1865
01:49:34,600 --> 01:49:37,639
Speaker 1: the album will probably come up and sell some more.

1866
01:49:37,800 --> 01:49:41,519
Speaker 1: But it's just interesting to me that people are missing

1867
01:49:41,640 --> 01:49:46,280
Speaker 1: for them or either misrepresenting what's happening in regards to

1868
01:49:46,400 --> 01:49:49,519
Speaker 1: how these things work in regards to playlists and how

1869
01:49:49,600 --> 01:49:53,040
Speaker 1: they influence the numbers. And I think it's about sixty

1870
01:49:53,080 --> 01:49:56,160
Speaker 1: percent of all plays, seventy percent of all players come

1871
01:49:56,240 --> 01:50:00,400
Speaker 1: from playlists, maybe more than that last article. But you

1872
01:50:00,520 --> 01:50:06,000
Speaker 1: gotta really understand that if Spotify, if if if Universal

1873
01:50:07,120 --> 01:50:12,680
Speaker 1: owned Summer Spotify, and you're signed to a subsection of Universal,

1874
01:50:12,800 --> 01:50:16,200
Speaker 1: Let's say Atlantic is owned by Warner, which is owned

1875
01:50:16,240 --> 01:50:19,960
Speaker 1: by Universal Right, and then as a situation, they can

1876
01:50:20,040 --> 01:50:22,800
Speaker 1: just send a kite up a yo, move this down,

1877
01:50:22,960 --> 01:50:25,360
Speaker 1: moved that around. This is our approach for the next

1878
01:50:25,400 --> 01:50:28,160
Speaker 1: six months, like and they start to move, move those

1879
01:50:28,240 --> 01:50:31,040
Speaker 1: chips around. There after you sign again, they move you

1880
01:50:31,200 --> 01:50:34,920
Speaker 1: back into the machine. What you gotta try to do

1881
01:50:35,080 --> 01:50:40,680
Speaker 1: is sustain your your your fan base, First, you got

1882
01:50:40,760 --> 01:50:43,200
Speaker 1: to identify your fan base and who's just there on

1883
01:50:43,320 --> 01:50:46,719
Speaker 1: behalf for the Machine. So your job as an artist

1884
01:50:46,800 --> 01:50:48,720
Speaker 1: as you move through is to try to carve out

1885
01:50:48,800 --> 01:50:52,720
Speaker 1: who's here is die hard while you're working with the machine. Now,

1886
01:50:52,880 --> 01:50:56,040
Speaker 1: you gotta do this simultaneously. You gotta be thinking, nigga,

1887
01:50:56,120 --> 01:51:00,960
Speaker 1: not talking. You gotta be thinking, not drinking nigga. You

1888
01:51:01,040 --> 01:51:03,679
Speaker 1: know what I'm saying. So as you're working with the machine,

1889
01:51:03,720 --> 01:51:06,479
Speaker 1: you gotta be having somebody on your team that's carving

1890
01:51:06,560 --> 01:51:09,120
Speaker 1: out who is the real fans and who is here

1891
01:51:09,160 --> 01:51:11,800
Speaker 1: Because the single was such as such as hot right now,

1892
01:51:12,600 --> 01:51:15,000
Speaker 1: who really is fans want to get close to bro?

1893
01:51:15,160 --> 01:51:17,920
Speaker 1: How do you do that? Loan where at certain shows

1894
01:51:18,000 --> 01:51:21,960
Speaker 1: you do meet and greets. You ask people when they

1895
01:51:22,080 --> 01:51:26,160
Speaker 1: buy Merged, do they want to sign up for where

1896
01:51:26,200 --> 01:51:29,000
Speaker 1: they get text business and emails directly from such and

1897
01:51:29,080 --> 01:51:33,920
Speaker 1: such right people that want to be in touch like you.

1898
01:51:34,080 --> 01:51:36,080
Speaker 1: You figure that out. Why you're working on behalf for

1899
01:51:36,160 --> 01:51:38,559
Speaker 1: the Machine because they're gonna have you in some places

1900
01:51:38,640 --> 01:51:41,519
Speaker 1: that you may can't get by yourself. But you in

1901
01:51:41,720 --> 01:51:45,120
Speaker 1: there right there, You're in the right then and you

1902
01:51:45,240 --> 01:51:48,280
Speaker 1: may be able to pass a number here or do something.

