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Speaker 1: We like to welcome every one to another episode against

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Speaker 1: the Chronicles podcast, and I got my boy, ye man,

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Speaker 1: tonight we got some special guests in here. Man, we

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Speaker 1: got you know, a legend here in the future legend

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Speaker 1: the future Hall of Famer, one Hall of Famer, one

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Speaker 1: first battlet Hall of Famer, and another one. You know

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Speaker 1: you gonna have his time coming pretty soon. But he

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Speaker 1: far from them. When either one of them is far

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Speaker 1: from them. We got home hes, cocaine and Glasses malone

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Speaker 1: in the building.

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Speaker 2: Official.

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Speaker 1: Yeah, man, So what's happening to night fellas.

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Speaker 3: Man, appreciate you having us on this platform. You know,

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Speaker 3: I've been minute to come up here for a minute.

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Speaker 3: But it's the right time right now, for.

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Speaker 1: Sure, for sure, for sure, we've been planning this for

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Speaker 1: a minute now. Glasses, this is about this one hundred

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Speaker 1: time on the show. So I don't even know why

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Speaker 1: I gave him an introduction. I'm starting to think this

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Speaker 1: nigga live in the back of the closet or something.

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Speaker 4: I was here the first day when you came up

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Speaker 4: with this shit.

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Speaker 1: Yeah, that's crazy. Look where we're at right now. Two

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Speaker 1: Indred sth episodes later.

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Speaker 4: I was telling Hey, that shit just old fancy screen

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Speaker 4: back here big time.

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Speaker 2: Now he's doing a little safon time you tried so big.

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Speaker 1: Time Now, that's us dog, that's us man. So you know,

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Speaker 1: fifty years in on hip hop man. And you know,

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Speaker 1: in those fifty years, I would say probably one of

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Speaker 1: the most pivotal things that happen in rap music was

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Speaker 1: gangster rap a reality rap. We said, we can start

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Speaker 1: calling the reality rap, right. You know, brothers talking about

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Speaker 1: tales from the streets, what's going on in their neighborhood.

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Speaker 1: One of the forefathers of that on the West coast,

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Speaker 1: you know as many You know, you got Ice Tea

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Speaker 1: that came before him. You had the brother school, he

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Speaker 1: d the did the good. He put his version of

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Speaker 1: what it was. But to me, it really didn't gain

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Speaker 1: no bunch of significance until it hit the West coast, right,

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Speaker 1: and you was one of one of the pioneering labels

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Speaker 1: Man Ruthless records. Right, how you linking? How the hell

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Speaker 1: you link up with easy? And he was reasonally on

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Speaker 1: the right on the California right. How did you link

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Speaker 1: up with Easy?

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Speaker 5: Well?

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Speaker 3: Through my cousin cot one seven above the log go

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Speaker 3: mac Recci Peace Laylag the late Great KMG Total Cash.

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Speaker 3: It was back in early eighty nine, just when their

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Speaker 3: record was about to come out, you know, living like Hustlers,

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Speaker 3: And you know, I did a three songs demo put

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Speaker 3: on the California and first signed a production deal with

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Speaker 3: Larry Goodman and Laylaw and you know that landing me

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Speaker 3: a deal through Easy Easy heard me when Hutch you know,

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Speaker 3: and Laylong shot the kite to him and take long

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Speaker 3: for me to sign because you know, Easy love controversy.

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Speaker 3: So he tripped off the name cocaine, but he was like, damn,

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Speaker 3: it's like when a person is on cocaine, you don't

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Speaker 3: know how you gonna your mind state gonna be because

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Speaker 3: you do so many different styles.

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Speaker 5: I'm fucking with you. So and it take long for

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Speaker 5: me to get signed to Ruthless Records.

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Speaker 1: Oh for sure, for sure, man, I know Easy Man

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Speaker 1: to me, he don't get enough credit for what he

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Speaker 1: did in the game and what his legacy is, right

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Speaker 1: because he pretty much brought street music like to the forefront.

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Speaker 1: You know when you heard them records like eight Ball,

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Speaker 1: Boys in the Hood and all these different records again

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Speaker 1: you a glimpse of California. What funny it was like,

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Speaker 1: I came out to California in nineteen eighty eight, so

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Speaker 1: that's when dope Man that started hitting across the country

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Speaker 1: kind of like and I remember I heard that song

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Speaker 1: and I was like, damn, man, I wondered like it

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Speaker 1: made me wonder about the city of Conflin. I was

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Speaker 1: a nigga, you know, riding on the street with one

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Speaker 1: of my homeboys in Cleveland that song came to the race.

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Speaker 1: He looked at me and said, Man, you sure you

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Speaker 1: want to go out there with them comft niggas and

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Speaker 1: them crips.

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Speaker 2: So I asked what I was supposed to be over?

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Speaker 6: You was supposed to went down where else you had

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Speaker 6: the scholarship to go?

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Speaker 1: Man, I could have went to Coffeeville, Kansas. I came

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Speaker 1: to the West.

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Speaker 6: Coast, go to Coffeeville.

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Speaker 1: I wasn't having it, man, I wouldn't have it. I

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Speaker 1: wasn't going nowhere to know Coffeeville. Man, I knew this

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Speaker 1: is where I needed to be.

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Speaker 4: What made you want to come to California? I never

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Speaker 4: asked you that all these years. I know you, man,

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Speaker 4: you know what's crazy outside of football?

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Speaker 1: Man. I think I said this a few episodes ago,

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Speaker 1: looking at ice T's album because I actually told Darlene

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Speaker 1: that shut off to Darlene or Teaz. I met her

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Speaker 1: up here and I said, you and iced Ty the

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Speaker 1: reason I wanted to come to California.

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Speaker 4: So you saw a fucking album covering that made you

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Speaker 4: want to come here.

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Speaker 1: That was actually that actually led to my decision, man,

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Speaker 1: of going to Coffeeville or coming out here to Los Angeles, because.

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Speaker 4: I know you had to compare it like Los Angeles

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Speaker 4: Coffee Vielle that. Man, it wasn't even no comparison, because

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Speaker 4: I know football in the Midwest is big.

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Speaker 1: Yeah, this was. But I'm not thinking about football. I'm

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Speaker 1: thinking about what I'm gonna be doing. He yeah, he

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Speaker 1: wasn't get all this crip. I said, I'm thinking about.

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Speaker 4: What roder the hood they got out there in California.

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Speaker 1: You know all of you know what do they call

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Speaker 1: extra recular activities?

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Speaker 4: You, Darlene boy, for all least you know what.

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Speaker 1: That's what I wanted, man, I said, I want to.

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Speaker 5: Bra like that.

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Speaker 1: I want a chain like that, man, And I said,

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Speaker 1: I wanted to sack my boy. Fine, be supplied the sack,

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Speaker 1: I said, I want to say. I was listening to

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Speaker 1: that music, and it sounded like it made it funes sound.

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Speaker 4: Being a D boy was la D boy was crack

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Speaker 4: already in Cleveland when you left.

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Speaker 1: Oh hell yeah, this started already infiltrating everything. So I'd

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Speaker 1: actually start dibbling and dabbling a little bit when I

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Speaker 1: was back at the crib. Was the most you've had

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Speaker 1: fifty man shooting Ohio fifty man out here. I was

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Speaker 1: fucking with zones and ship.

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Speaker 4: You know when Ohio fifty fifty fifty piece in Ohio

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Speaker 4: had to be little. Yeah, it was a little probably

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Speaker 4: is like a dime out here.

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Speaker 1: Cut like a motherfucker. It's called that ship blow up, motherfuckers.

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Speaker 1: Shit you hit that ship, that shit get the blowing

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Speaker 1: up and popping this ship.

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Speaker 4: Man, heah, niggas out this everybody on this side of

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Speaker 4: the cow just like biggas also that every nigga up

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Speaker 4: here soul blow up.

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Speaker 1: Yeah, nigga, that ship would blow up in your face.

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Speaker 1: That that ship would blow up in your face.

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Speaker 5: They came.

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Speaker 6: I remember when you first came out, because you know, uh,

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Speaker 6: I think ruthless at the time. Your deal was, uh,

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Speaker 6: and if I'm not mistaken, went through epic Yeah, and

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Speaker 6: uh they had controversy with your name because I remember

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Speaker 6: they had promo cards with us on them and they

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Speaker 6: had you as who am I?

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Speaker 3: Yeah, yeah, that was Al Masaku and Kenny kempso at

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Speaker 3: that time, because you know, Worries Morefield was cool.

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Speaker 5: But you know, Eric had landed a big deal and he.

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Speaker 3: Was considered our West Coastrussell Simmons because it was like

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Speaker 3: the biggest deal at that time, with an epic distribution

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Speaker 3: he had above the low Cocaine and poor Broken Lonely, you.

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Speaker 1: Know what I'm saying, and Broken Lonely.

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Speaker 5: That was an R and B group, Chris the Glove

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Speaker 5: who did a lot of stuff.

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Speaker 4: Chris signed to Chris one of myselves. Chris was R

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Speaker 4: and B singer.

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Speaker 5: Oh man, he's an incredible producer. I don't know if

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Speaker 5: he was, I don't think.

