WEBVTT - How did P. T. Barnum Trick the World into Riding Elevators? 

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<v Speaker 1>Welcome to Part Time Genius, the production of I Heart Radio.

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<v Speaker 1>I Guess what Will? What's that Mango? So I heard

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<v Speaker 1>this fact yesterday that a lot of buildings in New

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<v Speaker 1>York lie about how tall they are. The buildings are

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<v Speaker 1>lying about how tall they are. Well, maybe it's the builders,

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<v Speaker 1>but they exaggerate about their buildings. So you know how

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<v Speaker 1>guys have this reputation for lying about their height. Right

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<v Speaker 1>of course, so in New York City builders will lie

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<v Speaker 1>about how tall their buildings are to attract a certain clientele,

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<v Speaker 1>which is weird to me, and people just buy it.

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<v Speaker 1>I guess they do because the way they trick people

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<v Speaker 1>is with the elevators. Unless you're gonna count each and

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<v Speaker 1>every floor, the only way you're going to interact with

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<v Speaker 1>all the floors is through the buttons on the elevators. Right,

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<v Speaker 1>Some of this tends to be innocent. Some builders skipped

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<v Speaker 1>the thirteenth floor because they're superstitious, so you get someone

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<v Speaker 1>talking about like a fifteen story building when it's only

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<v Speaker 1>fourteen stories. But other builders love the grandeur. The first

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<v Speaker 1>example that comes up when you google this phenomena is

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<v Speaker 1>Trump Tower, though the owner and his family supposed to

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<v Speaker 1>live on the sixty six through floor. The building is

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<v Speaker 1>actually ten floors shorter than that. It's only fifty eight stories.

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<v Speaker 1>You know. I feel like I've seen this in other

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<v Speaker 1>places to like when you walk past first class in

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<v Speaker 1>a plane and you're like, those are rows one through four,

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<v Speaker 1>and then you go back to where we're trying to

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<v Speaker 1>sit and it's immediately like the tent throw. Yeah, exactly,

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<v Speaker 1>it's so weird. But I'm curious in terms of the buildings,

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<v Speaker 1>like how do they hide the ten floors? It's very similar.

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<v Speaker 1>So the building has a huge, beautiful atrium with the

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<v Speaker 1>tall ceiling, but the elevators start counting from floors thirty

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<v Speaker 1>instead of twenty, which is the actual height. Trump Tower

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<v Speaker 1>also does this where it's supposed to be ninety floors,

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<v Speaker 1>but if you stand at the top, it's only seventy

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<v Speaker 1>two stories high. It's like really common phenomena. And the

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<v Speaker 1>way the buildings trick you is through the elevators. You know.

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<v Speaker 1>Elevators are an interesting topic, and I think there's a

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<v Speaker 1>lot to talk about here, from why it's so awkward

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<v Speaker 1>to ride an elevator with strangers, to whether the closed

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<v Speaker 1>door button actually does anything to most hortantly why are

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<v Speaker 1>all elevators named otis? This has always puzzled me. So

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<v Speaker 1>we've got a lot to cover. Let's dive in. Yeah,

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<v Speaker 1>he their podcast listeners, Welcome to Part Time Genius. I'm

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<v Speaker 1>Will Pearson and as always I'm joined by my good

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<v Speaker 1>friend Mangesh Ticketer and on the other side of that

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<v Speaker 1>soundproof glass dress like a lift operator from the nineteen fifties,

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<v Speaker 1>and he's adjusting his desk chair up and down. I mean,

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<v Speaker 1>it's really impressive. He's actually hinted that he was looking

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<v Speaker 1>forward to this and he has really lived up to

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<v Speaker 1>the challenge here. That's our good pal and producer. Loll lull.

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<v Speaker 1>You are looking good. So Mango, what is our first

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<v Speaker 1>stop on this elevator tour? So actually, before we kick off,

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<v Speaker 1>I've got a little bit of house key thing to

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<v Speaker 1>tie up. In our last episode on Nine Comic Book Heroes,

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<v Speaker 1>we talked about this terrible character, the Red Bee, and

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<v Speaker 1>his secret weapon, this ridiculous train being named Michael who

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<v Speaker 1>you know, if you'll remember, he'd keep him in his

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<v Speaker 1>belt then unleash him on villains. But one of our

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<v Speaker 1>listeners on Twitter, Charles Poor, pointed out that male bees

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<v Speaker 1>don't sting. That's a very good point. Yeah, yeah, it

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<v Speaker 1>only makes Michael seem more useless. It's true. That just

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<v Speaker 1>makes it that much better though. So thank you so much, Charles.

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<v Speaker 1>If you d m me your address, I'll send you

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<v Speaker 1>a small package of honey as a thank you. But

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<v Speaker 1>back to elevators, and I want to go back to

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<v Speaker 1>a time when elevators were a little more dangerous. Yeah, so,

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<v Speaker 1>I know modern elevators started to take shape. I guess

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<v Speaker 1>it was, you know, as early as the eighteen fifties.

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<v Speaker 1>But were they around long before that? Like when exactly

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<v Speaker 1>was the first elevator made. So it kind of depends

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<v Speaker 1>on your definition. But if you take just the basic

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<v Speaker 1>concept of an elevator, like a machine that can lift

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<v Speaker 1>things vertically, then you're probably talking about a few thousand

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<v Speaker 1>years ago. For instance, it's possible that the Egyptians used

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<v Speaker 1>vertical lifts to build their pyramids, but that's still speculation.

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<v Speaker 1>Like the first recorded use of vertical lift that comes

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<v Speaker 1>from the third century b C. And this is when

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<v Speaker 1>the mathematician our communities built a platform that could be

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<v Speaker 1>hoisted up and down using ropes and pulleys. Now, these

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<v Speaker 1>early lifts obviously didn't run on electricity. Instead, they were

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<v Speaker 1>powered by people, animals, in some cases even water. They

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<v Speaker 1>also weren't used as people movers. Instead, the hoists were

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<v Speaker 1>mostly used to lift building materials or water jugs. And

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<v Speaker 1>it wasn't until a few centuries later that primitive elevators

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<v Speaker 1>were finally used to transport living creatures. This was in

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<v Speaker 1>the first century CE, when Roman gladiators and wild animals

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<v Speaker 1>would ride the lifts from the lower levels up to

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<v Speaker 1>the floor of the colisseum. Right, So even then, most

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<v Speaker 1>people probably wouldn't have trusted their lives to an elevator,

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<v Speaker 1>I would assume at least at that point. And they

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<v Speaker 1>were considered safe enough though for enslaved combatants and lions

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<v Speaker 1>or whatever. But the average citizen would have probably chosen

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<v Speaker 1>the stairs still, definitely, and and there was just still

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<v Speaker 1>too much room for error when you had, you know,

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<v Speaker 1>people or donkeys pulling the ropes. People didn't really start

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<v Speaker 1>using elevators by choice until more reliable systems were developed.

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<v Speaker 1>For instance, in UH seventeen forty three, King Louis the

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<v Speaker 1>fifteenth had one of the earliest passenger elevators installed in

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<v Speaker 1>the palace at Versailles. He was a ladies man and

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<v Speaker 1>the private elevator was an easy way for his mistress

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<v Speaker 1>to visit him in secret, and he referred to it

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<v Speaker 1>as a flying chair. Basically, all you have to do

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<v Speaker 1>to operate it was to pull a cord connected to

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<v Speaker 1>a police system and from their gravity and a series

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<v Speaker 1>of counterweights would do the rest. Pretty clever, I guess, yeah.