1903
01:51:48,360 --> 01:51:51,880
Speaker 1: Now you dig what I'm saying. So, um, I just

1904
01:51:52,040 --> 01:51:54,280
Speaker 1: figured I'll talk about that and I'll probably get talk

1905
01:51:54,320 --> 01:51:56,400
Speaker 1: about it a little more next week. Right now, I

1906
01:51:56,479 --> 01:51:58,320
Speaker 1: want to deal with the baby's shooting, the dude in

1907
01:51:58,400 --> 01:52:00,920
Speaker 1: the leg that showed up on this problem. Let's listen

1908
01:52:00,960 --> 01:52:04,000
Speaker 1: to what they said on the news in in Charlotte,

1909
01:52:04,040 --> 01:52:07,120
Speaker 1: North Carola. The baby was home last night during a

1910
01:52:07,160 --> 01:52:10,760
Speaker 1: shooting on his property. That's according to the Troutman Police chief.

1911
01:52:11,040 --> 01:52:14,040
Speaker 1: The baby was not injured in all of this. Queen

1912
01:52:14,120 --> 01:52:17,040
Speaker 1: City News reporter Robin Kennedy is live in Troutman for

1913
01:52:17,240 --> 01:52:19,559
Speaker 1: us and Robin, do we know any more details about

1914
01:52:19,600 --> 01:52:24,439
Speaker 1: who exactly this person was who was shot any? Police

1915
01:52:24,600 --> 01:52:27,479
Speaker 1: say the man who was shot did not live at

1916
01:52:27,560 --> 01:52:31,280
Speaker 1: the home and he was not welcome here now. Police

1917
01:52:31,439 --> 01:52:35,880
Speaker 1: also telling us that the only two other people who

1918
01:52:35,920 --> 01:52:38,360
Speaker 1: were at the home at the time of the shooting

1919
01:52:38,520 --> 01:52:42,920
Speaker 1: were the baby and another person. Police say the man

1920
01:52:43,040 --> 01:52:47,080
Speaker 1: who was shot last night did not go inside the house,

1921
01:52:47,520 --> 01:52:51,479
Speaker 1: the chief saying everything happened outside the baby's mansion, but

1922
01:52:51,800 --> 01:52:55,360
Speaker 1: on his property. The police department is not releasing any

1923
01:52:55,479 --> 01:52:58,280
Speaker 1: names of the shooter or the person who was shot.

1924
01:52:58,800 --> 01:53:02,120
Speaker 1: The police chief says the baby's mansion has a concrete

1925
01:53:02,200 --> 01:53:05,479
Speaker 1: wall and a chain link fence. There were also no

1926
01:53:05,720 --> 01:53:09,280
Speaker 1: trespassing signs posted up. One of them says we have

1927
01:53:09,560 --> 01:53:14,120
Speaker 1: guns and shovels. Workers nearby telling us they're surprised anyone

1928
01:53:14,160 --> 01:53:16,960
Speaker 1: would try to enter it into baby's property without being

1929
01:53:17,040 --> 01:53:20,599
Speaker 1: invited and working around this area, it's obviously pretty secured.

1930
01:53:20,680 --> 01:53:23,639
Speaker 1: So to step over there and get in the way

1931
01:53:23,840 --> 01:53:27,000
Speaker 1: or get to them, you're basically just writing your own

1932
01:53:27,040 --> 01:53:32,720
Speaker 1: death sentence now. The police chief says the man who

1933
01:53:32,880 --> 01:53:36,760
Speaker 1: was shot was hit in his lower body with one

1934
01:53:37,040 --> 01:53:40,639
Speaker 1: gunshot wound. He was taken to the hospital with non

1935
01:53:40,920 --> 01:53:44,560
Speaker 1: life threatening injuries. Police would not tell us if the

1936
01:53:44,720 --> 01:53:49,559
Speaker 1: baby knows that man I'm reporting live in Troutman. Robin Kennedy, Queen,

1937
01:53:51,240 --> 01:53:55,280
Speaker 1: you see as you say, dub baby. They funny. So

1938
01:53:55,439 --> 01:53:58,040
Speaker 1: they also released the nine one one call. We'll listen

