1
00:00:01,639 --> 00:00:04,040
Speaker 1: Welcome to Drink Champs, the production of the Black Effect

2
00:00:04,080 --> 00:00:18,680
Speaker 1: and I Heart Radio and his drinks as motherfucking podcast.

3
00:00:20,200 --> 00:00:23,400
Speaker 1: He's a legendary queen's rapper, He's Segre is your boy

4
00:00:23,440 --> 00:00:26,320
Speaker 1: in No R He's a Miami hip hop and lioneer

5
00:00:26,600 --> 00:00:29,240
Speaker 1: up is d J e f N. Together they drinking

6
00:00:29,320 --> 00:00:32,159
Speaker 1: up with some of the biggest players in the most

7
00:00:32,200 --> 00:00:36,760
Speaker 1: professional unprofessional podcast and your number one sorts for drunk

8
00:00:36,840 --> 00:00:42,360
Speaker 1: fast drinks. Mother is New Year's time for drink Champs.

9
00:00:42,440 --> 00:00:51,000
Speaker 1: Drink up Mother? Would you could be hoping he would

10
00:00:51,000 --> 00:00:53,080
Speaker 1: to see me this same boy? And what up is

11
00:00:53,159 --> 00:00:59,720
Speaker 1: DJ e f and his drinks has? Motherfucker makes No

12
00:01:01,320 --> 00:01:04,480
Speaker 1: I'm gonna be honest with you, guys. These are two

13
00:01:04,520 --> 00:01:11,520
Speaker 1: brothers of two elite groups, not a regularly these elite

14
00:01:11,760 --> 00:01:15,319
Speaker 1: group members. If you would have ever told me that

15
00:01:15,360 --> 00:01:19,000
Speaker 1: they would have an album together, I would have never said.

16
00:01:19,040 --> 00:01:21,080
Speaker 1: I would have never said yes, I would never agree

17
00:01:21,120 --> 00:01:23,360
Speaker 1: to that. I would have never said, but I've been

18
00:01:23,400 --> 00:01:27,199
Speaker 1: listening to the album all morning. What is it called records? Manners?

19
00:01:27,240 --> 00:01:31,600
Speaker 1: What what's wrong with y'all? Ship? What is that name

20
00:01:33,480 --> 00:01:36,840
Speaker 1: is a synonym for having Manner is a synonym for

21
00:01:36,959 --> 00:01:39,440
Speaker 1: styles so you wanted to give you having a Styles

22
00:01:39,480 --> 00:01:42,000
Speaker 1: but kind of the do way and it's fucking you up,

23
00:01:42,040 --> 00:01:45,800
Speaker 1: but it's with stop. That's how you know they're smarter

24
00:01:45,880 --> 00:01:53,160
Speaker 1: than us. I just want to introduce two brothers. I

25
00:01:53,240 --> 00:01:56,520
Speaker 1: both consider friends, I both considered family. I both consider

26
00:01:57,760 --> 00:02:01,000
Speaker 1: and and they one of the most lee MC's ever.

27
00:02:01,440 --> 00:02:03,400
Speaker 1: Just because they're my friends doesn't take it away from that.

28
00:02:03,520 --> 00:02:05,080
Speaker 1: So in case you I don't know who we're talking about,

29
00:02:05,200 --> 00:02:08,680
Speaker 1: we're talking about Havoc and motherfuckering Styles Pete make some

30
00:02:08,760 --> 00:02:19,160
Speaker 1: mother fum So we said off camera was O our

31
00:02:19,240 --> 00:02:22,160
Speaker 1: second interview. We don't give you your props that you deserve.

32
00:02:22,600 --> 00:02:28,359
Speaker 1: Our real second interview was Styles P and Chic second.

33
00:02:28,680 --> 00:02:32,760
Speaker 1: It was the second second recorded. A third second one

34
00:02:32,960 --> 00:02:35,720
Speaker 1: was Fat Joe, Fat Joe and Kenny and said was

35
00:02:35,840 --> 00:02:37,959
Speaker 1: supposed together like my trip to New York to the

36
00:02:38,000 --> 00:02:40,079
Speaker 1: trip to New York, And that was Jada. We went

37
00:02:40,160 --> 00:02:42,600
Speaker 1: that first night was Jada and Jada and Star and

38
00:02:42,880 --> 00:02:44,320
Speaker 1: we went to the studio and then we went to

39
00:02:44,360 --> 00:02:50,880
Speaker 1: the studio because you're fucking now, man. He was looking

40
00:02:50,919 --> 00:02:57,800
Speaker 1: at us crazy, like no, but we're all retrospect. No

41
00:02:57,840 --> 00:03:00,280
Speaker 1: one knew what the podcast was at the time and

42
00:03:00,280 --> 00:03:05,440
Speaker 1: people who were doing podcasts at the time. Was I'm

43
00:03:05,480 --> 00:03:08,280
Speaker 1: gonna go on and say it was nerves. It looked

44
00:03:08,320 --> 00:03:11,400
Speaker 1: it was seemed like some nerves. Nerves talking about Spade.

45
00:03:11,600 --> 00:03:15,000
Speaker 1: Please come on. You know me and jay Z is

46
00:03:15,040 --> 00:03:20,880
Speaker 1: great when the Spade out here, God damn it so style.

47
00:03:21,000 --> 00:03:24,400
Speaker 1: So I want to keep it with you for a second.

48
00:03:24,800 --> 00:03:26,960
Speaker 1: How did you did you did you know what we

49
00:03:26,960 --> 00:03:28,520
Speaker 1: were doing when we were doing it or we just

50
00:03:28,560 --> 00:03:32,239
Speaker 1: looked like bozos keeping Now? I really thought you was

51
00:03:32,280 --> 00:03:35,200
Speaker 1: doing something smart because being as a businessman, I always

52
00:03:35,240 --> 00:03:37,560
Speaker 1: like for people to do something that's kind of out

53
00:03:37,560 --> 00:03:40,240
Speaker 1: of the box, and he was. It was something new,

54
00:03:40,360 --> 00:03:42,840
Speaker 1: but it was at a lit time and it was live,

55
00:03:42,880 --> 00:03:44,720
Speaker 1: and it seemed like like, you know what I mean,

56
00:03:44,760 --> 00:03:48,760
Speaker 1: y'all were stepping into a field with different personality. So

57
00:03:48,800 --> 00:03:50,360
Speaker 1: I kind of, I mean, I kind of thought it

58
00:03:50,400 --> 00:03:53,760
Speaker 1: was dope and I thought it was smart and thank you.

59
00:03:53,880 --> 00:03:58,920
Speaker 1: You know, I know it's gonna pay out this huge.

60
00:03:57,160 --> 00:04:00,760
Speaker 1: I know it was gonna be and out this huge,

61
00:04:00,800 --> 00:04:04,520
Speaker 1: but you know it was great energy. And I can't

62
00:04:04,520 --> 00:04:06,520
Speaker 1: even stop calling him. I gotta call him ething. You

63
00:04:06,560 --> 00:04:18,120
Speaker 1: know what, The only one I get I get the past. Um,

64
00:04:18,160 --> 00:04:20,480
Speaker 1: I'm sorry to start when she was such a harsh question.

65
00:04:20,520 --> 00:04:25,320
Speaker 1: But UM, a lot of people when they look at

66
00:04:25,360 --> 00:04:30,480
Speaker 1: Prodigies death right, there's a lot of conspiracy theories that

67
00:04:30,480 --> 00:04:35,480
Speaker 1: floats around that death. Um people actually say that it

68
00:04:35,600 --> 00:04:42,719
Speaker 1: was an eggshell. Obviously. When I wanna interview anybody, I

69
00:04:42,760 --> 00:04:47,200
Speaker 1: google everything and people are saying, and then this this video,

70
00:04:48,279 --> 00:04:49,640
Speaker 1: and you tell me if this is real or not.

71
00:04:49,640 --> 00:04:53,800
Speaker 1: I don't know a prodigy and they're like a luminati.

72
00:04:53,839 --> 00:04:55,920
Speaker 1: A guy running up on a luminati said you better

73
00:04:55,960 --> 00:04:59,440
Speaker 1: not put out this video. You know. Somebody was running

74
00:04:59,560 --> 00:05:01,160
Speaker 1: run up, rand up on him and yeah, he had

75
00:05:01,560 --> 00:05:03,440
Speaker 1: people had a mask on. Did you ever see this video?

76
00:05:03,800 --> 00:05:05,640
Speaker 1: It was a real video. It was I don't know

77
00:05:05,640 --> 00:05:08,080
Speaker 1: what a real video. They ran up on him and

78
00:05:08,080 --> 00:05:10,039
Speaker 1: they was like like, you know, you better not put

79
00:05:10,040 --> 00:05:12,520
Speaker 1: this video out, whatever video that it is. So I

80
00:05:12,560 --> 00:05:15,560
Speaker 1: say that to say that a lot of conspiracy theoriest

81
00:05:15,560 --> 00:05:19,080
Speaker 1: thing that you know, which is weird because I'm gonna

82
00:05:19,080 --> 00:05:22,480
Speaker 1: tell you something I probably know you don't know. When

83
00:05:22,480 --> 00:05:24,600
Speaker 1: he said a luminati want my mind told him about

84
00:05:24,600 --> 00:05:26,600
Speaker 1: you know, I'm the person who gave Pridency to watch

85
00:05:26,680 --> 00:05:31,279
Speaker 1: the propel Horse. Yes, I'm the one who gave Pete.

86
00:05:32,560 --> 00:05:34,360
Speaker 1: I was coming home from jail. I was the guard.

87
00:05:35,680 --> 00:05:38,200
Speaker 1: I wasn't going about it. I'm sorry I went too far,

88
00:05:39,120 --> 00:05:41,440
Speaker 1: but I just I just want to Did you hear

89
00:05:41,480 --> 00:05:44,560
Speaker 1: these rumors? Yeah? Yeah? You know, every now and then,

90
00:05:44,720 --> 00:05:47,520
Speaker 1: you know what I'm saying, I get people asking me like, yo,

91
00:05:48,320 --> 00:05:51,000
Speaker 1: that's fucked up. He ain't died from or for egg

92
00:05:51,240 --> 00:05:53,400
Speaker 1: or whatever it is. You know what I'm saying, Like

93
00:05:53,480 --> 00:05:56,160
Speaker 1: you know, they because you know people was very controversial.

94
00:05:56,279 --> 00:05:57,680
Speaker 1: You know what I'm saying. He used to talk about

95
00:05:57,920 --> 00:06:00,680
Speaker 1: like you said, behold of the pale white Holes, and

96
00:06:00,680 --> 00:06:03,039
Speaker 1: and you know he was very keen on all of

97
00:06:03,080 --> 00:06:05,040
Speaker 1: that ship. So you know, just to make a long

98
00:06:05,080 --> 00:06:08,960
Speaker 1: story short, Um, you know, do I believe in that

99
00:06:09,080 --> 00:06:11,760
Speaker 1: kind of ship? You know what I'm saying. I reserve

100
00:06:12,760 --> 00:06:15,400
Speaker 1: to that ship. You know what I'm saying. I reserve

101
00:06:16,080 --> 00:06:20,440
Speaker 1: to it. But um, those are that that subject right

102
00:06:20,480 --> 00:06:22,920
Speaker 1: there is like I leave for private conversations, you know

103
00:06:22,960 --> 00:06:25,960
Speaker 1: what I'm saying, because because that ship is just so

104
00:06:26,080 --> 00:06:28,200
Speaker 1: real like that, you know what I'm saying in that vein,

105
00:06:28,320 --> 00:06:30,120
Speaker 1: and I think it should be kind of taking a

106
00:06:30,120 --> 00:06:32,480
Speaker 1: little bit seriously. So you know, what I mean, Like

107
00:06:32,520 --> 00:06:34,760
Speaker 1: I get approached all the time about that question, and

108
00:06:35,080 --> 00:06:36,719
Speaker 1: you know what I mean, Like I said, I reserved

109
00:06:38,160 --> 00:06:40,280
Speaker 1: to to that. I don't know if you know I

110
00:06:40,320 --> 00:06:48,440
Speaker 1: was there that night. You don't Vegas, Vegas. Let me

111
00:06:48,440 --> 00:06:49,720
Speaker 1: tell you. Let me tell you why. I know this

112
00:06:49,839 --> 00:06:54,840
Speaker 1: a God. I'm arguing with my production company to go.

113
00:06:55,040 --> 00:06:57,039
Speaker 1: They want me to go to New Orleans. They're telling

114
00:06:57,080 --> 00:07:00,599
Speaker 1: me New Orleans is a better food calling every spot

115
00:07:00,720 --> 00:07:05,320
Speaker 1: then Vegas and doing the food show Food Show on

116
00:07:05,360 --> 00:07:08,560
Speaker 1: the run, eating food Show. So I'm for some reason,

117
00:07:09,760 --> 00:07:13,360
Speaker 1: God is telling me go to Vegas and this is

118
00:07:13,480 --> 00:07:15,400
Speaker 1: crazy ship. So I go to Vegas. I'm going in

119
00:07:15,480 --> 00:07:20,400
Speaker 1: there to see iced Tea um onyx on next say

120
00:07:20,440 --> 00:07:22,000
Speaker 1: to me, if you wanted me to do your food

121
00:07:22,000 --> 00:07:27,480
Speaker 1: show tomorrow, you gotta do my show today. So as

122
00:07:27,560 --> 00:07:30,920
Speaker 1: y'all coming off stage, I'm going on stage. But I

123
00:07:32,200 --> 00:07:35,440
Speaker 1: thought you was dead to perform. I was there for

124
00:07:35,520 --> 00:07:38,520
Speaker 1: a food show. Yeah. So when I seen you, I

125
00:07:38,560 --> 00:07:40,960
Speaker 1: remember this like it was yesterday. I've seen you, and

126
00:07:41,000 --> 00:07:42,560
Speaker 1: I said, Happy, you getting bent with me today? And

127
00:07:42,600 --> 00:07:45,440
Speaker 1: Happy said, yeah, I got, I got you gave me.

128
00:07:46,240 --> 00:07:48,440
Speaker 1: And I said the same thing to Pete and p

129
00:07:48,680 --> 00:07:51,040
Speaker 1: said what he said to me for the last nineteen

130
00:07:51,120 --> 00:07:54,000
Speaker 1: years of my life. He said, I'm not feeling that good.

131
00:07:55,240 --> 00:07:58,040
Speaker 1: I'll be back though, I'll see you later on. I

132
00:07:58,120 --> 00:08:01,040
Speaker 1: heard that for nineteen years. I didn't feel alarmed. I

133
00:08:01,080 --> 00:08:05,200
Speaker 1: didn't feel nothing. I was just like, alright, cool. Then

134
00:08:05,240 --> 00:08:07,720
Speaker 1: the next day it was crazy because I don't know

135
00:08:07,720 --> 00:08:10,960
Speaker 1: if you don't remember Trip I was out there golf father,

136
00:08:11,480 --> 00:08:16,520
Speaker 1: you know, I know the nicknames, you know, so and

137
00:08:16,640 --> 00:08:20,440
Speaker 1: Trips and I've just seen Trips face, like we was

138
00:08:20,520 --> 00:08:24,760
Speaker 1: all I'm smoking back at the time and I've seen

139
00:08:24,760 --> 00:08:27,760
Speaker 1: trip face. And when Trips Face he looked and I

140
00:08:27,840 --> 00:08:31,440
Speaker 1: was like, something terrible happened. Did I think that was happening?

141
00:08:31,480 --> 00:08:33,920
Speaker 1: So I'm sorry to be so like, but I'm a

142
00:08:33,960 --> 00:08:36,080
Speaker 1: part of your legacy, you know what I'm saying, Like, like,

143
00:08:36,120 --> 00:08:37,640
Speaker 1: if it wasn't for Mob Deep, I don't know if

144
00:08:37,640 --> 00:08:40,320
Speaker 1: I ever told you this, there probably wouldn't be a

145
00:08:40,320 --> 00:08:44,600
Speaker 1: component or yet, they probably wouldn't be drink chaps. They

146
00:08:44,640 --> 00:08:49,480
Speaker 1: probably wouldn't be you know. Uh, you guys gave us

147
00:08:49,480 --> 00:08:56,560
Speaker 1: our first record. Al a l A remember, yeah, man,

148
00:08:57,240 --> 00:09:04,200
Speaker 1: you know what's the story? So I gotta also thank

149
00:09:04,280 --> 00:09:08,880
Speaker 1: you all because I look at the Tupac records and

150
00:09:08,920 --> 00:09:11,280
Speaker 1: I look at all this ship and hadn't we been

151
00:09:11,440 --> 00:09:18,120
Speaker 1: two minutes small Famous Tupac would have been shipping on us.

152
00:09:18,240 --> 00:09:21,360
Speaker 1: I was looking. I was specifically on compon Noriega. Oh

153
00:09:21,400 --> 00:09:31,559
Speaker 1: yeah he did. But and I say that to say,

154
00:09:33,600 --> 00:09:40,360
Speaker 1: this is very deep. This is very deep coose relationship

155
00:09:40,400 --> 00:09:43,040
Speaker 1: with Big. Big didn't have our back, and I don't

156
00:09:43,080 --> 00:09:45,360
Speaker 1: mean that in no disrespect. I didn't mean that, and like, uh,

157
00:09:45,640 --> 00:09:50,080
Speaker 1: but what Big said to us was what they're accusing

158
00:09:50,120 --> 00:09:53,400
Speaker 1: me of, Nori, I'm not guilty of that, So I'm

159
00:09:53,400 --> 00:09:56,480
Speaker 1: not ever gonna go back at them. L A l

160
00:09:56,559 --> 00:10:00,280
Speaker 1: A was a response to just if you really listened

161
00:10:00,280 --> 00:10:03,840
Speaker 1: to l A l A. We never dissed them at all.

162
00:10:04,520 --> 00:10:06,840
Speaker 1: It wasn't into the video. But it wasn't into the

163
00:10:06,920 --> 00:10:09,720
Speaker 1: video that they did when they kicked down the buildings.

164
00:10:10,080 --> 00:10:12,480
Speaker 1: That's when we didn't. But if you if you have it,

165
00:10:12,559 --> 00:10:15,520
Speaker 1: he was there. He was I stretched all strong together.

166
00:10:16,880 --> 00:10:18,920
Speaker 1: Did you think that this East Coast West coot she

167
00:10:19,040 --> 00:10:22,880
Speaker 1: was gonna go this far? Um? You know, I kind

168
00:10:22,880 --> 00:10:31,240
Speaker 1: of did. That's it was because you know what I'm saying.

169
00:10:31,240 --> 00:10:32,960
Speaker 1: I started because you know, we're from the hood. So

170
00:10:33,000 --> 00:10:35,720
Speaker 1: I'm thinking, like this might not end up well, Like

171
00:10:35,760 --> 00:10:37,520
Speaker 1: you know what I'm saying, like we're going back and forth,

172
00:10:37,559 --> 00:10:39,679
Speaker 1: we do it this record. We gotta go to l A,

173
00:10:39,960 --> 00:10:41,920
Speaker 1: I'm saying. And we didn't have to go to at

174
00:10:41,960 --> 00:10:45,719
Speaker 1: that time, like I'm staying on, but we had to

175
00:10:45,760 --> 00:10:47,600
Speaker 1: go to l A. So you know, I was thinking

176
00:10:47,640 --> 00:10:50,320
Speaker 1: like we was going under assume names in the hotel

177
00:10:50,360 --> 00:10:52,679
Speaker 1: at that point, you know what I'm saying, because it

178
00:10:52,760 --> 00:10:54,319
Speaker 1: was it was like that, you know what I mean.

179
00:10:54,440 --> 00:10:56,640
Speaker 1: So I did think it was gonna kind of go

180
00:10:57,000 --> 00:11:00,280
Speaker 1: far because you know, nigs ain't playing like you know, saying,

181
00:11:00,760 --> 00:11:03,280
Speaker 1: you Inkie playing around on the rap backord, but you're

182
00:11:03,320 --> 00:11:06,880
Speaker 1: not playing around because when you get around certain like

183
00:11:06,920 --> 00:11:11,400
Speaker 1: it's not a game now styles you were outside looking in,

184
00:11:11,559 --> 00:11:14,840
Speaker 1: but you definitely, yeah, you're definitely on our team. If

185
00:11:14,880 --> 00:11:18,959
Speaker 1: it was the East Coast, definitely, what if it's the

186
00:11:19,000 --> 00:11:27,080
Speaker 1: East Coast, we counted you in. So we counted you

187
00:11:27,120 --> 00:11:30,640
Speaker 1: in it, and so I wasn't you guys, I'm y'all

188
00:11:31,040 --> 00:11:33,640
Speaker 1: at that time, thinking like what does these queens doing?

189
00:11:33,720 --> 00:11:37,559
Speaker 1: I mean, we we was two minutes, we was two

190
00:11:37,559 --> 00:11:41,600
Speaker 1: minutes away to count like it had been nice to

191
00:11:41,600 --> 00:11:46,240
Speaker 1: get tagg in. It wasn't even right, It wasn't on

192
00:11:46,280 --> 00:11:48,800
Speaker 1: the radar, like you know what I mean. So I

193
00:11:48,800 --> 00:11:53,320
Speaker 1: mean it was it was a rough time I think

194
00:11:53,360 --> 00:11:57,400
Speaker 1: for for for for hip hop fan period, like not

195
00:11:57,440 --> 00:12:01,120
Speaker 1: even just people in the music industry, just like that.

196
00:12:01,120 --> 00:12:04,920
Speaker 1: That was kind of like a a shaky, a shaky

197
00:12:05,000 --> 00:12:08,320
Speaker 1: time because you know, UM, as a New York person too,

198
00:12:08,440 --> 00:12:12,240
Speaker 1: I think like um, like, I think that the end

199
00:12:12,280 --> 00:12:14,880
Speaker 1: of the Way movement affected a lot of us, Like,

200
00:12:15,200 --> 00:12:17,160
Speaker 1: you know, East Coast is real critical, like we on

201
00:12:17,360 --> 00:12:20,280
Speaker 1: some East Coast only ship, but we love that ship.

202
00:12:20,400 --> 00:12:22,640
Speaker 1: It was like that ship. Everybody in New York had

203
00:12:22,640 --> 00:12:24,880
Speaker 1: a Raiders had Raiders Starter, you know, you know what

204
00:12:25,000 --> 00:12:27,199
Speaker 1: I mean. When I first heard straight up Compton, I

205
00:12:27,240 --> 00:12:30,680
Speaker 1: thought that was like the records Alan, I thought was

206
00:12:30,720 --> 00:12:32,000
Speaker 1: a jail. I was like, I don't want to go

207
00:12:32,040 --> 00:12:35,600
Speaker 1: to comment like I don't want to get rested out there.

208
00:12:35,920 --> 00:12:40,040
Speaker 1: I had no idea. Yeah, all right, Listen is the

209
00:12:40,040 --> 00:12:43,160
Speaker 1: first person in chocolate you want school. He's gonna make

210
00:12:43,200 --> 00:12:54,040
Speaker 1: me do shrooms good three pieces, just three, my friend,

211
00:12:54,160 --> 00:12:57,280
Speaker 1: let me take one at a time, take three. Little.

212
00:12:57,360 --> 00:12:59,800
Speaker 1: I went to Amsterdam. We went to Amsterdam. We did

213
00:12:59,800 --> 00:13:04,000
Speaker 1: that every ball with you, yes, and you drink with

214
00:13:04,240 --> 00:13:13,000
Speaker 1: every ball. I'm gonna do at the we want. I

215
00:13:13,080 --> 00:13:16,400
Speaker 1: want to stay married. I gotta go home to night.

216
00:13:16,720 --> 00:13:18,920
Speaker 1: Hold hold on, I'm tripping now, so don't worry about it.

217
00:13:19,640 --> 00:13:23,319
Speaker 1: I'm already tripping this. It's cool, you guys. So he's

218
00:13:23,320 --> 00:13:26,840
Speaker 1: saying east coast, west coast, US down south. We've seen

219
00:13:26,840 --> 00:13:36,920
Speaker 1: it as cruise fighting, not the coast. It hates us.

220
00:13:37,400 --> 00:13:41,080
Speaker 1: That's why we have a show again. Could y'all see

221
00:13:41,080 --> 00:13:46,320
Speaker 1: it automatically as coast beefing or cruise beefing. I looked

222
00:13:46,360 --> 00:13:49,400
Speaker 1: at it as it was a crew beef that was

223
00:13:49,400 --> 00:13:52,199
Speaker 1: gonna lead to a coach beef. It's like that ship

224
00:13:52,240 --> 00:13:55,439
Speaker 1: is like the Yankees in Boston, you know, like the

225
00:13:55,920 --> 00:13:58,520
Speaker 1: same ship. Man. Once, you got to pick a side,

226
00:13:58,520 --> 00:14:00,640
Speaker 1: and you gotta roll with your side just where I'm from. You,

227
00:14:00,720 --> 00:14:03,240
Speaker 1: of course, you're gonna roll with people where you're from. Um.

228
00:14:03,280 --> 00:14:06,280
Speaker 1: I think all outside is looking at even myself is

229
00:14:06,600 --> 00:14:08,680
Speaker 1: getting in the hip hop. I think people thinks mast

230
00:14:08,920 --> 00:14:22,080
Speaker 1: sir already, sir. I think Floyd right now. I think

231
00:14:22,080 --> 00:14:24,840
Speaker 1: all people think rappers like all hang with each other

232
00:14:24,880 --> 00:14:28,280
Speaker 1: and there's some big fucking rap community where everybody lives

233
00:14:30,800 --> 00:14:33,320
Speaker 1: like that ship like that, like you know what I mean,

234
00:14:33,360 --> 00:14:36,000
Speaker 1: So you know when you get in, but you know

235
00:14:36,040 --> 00:14:39,400
Speaker 1: that people are gonna take to where they're from. We

236
00:14:39,480 --> 00:14:41,280
Speaker 1: saw that when when the hell can I be down

237
00:14:41,320 --> 00:14:47,080
Speaker 1: convention was in Miami. We saw East Coast cast meaning

238
00:14:47,160 --> 00:14:49,520
Speaker 1: New York for us down South. We East Coast hate

239
00:14:49,520 --> 00:14:52,960
Speaker 1: out South. We don't hate y'all, we just we're not

240
00:14:53,040 --> 00:14:56,000
Speaker 1: New York. We down South. And so we saw it

241
00:14:56,040 --> 00:14:57,760
Speaker 1: on fold out here that she got crazy. It was

242
00:14:57,880 --> 00:15:00,960
Speaker 1: in the streets in South Beach, see dog Pound and

243
00:15:01,000 --> 00:15:02,800
Speaker 1: these cats and these cats, and it was wild. So

244
00:15:02,840 --> 00:15:07,280
Speaker 1: we didn't see the division everybody across the board. I

245
00:15:07,400 --> 00:15:14,160
Speaker 1: respect that glass the hates New Yorkers. I don't get

246
00:15:14,200 --> 00:15:18,080
Speaker 1: out of here. Let me just say so, this is

247
00:15:18,080 --> 00:15:20,400
Speaker 1: why I don't second. People don't believe. No, No, this

248
00:15:20,480 --> 00:15:23,200
Speaker 1: is why I love you and I love tr I'm

249
00:15:23,240 --> 00:15:26,520
Speaker 1: advocate from I'm from t I does not let it go.

250
00:15:26,840 --> 00:15:28,480
Speaker 1: He'd be like, yeah, because y'all New York is the

251
00:15:28,520 --> 00:15:32,640
Speaker 1: front on us. And I'm like, it's true twenty five

252
00:15:32,800 --> 00:15:35,400
Speaker 1: years ago. But one thing that old people say, I

253
00:15:35,400 --> 00:15:37,400
Speaker 1: gotta stand with Normy on this, Like you go to

254
00:15:37,520 --> 00:15:39,880
Speaker 1: other places. You say, New York people front on people.

255
00:15:40,280 --> 00:15:43,080
Speaker 1: New York is a not friendly place. We're very competitive.

256
00:15:43,120 --> 00:15:45,440
Speaker 1: We're to play. Hold on, let me finish. We're competitive

257
00:15:45,440 --> 00:15:48,520
Speaker 1: with each other. Right, But you never hear you never

258
00:15:48,560 --> 00:15:51,960
Speaker 1: go to New York and hear them say fuck another place.

259
00:15:52,000 --> 00:15:54,560
Speaker 1: So we don't even compare ourselves to no other states.

260
00:15:55,120 --> 00:15:56,880
Speaker 1: It ain't we ain't no New York. They canna wake

261
00:15:56,960 --> 00:16:02,800
Speaker 1: up on no day guy niggers. It's worried about the

262
00:16:02,880 --> 00:16:05,680
Speaker 1: nigger down the block to be worried about. But he

263
00:16:05,760 --> 00:16:15,280
Speaker 1: confused New York. Never say I'm from New York. Maybe

264
00:16:15,360 --> 00:16:18,080
Speaker 1: you just like yeah. But the confusion is, I said

265
00:16:18,120 --> 00:16:21,320
Speaker 1: the industry at that time, the hip hop industry was

266
00:16:21,320 --> 00:16:23,960
Speaker 1: in New York. It was being biased everybody else. He like,

267
00:16:24,640 --> 00:16:36,440
Speaker 1: it's the truth. You like, of course, you see, I'm

268
00:16:36,480 --> 00:16:39,040
Speaker 1: not talking about I'm not talking about the artist. I'm

269
00:16:39,040 --> 00:16:40,840
Speaker 1: not talking about the people. I'm talking about the industry

270
00:16:40,840 --> 00:16:43,560
Speaker 1: of there was being biased. The other day, hang with you,

271
00:16:43,720 --> 00:16:46,640
Speaker 1: we had I forget who we had on here. And

272
00:16:46,720 --> 00:16:50,280
Speaker 1: he goes, because y'all thought that everybody is liberal York.

273
00:16:50,680 --> 00:16:53,760
Speaker 1: It's from New York. And he know that's y'all problem. Man,

274
00:16:55,720 --> 00:17:04,919
Speaker 1: what's happening? Yeah, I keep going. Don't forget anything anything

275
00:17:04,920 --> 00:17:14,119
Speaker 1: in my life. Moving on controversial story styles. Do refrigerator?

276
00:17:14,160 --> 00:17:19,280
Speaker 1: That puff chuff? How did it turn? He said he

277
00:17:19,440 --> 00:17:23,359
Speaker 1: was kissed, said to throw a refrigerator. I threw a chair.

278
00:17:23,600 --> 00:17:25,600
Speaker 1: It just sounds crazy, Yeah, I though it. I through

279
00:17:25,640 --> 00:17:28,040
Speaker 1: a chair to sprain my ankle. Kind of throwing that

280
00:17:28,119 --> 00:17:30,800
Speaker 1: cheer to that ship hurt like a hurt yourself, trying

281
00:17:30,800 --> 00:17:34,840
Speaker 1: to hurt. Yeah. Yeah, I'm great with puff man, right

282
00:17:34,880 --> 00:17:37,399
Speaker 1: with everybody. Now, I'm not violent guy. So herbs and

283
00:17:37,400 --> 00:17:39,760
Speaker 1: oil shout out the Pharmacy for Life. I s fruits

284
00:17:39,760 --> 00:17:43,200
Speaker 1: and veggies shout out to Juice for Life. And I'm cool.

285
00:17:44,600 --> 00:17:47,560
Speaker 1: I'm cool. But that it happened, I can't happen where

286
00:17:47,560 --> 00:17:50,119
Speaker 1: I'm at in life. It happened. I hated the shiny suits.

287
00:17:50,119 --> 00:17:55,200
Speaker 1: I hated all that ship. And now I'm like, secretly,

288
00:17:55,200 --> 00:18:03,680
Speaker 1: we're on a shiny suit right now. I love it.

289
00:18:03,760 --> 00:18:08,920
Speaker 1: So now let's go back to you half. You come on, brother,

290
00:18:09,520 --> 00:18:12,639
Speaker 1: You're not a stream to relax. Don't show off the goods. Now,

291
00:18:12,680 --> 00:18:14,600
Speaker 1: what is it? Drop a gym on him, Drop a

292
00:18:14,640 --> 00:18:17,520
Speaker 1: gym on drop a gym on him? All right, here's

293
00:18:17,520 --> 00:18:20,160
Speaker 1: the crazy shing about drop a Gym on a Gym.

294
00:18:20,320 --> 00:18:21,600
Speaker 1: First of all, I wanted to be on the record.

295
00:18:21,920 --> 00:18:25,680
Speaker 1: It's one that's a great record. You guys never actually

296
00:18:26,080 --> 00:18:31,800
Speaker 1: addressed to pop the record's that purposely because you know,

297
00:18:32,000 --> 00:18:34,800
Speaker 1: like back in those days, it was all about the subs.

298
00:18:34,840 --> 00:18:36,240
Speaker 1: You know what I'm saying, Like you know what I'm saying.

299
00:18:36,240 --> 00:18:38,800
Speaker 1: That motherfucker's had told that. You know, motherfucker's had to

300
00:18:38,800 --> 00:18:41,720
Speaker 1: figure it out, you know. So it was all about

301
00:18:41,720 --> 00:18:45,639
Speaker 1: the sub So we we didn't directly say that, you

302
00:18:45,640 --> 00:18:48,120
Speaker 1: know what I mean. But um, I don't know which

303
00:18:48,160 --> 00:18:50,719
Speaker 1: record came first, was the drop of gym Jim on

304
00:18:50,800 --> 00:18:54,880
Speaker 1: him or hit him up him first? It came first? Well,

305
00:18:54,880 --> 00:18:58,760
Speaker 1: he was direct, you know what I was like, you

306
00:18:58,800 --> 00:19:04,920
Speaker 1: don't know me, Like I'm sorry, I'm sorry, I'm sorry.

