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Speaker 1: All right, We're good.

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Speaker 2: You like go.

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Speaker 3: Busting with the boys, hanging with the best betting on

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Speaker 3: the game.

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Speaker 2: No woman's gonna tell us what you do. Not be

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Speaker 2: over here.

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Speaker 1: Just drinking beer and making nado Baby, I'm hanging.

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Speaker 4: With the Fellers.

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Speaker 3: He's busting with the boys. Bro.

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Speaker 2: Welcome to another another episode of Busting with the boys.

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Speaker 2: This is episode three forty eight. Spootober is closer Spotober Eve,

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Speaker 2: Spootober Eve. Right now you're listening to this. We are

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Speaker 2: our live streams every Thursday and watch along with the boys.

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Speaker 2: Just at fandel dot com slash busting for more info. Gentlemen,

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Speaker 2: we are here a huge episode, huge interview with Zach

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Speaker 2: Brown Band coming up. Spootober is upon us. If you're

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Speaker 2: tuned in watching us right now, listening to us, make

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Speaker 2: sure you are following us on subscribe, play on all

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Speaker 2: channels at bustin WTB on all social platforms. How are

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Speaker 2: you doing, brother? Hey, come on now, it's time.

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Speaker 3: It's ready, It's here, It's it is here, and I'm

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Speaker 3: wearing the merch to show it off right now. Wednesday,

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Speaker 3: ten am. This merch drops right here. Got a hat,

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Speaker 3: got this fun shirt? Buddy? Something about getting all your

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Speaker 3: decorations ready by middle of September, Yeah, and looking at

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Speaker 3: it and being like, I don't really want to look

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Speaker 3: just yet because it's not time, but I'm happy it's done.

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Speaker 2: Yeah.

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Speaker 3: Because there's so much that goes on in the lull

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Speaker 3: Wan household about getting ready for the holiday season.

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Speaker 2: It's a marathon that spring.

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Speaker 3: This is the Olympics. This is the torch being taken

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Speaker 3: from one part of a country to another part of

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Speaker 3: the country, and the torch is being passed and past.

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Speaker 3: This is the opening ceremony of the holiday season. Because

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Speaker 3: if you look even if the way, even if you

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Speaker 3: look at the weather in Nashville eighty eighty two, eighty three,

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Speaker 3: Spootober and now of a sudden seventies, a couple of

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Speaker 3: days where the lowser in the fifties. I heard there's

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Speaker 3: a talk about some fog hitting up a little bit.

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Speaker 2: The pumpkin themeds and drinks coming up. Don't have to

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Speaker 2: love them, don't have to love.

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Speaker 3: Them, get one because it's festive, and that's what you

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Speaker 3: want to do. So for me, if I'm walking around

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Speaker 3: and I'm feeling myself a little bit, and i see

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Speaker 3: the leaves are starting to drop, and it's gonna be

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Speaker 3: a headache for the guys to have to rake those

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Speaker 3: up in my yard. Like buddy, we're here at from

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Speaker 3: from this point, twenty four hours from now. If it's

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Speaker 3: Tuesday and you're sitting there being I'm so fucking fired

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Speaker 3: up with sprew Tiper. We are too. Wednesday. From Wednesday

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Speaker 3: to January first, nothing but excitement, nothing but hope and opportunity.

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Speaker 3: Your team loses. Guess what, pumpkin spice lote, your team wins.

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Speaker 3: Guess what pumpkin spice Lotte. Get two of them and

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Speaker 3: then listen the thirty first hits, goules, goblets and specters.

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Speaker 2: They go down.

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Speaker 3: They're now under six feet below. We'll see you next

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Speaker 3: to your type situation gobble gob of motherfucker got some

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Speaker 3: turkeys helming up all right, So from November one to

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Speaker 3: their third weekend in November, third Thursday, November, what are

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Speaker 3: you doing getting some lights up? Trying to be a

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Speaker 3: little bit more respectful to Thanksgiving? Knowing it's there, But

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Speaker 3: you're putting some lights up. You're and excited and you

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Speaker 3: have friends, families, loved ones, acquaintances coming over to your

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Speaker 3: house for what football and gaining weight. After that, you

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Speaker 3: spend the whole weekend doing what it leftovers? Guys, guess

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Speaker 3: what diet doesn't count on holidays? That's amazing. You hit

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Speaker 3: that Monday running. Guess who's holly and jolly? Everybody around?

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Speaker 3: Doesn't matter what religion you are, because you got a

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Speaker 3: guy in the North Pole working his ass off, about

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Speaker 3: a billion elves up there and eight reindeers get ready

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Speaker 3: to get the fucking after it. On December twenty fourth. So, boys,

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Speaker 3: there's so much excitement and it starts on Wednesday. It

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Speaker 3: gets you going on Wednesday, and that's what's exciting. And

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Speaker 3: if you want more exciting news, we got a watch

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Speaker 3: party to watch the O and four Titans take on

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Speaker 3: the two and two Cardinals this weekend bowl, Brooklyn Bowl,

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Speaker 3: and we're just getting more excited.

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Speaker 1: Yeah.

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Speaker 3: Guess what they suck. We're not good. We're not good. Okay,

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Speaker 3: got that out of the way. Let's rip the band

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Speaker 3: aid off. Titans are bad. Cardinals playing a whole lot better.

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Speaker 3: They got a lot of injuries going on as well.

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Speaker 3: They just lost theirs in football for the Seahawks. But

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Speaker 3: we get to get together. Bring a pumpkin, spic slot.

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Speaker 2: What do you lean on when they dress up? Why not? Yeah?

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Speaker 3: Why not?

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Speaker 2: What do you lean on when the times are bad?

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Speaker 2: Tell me vibes?

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Speaker 3: What can you do?

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Speaker 2: You can come to the Brooklyn Bowl and bring some vibes, right,

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Speaker 2: Bring some of that piss and vinegar that you're feeling.

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Speaker 2: It's get it out at the Brooklyn Bowl this Sunday

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Speaker 2: with the boys.

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Speaker 3: Oh, you live in you live in Nashville and you're

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Speaker 3: pissed off. There's traffic on Saturdays because Vanderbilt's getting out.

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Speaker 3: But on Sunday there's no traffic behind because you're Titans. Suck.

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Speaker 3: Come get vibes, Come get some vibes, Brook and Bowl.

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Speaker 2: Yeah, be in it.

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Speaker 3: And guess what, bring me a pumpkin spy slote because

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Speaker 3: I'll be exhausted because Friday morning, after a Thursday night

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Speaker 3: stream in ESPN, I'll be flying back from Vegas Friday morning,

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Speaker 3: seven thirty am flight. We're out of there to the West.

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Speaker 3: Why because Daddy can't help it.

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Speaker 1: I got it.

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Speaker 3: It's been two months. I gotta get the cards a

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Speaker 3: little bit, got little got a little power slap going

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Speaker 3: Lord uf seen five am flight Sunday morning. For what

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Speaker 3: to get.

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Speaker 1: Back to the Brook, get back to the vibes.

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Speaker 3: The watch party. And I know last time I went

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Speaker 3: with Jared and everyone's like, is this no Jared's job

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Speaker 3: or not Jackson, I'm taking them both. I'm taking them both.

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Speaker 2: Vibes will be high.

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Speaker 3: It doesn't make sense, No, it doesn't, but I'm taking

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Speaker 3: them both. We're gonna have a great time, great time.

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Speaker 3: And it all starts because of Spooptober.

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Speaker 2: Yeah, yeah, did know. I'm excited for the weekend. Finally

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Speaker 2: having like a little moment to breathe a little bit.

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Speaker 2: Wife and I were going to hitting a little staycation,

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Speaker 2: gonna be getting nap in, gonna be getting some mountain

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Speaker 2: sessions in. Oh yeah, got somebody watching the kidd Oh

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Speaker 2: so she's gonna be me and.

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Speaker 4: The wife mountain or mountain.

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Speaker 3: Mountain be doing something maybe both mountain. Get the saddle out, honey,

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Speaker 3: get the saddle on the bridle out because it's going down.

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Speaker 2: Yeah, mountains, it's gonna be. I got a little spat

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Speaker 2: day mind up, needed God need it.

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Speaker 3: With the back the way it's out right now?

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Speaker 2: Yeah, yeah, what's.

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Speaker 5: The game plan with the back? I am worried legitimately

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Speaker 5: about the back.

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Speaker 3: I don't know, man, pray when you have nothing, what

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Speaker 3: do you have?

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Speaker 1: Prayer?

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Speaker 3: Yeah, vibes in prayer.

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Speaker 2: It's just moments. It just I don't know. I don't know,

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Speaker 2: I truly don't.

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Speaker 3: I just had a flashback to him screaming before the

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Speaker 3: dan landing ah, and I'm like, oh, he's about to

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Speaker 3: drop a hammer on some One's about to happen. It

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Speaker 3: just Bauzes says, sorry, my back, It's okay, man, you

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Speaker 3: got a bad.

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Speaker 2: Back fight there's some spasms this week. I hope it.

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Speaker 2: He's gotta hope they could calm down.

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Speaker 3: You know why Will's got a bad back because he's

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Speaker 3: got the whole state of Missouri on his back, and

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Speaker 3: he's got all in the brass of corner scirs fan

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Speaker 3: based on his back, and he carries that torch weekeet

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Speaker 3: a week out, month and a month out year and

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Speaker 3: year out. Eventually your beck's gonna give out a little.

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Speaker 2: Bit, you say, I as you're as we're saying that

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Speaker 2: shirm's typing up. Get a ma sus in the office.

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Speaker 2: I do have somebody coming through this week. She just

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Speaker 2: gotta find the pocket of time that it's gonna happen

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Speaker 2: for some stretching and some some work for you or

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Speaker 2: for the boys, for myself.

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Speaker 6: What about a masseuse or a chiropractor during the filming

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Speaker 6: of the Locker Room.

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Speaker 2: I could I could hit up doctor Foot see if

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Speaker 2: he wants to come through. I guess adjust the boys.

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Speaker 3: Yeah, that'd be nice. I could always use a little adjustment.

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Speaker 2: Yeah, everybody can use some adjusting in their life. Man.

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Speaker 2: Everybody needs some deep tish, some deep tish going on,

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Speaker 2: just like Lamar Jackson need some deep tish on that hamstring, yeah.

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Speaker 3: Because he's got some soft tish right now.

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Speaker 2: There could be a lot of new viewers tuned in

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Speaker 2: right now, wondering what are the rules of Spootober. Yeah,

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Speaker 2: I know we will be leaning heavy into Spooptober. This

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Speaker 2: bus will be decked out with the theme. We're not

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Speaker 2: quite there yet.

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Speaker 3: Chomping at the bit. There's hundreds of supplies outside of

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Speaker 3: this bus right now waiting to flood in, but we

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Speaker 3: gotta give September it's due. Knowing that, we don't want

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Speaker 3: to jump the gun a little bit. But if you

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Speaker 3: want to dive into Spootober, if you love spoot you

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Speaker 3: love the idea of the holiday season and everything we

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Speaker 3: just painted for you, here's a good way to start

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Speaker 3: your thirty one days, a fright right October thing of

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Speaker 3: the past. It's now referred to as Spooktober. Yes, that's

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Speaker 3: number one. Now, this next one is gonna be a

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Speaker 3: bit of a deal. But if you time it out correctly,

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Speaker 3: you have a good routine, you're gonna be able to

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Speaker 3: figure it out every day. Just put something on a

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Speaker 3: little spooky, okay, and it doesn't have to be a

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Speaker 3: lot you can go on YouTube and you can find

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Speaker 3: yourself some fall night sounds as you go to sleep

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Speaker 3: and there's literally crackling a fire, couple of coyotes or

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Speaker 3: wolves in the background who do something like that. If

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Speaker 3: you want to go full into it, Conjures got a

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Speaker 3: new movie out Weapons that's a nice one. You can

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Speaker 3: watch any type of spook you want, whether it's you know,

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Speaker 3: the B rated movies that Delandy Walker likes, if it's

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Speaker 3: RADARPG thirteen like The Ring, or go ahead, this's like

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Speaker 3: Nickelodeon's some Disney Channel original movie hocus Pocus is type

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Speaker 3: of thing. As long as you are embracing thirty one

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Speaker 3: days of fright and spooktober every single day, then you're

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Speaker 3: gonna get everything you need out of it. Third, and

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Speaker 3: this is for you. It's not for me. This is

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Speaker 3: for you. Make sure you take a little time each

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Speaker 3: week to do something festive because it's gonna fly by.

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Speaker 3: We're gonna get to January, February, March, where it's like

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Speaker 3: depression season. Everyone's a little sad the weather, but there's

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Speaker 3: not a whole lot to look forward to. So make

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Speaker 3: go go to a pumpkin patch, give yourself that pumpkin

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Speaker 3: spice slate hit a haunted house on Friday. My wife

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Speaker 3: and I every Friday in the fall. When the opportunity

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Speaker 3: presents itself, she might be coming to Vegas with me

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Speaker 3: as well. We might hit ourselves in a less little

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Speaker 3: haunted house in Vegas.

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Speaker 2: Who knows Halloween activity?

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Speaker 3: Halloween activity and what's the last one?

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Speaker 2: Will buy this Speoctober merch at BWTV dot com.

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Speaker 6: That's right, that's per chat GPT.

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Speaker 2: Yeah I asked it.

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Speaker 6: Hey, what are the rules of Spooktober?

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Speaker 3: I love that chat GBT man.

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Speaker 2: It's a new age that is official. That's legit.

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Speaker 3: Yeah, I didn't even know they did that, but BWTV

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Speaker 3: dot com. I'm wearing a hat right now, Spootober. I'm

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Speaker 3: wearing a shirt right now. It's Spootober. We got a

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Speaker 3: bunch of shirts over there that I did on the

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Speaker 3: on the football recap for Monday and picked up. I'm

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Speaker 3: not gonna pick it up this time because it's a

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Speaker 3: little far. It's a little far from me right now.

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Speaker 2: We got some fun march.

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Speaker 3: If you're for the Dad's Guy, if you're a pet

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Speaker 3: six individual, we got some cute, some cute Spootoba stuff,

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Speaker 3: big pup, little pup.

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Speaker 2: We embraced it. We embrace it. On our episode coming Out.

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Speaker 2: As you're listening to this tomorrow morning, we embrace it

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Speaker 2: a little bit. We talked about the rules. I popped

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Speaker 2: on the old Bain mask. Yeah. Ready, final couple couple

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Speaker 2: couple of Bane lines in there.

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Speaker 3: While we're here, Let's check in on will comference hairline.

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Speaker 3: It's growing back fast, a lot faster than I was hoping.

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Speaker 2: It's like a yard in the summer. Boys.

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Speaker 3: Yeah, some patches of brown. Other than that, yeah, pretty

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Speaker 3: green on the edges.

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Speaker 2: Yeah, it's not bad, coming back strong.

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Speaker 3: The beard's coming back. Yeah, you're starting to look normal again.

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Speaker 2: Yeah, might have to chop it back down. What's that

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Speaker 2: could be the new normal? Let's see the Nebraska.

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Speaker 3: Yeah, Nebraska bes Michigan state. Is it at the Michigan State?

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Speaker 2: No, it's at Nebraska.

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Speaker 3: Oh you get that dub. You might have to bick

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Speaker 3: it again.

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Speaker 2: Yeah, everything's on the table.

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Speaker 3: Everything's on the table. Let's get into some tear talk.

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Speaker 3: You guys have questions, comments, concerns. Use hashtag tear talk.

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Speaker 3: We put it out every single week. Let's take a

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Speaker 3: look at Shelby Rice at Shelby s Rice. If you

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Speaker 3: could live in any TV or movie environment permanently, what

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Speaker 3: would you choose? That's a fantastic question. I wish I

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Speaker 3: knew that question before we started the show, because.

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Speaker 2: I'm right you can think about it.

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Speaker 3: Live in any TV or movie environment permanently, what would

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Speaker 3: you choose?

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Speaker 2: Permanently?

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Speaker 6: Permanently You're you're stuck there, Harry Potter jumps out at me.

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Speaker 3: For Taylor, it's a great one. My kids are so

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Speaker 3: about Harry Potter right now. We are being Harry Potter

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Speaker 3: for Halloween this year.

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Speaker 4: For whatever reason, and I don't know why this popped

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Speaker 4: in my head, I feel like being in sky High

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Speaker 4: would be kind of sick.

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Speaker 3: Sky High? What is sky High?

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Speaker 6: Disney Chant original movie sky High?

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Speaker 4: Just a high schooler like it's like a superhero all

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Speaker 4: the high schoolers like.

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Speaker 1: Okay, all right.

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Speaker 2: It's a fun question.

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Speaker 3: That's a fun question.

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Speaker 2: Jurassic Park comes to mind.

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Speaker 3: Yeah, nothing like running from prehistoric animals.

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Speaker 2: But permanently we're doing that.

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Speaker 3: Not dying twenty eight days later sounds pretty good to

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Speaker 3: me too, you know, constantly fearing for your life.

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Speaker 2: How about the bad guy? Yeah, free Willie Lion King.

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Speaker 2: Do I get to be a lion?

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Speaker 3: Yeah, that's a problem.

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Speaker 4: I mean you're just saying these these movies and like

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Speaker 4: they're real animals, Like you do live in that world.

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Speaker 3: Right, you live in the world. So if we're doing

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Speaker 3: willis thing, give me the quiet place, let me go

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Speaker 3: sit there in silences of my life'll learn sign language

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Speaker 3: my kids see. Quiet place doesn't sound fun to me,

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Speaker 3: but Jurassic Park. Jurassic Park sounds fund on an island.

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Speaker 3: And you're sitting there and you like you're in the environment.

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Speaker 3: You're in the movie now, and you just know everyone's like, look,

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Speaker 3: how amazing this is all pretty store all they're all gone,

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Speaker 3: but now we have them back and your thing, yourself,

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Speaker 3: there's gonna be a problem. And I was like, oh, Will,

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Speaker 3: you're an AIoT, there's no white you're gonna be able

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Speaker 3: to do this. And then all of a sudden, a

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Speaker 3: t rex kills your best friend. Me go, I'm there

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Speaker 3: with you.

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Speaker 2: We're in there permanently, meaning we're not gonna die.

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Speaker 1: I don't think it works like that.

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Speaker 2: You said permanently, you're living in this world forever. That

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Speaker 2: is your new world, your new world.

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Speaker 3: It's your new world.

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Speaker 4: You can die at any moment, like in this world

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Speaker 4: strong But I mean, like.

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Speaker 3: Me, it's a good vibe to live in, a good vibel. Yeah.

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Speaker 3: I was actually just thinking about Hube Halloween. Yeah, Hub

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Speaker 3: Halloween be a great ONEI TV show.

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Speaker 1: What about Stranger thinks would be great.

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Speaker 2: Stranger Things would be a vibe. Yeah.

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Speaker 3: I love how we're keeping it spooky in this situation too.

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Speaker 3: Let me do uh.

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Speaker 6: Wednesday show Tim Britton's Wednesday Shows.

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Speaker 3: Good Well Wednesday from Adam's Family. Have you all been

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Speaker 3: watching that No Love? That really about Will Always Yeah,

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Speaker 3: Wills Always On, Haunting and Hill House, those types of shows.

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Speaker 2: No, I wouldn't live in that one permanently live in

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Speaker 2: that one.

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Speaker 1: Great show, great show, scary.

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Speaker 3: You know what, I've always kind of wanted to live

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Speaker 3: through a zombie apocalypse, kind of wanted like I've always

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Speaker 3: wanted to know how would I fare? And hopefully they're

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Speaker 3: like the walking not like the running kind.

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Speaker 2: Of zombies, not the I Am Legend zombie.

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Speaker 3: Yeah, them boys are way too intense for me, but

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Speaker 3: kind of going through the process of like walking dead.

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Speaker 2: Yeah, living in that world.

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Speaker 1: About like the zombies from Last of Us.

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Speaker 2: Those are Scars.

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Speaker 3: How about Zombie Land. Got that cast of characters. Let

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Speaker 3: me get Woody Harrelson, live at the White House for

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Speaker 3: a little bit, hang out, smoke some cheeks.

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Speaker 2: With him, live in the Anchorman world forever. That'd be fun,

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Speaker 2: be fun, be a fun movie to live in permanently.

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Speaker 4: Tay, I feel like it's kind of surprising you haven't said,

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Speaker 4: like Wedding Crashers.

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Speaker 3: Or I see I love that movie in twenty five

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Speaker 3: year old tailor loves it. But like I'm also living whatever,

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Speaker 3: whatever movie or TV show I'm going on, bringing my

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Speaker 3: wife and kids.

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Speaker 1: Yeah, but like you're best friends.

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Speaker 3: With I'm with you. Internship internship. Internship would be fun

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Speaker 3: working at Google and working at Google for a little bit. Literally,

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Speaker 3: if you want to know Will and I's life in

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Speaker 3: an alternate universe, it would probably be the internship. And

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Speaker 3: it'd be me as Vince Fawn and Willis Owen Wilson,

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Speaker 3: who Will kind of like figures it out faster than me,

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Speaker 3: and I kind of let the team down a little

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Speaker 3: bit and I got to study overnight to get it done.

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Speaker 3: But I don't click the button. But then eventually, hey,

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Speaker 3: we need Taylor for sales, and I handle business.

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Speaker 5: And you you have a nice little Harry Potter reference

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Speaker 5: with the quidditch match.

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Speaker 3: Yeah. I think at the end of the day we could.

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Speaker 3: If I could be a wizard, my kids would have

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Speaker 3: so much more respect for me.

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Speaker 4: I feel like that's the only answers that.

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Speaker 3: Might be the only answer.

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Speaker 2: Living in a world forever? Maybe how to train your dragon?

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Speaker 6: Can die?

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Speaker 2: And got a dragon you're riding on?

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Speaker 3: Well, have you seen all the movies?

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Speaker 2: Uh?

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Speaker 3: Yeah, so you don't have a dragon forever? Well not forever,

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Speaker 3: but eventually you're just a Viking.

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Speaker 2: You're still in the world.

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Speaker 1: True, that possibility is a thing.

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Speaker 2: Game of Thrones, maybe trying to take over the Seven Kingdoms?

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Speaker 4: Yeah, but you got the White Walkers.

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Speaker 2: Yeah, but maybe I'm a White Walker.

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Speaker 1: That doesn't sound fun.

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Speaker 6: Have you started Game of Thrones yet?

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Speaker 3: I've seen two episodes. There's too many storylines. My brain

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Speaker 3: couldn't handle it couldn't handle it. Let's go to mister

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Speaker 3: James at the Mister James eight Friday Night Lights. Not

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Speaker 3: a football take, but what is better Southern hospitality or

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Speaker 3: Midwest politeness. It's a great question. That is a question,

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Speaker 3: A great question. I thought to my wife about this

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Speaker 3: the other day, and I told her straight up, I

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Speaker 3: was like, the older I get, I think, the more

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Speaker 3: I realized the greatest place to raise a family might

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Speaker 3: be the Midwest. It might be the Midwest. Something about

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Speaker 3: just you know, construction and winter are your seasons? Keeping

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Speaker 3: it simple, kiss method, always homegrown, blue collar. Something beautiful

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Speaker 3: about that.

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Speaker 2: Yeah, something I grew up in Midwest boy.

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Speaker 3: Midwest boy. Yeah, I grew up out west.

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Speaker 2: Didn't know the good people in the Midwest, good people

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Speaker 2: out there.

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Speaker 4: Where's the last place you would want to raise your family?

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Speaker 3: Last place I want to raise my family? La. Yeah,

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Speaker 3: I was born in Sacramento.

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Speaker 6: Sacramento is a great spot.

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Speaker 2: New Mexico, New Mexico.

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Speaker 3: Yeah, New Mexico wouldn't be cool if you're geting me

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Speaker 3: in New Mexican. Miles a good Arizona so much better.

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Speaker 4: I meant more so, like regionally to raise my kids,

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Speaker 4: I would venture to say the Northeast.

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Speaker 3: I'd adventure to say the Northwest. You know what I'm saying.

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Speaker 2: I don't know.

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Speaker 1: You know what I'm saying. Northeast. I feel like you're

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Speaker 1: especially in Jersey.

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Speaker 3: Yeah yeah, yeah, But I also think, like think about

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Speaker 3: Rhode Island. Think about Vermont, think about Delaware, like those

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Speaker 3: little kind of like small town kind of fun, little

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Speaker 3: like beach towns you have. You have harsh winners, but

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Speaker 3: like your summers are beautiful, Nantucket kind of area. It's like, yeah,

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Speaker 3: a lot of money here, but it's really cool, have

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Speaker 3: a good time.

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Speaker 4: I'm saying, like you think Jersey New York, and like

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Speaker 4: I have a bunch of friends from Jersey New York.

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Speaker 4: So I'm not talking about these guys, but like majority

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Speaker 4: kind of dickheads.

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Speaker 2: And I'd rather be Northwest and northeast.

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Speaker 3: I also think there's a piece of me that's extremely

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Speaker 3: curious about living in a major city like New York.

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Speaker 3: I obviously I'm at the point where I never will,

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Speaker 3: but every time we fly to New York, I always

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Speaker 3: walk around like, man, how do they do it? Like

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Speaker 3: this is so everyone's on top of each other. I'm

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Speaker 3: sure you get into a little routine, but I'm sure

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Speaker 3: it could be fun too, you know, ripping around kind

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Speaker 3: of staying in your little pocket the whole time, venturing

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Speaker 3: out every once in a while. So something like, oh,

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Speaker 3: that's really cool. Down your pocket just got a little bit.

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Speaker 3: Everyone lives like yeah, but all those people man, I'm

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Speaker 3: with you.

439
00:20:04,520 --> 00:20:07,240
Speaker 5: Talk with the Jared Demon when y'all go to Vegas

440
00:20:07,560 --> 00:20:10,479
Speaker 5: about He has a really good take, interesting take on

441
00:20:10,600 --> 00:20:11,359
Speaker 5: New York City.

442
00:20:11,760 --> 00:20:13,600
Speaker 6: He lived and worked there.

443
00:20:13,720 --> 00:20:15,000
Speaker 3: Jack lived in New York as well.

444
00:20:15,720 --> 00:20:16,360
Speaker 6: Mick Pherson.

445
00:20:16,440 --> 00:20:19,160
Speaker 3: Yeah, two different people, two different people.

446
00:20:19,359 --> 00:20:20,120
Speaker 1: Jared hates it.

447
00:20:21,040 --> 00:20:23,040
Speaker 2: Yeah, did he takes me somebody who'd hate it? I

448
00:20:23,040 --> 00:20:24,920
Speaker 2: think outline more with Jared too. Yeah.

449
00:20:24,960 --> 00:20:26,800
Speaker 3: I think I think it would be really fun for

450
00:20:26,880 --> 00:20:30,040
Speaker 3: like a quarter of the year, like go three months, Like, hey,

451
00:20:30,080 --> 00:20:32,520
Speaker 3: you're gonna be here for three months. I think that's

452
00:20:32,680 --> 00:20:34,520
Speaker 3: enough of a sample size to have fun and realize

453
00:20:34,560 --> 00:20:36,359
Speaker 3: there's something at the end, because I know I know

454
00:20:36,359 --> 00:20:37,919
Speaker 3: a few people that live in New York that swear

455
00:20:37,960 --> 00:20:39,800
Speaker 3: by it, like this is the best. I love it.

456
00:20:39,800 --> 00:20:42,159
Speaker 3: I wouldn't. I'll never leave. It's like, good on you,

457
00:20:43,000 --> 00:20:43,480
Speaker 3: good on you.

458
00:20:43,560 --> 00:20:43,760
Speaker 1: Man.

459
00:20:43,840 --> 00:20:47,480
Speaker 5: I was there for three weeks working on a movie set,

460
00:20:47,760 --> 00:20:52,639
Speaker 5: and the just the laundry situation was enough that I

461
00:20:52,760 --> 00:20:55,040
Speaker 5: was like, I would never live here. I'd have to

462
00:20:55,040 --> 00:20:58,280
Speaker 5: carry a Duffel bag almost two blocks just to do

463
00:20:58,320 --> 00:20:59,440
Speaker 5: my laundry.

464
00:20:59,400 --> 00:21:01,480
Speaker 2: And people are like carrying their grocer's home and ship.

465
00:21:01,600 --> 00:21:05,760
Speaker 3: Oh yeah, it was rough carrying your grocer's home.

466
00:21:07,400 --> 00:21:08,800
Speaker 2: Give me a yard, some space.

467
00:21:09,280 --> 00:21:10,840
Speaker 3: Yeah, but number one spot. I wouldn't want to raise

468
00:21:10,880 --> 00:21:14,880
Speaker 3: my kiss by in La, would not would not out

469
00:21:14,880 --> 00:21:19,160
Speaker 3: on La. Sitting out for San Diego. You can sell

470
00:21:19,200 --> 00:21:19,959
Speaker 3: me on San Diego?

471
00:21:20,440 --> 00:21:21,560
Speaker 1: Do you even need selling?

472
00:21:22,440 --> 00:21:25,040
Speaker 3: Taxes? Taxes and tossed the living. That's the only thing

473
00:21:25,119 --> 00:21:30,960
Speaker 3: really holding me back. Body can't beat it. Incannita's Locadia

474
00:21:32,400 --> 00:21:35,280
Speaker 3: so nice. Oh not my real name? Here to see

475
00:21:35,280 --> 00:21:35,720
Speaker 3: you will again?

476
00:21:36,080 --> 00:21:38,919
Speaker 2: Uh not my real name? Hashtag tear talk, Will Compton

477
00:21:39,040 --> 00:21:42,320
Speaker 2: calling you a fucking loser on a livestream. Good your

478
00:21:42,359 --> 00:21:46,160
Speaker 2: idols becoming rivals. Good, still buying merchandise to show them

479
00:21:46,160 --> 00:21:49,160
Speaker 2: you can't be phased. Good? Love the show guys. How

480
00:21:49,200 --> 00:21:52,040
Speaker 2: demoralizing was the news to Nebraska fans that Blake Korm

481
00:21:52,080 --> 00:21:58,679
Speaker 2: is expecting a child. Congratulates the Blake Worm joining Papa

482
00:21:58,680 --> 00:22:02,520
Speaker 2: Team six under the show. Just accomplish buds training.

483
00:22:03,240 --> 00:22:06,160
Speaker 3: Yeah, dude, shut up, Blake Man, good kid, good guy.

484
00:22:06,400 --> 00:22:08,200
Speaker 3: Seems like he's having himself a nice little he'starting to

485
00:22:08,200 --> 00:22:10,560
Speaker 3: figure himself out the rams a little bit, have a

486
00:22:10,600 --> 00:22:14,399
Speaker 3: good time splitting carries, but still having success. Love to

487
00:22:14,440 --> 00:22:19,359
Speaker 3: see it, Yeah, love to see it Josh Dorsey at

488
00:22:19,640 --> 00:22:22,600
Speaker 3: j Underscore Dorsey three. Have you guys thought about taking

489
00:22:22,640 --> 00:22:25,359
Speaker 3: your show on the road and doing a live show

490
00:22:25,440 --> 00:22:26,400
Speaker 3: with live audience?

491
00:22:26,720 --> 00:22:26,960
Speaker 2: Man?

492
00:22:27,280 --> 00:22:30,719
Speaker 3: What a thought? Josh, Hey will for the bust and ball?

493
00:22:30,760 --> 00:22:33,360
Speaker 3: Where were we?

494
00:22:33,359 --> 00:22:34,760
Speaker 2: We don't got to pat him on the head.

495
00:22:35,640 --> 00:22:36,199
Speaker 1: Where were we?

496
00:22:36,240 --> 00:22:36,480
Speaker 3: Will?

497
00:22:36,720 --> 00:22:38,520
Speaker 2: We were in Linking, Nebraska doing a live.

498
00:22:38,359 --> 00:22:43,040
Speaker 3: Show at what what? How many people were there? Hundred

499
00:22:43,720 --> 00:22:48,440
Speaker 3: seven one hundred people? So yeah, we found about it, Josh.

500
00:22:48,560 --> 00:22:50,919
Speaker 1: Yeah, spring tour two years ago. That's what we did

501
00:22:50,960 --> 00:22:51,520
Speaker 1: at every stop?

502
00:22:51,680 --> 00:22:54,879
Speaker 3: Yeah, every stop A lot of life. Thank you for

503
00:22:54,920 --> 00:22:59,160
Speaker 3: dropping a hashtag to your talk josh U kat at

504
00:22:59,320 --> 00:23:05,000
Speaker 3: K Kyle tay Alor says what happens or is talked

505
00:23:05,040 --> 00:23:07,920
Speaker 3: about in a player's only meeting hashtag tear talk. I'm

506
00:23:07,920 --> 00:23:09,560
Speaker 3: gonna break this down for your real quick budd unless

507
00:23:09,560 --> 00:23:10,280
Speaker 3: will you got anything?

508
00:23:10,920 --> 00:23:15,680
Speaker 2: Ah, stinky kind they're kind of weird. Yeah, players only

509
00:23:15,680 --> 00:23:17,199
Speaker 2: meetings are kind of weird. I kind of. It kind

510
00:23:17,240 --> 00:23:18,360
Speaker 2: of depends on the situation.

511
00:23:19,280 --> 00:23:23,280
Speaker 3: Honestly, to me, it's one guy gets up and talks,

512
00:23:23,520 --> 00:23:26,959
Speaker 3: and he's a captain, and then there's five other captains

513
00:23:27,000 --> 00:23:28,520
Speaker 3: who come up and say the same thing. The first

514
00:23:28,560 --> 00:23:33,400
Speaker 3: captain said in their own words, not a whole lot

515
00:23:33,520 --> 00:23:36,119
Speaker 3: is thought out other than we got to get our

516
00:23:36,160 --> 00:23:38,000
Speaker 3: shit right. And there's never a player's only meeting when

517
00:23:38,000 --> 00:23:42,640
Speaker 3: you're undefeated or doing well, and it's like if you're

518
00:23:42,680 --> 00:23:45,479
Speaker 3: gonna have those looking back on, it's like, guys, let's

519
00:23:46,800 --> 00:23:48,520
Speaker 3: kind of think about what we're gonna say before we

520
00:23:48,560 --> 00:23:50,439
Speaker 3: say it. That's all I have.

521
00:23:50,880 --> 00:23:54,040
Speaker 2: Yeah, yeah, no, I second that. It is how it

522
00:23:54,080 --> 00:23:56,080
Speaker 2: feels a lot of the time unless you get them

523
00:23:56,080 --> 00:23:59,160
Speaker 2: players only meetings that happens and somebody's just getting violent

524
00:23:59,480 --> 00:24:01,439
Speaker 2: with the way that they're delivering the words. That's why

525
00:24:01,480 --> 00:24:03,240
Speaker 2: it's kind of like a wait mail call. Like Lendon

526
00:24:03,240 --> 00:24:05,359
Speaker 2: Fletcher one time we had up like a player's only meeting,

527
00:24:05,359 --> 00:24:07,159
Speaker 2: and he was just getting after everybody, and it was

528
00:24:07,200 --> 00:24:10,080
Speaker 2: kind of like I felt like a real a real

529
00:24:10,119 --> 00:24:12,919
Speaker 2: player's only meeting. Ones that you would think about are

530
00:24:12,920 --> 00:24:14,800
Speaker 2: specially Oh man, they had a player's only meeting. I

531
00:24:14,880 --> 00:24:16,280
Speaker 2: wonder what went down there.

532
00:24:16,800 --> 00:24:18,560
Speaker 5: I can't remember which one of y'all said this, but

533
00:24:18,560 --> 00:24:21,760
Speaker 5: it was such a fantastic quote. Of every player's meeting,

534
00:24:21,760 --> 00:24:24,520
Speaker 5: there's always that one guy that stands up to start talking,

535
00:24:24,640 --> 00:24:28,080
Speaker 5: and there's almost just an audible Oh my god, what

536
00:24:28,240 --> 00:24:30,760
Speaker 5: is he doing just before he even start.

