WEBVTT - Odd, Silly and Unnecessary Inventions

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<v Speaker 1>Welcome to tech Stuff, a production of I Heart Radios

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<v Speaker 1>How Stuff Works. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I'm your host, Jonathan Strickland. I'm an executive producer with

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<v Speaker 1>I Heart Radio and How Stuff Works, and I love

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<v Speaker 1>all things tech. And today I was feeling a little

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<v Speaker 1>bit silly, probably because I didn't get enough sleep last night,

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<v Speaker 1>and so to honor that silly feeling I have, I

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<v Speaker 1>thought perhaps we would do an episode about odd inventors

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<v Speaker 1>and inventions, the silly, the unnecessary, the wacky, sometimes just

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<v Speaker 1>the unexpected. So not everything on this list is truly

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<v Speaker 1>weird and bizarre. Some of them people have thought about

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<v Speaker 1>as being odd, and in some cases they were purposefully

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<v Speaker 1>made that way. And there are a lot of gadgets

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<v Speaker 1>and technologies out there that you could describe as useless

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<v Speaker 1>or counterproductive, or ineffective or just playing dumb. But I

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<v Speaker 1>want to celebrate inventors who came up with gadgets or

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<v Speaker 1>technologies that are, at least on first glance, just playing goofy.

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<v Speaker 1>So in other words, I'm not out to skewer some

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<v Speaker 1>sincere but failed effort to make a cool product. I

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<v Speaker 1>don't want to hold something up and say, look, at

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<v Speaker 1>what they tried to do and see how they failed.

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<v Speaker 1>Ha ha ha. No, I really want to highlight stuff

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<v Speaker 1>that was ingenious, perhaps in its entertainment value, if not

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<v Speaker 1>in actual utility. So I think there's no better person

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<v Speaker 1>to talk about when you're looking at silly inventions than

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<v Speaker 1>Ruben Garrett Lucius Goldberg, better known as Rube Goldberg. And

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<v Speaker 1>if you've ever heard about a Rube Goldberg device, this

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<v Speaker 1>is the guy that that is named after. And if

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<v Speaker 1>you haven't heard of a Rube Goldberg device, you've probably

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<v Speaker 1>seen one in some shape or form. I'll talk about

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<v Speaker 1>a few famous pieces of meat you that feature Rube

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<v Speaker 1>Goldberg devices in a bit. But first, who was Rube Goldberg? Well.

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<v Speaker 1>He was born on the fourth of July in eighteen

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<v Speaker 1>eighty three in San Francisco, California. As a kid, he

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<v Speaker 1>loved to draw, and he showed signs of wanting to

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<v Speaker 1>be an artist. He first started tracing pictures using thin

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<v Speaker 1>trace paper on top of existing comics and drawings. Then

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<v Speaker 1>he started to make his own drawings, but his father

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<v Speaker 1>had other ideas for him. His father was a police

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<v Speaker 1>officer and a fire commissioner in San Francisco, and he

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<v Speaker 1>thought his young son, Ruben would make an excellent engineer.

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<v Speaker 1>So after Reuben graduated high school, young Goldberg would enroll

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<v Speaker 1>in the University of California at Berkeley and major in engineering.

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<v Speaker 1>He graduated with a bachelor's degree in the field, and

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<v Speaker 1>he went to work for the City of San Francisco

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<v Speaker 1>as an engineer. And his day job had him designing

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<v Speaker 1>and working on maintenance for sewer systems, and to say

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<v Speaker 1>that he found the work unfulfilling would be an understatement.

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<v Speaker 1>I guess he could say he thought it was a

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<v Speaker 1>crappy job. He also was a witness to how politics

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<v Speaker 1>works from the inside, and he saw city officials making

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<v Speaker 1>deals with contractors in a way he found to be

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<v Speaker 1>dishonest and corrupt, and that really rubbed him the wrong way.

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<v Speaker 1>He did not want to work in that environment anyway.

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<v Speaker 1>After only a few months of working as an engineer,

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<v Speaker 1>Rube decided to make a massive career change. He applied

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<v Speaker 1>to work for the San Francisco Chronicle as a sports

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<v Speaker 1>writer and a cartoonist. Then he jumped ship to the

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<v Speaker 1>San Francisco Bulletin. Again, working as a cartoonist, he would

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<v Speaker 1>often illustrate articles that were about sports and things of

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<v Speaker 1>that nature, and he created several long running cartoons, most

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<v Speaker 1>of which have been largely forgotten today. He did create

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<v Speaker 1>a comic strip called Mike and Ike, but today I'd

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<v Speaker 1>argue that when people mentioned Mike and Ike there talking

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<v Speaker 1>about the candy, and the candy may or may not

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<v Speaker 1>have been named after the comic strip. The comic strip

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<v Speaker 1>was already out of print by the time the Mike

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<v Speaker 1>and Mike candy became a thing, so it may have

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<v Speaker 1>just been true coincidence and not some a case where

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<v Speaker 1>they named a candy after a comic strip. It's not

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<v Speaker 1>likely the comic strip was super famous and beloved at

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<v Speaker 1>that point. By seven, Goldberg was creating comics with absurd, bizarre,

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<v Speaker 1>and sometimes very dark jokes and gags in them. Starting

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<v Speaker 1>in nineteen fourteen, he also illustrated scenarios involving complicated contraptions

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<v Speaker 1>designed to carry out some relatively simple task, and this

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<v Speaker 1>would become his real claim to fame. Goldberg might start

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<v Speaker 1>with a very simple action, such as pouring water from

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<v Speaker 1>a water picture into a glass. Then he would concoct

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<v Speaker 1>a series of improbable and complex actions that would lead

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<v Speaker 1>to that conclusion. Sort of a very very complicated sequence.

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<v Speaker 1>In a way, it's similar to elaborate Domino setups, where

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<v Speaker 1>someone has created a really intricate design that a series

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<v Speaker 1>of falling domino's reveals. In fact, there are typically some

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<v Speaker 1>parallels between Rube Goldberg machines and Domino setups, and a

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<v Speaker 1>lot of Rube Goldberg machines include Domino sequences in them.

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<v Speaker 1>In nine, Goldberg created a character named Professor Lucifer Gorgon

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<v Speaker 1>Zola Butts a k. This character would become the genius

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<v Speaker 1>inventor of many of the zany designs Goldberg imagined to

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<v Speaker 1>either accomplish a simple task or otherwise make some sort

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<v Speaker 1>of social commentary. For example, in one fairly ghoulish illustration,

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<v Speaker 1>Goldberg created a system to test someone to see if

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<v Speaker 1>they had the right metal to invest in the stock

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<v Speaker 1>market are they the right kind of person to take

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<v Speaker 1>that gamble. The system included a pistol pointed at the

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<v Speaker 1>back of the head of the would be investor, as

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<v Speaker 1>well as a glass that would slowly get filled with poison,

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<v Speaker 1>and should the person survive this experience, Professor Butts wrote,

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<v Speaker 1>then that person would be suitable to act as an

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<v Speaker 1>investor if they had a disregard for their own personal safety.

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<v Speaker 1>So little social commentary there. Not all the inventions were

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<v Speaker 1>quite so grim or packed with that kind of social commentary.

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<v Speaker 1>Many were just plain silly, and people enjoyed the comics.

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<v Speaker 1>Goldberg became so well known for these ideas that didn't

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<v Speaker 1>take long for his name to become an adjective for

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<v Speaker 1>such devices. In ninety one, the Miriam Webster Dictionary included

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<v Speaker 1>Rube Goldberg and used as an adjective to describe any

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<v Speaker 1>system of unnecessary complexity designed to complete and otherwise simple task.

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<v Speaker 1>I find it pretty impressive that took less than two

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<v Speaker 1>decades from the first invention cartoon for Goldberg's name to

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<v Speaker 1>become officially associated with this general idea. Some people enjoyed

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<v Speaker 1>the cartoons to the point of holding their own ridiculous

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<v Speaker 1>complex devices to complete a simple task in real life.

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<v Speaker 1>Physically building these things. They were bringing this philosophy into

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<v Speaker 1>the real world, and the goal wasn't really to do

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<v Speaker 1>whatever it was the machine did. It was to show

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<v Speaker 1>off creative ingenuity as well as to celebrate this peculiar

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<v Speaker 1>human desire to avoid having to do certain things. It's

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<v Speaker 1>a bit of a cliche, but it's also true that

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<v Speaker 1>many people would spend much more effort finding ways to

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<v Speaker 1>avoid doing something then it would require if they just

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<v Speaker 1>took the time to do the thing in the first place.