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Speaker 3: But once they signed, once they signed on, we was

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Speaker 3: going everywhere.

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Speaker 5: The Abbey Road back in the days.

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Speaker 3: This was prior England before that, you know out here

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Speaker 3: Abbey Road distributors, the distributors, Violet Brown.

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Speaker 4: Yeah, that was.

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Speaker 2: Get this. It was right.

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Speaker 6: It was right over it in wats a little bit

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Speaker 6: like like off of Alameda.

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Speaker 1: Because actually Abbey Road was where we would go buy

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Speaker 1: the records at the count of Abbey Road.

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Speaker 5: Brown Brown used to take us around there.

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Speaker 6: Still me a gang cassettes going. Don't going through Abbey Road, man.

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Speaker 5: You know, oh hell yeah, goddamn.

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Speaker 6: They that that was like the biggest West Coast distributor

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Speaker 6: as far as a lot of products. So we would

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Speaker 6: do a lot of fucking uh. We would do a

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Speaker 6: lot of promotional ship at Abbey Road signings and shipped

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Speaker 6: for the retailers and all.

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Speaker 1: That's what I did E. P. M. D up there

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Speaker 1: as a retailer. You know, we would go get you know,

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Speaker 1: we had the pictures in our stories back in the

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Speaker 1: day when people signing them. We would get those that

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Speaker 1: a lot of the the wholesale spots on Abbey Road,

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Speaker 1: West Coast record distributors on all those other spots you

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Speaker 1: go pick up your retail front and one one.

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Speaker 3: That was a one stopping plus back that was back

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Speaker 3: in the days. You know, we used to go to

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Speaker 3: record Pool's foot recipes. Scott was a big significant part

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Speaker 3: of this game. But you know, once they you know,

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Speaker 3: it was like about three months before my record was

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Speaker 3: gonna come out, and they decided to change it because

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Speaker 3: the FCC laws wouldn't permit them to say cocaine, right,

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Speaker 3: even though we changed it now saying when you listen

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Speaker 3: to cocaine, it's like it's a it's a mind trip.

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Speaker 3: You're like, you don't know what this niggas gonna do,

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Speaker 3: but it's gonna be funky.

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Speaker 5: They wasn't having that. They were stuck in tradition.

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Speaker 3: So last name. They changed my name. I had to

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Speaker 3: cut out there called Nikkel slick Nigga. A lot of

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Speaker 3: niggas was on that shit in nineteen ninety one. I

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Speaker 3: finished the record in eighty nine. I had to wait,

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Speaker 3: well Bob the Law to put out Living Like Hustlers,

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Speaker 3: which was one of the most prolific albums you know,

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Speaker 3: on on the project on the West Coast at that time.

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Speaker 3: And they changed my name. They said who am I?

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Speaker 3: So when a lot of niggas was going to the stores,

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Speaker 3: that was like, well.

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Speaker 5: Who the fuck is this?

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Speaker 3: We look at people, Yeah, but that was that was

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Speaker 3: That was a blessing. I'm gonna tell you why, something

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Speaker 3: about getting doors shut in your face. And there wasn't

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Speaker 3: no secret to controversy. There was like Chuck d NWA

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Speaker 3: and NW at that time. There was like a modern

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Speaker 3: day bomb squad, you see what I'm saying. And they

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Speaker 3: was like, well, fuck Epic Records if you're gonna change

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Speaker 3: the name cocaine.

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Speaker 5: You know, the easy e.

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Speaker 3: The whole fellas over there was very adamant about it

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Speaker 3: because they were behind cocaine and they wanted Cocaine to

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Speaker 3: come out just as.

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Speaker 5: Big as n W had, Brother Law and everybody else

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Speaker 5: on there.

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Speaker 3: But they closed the door and a lot of people

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Speaker 3: don't know. You know where I come from. You know,

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Speaker 3: music is embedded in my twenty three chromosomes because of

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Speaker 3: my father, Jerverybuddy long Senor you know, who was a ranger,

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Speaker 3: composer and writer. Plus my uncle was Willie Hutch So

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Speaker 3: it's like, I don't care what y'all decided to do.

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Speaker 3: This is my creativity. We ain't gonna compromise it. And

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Speaker 3: Eric felt the same way. And Eric was pissed off

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Speaker 3: at that time, and that was one of the moves

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Speaker 3: he made from Epic Records and saying bye bye going

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Speaker 3: over to Alan Grumblatt and Relativity Records. You know what

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Speaker 3: I mean, because because Ka whom I was out in

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Speaker 3: nineteen ninety one, but it didn't have a critic ald

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Speaker 3: claim just because you know, Epic Records was scared at

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Speaker 3: that time. I mean, if you can't really fault them FCC's.

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Speaker 3: He was like, see this nigga come along, nained cocaine.

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Speaker 3: They think a nigga just like Escobar or something. But

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Speaker 3: it was all about the punk. But they didn't have

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Speaker 3: They wasn't hearing that shitty.

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Speaker 2: They didn't know what the fuck. But doing that's all.

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Speaker 3: It was beautiful because you know, me and the fellas

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Speaker 3: got together at Audio Achievements at that time where we

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Speaker 3: was recording shout out to Donovan rest in Peace, Donovan

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Speaker 3: Dirt Biker. So it was like, man, well shit, man,

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Speaker 3: we're about to shoot this do this Niggas for Life album,

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Speaker 3: Well we want you on it.

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Speaker 5: We're about to do Black Mafia like we want you

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Speaker 5: on it.

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Speaker 3: And that was the chance for me to get on

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Speaker 3: Niggas for Life, introducing the character called sweet Talk.

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Speaker 5: Well all right, y'all across the.

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Speaker 3: Usc Compton March they do I know, just as well

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Speaker 3: as easy saying, man, you'll call mop fucker with your pen.

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Speaker 3: I want you to write my part for Appetite a Destruction,

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Speaker 3: which I wrote his ten Gangster commandments for that, and

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Speaker 3: I was like boom because that was my first platinum

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Speaker 3: record in ninety one platinum, and prior to that, I

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Speaker 3: had experience and chance to in nineteen eighty nine go

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Speaker 3: over to Brixton London. So here I am a young

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Speaker 3: coca over there and Brixton London.

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Speaker 1: Like bricks is cracking.

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Speaker 5: This shit is crazy. But yeah, but you know, those

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Speaker 5: doors being.

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Speaker 3: Shut on me is a is a significant reason why

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Speaker 3: I'm the most featured recording artists in the world because

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Speaker 3: you know, at that time and you know kids and

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Speaker 3: you know, things was political. But I've always kept working

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Speaker 3: in nine times out of ten when I go to

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Speaker 3: the studio, whatever style I'm doing, I'm blessed enough that

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Speaker 3: the other artists would be like, hey man, this this

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Speaker 3: ship is cracked. Put the ship on there. So that

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Speaker 3: really that that first door being shut in my face

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Speaker 3: by not by me not being played on the radio.

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Speaker 3: I think it's a significant fact that I work my

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Speaker 3: ass off and twenty three, you know, thirty four years later,

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Speaker 3: I'm over four thousand and one hundred and twenty eight features.

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Speaker 5: You know what I mean.

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Speaker 4: I heard a thousands of the motherfucker, So I got

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Speaker 4: about a thousands at the DOE thousand.

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Speaker 3: So it's it's unheard of, and a lot of people

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Speaker 3: look at me and I'm like, nah, that's some bullshit.

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Speaker 3: But people know what's happening because I can show you

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Speaker 3: better than I can tell you. And I ain't never

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Speaker 3: think about being the most featured artist.

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Speaker 1: I was.

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Speaker 3: I was the person that was, you know, influencer, just

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Speaker 3: as well as influenced by your m and your doctor

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Speaker 3: dre's and above the laws and your dcs and the

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Speaker 3: list goes on and it's like still sharp and still

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Speaker 3: at the same time. So you know, that was the

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Speaker 3: beginning of something that was very good because years later,

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Speaker 3: you know, the resilience of any artists that stay consistent

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Speaker 3: is the reason why they manifest and where they are

291
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Speaker 3: today is because this game is brutal.

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Speaker 5: It's worse than the dope game, you know what I mean.

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Speaker 3: But music was embedded in me, and I was like, shit, man,

294
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Speaker 3: I'm gonna keep going and I'm not gonna throw in

295
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Speaker 3: the towel because a lot of people became one of it.

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Speaker 5: Wonders than throughing the town.

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Speaker 3: We could look at each other here and as old

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Speaker 3: gs and as elders, you know, It's a blessing to

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Speaker 3: go back and see youngsters all over the world now

300
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Speaker 3: being intrigue with what's going on, because we used to

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Speaker 3: be like that when we used to look at old

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Speaker 3: records and we used to we was like, then, who

303
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Speaker 3: did this?

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Speaker 5: Who did that?

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Speaker 3: So now it's going back because of the computers of

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00:14:26,920 --> 00:14:31,400
Speaker 3: worm up digging into crates and it's right on time, man.

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Speaker 3: So you know, I'm happy. I don't live with no

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Speaker 3: regrets through the good and bad. You know, the same

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Speaker 3: thing that's designed to kind of stop you was the

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Speaker 3: very same thing to catapult you years later.

