1 00:00:00,240 --> 00:00:04,600 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,880 --> 00:00:09,640 Speaker 2: Joshua P. Warren is an investigator who pioneers the amazing 3 00:00:09,760 --> 00:00:18,160 Speaker 2: relationship between the mind, energy, matter, and strange phenomena like ghosts, UFOs, esp, monsters, 4 00:00:18,280 --> 00:00:22,759 Speaker 2: and more. Over thirty years, Joshua has published over twenty books, 5 00:00:22,800 --> 00:00:26,800 Speaker 2: appeared on dozens of TV channels, and conducted lab experiments 6 00:00:27,120 --> 00:00:29,880 Speaker 2: that earned him the cover of a science journal. He 7 00:00:30,000 --> 00:00:34,680 Speaker 2: invents metaphysical tools that have improved thousands of lives around 8 00:00:34,680 --> 00:00:37,800 Speaker 2: the world, and to learn more about them, please visit 9 00:00:37,840 --> 00:00:41,479 Speaker 2: his main website, Joshuapwarren dot com and his brand new 10 00:00:41,600 --> 00:00:47,159 Speaker 2: site to produce personalized sigils with your name using the 11 00:00:47,320 --> 00:00:52,839 Speaker 2: parasimatics system that he created, the sigil lab dot com. 12 00:00:53,040 --> 00:00:56,360 Speaker 2: The sigil lab dot com. He lives in Las Vegas 13 00:00:56,400 --> 00:00:59,600 Speaker 2: and he hosts the weekly show Strange Things on the 14 00:00:59,600 --> 00:01:04,560 Speaker 2: Coast to Coast AM Paranormal podcast network. Joshua, Welcome back 15 00:01:04,600 --> 00:01:06,720 Speaker 2: to Coast to Coast. How are you, Damn? 16 00:01:06,800 --> 00:01:09,160 Speaker 3: I'm doing great. It's so nice to be with you. Richard. 17 00:01:10,280 --> 00:01:14,200 Speaker 2: Great to have you and you were kind enough to 18 00:01:14,240 --> 00:01:18,959 Speaker 2: send me a and the mighty Aphrodite My lovely Greek bride, 19 00:01:19,319 --> 00:01:25,240 Speaker 2: our own personal unique sigils, and I've got mine up 20 00:01:25,240 --> 00:01:27,319 Speaker 2: on the I've got them both up on my screen 21 00:01:27,400 --> 00:01:29,959 Speaker 2: right now, and I also have them on my phone 22 00:01:30,040 --> 00:01:31,959 Speaker 2: so that I can if I go down to the 23 00:01:31,959 --> 00:01:35,240 Speaker 2: convenience store and buy a lottery ticket. I look at them, 24 00:01:35,280 --> 00:01:38,640 Speaker 2: and mine looks like a kind of a crazy weather vein. 25 00:01:39,480 --> 00:01:44,039 Speaker 2: And the mighty aphrodities is this beautiful kind of a 26 00:01:44,080 --> 00:01:48,880 Speaker 2: star burst. Inside there's this crescent moon, and above the 27 00:01:48,920 --> 00:01:54,440 Speaker 2: crescent moon is a pinwheel. Very elaborate. They really are 28 00:01:54,560 --> 00:01:58,520 Speaker 2: truly works of art. But first of all, let's I 29 00:01:58,680 --> 00:02:01,480 Speaker 2: like to start with definitions. I mentioned a sigil. It's 30 00:02:01,560 --> 00:02:03,560 Speaker 2: kind of a magical symbol, but there's more to it 31 00:02:03,600 --> 00:02:04,360 Speaker 2: than that, right. 32 00:02:06,400 --> 00:02:10,000 Speaker 3: Well, I mean that's the essence, of course, but gosh, 33 00:02:10,120 --> 00:02:12,960 Speaker 3: I mean the history of sigils, it goes back to 34 00:02:13,000 --> 00:02:18,639 Speaker 3: the beginning of really civilization. You know. These magical symbols 35 00:02:18,760 --> 00:02:22,600 Speaker 3: are things that have always been sort of an antenna 36 00:02:23,000 --> 00:02:26,680 Speaker 3: for spiritual power, for spiritual energy, whether we're talking about 37 00:02:26,680 --> 00:02:30,720 Speaker 3: the ancient Egyptian anc or some of the ancient Coptic 38 00:02:30,800 --> 