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<v Speaker 1>And and in the early eighteen hundred, steam actually gets incorporated,

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<v Speaker 1>and this ends up being super helpful because steam powered

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<v Speaker 1>lifts were able to move much heavier loads. You're thinking

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<v Speaker 1>about things like cold or lumber and steel um and

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<v Speaker 1>suddenly this could all be raised hundreds of feet in

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<v Speaker 1>a matter of seconds. This new capacity led to major

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<v Speaker 1>booms and construction and mining and and it's actually a

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<v Speaker 1>big part of what made the Industrial revolution so transformative.

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<v Speaker 1>But steam powered elevator still had one major flaw. They

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<v Speaker 1>were really dangerous, like super dangerous, and and if a

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<v Speaker 1>rope snap, the lift would just plummet. And unfortunately, that

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<v Speaker 1>happened pretty often all through the first half of the

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<v Speaker 1>nineteenth century, right And it's around that halfway point that

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<v Speaker 1>an entrepreneur, an inventor named elisha Otis enters the picture.

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<v Speaker 1>We mentioned that name earlier, and he got into the

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<v Speaker 1>elevator game in eighteen fifty two while working on a

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<v Speaker 1>project for a company that made bed frames. So the

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<v Speaker 1>client needed a way to move heavy manufacturing equipment to

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<v Speaker 1>the second floor of its factory. There was only one problem, though,

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<v Speaker 1>and that was that the equipment they were moving was

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<v Speaker 1>so heavy that the lifting cables couldn't bear the weight

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<v Speaker 1>for all that long. So there was this constant risk

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<v Speaker 1>that the cables were going to snap, and if that happened,

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<v Speaker 1>there would be nothing to stop the elevator from plunging

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<v Speaker 1>straight to the ground floor. So Otis's solution to the

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<v Speaker 1>problem was to develop the world's first safety device for elevators.

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<v Speaker 1>It was basically like a brake system that functioned as

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<v Speaker 1>a fail safe for the lift. So if the cable

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<v Speaker 1>should break, the loss of tension would trigger the release

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<v Speaker 1>of these levers on either side of the elevator car,

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<v Speaker 1>and then these levers would lock and do these series

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<v Speaker 1>of grooves that were along the vertical rails of the elevator,

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<v Speaker 1>and that would sort of arrest the fall and and

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<v Speaker 1>lock the car in place. So it's pretty innovative. That's

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<v Speaker 1>pretty amazing. So so I just want to make sure

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<v Speaker 1>I have this straight. Like, the vertical rails were already

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<v Speaker 1>part of the elevator design, right, Like, they just didn't

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<v Speaker 1>have that like locking system built into them until Otis

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<v Speaker 1>came along. Yeah, that's right. I mean all of the

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<v Speaker 1>elevators of the era were braced on either side by

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<v Speaker 1>these vertical rails that helped keep the car steady as

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<v Speaker 1>it was going up or down. And so those rails

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<v Speaker 1>were completely smooth, though, so if a cable broke, the

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<v Speaker 1>car would just slide right down the rails and free fall,

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<v Speaker 1>which would obviously be dangerous and terrifying. And so Otis's

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<v Speaker 1>breakthrough was to carve grooves into the rails and create

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<v Speaker 1>kind of a saw toothed ratchet system that would act

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<v Speaker 1>as these brakes. Industrial companies recognized the merits of the

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<v Speaker 1>new breaking system right away, and Otis quickly set to

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<v Speaker 1>work on, you know, filing orders for freight elevators. But

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<v Speaker 1>the public was still unconvinced. Was understandably because it is,

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<v Speaker 1>you know, such a different invention and everything, but most

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<v Speaker 1>people viewed elevators as these death traps, and they were

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<v Speaker 1>unlikely to be swayed from this opinion by these confusing

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<v Speaker 1>diagrams they were singing and all these technical explanations. So

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<v Speaker 1>in order to really trust such a system, people would

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<v Speaker 1>need to see it for themselves. And so at the

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<v Speaker 1>World's Fair in eighteen fifty four, Elisha Otis allowed them

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<v Speaker 1>to do just that. So you're saying that, like fair

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<v Speaker 1>goers were actually willing to get into these elevators and

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<v Speaker 1>test the brake systems. No, still not at this point.

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<v Speaker 1>But Otis thought about that, I mean, he anticipated that,

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<v Speaker 1>and so he arranged a stunt that would instead put

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<v Speaker 1>only one person's life on the line, and that, of course,

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<v Speaker 1>was his own. And so here's what happened. That You're

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<v Speaker 1>at the Crystal Palace Exposition Hall, and Otis constructed this

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<v Speaker 1>fifty foot wooden elevator. Then, with some help from none

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<v Speaker 1>other than P. T. Barnum himself, Otis gathered this crowd

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<v Speaker 1>and promised them this death defying stunt unlike any they

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<v Speaker 1>had ever seen. So the crowd is, you know, hyped

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<v Speaker 1>up and everything. And Otis then dramatically rides the elevator

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<v Speaker 1>to the very top, where he then ordered an axe

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<v Speaker 1>wielding assistant to cut the rope that held up the elevator.

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<v Speaker 1>The onlookers were stunned and sort of braced themselves for

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<v Speaker 1>this tragic scene, but thankfully it never came. And that's because,

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<v Speaker 1>you know, of course, to their surprise and great relief,

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<v Speaker 1>the platform dropped just a few inches and then came

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<v Speaker 1>to a complete stop. The crowd was blown away by this,

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<v Speaker 1>but they were also skeptical of how reliable the system

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<v Speaker 1>really was. And you know, they thought, maybe Otis just

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<v Speaker 1>got insanely lucky, and there was no guarantee that the

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<v Speaker 1>brakes would work a second time. So Otis performed the

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<v Speaker 1>stunt again and again and again. Every hour of the

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<v Speaker 1>day that the fair was open. He performed this stunt,

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<v Speaker 1>and in this way, little by little, one crowd at

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<v Speaker 1>a time, him Otis won over the public and convinced

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<v Speaker 1>them that elevators were at long last safe to ride.

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<v Speaker 1>That is such an amazing stunt, Like, it's such an

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<v Speaker 1>amazing pr thing that all you're basically doing is riding

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<v Speaker 1>an elevator. Pretty amazing. But you know, I'm guessing this

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<v Speaker 1>was a turning point for Otis, Like I read that

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<v Speaker 1>the first passenger elevator to use his brake system was

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<v Speaker 1>installed in New York in eighteen fifty seven, so it

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<v Speaker 1>was still about three years after the fair. But but

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<v Speaker 1>then the floodgates really open, and within sixteen years more

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<v Speaker 1>than two thousand passenger elevators were operating all across the country. Yeah,

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<v Speaker 1>there was definitely a snowball effect to all of this.

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<v Speaker 1>And you know, sadly Otis actually didn't live long enough

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<v Speaker 1>to see just how widely embraced his invention became. He

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<v Speaker 1>passed away in eighteen sixty one, just a few years

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<v Speaker 1>after his first elevator was installed in New York. But

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<v Speaker 1>his sons did carry on the family business, along with others,

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<v Speaker 1>and and and they worked to make improvements on that

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<v Speaker 1>original design, including the switch to hydraulic power and eventually,

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<v Speaker 1>of course, to electricity. Now, all of this innovation helps

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<v Speaker 1>secure the elevator's place as one of the most highly

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<v Speaker 1>traffic transport systems in the world. And that's not an exaggeration.