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Speaker 1: And see, you know what, you being around Drake kind

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Speaker 1: of in this I ain't gonna say it's emphacy stages

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Speaker 1: because it's by the time Drake was doing NWA, he

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Speaker 1: had done world class recking crew and all kinds of

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Speaker 1: other stuff. But you getting to work with him back

316
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Speaker 1: then versus you getting to work with him now, kind

317
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Speaker 1: of like in the prisons when you guys start doing

318
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Speaker 1: all the stuff aftermath and everything like that. Did you

319
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Speaker 1: see any difference in his production style or was he

320
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Speaker 1: more laid back?

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Speaker 3: It was it was dre is a phenomenal producer and

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Speaker 3: a phenomenal DJ. First of all, you know, so back

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Speaker 3: when they was doing any thing with Lonzo and Macola Records,

324
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Speaker 3: can't forget about my coola of course.

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Speaker 5: Yeah so yeah, yeah, yeah.

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Speaker 3: So I had the privilege I choose my words carefully.

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Speaker 3: I had the privilege of seeing doctor Dre, you know,

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Speaker 3: and above the law and DC and mc ran. But

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Speaker 3: when I would see Dre in the studio, man, he

330
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Speaker 3: mastered that SB twelve like nobody.

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Speaker 5: He never mastered. He was like, you know, back then,

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Speaker 5: doctor Dre was like.

333
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Speaker 3: So it was like considered the West Coast bomb squad,

334
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Speaker 3: you know, because he was a hell of a DJ.

335
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Speaker 3: And to be able to to see him, you know,

336
00:16:01,960 --> 00:16:05,760
Speaker 3: knights up there with him in Easy arguing like him

337
00:16:05,760 --> 00:16:09,640
Speaker 3: and Easy used to have arguments like Easy was like, man,

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00:16:09,680 --> 00:16:13,120
Speaker 3: put this shit on, like this man. Dre was like, nah, man,

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00:16:13,120 --> 00:16:16,840
Speaker 3: we don't want to do that shit, man. But they

340
00:16:16,920 --> 00:16:20,360
Speaker 3: still came to an agreement and came up with two

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Speaker 3: of the most bombased classic records that arguably one is

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Speaker 3: greater than the last, but they both greater. And that's

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Speaker 3: straight out of Compton and Niggas for Life, And those

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00:16:30,840 --> 00:16:34,720
Speaker 3: guys gave me an opportunity I remember in nineteen eighty

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Speaker 3: nine when Warren G and.

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Speaker 5: Jewel Rest in Peace.

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Speaker 3: They used to be at audio achievements and they used

348
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Speaker 3: to be the highlight because they used to always bag.

349
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Speaker 3: Warreng G said one time to Jewel, he was like this,

350
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Speaker 3: I make you chuck my dick and then want no bullshit.

351
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Speaker 3: And then Jewel was so covid she said, well pull

352
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Speaker 3: the motherfucker out there, you know what I'm saying. So

353
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Speaker 3: those times around there, you know, seeing Jude, even michele A,

354
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Speaker 3: Warren G above the law, Doc mc ran, Rescue, pece CPO,

355
00:17:09,680 --> 00:17:13,320
Speaker 3: Chip DJ Train, Rest in Peace, you know what I'm saying,

356
00:17:13,800 --> 00:17:17,679
Speaker 3: It was incredible because you got to realize all the

357
00:17:17,800 --> 00:17:23,560
Speaker 3: success that came from ruthless. It's a significant reason why

358
00:17:23,600 --> 00:17:27,000
Speaker 3: because of ruthless success is the reason why Death Row

359
00:17:27,119 --> 00:17:29,360
Speaker 3: is successful, is the reason why.

360
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Speaker 5: West Coast is successful.

361
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Speaker 3: Of course, big ups to my twin, my og Pont

362
00:17:34,600 --> 00:17:37,639
Speaker 3: the iced Tea. You know, he laid down the foundation,

363
00:17:38,240 --> 00:17:40,480
Speaker 3: taking some of the elements because he knew the East

364
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Speaker 3: Coast roots, but then easy put the shit on steroids

365
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Speaker 3: because he took a chance being from Compton, and Compton

366
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Speaker 3: is a significant part of West coast because they gave

367
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Speaker 3: cats from Pomona, they gave cats from.

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Speaker 5: Cleveland, you know what I mean.

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Speaker 3: And that was the mission statement, you know, when Easy

370
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Speaker 3: decided to put up his water money, you know, and

371
00:18:04,320 --> 00:18:07,440
Speaker 3: his dope money for this to happen. Is the reason

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Speaker 3: why years later it became a multi, multi, multi billion

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Speaker 3: dollar industry helding.

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Speaker 5: From the West Coast. So you know when you tell.

375
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Speaker 3: Me that that Easy don't get his credit he deserved,

376
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Speaker 3: that's genuine because he don't. Man, do not because Easy

377
00:18:28,119 --> 00:18:31,520
Speaker 3: took a chance on us. Man, you know, he never

378
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Speaker 3: made you feel like a two dollar bill the nigga

379
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Speaker 3: used to roll with the Compton had in the back

380
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Speaker 3: with the big ass body, bends quartiers and woo peopoo,

381
00:18:40,400 --> 00:18:42,720
Speaker 3: pulling off greate nuts and made you feel like he

382
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Speaker 3: was a multi million dollar nigga. So I learned that

383
00:18:46,680 --> 00:18:50,040
Speaker 3: from him, how he was able to not just mex

384
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Speaker 3: mess with brothers from the hood, but mess with essays

385
00:18:55,280 --> 00:18:57,480
Speaker 3: that was a no no and political at that time.

386
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Speaker 3: He took a chance.

387
00:18:59,200 --> 00:18:59,840
Speaker 5: Then he went.

388
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Speaker 3: Out the coast because he had the vision to say, Man,

389
00:19:03,840 --> 00:19:06,399
Speaker 3: I'm listening to these dudes from Cleveland. They're gonna be

390
00:19:06,400 --> 00:19:10,199
Speaker 3: the next this, this, this, and that Eric ideas a

391
00:19:10,200 --> 00:19:13,639
Speaker 3: lot of people don't know people. I ain't gonna say bite,

392
00:19:14,280 --> 00:19:18,720
Speaker 3: but was inspired by his ideas. Even all of us

393
00:19:18,720 --> 00:19:22,439
Speaker 3: can say that no, mam, So you know, for me

394
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Speaker 3: to be here and being that I was able to

395
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Speaker 3: do what I was able to do, as being on

396
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Speaker 3: all these records, I always pay homage to Eric, right,

397
00:19:36,320 --> 00:19:39,440
Speaker 3: and of course I pay homage to Dre and everybody

398
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Speaker 3: else that invited me on the project. It would be

399
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Speaker 3: my blind arrogance if I was to say, yeah, I'm

400
00:19:46,119 --> 00:19:48,960
Speaker 3: the most speached artist, but love is a two way street.

401
00:19:49,160 --> 00:20:04,480
Speaker 5: Me all those people invited me on there, like.

402
00:20:04,440 --> 00:20:08,760
Speaker 3: Your aids and your Dre's and your stoops and bust

403
00:20:08,800 --> 00:20:14,800
Speaker 3: the rhymes. And so that's the importance of fellowship and

404
00:20:14,960 --> 00:20:17,920
Speaker 3: unity that years later, because some of the homies ain't gone.

405
00:20:17,960 --> 00:20:20,159
Speaker 5: Rest of Peaks, KMG recipeace a lot of people.

406
00:20:20,920 --> 00:20:25,960
Speaker 3: But we're here as pillars to really reminded the youngsters

407
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Speaker 3: that hey have a certain tribal protocol. We're not here

408
00:20:29,520 --> 00:20:32,040
Speaker 3: to bash the youngsters, but we're here to say, get

409
00:20:32,080 --> 00:20:34,360
Speaker 3: your elbows off the table, you know what I mean,

410
00:20:34,440 --> 00:20:36,959
Speaker 3: because back when we was raised, you have your elbows

411
00:20:37,000 --> 00:20:39,000
Speaker 3: on the table, Granny was slept ship out of you,

412
00:20:39,440 --> 00:20:42,040
Speaker 3: and it's like, we got to get back to that

413
00:20:42,200 --> 00:20:42,960
Speaker 3: because the.

414
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Speaker 5: Youngsters is our future.

415
00:20:45,240 --> 00:20:49,040
Speaker 3: So the discourse and disconnect between them is the reason

416
00:20:49,119 --> 00:20:52,560
Speaker 3: why I think that we're still here able to put

417
00:20:52,600 --> 00:20:56,240
Speaker 3: out those frequencies in magic and tell these stories that

418
00:20:56,400 --> 00:21:00,280
Speaker 3: really gonna inspire people because people forgot about those stories

419
00:21:00,359 --> 00:21:03,080
Speaker 3: and we didn't have no internet, we had storytelling.

420
00:21:03,359 --> 00:21:04,560
Speaker 5: Do you feel you know what I mean?