00:02:35,720 Speaker 3: Christian crosses, or the Seal of Solomon which was later 39 00:02:35,760 --> 00:02:40,040 Speaker 3: adapted into the Star of David. I mean, thousands of 40 00:02:40,120 --> 00:02:43,960 Speaker 3: years ago people had figured out that certain types of 41 00:02:44,320 --> 00:02:48,600 Speaker 3: vibrations and energies could be sort of condensed down into 42 00:02:49,080 --> 00:02:53,280 Speaker 3: almost something like a logo. And even if you don't 43 00:02:53,680 --> 00:02:57,800 Speaker 3: necessarily know what it is supposed to symbolize, some of 44 00:02:57,840 --> 00:03:02,160 Speaker 3: these designs, they just seem to reqube on a subconscious level. 45 00:03:02,240 --> 00:03:06,480 Speaker 3: So it transcends language. It's almost like music in that way, 46 00:03:06,960 --> 00:03:10,799 Speaker 3: and it seems to affect you simply by being in 47 00:03:11,040 --> 00:03:13,600 Speaker 3: the presence of the sigil, by simply looking at it, 48 00:03:13,639 --> 00:03:16,040 Speaker 3: by exposing yourself to it. And of course in the 49 00:03:16,040 --> 00:03:19,880 Speaker 3: Middle Ages, constructing sigils became even more of a science, 50 00:03:19,919 --> 00:03:23,320 Speaker 3: and so the word sigil is based on the Latin 51 00:03:23,360 --> 00:03:28,520 Speaker 3: word sigilum, which means simply to seal. And so these 52 00:03:28,639 --> 00:03:33,880 Speaker 3: types of sigils have been used for manifestation purposes from 53 00:03:33,960 --> 00:03:38,880 Speaker 3: the very beginning. However, about at least six years ago, 54 00:03:39,480 --> 00:03:44,040 Speaker 3: I started thinking about a new way of creating sigils, 55 00:03:44,080 --> 00:03:48,040 Speaker 3: something that wasn't just dependent on the human imagination, but 56 00:03:48,080 --> 00:03:52,080 Speaker 3: would also incorporate more of an expression from Mother Nature. 57 00:03:52,760 --> 00:03:55,800 Speaker 3: And so that is how I came up with parasigmatics, 58 00:03:55,840 --> 00:03:59,680 Speaker 3: and that is why when the parasigmatic system creates a sigil, 59 00:04:00,200 --> 00:04:03,040 Speaker 3: it's a surprise for everyone because we're looking at something 60 00:04:03,080 --> 00:04:07,040 Speaker 3: that mother nature produces based upon the system that I 61 00:04:07,080 --> 00:04:07,720 Speaker 3: put in place. 62 00:04:08,600 --> 00:04:11,360 Speaker 2: All right, So there's the other definition we need now, 63 00:04:11,440 --> 00:04:13,880 Speaker 2: cimatics I understand a little bit of and that is 64 00:04:14,120 --> 00:04:21,080 Speaker 2: basically patterns that are created through sound waves. So if 65 00:04:21,080 --> 00:04:26,200 Speaker 2: you were to take some kind of let's say, I 66 00:04:26,200 --> 00:04:30,120 Speaker 2: don't know, a metal sheet, and you put sand on it, 67 00:04:30,400 --> 00:04:34,360 Speaker 2: find granular sand, and then you vibrate maybe with sound 68 00:04:34,400 --> 00:04:40,480 Speaker 2: waves or vibrations of some sort, the sand on the 69 00:04:40,480 --> 00:04:43,919 Speaker 2: metal sheet will organize themselves in a particular pattern that 70 00:04:44,000 --> 00:04:47,520 Speaker 2: corresponds to that wave. Do I have that basically right? 71 00:04:48,360 --> 00:04:52,280 Speaker 3: Yeah? Absolutely, And that is exactly what a German scientist 72 00:04:52,400 --> 00:04:56,839 Speaker 3: named Ernst Schlodney started doing in the late seventeen hundreds. 