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<v Speaker 1>According to the l A Times, the world's elevators now

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<v Speaker 1>move the equivalent of the Earth's population every seventy two hours.

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<v Speaker 1>If you think about that, every three days, over seven

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<v Speaker 1>and a half billion people take a ride on an elevator.

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<v Speaker 1>That is not something I'd even comprehended. That's pretty remarkable. Yeah,

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<v Speaker 1>it's it's it's really crazy. And it's especially true of

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<v Speaker 1>Otis elevators, which are still going strong today. For example,

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<v Speaker 1>the elevators in the Eiffel Tower road to selevators, so

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<v Speaker 1>are the ones in the Empire, State Building, the White House,

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<v Speaker 1>the Vatican, the Kremlin. I mean, the list goes on

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<v Speaker 1>and on, and the company is now one of the

0:11:47.880 --> 0:11:51.600
<v Speaker 1>two largest elevator manufacturers in the world. And that's why

0:11:51.600 --> 0:11:54.559
<v Speaker 1>if you step into an elevator today, the chances are

0:11:54.640 --> 0:11:57.240
<v Speaker 1>you will find that Otis name inscribed on the walls there,

0:11:57.320 --> 0:12:00.000
<v Speaker 1>which makes a lot more sense than all the elevator

0:12:00.040 --> 0:12:03.360
<v Speaker 1>is in the world being nicknamed Otis. But uh I,

0:12:03.360 --> 0:12:05.360
<v Speaker 1>I think we should talk some more about the rapid

0:12:05.360 --> 0:12:07.560
<v Speaker 1>growth phase that elevators went through near the turn of

0:12:07.600 --> 0:12:10.520
<v Speaker 1>the twentieth century. You actually mentioned that there are a

0:12:10.640 --> 0:12:14.080
<v Speaker 1>couple thousands spread across the country by the early eighteen seventies,

0:12:14.440 --> 0:12:16.960
<v Speaker 1>but the majority of those were still being used in

0:12:16.960 --> 0:12:20.760
<v Speaker 1>industrial settings, and and you'd find the safety elevators in

0:12:20.760 --> 0:12:23.680
<v Speaker 1>in coal mines or construction sites, but it was still

0:12:23.679 --> 0:12:25.960
<v Speaker 1>pretty rare to see one in an office building or

0:12:26.120 --> 0:12:29.440
<v Speaker 1>apartment complex. Yeah, the average person didn't come into contact

0:12:29.440 --> 0:12:33.040
<v Speaker 1>with elevators all that often. And that finally starts to

0:12:33.120 --> 0:12:36.240
<v Speaker 1>change in the eighteen seventies, though, is business owners begin

0:12:36.280 --> 0:12:39.800
<v Speaker 1>adding elevators to their office buildings and and that's really

0:12:39.840 --> 0:12:43.120
<v Speaker 1>what launched the invention into its next phase, where you

0:12:43.160 --> 0:12:46.680
<v Speaker 1>start to see all the architectural and cultural impacts that

0:12:46.720 --> 0:12:49.480
<v Speaker 1>elevators have had. Yeah, I mean, it's wild to think

0:12:49.480 --> 0:12:51.800
<v Speaker 1>about how different the cities we know would look if

0:12:51.840 --> 0:12:55.520
<v Speaker 1>it weren't for elevators, Like, no skyscrapers, high rise apartments,

0:12:55.640 --> 0:12:58.559
<v Speaker 1>like all the buildings would just be a few stories tall.

0:12:58.840 --> 0:13:01.320
<v Speaker 1>It's funny when you look back and realized that higher

0:13:01.360 --> 0:13:03.959
<v Speaker 1>floors would you know, they used to be the least

0:13:04.000 --> 0:13:07.320
<v Speaker 1>desirable spaces in a building. Like today we connect higher

0:13:07.360 --> 0:13:10.160
<v Speaker 1>floors with a sense of luxury. They're more private, farther

0:13:10.240 --> 0:13:12.520
<v Speaker 1>removed from the noise of the streets, you know, not

0:13:12.600 --> 0:13:15.440
<v Speaker 1>to mention those birds eye view of the skyline. But

0:13:15.960 --> 0:13:19.120
<v Speaker 1>before elevators made them more accessible, those top floors were

0:13:19.160 --> 0:13:22.480
<v Speaker 1>seen as inconvenient like In fact, they were typically set

0:13:22.520 --> 0:13:25.400
<v Speaker 1>aside for either low rent tenants or like the in

0:13:25.559 --> 0:13:28.559
<v Speaker 1>house janitor, So how many stairs you had to climb

0:13:28.640 --> 0:13:31.000
<v Speaker 1>to get to your apartment was really kind of a

0:13:31.120 --> 0:13:35.079
<v Speaker 1>status signifier, like the fewer obviously the better, exactly, and

0:13:35.080 --> 0:13:37.160
<v Speaker 1>and and so when elevators came along, not only did

0:13:37.160 --> 0:13:40.520
<v Speaker 1>those higher floors get much more appealing and much more valuable,

0:13:40.920 --> 0:13:44.040
<v Speaker 1>they also got much higher. So thanks to the advent

0:13:44.200 --> 0:13:47.400
<v Speaker 1>of steel frame construction, and of course thanks to elevators,

0:13:47.520 --> 0:13:50.920
<v Speaker 1>buildings could suddenly be built much taller than before. This

0:13:51.000 --> 0:13:53.600
<v Speaker 1>basically meant that anyone who owned a building no longer

0:13:53.640 --> 0:13:56.400
<v Speaker 1>need to fight for new land to develop on, like

0:13:56.559 --> 0:13:59.959
<v Speaker 1>that's something that's always in short supply and cities. Instead

0:14:00.040 --> 0:14:04.120
<v Speaker 1>they can simply build upwards new offices, hotel rooms, retail

0:14:04.160 --> 0:14:07.240
<v Speaker 1>space like there's nothing but air above. So in a way,

0:14:07.280 --> 0:14:10.280
<v Speaker 1>elevators literally shaped the cities we know today. I actually

0:14:10.280 --> 0:14:13.600
<v Speaker 1>found this great quote from this guy named Patrick Karajat,

0:14:14.040 --> 0:14:17.080
<v Speaker 1>and he's the founder of the Elevator Museum in New York.

0:14:17.120 --> 0:14:20.280
<v Speaker 1>And according to him quote, if we didn't have elevators,

0:14:20.480 --> 0:14:24.400
<v Speaker 1>we would have a megalopolis, one continuous city stretching from

0:14:24.400 --> 0:14:27.920
<v Speaker 1>Philadelphia to Boston, because everything would be five or six

0:14:27.960 --> 0:14:30.680
<v Speaker 1>stories tall. It's interesting to think about as this choice

0:14:30.720 --> 0:14:35.200
<v Speaker 1>between a sprawling, horizontal city or is more densely clustered,

0:14:35.320 --> 0:14:38.040
<v Speaker 1>vertical one. And it reminds me this cool Boston Globe

0:14:38.080 --> 0:14:41.600
<v Speaker 1>article that talked about a kind of invisible war between

0:14:41.680 --> 0:14:44.600
<v Speaker 1>elevators and cars that's been going on for the past

0:14:44.600 --> 0:14:47.160
<v Speaker 1>century or so. So the ideas that you have these

0:14:47.200 --> 0:14:50.720
<v Speaker 1>two new technologies that we're basically pushing us in two

0:14:50.760 --> 0:14:53.880
<v Speaker 1>different directions. On the one side, you had cars, which

0:14:53.880 --> 0:14:57.600
<v Speaker 1>allowed people to travel horizontally, and the other you had elevators,

0:14:57.600 --> 0:15:00.840
<v Speaker 1>which of course move people vertically. And city planners had

0:15:00.880 --> 0:15:03.760
<v Speaker 1>to choose which of these new technologies they were going

0:15:03.840 --> 0:15:06.200
<v Speaker 1>to get behind, which you know, which one they were

0:15:06.200 --> 0:15:08.960
<v Speaker 1>going to focus on developing their cities around. And if

0:15:09.000 --> 0:15:12.040
<v Speaker 1>you looked up an American city during the last hundred years,

0:15:12.400 --> 0:15:15.480
<v Speaker 1>it's pretty obvious you know which one they picked, definitely.