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<v Speaker 1>Goodness knows, I'm guilty of this. I found creative ways

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<v Speaker 1>to avoid having to do certain things that involved doing

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<v Speaker 1>way more work than it would have been for me

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<v Speaker 1>to just do the thing to begin with. Goldberg described

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<v Speaker 1>it as quote man's capacity for exerting maximum effort to

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<v Speaker 1>accomplish minimal results in the quote. In nine at Perdue University,

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<v Speaker 1>to engineering fraternities called Triangle and Theta Tao would compete

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<v Speaker 1>with one another to build actual physical machines following the

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<v Speaker 1>Rube Goldberg esthetic as part of their Engineers Ball, which

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<v Speaker 1>was a social event organized by those two fraternities over

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<v Speaker 1>the course of the next few years. Until the Engineer's

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<v Speaker 1>Ball was discontinued in nineteen fifty five, the competitions would

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<v Speaker 1>happen annually, and the competitions were spirited, to say the least,

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<v Speaker 1>and at one point the fraternities had to agree to

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<v Speaker 1>a set of rules that would disqualify any team guilty

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<v Speaker 1>of attempting to sabotage the other team. But after nineteen

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<v Speaker 1>fifty five, the competition was set aside and largely forgotten

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<v Speaker 1>about until nineteen eighty three. That's when some members of

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<v Speaker 1>the Theta Tao Phi chapter did some cleaning around the

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<v Speaker 1>old frat house and they came across a rather odd trophy.

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<v Speaker 1>After some research, they learned about the original competitions and

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<v Speaker 1>decided that they should be revived. The first competition, sponsored

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<v Speaker 1>by the fraternity, set the task as filling a cup

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<v Speaker 1>with eight ounces of water. That was the end goal.

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<v Speaker 1>You could get to that end goal, however, you liked.

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<v Speaker 1>Once again, the competition became an annual event, and it

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<v Speaker 1>began to attract attention beyond Perdue. University. Television personalities like

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<v Speaker 1>David Letterman featured segments on the odd inventions, and by

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<v Speaker 1>night a guy named Mike Barrett decide the celebration in

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<v Speaker 1>Ridiculous and Unnecessary Inventiveness should really be a national competition.

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<v Speaker 1>Since then, it has grown to become the biggest media

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<v Speaker 1>event at Perdue, pulling in more media coverage than any

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<v Speaker 1>sporting event held at the university. While the machines are

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<v Speaker 1>supposed to be absurd and silly, they're also supposed to work.

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<v Speaker 1>That is, ultimately they are meant to accomplish whatever the

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<v Speaker 1>end task happens to be. This makes designing a good

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<v Speaker 1>Rube Goldberg machine challenging. How can you create a level

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<v Speaker 1>of complexity, perhaps one bordering on chaos, and still get

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<v Speaker 1>the result you wanted by the end of it. It

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<v Speaker 1>requires not just an understanding of engineering, but also physics.

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<v Speaker 1>Many of these machines rely on careful timing that is

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<v Speaker 1>determined by things such as the length or steepness of

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<v Speaker 1>a ramp, the weight or size of a marble, or

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<v Speaker 1>other physical factors. If you put a machine together without

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<v Speaker 1>consideration for these factors, it might not work. You might

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<v Speaker 1>find that one element isn't heavy enough or moving forcefully

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<v Speaker 1>enough to activate the next part of the sequence. To

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<v Speaker 1>use the Domino's analog, it would be like setting out

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<v Speaker 1>a domino course and finding out you had spaced a

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<v Speaker 1>couple of the dominoes too far apart from one another,

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<v Speaker 1>so that they failed to make contact and the whole

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<v Speaker 1>sequence just stops. Now. I have no clue how most

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<v Speaker 1>engineers go about this, but I would probably start with

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<v Speaker 1>whatever the end goal was and decide how I was

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<v Speaker 1>going to achieve that very last step, and then work

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<v Speaker 1>backward what action or event would do whatever it was

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<v Speaker 1>I was trying to do. Then how could I make

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<v Speaker 1>that action happen? And so on. I think of it

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<v Speaker 1>sort of like writing a murder mystery. You might want

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<v Speaker 1>to start with the end and then work your way

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<v Speaker 1>back to the beginning to make it a real mystery,

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<v Speaker 1>as opposed to just trying to make it up as

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<v Speaker 1>you go along. You can see a lot of examples

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<v Speaker 1>of Rube Goldberg devices in the media. Peewee's Big Adventure,

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<v Speaker 1>the film that Tim Burton made ages ago, opens with

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<v Speaker 1>such a device that uses everything from models of dinosaur

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<v Speaker 1>skeletons to a large mannequin in the guise of Abraham

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<v Speaker 1>Lincoln to cook breakfast for the main character. Likewise, the

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<v Speaker 1>movie Back to the Future includes several devices, all triggered

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<v Speaker 1>by a timer to do everything from start a coffee

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<v Speaker 1>pot to open and empty a can of dog food

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<v Speaker 1>into a bowl. So clearly Doc Brown has better things

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<v Speaker 1>to do with his time than take care of menial tasks,

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<v Speaker 1>you know, are things like stealing plutonium from terrorists. On

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<v Speaker 1>one of several versions of the music video for Okay Goes,

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<v Speaker 1>This Too Shall Pass, an incredibly impressive Rube Goldberg system

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<v Speaker 1>is set in motion and in apparent synchronization with the music,

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<v Speaker 1>activates numerous effects and even provides some of the musical

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<v Speaker 1>notes for the song itself. It's one of my favorite

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<v Speaker 1>examples of the Rube Goldberg design philosophy, and it doesn't

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<v Speaker 1>hurt that I was already a fan of that particular band.

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<v Speaker 1>The Guinness Book of World Records certified in twenty sixteen

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<v Speaker 1>that an enormous Rube Goldberg machine designed to light the

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<v Speaker 1>Christmas tree for the town of Riga in Latvia was

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<v Speaker 1>in fact the world's largest Rube Goldberg machine. It takes

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<v Speaker 1>about four minutes from initiating the sequence for the entire

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<v Speaker 1>process to complete, and it's a fun watch on YouTube

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<v Speaker 1>as well. When we come back, I'll cover other odd,

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<v Speaker 1>silly and useless inventions, but first, let's say a quick

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<v Speaker 1>break switching gears for a moment. I thought I'd talked

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<v Speaker 1>about another inventor who came up with some ideas that

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<v Speaker 1>turned out to be sort of the punchline for a

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<v Speaker 1>lot of jokes. They were simultaneously successful from a sales

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<v Speaker 1>standpoint and also the subject of ridicule by many. That

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<v Speaker 1>inventor was Samuel J. Pope, Peel, father of the famous

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<v Speaker 1>Ron Pope Peel now Ron Pope Peel, became known as

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<v Speaker 1>the head of a company called Ronco that sold lots

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<v Speaker 1>of kitchen gadgets, mostly for the kitchen itself, and Ron

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<v Speaker 1>served as the host of many and infomercial coining phrases

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<v Speaker 1>like but wait, there's more. He was a master of

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<v Speaker 1>direct marketing, and we can thank him and his father

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<v Speaker 1>for popularizing the suffix oh matic such as veggio madic.

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<v Speaker 1>While Ron Popel is who a lot of folks think

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<v Speaker 1>about when you hear the name Pope Heal, it was

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<v Speaker 1>his dad who invented many of those weird devices in

0:14:09.160 --> 0:14:11.800
<v Speaker 1>ron Co's early days, though Ron himself would go on

0:14:11.920 --> 0:14:14.680
<v Speaker 1>to invent some of his own later on. Anyway, the

0:14:14.679 --> 0:14:17.480
<v Speaker 1>story of the Pope Heals is one filled with an

0:14:17.520 --> 0:14:21.560
<v Speaker 1>incredible amount of drama, which I think is already kind

0:14:21.600 --> 0:14:25.160
<v Speaker 1>of unusual. Sam Popeal was born in New York in

0:14:25.280 --> 0:14:28.240
<v Speaker 1>nineteen fifteen, and many of the men and his family

0:14:28.360 --> 0:14:31.600
<v Speaker 1>worked as product demonstrators who would set up in various

0:14:31.640 --> 0:14:35.480
<v Speaker 1>department stores to give personal demonstrations of different products that

0:14:35.520 --> 0:14:38.880
<v Speaker 1>were for sale. At age seventeen, Sam was asked to

0:14:38.920 --> 0:14:40.920
<v Speaker 1>fill in for one of his uncles to do that

0:14:41.120 --> 0:14:44.480
<v Speaker 1>very gig and apparently didn't go so well. He apparently

0:14:44.520 --> 0:14:48.160
<v Speaker 1>cut his finger badly on a vegetable slicer. But something

0:14:48.240 --> 0:14:49.920
<v Speaker 1>must have made him feel like that was the right