537
00:24:30,600 --> 00:24:36,320
Speaker 2: Telling when you look around, Oh shit about Glen? Hashtag

538
00:24:36,359 --> 00:24:41,880
Speaker 2: tier talk from Peyton Underscore PW thirteen Underscore. Could Will

539
00:24:41,920 --> 00:24:44,000
Speaker 2: and Taylor do a Dog of the Week segment where

540
00:24:44,000 --> 00:24:46,359
Speaker 2: each of them picks a favorite uh, picks a college

541
00:24:46,359 --> 00:24:49,160
Speaker 2: hole player from their own position from any team. Would

542
00:24:49,200 --> 00:24:51,800
Speaker 2: love to see Will juicing up some linebackers we've never

543
00:24:51,840 --> 00:24:55,600
Speaker 2: heard of. That would be fun, but you gotta pay

544
00:24:55,640 --> 00:24:58,920
Speaker 2: a lot of money to get the rights to like footage.

545
00:24:59,160 --> 00:25:01,760
Speaker 2: It would be college or the NFL. We got a

546
00:25:01,800 --> 00:25:05,280
Speaker 2: couple quotes. They are high, they are expensive.

547
00:25:06,240 --> 00:25:08,880
Speaker 3: Yeah, we can do our New Set of Downs segment. First,

548
00:25:09,119 --> 00:25:10,280
Speaker 3: Fresh Set of Downs.

549
00:25:10,640 --> 00:25:13,399
Speaker 6: Which is very similar what he just described.

550
00:25:13,040 --> 00:25:16,240
Speaker 3: Right, Basically, Fresh Set of Downs a spotlighting somebody who's

551
00:25:16,240 --> 00:25:19,280
Speaker 3: transferred in the transferport wasn't playing well or wasn't getting

552
00:25:19,359 --> 00:25:21,400
Speaker 3: enough of work. They're burying their depth chart a little bit.

553
00:25:21,600 --> 00:25:24,200
Speaker 3: They ended up getting a quote fresh set of Downs,

554
00:25:24,480 --> 00:25:26,920
Speaker 3: going to a new team and have a lot of success.

555
00:25:27,520 --> 00:25:28,960
Speaker 3: I think we're gonna do this for the next few weeks.

556
00:25:29,000 --> 00:25:31,160
Speaker 3: I actually love the idea and our guy that we're

557
00:25:31,160 --> 00:25:34,160
Speaker 3: gonna highlight this week. Is Michigan's own Justice. Hayes two

558
00:25:34,240 --> 00:25:36,159
Speaker 3: years at Bama, he played twenty five games. He had

559
00:25:36,160 --> 00:25:37,960
Speaker 3: one hundred and four carries for six hundred and sixteen

560
00:25:38,040 --> 00:25:40,840
Speaker 3: yards and nine t ds. Decides, hey, that's not enough.

561
00:25:40,840 --> 00:25:43,880
Speaker 3: He's splitting carries. Last year, Calen de Bores, first year

562
00:25:43,960 --> 00:25:46,239
Speaker 3: comes to Michigan. I'm very excited about it. We get

563
00:25:46,280 --> 00:25:49,600
Speaker 3: to learn about him and the way he operates, how

564
00:25:49,640 --> 00:25:52,359
Speaker 3: he attacks every single week. He's about sleep, he's about

565
00:25:52,359 --> 00:25:54,800
Speaker 3: Biohacking's about what he puts in his body. And it's

566
00:25:54,800 --> 00:25:56,800
Speaker 3: shown quite a bit because in four games in Michigan

567
00:25:56,840 --> 00:25:59,880
Speaker 3: he's had sixty six carries, three hundred and thirty seven

568
00:26:00,240 --> 00:26:03,320
Speaker 3: five hundred and thirty seven yards, six touchdowns. He's got

569
00:26:03,400 --> 00:26:05,800
Speaker 3: over one hundred yards in every game and a TD

570
00:26:06,000 --> 00:26:10,159
Speaker 3: this year so far. So thank you, Alabama. We'll have

571
00:26:10,200 --> 00:26:13,800
Speaker 3: another right look at you there. You got a couple

572
00:26:13,800 --> 00:26:15,760
Speaker 3: of studs. Yeah, I was watching Alabama Georgia kind of

573
00:26:15,800 --> 00:26:17,640
Speaker 3: whispering over to g F them's I'll take that guy.

574
00:26:17,800 --> 00:26:21,439
Speaker 3: I'll take that guy. Like buddy, you never have a

575
00:26:21,440 --> 00:26:23,679
Speaker 3: shortage of talent with the Alabama Crimson time. I'm as

576
00:26:23,760 --> 00:26:25,679
Speaker 3: lucky this guy's in the amazing blue right now. He

577
00:26:25,840 --> 00:26:29,280
Speaker 3: is incredible, And like, I know this guy Marshall. We'vet

578
00:26:29,320 --> 00:26:31,159
Speaker 3: Jordan Marshall. We have, We've had him. You know, he's

579
00:26:31,240 --> 00:26:34,000
Speaker 3: homegrown Michigan boy. But we got ourselves a nice little

580
00:26:34,560 --> 00:26:37,359
Speaker 3: double headed monster over there at the University of Michigan

581
00:26:37,440 --> 00:26:39,199
Speaker 3: right now in the running game and they're coming along off.

582
00:26:39,240 --> 00:26:41,159
Speaker 3: Its line is getting a whole lot better, which is

583
00:26:41,200 --> 00:26:43,920
Speaker 3: awesome to see. So shout out Justice Hayes, fresh set

584
00:26:43,920 --> 00:26:46,640
Speaker 3: of downs. Love it for the young man man. That's awesome.

585
00:26:47,560 --> 00:26:49,360
Speaker 3: We should do a different segment as well, a.

586
00:26:49,320 --> 00:26:52,000
Speaker 2: Shoutout no Free, shoutout, shout out no Free, shout out

587
00:26:52,040 --> 00:26:54,040
Speaker 2: to uh Chad Powers, Shad Powers.

588
00:26:54,080 --> 00:26:56,040
Speaker 3: And I'm gonna take a quick I'm gonna clap. I'm

589
00:26:56,040 --> 00:26:57,879
Speaker 3: gonna clap again. We're gonna come back on our clothes.

590
00:26:58,400 --> 00:27:00,800
Speaker 3: Oh wow, look at that. We've changed clothes already. If

591
00:27:00,800 --> 00:27:04,520
Speaker 3: you're listening audio, we are wearing Chad Powers two hundred

592
00:27:04,560 --> 00:27:05,679
Speaker 3: T shirts. Will he looked fantastic.

593
00:27:08,680 --> 00:27:09,800
Speaker 2: Chad Powers is funny.

594
00:27:10,800 --> 00:27:14,680
Speaker 3: Yeah, So shout out Hulu, shout out Disney. They were

595
00:27:14,720 --> 00:27:17,000
Speaker 3: They have allowed us to see these episodes a little

596
00:27:17,040 --> 00:27:19,680
Speaker 3: bit early. We've watched episodes one and two so far,

597
00:27:20,680 --> 00:27:23,000
Speaker 3: And if you don't know anything about Chad Powers, here's

598
00:27:23,040 --> 00:27:26,040
Speaker 3: basically the backstory of Chad Powers. Eli Manning had a

599
00:27:26,080 --> 00:27:29,760
Speaker 3: segment called Eli's Places. He ended up going undercover, a

600
00:27:29,800 --> 00:27:32,960
Speaker 3: bunch of makeup on mole in the face, wig walks

601
00:27:32,960 --> 00:27:35,880
Speaker 3: into a tryout, Right was it Penn State? My thinking

602
00:27:35,880 --> 00:27:38,639
Speaker 3: about Penn State? CUsing to Penn State trial. Obviously the

603
00:27:38,640 --> 00:27:40,919
Speaker 3: coaching staff and everybody on the back end knew about it.

604
00:27:41,160 --> 00:27:43,000
Speaker 3: He goes in and ends up dicing up with these

605
00:27:43,000 --> 00:27:44,760
Speaker 3: other players who are a part of the trial, Like

606
00:27:44,880 --> 00:27:47,199
Speaker 3: who the fuck is this guy? Turns out to be

607
00:27:47,240 --> 00:27:51,640
Speaker 3: Eli Manning, And in true Manning fashion, like they see

608
00:27:51,640 --> 00:27:53,760
Speaker 3: the opportunity, they end up making a show about it.

609
00:27:53,800 --> 00:27:56,320
Speaker 3: Where Glenn Powell he is. He is the star of

610
00:27:56,359 --> 00:27:58,960
Speaker 3: this show. And I love this segment Eli Manning and

611
00:27:59,000 --> 00:28:02,240
Speaker 3: going into it full trance. Fancy going into watching these episodes.

612
00:28:02,280 --> 00:28:04,520
Speaker 3: I'm thinking to myself, how the fuck are they going

613
00:28:04,600 --> 00:28:08,240
Speaker 3: to be able to go from this guy's a studs,

614
00:28:08,280 --> 00:28:11,840
Speaker 3: he's undercover? Now, how does it all work? Seamless transition,

615
00:28:12,320 --> 00:28:15,480
Speaker 3: seamless And I can't clump you can tell me. I

616
00:28:15,520 --> 00:28:16,760
Speaker 3: can't give away any spoilers.

617
00:28:16,760 --> 00:28:18,400
Speaker 2: Correct, we can give away spoilers.

618
00:28:18,680 --> 00:28:21,399
Speaker 3: Episodes one and two are streaming now. Okay, episode we

619
00:28:21,480 --> 00:28:22,399
Speaker 3: are going to.

620
00:28:22,400 --> 00:28:25,000
Speaker 2: Give spoilers away. So if you don't want spoilers, don't.

621
00:28:25,280 --> 00:28:27,840
Speaker 3: If you don't want spoilers, don't listen. The first episode,

622
00:28:27,840 --> 00:28:31,800
Speaker 3: man starts with a bang. Right, this Chad Powers. What's

623
00:28:31,800 --> 00:28:35,520
Speaker 3: his name in the show? Just to his name is Holiday.

624
00:28:36,119 --> 00:28:39,360
Speaker 2: Just it is a good show. I share the same sentiment.

625
00:28:39,440 --> 00:28:41,760
Speaker 2: It's kind of like, are they really just gonna try

626
00:28:41,760 --> 00:28:43,840
Speaker 2: and like beat a dead horse or force fetus a

627
00:28:43,960 --> 00:28:49,320
Speaker 2: Chad Powers show? But it is funny. Yeah, it is funny.

628
00:28:48,960 --> 00:28:51,560
Speaker 3: And it's got like it's got very much like I

629
00:28:51,600 --> 00:28:53,400
Speaker 3: don't know if it's Blue Mountain State I'm trying to

630
00:28:53,400 --> 00:28:55,360
Speaker 3: look for right now. But there's a certain level of

631
00:28:55,400 --> 00:28:58,080
Speaker 3: like adult humor that goes into it. Yeah, that like

632
00:28:58,240 --> 00:29:00,840
Speaker 3: Glenn Powell does a great job of like transition. Because

633
00:29:01,440 --> 00:29:04,720
Speaker 3: here's what happens. First episode shows this guy Russ Holiday,

634
00:29:05,160 --> 00:29:08,760
Speaker 3: you know, arrogant Oregon Ducks quarterback. He's in the National Championship.

635
00:29:08,800 --> 00:29:11,560
Speaker 3: He runs on fourth and whatever puts those the ball

636
00:29:11,680 --> 00:29:14,200
Speaker 3: down before the goal line. Something we've seen all the

637
00:29:14,200 --> 00:29:16,200
Speaker 3: time in the NFL. Now and so it was a score,

638
00:29:16,200 --> 00:29:17,680
Speaker 3: but then it wasn't a score. They call it back

639
00:29:17,680 --> 00:29:19,960
Speaker 3: and the end up losing the championship game. He ends

640
00:29:20,000 --> 00:29:22,880
Speaker 3: up swinging on a cat uh and knocks over a

641
00:29:22,960 --> 00:29:25,440
Speaker 3: kid with cancer, and then it fast forwards. The eight

642
00:29:25,480 --> 00:29:29,640
Speaker 3: years later is so funny. It is It is hilarious

643
00:29:29,920 --> 00:29:31,560
Speaker 3: and fascinating.

644
00:29:32,200 --> 00:29:34,520
Speaker 2: My figure still my favorite player. Yeah, that's like, hey,

645
00:29:34,520 --> 00:29:35,800
Speaker 2: can you just take a picture with my kid?

646
00:29:36,040 --> 00:29:37,720
Speaker 3: I don't give a shit about the kid, and it's

647
00:29:37,760 --> 00:29:40,800
Speaker 3: like a dude, it's they shown hits him and dad

648
00:29:40,840 --> 00:29:43,720
Speaker 3: falls into the kid and they go in like eight

649
00:29:43,800 --> 00:29:46,400
Speaker 3: years later, he's like in la, his dad is this

650
00:29:46,600 --> 00:29:49,960
Speaker 3: like uh, like a makeup artist, like this worlding out

651
00:29:50,000 --> 00:29:52,200
Speaker 3: makeup artist, which really help helps sell the point of

652
00:29:52,280 --> 00:29:55,960
Speaker 3: him like transitioning into you know this like fake guy

653
00:29:55,960 --> 00:29:57,720
Speaker 3: that ends up going to a different school or whatever.

654
00:29:57,960 --> 00:30:00,360
Speaker 3: But he has his XFL contract. Then of a sudden,

655
00:30:00,360 --> 00:30:04,000
Speaker 3: there's eight year reunion of the callback of the him

656
00:30:04,040 --> 00:30:06,719
Speaker 3: punching guy that falls into a kid with cancer. XFL

657
00:30:06,800 --> 00:30:09,280
Speaker 3: pulls his contract and so he gets a wild hair

658
00:30:09,400 --> 00:30:11,040
Speaker 3: posass and then up.

659
00:30:11,120 --> 00:30:14,840
Speaker 2: The kid passes. Oh. They announce like he's like he's

660
00:30:14,840 --> 00:30:17,360
Speaker 2: getting this deal with the XFL. He's fired up there

661
00:30:17,400 --> 00:30:20,720
Speaker 2: listening like all this stuff, like the entertainment is pretty funny.

662
00:30:21,160 --> 00:30:23,040
Speaker 2: And they're in this club and then that's like he's

663
00:30:23,080 --> 00:30:25,080
Speaker 2: going to the bathroom and he just sees this tweet

664
00:30:25,080 --> 00:30:28,440
Speaker 2: put up like kid that you know, uh, what's this.

665
00:30:29,520 --> 00:30:33,200
Speaker 2: Russ Holliday is known for Kid passed Away. Kid dies

666
00:30:33,480 --> 00:30:37,040
Speaker 2: from cancer and his agent drops him, and so he's

667
00:30:37,080 --> 00:30:39,200
Speaker 2: trying to figure out what to do. He's at the

668
00:30:39,200 --> 00:30:41,560
Speaker 2: lowest of lows. He's like all of us sitting there

669
00:30:41,560 --> 00:30:44,000
Speaker 2: when the game's just over if you like lose a

670
00:30:44,080 --> 00:30:46,560
Speaker 2: state title or national chair. He's like sitting in his

671
00:30:46,640 --> 00:30:48,760
Speaker 2: room drinking, doing all these things, and he gets his

672
00:30:48,840 --> 00:30:52,360
Speaker 2: wild hair. He sees his open tryout for Southern Georgia.

673
00:30:52,280 --> 00:30:54,440
Speaker 3: Southern Georgia, Southern Georgia Catfish.

674
00:30:54,560 --> 00:30:56,800
Speaker 2: Yeah, and he just gets his wild hair to like,

675
00:30:56,880 --> 00:30:59,840
Speaker 2: I'm gonna go rejuvenate my career through like you know,

676
00:31:00,320 --> 00:31:02,880
Speaker 2: going and walking on at this spot, like wearing makeup

677
00:31:03,000 --> 00:31:05,720
Speaker 2: using his dad's like tools, since he's a makeup artist

678
00:31:05,760 --> 00:31:09,280
Speaker 2: for all these big Hollywood movies. And he starts like

679
00:31:09,320 --> 00:31:11,440
Speaker 2: working out and he gets another funny parties when he's

680
00:31:11,480 --> 00:31:14,760
Speaker 2: on his phone with his dad. He's like, Dad, He's like,

681
00:31:14,920 --> 00:31:18,440
Speaker 2: I got something kind of big that's coming. They could

682
00:31:18,440 --> 00:31:20,480
Speaker 2: be really proud of me. And his dad's like, did

683
00:31:20,480 --> 00:31:22,680
Speaker 2: you just quote Armageddon to me? Yeah?

684
00:31:23,000 --> 00:31:26,640
Speaker 3: Yeah yeah, but he says I worked on that movie.

685
00:31:26,800 --> 00:31:31,560
Speaker 2: Yeah, yeah, yeah, And dude, it's uh. I encourage you

686
00:31:31,600 --> 00:31:34,040
Speaker 2: all to watch it. It's a good watch. It's funny.

687
00:31:34,080 --> 00:31:37,600
Speaker 2: It's well done, like getting Fouler and Herbstreet in for

688
00:31:37,720 --> 00:31:40,240
Speaker 2: calling the game when they play that organ like you're

689
00:31:40,280 --> 00:31:43,800
Speaker 2: always like anybody who like loves ball, you're like weirdly uh,

690
00:31:44,000 --> 00:31:47,120
Speaker 2: with a critical eye watching how they put together like

691
00:31:47,280 --> 00:31:49,840
Speaker 2: plays that's happening, like moments that's happening. They do a

692
00:31:49,880 --> 00:31:52,440
Speaker 2: real good job, like you're watching it on TV. But

693
00:31:52,520 --> 00:31:55,880
Speaker 2: it's a good watch. It's fun It is funny. Him

694
00:31:55,920 --> 00:31:57,560
Speaker 2: trying to like find his voice.

695
00:31:57,600 --> 00:31:59,400
Speaker 3: Right, him trying to find his voice, him trying to

696
00:31:59,400 --> 00:32:01,160
Speaker 3: tell the story where he's from, ends up being from

697
00:32:01,160 --> 00:32:03,080
Speaker 3: West Virginia, Like, hey, we couldn't find a whole lot

698
00:32:03,080 --> 00:32:04,840
Speaker 3: of filming. It's like, yeah, it was a wolf mating

699
00:32:04,920 --> 00:32:05,960
Speaker 3: season and.

700
00:32:05,720 --> 00:32:07,520
Speaker 2: People were did you ever play in a crowd? It

701
00:32:07,560 --> 00:32:12,640
Speaker 2: depends depends on what he's like. Wolves. Wolves they come

702
00:32:12,680 --> 00:32:13,400
Speaker 2: and get your babes.

703
00:32:13,640 --> 00:32:15,880
Speaker 3: Yeah, people just would show up or not based on

704
00:32:15,960 --> 00:32:20,640
Speaker 3: wolves just hilarious. And him going in and out of

705
00:32:20,760 --> 00:32:24,960
Speaker 3: being Russ Holliday and Chad Powers is just fucking hilarious. Also,

706
00:32:25,000 --> 00:32:27,479
Speaker 3: the thing I love too is this head coach for

707
00:32:27,520 --> 00:32:31,200
Speaker 3: the Georgia State Catfish. He is. You can see a

708
00:32:31,240 --> 00:32:34,760
Speaker 3: great story art coming with him. Yeah, the daughter of

709
00:32:34,800 --> 00:32:37,160
Speaker 3: the head coach. There's a great story. I'm assuming it's

710
00:32:37,160 --> 00:32:40,240
Speaker 3: gonna be a love interest with Russ Holiday eventually. Yeah,

711
00:32:40,240 --> 00:32:43,720
Speaker 3: but it's just like the show's good and you know,

712
00:32:43,880 --> 00:32:46,360
Speaker 3: like we both said it, no idea what to think,

713
00:32:46,440 --> 00:32:47,760
Speaker 3: but it is hilarious.

714
00:32:48,160 --> 00:32:51,880
Speaker 2: And again say it's Russ what Russ Holliday. He's like

715
00:32:51,920 --> 00:32:55,200
Speaker 2: this a douchebag, got this arrogance to him. You'll see it.

716
00:32:55,240 --> 00:32:58,200
Speaker 2: And he like comes across this this mascot. The mascot

717
00:32:58,320 --> 00:33:00,200
Speaker 2: ends up spraying with Mace because he thinks he's like

718
00:33:00,200 --> 00:33:03,200
Speaker 2: a school shooter dress in his get up. They meet

719
00:33:03,440 --> 00:33:05,840
Speaker 2: in this mascot is trying to like he's kind of

720
00:33:05,880 --> 00:33:09,240
Speaker 2: his like mentor in this hero's journey of trying to

721
00:33:09,280 --> 00:33:13,200
Speaker 2: get him like, hey, leave the Russ Holiday douchebaggery aside.

722
00:33:13,240 --> 00:33:15,000
Speaker 2: You have to create this new character if you're really

723
00:33:15,000 --> 00:33:16,920
Speaker 2: going to sell yourself and be a leader of this team.

724
00:33:17,320 --> 00:33:20,040
Speaker 2: So Chad Powers is really trying to battle with being

725
00:33:20,080 --> 00:33:22,840
Speaker 2: a douchebag, being this arrogant asshole because he he's not

726
00:33:22,920 --> 00:33:25,400
Speaker 2: like the starting quarterback, which is like a reality check

727
00:33:25,480 --> 00:33:28,720
Speaker 2: for him, and uh, dude, it's it's good man. The

728
00:33:28,760 --> 00:33:31,560
Speaker 2: backup quarterback is like my favorite he's my favorite character

729
00:33:31,640 --> 00:33:32,040
Speaker 2: right now.

730
00:33:32,160 --> 00:33:33,240
Speaker 3: Yeah, he's funny.

731
00:33:33,320 --> 00:33:33,560
Speaker 1: Man.

732
00:33:33,800 --> 00:33:35,640
Speaker 2: He's like what I got here an hour or two

733
00:33:35,680 --> 00:33:38,000
Speaker 2: before he gets some sprints in punishment.

734
00:33:38,400 --> 00:33:41,800
Speaker 3: I love how the scene where he's walking with Chad

735
00:33:41,840 --> 00:33:43,400
Speaker 3: Powers and he's like, hey, give us a minute. He's

736
00:33:43,400 --> 00:33:45,600
Speaker 3: like yes, sir, and this turns around sprints the other way,

737
00:33:45,840 --> 00:33:47,320
Speaker 3: and then the coach is like walking off the field

738
00:33:47,320 --> 00:33:49,080
Speaker 3: and the quarterback starts running and I was like, oh,

739
00:33:49,120 --> 00:33:51,120
Speaker 3: what the fuck gets all scared of him?

740
00:33:51,200 --> 00:33:51,400
Speaker 2: Dude.

741
00:33:51,440 --> 00:33:53,000
Speaker 3: It's funny.

742
00:33:53,120 --> 00:33:55,240
Speaker 2: And with the makeup and the mask and the rubber

743
00:33:55,280 --> 00:33:58,000
Speaker 2: and everything else, there's like moments with him like doctoring

744
00:33:58,080 --> 00:33:59,960
Speaker 2: up towards like you know, there's the fly on the

745
00:34:00,000 --> 00:34:01,920
Speaker 2: and he's like, dude's like you gotta fly in your face.

746
00:34:01,920 --> 00:34:04,960
Speaker 2: And it's like crawling around but also growing yeah, but

747
00:34:05,160 --> 00:34:07,640
Speaker 2: since he's like, you know, since he's trying to immerse himself,

748
00:34:07,640 --> 00:34:11,279
Speaker 2: like as a teammate, you can't get the mask and

749
00:34:11,360 --> 00:34:14,399
Speaker 2: anything and everything wet. So like post practice when they're

750
00:34:14,440 --> 00:34:16,200
Speaker 2: all showering and he's kind of sitting there and coaches

751
00:34:16,200 --> 00:34:17,839
Speaker 2: asking why he's not getting the showers, She's like, oh,

752
00:34:18,000 --> 00:34:20,160
Speaker 2: you know, my p holes to baby, he's just like

753
00:34:20,239 --> 00:34:23,000
Speaker 2: making up stories. Then they have this cookout, you know,

754
00:34:23,040 --> 00:34:25,000
Speaker 2: with the team at the head coach's house and they're

755
00:34:25,040 --> 00:34:27,400
Speaker 2: doing like this water water balloon fight. They're all in

756
00:34:27,440 --> 00:34:29,160
Speaker 2: the pool. He never gets in the pool, so you

757
00:34:29,200 --> 00:34:31,160
Speaker 2: think he's weird for not getting in the pool. Then

758
00:34:31,200 --> 00:34:32,920
Speaker 2: he does this water balloon fight and he's trying to

759
00:34:32,920 --> 00:34:34,719
Speaker 2: get this water out of his mask because the head

760
00:34:34,719 --> 00:34:36,879
Speaker 2: coach wants to go see him. Then when the mask

761
00:34:36,960 --> 00:34:38,480
Speaker 2: kind of breaks and he's like are you crying, and

762
00:34:39,280 --> 00:34:41,759
Speaker 2: the mass kind of pops his.

763
00:34:42,040 --> 00:34:44,959
Speaker 3: Cheeks, he just takes running out of the woods.

764
00:34:45,000 --> 00:34:46,840
Speaker 2: He's like, I think he's just a man of the woods.

765
00:34:48,400 --> 00:34:49,960
Speaker 3: He's talking to his daughter and he's like, hey, he

766
00:34:50,000 --> 00:34:51,320
Speaker 3: just ran in the woids your eyes. She's like, I

767
00:34:51,360 --> 00:34:53,240
Speaker 3: think he just he just loves the woods.

768
00:34:53,280 --> 00:34:55,799
Speaker 2: Yeah, I think he loves the woods because he shows

769
00:34:55,840 --> 00:34:58,960
Speaker 2: he shows up. He shows up to the party like,

770
00:34:59,000 --> 00:35:01,000
Speaker 2: you know, parking his test slow, like in the woods,

771
00:35:01,000 --> 00:35:02,480
Speaker 2: and then coming out of the woods. She's like, you

772
00:35:02,560 --> 00:35:03,280
Speaker 2: just come out of the woods.

773
00:35:03,680 --> 00:35:05,400
Speaker 3: Yeah, if you think about it, we all came from

774
00:35:05,400 --> 00:35:05,760
Speaker 3: the woods.

775
00:35:08,200 --> 00:35:10,800
Speaker 2: And then when he's talking to the like the big booster,

776
00:35:11,000 --> 00:35:13,040
Speaker 2: the gallon, the kitchen, I can't have to leave. I

777
00:35:13,040 --> 00:35:15,120
Speaker 2: can't be within one hundred feet of a of a

778
00:35:15,120 --> 00:35:19,279
Speaker 2: female alone or something like that. Here's my purity. She's like,

779
00:35:19,320 --> 00:35:20,759
Speaker 2: what the fuck? It is?

780
00:35:20,920 --> 00:35:24,440
Speaker 3: Funny man, Glenn Powell does a great job these first jepisode, Like,

781
00:35:24,480 --> 00:35:27,040
Speaker 3: I'm excited to watch that third and fourth episode because

782
00:35:27,080 --> 00:35:27,840
Speaker 3: it is quality.

783
00:35:27,880 --> 00:35:28,040
Speaker 1: Man.

784
00:35:29,040 --> 00:35:32,520
Speaker 2: Yeah, yeah, we feel good. Go laugh. I'm laughing. I'm

785
00:35:32,560 --> 00:35:35,160
Speaker 2: watching it alone and I'm laughing out loud at some

786
00:35:35,200 --> 00:35:37,920
Speaker 2: of the one liners he comes up with where he's

787
00:35:37,960 --> 00:35:39,560
Speaker 2: like what do you say? He was like, I just

788
00:35:40,280 --> 00:35:43,960
Speaker 2: where he's like just flesh. They're like asking him if

789
00:35:43,960 --> 00:35:48,000
Speaker 2: he's like a male or female or something like that.

790
00:35:48,480 --> 00:35:51,280
Speaker 2: He has this line like it's just just's flesh.

791
00:35:51,960 --> 00:35:53,640
Speaker 3: What does he say? I don't know.

792
00:35:53,719 --> 00:35:55,160
Speaker 2: I got to write these one liners down.

793
00:35:55,320 --> 00:35:58,240
Speaker 3: It's good, but uh, Hulu's Chad Powers will premiere Tuesday,

794
00:35:58,280 --> 00:36:02,080
Speaker 3: September thirtieth, with they two episode launch. New episode stream

795
00:36:02,120 --> 00:36:06,839
Speaker 3: weekly on Tuesdays. So if you're watching the show now

796
00:36:06,880 --> 00:36:09,319
Speaker 3: at six a m. Just no, it's out there right now.

797
00:36:09,480 --> 00:36:11,120
Speaker 3: Hopefully we can spoil too much for you since we

798
00:36:11,160 --> 00:36:12,720
Speaker 3: just told you the whole entire first three episodes.

799
00:36:12,800 --> 00:36:15,640
Speaker 2: Yeah, how old are you? How old anybody COVID?

800
00:36:16,360 --> 00:36:16,720
Speaker 3: COVID?

801
00:36:16,760 --> 00:36:17,400
Speaker 1: You have COVID?

802
00:36:18,080 --> 00:36:20,200
Speaker 2: You know, I'm old enough, but not still young enough?

803
00:36:20,200 --> 00:36:26,400
Speaker 2: You know cod are he's sitting with the coach, you

804
00:36:26,400 --> 00:36:28,840
Speaker 2: have COVID? No, no, no, when.

805
00:36:28,640 --> 00:36:30,359
Speaker 3: He's sitting with the coach at the dock, but before

806
00:36:30,360 --> 00:36:32,120
Speaker 3: the coach tells him he's gonna be the backup quarterback,

807
00:36:32,160 --> 00:36:33,759
Speaker 3: and he's like, you know what's really hurt? I had

808
00:36:33,760 --> 00:36:35,120
Speaker 3: a bunch of hard issues. You know what the problem was?

809
00:36:35,480 --> 00:36:41,880
Speaker 3: The vaccine? He doesn't know? Well maybe, And it's so

810
00:36:42,000 --> 00:36:45,320
Speaker 3: funny too, because it's Russ Holiday guys, big conspiracy theorists

811
00:36:45,320 --> 00:36:49,200
Speaker 3: like big Douche Like, it's so funny, man, it is.

812
00:36:49,320 --> 00:36:54,040
Speaker 3: It is hilarious. Yeah, it's it's out Tuesdays.

813
00:36:54,040 --> 00:36:56,759
Speaker 2: That's tomorrow technically right now.

814
00:36:57,080 --> 00:37:00,360
Speaker 3: Yeah, watching that, buddy, you will you will love it.

815
00:37:01,000 --> 00:37:03,759
Speaker 3: You will love it. It's yeah, it's blue Mountain state.

816
00:37:03,840 --> 00:37:06,279
Speaker 3: It's suresy. It's like kind of got all this Like.

817
00:37:06,440 --> 00:37:08,279
Speaker 2: You have to watch you because you'll remember all these

818
00:37:08,400 --> 00:37:10,160
Speaker 2: these one liars and quotes that we're talking about.

819
00:37:10,280 --> 00:37:11,759
Speaker 3: Yeah, you will appreciate it.

820
00:37:11,840 --> 00:37:14,160
Speaker 2: Hey, the the backup que actually gives me a shir

821
00:37:14,239 --> 00:37:15,120
Speaker 2: and vibe.

822
00:37:17,560 --> 00:37:17,600
Speaker 3: Is.

823
00:37:18,880 --> 00:37:22,520
Speaker 2: Yeah, he's just happy, go lucky.

824
00:37:22,680 --> 00:37:27,200
Speaker 3: When they're sitting there, chick his hand.

825
00:37:27,960 --> 00:37:29,560
Speaker 2: That's the number one of our receiver. Yeah, we have

826
00:37:29,560 --> 00:37:31,600
Speaker 2: a really good relationship. And then the wide receivers like

827
00:37:31,600 --> 00:37:33,279
Speaker 2: give him the pussy sign. He's like that he's calling

828
00:37:33,320 --> 00:37:35,279
Speaker 2: me a pussy. He's like, no, I think he thinks

829
00:37:35,320 --> 00:37:39,839
Speaker 2: I get a lot of pussy. They talk about him

830
00:37:39,840 --> 00:37:41,560
Speaker 2: swimming and he just does like a back dive into

831
00:37:41,560 --> 00:37:41,920
Speaker 2: the water.

832
00:37:42,080 --> 00:37:46,319
Speaker 3: Yeah yeah, what does he say? Like, it's like that's true,

833
00:37:46,440 --> 00:37:50,359
Speaker 3: like does like a bad Yeah, there's ultimate optimist guy.

834
00:37:50,480 --> 00:37:54,759
Speaker 3: Nothing fazes him when he fucking steals the balloon and

835
00:37:54,800 --> 00:37:57,040
Speaker 3: starts dicing up everybody in the water bloom fight, and

836
00:37:57,040 --> 00:37:59,520
Speaker 3: then he goes suck my clipboard, bitch on top of

837
00:37:59,680 --> 00:38:04,360
Speaker 3: d quarterback. It's fucking good man, it's good. That is

838
00:38:05,239 --> 00:38:07,319
Speaker 3: you know what's go back to a real offense. We're

839
00:38:07,360 --> 00:38:10,440
Speaker 3: back a good more tear talks. We'll be on our

840
00:38:10,440 --> 00:38:12,160
Speaker 3: way to zich Bro. Let's do one or two more.

841
00:38:12,520 --> 00:38:16,799
Speaker 3: This is D three walk on at z T three

842
00:38:16,960 --> 00:38:19,919
Speaker 3: seven five eight. Hashtag tear talk is getting that first

843
00:38:20,000 --> 00:38:22,600
Speaker 3: loss early in the season benefit at program, Look at

844
00:38:22,640 --> 00:38:26,480
Speaker 3: Alabama since Florida State. Yeah, I mean Josh Pate brought

845
00:38:26,480 --> 00:38:29,040
Speaker 3: this up on the Locker Room this past week, which

846
00:38:29,080 --> 00:38:31,319
Speaker 3: comes out every Wednesday at six pm, the College Football Edition,

847
00:38:31,680 --> 00:38:35,680
Speaker 3: and it says when you get when you get early loss,

848
00:38:35,840 --> 00:38:38,920
Speaker 3: it gives you a chance of course, correct, taste your

849
00:38:38,960 --> 00:38:41,239
Speaker 3: own blood. Understand you're not invincible. So when you get

850
00:38:41,320 --> 00:38:43,200
Speaker 3: later in the season, you have these big games, you

851
00:38:43,239 --> 00:38:45,000
Speaker 3: know what it's like to hurt. So he keeps you

852
00:38:45,080 --> 00:38:48,360
Speaker 3: moving forward. So I think that was a big dub

853
00:38:48,920 --> 00:38:52,360
Speaker 3: for Alabama early in the season to catch a l early.

854
00:38:52,440 --> 00:38:54,239
Speaker 3: So you can keep moving forward now because they seem

855
00:38:54,280 --> 00:38:56,920
Speaker 3: like the doomed to beat in the SEC.

856
00:38:56,760 --> 00:38:59,480
Speaker 2: And watch you slowly but surely, watch not a dame

857
00:38:59,520 --> 00:39:01,799
Speaker 2: start to climb. I'm the polls. Yeah. Week at a time,

858
00:39:02,280 --> 00:39:03,279
Speaker 2: two losses.

859
00:39:03,080 --> 00:39:05,920
Speaker 3: Started to two still in the y AP T five.

860
00:39:07,120 --> 00:39:09,680
Speaker 3: Uh what is sure.