0:15:15.480 --> 0:15:17.360
<v Speaker 1>But it's not like cars were left by the wayside

0:15:17.440 --> 0:15:19.320
<v Speaker 1>or any thing. Like elevators may have won the battle

0:15:19.360 --> 0:15:22.280
<v Speaker 1>to shape cities, but cars are still the you know,

0:15:22.480 --> 0:15:25.640
<v Speaker 1>transportation of choice, and suburbs where the sprawl is is

0:15:25.720 --> 0:15:27.560
<v Speaker 1>much less of an issue. Yeah, I guess in the

0:15:27.640 --> 0:15:29.600
<v Speaker 1>end it's it's sort of been a draw in that

0:15:29.640 --> 0:15:32.080
<v Speaker 1>sense between those two. But all right, so We've seen

0:15:32.120 --> 0:15:34.960
<v Speaker 1>how elevators have evolved over the years, and I feel

0:15:35.000 --> 0:15:36.640
<v Speaker 1>like we should check out a few things about them

0:15:36.640 --> 0:15:39.800
<v Speaker 1>that have actually stayed the same. Before we get to that,

0:15:39.920 --> 0:15:55.600
<v Speaker 1>let's take a quick break. You're listening to Part Time

0:15:55.640 --> 0:15:59.920
<v Speaker 1>Genius and we're talking about the eccentricities of elevator etiquette. Right, Magoes,

0:16:00.080 --> 0:16:03.480
<v Speaker 1>we talked about the elevator's effect on our architecture and

0:16:03.600 --> 0:16:07.280
<v Speaker 1>daily routines. Now let's talk about how elevators affected the

0:16:07.280 --> 0:16:09.640
<v Speaker 1>people who rode them, Because when you think about it,

0:16:09.680 --> 0:16:13.640
<v Speaker 1>passenger elevators really created a new kind of social situation,

0:16:13.760 --> 0:16:17.840
<v Speaker 1>like one that's strangely intimate yet impersonal at the same time.

0:16:17.880 --> 0:16:19.680
<v Speaker 1>It's always a little bit weird to be in an

0:16:19.680 --> 0:16:22.000
<v Speaker 1>elevator full of people, or even more weird to be

0:16:22.040 --> 0:16:25.360
<v Speaker 1>with one person. But you know, this new dynamic raised

0:16:25.400 --> 0:16:29.040
<v Speaker 1>all kinds of questions about what was proper behavior when

0:16:29.160 --> 0:16:32.680
<v Speaker 1>riding an elevator. The one hot debate, for example, was

0:16:33.040 --> 0:16:35.600
<v Speaker 1>whether a man should remove his hat while riding in

0:16:35.640 --> 0:16:37.920
<v Speaker 1>an elevator with a woman. You know, I'm sure you

0:16:38.000 --> 0:16:40.440
<v Speaker 1>think about this all the time and really worried about, like,

0:16:40.760 --> 0:16:42.400
<v Speaker 1>should he take his hat off as he would in

0:16:42.440 --> 0:16:44.640
<v Speaker 1>a restaurant or leave it on as he would, you know,

0:16:44.680 --> 0:16:46.240
<v Speaker 1>on a train or a bus. I mean, it's a

0:16:46.240 --> 0:16:48.280
<v Speaker 1>lot to think about. I don't think I even realize

0:16:48.280 --> 0:16:50.320
<v Speaker 1>you're supposed to leave your hat on on a bus,

0:16:50.360 --> 0:16:54.680
<v Speaker 1>but yeah, leave it on. But it's interesting because restaurants

0:16:54.680 --> 0:16:57.520
<v Speaker 1>and busses are both examples of public spaces, right, So

0:16:57.840 --> 0:17:00.240
<v Speaker 1>for elevators, it was really more about whether they were

0:17:00.280 --> 0:17:03.480
<v Speaker 1>a mode of transportation or just another room in the building,

0:17:03.680 --> 0:17:06.320
<v Speaker 1>albeit a moving room. So it's kind of a tough

0:17:06.359 --> 0:17:10.040
<v Speaker 1>call because both descriptions are technically a fit for that. Yeah,

0:17:10.080 --> 0:17:13.080
<v Speaker 1>it's true, and I think that was really what through people,

0:17:13.119 --> 0:17:16.840
<v Speaker 1>Like the elevator was a mode of transportation inside a building,

0:17:16.960 --> 0:17:20.200
<v Speaker 1>So which set of rules do you follow now? Unlike

0:17:20.280 --> 0:17:23.679
<v Speaker 1>riding a bus, riding an elevator brought unclear expectations for

0:17:23.800 --> 0:17:27.879
<v Speaker 1>social interaction, Like even if you don't know the other passengers,

0:17:28.359 --> 0:17:30.480
<v Speaker 1>you know that they live or work in the same

0:17:30.520 --> 0:17:32.520
<v Speaker 1>building as you, and so there's this sense that you

0:17:32.520 --> 0:17:35.520
<v Speaker 1>should at least acknowledge that in some way, whether by

0:17:35.560 --> 0:17:39.400
<v Speaker 1>nodding or smiling or making small talk or whatever. Right,

0:17:39.440 --> 0:17:41.280
<v Speaker 1>But we never want to be the person to make

0:17:41.320 --> 0:17:43.080
<v Speaker 1>that call, right, like everyone wants to wait for the

0:17:43.119 --> 0:17:45.240
<v Speaker 1>other person to make the first move in those situations,

0:17:45.240 --> 0:17:48.119
<v Speaker 1>so it always creates this I don't know, like anxiety

0:17:48.200 --> 0:17:50.399
<v Speaker 1>or tension or something. No, I don't know. I usually

0:17:50.480 --> 0:17:52.000
<v Speaker 1>just go ahead and get in and get everybody a

0:17:52.119 --> 0:17:55.760
<v Speaker 1>hub and just get that out of the way exactly.

0:17:55.800 --> 0:17:58.280
<v Speaker 1>And it feels like, now, more than a hundred and

0:17:58.320 --> 0:18:01.680
<v Speaker 1>fifty years after their invention, we still haven't gotten over

0:18:01.720 --> 0:18:05.280
<v Speaker 1>those feelings of of discomfort. It's like, despite all the

0:18:05.320 --> 0:18:08.840
<v Speaker 1>advances in elevator design, the one thing we can't seem

0:18:08.920 --> 0:18:12.119
<v Speaker 1>to resolve is is this inherent awkwardness of taking this

0:18:12.320 --> 0:18:16.200
<v Speaker 1>short ride with other strangers. So I am curious if

0:18:16.240 --> 0:18:18.840
<v Speaker 1>you know what causes that, like, like what makes it

0:18:18.880 --> 0:18:21.520
<v Speaker 1>feel so awkward? Yeah, I was definitely curious about this.