0:14:49.960 --> 0:14:52.040
<v Speaker 1>line of work for him. So as he got older,

0:14:52.240 --> 0:14:55.239
<v Speaker 1>he began to come up with ideas for his own products,

0:14:55.600 --> 0:14:58.640
<v Speaker 1>and he and his brother Raymond founded a company they called,

0:14:58.680 --> 0:15:03.200
<v Speaker 1>appropriately enough, the Pope Peel Brothers. One of Sam Popil's

0:15:03.320 --> 0:15:06.440
<v Speaker 1>first inventions was what he called the chopp O Matic,

0:15:06.840 --> 0:15:10.800
<v Speaker 1>later known as the Veggio Matic. It's a manually operated

0:15:10.840 --> 0:15:14.200
<v Speaker 1>food processor, and there have been many variations in the

0:15:14.280 --> 0:15:18.360
<v Speaker 1>years since its introduction. The basic design had a pedestal

0:15:18.720 --> 0:15:21.920
<v Speaker 1>with a round hole in the top surface of the pedestal,

0:15:22.280 --> 0:15:24.800
<v Speaker 1>and in that round hole you would place the cutting

0:15:24.840 --> 0:15:27.360
<v Speaker 1>blades for the vegeo maatic, so it might be a

0:15:27.480 --> 0:15:31.600
<v Speaker 1>great might be a line of blades, and then positioned

0:15:31.640 --> 0:15:35.080
<v Speaker 1>above this platform of blades was another surface that acted

0:15:35.120 --> 0:15:37.960
<v Speaker 1>as the handle. So you would have a press essentially,

0:15:38.600 --> 0:15:42.040
<v Speaker 1>and you would put the vegetable on the blades, and

0:15:42.200 --> 0:15:44.480
<v Speaker 1>it would be essentially in between the blades and the

0:15:44.520 --> 0:15:47.520
<v Speaker 1>top of the press. And uh or I guess you

0:15:47.560 --> 0:15:50.640
<v Speaker 1>should say, the bottom side of the press, and so

0:15:50.720 --> 0:15:53.520
<v Speaker 1>then you would push down on the handle side of

0:15:53.560 --> 0:15:57.760
<v Speaker 1>the press and create enough pressure to push the vegetable

0:15:58.160 --> 0:16:01.640
<v Speaker 1>through the blades, and thus the vegetable would be chopped

0:16:02.360 --> 0:16:05.520
<v Speaker 1>or sliced or diced or whatever. It's classic, and I

0:16:05.560 --> 0:16:08.760
<v Speaker 1>guess it's not really that crazy of an invention, although

0:16:08.760 --> 0:16:11.840
<v Speaker 1>you could argue the amount of labor it's saved might

0:16:11.880 --> 0:16:15.240
<v Speaker 1>be somewhat trivial depending upon what you were actually trying

0:16:15.280 --> 0:16:20.640
<v Speaker 1>to do, so there was arguable effectiveness of this. The

0:16:20.680 --> 0:16:24.240
<v Speaker 1>Popio brothers and later Ronco would produce lots of different

0:16:24.240 --> 0:16:28.400
<v Speaker 1>inventions of debatable usefulness. My favorite has to be the

0:16:28.440 --> 0:16:32.000
<v Speaker 1>pocket fisherman. This is a small fishing rod and reel.

0:16:32.480 --> 0:16:34.480
<v Speaker 1>The base looks kind of like the handle for an

0:16:34.520 --> 0:16:38.000
<v Speaker 1>appliance like a food mixer or a dustbuster vacuum cleaner,

0:16:38.320 --> 0:16:40.680
<v Speaker 1>kind of has that shape to it, and it has

0:16:40.760 --> 0:16:44.200
<v Speaker 1>a rod that folds down against this handle. So you

0:16:44.320 --> 0:16:46.720
<v Speaker 1>unfold the rod from the base and then you have

0:16:46.760 --> 0:16:50.200
<v Speaker 1>your little fishing pole. There's a compartment inside the handle

0:16:50.280 --> 0:16:52.920
<v Speaker 1>on the base that could hold stuff like tackle and

0:16:53.000 --> 0:16:56.000
<v Speaker 1>lures and bobbers and that kind of stuff, and yep,

0:16:56.120 --> 0:16:58.880
<v Speaker 1>you can still buy these today. If you're so inclined,

0:16:58.880 --> 0:17:02.320
<v Speaker 1>you could actually purchase Pocket Fisherman right now. I've seen

0:17:02.360 --> 0:17:04.840
<v Speaker 1>some videos of it in action, and while it's one

0:17:04.880 --> 0:17:07.960
<v Speaker 1>of those gadgets that made as seen on TV a

0:17:08.040 --> 0:17:11.320
<v Speaker 1>household phrase, it actually seems to hold up pretty well.

0:17:11.560 --> 0:17:16.040
<v Speaker 1>The reviews I've seen have been maybe not glowing, but

0:17:16.119 --> 0:17:19.600
<v Speaker 1>not negative either. In other words, it just it works

0:17:20.280 --> 0:17:23.800
<v Speaker 1>for what it is, and so if you have a

0:17:23.840 --> 0:17:27.400
<v Speaker 1>desire to have a fishing rod stuffed in your backpack

0:17:27.800 --> 0:17:30.199
<v Speaker 1>so it's not taking up too much space just in

0:17:30.280 --> 0:17:33.359
<v Speaker 1>case you have the opportunity to fish, it's not necessarily

0:17:33.359 --> 0:17:35.600
<v Speaker 1>a bad choice. In fact, I think a lot of

0:17:35.600 --> 0:17:39.000
<v Speaker 1>the inventions from the Popeils probably hold up for the

0:17:39.040 --> 0:17:42.960
<v Speaker 1>most part. You could argue they are unnecessary, but most

0:17:42.960 --> 0:17:45.960
<v Speaker 1>of them seem to work at least as advertised. Apart

0:17:46.000 --> 0:17:49.400
<v Speaker 1>from the more outlandish claims you'll typically see on infomercials

0:17:49.400 --> 0:17:52.040
<v Speaker 1>about how the right product is going to transform your

0:17:52.119 --> 0:17:55.199
<v Speaker 1>life forever and turn it into a Disney musical, that

0:17:55.280 --> 0:17:57.639
<v Speaker 1>part still seems like it might be a bit of

0:17:57.680 --> 0:18:01.840
<v Speaker 1>a reach. Ron Bobile's company, Ronko, went bankrupt in two

0:18:01.880 --> 0:18:04.320
<v Speaker 1>thousand seven, so he can still find the products he

0:18:04.400 --> 0:18:07.840
<v Speaker 1>made famous for sale on sites like Amazon, and I

0:18:07.880 --> 0:18:09.760
<v Speaker 1>don't want to end on a sad note, so I

0:18:09.760 --> 0:18:12.560
<v Speaker 1>thought i'd explain why I wanted to include the Pope

0:18:12.560 --> 0:18:16.760
<v Speaker 1>Pels in this section. It's because of a particular person.

0:18:17.119 --> 0:18:20.480
<v Speaker 1>That person is weird Al Yankovic. Now, for those of

0:18:20.480 --> 0:18:23.600
<v Speaker 1>you who are unfamiliar with weird Al, he's a comedian

0:18:23.640 --> 0:18:26.840
<v Speaker 1>who writes humorous songs, and about half his songs are

0:18:26.880 --> 0:18:32.000
<v Speaker 1>outright parodies of existing music. The other half our original songs,

0:18:32.160 --> 0:18:35.119
<v Speaker 1>though some of them are what you might call style parodies,

0:18:35.480 --> 0:18:38.919
<v Speaker 1>and that Yankovic is mimicking the sound of an established

0:18:38.920 --> 0:18:42.600
<v Speaker 1>band or artist, just not picking a specific song to mimic.

0:18:43.000 --> 0:18:45.840
<v Speaker 1>On his Weird Al in three D album, he has

0:18:45.840 --> 0:18:48.479
<v Speaker 1>a song called Mr. Pope Peel that's done in the

0:18:48.520 --> 0:18:51.720
<v Speaker 1>style of the B fifty twos. The song references some

0:18:51.960 --> 0:18:55.720
<v Speaker 1>of Sam Pope Peel's memorable inventions, and that album was

0:18:55.760 --> 0:18:58.000
<v Speaker 1>one of my favorites when I was a kid, which

0:18:58.080 --> 0:19:02.240
<v Speaker 1>I'm sure surprises absolutely ly none of you out there,

0:19:02.960 --> 0:19:05.760
<v Speaker 1>but it's why I decided to choose Mr pope Peel

0:19:06.000 --> 0:19:10.800
<v Speaker 1>to be included in this particular episode. Ron Popeil Samuel's

0:19:10.920 --> 0:19:14.119
<v Speaker 1>son was really the TV personality who would pave the

0:19:14.160 --> 0:19:18.520
<v Speaker 1>way for other famous spokespeople like Billy Mays and Tony Little,

0:19:18.600 --> 0:19:21.840
<v Speaker 1>among others. And he owed a lot to the pitchman

0:19:21.840 --> 0:19:24.800
<v Speaker 1>who came before him as well, people like Crazy Eddie.