1939
01:53:58,080 --> 01:54:00,240
Speaker 1: to that and then we'll get some game about the

1940
01:54:00,280 --> 01:54:06,720
Speaker 1: whole situation. Is he what is he completely alert? Did

1941
01:54:06,800 --> 01:54:08,960
Speaker 1: you hear him? Do you not hear this? Man? Bro, sir,

1942
01:54:09,080 --> 01:54:11,880
Speaker 1: I'm asking you, is he completely alerts? Yeah? I can't

1943
01:54:11,920 --> 01:54:14,200
Speaker 1: hear you repeating every question that you're acting because he's

1944
01:54:14,240 --> 01:54:16,320
Speaker 1: over in the stream, like y'all, just get somebody here

1945
01:54:16,720 --> 01:54:18,400
Speaker 1: and give them. Tell them when they put up to

1946
01:54:18,439 --> 01:54:19,880
Speaker 1: try to hit the sire, and something I can know

1947
01:54:20,000 --> 01:54:24,639
Speaker 1: to open the gate? All right? Is there more than one? Say?

1948
01:54:24,680 --> 01:54:28,800
Speaker 1: What is there more than one? On? All I see

1949
01:54:28,880 --> 01:54:30,559
Speaker 1: is one individual. I don't know if you got somebody

1950
01:54:30,600 --> 01:54:32,800
Speaker 1: with him. I don't know. We have nowhere of knowing it.

1951
01:54:33,480 --> 01:54:34,720
Speaker 1: But in order for them to get you had to

1952
01:54:34,800 --> 01:54:37,920
Speaker 1: jump over the fence and everything. I'm gonna need you

1953
01:54:38,000 --> 01:54:48,200
Speaker 1: to secure your firearm, sir, sir, it's secure, Sir, get secure.

1954
01:54:48,360 --> 01:54:50,160
Speaker 1: I tell you it's secure. I'm not putting it down

1955
01:54:50,200 --> 01:54:55,000
Speaker 1: with this. Yeah, sir, is there any serious leading? I said, yes,

1956
01:54:55,160 --> 01:54:59,080
Speaker 1: brom sufficient it shot him in his leg. I'll here

1957
01:54:59,120 --> 01:55:03,280
Speaker 1: ever get here and get him. Yuh got asassing on

1958
01:55:03,360 --> 01:55:07,000
Speaker 1: my property? Harry again, sir? What did you do? I

1959
01:55:07,080 --> 01:55:09,960
Speaker 1: shought him in his leg? Okay? And why did you

1960
01:55:10,000 --> 01:55:12,760
Speaker 1: do that? As passing him? He's trespassing on my property,

1961
01:55:12,880 --> 01:55:15,560
Speaker 1: called me by my name. I don't know what he's

1962
01:55:15,560 --> 01:55:16,960
Speaker 1: said for what he had to take, what he had

1963
01:55:17,000 --> 01:55:21,800
Speaker 1: to do, but he's utilized. Uti. You gotta get are

1964
01:55:21,840 --> 01:55:25,200
Speaker 1: you with him now? He's right in front of me. Okay,

1965
01:55:26,080 --> 01:55:34,480
Speaker 1: you know what property? Yeah yeah you yeah, yeah, he

1966
01:55:34,680 --> 01:55:44,200
Speaker 1: got got so you hear the nine one one phone

1967
01:55:44,240 --> 01:55:47,440
Speaker 1: call has been reported that that is something one of

1968
01:55:47,560 --> 01:55:51,840
Speaker 1: the community, a man that's elderly or that wonders in

1969
01:55:51,960 --> 01:55:55,640
Speaker 1: the community. Um, that's a that's a very sad situation.