0:18:21.520 --> 0:18:23.159
<v Speaker 1>This was actually one of the first things we were

0:18:23.200 --> 0:18:25.680
<v Speaker 1>looking into this week, and it turns out there are

0:18:25.800 --> 0:18:29.160
<v Speaker 1>a few reasons. So one deals with something that international

0:18:29.200 --> 0:18:32.080
<v Speaker 1>tourists here a lot, which is that we Americans love

0:18:32.200 --> 0:18:35.640
<v Speaker 1>our personal space. So typically we like to keep at

0:18:35.720 --> 0:18:39.000
<v Speaker 1>least in arm's length of distance between us and other people,

0:18:39.560 --> 0:18:41.680
<v Speaker 1>and the elevator is one of the rare places where

0:18:41.720 --> 0:18:44.359
<v Speaker 1>that's not always possible, and so that's you know, what

0:18:44.480 --> 0:18:47.560
<v Speaker 1>brings on some of that awkwardness. Now, the other thing

0:18:47.560 --> 0:18:49.919
<v Speaker 1>that was is a bit more universal, and that's that

0:18:50.040 --> 0:18:52.360
<v Speaker 1>most of us are at least a little bit anxious

0:18:52.400 --> 0:18:56.720
<v Speaker 1>of being trapped in a steel box, which may sound obvious,

0:18:56.760 --> 0:18:59.040
<v Speaker 1>and and not only that you're dangling from the roof

0:18:59.160 --> 0:19:02.320
<v Speaker 1>by by this cable. And that's despite the fact that

0:19:02.359 --> 0:19:05.959
<v Speaker 1>elevators are actually super safe. In fact, they are one

0:19:06.000 --> 0:19:09.959
<v Speaker 1>of the safest ways to travel period. So for example,

0:19:10.000 --> 0:19:13.800
<v Speaker 1>about people die taking the stairs each year, which is

0:19:13.840 --> 0:19:17.560
<v Speaker 1>just a really bizarre fact. But according to Consumer Watch,

0:19:17.600 --> 0:19:21.240
<v Speaker 1>there are only about twenty seven elevator related deaths per

0:19:21.320 --> 0:19:24.320
<v Speaker 1>year worldwide. Not gonna be honest, I wouldn't even know

0:19:24.440 --> 0:19:27.160
<v Speaker 1>it was it was that much. And considering that elevators

0:19:27.200 --> 0:19:30.800
<v Speaker 1>make roughly eighteen billion trips each year according to the

0:19:30.920 --> 0:19:34.320
<v Speaker 1>l A Times, that works out to an exceptionally low

0:19:34.440 --> 0:19:39.040
<v Speaker 1>fatality rate. It's about a point zero zero zero zero

0:19:39.160 --> 0:19:43.159
<v Speaker 1>zero zero one five per trip. So you know, the

0:19:43.240 --> 0:19:46.119
<v Speaker 1>awkwardness you feel in an elevator is very real, but

0:19:46.640 --> 0:19:50.240
<v Speaker 1>the sense of danger not so much. Well, I mean

0:19:50.400 --> 0:19:52.440
<v Speaker 1>that definitely tracts with what I learned this week about

0:19:52.480 --> 0:19:55.600
<v Speaker 1>the origin of elevator music. So I I always assumed

0:19:55.600 --> 0:19:57.800
<v Speaker 1>that the music was there to calm people's nerves and

0:19:58.119 --> 0:20:01.200
<v Speaker 1>make them less worried about going, you know, something going wrong.

0:20:01.200 --> 0:20:04.600
<v Speaker 1>But according to elevator historians, of which there are actually

0:20:04.680 --> 0:20:07.600
<v Speaker 1>a great many, I found out this week elevator music

0:20:07.720 --> 0:20:10.840
<v Speaker 1>was really invented to help alleviate boredom and to fill

0:20:10.920 --> 0:20:13.919
<v Speaker 1>that awkward silence that comes from riding a lift with strangers.

0:20:14.240 --> 0:20:16.960
<v Speaker 1>I do kind of like the awkward silence. Was just assume, like,

0:20:17.040 --> 0:20:19.639
<v Speaker 1>of course people will choose that over small talk with

0:20:19.680 --> 0:20:22.119
<v Speaker 1>a stranger, you know, I know, and I guess building

0:20:22.119 --> 0:20:24.120
<v Speaker 1>owners were like, we know, you aren't going to talk

0:20:24.160 --> 0:20:25.920
<v Speaker 1>to each other. So here's some music to fill that

0:20:26.000 --> 0:20:28.320
<v Speaker 1>void where where I guess the human interaction is supposed

0:20:28.359 --> 0:20:30.480
<v Speaker 1>to go. It's too bad it doesn't doesn't really work.

0:20:30.520 --> 0:20:34.000
<v Speaker 1>I mean reality, there is no escaping the awkward, or

0:20:34.280 --> 0:20:36.200
<v Speaker 1>at least not until you hit the closed door button

0:20:36.240 --> 0:20:38.240
<v Speaker 1>really quickly when you see a stranger coming, just to

0:20:38.359 --> 0:20:41.600
<v Speaker 1>avoid the whole situation entirely. So here's the thing I

0:20:41.680 --> 0:20:44.040
<v Speaker 1>learned about that. You know, it turns out that closing

0:20:44.080 --> 0:20:47.040
<v Speaker 1>the elevator door on a stranger doesn't really work, and

0:20:47.160 --> 0:20:49.879
<v Speaker 1>that's because the closed door button and most American elevators

0:20:50.119 --> 0:20:53.200
<v Speaker 1>is ineffective. It actually, I guess, sort of makes sense.

0:20:53.240 --> 0:20:56.159
<v Speaker 1>I always suspected that was the case. But is this

0:20:56.200 --> 0:20:58.800
<v Speaker 1>by design or did the buttons just malfunction a lot,

0:20:58.880 --> 0:21:01.560
<v Speaker 1>or like, what what's happening? It is by design, so

0:21:01.680 --> 0:21:04.920
<v Speaker 1>the reason why is pretty interesting. Apparently, when the Americans

0:21:04.960 --> 0:21:08.800
<v Speaker 1>with Disabilities Act was first passed, it included a list

0:21:08.800 --> 0:21:12.320
<v Speaker 1>of requirements for elevators, and these are things like raised buttons,

0:21:12.440 --> 0:21:15.439
<v Speaker 1>braille signs, and another requirement was that elevator doors had

0:21:15.440 --> 0:21:18.040
<v Speaker 1>to remain open for at least three seconds, and that

0:21:18.080 --> 0:21:20.159
<v Speaker 1>way someone with the disability would have enough time to

0:21:20.160 --> 0:21:23.879
<v Speaker 1>get inside before the doors closed. Some manufacturers complied with

0:21:24.000 --> 0:21:26.320
<v Speaker 1>the law by ensuring that the closed door buttons don't

0:21:26.320 --> 0:21:28.880
<v Speaker 1>cut that time short, but others just want to step

0:21:28.920 --> 0:21:32.760
<v Speaker 1>further and deactivated the button entirely just to cover their bases. Still,

0:21:32.840 --> 0:21:35.359
<v Speaker 1>there are some exceptions to this. New York City has

0:21:35.359 --> 0:21:37.760
<v Speaker 1>a law that requires that all elevators have to have

0:21:37.800 --> 0:21:41.040
<v Speaker 1>a working closed door button, but the buttons are on