0:19:25.200 --> 0:19:28.160
<v Speaker 1>But yeah, you could kind of trace the lineage of

0:19:28.160 --> 0:19:32.080
<v Speaker 1>television spokespeople, and Ron Popel would be a very important

0:19:32.160 --> 0:19:36.600
<v Speaker 1>part of that lineage. Now, there are a few inventions

0:19:36.920 --> 0:19:40.960
<v Speaker 1>that aren't really inventions, nor are they really tech, but

0:19:41.040 --> 0:19:43.840
<v Speaker 1>they tend to end up on lists about odd or

0:19:43.960 --> 0:19:46.479
<v Speaker 1>useless inventions, and I want to spend a little time

0:19:46.520 --> 0:19:49.760
<v Speaker 1>talking about a couple of those. One is the famous

0:19:49.880 --> 0:19:53.520
<v Speaker 1>pet rock, which had a strong run for a good

0:19:53.560 --> 0:19:57.240
<v Speaker 1>part of nineteen seventy five. It was the brainchild of

0:19:57.280 --> 0:20:01.239
<v Speaker 1>a copy editor named Gary Doll, who, when listening to

0:20:01.280 --> 0:20:04.560
<v Speaker 1>his friends complain about how high maintenance their pets were,

0:20:05.040 --> 0:20:08.240
<v Speaker 1>bragged that he had the perfect pet. It was rock.

0:20:09.040 --> 0:20:10.480
<v Speaker 1>You didn't have to feed it, you didn't have to

0:20:10.520 --> 0:20:12.880
<v Speaker 1>walk it, you know, to clean after it. It was perfect.

0:20:13.359 --> 0:20:16.600
<v Speaker 1>So Doll would then go on to sell pet rocks,

0:20:17.440 --> 0:20:21.280
<v Speaker 1>and yes they were rocks, but they were packaged and

0:20:21.320 --> 0:20:25.040
<v Speaker 1>what looked like a small pet carrier and more importantly,

0:20:25.320 --> 0:20:28.679
<v Speaker 1>they came with a pretty decent book of instructions on

0:20:28.720 --> 0:20:31.600
<v Speaker 1>how to care for the pet rock. And the book

0:20:31.640 --> 0:20:34.719
<v Speaker 1>was really just a joke book that was filled with

0:20:34.800 --> 0:20:38.840
<v Speaker 1>jokes and puns. So really, ultimately you were buying a

0:20:38.880 --> 0:20:41.800
<v Speaker 1>book of jokes that happened to have a rock that

0:20:41.920 --> 0:20:44.359
<v Speaker 1>came with it. And it was a cute idea and

0:20:44.520 --> 0:20:48.359
<v Speaker 1>it was a successful one. It made Doll into a millionaire,

0:20:48.720 --> 0:20:52.000
<v Speaker 1>so you can't really knock it. And yeah, that's not

0:20:52.080 --> 0:20:54.800
<v Speaker 1>really tech, but hey, how about how about a USB

0:20:55.000 --> 0:20:59.040
<v Speaker 1>pet rock? I think Geek sold these, and uh, it

0:20:59.160 --> 0:21:03.120
<v Speaker 1>was a pet rock with a USB port, didn't do anything.

0:21:03.160 --> 0:21:05.640
<v Speaker 1>You could just you can plug a USB cable into it.

0:21:06.240 --> 0:21:08.960
<v Speaker 1>But then you had a rock on a USB cable

0:21:09.240 --> 0:21:12.639
<v Speaker 1>and that was it. This is the joke. And just

0:21:12.680 --> 0:21:14.239
<v Speaker 1>for the heck of it, I check to see if

0:21:14.240 --> 0:21:17.040
<v Speaker 1>you can still buy pet rocks and I found one

0:21:17.040 --> 0:21:21.080
<v Speaker 1>on Amazon that claims it was approved by Gary Doll himself,

0:21:21.640 --> 0:21:24.640
<v Speaker 1>and the price on it is prepare yourself for this

0:21:25.600 --> 0:21:29.760
<v Speaker 1>twenty bucks. And also it did not include the thirty

0:21:29.760 --> 0:21:33.919
<v Speaker 1>two page care manual. I'd now like to introduce you

0:21:34.160 --> 0:21:39.800
<v Speaker 1>to my brand new idea, the pet paper weight. Order now.

0:21:41.240 --> 0:21:44.200
<v Speaker 1>But yeah, I think without the Book of Jokes, it's

0:21:44.200 --> 0:21:47.640
<v Speaker 1>really just a rock. Now, I never could have predicted

0:21:47.680 --> 0:21:50.639
<v Speaker 1>the success of the pet rock, But do you know

0:21:50.720 --> 0:21:54.119
<v Speaker 1>someone who might have predicted that success? This is my

0:21:54.160 --> 0:21:58.200
<v Speaker 1>playful way to introduce a duo, that of Albert or

0:21:58.359 --> 0:22:03.040
<v Speaker 1>maybe it was Alfred Harder at abe Bookman. Now I

0:22:03.080 --> 0:22:06.800
<v Speaker 1>say Albert or Alfred because about half the sources I

0:22:06.840 --> 0:22:09.960
<v Speaker 1>looked into on this story had it as one, any

0:22:09.960 --> 0:22:13.639
<v Speaker 1>other half had it as the other. So we'll just

0:22:13.720 --> 0:22:16.840
<v Speaker 1>call him al Anyway, these are the two guys largely

0:22:16.880 --> 0:22:20.680
<v Speaker 1>responsible for the invention of the magic eight ball. So

0:22:21.040 --> 0:22:24.800
<v Speaker 1>let's tell the story of this low tech novelty item.

0:22:25.720 --> 0:22:29.679
<v Speaker 1>So Albert or Alfred again conflicting reports. There was the

0:22:29.840 --> 0:22:33.560
<v Speaker 1>kid of a mother who did something pretty special for

0:22:33.600 --> 0:22:38.720
<v Speaker 1>her profession. Carter's mother claimed to be clairvoyant. Now, I'm

0:22:38.760 --> 0:22:41.720
<v Speaker 1>a skeptic and I do not believe in such things

0:22:41.760 --> 0:22:46.440
<v Speaker 1>as clairvoyance or psychic powers, or telekinesis or anything of

0:22:46.480 --> 0:22:50.159
<v Speaker 1>the sort. But never mind that Ma Carter was bringing

0:22:50.200 --> 0:22:53.639
<v Speaker 1>in clients for her sessions in the nineties. One of

0:22:53.640 --> 0:22:57.960
<v Speaker 1>the items she used was reportedly a container that had

0:22:58.040 --> 0:23:02.120
<v Speaker 1>a slate and some chalk inside the container, and her

0:23:02.160 --> 0:23:06.159
<v Speaker 1>clients would ask questions and the answers would reveal themselves

0:23:06.480 --> 0:23:08.600
<v Speaker 1>on the slate. She would open up the container and

0:23:08.640 --> 0:23:12.080
<v Speaker 1>the slate would have something written on it by the chalk,

0:23:12.640 --> 0:23:14.960
<v Speaker 1>as if by magic. This is, by the way, a

0:23:15.040 --> 0:23:19.040
<v Speaker 1>pretty popular gimmick was stage magicians who accomplished this task

0:23:19.480 --> 0:23:23.560
<v Speaker 1>without the dreadful responsibility of being psychic. So, in other words,

0:23:24.280 --> 0:23:27.160
<v Speaker 1>if there's a way you can do it by trickery,

0:23:27.160 --> 0:23:33.760
<v Speaker 1>that indicates that any quote unquote real version of the

0:23:33.880 --> 0:23:38.080
<v Speaker 1>phenomena is questionable at best. If there are ways to

0:23:38.119 --> 0:23:42.480
<v Speaker 1>do it without it being from some supernatural source, chances

0:23:42.480 --> 0:23:46.160
<v Speaker 1>are it was a perfectly normal source. Anyway, This gave

0:23:46.200 --> 0:23:49.560
<v Speaker 1>her son Al an idea. Al wanted to build something

0:23:49.880 --> 0:23:53.080
<v Speaker 1>that he could sell to folks, and his first version

0:23:53.280 --> 0:23:56.760
<v Speaker 1>of the gimmick was a cylinder look a bit like

0:23:56.800 --> 0:24:00.639
<v Speaker 1>a soda can or a beer can, a little narrower

0:24:00.800 --> 0:24:03.080
<v Speaker 1>than what you would see with a soda can, and

0:24:03.119 --> 0:24:07.240
<v Speaker 1>the two ends of the can were transparent, so the

0:24:07.320 --> 0:24:10.000
<v Speaker 1>top and the bottom of the can had these transparent

0:24:10.080 --> 0:24:14.280
<v Speaker 1>discs there instead of solids. Inside the cylinder was a

0:24:14.320 --> 0:24:19.320
<v Speaker 1>syrupy liquid uh largely described as molasses in the reports

0:24:19.359 --> 0:24:22.320
<v Speaker 1>I read, and inside were a couple of dice that

0:24:22.440 --> 0:24:26.960
<v Speaker 1>had different phrases written on the face of the dice.