861
00:39:09,719 --> 00:39:13,000
Speaker 2: I'm saying here, just chime in. Sure you have something

862
00:39:13,000 --> 00:39:14,719
Speaker 2: to say, you can sometimes you can just chime in.

863
00:39:14,760 --> 00:39:15,880
Speaker 3: Right, especially on Tuesdays.

864
00:39:16,120 --> 00:39:19,319
Speaker 5: It helps with the CFP rankings. I feel like the

865
00:39:19,960 --> 00:39:24,120
Speaker 5: CFP Commission, the voters, they usually they kind of tend

866
00:39:24,200 --> 00:39:27,440
Speaker 5: to forget about those week one, week two, week three losses.

867
00:39:28,640 --> 00:39:30,680
Speaker 3: Absolutely, it seems like they forget to watch a lot

868
00:39:30,680 --> 00:39:34,799
Speaker 3: of football games too. Yeah, yeah, I want to do

869
00:39:34,840 --> 00:39:35,239
Speaker 3: one more.

870
00:39:36,040 --> 00:39:36,520
Speaker 6: That was it.

871
00:39:36,719 --> 00:39:37,160
Speaker 2: That was it.

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00:39:37,200 --> 00:39:41,360
Speaker 3: There were needed, awesome guys once again. Titans watch party

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00:39:41,480 --> 00:39:45,120
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Speaker 3: Spootober It's here Wednesday. Get excited and burn it up, dude.

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Speaker 3: easy to enjoy. Our guest today three times Grammy Award winner,

940
00:43:05,360 --> 00:43:07,799
Speaker 3: co founder and lead singer of Zach Brown Band. His

941
00:43:07,880 --> 00:43:11,279
Speaker 3: first album, The Foundation, is certified five times I'm gonna

942
00:43:11,280 --> 00:43:13,680
Speaker 3: repeat that five times platinum.

943
00:43:13,680 --> 00:43:14,520
Speaker 2: Can you say that again?

944
00:43:14,640 --> 00:43:19,560
Speaker 3: Five times platinum by the Recording Industry Association of America.

945
00:43:19,680 --> 00:43:23,680
Speaker 3: Sixteen singles on Billboard's Hot Country Songs. Please give a

946
00:43:23,719 --> 00:43:31,279
Speaker 3: renal appause? Exactly, Brown, Jeorgia, Bulldo, Bulldo got to feel it. Man. Hey,

947
00:43:31,360 --> 00:43:33,839
Speaker 3: let's you came in bearing gifts. I found out you're

948
00:43:33,880 --> 00:43:36,520
Speaker 3: a blacksmith. Yes, sir, what is like? We can get

949
00:43:36,560 --> 00:43:38,120
Speaker 3: into music. We'll talk about all of that, but I

950
00:43:38,120 --> 00:43:40,239
Speaker 3: want to talk about your hobbies right now. Came in

951
00:43:40,280 --> 00:43:44,160
Speaker 3: with this cool case, floats plays music, keeps your phone nice. Yeah,

952
00:43:44,200 --> 00:43:45,839
Speaker 3: but then you started putting out this little blade on

953
00:43:45,880 --> 00:43:48,000
Speaker 3: me right now? What is this device?

954
00:43:48,560 --> 00:43:51,560
Speaker 1: Yeah? So this is a demer box. So the guy

955
00:43:51,680 --> 00:43:54,120
Speaker 1: James Deamer worked on the set of the show Survivor,

956
00:43:54,800 --> 00:43:56,759
Speaker 1: and he had to carry pelican cases to keep all

957
00:43:56,760 --> 00:43:58,680
Speaker 1: this stuff dry because it's humid and wet and all that.

958
00:43:58,719 --> 00:44:01,480
Speaker 1: And then he installed speakers in it. So then he

959
00:44:02,040 --> 00:44:03,960
Speaker 1: started making some of these and put them on Amazon.

960
00:44:04,080 --> 00:44:06,959
Speaker 1: While I got a hold of it and I was like, dude,

961
00:44:06,960 --> 00:44:09,960
Speaker 1: this is such a problem solver for me because I

962
00:44:10,800 --> 00:44:13,840
Speaker 1: do some pretty high adventure you know. I spearfishing is

963
00:44:13,840 --> 00:44:16,320
Speaker 1: my favorite thing in the world to do a free dive, spearfish,

964
00:44:16,400 --> 00:44:18,920
Speaker 1: I bow hunt a lot of the adventures that I

965
00:44:18,960 --> 00:44:21,120
Speaker 1: go on and do. I need something to keep all

966
00:44:21,120 --> 00:44:23,760
Speaker 1: my gear safe, even going to the beach, like writing.

967
00:44:24,440 --> 00:44:28,000
Speaker 1: So this is a forty hour bluetooth speaker. It's loud,

968
00:44:28,000 --> 00:44:31,120
Speaker 1: it's like a base cabinet, and then when you open it,

969
00:44:31,120 --> 00:44:33,440
Speaker 1: it's a legit Pelican case. It's got a purge val

970
00:44:33,520 --> 00:44:35,160
Speaker 1: so it doesn't lock down if you fly with it

971
00:44:35,200 --> 00:44:37,239
Speaker 1: and get air trapped in it. It's got a phone

972
00:44:37,280 --> 00:44:40,160
Speaker 1: charger on the inside. You take this plug and put

973
00:44:40,200 --> 00:44:42,600
Speaker 1: it in the lid, and now it's fully waterproof and

974
00:44:42,640 --> 00:44:44,279
Speaker 1: you can float it down the river with you and

975
00:44:44,320 --> 00:44:46,560
Speaker 1: play your tunes. Or you can use as a predator

976
00:44:46,600 --> 00:44:48,200
Speaker 1: call box, like if you're up in a stand, you

977
00:44:48,200 --> 00:44:49,960
Speaker 1: can put this one hundred feet away in the woods

978
00:44:49,960 --> 00:44:52,320
Speaker 1: and have a rabbit call or Cayo call or something.

979
00:44:52,560 --> 00:44:55,640
Speaker 3: So much more of aman than us, you know about

980
00:44:55,640 --> 00:45:00,560
Speaker 3: some rabbit calls? Yeah, have you so big? Your fisherman?

981
00:45:01,320 --> 00:45:03,560
Speaker 1: My favorite that is unbelievabavorite thing in the world to do.

982
00:45:03,600 --> 00:45:05,000
Speaker 2: A question I have with that how long can you

983
00:45:05,000 --> 00:45:05,560
Speaker 2: hold your breath?

984
00:45:05,600 --> 00:45:08,560
Speaker 1: That was going to be the question was four thirty seven?

985
00:45:08,719 --> 00:45:10,760
Speaker 1: Is the best static just sitting still?

986
00:45:11,160 --> 00:45:12,359
Speaker 3: You know, prove it.

987
00:45:12,640 --> 00:45:16,719
Speaker 1: But I could show you in ten minutes how you

988
00:45:16,719 --> 00:45:19,040
Speaker 1: can double your breath hold, really show you.

989
00:45:19,400 --> 00:45:21,680
Speaker 3: Is it like the hyperventilating you got to like it's

990
00:45:21,719 --> 00:45:24,480
Speaker 3: all the Well, yeah.

991
00:45:23,960 --> 00:45:25,680
Speaker 2: Brian Peters was doing it that one time when we

992
00:45:26,040 --> 00:45:27,640
Speaker 2: were doing a little pool thing at your house.

993
00:45:27,680 --> 00:45:30,680
Speaker 1: Well, he's proven that you can control your uh, your

994
00:45:30,719 --> 00:45:33,759
Speaker 1: even your hormone release in your in your body with

995
00:45:33,800 --> 00:45:36,520
Speaker 1: your breath. But yeah, the average amount of oxygen people

996
00:45:36,640 --> 00:45:38,960
Speaker 1: generally hold is not a lot compared to people that

997
00:45:39,000 --> 00:45:41,160
Speaker 1: had to forage and run around and climb up mountains

998
00:45:41,160 --> 00:45:45,359
Speaker 1: every day for survival. So it's interesting. I've been going

999
00:45:45,400 --> 00:45:49,160
Speaker 1: the last ten years with people that are some of

1000
00:45:49,200 --> 00:45:50,959
Speaker 1: the best beer fishermen in the world, like my boy

1001
00:45:51,120 --> 00:45:54,200
Speaker 1: Justin Lee and Cameron Kirkconnell. I learned how to breathe

1002
00:45:54,239 --> 00:45:56,319
Speaker 1: the right way, and it's actually the opposite. So if

1003
00:45:56,320 --> 00:45:59,640
Speaker 1: you hyperventilate, your heart rate spikes, it goes crazy, so

1004
00:45:59,680 --> 00:46:01,440
Speaker 1: you're burn up all your oxygen, so you do the

1005
00:46:01,440 --> 00:46:05,120
Speaker 1: opposite of that. You do these half breasts with long exhales,

1006
00:46:05,160 --> 00:46:07,799
Speaker 1: like ten second xhales. And if you can't sleep or

1007
00:46:07,800 --> 00:46:09,520
Speaker 1: you're like trying to go down, you got to wind

1008
00:46:09,520 --> 00:46:11,960
Speaker 1: down and get to bed or whatever. Do ten of

1009
00:46:11,960 --> 00:46:13,799
Speaker 1: these breasts when you're about to go to sleep, and

1010
00:46:13,840 --> 00:46:16,480
Speaker 1: you can feel your whole body start to melt and relax.

1011
00:46:16,880 --> 00:46:18,520
Speaker 1: And while you're hunting, you want to have your heart

1012
00:46:18,560 --> 00:46:21,160
Speaker 1: rate as low as possible. When you find something that

1013
00:46:21,200 --> 00:46:24,479
Speaker 1: you want to dive for, then you do three loading breasts,

1014
00:46:24,480 --> 00:46:27,319
Speaker 1: which is your hyperventilation, and then you do a normal breath,

1015
00:46:27,360 --> 00:46:29,120
Speaker 1: and then you do a super breath, which most people

1016
00:46:29,120 --> 00:46:32,279
Speaker 1: don't know how to breathe that other diaphragm everybody breathes through.

1017
00:46:32,680 --> 00:46:35,200
Speaker 1: And your lungs are shaped like a triangle, right, but

1018
00:46:35,200 --> 00:46:38,040
Speaker 1: the most volume is at the bottom. So the biggest

1019
00:46:38,080 --> 00:46:40,080
Speaker 1: volume in your lungs when you breathe in is right here.

1020
00:46:40,080 --> 00:46:41,279
Speaker 1: If you put your hand up, put your hand on

1021
00:46:41,320 --> 00:46:44,359
Speaker 1: your belly. Now pretend there's a balloon going. Don't lift

1022
00:46:44,360 --> 00:46:47,240
Speaker 1: your chest when you breathe in. Just fill up this bottom,

1023
00:46:47,280 --> 00:46:49,440
Speaker 1: which is where the most volume is. So when you

1024
00:46:49,480 --> 00:46:53,880
Speaker 1: inhale fill up that just that balloon. Don't let your

1025
00:46:53,920 --> 00:46:56,040
Speaker 1: shoulders come up. Everybody breathes with this top part of

1026
00:46:56,080 --> 00:46:57,640
Speaker 1: their lungs and that's where you got the least amount

1027
00:46:57,680 --> 00:47:02,880
Speaker 1: of volume. Yep. So you do that while you're cruising

1028
00:47:03,360 --> 00:47:06,200
Speaker 1: your heart rates low. You're melting in the water super efficient.

1029
00:47:06,600 --> 00:47:08,960
Speaker 1: Then you get there three loading breasts, which is just

1030
00:47:10,719 --> 00:47:12,640
Speaker 1: like that, and then regular breath, and then you do

1031
00:47:12,680 --> 00:47:18,279
Speaker 1: a triple which is diaphragm, chest and throat, and then

1032
00:47:18,320 --> 00:47:20,880
Speaker 1: you go down. And then after you've done your breathe up,

1033
00:47:20,880 --> 00:47:22,960
Speaker 1: which is just like those half breasts chilling on top.

1034
00:47:23,040 --> 00:47:25,000
Speaker 1: When you go down, you got twice a bottom time,

1035
00:47:25,080 --> 00:47:26,839
Speaker 1: you know would have. So I did it wrong for

1036
00:47:26,960 --> 00:47:28,880
Speaker 1: ten years and I started going with people that know

1037
00:47:28,880 --> 00:47:30,520
Speaker 1: how to do it. It's like somebody handing a golf

1038
00:47:30,520 --> 00:47:32,319
Speaker 1: club and being like, smack the ball. Like, unless you

1039
00:47:32,320 --> 00:47:36,320
Speaker 1: have mechanics and somebody to show you how to do it,

1040
00:47:36,320 --> 00:47:38,080
Speaker 1: it's not relaxing at all to try to hit golf

1041
00:47:38,080 --> 00:47:39,359
Speaker 1: balls and you don't know how to hit a golf ball.

1042
00:47:39,480 --> 00:47:40,920
Speaker 3: How do you get into something like this?

1043
00:47:41,800 --> 00:47:44,520
Speaker 1: I went the first time in the Bahamas with a

1044
00:47:44,560 --> 00:47:46,759
Speaker 1: bohemian guy there and just fell in love with it

1045
00:47:46,840 --> 00:47:50,160
Speaker 1: like I just love. I love the challenge physically you

1046
00:47:50,239 --> 00:47:52,080
Speaker 1: sleep like a baby after you die for a whole

1047
00:47:52,160 --> 00:47:55,760
Speaker 1: day and swimming, but you're challenging the ocean, you're challenging

1048
00:47:55,800 --> 00:47:59,120
Speaker 1: the camouflage and the fish, you're challenging your breath. And

1049
00:47:59,160 --> 00:48:02,120
Speaker 1: when you get something nice, it's like you did it.

1050
00:48:02,160 --> 00:48:04,160
Speaker 1: And it's only shooting things you can eat. So you're

1051
00:48:04,160 --> 00:48:05,640
Speaker 1: getting out in the morning and you're going out and

1052
00:48:05,640 --> 00:48:07,719
Speaker 1: you're shooting your dinner and you know, food for the

1053
00:48:07,719 --> 00:48:09,920
Speaker 1: next few days, or making cevich on the boat or

1054
00:48:09,920 --> 00:48:14,759
Speaker 1: whatever it is. But I love like I love making

1055
00:48:14,800 --> 00:48:17,120
Speaker 1: people feel good. I love entertaining people. But I I

1056
00:48:17,480 --> 00:48:21,280
Speaker 1: recharge and my my lady calls it, it's two people

1057
00:48:21,360 --> 00:48:23,600
Speaker 1: y in there. And sometimes I got to just go

1058
00:48:23,680 --> 00:48:25,719
Speaker 1: out and be in the wild. And when i'm supeitfishing,

1059
00:48:25,760 --> 00:48:28,240
Speaker 1: there's nothing else in my brain. There's no chatter except

1060
00:48:28,239 --> 00:48:30,479
Speaker 1: exactly what's in the moment right there. And every time

1061
00:48:30,480 --> 00:48:32,919
Speaker 1: I go, I see something in the ocean I've never

1062
00:48:32,960 --> 00:48:35,920
Speaker 1: seen before. It is another universe down there.

1063
00:48:35,960 --> 00:48:39,120
Speaker 3: Have you ever terrified me? That's you? What kind of

1064
00:48:39,120 --> 00:48:39,600
Speaker 3: what is that?

1065
00:48:39,600 --> 00:48:44,960
Speaker 1: That's a dog tooth tuna, a dog tooth tuna. That

1066
00:48:45,040 --> 00:48:46,880
Speaker 1: was Infiji. No, I was stoked when I saw that.

1067
00:48:46,880 --> 00:48:47,840
Speaker 1: That's what I was. That's what I was.

1068
00:48:47,880 --> 00:48:51,240
Speaker 3: After you you saw that and you got hyped out

1069
00:48:51,320 --> 00:48:53,520
Speaker 3: walk I'm like, Jesus, dude, I'm walking on water. I'm

1070
00:48:53,520 --> 00:48:54,319
Speaker 3: getting out of there.

1071
00:48:54,600 --> 00:48:57,839
Speaker 1: Yeah, and this was more recently, But.

1072
00:48:58,520 --> 00:48:59,520
Speaker 2: Now, what about sharks.

1073
00:49:00,080 --> 00:49:01,840
Speaker 1: Sharks they're there all the time.

1074
00:49:03,040 --> 00:49:05,520
Speaker 3: Spearfishing videos where guys go down there, they get themselves

1075
00:49:05,520 --> 00:49:07,560
Speaker 3: a fish. You can hear them be stoked and they're

1076
00:49:07,600 --> 00:49:09,719
Speaker 3: kind of reeling it in and then this is little Yeah,

1077
00:49:09,760 --> 00:49:10,799
Speaker 3: you blackfin fell you.

1078
00:49:10,880 --> 00:49:15,960
Speaker 1: You bottle them for for the fish sometimes and it's

1079
00:49:16,000 --> 00:49:18,560
Speaker 1: not intuitive, but as soon as you get the fish

1080
00:49:18,600 --> 00:49:21,719
Speaker 1: to your body and like claim it, they'll turn. But

1081
00:49:21,760 --> 00:49:23,200
Speaker 1: you don't want to be holding the fish out because

1082
00:49:23,239 --> 00:49:25,040
Speaker 1: it'll eat your hand and the fish at the same

1083
00:49:25,080 --> 00:49:27,919
Speaker 1: time trying to eat the fish when the visibility is good.

1084
00:49:28,000 --> 00:49:30,400
Speaker 1: Sharks know the deal. And this is not spearfish in

1085
00:49:30,400 --> 00:49:32,719
Speaker 1: places where they eat people our size or eat sea

1086
00:49:32,760 --> 00:49:35,280
Speaker 1: lions or things our size. Now that's a different thing.

1087
00:49:35,760 --> 00:49:38,200
Speaker 1: But most of the places that we go, they're just

1088
00:49:38,280 --> 00:49:40,240
Speaker 1: after the fish, or they're after the chum that we're throwing.

1089
00:49:40,239 --> 00:49:42,320
Speaker 1: Like when we're fishing for those big dog too. Tuna.

1090
00:49:42,400 --> 00:49:44,279
Speaker 1: That's a Spanish mackerel on the left side right there

1091
00:49:44,280 --> 00:49:47,680
Speaker 1: that I'm holding up. But you know, you read the

1092
00:49:47,719 --> 00:49:49,719
Speaker 1: sharks language. They're like a dog right you walk in

1093
00:49:49,719 --> 00:49:51,359
Speaker 1: the yard. You can read the language of a dog

1094
00:49:51,400 --> 00:49:53,200
Speaker 1: if they're kind of staring at you and they're like

1095
00:49:53,360 --> 00:49:55,680
Speaker 1: you can tell by looking at them. I mean, we

1096
00:49:55,719 --> 00:49:57,520
Speaker 1: swim with them every time. This was just a month

1097
00:49:57,600 --> 00:50:01,240
Speaker 1: or so ago. That is a monster kubert a kuberra,

1098
00:50:01,440 --> 00:50:04,400
Speaker 1: cubrera snapper and those things. That's a monster. In Bahamas,

1099
00:50:04,480 --> 00:50:06,400
Speaker 1: you can't use a spear gun. You have to use

1100
00:50:06,440 --> 00:50:08,040
Speaker 1: a spear so you have to use a nine foot

1101
00:50:08,080 --> 00:50:09,960
Speaker 1: spear that has a rubber band on the back of it,

1102
00:50:10,280 --> 00:50:11,799
Speaker 1: and you have to swim down and get close enough

1103
00:50:11,800 --> 00:50:13,960
Speaker 1: while it's loaded, and swim under rocks and rustle a

1104
00:50:14,040 --> 00:50:15,960
Speaker 1: nine foot pole into the rocks and try to shoot

1105
00:50:16,000 --> 00:50:16,359
Speaker 1: things like.

1106
00:50:16,320 --> 00:50:17,720
Speaker 3: That while you're holding your breath.

1107
00:50:17,880 --> 00:50:19,800
Speaker 1: While you're holding your breath, so you have a weight belt,

1108
00:50:19,920 --> 00:50:21,840
Speaker 1: you have a mask and a snorkel and a knife,

1109
00:50:22,000 --> 00:50:23,480
Speaker 1: and then you either have a pole spear if you're

1110
00:50:23,480 --> 00:50:26,200
Speaker 1: in Bahamas, or you have a spear gun which is

1111
00:50:26,239 --> 00:50:28,600
Speaker 1: all preloaded, so all the tensions not on your hand

1112
00:50:28,640 --> 00:50:30,719
Speaker 1: when you swim down, So a gun you just reach

1113
00:50:30,760 --> 00:50:34,520
Speaker 1: out and you can shoot. Sometimes the you have a

1114
00:50:34,560 --> 00:50:36,279
Speaker 1: reel on your gun. If you're shooting things that are

1115
00:50:36,320 --> 00:50:38,440
Speaker 1: twenty thirty pounds, you know you can get that in

1116
00:50:38,840 --> 00:50:42,080
Speaker 1: with you know, by hand. If you're shooting monsters like

1117
00:50:42,120 --> 00:50:45,719
Speaker 1: that dog too tuna, your shaft is attached to a

1118
00:50:45,760 --> 00:50:48,839
Speaker 1: float line, to a booie. So you shoot the fish

1119
00:50:48,880 --> 00:50:50,920
Speaker 1: and you're not attached to it anymore, and then you

1120
00:50:50,960 --> 00:50:52,719
Speaker 1: have to chase it down before the sharks get it,

1121
00:50:53,200 --> 00:50:55,000
Speaker 1: pull it up high enough. Sometimes take a.

1122
00:50:54,880 --> 00:50:58,480
Speaker 3: Second gun is a crazy car? Yeah, yeah, that's nuts.

1123
00:50:58,560 --> 00:51:00,200
Speaker 3: So is it when you're shooting a fish? Is it

1124
00:51:00,239 --> 00:51:02,080
Speaker 3: kind of like when you go deer hunting and you're like, hey,

1125
00:51:02,080 --> 00:51:04,000
Speaker 3: you want to aim for that little like shoulder piech

1126
00:51:04,080 --> 00:51:06,880
Speaker 3: right there, get behind the headshots.

1127
00:51:06,880 --> 00:51:10,240
Speaker 1: If you can. If you can break their spine, it's

1128
00:51:10,760 --> 00:51:13,239
Speaker 1: it stones them, So that's what you want. I've had

1129
00:51:13,280 --> 00:51:15,920
Speaker 1: situations where I'm sixty five feet down the bottom of

1130
00:51:16,040 --> 00:51:18,719
Speaker 1: radio tower. I shoot a permit, the biggest permit I've

1131
00:51:18,719 --> 00:51:19,480
Speaker 1: ever seen in my life.

1132
00:51:19,520 --> 00:51:21,160
Speaker 3: Can we pull up a permit? Because it sounds like

1133
00:51:21,239 --> 00:51:22,400
Speaker 3: you have to get from the city council.

1134
00:51:22,400 --> 00:51:24,440
Speaker 1: I can I assure you picture right here?

1135
00:51:26,120 --> 00:51:28,360
Speaker 3: This is uh, these are these are big fellas.

1136
00:51:29,160 --> 00:51:31,680
Speaker 1: They're not knowing. This was a sixty pounder. I've never

1137
00:51:31,719 --> 00:51:33,680
Speaker 1: heard anyone catching one on a line that was over

1138
00:51:33,760 --> 00:51:37,000
Speaker 1: like thirty five forty pounds, but just just a monster.

1139
00:51:37,080 --> 00:51:39,200
Speaker 1: But but this one, this one almost drowned me. I

1140
00:51:39,239 --> 00:51:43,400
Speaker 1: hit him a little low, but this thing's about that wide.

1141
00:51:43,400 --> 00:51:44,920
Speaker 1: They're they're kind of like a pit bull.

1142
00:51:45,160 --> 00:51:46,439
Speaker 3: Yeah, like in the wild.

1143
00:51:46,560 --> 00:51:48,960
Speaker 2: That's a big boy. Yeah, it's a big boy right there.

1144
00:51:48,960 --> 00:51:52,319
Speaker 1: Take a little I'm sixty five feet down. I shoot him.

1145
00:51:52,760 --> 00:51:54,799
Speaker 1: He takes off one way, ripping line off my reel.

1146
00:51:54,880 --> 00:51:56,719
Speaker 1: I'm trying to swim up. I need breath. I'm like

1147
00:51:57,160 --> 00:52:00,319
Speaker 1: at the you have about forty five seconds after you

1148
00:52:00,320 --> 00:52:03,240
Speaker 1: feel uncomfortable to get air and you know you're still safe,

1149
00:52:03,239 --> 00:52:05,120
Speaker 1: so you just mentally have to block it out. Same

1150
00:52:05,160 --> 00:52:06,920
Speaker 1: thing when you're training or when you're whatever, Like you

1151
00:52:07,160 --> 00:52:09,360
Speaker 1: gotta just like rip through. You know you're gonna be okay.

1152
00:52:09,440 --> 00:52:13,480
Speaker 1: So I get up about ten feet from the surface

1153
00:52:13,520 --> 00:52:15,120
Speaker 1: and I can see it and I need air. Well,

1154
00:52:15,320 --> 00:52:17,320
Speaker 1: the line on my reel was gone, and he snatched

1155
00:52:17,320 --> 00:52:21,040
Speaker 1: me back down twenty feet and then I start snatching

1156
00:52:21,080 --> 00:52:23,279
Speaker 1: the reel trying to He's either gonna break out. It's

1157
00:52:23,280 --> 00:52:25,080
Speaker 1: either gonna rip out of him, or he's gonna turn.

1158
00:52:26,080 --> 00:52:28,320
Speaker 1: So I rip it a few times and he turns,

1159
00:52:28,520 --> 00:52:29,799
Speaker 1: and so I get up and I get a breath.

1160
00:52:29,840 --> 00:52:31,480
Speaker 1: As soon as I get a breath, he pulls me

1161
00:52:31,560 --> 00:52:33,320
Speaker 1: back down again. And you have to clear your ears

1162
00:52:33,360 --> 00:52:35,080
Speaker 1: in the middle of it too, because they pull you

1163
00:52:35,120 --> 00:52:37,279
Speaker 1: down deep. So that one was a wild one, and

1164
00:52:37,280 --> 00:52:39,000
Speaker 1: my buddy jumped in. He was trying to help, he

1165
00:52:39,080 --> 00:52:39,840
Speaker 1: was holding me.

1166
00:52:39,880 --> 00:52:41,640
Speaker 2: I probably just let go, yea, yeah, why don't you

1167
00:52:41,640 --> 00:52:42,040
Speaker 2: just let go?

1168
00:52:42,160 --> 00:52:44,239
Speaker 1: Yeah? But it is the most If you've never been

1169
00:52:44,239 --> 00:52:47,200
Speaker 1: spear fishing, Bahamas is the best place to learn. Its

1170
00:52:47,280 --> 00:52:49,560
Speaker 1: crystal clear, twenty thirty feet of water. You can shoot

1171
00:52:49,560 --> 00:52:55,280
Speaker 1: amazing lobsters, snapper, grouper. It's I'm telling you, it's another world.

1172
00:52:55,280 --> 00:52:58,680
Speaker 1: It's hunting and fishing and physical. That's a big lobster.

1173
00:52:58,880 --> 00:53:00,840
Speaker 1: It's a baster that was in Bahamas.

1174
00:53:00,920 --> 00:53:03,000
Speaker 3: Is that so the story you just told us, Is

1175
00:53:03,000 --> 00:53:05,880
Speaker 3: that like the scariest experience you've had in the water.

1176
00:53:06,880 --> 00:53:08,680
Speaker 1: No, Actually, the scariest ones that I've had have been

1177
00:53:09,719 --> 00:53:12,960
Speaker 1: using a scuba tank. I had an emergency service from

1178
00:53:13,000 --> 00:53:15,759
Speaker 1: one hundred and twenty feet somebody else's gear on their

1179
00:53:15,800 --> 00:53:18,200
Speaker 1: boat they had. I'm down there and all of a sudden,

1180
00:53:18,320 --> 00:53:20,000
Speaker 1: I've been down like five minutes. It was an eighteen

1181
00:53:20,040 --> 00:53:22,239
Speaker 1: minute dive, so I wasn't hawking the gauges, like looking

1182
00:53:22,239 --> 00:53:24,439
Speaker 1: at them every two minutes because I'd been down long.

1183
00:53:24,600 --> 00:53:27,120
Speaker 1: But I see this huge snapper and I'm going down.

1184
00:53:27,160 --> 00:53:28,440
Speaker 1: I went. I was at one hundred and I went

1185
00:53:28,480 --> 00:53:30,359
Speaker 1: down to one twenty chase in this snapper, and it

1186
00:53:30,400 --> 00:53:32,120
Speaker 1: was like I was breathing out of a coffee straw.

1187
00:53:32,640 --> 00:53:34,800
Speaker 1: That air start because you have to continually breathe in scuba,

1188
00:53:34,840 --> 00:53:37,839
Speaker 1: so you're constantly making bubbles, which is not great camouflage,

1189
00:53:37,840 --> 00:53:40,279
Speaker 1: which is why freed diving is the way to do it.

1190
00:53:40,400 --> 00:53:42,080
Speaker 3: You why do you have to continually breathe with a

1191
00:53:42,080 --> 00:53:42,760
Speaker 3: scuba tank.

1192
00:53:42,640 --> 00:53:45,200
Speaker 1: Because you're really compressed air, and so if you change

1193
00:53:45,719 --> 00:53:50,200
Speaker 1: your atmosphere, you go down from fifteen to twenty five

1194
00:53:50,280 --> 00:53:53,040
Speaker 1: is a different atmosphere. So when you go down it compressed.

1195
00:53:53,040 --> 00:53:56,560
Speaker 1: It compresses the air down and you're breathing it compressed already,

1196
00:53:56,800 --> 00:53:58,719
Speaker 1: so you constantly have to flow and breathe. You never

1197
00:53:58,800 --> 00:54:00,839
Speaker 1: stop your breathing. That's why there's all these bubbles coming

1198
00:54:00,880 --> 00:54:03,040
Speaker 1: out when you're scuba diving. But if somebody's in the

1199
00:54:03,040 --> 00:54:04,520
Speaker 1: boat up top. The guy was up at the boat

1200
00:54:04,560 --> 00:54:06,840
Speaker 1: up top, the guy was diving with he had a

1201
00:54:06,840 --> 00:54:09,880
Speaker 1: bunch of floats on his chest, and he would if

1202
00:54:09,920 --> 00:54:11,600
Speaker 1: you shoot a fish, you tie the float to it,

1203
00:54:11,640 --> 00:54:13,360
Speaker 1: you blow it up and to send the fish up

1204
00:54:13,360 --> 00:54:14,600
Speaker 1: to the top. And the guy in the boat like

1205
00:54:14,640 --> 00:54:16,480
Speaker 1: picks the fish up, and he's following our bubbles. He

1206
00:54:16,520 --> 00:54:19,240
Speaker 1: can see where we are. Well. I was down five minutes.

1207
00:54:20,040 --> 00:54:21,480
Speaker 1: I was out of air. I looked down and my

1208
00:54:21,480 --> 00:54:23,799
Speaker 1: gauge was red. Something was wrong. The gauge was wrong.

1209
00:54:23,840 --> 00:54:25,360
Speaker 1: The tank wasn't full, it said it was. When I

1210
00:54:25,360 --> 00:54:27,960
Speaker 1: went down. I was one hundred and twenty feet down.

1211
00:54:28,040 --> 00:54:29,840
Speaker 1: I swim twenty feet up to where my buddy was.

1212
00:54:29,880 --> 00:54:31,799
Speaker 1: He had all those floats on his vest. I'm trying

1213
00:54:31,800 --> 00:54:34,680
Speaker 1: to get to his octopus, his secondary air, to grab

1214
00:54:34,719 --> 00:54:36,399
Speaker 1: it and breathe. But when I made it to him,

1215
00:54:36,400 --> 00:54:38,880
Speaker 1: I was already out of air. So I tried to

1216
00:54:38,880 --> 00:54:40,439
Speaker 1: wrestle with it and get that off. What I should

1217
00:54:40,440 --> 00:54:42,520
Speaker 1: have done is taken his out of his mouth and

1218
00:54:42,680 --> 00:54:45,440
Speaker 1: us trade breaths go up to twenty five feet, decompressed

1219
00:54:45,480 --> 00:54:48,440
Speaker 1: there for three or four minutes, and then go So

1220
00:54:49,360 --> 00:54:51,040
Speaker 1: I knew that all the air that was in my

1221
00:54:51,120 --> 00:54:53,759
Speaker 1: lungs was going to be expanding, expanding as I went up.

1222
00:54:53,800 --> 00:54:56,560
Speaker 1: So I had emergency service from one hundred feet and

1223
00:54:56,840 --> 00:54:58,640
Speaker 1: I blew up my BC as far as I could,

1224
00:54:58,719 --> 00:55:00,360
Speaker 1: and the whole way up, I'm just blowing out as

1225
00:55:00,400 --> 00:55:04,080
Speaker 1: hard as I can. Just the guy running the boat

1226
00:55:04,080 --> 00:55:06,120
Speaker 1: at the top sees me come up and like breached

1227
00:55:06,120 --> 00:55:07,759
Speaker 1: the top of the water and was like, oh shit,

1228
00:55:07,840 --> 00:55:09,200
Speaker 1: I didn't get the bends. Thank god.

1229
00:55:09,400 --> 00:55:09,879
Speaker 3: What's then?

1230
00:55:10,200 --> 00:55:11,600
Speaker 1: The bens is when you have to be put in

1231
00:55:11,640 --> 00:55:15,480
Speaker 1: a decompression chamber and breathe pure oxygen afterwards to decompress

1232
00:55:15,520 --> 00:55:19,200
Speaker 1: your body. It can really mess your brain up. So

1233
00:55:19,239 --> 00:55:23,520
Speaker 1: I don't. I don't scuba anymore. I've had one time

1234
00:55:23,520 --> 00:55:26,720
Speaker 1: when I was spearfishing, I got washed out past a reef.

1235
00:55:27,160 --> 00:55:29,120
Speaker 1: These big roller waves came in and the boat we

1236
00:55:29,160 --> 00:55:31,080
Speaker 1: came out on couldn't get to us, and so for

1237
00:55:31,120 --> 00:55:33,400
Speaker 1: an hour, I'm just tread and water. I dumped my

1238
00:55:33,440 --> 00:55:35,680
Speaker 1: weight belt, just threw it off, and I'm just cruising

1239
00:55:35,760 --> 00:55:37,880
Speaker 1: on top of the water, which I'm comfortable doing. But

1240
00:55:37,920 --> 00:55:39,960
Speaker 1: the little guy that was with me was from Belize.

1241
00:55:40,680 --> 00:55:41,960
Speaker 1: He was a kind of a heavy guy, but he

1242
00:55:41,960 --> 00:55:44,600
Speaker 1: could swim, and he was out. He was screaming and

1243
00:55:44,760 --> 00:55:46,400
Speaker 1: waving his gun and trying to do whatever, and I

1244
00:55:46,440 --> 00:55:48,319
Speaker 1: was like, oh shit, So I dropped my weight and

1245
00:55:48,400 --> 00:55:50,160
Speaker 1: I just cruis it on top, and an hour later

1246
00:55:50,200 --> 00:55:52,120
Speaker 1: the waves settled down and the little Penga could get

1247
00:55:52,160 --> 00:55:53,680
Speaker 1: out through the reef to get out to where we

1248
00:55:53,680 --> 00:55:55,799
Speaker 1: were again. But that was one of the moments where

1249
00:55:55,840 --> 00:55:58,280
Speaker 1: I was like, maybe it maybe like five six hours

1250
00:55:58,320 --> 00:56:00,440
Speaker 1: that I have to just maintain and able to wait

1251
00:56:00,440 --> 00:56:02,319
Speaker 1: for the tide to turn and be able to make

1252
00:56:02,360 --> 00:56:03,239
Speaker 1: it swim back in.