0:21:41.080 --> 0:21:43.680
<v Speaker 1>a delay, so it kind of defeats the purpose. And

0:21:43.800 --> 0:21:46.240
<v Speaker 1>of course other countries have their own laws about closed

0:21:46.240 --> 0:21:48.760
<v Speaker 1>door buttons, so like all the ones in England are

0:21:48.760 --> 0:21:51.520
<v Speaker 1>fully functional. For instance, it makes you wonder why our

0:21:51.520 --> 0:21:54.960
<v Speaker 1>elevators even have these if they're all deactivated, Well why

0:21:55.040 --> 0:21:57.600
<v Speaker 1>why bother with having them? Anyway, I think part of

0:21:57.600 --> 0:22:00.359
<v Speaker 1>it is like a placebo effect, like how a button

0:22:00.400 --> 0:22:02.000
<v Speaker 1>to mass just makes us feel a little bit more

0:22:02.000 --> 0:22:04.600
<v Speaker 1>in control of the situation, especially where when we're in

0:22:04.600 --> 0:22:07.280
<v Speaker 1>a rush or like, you know whatever. But you know,

0:22:07.440 --> 0:22:09.560
<v Speaker 1>elevators aren't the only place that we see this kind

0:22:09.600 --> 0:22:12.040
<v Speaker 1>of thing. So according to mental floss, uh and this

0:22:12.080 --> 0:22:15.159
<v Speaker 1>is what they wrote, quote, buttons place that city crosswalks

0:22:15.160 --> 0:22:18.359
<v Speaker 1>are often disabled, and the thermostats and many office buildings

0:22:18.400 --> 0:22:21.200
<v Speaker 1>are rigged so that the temperatures can't be altered even

0:22:21.200 --> 0:22:23.760
<v Speaker 1>if the numbers appeared to change. And it's a little annoying,

0:22:23.760 --> 0:22:26.959
<v Speaker 1>but I can also, you know, see the logic. They're like,

0:22:27.000 --> 0:22:29.960
<v Speaker 1>people can be pretty impatient and having this button to

0:22:30.040 --> 0:22:32.359
<v Speaker 1>push does help pass the time, I guess, even if

0:22:32.400 --> 0:22:35.000
<v Speaker 1>it's not actually doing anything. Yeah, I mean, who doesn't

0:22:35.000 --> 0:22:37.440
<v Speaker 1>like pushing buttons? Well, there's at least one other good

0:22:37.480 --> 0:22:39.639
<v Speaker 1>thing about elevator rides that I did want to mention,

0:22:39.680 --> 0:22:43.119
<v Speaker 1>and strangely enough, it stems from that social awkwardness that

0:22:43.160 --> 0:22:45.320
<v Speaker 1>we've been talking about. But before we get to that,

0:22:45.400 --> 0:23:01.480
<v Speaker 1>let's take one last quick break. Welcome back to part

0:23:01.480 --> 0:23:03.840
<v Speaker 1>time Genius. So okay, well, so, so you piqued my

0:23:04.000 --> 0:23:06.199
<v Speaker 1>interest before the break, and you've got to tell me

0:23:06.320 --> 0:23:10.000
<v Speaker 1>what's the upside to an awkward encounter in an elevator. Well,

0:23:10.040 --> 0:23:13.119
<v Speaker 1>in a word, the upside is serendipity. I mean that

0:23:13.200 --> 0:23:16.840
<v Speaker 1>the nature of the experience encourages these these sort of

0:23:16.920 --> 0:23:20.320
<v Speaker 1>chance developments, and sometimes they turn out to be really

0:23:20.320 --> 0:23:23.479
<v Speaker 1>good ones. And you never quite know what will happen

0:23:23.640 --> 0:23:26.359
<v Speaker 1>in an elevator. And so by being squeezed into this

0:23:26.440 --> 0:23:29.240
<v Speaker 1>small space with a stranger, even for a brief moment,

0:23:29.640 --> 0:23:33.440
<v Speaker 1>we're forced to think about and respond to somebody else's existence,

0:23:33.800 --> 0:23:36.040
<v Speaker 1>and that's something we don't have to do very often

0:23:36.119 --> 0:23:38.560
<v Speaker 1>outside of the elevator. Is that true, because it feels

0:23:38.600 --> 0:23:41.240
<v Speaker 1>like I interact with strangers in public spaces all the time,

0:23:41.320 --> 0:23:43.640
<v Speaker 1>like if I go to a restaurant or if I'm

0:23:43.640 --> 0:23:46.560
<v Speaker 1>in a checkoutline. Well, that's true, but in those cases,

0:23:46.560 --> 0:23:49.919
<v Speaker 1>the interactions are are pretty predetermined. If you think about it,

0:23:49.960 --> 0:23:52.000
<v Speaker 1>like you know that you'll be interacting with a waiter

0:23:52.200 --> 0:23:54.919
<v Speaker 1>or a cashier or whoever it may be, and you

0:23:54.960 --> 0:23:57.040
<v Speaker 1>know what to expect when you do, Like you'll talk

0:23:57.040 --> 0:24:00.560
<v Speaker 1>about food options or how much something caused. But apart

0:24:00.600 --> 0:24:04.400
<v Speaker 1>from small, intentional encounters like that, most of us are

0:24:04.440 --> 0:24:08.280
<v Speaker 1>actually pretty isolated in public spaces. You know, we're we're

0:24:08.280 --> 0:24:10.960
<v Speaker 1>either in our cars or at our desk, or maybe

0:24:11.000 --> 0:24:13.359
<v Speaker 1>you're out and about and you know, and you see people,

0:24:13.400 --> 0:24:16.159
<v Speaker 1>but our eyes are sort of glued to our phone

0:24:16.200 --> 0:24:19.440
<v Speaker 1>screens and all of that acts as a barrier between

0:24:19.600 --> 0:24:24.080
<v Speaker 1>us and these unprescribed interactions. But in an elevator, all

0:24:24.160 --> 0:24:26.280
<v Speaker 1>bets are off, Like you never know who's going to

0:24:26.320 --> 0:24:28.960
<v Speaker 1>step in that box with you or what they might

0:24:29.000 --> 0:24:31.000
<v Speaker 1>say or do when they're in there. And so that's

0:24:31.000 --> 0:24:33.440
<v Speaker 1>a good thing, I mean, at least in theory that

0:24:33.440 --> 0:24:35.760
<v Speaker 1>that uncertainty is probably where a good deal of the

0:24:35.800 --> 0:24:39.160
<v Speaker 1>awkwardness stems from. But it's also the catalyst for some

0:24:39.280 --> 0:24:42.480
<v Speaker 1>lucky breaks. So think about how many romantic comedies you've

0:24:42.520 --> 0:24:45.960
<v Speaker 1>seen where somebody stumbles into their soul made in an elevator,

0:24:46.160 --> 0:24:48.960
<v Speaker 1>or how many success stories started with an elevator pitch

0:24:49.080 --> 0:24:51.479
<v Speaker 1>to a CEO who couldn't get away because it right

0:24:51.520 --> 0:24:54.560
<v Speaker 1>there in this box with you, and it's called elevator exactly.

0:24:54.600 --> 0:24:56.879
<v Speaker 1>And you know, if that still doesn't convince you that

0:24:56.920 --> 0:25:00.520
<v Speaker 1>the potential awkwardness is worth it, take it from science.