73 00:04:56,839 --> 00:05:00,880 Speaker 3: He was also a musician, and he that when these 74 00:05:00,960 --> 00:05:03,880 Speaker 3: patterns appear, when you take something like a violin bow 75 00:05:03,960 --> 00:05:06,200 Speaker 3: and you stroke it on the side of the plate 76 00:05:06,600 --> 00:05:09,719 Speaker 3: and you look at these these sand patterns that sort 77 00:05:09,720 --> 00:05:13,120 Speaker 3: of almost appear like snowflakes, and they snap into all 78 00:05:13,120 --> 00:05:16,839 Speaker 3: these different shapes depending on the tone and the note. 79 00:05:17,000 --> 00:05:21,880 Speaker 3: And this became of course a great fascination to many scientists. 80 00:05:21,880 --> 00:05:25,800 Speaker 3: And then finally there was a Swiss scientist in the 81 00:05:26,000 --> 00:05:30,799 Speaker 3: twentieth century named Hans Jenny who really brought it into 82 00:05:31,200 --> 00:05:33,360 Speaker 3: the field of study we have today, and he was 83 00:05:33,400 --> 00:05:36,719 Speaker 3: the one who actually started calling this simatics, which is 84 00:05:36,760 --> 00:05:41,159 Speaker 3: based on the ancient Greek word for waves or waves. 85 00:05:41,680 --> 00:05:45,920 Speaker 3: And so the interesting thing about creating patterns with simatics 86 00:05:46,040 --> 00:05:48,880 Speaker 3: is that you can play music, you can play tones, 87 00:05:49,320 --> 00:05:52,400 Speaker 3: and you can you can see something like sand or 88 00:05:52,440 --> 00:05:55,760 Speaker 3: grains of salt snap into those patterns. But it's also 89 00:05:55,839 --> 00:05:59,560 Speaker 3: a very three dimensional phenomenon, and that's why you can 90 00:05:59,600 --> 00:06:04,840 Speaker 3: also get these three dimensional configurations in water or in 91 00:06:05,839 --> 00:06:10,839 Speaker 3: something that's maybe a semi liquid like corn starch and water, 92 00:06:10,960 --> 00:06:13,760 Speaker 3: and you can create some really interesting forms using that. 93 00:06:14,360 --> 00:06:17,159 Speaker 3: And it starts to become apparent that what we're seeing 94 00:06:17,200 --> 00:06:21,039 Speaker 3: here is a representation, a very literal representation of the 95 00:06:21,080 --> 00:06:28,240 Speaker 3: connection between vibrations and frequency and the formation of physical 96 00:06:28,279 --> 00:06:32,160 Speaker 3: matter and how physical matter stays fixed in place. And 97 00:06:32,240 --> 00:06:35,000 Speaker 3: so six or so years ago, when I was living 98 00:06:35,080 --> 00:06:39,799 Speaker 3: in Puerto Rico studying phenomena in the Bermuda triangle, I 99 00:06:39,839 --> 00:06:43,240 Speaker 3: decided to start taking some sand from the beaches around 100 00:06:43,240 --> 00:06:46,520 Speaker 3: there and some of the water from the triangle and 101 00:06:46,560 --> 00:06:49,600 Speaker 3: passing tones through it to see if I got any 102 00:06:49,720 --> 00:06:53,200 Speaker 3: kind of particularly unusual shapes. And the more I played 103 00:06:53,240 --> 00:06:56,039 Speaker 3: with this, the more I wondered, what if instead of 104 00:06:56,160 --> 00:06:59,040 Speaker 3: just playing a tone and getting a shape that emerges, 105 00:06:59,600 --> 00:07:05,360 Speaker 3: what if I actually instilled a message in that tone 106 00:07:04,800 --> 00:07:11,080 Speaker 3: and then watched to see how that that message changed 107 00:07:11,400 --> 00:07:15,000 Speaker 3: the design. And so I started by taking tones like 108 00:07:15,320 --> 00:07:19,760 Speaker 3: I am attracting more money, or I am attracting a 109 00:07:19,800 --> 00:07:24,280 Speaker 3: better relationship, or I am attracting more willpower, basic things 110 00:07:24,360 --> 00:07:28,320 Speaker 3: like that, and I would speak these phrases into a microphone, 111 00:07:29,080 --> 00:07:32,960 Speaker 3: and then when I