1970
01:55:55,720 --> 01:55:59,400
Speaker 1: Then we do and and and always and wheel stand

1971
01:55:59,800 --> 01:56:03,080
Speaker 1: and be a firm believer in protecting or your loved

1972
01:56:03,120 --> 01:56:06,040
Speaker 1: ones and your property. We are from the South in

1973
01:56:06,160 --> 01:56:11,760
Speaker 1: which bearing arms and protecting yourself. Say, I don't really

1974
01:56:12,720 --> 01:56:19,120
Speaker 1: believe in police response time. I think over the years,

1975
01:56:19,240 --> 01:56:23,320
Speaker 1: police response time still ain't got no better. So I

1976
01:56:23,440 --> 01:56:25,879
Speaker 1: think in a lot of times and a lot of times,

1977
01:56:26,560 --> 01:56:32,800
Speaker 1: I'm not willing to risk what could happened for what

1978
01:56:33,120 --> 01:56:36,960
Speaker 1: might happen. Right, they may get there, but I also

1979
01:56:37,160 --> 01:56:39,960
Speaker 1: might die, you know what I'm saying. So I'd rather

1980
01:56:40,080 --> 01:56:42,560
Speaker 1: just hold it in my own hand. So we do.

1981
01:56:42,800 --> 01:56:45,720
Speaker 1: We are firm believing that. Now, with that being said,

1982
01:56:47,120 --> 01:56:52,000
Speaker 1: I believe that with the baby being as big as

1983
01:56:52,040 --> 01:56:55,320
Speaker 1: he is in this city, I can imagine the police

1984
01:56:55,400 --> 01:56:59,720
Speaker 1: have a dislike for the dude. You know, the police

1985
01:56:59,760 --> 01:57:02,400
Speaker 1: don't like a nigga that done shot three fold niggas

1986
01:57:02,400 --> 01:57:05,480
Speaker 1: and live in a big mansion over with Lamborghinis and

1987
01:57:05,640 --> 01:57:10,760
Speaker 1: made backs. I think you gotta be careful in that town. See,

1988
01:57:10,800 --> 01:57:12,920
Speaker 1: I'm from a town while I know what they're gonna

1989
01:57:12,960 --> 01:57:15,480
Speaker 1: try to do. Now you don't get I mean, that's

1990
01:57:15,560 --> 01:57:18,000
Speaker 1: on you. You do what's best for you. But I'm saying,

1991
01:57:18,080 --> 01:57:20,400
Speaker 1: though I know it's somebody in one of them police

1992
01:57:20,480 --> 01:57:26,320
Speaker 1: buildings higher up, they don't like to see that situation.

1993
01:57:26,440 --> 01:57:29,680
Speaker 1: This dude is and he protecting himself. Let's be clear

1994
01:57:29,840 --> 01:57:34,520
Speaker 1: about what the reports are about the interactions with him

1995
01:57:34,560 --> 01:57:38,040
Speaker 1: and some of these individuals. Some of these individuals, the

1996
01:57:38,160 --> 01:57:42,080
Speaker 1: reports are, he's protecting himself, like this dude had to

1997
01:57:42,200 --> 01:57:44,000
Speaker 1: jump over the gate, and this and that and the

1998
01:57:44,120 --> 01:57:47,560
Speaker 1: third and you know, we handle those things like you know,

1999
01:57:47,680 --> 01:57:50,760
Speaker 1: I've been in a situation before. What a police have

2000
01:57:50,920 --> 01:57:53,080
Speaker 1: told me many if they come through hell, y'all do

2001
01:57:53,200 --> 01:57:56,360
Speaker 1: what y'all need to do. Or if this happening and

2002
01:57:56,600 --> 01:57:58,720
Speaker 1: they and they try to break in, you kill them.

2003
01:58:00,200 --> 01:58:03,240
Speaker 1: The police will tell you that in the South, you know,

2004
01:58:03,520 --> 01:58:06,160
Speaker 1: and I'm sure that some of that is black on black,

2005
01:58:06,240 --> 01:58:09,880
Speaker 1: and so they they understand that. They probably wouldn't say

2006
01:58:09,920 --> 01:58:11,880
Speaker 1: that if it was if it was a white kid

2007
01:58:12,040 --> 01:58:14,400
Speaker 1: or their kid or something coming in or trying to

2008
01:58:14,480 --> 01:58:17,440
Speaker 1: break in something, you know, they'll probably try to hope

2009
01:58:17,480 --> 01:58:20,520
Speaker 1: that you have a different approach. Maybe not nonetheless, I

2010
01:58:20,720 --> 01:58:24,160
Speaker 1: think when you cause Rutgers or when they when they

2011
01:58:24,960 --> 01:58:27,720
Speaker 1: look at you as an issue, or you know, either

2012
01:58:27,880 --> 01:58:32,640
Speaker 1: shot several people in the town. You know, you don't

2013
01:58:32,640 --> 01:58:35,360
Speaker 1: shot several people in the town. And let's not forget.