421
00:21:05,840 --> 00:21:09,080
Speaker 6: Because you come from the era of you know where

422
00:21:09,119 --> 00:21:11,840
Speaker 6: I came from as far as music and hip hop

423
00:21:11,960 --> 00:21:15,640
Speaker 6: is concerned. But you know, a lot of young influence

424
00:21:15,800 --> 00:21:24,760
Speaker 6: nowadays really kind of you know, I want to disassociate

425
00:21:24,960 --> 00:21:31,240
Speaker 6: themselves with our generation of hip hop. Not all because

426
00:21:31,320 --> 00:21:36,920
Speaker 6: there's a lot of today rappers or the generation behind

427
00:21:37,080 --> 00:21:41,280
Speaker 6: us or whatever that respect, you know, the craft that

428
00:21:41,560 --> 00:21:44,480
Speaker 6: you know I did or Easy did, or King Tea

429
00:21:44,680 --> 00:21:49,359
Speaker 6: or Iced Tea. But then there's a lot of there's

430
00:21:49,400 --> 00:21:52,000
Speaker 6: a lot of disconnection from dudes who want to even

431
00:21:52,040 --> 00:21:54,880
Speaker 6: associate with our era of hip hop.

432
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Speaker 2: Well, how you feel about that?

433
00:21:56,800 --> 00:21:58,960
Speaker 3: Well, first of all, youngster's got to know that ain't

434
00:21:58,960 --> 00:22:03,119
Speaker 3: no expiration data on dope music period. It's not like

435
00:22:03,200 --> 00:22:06,000
Speaker 3: you in the NBA and then you break your achilles

436
00:22:06,320 --> 00:22:07,600
Speaker 3: and then you can't play no more.

437
00:22:08,280 --> 00:22:10,440
Speaker 5: But you see cats like.

438
00:22:10,880 --> 00:22:14,920
Speaker 3: George Clinton eighty three years old, still killing them, you.

439
00:22:14,880 --> 00:22:17,120
Speaker 5: Know what I mean. And it's only in hip hop.

440
00:22:17,160 --> 00:22:19,640
Speaker 5: You can go to you can go to rock and bro.

441
00:22:19,920 --> 00:22:23,080
Speaker 3: You can have Mick Jagger, they can fall off, they

442
00:22:23,080 --> 00:22:25,919
Speaker 3: can lay back for fifteen years and pack eighty thousand

443
00:22:25,960 --> 00:22:30,639
Speaker 3: people and the stuff. So the stigma between young and old,

444
00:22:31,400 --> 00:22:39,120
Speaker 3: it's just some bullshit and bullshit propaganda that if.

445
00:22:37,560 --> 00:22:39,840
Speaker 5: You're willing to listen to it, you're gonna be seduced

446
00:22:39,840 --> 00:22:40,159
Speaker 5: by it.

447
00:22:40,600 --> 00:22:43,679
Speaker 3: So I'm saying all the youngsters out there, you know,

448
00:22:43,840 --> 00:22:45,960
Speaker 3: get back to the point to where you learn from

449
00:22:45,960 --> 00:22:49,320
Speaker 3: the legends. And at the same time, it's accountability for

450
00:22:49,359 --> 00:22:52,800
Speaker 3: the ol g's because some OG's wasn't even leading people

451
00:22:53,000 --> 00:22:55,280
Speaker 3: youngsters the right way. Let's just keep it one hundred.

452
00:22:55,440 --> 00:22:57,760
Speaker 3: Let's not throw it all on the youngsters like that,

453
00:22:58,240 --> 00:23:01,560
Speaker 3: you know what I mean. It's accountability for everything. But

454
00:23:01,600 --> 00:23:03,800
Speaker 3: it's a season for us to go ahead and talk

455
00:23:03,840 --> 00:23:07,000
Speaker 3: about it. So that way, you know, once we gone

456
00:23:07,080 --> 00:23:09,560
Speaker 3: and our music, you know, a hundred years from now,

457
00:23:10,520 --> 00:23:12,560
Speaker 3: we'll be able to make a difference and be a

458
00:23:12,640 --> 00:23:16,919
Speaker 3: cornerstone piece to influence them. And of course, you know,

459
00:23:17,240 --> 00:23:20,200
Speaker 3: the disrespect is not tolerated, you know what I mean,

460
00:23:20,240 --> 00:23:23,119
Speaker 3: because we was raised from the era well we you know,

461
00:23:23,200 --> 00:23:26,320
Speaker 3: you would have a hundred gang bankers out, you know,

462
00:23:26,400 --> 00:23:28,280
Speaker 3: in my front yard or something.

463
00:23:28,320 --> 00:23:31,880
Speaker 5: And when miss y'all meanee Selim came by.

464
00:23:31,720 --> 00:23:34,560
Speaker 3: And said take that shit down the street, we say yes, yes,

465
00:23:35,560 --> 00:23:39,399
Speaker 3: miss y'all mean celn Yes, ma'am. Now, because of the

466
00:23:39,440 --> 00:23:42,560
Speaker 3: Internet and because of the real weirdo shit, it turned up

467
00:23:42,560 --> 00:23:47,119
Speaker 3: on steroids to where they're mostly projecting disrespect. But the

468
00:23:47,160 --> 00:23:50,080
Speaker 3: good the good thing about us is that, oh Jesus,

469
00:23:50,240 --> 00:23:52,760
Speaker 3: back to back against the wall. It could be a

470
00:23:52,800 --> 00:23:56,119
Speaker 3: lot of y'all, but we're gonna stand tall because you know,

471
00:23:56,200 --> 00:23:57,840
Speaker 3: all sperm cells don't get to the egg.

472
00:23:57,960 --> 00:23:59,200
Speaker 5: Only one gonna listen.

473
00:23:59,280 --> 00:24:02,040
Speaker 3: So you know, if we talk it to that one

474
00:24:02,119 --> 00:24:06,040
Speaker 3: youngster out of ten that ain't gonna listen, that's gonna

475
00:24:06,040 --> 00:24:06,760
Speaker 3: make a difference.

476
00:24:07,040 --> 00:24:10,560
Speaker 5: And it really ain't no disconnect. It's all mental, you

477
00:24:10,600 --> 00:24:11,120
Speaker 5: know what I mean.

478
00:24:11,200 --> 00:24:14,520
Speaker 3: But more and more we embrace our youngsters with letting

479
00:24:14,560 --> 00:24:17,680
Speaker 3: them know that, hey, it's a tribal order.

480
00:24:17,520 --> 00:24:18,399
Speaker 5: To this shit.

481
00:24:19,280 --> 00:24:20,720
Speaker 3: You know what I mean, we didn't get down that,

482
00:24:20,880 --> 00:24:23,440
Speaker 3: like we don't dish when George clinton't come in the room,

483
00:24:23,640 --> 00:24:27,360
Speaker 3: I don't disrespect him. I might have a difference of opinion,

484
00:24:27,640 --> 00:24:31,400
Speaker 3: but at the same time, I don't disrespect my elders.

485
00:24:32,080 --> 00:24:34,040
Speaker 3: And we just got to keep pushing it and pushing

486
00:24:34,080 --> 00:24:36,439
Speaker 3: it and stay in the rhythm so that way the

487
00:24:36,520 --> 00:24:40,400
Speaker 3: youngsters could feel comfortable, as the OG's feel comfortable by

488
00:24:40,480 --> 00:24:46,000
Speaker 3: opening up that dialogue with everybody not pointing fingers. Well, no,

489
00:24:46,040 --> 00:24:47,000
Speaker 3: it's not about that.

490
00:24:47,200 --> 00:24:49,840
Speaker 4: Is that really a thing? Still though at this point, well,

491
00:24:50,520 --> 00:24:52,760
Speaker 4: like where y'all feel like young rappers is like that.

492
00:24:53,200 --> 00:24:56,120
Speaker 3: I don't feel all young rappers like that. But the disrespect,

493
00:24:56,359 --> 00:24:59,440
Speaker 3: you don't disrespect. It's just like you don't disrespect your mother,

494
00:25:00,119 --> 00:25:01,639
Speaker 3: you don't disrespect your g's.

495
00:25:02,600 --> 00:25:03,480
Speaker 5: Now, if a.

496
00:25:03,440 --> 00:25:06,600
Speaker 3: Person's not leading by example and only doing a sample,

497
00:25:06,960 --> 00:25:10,040
Speaker 3: well that's some hypocritical shit. But for those that are

498
00:25:10,040 --> 00:25:13,320
Speaker 3: out there OG's that are on the front line still

499
00:25:13,359 --> 00:25:17,800
Speaker 3: packing them shows, we're basically telling the youngsters, you're gonna

500
00:25:17,800 --> 00:25:20,879
Speaker 3: be one of us one day live. Don't be a

501
00:25:20,920 --> 00:25:23,679
Speaker 3: three pot, you know what I'm saying. Everybody trying to

502
00:25:23,680 --> 00:25:27,159
Speaker 3: be a three pot there was only one Tupac. Everybody

503
00:25:27,240 --> 00:25:29,639
Speaker 3: trying to be a three pot. No, man, if you

504
00:25:30,119 --> 00:25:34,040
Speaker 3: humble yourself, you know, and know that all the rhetoric

505
00:25:34,119 --> 00:25:37,119
Speaker 3: with the money and this and that and the lean

506
00:25:37,359 --> 00:25:40,480
Speaker 3: and this. See what generation we come from. It wasn't

507
00:25:40,520 --> 00:25:43,360
Speaker 3: cool to use drugs. Now it's cool to use drugs,

508
00:25:44,640 --> 00:25:47,240
Speaker 3: and they pushing that line and pushing that agenda, especially

509
00:25:47,280 --> 00:25:50,880
Speaker 3: with corporate structure, because we have been there before where

510
00:25:50,880 --> 00:25:55,119
Speaker 3: there was meetings and shit to turn reality wrap into

511
00:25:55,600 --> 00:25:59,600
Speaker 3: gangster rap, which white media did that shit. We was

512
00:25:59,640 --> 00:26:05,280
Speaker 3: calling ship reality because guess what it was reality.