1253
00:56:04,480 --> 00:56:05,240
Speaker 2: Buddy.

1254
00:56:05,440 --> 00:56:06,800
Speaker 3: I mean, I go, I go in my pool and

1255
00:56:06,840 --> 00:56:09,400
Speaker 3: it's a fe deep. I can't. I can't, you know.

1256
00:56:11,640 --> 00:56:13,520
Speaker 3: I mean, gple may make funny. I'll be trying to

1257
00:56:13,520 --> 00:56:16,279
Speaker 3: tread water and I just can't do it. I'll just sink.

1258
00:56:16,360 --> 00:56:19,440
Speaker 1: Spearfishing is the most fun anything I've ever done. It's

1259
00:56:19,480 --> 00:56:22,080
Speaker 1: I'm telling you, it's it's you should go sometime. Bahamas

1260
00:56:22,160 --> 00:56:24,000
Speaker 1: is the best place. I got a boat there. If

1261
00:56:24,040 --> 00:56:25,759
Speaker 1: you guys ever want to go Bahamas weekend, I can

1262
00:56:25,840 --> 00:56:26,080
Speaker 1: take you.

1263
00:56:26,200 --> 00:56:28,040
Speaker 3: Okay, I mean yeah, I mean we've just met and

1264
00:56:28,040 --> 00:56:30,280
Speaker 3: you're already inviting us out on a nice excursion.

1265
00:56:30,520 --> 00:56:32,080
Speaker 1: Yeah. Man, I'm telling you.

1266
00:56:31,760 --> 00:56:35,799
Speaker 2: Well, his boy, his boy built my house, Matt, Yeah, yeah, yeah,

1267
00:56:35,800 --> 00:56:38,239
Speaker 2: he was our builder for the house we're currently We

1268
00:56:38,239 --> 00:56:40,520
Speaker 2: were actually his first house that I think it was

1269
00:56:40,640 --> 00:56:43,400
Speaker 2: him and his dad. But during COVID he just did

1270
00:56:43,440 --> 00:56:46,040
Speaker 2: a little side project since nobody was playing a whole lot.

1271
00:56:46,239 --> 00:56:49,400
Speaker 2: But yeah, what does he do? Is he a guitarist?

1272
00:56:49,520 --> 00:56:49,960
Speaker 1: Bass player?

1273
00:56:50,000 --> 00:56:53,320
Speaker 2: Yeah, bass player yeah, yeah, very detailed individual.

1274
00:56:55,239 --> 00:56:59,279
Speaker 1: Yeah, his dad's a builder, and Matt, I've got to

1275
00:56:59,560 --> 00:57:01,560
Speaker 1: like Burke nerds in my band. I've got him and

1276
00:57:01,640 --> 00:57:04,080
Speaker 1: Clay Cook. And so they quantitize it all. They tell

1277
00:57:04,120 --> 00:57:05,880
Speaker 1: me what the math is. I create something and then

1278
00:57:05,920 --> 00:57:08,720
Speaker 1: they make a chart of what it is so everybody

1279
00:57:08,760 --> 00:57:10,839
Speaker 1: else can play it and learn it or whatever it is.

1280
00:57:11,280 --> 00:57:15,080
Speaker 1: But I'm not the that'd be like your offensive coordinator

1281
00:57:15,200 --> 00:57:19,000
Speaker 1: or defense coordinator Whoever's just like strategy wise, because when

1282
00:57:19,000 --> 00:57:20,840
Speaker 1: I create something, I don't want to think about the math.

1283
00:57:20,960 --> 00:57:23,400
Speaker 1: You know, you can break anything into math, but I

1284
00:57:23,440 --> 00:57:25,040
Speaker 1: want to make it based on the way I feel

1285
00:57:25,040 --> 00:57:26,440
Speaker 1: and the way it makes me feel and maybe the

1286
00:57:26,440 --> 00:57:28,560
Speaker 1: way it makes somebody else feel, and then they they

1287
00:57:28,640 --> 00:57:30,919
Speaker 1: quantitize it. Matt can listen to a song no matter

1288
00:57:30,920 --> 00:57:33,240
Speaker 1: how long it is one listen to the song and

1289
00:57:33,280 --> 00:57:35,280
Speaker 1: write a musical chart of all of the notes and

1290
00:57:35,320 --> 00:57:37,520
Speaker 1: the timing of the whole song, listening to it, no

1291
00:57:37,560 --> 00:57:40,880
Speaker 1: matter how complicated it is. So Matt, Matt's like a wizard.

1292
00:57:40,960 --> 00:57:43,560
Speaker 3: He is thorough Yeah it, sitting there breaking down everything.

1293
00:57:43,600 --> 00:57:45,240
Speaker 3: He's got his little handbook and everything else.

1294
00:57:45,280 --> 00:57:47,760
Speaker 2: I was like, buddy, can I just I'll just live

1295
00:57:47,800 --> 00:57:49,360
Speaker 2: in the house and then when something happens, I'll just

1296
00:57:49,440 --> 00:57:53,320
Speaker 2: let you know. You know, I'm going to give mouth

1297
00:57:53,360 --> 00:57:54,840
Speaker 2: open as I'm staring.

1298
00:57:54,600 --> 00:57:56,919
Speaker 3: At Yeah, and you know, he's so passionate about whatever

1299
00:57:56,960 --> 00:57:57,800
Speaker 3: he's telling me too.

1300
00:57:58,560 --> 00:58:01,320
Speaker 2: And it was his first one. So he's on it, bro, Yeah,

1301
00:58:01,520 --> 00:58:02,040
Speaker 2: he's on it.

1302
00:58:02,080 --> 00:58:04,760
Speaker 3: So we're into spearfishing. What uh do we hunter?

1303
00:58:05,840 --> 00:58:07,280
Speaker 2: Have you swim with Orcas.

1304
00:58:07,800 --> 00:58:09,800
Speaker 1: I've been in the water with him, I haven't gotten

1305
00:58:09,840 --> 00:58:12,320
Speaker 1: to really have a great close up encounter. But in Alaska.

1306
00:58:12,400 --> 00:58:14,360
Speaker 1: I got a place in Alaska and they're out in

1307
00:58:14,400 --> 00:58:16,640
Speaker 1: the bay all the time, so we spearfish there and

1308
00:58:16,680 --> 00:58:19,400
Speaker 1: so we've seen a glimpse of them, but never gotten

1309
00:58:19,400 --> 00:58:21,960
Speaker 1: to just like fully see him swim with whale sharks,

1310
00:58:21,960 --> 00:58:27,160
Speaker 1: to swim with pilot whales, lots of different things. Orcheres

1311
00:58:27,200 --> 00:58:29,480
Speaker 1: are the craziest. They're the baddest machine in the.

1312
00:58:29,400 --> 00:58:32,960
Speaker 3: Oceans as they are bad.

1313
00:58:33,000 --> 00:58:35,040
Speaker 1: That's where they played with toy.

1314
00:58:35,560 --> 00:58:36,760
Speaker 3: You know, I've said it a lot. I had the

1315
00:58:36,800 --> 00:58:38,840
Speaker 3: free you know, free Willy, grew up on free Willy. Yeah,

1316
00:58:38,840 --> 00:58:40,440
Speaker 3: I had the little compass, held it near and deue

1317
00:58:40,440 --> 00:58:42,200
Speaker 3: to my heart for the longest time. What happened to

1318
00:58:42,200 --> 00:58:42,840
Speaker 3: that compass?

1319
00:58:43,440 --> 00:58:45,520
Speaker 2: I think we just moved and I lost it. I

1320
00:58:45,600 --> 00:58:46,440
Speaker 2: grew up a little bit.

1321
00:58:46,880 --> 00:58:49,720
Speaker 3: Yeah, you know what I mean, never too much, because

1322
00:58:49,760 --> 00:58:51,600
Speaker 3: you break it up the four times you realize the

1323
00:58:51,600 --> 00:58:52,960
Speaker 3: compass is just you know, just that.

1324
00:58:53,280 --> 00:58:55,640
Speaker 2: Yeah, I ain't gonna find a whale with this.

1325
00:58:57,560 --> 00:58:58,680
Speaker 1: You can go swim with them too.

1326
00:58:59,000 --> 00:59:00,880
Speaker 2: I don't want no way.

1327
00:59:00,720 --> 00:59:01,960
Speaker 3: Why Iceland you can do it too.

1328
00:59:02,160 --> 00:59:04,240
Speaker 1: Yeah. They all spinfish hall of it there too in

1329
00:59:04,240 --> 00:59:06,280
Speaker 1: those places too, same as same as Alaska.

1330
00:59:06,320 --> 00:59:08,040
Speaker 3: I need to get out to Iceland. My wife when

1331
00:59:08,080 --> 00:59:11,280
Speaker 3: we first met, she was like, whoever I marry, whoever

1332
00:59:11,320 --> 00:59:13,040
Speaker 3: I'm with the rest of my life. I want to

1333
00:59:13,080 --> 00:59:14,640
Speaker 3: go to Iceland with them, and I was like, oh, yeah,

1334
00:59:14,640 --> 00:59:16,200
Speaker 3: we're gonna go to Iceland. We've be married for almost

1335
00:59:16,200 --> 00:59:19,720
Speaker 3: ten years. Amazing, still have not gone to Iceland. Gotta

1336
00:59:19,800 --> 00:59:20,400
Speaker 3: check that box.

1337
00:59:20,600 --> 00:59:20,760
Speaker 1: Ten.

1338
00:59:20,760 --> 00:59:22,080
Speaker 3: Your anniversary comes up in April.

1339
00:59:22,120 --> 00:59:23,640
Speaker 1: I was just in Greenland about a month ago.

1340
00:59:24,000 --> 00:59:27,000
Speaker 3: Yeah, yeah, how was that? Yeah, I'm sure you trouble.

1341
00:59:27,280 --> 00:59:28,959
Speaker 3: Were your like your favorite places you've ever been to.

1342
00:59:29,520 --> 00:59:32,400
Speaker 1: And Alaska is one of them. Have you been to Alaska? No?

1343
00:59:32,760 --> 00:59:36,000
Speaker 1: I think the scale of Alaska is so much bigger

1344
00:59:36,040 --> 00:59:39,040
Speaker 1: than anything else, and just it's it's the wild. I've

1345
00:59:39,040 --> 00:59:40,640
Speaker 1: got a boat there and you can go off and

1346
00:59:41,280 --> 00:59:43,680
Speaker 1: lower the front gate extends over and you can just

1347
00:59:43,800 --> 00:59:46,480
Speaker 1: walk off and go anywhere you want to go. But

1348
00:59:47,080 --> 00:59:49,880
Speaker 1: there's a frequency in Alaska that I've never found anywhere else.

1349
00:59:50,120 --> 00:59:54,640
Speaker 1: In July and August and Homer is the greatest. It's

1350
00:59:54,640 --> 00:59:58,520
Speaker 1: sixty sixty five degrees every day. It's sunny. World class fishing,

1351
00:59:58,560 --> 01:00:02,000
Speaker 1: world class hunting, it is. But beauty wise, the view

1352
01:00:02,040 --> 01:00:04,840
Speaker 1: from my porch is the greatest you have ever seen anywhere.

1353
01:00:04,960 --> 01:00:06,120
Speaker 3: You spend every summer up there.

1354
01:00:06,680 --> 01:00:08,640
Speaker 1: I spend my summer's working my ass off. So my

1355
01:00:08,680 --> 01:00:10,920
Speaker 1: goal is to get to wear it be up there

1356
01:00:10,960 --> 01:00:11,480
Speaker 1: more often.

1357
01:00:11,640 --> 01:00:11,920
Speaker 3: Yeah.

1358
01:00:11,960 --> 01:00:15,280
Speaker 2: Yeah, dude, are you you a big hunter?

1359
01:00:16,080 --> 01:00:17,680
Speaker 1: Yeah? I bet hunting my whole life. My dad was

1360
01:00:17,680 --> 01:00:21,480
Speaker 1: taking me, you know, dealhunt deer hunting and hunting birds

1361
01:00:21,520 --> 01:00:23,520
Speaker 1: and squirrels.

1362
01:00:23,040 --> 01:00:23,720
Speaker 2: And what's your favorite.

1363
01:00:26,080 --> 01:00:28,320
Speaker 1: I love the bow hunt. This is my favorite because

1364
01:00:28,360 --> 01:00:31,000
Speaker 1: you're in their environment. You're playing the wind and you're

1365
01:00:31,080 --> 01:00:36,400
Speaker 1: scent and the camo and the environment and sneaking up hunting.

1366
01:00:36,440 --> 01:00:38,720
Speaker 1: For me, the greatest ninety percent of hunting why I

1367
01:00:38,720 --> 01:00:41,280
Speaker 1: love it is not harvesting the animal. It's because it

1368
01:00:41,360 --> 01:00:43,880
Speaker 1: pushes you out into the wild where you would never go.

1369
01:00:44,640 --> 01:00:47,240
Speaker 1: And the amount of sunrises and sunsets that I've seen

1370
01:00:47,280 --> 01:00:49,240
Speaker 1: bow hunting. I can't imagine what my life would be

1371
01:00:49,280 --> 01:00:53,480
Speaker 1: like without having that in my life. It's uh, it's

1372
01:00:53,520 --> 01:00:57,640
Speaker 1: spiritual and it's primal, and you're hunting things that you

1373
01:00:57,680 --> 01:01:00,200
Speaker 1: can eat or that if you're in another country sometimes

1374
01:01:00,200 --> 01:01:03,280
Speaker 1: the things that that you shoot there, the villagers get

1375
01:01:03,280 --> 01:01:06,000
Speaker 1: to eat it, so you're feeding their families or your own.

1376
01:01:06,440 --> 01:01:11,920
Speaker 1: And it's I can't I can't really explain, but but

1377
01:01:12,040 --> 01:01:15,640
Speaker 1: being connected to nature and walking places that people don't

1378
01:01:15,680 --> 01:01:17,640
Speaker 1: walk like, you're not on a trail that's on your

1379
01:01:17,920 --> 01:01:20,200
Speaker 1: map guide on your phone, you know, and an app

1380
01:01:20,200 --> 01:01:23,080
Speaker 1: on your phone. You're truly just pushing into the wilderness,

1381
01:01:23,080 --> 01:01:25,280
Speaker 1: into the wild and yeah, that's that's on my boat

1382
01:01:25,320 --> 01:01:25,880
Speaker 1: in Alaska.

1383
01:01:26,080 --> 01:01:30,640
Speaker 2: And what's the hardest hunt that you've been on? Are

1384
01:01:30,720 --> 01:01:32,720
Speaker 2: the hardest animal to push?

1385
01:01:32,920 --> 01:01:35,480
Speaker 1: Man? Big big one? The sheep sheep are the hardest

1386
01:01:35,760 --> 01:01:38,960
Speaker 1: because you know, they're they're so far out there. I

1387
01:01:38,960 --> 01:01:42,840
Speaker 1: had a huge awakening. I was in Kyrgyzstan hunting our golly,

1388
01:01:42,920 --> 01:01:44,800
Speaker 1: which are the big sheep that lived there, like five

1389
01:01:44,880 --> 01:01:53,160
Speaker 1: hundred pound Kyrgystan, our galley between China and Mongolia, and

1390
01:01:53,200 --> 01:01:56,040
Speaker 1: it's like home of the Shaman like land. It's like

1391
01:01:56,080 --> 01:01:59,120
Speaker 1: shaman Land, but you're on a horse. You're on a

1392
01:01:59,160 --> 01:01:59,800
Speaker 1: horse that's.

1393
01:02:01,280 --> 01:02:05,720
Speaker 2: Imagined. It's like a scene in Zoolander. Yeah, you know,

1394
01:02:05,760 --> 01:02:07,480
Speaker 2: I was out in Where were you at?

1395
01:02:09,120 --> 01:02:09,320
Speaker 1: Yeah?

1396
01:02:09,400 --> 01:02:11,440
Speaker 2: In Curry stand hunting.

1397
01:02:12,040 --> 01:02:13,800
Speaker 1: But a lot of people don't A lot of people

1398
01:02:13,840 --> 01:02:17,280
Speaker 1: don't understand the conservation part of hunting as well, because

1399
01:02:17,760 --> 01:02:20,000
Speaker 1: the hunters that pay big money to get tags for

1400
01:02:20,080 --> 01:02:23,120
Speaker 1: things is paying the people that are there protecting the

1401
01:02:23,160 --> 01:02:25,600
Speaker 1: herds of the species and managing them and making sure

1402
01:02:25,680 --> 01:02:28,920
Speaker 1: that they're going to be around forever. So people are like, oh,

1403
01:02:28,960 --> 01:02:30,800
Speaker 1: it's just a murder and whatever it is. It's like,

1404
01:02:31,040 --> 01:02:33,120
Speaker 1: when's the last time you gave three hundred grand in

1405
01:02:33,160 --> 01:02:36,760
Speaker 1: a year to conserving populations of animal and helping them,

1406
01:02:37,040 --> 01:02:39,440
Speaker 1: like making sure they're always there. Yeah, you know, they

1407
01:02:39,480 --> 01:02:42,760
Speaker 1: manage quotas of them. They they checked the predator to

1408
01:02:42,760 --> 01:02:45,280
Speaker 1: to pray, ratio and those things. If there's too many predators,

1409
01:02:45,280 --> 01:02:47,280
Speaker 1: they'll put the predators, you know, on a list and

1410
01:02:47,360 --> 01:02:51,360
Speaker 1: sell tags. Make thirty grand a pop on selling the

1411
01:02:51,440 --> 01:02:53,880
Speaker 1: hunts for those so that they can keep everything in balance.

1412
01:02:54,920 --> 01:02:59,960
Speaker 1: I know in Africa, the poacher's slayed everything. There's four

1413
01:03:00,080 --> 01:03:02,680
Speaker 1: percent of Africa that's under conservation that have healthy herds

1414
01:03:02,720 --> 01:03:04,240
Speaker 1: of animals that are there, and it's because of the

1415
01:03:04,320 --> 01:03:07,200
Speaker 1: hunters that go there. The hunters pay for it. Like

1416
01:03:07,240 --> 01:03:09,320
Speaker 1: when you heard it, youurd about Cecil the lion, right,

1417
01:03:09,840 --> 01:03:12,120
Speaker 1: there was a very photographed lion that a hunter shot,

1418
01:03:12,640 --> 01:03:15,240
Speaker 1: so they banned lion hunting in that entire area. So

1419
01:03:15,280 --> 01:03:18,480
Speaker 1: then there was no money coming in from the abundance

1420
01:03:18,480 --> 01:03:20,520
Speaker 1: of lions that were there from tags anymore. So all

1421
01:03:20,560 --> 01:03:23,240
Speaker 1: the farmers that live there, they tolerate the lions eating

1422
01:03:23,280 --> 01:03:25,240
Speaker 1: their goats and their sheep and their things like that,

1423
01:03:25,320 --> 01:03:29,880
Speaker 1: because they were getting a cut of the conservation. So

1424
01:03:29,960 --> 01:03:31,920
Speaker 1: when they banned line hunting, the lions just poison all

1425
01:03:31,920 --> 01:03:34,760
Speaker 1: the lions, killed every one of them, no shit, And

1426
01:03:34,800 --> 01:03:38,160
Speaker 1: so people think they're solving it by one way of

1427
01:03:38,200 --> 01:03:40,480
Speaker 1: getting what they want, but the result is actually way

1428
01:03:40,520 --> 01:03:42,880
Speaker 1: more horrible than having someone manage it and make sure

1429
01:03:42,880 --> 01:03:47,040
Speaker 1: there's a healthy population of lions always there. But poachers

1430
01:03:47,080 --> 01:03:49,280
Speaker 1: come in and sellers trying to feed their families, you know,

1431
01:03:49,480 --> 01:03:52,960
Speaker 1: killing things, and people that I've seen do it really well,

1432
01:03:53,000 --> 01:03:55,680
Speaker 1: they're conservationists. They come in, they'd hire all the poachers

1433
01:03:55,880 --> 01:03:57,640
Speaker 1: and they run them through a two year ranger school

1434
01:03:57,680 --> 01:03:59,760
Speaker 1: and teach them how to protect the animals and how

1435
01:03:59,760 --> 01:04:02,320
Speaker 1: to for people because they're the best hunters in the world.

1436
01:04:03,240 --> 01:04:06,480
Speaker 1: These people that come from the bush in Africa, and

1437
01:04:06,520 --> 01:04:08,480
Speaker 1: they can hide in a bush right next to where

1438
01:04:08,480 --> 01:04:10,040
Speaker 1: you are. You have no idea that they're there. They'll

1439
01:04:10,080 --> 01:04:13,880
Speaker 1: set twenty snares to get one animal. The first animal

1440
01:04:13,880 --> 01:04:15,440
Speaker 1: that gets caught, they take it and sell it to

1441
01:04:15,480 --> 01:04:17,880
Speaker 1: somebody that's trying to buy parts off the animal or

1442
01:04:17,880 --> 01:04:19,880
Speaker 1: something like that, and then the other twenty animals just

1443
01:04:19,920 --> 01:04:25,080
Speaker 1: get snared and die no purpose whatsoever. So's there's always

1444
01:04:25,120 --> 01:04:28,040
Speaker 1: a huge conversation. It's always polarizing. And I haven't really

1445
01:04:28,080 --> 01:04:31,720
Speaker 1: talked about my hunting life just because I've got fans

1446
01:04:31,720 --> 01:04:34,560
Speaker 1: that are super left and super right, and I always

1447
01:04:34,560 --> 01:04:37,280
Speaker 1: wanted my music to be something that brought people together

1448
01:04:37,320 --> 01:04:38,280
Speaker 1: of all the exact.

1449
01:04:38,200 --> 01:04:42,680
Speaker 3: Jan everybody buys Jordan's Democrats and Republicans so exactly.

1450
01:04:42,720 --> 01:04:44,720
Speaker 1: So I don't talk about my politics. I don't talk

1451
01:04:44,760 --> 01:04:48,120
Speaker 1: about those things. I haven't really talked about my hunting,

1452
01:04:48,200 --> 01:04:50,560
Speaker 1: but what it's added to my life and just for

1453
01:04:50,720 --> 01:04:52,640
Speaker 1: my peace of mind and being able to be out

1454
01:04:52,680 --> 01:04:54,440
Speaker 1: in the wild. And there's lots of hunts that you

1455
01:04:54,520 --> 01:04:56,920
Speaker 1: go on, you don't get anything except the experience of

1456
01:04:56,960 --> 01:04:59,560
Speaker 1: catching every sunrise and every sunset and being in that

1457
01:04:59,680 --> 01:05:01,360
Speaker 1: environment and of being in the wile, Like it just

1458
01:05:01,400 --> 01:05:04,480
Speaker 1: helps return me to just be in Alaska and the

1459
01:05:04,560 --> 01:05:07,160
Speaker 1: ocean and hunting. All of that makes me feel small

1460
01:05:07,240 --> 01:05:10,920
Speaker 1: and the best possible way. Yeah, it's the greatest.

1461
01:05:11,280 --> 01:05:13,480
Speaker 3: You brought up an interesting point about like people have

1462
01:05:13,520 --> 01:05:15,000
Speaker 3: different views, Like you have a lot of different fans

1463
01:05:15,040 --> 01:05:16,880
Speaker 3: of both sall on the left and the right. When

1464
01:05:16,880 --> 01:05:18,640
Speaker 3: you were coming up through the ranks and like gaining

1465
01:05:18,680 --> 01:05:20,800
Speaker 3: all this traction, having all these singles, these Grammys and

1466
01:05:20,840 --> 01:05:23,400
Speaker 3: stuff like that. Was there ever a time that maybe

1467
01:05:23,480 --> 01:05:25,160
Speaker 3: someone part of your team try to get you to

1468
01:05:25,200 --> 01:05:27,080
Speaker 3: act a certain way because they want to make sure

1469
01:05:27,120 --> 01:05:28,880
Speaker 3: you were unscathed from one side or the other.

1470
01:05:32,320 --> 01:05:34,520
Speaker 1: I think that was more my initiative that was there,

1471
01:05:34,640 --> 01:05:37,680
Speaker 1: and most of the people, like now, we don't have

1472
01:05:39,280 --> 01:05:41,800
Speaker 1: a management company, like we have our managers in house.

1473
01:05:42,000 --> 01:05:45,480
Speaker 1: We're not with a label. We're all independent. So I

1474
01:05:45,520 --> 01:05:48,360
Speaker 1: know when I'm dealing with people and partners and sponsors whoever,

1475
01:05:48,400 --> 01:05:51,560
Speaker 1: I know how those people are treated. They're representing me,

1476
01:05:52,120 --> 01:05:54,360
Speaker 1: and I can say I can vouch and know how

1477
01:05:54,360 --> 01:05:57,080
Speaker 1: that they're going to handle people in situations and things.

1478
01:05:57,120 --> 01:06:02,000
Speaker 1: But I think you've got to be really careful. I

1479
01:06:02,040 --> 01:06:04,120
Speaker 1: never wanted to be a celebrity and get to like

1480
01:06:04,480 --> 01:06:06,840
Speaker 1: and try to just be a celebrity, like I wanted

1481
01:06:06,840 --> 01:06:08,960
Speaker 1: people to know me through music. So when I'm on

1482
01:06:09,000 --> 01:06:11,280
Speaker 1: a stage, I like attention because that's what I'm doing.

1483
01:06:11,320 --> 01:06:12,840
Speaker 1: I'm trying to be there to move them for that

1484
01:06:12,920 --> 01:06:14,800
Speaker 1: night and inspire them and help them have a great night.

1485
01:06:15,200 --> 01:06:17,080
Speaker 1: But otherwise, in my private life, I just try to

1486
01:06:17,160 --> 01:06:19,280
Speaker 1: live my life, raise my kids. I got five kids.

1487
01:06:20,080 --> 01:06:22,560
Speaker 1: I got four girls and a boy. My girls are fourteen.

1488
01:06:22,760 --> 01:06:25,400
Speaker 3: Number that boy come in, he's last.

1489
01:06:25,800 --> 01:06:28,800
Speaker 1: Finally give us he's eleven, four girls, and then the

1490
01:06:28,840 --> 01:06:32,560
Speaker 1: boy he's eleven. But my girls are fourteen, sixteen, seventeen, eighteen.

1491
01:06:33,160 --> 01:06:35,080
Speaker 2: And he's in it right now.

1492
01:06:35,400 --> 01:06:38,400
Speaker 1: It's awesome, dude. I love my girls. Yeah, and it's

1493
01:06:38,480 --> 01:06:40,880
Speaker 1: like anything. But half of my life is opposed to

1494
01:06:40,880 --> 01:06:42,479
Speaker 1: a lot of people and artists who don't have kids

1495
01:06:42,520 --> 01:06:44,320
Speaker 1: or whatever. But I have my kids half the time,

1496
01:06:44,320 --> 01:06:46,280
Speaker 1: and when I have them, that's my one hundred percent focus.

1497
01:06:46,360 --> 01:06:50,160
Speaker 1: I'm their bitch. Yeah, I'm all the games, all the things,

1498
01:06:50,200 --> 01:06:51,520
Speaker 1: and I want to do that. I don't want to

1499
01:06:51,560 --> 01:06:53,520
Speaker 1: look back and miss out on those things. You know.

1500
01:06:53,600 --> 01:06:55,440
Speaker 1: I make a lot of sacrifices to do what I do,

1501
01:06:55,520 --> 01:06:57,240
Speaker 1: but that eats up half my time. And then the

1502
01:06:57,240 --> 01:06:59,200
Speaker 1: weeks that I don't have them, I can work, I

1503
01:06:59,200 --> 01:07:03,880
Speaker 1: can adventure, I can refill my cup and detox from

1504
01:07:04,080 --> 01:07:07,320
Speaker 1: all the stuff. Man, you know, try to be creative,

1505
01:07:07,600 --> 01:07:10,200
Speaker 1: but being the business leader and being a creative or

1506
01:07:10,400 --> 01:07:12,280
Speaker 1: hard hand in hand, because you can be consumed by

1507
01:07:12,320 --> 01:07:13,840
Speaker 1: all the fires of all the stuff you have to

1508
01:07:13,920 --> 01:07:14,680
Speaker 1: deal with all the time.

1509
01:07:14,840 --> 01:07:18,919
Speaker 2: Right, independence that seems like a like a rare thing

1510
01:07:19,000 --> 01:07:21,760
Speaker 2: in your industry. Was it always that way or did you?

1511
01:07:21,880 --> 01:07:22,160
Speaker 2: Was there?

1512
01:07:22,200 --> 01:07:25,040
Speaker 1: Like no, I had point management early on, I had

1513
01:07:25,080 --> 01:07:28,320
Speaker 1: labels early on and all of that, and it was

1514
01:07:28,400 --> 01:07:31,200
Speaker 1: necessary at the time. And then as you get your

1515
01:07:31,200 --> 01:07:34,240
Speaker 1: own machine going and figuring it out, it's like you

1516
01:07:34,600 --> 01:07:36,560
Speaker 1: look at it and you're also competing with other people.

1517
01:07:36,640 --> 01:07:38,600
Speaker 1: Like if you're with a management company, you're they have

1518
01:07:39,520 --> 01:07:44,640
Speaker 1: twenty acts, right, So you're competing for attention with everything

1519
01:07:44,680 --> 01:07:46,560
Speaker 1: else that's going on with the other people that they have.

1520
01:07:47,440 --> 01:07:49,160
Speaker 1: And for a lot of people that don't really have

1521
01:07:49,240 --> 01:07:51,520
Speaker 1: a left brain, that aren't really business centered or whatever,

1522
01:07:51,680 --> 01:07:53,600
Speaker 1: like they need that, Like I need a business manager.

1523
01:07:53,640 --> 01:07:55,919
Speaker 1: I was terrible at paying my bills, like not because

1524
01:07:55,920 --> 01:07:57,280
Speaker 1: I couldn't figure out how to make the money just

1525
01:07:57,280 --> 01:07:59,200
Speaker 1: because putting us I mean back then we didn't have

1526
01:07:59,200 --> 01:08:02,280
Speaker 1: auto pay. We had to like put a stamp on

1527
01:08:02,320 --> 01:08:04,200
Speaker 1: a check and put it in the mail. And I

1528
01:08:04,240 --> 01:08:07,800
Speaker 1: was allergic to that. I don't know why, but I

1529
01:08:07,800 --> 01:08:09,840
Speaker 1: would drive to the place to pay my power bill,

1530
01:08:10,320 --> 01:08:12,400
Speaker 1: like drive over there and like give them a check.

1531
01:08:12,400 --> 01:08:14,040
Speaker 1: I don't know what my mental block. But as soon

1532
01:08:14,080 --> 01:08:15,520
Speaker 1: as I had somebody, as soon as I could afford

1533
01:08:15,560 --> 01:08:17,720
Speaker 1: to have somebody that was like paying my bills for me,

1534
01:08:18,640 --> 01:08:20,320
Speaker 1: that helped me a lot in my life. So I'm

1535
01:08:20,360 --> 01:08:23,120
Speaker 1: definitely I'm good at what I'm good at, but there's

1536
01:08:23,160 --> 01:08:24,720
Speaker 1: things that I'm awful at, and I got to have

1537
01:08:24,800 --> 01:08:26,679
Speaker 1: my team to back me up on those things.

1538
01:08:26,800 --> 01:08:28,559
Speaker 3: Yeah, isn't it funny how like you can do some

1539
01:08:28,600 --> 01:08:30,439
Speaker 3: of the hardest things that most people can't do, but

1540
01:08:30,439 --> 01:08:33,040
Speaker 3: when it comes the most simplistic things, because we're the

1541
01:08:33,040 --> 01:08:37,200
Speaker 3: same way, just do it. Just do yourself, man speak.

1542
01:08:37,800 --> 01:08:40,439
Speaker 3: I will speak for myself. They're the basics I can

1543
01:08:40,479 --> 01:08:42,840
Speaker 3: barely do. I can barely do the basics. So I'm

1544
01:08:42,880 --> 01:08:43,240
Speaker 3: with you.

1545
01:08:43,320 --> 01:08:45,160
Speaker 1: And I told Kendrick when we got together, like, look,

1546
01:08:45,160 --> 01:08:47,479
Speaker 1: I'm good at some things. There's some things I'm like,

1547
01:08:48,280 --> 01:08:52,479
Speaker 1: I'm special. Yeah, you know, I'm special. And she's like, no,

1548
01:08:52,520 --> 01:08:54,240
Speaker 1: you're not, or whatever, And now she's like, you kind

1549
01:08:54,240 --> 01:08:56,000
Speaker 1: of are special. Yeah, I told you.

1550
01:08:56,040 --> 01:08:59,479
Speaker 2: I never I'm still in my family plan for high

1551
01:08:59,479 --> 01:09:00,680
Speaker 2: school out my phone bill.

1552
01:09:00,760 --> 01:09:03,639
Speaker 3: Obviously you've had a bunch of success, like in the beginning, though,

1553
01:09:03,680 --> 01:09:05,679
Speaker 3: like how long did it take you from the start

1554
01:09:05,720 --> 01:09:07,200
Speaker 3: of like, Okay, I want to be an artist. I

1555
01:09:07,240 --> 01:09:09,760
Speaker 3: want to do music too. Okay, this is my big break.

1556
01:09:09,840 --> 01:09:11,920
Speaker 1: So I was fourteen, I know I want to play

1557
01:09:12,000 --> 01:09:13,960
Speaker 1: music professionally. I know I want to build a camp.

1558
01:09:14,479 --> 01:09:16,559
Speaker 1: Those are the two things that were most important to me.

1559
01:09:16,600 --> 01:09:17,400
Speaker 2: And build a camp.

1560
01:09:17,439 --> 01:09:20,559
Speaker 1: Is this the Hunting Camp Southern Ground? No? No, we

1561
01:09:20,600 --> 01:09:23,800
Speaker 1: built a campus, like a university level campus where we

1562
01:09:23,840 --> 01:09:26,759
Speaker 1: serve kids and veterans. Okay, and that's in Georgia.

1563
01:09:27,080 --> 01:09:27,880
Speaker 3: Fourteen years old.

1564
01:09:28,040 --> 01:09:29,880
Speaker 1: You want to do that, I want to do that.

1565
01:09:29,960 --> 01:09:33,160
Speaker 1: I worked at Camp. I was a counselor product of Camp,

1566
01:09:33,200 --> 01:09:36,080
Speaker 1: and then I worked at Staff for three years after that,

1567
01:09:36,320 --> 01:09:41,080
Speaker 1: living there all summer kids that don't have any mentorship

1568
01:09:41,120 --> 01:09:42,960
Speaker 1: in their areas where they are if you dip them

1569
01:09:43,000 --> 01:09:44,760
Speaker 1: in the right environment for a week and let them

1570
01:09:44,800 --> 01:09:47,680
Speaker 1: show them a different way, Like, it's cool because the

1571
01:09:47,680 --> 01:09:49,600
Speaker 1: camps that I worked at. In my camp now is

1572
01:09:49,960 --> 01:09:51,960
Speaker 1: a diversity model. So we've got kids that are on

1573
01:09:51,960 --> 01:09:56,200
Speaker 1: the spectrum, kids from underserved areas, kids from military families

1574
01:09:56,200 --> 01:09:58,960
Speaker 1: that might have lost their parent or parent was dismembered

1575
01:09:59,080 --> 01:10:03,000
Speaker 1: or taken their life. And then you have kids mainstream

1576
01:10:03,080 --> 01:10:05,920
Speaker 1: kids that might not know how to appreciate anything they have.