would play those phrases into a 112 00:07:33,080 --> 00:07:37,280 Speaker 3: bowl of water with a sort of troodeny setup, I 113 00:07:37,320 --> 00:07:39,600 Speaker 3: would see what kind of pattern would emerge. And I 114 00:07:39,680 --> 00:07:43,400 Speaker 3: was struck by just how complex and how unique these 115 00:07:43,440 --> 00:07:46,600 Speaker 3: patterns were. And so in order to see them better, 116 00:07:46,960 --> 00:07:52,080 Speaker 3: I started shining infrared and ultraviolet lights and lasers on 117 00:07:52,160 --> 00:07:55,520 Speaker 3: them to really make those designs pop. And it was 118 00:07:55,560 --> 00:07:58,360 Speaker 3: always very interesting to see what Mother Nature was going 119 00:07:58,400 --> 00:08:01,480 Speaker 3: to reveal. And then I had cameras amounted around it, 120 00:08:02,040 --> 00:08:04,640 Speaker 3: and I would photograph what was appearing in the water, 121 00:08:05,320 --> 00:08:08,080 Speaker 3: and then It turns out that my wife Lauren is 122 00:08:08,120 --> 00:08:10,960 Speaker 3: a wonderful artist, and so I would give her these 123 00:08:11,000 --> 00:08:14,920 Speaker 3: pictures and say, sit down and try to, you know, 124 00:08:15,040 --> 00:08:17,880 Speaker 3: by hand or using a computer program or whatever is 125 00:08:17,960 --> 00:08:24,240 Speaker 3: easiest for you, try to extract the most distinct. 126 00:08:23,520 --> 00:08:26,200 Speaker 4: Part of this pattern out and let's look at it 127 00:08:26,240 --> 00:08:28,920 Speaker 4: as a symbol. And once she did this with four 128 00:08:29,040 --> 00:08:32,760 Speaker 4: or five of these, we saw that some really interesting 129 00:08:32,840 --> 00:08:36,520 Speaker 4: looking shapes were appearing. And so I was about to 130 00:08:36,559 --> 00:08:39,319 Speaker 4: go on coast to coast am one night with George Nori, 131 00:08:39,559 --> 00:08:42,000 Speaker 4: and I said, you know what, let's do an experiment. 132 00:08:42,440 --> 00:08:45,559 Speaker 4: I'm going to put these four sigils that I had created, 133 00:08:45,559 --> 00:08:49,520 Speaker 4: the first four on my website for free, Joshua Pwarren 134 00:08:49,559 --> 00:08:53,240 Speaker 4: dot com. And when you go there, I told everybody 135 00:08:53,280 --> 00:08:56,480 Speaker 4: in the audience, you can go and find whatever sigel 136 00:08:56,520 --> 00:08:59,320 Speaker 4: appeals to you, and you can either save it to 137 00:08:59,360 --> 00:09:01,920 Speaker 4: your phone or your computer, or you can print it 138 00:09:01,960 --> 00:09:04,360 Speaker 4: out and you can put it on your refrigerator or 139 00:09:04,400 --> 00:09:07,000 Speaker 4: your steering will, or on your bathroom mirror. But just 140 00:09:07,160 --> 00:09:09,240 Speaker 4: print this thing out or have it somewhere you can 141 00:09:09,280 --> 00:09:11,120 Speaker 4: see it on your phone, your tab or. 142 00:09:11,040 --> 00:09:14,440 Speaker 3: Whatever, and just start looking at it throughout the day 143 00:09:14,559 --> 00:09:18,079 Speaker 3: and let me know if anything interesting happens. Well, let 144 00:09:18,080 --> 00:09:22,720 Speaker 3: me tell you, Richard, the stories I started getting from people. 145 00:09:22,440 --> 00:09:27,079 Speaker 4: Telling me about these amazing synchronistic things that happened over 146 00:09:27,160 --> 00:09:28,439 Speaker 4: the next few weeks. 