2014
01:58:35,960 --> 01:58:39,040
Speaker 1: Before he got on the on the next level, they

2015
01:58:39,120 --> 01:58:41,080
Speaker 1: were searching the me and time he went somewhere, he

2016
01:58:41,160 --> 01:58:43,400
Speaker 1: used to have to post about what the police was doing.

2017
01:58:43,800 --> 01:58:46,840
Speaker 1: My thing. II. I know that it's somebody somewhere in

2018
01:58:46,960 --> 01:58:49,760
Speaker 1: one of them build is is hating about that that

2019
01:58:49,840 --> 01:58:52,320
Speaker 1: little nigga rich running around. He didn't shot a couple

2020
01:58:52,360 --> 01:58:54,960
Speaker 1: of people. He'd be running around the city. And now

2021
01:58:55,080 --> 01:58:58,600
Speaker 1: everybody come out or this or that, you know it

2022
01:58:58,800 --> 01:59:04,960
Speaker 1: just I know how they feel. And so he just

2023
01:59:05,080 --> 01:59:07,600
Speaker 1: been not be having nothing around him doing wrong because

2024
01:59:07,600 --> 01:59:11,360
Speaker 1: he probably under investigation from them folk, you understand me,

2025
01:59:11,480 --> 01:59:13,400
Speaker 1: on some other shit, just trying to figure out how

2026
01:59:13,480 --> 01:59:15,440
Speaker 1: they can take him down and get him out the way.

2027
01:59:16,920 --> 01:59:18,720
Speaker 1: You know what I'm saying, might be the most powerful

2028
01:59:18,800 --> 01:59:21,160
Speaker 1: rap out of the town. Other than cold, but cold

2029
01:59:21,280 --> 01:59:24,560
Speaker 1: them it's from a different part or difference. But he's

2030
01:59:24,600 --> 01:59:27,640
Speaker 1: from that area and he ain't even known that type vibe.

2031
01:59:28,000 --> 01:59:30,160
Speaker 1: You know, don't nothing really be happening with him. He

2032
01:59:30,240 --> 01:59:33,080
Speaker 1: ain't really one of them type dudes. He a cool

2033
01:59:33,280 --> 01:59:36,680
Speaker 1: million dollar nigga, you know what I'm saying. So again,

2034
01:59:36,800 --> 01:59:39,280
Speaker 1: I just I don't know, man, Sometimes I think about that.

2035
01:59:40,680 --> 01:59:43,360
Speaker 1: I also say, yo, when the baby got rich and

2036
01:59:43,480 --> 01:59:46,040
Speaker 1: dude been't going through a lot like dude, Man, just

2037
01:59:46,240 --> 01:59:48,720
Speaker 1: look at dude career, Like dude got rich and shit

2038
01:59:48,840 --> 01:59:51,160
Speaker 1: been't happening on top of happening on top of happening

2039
01:59:51,280 --> 01:59:54,240
Speaker 1: on top. That's a lot to take in. Like I know,

2040
01:59:54,400 --> 01:59:58,560
Speaker 1: everybody want to gloss over that, even when he shot

2041
01:59:58,640 --> 02:00:01,320
Speaker 1: the dude, Like I know, the police don't like when

2042
02:00:01,400 --> 02:00:04,800
Speaker 1: he posts shit like hey, I spare the dude and

2043
02:00:04,960 --> 02:00:08,400
Speaker 1: not like I know, they're feeling away about that. They

2044
02:00:08,400 --> 02:00:11,120
Speaker 1: don't know black little nigga feel like he got power

2045
02:00:11,280 --> 02:00:13,760
Speaker 1: or nothing like it to do nothing like them, even

2046
02:00:13,840 --> 02:00:17,000
Speaker 1: if the law state that they the only ones, they

2047
02:00:17,160 --> 02:00:19,360
Speaker 1: think they're the only ones that can get away with

2048
02:00:19,520 --> 02:00:22,680
Speaker 1: things like that. You know, So I'm watching that now,