1577
01:10:06,080 --> 01:10:08,760
Speaker 1: They're just like spoiled and have everything but don't have

1578
01:10:08,760 --> 01:10:11,839
Speaker 1: any perspective. But when you take everybody in that group,

1579
01:10:12,160 --> 01:10:14,479
Speaker 1: all of them are in the same group together, running

1580
01:10:14,479 --> 01:10:16,760
Speaker 1: for a week together, having to overcome things, having to

1581
01:10:16,840 --> 01:10:19,280
Speaker 1: learn about people that are different than them, it can

1582
01:10:19,360 --> 01:10:21,559
Speaker 1: change the trajectory of their life entirely in a week.

1583
01:10:21,640 --> 01:10:24,000
Speaker 1: So I was a product of that. Camp opened my

1584
01:10:24,040 --> 01:10:26,680
Speaker 1: eyes and made me want to be courageous. Like I

1585
01:10:26,680 --> 01:10:28,640
Speaker 1: went to public school. So if you got up and

1586
01:10:28,760 --> 01:10:31,120
Speaker 1: saying something or did a skid or something in public

1587
01:10:31,120 --> 01:10:33,000
Speaker 1: school in front of kids, you're gonna get roasted a

1588
01:10:33,000 --> 01:10:37,280
Speaker 1: lotas sixth grade is the most brutal thing in the world.

1589
01:10:38,000 --> 01:10:40,680
Speaker 1: So camp was the place that was like safe to

1590
01:10:40,920 --> 01:10:42,599
Speaker 1: be yourself and do that and a lot of the

1591
01:10:42,600 --> 01:10:45,680
Speaker 1: things that I'm not afraid to do, things like I'm

1592
01:10:45,720 --> 01:10:48,760
Speaker 1: not afraid what if someone thinks this, well, that's not

1593
01:10:48,840 --> 01:10:51,920
Speaker 1: my problem. Like people are gonna hate anything you do. People.

1594
01:10:52,040 --> 01:10:54,559
Speaker 1: When I started first started building the camp, we had

1595
01:10:54,560 --> 01:10:56,640
Speaker 1: a huge public hearing because we're gonna have dwellings on

1596
01:10:56,680 --> 01:11:00,200
Speaker 1: the property. We had people throwing vegetables at peace. People

1597
01:11:00,240 --> 01:11:01,760
Speaker 1: that worked at the camp, trying to knock on the

1598
01:11:01,760 --> 01:11:03,760
Speaker 1: door telling them what we were building close by and

1599
01:11:03,840 --> 01:11:06,040
Speaker 1: things people were up at arms and like trying to

1600
01:11:06,040 --> 01:11:08,799
Speaker 1: figure out what nefarious reason I would be like building

1601
01:11:08,840 --> 01:11:10,320
Speaker 1: a camp. They're like afraid I was going to build

1602
01:11:10,360 --> 01:11:13,639
Speaker 1: subsidized housing and stuff like that. But it doesn't matter

1603
01:11:13,640 --> 01:11:16,360
Speaker 1: what you do in this world. It's because we hear

1604
01:11:16,400 --> 01:11:20,840
Speaker 1: the voices of so many idiots. If we were in

1605
01:11:20,880 --> 01:11:22,519
Speaker 1: a tribe, if we live in a tribe of people,

1606
01:11:22,920 --> 01:11:25,360
Speaker 1: if you couldn't hear what someone was saying over earshot,

1607
01:11:25,400 --> 01:11:26,800
Speaker 1: you're not supposed to be able to hear what they

1608
01:11:26,800 --> 01:11:29,000
Speaker 1: have to say. Nor have they earned the right or

1609
01:11:29,040 --> 01:11:31,519
Speaker 1: respect or any accomplishment in their life where I might

1610
01:11:31,680 --> 01:11:34,080
Speaker 1: even want to listen to something that they would say.

1611
01:11:34,120 --> 01:11:37,040
Speaker 1: But we live in a world where you're in kids.

1612
01:11:37,040 --> 01:11:40,840
Speaker 1: I can't imagine kids having to make it through and

1613
01:11:40,880 --> 01:11:42,800
Speaker 1: figure out who they are because if you don't really

1614
01:11:42,800 --> 01:11:45,000
Speaker 1: pay attention, the devices and the internet will raise your

1615
01:11:45,080 --> 01:11:47,479
Speaker 1: children if you're not there to know who they are

1616
01:11:47,520 --> 01:11:49,400
Speaker 1: and what they're becoming and the things they have to

1617
01:11:49,400 --> 01:11:51,360
Speaker 1: deal with these days compared to I used to have

1618
01:11:51,400 --> 01:11:53,800
Speaker 1: to break in my parents' room, breaking a dresser, break

1619
01:11:53,800 --> 01:11:56,920
Speaker 1: in a box to get a dirty magazine. And now

1620
01:11:57,320 --> 01:12:00,639
Speaker 1: kids with an unlocked phone can can tell you can

1621
01:12:00,680 --> 01:12:04,360
Speaker 1: watch B Reality with whatever they like get a hold of,

1622
01:12:04,439 --> 01:12:08,200
Speaker 1: Like the innocence is gone. One kid with an unlocked

1623
01:12:08,200 --> 01:12:11,400
Speaker 1: phone like, hey look at this, and it's like god

1624
01:12:11,479 --> 01:12:11,840
Speaker 1: knows what.

1625
01:12:11,880 --> 01:12:14,000
Speaker 3: That's how it started, right, not BC Reality, but the

1626
01:12:14,040 --> 01:12:18,680
Speaker 3: unlocked phone. Yeah, yeah that on sidekick and they we

1627
01:12:18,720 --> 01:12:20,200
Speaker 3: got here. I was like in eighth grade.

1628
01:12:20,280 --> 01:12:22,840
Speaker 2: It's a weird time, like five ways around everything. It's

1629
01:12:22,840 --> 01:12:25,200
Speaker 2: like you remember when you could like jail break your iPhone,

1630
01:12:25,320 --> 01:12:27,519
Speaker 2: Like yeah, you can get away with pretty much anything.

1631
01:12:27,680 --> 01:12:29,600
Speaker 1: Yeah, it's wild and they know so much about it

1632
01:12:29,640 --> 01:12:31,040
Speaker 1: and they're so savvy, like.

1633
01:12:31,000 --> 01:12:33,200
Speaker 3: You pick it up so way smart than new way faster.

1634
01:12:33,400 --> 01:12:34,440
Speaker 1: I bet. Yeah.

1635
01:12:34,479 --> 01:12:36,880
Speaker 3: But so you wanted to do this, so you went

1636
01:12:36,920 --> 01:12:39,280
Speaker 3: to camp. You realized how much of an impact ahead

1637
01:12:39,280 --> 01:12:40,680
Speaker 3: on you, and you want to make for somebody else

1638
01:12:40,720 --> 01:12:42,760
Speaker 3: had that as well. Yeah, so at fourteen years old

1639
01:12:43,200 --> 01:12:44,880
Speaker 3: going through people, you're like, I want to do music

1640
01:12:44,920 --> 01:12:45,800
Speaker 3: and I want to give back.

1641
01:12:45,880 --> 01:12:46,599
Speaker 1: I want to do a camp.

1642
01:12:46,680 --> 01:12:48,639
Speaker 3: What was the process and getting all that started?

1643
01:12:48,720 --> 01:12:52,840
Speaker 1: So I love that I had a purpose from that

1644
01:12:52,920 --> 01:12:56,000
Speaker 1: age because everything that I did working towards that the

1645
01:12:56,000 --> 01:12:59,000
Speaker 1: amount of time I spent practicing my guitar, listening to

1646
01:12:59,120 --> 01:13:01,160
Speaker 1: other music, learning her songs. So by the time I

1647
01:13:01,240 --> 01:13:04,200
Speaker 1: was playing in bars when I was seventeen, I knew

1648
01:13:04,240 --> 01:13:06,760
Speaker 1: a thousand cover songs, so I could play whatever. I

1649
01:13:06,800 --> 01:13:08,519
Speaker 1: would look at the people that were sitting there, by

1650
01:13:08,520 --> 01:13:10,800
Speaker 1: what they had on, by their age, try to figure

1651
01:13:10,800 --> 01:13:12,439
Speaker 1: out something that they might like to hear, because the

1652
01:13:12,520 --> 01:13:14,679
Speaker 1: chances are when you see somebody playing in a restaurant,

1653
01:13:15,320 --> 01:13:17,280
Speaker 1: it's a fifty to fifty it's gonna be terrible or

1654
01:13:17,320 --> 01:13:19,800
Speaker 1: it's gonna be okay. So you got to win them over,

1655
01:13:20,120 --> 01:13:22,720
Speaker 1: and so you try to you know, I prepared myself

1656
01:13:23,000 --> 01:13:25,519
Speaker 1: trying to figure out how to reach people and maybe

1657
01:13:25,520 --> 01:13:27,400
Speaker 1: if they listen to a few covers that they like

1658
01:13:27,880 --> 01:13:30,040
Speaker 1: in that vein, Like again, you test out some Floyd

1659
01:13:30,120 --> 01:13:32,479
Speaker 1: on them, or test out you know, some Bill Withers

1660
01:13:32,560 --> 01:13:35,240
Speaker 1: or something like see whatever its their head tap, then

1661
01:13:35,280 --> 01:13:37,680
Speaker 1: after you kind of earn their respect, then you can

1662
01:13:37,680 --> 01:13:38,800
Speaker 1: slip in an original song.

1663
01:13:39,000 --> 01:13:39,600
Speaker 3: Yeah.

1664
01:13:39,720 --> 01:13:42,599
Speaker 1: So what I did is I created a business model.

1665
01:13:42,920 --> 01:13:46,000
Speaker 1: So I went into sports bars that didn't have live music,

1666
01:13:46,320 --> 01:13:47,599
Speaker 1: and I just said I'm gonna come here and I'm

1667
01:13:47,600 --> 01:13:50,120
Speaker 1: gonna play. And I did this for six years, six years,

1668
01:13:50,120 --> 01:13:52,599
Speaker 1: six nights a week. I played four to six hours

1669
01:13:52,640 --> 01:13:56,120
Speaker 1: a night in sports bars, and I went to the places,

1670
01:13:56,120 --> 01:13:57,800
Speaker 1: talk to the owner and just said, let me come

1671
01:13:57,840 --> 01:14:00,519
Speaker 1: play here every Tuesday night or Wednesday, whatever day it was.

1672
01:14:00,600 --> 01:14:02,960
Speaker 1: And this was in Georgia, Alabama, and Florida. I hired

1673
01:14:02,960 --> 01:14:04,639
Speaker 1: a guy to drive my truck for me. I'd sleep

1674
01:14:04,640 --> 01:14:07,080
Speaker 1: against the window in my truck through the night getting

1675
01:14:07,080 --> 01:14:10,240
Speaker 1: to the other places, and then eventually I just said

1676
01:14:10,280 --> 01:14:12,640
Speaker 1: I want the door, like we charge three bucks or

1677
01:14:12,680 --> 01:14:15,839
Speaker 1: five bucks at the door. So on a Wednesday Tuesday

1678
01:14:15,880 --> 01:14:18,320
Speaker 1: night in different places, I was bringing in two or

1679
01:14:18,320 --> 01:14:20,840
Speaker 1: three hundred people into a sports bar to come in

1680
01:14:20,880 --> 01:14:23,400
Speaker 1: to see us play. And I was making, you know,

1681
01:14:23,960 --> 01:14:25,880
Speaker 1: nine hundred bucks at the door. And I could pay

1682
01:14:25,880 --> 01:14:27,479
Speaker 1: a good sound guy, I could pay a band, I

1683
01:14:27,479 --> 01:14:29,360
Speaker 1: could pay people to come there. But if I'd have

1684
01:14:29,360 --> 01:14:32,240
Speaker 1: gone to Nashville and tried to get a gig, you

1685
01:14:32,360 --> 01:14:35,400
Speaker 1: making fifty bucks a night playing where it's so saturated.

1686
01:14:35,439 --> 01:14:37,519
Speaker 1: The guys working at waffle house are better guitar players

1687
01:14:37,560 --> 01:14:41,439
Speaker 1: than me. I'm serious, like wicked crazy players. There's so

1688
01:14:41,520 --> 01:14:44,040
Speaker 1: much saturation and then there's not a market for it.

1689
01:14:44,080 --> 01:14:46,599
Speaker 1: So what I had and one thing that I've always had,

1690
01:14:46,680 --> 01:14:49,120
Speaker 1: and I think it's the most valuable trait and success period,

1691
01:14:49,160 --> 01:14:52,040
Speaker 1: is hustle. I was slinging candy out of my backpack

1692
01:14:52,080 --> 01:14:55,760
Speaker 1: when I was in elementary schoolmen quarter blow pops, three

1693
01:14:55,840 --> 01:14:56,799
Speaker 1: dollar rancher six.

1694
01:14:56,640 --> 01:14:58,960
Speaker 3: For the and chocolate bars.

1695
01:14:59,000 --> 01:14:59,120
Speaker 2: Bro.

1696
01:15:00,439 --> 01:15:02,479
Speaker 3: You go to class, you know little Johnny or right,

1697
01:15:02,560 --> 01:15:04,880
Speaker 3: he's got everything for you. I was opening that thing

1698
01:15:04,920 --> 01:15:06,280
Speaker 3: up during recess.

1699
01:15:06,360 --> 01:15:08,639
Speaker 1: That's it in the bathroom, whatever it is, Yeah.

1700
01:15:08,439 --> 01:15:10,400
Speaker 2: On sell. But I was a big time consumer, too,

1701
01:15:10,680 --> 01:15:11,639
Speaker 2: big time consumer.

1702
01:15:11,960 --> 01:15:12,960
Speaker 3: I was only a consumer.

1703
01:15:13,720 --> 01:15:15,639
Speaker 1: So that was my hustle man. Music was my hustle,

1704
01:15:15,680 --> 01:15:17,200
Speaker 1: and it was my way of doing it, and I

1705
01:15:17,200 --> 01:15:18,920
Speaker 1: had no idea where it's going to end up or whatever.

1706
01:15:19,000 --> 01:15:21,559
Speaker 1: But I wasn't gonna let anybody talk me into not

1707
01:15:21,640 --> 01:15:26,840
Speaker 1: doing it. And about when I was probably twenty, record

1708
01:15:26,880 --> 01:15:29,280
Speaker 1: labels started coming sniffing around, seeing that I was bringing

1709
01:15:29,320 --> 01:15:31,639
Speaker 1: in and selling out theaters, selling out you know, places

1710
01:15:31,640 --> 01:15:33,760
Speaker 1: with you know, four or five thousand people in them,

1711
01:15:34,120 --> 01:15:36,360
Speaker 1: and they were trying to figure out what it is.

1712
01:15:36,360 --> 01:15:38,080
Speaker 1: But they were like, you got to figure out. I

1713
01:15:38,080 --> 01:15:40,080
Speaker 1: remember one of the record label heads talked to my

1714
01:15:40,200 --> 01:15:42,160
Speaker 1: lawyer when they were like leaving town. He was like,

1715
01:15:42,520 --> 01:15:44,400
Speaker 1: he's got to decide what kind of artist he is.

1716
01:15:44,920 --> 01:15:46,599
Speaker 1: He just doesn't know that yet. And they would come

1717
01:15:46,600 --> 01:15:48,360
Speaker 1: and go, we're gonna put a cowboy hat on you,

1718
01:15:48,400 --> 01:15:50,320
Speaker 1: in some boots and stuff, and we're gonna, you know,

1719
01:15:50,400 --> 01:15:52,519
Speaker 1: get you. And I'm just like, I'm just gonna be me.

1720
01:15:52,720 --> 01:15:55,960
Speaker 1: So it took ten years from that point to actually

1721
01:15:56,000 --> 01:15:59,360
Speaker 1: feel comfortable enough to sign a record deal. So, for

1722
01:15:59,360 --> 01:16:01,639
Speaker 1: for the first Sick was me and a drummer grinding

1723
01:16:02,200 --> 01:16:05,599
Speaker 1: six hours a night, six nights a week. Then four

1724
01:16:05,680 --> 01:16:08,200
Speaker 1: years of playing with different people around Atlanta to getting

1725
01:16:08,240 --> 01:16:09,720
Speaker 1: to the point to where we could afford to have

1726
01:16:09,760 --> 01:16:12,080
Speaker 1: a bus where I could actually lay down flat and

1727
01:16:12,120 --> 01:16:16,800
Speaker 1: sleep while we're traveling, and then basically you know, So

1728
01:16:16,840 --> 01:16:18,559
Speaker 1: it was ten years after we'd set out like we're

1729
01:16:18,560 --> 01:16:21,400
Speaker 1: gonna make it. You know, we're gonna be big next year.

1730
01:16:21,400 --> 01:16:24,080
Speaker 1: It was ten years after that to get to the beginning.

1731
01:16:24,120 --> 01:16:26,600
Speaker 1: And that's when Chicken Fried came out. We made the

1732
01:16:26,680 --> 01:16:31,960
Speaker 1: right record with Keith Stiegel, and then it's a winding path.

1733
01:16:32,000 --> 01:16:33,840
Speaker 1: It's a long story about how it all went down,

1734
01:16:33,880 --> 01:16:36,160
Speaker 1: but we'd signed with a huge, brand new record label

1735
01:16:36,160 --> 01:16:38,439
Speaker 1: that had like Madonna, Jay z U two and US

1736
01:16:38,760 --> 01:16:40,559
Speaker 1: and we were the developing act and the thing. Then

1737
01:16:40,560 --> 01:16:43,880
Speaker 1: that whole record label dissolved and I had the album

1738
01:16:43,880 --> 01:16:45,720
Speaker 1: I'd made on my own, and then I released it

1739
01:16:45,720 --> 01:16:48,280
Speaker 1: with them, and then I released it again with Atlantic Records.

1740
01:16:48,280 --> 01:16:49,920
Speaker 1: But I had some leverage by then because we had

1741
01:16:49,960 --> 01:16:51,840
Speaker 1: a number one song on the radio and no label.

1742
01:16:52,720 --> 01:16:55,240
Speaker 1: So I was able to strike a deal with Atlantic Records,

1743
01:16:55,439 --> 01:16:59,679
Speaker 1: who was my first, you know, big record label that

1744
01:16:59,680 --> 01:17:04,320
Speaker 1: that I worked with, and but I was able to

1745
01:17:04,360 --> 01:17:06,760
Speaker 1: leverage getting my master's back. It took eight years to

1746
01:17:06,800 --> 01:17:07,320
Speaker 1: get him back.

1747
01:17:07,360 --> 01:17:09,120
Speaker 2: That's when you re released Chicken Fried.

1748
01:17:09,520 --> 01:17:11,240
Speaker 1: I re released Kick and Friday. It was the third

1749
01:17:11,280 --> 01:17:14,040
Speaker 1: time that album had come out with the second record

1750
01:17:14,120 --> 01:17:15,519
Speaker 1: label that it came out, and we'd already had a

1751
01:17:15,600 --> 01:17:16,559
Speaker 1: number We had a number one.

1752
01:17:17,000 --> 01:17:18,519
Speaker 3: How does that process work? How do you release an

1753
01:17:18,520 --> 01:17:19,240
Speaker 3: album three times?

1754
01:17:19,360 --> 01:17:19,559
Speaker 2: Yeah?

1755
01:17:19,640 --> 01:17:23,160
Speaker 1: Because it on my own, and then there was a

1756
01:17:23,240 --> 01:17:25,720
Speaker 1: huge thing cooking with this big, huge company that was

1757
01:17:25,760 --> 01:17:27,360
Speaker 1: trying it. It wasn't their model, but they were going to

1758
01:17:27,400 --> 01:17:29,400
Speaker 1: do a record label. So then we signed with them.

1759
01:17:29,640 --> 01:17:31,519
Speaker 2: And when they when you sign with them, they now

1760
01:17:31,600 --> 01:17:33,680
Speaker 2: have the master of Chicken They have the masters. So

1761
01:17:33,720 --> 01:17:36,439
Speaker 2: when you when that breakup or whatever happens, you can't

1762
01:17:36,520 --> 01:17:37,759
Speaker 2: use chicken frieda anymore.

1763
01:17:37,880 --> 01:17:39,639
Speaker 1: No I can use it. They just make the majority

1764
01:17:39,680 --> 01:17:42,200
Speaker 1: of the money from it got you, Okay, So it's

1765
01:17:42,200 --> 01:17:44,920
Speaker 1: broken down into three buckets, right, if you're a songwriter,

1766
01:17:44,960 --> 01:17:47,840
Speaker 1: If you're an artist, recording artist, and a songwriter, your

1767
01:17:47,840 --> 01:17:51,160
Speaker 1: songwriting's broken up into your writer's share and a publisher share.

1768
01:17:52,000 --> 01:17:54,759
Speaker 1: And I owned both of those. And then there's your masters,

1769
01:17:54,760 --> 01:17:58,679
Speaker 1: who owns the actual master recording. That makes about five times.

1770
01:17:58,720 --> 01:17:59,960
Speaker 1: And I know this because I'm one of the owly

1771
01:18:00,120 --> 01:18:02,120
Speaker 1: artists that owns their masters, So I actually get the

1772
01:18:02,120 --> 01:18:04,240
Speaker 1: payments from all the DSPs. I get the payment from

1773
01:18:04,280 --> 01:18:07,559
Speaker 1: Spotify and from YouTube and all those things myself. So

1774
01:18:07,600 --> 01:18:10,840
Speaker 1: I have optics into how much the labels make off

1775
01:18:10,880 --> 01:18:13,679
Speaker 1: of that, where most people don't. Every time you sign

1776
01:18:13,680 --> 01:18:16,200
Speaker 1: another record deal, that pushes your masters getting him back

1777
01:18:16,280 --> 01:18:19,400
Speaker 1: like another eight years, ten years, so they have a

1778
01:18:19,400 --> 01:18:21,720
Speaker 1: way to figure it out. But I'd heard all these

1779
01:18:21,720 --> 01:18:23,880
Speaker 1: stories about people getting taken advantage of, and I was

1780
01:18:24,000 --> 01:18:27,360
Speaker 1: just stubborn enough to like fight for you know, getting

1781
01:18:27,400 --> 01:18:29,040
Speaker 1: the leverage to be able to get them back. And

1782
01:18:29,120 --> 01:18:31,280
Speaker 1: then and then As the time went on, I was

1783
01:18:31,280 --> 01:18:33,360
Speaker 1: able to hire my team of people that handled most

1784
01:18:33,400 --> 01:18:35,040
Speaker 1: of the day to day stuff that we needed to do.

1785
01:18:35,760 --> 01:18:38,320
Speaker 1: So then we just stopped using managers or stopped using

1786
01:18:38,320 --> 01:18:40,640
Speaker 1: the label and you know, kind of do it on

1787
01:18:40,680 --> 01:18:42,240
Speaker 1: our own. And now we know what it earns and

1788
01:18:42,280 --> 01:18:44,000
Speaker 1: I can take some of that and keep good people

1789
01:18:44,040 --> 01:18:46,000
Speaker 1: around me to help manage it. But I'm not competing

1790
01:18:46,000 --> 01:18:48,320
Speaker 1: with other artists. I'm not competing with other releases and

1791
01:18:48,400 --> 01:18:51,920
Speaker 1: things like that. It's a lot of work, but I

1792
01:18:52,000 --> 01:18:54,760
Speaker 1: know how people are treated. I know I'm represented at

1793
01:18:54,760 --> 01:18:56,600
Speaker 1: all times by everyone in my business.

1794
01:18:56,560 --> 01:18:58,040
Speaker 3: Right and it was associated with you, you know how they're

1795
01:18:58,040 --> 01:18:58,800
Speaker 3: going to treat other people.

1796
01:18:59,080 --> 01:19:01,280
Speaker 2: Z Brown Band and Taylor Swift. I know that was

1797
01:19:01,280 --> 01:19:03,040
Speaker 2: a massive deal. When she got her mess did like

1798
01:19:03,040 --> 01:19:04,439
Speaker 2: Taylor's version or something like that.

1799
01:19:04,680 --> 01:19:06,760
Speaker 1: She just re recorded them all so and asked her

1800
01:19:06,760 --> 01:19:07,720
Speaker 1: fans to listen to those.

1801
01:19:07,920 --> 01:19:08,680
Speaker 2: Yeah.

1802
01:19:08,680 --> 01:19:10,680
Speaker 3: Instead, he's got an army out there, man, Yeah, you

1803
01:19:10,680 --> 01:19:11,559
Speaker 3: got to watch out for them.

1804
01:19:11,640 --> 01:19:13,360
Speaker 2: It's a full blown Military's a force.

1805
01:19:14,000 --> 01:19:15,559
Speaker 3: Yeah, this is the most comfer military in the world.

1806
01:19:15,640 --> 01:19:16,559
Speaker 2: Actually, is what it is.

1807
01:19:16,720 --> 01:19:17,960
Speaker 1: She's a force, dude.

1808
01:19:18,720 --> 01:19:20,960
Speaker 3: You've collaborated with so many different people like Alan Jackson

1809
01:19:21,000 --> 01:19:24,120
Speaker 3: and Jimmy Buffett and Kid Rock, Like how does that?

1810
01:19:24,160 --> 01:19:26,360
Speaker 3: How did those conversations take place? Like you've you've done

1811
01:19:26,400 --> 01:19:28,280
Speaker 3: the master's thing. You were just stubborn enough to ask

1812
01:19:28,320 --> 01:19:30,479
Speaker 3: the right questions to get what you wanted. And then

1813
01:19:30,520 --> 01:19:33,080
Speaker 3: these big time stars as well, like how do those

1814
01:19:33,080 --> 01:19:36,120
Speaker 3: conversations take place? Like, Hey, I like your ship, you

1815
01:19:36,200 --> 01:19:37,719
Speaker 3: like my ship. Let's do something together.

1816
01:19:37,800 --> 01:19:39,840
Speaker 1: Yeah, I got simple seek him out. It's like this

1817
01:19:39,880 --> 01:19:41,479
Speaker 1: is a dream, Like I want to have Jimmy Buffet

1818
01:19:41,479 --> 01:19:44,880
Speaker 1: on a song. I ended up meeting him at a campsite,

1819
01:19:45,280 --> 01:19:46,960
Speaker 1: like he's sitting there eating a pie and me and

1820
01:19:47,000 --> 01:19:49,040
Speaker 1: my bass player walking by and like sitting down and

1821
01:19:49,080 --> 01:19:52,040
Speaker 1: start talking to him. And we ended up being friends

1822
01:19:52,040 --> 01:19:54,000
Speaker 1: from that. And then I send him a song like, hey,

1823
01:19:54,040 --> 01:19:56,280
Speaker 1: we got a song. We had traction, we'd already had,

1824
01:19:56,439 --> 01:19:59,280
Speaker 1: you know, five or seven number ones at that time,

1825
01:19:59,800 --> 01:20:03,559
Speaker 1: and and so I think our success and then us

1826
01:20:03,560 --> 01:20:07,439
Speaker 1: being real genuine fans of him talking him into doing it.

1827
01:20:07,520 --> 01:20:09,360
Speaker 1: Same way with Dolly. We just released the song with

1828
01:20:09,400 --> 01:20:11,519
Speaker 1: Dolly Parton just came out a couple of weeks ago.

1829
01:20:11,960 --> 01:20:15,360
Speaker 1: And she is the best. It's called Butterfly. She is

1830
01:20:16,400 --> 01:20:19,000
Speaker 1: such an incredible they'll never be another Dolly, like the

1831
01:20:19,080 --> 01:20:26,000
Speaker 1: most published, most brilliant female writer ever. But that was

1832
01:20:26,000 --> 01:20:27,280
Speaker 1: a dream, and it was a dream to have like

1833
01:20:27,320 --> 01:20:30,599
Speaker 1: a full orchestra, like forty people come in record forty

1834
01:20:30,600 --> 01:20:32,320
Speaker 1: pieces of an orchestra and put it in. So we

1835
01:20:32,360 --> 01:20:35,720
Speaker 1: did it on the song with Dolly and she's an

1836
01:20:35,720 --> 01:20:38,320
Speaker 1: angel man. But she's what she sang on this. I

1837
01:20:38,400 --> 01:20:40,120
Speaker 1: sent her the song and like, sing whatever you want.

1838
01:20:40,800 --> 01:20:42,599
Speaker 1: When I got back what she sang, I was just like,

1839
01:20:42,680 --> 01:20:46,280
Speaker 1: she is a fucking ninja. Dude, Yeah, she is a ninja.

1840
01:20:46,320 --> 01:20:49,840
Speaker 3: Didn't she have like a song that she wrote and

1841
01:20:49,920 --> 01:20:53,320
Speaker 3: produced that she like buried under, like was it dolly Land,

1842
01:20:53,400 --> 01:20:55,600
Speaker 3: dolly World or something like that that will not be

1843
01:20:55,640 --> 01:20:57,400
Speaker 3: released until she's passed away or a certain date.

1844
01:20:57,479 --> 01:20:58,439
Speaker 1: That wouldn't surprise me.

1845
01:20:59,120 --> 01:21:02,120
Speaker 3: I just heard crazy story about her next cycle. That's

1846
01:21:02,200 --> 01:21:04,519
Speaker 3: next level thinking of true, and I love to know

1847
01:21:04,520 --> 01:21:06,320
Speaker 3: if that is, if we can find out because legend

1848
01:21:06,600 --> 01:21:08,760
Speaker 3: I saw that in passing probably Instagram, and I'm like,

1849
01:21:08,760 --> 01:21:09,760
Speaker 3: oh shit, you see this.

1850
01:21:10,000 --> 01:21:12,840
Speaker 2: You know Who's a collaboration you'd love to do in

1851
01:21:12,880 --> 01:21:13,360
Speaker 2: the future.

1852
01:21:13,600 --> 01:21:16,880
Speaker 1: Adele's one that I've always wanted to do. I love Adelle.

1853
01:21:16,920 --> 01:21:19,320
Speaker 1: I love her voice. I met her, we played, she

1854
01:21:19,400 --> 01:21:21,400
Speaker 1: played at some country things. She was singing something with

1855
01:21:21,520 --> 01:21:24,200
Speaker 1: Darius Rucker at this thing. She came up to me.

1856
01:21:24,560 --> 01:21:26,760
Speaker 1: I'd never seen her name before. This is when the

1857
01:21:26,800 --> 01:21:30,280
Speaker 1: record heard, record nineteen was out. I hadn't heard of her,

1858
01:21:30,600 --> 01:21:32,040
Speaker 1: and she walked up and she's like, I really love

1859
01:21:32,080 --> 01:21:33,600
Speaker 1: your music, and I was like, oh, thank you. And

1860
01:21:33,640 --> 01:21:35,320
Speaker 1: I thought I was like Adelai or something. I didn't

1861
01:21:35,320 --> 01:21:37,280
Speaker 1: know we even know how to say her name really.

1862
01:21:37,360 --> 01:21:42,160
Speaker 1: And then the next year she came out with twenty

1863
01:21:42,200 --> 01:21:44,839
Speaker 1: one and it was like the biggest record ever.

1864
01:21:44,760 --> 01:21:45,720
Speaker 2: And she's exploding.

1865
01:21:45,760 --> 01:21:47,680
Speaker 1: And I listened to her when I ride my motorcycle.

1866
01:21:47,680 --> 01:21:49,320
Speaker 1: I would put that record on and listen to it

1867
01:21:49,360 --> 01:21:50,880
Speaker 1: like a thousand so when I could just like, whenever

1868
01:21:50,920 --> 01:21:52,400
Speaker 1: I listen to it, I can almost feel the wind

1869
01:21:52,439 --> 01:21:56,240
Speaker 1: on my face. Yeah, And I just I was late

1870
01:21:56,320 --> 01:21:59,400
Speaker 1: getting to the uh. I was late getting to the

1871
01:21:59,479 --> 01:22:01,120
Speaker 1: scene on her because I could have talked to her

1872
01:22:01,160 --> 01:22:03,320
Speaker 1: and connected with her right there. But she's she's pretty

1873
01:22:03,760 --> 01:22:05,880
Speaker 1: untouchable now and kind of does what she wants to do.

1874
01:22:05,960 --> 01:22:08,120
Speaker 1: But she's definitely my top. Like that.

1875
01:22:08,880 --> 01:22:10,559
Speaker 3: Is there any conversations taking place with her right.

1876
01:22:10,479 --> 01:22:13,800
Speaker 1: Now, not not currently. She was at the Rock and

1877
01:22:13,840 --> 01:22:15,800
Speaker 1: Roll Hall of Fame when we did. We were the

1878
01:22:15,800 --> 01:22:18,360
Speaker 1: band for Dolly for her rock and Roll Hall of

1879
01:22:18,400 --> 01:22:21,080
Speaker 1: Fame induction, so we got to back her up on

1880
01:22:21,160 --> 01:22:25,120
Speaker 1: all her songs and she was there, but I didn't

1881
01:22:25,120 --> 01:22:25,760
Speaker 1: get to meet her.

1882
01:22:26,120 --> 01:22:27,840
Speaker 2: She's just like shoot her at DM like, what's up

1883
01:22:27,880 --> 01:22:28,519
Speaker 2: with this collab?

1884
01:22:28,920 --> 01:22:29,160
Speaker 1: Yeah?

1885
01:22:29,240 --> 01:22:29,920
Speaker 2: The eye apology?

1886
01:22:30,120 --> 01:22:31,760
Speaker 1: Yeah yeah, it.

1887
01:22:31,720 --> 01:22:34,040
Speaker 3: Says it says here Dolly Beard a song and a

1888
01:22:34,120 --> 01:22:36,719
Speaker 3: time capsule at Dollywood that will not be heard until

1889
01:22:36,760 --> 01:22:39,400
Speaker 3: she is ninety nine years old. I mean, Shuram just

1890
01:22:39,439 --> 01:22:41,000
Speaker 3: wrote that, so you could have just lied.

1891
01:22:41,080 --> 01:22:43,360
Speaker 6: Is that copy?

1892
01:22:43,400 --> 01:22:46,360
Speaker 3: Didn't paste it so you know it's factual from the internet,

1893
01:22:46,479 --> 01:22:48,000
Speaker 3: from the internet. Got to have it.

1894
01:22:48,560 --> 01:22:51,880
Speaker 2: Was there ever a moment, because you're right, I agree

1895
01:22:51,920 --> 01:22:54,439
Speaker 2: with you on the hustle Partment six years, especially when

1896
01:22:54,479 --> 01:22:56,840
Speaker 2: you're like the late teens. You know, you're a young man,

1897
01:22:57,080 --> 01:23:01,240
Speaker 2: like you know, just young, wild and free. But as

1898
01:23:01,280 --> 01:23:03,920
Speaker 2: you're playing, you know, six nights a week, six hours

1899
01:23:03,920 --> 01:23:05,920
Speaker 2: a night, is there ever a moment where you're like

1900
01:23:06,720 --> 01:23:09,440
Speaker 2: this is about to be it, whether it's a breakthrough

1901
01:23:09,640 --> 01:23:11,680
Speaker 2: or even this might be it, Like I'm gonna have

1902
01:23:11,680 --> 01:23:12,800
Speaker 2: to turn and do something else.