307
00:19:05,720 --> 00:19:07,960
Speaker 1: Don't get in twisted like you know what I'm saying,

308
00:19:08,000 --> 00:19:10,600
Speaker 1: Like you know what I'm saying. I was happy about

309
00:19:10,640 --> 00:19:11,760
Speaker 1: this ship, you know what I'm say. When the nigga

310
00:19:11,760 --> 00:19:13,160
Speaker 1: said my name, like I ain't you know what I'm saying,

311
00:19:13,160 --> 00:19:16,320
Speaker 1: I ain't give a you know what I mean? It

312
00:19:16,440 --> 00:19:20,960
Speaker 1: was crazy, WHI how do you even know that I

313
00:19:21,000 --> 00:19:23,679
Speaker 1: ain't people fought a lot of New York bitches because

314
00:19:23,680 --> 00:19:25,840
Speaker 1: someone that's what that was. That was someone girl who

315
00:19:25,840 --> 00:19:29,960
Speaker 1: gave that up and somebody it wasn't like nobody knew

316
00:19:29,960 --> 00:19:34,639
Speaker 1: what somebody close, Come on, regular industry, you would have

317
00:19:34,680 --> 00:19:37,160
Speaker 1: to be like, you know, really kind of close. So

318
00:19:37,640 --> 00:19:39,760
Speaker 1: somebody definitely, you know what I'm saying, He was in

319
00:19:39,840 --> 00:19:42,680
Speaker 1: somebody you know, and they told But yeah, you know

320
00:19:42,680 --> 00:19:47,639
Speaker 1: what I'm saying, so to you because technically when he says,

321
00:19:48,960 --> 00:19:50,399
Speaker 1: but what do you do is got sickle cell? You

322
00:19:50,440 --> 00:19:53,720
Speaker 1: know you don't have sickle cell? So are you looking

323
00:19:53,760 --> 00:19:56,719
Speaker 1: at it like it's a mall deep beef or this

324
00:19:56,840 --> 00:19:59,639
Speaker 1: is because it was a mall deep beef. As soon

325
00:19:59,640 --> 00:20:01,119
Speaker 1: as he say something about Pete, I feel like he

326
00:20:01,160 --> 00:20:05,159
Speaker 1: said something about me. I love that answer that should be.

327
00:20:08,560 --> 00:20:11,520
Speaker 1: I love that. That is beautiful, bro. I miss proud

328
00:20:11,560 --> 00:20:13,440
Speaker 1: of you. By the way, now I miss him too.

329
00:20:13,640 --> 00:20:15,840
Speaker 1: I missing really do. I mean, you know he would

330
00:20:15,840 --> 00:20:18,600
Speaker 1: be here like you know, pe laid that. You know

331
00:20:18,600 --> 00:20:22,560
Speaker 1: what I'm saying, talking crack on the mean absolutely, you

332
00:20:22,600 --> 00:20:23,919
Speaker 1: know what I'm saying. When I when I when I

333
00:20:23,960 --> 00:20:25,919
Speaker 1: met him, he was fresh out of left brack, like

334
00:20:25,960 --> 00:20:28,240
Speaker 1: you know, what I'm saying, like he's ready for anybody

335
00:20:28,200 --> 00:20:31,240
Speaker 1: to say no, I say, I say, I'm saying when

336
00:20:31,280 --> 00:20:33,520
Speaker 1: you both saw each other back on the block, just

337
00:20:33,560 --> 00:20:37,480
Speaker 1: like you and you like people. Don't ang why she

338
00:20:37,560 --> 00:20:42,359
Speaker 1: called him me, that's just answering. And oh she hung up.

339
00:20:43,359 --> 00:20:47,280
Speaker 1: She set up, she struth up. Hold on, let's to

340
00:20:47,320 --> 00:20:58,480
Speaker 1: see you want some aces spade? Right, yeah, yeah, because

341
00:20:58,480 --> 00:21:03,639
Speaker 1: you know he's watching. He's someone. Yeah, Hey, what's going on?

342
00:21:04,119 --> 00:21:10,080
Speaker 1: You hit me by mistake? Makes something? Yeah, you're not

343
00:21:10,200 --> 00:21:22,399
Speaker 1: wanta drink chapter styles being happy? I'm sorry, Yes, y'all here, okay,

344
00:21:22,440 --> 00:21:24,479
Speaker 1: all right, cool, So I'm gonna misinterview and they were

345
00:21:24,520 --> 00:21:27,600
Speaker 1: gonna get you back, says all right now, albright, cool,

346
00:21:27,920 --> 00:21:32,320
Speaker 1: your nick is doing promo. You're gonna see other people first.

347
00:21:32,880 --> 00:21:40,520
Speaker 1: I didn't know what happened. I was going on. That's

348
00:21:40,880 --> 00:21:52,200
Speaker 1: that's great. So getting to you, I'm in my mind.

349
00:21:52,200 --> 00:21:57,760
Speaker 1: I'm wondering, like this kicking in. I'm not sicking. Okay, yeah, no,

350
00:21:58,240 --> 00:22:02,360
Speaker 1: not yet. Okay. So Big the guy's got a relationship

351
00:22:02,400 --> 00:22:05,439
Speaker 1: with Big. There's a rumor that Big actually got on

352
00:22:05,440 --> 00:22:08,639
Speaker 1: the record with y'all and this y'all on the record.

353
00:22:08,800 --> 00:22:11,040
Speaker 1: Is that true? I mean you'll see you can hear

354
00:22:11,080 --> 00:22:13,240
Speaker 1: it for yourself. He said it on the show before

355
00:22:13,400 --> 00:22:15,000
Speaker 1: it was Kiss who said that. So I want to

356
00:22:15,040 --> 00:22:18,280
Speaker 1: hear from Stock, Yeah, I mean what record is this?

357
00:22:18,520 --> 00:22:24,680
Speaker 1: That's you'll see what is what's the line? Almost the

358
00:22:24,720 --> 00:22:31,639
Speaker 1: whole ship? You're talking it, but ain't limited re fresh

359
00:22:31,680 --> 00:22:36,639
Speaker 1: off the block because there's an m C like anytime

360
00:22:37,280 --> 00:22:40,560
Speaker 1: you're around another MC and it's it's the ship like

361
00:22:40,840 --> 00:22:44,200
Speaker 1: nis talking it, but ain't living it because you aim

362
00:22:44,960 --> 00:22:47,520
Speaker 1: like the whole ninety You gotta go back and listen

363
00:22:47,560 --> 00:22:50,480
Speaker 1: to the whole golden Ever that's all dots and back

364
00:22:50,480 --> 00:22:53,000
Speaker 1: and forth at each other. That's all like like like

365
00:22:53,359 --> 00:22:59,280
Speaker 1: having what's saying that's that's cold? The nineties is like

366
00:22:59,440 --> 00:23:02,879
Speaker 1: all cold. It sucks. It's because like you gotta go

367
00:23:03,000 --> 00:23:07,440
Speaker 1: at everybody like when you you kind of like fuck

368
00:23:07,520 --> 00:23:10,359
Speaker 1: everybody because it's like really just thought NAS had a

369
00:23:10,440 --> 00:23:15,840
Speaker 1: record this is p Mega and Nature. I didn't see

370
00:23:15,840 --> 00:23:19,840
Speaker 1: that record coming. I mean nobody did. Oh you didn't either,

371
00:23:20,080 --> 00:23:24,720
Speaker 1: I would, I know, I don't know what was the record.

372
00:23:24,960 --> 00:23:28,000
Speaker 1: I don't remember. I just remember I remember he moved

373
00:23:28,000 --> 00:23:34,159
Speaker 1: to Massy. I didn't even know that. I didn't Nature up.

374
00:23:34,600 --> 00:23:38,840
Speaker 1: But I didn't realize that makes sense. And I didn't

375
00:23:38,880 --> 00:23:42,040
Speaker 1: realize Massy jay Z I was like old ship this nigga,

376
00:23:42,320 --> 00:23:45,600
Speaker 1: This nigga is good. But it was a weird time

377
00:23:45,840 --> 00:23:49,440
Speaker 1: for use was It really was weird. I mean, you

378
00:23:49,480 --> 00:23:52,239
Speaker 1: know what I'm saying, Um like nig is eating their

379
00:23:52,280 --> 00:23:54,000
Speaker 1: own like you know what I'm saying. It's like, why

380
00:23:54,000 --> 00:23:55,879
Speaker 1: would you do that? Like but no one never this

381
00:23:56,000 --> 00:23:58,240
Speaker 1: is avic. Why do you would like the you like

382
00:23:58,320 --> 00:24:04,520
Speaker 1: the guy that gets away with everything? You never like

383
00:24:04,720 --> 00:24:08,480
Speaker 1: in the drama. You're in the drama. But I'm in

384
00:24:08,520 --> 00:24:10,840
Speaker 1: the background saying how do you survive this? Because you

385
00:24:10,880 --> 00:24:12,960
Speaker 1: know what I'm saying, Like, you know, I'll just be

386
00:24:13,119 --> 00:24:15,399
Speaker 1: chilling man in the background, just you know, just taking

387
00:24:15,480 --> 00:24:17,920
Speaker 1: notes and ship. You know what I'm saying. I ain't

388
00:24:18,080 --> 00:24:22,000
Speaker 1: with the fucking you know rod talking. You know what

389
00:24:22,080 --> 00:24:24,240
Speaker 1: I'm saying, and you know, going back and forth with

390
00:24:24,359 --> 00:24:27,120
Speaker 1: nigga's Like I just let niggas say what they say.

391
00:24:27,400 --> 00:24:28,920
Speaker 1: You know what I'm saying that nobody don't say nothing

392
00:24:28,960 --> 00:24:31,640
Speaker 1: about me because they know I ain't saying nothing about nobody.

393
00:24:31,760 --> 00:24:34,040
Speaker 1: Don't drag me into it like I'm chilling or you

394
00:24:34,200 --> 00:24:35,760
Speaker 1: want to spick up popper ship. That's it, that's it.

395
00:24:38,640 --> 00:24:44,640
Speaker 1: Let's make happen. It's happen. We've been outside you. You're

396
00:24:44,840 --> 00:24:46,480
Speaker 1: a lot of chicks and out. Let's just keep it read.

397
00:24:46,800 --> 00:24:57,480
Speaker 1: Every time I come to the Chi every career, I'm

398
00:24:57,520 --> 00:25:02,560
Speaker 1: proud to happen. Family. I'm all, never blew it up.

399
00:25:02,640 --> 00:25:05,640
Speaker 1: You've always been a gentleman about it. You never said

400
00:25:05,800 --> 00:25:08,440
Speaker 1: nothing no, so I don't expect you to say nothing now.

401
00:25:09,359 --> 00:25:12,879
Speaker 1: I respect it. This is you know, in Spanish we

402
00:25:12,920 --> 00:25:25,240
Speaker 1: say so to say, you know, let's get back to

403
00:25:26,000 --> 00:25:27,960
Speaker 1: and I know we said this before and drink Champs,

404
00:25:28,280 --> 00:25:31,119
Speaker 1: but this is the most genius ship. Every time I

405
00:25:31,200 --> 00:25:32,840
Speaker 1: go back to the projects, every time I go back

406
00:25:32,880 --> 00:25:36,320
Speaker 1: to the hood and I hear that goddamn stove. Oh

407
00:25:36,520 --> 00:25:38,920
Speaker 1: and that was that was the first time you talked

408
00:25:38,960 --> 00:25:41,119
Speaker 1: about on drink chance or was this I don't even remember.

409
00:25:41,560 --> 00:25:43,800
Speaker 1: That was a big drink Champs moment. By the way,

410
00:25:44,520 --> 00:25:47,679
Speaker 1: to this day, every time that's it clicks on, that's

411
00:25:47,720 --> 00:25:52,560
Speaker 1: the gas. Yeah, I'm saying, what what would you smoking?

412
00:25:52,640 --> 00:25:55,600
Speaker 1: To say? This is a beating? We're smoking that one

413
00:25:55,680 --> 00:25:59,639
Speaker 1: to one and one to the black, black black bass.

414
00:26:00,040 --> 00:26:04,879
Speaker 1: Why I ain't making millions over that though. All right,

415
00:26:04,920 --> 00:26:07,480
Speaker 1: so you so what the is going on? You cooking

416
00:26:07,520 --> 00:26:10,200
Speaker 1: fried chicken? You click the ship? What the fun made

417
00:26:10,240 --> 00:26:12,400
Speaker 1: you say? You know? This is a beat. One time

418
00:26:12,480 --> 00:26:14,480
Speaker 1: I wanted to eat some Rama noodles and just so

419
00:26:14,600 --> 00:26:16,320
Speaker 1: you know, I just put the rama noodles or the

420
00:26:16,400 --> 00:26:21,520
Speaker 1: stove at a getting high sis and I just left

421
00:26:21,560 --> 00:26:23,200
Speaker 1: it ticket like that, And I just went back to

422
00:26:23,320 --> 00:26:26,280
Speaker 1: the BBC and I got the recording and I recorded it,

423
00:26:27,119 --> 00:26:29,199
Speaker 1: and then I put it back into the NPC sixty

424
00:26:29,720 --> 00:26:31,720
Speaker 1: and then it just went the whole time. The gas

425
00:26:31,840 --> 00:26:44,000
Speaker 1: is coming. That's why that ships it off. Word, that's

426
00:26:44,040 --> 00:26:48,119
Speaker 1: a legendary. And this is very strong. You're telling me

427
00:26:48,160 --> 00:26:52,560
Speaker 1: to take two more. Hold on, Jesus, I'm like, come on,

428
00:26:53,040 --> 00:26:56,560
Speaker 1: come on, I'm gonna drink me happy, come on, hoppy drink.

429
00:26:56,560 --> 00:26:59,240
Speaker 1: You gonna drink me? Come on, come on, you're gonna

430
00:26:59,280 --> 00:27:08,600
Speaker 1: drink you drink drinking j Z where you're coming mind

431
00:27:08,680 --> 00:27:11,440
Speaker 1: drinking drink. I'm gonna len hit the whiskey. Did Yeah?

432
00:27:11,680 --> 00:27:15,000
Speaker 1: I like that? Here we sir, So that gotta be

433
00:27:15,040 --> 00:27:17,959
Speaker 1: an awkward moment for you to have, right, It's because

434
00:27:19,080 --> 00:27:22,240
Speaker 1: I believe you do a beats for big you you

435
00:27:22,480 --> 00:27:26,359
Speaker 1: you're cool with Jay, but didn't this this discrepancy happens

436
00:27:26,359 --> 00:27:30,600
Speaker 1: between Ja and Pete. Where are you like? And how

437
00:27:30,720 --> 00:27:35,280
Speaker 1: how you responding? Y'all? Right? Well, at that point when

438
00:27:35,359 --> 00:27:38,159
Speaker 1: when the beef was going down, you know, with the

439
00:27:38,600 --> 00:27:42,960
Speaker 1: funny ship with you know, uh Ja putting the picture

440
00:27:43,080 --> 00:27:45,960
Speaker 1: of X Y and Z and then they did the

441
00:27:46,760 --> 00:27:50,000
Speaker 1: you know, the takeover and all of that ship. You

442
00:27:50,080 --> 00:27:51,920
Speaker 1: know what I mean, It just it made me feel

443
00:27:51,960 --> 00:27:55,159
Speaker 1: crazy because you know, I was fond of jay Z,

444
00:27:55,359 --> 00:27:57,000
Speaker 1: like you know what that again, he didn't this you

445
00:27:57,400 --> 00:28:00,160
Speaker 1: now you know, but you know, look, when you you're

446
00:28:00,240 --> 00:28:06,560
Speaker 1: dis in prodigy, you know what I'm saying, he doesn't

447
00:28:06,560 --> 00:28:13,320
Speaker 1: respond but on some real but but yeah, so but

448
00:28:13,480 --> 00:28:20,600
Speaker 1: J goes at P. Where are you at? And are

449
00:28:20,600 --> 00:28:24,600
Speaker 1: you're saying I'm going on at J? Immediately? It's no,

450
00:28:24,760 --> 00:28:27,440
Speaker 1: I never really wanted to go at J. What I'm saying,

451
00:28:27,640 --> 00:28:29,920
Speaker 1: I never really wanted to go to jail. I was like,

452
00:28:30,080 --> 00:28:33,560
Speaker 1: you know, at that point, I just wanted that ship

453
00:28:33,640 --> 00:28:35,719
Speaker 1: to like kind of fizzle out, you know what I mean,

454
00:28:35,800 --> 00:28:38,640
Speaker 1: because I don't think it was It wasn't good for us,

455
00:28:38,840 --> 00:28:40,320
Speaker 1: you know what I mean? Like, you know what I'm saying,

456
00:28:40,400 --> 00:28:42,720
Speaker 1: Jay had to shoot on fire. You know what I'm saying.

457
00:28:42,720 --> 00:28:45,280
Speaker 1: I'd rather have been an ally more than an enemy,

458
00:28:45,320 --> 00:28:47,080
Speaker 1: you know what I mean. But can I actually can

459
00:28:47,120 --> 00:28:49,160
Speaker 1: I keep it real with you? Had to say? What

460
00:28:49,400 --> 00:28:52,480
Speaker 1: what was it Pe? Poking at them? Because he was

461
00:28:52,560 --> 00:28:54,440
Speaker 1: poking at him. I felt like he was poking at you,

462
00:28:54,560 --> 00:28:56,040
Speaker 1: smoking at him. But you know what I'm saying, that

463
00:28:56,160 --> 00:28:57,560
Speaker 1: was Pe. You know what I'm saying that You know

464
00:28:59,280 --> 00:29:00,840
Speaker 1: I had this bad you know what I'm saying, but

465
00:29:00,920 --> 00:29:03,240
Speaker 1: just silently like you know what I'm saying, No, no, no, no,

466
00:29:03,360 --> 00:29:05,720
Speaker 1: not out to be funny like just like you know,

467
00:29:05,960 --> 00:29:08,240
Speaker 1: if somebody swing on him, I'm gonna protect him, like

468
00:29:08,280 --> 00:29:10,120
Speaker 1: you know what I'm saying, whether he right or he's wrong.

469
00:29:10,480 --> 00:29:12,080
Speaker 1: But you know, I'm just gonna chill that kid. You

470
00:29:12,120 --> 00:29:13,720
Speaker 1: know what I'm saying, Waiting for to sit the fizzle

471
00:29:13,760 --> 00:29:15,680
Speaker 1: down that you know what I'm saying, fizzle down. The

472
00:29:15,760 --> 00:29:18,720
Speaker 1: crazy shit about it is that you know, even though

473
00:29:18,760 --> 00:29:22,800
Speaker 1: the beat he mentioned, you know, Prodigy or whatever whatever,

474
00:29:23,240 --> 00:29:26,040
Speaker 1: when we finally got around jay Z, I feel funny

475
00:29:26,080 --> 00:29:27,440
Speaker 1: like I really had beefoo with him, you know what

476
00:29:27,480 --> 00:29:29,760
Speaker 1: I'm saying. But I really didn't you know how this

477
00:29:30,200 --> 00:29:33,480
Speaker 1: you were You're guilty association, right, you know what I'm saying,

478
00:29:34,800 --> 00:29:38,840
Speaker 1: the stabs that he was taking and Nas right, and

479
00:29:39,880 --> 00:29:43,560
Speaker 1: if you if you google Nas, your name pops up.

480
00:29:44,360 --> 00:29:47,080
Speaker 1: You know what I'm saying. So I definitely felt guilty

481
00:29:47,120 --> 00:29:50,520
Speaker 1: by association I fell with. Like if I'm around jay Z,

482
00:29:50,640 --> 00:29:52,440
Speaker 1: I feel like I got beat with him, like for

483
00:29:52,600 --> 00:29:55,160
Speaker 1: no reason, like you know where you're around him at

484
00:29:55,200 --> 00:29:57,760
Speaker 1: that time. You know I got around him like once

485
00:29:57,840 --> 00:30:00,280
Speaker 1: or twice because he was a producer. So for doing said,

486
00:30:00,640 --> 00:30:03,920
Speaker 1: we don't have that. We don't follow the same as artists. Artists.

487
00:30:03,920 --> 00:30:07,920
Speaker 1: Producer can work with everyone as artists. We know, and

488
00:30:08,000 --> 00:30:10,160
Speaker 1: you're both you like you said on the albums like

489
00:30:10,200 --> 00:30:12,120
Speaker 1: I was listening to you say that on AUM exactly

490
00:30:12,200 --> 00:30:14,240
Speaker 1: and that you know, if if I wanted to produce

491
00:30:14,280 --> 00:30:16,480
Speaker 1: the track for j at that time, that ship was squandered,

492
00:30:16,880 --> 00:30:18,360
Speaker 1: you know what I mean? That wasn't that word was

493
00:30:19,400 --> 00:30:30,360
Speaker 1: what happened. It was the art design that was the opportunity.

494
00:30:34,640 --> 00:30:46,800
Speaker 1: But I'm sorry, I don't star with my friend this

495
00:30:46,920 --> 00:30:49,520
Speaker 1: nicker told me to take three. I'm on one loose

496
00:30:49,640 --> 00:30:56,080
Speaker 1: in more. I'm telling you I took shrooms with Scott

497
00:30:56,120 --> 00:30:59,000
Speaker 1: Starts one day, but it was he goes in there.

498
00:30:59,080 --> 00:31:03,680
Speaker 1: It was shroom t Yeah, I loved it. But I

499
00:31:03,840 --> 00:31:07,280
Speaker 1: was moving like this that the biotic man, you know,

500
00:31:07,320 --> 00:31:09,920
Speaker 1: the Biannimes like I literally every time I was moving

501
00:31:10,000 --> 00:31:15,760
Speaker 1: was like like the sound with it. I'm sorry this movie. Yeah,

502
00:31:19,360 --> 00:31:21,840
Speaker 1: this is a little y'all in there. This is this

503
00:31:22,320 --> 00:31:28,080
Speaker 1: what you know? Hey? Man? So that's that? Show him that?

504
00:31:28,240 --> 00:31:35,000
Speaker 1: So boys show them that, so they think me smoking crap? Listen,

505
00:31:35,040 --> 00:31:38,760
Speaker 1: I posted is that Bricker boys. Bricker boys got that?

506
00:31:38,800 --> 00:31:42,880
Speaker 1: The bricker boys outside, man, they outside. I can't. I'm sorry.

507
00:31:43,600 --> 00:31:46,040
Speaker 1: I used to know happen. You don't smoke no more?

508
00:31:46,120 --> 00:31:48,440
Speaker 1: Yeah yea. I used to smoke like crazy, trying to

509
00:31:48,480 --> 00:31:52,160
Speaker 1: get half the smoke. Yeah yeah yeah, neumerous occasions. So

510
00:31:52,360 --> 00:31:57,200
Speaker 1: how how does this happen? Howards to legendary group? Members

511
00:31:57,360 --> 00:32:00,960
Speaker 1: of other groups come together and form a legendary group?

512
00:32:01,120 --> 00:32:05,480
Speaker 1: Because is it a group or it's just this man

513
00:32:05,560 --> 00:32:09,400
Speaker 1: a baby ho? I didn't know that? So how does

514
00:32:09,440 --> 00:32:12,600
Speaker 1: this happen? What was y'all? What was y'all doing? Well?

515
00:32:12,680 --> 00:32:14,680
Speaker 1: You know, one day I was in the crib. I

516
00:32:14,800 --> 00:32:16,840
Speaker 1: was like, you know, I know you'd be riding a bike.

517
00:32:17,160 --> 00:32:21,200
Speaker 1: I do. I do. Sometimes I fell off a little bit,

518
00:32:21,200 --> 00:32:23,880
Speaker 1: but I gotta get that going. Um. You know, one

519
00:32:23,960 --> 00:32:25,360
Speaker 1: day I just woke up and I was like, yeah,

520
00:32:25,360 --> 00:32:26,479
Speaker 1: I want to do a project. You know what I'm

521
00:32:26,480 --> 00:32:28,120
Speaker 1: saying with one of my favorite mcs. You know what

522
00:32:28,120 --> 00:32:30,320
Speaker 1: I'm saying. I went down the list, and you know

523
00:32:30,640 --> 00:32:32,440
Speaker 1: styles pas at the top of that list. You know

524
00:32:32,480 --> 00:32:42,520
Speaker 1: what I'm saying. You know, did you produce these beats?

525
00:32:42,920 --> 00:32:46,440
Speaker 1: Every last one that's fire? I didn't. That's that. I

526
00:32:46,520 --> 00:32:48,280
Speaker 1: gotta take my hip hop card. Someone gotta take my

527
00:32:48,360 --> 00:32:51,320
Speaker 1: hip hop card for one day, because I didn't notice

528
00:32:51,400 --> 00:32:54,440
Speaker 1: that when I listened to the album today. I've seen

529
00:32:54,480 --> 00:32:57,120
Speaker 1: the samples, I heard the samples, but I didn't realize

530
00:32:57,160 --> 00:32:59,640
Speaker 1: every beat is produced by the A BOC. Do you

531
00:32:59,720 --> 00:33:01,920
Speaker 1: know you like one of the top producers there is.

532
00:33:02,240 --> 00:33:04,640
Speaker 1: That's what I'm saying. Do you know what, he's the

533
00:33:04,680 --> 00:33:08,520
Speaker 1: humblest guy. He's a humblest fucking guy. What'd you do

534
00:33:09,000 --> 00:33:12,480
Speaker 1: like seven tracks on component Ica first album, No No,

535
00:33:12,560 --> 00:33:14,440
Speaker 1: No No No. I did a few, I did, I

536
00:33:14,480 --> 00:33:17,960
Speaker 1: did a few Legal Life Latest okay yeah yeah yeah,

537
00:33:18,200 --> 00:33:25,440
Speaker 1: Parolatest like I work on you know, stick you Okay, no, no,

538
00:33:25,480 --> 00:33:28,720
Speaker 1: you didn't do stick you. He's lp just stick you.

539
00:33:29,120 --> 00:33:32,640
Speaker 1: But I like Parovi last that was crazy. That seems crazy.

540
00:33:33,080 --> 00:33:36,240
Speaker 1: I was crazy have super legidary, so it half caused

541
00:33:36,320 --> 00:33:39,840
Speaker 1: me and I can't believe it, like one thing is

542
00:33:40,320 --> 00:33:43,479
Speaker 1: being have we checking on each other or things like, um,

543
00:33:43,880 --> 00:33:47,920
Speaker 1: what's crazy? Is? Right before Pete Pass, I was can't

544
00:33:47,960 --> 00:33:49,520
Speaker 1: have like I need I need a couple of joints

545
00:33:49,560 --> 00:33:52,040
Speaker 1: from you and the rock. Then Pete pass, so I

546
00:33:52,120 --> 00:33:54,560
Speaker 1: wasn't you know? It was no God bless, there was

547
00:33:54,600 --> 00:33:57,720
Speaker 1: no time to everybody had everybody moment of size for prodesty.

548
00:33:58,760 --> 00:34:14,279
Speaker 1: Twelve seconds that's in peace product look ahead. Wait, how

549
00:34:14,360 --> 00:34:16,800
Speaker 1: do you know? Twelve seconds was the perfect time? And

550
00:34:17,719 --> 00:34:22,680
Speaker 1: Sea that was dope? It feels I thought this sounds amazing.

551
00:34:23,200 --> 00:34:26,840
Speaker 1: South that was that was dope. I'm gonna be but

552
00:34:26,920 --> 00:34:28,759
Speaker 1: it felt like the perfect time. And like that's like

553
00:34:28,840 --> 00:34:31,600
Speaker 1: the perfect because that's the perfect amount of seconds. I

554
00:34:31,680 --> 00:34:34,759
Speaker 1: think that should be labeled from down one should be

555
00:34:35,520 --> 00:34:38,040
Speaker 1: although product he is from left pract his heart was

556
00:34:38,080 --> 00:34:39,600
Speaker 1: in Queen's Bridge. And I don't know if you have

557
00:34:39,680 --> 00:34:41,759
Speaker 1: a hung out in Queen's Bridge, but I'm gonna just

558
00:34:41,760 --> 00:34:45,400
Speaker 1: tell you something I've been through. If you want to

559
00:34:45,560 --> 00:34:48,200
Speaker 1: do some funked up ship, queens Bridge is the best

560
00:34:48,239 --> 00:34:54,400
Speaker 1: place in America. I promise you. That is the funniest

561
00:34:54,719 --> 00:35:01,359
Speaker 1: place in America if you own some bullshit, I promise you, bro.

562
00:35:01,840 --> 00:35:07,800
Speaker 1: I have hung on three nights straight, no shower, just

563
00:35:08,040 --> 00:35:14,279
Speaker 1: outside or some and they came to to you. It's

564
00:35:14,320 --> 00:35:16,840
Speaker 1: not like. It's not like they called you down, like

565
00:35:18,000 --> 00:35:20,120
Speaker 1: don't chill out. No, there's no one's gonna say chills.

566
00:35:20,440 --> 00:35:23,480
Speaker 1: Gonna have to go, Maggie, keep going to check on

567
00:35:23,560 --> 00:35:28,920
Speaker 1: the Pall Street, go to fucking Longs and it's amazing.

568
00:35:29,520 --> 00:35:32,120
Speaker 1: I recommend it one day out of the year. Just

569
00:35:32,440 --> 00:35:35,600
Speaker 1: lose your mind. Lose your mind to hang on the hill.

570
00:35:35,680 --> 00:35:38,040
Speaker 1: I'm telling you there's a little nigga right now. It's

571
00:35:38,080 --> 00:35:43,480
Speaker 1: gonna it's gonna show you something you like. Shure, how

572
00:35:43,680 --> 00:35:52,680
Speaker 1: you let my boy? I'm again, I don't even know

573
00:35:52,800 --> 00:36:06,680
Speaker 1: my question right now. She's great a thousands talking about, like,

574
00:36:06,960 --> 00:36:09,160
Speaker 1: you know, doing an album. And yes, he was about

575
00:36:09,200 --> 00:36:14,560
Speaker 1: the damn great project. You know, he was not a project.

576
00:36:15,080 --> 00:36:16,960
Speaker 1: I was doing a project. I needed beats from you.

577
00:36:17,680 --> 00:36:21,160
Speaker 1: And then he passed and then I was chilling. But um,

578
00:36:21,239 --> 00:36:23,560
Speaker 1: you know. We we hit each other and checked and

579
00:36:23,640 --> 00:36:25,120
Speaker 1: he hit me like, Yo, you want to you want

580
00:36:25,120 --> 00:36:27,320
Speaker 1: to do a do a couple of doints. I was like,

581
00:36:27,480 --> 00:36:31,120
Speaker 1: hell yeah, and he sent the beat the beat scent

582
00:36:32,120 --> 00:36:33,800
Speaker 1: on the joint. I think it's it's having in the

583
00:36:33,880 --> 00:36:37,120
Speaker 1: ghost the best. I went right to the I went

584
00:36:37,280 --> 00:36:39,520
Speaker 1: right to the studio. I mean I left. I left

585
00:36:39,560 --> 00:36:43,320
Speaker 1: there on the album QB the Wi Yo Yo the QB.

586
00:36:43,600 --> 00:36:46,080
Speaker 1: What the fuck? What's the name of that joint? That

587
00:36:46,239 --> 00:36:55,520
Speaker 1: was it? I'm telling you to yo, I ain't gonna

588
00:36:55,560 --> 00:36:58,239
Speaker 1: lie to you. When I hit that joint, I could

589
00:36:58,280 --> 00:37:02,040
Speaker 1: not stop. I just had to keep wid you know. Um,

590
00:37:02,360 --> 00:37:04,360
Speaker 1: like you said, have is one of the ellest producers

591
00:37:04,360 --> 00:37:08,400
Speaker 1: in the world, so too. You know. He sent me

592
00:37:08,520 --> 00:37:12,080
Speaker 1: the first joint and I went to I really went

593
00:37:12,120 --> 00:37:15,319
Speaker 1: to the studio, like right then and there. You don't

594
00:37:15,360 --> 00:37:17,200
Speaker 1: play around, Yeah, I don't go play with that. But

595
00:37:17,400 --> 00:37:21,080
Speaker 1: I sent it right back and then we was off

596
00:37:21,120 --> 00:37:23,840
Speaker 1: to the race. He sent another ship. I was like,

597
00:37:24,160 --> 00:37:26,880
Speaker 1: oh my god, this is crazy. And then I realized,

598
00:37:27,760 --> 00:37:31,040
Speaker 1: just haven't working a minute, and this is I haven't happened,

599
00:37:31,840 --> 00:37:33,680
Speaker 1: and then that like you know what I mean? Then

600
00:37:33,719 --> 00:37:35,920
Speaker 1: he said something he sent the ship back with the verse.

601
00:37:36,000 --> 00:37:41,200
Speaker 1: I'm waiting, like, wait a minute, when the verse you

602
00:37:41,280 --> 00:37:44,360
Speaker 1: didn't ask for the person versus what I'm hearing this

603
00:37:44,560 --> 00:37:46,680
Speaker 1: verset time, I'm like, oh, I have on the ship.

604
00:37:47,840 --> 00:37:51,320
Speaker 1: Wait a minute, like so you know, I just felt honored,

605
00:37:51,360 --> 00:37:53,120
Speaker 1: Like you know what I'm saying, that's that's that's that's

606
00:37:53,160 --> 00:37:55,640
Speaker 1: the bro and um hit hop is a different ship.

607
00:37:55,760 --> 00:37:59,400
Speaker 1: Like you said, we're brothers, were friends and it like that,

608
00:37:59,480 --> 00:38:01,719
Speaker 1: but that's the fraternity is in league. So when it

609
00:38:01,800 --> 00:38:04,440
Speaker 1: comes to doing this ship and like, you know who

610
00:38:04,880 --> 00:38:07,839
Speaker 1: I can tell niggas I want to. I gotta one

611
00:38:07,880 --> 00:38:11,560
Speaker 1: on the books with half nigga, any elite MC look

612
00:38:11,640 --> 00:38:13,920
Speaker 1: me in my eye. I got one on the books

613
00:38:14,000 --> 00:38:16,840
Speaker 1: with half only try did you can can say that?