147 00:09:28,520 --> 00:09:30,760 Speaker 3: I mean, I'm telling you, hundreds and hundreds of them 148 00:09:30,800 --> 00:09:33,800 Speaker 3: came in. It was so shocking to me that, to 149 00:09:33,840 --> 00:09:37,040 Speaker 3: give you an example, I think in less than a month, 150 00:09:37,400 --> 00:09:40,480 Speaker 3: I got my first picture from someone who had had 151 00:09:40,520 --> 00:09:43,880 Speaker 3: so much success looking at the money sigil that he 152 00:09:44,000 --> 00:09:46,240 Speaker 3: had tattooed it on his arm. 153 00:09:46,760 --> 00:09:47,080 Speaker 1: Wow. 154 00:09:47,240 --> 00:09:50,040 Speaker 3: And that's when I knew we were onto something here. 155 00:09:50,400 --> 00:09:53,720 Speaker 3: And so over the years, I continued experimenting with this 156 00:09:53,800 --> 00:09:59,240 Speaker 3: thing I called parathimatics, because para is going beyond, and 157 00:09:59,320 --> 00:10:03,360 Speaker 3: so it's taking simatics but going one step further by 158 00:10:03,400 --> 00:10:08,840 Speaker 3: adding messages and intentions into them, seeing the patterns and emerges, 159 00:10:08,880 --> 00:10:11,960 Speaker 3: and then having people be exposed to it. And I 160 00:10:12,040 --> 00:10:14,920 Speaker 3: went on back to George Norri. I went on George 161 00:10:15,000 --> 00:10:18,440 Speaker 3: Norri's TV show one time, Beyond Belief, and I decided 162 00:10:18,480 --> 00:10:21,480 Speaker 3: it'd be cool to make a personalized George Norri sigil, 163 00:10:21,520 --> 00:10:23,839 Speaker 3: and I gave it to him on that show. He 164 00:10:23,880 --> 00:10:26,640 Speaker 3: absolutely loved it. Afterward, he started telling me that when 165 00:10:26,679 --> 00:10:29,280 Speaker 3: he would carry this around, all of these great things 166 00:10:29,280 --> 00:10:32,839 Speaker 3: would happen to him. Word got around, and for six 167 00:10:32,920 --> 00:10:36,880 Speaker 3: years people have been asking me to create personalized sigils 168 00:10:36,960 --> 00:10:40,560 Speaker 3: using their own name, and I've never had the setup. 169 00:10:40,600 --> 00:10:44,559 Speaker 3: And then finally about well just about a month ago, 170 00:10:45,120 --> 00:10:47,400 Speaker 3: I finally was able to get a part of my 171 00:10:47,520 --> 00:10:50,880 Speaker 3: workshop here in Las Vegas turned into the Sigil Lab 172 00:10:51,280 --> 00:10:54,319 Speaker 3: and so for a limited period of time we are 173 00:10:54,360 --> 00:11:00,720 Speaker 3: taking request to make these personalized parasigmatics sigils using your name. 174 00:11:01,120 --> 00:11:04,439 Speaker 2: And at the uh in the carousel at Coast to 175 00:11:04,520 --> 00:11:08,080 Speaker 2: Coast am dot com, people can go there. It's in 176 00:11:08,160 --> 00:11:13,440 Speaker 2: the number one position in the carousel. They'll see your 177 00:11:13,600 --> 00:11:16,920 Speaker 2: personal sigil that you created in your new Sigil Lab 178 00:11:17,000 --> 00:11:19,720 Speaker 2: right there in Las Vegas. It looks like a Chinese symbol. 179 00:11:19,760 --> 00:11:22,560 Speaker 2: It looks like Chinese writing yeah you know. 180 00:11:22,600 --> 00:11:24,880 Speaker 3: That is one of the weirdest things about this whole 181 00:11:24,920 --> 00:11:29,839 Speaker 3: process is that we since we just don't know what 182 00:11:29,960 --> 00:11:34,079 Speaker 3: is going to appear, we we are very very careful 183 00:11:34,240 --> 00:11:39,880 Speaker 3: about being as as pure and as as committed as 184 00:11:39,920 --> 00:11:42,880 Speaker 3: possible to what the design is that we are shown. 