1903
01:23:12,880 --> 01:23:15,120
Speaker 1: I was never gonna turn and do something else, because

1904
01:23:15,120 --> 01:23:18,760
Speaker 1: we left. We went to Panama City Beach with our

1905
01:23:18,800 --> 01:23:21,040
Speaker 1: with our van and our new CD that we'd had

1906
01:23:21,080 --> 01:23:23,840
Speaker 1: made of five song CD and my dog and like

1907
01:23:23,880 --> 01:23:26,600
Speaker 1: all our gear and drove to Panama City and we

1908
01:23:26,640 --> 01:23:28,599
Speaker 1: would set up and plug in anywhere where somebody would

1909
01:23:28,600 --> 01:23:30,240
Speaker 1: give us a power outlet. We plug in and set

1910
01:23:30,320 --> 01:23:32,000
Speaker 1: up outside and we played. We did that for a

1911
01:23:32,040 --> 01:23:34,720
Speaker 1: week or two. Played at this guy's dakriy shack. He

1912
01:23:34,760 --> 01:23:36,760
Speaker 1: had like a trailer with the Dakri machines in it,

1913
01:23:36,920 --> 01:23:39,920
Speaker 1: and we placed sitting outside of this thing. And then

1914
01:23:40,200 --> 01:23:42,639
Speaker 1: that turned into meeting some people that own a really

1915
01:23:42,720 --> 01:23:45,439
Speaker 1: nice house on Roberts Drive that let us sleep in

1916
01:23:45,439 --> 01:23:47,280
Speaker 1: their garage. So me and the drummer a sleeping in

1917
01:23:47,320 --> 01:23:50,439
Speaker 1: a double bed together for like a month, and then

1918
01:23:50,479 --> 01:23:52,640
Speaker 1: we found a house gig at this place like that

1919
01:23:52,760 --> 01:23:55,439
Speaker 1: let us play every week. And you know, they let

1920
01:23:55,520 --> 01:23:57,560
Speaker 1: us play ten nights in a row, six hours a

1921
01:23:57,640 --> 01:23:59,400
Speaker 1: night for one hundred and fifty bucks a night. So

1922
01:23:59,439 --> 01:24:02,400
Speaker 1: we's give us fifteen hundred bucks. And we had to

1923
01:24:02,439 --> 01:24:05,120
Speaker 1: prove ourselves sweating outside in Panama City in the in

1924
01:24:05,160 --> 01:24:10,120
Speaker 1: the summertime. But I loved the whole process. I loved

1925
01:24:10,160 --> 01:24:13,360
Speaker 1: all of it. There were moments that I thought, yeah,

1926
01:24:13,400 --> 01:24:15,280
Speaker 1: we're gonna meet these people and things that we're just

1927
01:24:15,320 --> 01:24:16,760
Speaker 1: gonna be big, you know what I mean. And then

1928
01:24:16,760 --> 01:24:18,200
Speaker 1: when we left Panama City. We did that for a

1929
01:24:18,240 --> 01:24:20,000
Speaker 1: few years. Then we left. Then we went to New Orleans.

1930
01:24:20,000 --> 01:24:21,839
Speaker 1: We're like, Okay, now we're gonna go conquer New Orleans.

1931
01:24:22,760 --> 01:24:24,880
Speaker 1: We left New Orleans so fast. I think the devil

1932
01:24:24,920 --> 01:24:27,720
Speaker 1: lives in New Orleans. Live in New Orleans. If you

1933
01:24:27,720 --> 01:24:29,960
Speaker 1: were there, if you were there. When we drove in,

1934
01:24:30,040 --> 01:24:31,799
Speaker 1: it was like three in the morning, and our busted

1935
01:24:31,840 --> 01:24:34,959
Speaker 1: old van that like five out of the eight cylinders

1936
01:24:35,000 --> 01:24:37,360
Speaker 1: worked in it, and gas is just like spraying inside

1937
01:24:37,360 --> 01:24:40,120
Speaker 1: the car. It's like I sold my life insurance policy.

1938
01:24:40,160 --> 01:24:42,080
Speaker 1: My dad gave me to buy this twelve hundred dollars

1939
01:24:42,080 --> 01:24:44,519
Speaker 1: like van from the seventies, like a good times van,

1940
01:24:44,640 --> 01:24:48,960
Speaker 1: like bubble windows, like orange shag carpet. So we're living

1941
01:24:48,960 --> 01:24:50,840
Speaker 1: out this van and we get to New Orleans and

1942
01:24:51,240 --> 01:24:53,800
Speaker 1: that was that's Oprah. That was a different one. That

1943
01:24:53,840 --> 01:24:55,000
Speaker 1: was let that was much later.

1944
01:24:55,880 --> 01:24:57,000
Speaker 3: Well that's a nicer version.

1945
01:24:57,160 --> 01:24:59,360
Speaker 1: Yeah, that's nicer. But the good times. Van was the

1946
01:24:59,400 --> 01:25:04,920
Speaker 1: first vehicle we were in. But when I thought we

1947
01:25:04,960 --> 01:25:06,360
Speaker 1: were gonna make it in New Orleans and we went

1948
01:25:06,360 --> 01:25:08,240
Speaker 1: there and it was all jazz and blues. Nobody would

1949
01:25:08,280 --> 01:25:10,120
Speaker 1: have us, Nobody would let us go in and play.

1950
01:25:10,720 --> 01:25:12,400
Speaker 1: Three days, we had twenty bucks left. I was living

1951
01:25:12,400 --> 01:25:14,439
Speaker 1: off a gas card. I was like, I could get

1952
01:25:14,479 --> 01:25:18,280
Speaker 1: Dorito's and bologney and white bread and natural Light. If

1953
01:25:18,320 --> 01:25:20,200
Speaker 1: you made enough money and tips, you could drink bud Light.

1954
01:25:20,240 --> 01:25:22,240
Speaker 1: But yeah, you know, you're on the natural Light train

1955
01:25:22,360 --> 01:25:25,280
Speaker 1: for a long time. So then we had to kind

1956
01:25:25,280 --> 01:25:27,720
Speaker 1: of come home and regroup, and I started playing more

1957
01:25:27,760 --> 01:25:31,559
Speaker 1: around Atlanta and then only going to Panama City for

1958
01:25:31,640 --> 01:25:34,599
Speaker 1: some of the summertimes. But man, it was always a grind,

1959
01:25:34,640 --> 01:25:36,840
Speaker 1: and I there was the option. Giving up was never

1960
01:25:36,880 --> 01:25:38,760
Speaker 1: an option. It was like, what's the next thing. How

1961
01:25:38,760 --> 01:25:40,680
Speaker 1: can we get in front of new people, new audiences

1962
01:25:40,720 --> 01:25:43,040
Speaker 1: and things like that. And once Chicken Fried came out

1963
01:25:43,080 --> 01:25:45,320
Speaker 1: on the radio and we had a song, then we

1964
01:25:45,360 --> 01:25:47,880
Speaker 1: started opening for Alan Jackson and Dave Matthews Band and

1965
01:25:47,960 --> 01:25:50,160
Speaker 1: Kenny Chesney and opening for people and getting to play

1966
01:25:50,160 --> 01:25:52,200
Speaker 1: in front of people. But we've been honing our craft

1967
01:25:52,200 --> 01:25:54,240
Speaker 1: and our skill. I mean having the bands a lot

1968
01:25:54,280 --> 01:25:57,280
Speaker 1: like having a sports team, Like, everybody's got to be

1969
01:25:57,320 --> 01:25:58,920
Speaker 1: good at their job. They got to show up and

1970
01:25:58,960 --> 01:26:01,879
Speaker 1: be solid. They can't be you know, drunk and wasted,

1971
01:26:01,920 --> 01:26:06,200
Speaker 1: like gotta good life skills, discipline, And we did that.

1972
01:26:06,560 --> 01:26:10,320
Speaker 1: And then not long after, we stopped anybody drinking before

1973
01:26:10,360 --> 01:26:12,000
Speaker 1: the show because we would smash a bottle of Yaeger

1974
01:26:12,080 --> 01:26:13,720
Speaker 1: before the show. It was from a four piece ban

1975
01:26:14,080 --> 01:26:16,000
Speaker 1: a bottle yeager during the show, and a bottle or

1976
01:26:16,000 --> 01:26:19,080
Speaker 1: two after the show. And so like all my rock

1977
01:26:19,080 --> 01:26:22,400
Speaker 1: star days and shit like that was like from twenty

1978
01:26:22,439 --> 01:26:24,080
Speaker 1: to twenty three, you know.

1979
01:26:24,160 --> 01:26:25,759
Speaker 3: Short lived, so short runway.

1980
01:26:25,960 --> 01:26:29,360
Speaker 1: Yeah, but after that it was pretty much like it

1981
01:26:29,400 --> 01:26:31,800
Speaker 1: was business after that. But I knew what it does,

1982
01:26:31,880 --> 01:26:34,200
Speaker 1: and I've been sober now for.

1983
01:26:34,160 --> 01:26:36,560
Speaker 2: Eight years, so I congratulations.

1984
01:26:36,960 --> 01:26:39,800
Speaker 1: Yeah for me, I know what it does. And I

1985
01:26:39,880 --> 01:26:42,240
Speaker 1: just want to feel good every day now and anything

1986
01:26:42,240 --> 01:26:44,440
Speaker 1: I can do to invest in me feeling good from

1987
01:26:45,040 --> 01:26:48,360
Speaker 1: life coaching, the therapist to plant, medicine to whatever, like

1988
01:26:48,640 --> 01:26:51,240
Speaker 1: I'm I'm in on that because as you get older,

1989
01:26:51,280 --> 01:26:52,599
Speaker 1: like you guys are forty yet.

1990
01:26:53,360 --> 01:26:55,680
Speaker 2: He's just I just turned thirty six. Yea, I'm good.

1991
01:26:55,720 --> 01:26:55,880
Speaker 3: Yeah.

1992
01:26:55,920 --> 01:26:58,200
Speaker 1: So when you turn forty, your warranty runs out, so

1993
01:26:58,240 --> 01:27:00,559
Speaker 1: you better start investing and feeling good. You can get

1994
01:27:00,560 --> 01:27:03,519
Speaker 1: away with it when you're younger, but for me it was,

1995
01:27:03,760 --> 01:27:05,679
Speaker 1: you know, I've got a lot of kids to raise.

1996
01:27:05,880 --> 01:27:07,960
Speaker 1: I've got to stay on the path. I got to

1997
01:27:08,000 --> 01:27:10,880
Speaker 1: figure out what's happening. Yeah, that was. That was when

1998
01:27:10,880 --> 01:27:12,080
Speaker 1: we were first to five piece.

1999
01:27:12,160 --> 01:27:14,679
Speaker 3: Man. Yeah, it's fun when you're like twenty three, twenty four,

2000
01:27:15,000 --> 01:27:18,320
Speaker 3: and then right around twenty five, every time I would

2001
01:27:18,360 --> 01:27:20,080
Speaker 3: have like one or even two drinks, like the next day,

2002
01:27:20,120 --> 01:27:22,040
Speaker 3: I just feel terrible forever. And then you have.

2003
01:27:22,000 --> 01:27:23,800
Speaker 1: Kids, Yeah, you live, Your kids want to.

2004
01:27:23,720 --> 01:27:25,519
Speaker 3: Play the next day, and you're just like that can't.

2005
01:27:25,560 --> 01:27:28,800
Speaker 1: Man, I should have stopped way sooner, not because I

2006
01:27:28,840 --> 01:27:31,120
Speaker 1: had a problem with it, just because it was taken

2007
01:27:31,160 --> 01:27:35,599
Speaker 1: away from things that matter. Yeah, and it doesn't. Nobody's

2008
01:27:35,600 --> 01:27:37,759
Speaker 1: life gets worse because they quit, no doubt.

2009
01:27:37,960 --> 01:27:41,840
Speaker 2: What would you tell like young artists who we have

2010
01:27:42,000 --> 01:27:44,439
Speaker 2: the big time hustle mentality and you're kind of living

2011
01:27:44,479 --> 01:27:47,559
Speaker 2: through those moments of probably discouragement, like when you leave

2012
01:27:47,560 --> 01:27:49,599
Speaker 2: in New Orleans and everything else where you're feeling discouraged,

2013
01:27:49,640 --> 01:27:52,720
Speaker 2: but also you're trying to balance it with that intensity

2014
01:27:52,760 --> 01:27:55,479
Speaker 2: and focus to like stay locked in for the bigger picture,

2015
01:27:55,520 --> 01:27:56,320
Speaker 2: to like keep going.

2016
01:27:57,080 --> 01:28:01,400
Speaker 1: Yeah, I mean if you're people always told me, like

2017
01:28:01,439 --> 01:28:02,960
Speaker 1: I had to get a degree, You have to get

2018
01:28:03,000 --> 01:28:04,320
Speaker 1: a degree, You have to have a plan B. I'm like,

2019
01:28:04,360 --> 01:28:06,240
Speaker 1: if I'm putting energy into plan B, I'm not putting

2020
01:28:06,240 --> 01:28:08,840
Speaker 1: it into plan A. The people that succeed are the

2021
01:28:08,840 --> 01:28:11,719
Speaker 1: ones that never give up, no matter what anybody says.

2022
01:28:13,280 --> 01:28:15,800
Speaker 1: Unless you have the grit to be able to do that, Yeah,

2023
01:28:15,880 --> 01:28:18,320
Speaker 1: you can't. You can't quit and give up. And you

2024
01:28:18,400 --> 01:28:20,479
Speaker 1: got to be really good to everybody along the way.

2025
01:28:21,160 --> 01:28:23,639
Speaker 1: That's the way you treat people is a direct result

2026
01:28:23,760 --> 01:28:25,800
Speaker 1: in your environment that you keep. Your environment of your

2027
01:28:25,800 --> 01:28:29,439
Speaker 1: friends and people. If you don't keep expanders around you

2028
01:28:29,920 --> 01:28:31,639
Speaker 1: as your friends, if you've got people you and boys

2029
01:28:31,640 --> 01:28:33,679
Speaker 1: a long time but whatever, they love to get trashed

2030
01:28:33,680 --> 01:28:35,880
Speaker 1: and whatever, if you slip off into that world with them.

2031
01:28:36,439 --> 01:28:38,280
Speaker 1: So you have to really be tight with your circle

2032
01:28:38,720 --> 01:28:41,559
Speaker 1: and that that will directly determine your success. The environment

2033
01:28:41,600 --> 01:28:43,439
Speaker 1: that you keep, keep the things around your house that

2034
01:28:43,479 --> 01:28:45,479
Speaker 1: help you feel healthy and feel good. Like I turned

2035
01:28:45,479 --> 01:28:49,000
Speaker 1: all my bars into like you know, tea and juice

2036
01:28:49,040 --> 01:28:51,920
Speaker 1: and you know, smoothie bars and stuff like that. So

2037
01:28:51,960 --> 01:28:54,000
Speaker 1: I still have something I can go make that I like,

2038
01:28:54,120 --> 01:28:57,800
Speaker 1: but it's different context, you know. But I wish that

2039
01:28:57,880 --> 01:28:59,840
Speaker 1: I had learned sooner. And I tell people this, like,

2040
01:29:00,920 --> 01:29:03,799
Speaker 1: try to stay out of debt, treat everybody like gold.

2041
01:29:03,800 --> 01:29:05,559
Speaker 1: Be around people that are really good at what you

2042
01:29:05,600 --> 01:29:07,200
Speaker 1: want to do so you can learn from them. Clean

2043
01:29:07,200 --> 01:29:09,280
Speaker 1: their toilets, bring them coffee, do whatever you got to

2044
01:29:09,320 --> 01:29:12,240
Speaker 1: do to be around those people. And you got to

2045
01:29:12,280 --> 01:29:15,000
Speaker 1: work your ass off, like there's no shortcut, there's no way.

2046
01:29:15,000 --> 01:29:18,160
Speaker 1: People that get made super famous on YouTube overnight and

2047
01:29:18,200 --> 01:29:20,439
Speaker 1: stuff like that, like you're happy for them. But the

2048
01:29:20,520 --> 01:29:22,640
Speaker 1: dues that I paid grinding as much as I have

2049
01:29:22,760 --> 01:29:26,560
Speaker 1: made me appreciate people so much, and that love is

2050
01:29:26,560 --> 01:29:28,320
Speaker 1: all the way through my crew and my people, Like

2051
01:29:28,479 --> 01:29:32,080
Speaker 1: everybody's job is equally as important as mine, and they

2052
01:29:32,120 --> 01:29:34,519
Speaker 1: come to bat for me. And Charlie Daniels is one

2053
01:29:34,520 --> 01:29:37,080
Speaker 1: of my favorite quotes. He was like, my greatest accomplishment

2054
01:29:37,200 --> 01:29:40,000
Speaker 1: is having thirty seven of my friends helped me for

2055
01:29:40,040 --> 01:29:43,040
Speaker 1: thirty five years, like play music and do that. So

2056
01:29:43,080 --> 01:29:44,920
Speaker 1: the team that I have, the people around me, you

2057
01:29:44,920 --> 01:29:47,000
Speaker 1: can't buy culture, and you can't buy momentum. You have

2058
01:29:47,040 --> 01:29:49,799
Speaker 1: to build those things for yourself, and then every decision

2059
01:29:49,880 --> 01:29:53,080
Speaker 1: you make is a crossroads. Yeah, and there's so many

2060
01:29:53,120 --> 01:29:55,360
Speaker 1: times just one decision could have changed things. But even

2061
01:29:55,400 --> 01:29:57,120
Speaker 1: when you get beat up or whatever, you got to

2062
01:29:57,240 --> 01:29:58,840
Speaker 1: get back up and keep going or you're not going

2063
01:29:58,920 --> 01:30:01,120
Speaker 1: to make it. So there are people that are like, yeah,

2064
01:30:01,160 --> 01:30:02,680
Speaker 1: I think I want to do music. It's like, now

2065
01:30:02,680 --> 01:30:05,320
Speaker 1: you better fucking know, right, You better give it everything

2066
01:30:05,320 --> 01:30:07,360
Speaker 1: you got, and you better learn everything you can from

2067
01:30:07,400 --> 01:30:09,719
Speaker 1: anybody around you, you know, and only listen to people

2068
01:30:09,720 --> 01:30:11,960
Speaker 1: that are doing better than you, because there's all these

2069
01:30:12,000 --> 01:30:13,679
Speaker 1: people and they want to tell you how to create,

2070
01:30:13,720 --> 01:30:16,040
Speaker 1: what to do whatever. The people that write reviews on

2071
01:30:16,080 --> 01:30:19,000
Speaker 1: shit and slam other people's stuff have never done anything

2072
01:30:19,040 --> 01:30:21,800
Speaker 1: in their life to fucking create anything. Those are the

2073
01:30:21,840 --> 01:30:24,519
Speaker 1: people they hide behind their screens. They'd never come up

2074
01:30:24,520 --> 01:30:26,640
Speaker 1: to my face and say this stuff. But they're the

2075
01:30:26,680 --> 01:30:29,479
Speaker 1: ones that are always tearing you down. And it's you

2076
01:30:29,600 --> 01:30:31,320
Speaker 1: got to be resilient. And I think when you have

2077
01:30:31,400 --> 01:30:33,000
Speaker 1: a big light that you're trying to shine out there,

2078
01:30:33,040 --> 01:30:34,680
Speaker 1: there's forces that are always going to try to be

2079
01:30:34,800 --> 01:30:36,639
Speaker 1: distracting you from who you are and what you're doing.

2080
01:30:37,320 --> 01:30:39,160
Speaker 1: And you just got to not let that steer your

2081
01:30:39,200 --> 01:30:41,599
Speaker 1: joy and try to keep going. I'm no master of that.

2082
01:30:41,680 --> 01:30:43,559
Speaker 1: I deal with stuff all the time. I'm like really

2083
01:30:44,560 --> 01:30:48,640
Speaker 1: like again, like, but it's I know that it's my

2084
01:30:48,760 --> 01:30:50,680
Speaker 1: cross to bearer and as the leader, and it's really

2085
01:30:50,760 --> 01:30:52,160
Speaker 1: not up to the fan. Fans shouldn't have to know

2086
01:30:52,200 --> 01:30:53,800
Speaker 1: they're struggle and all that. They just know that they

2087
01:30:53,800 --> 01:30:55,839
Speaker 1: come to a show and they get an amazing experience

2088
01:30:55,880 --> 01:30:57,360
Speaker 1: and they can come back the next time. And it's

2089
01:30:57,360 --> 01:30:59,920
Speaker 1: competitive in that way. If you're not doing something that's

2090
01:31:00,000 --> 01:31:02,080
Speaker 1: special every time you come back to a city, if

2091
01:31:02,080 --> 01:31:04,040
Speaker 1: you play the same show, they're not going to keep

2092
01:31:04,040 --> 01:31:06,200
Speaker 1: coming back. So you got to keep reinventing what you're

2093
01:31:06,240 --> 01:31:08,280
Speaker 1: doing and how to engage and have a great show.

2094
01:31:09,040 --> 01:31:12,000
Speaker 2: On that note, matter of fact, my wife and I

2095
01:31:12,080 --> 01:31:14,120
Speaker 2: when we were dating, you were You guys were the

2096
01:31:14,160 --> 01:31:16,880
Speaker 2: first concert we went to together as a couple, and

2097
01:31:17,080 --> 01:31:20,400
Speaker 2: I your boy was fired up. When Inner sand Man

2098
01:31:20,680 --> 01:31:22,640
Speaker 2: comes into the fold, can you talk about, you know,

2099
01:31:22,720 --> 01:31:25,760
Speaker 2: mixing over into that genre you're you're covering. You got

2100
01:31:25,800 --> 01:31:27,840
Speaker 2: Inner sand Man going to Metallicon, next thing you know,

2101
01:31:27,840 --> 01:31:29,160
Speaker 2: they're playing at your shows.

2102
01:31:29,680 --> 01:31:32,720
Speaker 1: Yeah, for sure, it's you know, I love those curveballs

2103
01:31:32,920 --> 01:31:34,840
Speaker 1: where you play things that people would never expect you

2104
01:31:34,880 --> 01:31:36,800
Speaker 1: to play, Like we'll pull out some rage or we'll

2105
01:31:36,800 --> 01:31:41,360
Speaker 1: pull out some Beastie boys or pull out something. I

2106
01:31:41,439 --> 01:31:44,360
Speaker 1: love being able to just play what I want to play.

2107
01:31:44,479 --> 01:31:46,479
Speaker 1: There's nobody is telling me I can't do that, or

2108
01:31:46,520 --> 01:31:48,880
Speaker 1: I can't record this, or I can't do that. But

2109
01:31:48,960 --> 01:31:52,599
Speaker 1: for us dynamically, like, there's not a lot of people

2110
01:31:52,680 --> 01:31:55,080
Speaker 1: that just love one little type of music in one thing.

2111
01:31:55,120 --> 01:31:56,920
Speaker 1: There's some purists, but a lot of people like we're

2112
01:31:56,960 --> 01:31:59,559
Speaker 1: exposed lots of things like I love good hip hop,

2113
01:31:59,560 --> 01:32:03,160
Speaker 1: I love good DM I love good jazz, good swing,

2114
01:32:03,280 --> 01:32:05,200
Speaker 1: good whatever it is. That's that's going on. And so

2115
01:32:06,040 --> 01:32:07,720
Speaker 1: we make the music we want to make. But in

2116
01:32:07,760 --> 01:32:09,920
Speaker 1: our live shows, if you haven't seen our bands one,

2117
01:32:09,960 --> 01:32:11,519
Speaker 1: you have to see to kind of get it and

2118
01:32:11,600 --> 01:32:14,200
Speaker 1: understand what it is. And it's different every time we come.

2119
01:32:14,280 --> 01:32:15,880
Speaker 1: But you know, there's gonna be things that we're going

2120
01:32:15,920 --> 01:32:17,880
Speaker 1: to play that no one would expect us to play, Like,

2121
01:32:17,920 --> 01:32:18,639
Speaker 1: oh my god, what are.

2122
01:32:18,600 --> 01:32:21,160
Speaker 2: They when saw looked over, Wow, what do you know

2123
01:32:21,200 --> 01:32:24,400
Speaker 2: about this rout?

2124
01:32:24,479 --> 01:32:27,479
Speaker 3: For the first dates? Yeah, yeah, that's awesome. I love

2125
01:32:27,520 --> 01:32:30,559
Speaker 3: that you talked about every decision you may make as

2126
01:32:30,600 --> 01:32:32,200
Speaker 3: a crossroads when you're going through the path that you're

2127
01:32:32,240 --> 01:32:34,479
Speaker 3: going through. What are some decisions that you might have

2128
01:32:34,479 --> 01:32:36,000
Speaker 3: made in the past that you would change now.

2129
01:32:38,400 --> 01:32:41,200
Speaker 1: Man, I think maybe maybe opening my mouth a little

2130
01:32:41,240 --> 01:32:45,240
Speaker 1: bit about how I feel about certain things, Like I

2131
01:32:45,280 --> 01:32:49,120
Speaker 1: definitely have strong opinions. I'm definitely you know, as far

2132
01:32:49,120 --> 01:32:51,960
Speaker 1: as music goes, Like I can respect that somebody has

2133
01:32:52,000 --> 01:32:53,640
Speaker 1: their hustle and a lot of people love it. I

2134
01:32:53,720 --> 01:32:56,679
Speaker 1: might not love it, but I think I shouldn't maybe

2135
01:32:56,760 --> 01:32:58,760
Speaker 1: looking back on some of the things, I shouldn't really

2136
01:32:58,800 --> 01:33:03,080
Speaker 1: talk about how I feel about other people's craft necessarily

2137
01:33:03,600 --> 01:33:04,960
Speaker 1: just because it doesn't do it for me. It doesn't

2138
01:33:05,000 --> 01:33:06,640
Speaker 1: mean that it's bad, and I try to preface it

2139
01:33:06,680 --> 01:33:09,720
Speaker 1: with that. But I'm a music snob in the sense

2140
01:33:09,760 --> 01:33:12,519
Speaker 1: that I want to hear something that moves me. I

2141
01:33:12,560 --> 01:33:14,680
Speaker 1: want to be inspired by it. I want to hear

2142
01:33:14,680 --> 01:33:16,800
Speaker 1: somebody say something in a way that hasn't been said

2143
01:33:16,880 --> 01:33:18,680
Speaker 1: with the right melody, with the right harmony, with the

2144
01:33:18,760 --> 01:33:22,479
Speaker 1: right thing to move me. So I definitely think there

2145
01:33:22,479 --> 01:33:24,519
Speaker 1: are times when people have asked my opinion on things

2146
01:33:24,560 --> 01:33:26,080
Speaker 1: and I didn't think that that was going to be

2147
01:33:26,160 --> 01:33:29,519
Speaker 1: shared out to the fucking world that did that got

2148
01:33:29,560 --> 01:33:31,679
Speaker 1: shared out, and it was like, that wasn't my intention

2149
01:33:31,960 --> 01:33:35,120
Speaker 1: to do that was to try to, you know, say

2150
01:33:35,120 --> 01:33:38,200
Speaker 1: something you know about somebody else's craft. You know. I

2151
01:33:38,280 --> 01:33:40,680
Speaker 1: think there's a couple of times where I wish I

2152
01:33:40,680 --> 01:33:43,679
Speaker 1: had just not shared my opinion about it on things.

2153
01:33:43,680 --> 01:33:46,439
Speaker 1: So I try to be a little more aware of that.

2154
01:33:46,560 --> 01:33:51,880
Speaker 1: But it's also the level of sensitivity that's required these

2155
01:33:51,960 --> 01:33:54,599
Speaker 1: days compared to when I grew up, is, you know,

2156
01:33:54,640 --> 01:33:57,320
Speaker 1: it's crazy now the level of sensitivity a lot of

2157
01:33:57,360 --> 01:33:59,760
Speaker 1: the world has. But hopefully it's swinging back the other

2158
01:33:59,800 --> 01:34:01,560
Speaker 1: way a little bit. I see some good hope and

2159
01:34:01,600 --> 01:34:04,200
Speaker 1: good things. And I'm a big comedy fan, so I

2160
01:34:04,439 --> 01:34:07,080
Speaker 1: grew up with listening to Richard Pryor and Eddie Murphy

2161
01:34:07,280 --> 01:34:12,479
Speaker 1: and you know, George Carlin and things, and seeing the

2162
01:34:12,720 --> 01:34:14,760
Speaker 1: zuber sensitivity of the last few years. And now it

2163
01:34:14,800 --> 01:34:16,559
Speaker 1: seems to be lighting up and people can just do

2164
01:34:16,600 --> 01:34:18,799
Speaker 1: things for a laugh again, like we need to laugh,

2165
01:34:19,439 --> 01:34:22,840
Speaker 1: We need Music is medicine, Laughing is medicine, and those things.

2166
01:34:22,840 --> 01:34:26,240
Speaker 1: So I love those things too, and I write like

2167
01:34:26,320 --> 01:34:29,040
Speaker 1: some dirty, raunchy songs. My sense of humor is dark,

2168
01:34:29,280 --> 01:34:31,880
Speaker 1: like I have a dark sense of humor, yea, and

2169
01:34:31,920 --> 01:34:33,720
Speaker 1: I love it. That's what keeps us laughing and going

2170
01:34:33,720 --> 01:34:36,360
Speaker 1: down the road. But my heart is solid gold, like

2171
01:34:36,400 --> 01:34:38,960
Speaker 1: I don't. You know. I never want to do anything

2172
01:34:39,000 --> 01:34:41,519
Speaker 1: at the expense of someone else, you know. And I

2173
01:34:41,520 --> 01:34:44,000
Speaker 1: think sometimes in the past, when I've talked about certain things,

2174
01:34:44,000 --> 01:34:46,160
Speaker 1: that's something that maybe that I would change. But I

2175
01:34:46,160 --> 01:34:49,439
Speaker 1: would also not try to do eighty businesses at one time.

2176
01:34:50,040 --> 01:34:52,240
Speaker 1: I would be more singularly focused on the things that

2177
01:34:52,240 --> 01:34:56,479
Speaker 1: are the best use of my time. You know, you

2178
01:34:56,520 --> 01:34:58,200
Speaker 1: drink out of a fire hydrant. I try to have

2179
01:34:58,560 --> 01:35:00,880
Speaker 1: a record label, had a huge building with like one

2180
01:35:00,920 --> 01:35:02,920
Speaker 1: hundred and sixty five thousand square feet where I was

2181
01:35:02,920 --> 01:35:06,800
Speaker 1: manufacturing things, manufacturing knives and leather bags and see and

2182
01:35:06,800 --> 01:35:10,080
Speaker 1: See woodshops, see and See metal shop, and all of

2183
01:35:10,120 --> 01:35:13,880
Speaker 1: our graphic artists, our film company, all of our accountants,

2184
01:35:14,680 --> 01:35:17,040
Speaker 1: had an autobody shop in there. We did like custom

2185
01:35:17,120 --> 01:35:18,879
Speaker 1: vehicles and things like that and.

2186
01:35:19,360 --> 01:35:22,200
Speaker 2: Literally everything everything more and trying to be a dad.

2187
01:35:22,320 --> 01:35:24,120
Speaker 3: Yeah, r to write music.

2188
01:35:24,240 --> 01:35:27,240
Speaker 1: Yeah, I would have definitely simplified things a lot. But

2189
01:35:27,280 --> 01:35:28,920
Speaker 1: I think that's something that I had to learn on

2190
01:35:28,960 --> 01:35:32,200
Speaker 1: my own that you know, you only have so much time,

2191
01:35:32,360 --> 01:35:35,040
Speaker 1: and if you can't do something really well, which takes

2192
01:35:35,080 --> 01:35:37,479
Speaker 1: a significant amount of your pod chart, if your time

2193
01:35:37,560 --> 01:35:40,120
Speaker 1: is a pod chart, those things take up time. And

2194
01:35:40,160 --> 01:35:42,320
Speaker 1: if you have so many things, just because you can

2195
01:35:42,439 --> 01:35:45,040
Speaker 1: do something doesn't mean you should. You can collaborate with

2196
01:35:45,080 --> 01:35:47,360
Speaker 1: somebody that's already making it or doing it or doing something,

2197
01:35:47,400 --> 01:35:49,400
Speaker 1: and like be creative in a way that you want.

2198
01:35:49,439 --> 01:35:52,360
Speaker 1: But I'm an artist, like not just in music, that's

2199
01:35:52,360 --> 01:35:54,200
Speaker 1: just one of the mediums. That's the medium I've spent

2200
01:35:54,200 --> 01:35:56,080
Speaker 1: the longest time on. But I like to make things.

2201
01:35:56,120 --> 01:35:59,479
Speaker 1: I like to create things, and I'm always studying gear,

2202
01:36:00,360 --> 01:36:03,240
Speaker 1: like people's people's gear that they make, Like as far

2203
01:36:03,280 --> 01:36:06,000
Speaker 1: as the knives go, like I would forget knives, and

2204
01:36:06,040 --> 01:36:07,840
Speaker 1: there would be one thing I hated about it. I

2205
01:36:07,880 --> 01:36:10,000
Speaker 1: love the knife, I hate the clip or I love

2206
01:36:10,000 --> 01:36:12,200
Speaker 1: the clip, hate the knife. And so I wanted to

2207
01:36:12,240 --> 01:36:15,760
Speaker 1: fix that, Like all the things that I know functionally

2208
01:36:15,800 --> 01:36:17,280
Speaker 1: that a knife should be, I want to make that.

2209
01:36:17,360 --> 01:36:20,840
Speaker 1: So we did it, American made, and you know, but

2210
01:36:20,880 --> 01:36:23,360
Speaker 1: it's but it's hard. It's hard for knife makers right now,

2211
01:36:23,400 --> 01:36:26,840
Speaker 1: especially because like Instagram took all knife makers off. They

2212
01:36:26,840 --> 01:36:29,160
Speaker 1: don't allow it on there. You know, they consider it weapons.

2213
01:36:29,320 --> 01:36:32,280
Speaker 1: And really so so many great knife makers right now

2214
01:36:32,360 --> 01:36:35,960
Speaker 1: don't really have a market a marketing vehicle to broadcast

2215
01:36:36,000 --> 01:36:39,639
Speaker 1: and sell the things that they make anymore. That's part

2216
01:36:39,640 --> 01:36:42,559
Speaker 1: of the sensitivity for things. But you know, I've carried

2217
01:36:42,560 --> 01:36:44,280
Speaker 1: a knife in my pocket since I was five years old,

2218
01:36:44,520 --> 01:36:46,040
Speaker 1: and I feel naked without one.

2219
01:36:46,160 --> 01:36:48,040
Speaker 3: Well, five years old doesn't feel very responsible.

2220
01:36:48,520 --> 01:36:50,600
Speaker 1: I did. I want my pocket everything I want to.

2221
01:36:50,680 --> 01:36:52,559
Speaker 1: I didn't take it out, I didn't brandish it. I

2222
01:36:52,600 --> 01:36:54,320
Speaker 1: wasn't like showing it off to other kids. But I

2223
01:36:54,400 --> 01:36:57,920
Speaker 1: had one, and I just like knowing, Yeah, that's our

2224
01:36:57,960 --> 01:37:00,080
Speaker 1: site there for Sunday different.

2225
01:36:59,800 --> 01:37:04,240
Speaker 2: Stuf Zachary, give you the knife before you go to school.

2226
01:37:04,280 --> 01:37:05,800
Speaker 3: Mom, Come on, I love the clip.

2227
01:37:05,800 --> 01:37:07,759
Speaker 2: I love the knife. Gives it to and then grabs

2228
01:37:07,760 --> 01:37:10,599
Speaker 2: one in a little secret space for sure.

2229
01:37:10,880 --> 01:37:11,080
Speaker 4: Yeah.

2230
01:37:11,560 --> 01:37:15,439
Speaker 3: Yeah, figure out how to say no when everything's kind

2231
01:37:15,439 --> 01:37:16,720
Speaker 3: of going your way. It's got to be a very

2232
01:37:16,720 --> 01:37:17,280
Speaker 3: difficult thing.

2233
01:37:17,920 --> 01:37:19,799
Speaker 1: They know a lot to be saying yeah.