0:24:27.400 --> 0:24:30.159
<v Speaker 1>So you would ask a yes or no question, you

0:24:30.160 --> 0:24:32.920
<v Speaker 1>would give the cylinder a shake, and you would wait

0:24:32.920 --> 0:24:35.159
<v Speaker 1>for one of those dice to float up to the

0:24:35.200 --> 0:24:38.920
<v Speaker 1>surface and you would see your answer. And he called

0:24:38.960 --> 0:24:43.960
<v Speaker 1>it the Psycho sear s Y c O S E

0:24:44.000 --> 0:24:47.320
<v Speaker 1>E R. Carter brought his invention to a store owner

0:24:47.400 --> 0:24:50.760
<v Speaker 1>named Max Levinson, who thought it was a pretty clever gimmick,

0:24:51.080 --> 0:24:54.879
<v Speaker 1>and he contacted his own brother in law, the aforementioned

0:24:54.920 --> 0:24:58.879
<v Speaker 1>Abe Bookman, who had an education in engineering. So Bookman's

0:24:58.880 --> 0:25:02.639
<v Speaker 1>task was to you take Carter's invention and figure out

0:25:02.680 --> 0:25:05.920
<v Speaker 1>a way that they could mass produce it in order

0:25:05.960 --> 0:25:09.679
<v Speaker 1>to sell it to a wider audience. Bookman simplified the

0:25:09.720 --> 0:25:13.920
<v Speaker 1>design somewhat, making only one end of the cylinder transparent

0:25:14.119 --> 0:25:16.879
<v Speaker 1>so the other one was solid, and he also switched

0:25:16.920 --> 0:25:20.040
<v Speaker 1>the molasses out for water with ink inside of it,

0:25:20.440 --> 0:25:24.399
<v Speaker 1>and he renamed it the Psycho slate. Bookman and Carter

0:25:24.560 --> 0:25:28.399
<v Speaker 1>formed a company called a Labe Crafts. A Labe was

0:25:28.440 --> 0:25:32.639
<v Speaker 1>the combination of Al and Abe's first names. Carter had

0:25:32.680 --> 0:25:35.480
<v Speaker 1>applied for a patent for his invention, calling it a

0:25:35.560 --> 0:25:39.760
<v Speaker 1>liquid filled dice agitator, which also describes some of the

0:25:39.840 --> 0:25:43.119
<v Speaker 1>Dungeons and Dragons players I know. But he would pass

0:25:43.240 --> 0:25:46.840
<v Speaker 1>away before the patent office would grant the patent in

0:25:48.160 --> 0:25:51.600
<v Speaker 1>There's not much info on how al Carter passed away,

0:25:51.640 --> 0:25:54.720
<v Speaker 1>though it seems like alcoholism may have played a part.

0:25:55.440 --> 0:25:59.399
<v Speaker 1>The next evolution of the idea involved changing the shape

0:25:59.400 --> 0:26:02.080
<v Speaker 1>of the gimmick so that you had a crystal ball

0:26:02.359 --> 0:26:06.359
<v Speaker 1>surrounding the cylinder, make it more like a fortune teller

0:26:06.480 --> 0:26:10.480
<v Speaker 1>type of gimmick. This got the attention of a company

0:26:10.520 --> 0:26:15.159
<v Speaker 1>called Brunswick Billiards, which saw the opportunity for promotional tie in,

0:26:15.400 --> 0:26:18.040
<v Speaker 1>so they had Bookman make a version of the crystal

0:26:18.080 --> 0:26:22.720
<v Speaker 1>ball fortune telling device that was, and they had him

0:26:22.760 --> 0:26:26.040
<v Speaker 1>painted like an eight ball and billiards and it did

0:26:26.280 --> 0:26:30.480
<v Speaker 1>very well, so well that once this promotional contract was over,

0:26:30.920 --> 0:26:34.440
<v Speaker 1>Bookman started making these magic eight balls on his own.

0:26:34.800 --> 0:26:38.080
<v Speaker 1>He found that marketing it as a toy got him

0:26:38.160 --> 0:26:40.640
<v Speaker 1>the most success, Like if you called it a toy

0:26:40.760 --> 0:26:44.879
<v Speaker 1>rather than some sort of psychic aid, you could do

0:26:44.920 --> 0:26:49.439
<v Speaker 1>really well. In nine Bookman sold the Labe Crafts Company

0:26:49.440 --> 0:26:52.800
<v Speaker 1>to another company called the Ideal Toy Company. That's the

0:26:52.840 --> 0:26:56.480
<v Speaker 1>same company that would later produce the Rubik's Cube. Eventually,

0:26:56.840 --> 0:27:00.840
<v Speaker 1>Mattel would end up with the i he for the

0:27:00.880 --> 0:27:03.320
<v Speaker 1>Magic eight ball, so they didn't end up with all

0:27:03.359 --> 0:27:05.840
<v Speaker 1>the stuff from Ideal Toy Company, but they do own

0:27:05.880 --> 0:27:09.160
<v Speaker 1>the rights to the Magic eight ball, a modern eight ball.

0:27:09.840 --> 0:27:13.160
<v Speaker 1>Magic eight ball that is, has a twenty sided die

0:27:13.200 --> 0:27:18.439
<v Speaker 1>in it, which you could also call an icosahedron. That

0:27:18.480 --> 0:27:22.000
<v Speaker 1>means there are twenty different phrases inside of Magic Eateball.

0:27:22.440 --> 0:27:25.639
<v Speaker 1>Ten of the phrases are versions of yes or in

0:27:25.680 --> 0:27:30.000
<v Speaker 1>the affirmative, five are versions of no, and five are

0:27:30.119 --> 0:27:33.719
<v Speaker 1>versions of beats me or just beat a kid. You're

0:27:33.760 --> 0:27:37.879
<v Speaker 1>bothering me, so like ask again later. Essentially, there are

0:27:37.920 --> 0:27:40.399
<v Speaker 1>lots of variations of the Magic eate ball. For instance,

0:27:40.400 --> 0:27:43.639
<v Speaker 1>I have a licensed Simpson's version of one at home.

0:27:44.000 --> 0:27:48.359
<v Speaker 1>For example, we have a few more weird, odd and

0:27:48.480 --> 0:27:51.919
<v Speaker 1>useless inventions to cover, but first let's take another quick break.

0:27:59.560 --> 0:28:03.520
<v Speaker 1>I can't let this episode go by without an entry

0:28:03.760 --> 0:28:08.199
<v Speaker 1>from Japan. Invention and creativity in Japan is celebrated on

0:28:08.240 --> 0:28:12.639
<v Speaker 1>a grand scale, and there are countless technological entries that

0:28:12.760 --> 0:28:15.919
<v Speaker 1>we could focus on. In this episode, but one of

0:28:15.960 --> 0:28:20.280
<v Speaker 1>my favorites was a promotional gadget created by a juice

0:28:20.320 --> 0:28:26.280
<v Speaker 1>company called Kagome. The invention was Tomaton, a robot that

0:28:26.320 --> 0:28:29.960
<v Speaker 1>would ride piggyback on a human and feed that human

0:28:30.119 --> 0:28:34.200
<v Speaker 1>a steady supply of tomatoes. You never knew you needed

0:28:34.200 --> 0:28:37.479
<v Speaker 1>a robot to do that, did you, So stick with

0:28:37.480 --> 0:28:41.160
<v Speaker 1>me on this Tomaton looks like a very odd child

0:28:41.840 --> 0:28:45.000
<v Speaker 1>that has a tomato for a head. It's designed to

0:28:45.120 --> 0:28:48.479
<v Speaker 1>rest on the shoulders of the person wearing it. On

0:28:48.520 --> 0:28:51.280
<v Speaker 1>the back of the robot is a clear container holding