185 00:11:43,280 --> 00:11:46,439 Speaker 3: And what's funny is because sometimes the craziest looking things 186 00:11:46,440 --> 00:11:50,959 Speaker 3: appear in the water, and sometimes things appear that that 187 00:11:51,120 --> 00:11:54,360 Speaker 3: almost seem to sort of match a certain phrase, like, 188 00:11:54,400 --> 00:11:59,960 Speaker 3: for example, there was one person who said that an 189 00:12:00,040 --> 00:12:03,320 Speaker 3: and of course we were we're focusing on taking people's names, 190 00:12:03,320 --> 00:12:06,200 Speaker 3: but we have occasionally taken phrases from people as well, 191 00:12:06,480 --> 00:12:09,439 Speaker 3: but that's a lot more complex, and we're really preferring 192 00:12:09,440 --> 00:12:11,200 Speaker 3: to do names. But at one point I did a 193 00:12:11,200 --> 00:12:14,199 Speaker 3: sigil for a guy and he said he wanted this 194 00:12:14,280 --> 00:12:20,800 Speaker 3: to be a sigil of just absolute manifestation power from 195 00:12:20,840 --> 00:12:23,560 Speaker 3: a being beyond, and like, okay, whatever, it's a lot, 196 00:12:23,600 --> 00:12:24,960 Speaker 3: a lot of a lot of words, but we'll see 197 00:12:25,000 --> 00:12:27,120 Speaker 3: what comes down. And the sigel came out, and I 198 00:12:27,120 --> 00:12:29,840 Speaker 3: swear to you it looked just like a giant hand 199 00:12:30,360 --> 00:12:33,080 Speaker 3: with an index finger pointing coming down out of the sky, 200 00:12:33,280 --> 00:12:34,240 Speaker 3: like the hand of God. 201 00:12:34,320 --> 00:12:34,560 Speaker 4: Wow. 202 00:12:34,880 --> 00:12:37,640 Speaker 3: And we see these kinds of things that are so weird, 203 00:12:38,080 --> 00:12:41,120 Speaker 3: and so you don't know what it's going to look like. 204 00:12:41,240 --> 00:12:44,080 Speaker 3: And and so whenever somebody gets one, we send it 205 00:12:44,120 --> 00:12:47,160 Speaker 3: to the person and we're always wondering, if you know, 206 00:12:47,280 --> 00:12:50,520 Speaker 3: if the person's actually going to like it, And so far, 207 00:12:50,760 --> 00:12:54,480 Speaker 3: every single person has loved it, and of course if 208 00:12:54,480 --> 00:12:56,400 Speaker 3: they don't like it. Well, there's nothing I can do 209 00:12:56,520 --> 00:12:58,959 Speaker 3: about that, because all we're doing is showing what appears 210 00:12:58,960 --> 00:13:02,480 Speaker 3: in the water. But yeah, it must resonate in some 211 00:13:02,559 --> 00:13:05,520 Speaker 3: way with people on a for lack of a better word, 212 00:13:05,559 --> 00:13:08,080 Speaker 3: a spiritual level. And you know, you and I have 213 00:13:08,160 --> 00:13:13,000 Speaker 3: talked about this subject before and how that's it's interesting 214 00:13:13,120 --> 00:13:16,200 Speaker 3: that I consider this to be a perfect blend of 215 00:13:16,240 --> 00:13:21,439 Speaker 3: science and art. So we have this procedure in which 216 00:13:21,559 --> 00:13:25,040 Speaker 3: we actually play these frequencies to create these patterns in 217 00:13:25,080 --> 00:13:29,040 Speaker 3: the water, and that requires a certain degree of mathematical skill, 218 00:13:29,120 --> 00:13:32,520 Speaker 3: getting all the ratios right, to the size of the bowl, 219 00:13:32,679 --> 00:13:35,840 Speaker 3: the carrier tones that we use, the amount of water, 220 00:13:36,080 --> 00:13:38,439 Speaker 3: all that stuff has to be right to get any 221 00:13:38,480 --> 00:13:43,000 Speaker 3: type of a cimatic reaction. But then I actually speak 222 00:13:43,040 --> 00:13:46,520 Speaker 3: the person's name, So now you're switching over to the 223 00:13:46,600 --> 00:13:49,680 Speaker 3: human side. I'm putting some a human touch in there. 