2234
01:37:19,680 --> 01:37:22,439
Speaker 3: Everyone's want. Everybody wants something from you. You have you

2235
01:37:22,520 --> 01:37:24,160
Speaker 3: believe in your head because you're younger, you're like, I

2236
01:37:24,240 --> 01:37:27,080
Speaker 3: can do everything, And they say yes to so many things,

2237
01:37:27,120 --> 01:37:29,360
Speaker 3: and all of a sudden, you have so many irons

2238
01:37:29,360 --> 01:37:31,120
Speaker 3: and so many different fires, and it's like, what what

2239
01:37:31,160 --> 01:37:32,800
Speaker 3: do you really have time for? Because everything's kind of

2240
01:37:32,800 --> 01:37:33,639
Speaker 3: turning on is okay?

2241
01:37:33,760 --> 01:37:35,479
Speaker 1: Not great? You don't have time to take care of

2242
01:37:35,479 --> 01:37:38,960
Speaker 1: yourself right, And and you have to look every few

2243
01:37:39,040 --> 01:37:43,200
Speaker 1: years and redefine what success means to you currently, because

2244
01:37:43,360 --> 01:37:44,720
Speaker 1: at first it was like, Okay, how do we get

2245
01:37:44,800 --> 01:37:46,960
Speaker 1: number one songs on the radio? How do we do that?

2246
01:37:47,479 --> 01:37:49,160
Speaker 1: And then we built a whole team to be able

2247
01:37:49,200 --> 01:37:50,960
Speaker 1: to do that and did that for six years, and

2248
01:37:50,960 --> 01:37:52,880
Speaker 1: then it just you don't get a number one song

2249
01:37:52,920 --> 01:37:54,679
Speaker 1: because you have a good song. You get one because

2250
01:37:54,720 --> 01:37:57,519
Speaker 1: you serviced every major company out there and giving them

2251
01:37:57,560 --> 01:37:59,960
Speaker 1: free shows and free things and showing up and done it,

2252
01:38:00,040 --> 01:38:02,160
Speaker 1: and then you have a good song too. That's that's reacting,

2253
01:38:02,200 --> 01:38:07,400
Speaker 1: But giving that much away. When I had little ones

2254
01:38:07,439 --> 01:38:09,280
Speaker 1: at home for so long, I just got to the

2255
01:38:09,320 --> 01:38:10,840
Speaker 1: point where I was like, I don't care how it

2256
01:38:10,880 --> 01:38:15,400
Speaker 1: affects my you know, the amount of money that I make.

2257
01:38:15,520 --> 01:38:18,600
Speaker 1: I care about just being a sane human being. And

2258
01:38:18,680 --> 01:38:21,080
Speaker 1: I had to disconnect from it for four or five years,

2259
01:38:21,160 --> 01:38:23,040
Speaker 1: so I stopped doing all of those things and just

2260
01:38:23,080 --> 01:38:27,479
Speaker 1: focused on playing shows because you become a politician, you

2261
01:38:27,600 --> 01:38:31,040
Speaker 1: become you know, it's all political, all of those things.

2262
01:38:31,080 --> 01:38:32,800
Speaker 1: If you're gonna win an award show, it's because you're

2263
01:38:32,800 --> 01:38:35,360
Speaker 1: with a label that has a huge voting chair and

2264
01:38:35,400 --> 01:38:37,200
Speaker 1: the amount of votes that go to that thing, and

2265
01:38:37,240 --> 01:38:40,360
Speaker 1: then they trade with another label that has, like they

2266
01:38:40,439 --> 01:38:42,559
Speaker 1: might want dis labels votes for their artists that they

2267
01:38:42,600 --> 01:38:44,719
Speaker 1: don't not competing in and they will trade their votes

2268
01:38:44,720 --> 01:38:47,040
Speaker 1: and things. So you look behind the curtain on a

2269
01:38:47,040 --> 01:38:50,160
Speaker 1: lot of those things, and I'd just rather not be

2270
01:38:50,320 --> 01:38:53,240
Speaker 1: someone's horse than to have to go, you know, be

2271
01:38:53,280 --> 01:38:54,880
Speaker 1: the monkey they let out of the cage and tell

2272
01:38:54,920 --> 01:38:56,920
Speaker 1: you what to do, what to create, how to create it,

2273
01:38:56,960 --> 01:38:59,639
Speaker 1: and all those things. We're never going to win Entertainer

2274
01:38:59,640 --> 01:39:01,880
Speaker 1: of the Year or anything like that or whatever because

2275
01:39:01,920 --> 01:39:05,080
Speaker 1: we're not part of those We're not one of their horses.

2276
01:39:05,640 --> 01:39:07,840
Speaker 1: And they do a great job glorifying their artists and

2277
01:39:07,920 --> 01:39:11,519
Speaker 1: the perception of public perception of those people by doing that.

2278
01:39:11,880 --> 01:39:15,960
Speaker 1: But for us, I mean, we sell out stadiums and

2279
01:39:16,000 --> 01:39:18,200
Speaker 1: that's an award for us every night, and I try

2280
01:39:18,240 --> 01:39:21,000
Speaker 1: to remind my band of that because they'll invite us

2281
01:39:21,000 --> 01:39:22,840
Speaker 1: to come and nominate us, but we're they want to

2282
01:39:22,840 --> 01:39:25,280
Speaker 1: have a chance in hell and winning, and it's always

2283
01:39:25,280 --> 01:39:28,080
Speaker 1: disappointing for my band. And I'm like, hey, like we're winning.

2284
01:39:29,040 --> 01:39:31,400
Speaker 1: We win because we get to do what we want

2285
01:39:31,439 --> 01:39:33,680
Speaker 1: to do, be ourselves, play the music, connect to our

2286
01:39:33,720 --> 01:39:35,680
Speaker 1: fan base, which no one can take away from us,

2287
01:39:36,479 --> 01:39:38,360
Speaker 1: and it's just a different kind. It's it's how you

2288
01:39:38,439 --> 01:39:40,559
Speaker 1: measure it. You know, how you measure your success, and

2289
01:39:41,800 --> 01:39:44,160
Speaker 1: it's always a moving target and always feeling out. So

2290
01:39:44,400 --> 01:39:46,040
Speaker 1: this was a year where I was like, we need

2291
01:39:46,080 --> 01:39:49,000
Speaker 1: a spectacle. We need something that's a big reminder to

2292
01:39:49,040 --> 01:39:50,920
Speaker 1: cut through things because people can listen to a million

2293
01:39:50,960 --> 01:39:53,360
Speaker 1: different things that's free on their phone. You get on

2294
01:39:53,400 --> 01:39:54,960
Speaker 1: YouTube and listen to millions of different things.

2295
01:39:55,040 --> 01:39:56,799
Speaker 3: The access to music is bigger than ever.

2296
01:39:56,800 --> 01:39:58,720
Speaker 1: And so you need to have something to cut through that.

2297
01:39:58,760 --> 01:40:01,519
Speaker 1: What are you going to do that's big enough to

2298
01:40:01,560 --> 01:40:03,960
Speaker 1: make people pay attention and realize, oh shit, they're not

2299
01:40:04,000 --> 01:40:06,960
Speaker 1: just complacent and slowing down and just like you know,

2300
01:40:07,720 --> 01:40:10,160
Speaker 1: riding off into the sunset, Like we're pushing the boundaries

2301
01:40:10,160 --> 01:40:11,679
Speaker 1: of what we can do for our fans. And that's

2302
01:40:11,680 --> 01:40:15,679
Speaker 1: why we're doing Sphere. You know, the Sphere show December

2303
01:40:16,920 --> 01:40:19,600
Speaker 1: is the is the biggest project we've ever taken on

2304
01:40:19,760 --> 01:40:24,320
Speaker 1: by tenfold, and it's important to do something that's unforgettable

2305
01:40:24,320 --> 01:40:27,720
Speaker 1: there to just remind people. I want to be in

2306
01:40:27,760 --> 01:40:34,920
Speaker 1: that same you know, legacy era or legacy act as

2307
01:40:35,040 --> 01:40:37,880
Speaker 1: like the Rolling Stones are the Grateful Dead, and that

2308
01:40:38,520 --> 01:40:41,320
Speaker 1: what that requires is your community that you create around

2309
01:40:41,360 --> 01:40:43,200
Speaker 1: your music and you're following and all those things. You

2310
01:40:43,200 --> 01:40:46,280
Speaker 1: have to do something to keep them engaged, to keep

2311
01:40:46,280 --> 01:40:49,439
Speaker 1: them going and artistically, this is the greatest canvas that's

2312
01:40:49,479 --> 01:40:53,200
Speaker 1: ever been created for creativity and getting to do that

2313
01:40:53,360 --> 01:40:55,400
Speaker 1: is a huge honor and it's a massive undertaking in

2314
01:40:55,439 --> 01:40:58,599
Speaker 1: the middle of everything that's happening. So making this album,

2315
01:40:58,760 --> 01:41:04,559
Speaker 1: finishing it, producing it the same night of the first show.

2316
01:41:04,640 --> 01:41:06,920
Speaker 1: This Fear is the album release, So all the promo

2317
01:41:07,000 --> 01:41:09,840
Speaker 1: this entire year is leading up to that first night

2318
01:41:10,160 --> 01:41:12,880
Speaker 1: at the Sphere. But making great music. You know, I

2319
01:41:12,920 --> 01:41:15,479
Speaker 1: feel better now than I did twenty years ago, Like

2320
01:41:15,560 --> 01:41:19,160
Speaker 1: I feel, I feel great creatively. I've learned a lot.

2321
01:41:19,160 --> 01:41:21,519
Speaker 1: I've learned a lot about producing, how to make the

2322
01:41:21,600 --> 01:41:24,120
Speaker 1: music translate the way that I want leading the band,

2323
01:41:25,880 --> 01:41:27,880
Speaker 1: and it's just it's cool. This is a cool year.

2324
01:41:27,880 --> 01:41:30,120
Speaker 1: It's one of those years to bet on yourself because

2325
01:41:30,120 --> 01:41:33,680
Speaker 1: it's not a big money making opportunity, but it's exposure

2326
01:41:33,680 --> 01:41:36,599
Speaker 1: wise and prestige wise is the biggest thing that there is.

2327
01:41:36,920 --> 01:41:38,160
Speaker 3: Have you been able to check out a couple of

2328
01:41:38,160 --> 01:41:38,880
Speaker 3: shows out the sphere.

2329
01:41:38,880 --> 01:41:40,080
Speaker 1: I've been a five buddy.

2330
01:41:40,280 --> 01:41:43,400
Speaker 3: We were able to go to the UFC in September.

2331
01:41:43,439 --> 01:41:45,280
Speaker 1: That's my favorite sport, and then, my.

2332
01:41:45,439 --> 01:41:47,599
Speaker 3: God, it was it was like a Mortal Kombat scene

2333
01:41:47,640 --> 01:41:49,439
Speaker 3: every single time, and they would change it and there'd

2334
01:41:49,439 --> 01:41:51,879
Speaker 3: be a storyline that brought up both of the fighters,

2335
01:41:52,439 --> 01:41:54,839
Speaker 3: like I've never seen anything like it. And you're watching

2336
01:41:54,880 --> 01:41:57,000
Speaker 3: it and looking up, but then you look behind you

2337
01:41:57,080 --> 01:42:00,000
Speaker 3: and there's even more going on behind you that it's true,

2338
01:42:00,080 --> 01:42:02,920
Speaker 3: like almost a three hundred and sixty degree view of

2339
01:42:03,040 --> 01:42:05,280
Speaker 3: all these incredible things. It was amazing.

2340
01:42:05,439 --> 01:42:09,640
Speaker 1: I love Dana that Dana did that there. UFC is

2341
01:42:09,680 --> 01:42:13,400
Speaker 1: my favorite sport, So I competed in judo in college

2342
01:42:14,200 --> 01:42:17,760
Speaker 1: and then I learned about all of the positions and

2343
01:42:17,880 --> 01:42:21,040
Speaker 1: everything in MMA and watching from like King of the

2344
01:42:21,080 --> 01:42:24,160
Speaker 1: Cage like Super early on to watching Pride to watching

2345
01:42:24,880 --> 01:42:27,439
Speaker 1: you know, UFC when it started. But I've been like

2346
01:42:28,120 --> 01:42:31,400
Speaker 1: a fan of it, like religiously if I watched like

2347
01:42:31,439 --> 01:42:34,960
Speaker 1: I played football eleven years. I love football, but UF

2348
01:42:35,040 --> 01:42:39,320
Speaker 1: sees my that's my jam, like religiously watch it all

2349
01:42:39,360 --> 01:42:43,000
Speaker 1: the time. It's yeah for sure.

2350
01:42:43,120 --> 01:42:43,479
Speaker 2: Yeah.

2351
01:42:43,520 --> 01:42:46,880
Speaker 1: Well, and watching the evolution of the sport from back

2352
01:42:46,920 --> 01:42:49,400
Speaker 1: when it was single disciplines of everybody coming in competing

2353
01:42:49,400 --> 01:42:51,280
Speaker 1: with each other, and then jiu jitsu was just so

2354
01:42:51,320 --> 01:42:54,479
Speaker 1: superior early on. But now everybody trains jiu jitsu. They

2355
01:42:54,520 --> 01:42:56,839
Speaker 1: all trained wrestlingy all train moti, they all trained boxing,

2356
01:42:56,880 --> 01:43:00,599
Speaker 1: they all train and now you've seen literally the worst

2357
01:43:00,600 --> 01:43:02,880
Speaker 1: guy in the UFC would have killed everybody back in

2358
01:43:02,880 --> 01:43:06,520
Speaker 1: those early UFC days just because of marrying of everyone's

2359
01:43:06,520 --> 01:43:07,840
Speaker 1: discipline from all over the world.

2360
01:43:07,960 --> 01:43:13,240
Speaker 3: Remember that first UFC was like the big fat guy. Yeah,

2361
01:43:13,280 --> 01:43:14,840
Speaker 3: where he catches the kick.

2362
01:43:14,720 --> 01:43:17,320
Speaker 2: Where he catches the kick in the mouth. We're thinking

2363
01:43:17,360 --> 01:43:19,639
Speaker 2: of the same one. Do you know what I'm talking about?

2364
01:43:19,960 --> 01:43:21,519
Speaker 2: JP JP's he's.

2365
01:43:21,360 --> 01:43:23,960
Speaker 1: Talking about Paul Varlins. Maybe the guy that got leg

2366
01:43:24,040 --> 01:43:24,639
Speaker 1: kick to death.

2367
01:43:25,240 --> 01:43:28,320
Speaker 3: Yeah, well there's this, there's this lanky guy gets his

2368
01:43:28,439 --> 01:43:30,679
Speaker 3: fat dude, he kind of catches him on all fours

2369
01:43:30,680 --> 01:43:32,839
Speaker 3: and just slices him right there in the mouth.

2370
01:43:32,920 --> 01:43:34,280
Speaker 2: Or there's like no weight classes.

2371
01:43:34,320 --> 01:43:39,040
Speaker 1: There's ways wearing a gee out there. Yeah that's Ken

2372
01:43:39,040 --> 01:43:42,600
Speaker 1: Shamrock and uh oys Gracie right there.

2373
01:43:42,880 --> 01:43:46,760
Speaker 3: Just putting the heel in the ribs. Mike, Yeah, yeah, yeah,

2374
01:43:46,760 --> 01:43:49,519
Speaker 3: it's uh it's a sport like you play football for

2375
01:43:49,560 --> 01:43:50,960
Speaker 3: as long as we have to play, and you're like, man,

2376
01:43:50,960 --> 01:43:53,679
Speaker 3: we're really tough. And then you walk in and watch

2377
01:43:53,720 --> 01:43:55,840
Speaker 3: those fights go down. If you I don't know if

2378
01:43:55,840 --> 01:43:57,000
Speaker 3: you've ever been to one, but if you can go

2379
01:43:57,080 --> 01:44:00,560
Speaker 3: check out ufc Apex like the smoothest, small little like

2380
01:44:00,600 --> 01:44:03,440
Speaker 3: maybe like two hundred hundred people in there. The intimacy

2381
01:44:03,439 --> 01:44:06,040
Speaker 3: of that fight is crazy. It's just like family and friends,

2382
01:44:06,400 --> 01:44:08,920
Speaker 3: right and people come in you can hear every blow.

2383
01:44:09,400 --> 01:44:11,519
Speaker 3: He literally put a headset on and listen to them

2384
01:44:11,600 --> 01:44:13,639
Speaker 3: the cornerstalk. It is crazy.

2385
01:44:13,680 --> 01:44:15,559
Speaker 2: And not that the dudes aren't the hungriest at the

2386
01:44:15,560 --> 01:44:17,639
Speaker 2: top of the main event, but those are the those are.

2387
01:44:17,520 --> 01:44:20,519
Speaker 3: These They're all going for a knockout like they're going

2388
01:44:20,560 --> 01:44:23,000
Speaker 3: for the kill every single time. It's a it's so

2389
01:44:23,080 --> 01:44:24,800
Speaker 3: much fun. Man. We've been to I don't even know

2390
01:44:24,800 --> 01:44:25,200
Speaker 3: how many.

2391
01:44:25,240 --> 01:44:26,840
Speaker 1: Now. I love going to fights when I can go.

2392
01:44:26,880 --> 01:44:29,040
Speaker 3: We're going out next week. I can't wait.

2393
01:44:29,520 --> 01:44:32,880
Speaker 1: Yeah, yeah, yeah, there was back then there was a

2394
01:44:32,880 --> 01:44:34,519
Speaker 1: guy man your yard row who was just he was

2395
01:44:34,520 --> 01:44:36,600
Speaker 1: like a sumo wrestler. He was like six hundred and

2396
01:44:36,640 --> 01:44:38,760
Speaker 1: something pounds and he follow this dude, Keith Hackney, which

2397
01:44:38,800 --> 01:44:40,360
Speaker 1: is like two twenty and he was like a ken

2398
01:44:40,400 --> 01:44:41,240
Speaker 1: poke karate guy.

2399
01:44:42,160 --> 01:44:42,639
Speaker 3: Mm hmmm.

2400
01:44:43,520 --> 01:44:46,640
Speaker 1: I mean the guy was curling like four plates, the

2401
01:44:46,680 --> 01:44:50,280
Speaker 1: summer wrestler guy just just repping four plates like this

2402
01:44:50,640 --> 01:44:53,760
Speaker 1: just just unbelievably strong. But that guy, like that's him,

2403
01:44:53,840 --> 01:45:01,240
Speaker 1: that's the man. He first Hackney comes in and chops

2404
01:45:01,320 --> 01:45:04,240
Speaker 1: him like a ridge hand on his nose, knocks him

2405
01:45:04,240 --> 01:45:07,200
Speaker 1: down and then breaks his hands like smashing it on

2406
01:45:07,200 --> 01:45:08,760
Speaker 1: the back of his head because he couldn't get up.

2407
01:45:09,400 --> 01:45:12,200
Speaker 1: But you can watch the first part of this, uh

2408
01:45:12,600 --> 01:45:16,840
Speaker 1: first part of this fight right here. This dude just

2409
01:45:17,479 --> 01:45:19,559
Speaker 1: in the middle, he's six hundred pounds.

2410
01:45:20,320 --> 01:45:21,240
Speaker 3: You don't say.

2411
01:45:22,600 --> 01:45:26,160
Speaker 1: That is there. It is right there, right in the nose.

2412
01:45:26,320 --> 01:45:34,360
Speaker 2: And he's down and then oh no, rules, he gets

2413
01:45:34,920 --> 01:45:36,240
Speaker 2: get out. He got out.

2414
01:45:36,280 --> 01:45:38,200
Speaker 1: And then and then he couldn't get up and he

2415
01:45:38,240 --> 01:45:41,960
Speaker 1: broke his hand smashing trying to punch. This guy's head

2416
01:45:42,040 --> 01:45:44,920
Speaker 1: was like a rhinoceros, froze it out of the cave,

2417
01:45:45,080 --> 01:45:47,080
Speaker 1: broke the cable ties on the cage.

2418
01:45:46,840 --> 01:45:47,799
Speaker 2: Just wearing clothes.

2419
01:45:48,160 --> 01:45:51,439
Speaker 1: Yeah, he gets he gets him down again. He ends

2420
01:45:51,479 --> 01:45:53,240
Speaker 1: up winning, but he couldn't compete further because this is

2421
01:45:53,240 --> 01:45:56,880
Speaker 1: back when his brackets you time tonight, no way back

2422
01:45:56,880 --> 01:45:59,519
Speaker 1: when it was like Dan seven days and guys like that.

2423
01:45:59,520 --> 01:46:00,800
Speaker 3: That are guys get done.

2424
01:46:01,120 --> 01:46:02,880
Speaker 1: He went down again. And now look right here, this

2425
01:46:02,920 --> 01:46:05,080
Speaker 1: is way he broke his hand. There's no gloves, the

2426
01:46:05,120 --> 01:46:06,000
Speaker 1: wrists aren't taped.

2427
01:46:07,520 --> 01:46:09,120
Speaker 3: He's just getting just straight.

2428
01:46:09,160 --> 01:46:10,360
Speaker 2: This is blood on the back of that.

2429
01:46:10,439 --> 01:46:15,040
Speaker 3: Yeah, this is just this is cock fighting. Yeah, whipping

2430
01:46:15,120 --> 01:46:17,240
Speaker 3: that thing.

2431
01:46:19,160 --> 01:46:23,120
Speaker 2: That's John McCarthy to John McCarthy.

2432
01:46:24,200 --> 01:46:27,160
Speaker 1: Then I love this sports so much. This is my

2433
01:46:27,240 --> 01:46:28,840
Speaker 1: favorite and getting to hang with the fighters. So I

2434
01:46:28,880 --> 01:46:32,360
Speaker 1: was telling y'all, I think from I've never lost a

2435
01:46:32,400 --> 01:46:34,599
Speaker 1: game of slaps in my life. And so you put

2436
01:46:34,600 --> 01:46:37,360
Speaker 1: your hands here, one guy's here, one guy's here, and

2437
01:46:37,560 --> 01:46:39,519
Speaker 1: you have to hit their hands and when you miss,

2438
01:46:39,560 --> 01:46:43,120
Speaker 1: it's the other person's turn, and whoever gives up first loses.

2439
01:46:44,120 --> 01:46:46,920
Speaker 1: But I've been playing with some of the UFC fighters,

2440
01:46:46,920 --> 01:46:48,679
Speaker 1: like we'll go to the fight and hang out beforehand,

2441
01:46:48,720 --> 01:46:51,519
Speaker 1: like I played with Diego Lopez and some of the guys.

2442
01:46:51,560 --> 01:46:54,519
Speaker 1: But it's it's it's a super fun game. And I

2443
01:46:54,520 --> 01:46:57,000
Speaker 1: love watching the slap fighting too. So fun.

2444
01:46:57,960 --> 01:47:02,960
Speaker 3: You'll go get the UFC guys beat them again. Oh yeah,

2445
01:47:03,000 --> 01:47:05,960
Speaker 3: and you know too, they're sleeping video evidence of this.

2446
01:47:06,160 --> 01:47:06,640
Speaker 1: Yeah, it's on.

2447
01:47:06,720 --> 01:47:09,719
Speaker 3: It's online of you beating them in slaps. Yeah, okay,

2448
01:47:09,960 --> 01:47:10,479
Speaker 3: pull it up.

2449
01:47:10,479 --> 01:47:11,880
Speaker 2: Sure, he said, looking at his eyes.

2450
01:47:12,200 --> 01:47:14,439
Speaker 3: And you said you competed in jiu jitsu.

2451
01:47:14,720 --> 01:47:17,240
Speaker 1: Yeah, I was on a judo team, uh, in my college.

2452
01:47:17,320 --> 01:47:19,439
Speaker 3: So that begs the question of all the musicians out

2453
01:47:19,479 --> 01:47:21,320
Speaker 3: there that are around your age and weight class, is

2454
01:47:21,360 --> 01:47:22,599
Speaker 3: there anybody you think that would give you a run

2455
01:47:22,680 --> 01:47:23,639
Speaker 3: for your money in the octagon.

2456
01:47:24,400 --> 01:47:25,240
Speaker 1: Oh, I'm not gonna.

2457
01:47:25,320 --> 01:47:25,559
Speaker 4: I'm not.

2458
01:47:25,720 --> 01:47:28,880
Speaker 1: I don't. I don't roll anymore because my fingers fair

2459
01:47:28,960 --> 01:47:32,479
Speaker 1: so you're gonna rip your fingers on Gee's and stuff too.

2460
01:47:32,560 --> 01:47:35,599
Speaker 1: So I don't roll anymore. But I love I love

2461
01:47:35,680 --> 01:47:39,280
Speaker 1: to watch it, and I'll play slaps with somebody. That's

2462
01:47:39,320 --> 01:47:41,599
Speaker 1: that's my game. I'll play. But you're slapping each other's

2463
01:47:41,640 --> 01:47:43,000
Speaker 1: hands instead of each other's faces.

2464
01:47:43,160 --> 01:47:48,519
Speaker 3: Yeah, yeah, we would, uh in high school, we would

2465
01:47:48,560 --> 01:47:50,960
Speaker 3: do like during camp, we would do, uh, like all

2466
01:47:51,000 --> 01:47:52,840
Speaker 3: the freshmen that get us all together make us do

2467
01:47:52,880 --> 01:47:54,880
Speaker 3: like slap boxing, and then we'd all go into like

2468
01:47:54,880 --> 01:47:56,920
Speaker 3: somebody's room and then you two you have to slap

2469
01:47:56,920 --> 01:47:59,040
Speaker 3: box each other. Sitting there as the first one being

2470
01:47:59,080 --> 01:48:01,400
Speaker 3: like please, God, don't want to do this, right, but

2471
01:48:01,400 --> 01:48:02,600
Speaker 3: then you have to.

2472
01:48:04,720 --> 01:48:05,519
Speaker 1: You're a giant, dude.

2473
01:48:05,760 --> 01:48:08,240
Speaker 3: Yeah, but I was like Mic from Monsters, Inc. Dude,

2474
01:48:08,240 --> 01:48:09,880
Speaker 3: I was like kind of round in the middle of

2475
01:48:09,920 --> 01:48:12,720
Speaker 3: skinny old limbs. I got my ass tossed around a

2476
01:48:12,760 --> 01:48:15,760
Speaker 3: little bit. I'll be honest, but yeah, it's not as

2477
01:48:15,800 --> 01:48:16,639
Speaker 3: much fighting as I can.

2478
01:48:16,560 --> 01:48:21,080
Speaker 2: Do me and.

2479
01:48:22,960 --> 01:48:24,800
Speaker 1: Just put both of our names there.

2480
01:48:25,000 --> 01:48:28,080
Speaker 2: Yeah, let's say we got to see it.

2481
01:48:28,520 --> 01:48:31,000
Speaker 6: So you start start hands on the head.

2482
01:48:30,560 --> 01:48:32,400
Speaker 1: Hands on the head, the other person puts their hands down,

2483
01:48:33,040 --> 01:48:37,720
Speaker 1: and if you if you separate your hands more than

2484
01:48:37,760 --> 01:48:39,840
Speaker 1: like four or five times, then the other person who

2485
01:48:39,840 --> 01:48:41,760
Speaker 1: can change hands. So then you got to keep it

2486
01:48:41,800 --> 01:48:44,040
Speaker 1: together if you've already given your whiffs or whatever. But

2487
01:48:44,240 --> 01:48:45,679
Speaker 1: you read when they're going to do it, and it's

2488
01:48:45,720 --> 01:48:49,040
Speaker 1: just straight straight down slapping their hands and you try

2489
01:48:49,080 --> 01:48:50,760
Speaker 1: to slap them as hard as you can. But there

2490
01:48:50,760 --> 01:48:52,320
Speaker 1: are people that are just tough and wouldn't give up.

2491
01:48:52,320 --> 01:48:53,400
Speaker 1: I play with one of the dudes. It was an

2492
01:48:53,400 --> 01:48:55,960
Speaker 1: American Gladiator, remember they guy Wolf that was like you

2493
01:48:55,960 --> 01:48:57,120
Speaker 1: ever watch American Gladiator?

2494
01:48:57,200 --> 01:48:59,240
Speaker 2: I remember, I remember watching American Glady.

2495
01:48:59,240 --> 01:49:01,840
Speaker 1: I played with him and he wouldn't give up. And

2496
01:49:01,880 --> 01:49:04,240
Speaker 1: his hand was like swollen that far bus at all

2497
01:49:04,240 --> 01:49:05,800
Speaker 1: the blood vessels in his hand, and he just he

2498
01:49:05,800 --> 01:49:07,360
Speaker 1: wouldn't give up. And I'm like, it hurt my hand

2499
01:49:07,600 --> 01:49:10,280
Speaker 1: from slapping him. Yeah, he's a he's that guy.

2500
01:49:10,720 --> 01:49:12,160
Speaker 2: Yeah, yeah, he wasn't.

2501
01:49:12,320 --> 01:49:14,800
Speaker 1: He wasn't, but he was just tough. He's just like,

2502
01:49:14,840 --> 01:49:16,960
Speaker 1: I don't care if you break my fucking hand. You know.

2503
01:49:17,080 --> 01:49:19,840
Speaker 1: It was not giving up. But he was singing a

2504
01:49:19,840 --> 01:49:21,599
Speaker 1: county of music for a little while. He's got this big,

2505
01:49:21,640 --> 01:49:24,160
Speaker 1: like deep voice, So he was hanging out around Nashville

2506
01:49:24,200 --> 01:49:24,559
Speaker 1: for a while.

2507
01:49:24,960 --> 01:49:28,360
Speaker 2: That's awesome. Love and fear, What do people have to

2508
01:49:28,400 --> 01:49:30,720
Speaker 2: look forward to? And do you feel a sense of

2509
01:49:30,840 --> 01:49:35,439
Speaker 2: like nerves knowing the expectation of Zach Brown band coming

2510
01:49:35,479 --> 01:49:35,920
Speaker 2: out with this.

2511
01:49:35,840 --> 01:49:38,439
Speaker 1: New album, not at all. I've bled over this album

2512
01:49:38,560 --> 01:49:40,840
Speaker 1: and these recordings and all of the press and all

2513
01:49:40,880 --> 01:49:43,679
Speaker 1: the content for Spear and all the things. So I'm

2514
01:49:43,680 --> 01:49:45,760
Speaker 1: super proud of it. I was proud of this as

2515
01:49:45,800 --> 01:49:48,000
Speaker 1: any record I've ever made. Spend a lot of time

2516
01:49:48,000 --> 01:49:50,280
Speaker 1: writing and a lot of time producing it and arranging

2517
01:49:50,320 --> 01:49:53,240
Speaker 1: it with my band, and I love it. Every three

2518
01:49:53,320 --> 01:49:55,360
Speaker 1: years you get a snapshot of like the best songs

2519
01:49:55,360 --> 01:49:59,240
Speaker 1: that I've written in that amount of time, and but

2520
01:49:59,320 --> 01:50:01,920
Speaker 1: having a Snoop on song, having Dolly on a song,

2521
01:50:03,680 --> 01:50:05,920
Speaker 1: and then I wrote with Dave Grohl on one of

2522
01:50:05,920 --> 01:50:12,240
Speaker 1: the tunes. It's uh, I love it. Those are my babies, man.

2523
01:50:12,280 --> 01:50:14,240
Speaker 1: The songs are like your babies you chase. I chase

2524
01:50:14,240 --> 01:50:17,800
Speaker 1: songs all the time, chasing them all year long. And

2525
01:50:17,840 --> 01:50:20,760
Speaker 1: then the best ten or twelve or thirteen or whatever

2526
01:50:20,760 --> 01:50:22,559
Speaker 1: you put on an album every two or three years.

2527
01:50:22,760 --> 01:50:25,519
Speaker 2: Yeah, dude, isn't it We were saying it before we

2528
01:50:25,560 --> 01:50:29,160
Speaker 2: got on, But isn't it wild that you've like owned

2529
01:50:29,200 --> 01:50:31,519
Speaker 2: a decade of music? Like do you ever have those

2530
01:50:31,600 --> 01:50:33,439
Speaker 2: big perspective moments And it's like.

2531
01:50:33,479 --> 01:50:36,840
Speaker 1: Yeah, I'm always focusing on COVID was the first time

2532
01:50:36,840 --> 01:50:39,679
Speaker 1: that I slowed down enough where I actually could reflect

2533
01:50:39,720 --> 01:50:43,439
Speaker 1: on what I've done. Because I'm always moving forward. I'm

2534
01:50:43,479 --> 01:50:46,479
Speaker 1: always like where we're going, not where we've been, But

2535
01:50:48,640 --> 01:50:50,240
Speaker 1: I wouldn't want to have to figure it all out again.

2536
01:50:50,280 --> 01:50:51,799
Speaker 1: I know that, right.

2537
01:50:51,920 --> 01:50:54,120
Speaker 3: Yeah, when you have a level of success, when you

2538
01:50:54,120 --> 01:50:56,600
Speaker 3: look back on it, it's like I can't believe I

2539
01:50:56,680 --> 01:50:58,479
Speaker 3: did all that. That's awesome, But then the thought of

2540
01:50:58,479 --> 01:50:59,920
Speaker 3: like if I had to do it again, could I Yeah,

2541
01:50:59,920 --> 01:51:05,080
Speaker 3: I know, yeah, because there's so many trials. Man, that

2542
01:51:05,280 --> 01:51:06,800
Speaker 3: is I thought you were I thought you were a dog.

2543
01:51:06,880 --> 01:51:08,960
Speaker 1: I am, she's going on. I got a daughter going

2544
01:51:08,960 --> 01:51:11,559
Speaker 1: to UT. Okay, I got a daughter going to UT

2545
01:51:11,720 --> 01:51:13,240
Speaker 1: and I got a daughter going to Georgia Tech.

2546
01:51:13,320 --> 01:51:16,360
Speaker 3: So now I'm oh my god, Georgia it's crazy.

2547
01:51:16,560 --> 01:51:19,799
Speaker 1: Yeah, part time yellow Jacket, part time Longhorn, but always

2548
01:51:19,800 --> 01:51:22,559
Speaker 1: a dog unless I mean Texas is playing the dogs,

2549
01:51:22,560 --> 01:51:23,360
Speaker 1: I'm going dog.

2550
01:51:23,400 --> 01:51:26,200
Speaker 3: It's a house yeah, house divided for sure.

2551
01:51:26,640 --> 01:51:26,840
Speaker 1: Yeah.

2552
01:51:26,840 --> 01:51:27,960
Speaker 3: I like that last game of the year I got

2553
01:51:28,040 --> 01:51:28,800
Speaker 3: to play Georgia Tech.

2554
01:51:29,560 --> 01:51:32,320
Speaker 1: Yeah last year. That was a crazy match. That quarterback

2555
01:51:32,320 --> 01:51:33,800
Speaker 1: almost gutted it out for us.

2556
01:51:33,800 --> 01:51:37,679
Speaker 3: There you can get sneaky man. Georgia Tech solid. They're

2557
01:51:37,680 --> 01:51:38,320
Speaker 3: a good squad.

2558
01:51:39,960 --> 01:51:43,360
Speaker 2: But like question, I think I'm thinking of a there's

2559
01:51:43,360 --> 01:51:45,639
Speaker 2: a couple more bruin in my brain. Go ahead, brew Way, dude.

2560
01:51:46,439 --> 01:51:49,680
Speaker 2: When you were when you were writing, Like when you're

2561
01:51:49,680 --> 01:51:53,519
Speaker 2: writing music, what is the like emotional process like to

2562
01:51:53,560 --> 01:51:56,320
Speaker 2: where you're writing for healing or like writing to like

2563
01:51:56,439 --> 01:51:59,400
Speaker 2: open up an old wound, Like what is that? What

2564
01:51:59,520 --> 01:52:02,120
Speaker 2: is that? I guess overall process like for you, sometimes

2565
01:52:02,160 --> 01:52:03,960
Speaker 2: it's like are you diving into something? You're like, Oh,

2566
01:52:04,000 --> 01:52:05,120
Speaker 2: I kind of want to back off of this.