513
00:26:05,680 --> 00:26:08,520
Speaker 5: You know, so I think give it some time.

514
00:26:08,840 --> 00:26:11,000
Speaker 2: You know what the fuck I was calling my ship?

515
00:26:11,280 --> 00:26:12,920
Speaker 4: I was just making rap.

516
00:26:12,960 --> 00:26:14,760
Speaker 5: She was out and all that shit. I don't even

517
00:26:14,800 --> 00:26:17,080
Speaker 5: I don't I call my shit reality rap.

518
00:26:17,000 --> 00:26:20,960
Speaker 2: Like you know what, man, gangster rap. It wasn't reality.

519
00:26:21,119 --> 00:26:26,560
Speaker 6: I was just making fucking music for ship that I

520
00:26:26,600 --> 00:26:27,680
Speaker 6: saw going on.

521
00:26:28,000 --> 00:26:28,880
Speaker 5: But that's reality.

522
00:26:29,400 --> 00:26:34,200
Speaker 6: But then I wasn't like it's a trag new on records.

523
00:26:34,359 --> 00:26:37,440
Speaker 6: You know, I didn't do that on records, y'all.

524
00:26:37,440 --> 00:26:38,840
Speaker 4: Remember, basically was.

525
00:26:38,800 --> 00:26:43,520
Speaker 6: Telling you, uh, when we hung out on bar Clay

526
00:26:43,960 --> 00:26:49,480
Speaker 6: niggas came through dumping how he got killed when the

527
00:26:49,560 --> 00:26:50,880
Speaker 6: police came through.

528
00:26:51,119 --> 00:26:52,040
Speaker 5: Let me ask you something.

529
00:26:52,080 --> 00:26:56,240
Speaker 2: We got Jack holding tank for twelve but.

530
00:26:56,200 --> 00:26:58,480
Speaker 5: Let me ask you something. Let me ask you something.

531
00:26:58,520 --> 00:27:00,919
Speaker 5: Is that fake or is that reality? No?

532
00:27:01,080 --> 00:27:04,679
Speaker 2: That was shit. We were it was reality. But I

533
00:27:04,720 --> 00:27:06,480
Speaker 2: don't think like I don't.

534
00:27:06,600 --> 00:27:08,920
Speaker 6: I didn't look at it as like you know, because

535
00:27:08,960 --> 00:27:10,520
Speaker 6: this ain't everybody's reality.

536
00:27:10,720 --> 00:27:12,960
Speaker 2: This is what's going on in my neighborhood, right.

537
00:27:13,080 --> 00:27:15,120
Speaker 5: You know what we used to call it street reporting.

538
00:27:15,240 --> 00:27:17,879
Speaker 6: I used to call it just neighborhood music. I'm making

539
00:27:17,920 --> 00:27:23,040
Speaker 6: neighborhood music because it's it's for it's for a certain audience.

540
00:27:23,400 --> 00:27:26,240
Speaker 6: Everybody ain't gonna like my shit, and this is not

541
00:27:26,359 --> 00:27:28,280
Speaker 6: everybody's reality.

542
00:27:27,920 --> 00:27:28,520
Speaker 2: You get me.

543
00:27:29,720 --> 00:27:35,680
Speaker 6: So this is my form of reporting because motherfuckers all

544
00:27:35,720 --> 00:27:39,719
Speaker 6: across the country is curious about what's going on because

545
00:27:39,760 --> 00:27:43,920
Speaker 6: they done saw colors or saw some others. Motherfuckers is

546
00:27:44,040 --> 00:27:49,040
Speaker 6: curious about what these niggas doing cripping in blood. But

547
00:27:49,119 --> 00:27:52,080
Speaker 6: I'm not gonna go there because some of you niggas

548
00:27:52,080 --> 00:27:55,880
Speaker 6: don't even get the aspect of what cripping in blood. Neggs,

549
00:27:55,960 --> 00:28:00,639
Speaker 6: y'all just see bandanas in rags. These niggas gang bag That.

550
00:28:00,760 --> 00:28:04,600
Speaker 4: Was curious something, right, because y'all like, right, the generation

551
00:28:04,680 --> 00:28:08,200
Speaker 4: before minds, Right, do you remember the first time who

552
00:28:08,280 --> 00:28:11,200
Speaker 4: was the first rapper you heard claimed their ship is

553
00:28:11,280 --> 00:28:11,960
Speaker 4: gangster rap?

554
00:28:13,320 --> 00:28:15,080
Speaker 2: Because I was singing on wax record.

555
00:28:15,160 --> 00:28:17,760
Speaker 4: No no, not not gang banging, but like really saying

556
00:28:17,880 --> 00:28:20,639
Speaker 4: gangster rap, like the first thing that come to my mind.

557
00:28:20,840 --> 00:28:23,320
Speaker 4: And y'all could tell me sooner. But I remember Doctor

558
00:28:23,400 --> 00:28:25,679
Speaker 4: Dre saying it on the chronic don't let me ride

559
00:28:26,680 --> 00:28:30,880
Speaker 4: gangster shit makes a ganga snaps word to the motherfucker streets.

560
00:28:31,440 --> 00:28:34,440
Speaker 3: Well, buff Law was saying gangster ship and they ship. Yeah,

561
00:28:34,600 --> 00:28:37,800
Speaker 3: you look at living like hustles. They were saying, balling gangster.

562
00:28:40,200 --> 00:28:42,000
Speaker 3: I'm just telling the truth facts.

563
00:28:42,200 --> 00:28:43,720
Speaker 4: So I'm saying, do you remember the first time you

564
00:28:43,760 --> 00:28:47,760
Speaker 4: heard it when somebody claimed the life not banging on?

565
00:28:48,080 --> 00:28:49,960
Speaker 3: I don't know, man, A lot of stuff. I mean,

566
00:28:50,040 --> 00:28:52,040
Speaker 3: I know, I know we talk about but you know

567
00:28:52,120 --> 00:28:52,680
Speaker 3: you gotta get it.

568
00:28:52,960 --> 00:28:58,440
Speaker 6: I heard it on King t Uh Yeah, King T.

569
00:28:58,760 --> 00:29:01,600
Speaker 6: I heard it with Ship. I heard it on I

570
00:29:01,640 --> 00:29:05,800
Speaker 6: heard it with Toddy t Mix on TDK tape. Yeah

571
00:29:06,160 --> 00:29:09,560
Speaker 6: you give me uh Todd them was selling TDK tapes

572
00:29:09,600 --> 00:29:11,000
Speaker 6: through the neighborhood.

573
00:29:10,440 --> 00:29:12,320
Speaker 5: For twenty dollars tape.

574
00:29:12,400 --> 00:29:15,880
Speaker 6: It was all they was talking about gangsters and cluckheads

575
00:29:16,040 --> 00:29:17,280
Speaker 6: and straw.

576
00:29:17,640 --> 00:29:19,520
Speaker 4: That's how I remember all that. That's how I remember

577
00:29:19,560 --> 00:29:20,080
Speaker 4: old war.

578
00:29:20,400 --> 00:29:21,120
Speaker 2: That was my.

579
00:29:21,160 --> 00:29:26,400
Speaker 1: First glasses is asking if you're who was the first

580
00:29:26,440 --> 00:29:28,240
Speaker 1: one to rip their hood openly.

581
00:29:27,920 --> 00:29:29,840
Speaker 4: Going no, no, not not that big hot but just

582
00:29:29,960 --> 00:29:33,440
Speaker 4: say gangster. Yeah, I'm not talking about gang bang because

583
00:29:33,440 --> 00:29:34,080
Speaker 4: that's differult.

584
00:29:34,120 --> 00:29:37,640
Speaker 6: You just talking about somebody heard the motherfucker gold nigga

585
00:29:38,360 --> 00:29:39,520
Speaker 6: make gangster.

586
00:29:39,760 --> 00:29:42,080
Speaker 2: This is a gangster U ship.

587
00:29:42,240 --> 00:29:43,840
Speaker 3: A lot of a lot of a lot of people

588
00:29:43,960 --> 00:29:48,760
Speaker 3: back then you say street knowledge. That's what street reporters.

589
00:29:49,160 --> 00:29:51,640
Speaker 3: We're street reporters. They were saying that in eighty seven.

590
00:29:53,120 --> 00:29:55,400
Speaker 3: Weren't nobody saying, man were on some gangster ship on

591
00:29:55,520 --> 00:29:57,680
Speaker 3: MTV with five fath No, they wasn't. No.

592
00:29:57,800 --> 00:30:00,760
Speaker 6: They just did that I think because and like I said,

593
00:30:00,800 --> 00:30:02,160
Speaker 6: because of where we was from.