0:25:00.880 --> 0:25:03.840
<v Speaker 1>So researchers have long looked to elevators for insight into

0:25:04.000 --> 0:25:07.760
<v Speaker 1>all kinds of social behavior, like how smiling improves our

0:25:07.800 --> 0:25:11.040
<v Speaker 1>willingness to stand near strangers, or how standing in the

0:25:11.080 --> 0:25:13.320
<v Speaker 1>back is a power play because it lets you observe

0:25:13.359 --> 0:25:17.600
<v Speaker 1>all the other passengers. So elevators or this fertile environment

0:25:17.680 --> 0:25:21.720
<v Speaker 1>for experimentation, and that's exactly because they force us out

0:25:21.720 --> 0:25:24.480
<v Speaker 1>of our comfort zones. That's really interesting. I have thought

0:25:24.520 --> 0:25:26.800
<v Speaker 1>about like elevator experiments and like you know, the one

0:25:26.840 --> 0:25:29.080
<v Speaker 1>where you're facing the opposite way or whatever, but I

0:25:29.080 --> 0:25:31.800
<v Speaker 1>didn't realize that there's such a smart place to like,

0:25:32.320 --> 0:25:35.560
<v Speaker 1>you know, investigate interactions. It does make me think, though,

0:25:35.640 --> 0:25:38.640
<v Speaker 1>like you know, they're these new fangled elevators that with

0:25:38.760 --> 0:25:41.600
<v Speaker 1>these new inventions, and and it makes you wonder about

0:25:41.680 --> 0:25:44.359
<v Speaker 1>how society will interact after that. And why do you

0:25:44.400 --> 0:25:47.320
<v Speaker 1>say that, Well, I don't know if you well, I'm

0:25:47.320 --> 0:25:51.119
<v Speaker 1>sure you've seen these. Actually there's this thing called destination dispatch,

0:25:51.359 --> 0:25:54.280
<v Speaker 1>and it's basically a way to group together passengers who

0:25:54.320 --> 0:25:57.280
<v Speaker 1>have similar destinations. It's not like the current system where

0:25:57.280 --> 0:25:59.280
<v Speaker 1>you step into an elevator and then request the floor

0:25:59.320 --> 0:26:02.119
<v Speaker 1>you want from inside the elevator. Instead, you select the

0:26:02.160 --> 0:26:05.199
<v Speaker 1>floor outside from this touchscreen in the lobby, and then

0:26:05.240 --> 0:26:08.640
<v Speaker 1>you're directed to an elevator car that's headed in your direction. Yeah,

0:26:08.680 --> 0:26:10.480
<v Speaker 1>I feel like we've seen these, you know, and and

0:26:10.520 --> 0:26:13.479
<v Speaker 1>a lot of the sort of newer, fancier office buildings

0:26:13.520 --> 0:26:15.720
<v Speaker 1>in New York these days. Yeah, cut Conny NaSTA is

0:26:15.760 --> 0:26:18.680
<v Speaker 1>one example. But you know, the system is obviously meant

0:26:18.680 --> 0:26:21.880
<v Speaker 1>to cut down on wasted time and energy, but from

0:26:22.000 --> 0:26:24.000
<v Speaker 1>what you've been saying, like it sounds like it might

0:26:24.040 --> 0:26:27.240
<v Speaker 1>cut down on that serendipity as well. If everyone is

0:26:27.240 --> 0:26:29.560
<v Speaker 1>bound for the same floor, it's it's a lot less

0:26:29.600 --> 0:26:31.959
<v Speaker 1>likely that a mail room clerk has that opportunity to

0:26:32.000 --> 0:26:35.240
<v Speaker 1>bump into the executive who who you know, might implement

0:26:35.359 --> 0:26:37.320
<v Speaker 1>or be influenced by their idea. I mean that is

0:26:37.400 --> 0:26:39.560
<v Speaker 1>kind of a bummer, unless, of course, you're someone who

0:26:39.640 --> 0:26:42.440
<v Speaker 1>is just tired of being accosted by mail clerks. I mean,

0:26:42.520 --> 0:26:45.159
<v Speaker 1>it's a it's a big problem these days, Mega, But

0:26:45.720 --> 0:26:47.760
<v Speaker 1>I don't want to give the impression that the elevator's

0:26:47.800 --> 0:26:50.239
<v Speaker 1>best days are behind, and in fact, there are some

0:26:50.280 --> 0:26:53.440
<v Speaker 1>new advancements that I'm actually looking forward to checking out myself,

0:26:53.800 --> 0:26:56.600
<v Speaker 1>which feels strange to say about elevators, but but it's true.

0:26:56.640 --> 0:26:59.560
<v Speaker 1>So just to think about some examples here. You know,

0:26:59.600 --> 0:27:01.560
<v Speaker 1>a company in Germany has been working on a new

0:27:01.640 --> 0:27:04.159
<v Speaker 1>kind of elevator that moves up and down the rails

0:27:04.280 --> 0:27:08.840
<v Speaker 1>using this magnetic levitation system instead of cables. And so

0:27:08.920 --> 0:27:12.280
<v Speaker 1>not only would this improve efficiency by allowing multiple cars

0:27:12.320 --> 0:27:15.080
<v Speaker 1>to operate in the same shaft, since you know, they

0:27:15.119 --> 0:27:18.240
<v Speaker 1>no longer need their own cables, it would also greatly

0:27:18.280 --> 0:27:21.520
<v Speaker 1>reduce the amount of energy it takes to run them.

0:27:21.560 --> 0:27:23.600
<v Speaker 1>And if none of that is a hook enough for you,

0:27:23.640 --> 0:27:27.320
<v Speaker 1>consider this. A traditional elevator can only move up and

0:27:27.400 --> 0:27:30.680
<v Speaker 1>down along the axis of its cable, but a mag

0:27:30.760 --> 0:27:33.960
<v Speaker 1>lev elevator isn't restricted by cables, which means it can

0:27:34.080 --> 0:27:37.760
<v Speaker 1>also move horizontally as well as vertically. So you could

0:27:37.840 --> 0:27:41.000
<v Speaker 1>build this complete loop inside of building and even have

0:27:41.080 --> 0:27:44.479
<v Speaker 1>elevators moved between shafts in order to find like the

0:27:44.520 --> 0:27:47.359
<v Speaker 1>fastest route to where they needed to be that's fascinating.

0:27:47.359 --> 0:27:51.280
<v Speaker 1>So it's basically like real world wonkovators. Yeah, pretty much,

0:27:51.280 --> 0:27:53.479
<v Speaker 1>And it might still be a while before we can

0:27:53.520 --> 0:27:56.600
<v Speaker 1>travel like Willy Wonka, but scientists are hard at work

0:27:56.640 --> 0:27:59.119
<v Speaker 1>on it. I'm pretty sure of this. Well, I'm definitely

0:27:59.119 --> 0:28:01.160
<v Speaker 1>looking forward to that one. But before we head out,

0:28:01.320 --> 0:28:12.679
<v Speaker 1>why don't we do the fact off? So, did you

0:28:12.720 --> 0:28:16.159
<v Speaker 1>know it's illegal to p and an elevator in Singapore?

0:28:16.560 --> 0:28:18.879
<v Speaker 1>I mean, I assume it's illegal to pe in an

0:28:18.920 --> 0:28:22.040
<v Speaker 1>elevator in in Singapore. Yeah, okay, well you're you're pretty smart,

0:28:22.080 --> 0:28:23.920
<v Speaker 1>I know, but everybody might not know that. But there's

0:28:23.960 --> 0:28:26.719
<v Speaker 1>more to it. So elevators there come equipped with a

0:28:26.920 --> 0:28:30.280
<v Speaker 1>urine detection device, so they're taking this to another level.