0:28:51.400 --> 0:28:54.880
<v Speaker 1>a series of tomatoes, and it has a switch on

0:28:54.920 --> 0:28:57.240
<v Speaker 1>the bottom of one foot. When you flick that switch,

0:28:57.480 --> 0:29:01.200
<v Speaker 1>it puts the robot in action, so it's arms reach

0:29:01.640 --> 0:29:05.840
<v Speaker 1>back over its head, rotating all the way back behind

0:29:05.960 --> 0:29:08.920
<v Speaker 1>to the base of that clear container on the robot's back,

0:29:09.680 --> 0:29:12.920
<v Speaker 1>and then it picks up the tomato that's at the

0:29:12.960 --> 0:29:16.840
<v Speaker 1>base of that container, and then lifts the tomato back

0:29:16.960 --> 0:29:19.320
<v Speaker 1>over the back of the robot, over the robot's head,

0:29:19.400 --> 0:29:22.920
<v Speaker 1>over the wearer's head, and then positions it in front

0:29:23.000 --> 0:29:27.120
<v Speaker 1>of the wearer's mouth, so then you can just lean

0:29:27.200 --> 0:29:31.520
<v Speaker 1>forward and start chewing on a nice juicy tomato. Finally,

0:29:31.560 --> 0:29:33.520
<v Speaker 1>you don't have to spend all that time feeding yourself

0:29:33.560 --> 0:29:36.440
<v Speaker 1>tomatoes on your daily jog. You can have a robot

0:29:36.480 --> 0:29:40.280
<v Speaker 1>do it for you. And yes, I realized hearing about

0:29:40.320 --> 0:29:42.920
<v Speaker 1>this is bizarre, but trust me, guys, you need to

0:29:42.920 --> 0:29:46.880
<v Speaker 1>find the video of this thing, tomaton. It will change

0:29:46.880 --> 0:29:50.400
<v Speaker 1>your life. Just go to YouTube and look for robot

0:29:50.880 --> 0:29:53.800
<v Speaker 1>tomatoes jogging and that'll be enough for you to be

0:29:53.800 --> 0:29:56.680
<v Speaker 1>able to see this thing. Um. Obviously, this was a

0:29:56.680 --> 0:30:00.479
<v Speaker 1>promotional gimmick. It wasn't meant to be like a actual

0:30:01.360 --> 0:30:04.320
<v Speaker 1>practical product that everyone would go out and buy. It

0:30:04.400 --> 0:30:08.760
<v Speaker 1>was meant to get attention and generate conversation, and it worked.

0:30:09.280 --> 0:30:13.360
<v Speaker 1>I'm talking about it now. And some inventions didn't start

0:30:13.360 --> 0:30:17.080
<v Speaker 1>out with the intent to be really useless or just

0:30:17.240 --> 0:30:21.800
<v Speaker 1>to grab attention. They might have had an intended use

0:30:21.880 --> 0:30:27.280
<v Speaker 1>that you know, just didn't work out. Such is the

0:30:27.360 --> 0:30:31.240
<v Speaker 1>topic of our next tail, which begins in World War Two.

0:30:31.720 --> 0:30:35.440
<v Speaker 1>The United States government's War Production Board was searching for

0:30:35.520 --> 0:30:38.920
<v Speaker 1>ways to meet the demands of a modern military at war,

0:30:39.480 --> 0:30:43.600
<v Speaker 1>and that included getting hold of basic production materials as

0:30:43.680 --> 0:30:49.560
<v Speaker 1>quickly and cheaply as possible. One holdout was rubber, so

0:30:49.680 --> 0:30:53.520
<v Speaker 1>rubber can be found in nature. You probably heard about

0:30:53.680 --> 0:30:58.400
<v Speaker 1>rubber trees. They are in parts of Southeast Asia in abundance.

0:30:59.680 --> 0:31:06.000
<v Speaker 1>So rubber trees produce this elastic substance, typically in a

0:31:06.000 --> 0:31:09.720
<v Speaker 1>form of latex, and it comes from tree sap. Some

0:31:09.760 --> 0:31:12.360
<v Speaker 1>tree SAPs have more of this elastic material in them

0:31:12.400 --> 0:31:15.360
<v Speaker 1>than others, particularly trees that are in the Haya and

0:31:15.440 --> 0:31:20.200
<v Speaker 1>Ficus genera. You gather this stuff by making an incision

0:31:20.440 --> 0:31:23.240
<v Speaker 1>in such a plant, and then you place a cup

0:31:23.640 --> 0:31:28.040
<v Speaker 1>below that incision, and sap slowly fills the cup, and

0:31:28.080 --> 0:31:30.280
<v Speaker 1>then you have to take that sap and refine it

0:31:30.440 --> 0:31:33.680
<v Speaker 1>to get usable rubber. And rubber is useful in all

0:31:33.720 --> 0:31:39.240
<v Speaker 1>sorts of stuff. It's resilient, it's flexible, it's stretchable, it's waterproof.

0:31:39.760 --> 0:31:43.640
<v Speaker 1>But the collection and processing of natural rubber is inefficient

0:31:43.680 --> 0:31:45.960
<v Speaker 1>when you need to make a lot of rubber for

0:31:46.080 --> 0:31:50.040
<v Speaker 1>a lot of military gear during wartime, stuff like tires

0:31:50.080 --> 0:31:54.160
<v Speaker 1>and boots and tons of other stuff. Plus, the Japanese

0:31:54.160 --> 0:31:57.680
<v Speaker 1>military had either outright attacked or was in position to

0:31:57.720 --> 0:32:02.160
<v Speaker 1>attack many rubber producing regions, which meant the supply chain

0:32:02.320 --> 0:32:06.640
<v Speaker 1>was interrupted. Well. Since the nineteenth century, engineers had been

0:32:06.680 --> 0:32:10.680
<v Speaker 1>experimenting with ways to make synthetic rubber with varying degrees

0:32:10.720 --> 0:32:15.520
<v Speaker 1>of success, but even the successful attempts were still fairly

0:32:15.600 --> 0:32:19.840
<v Speaker 1>inefficient and slow, plus at least some of the ingredients

0:32:19.880 --> 0:32:23.840
<v Speaker 1>in most of the existing approaches were equally hard to

0:32:23.880 --> 0:32:27.880
<v Speaker 1>get hold of, particularly in wartime. So the War Production

0:32:27.960 --> 0:32:31.760
<v Speaker 1>Board tasked an engineer named James Wright to come up

0:32:31.800 --> 0:32:35.040
<v Speaker 1>with an alternative to the synthetic rubber of the day,

0:32:35.320 --> 0:32:37.840
<v Speaker 1>and Right got to work. His lab was set up

0:32:38.040 --> 0:32:42.280
<v Speaker 1>in New Haven, Connecticut as part of General Electric In

0:32:42.320 --> 0:32:46.840
<v Speaker 1>One of Right's experiments could combine boric acid and silicone oil.

0:32:47.320 --> 0:32:50.400
<v Speaker 1>Boric acid is a kind of wonder material. It can

0:32:50.400 --> 0:32:55.400
<v Speaker 1>be used in stuff like flame retardants, antiseptic insecticide, tons

0:32:55.440 --> 0:32:59.160
<v Speaker 1>of stuff. Silicone oils are used in stuff like hydraulic

0:32:59.240 --> 0:33:03.520
<v Speaker 1>systems or as an industrial lubricant. Combined, they make a

0:33:03.560 --> 0:33:09.160
<v Speaker 1>substance that consists of long chain polymers. These different things

0:33:09.200 --> 0:33:11.840
<v Speaker 1>can come together. Sometimes they can be in liquid form

0:33:12.080 --> 0:33:15.760
<v Speaker 1>and they form a solid. It has many remarkable properties.