594
00:30:02,640 --> 00:30:05,280
Speaker 5: That was my white media. And I don't even want

595
00:30:05,320 --> 00:30:06,040
Speaker 5: to say the name.

596
00:30:06,120 --> 00:30:09,800
Speaker 6: It was a publicist that said he represented and Cali

597
00:30:10,040 --> 00:30:15,600
Speaker 6: was known for blood and that was gangster or as

598
00:30:15,640 --> 00:30:19,800
Speaker 6: far as people looked at us like oh, because you know,

599
00:30:20,000 --> 00:30:22,760
Speaker 6: back in the days, gangsters was the niggas who wore

600
00:30:22,800 --> 00:30:25,680
Speaker 6: the hats with the three piece suits and shit like that.

601
00:30:26,160 --> 00:30:30,280
Speaker 6: But as far as the West Coast was concerned, gangster

602
00:30:30,760 --> 00:30:34,040
Speaker 6: was the niggas who wearing the red and blue rags.

603
00:30:34,320 --> 00:30:37,160
Speaker 4: I always looked at it like a like a modern

604
00:30:37,240 --> 00:30:40,080
Speaker 4: day extension of cowboys. So when I would hear y'all

605
00:30:40,080 --> 00:30:42,440
Speaker 4: records when I was young, like my mom, feel me

606
00:30:42,480 --> 00:30:44,680
Speaker 4: my first experience to a one starle My mom you

607
00:30:44,720 --> 00:30:46,120
Speaker 4: know what I mean, raised me, you know, in the

608
00:30:46,160 --> 00:30:49,440
Speaker 4: forums and richly forms. So we used to go to

609
00:30:49,480 --> 00:30:51,880
Speaker 4: this one stop in Orange County and this she would

610
00:30:51,880 --> 00:30:54,240
Speaker 4: buy so many albums. This is where she would go

611
00:30:54,240 --> 00:30:57,120
Speaker 4: to Bomba. It was a better deal. And I remember

612
00:30:57,160 --> 00:31:00,239
Speaker 4: always seeing it like y'all was like black cowboys, Like

613
00:31:00,320 --> 00:31:03,560
Speaker 4: all the stories are like cowboys stories and as funny.

614
00:31:03,560 --> 00:31:05,320
Speaker 4: As I get older, I think back, and I'm like,

615
00:31:05,640 --> 00:31:08,240
Speaker 4: I never looked at y'all, Like I didn't even look

616
00:31:08,280 --> 00:31:09,960
Speaker 4: at I don't think I looked at y'all so much

617
00:31:10,000 --> 00:31:12,840
Speaker 4: like rappers versus niggas from around the way talking about

618
00:31:12,880 --> 00:31:15,800
Speaker 4: how shit was going down around the way. It was

619
00:31:15,880 --> 00:31:19,240
Speaker 4: like cowboys like outlaw. Feel me, niggas gonna have a gun.

620
00:31:19,320 --> 00:31:22,280
Speaker 4: Niggas is going where they're going, whatever is happening, and

621
00:31:22,360 --> 00:31:23,920
Speaker 4: that's how I always consumed it.

622
00:31:23,960 --> 00:31:25,800
Speaker 3: But when you think about it, you know a lot

623
00:31:25,880 --> 00:31:27,720
Speaker 3: of people, you know, because I remember when they had

624
00:31:27,760 --> 00:31:30,400
Speaker 3: self destructure and then we came.

625
00:31:30,720 --> 00:31:31,640
Speaker 5: We came with our ship.

626
00:31:31,760 --> 00:31:34,400
Speaker 3: We all in the same game with Mike exception on.

627
00:31:37,360 --> 00:31:39,440
Speaker 3: A lot of gangster shit came from the East Coast.

628
00:31:40,000 --> 00:31:40,760
Speaker 1: That's what I thought.

629
00:31:41,200 --> 00:31:45,320
Speaker 5: Just Ice was cast the message. You know what I'm saying.

630
00:31:46,320 --> 00:31:50,160
Speaker 3: A lot, a lot of stuff you know, came through there,

631
00:31:50,280 --> 00:31:54,080
Speaker 3: and it was a blessing that that, you know, Ice Tea,

632
00:31:54,560 --> 00:31:58,040
Speaker 3: you know, Twin had those East Coast elements because it

633
00:31:58,040 --> 00:32:00,520
Speaker 3: ain't where you're from, it's where you're at. It's like

634
00:32:00,560 --> 00:32:04,200
Speaker 3: they used to get the clothes, they used to get everything,

635
00:32:04,320 --> 00:32:04,880
Speaker 3: used to come to.

636
00:32:04,840 --> 00:32:07,760
Speaker 5: New York first, the Mecca, you know what I mean.

637
00:32:07,840 --> 00:32:13,920
Speaker 3: So we wanted to change the whole thing by introducing

638
00:32:14,160 --> 00:32:17,440
Speaker 3: our shit but coming from the West Coast because a

639
00:32:17,440 --> 00:32:20,640
Speaker 3: lot of the names that were named were similar to

640
00:32:20,720 --> 00:32:22,640
Speaker 3: the names of the East Coast.

641
00:32:22,680 --> 00:32:24,280
Speaker 5: No bullshit, I.

642
00:32:24,200 --> 00:32:27,240
Speaker 1: Can dig it, I can you know. I want to

643
00:32:27,240 --> 00:32:29,000
Speaker 1: go back and ask a few more questions about my

644
00:32:29,040 --> 00:32:34,360
Speaker 1: boy Easy right, So Easy goes to this big turmoil,

645
00:32:34,440 --> 00:32:37,959
Speaker 1: everybody leaf and everybody bounced pretty much. You and him

646
00:32:38,000 --> 00:32:41,600
Speaker 1: had a really good relationship. Absolutely did that impacts you

647
00:32:41,640 --> 00:32:44,440
Speaker 1: when he did? You like, when that whole riff happened,

648
00:32:44,600 --> 00:32:45,800
Speaker 1: where was you at with everything?

649
00:32:46,360 --> 00:32:46,560
Speaker 5: Well?

650
00:32:46,600 --> 00:32:48,760
Speaker 3: It was crazy because let me let me, let me

651
00:32:48,800 --> 00:32:51,640
Speaker 3: sum it up, and I got this shit down to

652
00:32:51,720 --> 00:32:56,360
Speaker 3: a t nineteen ninety Above the log came out in

653
00:32:56,400 --> 00:33:03,320
Speaker 3: the nineteen ninety Warren g on Snoop and Ny Dog

654
00:33:03,400 --> 00:33:06,959
Speaker 3: to the studio on loci Enegan, Ctenola in Inglehood. Prior

655
00:33:07,000 --> 00:33:10,480
Speaker 3: to that, in eighty nine, Orange and myself used to

656
00:33:10,480 --> 00:33:14,560
Speaker 3: stay with Hutch and Coton California, Department one eight seven,

657
00:33:15,040 --> 00:33:16,240
Speaker 3: Cottonwood Ranch.

658
00:33:17,040 --> 00:33:19,040
Speaker 5: So we were all with each other everybody.

659
00:33:19,040 --> 00:33:22,800
Speaker 3: You know, Sugar was our bodyguard back then.

660
00:33:23,560 --> 00:33:24,400
Speaker 5: We used to hook up.

661
00:33:24,480 --> 00:33:27,440
Speaker 3: I mean I got my first cars from Sugar in

662
00:33:27,480 --> 00:33:29,640
Speaker 3: eighty nine. And Ron Brown that used to play for

663
00:33:29,680 --> 00:33:33,160
Speaker 3: the Rams and shit. So you know, but it's a trip.

664
00:33:35,200 --> 00:33:40,600
Speaker 3: How just everything just transpired after you know, you know,

665
00:33:40,800 --> 00:33:46,360
Speaker 3: Snoop and everybody audition for Hutch actually above the law

666
00:33:46,720 --> 00:33:48,400
Speaker 3: because they was gonna put their record on a lot

667
00:33:48,400 --> 00:33:51,520
Speaker 3: of people don't know, just Snoop Snoop was going to

668
00:33:51,600 --> 00:33:54,960
Speaker 3: be a ruthless artist. But because I was signed and

669
00:33:55,080 --> 00:33:59,280
Speaker 3: had contractual obligations to him, he had to wait, you

670
00:33:59,320 --> 00:34:02,160
Speaker 3: know what I mean. So we created something called black

671
00:34:02,200 --> 00:34:06,000
Speaker 3: Mafia Life, and you got to realize, you know, everybody

672
00:34:06,080 --> 00:34:09,680
Speaker 3: was influencing everybody, still sharp and still you know a

673
00:34:09,680 --> 00:34:11,880
Speaker 3: lot of people say it was bid, it was this

674
00:34:12,000 --> 00:34:16,239
Speaker 3: and that. You know, hot show and the butter Law

675
00:34:16,280 --> 00:34:19,920
Speaker 3: and co Cocaine was influential to n w A and

676
00:34:19,960 --> 00:34:23,040
Speaker 3: Doctor Dre and Snoop and everybody else, and they were

677
00:34:23,120 --> 00:34:24,680
Speaker 3: too to us, you know.