0:28:30.320 --> 0:28:32.920
<v Speaker 1>So no pun intended there. So if you do p,

0:28:33.600 --> 0:28:36.879
<v Speaker 1>it sets off an alarm and the doors slam shut

0:28:37.000 --> 0:28:39.280
<v Speaker 1>and then you just have to wait there and shame

0:28:39.840 --> 0:28:42.560
<v Speaker 1>until the police arrive to ticket you. I've got to

0:28:42.600 --> 0:28:44.920
<v Speaker 1>be honest, like, I know they go overboard with a

0:28:44.920 --> 0:28:46.880
<v Speaker 1>lot of things, but I do actually kind of find

0:28:46.880 --> 0:28:49.320
<v Speaker 1>this amazing. I really hope they come up with a

0:28:49.320 --> 0:28:51.680
<v Speaker 1>contraption to do that at their pools too, Like all

0:28:51.680 --> 0:28:55.160
<v Speaker 1>of a sudden it's like in all the water drains

0:28:55.200 --> 0:28:59.360
<v Speaker 1>out and then you're just standing there speaking of bathrooms.

0:28:59.360 --> 0:29:02.600
<v Speaker 1>Did you know that Japan is actually considering putting toilets

0:29:02.600 --> 0:29:05.920
<v Speaker 1>and running water in their elevators. While that sounds like

0:29:05.960 --> 0:29:08.880
<v Speaker 1>an unnecessary luxury, there's actually a reason for it. The

0:29:08.880 --> 0:29:12.000
<v Speaker 1>country has a ton of earthquakes and when that happens,

0:29:12.040 --> 0:29:14.800
<v Speaker 1>the elevators just get stuck. So it's to offer a

0:29:14.800 --> 0:29:17.479
<v Speaker 1>little bit of relief and dignity and those like hours

0:29:17.480 --> 0:29:20.080
<v Speaker 1>that you might be stuck in an elevator. That actually,

0:29:20.200 --> 0:29:21.960
<v Speaker 1>when you first said it, it was confusing, But you

0:29:22.000 --> 0:29:24.000
<v Speaker 1>know what, that that actually does make a lot of sense,

0:29:24.040 --> 0:29:25.959
<v Speaker 1>and that's that's thoughtful to do that, all right. So

0:29:26.000 --> 0:29:29.200
<v Speaker 1>here's one I I love. So during the French Resistance,

0:29:29.240 --> 0:29:32.640
<v Speaker 1>the French severed the cables to the Eiffel Tower elevator

0:29:32.720 --> 0:29:35.080
<v Speaker 1>so that Hitler wouldn't take a photo op at the

0:29:35.120 --> 0:29:39.040
<v Speaker 1>top of it. Apparently the idea of climbing over stairs

0:29:39.480 --> 0:29:42.320
<v Speaker 1>was just enough to keep him away. That's crazy. Do

0:29:42.360 --> 0:29:44.960
<v Speaker 1>you know. There's a subculture of elevator enthusiasts and it

0:29:45.120 --> 0:29:49.240
<v Speaker 1>is really really sweet. It's often people on the autism

0:29:49.280 --> 0:29:52.840
<v Speaker 1>spectrum and they bond over their love of elevators. So

0:29:53.040 --> 0:29:55.840
<v Speaker 1>they filmed the buttons. They capture how the motor sound

0:29:55.920 --> 0:29:59.040
<v Speaker 1>and were They document their rides on pretty normal elevators

0:29:59.040 --> 0:30:01.600
<v Speaker 1>and sometimes it's near rated and sometimes it isn't. But

0:30:01.720 --> 0:30:04.800
<v Speaker 1>Slate did an article on this and the author wrote, quote,

0:30:04.920 --> 0:30:07.640
<v Speaker 1>while I've never found my journeys in real life elevators

0:30:07.640 --> 0:30:11.120
<v Speaker 1>to be particularly therapeutic, I find these videos very soothing.

0:30:11.920 --> 0:30:13.800
<v Speaker 1>I could see that. That's pretty neat. All right, So

0:30:13.840 --> 0:30:15.920
<v Speaker 1>you've heard of the Burj Khalifa. You know that's a

0:30:16.000 --> 0:30:20.160
<v Speaker 1>hundred and sixty stories, like eight hundred and thirty meters tall.

0:30:20.280 --> 0:30:23.080
<v Speaker 1>I think, yeah, that's the first time I've ever measured

0:30:23.120 --> 0:30:25.480
<v Speaker 1>something in meters, but I've ever had to convert that.

0:30:25.560 --> 0:30:27.560
<v Speaker 1>So what We'll let Charles or one of the listeners

0:30:27.560 --> 0:30:29.800
<v Speaker 1>waigh in and give us that fact. So all right,

0:30:29.840 --> 0:30:32.160
<v Speaker 1>so get this. Apparently it's so tall that you can

0:30:32.240 --> 0:30:37.320
<v Speaker 1>watch the same sunset or sun rise in the same day,

0:30:37.360 --> 0:30:39.440
<v Speaker 1>like you watch it from the ground, and then you

0:30:39.520 --> 0:30:41.880
<v Speaker 1>take their super fast elevator to the top of the

0:30:41.920 --> 0:30:45.760
<v Speaker 1>building and you can actually catch it again. Oh man,

0:30:46.040 --> 0:30:47.960
<v Speaker 1>that is unbelievable. Do you remember when we went to

0:30:47.960 --> 0:30:50.640
<v Speaker 1>go see that eclipse in Nashville. Yeah, of course. I

0:30:50.640 --> 0:30:53.000
<v Speaker 1>remember thinking like I wasn't that interested in the phenomena,

0:30:53.080 --> 0:30:54.720
<v Speaker 1>and then I saw it. It It was so beautiful, and

0:30:54.720 --> 0:30:57.080
<v Speaker 1>I like immediately wanted jet forward and see it again.

0:30:57.240 --> 0:30:59.200
<v Speaker 1>You know, like I feel like that that kind of

0:30:59.240 --> 0:31:01.800
<v Speaker 1>has that same feel. Oh, totally. That's a great fact.

0:31:01.960 --> 0:31:04.480
<v Speaker 1>I'm gonna give you today's trophy, you know what, I'll

0:31:04.480 --> 0:31:05.920
<v Speaker 1>take it. I feel like it's been a little while,

0:31:06.000 --> 0:31:08.320
<v Speaker 1>so this this feel is really good. All right. Well,

0:31:08.320 --> 0:31:10.280
<v Speaker 1>thanks to all of our listeners out there for tuning in.

0:31:10.320 --> 0:31:12.000
<v Speaker 1>We know how hard it is to be stuck in

0:31:12.000 --> 0:31:14.320
<v Speaker 1>your home, so thank you for inviting us in with you.

0:31:14.520 --> 0:31:17.160
<v Speaker 1>That's gonna do it for today's Part Time Genius for myself, Mango,

0:31:17.280 --> 0:31:19.640
<v Speaker 1>Gabe and Lull. Take care. We'll be back soon with

0:31:19.680 --> 0:31:36.560
<v Speaker 1>another episode. Part Time Genius is a production of I

0:31:36.680 --> 0:31:39.400
<v Speaker 1>Heart Radio. For more podcasts for my Heart Radio, visit

0:31:39.480 --> 0:31:42.040
<v Speaker 1>the I heart Radio app, Apple podcast, or wherever you

0:31:42.080 --> 0:31:43.160
<v Speaker 1>listen to your favorite show.