2567
01:52:05,479 --> 01:52:08,160
Speaker 1: You know, it's a good that's a good question. It

2568
01:52:08,160 --> 01:52:10,880
Speaker 1: happens all different kinds of ways. Sometimes you'll finish the

2569
01:52:10,960 --> 01:52:12,960
Speaker 1: song in two hours. Sometimes I'll sit on a song

2570
01:52:13,000 --> 01:52:15,799
Speaker 1: for eleven years until I have the right line that's missing.

2571
01:52:17,640 --> 01:52:21,120
Speaker 1: It's sometimes it's about something personal to me, but maybe

2572
01:52:21,160 --> 01:52:25,519
Speaker 1: from a different perspective. Like there's a song on the

2573
01:52:25,560 --> 01:52:27,320
Speaker 1: new album that's coming out. It's called thank You for

2574
01:52:27,360 --> 01:52:31,600
Speaker 1: Loving Her, and it's a love song basically telling the

2575
01:52:31,640 --> 01:52:35,439
Speaker 1: guy that got her next, like thank you for taking

2576
01:52:35,439 --> 01:52:37,120
Speaker 1: care of her because I care about her even though

2577
01:52:37,280 --> 01:52:40,479
Speaker 1: it didn't work between us. So when I find something

2578
01:52:40,479 --> 01:52:43,000
Speaker 1: that hasn't really been done, I've never heard anybody write

2579
01:52:43,040 --> 01:52:46,200
Speaker 1: a love song to the other guy that ends up

2580
01:52:46,240 --> 01:52:50,439
Speaker 1: with her, right, Yeah, So it's for me, it's always

2581
01:52:50,560 --> 01:52:52,200
Speaker 1: what what do I have to say if we have

2582
01:52:52,240 --> 01:52:54,320
Speaker 1: a conversation and something said and I'm like, that's something

2583
01:52:54,360 --> 01:52:56,160
Speaker 1: that I believe in. How do I turn that into

2584
01:52:56,439 --> 01:52:58,280
Speaker 1: a phrase? How do I make that a hook of

2585
01:52:58,320 --> 01:53:03,800
Speaker 1: a song? It? Man, it happens all different kinds of ways.

2586
01:53:03,840 --> 01:53:05,439
Speaker 1: Sometimes you have a melody, you have a guitar part,

2587
01:53:05,479 --> 01:53:06,920
Speaker 1: and you're like, you write something to sing to it.

2588
01:53:06,960 --> 01:53:11,920
Speaker 1: Sometimes you just come up with the melody of what

2589
01:53:11,960 --> 01:53:14,000
Speaker 1: you want to hear and then you put the words

2590
01:53:14,000 --> 01:53:17,519
Speaker 1: into it. A song kind of finds you in a

2591
01:53:17,560 --> 01:53:20,559
Speaker 1: weird way, like it's there's bits and pieces of things.

2592
01:53:20,560 --> 01:53:22,400
Speaker 1: But I like to go somewhere really beautiful, like on

2593
01:53:22,479 --> 01:53:24,720
Speaker 1: my spearfishing trips. That's usually when I write, like, We'll

2594
01:53:24,720 --> 01:53:28,960
Speaker 1: go somewhere beautiful, spearfish all day, come back, hang around,

2595
01:53:29,160 --> 01:53:32,439
Speaker 1: sip the guitars and buy the ocean and write. You know,

2596
01:53:33,360 --> 01:53:36,400
Speaker 1: being somewhere really beautiful helps with inspiration to write. But

2597
01:53:37,280 --> 01:53:38,880
Speaker 1: you know, some songs are just to be Like the

2598
01:53:38,920 --> 01:53:41,439
Speaker 1: Snoop song we have on there, that's a song about

2599
01:53:41,479 --> 01:53:43,280
Speaker 1: smoking herb and it's like if my mom have a

2600
01:53:43,280 --> 01:53:44,920
Speaker 1: song about that, we got to get Snoop on it.

2601
01:53:46,240 --> 01:53:48,120
Speaker 1: That's the purpose of that's not as deep. But then

2602
01:53:48,120 --> 01:53:50,439
Speaker 1: there's songs. There's one on this new record called the Sum,

2603
01:53:50,600 --> 01:53:54,439
Speaker 1: and that's like, as far as I can see, the

2604
01:53:54,479 --> 01:53:56,280
Speaker 1: way that you choose to live your life no matter

2605
01:53:56,320 --> 01:54:01,480
Speaker 1: what other people says or does, you have to you

2606
01:54:01,680 --> 01:54:04,080
Speaker 1: let me explain the lyrics of it. So it says

2607
01:54:04,120 --> 01:54:07,800
Speaker 1: no good deed goes unpunished and no turn left unstoned.

2608
01:54:08,320 --> 01:54:10,479
Speaker 1: So I find sometimes the people that I've done the

2609
01:54:10,560 --> 01:54:15,280
Speaker 1: absolute most for are the ones that feel somewhat entitled

2610
01:54:15,320 --> 01:54:17,439
Speaker 1: to ignite some greed or at nite something where they're

2611
01:54:17,479 --> 01:54:19,559
Speaker 1: coming back and then next thing, you know, if things

2612
01:54:19,600 --> 01:54:21,439
Speaker 1: don't work out and they're gone, they're the ones trying

2613
01:54:21,479 --> 01:54:25,559
Speaker 1: to like extort you. And people ask me like, well,

2614
01:54:25,560 --> 01:54:28,360
Speaker 1: how do you ever trust anybody? But I think all

2615
01:54:28,439 --> 01:54:30,040
Speaker 1: that is a test to see if that's going to

2616
01:54:30,160 --> 01:54:32,240
Speaker 1: change your fabric of who you are, if you get

2617
01:54:32,360 --> 01:54:35,400
Speaker 1: jaded by other people's behavior and it changes the way

2618
01:54:35,440 --> 01:54:37,520
Speaker 1: you handle things. I like to err on the side

2619
01:54:37,520 --> 01:54:40,360
Speaker 1: of generosity with people always because I know I did

2620
01:54:40,400 --> 01:54:43,080
Speaker 1: everything in my power to do it, So even necessarily

2621
01:54:43,120 --> 01:54:45,920
Speaker 1: if that person doesn't necessarily deserve that, I like to

2622
01:54:45,960 --> 01:54:47,720
Speaker 1: do it because I know I did the right thing.

2623
01:54:48,520 --> 01:54:51,720
Speaker 1: And this is the song about that and it's you know,

2624
01:54:51,800 --> 01:54:55,400
Speaker 1: no turn left unstoned. It's like sometimes when you're trying

2625
01:54:55,440 --> 01:54:57,000
Speaker 1: to do the most amount of good is when you

2626
01:54:58,360 --> 01:55:01,320
Speaker 1: the shit falls and flies on you than anything. So it's, uh,

2627
01:55:02,320 --> 01:55:05,160
Speaker 1: you can't let those things change you. And I made

2628
01:55:05,200 --> 01:55:07,520
Speaker 1: a reference on there. You know, if if we try

2629
01:55:07,560 --> 01:55:09,520
Speaker 1: to act like Jesus and end up on the cross,

2630
01:55:10,160 --> 01:55:12,400
Speaker 1: remember we can rise again no matter what we lost.

2631
01:55:12,520 --> 01:55:14,640
Speaker 1: It's like, I think being a good person is doing

2632
01:55:14,680 --> 01:55:16,840
Speaker 1: the right thing even if someone doesn't deserve it, and

2633
01:55:17,320 --> 01:55:19,360
Speaker 1: knowing that's who you are, and not letting the amount

2634
01:55:19,400 --> 01:55:21,040
Speaker 1: of times that people come stab you in the back

2635
01:55:21,160 --> 01:55:24,440
Speaker 1: change the fabric of who you are. And that's the

2636
01:55:24,480 --> 01:55:26,560
Speaker 1: sum of who we are, all the hardship we've learned,

2637
01:55:26,600 --> 01:55:28,320
Speaker 1: the dumb shit we've done, and learned not to do

2638
01:55:28,360 --> 01:55:31,520
Speaker 1: that anymore, like the breaking we have of ourselves and

2639
01:55:31,800 --> 01:55:33,720
Speaker 1: the healing that we have, Like we're the sum of

2640
01:55:33,760 --> 01:55:36,680
Speaker 1: those two things. That's the sum of who we are.

2641
01:55:36,760 --> 01:55:39,360
Speaker 1: Is like and you need the dark to see the stars,

2642
01:55:39,360 --> 01:55:41,080
Speaker 1: so all the bad things that happen help you really

2643
01:55:41,120 --> 01:55:43,120
Speaker 1: appreciate all the good things and the good people and

2644
01:55:43,160 --> 01:55:45,640
Speaker 1: the good things like that, so that one's as deep

2645
01:55:45,640 --> 01:55:47,560
Speaker 1: as any song I've ever written, and that's on that'll

2646
01:55:47,560 --> 01:55:50,200
Speaker 1: be out on the seventeenth of this month. That one

2647
01:55:50,200 --> 01:55:51,320
Speaker 1: and the one I'm with Marcus King.

2648
01:55:52,040 --> 01:55:55,440
Speaker 2: It's coming out, Oh Marcus King. Yeah, that's awesome man.

2649
01:55:55,600 --> 01:55:57,680
Speaker 3: Yeah, do you explain it to is incredible.

2650
01:55:57,760 --> 01:55:59,160
Speaker 2: I was just gonna say, it's really cool to have

2651
01:55:59,200 --> 01:56:01,200
Speaker 2: you on the bus. A massive fan. I know you've

2652
01:56:01,200 --> 01:56:03,040
Speaker 2: got a lot of massive fans. You have the vacation

2653
01:56:03,160 --> 01:56:04,000
Speaker 2: songs and everything else.

2654
01:56:04,080 --> 01:56:04,960
Speaker 1: You guys are crushing it.

2655
01:56:05,080 --> 01:56:07,800
Speaker 3: They appreciate that crush. Thank you, thank you. It's because

2656
01:56:07,800 --> 01:56:08,960
Speaker 3: of guys like you that are wanting to come on

2657
01:56:09,000 --> 01:56:10,840
Speaker 3: the show. That's what it's all about.

2658
01:56:10,880 --> 01:56:13,920
Speaker 1: Likewise, you're helping me spread spread my messages too, and

2659
01:56:13,920 --> 01:56:16,320
Speaker 1: and uh, you know the show at the Sphere and that.

2660
01:56:16,440 --> 01:56:18,120
Speaker 3: We gotta make it. Well, we should go out to

2661
01:56:18,120 --> 01:56:18,640
Speaker 3: one for sure.

2662
01:56:18,760 --> 01:56:19,640
Speaker 1: You should. You should.

2663
01:56:19,880 --> 01:56:24,440
Speaker 3: It's the Spear Spear Fishing, so they just do a

2664
01:56:24,440 --> 01:56:25,240
Speaker 3: little relationship.

2665
01:56:25,320 --> 01:56:27,240
Speaker 1: We have a rock song on the album called Animal,

2666
01:56:27,640 --> 01:56:29,800
Speaker 1: and I got Brock Lesnard to come out and film

2667
01:56:29,840 --> 01:56:33,320
Speaker 1: with me, and there's a full like Marvel movie fight

2668
01:56:33,440 --> 01:56:36,680
Speaker 1: between me and Brock in this scene. He's like part

2669
01:56:36,720 --> 01:56:39,320
Speaker 1: of my like alter ego. Basically, because we fight between

2670
01:56:39,320 --> 01:56:42,560
Speaker 1: being an animal and a civilized man all the time internally,

2671
01:56:43,200 --> 01:56:46,560
Speaker 1: Like there's times when we just want to punch somebody,

2672
01:56:46,800 --> 01:56:49,240
Speaker 1: but we don't because we shouldn't and we can't. So

2673
01:56:49,720 --> 01:56:51,320
Speaker 1: but there's that part of us that's doing it. So

2674
01:56:51,360 --> 01:56:53,440
Speaker 1: it's like me splitting into two people and it's me

2675
01:56:53,480 --> 01:56:55,080
Speaker 1: and Brock and we fight each other and then we

2676
01:56:55,160 --> 01:56:55,840
Speaker 1: come back to.

2677
01:56:57,600 --> 01:56:57,640
Speaker 5: That.

2678
01:56:57,720 --> 01:57:02,240
Speaker 1: Did challenge Jason now the into at slap fight. He's like,

2679
01:57:02,320 --> 01:57:03,840
Speaker 1: there's better ways to make money. I think that.

2680
01:57:03,840 --> 01:57:10,280
Speaker 3: Was yeah, man, two wolves. Better be a warrior and

2681
01:57:10,280 --> 01:57:12,480
Speaker 3: a gardener and a garden than a gardener in a war.

2682
01:57:13,160 --> 01:57:15,320
Speaker 3: All those phrases, man, they all play.

2683
01:57:15,120 --> 01:57:17,000
Speaker 1: Well, those are songs, man, that's what Those are things

2684
01:57:17,040 --> 01:57:18,480
Speaker 1: that you hear and you're like, I can make that

2685
01:57:18,640 --> 01:57:21,280
Speaker 1: a story, can make that apply. And you try to

2686
01:57:21,280 --> 01:57:23,880
Speaker 1: write something so it applies. If it applies to me

2687
01:57:23,920 --> 01:57:25,720
Speaker 1: and it hits me really deeply, if I'm doing it right,

2688
01:57:25,760 --> 01:57:28,680
Speaker 1: You're gonna feel a resonance in your life of what

2689
01:57:28,720 --> 01:57:31,640
Speaker 1: I'm writing about. That's why Great Country Songs is like

2690
01:57:31,640 --> 01:57:35,040
Speaker 1: the last true form of American poetry that people like

2691
01:57:35,160 --> 01:57:37,640
Speaker 1: actually listen to. I mean, there's some people I'm sure

2692
01:57:37,640 --> 01:57:40,920
Speaker 1: into poetry still, but you hear a good song, it's timeless,

2693
01:57:40,960 --> 01:57:43,960
Speaker 1: like a good song will live on and on. So

2694
01:57:43,960 --> 01:57:46,280
Speaker 1: that's what I'm chasing. That's that's what I'm chasing. That's

2695
01:57:46,280 --> 01:57:47,840
Speaker 1: my main medium. But that's how I've been able to

2696
01:57:47,880 --> 01:57:50,280
Speaker 1: build a camp that's and help kids and help veterans

2697
01:57:50,280 --> 01:57:53,680
Speaker 1: and raise my family. So I encourage young people to

2698
01:57:53,720 --> 01:57:55,800
Speaker 1: take find something when when you find what you want

2699
01:57:55,840 --> 01:57:58,560
Speaker 1: to do, don't chase money. Stay out of debt so

2700
01:57:58,600 --> 01:58:01,880
Speaker 1: you can chase that now with everything you have, but

2701
01:58:02,480 --> 01:58:05,960
Speaker 1: find something to give back that you believe in, and

2702
01:58:06,000 --> 01:58:08,680
Speaker 1: start that early on in your journey, because that's going

2703
01:58:08,760 --> 01:58:11,200
Speaker 1: to directly feed your success and feed a bigger cause

2704
01:58:11,200 --> 01:58:14,960
Speaker 1: other It's something bigger than yourself, because serving you can

2705
01:58:15,000 --> 01:58:17,840
Speaker 1: be People think they're happy when they're rich and have

2706
01:58:17,920 --> 01:58:19,840
Speaker 1: cars and a nice house and all this shit or whatever.

2707
01:58:19,920 --> 01:58:22,200
Speaker 1: That's not what makes people happy. What really makes people

2708
01:58:22,200 --> 01:58:24,920
Speaker 1: happy is serving other people. And until you do that

2709
01:58:25,000 --> 01:58:27,120
Speaker 1: and learn that and align it with your business, then

2710
01:58:27,200 --> 01:58:28,920
Speaker 1: you're you're kind of missing out on a lot of

2711
01:58:29,320 --> 01:58:31,920
Speaker 1: the meaning. I feel like we're here to sharpen each other,

2712
01:58:31,960 --> 01:58:33,840
Speaker 1: We're here to help each other, raise each other up.

2713
01:58:33,880 --> 01:58:37,480
Speaker 1: Expand each other, help each other to be better. That's

2714
01:58:37,680 --> 01:58:39,880
Speaker 1: in my tribe, in my world. That's what I try

2715
01:58:39,920 --> 01:58:41,840
Speaker 1: to keep around me. But that's served me really well.

2716
01:58:42,160 --> 01:58:44,600
Speaker 2: Well said, that's awesome. That is you want to hit

2717
01:58:44,600 --> 01:58:45,240
Speaker 2: them with the bud light.

2718
01:58:45,320 --> 01:58:47,600
Speaker 3: Well, I do have one question. Okay, of all the

2719
01:58:47,720 --> 01:58:50,440
Speaker 3: songs that you have are out right now, what's the

2720
01:58:50,440 --> 01:58:51,800
Speaker 3: one song you're most proud.

2721
01:58:51,640 --> 01:58:55,800
Speaker 1: Of right now? It's the song with Dolly Parton. It's

2722
01:58:55,840 --> 01:58:59,560
Speaker 1: called Butterfly's First Song. I wrote on the piano because

2723
01:58:59,560 --> 01:59:01,480
Speaker 1: I can play piano, but I don't really write on it.

2724
01:59:01,520 --> 01:59:02,960
Speaker 1: So I sat down and tried to write a song

2725
01:59:03,000 --> 01:59:05,480
Speaker 1: and that's what came out, and song for my kids.

2726
01:59:06,600 --> 01:59:10,640
Speaker 1: But having Dolly the legend absolutely murder it. When you

2727
01:59:10,680 --> 01:59:12,280
Speaker 1: listen to what she sang on that and how she

2728
01:59:12,360 --> 01:59:16,440
Speaker 1: sang it, you wouldn't know she was twenty five or eighty.

2729
01:59:16,560 --> 01:59:19,280
Speaker 1: It's it's unbelievable that that one is one right now

2730
01:59:19,320 --> 01:59:22,240
Speaker 1: that I'm so crazy proud of. And I just love

2731
01:59:22,280 --> 01:59:24,480
Speaker 1: her and everything she stands for. She's done so much

2732
01:59:24,480 --> 01:59:28,400
Speaker 1: in philanthropy as well with her career. Just an incredible

2733
01:59:28,400 --> 01:59:28,920
Speaker 1: woman and.

2734
01:59:28,880 --> 01:59:32,040
Speaker 3: She's truly one of one, and she's hot yeah, kind of.

2735
01:59:32,560 --> 01:59:34,640
Speaker 1: She's about to be eighty years old and she's hot,

2736
01:59:34,720 --> 01:59:37,000
Speaker 1: and she's still as talented as any human on the earth.

2737
01:59:38,040 --> 01:59:40,440
Speaker 3: She's awesome, man, I do it Like when I was

2738
01:59:40,480 --> 01:59:43,120
Speaker 3: with the Titans, there was those fires in Gatlinburg and

2739
01:59:43,120 --> 01:59:45,000
Speaker 3: they were doing like a telethone for it. Yeah, so

2740
01:59:45,040 --> 01:59:47,320
Speaker 3: the Titans, the Amy adamstung. She gave like, I don't

2741
01:59:47,320 --> 01:59:48,640
Speaker 3: know if it was like a fifty thousand dollars check

2742
01:59:48,680 --> 01:59:51,320
Speaker 3: or whatever, but me and Drell Casey presented it to

2743
01:59:51,360 --> 01:59:53,920
Speaker 3: her on stage and she kissed me on the cheek.

2744
01:59:54,120 --> 01:59:54,240
Speaker 5: Oh.

2745
01:59:54,320 --> 01:59:54,520
Speaker 2: Yeah.

2746
01:59:55,560 --> 01:59:58,040
Speaker 3: I went home and I was like, this is one

2747
01:59:58,040 --> 01:59:59,360
Speaker 3: of the biggest moments of my life.

2748
01:59:59,440 --> 02:00:01,040
Speaker 1: Yeah, it was unbelievable. It is.

2749
02:00:01,480 --> 02:00:02,520
Speaker 3: She is such an icon.

2750
02:00:02,640 --> 02:00:05,080
Speaker 1: Man. Some of those fires, I sent my food truck

2751
02:00:05,120 --> 02:00:07,200
Speaker 1: up there and we fed people. That was back when

2752
02:00:07,200 --> 02:00:09,880
Speaker 1: I used to do eating greets. So every single show.

2753
02:00:09,840 --> 02:00:12,000
Speaker 3: We agreed is a great idea.

2754
02:00:12,400 --> 02:00:14,720
Speaker 1: We set up. We had a feather like tractor trailer,

2755
02:00:14,720 --> 02:00:17,640
Speaker 1: a million dollar kitchen that was an attractor trailer, this

2756
02:00:17,800 --> 02:00:21,520
Speaker 1: full self contained, full twelve foot vent hood tilt skillet

2757
02:00:21,560 --> 02:00:24,720
Speaker 1: walk in freezer in the front of it. But we'd

2758
02:00:24,720 --> 02:00:27,080
Speaker 1: feed people every single show that we did. We'd have

2759
02:00:27,080 --> 02:00:30,320
Speaker 1: one hundred and fifty fans and sponsorship people and people

2760
02:00:30,360 --> 02:00:32,520
Speaker 1: like that. We'd feed them. We had a local chef

2761
02:00:32,560 --> 02:00:34,520
Speaker 1: and a bus that had hospitality people that ran. It

2762
02:00:34,640 --> 02:00:36,400
Speaker 1: was like throwing a wedding every day. We did that

2763
02:00:36,440 --> 02:00:39,080
Speaker 1: for six years on the road, and it got it

2764
02:00:39,120 --> 02:00:41,840
Speaker 1: got it got a little bit dangerous where there were

2765
02:00:41,880 --> 02:00:45,240
Speaker 1: some crazy people that were coming in. And sometimes when

2766
02:00:45,280 --> 02:00:47,960
Speaker 1: it literally felt dangerous, like this lady just gotten out

2767
02:00:47,960 --> 02:00:50,760
Speaker 1: of jail. She'd been writing letters about it. If I

2768
02:00:50,760 --> 02:00:52,520
Speaker 1: can't have him, no one can kind of thing, and

2769
02:00:52,560 --> 02:00:54,560
Speaker 1: coming in and the lady's pacing behind me while I'm

2770
02:00:54,600 --> 02:00:57,160
Speaker 1: talking to people, and the access it gave got a

2771
02:00:57,160 --> 02:01:00,080
Speaker 1: little sketchy after a long time. But that's what we

2772
02:01:00,160 --> 02:01:04,000
Speaker 1: threw every single show for six years, and and they

2773
02:01:04,040 --> 02:01:06,200
Speaker 1: go to local farms and whatever town we're in, whatever

2774
02:01:06,200 --> 02:01:08,720
Speaker 1: state we're in. In Ohio. Our chef, Rusty, he's this big,

2775
02:01:08,800 --> 02:01:13,680
Speaker 1: huge personality, that's him Cajun chef. He's hilarious. But he

2776
02:01:13,680 --> 02:01:16,320
Speaker 1: would go get local protein, local produce and come back

2777
02:01:16,360 --> 02:01:18,200
Speaker 1: and we would cook it up for everybody and serving

2778
02:01:18,280 --> 02:01:19,640
Speaker 1: food and just to show them that we're one of

2779
02:01:19,640 --> 02:01:22,600
Speaker 1: the people. And it was a great connector for us

2780
02:01:22,640 --> 02:01:24,600
Speaker 1: and our fans. It was. It was a lot of work,

2781
02:01:24,640 --> 02:01:25,560
Speaker 1: but it was it was great.

2782
02:01:25,760 --> 02:01:28,400
Speaker 3: That's awesome. And that is also terrifying somebody getting out

2783
02:01:28,400 --> 02:01:31,440
Speaker 3: of prison writing letters about I was gonna kill me.

2784
02:01:32,040 --> 02:01:33,760
Speaker 3: That is that the scariest interaction.

2785
02:01:34,040 --> 02:01:35,760
Speaker 1: That one was. And she was pacing behind me saying,

2786
02:01:35,760 --> 02:01:36,960
Speaker 1: I can't go back to jail. I can't go back

2787
02:01:36,960 --> 02:01:39,160
Speaker 1: to jail. I can't go out to jail. And like

2788
02:01:39,640 --> 02:01:43,320
Speaker 1: her eyes is shifty and the whole thing dude like ship.

2789
02:01:43,560 --> 02:01:45,840
Speaker 1: But it was, Yeah, it was sketchy a few times

2790
02:01:45,880 --> 02:01:47,240
Speaker 1: like that, and I was like, Okay, we can't do

2791
02:01:47,280 --> 02:01:51,640
Speaker 1: this anymore, like it's just another thing that you know. Yeah,

2792
02:01:52,200 --> 02:01:54,840
Speaker 1: but we sent that food truck to Gatlinburg when that happened,

2793
02:01:54,840 --> 02:01:56,800
Speaker 1: and we fed all the first responders and all the

2794
02:01:56,800 --> 02:01:59,160
Speaker 1: people during the fires, and we had people slinging food

2795
02:01:59,160 --> 02:02:02,120
Speaker 1: out of there for a couple of weeks for them,

2796
02:02:02,120 --> 02:02:04,320
Speaker 1: great people up there. It's a veriable like.

2797
02:02:04,360 --> 02:02:05,640
Speaker 2: Look at old Rusty. Know.

2798
02:02:05,840 --> 02:02:07,600
Speaker 3: I love the pitt up girl too, Jef.

2799
02:02:07,720 --> 02:02:11,240
Speaker 1: Rusty Russ is a dog and that's some good food

2800
02:02:11,360 --> 02:02:12,040
Speaker 1: or serving too.

2801
02:02:12,120 --> 02:02:15,960
Speaker 3: Man, All right, bud light question right. People would do

2802
02:02:16,000 --> 02:02:18,680
Speaker 3: anything for an ice, cold, bud light. What is something

2803
02:02:18,680 --> 02:02:20,520
Speaker 3: that you, Zach Brown, would do anything for.

2804
02:02:22,720 --> 02:02:25,680
Speaker 1: Besides my kids, I can't say family. I can't say

2805
02:02:25,720 --> 02:02:28,920
Speaker 1: my family. Man. I think I would. I would. I

2806
02:02:28,960 --> 02:02:32,360
Speaker 1: would do anything to help people. I think that's that's something.

2807
02:02:33,280 --> 02:02:34,800
Speaker 1: Like I'm not one of those guys that's gonna watch

2808
02:02:34,800 --> 02:02:37,640
Speaker 1: somebody get stabbed to death and stand there and film it. Like.

2809
02:02:38,160 --> 02:02:41,840
Speaker 1: I don't understand that I would have to jump in.

2810
02:02:42,120 --> 02:02:46,000
Speaker 1: I don't have a choice, but but I would. I

2811
02:02:46,000 --> 02:02:48,360
Speaker 1: would do something to help someone. If I saw someone

2812
02:02:48,560 --> 02:02:50,800
Speaker 1: getting hurt or whatever, I would definitely jump in to

2813
02:02:50,840 --> 02:02:54,280
Speaker 1: try to help. Like, I don't know if that's the

2814
02:02:54,280 --> 02:02:59,320
Speaker 1: most interesting answer, but it's it's true. You know, I

2815
02:02:59,360 --> 02:03:03,760
Speaker 1: protect my people with my business, you know. And I

2816
02:03:03,760 --> 02:03:06,400
Speaker 1: don't want to make my decisions based on fear. That's

2817
02:03:06,440 --> 02:03:09,440
Speaker 1: the whole concept of loving fear. You're making your decisions

2818
02:03:09,440 --> 02:03:11,600
Speaker 1: on things. If you let fear govern what you're gonna do,

2819
02:03:11,640 --> 02:03:14,880
Speaker 1: you're not gonna do anything great. You gotta you gotta

2820
02:03:14,920 --> 02:03:17,720
Speaker 1: be tough enough to suck at what you're doing long

2821
02:03:17,800 --> 02:03:20,560
Speaker 1: enough to be good at it and then keep plowing,

2822
02:03:21,200 --> 02:03:23,200
Speaker 1: keep going. I love it.

2823
02:03:23,320 --> 02:03:27,400
Speaker 2: I do too, Bro, This has been amazing. Yeah, I

2824
02:03:27,400 --> 02:03:29,960
Speaker 2: really appreciate you. My pleasure, massive fans.

2825
02:03:30,080 --> 02:03:31,040
Speaker 1: Let's go spearfishing.

2826
02:03:31,120 --> 02:03:36,000
Speaker 3: Let's go spearfishing. Let's do that. All the boys get down.

2827
02:03:35,880 --> 02:03:38,800
Speaker 2: There, he said, I want to see you again.

2828
02:03:40,960 --> 02:03:43,200
Speaker 3: I'm snucking cold the Weaver.

2829
02:03:44,360 --> 02:03:49,320
Speaker 2: Maybe tomorrow. He's like, can I call?

2830
02:03:50,040 --> 02:03:53,040
Speaker 1: That's one of my favorites. I've been waiting to write

2831
02:03:53,080 --> 02:03:55,040
Speaker 1: a song that's the follow up to that. And that

2832
02:03:55,160 --> 02:03:59,160
Speaker 1: is the song. Oh really, the songs our follow up.

2833
02:03:59,160 --> 02:04:01,080
Speaker 1: That new song Sonny about that's the follow up the

2834
02:04:01,080 --> 02:04:01,600
Speaker 1: Colder Weather.

2835
02:04:02,240 --> 02:04:03,280
Speaker 2: So there's a sequel.

2836
02:04:03,360 --> 02:04:04,040
Speaker 1: There's a sequel.

2837
02:04:04,280 --> 02:04:06,360
Speaker 2: Nice, Oh that's sick.

2838
02:04:07,000 --> 02:04:11,040
Speaker 3: It comes out the seventeenth. Ye October is the best spook.

2839
02:04:11,000 --> 02:04:13,840
Speaker 2: And what's that? What's that song called the the s

2840
02:04:13,920 --> 02:04:14,200
Speaker 2: u M?

2841
02:04:14,560 --> 02:04:17,240
Speaker 3: Do you have any special feelings about the holiday? Halloween?

2842
02:04:18,480 --> 02:04:19,280
Speaker 1: I love Halloween?

2843
02:04:19,560 --> 02:04:19,960
Speaker 3: Do you?

2844
02:04:20,040 --> 02:04:21,680
Speaker 1: I love? It's my favorite holiday?

2845
02:04:21,720 --> 02:04:22,400
Speaker 3: Are you serious?

2846
02:04:22,440 --> 02:04:22,800
Speaker 1: Favorite?

2847
02:04:22,920 --> 02:04:23,120
Speaker 2: Oh?

2848
02:04:23,240 --> 02:04:25,920
Speaker 3: Buddy, that's We're We're Spooptober podcast.

2849
02:04:26,280 --> 02:04:28,080
Speaker 2: If you would if you would have came next week,

2850
02:04:28,120 --> 02:04:29,520
Speaker 2: this bus would have been decked out.

2851
02:04:30,160 --> 02:04:34,000
Speaker 1: Fake love Halloween? Really love it?

2852
02:04:34,120 --> 02:04:34,520
Speaker 3: Do you still?

2853
02:04:35,000 --> 02:04:37,240
Speaker 1: I mean? I'm covered in Day for the Dead artwork.

2854
02:04:37,280 --> 02:04:38,840
Speaker 1: It's all the way, this whole arm is all I

2855
02:04:38,880 --> 02:04:42,320
Speaker 1: got dead. Bob right here, Bob Marley, the whole dealer

2856
02:04:42,320 --> 02:04:46,760
Speaker 1: with Maritas, Day of the Dead, Halloween World is my chance.

2857
02:04:47,320 --> 02:04:48,080
Speaker 3: I love it. Man.

2858
02:04:49,720 --> 02:04:53,040
Speaker 1: That's fit that we were So that's you, that's me.

2859
02:04:53,400 --> 02:04:56,360
Speaker 1: So that whole suit was airbrushed with black light paint

2860
02:04:56,600 --> 02:04:59,200
Speaker 1: so it looked like a normal blue suit plane. But

2861
02:04:59,240 --> 02:05:01,600
Speaker 1: then we're playing and literally hit to turn the lights

2862
02:05:01,640 --> 02:05:03,880
Speaker 1: off and the black lights on and then we're human

2863
02:05:03,920 --> 02:05:07,120
Speaker 1: skeletons playing music. Yeah, that's one of our gigs. The

2864
02:05:07,120 --> 02:05:09,120
Speaker 1: whole band was like that. I was tied into a harness.

2865
02:05:09,160 --> 02:05:10,880
Speaker 1: They picked four of us up off the ground and

2866
02:05:10,920 --> 02:05:12,720
Speaker 1: I would like fly out over the crowd and the

2867
02:05:12,880 --> 02:05:17,720
Speaker 1: free skeleton suits. A spear is all the gags and

2868
02:05:17,720 --> 02:05:20,720
Speaker 1: stuff we've pulled on steroids because nobody's about nobody's about

2869
02:05:20,760 --> 02:05:23,640
Speaker 1: to expect what we're doing there. That's what we look

2870
02:05:23,680 --> 02:05:25,960
Speaker 1: like under black lights. We all had custom masks that

2871
02:05:26,000 --> 02:05:26,480
Speaker 1: were made.

2872
02:05:26,720 --> 02:05:29,920
Speaker 3: Dude, that is so awesome. Yeah. The Sphere, if this

2873
02:05:30,000 --> 02:05:31,560
Speaker 3: is anything with the Sphere is gonna be like, it's

2874
02:05:31,560 --> 02:05:32,600
Speaker 3: gonna be ten out of ten.

2875
02:05:32,640 --> 02:05:33,240
Speaker 1: It's gonna be sick.

2876
02:05:33,480 --> 02:05:36,800
Speaker 3: What any Halloween traditions you have?

2877
02:05:39,760 --> 02:05:42,160
Speaker 1: We used to do like a trunk or treat at

2878
02:05:42,280 --> 02:05:44,160
Speaker 1: the kids and stuff. We used to just have all

2879
02:05:44,200 --> 02:05:46,400
Speaker 1: our friends come, bring their cars and set up trigger

2880
02:05:46,440 --> 02:05:48,240
Speaker 1: treats and stuff like that around. But now the tradition

2881
02:05:48,320 --> 02:05:52,800
Speaker 1: is going over to Trilith, the neighborhood that's that my

2882
02:05:52,960 --> 02:05:57,200
Speaker 1: kid's mom lives in, and they have huge neighborhood. There's

2883
02:05:57,200 --> 02:05:59,440
Speaker 1: like fifteen hundred houses that are ten feet apart from

2884
02:05:59,480 --> 02:06:02,120
Speaker 1: each other. So literally just fill up a trash bag

2885
02:06:02,320 --> 02:06:04,280
Speaker 1: full of ship. You know. But when I was a kid,

2886
02:06:04,320 --> 02:06:07,839
Speaker 1: I would I would hide pods of candy all over everything.

2887
02:06:08,160 --> 02:06:09,960
Speaker 1: Nobody told me as a kid, I shouldn't eat all

2888
02:06:10,000 --> 02:06:12,680
Speaker 1: this garbage and stuff, so I was just going nuts

2889
02:06:12,720 --> 02:06:13,120
Speaker 1: with it.

2890
02:06:14,200 --> 02:06:16,520
Speaker 3: Yeah, yeah for real Halloween.

2891
02:06:16,560 --> 02:06:18,080
Speaker 2: Yeah the next week.

2892
02:06:18,200 --> 02:06:21,040
Speaker 3: Yeah, let's go ride a plus run a plus Zack Man,

2893
02:06:21,040 --> 02:06:22,960
Speaker 3: this has been all Thank you guys, appreciate you.

2894
02:06:22,960 --> 02:06:25,160
Speaker 1: Sho d amazing man Likewiseross.

2895
02:06:26,040 --> 02:06:28,080
Speaker 3: I'll make sure you subscribe. Big hugs, tiny kisses,