614
00:38:17,160 --> 00:38:19,640
Speaker 1: And I don't know if I mean somebody else could

615
00:38:19,640 --> 00:38:22,520
Speaker 1: say that, but I don't talking about out that, out that,

616
00:38:23,200 --> 00:38:26,200
Speaker 1: out that groupory what I mean at this league like

617
00:38:27,080 --> 00:38:29,719
Speaker 1: fux it up man Half called me. That means I'm

618
00:38:29,840 --> 00:38:37,000
Speaker 1: me nigga, I have it. You got two of the

619
00:38:37,120 --> 00:38:39,239
Speaker 1: best memories of my life. And I know you don't

620
00:38:39,280 --> 00:38:45,759
Speaker 1: know this. Okay, second day I'm home from jail. What

621
00:38:46,000 --> 00:38:50,919
Speaker 1: the fun they now? I don't care what he wanted

622
00:38:51,000 --> 00:38:57,000
Speaker 1: that look at hook hold on, hold on, hold on, mommy.

623
00:38:57,040 --> 00:38:59,200
Speaker 1: The second day I'm home from jail. But let's let's

624
00:39:00,000 --> 00:39:02,759
Speaker 1: our shows about giving people flowers. We would like to

625
00:39:02,800 --> 00:39:05,399
Speaker 1: get both of your brothers, y'all, flowers to your face.

626
00:39:05,760 --> 00:39:08,560
Speaker 1: You know what I'm saying. Drink chap style, real flowers.

627
00:39:08,880 --> 00:39:12,040
Speaker 1: They lasted year. You know what I'm saying, real flowers.

628
00:39:13,080 --> 00:39:18,239
Speaker 1: We have. Make sure y'all gotta we made sure y'all

629
00:39:18,239 --> 00:39:23,560
Speaker 1: got those flats they last from talk to us. Yeah,

630
00:39:23,960 --> 00:39:29,680
Speaker 1: that's like ten years right there. Okay, okay, money making

631
00:39:29,800 --> 00:39:34,120
Speaker 1: good so so. But I'm gonna tell you one of

632
00:39:34,200 --> 00:39:39,719
Speaker 1: my best memories of my life. Thank y'all. I'm home

633
00:39:39,760 --> 00:39:43,640
Speaker 1: from jail. Two days from jail. Cee Lo from the

634
00:39:43,719 --> 00:39:49,520
Speaker 1: Dime Carlos that uh big big loads, big lows, big

635
00:39:49,600 --> 00:39:52,399
Speaker 1: loses half from left reck, half from from com QB,

636
00:39:52,760 --> 00:39:56,040
Speaker 1: the same Miss Rahm, half from left half QB. Cousin, Ye,

637
00:39:56,160 --> 00:40:00,080
Speaker 1: it's just cousin goddamn having your point. So it's my

638
00:40:00,200 --> 00:40:03,200
Speaker 1: second day home from jail. I don't know what I'm doing.

639
00:40:05,320 --> 00:40:08,000
Speaker 1: Cee Lo says, let's go to this mob deep show.

640
00:40:09,760 --> 00:40:12,200
Speaker 1: I think I was at the Palladium, get the funk out.

641
00:40:13,480 --> 00:40:17,960
Speaker 1: I went to the Palladium. There was a thousand Queens

642
00:40:18,560 --> 00:40:22,960
Speaker 1: niggas outside. I'm looking like this the second day home,

643
00:40:23,120 --> 00:40:26,320
Speaker 1: my second day home, I'm looking like I want this.

644
00:40:27,040 --> 00:40:31,879
Speaker 1: Whatever this was, I wanted it. And Na strove through,

645
00:40:31,920 --> 00:40:34,280
Speaker 1: and I remember who Nas drove. Nas had a gold

646
00:40:35,000 --> 00:40:41,200
Speaker 1: g s Lexus M and it was b J that

647
00:40:41,360 --> 00:40:45,279
Speaker 1: was driving his car. And as Nas drove through, the

648
00:40:45,400 --> 00:40:48,920
Speaker 1: whole bridge just opened up and just let him drive through.

649
00:40:49,600 --> 00:41:02,080
Speaker 1: And then Nas did the famous quote Nigga said around

650
00:41:04,800 --> 00:41:08,120
Speaker 1: whatever that was that just happened, And it was at

651
00:41:08,520 --> 00:41:12,000
Speaker 1: a fucking mob deep show makes a noise to that,

652
00:41:12,120 --> 00:41:15,120
Speaker 1: Bro makes a noise to that. I'll tell you not.

653
00:41:15,280 --> 00:41:20,000
Speaker 1: It's my best members ninety seven. It had to be

654
00:41:20,080 --> 00:41:22,480
Speaker 1: the the Yeah, I came home and it was when

655
00:41:22,520 --> 00:41:26,520
Speaker 1: Shook Ones was. I can't tell you what shook Ones was. Man,

656
00:41:26,600 --> 00:41:29,839
Speaker 1: that ship was just like a phenomenal record. And when

657
00:41:29,840 --> 00:41:32,359
Speaker 1: it's crazy, when you know, you know, when I first

658
00:41:32,400 --> 00:41:36,560
Speaker 1: Shaw Shook Ones, I was in jail. I looked and

659
00:41:36,680 --> 00:41:40,719
Speaker 1: I just stood up, and everyone else from from the

660
00:41:40,800 --> 00:41:43,640
Speaker 1: jail was not from Queens, and they knew at this

661
00:41:43,920 --> 00:41:51,319
Speaker 1: very moment you stabbing nis and changing this channel. I'm

662
00:41:51,400 --> 00:41:55,560
Speaker 1: stabbing the mother too. If your mom just walking through,

663
00:41:55,760 --> 00:42:01,320
Speaker 1: she's getting into I'm so serious and I'm looking and

664
00:42:01,400 --> 00:42:04,480
Speaker 1: I'm like, this is my hood. I don't know my

665
00:42:04,520 --> 00:42:06,640
Speaker 1: from Queen's Bridge. I'm from left Frack. I make that clear.

666
00:42:07,360 --> 00:42:09,279
Speaker 1: But this is our brotherhood, this is all. This is

667
00:42:09,280 --> 00:42:11,520
Speaker 1: our big homie hood. Let's just be clear. I'll say it,

668
00:42:11,600 --> 00:42:16,640
Speaker 1: I'll laugh, all right. And when I saw that Shook

669
00:42:16,680 --> 00:42:20,920
Speaker 1: Wants changed the world definitely. Do you know that? I mean?

670
00:42:21,000 --> 00:42:29,640
Speaker 1: It definitely changed my world. You take a sip, Yeah,

671
00:42:32,400 --> 00:42:37,480
Speaker 1: take some take some good this special in a second.

672
00:42:37,600 --> 00:42:43,640
Speaker 1: I got you so Shook Ones dropped Steve Ricker, who

673
00:42:43,840 --> 00:42:50,240
Speaker 1: was what yesterday? Yes, Steve yesterday? Do you drop this record?

674
00:42:50,280 --> 00:42:53,080
Speaker 1: You know what this is? And after already having an

675
00:42:53,120 --> 00:42:58,640
Speaker 1: album out juven O hell right juven head, Yeah yeah

676
00:42:58,640 --> 00:43:04,480
Speaker 1: we did juven out hell. That's like no, no, no.

677
00:43:04,560 --> 00:43:07,480
Speaker 1: He produced like one song and then a large professive

678
00:43:07,520 --> 00:43:11,120
Speaker 1: remixing or a vice versa, whichever way it went. Uh,

679
00:43:11,400 --> 00:43:13,279
Speaker 1: the album was sucking, dude, you know what I mean.

680
00:43:13,400 --> 00:43:14,759
Speaker 1: But you know what I'm saying. You you come in

681
00:43:14,800 --> 00:43:17,920
Speaker 1: the game and you learned, and you learned through experience, right,

682
00:43:17,960 --> 00:43:19,560
Speaker 1: you know what I'm saying. So the album was sucking whacked.

683
00:43:19,800 --> 00:43:21,560
Speaker 1: I mean, it wasn't whacked, but I'm saying it didn't

684
00:43:21,560 --> 00:43:23,040
Speaker 1: get it. It didn't get it. Guy, I'm not gonna

685
00:43:23,080 --> 00:43:25,160
Speaker 1: say it was whacked, but it didn't get the attention

686
00:43:25,200 --> 00:43:27,680
Speaker 1: to deserve. The label didn't know what he was doing. Luckily,

687
00:43:27,800 --> 00:43:32,520
Speaker 1: re mixed, met Steve Rifkin and he signed us Ye

688
00:43:32,800 --> 00:43:35,400
Speaker 1: Mattic Drop and that. Like you know, as as an artist,

689
00:43:35,920 --> 00:43:37,880
Speaker 1: as as as an artist, when you come with album

690
00:43:37,920 --> 00:43:39,960
Speaker 1: that don't do good and did somebody from your hood

691
00:43:40,040 --> 00:43:41,680
Speaker 1: that's come out and do good. Of course you're cheering

692
00:43:41,719 --> 00:43:44,480
Speaker 1: the morning, but now it's like everybody kind of looking

693
00:43:44,520 --> 00:43:45,920
Speaker 1: at you, laughing a little bit like you know what

694
00:43:46,000 --> 00:43:47,759
Speaker 1: I'm saying, Like, I mean, you know what I'm saying.

695
00:43:47,800 --> 00:43:49,600
Speaker 1: Your SI didn't make no noise, you know what I'm saying,

696
00:43:49,760 --> 00:43:52,680
Speaker 1: But you still rooting full you know the guy from

697
00:43:52,719 --> 00:43:55,239
Speaker 1: your projects and that's not But then he just gave

698
00:43:55,320 --> 00:43:58,160
Speaker 1: us a template, you know what I'm saying, or you know, saying, well,

699
00:43:58,200 --> 00:44:00,719
Speaker 1: how we need to move forward a little bit nothing,

700
00:44:00,760 --> 00:44:03,239
Speaker 1: you know, but that first I was completely live that

701
00:44:03,320 --> 00:44:04,640
Speaker 1: because it felt like you had a little bit of

702
00:44:04,680 --> 00:44:07,040
Speaker 1: a buzz where he felt like it felt like it

703
00:44:07,120 --> 00:44:08,920
Speaker 1: was a kind of a classic to it was. It

704
00:44:09,040 --> 00:44:12,359
Speaker 1: was like a like a queen's buzz, Like it down

705
00:44:12,400 --> 00:44:18,200
Speaker 1: here man from the back. Yeah. I was trying to

706
00:44:18,239 --> 00:44:21,120
Speaker 1: hit it from the back back yeah yeah, yeah, yeah, yeah.

707
00:44:21,160 --> 00:44:26,239
Speaker 1: But but I came back with the infamous yeah. You know,

708
00:44:26,360 --> 00:44:28,000
Speaker 1: and when we did, when we did Shook Ones, there

709
00:44:28,040 --> 00:44:29,960
Speaker 1: was a part one to it at first, you know

710
00:44:30,000 --> 00:44:33,200
Speaker 1: what I mean? It was the off Yeah, but one

711
00:44:33,280 --> 00:44:37,600
Speaker 1: was dope because I think a big pun sampled something

712
00:44:37,719 --> 00:44:43,880
Speaker 1: from the part one uh one, uh some ship, I

713
00:44:44,000 --> 00:44:47,279
Speaker 1: forget what it is. But anyway, when we did Shook Ones,

714
00:44:47,360 --> 00:44:49,400
Speaker 1: I didn't know, you know what I'm saying that it

715
00:44:49,520 --> 00:44:51,120
Speaker 1: was gonna be big. But I know that I loved

716
00:44:51,160 --> 00:44:52,799
Speaker 1: the record, you know what I'm saying that I didn't

717
00:44:52,800 --> 00:44:54,160
Speaker 1: like it. I was like, damn, this just sounds I

718
00:44:54,680 --> 00:44:56,680
Speaker 1: you know what I mean. And Steve Rifkin put his

719
00:44:57,200 --> 00:44:59,080
Speaker 1: he put it on. How y'all go different into those

720
00:44:59,160 --> 00:45:01,960
Speaker 1: records from the reviews album? How did what did you

721
00:45:02,080 --> 00:45:04,880
Speaker 1: learn from that experience? Um? What we learned was that

722
00:45:05,040 --> 00:45:08,080
Speaker 1: we really have to speak more to our experience and

723
00:45:08,440 --> 00:45:11,600
Speaker 1: not just from you know, a standpoint of what we

724
00:45:11,760 --> 00:45:13,520
Speaker 1: think we want people to hear, but we have to

725
00:45:13,560 --> 00:45:16,000
Speaker 1: come from the heart, from my experience, what we're experiencing

726
00:45:16,400 --> 00:45:18,640
Speaker 1: on twelve Street. No, no, I mean you know that's

727
00:45:18,640 --> 00:45:23,000
Speaker 1: an album in itself. Just one day, I told you

728
00:45:23,040 --> 00:45:26,240
Speaker 1: you got two of my best memories. The other memory

729
00:45:26,640 --> 00:45:30,880
Speaker 1: was I came to twelfth Street. Yeah, niggas was drinking.

730
00:45:31,000 --> 00:45:38,719
Speaker 1: I n J that that is a bad drinking from

731
00:45:38,760 --> 00:45:42,560
Speaker 1: the morning after. I'm from Black fact, I don't know

732
00:45:42,640 --> 00:45:46,520
Speaker 1: what's going on. I'm finally becoming a rapper and these

733
00:45:46,680 --> 00:45:49,360
Speaker 1: these are the latest niggas in America. This nig is

734
00:45:49,480 --> 00:45:54,600
Speaker 1: on his block twelve o'clock in the afternoon drinking J

735
00:45:55,680 --> 00:45:59,040
Speaker 1: number one record in America. I'm sitting back like, damn,

736
00:45:59,120 --> 00:46:02,920
Speaker 1: this is what I gotta do. And I just didn't

737
00:46:02,960 --> 00:46:08,360
Speaker 1: having just he drank the old just foul. When he

738
00:46:08,480 --> 00:46:10,880
Speaker 1: felt I was like and everyone was used to it.

739
00:46:11,400 --> 00:46:12,919
Speaker 1: It was like, this is what I have. It gonna

740
00:46:12,960 --> 00:46:16,120
Speaker 1: be up in two minutes. It was up in two minutes,

741
00:46:16,120 --> 00:46:19,880
Speaker 1: and I was like, holy about best memory of my

742
00:46:20,000 --> 00:46:23,359
Speaker 1: life because I'm like, yo, and this is the time

743
00:46:23,400 --> 00:46:26,000
Speaker 1: where you said, no matter how much lout I get,

744
00:46:26,080 --> 00:46:28,759
Speaker 1: I'm staying in the projects, and I was like, this

745
00:46:28,960 --> 00:46:30,560
Speaker 1: man is living out his living. But I was the

746
00:46:30,680 --> 00:46:33,360
Speaker 1: quietest dude at this time because I really needed to

747
00:46:33,400 --> 00:46:36,040
Speaker 1: soak up game and I really needed to understand how

748
00:46:36,160 --> 00:46:39,120
Speaker 1: do I fit in? And this is the number one

749
00:46:39,200 --> 00:46:43,040
Speaker 1: group in America and that man is outside every day.

750
00:46:43,360 --> 00:46:45,520
Speaker 1: That's why I try to tell you. I'm saying this

751
00:46:45,640 --> 00:46:50,000
Speaker 1: and I'm reiterating this all the drama. Habit never got

752
00:46:50,080 --> 00:46:55,200
Speaker 1: into drama like fabric alone. I don't know why you're

753
00:46:55,239 --> 00:47:01,680
Speaker 1: a great guy. I see you appointing the This is

754
00:47:01,880 --> 00:47:06,080
Speaker 1: jay Z because I'll go back to ship on the

755
00:47:06,160 --> 00:47:09,120
Speaker 1: road healthy. He don't drink. You have the Hennessey shirts.

756
00:47:09,320 --> 00:47:12,800
Speaker 1: You have to Hennessy shirt on to Yeah, y'all was

757
00:47:12,880 --> 00:47:17,040
Speaker 1: Hennessey demons at one point Hennessey demons. I was to

758
00:47:17,120 --> 00:47:20,759
Speaker 1: eat eat double. Uh. You know what I'm saying, because

759
00:47:20,760 --> 00:47:22,840
Speaker 1: I really definitely really used to like Hennessey like that

760
00:47:22,880 --> 00:47:24,719
Speaker 1: the way it tastes, you know what I'm saying. I

761
00:47:24,760 --> 00:47:26,840
Speaker 1: always liked it that Jay. So I used to be

762
00:47:26,960 --> 00:47:32,080
Speaker 1: drinking that ship like fucking from the morning to the

763
00:47:32,120 --> 00:47:34,400
Speaker 1: afternoon and to the night. And I used to just

764
00:47:34,520 --> 00:47:36,359
Speaker 1: drink that ship just every day. Like that at least

765
00:47:36,400 --> 00:47:40,719
Speaker 1: for like maybe five years straight. First met Style, he

766
00:47:40,840 --> 00:47:43,040
Speaker 1: asked me for a piece of weed. He rolled it up.

767
00:47:43,080 --> 00:47:47,279
Speaker 1: He didn't even passed up to me. Piece of guy.

768
00:47:47,840 --> 00:47:53,040
Speaker 1: This guy's not a good guy at all. Even from that,

769
00:47:53,200 --> 00:47:56,120
Speaker 1: I came the keys to my house right now. I

770
00:47:56,760 --> 00:47:59,160
Speaker 1: was like, but we was doing bad from TV. The

771
00:47:59,239 --> 00:48:02,640
Speaker 1: nigga just eat. He didn't even look at me. He

772
00:48:03,120 --> 00:48:06,440
Speaker 1: smoking my pleaed I'm looking like, I mean, I contact

773
00:48:06,480 --> 00:48:14,360
Speaker 1: me so smoke. No, I ain't gonna lie smoked joints

774
00:48:14,400 --> 00:48:17,399
Speaker 1: to the head now playing on you the whole time.

775
00:48:18,200 --> 00:48:20,000
Speaker 1: I'm just like, yo, you almost passed, Like no, I'm

776
00:48:20,040 --> 00:48:23,560
Speaker 1: on my Style ship, like give weed out? Which what

777
00:48:23,719 --> 00:48:25,440
Speaker 1: does that represent? What does that say on your hat?

778
00:48:26,040 --> 00:48:30,040
Speaker 1: It's just human shout out to Yeah, it's as human.

779
00:48:30,320 --> 00:48:33,879
Speaker 1: What does the back say, children is prevail shout out

780
00:48:33,920 --> 00:48:38,960
Speaker 1: to cultur individuality and everything. You said. It's smarter than

781
00:48:39,960 --> 00:48:43,200
Speaker 1: I got. This little belief they're oh, g I got

782
00:48:43,719 --> 00:48:47,600
Speaker 1: don't oh hip hop ship man, that's all. That's all.

783
00:48:47,680 --> 00:48:51,359
Speaker 1: The ship is a hip hop. I want my whole

784
00:48:51,400 --> 00:48:58,040
Speaker 1: crib to be right. Bob Marley, like Biggie Small only

785
00:48:58,160 --> 00:49:00,359
Speaker 1: needs seven percent in my career to be a pop

786
00:49:02,440 --> 00:49:05,319
Speaker 1: you win it. Fuck it? You know, when I get home,

787
00:49:07,000 --> 00:49:10,560
Speaker 1: it's fun hip pop ye, Like you know what I'm saying.

788
00:49:10,920 --> 00:49:12,759
Speaker 1: What you mean if you never get the fucking turn

789
00:49:12,840 --> 00:49:14,680
Speaker 1: off dog like that? Like when I get home, I

790
00:49:14,760 --> 00:49:17,719
Speaker 1: turned I don't. I don't watch videos. I don't. I

791
00:49:17,760 --> 00:49:20,000
Speaker 1: don't be doing that. I don't even know hardly anything

792
00:49:20,239 --> 00:49:23,320
Speaker 1: music wise when I get home, except try when I

793
00:49:23,360 --> 00:49:26,040
Speaker 1: play a beat and making a rhynd. But all that

794
00:49:26,320 --> 00:49:29,800
Speaker 1: looking shut up and and what fun that ship? I

795
00:49:29,920 --> 00:49:34,120
Speaker 1: watch your animals playing it that geo straight up? You

796
00:49:34,160 --> 00:49:37,400
Speaker 1: know I'm saying, I'm Netflix. I'm Netflix, you know what

797
00:49:37,480 --> 00:49:52,120
Speaker 1: I mean? Yeah, that Prime, I'm binge watching, I'm trailer trailer.

798
00:49:54,560 --> 00:49:57,000
Speaker 1: I'm really on that. I really don't. I watched I'm

799
00:49:57,040 --> 00:50:00,760
Speaker 1: a documentary guy. Yeah, did you see the Hip Hop fifty,

800
00:50:00,840 --> 00:50:04,719
Speaker 1: the Ralph McDaniel ship, the Video Music Box. Yeah, that's

801
00:50:04,760 --> 00:50:06,800
Speaker 1: it was crazy that it was hard. He used me

802
00:50:06,880 --> 00:50:16,399
Speaker 1: in it though again right there, that was dope. Yeah,

803
00:50:16,480 --> 00:50:21,200
Speaker 1: little bick up to Nazi Nas too, Man Pete Sasha too,

804
00:50:24,920 --> 00:50:29,600
Speaker 1: the Sausage James Peter, Peter Peter and the whole staff

805
00:50:29,680 --> 00:50:34,000
Speaker 1: man Master phill If I would say the best hip

806
00:50:34,040 --> 00:50:37,279
Speaker 1: hop documentaries right now. Masson Phill has it. They got it.

807
00:50:38,400 --> 00:50:40,520
Speaker 1: They got they got the photographer ship. You're seeing the

808
00:50:40,520 --> 00:50:44,960
Speaker 1: photographer one they got. I went to the what do

809
00:50:45,040 --> 00:50:48,719
Speaker 1: you call me? Pop up shop? Yea, So they got

810
00:50:48,760 --> 00:50:51,040
Speaker 1: the photograph and then they got the Raphick Daniel and

811
00:50:51,080 --> 00:50:54,040
Speaker 1: they did Rick James ship. I didn't see the Rick games.

812
00:50:54,520 --> 00:50:57,600
Speaker 1: It came out already. Yeah, see the Rick James ship.

813
00:50:58,520 --> 00:51:01,839
Speaker 1: So when Deep gonna have a documentary, I mean, yo,

814
00:51:02,040 --> 00:51:05,960
Speaker 1: you know, um bad people want to you know, funk

815
00:51:06,040 --> 00:51:08,359
Speaker 1: with us with the documentary. You know what I'm saying,

816
00:51:08,920 --> 00:51:12,600
Speaker 1: Massive Hill being one of them. It was Sausag Jenkins

817
00:51:12,640 --> 00:51:15,680
Speaker 1: and everybody. They do a great listen hopefully he wasn't

818
00:51:15,680 --> 00:51:18,479
Speaker 1: even here. He wasn't even here. No, no, no, because

819
00:51:18,520 --> 00:51:21,600
Speaker 1: I don't want to sound like we reiterated. That's what

820
00:51:22,320 --> 00:51:24,120
Speaker 1: and I want to be I want to I want

821
00:51:24,160 --> 00:51:29,399
Speaker 1: to say something Shasha is us like saw our first

822
00:51:29,520 --> 00:51:33,040
Speaker 1: interviews with Yeah, first interview was in Queen's Bridge on

823
00:51:33,280 --> 00:51:37,440
Speaker 1: your block and Shaws came to the interview and trag

824
00:51:37,800 --> 00:51:42,040
Speaker 1: have fake cocaine. Yeah, we was trying to try to

825
00:51:42,040 --> 00:51:44,600
Speaker 1: sell the image. I was bound with it. I don't

826
00:51:44,600 --> 00:51:46,600
Speaker 1: want to I don't want to see of his tragic idea.

827
00:51:46,800 --> 00:51:49,040
Speaker 1: I wasn't. I was here. I was like, yea, yeah, yeah,

828
00:51:51,000 --> 00:51:59,960
Speaker 1: we had a shotgun. We this is normal and sauces

829
00:52:00,000 --> 00:52:02,200
Speaker 1: of sitting there. He's trying nothing sweat, but I can

830
00:52:02,280 --> 00:52:06,320
Speaker 1: see coming down. And I say that to say, is

831
00:52:06,320 --> 00:52:09,640
Speaker 1: a real dude. He's part of us, and he appreciates

832
00:52:09,719 --> 00:52:13,680
Speaker 1: and he uh treats the culture the right way. So

833
00:52:13,800 --> 00:52:17,120
Speaker 1: I really work speak like really proud of really problem.

834
00:52:17,400 --> 00:52:18,840
Speaker 1: But what we were talking about, I was into this,

835
00:52:19,360 --> 00:52:23,600
Speaker 1: uh being no, I was about doing it with Massive Hill.

836
00:52:24,000 --> 00:52:27,000
Speaker 1: Yeah we need the more. But you know, several people,

837
00:52:27,080 --> 00:52:29,320
Speaker 1: you know what I'm saying, the prostess uh you know,

838
00:52:29,440 --> 00:52:31,279
Speaker 1: Massive Pill being one of them. And you know what

839
00:52:31,280 --> 00:52:34,120
Speaker 1: I'm saying, I'm a big fan of Sassage Jenkins, you

840
00:52:34,160 --> 00:52:36,799
Speaker 1: know what I mean. Um, you know, I knew him

841
00:52:36,840 --> 00:52:39,080
Speaker 1: since I was like, you know, maybe twelve, you know

842
00:52:39,080 --> 00:52:41,560
Speaker 1: what I mean, eleven and twelve. You know, I used

843
00:52:41,600 --> 00:52:44,160
Speaker 1: to he used to write AFFEEDI I used to write Affiti.

844
00:52:44,280 --> 00:52:47,200
Speaker 1: He was a little bit older than me. N al

845
00:52:47,360 --> 00:52:53,680
Speaker 1: Now yea, there we go, now yea. And you know,

846
00:52:53,760 --> 00:52:56,600
Speaker 1: I remember one time we was we wanted to do

847
00:52:56,760 --> 00:52:59,360
Speaker 1: a graffiti on the train, but they was parked in

848
00:52:59,400 --> 00:53:03,560
Speaker 1: between the states or whatever, and I climbed up, you know,

849
00:53:03,719 --> 00:53:06,840
Speaker 1: the seven line. No, this is the end and the

850
00:53:06,960 --> 00:53:11,880
Speaker 1: end of the outside the King State. Seems like I

851
00:53:12,040 --> 00:53:14,800
Speaker 1: climbed up the thing and got on the fucking tracks

852
00:53:16,160 --> 00:53:19,480
Speaker 1: instead of just hopping to train the easy way, I

853
00:53:19,640 --> 00:53:22,839
Speaker 1: climbed up the thing. And you can ask. Onside said

854
00:53:22,840 --> 00:53:27,359
Speaker 1: that it was fucking crazy. He was dead. He was then,

855
00:53:27,560 --> 00:53:29,160
Speaker 1: and that's how it made him go back. Like I

856
00:53:29,280 --> 00:53:32,320
Speaker 1: was like, well about this morning, but yeah, men, it

857
00:53:32,440 --> 00:53:35,239
Speaker 1: has to go back. And he's talented. Um, you know

858
00:53:35,239 --> 00:53:39,000
Speaker 1: what I'm saying, documentary dude, But hopefully we can put

859
00:53:39,000 --> 00:53:44,279
Speaker 1: out on them all deep talking rounding me hopefully. Just

860
00:53:44,360 --> 00:53:47,240
Speaker 1: who's gonna do with I'm gonna be honest, I didn't.

861
00:53:48,000 --> 00:53:57,520
Speaker 1: I didn't realize how much you strategically, strategic, tragically tragically

862
00:53:57,920 --> 00:54:04,040
Speaker 1: tragically cold work though like that like that tragically that's one.

863
00:54:04,040 --> 00:54:10,600
Speaker 1: I'm gonna tell you something that's like at a tragic

864
00:54:10,640 --> 00:54:15,239
Speaker 1: strategy to dip set locks battle to the fullest. And

865
00:54:15,280 --> 00:54:21,120
Speaker 1: I'm gonna tell you the moment we'd all changed, you know,

866
00:54:21,239 --> 00:54:30,920
Speaker 1: the moment grab camle. Yeah, it was strategically. Tragically. It

867
00:54:31,040 --> 00:54:34,960
Speaker 1: was tragically. It was strategy do Morphus game. Did you

868
00:54:35,080 --> 00:54:40,560
Speaker 1: know that because you could tell y'all homies what happened there.

869
00:54:41,400 --> 00:54:44,640
Speaker 1: But when you did that, what you did was you're

870
00:54:44,680 --> 00:54:47,759
Speaker 1: doing Morphus game. You made me emotional when that's the

871
00:54:48,040 --> 00:54:51,360
Speaker 1: exact thing you shouldn't be in this battle? Do you

872
00:54:51,440 --> 00:54:55,960
Speaker 1: think that I'm accurate? I don't know. How do you humble?

873
00:54:56,000 --> 00:55:02,120
Speaker 1: So I'm um, I felt like this before we got there. Anyway,

874
00:55:02,680 --> 00:55:05,759
Speaker 1: we we've seen him earlier doing a thing, and you know,

875
00:55:06,600 --> 00:55:09,279
Speaker 1: you know how, you know how the city go, yo, love.

876
00:55:09,440 --> 00:55:11,680
Speaker 1: We we already found we got respect for each other

877
00:55:12,320 --> 00:55:18,600
Speaker 1: longest as long as you know you frank stand Yeah,

878
00:55:20,000 --> 00:55:22,560
Speaker 1: disrespected to a grill or like you know what I'm saying, dude,

879
00:55:22,560 --> 00:55:25,000
Speaker 1: you're a little chippy. So that that was expected. It

880
00:55:25,120 --> 00:55:27,279
Speaker 1: was more like, um, I probably got lost in a

881
00:55:27,360 --> 00:55:29,879
Speaker 1: minute for a second. She could kiss. They're gonna say

882
00:55:29,920 --> 00:55:32,000
Speaker 1: this and say I lost it and I blacked out.

883
00:55:32,560 --> 00:55:39,920
Speaker 1: I didn't. I was I was computing. I was computing

884
00:55:39,920 --> 00:55:41,799
Speaker 1: because nobody said I need to just grab his leg

885
00:55:41,920 --> 00:55:45,160
Speaker 1: cam kick me first, Like you know what I'm saying, everybody, somebody,

886
00:55:46,440 --> 00:55:51,040
Speaker 1: I don't you see that a lot of people don't

887
00:55:51,040 --> 00:55:55,800
Speaker 1: sell me. People don't see nothing, see what I do

888
00:55:56,080 --> 00:55:59,120
Speaker 1: like that, that kind of history people, I'm gonna keep

889
00:55:59,200 --> 00:56:04,399
Speaker 1: the other don't believe stuff. It wasn't there. I wasn't

890
00:56:04,440 --> 00:56:08,719
Speaker 1: there styles. I didn't like grabbing. I sat on the ship.

891
00:56:09,160 --> 00:56:11,680
Speaker 1: The chap broke exactly when I sat on the ship.

892
00:56:13,000 --> 00:56:15,480
Speaker 1: Everybody's not gonna sitting on the chairman was the first

893
00:56:15,520 --> 00:56:21,239
Speaker 1: thing before on the chair, on the chair, but the

894
00:56:21,400 --> 00:56:25,920
Speaker 1: chick the chip crumbled, and I just shut up. It

895
00:56:26,000 --> 00:56:30,279
Speaker 1: can't be battip like the foot nudge. Well, I love

896
00:56:30,400 --> 00:56:36,560
Speaker 1: cam but in my mind, in my mind also went

897
00:56:36,600 --> 00:56:38,360
Speaker 1: on TV like I'm gonna be honest with you. The

898
00:56:38,400 --> 00:56:40,879
Speaker 1: biggest thing in my mind was when we got in there,

899
00:56:40,960 --> 00:56:44,720
Speaker 1: all the white people were scared, Like I was watching

900
00:56:44,760 --> 00:56:52,000
Speaker 1: it from Man. I talked about Man before says, a

901
00:56:52,080 --> 00:56:54,680
Speaker 1: chippy place with you if you respect the person and

902
00:56:54,760 --> 00:56:56,759
Speaker 1: you know what it is, and it is what it is.

903
00:56:56,920 --> 00:56:59,920
Speaker 1: But New York, that's how we are by nature. I

904
00:57:00,320 --> 00:57:05,040
Speaker 1: think that's the rest of the world. It's another way.

905
00:57:05,080 --> 00:57:07,080
Speaker 1: And now it looks like we're fucking crazy. But no,

906
00:57:07,400 --> 00:57:11,080
Speaker 1: that's just pretty much New York. But as a business person, like,

907
00:57:11,160 --> 00:57:12,799
Speaker 1: you know, hip hop is one thing, and we gotta

908
00:57:12,800 --> 00:57:14,800
Speaker 1: do what we gotta do because it's hip hop. But

909
00:57:15,239 --> 00:57:19,240
Speaker 1: you know, pharmacy for life guards uses for life guard styles.

910
00:57:19,440 --> 00:57:21,640
Speaker 1: I'm like, we're gonna fuck this bag up. We're gonna

911
00:57:21,680 --> 00:57:24,200
Speaker 1: show these people that we could, we could, we could,

912
00:57:24,280 --> 00:57:26,400
Speaker 1: we could take it to the limit. We're gonna cross

913
00:57:26,440 --> 00:57:29,240
Speaker 1: that line and we could be a certain way with

914
00:57:29,320 --> 00:57:30,720
Speaker 1: each other. But at the end of the day, we're

915
00:57:30,720 --> 00:57:33,040
Speaker 1: gonna have unity. We know what we came here for.