678
00:34:24,880 --> 00:34:26,000
Speaker 5: So it's a.

679
00:34:26,000 --> 00:34:31,440
Speaker 3: Trip to see how the revelation of those two. I

680
00:34:31,480 --> 00:34:32,799
Speaker 3: would say not.

681
00:34:32,960 --> 00:34:36,319
Speaker 5: Brutal, because Biggie and Pockshit was brutal. They're not here,

682
00:34:37,280 --> 00:34:38,080
Speaker 5: you know what I'm saying.

683
00:34:38,400 --> 00:34:41,080
Speaker 1: I'm asking if anybody in here going live kind of

684
00:34:41,080 --> 00:34:42,600
Speaker 1: cut it right now. We've got to put the show

685
00:34:42,600 --> 00:34:43,279
Speaker 1: out and release it.

686
00:34:43,360 --> 00:34:50,439
Speaker 5: So, yeah, what you talking about? Now? What was he saying?

687
00:34:50,520 --> 00:34:50,600
Speaker 3: Now?

688
00:34:51,080 --> 00:34:53,200
Speaker 5: I forgot about what all said it was?

689
00:34:53,600 --> 00:34:54,520
Speaker 4: How was the break?

690
00:34:54,640 --> 00:34:56,520
Speaker 1: Really? Where was you at? Like? Where was you at

691
00:34:56,560 --> 00:34:58,840
Speaker 1: with the rift? Like as y'all was?

692
00:34:59,040 --> 00:35:00,640
Speaker 5: Okay, So.

693
00:35:02,560 --> 00:35:07,560
Speaker 3: We were gonna leave Ruthless Records, BA La Lag Cocaine Wow,

694
00:35:08,400 --> 00:35:12,759
Speaker 3: because of the contracts was fucked up at that time.

695
00:35:13,600 --> 00:35:18,080
Speaker 5: That was Jerry. Oh wow, they were double tipping.

696
00:35:18,280 --> 00:35:21,040
Speaker 3: You sell records over here, and we shipped three hundred

697
00:35:21,040 --> 00:35:28,080
Speaker 3: thousand international all that shit, so we were tight. Dray

698
00:35:28,120 --> 00:35:32,319
Speaker 3: didn't have to leave. Dre wanted to leave, you know,

699
00:35:32,480 --> 00:35:36,080
Speaker 3: because he's seeing Q leave. The poison as being spread.

700
00:35:36,160 --> 00:35:40,760
Speaker 3: And I can't fault him because the paperwork was wasn't correct.

701
00:35:40,880 --> 00:35:43,799
Speaker 3: You wasn't getting published, let me tell you, and all

702
00:35:43,840 --> 00:35:48,399
Speaker 3: that shit. And re rekindled our business relationship with Eric

703
00:35:48,440 --> 00:35:51,480
Speaker 3: because we loved the brother so much, because he gave

704
00:35:51,560 --> 00:35:55,279
Speaker 3: us an opportunity of a lifetime. And he called the

705
00:35:55,360 --> 00:35:59,080
Speaker 3: meeting Loci and against Centinella at the Edge Recording Studio,

706
00:35:59,120 --> 00:36:03,560
Speaker 3: and Dre didn't show up to that meeting. We rekindled

707
00:36:03,560 --> 00:36:07,319
Speaker 3: our business relationship because actually the first people that were

708
00:36:07,320 --> 00:36:09,680
Speaker 3: gonna be on death row was not Snoop, was not

709
00:36:09,840 --> 00:36:15,720
Speaker 3: Dog Pound was above the long cocaine. But we backed

710
00:36:15,800 --> 00:36:19,480
Speaker 3: out of the deal and to stay with E and

711
00:36:19,560 --> 00:36:24,040
Speaker 3: at the time I had obligations with Rutheless and at

712
00:36:24,040 --> 00:36:29,600
Speaker 3: that time much past Warren g took Snoop and they

713
00:36:29,680 --> 00:36:33,840
Speaker 3: Dog to a barbecue whatever they was having playing the music.

714
00:36:35,000 --> 00:36:39,000
Speaker 3: Doctor Dre called Hutch and said, I know you're working

715
00:36:39,040 --> 00:36:40,960
Speaker 3: with Snoop Man, I want to put some shit out

716
00:36:40,960 --> 00:36:44,000
Speaker 3: of him. I said, go ahead, man, he's a dope preestyler.

717
00:36:44,360 --> 00:36:48,040
Speaker 3: I'm working on cocaine shit. That landed the deal because

718
00:36:48,120 --> 00:36:50,760
Speaker 3: Hutch gave Doctor Dre the blessing for Snoop Dogg.

719
00:36:53,520 --> 00:36:53,960
Speaker 5: Back then.

720
00:36:54,520 --> 00:36:57,560
Speaker 3: Do so we were listening to some shit and even

721
00:36:57,600 --> 00:37:00,960
Speaker 3: at the same time, we were at a party because

722
00:37:00,960 --> 00:37:03,799
Speaker 3: it was all homeboys, even when the breakup happened in

723
00:37:03,920 --> 00:37:06,360
Speaker 3: ninety one and we was we was at this function

724
00:37:06,520 --> 00:37:08,919
Speaker 3: right and we was playing black Mafia life.

725
00:37:09,920 --> 00:37:13,200
Speaker 5: I'm not bringing just ahing, you know some of the shit.

726
00:37:13,840 --> 00:37:14,839
Speaker 5: And Doctor Dre was.

727
00:37:14,800 --> 00:37:17,439
Speaker 3: Like, Hey, HUDs Man, what's that ship. Y'all call y'all

728
00:37:17,440 --> 00:37:20,040
Speaker 3: shit man, that's shit hard. I was just like, Nigga,

729
00:37:20,080 --> 00:37:25,640
Speaker 3: we call a gphone man, that's our shit. He's like, Nigga,

730
00:37:25,680 --> 00:37:28,759
Speaker 3: y'all go wing all, Drea, Nigga, y'all go win on that.

731
00:37:30,239 --> 00:37:34,000
Speaker 3: So then we were all cool. Dre was beefing because

732
00:37:34,000 --> 00:37:37,720
Speaker 3: the poison was spread. You know what I'm saying, niggas

733
00:37:37,760 --> 00:37:40,759
Speaker 3: hated on us, and I know who was behind it.

734
00:37:40,760 --> 00:37:42,400
Speaker 3: I don't need to say his name. You know he

735
00:37:42,520 --> 00:37:46,560
Speaker 3: in jail, you know what I mean. But yeah, it

736
00:37:46,640 --> 00:37:49,440
Speaker 3: was like hearing them say some of our words, bawling,

737
00:37:49,680 --> 00:37:54,640
Speaker 3: chronic all the shit that came from us. So we

738
00:37:54,680 --> 00:37:57,960
Speaker 3: was like and then we heard it was like damn

739
00:38:00,200 --> 00:38:03,600
Speaker 3: this and us man, like you auditioned for us at

740
00:38:03,640 --> 00:38:06,920
Speaker 3: that time, but see when you look years later, it

741
00:38:06,960 --> 00:38:09,360
Speaker 3: don't matter if you right or wrong. If you ride

742
00:38:09,440 --> 00:38:13,360
Speaker 3: with somebody, you don't care about shit. So I understood

743
00:38:13,400 --> 00:38:15,520
Speaker 3: and in respect that that they were riding for them

744
00:38:15,640 --> 00:38:18,920
Speaker 3: no matter what, and we was riding for us. So

745
00:38:19,040 --> 00:38:26,279
Speaker 3: in nineteen ninety two, I still had a chance to

746
00:38:26,360 --> 00:38:31,839
Speaker 3: get on a Death Row orientated soundtrack that was called

747
00:38:31,840 --> 00:38:32,400
Speaker 3: Deep Cover.

748
00:38:33,200 --> 00:38:35,600
Speaker 5: Nichols Slick Nigga is on that, on that shit.

749
00:38:37,000 --> 00:38:39,640
Speaker 3: And I got a chance to get on Minister Society

750
00:38:39,760 --> 00:38:42,400
Speaker 3: soundtrack doing a record for mss Keylo.

751
00:38:42,320 --> 00:38:43,800
Speaker 5: Call All Over Ale.

752
00:38:44,080 --> 00:38:45,320
Speaker 2: Yeah that was the ship.

753
00:38:45,680 --> 00:38:48,960
Speaker 5: You feel what I'm saying, So everybody you know it was.

754
00:38:49,040 --> 00:38:49,399
Speaker 5: It was.

755
00:38:49,480 --> 00:38:54,200
Speaker 3: It was a crazy atmosphere at that time. And Easy

756
00:38:54,400 --> 00:38:56,480
Speaker 3: was like, man, I ain't Fina dished them because I'm

757
00:38:56,520 --> 00:39:00,440
Speaker 3: making more money off Dre because Dre he still was

758
00:39:00,520 --> 00:39:03,920
Speaker 3: on contract and all this other shit. So but we

759
00:39:04,000 --> 00:39:05,960
Speaker 3: got to the point to where we was like, easy,

760
00:39:06,040 --> 00:39:10,920
Speaker 3: you gotta say something, you know, and then whoever put corrupt?