2049
02:00:22,840 --> 02:00:25,640
Speaker 1: I'm watching you know him in that town, because I

2050
02:00:25,800 --> 02:00:29,720
Speaker 1: know how towns do. Niggas like us no, get some money,

2051
02:00:29,840 --> 02:00:33,880
Speaker 1: get powerful, sit up on the heel. You understand me,

2052
02:00:34,120 --> 02:00:36,920
Speaker 1: make more than the police chief, the mayor, all they

2053
02:00:37,000 --> 02:00:40,600
Speaker 1: shit together, make more than I'll live to get. Everybody

2054
02:00:40,640 --> 02:00:43,560
Speaker 1: to run the city make more than I all live together.

2055
02:00:43,640 --> 02:00:46,640
Speaker 1: And not because I'm better than them, just because I'm blessed.

2056
02:00:46,680 --> 02:00:49,120
Speaker 1: I'm in a situation to be able to capitalize in

2057
02:00:49,200 --> 02:00:53,520
Speaker 1: the market dictates my value. And I didn't say, they

2058
02:00:53,680 --> 02:00:56,520
Speaker 1: said this is what I'm worth. They pay me this amount.

2059
02:00:58,080 --> 02:01:03,960
Speaker 1: You gotta remain humble because your spot not secured. You'll

2060
02:01:04,040 --> 02:01:05,840
Speaker 1: be a fool to look at the game and thank

2061
02:01:05,920 --> 02:01:08,400
Speaker 1: your spot is secure when we've seen someone in that

2062
02:01:08,560 --> 02:01:11,360
Speaker 1: same position prior to you. You had to take it

2063
02:01:11,520 --> 02:01:14,120
Speaker 1: from someone, which means that someone can take it from you.

2064
02:01:15,280 --> 02:01:17,480
Speaker 1: A lot of these dudes get the popping and forget

2065
02:01:17,600 --> 02:01:19,600
Speaker 1: that you may gotta come back down. They are allowed

2066
02:01:19,640 --> 02:01:24,360
Speaker 1: to be careful, be careful, to do good business, understand people,

2067
02:01:24,480 --> 02:01:27,560
Speaker 1: understand the game. But I just wanted to do you know,

2068
02:01:28,200 --> 02:01:30,200
Speaker 1: I just wanted to speak on that because I felt

2069
02:01:30,240 --> 02:01:32,440
Speaker 1: like that, you know, it was a shooting at this

2070
02:01:32,600 --> 02:01:40,160
Speaker 1: crib and and and the dude jumped the gay you

2071
02:01:40,240 --> 02:01:42,880
Speaker 1: heard to do Holland he was sitting right there. It's

2072
02:01:42,920 --> 02:01:44,960
Speaker 1: crazy that because they trying to get him to admit

2073
02:01:45,120 --> 02:01:49,120
Speaker 1: to some kind of selacious crime over the phone. She'm

2074
02:01:49,160 --> 02:01:53,040
Speaker 1: more interested in getting me to admit I shot him

2075
02:01:53,080 --> 02:01:56,040
Speaker 1: and with what gun? And this and that? Then how

2076
02:01:56,120 --> 02:02:00,040
Speaker 1: to get the police into the mansion because he a

2077
02:02:00,200 --> 02:02:02,520
Speaker 1: steel got shit to go through to get up in here.

2078
02:02:04,520 --> 02:02:06,520
Speaker 1: You know what I'm saying. They came to pop up

2079
02:02:06,560 --> 02:02:09,440
Speaker 1: on these Yeah, I got to hit some and let

2080
02:02:09,520 --> 02:02:12,920
Speaker 1: you in here, or they gotta jump defense, just like

2081
02:02:13,040 --> 02:02:18,680
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2082
02:02:18,880 --> 02:02:22,000
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2083
02:02:22,160 --> 02:02:24,920
Speaker 1: and I'll pretend I don't know you're pretending. Are you

2084
02:02:25,000 --> 02:02:28,160
Speaker 1: a gagillionaire? Yeah? I have a T ANDT Fiber. The

2085
02:02:28,280 --> 02:02:31,840
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2086
02:02:32,560 --> 02:02:35,240
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2087
02:02:35,360 --> 02:02:38,080
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2088
02:02:38,080 --> 02:02:41,400
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2090
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