916
00:57:33,560 --> 00:57:35,480
Speaker 1: The biggest part of the battle is that we all

917
00:57:35,960 --> 00:57:38,760
Speaker 1: left in Unison with our hands up doing something for

918
00:57:38,800 --> 00:57:41,200
Speaker 1: the city. That's the biggest part of the battle, Like

919
00:57:41,320 --> 00:57:43,200
Speaker 1: you know what I mean. And that was for me,

920
00:57:43,480 --> 00:57:46,560
Speaker 1: Like that's the important partably we you know, know that

921
00:57:46,640 --> 00:57:49,640
Speaker 1: we're businessmen, know that we could, we could. You know,

922
00:57:49,920 --> 00:57:51,919
Speaker 1: we can handle ship, get a soul, get it done,

923
00:57:51,960 --> 00:57:54,760
Speaker 1: get the job done, and no matter what the results is,

924
00:57:54,920 --> 00:57:58,920
Speaker 1: we're gonna leave in Unison. Really love being from New

925
00:57:59,040 --> 00:58:02,640
Speaker 1: York all watching it miniway. And then I just went

926
00:58:02,720 --> 00:58:12,960
Speaker 1: and changed for no reason, mocking my ship backwards. I'm like,

927
00:58:13,120 --> 00:58:15,000
Speaker 1: my kids are looking at me like, pop, what's the

928
00:58:15,120 --> 00:58:17,040
Speaker 1: fun is your problem? And that's how you know when

929
00:58:17,040 --> 00:58:18,760
Speaker 1: you when you're like, oh, when they call you pop,

930
00:58:19,400 --> 00:58:23,680
Speaker 1: that is a cooler pop. You lost it. I want

931
00:58:23,680 --> 00:58:26,640
Speaker 1: to be so you know what the million dollar question is?

932
00:58:29,640 --> 00:58:35,560
Speaker 1: Who is mar deep or happy? I'm gonna go versus again?

933
00:58:37,200 --> 00:58:40,480
Speaker 1: Has it been discussed? I mean, you know, people keep

934
00:58:40,520 --> 00:58:43,280
Speaker 1: on asking me just I don't know. You know what

935
00:58:43,280 --> 00:58:47,600
Speaker 1: I'm saying. It would have been us guys in corrupt,

936
00:58:49,280 --> 00:58:57,160
Speaker 1: corrupt outcasts say against group in the world. It's true

937
00:58:57,480 --> 00:59:00,360
Speaker 1: you say my deept go against any group in world.

938
00:59:02,080 --> 00:59:04,800
Speaker 1: You know, OK, I wasn't thinking about that bird one

939
00:59:04,920 --> 00:59:08,880
Speaker 1: b there you go that. I think that one. You're

940
00:59:08,920 --> 00:59:14,200
Speaker 1: not coming next sense because you know exact same as

941
00:59:14,840 --> 00:59:17,080
Speaker 1: you know what I'm saying. The conversation needs to be had.

942
00:59:17,800 --> 00:59:24,800
Speaker 1: We need hologram people. Yeah, um yeah, where were we

943
00:59:24,960 --> 00:59:28,800
Speaker 1: losing him? Hop we start? Did fucking have PIMPSI and

944
00:59:29,080 --> 00:59:39,120
Speaker 1: p hologram the fun You're in the meadow dot wallet?

945
00:59:39,360 --> 00:59:41,960
Speaker 1: He got a meta We're about to do drink chap

946
00:59:42,160 --> 00:59:44,480
Speaker 1: metaverse around. We got to do that. He got a wallet.

947
00:59:44,840 --> 00:59:49,200
Speaker 1: Holy ship. Now one on one I heard Jim Jones

948
00:59:50,040 --> 00:59:58,240
Speaker 1: said he want to rematch. I'm good, didn't say him

949
00:59:58,280 --> 01:00:03,600
Speaker 1: against Jaya. I told you when I get home no

950
01:00:03,880 --> 01:00:08,080
Speaker 1: hip hop, I don't pay attention. I look at the Graham.

951
01:00:11,600 --> 01:00:13,880
Speaker 1: You know I'm just saying the ground. But I keep

952
01:00:13,920 --> 01:00:15,840
Speaker 1: scrolling like you know what I mean. I'm not really

953
01:00:15,960 --> 01:00:18,600
Speaker 1: like you know what I mean? You know you know

954
01:00:18,720 --> 01:00:20,120
Speaker 1: my I mean, you know my thing in hip hop

955
01:00:20,160 --> 01:00:23,120
Speaker 1: where everything all day like people ask me these questions

956
01:00:23,200 --> 01:00:25,880
Speaker 1: are I just want to stay clearly why I don't

957
01:00:25,880 --> 01:00:29,360
Speaker 1: want to drink chimps. I think I'm better than everybody

958
01:00:29,440 --> 01:00:32,919
Speaker 1: but Big. There's nobody like in my mind, I'm better

959
01:00:33,000 --> 01:00:36,000
Speaker 1: than everybody but Big. So you don't got to ask me.

960
01:00:36,520 --> 01:00:38,800
Speaker 1: If you listen to my lyrics. For over twenty years,

961
01:00:38,840 --> 01:00:42,800
Speaker 1: I've been telling you fuck everybody. For over my whole

962
01:00:43,000 --> 01:00:47,560
Speaker 1: catalog says, suck everybody. You don't want to where I

963
01:00:47,680 --> 01:00:53,560
Speaker 1: can't see all the time. My whole term everybody who

964
01:00:53,720 --> 01:01:01,720
Speaker 1: want what when about it? Don't ask that's my stinning

965
01:01:01,880 --> 01:01:09,280
Speaker 1: what everybody trying. I avented saying fuck you. I'm like creative.

966
01:01:13,640 --> 01:01:16,400
Speaker 1: Never asked me. I'm competitive this shirt. We can be

967
01:01:16,480 --> 01:01:20,480
Speaker 1: friendly after anything about anybody. When we get on the

968
01:01:20,600 --> 01:01:25,280
Speaker 1: track together in the studio, I'm coming for you straight

969
01:01:25,400 --> 01:01:34,920
Speaker 1: up to normy. Let's get any boy myself. Hold on,

970
01:01:35,000 --> 01:01:38,760
Speaker 1: let me let me it's the crazy ship MEA's fifty

971
01:01:39,040 --> 01:01:41,760
Speaker 1: is talking the other day. That's fifty. He tells me.

972
01:01:43,080 --> 01:01:48,160
Speaker 1: Do you know how styles got all big meat Larry

973
01:01:48,240 --> 01:01:51,200
Speaker 1: Huba that they sent you to beat by my stay,

974
01:01:51,640 --> 01:01:54,400
Speaker 1: Oh ship, I have no they sent me to be empty.

975
01:01:54,400 --> 01:01:56,960
Speaker 1: I can tell you that exactly. Who told me? He

976
01:01:57,000 --> 01:01:59,080
Speaker 1: said they sent you to beat. They mentioned to you

977
01:01:59,160 --> 01:02:02,640
Speaker 1: a totally different and beat and I did. But yeah, yeah,

978
01:02:03,080 --> 01:02:12,640
Speaker 1: gidn't cut my first short. I am twenty four. I

979
01:02:12,680 --> 01:02:18,040
Speaker 1: WoT tell yourself about that. Here's with business kicks. Look okay,

980
01:02:18,480 --> 01:02:21,720
Speaker 1: look it was full mix tape with rosashed my dogs

981
01:02:21,760 --> 01:02:24,640
Speaker 1: hit me off for the big stage base. He sent

982
01:02:24,800 --> 01:02:27,600
Speaker 1: the beat, I sent the twenty four. I know it.

983
01:02:28,360 --> 01:02:31,320
Speaker 1: I know this is a couple of weeks later, my

984
01:02:31,520 --> 01:02:36,800
Speaker 1: phone is going crazy and somebody said, that's just the

985
01:02:36,880 --> 01:02:40,320
Speaker 1: biggest racket in the world. It was one of my

986
01:02:40,480 --> 01:02:45,320
Speaker 1: mix tape about about like what and then it ended

987
01:02:45,360 --> 01:02:47,480
Speaker 1: up being that I was like, okay, like and then

988
01:02:47,560 --> 01:02:49,920
Speaker 1: it just kept taking off and taking off. Wow. I

989
01:02:50,040 --> 01:02:53,560
Speaker 1: was like, okay, okay, okay. So the story behind that

990
01:02:54,800 --> 01:02:59,640
Speaker 1: he sent you to beat by by the way, a

991
01:02:59,680 --> 01:03:01,480
Speaker 1: lot of peop will and I'm claiming this. A lot

992
01:03:01,480 --> 01:03:04,840
Speaker 1: of people don't know. People think that Ross put on

993
01:03:05,040 --> 01:03:09,080
Speaker 1: spif TV. Spif TV. It came through me his first video.

994
01:03:09,120 --> 01:03:10,400
Speaker 1: You know I brought him to you. You don't even

995
01:03:10,440 --> 01:03:16,400
Speaker 1: know that part. It's always least to that. I but

996
01:03:19,120 --> 01:03:26,840
Speaker 1: nobs rooms hit me. Yes, quicktim of spiff right now,

997
01:03:27,760 --> 01:03:29,880
Speaker 1: So big up spif TV man, I love I love

998
01:03:29,960 --> 01:03:32,280
Speaker 1: that brother bro. All right, So this is quick time

999
01:03:32,320 --> 01:03:35,600
Speaker 1: of slide. This gets everyone in trouble. Please can you

1000
01:03:35,640 --> 01:03:38,280
Speaker 1: give them shot glasses? Haven't you can't avoid this one?

1001
01:03:38,400 --> 01:03:43,560
Speaker 1: He can if he wants to know you taking I'm

1002
01:03:43,600 --> 01:03:45,920
Speaker 1: taking a shot to know you take the one squind

1003
01:03:46,000 --> 01:03:49,480
Speaker 1: before igree to play this game. And so I got

1004
01:03:49,600 --> 01:04:05,280
Speaker 1: drinking one. Damn who's drinking? Let's got that's cold? Shut

1005
01:04:05,320 --> 01:04:11,439
Speaker 1: out the slap once. By the way, I thought whole

1006
01:04:11,480 --> 01:04:14,320
Speaker 1: time sounds being my family. He's trying to kill me

1007
01:04:14,440 --> 01:04:19,640
Speaker 1: right now? You ain't all right? You got more of that,

1008
01:04:20,960 --> 01:04:25,320
Speaker 1: by the way, Columbian White, Okay, all right, that's how

1009
01:04:30,200 --> 01:04:34,680
Speaker 1: serious I'm gonna I'm gonna keep it a hunting, y'all.

1010
01:04:35,040 --> 01:04:39,160
Speaker 1: Merry little happy, listen, Listen, I'm gonna keep it a hunting.

1011
01:04:40,640 --> 01:04:44,040
Speaker 1: This question has got me more in trouble than the

1012
01:04:44,080 --> 01:04:48,520
Speaker 1: whole drink Champs period. I'm not answering a question by itself,

1013
01:04:49,240 --> 01:04:53,120
Speaker 1: a question by itself, So I'm gonna say it. But

1014
01:04:53,360 --> 01:04:56,920
Speaker 1: I'm also gonna tell my producers Mr. Lee and has

1015
01:04:56,960 --> 01:04:59,560
Speaker 1: it sound? Has it sounds? I want to exit this

1016
01:04:59,720 --> 01:05:03,680
Speaker 1: question for life, because they have both called me. We're

1017
01:05:03,760 --> 01:05:06,160
Speaker 1: banning the question. I want to ban the question, and

1018
01:05:06,240 --> 01:05:08,560
Speaker 1: I respect both of them, and I love boxing and

1019
01:05:08,960 --> 01:05:12,440
Speaker 1: is that one? That's how how I know it to you?

1020
01:05:13,600 --> 01:05:16,959
Speaker 1: So I'm gonna ask you, this is the game we play.

1021
01:05:17,800 --> 01:05:21,919
Speaker 1: Pick either or if you pick both, I'll take a shot.

1022
01:05:22,120 --> 01:05:26,560
Speaker 1: We take a shot together. Yeah, I think that's pretty

1023
01:05:26,640 --> 01:05:31,520
Speaker 1: much it. Or either or neither. You want to quit

1024
01:05:31,640 --> 01:05:34,800
Speaker 1: this game. I'm not quitting today. No, not the game,

1025
01:05:34,880 --> 01:05:38,360
Speaker 1: the question, the question. Quit the question today with us? No, no, no, no,

1026
01:05:38,600 --> 01:05:47,720
Speaker 1: just as a good group. He said, you're gonna see

1027
01:05:49,280 --> 01:05:52,200
Speaker 1: all right, So I'm gonna start with have it. It's

1028
01:05:52,240 --> 01:05:56,120
Speaker 1: easy for me Foxy or Kim. Um. I wouldn't say

1029
01:05:56,240 --> 01:05:59,800
Speaker 1: Kim just dont just like that, but I work with

1030
01:06:00,000 --> 01:06:01,880
Speaker 1: Oxy before you know what I'm saying that you know

1031
01:06:02,280 --> 01:06:08,200
Speaker 1: you know you got big kid talking about it. Yeah,

1032
01:06:10,720 --> 01:06:13,600
Speaker 1: you see, what's a good question is I'm being in trouble.

1033
01:06:14,080 --> 01:06:18,880
Speaker 1: I'm going to you'll be wrapping washed anything. Criteria is whatever,

1034
01:06:18,960 --> 01:06:22,640
Speaker 1: your criteria is. Just gonna say, kim Oh you're saying kids. No,

1035
01:06:22,640 --> 01:06:24,720
Speaker 1: I'm gonna say. I'm gonna say both. Oh. So that's

1036
01:06:24,720 --> 01:06:27,040
Speaker 1: the thing you got. Good job. You don't got to

1037
01:06:27,080 --> 01:06:32,880
Speaker 1: take it out of that water though. All right? Cool? Cool, cool?

1038
01:06:32,880 --> 01:06:35,680
Speaker 1: Where's my ship? All right? Cool? Google the Japanese whiskey.

1039
01:06:36,360 --> 01:06:38,360
Speaker 1: Wait what, I'm taking a shot? You have to take

1040
01:06:38,400 --> 01:06:41,040
Speaker 1: a shot that ball. We all, Yeah, you just got me.

1041
01:06:41,160 --> 01:06:44,840
Speaker 1: We all guilty. Fucking question. You ain't even there was

1042
01:06:44,920 --> 01:06:47,560
Speaker 1: no crazy next to it. You didn't ask anything. You

1043
01:06:47,600 --> 01:06:53,840
Speaker 1: got to political answer like shot. Na, this is fucking dumb.

1044
01:06:54,760 --> 01:06:59,840
Speaker 1: You gotta lay somewhere with the fucking question. How are

1045
01:06:59,880 --> 01:07:13,840
Speaker 1: you this question? Take no step, take it this question.

1046
01:07:14,760 --> 01:07:16,680
Speaker 1: I can't want me to sit and think this question

1047
01:07:16,800 --> 01:07:19,040
Speaker 1: is meant for happen. But I'm gonna give it to you. No,

1048
01:07:19,320 --> 01:07:24,800
Speaker 1: give it back to him, stupid ship back to that

1049
01:07:27,240 --> 01:07:35,680
Speaker 1: impressive those shops is different gangster megal or nature mega.

1050
01:07:39,200 --> 01:07:43,480
Speaker 1: This is gonna be love Megan love nature. I love

1051
01:07:43,520 --> 01:07:46,440
Speaker 1: them both. I love them both. I gotta go with

1052
01:07:46,560 --> 01:07:49,160
Speaker 1: Megan because I got a personal human experience. When Meg

1053
01:07:49,200 --> 01:07:52,840
Speaker 1: I've been, I've been in. It's a real love. You

1054
01:07:52,880 --> 01:07:55,640
Speaker 1: see me cry, everybody see me cry. I cry over

1055
01:07:55,760 --> 01:08:03,720
Speaker 1: when I tried an adventures die the cartoons. I'm gonna

1056
01:08:03,720 --> 01:08:07,520
Speaker 1: address and try your dog. I get busy, though, should

1057
01:08:07,560 --> 01:08:20,719
Speaker 1: go help me down to so many don't even blow up? Okay,

1058
01:08:21,479 --> 01:08:28,120
Speaker 1: it should be easy for you. Tupaca DMX alright, even

1059
01:08:28,160 --> 01:08:31,600
Speaker 1: disrespect the guy like that BS market or O D

1060
01:08:31,760 --> 01:08:41,080
Speaker 1: b O damn took a shot. No no, no, no

1061
01:08:41,200 --> 01:08:48,880
Speaker 1: not um. I'm gonna have to say uh. I gotta

1062
01:08:48,920 --> 01:09:06,960
Speaker 1: say both group God, Okay, are you ready? Styles? It's

1063
01:09:07,000 --> 01:09:10,680
Speaker 1: on you. I hate to stop. I gotta poort so heavy, bro,

1064
01:09:10,800 --> 01:09:17,200
Speaker 1: come on taking the whole ship. Ready style? You're ready style?

1065
01:09:17,280 --> 01:09:23,160
Speaker 1: That's a British gentleman shot from the hundreds. Are you ready? Styles?

1066
01:09:23,439 --> 01:09:30,200
Speaker 1: Or Biggie or big Oul? Biggy? Who big Biggy or

1067
01:09:30,280 --> 01:09:38,920
Speaker 1: big Oul? Keep come on, man, I'm a journalist. Journalist.

1068
01:09:43,160 --> 01:09:45,560
Speaker 1: You see that ever lives all right? I shold you

1069
01:09:45,640 --> 01:09:48,519
Speaker 1: to think I'm better than everybody. But Frank, you ready

1070
01:09:48,560 --> 01:09:54,679
Speaker 1: have daddy or Dr Dre he did he or Dr

1071
01:09:54,760 --> 01:10:00,240
Speaker 1: Dre damn. You know what I'm saying. I E I'm

1072
01:10:00,280 --> 01:10:09,240
Speaker 1: like the new newt Man like you. No, no, no,

1073
01:10:09,280 --> 01:10:10,720
Speaker 1: I'm gonna give it to Paul. I'm gonna give it

1074
01:10:10,760 --> 01:10:20,160
Speaker 1: the I'm gonna checks out. Okay, I gotta actually, just

1075
01:10:20,280 --> 01:10:32,360
Speaker 1: for heaven's sake, puff Daddy all dr favorite producer, favor whatever. Okay, Tony,

1076
01:10:32,360 --> 01:10:44,040
Speaker 1: I like that. Let's make all right. Outcastle U g

1077
01:10:44,200 --> 01:10:53,320
Speaker 1: K take a shot, k oh, Okay, Outcastle U g K.

1078
01:10:54,720 --> 01:10:57,200
Speaker 1: I'm gonna go with outcast. I love you g K,

1079
01:10:57,320 --> 01:10:59,360
Speaker 1: but I'm gonna go out outcast too, but I'm gonna

1080
01:10:59,360 --> 01:11:04,360
Speaker 1: go with you. Okay, happen. This is very important. This

1081
01:11:04,520 --> 01:11:10,400
Speaker 1: is very important. Did you answer this question correctly? Nas?

1082
01:11:10,520 --> 01:11:15,200
Speaker 1: Or jay Z Nasa jay Z nas I like it.

1083
01:11:17,160 --> 01:11:20,560
Speaker 1: I love jay Z, I love James, love Spading No, no,

1084
01:11:20,880 --> 01:11:23,280
Speaker 1: all day long. I love a space, no doubt. But

1085
01:11:23,439 --> 01:11:25,360
Speaker 1: you know I gotta go with the broke. You gotta

1086
01:11:25,439 --> 01:11:28,599
Speaker 1: go with the home team styles. Where are you gonna

1087
01:11:28,640 --> 01:11:35,200
Speaker 1: like this? Do you think you better than them? Do

1088
01:11:35,439 --> 01:11:38,160
Speaker 1: them too as well? You just made a clear this

1089
01:11:38,320 --> 01:11:41,400
Speaker 1: is it's all. I'm gonna take the shot. I'm let

1090
01:11:41,400 --> 01:11:43,040
Speaker 1: me tell you what. I'm gonna take the shot shot too,

1091
01:11:43,360 --> 01:11:45,639
Speaker 1: but no, because I don't. I'm not taking the easy

1092
01:11:45,800 --> 01:11:49,559
Speaker 1: round out fuck that. But it's you're taking the shot,

1093
01:11:50,520 --> 01:11:55,320
Speaker 1: but we're not taking the shot. Um, the timing of

1094
01:11:55,400 --> 01:11:58,599
Speaker 1: it all is not the same. You know what I'm saying?

1095
01:11:59,720 --> 01:12:02,920
Speaker 1: Jay Eastern a lot corporately says a lot of crazy ship.

1096
01:12:03,880 --> 01:12:05,840
Speaker 1: NASA is the reason we're kind of all here to

1097
01:12:06,000 --> 01:12:08,720
Speaker 1: NASA is like the birth of our generation. But I'm

1098
01:12:08,800 --> 01:12:10,960
Speaker 1: kind of opened the door further me all of us

1099
01:12:11,040 --> 01:12:15,479
Speaker 1: who's been included, everybody who came man that ever, we

1100
01:12:15,600 --> 01:12:18,760
Speaker 1: have to we have to thank Na. It was rock him.

1101
01:12:21,760 --> 01:12:30,880
Speaker 1: Let you push us who sticks had a few years

1102
01:12:30,920 --> 01:12:34,960
Speaker 1: of this. I love, I love it happens. They having

1103
01:12:35,120 --> 01:12:40,519
Speaker 1: go on. That's water corporate nas back right now. I mean,

1104
01:12:41,120 --> 01:12:44,840
Speaker 1: let dropped three albums and the left not sucking left,

1105
01:12:45,280 --> 01:12:48,479
Speaker 1: not really, I don't know where you're going with this.

1106
01:12:49,000 --> 01:12:55,560
Speaker 1: Guys never left the guys. They're not having the Nazas

1107
01:12:55,920 --> 01:12:58,760
Speaker 1: ever left the game. Um, to me and my eyes,

1108
01:12:59,040 --> 01:13:00,760
Speaker 1: I would say no. I would say no. I would

1109
01:13:00,760 --> 01:13:05,160
Speaker 1: say no, I would say no, he chilled. That's fucking leaving. Okay, Sorry,

1110
01:13:05,840 --> 01:13:10,599
Speaker 1: you're talking about like no, I cut this ship man

1111
01:13:10,720 --> 01:13:15,040
Speaker 1: leaving shot, take taking a shot you. I'm just saying,

1112
01:13:15,160 --> 01:13:19,200
Speaker 1: let's let's take a shot. You're gonna say, na chilli,

1113
01:13:20,120 --> 01:13:30,599
Speaker 1: I wouldn't. Yeah, chill, chill, Yeah no, Yeah, let's move on, hope.

1114
01:13:30,720 --> 01:13:38,040
Speaker 1: Let's soon before like Yo, you're gonna say, nay stripping

1115
01:13:38,200 --> 01:13:45,679
Speaker 1: having it to you? Yate for Kanye because Kanye cutching

1116
01:13:45,720 --> 01:13:51,439
Speaker 1: more checks? No, no, not not not not no, Kanye

1117
01:13:51,600 --> 01:13:54,040
Speaker 1: be working with a lot of people. Let me just

1118
01:13:54,120 --> 01:13:56,280
Speaker 1: say something. Kanye is loose right now. If you got

1119
01:13:57,000 --> 01:14:00,479
Speaker 1: I'm talking about this brother you got, you have to

1120
01:14:00,560 --> 01:14:06,240
Speaker 1: say drink cha, say drink cha? What you're putting his drink?

1121
01:14:08,120 --> 01:14:14,120
Speaker 1: What you gotta? What was that just all about the

1122
01:14:14,120 --> 01:14:16,760
Speaker 1: Benjamin nigga said? He said what he said. He's been

1123
01:14:16,760 --> 01:14:17,920
Speaker 1: looking for me. I've been looking for them. We could

1124
01:14:17,920 --> 01:14:21,280
Speaker 1: go outside, we can strike a month. That's how I

1125
01:14:21,360 --> 01:14:25,440
Speaker 1: feel like Kanye. Since Drink Chaps episode, he has been outside.

1126
01:14:25,640 --> 01:14:29,320
Speaker 1: So if y'all see him, I can guarantee you he's

1127
01:14:29,320 --> 01:14:34,720
Speaker 1: gonna get your million dollars guaranteed. Put listen, if you

1128
01:14:34,840 --> 01:14:37,519
Speaker 1: see me, McDonald's the nigga don't get your million. I'm

1129
01:14:37,560 --> 01:14:40,040
Speaker 1: just telling give the hood. Let's keeping it on it, man,

1130
01:14:40,080 --> 01:14:41,880
Speaker 1: I just dangerous. I had to tell him like chill,

1131
01:14:42,160 --> 01:14:45,639
Speaker 1: like like was like some I'm a I also work

1132
01:14:45,720 --> 01:14:49,280
Speaker 1: hard for my money. I don't know why I went there. Okay,

1133
01:14:50,040 --> 01:14:57,960
Speaker 1: what was we talking about before that? All? Kanye? Kanye for?

1134
01:14:59,360 --> 01:15:08,680
Speaker 1: And who you say? I think? Okay, I like when

1135
01:15:08,720 --> 01:15:14,600
Speaker 1: you thing like this opposed to I'm gonna take the

1136
01:15:14,680 --> 01:15:20,400
Speaker 1: shots as we take. I don't. I don't. I can't

1137
01:15:20,479 --> 01:15:22,559
Speaker 1: just give it to your over skateboard, not in mine.

1138
01:15:25,240 --> 01:15:29,240
Speaker 1: It's the way over skateboard. He can't give it changed

1139
01:15:29,280 --> 01:15:31,720
Speaker 1: my life, even though he doesn't know that. Can you

1140
01:15:31,760 --> 01:15:35,360
Speaker 1: pass me that? Styles? Forarrell changed my life? So he

1141
01:15:35,840 --> 01:15:39,400
Speaker 1: did your first Orde? Right? Yeah? Yes he did? He did.

1142
01:15:39,520 --> 01:15:42,720
Speaker 1: He did super Dog. I love Farrell, Yeah, and I

1143
01:15:42,840 --> 01:15:46,040
Speaker 1: love even though he's not. They're both of them, even

1144
01:15:46,080 --> 01:15:53,800
Speaker 1: though it's it's crazy. What's your answer? That's ok Yeah,

1145
01:15:54,439 --> 01:15:59,320
Speaker 1: that's what I wanted. I don't take your last I

1146
01:15:59,360 --> 01:16:02,840
Speaker 1: don't never want do another album again every time you

1147
01:16:02,880 --> 01:16:05,320
Speaker 1: stop rapping. Yeah, but I'm gonna do Drink Chats album.

1148
01:16:05,560 --> 01:16:11,000
Speaker 1: I didn't even tell you that. That's just because if

1149
01:16:11,040 --> 01:16:17,559
Speaker 1: I wants this ship, it's a joke all right, Primo

1150
01:16:17,640 --> 01:16:27,240
Speaker 1: or Large Park taking a shot preemale Lars Fro quick

1151
01:16:28,040 --> 01:16:31,240
Speaker 1: take out. All right, that's like wanted to me, don't

1152
01:16:31,240 --> 01:16:38,040
Speaker 1: have I ain't gonna you know, it's Hardwater's hardwater. You can't. Okay.

1153
01:16:38,360 --> 01:16:40,960
Speaker 1: I think the average hip hop person expects you to

1154
01:16:41,080 --> 01:16:44,680
Speaker 1: just say Primo, Primo, Primo does, um, let's give it

1155
01:16:44,720 --> 01:16:48,800
Speaker 1: to him. Primo has a wind sheet, maybe with more

1156
01:16:48,840 --> 01:16:53,120
Speaker 1: extensive artists, but large pro is like a core foundation

1157
01:16:53,240 --> 01:16:55,600
Speaker 1: of of hip hop like they probably I would I

1158
01:16:55,640 --> 01:16:58,320
Speaker 1: would assume they bounced energy off from each others back

1159
01:16:58,360 --> 01:17:01,720
Speaker 1: then from then, So those like I hate this fucking game,

1160
01:17:02,200 --> 01:17:04,920
Speaker 1: I ain't a lie. That was the you were saying

1161
01:17:04,960 --> 01:17:12,120
Speaker 1: what he said. It was worthing like I wanted, because

1162
01:17:12,160 --> 01:17:15,840
Speaker 1: you can't, like I think we get we're getting such

1163
01:17:16,040 --> 01:17:18,240
Speaker 1: so much of the comparison ship in hip hop, which is,

1164
01:17:18,600 --> 01:17:21,200
Speaker 1: you know, we're competitive, we're supposed to, but then you

1165
01:17:22,360 --> 01:17:26,000
Speaker 1: if you you kind of don't get the other person.

1166
01:17:26,040 --> 01:17:28,559
Speaker 1: They flowers that they fucking do a large fold deserves

1167
01:17:28,640 --> 01:17:31,200
Speaker 1: motherfucker flowers when it comes to this thing. And not

1168
01:17:31,320 --> 01:17:33,840
Speaker 1: only that, it's like, you know, as art as we know,

1169
01:17:34,120 --> 01:17:39,120
Speaker 1: you know what I'm saying. You know, we were called

1170
01:17:39,120 --> 01:17:41,519
Speaker 1: the styles Me and having Right now Drink Chance. The

1171
01:17:41,560 --> 01:17:47,280
Speaker 1: Lord's Mausino one of my favorite albums out right now.

1172
01:17:47,360 --> 01:17:55,439
Speaker 1: That is crazy. Thank you. Perfect timing, sir, perfect time.

1173
01:17:55,479 --> 01:17:57,640
Speaker 1: You know, such a hip hop We're gonna hate you

1174
01:17:57,720 --> 01:18:01,640
Speaker 1: back you you're coming out yet? Yeah, yea yeah on

1175
01:18:01,720 --> 01:18:04,320
Speaker 1: that all right, Dundel, we pull up on us, all right?

1176
01:18:04,360 --> 01:18:11,240
Speaker 1: Peace peace. I'm sorry, but your album it's really good.

1177
01:18:12,160 --> 01:18:14,639
Speaker 1: It really is. I'm like, damn, because I thought y'all

1178
01:18:14,680 --> 01:18:17,280
Speaker 1: think it's just getting a check, just putting like you know, sig.

1179
01:18:17,720 --> 01:18:19,000
Speaker 1: Now you can see that they didn't do it just

1180
01:18:19,080 --> 01:18:30,400
Speaker 1: for your check. Wait a minute, true doing that you

1181
01:18:30,520 --> 01:18:39,840
Speaker 1: gave true you get what you can't the leadership, I'm

1182
01:18:39,880 --> 01:18:46,320
Speaker 1: just stop doing listening to the album and I'm like like,

1183
01:18:46,479 --> 01:18:51,560
Speaker 1: I'm like, wow, it's really really good. This happening me.

1184
01:18:53,920 --> 01:18:56,400
Speaker 1: I'm not digging. I'm sorry. I'm sorry. He's right, I'm not.

1185
01:18:56,760 --> 01:19:00,320
Speaker 1: I'm not. I'm not. I'm not. I ain't a lot.

1186
01:19:01,960 --> 01:19:04,599
Speaker 1: All the years that you both got you could have slapped,

1187
01:19:04,640 --> 01:19:07,200
Speaker 1: you could have just just did something like just just

1188
01:19:07,320 --> 01:19:10,200
Speaker 1: just throw out to the community. And this is not

1189
01:19:10,360 --> 01:19:16,000
Speaker 1: that this album is really really good. Why? But why

1190
01:19:16,640 --> 01:19:20,080
Speaker 1: like you know, like I know it's like an oxously

1191
01:19:20,120 --> 01:19:24,200
Speaker 1: marmo me saying that. But what I'm saying is the

1192
01:19:24,280 --> 01:19:26,439
Speaker 1: only person I probably would do an album with right

1193
01:19:26,439 --> 01:19:30,000
Speaker 1: now me it's Camp. The only reason why I we

1194
01:19:30,040 --> 01:19:32,040
Speaker 1: would do an album with Cams because me and Cam

1195
01:19:32,160 --> 01:19:35,479
Speaker 1: competed our whole life. I feel like we were like

1196
01:19:35,600 --> 01:19:40,960
Speaker 1: Jay and as of our error of our time. What

1197
01:19:41,280 --> 01:19:47,120
Speaker 1: made y'all wanted to do an album together? Well, I'm

1198
01:19:47,160 --> 01:19:50,679
Speaker 1: the MC man. I love my craft. I love rhyming

1199
01:19:50,760 --> 01:19:52,800
Speaker 1: like this, you know the other ship that comes with it,

1200
01:19:53,400 --> 01:19:58,519
Speaker 1: you know whatever, But you don't have habit called you.

1201
01:19:58,600 --> 01:20:00,360
Speaker 1: I mean, like we're saying, really is just top tip

1202
01:20:00,439 --> 01:20:01,960
Speaker 1: to do sing this thing about it? Like if you

1203
01:20:02,880 --> 01:20:05,680
Speaker 1: if you take this ship, you know, for when the

1204
01:20:05,760 --> 01:20:08,200
Speaker 1: canvas is off in the the lights and all of

1205
01:20:08,280 --> 01:20:10,960
Speaker 1: that ship. But if you just like into hip hop

1206
01:20:11,080 --> 01:20:12,760
Speaker 1: and know what it is like this ain't and you

1207
01:20:12,880 --> 01:20:16,320
Speaker 1: take lightly when fucking a Golden one calls you, you

1208
01:20:16,439 --> 01:20:18,240
Speaker 1: take that ship serious, you wake up and you do

1209
01:20:18,360 --> 01:20:21,040
Speaker 1: your job. Like for me especially, I know you know,

1210
01:20:21,120 --> 01:20:23,160
Speaker 1: I'm a MYB deep fan, like my deepest on the

1211
01:20:23,240 --> 01:20:26,240
Speaker 1: way before a couple of years. But you know when

1212
01:20:26,360 --> 01:20:29,479
Speaker 1: her and her terms a couple of weeks is where

1213
01:20:29,560 --> 01:20:34,320
Speaker 1: you're on before you was on. So I watched them, yeah,

1214
01:20:34,400 --> 01:20:36,080
Speaker 1: like you know what I mean. And then not only that,

1215
01:20:36,320 --> 01:20:39,840
Speaker 1: like to work for him to call me, and you know,

1216
01:20:40,080 --> 01:20:42,560
Speaker 1: I acknowledge how God bless the dead Pete, Like the

1217
01:20:43,120 --> 01:20:44,880
Speaker 1: that's gonna lee m C. So I was gonna come

1218
01:20:44,880 --> 01:20:48,080
Speaker 1: to work slacking, like you know what I'm saying, Come

1219
01:20:48,120 --> 01:20:51,479
Speaker 1: to do your job. How about you guys for me?