0:33:16.000 --> 0:33:18.720
<v Speaker 1>You can shape it. You can bounce it against a

0:33:18.760 --> 0:33:22.080
<v Speaker 1>hard surface. You can stretch it. If you strike it

0:33:22.160 --> 0:33:25.160
<v Speaker 1>hard enough, it will actually shatter instead of bounce. You

0:33:25.200 --> 0:33:27.640
<v Speaker 1>can actually leave it out forever and it won't rot

0:33:27.760 --> 0:33:30.760
<v Speaker 1>or have mold form on it. It could do so

0:33:30.800 --> 0:33:36.000
<v Speaker 1>many amazing things, but one thing it couldn't do was

0:33:36.120 --> 0:33:39.280
<v Speaker 1>stand in for rubber, so the military had no real

0:33:39.400 --> 0:33:42.560
<v Speaker 1>use for it. In fact, for a while there was

0:33:42.760 --> 0:33:46.440
<v Speaker 1>no use at all for rights invention, but Right decided

0:33:46.480 --> 0:33:49.440
<v Speaker 1>to market it as a consumer product. He called it

0:33:49.720 --> 0:33:53.200
<v Speaker 1>nutty putty when he started selling it in the nineteen forties,

0:33:53.640 --> 0:33:57.120
<v Speaker 1>but when a marketing consultant named Peter Hodgson brought the

0:33:57.240 --> 0:34:01.080
<v Speaker 1>rights to nutty putty, he renamed it silly putty, and

0:34:01.120 --> 0:34:03.760
<v Speaker 1>he introduced it around Easter, which might be why the

0:34:03.800 --> 0:34:06.640
<v Speaker 1>stuff found its way into plastic eggs, which became the

0:34:06.720 --> 0:34:10.520
<v Speaker 1>classic packaging for the material. Now, according to most histories,

0:34:10.680 --> 0:34:12.680
<v Speaker 1>in the early days, the focus was to try and

0:34:12.760 --> 0:34:16.920
<v Speaker 1>sell silly putty as a practical putty. Practical to what purpose,

0:34:18.160 --> 0:34:20.440
<v Speaker 1>I don't know, but it found its way into the

0:34:20.480 --> 0:34:24.240
<v Speaker 1>market as a toy. It didn't immediately succeed even in

0:34:24.280 --> 0:34:29.040
<v Speaker 1>that context, but a New Yorker article mentioned silly putty

0:34:29.120 --> 0:34:31.920
<v Speaker 1>and that got things moving pretty quickly for the stuff.

0:34:32.560 --> 0:34:35.000
<v Speaker 1>Now that being said, people would come up with a

0:34:35.000 --> 0:34:37.840
<v Speaker 1>few practical uses for silly putty for one thing. It

0:34:37.840 --> 0:34:41.160
<v Speaker 1>can be used to remove lent from clothing for another.

0:34:41.560 --> 0:34:44.720
<v Speaker 1>Astronauts apparently took the stuff with them up into space

0:34:45.080 --> 0:34:47.600
<v Speaker 1>so that they could stick silly putty to walls of

0:34:47.640 --> 0:34:51.759
<v Speaker 1>the spacecraft and then hold various tools in place in microgravity.

0:34:52.040 --> 0:34:54.399
<v Speaker 1>So you're working with a tool, you put it, push

0:34:54.400 --> 0:34:56.279
<v Speaker 1>it against the silly putty that's on the wall, and

0:34:56.280 --> 0:34:58.360
<v Speaker 1>it will stay there instead of just floating off. It

0:34:58.400 --> 0:35:00.440
<v Speaker 1>makes sense. You don't want your thing, a jig, to

0:35:00.440 --> 0:35:02.920
<v Speaker 1>go floating off a mid job. But it's not exactly

0:35:02.920 --> 0:35:05.560
<v Speaker 1>the practical use case that we can all identify with

0:35:05.719 --> 0:35:08.600
<v Speaker 1>down here on Earth. It's rare that we need to

0:35:08.640 --> 0:35:11.719
<v Speaker 1>make such considerations. Now. One other person I should mention

0:35:11.760 --> 0:35:14.920
<v Speaker 1>in this episode is someone dedicated to coming up with

0:35:15.040 --> 0:35:20.160
<v Speaker 1>ridiculous inventions that solve precisely zero problems, and this is

0:35:20.200 --> 0:35:24.400
<v Speaker 1>all on purpose. His name is Matt Benedetto, and I

0:35:24.440 --> 0:35:28.200
<v Speaker 1>have never met Matt Benedetto. I do not know Matt Benedetto,

0:35:29.120 --> 0:35:31.920
<v Speaker 1>but I admire him and his ingenuity. He has the

0:35:31.960 --> 0:35:37.160
<v Speaker 1>Instagram account Unnecessary Inventions, and I think he's kind of brilliant.

0:35:37.680 --> 0:35:41.800
<v Speaker 1>His inventions range from the chuckle inducing silly like gloves

0:35:41.840 --> 0:35:46.840
<v Speaker 1>that mimic crocs sandals to potentially disastrous such as his

0:35:47.200 --> 0:35:50.840
<v Speaker 1>Right Round Cone device, which is an ice cream cone

0:35:51.000 --> 0:35:53.920
<v Speaker 1>holding drill bit that you would put on the end

0:35:53.920 --> 0:35:57.040
<v Speaker 1>of a power drill. It's got a place where you

0:35:57.040 --> 0:35:59.480
<v Speaker 1>would then slot in an ice cream cone. That way

0:35:59.520 --> 0:36:01.640
<v Speaker 1>you can get perfect coverage. When you're licking the ice

0:36:01.640 --> 0:36:05.360
<v Speaker 1>cream cone, you just pull the trigger on your power drill.

0:36:05.640 --> 0:36:09.000
<v Speaker 1>It'll spin the cone as you lick the ice cream.

0:36:09.040 --> 0:36:13.360
<v Speaker 1>As you can imagine, this would create disastrous but potentially

0:36:13.440 --> 0:36:17.600
<v Speaker 1>hilarious results. Other inventions include a pizza Fannie pack so

0:36:17.640 --> 0:36:19.760
<v Speaker 1>that you can have slices of pizza at the ready

0:36:20.080 --> 0:36:23.720
<v Speaker 1>you wear them on a belt, or the text Bumper

0:36:23.880 --> 0:36:27.520
<v Speaker 1>t x T bumper, which is a headband with a

0:36:27.560 --> 0:36:30.960
<v Speaker 1>bumper built into the headband so that you can look

0:36:30.960 --> 0:36:32.959
<v Speaker 1>on your phone while you're walking around and not worry

0:36:33.000 --> 0:36:36.240
<v Speaker 1>about bumping into stuff like street signs and telephone poles

0:36:36.280 --> 0:36:39.440
<v Speaker 1>and trees and other stuff. I could definitely use one

0:36:39.480 --> 0:36:43.799
<v Speaker 1>of those. Or the sweat gutters, another headpiece you would

0:36:43.840 --> 0:36:46.919
<v Speaker 1>wear that collects the sweat dripping down from your head

0:36:47.320 --> 0:36:51.239
<v Speaker 1>and funnels it into gutters, complete with down spouts so

0:36:51.320 --> 0:36:54.680
<v Speaker 1>that the sweat doesn't get in your face. How thoughtful.

0:36:55.640 --> 0:37:01.040
<v Speaker 1>These are all jokes, obviously, and they are pretty amused ing. Also,

0:37:01.239 --> 0:37:04.080
<v Speaker 1>there aren't really that far off from some of the

0:37:04.160 --> 0:37:07.719
<v Speaker 1>stuff we've seen on television or in stores, whether those

0:37:07.719 --> 0:37:11.239
<v Speaker 1>stores were selling stuff as novelties or genuine products. So

0:37:11.360 --> 0:37:14.800
<v Speaker 1>I recommend you take a look at the Unnecessary Inventions

0:37:14.880 --> 0:37:17.879
<v Speaker 1>Instagram account to see his work, because there's a lot

0:37:17.920 --> 0:37:21.200
<v Speaker 1>of stuff. I actually saw one of his videos up

0:37:21.239 --> 0:37:25.279
<v Speaker 1>on Facebook the day that I'm recording this podcast, probably

0:37:25.360 --> 0:37:29.040
<v Speaker 1>because the Facebook algorithm is super creepy and pays attention

0:37:29.080 --> 0:37:32.160
<v Speaker 1>to what I'm browsing so they can serve up related

0:37:32.239 --> 0:37:36.360
<v Speaker 1>content on my feed. But that's a topic from a

0:37:36.400 --> 0:37:39.400
<v Speaker 1>different show. Anyway. I once did an episode about a

0:37:39.400 --> 0:37:44.319
<v Speaker 1>guy named Marvin Minski. He's an artificial intelligence pioneer, or was,

0:37:44.360 --> 0:37:47.680
<v Speaker 1>I should say he passed away in two thousand and sixteen. Uh,

0:37:47.880 --> 0:37:50.359
<v Speaker 1>he's he was an artificial intelligence pioneer. He was also

0:37:50.400 --> 0:37:55.200
<v Speaker 1>a cognitive scientist. Minsky helped establish the AI laboratory at

0:37:55.320 --> 0:37:58.240
<v Speaker 1>m I T. He created the first head mounted display

0:37:58.360 --> 0:38:01.200
<v Speaker 1>back in nineteen sixty three. His work lead to the

0:38:01.200 --> 0:38:08.840
<v Speaker 1>development of sophisticated artificial neural networks. He made numerous contributions

0:38:08.880 --> 0:38:13.720
<v Speaker 1>to science and technology, and he also made a truly

0:38:14.160 --> 0:38:19.200
<v Speaker 1>useless machine on purpose. He spent some time at Bell

0:38:19.320 --> 0:38:23.000
<v Speaker 1>Labs along with Claude Shannon, another important figure in the

0:38:23.040 --> 0:38:25.839
<v Speaker 1>world of technology. I've done an episode about Shannon as well,

0:38:26.680 --> 0:38:30.160
<v Speaker 1>and he amused himself by inventing all sorts of different gadgets,

0:38:30.160 --> 0:38:33.600
<v Speaker 1>and one of those was the Useless machine. And it's

0:38:33.800 --> 0:38:37.560
<v Speaker 1>pretty simple in concept. The machine looks like a box.