224 00:13:50,000 --> 00:13:55,959 Speaker 3: And then ultimately, when Lauren she extracts that final image artistically, well, 225 00:13:56,000 --> 00:13:58,600 Speaker 3: that's also a human element. And so this is a 226 00:13:58,640 --> 00:14:01,400 Speaker 3: combo of science and art, and I think that that's 227 00:14:01,559 --> 00:14:04,720 Speaker 3: perhaps the best way to approach something that's going to 228 00:14:05,080 --> 00:14:08,400 Speaker 3: connect with a human because human beings are also this 229 00:14:08,600 --> 00:14:12,600 Speaker 3: mix of these bodies that operate kind of like chemical 230 00:14:12,640 --> 00:14:16,840 Speaker 3: and electrical machines. But then we also have this mysterious 231 00:14:16,880 --> 00:14:20,360 Speaker 3: thing called the mind, the consciousness, the spirit, and they're 232 00:14:20,360 --> 00:14:23,960 Speaker 3: all merged together, and this is almost like a reflection 233 00:14:24,120 --> 00:14:25,240 Speaker 3: of that relationship. 234 00:14:27,000 --> 00:14:31,240 Speaker 2: And what I mean, I have my sigil and the 235 00:14:31,320 --> 00:14:33,320 Speaker 2: mighty effort that he has her sigil. Now we have 236 00:14:33,360 --> 00:14:35,400 Speaker 2: them on our phones. I've got them on my desktop. 237 00:14:35,480 --> 00:14:38,880 Speaker 2: I'm looking at it right now. How else, I mean, 238 00:14:38,920 --> 00:14:42,040 Speaker 2: how do we utilize it? Do we put it on 239 00:14:42,080 --> 00:14:43,240 Speaker 2: a T shirt? What do we do? 240 00:14:44,360 --> 00:14:47,160 Speaker 3: Well? Yeah, absolutely, you know, anytime you get the sigil, 241 00:14:47,200 --> 00:14:50,200 Speaker 3: and if you get one of these, it's yours. You 242 00:14:50,280 --> 00:14:52,120 Speaker 3: own it, Okay, you can do whatever you want with it. 243 00:14:52,160 --> 00:14:54,280 Speaker 3: And for people who might be sitting there saying, well, 244 00:14:54,440 --> 00:14:57,200 Speaker 3: this all sounds really interesting, but what exactly is the 245 00:14:57,240 --> 00:14:59,600 Speaker 3: purpose of this to begin with? What's the point? Well, 246 00:15:00,320 --> 00:15:04,280 Speaker 3: here's here's one way of looking at it. Let's take Superman. 247 00:15:05,080 --> 00:15:09,160 Speaker 3: Superman is always Superman, whether or not he's wearing his 248 00:15:09,240 --> 00:15:12,160 Speaker 3: suit with his big S on it. But when he 249 00:15:12,280 --> 00:15:16,600 Speaker 3: really needs to pomp up the superpower, he puts on 250 00:15:16,720 --> 00:15:18,840 Speaker 3: the sigil. That's what the big S is it's a 251 00:15:18,880 --> 00:15:21,800 Speaker 3: big sigil. And when you see that sigil, even though 252 00:15:21,800 --> 00:15:25,000 Speaker 3: it's a sigil of a fictional character, we all know 253 00:15:25,040 --> 00:15:27,440 Speaker 3: immediately what that means, and it conjures up a lot 254 00:15:27,480 --> 00:15:30,800 Speaker 3: of feelings and images and concepts for us. And so 255 00:15:31,760 --> 00:15:36,080 Speaker 3: I believe that when you are able to condense your 256 00:15:36,360 --> 00:15:40,880 Speaker 3: something about your identity into an abstract symbol, that it 257 00:15:41,320 --> 00:15:47,040 Speaker 3: somehow enhances your bio energy field. And it only good 258 00:15:47,040 --> 00:15:49,200 Speaker 3: things can come of it because it was only created 259 00:15:49,200 --> 00:15:51,920 Speaker 3: with good intention, and I believe that it acts like 260 00:15:52,000 --> 00:15:56,080 Speaker 3: an antenna for better things to happen in your life 261 00:15:56,240 --> 00:15:56,840 Speaker 3: in general. 262 00:15:58,080 --> 00:16:01,320 Speaker 1: Listen to more Coast to Coast AM every weeknight at 263 00:16:01,360 --> 00:16:04,320 Speaker 1: one a m. Eastern and go to Coast to coastam 264 00:16:04,360 --> 00:16:05,440 Speaker 1: dot com for more