1220
01:20:51,680 --> 01:20:53,120
Speaker 1: You know what I'm saying. Like I said, you know

1221
01:20:53,200 --> 01:20:58,160
Speaker 1: the Locks, It's still one of my favorite groups of

1222
01:20:58,280 --> 01:21:00,800
Speaker 1: all time. And I'm not even just saying son head,

1223
01:21:01,439 --> 01:21:03,320
Speaker 1: but you know what I'm saying. We all know, Like

1224
01:21:03,439 --> 01:21:06,000
Speaker 1: you know what I'm saying. The thing has come with it.

1225
01:21:06,080 --> 01:21:09,360
Speaker 1: You understand what I'm saying. And you know, like I said,

1226
01:21:10,240 --> 01:21:12,960
Speaker 1: you know I funk with Pete. You know what I'm saying.

1227
01:21:13,080 --> 01:21:15,719
Speaker 1: So when I was like, I haven't done a project

1228
01:21:15,760 --> 01:21:17,200
Speaker 1: in a in a while, you know what I mean.

1229
01:21:17,320 --> 01:21:19,640
Speaker 1: After the project he passed, and you know what I mean,

1230
01:21:20,040 --> 01:21:22,360
Speaker 1: I wanted to do something meaningful. You know what I mean,

1231
01:21:22,400 --> 01:21:25,400
Speaker 1: because every time, you know, when you when you come,

1232
01:21:25,479 --> 01:21:27,400
Speaker 1: when you come with a project, you need to make

1233
01:21:27,479 --> 01:21:28,880
Speaker 1: it meaningful, you know, what I'm saying to mak it

1234
01:21:28,960 --> 01:21:32,400
Speaker 1: mean son. So when I tap P he came through,

1235
01:21:32,960 --> 01:21:35,160
Speaker 1: he said that I do it. And when we was

1236
01:21:35,240 --> 01:21:40,000
Speaker 1: doing the record, you can just actually, no, no, we knew,

1237
01:21:40,040 --> 01:21:41,600
Speaker 1: we know, we know, we knew it was gonna be

1238
01:21:41,920 --> 01:21:43,479
Speaker 1: a project, you know what I'm saying, whether it was

1239
01:21:43,520 --> 01:21:46,200
Speaker 1: gonna be an E, P or LP. It was supposed

1240
01:21:46,200 --> 01:21:50,080
Speaker 1: to be EP something like that, and just kind of

1241
01:21:50,120 --> 01:21:52,439
Speaker 1: went too easy, like you know what I mean. And

1242
01:21:52,520 --> 01:21:54,760
Speaker 1: then it just kept going. You know. I was sending

1243
01:21:54,800 --> 01:21:57,439
Speaker 1: them the records and he was sending them just back

1244
01:21:58,240 --> 01:22:00,800
Speaker 1: with the with the with the chorus in the in

1245
01:22:00,920 --> 01:22:03,439
Speaker 1: the verse. You know what I'm saying. That ship was

1246
01:22:03,520 --> 01:22:07,200
Speaker 1: just blown me away. Like I was like, damn, yeah,

1247
01:22:07,240 --> 01:22:09,040
Speaker 1: you know what I'm saying, because I'm still working with

1248
01:22:09,280 --> 01:22:11,960
Speaker 1: somebody that I'm used to work with, somebody that I

1249
01:22:12,120 --> 01:22:15,280
Speaker 1: do that, like, you know what I'm saying, Because it

1250
01:22:15,400 --> 01:22:17,720
Speaker 1: was the vibe just was there. I was like, you know,

1251
01:22:17,800 --> 01:22:20,200
Speaker 1: I feel like I was working with Pete. You know

1252
01:22:20,240 --> 01:22:22,519
Speaker 1: what I'm saying, Like I was working with Pete. You

1253
01:22:22,560 --> 01:22:24,160
Speaker 1: know what I'm saying the other pe. You know what

1254
01:22:24,200 --> 01:22:26,760
Speaker 1: I'm saying. I can see how you're describing it. And

1255
01:22:26,880 --> 01:22:30,360
Speaker 1: I know you word, you know, that's the element that

1256
01:22:30,479 --> 01:22:34,040
Speaker 1: I that i'd be missing, you know what I mean? Yeah,

1257
01:22:34,120 --> 01:22:37,920
Speaker 1: you know what. You know, my man, he ain't never

1258
01:22:38,000 --> 01:22:39,760
Speaker 1: gonna be here again, you know what I'm saying, So

1259
01:22:40,600 --> 01:22:43,880
Speaker 1: I gotta do something this monumental. Nobody would never be

1260
01:22:43,960 --> 01:22:46,720
Speaker 1: able to take place of problem. And that's not's not

1261
01:22:46,840 --> 01:22:50,479
Speaker 1: what that's that's not before. But like I said, I

1262
01:22:50,560 --> 01:22:52,880
Speaker 1: wanted to put out some energy. Yeah, I wanted to

1263
01:22:52,920 --> 01:22:56,360
Speaker 1: put out something very meaningful. And this guy right here

1264
01:22:56,760 --> 01:22:59,280
Speaker 1: is one of those dudes. He don't funk around, you

1265
01:22:59,320 --> 01:23:00,920
Speaker 1: know what I'm saying. He don't playing around. He want

1266
01:23:01,160 --> 01:23:04,080
Speaker 1: around seriously. If he's woking with you, he foke with you.

1267
01:23:04,600 --> 01:23:06,719
Speaker 1: You know, he could have easily said no, I understand

1268
01:23:06,760 --> 01:23:07,880
Speaker 1: what I'm saying. Like now, you know what I'm saying,

1269
01:23:07,880 --> 01:23:09,880
Speaker 1: I'm kind of busy whatever whatever. That's how you know,

1270
01:23:10,520 --> 01:23:11,920
Speaker 1: we funked with each other, you know what I'm saying,

1271
01:23:11,960 --> 01:23:14,280
Speaker 1: Like the perspectives did. So I sent the records and

1272
01:23:14,320 --> 01:23:16,840
Speaker 1: we did the record and it turned into something uh

1273
01:23:17,280 --> 01:23:20,559
Speaker 1: meaningful and dope and and regardless if it go gold

1274
01:23:20,680 --> 01:23:23,400
Speaker 1: or fucking platinum, when people look back on this ship

1275
01:23:23,520 --> 01:23:26,320
Speaker 1: and they listen to it is the quality is you

1276
01:23:26,439 --> 01:23:28,800
Speaker 1: understand what I'm saying. It's like, oh shit, like you

1277
01:23:28,840 --> 01:23:33,240
Speaker 1: know what I'm saying. I apologized for not saying I'm doubted,

1278
01:23:33,560 --> 01:23:37,640
Speaker 1: because I didn't doubt. But what I'm saying is like

1279
01:23:37,880 --> 01:23:41,000
Speaker 1: for two classic group members to come together and make

1280
01:23:41,080 --> 01:23:44,720
Speaker 1: a classic album, it's unheard of. So what I'm trying

1281
01:23:44,720 --> 01:23:48,280
Speaker 1: to say, I'm sorry. But this morning I listened to

1282
01:23:48,400 --> 01:23:54,800
Speaker 1: the album two Watch for the Floors. My one did

1283
01:23:55,080 --> 01:23:57,920
Speaker 1: the mistakes, and when I couldn't find when I said,

1284
01:23:57,960 --> 01:24:02,920
Speaker 1: these niggas is crazy real start. I wanted to be

1285
01:24:03,040 --> 01:24:07,200
Speaker 1: here and be like, yo, look trap six yoya mix

1286
01:24:07,280 --> 01:24:10,840
Speaker 1: this right, Yeah, I didn't do this, so I'm looking forward,

1287
01:24:10,920 --> 01:24:14,040
Speaker 1: and when I can't find it, I'm like damn. And

1288
01:24:14,120 --> 01:24:16,640
Speaker 1: I say that to say all these years that we

1289
01:24:16,720 --> 01:24:20,320
Speaker 1: put in, you know, sometimes we don't go to practice.

1290
01:24:20,920 --> 01:24:23,280
Speaker 1: Sometimes we don't we don't go to the layup line.

1291
01:24:23,880 --> 01:24:26,280
Speaker 1: So they heir, y'all sound so fresh and sound so

1292
01:24:26,360 --> 01:24:28,240
Speaker 1: fresh together. That ship is a big up. So I

1293
01:24:28,280 --> 01:24:31,639
Speaker 1: just want to big y'all up like that because both

1294
01:24:31,680 --> 01:24:35,040
Speaker 1: of you are my brothers individually by yourself like styles,

1295
01:24:35,040 --> 01:24:38,120
Speaker 1: you're my brother, but so have it have it. Damn

1296
01:24:38,160 --> 01:24:39,560
Speaker 1: that put me on on the load, like you know

1297
01:24:39,560 --> 01:24:41,679
Speaker 1: what I'm saying. He don't know that, but he should

1298
01:24:41,800 --> 01:24:44,559
Speaker 1: know that he should be bragging about me. Um, he should.

1299
01:24:47,680 --> 01:24:54,920
Speaker 1: I would. I would more of these projects to come. Absolutely, Yeah,

1300
01:24:54,960 --> 01:24:58,400
Speaker 1: for sure. Let's for this quick time of slid. We

1301
01:24:58,520 --> 01:25:03,040
Speaker 1: have not finished time? Mean, are you ready now this?

1302
01:25:03,280 --> 01:25:07,160
Speaker 1: I want to go to you we getting drunk? This

1303
01:25:07,320 --> 01:25:12,040
Speaker 1: is go. Are you ready illmatic? Are ready to die?

1304
01:25:21,160 --> 01:25:25,680
Speaker 1: Take your shot? Definitely takes definitely take a shot. You

1305
01:25:25,760 --> 01:25:28,000
Speaker 1: know why. That's a that's a difficult answer for me.

1306
01:25:28,160 --> 01:25:34,519
Speaker 1: I would like to didn't break down like I said,

1307
01:25:34,560 --> 01:25:42,880
Speaker 1: ill matic. I think illmatic is that's like a hip

1308
01:25:42,920 --> 01:25:47,640
Speaker 1: hop part of the Bible. Seriously finishing, I'll give you

1309
01:25:47,680 --> 01:25:51,280
Speaker 1: my opinion. But ready to die, um everything. I think

1310
01:25:51,360 --> 01:25:53,080
Speaker 1: NA just opened the door for all of us. But

1311
01:25:53,120 --> 01:25:56,080
Speaker 1: I think ready to die like every day struggle and um,

1312
01:25:56,520 --> 01:25:59,680
Speaker 1: certain parts are ready to die. Just happy. I was

1313
01:25:59,760 --> 01:26:01,840
Speaker 1: in hell at the time, so it got me through jail.

1314
01:26:04,240 --> 01:26:06,960
Speaker 1: I'll take you want to ask the first? I mean,

1315
01:26:07,600 --> 01:26:12,400
Speaker 1: you know, because I feel like I'll go illmatic too,

1316
01:26:12,760 --> 01:26:14,600
Speaker 1: but not because I don't love ready to that and

1317
01:26:14,600 --> 01:26:18,000
Speaker 1: I don't love big. But I was in jail when

1318
01:26:18,160 --> 01:26:23,640
Speaker 1: Ill Maddic came out and Magic the ready to Amatic

1319
01:26:24,680 --> 01:26:30,000
Speaker 1: when Atmatic came out, I had just LJ was my friend,

1320
01:26:30,840 --> 01:26:35,519
Speaker 1: l j R. LJ is my friend, and I used

1321
01:26:35,520 --> 01:26:37,360
Speaker 1: to go to see a lot of people think that

1322
01:26:37,520 --> 01:26:40,040
Speaker 1: Compon was my first Queen's Bridge friend. That's that's not

1323
01:26:40,200 --> 01:26:43,000
Speaker 1: the case. My first Queen's Bridge friend was LJ and

1324
01:26:43,280 --> 01:26:46,160
Speaker 1: was Jay Rock. I used to play ball with Jay

1325
01:26:46,280 --> 01:26:49,600
Speaker 1: Rock j Infinite, you know. Uh so I used to

1326
01:26:49,600 --> 01:26:54,000
Speaker 1: go out there to see them. And when I heard

1327
01:26:54,520 --> 01:26:59,479
Speaker 1: Illmatic in myself, I can't lie to you. It was

1328
01:26:59,520 --> 01:27:01,840
Speaker 1: like beating Donald Going's book. You know how Donald Going

1329
01:27:02,320 --> 01:27:05,800
Speaker 1: the world Donald Goings, wherever Donald Going was at and

1330
01:27:05,880 --> 01:27:09,040
Speaker 1: whatever he wrote about. I was there. Atlematic did that

1331
01:27:09,200 --> 01:27:11,360
Speaker 1: same thing to me. I can't a lie to you.

1332
01:27:11,520 --> 01:27:14,760
Speaker 1: I came outside after hearing Allmatic. I came out on

1333
01:27:14,880 --> 01:27:19,640
Speaker 1: that yard. I was that man. I came out like,

1334
01:27:20,439 --> 01:27:25,639
Speaker 1: did you hear the album? Word? Like we got one

1335
01:27:27,640 --> 01:27:33,760
Speaker 1: shot shorty big Big black and black Moon. But I

1336
01:27:33,880 --> 01:27:37,080
Speaker 1: did Atmatic, I knew it. I said, did you hear

1337
01:27:37,160 --> 01:27:39,640
Speaker 1: how the home me described that? SHI opened the door

1338
01:27:39,720 --> 01:27:44,439
Speaker 1: form like I said, I hold how I used to

1339
01:27:47,160 --> 01:27:51,000
Speaker 1: I still can't imagine that last feeling. You know, you

1340
01:27:51,160 --> 01:27:55,679
Speaker 1: have nothing to prove it. How do you started around

1341
01:27:55,760 --> 01:27:57,760
Speaker 1: like that? And then I heard all Matic and I

1342
01:27:57,880 --> 01:28:00,840
Speaker 1: was like that she was a breath of friend I had.

1343
01:28:00,880 --> 01:28:05,080
Speaker 1: The ship was the last ruth yeah with with you

1344
01:28:05,120 --> 01:28:19,120
Speaker 1: know those hats, those hats back in the day. Yeah,

1345
01:28:20,520 --> 01:28:22,280
Speaker 1: I don't know, man, I don't know. I was called

1346
01:28:22,479 --> 01:28:25,439
Speaker 1: like like a sleeping everybody was wearing it back then,

1347
01:28:27,479 --> 01:28:29,320
Speaker 1: and I felt like, you know, I felt like I

1348
01:28:29,400 --> 01:28:31,360
Speaker 1: was in Tims Street. I felt like I was in Vernon.

1349
01:28:31,640 --> 01:28:36,479
Speaker 1: I felt like I was in uh yeah Street. I

1350
01:28:36,640 --> 01:28:39,280
Speaker 1: felt like like the way he was describing it, the

1351
01:28:39,320 --> 01:28:41,479
Speaker 1: way he broke it down, and it was just like

1352
01:28:42,160 --> 01:28:44,639
Speaker 1: it was the same thing equivalent to me as reading

1353
01:28:44,680 --> 01:28:46,200
Speaker 1: the Donald God's book. I know what I said that earlier.

1354
01:28:46,200 --> 01:28:48,120
Speaker 1: I don't want to sound like I'm reiterated myself, but

1355
01:28:49,400 --> 01:28:51,599
Speaker 1: it was the first time hip hop changed my life.

1356
01:28:51,640 --> 01:28:53,960
Speaker 1: Like I could literally close my eyes and I was

1357
01:28:54,040 --> 01:28:58,920
Speaker 1: in Queensbridge listening to the Almatic. That's y'are laughing at

1358
01:28:58,960 --> 01:29:00,920
Speaker 1: me or y'all like, I don't know, I don't know

1359
01:29:01,000 --> 01:29:04,400
Speaker 1: if it like you're smiling a little bit. That didn't

1360
01:29:04,479 --> 01:29:08,479
Speaker 1: change your album. Yeah, yeah, that should change even hit

1361
01:29:08,479 --> 01:29:11,120
Speaker 1: a hoop the world. That's the world changing album that

1362
01:29:11,200 --> 01:29:14,360
Speaker 1: brought a whole you know, I took a while for

1363
01:29:14,439 --> 01:29:18,160
Speaker 1: the world to change. Hip hop change immediately after that album. Yeah,

1364
01:29:18,960 --> 01:29:21,360
Speaker 1: he was sixteen when he wrote that ship. It was

1365
01:29:21,439 --> 01:29:25,920
Speaker 1: like he was the he was the the it was like,

1366
01:29:26,760 --> 01:29:29,360
Speaker 1: and you know him. It's like um Rap is kind

1367
01:29:29,400 --> 01:29:31,120
Speaker 1: of like Kung Fool if you you know, for for

1368
01:29:31,240 --> 01:29:34,439
Speaker 1: certain artists or ball players. Like it's like he was

1369
01:29:34,560 --> 01:29:39,800
Speaker 1: the perfect student of King Koji Rock him and Careress.

1370
01:29:40,240 --> 01:29:45,719
Speaker 1: But we'll understanding what our age was going through because

1371
01:29:46,320 --> 01:29:48,760
Speaker 1: there was a time I thought, no, rap couldn't even

1372
01:29:48,760 --> 01:29:51,360
Speaker 1: get iller than that. Like I remember just hearing them

1373
01:29:51,400 --> 01:29:53,479
Speaker 1: and being like, you know, because it was one thing.

1374
01:29:53,600 --> 01:29:56,640
Speaker 1: I think that's even even tough to say, Like I

1375
01:29:57,360 --> 01:30:03,000
Speaker 1: loved I loved um you know, running, um in In

1376
01:30:03,360 --> 01:30:06,320
Speaker 1: l l L and all of them, but MC. When

1377
01:30:06,320 --> 01:30:10,880
Speaker 1: you say running but Cougi can Haming all that, that

1378
01:30:11,000 --> 01:30:13,519
Speaker 1: was a different coul didn't come on the shoulder of

1379
01:30:13,600 --> 01:30:17,200
Speaker 1: the thing. What's going on, man, we got someone. I

1380
01:30:17,240 --> 01:30:20,240
Speaker 1: gotta say something, Man, he missed his flight. That he

1381
01:30:20,320 --> 01:30:24,320
Speaker 1: misses his flight to the fucking battle. Big daddy came

1382
01:30:24,439 --> 01:30:28,439
Speaker 1: and called, you gotta stop missing his flight. Cougirap, what's

1383
01:30:28,479 --> 01:30:31,880
Speaker 1: going on? And we need Coolgi Wrap on listen. No

1384
01:30:31,960 --> 01:30:35,240
Speaker 1: one want to say it. I'm gonna say it, Coolgi Brack.

1385
01:30:36,120 --> 01:30:40,320
Speaker 1: We need your ass outside. You definitely need we need

1386
01:30:40,400 --> 01:30:44,439
Speaker 1: your ass outside. Very stout comes from me personally, Like

1387
01:30:44,520 --> 01:30:47,680
Speaker 1: I love Alder from that crack city. You know he

1388
01:30:48,000 --> 01:30:56,040
Speaker 1: belongs outside. Bring your ass outside. We're tired of it.

1389
01:30:56,200 --> 01:30:58,000
Speaker 1: I feel like he has to put a sound effect

1390
01:30:58,040 --> 01:31:05,679
Speaker 1: on your voice. Right he channeled this in itself. It's true.

1391
01:31:05,880 --> 01:31:08,639
Speaker 1: It's true that I did. He's one of the greatest.

1392
01:31:08,840 --> 01:31:13,240
Speaker 1: He don't get it. That's somebody who don't get enough

1393
01:31:13,880 --> 01:31:17,479
Speaker 1: flowers show him so we can give him. We love you,

1394
01:31:17,600 --> 01:31:20,519
Speaker 1: Coogi Wrap, come outside, stay outside. We got your back, bro,

1395
01:31:20,920 --> 01:31:27,080
Speaker 1: We got your backs. Like the birth the birth child

1396
01:31:27,160 --> 01:31:29,240
Speaker 1: of that Like you know what I'm saying in the

1397
01:31:29,360 --> 01:31:34,040
Speaker 1: perfect spawn into It's like when the fucking water hit, Um, gizmo,

1398
01:31:38,520 --> 01:31:41,240
Speaker 1: you know, just when the water hit gives more dog?

1399
01:31:41,560 --> 01:31:48,960
Speaker 1: Are you ready? Are you wrecking GisMo and TV wraps

1400
01:31:50,000 --> 01:31:53,360
Speaker 1: or video music box music box? I was out of

1401
01:31:53,400 --> 01:31:57,679
Speaker 1: line facts, Yeah, alright, I moved on O g or sour.

1402
01:32:01,760 --> 01:32:06,560
Speaker 1: It's not for you. It's we do not get it.

1403
01:32:06,640 --> 01:32:15,040
Speaker 1: It's not for you. Smoke give me now, you got

1404
01:32:15,080 --> 01:32:18,840
Speaker 1: your own joke. Ship. That's like you know we used

1405
01:32:18,840 --> 01:32:22,679
Speaker 1: to be smoking just taking Oh yeah, you know Kanye

1406
01:32:22,760 --> 01:32:25,519
Speaker 1: smoke that at least kin smoke that. This is to

1407
01:32:25,600 --> 01:32:29,080
Speaker 1: me the same. We don't got a gas who smokes you?

1408
01:32:30,720 --> 01:32:32,800
Speaker 1: You don't got a gas stout for me? That we

1409
01:32:33,200 --> 01:32:39,320
Speaker 1: don't to the stouth, We're gonna smoke O g a

1410
01:32:39,400 --> 01:32:45,400
Speaker 1: sour sir, all right, that sounds like a shot. This

1411
01:32:45,560 --> 01:32:48,960
Speaker 1: is this is this is a shot. This is a

1412
01:32:49,000 --> 01:32:56,000
Speaker 1: shot because see as a smoker and a stoner long

1413
01:32:56,080 --> 01:33:07,559
Speaker 1: wise explain it. No I ever tell y'all style speed.

1414
01:33:07,680 --> 01:33:10,240
Speaker 1: And I didn't even know this nigga wore glasses. This

1415
01:33:10,439 --> 01:33:15,840
Speaker 1: nigga had on glasses, the glass glass stories nigga. I

1416
01:33:16,000 --> 01:33:18,960
Speaker 1: was so mad at this nigga. This is the case

1417
01:33:19,040 --> 01:33:23,519
Speaker 1: through this rapper. I know he's inn like this. Excuse me,

1418
01:33:23,600 --> 01:33:32,800
Speaker 1: wait a minute. The part of Coles, part of someone

1419
01:33:32,880 --> 01:33:37,640
Speaker 1: said that that's the star in First of all, I

1420
01:33:37,760 --> 01:33:39,639
Speaker 1: was doing my job. That's what they called this. Stick

1421
01:33:40,000 --> 01:33:44,280
Speaker 1: did definitely pay you give us a bunch of week

1422
01:33:44,720 --> 01:33:49,679
Speaker 1: to stick if we hit everybody to everything. We would

1423
01:33:49,800 --> 01:33:59,200
Speaker 1: do judges, We would judges everyone. I supposed I'm shut

1424
01:33:59,400 --> 01:34:02,280
Speaker 1: the wheat this nick were going to every bar we

1425
01:34:02,880 --> 01:34:05,760
Speaker 1: eat smoking this ship. You know we had hmpsted In.

1426
01:34:06,320 --> 01:34:08,960
Speaker 1: Now we're smoking head. We're going to the bar. You

1427
01:34:09,000 --> 01:34:10,960
Speaker 1: know what many bars? I never meant to that many

1428
01:34:11,040 --> 01:34:13,960
Speaker 1: bars in my life. And then the more bars him

1429
01:34:14,280 --> 01:34:17,280
Speaker 1: with him and hmpsted In. But one day and almost

1430
01:34:17,400 --> 01:34:20,280
Speaker 1: my whole life out sided like working at the bar,

1431
01:34:20,520 --> 01:34:25,240
Speaker 1: like all the bars after that. But I see my

1432
01:34:25,400 --> 01:34:28,880
Speaker 1: brother's house like that, that sweater guard. He has his

1433
01:34:29,000 --> 01:34:31,600
Speaker 1: glass And it wasn't that he wore glasses. It was

1434
01:34:31,680 --> 01:34:40,080
Speaker 1: how he wore down moving down the rock like you

1435
01:34:40,160 --> 01:34:43,160
Speaker 1: gotta see man O G. I'm gonna I'm gonna tell

1436
01:34:43,200 --> 01:34:45,280
Speaker 1: you like this, I'm sorry. I never made no money

1437
01:34:45,320 --> 01:34:48,400
Speaker 1: off O G. And I never had no personal connections

1438
01:34:48,439 --> 01:34:51,200
Speaker 1: over O G. But the West Coast people make the

1439
01:34:51,240 --> 01:34:54,880
Speaker 1: best weed in the world, but sour. Yes. So I

1440
01:34:55,120 --> 01:34:57,880
Speaker 1: was like the tunnel. Damn you had to be there

1441
01:34:58,880 --> 01:35:00,880
Speaker 1: was the tunnel of a week. I had to beat

1442
01:35:00,920 --> 01:35:06,080
Speaker 1: this started. Squad of immediately started immediate sounds like me,

1443
01:35:06,200 --> 01:35:16,599
Speaker 1: immediately take another going, give me a little bit Japanese whiskey.

1444
01:35:16,600 --> 01:35:19,880
Speaker 1: I got to take a shot. I thought were taking

1445
01:35:19,880 --> 01:35:22,920
Speaker 1: a shot. It wasn't. So he said both. That was both.

1446
01:35:23,040 --> 01:35:26,120
Speaker 1: Now I'm going with I'm going with I'm gonna go

1447
01:35:26,200 --> 01:35:28,720
Speaker 1: with shower because that have personal connections with us. But

1448
01:35:29,000 --> 01:35:31,880
Speaker 1: what's what's coach? People make better weed than us? But

1449
01:35:32,080 --> 01:35:35,760
Speaker 1: how was that one particular special that we had that

1450
01:35:35,920 --> 01:35:38,080
Speaker 1: we had like we wanted to ship when we had

1451
01:35:38,080 --> 01:35:44,360
Speaker 1: shower smoking together. We got a shower, we got a

1452
01:35:44,360 --> 01:35:53,720
Speaker 1: song smokeus. Come on, yeah, we smocus showers. He loves

1453
01:35:54,400 --> 01:35:58,680
Speaker 1: he's an all around hip hop He's all around. He

1454
01:35:58,720 --> 01:36:00,400
Speaker 1: comes riding around. I know, you know right. I just

1455
01:36:00,520 --> 01:36:04,920
Speaker 1: like saying read but I read it ready, so it

1456
01:36:05,040 --> 01:36:08,280
Speaker 1: reads epen. I tried to get him. I want to

1457
01:36:08,320 --> 01:36:10,760
Speaker 1: get out of the DJ my party. He won't do

1458
01:36:10,840 --> 01:36:13,880
Speaker 1: it because he wants Vinyl. No, let's stop with that bullshit.

1459
01:36:14,000 --> 01:36:18,479
Speaker 1: Live bro. Yes, if it's not vinyl, he of mine.

1460
01:36:18,520 --> 01:36:22,200
Speaker 1: I can bring the car. Tell him you gotta switch

1461
01:36:22,280 --> 01:36:27,280
Speaker 1: the fun that you know. He called me to a show.

1462
01:36:27,439 --> 01:36:31,080
Speaker 1: I came out to perform with him. He didn't tell you,

1463
01:36:31,200 --> 01:36:33,959
Speaker 1: didn't tell me you was going to show mostly Spanish

1464
01:36:34,040 --> 01:36:38,840
Speaker 1: until me, Oh this is and he's talking about me

1465
01:36:38,920 --> 01:36:41,280
Speaker 1: getting I'm sorry, I don't know what you're talking about.

1466
01:36:41,280 --> 01:36:53,679
Speaker 1: But with shot, you bro got you solo, let up chilling,

1467
01:36:54,040 --> 01:37:00,080
Speaker 1: waiting for he come back. He hits the stage. That

1468
01:37:00,439 --> 01:37:15,240
Speaker 1: show show all the way for me. Me. That was great.

1469
01:37:16,800 --> 01:37:19,400
Speaker 1: I'm gonna tell you who I was man in jail.

1470
01:37:20,400 --> 01:37:28,160
Speaker 1: I can. I'm sorry that I could play handball and

1471
01:37:28,240 --> 01:37:31,599
Speaker 1: then I go play I'm not gonna play one right

1472
01:37:31,640 --> 01:37:33,320
Speaker 1: at that. I'm the only Nigger that could do that.

1473
01:37:35,040 --> 01:37:37,520
Speaker 1: You don't understand that. You don't understand the racial comparison

1474
01:37:37,600 --> 01:37:41,200
Speaker 1: that I just broke that cause I do. But your Spanish,

1475
01:37:41,200 --> 01:37:45,800
Speaker 1: you're Latino. I like that. I like that, know But

1476
01:37:46,000 --> 01:37:48,640
Speaker 1: what what what I'm saying is I never thought that

1477
01:37:48,800 --> 01:37:51,360
Speaker 1: was nothing wrong with that until I went to Chicago.

1478
01:37:51,920 --> 01:37:53,960
Speaker 1: And when I went to Chicago, I knew two cousins

1479
01:37:54,200 --> 01:37:56,160
Speaker 1: and lived the Courser Street from each other. But that

1480
01:37:56,400 --> 01:37:59,960
Speaker 1: Chicago that my first cousins. One is my black side,

1481
01:38:00,360 --> 01:38:02,720
Speaker 1: one is my and they don't know each other. But

1482
01:38:02,840 --> 01:38:06,200
Speaker 1: it's not across racial lines. Don't do that anyways, that's

1483
01:38:06,280 --> 01:38:11,799
Speaker 1: dang lines. You're correct. You're correct because my brother, Heckla,

1484
01:38:11,880 --> 01:38:23,600
Speaker 1: is from Chicago. Same ship I'm just saying, yeah, culture correctness,

1485
01:38:23,680 --> 01:38:25,439
Speaker 1: I love it. Yeah, okay, all right, we gotta finish

1486
01:38:25,479 --> 01:38:33,840
Speaker 1: off the Mets. Are the Yankees exactly? Styles, I'm not

1487
01:38:33,880 --> 01:38:42,200
Speaker 1: even asking quiz quiz. I don't want to shake out exactly?

1488
01:38:42,840 --> 01:38:56,760
Speaker 1: Can jump me? Rashy Carter keeping keeping down? Yeah? Had

1489
01:38:56,840 --> 01:39:11,000
Speaker 1: tho better Bo Jackson's podcast or radio? What's better right now?

1490
01:39:11,120 --> 01:39:16,639
Speaker 1: On podcast? The look you gave me? I had to sleep.

1491
01:39:16,680 --> 01:39:24,400
Speaker 1: Pould not succumbed to his letter podcast podcast. Okay, all right,

1492
01:39:26,040 --> 01:39:37,800
Speaker 1: this is crazy Lebrono Jordan's Jordan seven. I'm asking you this.

1493
01:39:38,160 --> 01:39:42,360
Speaker 1: Oh no, no, this ship what vine Walt Cassette. That's

1494
01:39:42,360 --> 01:39:48,840
Speaker 1: a hard accent. Take a shot? Yeah, oh ship. I'm sorry,

1495
01:39:48,840 --> 01:39:51,400
Speaker 1: I've never turned this ust. I've never turned this question

1496
01:39:51,479 --> 01:39:54,960
Speaker 1: on the original album. But we all right, we're getting

1497
01:39:54,960 --> 01:39:56,720
Speaker 1: were gonna have it drunk? Have it k he gon

1498
01:39:56,880 --> 01:40:03,160
Speaker 1: gonna drink chats Okay, m peace C sixty or MPC

1499
01:40:03,880 --> 01:40:10,000
Speaker 1: three thousand, MPC three dolls. They precipically said, having it's

1500
01:40:10,040 --> 01:40:16,479
Speaker 1: a question for happy, you should have styles the same question. Okay,

1501
01:40:16,560 --> 01:40:20,439
Speaker 1: you're speaking, I know what I'm kind of rappers get

1502
01:40:20,840 --> 01:40:31,960
Speaker 1: plugshit NPC for you rock him Okaine rock half could

1503
01:40:31,960 --> 01:40:35,960
Speaker 1: gie rapper scar face? Could you rap? I like that?

1504
01:40:36,720 --> 01:40:40,360
Speaker 1: Cool rapping faces? Say that again? COOLDI wrapping mass days?

1505
01:40:41,439 --> 01:40:45,800
Speaker 1: I mean you do could rap? I don't like I

1506
01:40:45,920 --> 01:40:50,240
Speaker 1: mean because you know what I'm saying. I fu massage,

1507
01:40:53,960 --> 01:40:56,640
Speaker 1: but cool g rap I mean, I don't think it

1508
01:40:56,720 --> 01:41:00,840
Speaker 1: said he was on the road to the richest stage.

1509
01:41:02,120 --> 01:41:06,360
Speaker 1: Keep back, come outside the ut Yeah, man, we watch

1510
01:41:06,400 --> 01:41:10,840
Speaker 1: you outside COUCHI rab where do you want to give

1511
01:41:10,840 --> 01:41:13,240
Speaker 1: your flowers? Even though having put his flowers on the floor,

1512
01:41:17,040 --> 01:41:19,200
Speaker 1: I can tell you for I don't know because the

1513
01:41:19,360 --> 01:41:23,439
Speaker 1: queens ship was going to be in the way of

1514
01:41:23,479 --> 01:41:27,719
Speaker 1: the camera. Don't throw our flowers on the floor, havoc.