0:38:37.640 --> 0:38:39.960
<v Speaker 1>The original was about the size of a cigar box.

0:38:40.320 --> 0:38:43.080
<v Speaker 1>The top of the box has a trap door or hatch,

0:38:43.640 --> 0:38:47.880
<v Speaker 1>and a single toggle switch. Turning the switch on activates

0:38:47.880 --> 0:38:51.719
<v Speaker 1>the machine. The hatch pops open, a small mechanical arm

0:38:51.800 --> 0:38:55.799
<v Speaker 1>pops out, hits the switch to the off position, then

0:38:55.840 --> 0:38:59.560
<v Speaker 1>retracts back inside the box, which then shuts. So in

0:38:59.640 --> 0:39:04.120
<v Speaker 1>other word, it's a machine that only turns itself off.

0:39:04.640 --> 0:39:08.600
<v Speaker 1>That's all it does. But it's incredibly amusing to see.

0:39:09.080 --> 0:39:11.719
<v Speaker 1>I had a commercial version of this gadget once upon

0:39:11.719 --> 0:39:15.839
<v Speaker 1>a time, and it certainly was an amusing piece of technology,

0:39:15.880 --> 0:39:18.360
<v Speaker 1>and it also got me thinking about how it worked.

0:39:18.960 --> 0:39:22.480
<v Speaker 1>In another reality, perhaps I would have pursued that feeling

0:39:22.560 --> 0:39:25.480
<v Speaker 1>of curiosity I had, and maybe I would have ended

0:39:25.560 --> 0:39:28.840
<v Speaker 1>up an engineer. The gadget has inspired lots of people

0:39:28.960 --> 0:39:32.280
<v Speaker 1>to make similar devices, many of which you can find

0:39:32.400 --> 0:39:35.880
<v Speaker 1>on YouTube. Some of them have different behaviors set up

0:39:35.920 --> 0:39:39.080
<v Speaker 1>as a sequence so that the box appears to behave

0:39:39.120 --> 0:39:41.880
<v Speaker 1>in a way that implies it is growing frustrated or

0:39:41.920 --> 0:39:45.839
<v Speaker 1>exasperated with the user's efforts to flip the switch, so

0:39:45.960 --> 0:39:48.719
<v Speaker 1>it continues to turn itself off, but it does so

0:39:48.760 --> 0:39:51.920
<v Speaker 1>in different ways as the sequence continues. One of my

0:39:52.000 --> 0:39:56.200
<v Speaker 1>favorites has a sequence that's perhaps twenty different behaviors long

0:39:56.719 --> 0:39:59.560
<v Speaker 1>until you get to the twentieth one, where flipping the

0:39:59.600 --> 0:40:03.040
<v Speaker 1>switch makes the hatch pop up, and then a little

0:40:03.080 --> 0:40:06.560
<v Speaker 1>white flag comes out, indicating the machine has given up

0:40:06.840 --> 0:40:09.759
<v Speaker 1>in the face of the user's persistence, and then the

0:40:09.800 --> 0:40:14.360
<v Speaker 1>sequence starts over again. Minsky has had an incredible impact

0:40:14.360 --> 0:40:16.920
<v Speaker 1>on technology in general, and it would be easy to

0:40:17.000 --> 0:40:21.319
<v Speaker 1>dismiss this particular device as just a whimsical exercise, but

0:40:21.400 --> 0:40:25.400
<v Speaker 1>I maintain it also gets people interested in tinkering and engineering,

0:40:25.760 --> 0:40:28.399
<v Speaker 1>thus playing a very important role of its own. So

0:40:28.840 --> 0:40:32.880
<v Speaker 1>arguably the useless machine isn't so useless after all. I

0:40:32.960 --> 0:40:36.799
<v Speaker 1>think there's a real place for silly inventions. In some

0:40:36.840 --> 0:40:40.399
<v Speaker 1>cases they may be practical, though in very narrow scenarios.

0:40:40.960 --> 0:40:44.400
<v Speaker 1>At times they might serve to inspire others, either to

0:40:44.600 --> 0:40:48.799
<v Speaker 1>use ingenuity and creativity to build something whimsical, or to

0:40:48.840 --> 0:40:52.839
<v Speaker 1>investigate how stuff works and to become more mechanically knowledgeable.

0:40:53.360 --> 0:40:56.640
<v Speaker 1>Sometimes they might just make us laugh, which I'd argue

0:40:56.840 --> 0:41:00.680
<v Speaker 1>is an incredibly valuable service all in its own. This

0:41:00.760 --> 0:41:03.360
<v Speaker 1>is just a small sample of some of the ridiculous

0:41:03.400 --> 0:41:06.440
<v Speaker 1>things that have been made in the past, and there

0:41:06.440 --> 0:41:10.640
<v Speaker 1>are obviously countless others that have come out. The ones

0:41:10.680 --> 0:41:13.319
<v Speaker 1>I focused on were from the modern age, but there

0:41:13.360 --> 0:41:17.600
<v Speaker 1>are also plenty of ridiculous inventions throughout all of history,

0:41:17.880 --> 0:41:23.120
<v Speaker 1>some of which were supposed to do something actionable and

0:41:23.239 --> 0:41:27.640
<v Speaker 1>useful but either failed to do that, or maybe they

0:41:27.640 --> 0:41:30.280
<v Speaker 1>were never really made to do it, but we're sold

0:41:30.800 --> 0:41:33.319
<v Speaker 1>as if they were a solution. In other words, in

0:41:33.320 --> 0:41:36.439
<v Speaker 1>other words, they were a con. These cases that I'm

0:41:36.480 --> 0:41:41.799
<v Speaker 1>talking about, they're not cons. They weren't created that would

0:41:41.800 --> 0:41:44.400
<v Speaker 1>by somebody who knew it didn't work but was selling

0:41:44.400 --> 0:41:47.480
<v Speaker 1>it as if it did work. So that's something I

0:41:47.520 --> 0:41:49.680
<v Speaker 1>could do a full episode on cons and I've talked

0:41:49.680 --> 0:41:52.000
<v Speaker 1>a little bit about some in the past, but yeah,

0:41:52.000 --> 0:41:54.920
<v Speaker 1>I wanted to kind of focus more on the fun

0:41:55.120 --> 0:41:59.160
<v Speaker 1>elements then not so much on the let's trick people elements.

0:42:00.120 --> 0:42:04.200
<v Speaker 1>Do you guys have any favorite, weird, odd, or completely

0:42:04.360 --> 0:42:07.719
<v Speaker 1>useless inventions that tickle your funny bone. I'd love to

0:42:07.760 --> 0:42:09.880
<v Speaker 1>hear about them. You can send me a message. The

0:42:09.920 --> 0:42:14.280
<v Speaker 1>email address is tech stuff at how stuff works dot com,

0:42:14.400 --> 0:42:16.680
<v Speaker 1>or you can pop on over to our website that's

0:42:16.719 --> 0:42:19.480
<v Speaker 1>tech stuff podcast dot com. There you'll find an archive

0:42:19.520 --> 0:42:21.799
<v Speaker 1>of all of our past episodes, as well as the

0:42:21.840 --> 0:42:24.719
<v Speaker 1>links to where we are on social media, and you'll

0:42:24.760 --> 0:42:27.479
<v Speaker 1>also find a link to our online store, where every

0:42:27.480 --> 0:42:30.200
<v Speaker 1>purchase you make goes to help the show and we

0:42:30.360 --> 0:42:33.360
<v Speaker 1>greatly appreciate it, and I will talk to you again

0:42:34.040 --> 0:42:40.120
<v Speaker 1>and really soon. Text Stuff is a production of I

0:42:40.200 --> 0:42:43.160
<v Speaker 1>Heart Radio's How Stuff Works. For more podcasts from my

0:42:43.280 --> 0:42:46.919
<v Speaker 1>Heart Radio, visit the i heart Radio app, Apple Podcasts,

0:42:47.000 --> 0:42:49.000
<v Speaker 1>or wherever you listen to your favorite shows.