1515
01:41:27,760 --> 01:41:31,320
Speaker 1: Please on the floor, on the floor. I love you

1516
01:41:33,600 --> 01:41:39,320
Speaker 1: be on the floor. See look all right? Are you right? Yeah?

1517
01:41:40,080 --> 01:41:42,280
Speaker 1: Take one more piece for me? I got I would

1518
01:41:42,280 --> 01:41:44,400
Speaker 1: take one more Take one more piece? Yes, after the

1519
01:41:44,479 --> 01:41:53,400
Speaker 1: quiet time of slog fab or push your stops fab

1520
01:41:53,600 --> 01:41:58,240
Speaker 1: or pushing. That's a tough one. I'm gonna take the shot.

1521
01:41:58,320 --> 01:42:01,320
Speaker 1: You're gonna take the shot, all right, takes a shot shot?

1522
01:42:01,520 --> 01:42:04,559
Speaker 1: I mean, damn, that's that's actually one of the greatest one.

1523
01:42:04,600 --> 01:42:09,600
Speaker 1: I love pushing though, I love push I'm gonna take

1524
01:42:09,680 --> 01:42:12,160
Speaker 1: the shot. I respect that. I'm trying to really think

1525
01:42:12,200 --> 01:42:16,400
Speaker 1: about it. That was a fucking awesome question. Good one right?

1526
01:42:16,600 --> 01:42:19,800
Speaker 1: Has this sounds made? This one? Crazy? One? Man? The sound?

1527
01:42:19,840 --> 01:42:21,439
Speaker 1: Big up? The has it the sound? Damn? I still,

1528
01:42:21,600 --> 01:42:28,000
Speaker 1: I'm really like it's my solo. The engineer. He used

1529
01:42:28,040 --> 01:42:31,759
Speaker 1: to do a lot of cocaine. Now he stopped. Damn,

1530
01:42:31,800 --> 01:42:38,519
Speaker 1: that sucked me up. That really sucked me. I'm sorry.

1531
01:42:38,760 --> 01:42:47,000
Speaker 1: I got a job and do Okay, I get a

1532
01:42:47,040 --> 01:42:51,080
Speaker 1: sparkling water in line, somebody this drink champ, sir, I

1533
01:42:51,120 --> 01:42:53,280
Speaker 1: don't know if you just have sparkling water. So we

1534
01:42:53,320 --> 01:42:55,719
Speaker 1: don't even have women here looking one the way she's

1535
01:42:55,880 --> 01:42:58,639
Speaker 1: she's the toughest nicker here because that's the only woman.

1536
01:42:59,240 --> 01:43:02,000
Speaker 1: Like I gonna lie. I have to beef this ship up.

1537
01:43:02,400 --> 01:43:04,960
Speaker 1: We have to like get woman and like like that.

1538
01:43:05,000 --> 01:43:08,080
Speaker 1: I don't even know what you just ordered walking. I'm like,

1539
01:43:08,200 --> 01:43:12,960
Speaker 1: what did that? But we don't like like we need

1540
01:43:13,040 --> 01:43:17,759
Speaker 1: your water and a line like a Lemon's cousin brother line. Okay,

1541
01:43:17,800 --> 01:43:19,960
Speaker 1: I know what line is. Yeah, I want to walking.

1542
01:43:20,400 --> 01:43:23,479
Speaker 1: It's actually that's actually a thing walking water, really walking.

1543
01:43:25,200 --> 01:43:27,320
Speaker 1: You know, I'm my whole nigger, nigga. I've been getting money,

1544
01:43:27,320 --> 01:43:29,800
Speaker 1: but I'm still holding ship. I'm so sorry. Let's leave.

1545
01:43:30,240 --> 01:43:33,479
Speaker 1: Every time I go out, want to incredible, like the

1546
01:43:33,600 --> 01:43:38,240
Speaker 1: most elegant bushe is getting your bush elegant. You're at

1547
01:43:38,320 --> 01:43:41,519
Speaker 1: all the top ten places. You know the chef, you

1548
01:43:41,640 --> 01:43:44,080
Speaker 1: know the owner, you got reserves, you got bottles in

1549
01:43:44,120 --> 01:43:46,559
Speaker 1: your name, you got tables. You don't know the name

1550
01:43:46,600 --> 01:43:51,400
Speaker 1: of ship. This is fucking crazy. And you say ghetto

1551
01:43:51,520 --> 01:43:54,160
Speaker 1: ship when you I know they don't know what the

1552
01:43:54,240 --> 01:43:56,639
Speaker 1: fund you're saying. If I don't know what the fund,

1553
01:43:56,720 --> 01:44:00,880
Speaker 1: you're saying, they're coming back with your ship. It's a

1554
01:44:00,960 --> 01:44:07,320
Speaker 1: cross should be made, yo. This is these people. Look,

1555
01:44:07,520 --> 01:44:10,639
Speaker 1: I don't know how they know what this ordering all

1556
01:44:10,760 --> 01:44:13,400
Speaker 1: kind of ship. He's got a special requesting that mostly

1557
01:44:14,560 --> 01:44:22,679
Speaker 1: is Alan carts. Game is nuts, not razy new engineering mills.

1558
01:44:23,400 --> 01:44:26,800
Speaker 1: It's nuts. You haven't been to eat with him. Yeah,

1559
01:44:28,040 --> 01:44:33,120
Speaker 1: he's very nice. He's very Look sparkling water nine. You

1560
01:44:33,320 --> 01:44:35,320
Speaker 1: definitely need this because this is when you're getting when

1561
01:44:35,320 --> 01:44:37,519
Speaker 1: you're getting wired, and this is what the the shrooms.

1562
01:44:38,360 --> 01:44:44,040
Speaker 1: I like you burp up, you burp up the alcohol.

1563
01:44:44,120 --> 01:44:47,160
Speaker 1: He's really sparkling water? Is that really a thing. I

1564
01:44:47,280 --> 01:44:51,840
Speaker 1: think it's nine. I don't know abum was at all?

1565
01:44:51,920 --> 01:44:56,840
Speaker 1: The pickle juice is for you, path because we need

1566
01:44:56,920 --> 01:45:00,600
Speaker 1: you to answer this correctly. Okay, at A Miami to

1567
01:45:00,680 --> 01:45:05,280
Speaker 1: get it out Miami Ammy all day? Who at l

1568
01:45:05,360 --> 01:45:08,240
Speaker 1: A or Miami l A. We're still doing quick time.

1569
01:45:08,880 --> 01:45:12,760
Speaker 1: Jesus wait, better weeding out here. Okay, I love out here.

1570
01:45:13,000 --> 01:45:22,320
Speaker 1: I love it east coach l A. All right, now

1571
01:45:22,360 --> 01:45:26,080
Speaker 1: I'll see the question. All right, Gang Star or Pete Rocket?

1572
01:45:26,120 --> 01:45:31,280
Speaker 1: See us smooth damn shot. It feels like a shot

1573
01:45:31,320 --> 01:45:34,439
Speaker 1: to meet half you gotta force it. Yeah, but can

1574
01:45:34,479 --> 01:45:37,200
Speaker 1: you pour a shott? Yeah you're thinking you see food? Y'all?

1575
01:45:37,240 --> 01:45:44,200
Speaker 1: Look our fans, fans is gonna say, having you having

1576
01:45:44,240 --> 01:45:48,400
Speaker 1: won a drink drink yea, having some legend. Let's go

1577
01:45:49,200 --> 01:45:54,920
Speaker 1: come on solid have to answer up. Yeah, yeah, that's exactly.

1578
01:45:55,600 --> 01:45:58,080
Speaker 1: But getting into Gang Star and Pete Rock sales move

1579
01:45:59,080 --> 01:46:01,000
Speaker 1: Pete rockets and we didn't meant to pet Rock. We

1580
01:46:01,040 --> 01:46:03,800
Speaker 1: went talk about the producers pet Rock. Did you hear

1581
01:46:03,840 --> 01:46:07,160
Speaker 1: the story that Pete Rock and Primolless but just recently

1582
01:46:07,240 --> 01:46:09,479
Speaker 1: that he said he that he never got paid for

1583
01:46:09,600 --> 01:46:13,200
Speaker 1: illmatic like the royalties. Yeah, I'm not surprised me. What

1584
01:46:13,280 --> 01:46:18,680
Speaker 1: would that be a lawsuit against nagas, Because when you

1585
01:46:18,800 --> 01:46:20,840
Speaker 1: do a lawsuit, you gotta put several people in there,

1586
01:46:20,880 --> 01:46:24,479
Speaker 1: like everybody's gonna be in there, probably not personal media

1587
01:46:24,640 --> 01:46:26,479
Speaker 1: saying like trying to pick it out and say not

1588
01:46:27,000 --> 01:46:30,479
Speaker 1: yet person And I hate to say this, ple God bless.

1589
01:46:30,520 --> 01:46:36,200
Speaker 1: I love y'all against no just about old media outlets

1590
01:46:36,840 --> 01:46:41,160
Speaker 1: with not I'm part of media underground. Think about this,

1591
01:46:42,080 --> 01:46:45,720
Speaker 1: anybody hate if you start using your common sense? When

1592
01:46:45,840 --> 01:46:49,040
Speaker 1: Nas made it allmatic? Was he the executive producer? Was

1593
01:46:49,120 --> 01:46:51,080
Speaker 1: he in control of it? Did he run the label?

1594
01:46:51,360 --> 01:46:55,200
Speaker 1: Did he run anything? So what's gonna get the likes,

1595
01:46:55,680 --> 01:46:59,840
Speaker 1: the clicks, the blobs? And he Rock is suing eyes?

1596
01:47:00,160 --> 01:47:02,720
Speaker 1: So Pete Rock, an you thinking about hurting Nas when

1597
01:47:02,760 --> 01:47:05,280
Speaker 1: he did it? Because Nas wasn't in because Nas came

1598
01:47:05,320 --> 01:47:07,960
Speaker 1: fresh off from twelve or forty one side forty like

1599
01:47:08,080 --> 01:47:11,960
Speaker 1: you know what I mean and all that, and I'm

1600
01:47:12,000 --> 01:47:15,240
Speaker 1: pretty sure he didn't have control of those things. And

1601
01:47:15,320 --> 01:47:18,000
Speaker 1: it was other people. So people are quick to shay

1602
01:47:18,080 --> 01:47:22,280
Speaker 1: Pete Rocket showing Nas and without really thinking about this

1603
01:47:22,439 --> 01:47:25,479
Speaker 1: fucking thing about like having saying somebody like having have

1604
01:47:25,760 --> 01:47:28,160
Speaker 1: knows you know, I know Pete Rock ain't trying to

1605
01:47:28,240 --> 01:47:30,479
Speaker 1: hurt NAS, And that's where it gets funked up because

1606
01:47:30,520 --> 01:47:33,040
Speaker 1: we don't want the media people and the world thinking

1607
01:47:33,080 --> 01:47:35,240
Speaker 1: Pete Rock is trying to hurt NAS. That's not that's

1608
01:47:35,280 --> 01:47:41,479
Speaker 1: not what's happening. But that's the headline work needs to get. Definitely,

1609
01:47:41,600 --> 01:47:45,920
Speaker 1: have you ever have you ever been through that? Because

1610
01:47:45,920 --> 01:47:49,160
Speaker 1: we just you just said immediately when you said, I'm

1611
01:47:49,200 --> 01:47:54,320
Speaker 1: not surprised. So because I produced the dozens of artists

1612
01:47:54,320 --> 01:47:57,960
Speaker 1: that I ain't see no royalties from, and you don't

1613
01:47:57,960 --> 01:48:00,240
Speaker 1: blame the artists, No, I don't blame the UTI. Stop

1614
01:48:00,240 --> 01:48:02,559
Speaker 1: blame the fucking fun reass labels. And I'm gonna tell

1615
01:48:02,560 --> 01:48:18,439
Speaker 1: you why because I'm outside. I'm gonna tell you all

1616
01:48:18,560 --> 01:48:21,960
Speaker 1: because every time when you like, Okay, you produced the

1617
01:48:22,000 --> 01:48:25,160
Speaker 1: record six months ago, the fucking album went platinum, and

1618
01:48:25,240 --> 01:48:28,360
Speaker 1: you're telling me that they unrecouped, so you can't get

1619
01:48:28,439 --> 01:48:31,240
Speaker 1: your money. So the artists gotta recoup first before the

1620
01:48:31,280 --> 01:48:34,639
Speaker 1: producer even sees because because you get your first half

1621
01:48:34,760 --> 01:48:38,200
Speaker 1: up front. Yeah, but that's nothing. And what about the

1622
01:48:38,200 --> 01:48:40,639
Speaker 1: sample when you produce? When you produce the record, say

1623
01:48:40,680 --> 01:48:44,120
Speaker 1: if you charge for a track you produce the track boomboo.

1624
01:48:44,160 --> 01:48:45,960
Speaker 1: You're on the studio, they give you a ten thousand dollars.

1625
01:48:46,320 --> 01:48:48,360
Speaker 1: Then when the track is done and the album gets released,

1626
01:48:48,360 --> 01:48:50,880
Speaker 1: you get your other halt. But that's just an advance

1627
01:48:50,960 --> 01:48:56,080
Speaker 1: towards your royalties. You understand, you still old a percentage

1628
01:48:56,120 --> 01:48:59,320
Speaker 1: if their album goes double, triple platinum. Yeah, but the

1629
01:48:59,479 --> 01:49:03,040
Speaker 1: artist has to recoup before he even pays anybody realty,

1630
01:49:04,560 --> 01:49:07,559
Speaker 1: don't they? You sample clearance against producers? Well, I mean,

1631
01:49:07,720 --> 01:49:09,640
Speaker 1: you know what I'm saying. If you sample something and

1632
01:49:10,080 --> 01:49:12,599
Speaker 1: you tell the label, they got to clear it, right,

1633
01:49:12,960 --> 01:49:14,840
Speaker 1: But yeah, I'm not I don't know, I don't know.

1634
01:49:15,479 --> 01:49:19,080
Speaker 1: But most of the time, Greatest car, I'm sorry, but

1635
01:49:19,200 --> 01:49:22,479
Speaker 1: most of the times sample It depends on who does it.

1636
01:49:22,600 --> 01:49:24,719
Speaker 1: Most of the time it really goes against the artists

1637
01:49:24,960 --> 01:49:27,920
Speaker 1: because the producer, really he just gets his fifty off

1638
01:49:27,960 --> 01:49:30,040
Speaker 1: top and then it becomes part of the artist thing.

1639
01:49:30,120 --> 01:49:32,919
Speaker 1: It depends if someone is smart enough to structure structure

1640
01:49:32,960 --> 01:49:36,720
Speaker 1: it like that. Yes, but the whole, the whole, to

1641
01:49:36,840 --> 01:49:38,439
Speaker 1: get to the nutshell of it, to get to the

1642
01:49:38,520 --> 01:49:41,040
Speaker 1: nitty gritty. We're having a conversation that really ends up

1643
01:49:41,080 --> 01:49:44,640
Speaker 1: with Rapery and the strategy that we'd instructure, and the

1644
01:49:44,720 --> 01:49:47,600
Speaker 1: whole business that we'd instructure, and then you make you

1645
01:49:47,720 --> 01:49:53,320
Speaker 1: just say rapery, Yeah, it's like state tragically. I know

1646
01:49:53,479 --> 01:49:58,519
Speaker 1: that it's all making the work. We get what raper

1647
01:49:58,720 --> 01:50:00,760
Speaker 1: means in the hood. I do exactly what you mean.

1648
01:50:01,600 --> 01:50:07,080
Speaker 1: But you know everybody, but here's here's what we're saying.

1649
01:50:07,479 --> 01:50:11,400
Speaker 1: We really are sitting here trying to have a intelligent

1650
01:50:11,479 --> 01:50:15,560
Speaker 1: conversation about and you know this. You know this, and

1651
01:50:15,680 --> 01:50:20,120
Speaker 1: I know this. You're coming from out the hood usually

1652
01:50:20,200 --> 01:50:24,559
Speaker 1: selling drugs with a stop job, and this record game

1653
01:50:24,760 --> 01:50:27,720
Speaker 1: cycle has been put in place years before any of

1654
01:50:27,840 --> 01:50:32,320
Speaker 1: us got hit. Who the fuck your lawyers? Your lawyer

1655
01:50:32,400 --> 01:50:37,960
Speaker 1: is gonna go with the industry pretty much. You know

1656
01:50:38,000 --> 01:50:42,639
Speaker 1: what I mean, Man, Everything is pretty much their side

1657
01:50:42,720 --> 01:50:46,160
Speaker 1: until you know enough to say something. Then when people

1658
01:50:46,280 --> 01:50:49,920
Speaker 1: even know something, they're scared to say something because there

1659
01:50:49,960 --> 01:50:52,120
Speaker 1: ain't nobody really there to do shit about it. So

1660
01:50:52,240 --> 01:50:55,960
Speaker 1: we're all under a structure that's fucking antiquated. At the

1661
01:50:56,040 --> 01:50:59,000
Speaker 1: end of the job. The reason why ship like, um,

1662
01:51:00,320 --> 01:51:02,920
Speaker 1: you know what what what Hod is doing, what rock

1663
01:51:03,040 --> 01:51:06,040
Speaker 1: Nation is pretty dope. Start having some ownership of your ship.

1664
01:51:06,400 --> 01:51:08,880
Speaker 1: And then even with that, now our ownership none else

1665
01:51:08,920 --> 01:51:12,160
Speaker 1: could really break down streaming exactly how it really works,

1666
01:51:12,240 --> 01:51:16,280
Speaker 1: to the to the to the to the bear sign. Yeah,

1667
01:51:16,600 --> 01:51:19,200
Speaker 1: so a lot of ship is is happening all at once,

1668
01:51:19,240 --> 01:51:23,920
Speaker 1: and it's like we ain't the systems antiquated, and we're

1669
01:51:24,000 --> 01:51:26,760
Speaker 1: kind of being antiquated too because we don't have unity. Now,

1670
01:51:26,840 --> 01:51:29,240
Speaker 1: it sounds a little crazy, but if I keep worrying

1671
01:51:29,240 --> 01:51:31,680
Speaker 1: about just looking better than you, then we ain't doing it.

1672
01:51:32,160 --> 01:51:38,160
Speaker 1: We ain't making the next play like antiquated. Just I

1673
01:51:38,200 --> 01:51:42,920
Speaker 1: don't know what antiquated. I mean, it's like it's like

1674
01:51:43,000 --> 01:51:46,639
Speaker 1: an antique. It's an old system. It's it's very old.

1675
01:51:46,720 --> 01:51:56,439
Speaker 1: It's it's ours our kave basically, so to say one

1676
01:51:56,479 --> 01:52:00,479
Speaker 1: of my works. So basically, we were really trying to

1677
01:52:00,560 --> 01:52:03,439
Speaker 1: sit here and always talk about the system that wasn't

1678
01:52:03,439 --> 01:52:05,760
Speaker 1: built for any of us to win anyway, so we

1679
01:52:05,880 --> 01:52:08,320
Speaker 1: try to make sense of it, talk about it, do this,

1680
01:52:08,439 --> 01:52:10,120
Speaker 1: and that that ship was set up from the jump

1681
01:52:10,479 --> 01:52:12,400
Speaker 1: for none of us to win, and then those who

1682
01:52:12,479 --> 01:52:14,840
Speaker 1: figured out how to defeat it and coming back to

1683
01:52:14,880 --> 01:52:17,120
Speaker 1: the herd enough to say, yoh, here's how we all

1684
01:52:17,200 --> 01:52:20,000
Speaker 1: fuck it up. That's why new systems always come and play. Look,

1685
01:52:20,040 --> 01:52:25,519
Speaker 1: we're all in music, right, everybody in here you love music, right,

1686
01:52:25,560 --> 01:52:28,120
Speaker 1: you're you, You're a rapping, I'm a rapper, he's a producer.

1687
01:52:28,160 --> 01:52:31,840
Speaker 1: And all this ship you lose your phone? I know,

1688
01:52:31,960 --> 01:52:36,840
Speaker 1: I said all that, lose your phone with your music, man,

1689
01:52:37,000 --> 01:52:39,479
Speaker 1: lose your phone right now? Where the funk is your music?

1690
01:52:39,560 --> 01:52:42,360
Speaker 1: What are you playing it on? So we ain't even together,

1691
01:52:42,439 --> 01:52:44,599
Speaker 1: So we ain't even thinking about the next steps together

1692
01:52:44,680 --> 01:52:46,680
Speaker 1: because you're too busy trying to be better than me.

1693
01:52:47,000 --> 01:52:49,679
Speaker 1: Instead of trying to figure out they got shipped figured

1694
01:52:49,720 --> 01:52:54,120
Speaker 1: out way before, like so you you you, you, you,

1695
01:52:54,320 --> 01:52:57,719
Speaker 1: you're looking at you're looking at hoving? Did they shan't

1696
01:52:57,720 --> 01:52:59,560
Speaker 1: getting mad at them or what they do? Instead of

1697
01:52:59,600 --> 01:53:01,559
Speaker 1: trying to say, yo, how do we all get together?

1698
01:53:01,640 --> 01:53:03,479
Speaker 1: Figure it out? What's the next player? I learned a

1699
01:53:03,560 --> 01:53:05,640
Speaker 1: few how do I do this and that? And then

1700
01:53:05,720 --> 01:53:07,960
Speaker 1: all of us being together, be a little stronger. Then

1701
01:53:08,160 --> 01:53:10,400
Speaker 1: when they come with the next system, what happens? What

1702
01:53:10,600 --> 01:53:13,080
Speaker 1: the fund percentages? Hip hop don't get out of opteless?

1703
01:53:14,439 --> 01:53:16,599
Speaker 1: I asked you this now while we sit at this table,

1704
01:53:17,400 --> 01:53:19,160
Speaker 1: what are we gonna get out of that? And then

1705
01:53:19,200 --> 01:53:21,639
Speaker 1: you got you don't have how much is hip hop

1706
01:53:21,720 --> 01:53:25,040
Speaker 1: gonna contribute to there. You know that, you do, you

1707
01:53:25,080 --> 01:53:27,479
Speaker 1: already know the answer to that. But what are we

1708
01:53:27,520 --> 01:53:29,639
Speaker 1: gonna get out of it? Not not ship? You know why,

1709
01:53:29,880 --> 01:53:31,880
Speaker 1: because we ain't going in it together to try to

1710
01:53:31,960 --> 01:53:34,360
Speaker 1: get anything out of it, because we're too busy just

1711
01:53:34,479 --> 01:53:36,920
Speaker 1: fucking looking worried about being let and let me just

1712
01:53:37,120 --> 01:53:40,080
Speaker 1: I'm streaming now. My trip said it. I'm sorry, but

1713
01:53:40,600 --> 01:53:48,200
Speaker 1: my third eyes open. I'm a little far on you.

1714
01:53:48,360 --> 01:53:53,640
Speaker 1: But you know, sometimes just quiet before some times, and

1715
01:53:53,800 --> 01:53:57,639
Speaker 1: sometimes common sense got to start. Sometimes con sense gotta

1716
01:53:57,640 --> 01:54:02,400
Speaker 1: start kicking. It gotta kicking all the time. Yeah, you can't,

1717
01:54:03,640 --> 01:54:05,599
Speaker 1: you can't ask for that. But it's like we ain't

1718
01:54:05,640 --> 01:54:08,800
Speaker 1: getting part of we ain't getting. We ain't we don't

1719
01:54:08,840 --> 01:54:13,120
Speaker 1: have ownership and none of the new ship because you

1720
01:54:13,280 --> 01:54:15,320
Speaker 1: just want to look better than me and living than me,

1721
01:54:15,840 --> 01:54:18,599
Speaker 1: and or you want to dick ride the nigger part

1722
01:54:18,680 --> 01:54:22,280
Speaker 1: of my French. But it's like, you know, it's a

1723
01:54:22,400 --> 01:54:25,000
Speaker 1: it's a lot of it's a lot of broke Kanye's.

1724
01:54:25,840 --> 01:54:27,400
Speaker 1: It's a lot of broke Catalyst, it's a lot of

1725
01:54:27,439 --> 01:54:29,680
Speaker 1: broke Norris. There's a lot of broke Halves, it's a

1726
01:54:29,720 --> 01:54:31,960
Speaker 1: lot of broke styles. Piece there's a lot of broke,

1727
01:54:32,400 --> 01:54:35,120
Speaker 1: talented people with no fucking light on them. But the

1728
01:54:35,200 --> 01:54:38,120
Speaker 1: nigga get clicks and lights and you just dick ride

1729
01:54:38,200 --> 01:54:41,120
Speaker 1: him and ignore everybody else. And that's the community. And

1730
01:54:41,200 --> 01:54:43,200
Speaker 1: we're right now. I hate to say it, but the

1731
01:54:43,360 --> 01:54:45,600
Speaker 1: rappids turn to a lot of dick riding and a

1732
01:54:45,720 --> 01:54:48,600
Speaker 1: lot of instead of looking back at who your people are,

1733
01:54:48,680 --> 01:54:51,160
Speaker 1: where you from, how we make how we make the

1734
01:54:51,240 --> 01:54:54,040
Speaker 1: next move. Like I'm I'm I'm I'm gonna when I

1735
01:54:54,080 --> 01:54:55,920
Speaker 1: get out of here, I'm gonna promote juicy You know why.

1736
01:54:56,040 --> 01:54:58,640
Speaker 1: That's another juice ball, that's a sister, that's a brother

1737
01:54:58,720 --> 01:55:03,600
Speaker 1: and a sister, fru veggies hood, another ownership, not not

1738
01:55:03,920 --> 01:55:06,040
Speaker 1: I'm I'm mad at this thing. You got the juice ball,

1739
01:55:06,080 --> 01:55:07,960
Speaker 1: No open the juice, will open the juice while open

1740
01:55:08,000 --> 01:55:10,000
Speaker 1: the juice ball. Get an n f T. Get a

1741
01:55:10,040 --> 01:55:11,720
Speaker 1: Digi cor and get a Digi coo and get a gym,

1742
01:55:11,800 --> 01:55:15,520
Speaker 1: Get a gym, get a gym, get like yeah, like

1743
01:55:15,600 --> 01:55:18,280
Speaker 1: doing that all this, all this like I gotta be

1744
01:55:18,440 --> 01:55:22,040
Speaker 1: litter than you. And it's like nigga, Ya niggas is antiquity.

1745
01:55:22,080 --> 01:55:25,480
Speaker 1: Your niggas is fucking dinosaurs. Y'all is the last y'all

1746
01:55:25,520 --> 01:55:28,480
Speaker 1: the last species. You're not even a new being you

1747
01:55:28,680 --> 01:55:31,360
Speaker 1: out of this. You're not even fit for what's going

1748
01:55:31,440 --> 01:55:33,480
Speaker 1: on right now. I hate to say it, but a

1749
01:55:33,560 --> 01:55:36,240
Speaker 1: lot of y'all is fucking not even paying attention to

1750
01:55:36,360 --> 01:55:38,400
Speaker 1: what's going on because you you caught up in the

1751
01:55:38,520 --> 01:55:41,280
Speaker 1: last ship instead of being on a new ship, Ready

1752
01:55:41,320 --> 01:55:44,000
Speaker 1: Player one, being out years before turn a ready Player one.

1753
01:55:44,400 --> 01:55:47,440
Speaker 1: You understand what I'm saying, um um, a lot of ship.

1754
01:55:47,520 --> 01:55:49,800
Speaker 1: They show you what's the What's what? What's Will Fair?

1755
01:55:49,960 --> 01:55:54,080
Speaker 1: What's Will Farrell? And Gene Hackman? What's that movie? Anybody

1756
01:55:54,120 --> 01:55:57,960
Speaker 1: who know movies? In here? I mean not j I

1757
01:55:58,080 --> 01:56:02,800
Speaker 1: mean Gene Hackman and Smith. I'm sorry, Endemy to state.

1758
01:56:03,400 --> 01:56:06,080
Speaker 1: First see Endemy of the State. What the funk? That's crazy?

1759
01:56:06,280 --> 01:56:08,720
Speaker 1: And the media state is here? You certain you first

1760
01:56:08,760 --> 01:56:12,320
Speaker 1: see Minority Report? What the funk? Now? You're doing Minority

1761
01:56:12,440 --> 01:56:15,000
Speaker 1: Report to show you everything you're doing. But we're so

1762
01:56:15,280 --> 01:56:18,720
Speaker 1: lost and we want to challenge each other too much

1763
01:56:18,800 --> 01:56:22,280
Speaker 1: instead of like picking up off of it. Now, I'm

1764
01:56:22,280 --> 01:56:28,880
Speaker 1: gonna leave it alone. Question give me sniper fucking I'm ready.

1765
01:56:31,280 --> 01:56:33,920
Speaker 1: You're not. You're not getting snipe here? But I'm gonna

1766
01:56:33,920 --> 01:56:36,880
Speaker 1: do I'm gonna end it with these three. This is

1767
01:56:37,120 --> 01:56:43,480
Speaker 1: still quick time. Jesus, Great Britime has been going crazy.

1768
01:56:45,320 --> 01:56:49,440
Speaker 1: Quick Time is drunk, all right, I'm gonna ending with

1769
01:56:49,560 --> 01:56:56,600
Speaker 1: this one too too. In w a wool time, w

1770
01:56:56,760 --> 01:57:01,760
Speaker 1: a wol tag. He see, I'm going with the shots

1771
01:57:02,160 --> 01:57:04,120
Speaker 1: because I don't think it's a woul tange without n

1772
01:57:04,280 --> 01:57:08,480
Speaker 1: W Wait wait, wait, wait wait, how did you say that?

1773
01:57:08,480 --> 01:57:10,960
Speaker 1: I didn't I don't think it's a wou tang without

1774
01:57:11,000 --> 01:57:13,200
Speaker 1: the NW. But the way you said that, you said

1775
01:57:13,320 --> 01:57:16,200
Speaker 1: you're going with the I'm gonna take a shot shot.

1776
01:57:17,400 --> 01:57:19,320
Speaker 1: I'm not just saying it's that simple and just gonna

1777
01:57:19,360 --> 01:57:21,800
Speaker 1: pick wou tane because I'm gonna pick woul Tang because

1778
01:57:21,840 --> 01:57:25,320
Speaker 1: I'm from I'm from New York, got a kind of

1779
01:57:25,400 --> 01:57:29,920
Speaker 1: East Coast. Everything's drugs, but n w A opened us

1780
01:57:30,280 --> 01:57:32,160
Speaker 1: to the door of being. If you're gonna stop asking

1781
01:57:32,240 --> 01:57:37,880
Speaker 1: this perfectly, I gotta stop asking me questions. Sounds like

1782
01:57:38,360 --> 01:57:41,680
Speaker 1: Pandora's box. You don't want to know all the answers.

1783
01:57:42,920 --> 01:57:46,640
Speaker 1: You know what it is. This is the last last

1784
01:57:50,600 --> 01:57:56,640
Speaker 1: in this always with this question, and the simplest question

1785
01:57:58,440 --> 01:58:02,120
Speaker 1: about this is the simple this way. I hate when

1786
01:58:02,160 --> 01:58:07,680
Speaker 1: people try to make this. But it's loyalty or respect?

1787
01:58:10,160 --> 01:58:15,200
Speaker 1: What's my point? Which one? Which was better? Or whatever

1788
01:58:15,240 --> 01:58:28,280
Speaker 1: it is? I say respect. There's no wrong answer. You

1789
01:58:28,360 --> 01:58:32,760
Speaker 1: can't be respected if you ain't got loyalty. Take your shot.

1790
01:58:34,400 --> 01:58:39,480
Speaker 1: That's that's that's the correct But how can somebody be

1791
01:58:39,600 --> 01:58:41,520
Speaker 1: loyal to you if they don't have to respect for you?

1792
01:58:42,680 --> 01:58:47,240
Speaker 1: That's also the correct answer, and really the correct one

1793
01:58:47,360 --> 01:58:54,680
Speaker 1: is they go here, they go hand and right. I

1794
01:58:54,760 --> 01:58:57,040
Speaker 1: don't know what the fun is that is? Does itself?

1795
01:58:59,320 --> 01:59:04,960
Speaker 1: God holow slow. It's easier to be respected than getting loyalty. Though,

1796
01:59:06,280 --> 01:59:12,200
Speaker 1: it's easier, yes, tell you that, not better because somebody

1797
01:59:12,240 --> 01:59:14,960
Speaker 1: could be like, YO, say, I ain't gonna like you

1798
01:59:14,960 --> 01:59:16,760
Speaker 1: know what I'm saying. I respect you, man, but they're

1799
01:59:16,760 --> 01:59:18,840
Speaker 1: gonna pay me more money. I know I've been down

1800
01:59:18,880 --> 01:59:22,160
Speaker 1: with you for ten years, but they pay me more.

1801
01:59:22,600 --> 01:59:24,280
Speaker 1: I respect you, my nigga, but you know what I'm saying.

1802
01:59:24,640 --> 01:59:26,680
Speaker 1: You know what I'm saying. So the loyal team that did,

1803
01:59:27,400 --> 01:59:30,760
Speaker 1: but they respect you enough to tell you that could

1804
01:59:30,800 --> 01:59:34,600
Speaker 1: be that also could be loyalty though telling you that truth.

1805
01:59:35,560 --> 01:59:43,280
Speaker 1: Loyalty will tell you that no. But loyalty will take

1806
01:59:43,360 --> 01:59:45,680
Speaker 1: the bread and tell you though. But he's not loyal.

1807
01:59:47,120 --> 01:59:50,880
Speaker 1: Loyalty will taken less but of course small. If you

1808
01:59:50,960 --> 01:59:53,920
Speaker 1: gotta respect me, you gotta respect me. How about this both? First,

1809
01:59:55,080 --> 01:59:58,200
Speaker 1: respect is a thing that comes up with energy. I'll

1810
01:59:58,200 --> 02:00:01,440
Speaker 1: come in this room. I don't know anybody. You don't

1811
02:00:01,480 --> 02:00:04,120
Speaker 1: disrespect me. I don't disrespect you. You respect me. I

1812
02:00:04,240 --> 02:00:07,240
Speaker 1: have to give you respect. That's a human being. That's

1813
02:00:07,280 --> 02:00:10,760
Speaker 1: part of just being a human being with strangers, friends, family,

1814
02:00:10,880 --> 02:00:16,280
Speaker 1: or anything apart until further notice. Loyalty is something that's earned.

1815
02:00:16,760 --> 02:00:20,200
Speaker 1: You gotta earn loyalty. You gotta prove loyalty. Loyalty comes

1816
02:00:20,240 --> 02:00:23,840
Speaker 1: with prices and a lot of ship to proven. It's no,

1817
02:00:24,080 --> 02:00:26,040
Speaker 1: you don't have to prove respect. I come in this room,

1818
02:00:26,360 --> 02:00:30,720
Speaker 1: same thing every time. It's disrespect until it's not respect.

1819
02:00:32,000 --> 02:00:34,920
Speaker 1: You understand. But loyalty is something different. Loyalty is a

1820
02:00:35,040 --> 02:00:43,200
Speaker 1: whole different ball king. Loyalty is Loyalty is belief, faith, trust, love, understanding,

1821
02:00:43,840 --> 02:00:50,160
Speaker 1: and and no money is involved in loyalty. Money money

1822
02:00:50,400 --> 02:00:52,760
Speaker 1: is not any equation in loyalty. I could come in

1823
02:00:52,840 --> 02:00:55,120
Speaker 1: this room the most wealthiest man. You're gonna respect me

1824
02:00:55,640 --> 02:00:58,640
Speaker 1: for my wealth. I could come in this this room

1825
02:00:58,720 --> 02:01:01,560
Speaker 1: the most violent man, gonna respect me from my violence.

1826
02:01:02,000 --> 02:01:03,760
Speaker 1: I could come in this room the most peaceful man.

1827
02:01:03,760 --> 02:01:06,520
Speaker 1: You're gonna respect me for my peace, most religious man,

1828
02:01:06,560 --> 02:01:10,240
Speaker 1: you're gonna respect me for. That is just the loyalties,

1829
02:01:10,360 --> 02:01:12,880
Speaker 1: just definitely fucking me up right now. That's the blunt.

1830
02:01:12,880 --> 02:01:17,360
Speaker 1: I'm sorry, I'm sorry, stop you, but the shrooms did. Yeah,

1831
02:01:17,400 --> 02:01:20,000
Speaker 1: he gotta be shroomed up. The blunt, the frill in it.

1832
02:01:20,760 --> 02:01:22,680
Speaker 1: I'm supposed to get you high. You're getting me funked

1833
02:01:22,760 --> 02:01:25,080
Speaker 1: up there. Continue to stop. Know, I'm just saying loyalty.

1834
02:01:25,280 --> 02:01:27,720
Speaker 1: You know, it don't really take much to get respect.

1835
02:01:27,760 --> 02:01:32,120
Speaker 1: People respect people they shouldn't respect. People respect things without knowing.

1836
02:01:32,240 --> 02:01:34,880
Speaker 1: People respect people who have more without even asking how

1837
02:01:34,960 --> 02:01:36,800
Speaker 1: did they get more? And how did he earn it?

1838
02:01:37,360 --> 02:01:39,160
Speaker 1: Like do I don't even respect how he got it?

1839
02:01:39,480 --> 02:01:42,000
Speaker 1: So respecting respect come from a lot of likes, a

1840
02:01:42,000 --> 02:01:44,360
Speaker 1: lot of love, a lot of power, word of mouth,

1841
02:01:44,520 --> 02:01:53,080
Speaker 1: loyalty and right now, the loyalty different story. Yo, ain't

1842
02:01:53,080 --> 02:02:00,120
Speaker 1: gonna makes a loyal Stop getting deep. This is this

1843
02:02:00,280 --> 02:02:05,400
Speaker 1: is one million percent. The question is probably gonna throw

1844
02:02:05,440 --> 02:02:10,840
Speaker 1: you off, right because I want the viewers to know

1845
02:02:11,800 --> 02:02:13,720
Speaker 1: we love each other. I love you. You know you

1846
02:02:14,200 --> 02:02:17,240
Speaker 1: you put us on. But at one point there was

1847
02:02:17,400 --> 02:02:21,920
Speaker 1: like a cube. It was a component oriega mob deep

1848
02:02:25,360 --> 02:02:32,200
Speaker 1: m hmmmff the beef started and proud as you said

1849
02:02:32,240 --> 02:02:34,919
Speaker 1: this in his book, So I would like to refute

1850
02:02:35,000 --> 02:02:39,440
Speaker 1: this or address this and proud of his books. He

1851
02:02:39,520 --> 02:02:44,480
Speaker 1: said that you came phones door and then you swung

1852
02:02:44,600 --> 02:02:48,360
Speaker 1: on tragedy. Mm hmm. That's what That's what the book says.

1853
02:02:50,320 --> 02:02:52,120
Speaker 1: You know, I would like you to address this because

1854
02:02:52,120 --> 02:02:55,920
Speaker 1: I know I don't mean you spoke off camera and

1855
02:02:56,040 --> 02:02:58,000
Speaker 1: if you if you don't want to speak about this week,

1856
02:02:58,040 --> 02:03:00,240
Speaker 1: we could you know what I'm saying. Like you know,

1857
02:03:00,360 --> 02:03:04,120
Speaker 1: sometimes people remember things the way they like to remember it,

1858
02:03:04,200 --> 02:03:06,840
Speaker 1: you know what I'm saying. So you know what I'm saying, Um,

1859
02:03:07,560 --> 02:03:09,240
Speaker 1: I don't know. That's the way he remember things. The

1860
02:03:09,280 --> 02:03:12,280
Speaker 1: way I remember things. It's like, you know, tragic. It's

1861
02:03:12,320 --> 02:03:14,160
Speaker 1: like a mentor of mine, you know what I mean,

1862
02:03:14,280 --> 02:03:16,000
Speaker 1: Like top, you know what I mean. He didn't want

1863
02:03:16,000 --> 02:03:19,480
Speaker 1: to give me my MC name. What I'm saying, You

1864
02:03:19,520 --> 02:03:22,000
Speaker 1: know what I'm saying. Over the years, me and Trash

1865
02:03:22,120 --> 02:03:24,440
Speaker 1: had our differences, but never would I ever swing on him.

1866
02:03:24,640 --> 02:03:26,240
Speaker 1: You know what I'm saying. I never do nothing like that,

1867
02:03:26,920 --> 02:03:29,120
Speaker 1: you know what I mean? So you know, I don't know.

1868
02:03:29,280 --> 02:03:32,000
Speaker 1: Sometimes maybe he heard that. You know what I'm saying,

1869
02:03:32,040 --> 02:03:35,040
Speaker 1: that it morphed into something. Who knows. But um no,

1870
02:03:35,320 --> 02:03:37,320
Speaker 1: you know I funk with trash man. You know what

1871
02:03:37,320 --> 02:03:41,960
Speaker 1: I'm saying. That's not people's God bless especially you know

1872
02:03:42,040 --> 02:03:49,080
Speaker 1: I was here that I don't know. I don't know

1873
02:03:49,120 --> 02:03:53,000
Speaker 1: if I'm took like this. Man, you're just asking the question. No,

1874
02:03:55,880 --> 02:04:06,760
Speaker 1: I just want to Yeah, never mind, I'm not apologize.

1875
02:04:09,360 --> 02:04:13,280
Speaker 1: I know, think that wizard more. I got one more

1876
02:04:13,400 --> 02:04:15,200
Speaker 1: left in me. I want a little peace. But later

1877
02:04:15,400 --> 02:04:20,120
Speaker 1: later we're gonna get high. Ya get people funked up

1878
02:04:20,160 --> 02:04:24,440
Speaker 1: on your show shows, not just in general. Yeah, I

1879
02:04:24,520 --> 02:04:30,000
Speaker 1: think that's the premise that I'm supporting the show number one.

1880
02:04:31,760 --> 02:04:35,800
Speaker 1: But you want let's get out to me trevise the shrip.

1881
02:04:36,320 --> 02:04:44,040
Speaker 1: So let's move on. What are you looking at me?

1882
02:04:45,200 --> 02:04:47,720
Speaker 1: Let me tell you say, this is where the one

1883
02:04:47,760 --> 02:04:52,840
Speaker 1: guard to guard coming. He's telling my because I'm high

1884
02:04:54,280 --> 02:04:56,120
Speaker 1: right now, look to him. Yes, I like you know,

1885
02:04:56,400 --> 02:04:59,560
Speaker 1: you know I haven't put the blunt in Vicky. And

1886
02:04:59,640 --> 02:05:03,000
Speaker 1: then you so here's where he was going. Yes, when

1887
02:05:03,360 --> 02:05:05,320
Speaker 1: you hold me, I think I got where he was going.

1888
02:05:05,680 --> 02:05:13,200
Speaker 1: Kind of. Now, how he started was where. It doesn't

1889
02:05:13,240 --> 02:05:15,760
Speaker 1: matter where he let off. It's mad at how he started,

1890
02:05:15,760 --> 02:05:19,240
Speaker 1: because that's where he meant that you a component had boom. Yeah,

1891
02:05:19,520 --> 02:05:21,720
Speaker 1: that's where he just brought him back. I felt like

1892
02:05:21,800 --> 02:05:28,520
Speaker 1: YA was the same bitch. I don't even know all

1893
02:05:29,000 --> 02:05:32,920
Speaker 1: because I'm I don't know this, I don't know this,

1894
02:05:33,480 --> 02:05:38,400
Speaker 1: but it was p we know where this is going. Listen,

1895
02:05:38,560 --> 02:05:41,280
Speaker 1: we would all ignored this ship. But he put it

1896
02:05:41,360 --> 02:05:45,040
Speaker 1: in his book that Pony him are carting the same chick. Yes,

1897
02:05:47,240 --> 02:05:50,640
Speaker 1: Tall Street, you know how that kicking? I don't. I don't. Look.

1898
02:05:51,320 --> 02:06:01,160
Speaker 1: This is a small world. He's stretching out small you

1899
02:06:01,200 --> 02:06:03,240
Speaker 1: know what I'm saying, Like it's the real siss the

1900
02:06:03,320 --> 02:06:05,440
Speaker 1: small world. You know what I mean? That holes make

1901
02:06:05,480 --> 02:06:09,200
Speaker 1: it smaller. So we're just gonna keep it like that. Yeah,

1902
02:06:09,600 --> 02:06:12,160
Speaker 1: you gotta love half. I love the question. I love

1903
02:06:12,240 --> 02:06:15,480
Speaker 1: the answer. He's like, I don't want to talk about it.

1904
02:06:15,680 --> 02:06:17,480
Speaker 1: I got to know that. What that mean is he's

1905
02:06:18,440 --> 02:06:24,520
Speaker 1: spoke about it soci In case you didn't know, this

1906
02:06:24,680 --> 02:06:26,920
Speaker 1: is my favorite group. This is my group. That put

1907
02:06:27,000 --> 02:06:30,280
Speaker 1: me on. I'm coming from left front. I don't know

1908
02:06:30,400 --> 02:06:34,480
Speaker 1: what's going on. It's an incident that happens. Boom. Once

1909
02:06:34,560 --> 02:06:42,080
Speaker 1: it happened, I got to claim my side. What's the incident? What?

1910
02:06:42,560 --> 02:06:46,920
Speaker 1: What's the incident? I don't know, you don't know the incident.

1911
02:06:47,440 --> 02:06:51,400
Speaker 1: That's what he was asking. Half. You're talking about like that.

1912
02:06:52,360 --> 02:06:55,920
Speaker 1: And this is what I started. He said, it started

1913
02:06:55,960 --> 02:07:00,120
Speaker 1: in QB whatever whatever, X Y and Z or some

1914
02:07:00,240 --> 02:07:03,360
Speaker 1: dumb dish or whatever. You know what I mean. Seeing

1915
02:07:03,440 --> 02:07:07,840
Speaker 1: them was rocking at the time and we was in Queens. Um.

1916
02:07:08,440 --> 02:07:10,680
Speaker 1: I guess seeing them was supposed to be there and

1917
02:07:10,800 --> 02:07:12,480
Speaker 1: we were supposed to be there at the same time.

1918
02:07:13,840 --> 02:07:16,360
Speaker 1: Prior to that, No, prior to that. It was an incident.

1919
02:07:16,600 --> 02:07:20,000
Speaker 1: That and p mission in his book that like like

1920
02:07:20,160 --> 02:07:25,680
Speaker 1: something like you came upon crab or something like that.

1921
02:07:25,760 --> 02:07:27,280
Speaker 1: I don't if you want to speak about it, you

1922
02:07:27,360 --> 02:07:33,360
Speaker 1: can is so old because so sink A Pone called

1923
02:07:33,400 --> 02:07:36,720
Speaker 1: me all that. It's funny now, it's funny now, So

1924
02:07:37,040 --> 02:07:40,560
Speaker 1: you know what I mean. You never spoke about it. Yeah, yeah, yeah, yeah,

1925
02:07:40,680 --> 02:07:49,200
Speaker 1: So you know what I'm saying. Take a shot. Okay,

1926
02:07:49,280 --> 02:07:53,320
Speaker 1: let's take We need you to speak about this. I'm

1927
02:07:53,360 --> 02:07:55,320
Speaker 1: trying to see if I can remember. I don't even

1928
02:07:55,360 --> 02:07:57,080
Speaker 1: know which visy was about, you know what I'm saying.

1929
02:07:57,120 --> 02:08:00,360
Speaker 1: But all I know is that you what I'm saying,

1930
02:08:00,360 --> 02:08:01,960
Speaker 1: I kind of got in my familys over some ship,

1931
02:08:02,680 --> 02:08:04,760
Speaker 1: you know what I'm saying. And you know I wanted

1932
02:08:04,760 --> 02:08:05,960
Speaker 1: to go speak to the pone, so I was not

1933
02:08:06,000 --> 02:08:08,560
Speaker 1: going on this door. He was a deal whatever. Nothing

1934
02:08:08,680 --> 02:08:11,600
Speaker 1: came of that, you understand what I'm saying. But then

1935
02:08:12,720 --> 02:08:14,440
Speaker 1: you know, the tension was there. It was like what

1936
02:08:14,560 --> 02:08:16,560
Speaker 1: the fund is? Uh, you know, having why do you

1937
02:08:16,600 --> 02:08:18,280
Speaker 1: want to talk to the pone or whatever? And I

1938
02:08:18,320 --> 02:08:20,280
Speaker 1: guess the world got out and then you know, niggas

1939
02:08:20,360 --> 02:08:22,400
Speaker 1: was a little bit hyper on my side, and I'm

1940
02:08:22,440 --> 02:08:24,200
Speaker 1: sure I think it's on yes side. Got the word like,

1941
02:08:24,600 --> 02:08:26,360
Speaker 1: you know, something funny is going on. This is the

1942
02:08:26,560 --> 02:08:30,440
Speaker 1: biggest by the way. This look. I want to say

1943
02:08:30,520 --> 02:08:33,800
Speaker 1: this because it's beautiful where we at in light of course,

1944
02:08:34,760 --> 02:08:36,920
Speaker 1: of course why would have because his name is not

1945
02:08:37,120 --> 02:08:40,320
Speaker 1: in nothing, But he's knocking at the door. They get

1946
02:08:40,360 --> 02:08:45,680
Speaker 1: knocked on poem door. But this just I'm doing. He

1947
02:08:45,760 --> 02:08:48,040
Speaker 1: going now, But just like when some talking said, like

1948
02:08:48,080 --> 02:08:49,320
Speaker 1: you know what I'm saying whatever whatever, You know what

1949
02:08:49,360 --> 02:08:51,920
Speaker 1: I'm saying. But anyway, to make a look small story short,

1950
02:08:52,080 --> 02:08:55,000
Speaker 1: that ship was in the air, right and then y'all

1951
02:08:55,040 --> 02:08:57,920
Speaker 1: seeing them was somewhere in Queens and we were somewhere

1952
02:08:58,560 --> 02:09:00,680
Speaker 1: and you know, I'm saying something from my crew, I'm

1953
02:09:00,720 --> 02:09:04,520
Speaker 1: not gonna say yeah, so I'm not I'm not gonna

1954
02:09:04,560 --> 02:09:07,560
Speaker 1: say nothing about the person. You know what I'm saying,

1955
02:09:07,840 --> 02:09:10,080
Speaker 1: you know whatever, because that's one nigger too, So I

1956
02:09:10,200 --> 02:09:11,920
Speaker 1: don't want to be like I'm making fun of him

1957
02:09:12,000 --> 02:09:13,800
Speaker 1: or anything like that. You under saying what I'm saying.

1958
02:09:14,240 --> 02:09:17,360
Speaker 1: So he jumps out the whip because he was, you know,

1959
02:09:17,480 --> 02:09:19,920
Speaker 1: a little you know what I'm saying, Louis maybe wink

1960
02:09:19,960 --> 02:09:24,680
Speaker 1: into something like that, and he ran towards your people's

1961
02:09:24,720 --> 02:09:26,760
Speaker 1: you know what I'm saying that whatever it was that happened,

1962
02:09:26,800 --> 02:09:28,680
Speaker 1: like you know, I wouldn't have did it like that,

1963
02:09:29,320 --> 02:09:32,120
Speaker 1: but your people don't know what's going on, and then

1964
02:09:32,160 --> 02:09:34,600
Speaker 1: they get backed down, you know what I'm saying, and

1965
02:09:34,760 --> 02:09:36,600
Speaker 1: and and and and shot them home. You know I'm saying,

1966
02:09:36,680 --> 02:09:39,280
Speaker 1: like you know, I mean, status and living tastes up.

1967
02:09:39,280 --> 02:09:42,880
Speaker 1: I didn't say like, you know what I'm trying to

1968
02:09:42,920 --> 02:09:47,280
Speaker 1: snitch or nothing. There's some like they get backed out,

1969
02:09:47,360 --> 02:09:49,360
Speaker 1: like you know what I'm saying, so um and and

1970
02:09:49,680 --> 02:09:52,080
Speaker 1: and I think that was like, oh ship, you know

1971
02:09:52,080 --> 02:09:53,800
Speaker 1: what I'm saying. It is like seeing them off the

1972
02:09:54,320 --> 02:09:56,360
Speaker 1: you know, because because you know why I say that,

1973
02:09:56,480 --> 02:10:01,839
Speaker 1: to say this, we could have been the biggest together,

1974
02:10:02,320 --> 02:10:05,480
Speaker 1: right especially at that time, at that time, you know

1975
02:10:05,480 --> 02:10:08,960
Speaker 1: what I'm saying, we didn't could have been the biggest together.

1976
02:10:09,160 --> 02:10:13,440
Speaker 1: So you know why I actually that I'm looking at

1977
02:10:13,480 --> 02:10:16,240
Speaker 1: you face to face, man and man, It's because I

1978
02:10:16,360 --> 02:10:19,080
Speaker 1: didn't know if it really was over a girl. I

1979
02:10:19,200 --> 02:10:21,200
Speaker 1: just didn't know. I was just on one side of

1980
02:10:21,320 --> 02:10:25,120
Speaker 1: the drama. You toltally on the other side of the drama.

1981
02:10:25,560 --> 02:10:27,880
Speaker 1: And that's when I really thought about it. I'm like

1982
02:10:28,440 --> 02:10:31,200
Speaker 1: the reason why mom, just thinking about it. If mob

1983
02:10:31,280 --> 02:10:35,920
Speaker 1: Deep and C and then would have like morphed together,

1984
02:10:36,240 --> 02:10:40,440
Speaker 1: I was gonna say, Colomboris, I'm glad I didn't say nothing. No,

1985
02:10:40,560 --> 02:10:48,360
Speaker 1: same different, same things. You wouldn't the words you would

1986
02:10:48,360 --> 02:10:53,360
Speaker 1: have been so so I've told about it, I swear

1987
02:10:54,160 --> 02:10:56,760
Speaker 1: have it come out like dad, imagine if we would

1988
02:10:56,760 --> 02:11:01,520
Speaker 1: have actually, but I don't know this story. All I'm

1989
02:11:01,560 --> 02:11:05,800
Speaker 1: on on the other side of the wall. So I

1990
02:11:05,920 --> 02:11:10,680
Speaker 1: say that to say, damn, imagine if this woman, if

1991
02:11:10,760 --> 02:11:14,560
Speaker 1: this was over a woman. But wait, wait, wait, imagine

1992
02:11:14,600 --> 02:11:16,960
Speaker 1: this way. Guys, Guys, this is a thing. If it wasn't.

1993
02:11:17,280 --> 02:11:20,760
Speaker 1: So the rest of the world that's watching you, guys,

1994
02:11:21,600 --> 02:11:25,840
Speaker 1: it doesn't understand, it doesn't understand why this collaboration didn't

1995
02:11:26,560 --> 02:11:32,240
Speaker 1: become something bigger. I mean, this is this is first,

1996
02:11:32,760 --> 02:11:36,320
Speaker 1: but that was first before. Yeah, but it should have

1997
02:11:36,360 --> 02:11:39,800
Speaker 1: been a bigger thing after that, right, I mean, you know, look, man,

1998
02:11:40,080 --> 02:11:43,480
Speaker 1: everything happened full reason. You know what I'm saying. Do really?

1999
02:11:43,560 --> 02:11:47,960
Speaker 1: I mean, some ship happened. You look, can't see what?

2000
02:11:48,040 --> 02:11:50,640
Speaker 1: Do you know what I'm saying? And if somebody died,

2001
02:11:51,680 --> 02:11:53,200
Speaker 1: he did his and his and you let me just

2002
02:11:53,280 --> 02:11:55,080
Speaker 1: I just want to say something. Me and you have

2003
02:11:55,360 --> 02:11:58,760
Speaker 1: never ever, like never, through the worst of the worst. Man.

2004
02:11:58,880 --> 02:12:02,760
Speaker 1: We will not our cruises trying to kill each other.

2005
02:12:02,880 --> 02:12:05,760
Speaker 1: Me and you have never crossed the path. And I

2006
02:12:05,920 --> 02:12:07,600
Speaker 1: respect you for that. I want to let you know that.

2007
02:12:08,280 --> 02:12:12,200
Speaker 1: But jeez, when I look back at it, I say, damn,

2008
02:12:12,840 --> 02:12:16,000
Speaker 1: we could have been if we would have just looked.

2009
02:12:17,320 --> 02:12:19,520
Speaker 1: But I never knew that story. That's why this story

2010
02:12:19,600 --> 02:12:22,480
Speaker 1: I'm asking you. It's for me. This is ain't for

2011
02:12:22,560 --> 02:12:25,400
Speaker 1: the fans. That ship was for me. So I know

2012
02:12:25,520 --> 02:12:27,800
Speaker 1: you kind of dodged it, but you did answer to Nah,

2013
02:12:28,160 --> 02:12:29,680
Speaker 1: I didn't dodge it. Like I said. You know what

2014
02:12:29,720 --> 02:12:32,240
Speaker 1: I'm saying. It was it was it was a discovercy

2015
02:12:32,360 --> 02:12:36,920
Speaker 1: over over some check. You know what I'm saying. I mean,

2016
02:12:37,000 --> 02:12:39,200
Speaker 1: but he was babies. You know what I'm saying that

2017
02:12:41,320 --> 02:12:43,280
Speaker 1: if that's what happened today, I'd be like, you know,

2018
02:12:45,600 --> 02:12:47,400
Speaker 1: over the world. Yeah, you know what I'm saying. You

2019
02:12:47,480 --> 02:12:49,120
Speaker 1: took a problem over my ends. You know what I'm saying.

2020
02:12:49,320 --> 02:12:52,160
Speaker 1: And to be honest with you, I'm glad it happened.

2021
02:12:52,440 --> 02:12:54,440
Speaker 1: You know what I'm saying, because you know what I'm saying.

2022
02:12:55,520 --> 02:13:00,400
Speaker 1: You know, Yeah, you know what I'm saying. Please, but

2023
02:13:00,520 --> 02:13:02,160
Speaker 1: you let me just be clear with you. Let me

2024
02:13:02,200 --> 02:13:11,360
Speaker 1: just tell you something. When Nitty Godfather, I love these niggers.

2025
02:13:12,200 --> 02:13:17,080
Speaker 1: Like so when the drama happened, it was so hard

2026
02:13:17,280 --> 02:13:20,840
Speaker 1: for me because I had to pick my side. But

2027
02:13:20,960 --> 02:13:25,360
Speaker 1: at the end of the day, listen, twelve Street raised me.

2028
02:13:26,560 --> 02:13:28,240
Speaker 1: Like when I came home from jail, I went to

2029
02:13:28,320 --> 02:13:30,600
Speaker 1: twelve Street. I didn't go to the Left Frack I

2030
02:13:30,720 --> 02:13:34,320
Speaker 1: went to Queensbridge and Mark Dieck was the biggest ship

2031
02:13:34,440 --> 02:13:36,640
Speaker 1: ever and I just said there and I was a child,

2032
02:13:37,160 --> 02:13:40,880
Speaker 1: So I just want you to know that, like as

2033
02:13:40,920 --> 02:13:45,160
Speaker 1: a man, that ship bothered me because one it was

2034
02:13:46,000 --> 02:13:49,920
Speaker 1: I'm and I'm sorry everyone's here, but it was like

2035
02:13:50,000 --> 02:13:53,320
Speaker 1: kind of you on compons like a little little secret ship.

2036
02:13:53,880 --> 02:13:57,200
Speaker 1: Then blew over and y'all both from across the street

2037
02:13:57,240 --> 02:13:59,560
Speaker 1: from each other, live on the same block, same block.

2038
02:14:00,360 --> 02:14:03,600
Speaker 1: So not really though, I'm gonna tell you what everybody

2039
02:14:03,640 --> 02:14:07,200
Speaker 1: in it with everybody in the nineties problem was even

2040
02:14:07,280 --> 02:14:15,960
Speaker 1: to don't help me. I gonna try plays a lot

2041
02:14:16,480 --> 02:14:19,600
Speaker 1: a lot of this ship, but entourage also, But you

2042
02:14:19,680 --> 02:14:24,520
Speaker 1: understand what I'm saying, Like, um, when you holdies, are

2043
02:14:24,560 --> 02:14:27,320
Speaker 1: you mean so you have a certain amount of respect

2044
02:14:27,400 --> 02:14:32,040
Speaker 1: for each other, right, Um, no matter what happened, however

2045
02:14:32,120 --> 02:14:36,360
Speaker 1: it went, it's supposed to happen between the two people.

2046
02:14:37,040 --> 02:14:39,839
Speaker 1: But you guys will hope for each other, for everybody

2047
02:14:39,920 --> 02:14:42,440
Speaker 1: in the hood. So when somebody's hope, the rest of

2048
02:14:42,480 --> 02:14:46,320
Speaker 1: the entourage, and it's like the basketball player, the rhyme

2049
02:14:46,400 --> 02:14:49,320
Speaker 1: of the star, the doctor, the church, and the one

2050
02:14:49,400 --> 02:14:52,959
Speaker 1: person who started making it out, everybody else becomes passionate

2051
02:14:53,040 --> 02:14:57,360
Speaker 1: about that person. So when the entourage is involved, that

2052
02:14:57,520 --> 02:15:00,280
Speaker 1: becomes the problem. Like you know what I'm saying. So

2053
02:15:00,960 --> 02:15:06,600
Speaker 1: when when whoever loved Have Love Have was involved, whoever

2054
02:15:06,680 --> 02:15:10,000
Speaker 1: loved home Love Home was involved, and everybody got word,

2055
02:15:10,080 --> 02:15:12,320
Speaker 1: And then if it comes to the homies hopping out

2056
02:15:12,400 --> 02:15:15,080
Speaker 1: and this and that, it becomes bigger than the original

2057
02:15:15,240 --> 02:15:19,120
Speaker 1: problem it was because how we it was. Man, that's

2058
02:15:19,120 --> 02:15:21,680
Speaker 1: what Pop he kind of does to people. I never

2059
02:15:21,920 --> 02:15:24,880
Speaker 1: wanted it, just so you know, just so you know,

2060
02:15:25,280 --> 02:15:29,040
Speaker 1: I never wanted it, like I was pursuing a beef.

2061
02:15:29,480 --> 02:15:33,440
Speaker 1: I had nothing to do with did you know it? No,

2062
02:15:36,920 --> 02:15:39,960
Speaker 1: you didn't know it, No, like I had just just

2063
02:15:40,480 --> 02:15:43,280
Speaker 1: it was like it was just on. So I was like, damn.

2064
02:15:43,520 --> 02:15:47,600
Speaker 1: But by the way, this is the same block these

2065
02:15:47,720 --> 02:15:52,120
Speaker 1: niggas is across the street from each oun d. But

2066
02:15:52,560 --> 02:15:53,640
Speaker 1: you know what I'm saying, Like I said, you know,

2067
02:15:53,680 --> 02:15:56,360
Speaker 1: I'm saying, my my homie that hopped out called that day.

2068
02:15:56,360 --> 02:15:57,880
Speaker 1: You know, I'm saying he was passing it and then

2069
02:15:58,000 --> 02:16:01,160
Speaker 1: you see how and then people passing it on your side.

2070
02:16:01,160 --> 02:16:03,200
Speaker 1: You know what I'm saying. You know, So that's why

2071
02:16:03,240 --> 02:16:05,640
Speaker 1: I for like, but at the end, of the day.

2072
02:16:05,680 --> 02:16:09,040
Speaker 1: I feel like, you know, I kind of like, you know,

2073
02:16:10,120 --> 02:16:12,400
Speaker 1: I could have went about it a different ways because

2074
02:16:12,480 --> 02:16:14,840
Speaker 1: that ship could have got people really really hurt over

2075
02:16:14,960 --> 02:16:16,840
Speaker 1: something that wasn't even really worth it, you know what

2076
02:16:16,880 --> 02:16:19,760
Speaker 1: I'm saying. But at that time, when you're young, you

2077
02:16:19,800 --> 02:16:22,360
Speaker 1: know what I'm saying. Any little thing is a big thing.

2078
02:16:22,480 --> 02:16:24,640
Speaker 1: You understand what I'm saying. And when you think about it,

2079
02:16:26,120 --> 02:16:28,760
Speaker 1: to be honest, when you when you if it was

2080
02:16:28,840 --> 02:16:33,000
Speaker 1: to happen now today we just be like, man, I'm outside,

2081
02:16:33,240 --> 02:16:36,320
Speaker 1: I'm I'm from left Frack. This is Queen's bread. Yeah,

2082
02:16:37,240 --> 02:16:39,879
Speaker 1: So I gotta shut them up. I really gotta shut

2083
02:16:40,080 --> 02:16:45,240
Speaker 1: the funk up and just see what's going on. So

2084
02:16:46,040 --> 02:16:49,000
Speaker 1: I say that to say I needed to hear everything

2085
02:16:49,040 --> 02:16:51,720
Speaker 1: you just say right now. I'm telling you, my brother,

2086
02:16:53,360 --> 02:16:57,080
Speaker 1: Actually this is therapy for me because I never knew

2087
02:16:57,240 --> 02:17:00,480
Speaker 1: where it went wrong. I just didn't know. I was

2088
02:17:00,560 --> 02:17:02,400
Speaker 1: like we in l A l A. We go want

2089
02:17:02,400 --> 02:17:04,800
Speaker 1: to get a whole coast? How the fund are we

2090
02:17:04,959 --> 02:17:09,280
Speaker 1: fighting each other? No one knows we gets the whole coast.

2091
02:17:09,360 --> 02:17:13,360
Speaker 1: But we also it's firing at each other like on

2092
02:17:13,720 --> 02:17:17,040
Speaker 1: site type ship crazy. Yeah, it was, it was. It was.

2093
02:17:17,400 --> 02:17:19,520
Speaker 1: That was a bad time. We were retarded. Let's just

2094
02:17:19,720 --> 02:17:23,880
Speaker 1: stow it out there. We were. I'm sorry anybody was retarded.

2095
02:17:23,920 --> 02:17:32,800
Speaker 1: Bro terrible, Bro, it was terrible. Bro. L A l

2096
02:17:32,840 --> 02:17:35,039
Speaker 1: A video shoot. Let me just tell you something. I'm

2097
02:17:35,040 --> 02:17:38,480
Speaker 1: gonna be honest. I don't know. I don't know where

2098
02:17:38,520 --> 02:17:46,360
Speaker 1: stars going retarded. L A Video Shoot had to be

2099
02:17:46,480 --> 02:17:49,320
Speaker 1: the most guns I've ever seen in my whole entire life.

2100
02:17:50,000 --> 02:17:52,760
Speaker 1: We just have a shootout, and then we just have

2101
02:17:52,879 --> 02:18:02,280
Speaker 1: a video shoot together. Crazy, Who does sign this the

2102
02:18:02,400 --> 02:18:05,680
Speaker 1: fact that we're alive together and we're sitting here and

2103
02:18:05,760 --> 02:18:09,480
Speaker 1: talking hard. But by the way, and let me just

2104
02:18:10,280 --> 02:18:16,960
Speaker 1: by the rest in peace, Pea in peace. Prodigy. The

2105
02:18:17,120 --> 02:18:21,240
Speaker 1: only line on that record, said JFK on our Way

2106
02:18:21,280 --> 02:18:25,040
Speaker 1: to l A. The only line on L A l

2107
02:18:25,120 --> 02:18:30,400
Speaker 1: A was the Prodigy line. And then hit him Up

2108
02:18:30,520 --> 02:18:36,600
Speaker 1: came out the day after, and I remember Steve Ripken

2109
02:18:36,680 --> 02:18:41,600
Speaker 1: calling us and saying, take Prodigies first and all for

2110
02:18:41,680 --> 02:18:46,680
Speaker 1: the ship. We're sitting there. Steve Ripken had dinner with

2111
02:18:46,720 --> 02:18:51,240
Speaker 1: Steve Koman yesterday. He said, take Prodigies verse off of

2112
02:18:51,280 --> 02:18:54,280
Speaker 1: the ship. I was just sitting there like damn. And

2113
02:18:54,360 --> 02:18:58,040
Speaker 1: then hit him up, drop at twelve at midnight, and

2114
02:18:58,080 --> 02:19:01,720
Speaker 1: I remember Steve Ripken calling us to staying saying, probly

2115
02:19:01,800 --> 02:19:07,280
Speaker 1: you showing up to the video. Never questioned it. I

2116
02:19:07,600 --> 02:19:11,680
Speaker 1: never said do you remember what you just said? Let's

2117
02:19:11,720 --> 02:19:16,199
Speaker 1: play that one that and that's it, and I'm gonna

2118
02:19:16,240 --> 02:19:18,560
Speaker 1: be honest with you, so I never I say this

2119
02:19:18,760 --> 02:19:21,640
Speaker 1: about you when you're not here. I want to thank

2120
02:19:21,720 --> 02:19:26,520
Speaker 1: you have I want to say that marb Deep didn't

2121
02:19:26,600 --> 02:19:29,440
Speaker 1: have to do a record with Component Noriega at all.

2122
02:19:31,879 --> 02:19:36,960
Speaker 1: Let me finish picking you up. Finish you m P

2123
02:19:38,400 --> 02:19:42,360
Speaker 1: and your whole crew. Yr Co signed us by you

2124
02:19:42,879 --> 02:19:46,720
Speaker 1: giving us a voice, by you giving us a hook?

2125
02:19:46,920 --> 02:19:49,760
Speaker 1: Are you giving us a beat? That ship changed our life.

2126
02:19:49,840 --> 02:19:52,119
Speaker 1: And I'll tell you to your face, man and man

2127
02:19:52,400 --> 02:19:54,920
Speaker 1: as a man, I love the ship out of you

2128
02:19:55,000 --> 02:20:00,320
Speaker 1: for that. But you don't You don't know le like

2129
02:20:00,520 --> 02:20:03,760
Speaker 1: mob Beat was small beat, we wasn't bone in Noriega.

2130
02:20:04,560 --> 02:20:07,440
Speaker 1: And when y'all did that, that ship made us what

2131
02:20:07,600 --> 02:20:10,080
Speaker 1: we are. And I will never take that for granted

2132
02:20:10,240 --> 02:20:14,039
Speaker 1: to the to the day I die. If you want

2133
02:20:14,080 --> 02:20:15,640
Speaker 1: to come on here and you want to talk about

2134
02:20:15,680 --> 02:20:21,360
Speaker 1: pink toe nails, I'll just give you an example. You

2135
02:20:21,400 --> 02:20:25,320
Speaker 1: can talk about anything purple if you want to talk

2136
02:20:25,320 --> 02:20:29,840
Speaker 1: about turquoise nails, because this is this is the example,

2137
02:20:29,879 --> 02:20:33,200
Speaker 1: this is your this is your this is your motherfucking platform. Brother,

2138
02:20:33,240 --> 02:20:41,480
Speaker 1: I really wouldn't be really yeah, And I'm glad, I'm

2139
02:20:41,520 --> 02:20:43,760
Speaker 1: mall be for life and I'm glad we got to

2140
02:20:43,920 --> 02:20:46,720
Speaker 1: like talk about the mob deep see ship because it's

2141
02:20:46,760 --> 02:20:50,280
Speaker 1: a very important thing in Queen's history and it's hip

2142
02:20:50,320 --> 02:20:53,920
Speaker 1: hop history. Forget, don't forget. Damn you you on your

2143
02:20:54,280 --> 02:20:56,560
Speaker 1: on your on your A game today. But I think

2144
02:20:56,560 --> 02:21:02,440
Speaker 1: it's note at all. I don't never I've never asking

2145
02:21:02,520 --> 02:21:05,560
Speaker 1: you in my life. I've never called you. But you know,

2146
02:21:05,600 --> 02:21:07,760
Speaker 1: it's just something no, no, no, I don't mind, but

2147
02:21:07,920 --> 02:21:13,200
Speaker 1: him him, man something, Actually, stop with that bullshit. Man.

2148
02:21:13,840 --> 02:21:15,800
Speaker 1: Don't act like he's like, he's like and he gave you.

2149
02:21:19,200 --> 02:21:25,280
Speaker 1: Oh oh Mr least so you actually I didn't say

2150
02:21:26,160 --> 02:21:30,039
Speaker 1: every drug in the world. Got that that. It's only

2151
02:21:31,480 --> 02:21:35,640
Speaker 1: Mr le Mr. Ley know each other. We're family, man.

2152
02:21:36,400 --> 02:21:40,360
Speaker 1: Got history. We asked you who you would do with

2153
02:21:40,480 --> 02:21:43,800
Speaker 1: versus what already right, you said we we already got that.

2154
02:21:44,840 --> 02:21:48,640
Speaker 1: You addressed that, Jim Jones, I did it. Versus. I

2155
02:21:48,720 --> 02:21:50,560
Speaker 1: hate talking about versus, like you know, what that like

2156
02:21:50,760 --> 02:21:53,120
Speaker 1: being competitive all the time. But I don't want to

2157
02:21:53,240 --> 02:21:56,760
Speaker 1: keep dragging it out and coming up whoever the funk

2158
02:21:56,800 --> 02:22:00,520
Speaker 1: want anything at any given time. It's open doors for everybody.

2159
02:22:00,760 --> 02:22:04,640
Speaker 1: Any given days. You don't want to hear sitting there

2160
02:22:04,640 --> 02:22:06,360
Speaker 1: and talk I don't give a what you want to

2161
02:22:06,400 --> 02:22:10,840
Speaker 1: do track versus that. We don't have to sit there

2162
02:22:10,879 --> 02:22:13,960
Speaker 1: and politicize about it. You can just get we just

2163
02:22:14,040 --> 02:22:15,680
Speaker 1: get right to it and leave it at that. Like

2164
02:22:16,400 --> 02:22:19,920
Speaker 1: just I'm an open door policy all year around until

2165
02:22:19,959 --> 02:22:23,440
Speaker 1: the day I die. This open door. You want to

2166
02:22:23,600 --> 02:22:30,359
Speaker 1: call me, I got anybody, I don't care, bar none, everybody.

2167
02:22:30,520 --> 02:22:33,000
Speaker 1: I wasn't ready for the answer. No, just at any

2168
02:22:33,040 --> 02:22:37,959
Speaker 1: given moment, first anything, song anybody, any time you want

2169
02:22:38,000 --> 02:22:41,720
Speaker 1: to get in the lab right now you let's be competitive,

2170
02:22:42,000 --> 02:22:44,880
Speaker 1: call me. We could bake a play out of it

2171
02:22:44,959 --> 02:22:55,720
Speaker 1: and everything back. You're fucking right, like like you know

2172
02:22:55,920 --> 02:22:58,400
Speaker 1: saying the versus is cool. You know all the questions

2173
02:22:58,440 --> 02:23:00,840
Speaker 1: about who were we doing versus with? I went him

2174
02:23:01,000 --> 02:23:09,400
Speaker 1: fucking anybody come through, that's it, come through any giving moment, listen, man,

2175
02:23:09,560 --> 02:23:16,400
Speaker 1: any MC like this is any there's too much podcast radios, Instagrams, Twitters,

2176
02:23:16,760 --> 02:23:20,920
Speaker 1: sneaker dropped computers and all this and that. Any given

2177
02:23:21,040 --> 02:23:24,080
Speaker 1: moment you want any kind of beat on the record,

2178
02:23:24,200 --> 02:23:27,240
Speaker 1: that's what you supposed wanting. That's it. That means you're

2179
02:23:27,280 --> 02:23:32,960
Speaker 1: doing what we do me. I'm near save the clap now,

2180
02:23:37,520 --> 02:23:41,600
Speaker 1: hey man, she's the weeds, Papa Cheese. We don't covered everything,

2181
02:23:43,040 --> 02:23:47,040
Speaker 1: I think. I think I think holy ship. Let's but

2182
02:23:47,760 --> 02:23:50,440
Speaker 1: I'm going to the third piece. But we never talked

2183
02:23:50,480 --> 02:23:55,640
Speaker 1: about you produced for Big Yeah, last Day's I produced

2184
02:23:55,640 --> 02:23:59,280
Speaker 1: the soon last days for Big? What what the locks on? That?

2185
02:23:59,440 --> 02:24:01,760
Speaker 1: The locks is on? Think? I think there was like

2186
02:24:02,000 --> 02:24:04,160
Speaker 1: what was that like your debut to the world like

2187
02:24:04,800 --> 02:24:07,760
Speaker 1: with that record? Oh no, yeah, you have something before that.

2188
02:24:08,600 --> 02:24:10,920
Speaker 1: I have no idea what that debuted to the world is.

2189
02:24:11,120 --> 02:24:16,920
Speaker 1: I want to say you'll see. Oh I think here's

2190
02:24:16,959 --> 02:24:21,080
Speaker 1: what I want to say. Last Day to the elite

2191
02:24:21,920 --> 02:24:25,600
Speaker 1: was just from um. If you think about it, and

2192
02:24:25,720 --> 02:24:28,600
Speaker 1: you think about Big, he didn't really call that many

2193
02:24:28,680 --> 02:24:32,280
Speaker 1: people around with and work with. If you look back

2194
02:24:32,360 --> 02:24:34,480
Speaker 1: at it, everybody you called the work with or do

2195
02:24:34,560 --> 02:24:38,199
Speaker 1: anything with, who are they where all day today? And water?

2196
02:24:38,520 --> 02:24:43,240
Speaker 1: What are they? The jedies? And think about it, You're

2197
02:24:43,240 --> 02:24:47,520
Speaker 1: gonna look at the history. Anybody think about it, think

2198
02:24:47,560 --> 02:24:50,920
Speaker 1: about the producers he's worked with, the artists he's worked with,

2199
02:24:51,200 --> 02:24:54,360
Speaker 1: and think about it like where they stand today and

2200
02:24:54,520 --> 02:24:56,560
Speaker 1: hip hop and what they meet the hip hop today.

2201
02:24:56,959 --> 02:24:59,280
Speaker 1: Big was a student of the game, which means he

2202
02:24:59,400 --> 02:25:02,880
Speaker 1: definitely was. He did his ship built off of making

2203
02:25:02,959 --> 02:25:06,120
Speaker 1: some solid music because he loved to make solid music.

2204
02:25:06,600 --> 02:25:08,560
Speaker 1: Like Big never had to embrace us, He never had

2205
02:25:08,600 --> 02:25:11,440
Speaker 1: to take us in, but he did because he was sucking.

2206
02:25:11,760 --> 02:25:17,600
Speaker 1: You'll see, you'll see, you'll see. Yeah, I was saying

2207
02:25:17,600 --> 02:25:22,840
Speaker 1: that ship on it. The Big came on. He killed

2208
02:25:22,879 --> 02:25:25,200
Speaker 1: it too. Yeah. That was like I wont I think,

2209
02:25:25,280 --> 02:25:27,480
Speaker 1: but um as you were saying, I think on Life

2210
02:25:27,520 --> 02:25:33,640
Speaker 1: after Death was introduction to say, shoot from deep, straight

2211
02:25:33,680 --> 02:25:38,040
Speaker 1: out the shoot from Deep. You know Frank White, call

2212
02:25:38,120 --> 02:25:44,880
Speaker 1: you work. That means something. It's definitely a crazy record.

2213
02:25:45,280 --> 02:25:51,680
Speaker 1: Now let me ask you how the first album dropped

2214
02:25:51,720 --> 02:25:56,440
Speaker 1: juvenile Hell, it's not the reception that you want. But

2215
02:25:56,560 --> 02:26:00,480
Speaker 1: then the second album dropped right, Shook wants the Biggest.

2216
02:26:01,400 --> 02:26:05,720
Speaker 1: I also came to the Survival of the Fittest video shoot.

2217
02:26:05,879 --> 02:26:09,480
Speaker 1: I came there and all looked, and I looked how

2218
02:26:09,600 --> 02:26:14,640
Speaker 1: y'all was glowing y'all were just glowing and I just

2219
02:26:14,840 --> 02:26:18,560
Speaker 1: looked and I was just like, damn, how was that

2220
02:26:18,680 --> 02:26:22,160
Speaker 1: feeling coming from the first album to that? Yeo, Man,

2221
02:26:22,160 --> 02:26:24,000
Speaker 1: I'm gonna be honest with you man, that's it felt

2222
02:26:24,200 --> 02:26:28,080
Speaker 1: crazy amazing, Like you know what I'm saying, Like how

2223
02:26:28,120 --> 02:26:30,200
Speaker 1: you got the whole projects on your back? You know

2224
02:26:30,240 --> 02:26:33,040
Speaker 1: what I'm saying. You can't do no wrong, Like I

2225
02:26:33,200 --> 02:26:35,400
Speaker 1: was shooting that video in front of my building where

2226
02:26:35,400 --> 02:26:37,000
Speaker 1: I grew up at, Like you know what I'm saying,

2227
02:26:37,080 --> 02:26:39,920
Speaker 1: Like I mean when I was playing tagget you know

2228
02:26:39,959 --> 02:26:52,800
Speaker 1: what I'm saying, and you just say tag that hot

2229
02:26:52,879 --> 02:26:56,360
Speaker 1: peas and butter all that. But if you ain't drinking

2230
02:26:56,360 --> 02:27:01,400
Speaker 1: like j Z Champagne Snuggers stuck us, that a cool

2231
02:27:01,720 --> 02:27:04,120
Speaker 1: but um yeah, now that ship felt crazy man, like

2232
02:27:04,320 --> 02:27:06,760
Speaker 1: you know, and then to have did he come down

2233
02:27:06,840 --> 02:27:08,920
Speaker 1: to the video shoot? God? Did he was down there?

2234
02:27:09,040 --> 02:27:11,560
Speaker 1: You know what I'm saying. He whole money to worry?

2235
02:27:15,480 --> 02:27:18,080
Speaker 1: Did he came down to the video shoot? Shot? The

2236
02:27:18,200 --> 02:27:20,600
Speaker 1: video we fresh off with shook ones were just shooting

2237
02:27:20,640 --> 02:27:33,240
Speaker 1: survival the album was like, fir, come on man, I'm outside.

2238
02:27:33,280 --> 02:27:37,800
Speaker 1: I'm sorry, sorry, I'm a good nick I'm a great, Nick,

2239
02:27:39,800 --> 02:27:44,280
Speaker 1: I was sorry. Yeah, in a nutshell, man, that ship

2240
02:27:44,440 --> 02:27:46,880
Speaker 1: was it was just it was amazing. Man. If I

2241
02:27:46,920 --> 02:27:48,760
Speaker 1: could do that shit again, I would, you know what

2242
02:27:48,760 --> 02:27:52,400
Speaker 1: I mean, over again, I would, because that really boosted

2243
02:27:52,440 --> 02:27:54,560
Speaker 1: the morale. You know what I'm saying from all deep

2244
02:27:54,640 --> 02:27:58,320
Speaker 1: really in the city man, you know what I'm saying

2245
02:27:58,800 --> 02:28:03,160
Speaker 1: New York City. First of all, thank you for correct

2246
02:28:04,800 --> 02:28:07,880
Speaker 1: for New York, you know, get it because the city.

2247
02:28:08,600 --> 02:28:10,520
Speaker 1: But but that I think that was one like I

2248
02:28:10,600 --> 02:28:12,720
Speaker 1: always tell him, like it's always an honor to work

2249
02:28:12,760 --> 02:28:15,440
Speaker 1: with him, because you got to think, even at the time,

2250
02:28:16,080 --> 02:28:19,840
Speaker 1: I think what made what made mob deep special And

2251
02:28:21,840 --> 02:28:24,600
Speaker 1: it was a duel, like you know what I mean,

2252
02:28:25,200 --> 02:28:28,840
Speaker 1: And there was the duel of the new generation talking

2253
02:28:28,879 --> 02:28:31,879
Speaker 1: that ship we understood because everybody else to that time,

2254
02:28:31,920 --> 02:28:35,120
Speaker 1: you had nas, you had whole, you have big. But

2255
02:28:35,280 --> 02:28:38,160
Speaker 1: then but everybody who was living in it at that

2256
02:28:38,360 --> 02:28:44,000
Speaker 1: time in New York outside Mama, it didn't even matter

2257
02:28:44,000 --> 02:28:47,640
Speaker 1: about being grunged. They were grungy. They was definitely grungy.

2258
02:28:47,680 --> 02:28:49,440
Speaker 1: But I don't even think that was the point. It

2259
02:28:49,600 --> 02:28:52,960
Speaker 1: was the point about your whole lifestyle at that particular

2260
02:28:53,040 --> 02:28:55,360
Speaker 1: time in the Golden Era, was about the dirt you

2261
02:28:55,480 --> 02:28:59,600
Speaker 1: was doing with your homies and your man, because whatever

2262
02:28:59,680 --> 02:29:02,320
Speaker 1: dirt you was doing, you wasn't doing it alone. And

2263
02:29:02,440 --> 02:29:04,760
Speaker 1: it became a lifestyle and somebody was going through the

2264
02:29:04,840 --> 02:29:08,400
Speaker 1: same tragic ship you was going through. That wasn't really

2265
02:29:08,440 --> 02:29:10,840
Speaker 1: explaining it to each other, but you knew what the

2266
02:29:10,879 --> 02:29:13,360
Speaker 1: funk it was, and that's just what it was. So

2267
02:29:13,480 --> 02:29:16,320
Speaker 1: it was like they represented something that was different with

2268
02:29:18,240 --> 02:29:22,200
Speaker 1: you know, Nigacine a duel together, rappering the whole project.

2269
02:29:23,959 --> 02:29:26,360
Speaker 1: This is the time when you know, Brothers was hustling

2270
02:29:26,440 --> 02:29:29,840
Speaker 1: on the corner that lex cool. She got any any bottles?

2271
02:29:29,920 --> 02:29:32,120
Speaker 1: That was the that was the thing. Man, We hustled.

2272
02:29:32,160 --> 02:29:33,680
Speaker 1: We put this work and we just want to buy

2273
02:29:33,760 --> 02:29:36,879
Speaker 1: European you want to drink. That was your life goal

2274
02:29:37,520 --> 02:29:40,720
Speaker 1: was getting the key in the European caring a nice sheet.

2275
02:29:41,120 --> 02:29:44,120
Speaker 1: That was That was pretty much and good sneakers and

2276
02:29:44,200 --> 02:29:46,720
Speaker 1: gear and you made it for life. He was a kingpin.

2277
02:29:48,840 --> 02:29:55,720
Speaker 1: That's stupid ship. But now this famous skit you guys

2278
02:29:55,760 --> 02:30:03,440
Speaker 1: got on the album mm hmm with Prodigy talking about

2279
02:30:03,520 --> 02:30:07,600
Speaker 1: Keith Murray. You know what when obviously, when when he

2280
02:30:07,680 --> 02:30:10,040
Speaker 1: first did it, I didn't really know who the funk

2281
02:30:10,080 --> 02:30:12,279
Speaker 1: he was talking about really, to be honest with was clueless.

2282
02:30:12,560 --> 02:30:14,880
Speaker 1: But then when I heard him saying certain things, I

2283
02:30:15,040 --> 02:30:16,960
Speaker 1: was like, oh, ship, he is talking about them, but

2284
02:30:17,120 --> 02:30:24,080
Speaker 1: you know what I'm saying, like about or it's I

2285
02:30:24,200 --> 02:30:27,279
Speaker 1: love the way you just he was like that first

2286
02:30:28,000 --> 02:30:31,120
Speaker 1: I'm saying because you know Nika did this ship, I

2287
02:30:31,240 --> 02:30:35,000
Speaker 1: wasn't even in the studio. I just kind of separations

2288
02:30:35,400 --> 02:30:37,400
Speaker 1: like I wasn't in the studio when he did it,

2289
02:30:37,480 --> 02:30:40,080
Speaker 1: but I only heard it when we started sequencing the album.

2290
02:30:40,160 --> 02:30:43,760
Speaker 1: I said, what's this to the skit? It was that skid,

2291
02:30:44,400 --> 02:30:46,400
Speaker 1: So I was you know, I wasn't the type of

2292
02:30:46,480 --> 02:30:49,920
Speaker 1: person to be like, yo, pe take that ship off

2293
02:30:49,920 --> 02:30:52,800
Speaker 1: because Nick is gonna think about whatever he did. He

2294
02:30:53,080 --> 02:30:55,680
Speaker 1: was talking about them like he took that old purpose.

2295
02:30:55,800 --> 02:30:58,680
Speaker 1: Like I was like, damn, Like I want to come.

2296
02:31:01,720 --> 02:31:06,280
Speaker 1: I was like, you know I didn't. Hey man, I

2297
02:31:06,440 --> 02:31:08,440
Speaker 1: was there. I was there when they stepped on him. Dude,

2298
02:31:08,520 --> 02:31:14,400
Speaker 1: like bro no, but bro keep it up. Keep Mary

2299
02:31:14,520 --> 02:31:21,640
Speaker 1: is crazy crazy. But definitely you know me, you know,

2300
02:31:22,200 --> 02:31:24,000
Speaker 1: I don't type of negga like to stay new to you.

2301
02:31:24,160 --> 02:31:28,040
Speaker 1: But you know when he said that, I was on, like,

2302
02:31:28,200 --> 02:31:29,880
Speaker 1: you know what I'm saying that was on and you

2303
02:31:30,000 --> 02:31:32,200
Speaker 1: know that was just P for you man, he was

2304
02:31:32,240 --> 02:31:34,600
Speaker 1: one of the niggas like I don't he didn't do

2305
02:31:34,800 --> 02:31:37,800
Speaker 1: that for um for like just for play play or

2306
02:31:38,000 --> 02:31:39,840
Speaker 1: you know what I mean, to make for people to

2307
02:31:39,920 --> 02:31:42,040
Speaker 1: laugh at, nothing like that. He really felt like that

2308
02:31:42,320 --> 02:31:45,040
Speaker 1: because that was you know, he had this level of

2309
02:31:45,520 --> 02:31:47,280
Speaker 1: I don't give a funkness, like you know what I'm

2310
02:31:47,280 --> 02:31:49,160
Speaker 1: saying in his blood, you know what I'm saying. And

2311
02:31:49,360 --> 02:31:51,600
Speaker 1: P just was you know, he was one of those

2312
02:31:51,640 --> 02:31:53,600
Speaker 1: things like he didn't give a funk. I learned early

2313
02:31:54,400 --> 02:31:58,480
Speaker 1: not to try to modify his ship control, saying like

2314
02:31:58,640 --> 02:32:00,760
Speaker 1: you know, I used to be like, no, Pete, you know,

2315
02:32:00,920 --> 02:32:03,880
Speaker 1: just do sixteen balls. We gotta do a format. This

2316
02:32:04,000 --> 02:32:07,320
Speaker 1: nigg is doing ninety bars, you know what I'm And

2317
02:32:07,440 --> 02:32:10,320
Speaker 1: I drew format to beat to ninety bars. Now he

2318
02:32:10,480 --> 02:32:13,360
Speaker 1: just was rounding forever. He was one of them forever.

2319
02:32:13,879 --> 02:32:15,120
Speaker 1: You know what I'm saying, I'm like, come on, we

2320
02:32:15,200 --> 02:32:16,800
Speaker 1: gotta do it like this. And then I thought about it.

2321
02:32:16,920 --> 02:32:19,320
Speaker 1: You know everybody, I see everybody love it. I was like,

2322
02:32:19,400 --> 02:32:21,080
Speaker 1: shut the funk up. You know what I'm saying to myself,

2323
02:32:21,120 --> 02:32:23,200
Speaker 1: I'm just like, so you had a ninety bar part

2324
02:32:23,240 --> 02:32:25,600
Speaker 1: of the beat Illustrious. He was robing forever. You know

2325
02:32:25,640 --> 02:32:28,000
Speaker 1: what I'm saying, Like, you know, just one of those songs,

2326
02:32:28,080 --> 02:32:29,879
Speaker 1: and he he was one of them things that would

2327
02:32:29,920 --> 02:32:31,960
Speaker 1: do that, like he would go outside of the format.

2328
02:32:32,280 --> 02:32:34,560
Speaker 1: You understand what I'm saying. Like he wasn't the person

2329
02:32:34,680 --> 02:32:38,160
Speaker 1: to just didn't get a fun Yeah, yeah, he was

2330
02:32:38,240 --> 02:32:41,200
Speaker 1: Like you know what I'm saying, And you know, as

2331
02:32:41,280 --> 02:32:43,120
Speaker 1: P reminds me of that, Like you know what I'm saying,

2332
02:32:43,160 --> 02:32:45,800
Speaker 1: Like for like seven tell these niggas what the dude,

2333
02:32:45,800 --> 02:32:48,480
Speaker 1: They're gonna do what they want to do. You know

2334
02:32:48,480 --> 02:32:52,959
Speaker 1: what I'm saying, seven bars, I can see ninety seven bars.

2335
02:32:53,320 --> 02:32:57,680
Speaker 1: I mean you let him do it. He's gonna do it. Um,

2336
02:32:58,280 --> 02:32:59,960
Speaker 1: when you work with a great you want to show

2337
02:33:00,000 --> 02:33:02,840
Speaker 1: are you agreed and you want to do what you

2338
02:33:02,920 --> 02:33:04,520
Speaker 1: want to? You want to do what you want to do.

2339
02:33:04,640 --> 02:33:06,640
Speaker 1: But I think, um, you want some of this z

2340
02:33:06,760 --> 02:33:10,200
Speaker 1: expressive Champagne. I want Champagne today and I love jay

2341
02:33:10,320 --> 02:33:23,280
Speaker 1: Z because you had to have some trade going. I

2342
02:33:23,400 --> 02:33:27,080
Speaker 1: am very weird, weird. It's never wrong with me and

2343
02:33:27,480 --> 02:33:29,840
Speaker 1: old ware. Those of the world don't feel weird when

2344
02:33:29,920 --> 02:33:33,040
Speaker 1: people call you weird. It's just the weird line that

2345
02:33:33,200 --> 02:33:36,800
Speaker 1: you can't cross. It's like overwear. That's the thing with

2346
02:33:36,920 --> 02:33:39,960
Speaker 1: being weird. People think you except everything. I'm gonna tell you.

2347
02:33:40,040 --> 02:33:42,480
Speaker 1: When I knew that you was one of my closest friends,

2348
02:33:45,120 --> 02:33:49,320
Speaker 1: I got it something here and this is this gonna

2349
02:33:49,360 --> 02:33:53,920
Speaker 1: get a little serious. And I apologize, But Troy, I

2350
02:33:54,200 --> 02:33:57,600
Speaker 1: did something that pissed you off. And I called Troy,

2351
02:33:57,640 --> 02:34:00,360
Speaker 1: I have immediately and I had to at him know

2352
02:34:00,520 --> 02:34:07,080
Speaker 1: that or where my where my side stood. He was

2353
02:34:07,080 --> 02:34:09,440
Speaker 1: appreciating me at that time, and then I appreciated it

2354
02:34:09,560 --> 02:34:12,120
Speaker 1: and I love you for that, and I'm thankful and

2355
02:34:12,440 --> 02:34:15,800
Speaker 1: I give you your flowers for that because it was

2356
02:34:15,879 --> 02:34:17,640
Speaker 1: on my journey. I was like, hey, what are you doing.

2357
02:34:17,720 --> 02:34:19,160
Speaker 1: You can't be at the time if I was like, no,

2358
02:34:19,280 --> 02:34:20,840
Speaker 1: I'm not even on that time, I was loud to

2359
02:34:20,920 --> 02:34:23,280
Speaker 1: be like n but your mind state where you were,

2360
02:34:23,360 --> 02:34:26,080
Speaker 1: I mean, what you wanted, you want it, and that's it. Sometimes.

2361
02:34:26,280 --> 02:34:28,160
Speaker 1: But then you know, it's good to have people who

2362
02:34:28,200 --> 02:34:30,880
Speaker 1: could who could g G check you. That's why I

2363
02:34:30,959 --> 02:34:33,480
Speaker 1: love um. That's what it being in points of the

2364
02:34:33,680 --> 02:34:37,000
Speaker 1: points of having family and homeboys and friends is about.

2365
02:34:37,520 --> 02:34:43,240
Speaker 1: Somebody say um, being a dickhead. I'm being a dickhead. Yeah,

2366
02:34:43,879 --> 02:34:49,360
Speaker 1: like black cool cool, all right. No, I wasn't being

2367
02:34:49,440 --> 02:34:52,000
Speaker 1: I wasn't being a dick I wasn't being a dickhead.

2368
02:34:52,160 --> 02:34:55,360
Speaker 1: But it wasn't It wasn't a time to be that, Pete.

2369
02:34:55,800 --> 02:34:57,760
Speaker 1: And that was something that he reminded me of, like

2370
02:34:58,200 --> 02:34:59,800
Speaker 1: you're gonna even go to this way or you're gonna

2371
02:34:59,840 --> 02:35:01,000
Speaker 1: go to that way? Which one you want to go?

2372
02:35:01,160 --> 02:35:05,560
Speaker 1: And it was like, uh, do you listen to me?

2373
02:35:06,360 --> 02:35:12,039
Speaker 1: You listen to real advices, real advices. When you give

2374
02:35:12,160 --> 02:35:15,080
Speaker 1: somebody something, they gotta listen. If you don't listen, then

2375
02:35:15,080 --> 02:35:19,680
Speaker 1: the advice I give you it's worth nothing. So damn

2376
02:35:19,720 --> 02:35:23,080
Speaker 1: I ain't gonna lie. Oh I mean think we got

2377
02:35:23,120 --> 02:35:26,039
Speaker 1: anything else to talk about? Like, I just I wanna

2378
02:35:26,040 --> 02:35:28,760
Speaker 1: get on the plane. I want you to catch your flight,

2379
02:35:30,080 --> 02:35:31,800
Speaker 1: but I also want you to be a little drunk too.

2380
02:35:31,840 --> 02:35:34,560
Speaker 1: Can you give me take one more shot? Please? Let's

2381
02:35:34,560 --> 02:35:41,000
Speaker 1: take I'll take some BIGI Yo. It's crazy that habit

2382
02:35:41,240 --> 02:35:46,040
Speaker 1: likes Columbia and White. He's the st Yeah, the ladies Columbia.

2383
02:35:46,879 --> 02:35:49,200
Speaker 1: Oh no, no, no that's what you said. When did

2384
02:35:49,280 --> 02:35:58,760
Speaker 1: I say that? You? God? You said that it was

2385
02:35:58,800 --> 02:36:04,160
Speaker 1: a great I'm not don't no more shroms. Understand this

2386
02:36:04,320 --> 02:36:07,800
Speaker 1: ship is sucking me up from in here right now

2387
02:36:08,080 --> 02:36:11,880
Speaker 1: my head just smarter of my head. It's high like

2388
02:36:12,000 --> 02:36:24,400
Speaker 1: this like why here ship third ime, Chico, slow dope

2389
02:36:24,640 --> 02:36:27,760
Speaker 1: have it. I hope hopefully that you understood my speech

2390
02:36:28,200 --> 02:36:31,119
Speaker 1: that I said to you because on the rail Man

2391
02:36:31,760 --> 02:36:36,480
Speaker 1: we really old and love loving hip hop for the love. Yeah,

2392
02:36:36,520 --> 02:36:38,160
Speaker 1: I just saw no one family, love and hip hop

2393
02:36:39,320 --> 02:36:42,680
Speaker 1: and family. Are you about to be kitchen? Yes? I

2394
02:36:42,760 --> 02:36:47,000
Speaker 1: love it. You built for it. It's my second sea.

2395
02:36:47,240 --> 02:36:49,480
Speaker 1: Come on, you gotta take it. What I won't have

2396
02:36:49,600 --> 02:36:57,960
Speaker 1: to do drinking? You gotta drink his phone old school

2397
02:36:58,000 --> 02:37:05,120
Speaker 1: style takes some time, y'all. Once again styles have it.

2398
02:37:06,480 --> 02:37:08,680
Speaker 1: Thank you all so much, man, Thank you for coming in.

2399
02:37:09,760 --> 02:37:13,400
Speaker 1: By the way, album is crazy, bro, Thank you man.

2400
02:37:13,560 --> 02:37:26,280
Speaker 1: Thank you. Spread the word relaxed stuff. Yeah, see play

2401
02:37:26,720 --> 02:37:46,560
Speaker 1: fire this man taking up take a picture, Holy ship.

2402
02:37:48,520 --> 02:37:50,920
Speaker 1: Thanks for joining us for another episode of Drink Champs,

2403
02:37:51,000 --> 02:37:53,560
Speaker 1: hosted by Yours truly d J E F and n

2404
02:37:53,840 --> 02:37:55,880
Speaker 1: R E. Please make sure to follow us on all

2405
02:37:55,920 --> 02:37:59,600
Speaker 1: our socials. Let's add Drink Champs across all platforms at

2406
02:37:59,640 --> 02:38:03,560
Speaker 1: the Real Noriegon I g at Noriega on Twitter, Mine

2407
02:38:03,640 --> 02:38:06,480
Speaker 1: is at Who's Crazy on I g at d j

2408
02:38:06,680 --> 02:38:09,160
Speaker 1: e f N on Twitter, and most importantly, stay up

2409
02:38:09,200 --> 02:38:12,360
Speaker 1: to date with the latest releases, news and merch by

2410
02:38:12,440 --> 02:38:22,080
Speaker 1: going to drink Champs dot com. For more podcasts from

2411
02:38:22,120 --> 02:38:26,200
Speaker 1: my heart Radio, visit the iHeart Radio app, Apple Podcast,

2412
02:38:26,400 --> 02:38:28,320
Speaker 1: or wherever you listen to your favorite shows.