761
00:39:10,920 --> 00:39:14,080
Speaker 3: And I loving the life, I love dash to life.

762
00:39:14,440 --> 00:39:17,120
Speaker 3: But they dissed us on a song called Blunching Tangle

763
00:39:17,200 --> 00:39:20,560
Speaker 3: Ray in nineteen ninety three. I don't I don't fuck

764
00:39:20,600 --> 00:39:23,160
Speaker 3: with no motherfucking cocaine, cocaine to blow up.

765
00:39:23,239 --> 00:39:26,040
Speaker 5: This is corrupt. But I love you nigga. You know.

766
00:39:26,160 --> 00:39:28,880
Speaker 3: But back time, they was riding for death row and

767
00:39:28,920 --> 00:39:31,879
Speaker 3: we were riding for roopless because we felt we had

768
00:39:31,960 --> 00:39:35,759
Speaker 3: more yaps in the game because of what influence we

769
00:39:35,840 --> 00:39:38,239
Speaker 3: did and what we felt like y'all took.

770
00:39:39,160 --> 00:39:41,640
Speaker 4: Let me ask you a question, f me, what made

771
00:39:41,800 --> 00:39:46,200
Speaker 4: so did dre and all of that stuff went a

772
00:39:46,200 --> 00:39:49,640
Speaker 4: certain way? If I remember being a kid and reading

773
00:39:49,640 --> 00:39:52,439
Speaker 4: about it. What made the ice que about the lost

774
00:39:52,440 --> 00:39:53,360
Speaker 4: shit so crazy?

775
00:39:53,719 --> 00:39:54,560
Speaker 5: How did they well?

776
00:39:54,600 --> 00:39:58,600
Speaker 3: First of all, first of all, Nwa didn't fight ice

777
00:39:58,680 --> 00:40:15,400
Speaker 3: Cube no, and he said some stuff at that time,

778
00:40:16,520 --> 00:40:18,719
Speaker 3: you know, and ice Cube ain't no buster because ice

779
00:40:18,760 --> 00:40:20,839
Speaker 3: Cube defended itself way and.

780
00:40:20,840 --> 00:40:24,000
Speaker 5: Lose draw whatever. He defended hisself.

781
00:40:26,239 --> 00:40:29,919
Speaker 3: But at that time, we was like, why you gotta

782
00:40:29,960 --> 00:40:31,960
Speaker 3: say something about us? You know what I'm saying because

783
00:40:31,960 --> 00:40:35,680
Speaker 3: he said, Niggas from Pomona. He was like count clowning us,

784
00:40:35,680 --> 00:40:39,120
Speaker 3: and it was it was clowning us. He said, Niggas

785
00:40:39,160 --> 00:40:41,280
Speaker 3: from Pomona. The only thing they need to be thinking

786
00:40:41,280 --> 00:40:43,759
Speaker 3: about is the ten Freeway because they ain't nothing out.

787
00:40:43,800 --> 00:40:48,200
Speaker 5: Dear should have said that, that's.

788
00:40:48,160 --> 00:40:51,520
Speaker 3: What gangster shit going on, because when we came to

789
00:40:51,640 --> 00:40:56,239
Speaker 3: Ropeus Records, Niggas was selling dope, Niggas was busting on niggas.

790
00:40:56,480 --> 00:40:58,880
Speaker 3: Niggas was doing all that, Niggas was spiking the clubs.

791
00:40:59,600 --> 00:41:03,799
Speaker 3: You Knowniggas was doing. Niggas was really know what I'm saying.

792
00:41:04,360 --> 00:41:08,680
Speaker 6: A lot of people, Yeah, didn't you know what it was? Yeah,

793
00:41:09,800 --> 00:41:12,359
Speaker 6: so you can tell people what Yeah it was like,

794
00:41:12,640 --> 00:41:15,920
Speaker 6: yeah it was it was it was street, it was neighborhood.

795
00:41:16,120 --> 00:41:16,319
Speaker 5: Yeah.

796
00:41:18,520 --> 00:41:21,239
Speaker 3: But see when we came came out because we had

797
00:41:21,280 --> 00:41:26,040
Speaker 3: to prove ourselves because it was a small andreacy. But

798
00:41:26,040 --> 00:41:28,920
Speaker 3: but with the last county out of l A, in

799
00:41:29,000 --> 00:41:31,000
Speaker 3: order to go to the l A County.

800
00:41:30,640 --> 00:41:32,680
Speaker 5: Fair Grounds, you got to go.

801
00:41:32,600 --> 00:41:35,320
Speaker 4: To Pomona, So you'll go to the county.

802
00:41:35,440 --> 00:41:39,120
Speaker 3: Yeah, so we had some we have some real See

803
00:41:39,120 --> 00:41:41,600
Speaker 3: when above law and cocaine came to that.

804
00:41:41,880 --> 00:41:43,160
Speaker 5: It was on a different element.

805
00:41:43,320 --> 00:41:46,120
Speaker 3: Eric was like, man, y'all need to stop selling DoPT

806
00:41:46,160 --> 00:41:48,560
Speaker 3: really above the law, y'all need to stop selling dope. Man,

807
00:41:48,600 --> 00:41:51,720
Speaker 3: y'all need to stop doing this. So they called above

808
00:41:51,760 --> 00:41:55,400
Speaker 3: the law henchmen for n w A. So when that

809
00:41:55,520 --> 00:41:58,960
Speaker 3: thing happened with q Q came up to the celebrity, No,

810
00:41:59,160 --> 00:42:01,440
Speaker 3: I was a celebrity. That was the celebrity. It was

811
00:42:01,640 --> 00:42:03,120
Speaker 3: rest in peace, Guru.

812
00:42:03,800 --> 00:42:07,160
Speaker 2: But it was it was above the law. It was

813
00:42:07,280 --> 00:42:09,680
Speaker 2: us yep. It was low profile.

814
00:42:09,400 --> 00:42:12,560
Speaker 5: And Guru gankstart.

815
00:42:13,920 --> 00:42:17,560
Speaker 3: Yeah, that was when the stage rotated around.

816
00:42:19,080 --> 00:42:20,680
Speaker 5: Celebrity yep, yep.

817
00:42:21,040 --> 00:42:24,600
Speaker 3: So when Cbe came through, you know, since Cube and

818
00:42:25,000 --> 00:42:28,520
Speaker 3: Larry and mister Larry Goodman Laylaw were very tight, you

819
00:42:28,560 --> 00:42:30,480
Speaker 3: know what I mean, Ben tight, you know what I mean?

820
00:42:31,480 --> 00:42:33,839
Speaker 3: You know Cube try to you know, just come through

821
00:42:33,840 --> 00:42:37,479
Speaker 3: and try to hash it out. And you know, Hutch

822
00:42:37,600 --> 00:42:40,520
Speaker 3: wasn't having it. The crew wasn't having it. But it's

823
00:42:40,560 --> 00:42:43,560
Speaker 3: not like he didn't defend itself. It's easy to be

824
00:42:43,719 --> 00:42:47,440
Speaker 3: like boo boo, you can say that, but then is

825
00:42:47,480 --> 00:42:49,600
Speaker 3: you gonna take that fade? He took the fade.

826
00:42:50,120 --> 00:42:52,719
Speaker 5: However it went. He took that fade.

827
00:42:53,239 --> 00:42:55,319
Speaker 3: But then that was at that time where it was

828
00:42:55,360 --> 00:42:59,080
Speaker 3: like Nigga, you don't say nothing about pomoning niggas man.

829
00:42:59,120 --> 00:43:03,279
Speaker 3: We we considered ourselves at that time the real ones

830
00:43:03,320 --> 00:43:07,080
Speaker 3: at Ruper's records because we were smoking weed when niggas

831
00:43:07,120 --> 00:43:09,719
Speaker 3: didn't smoke weed. We were shelling dope when niggas said

832
00:43:09,760 --> 00:43:12,959
Speaker 3: they were selling dope outside of e It's real shit.

833
00:43:13,239 --> 00:43:16,279
Speaker 3: It's not to take nothing. It's not nothing to take

834
00:43:16,320 --> 00:43:17,560
Speaker 3: away from anybody else.

835
00:43:18,200 --> 00:43:20,200
Speaker 4: I mean, you gotta remember that Niggas was in high

836
00:43:20,239 --> 00:43:23,000
Speaker 4: school and y'all, yeah, you kind of heard that, you know,

837
00:43:23,040 --> 00:43:26,080
Speaker 4: I mean, growing up. But I just wonder why the

838
00:43:26,200 --> 00:43:28,200
Speaker 4: Dre stuff. I don't think it was as bad as

839
00:43:28,239 --> 00:43:30,600
Speaker 4: this stuff. Like I guess maybe it had a chance

840
00:43:30,600 --> 00:43:32,359
Speaker 4: to come to a head at that point because y'all

841
00:43:32,440 --> 00:43:33,360
Speaker 4: ran into somebody.

842
00:43:33,600 --> 00:43:35,759
Speaker 5: Yeah, but you know, it was a lot of shit

843
00:43:35,880 --> 00:43:36,279
Speaker 5: going on.

844
00:43:36,440 --> 00:43:41,000
Speaker 3: And like I said, when you talk about beef, you

845
00:43:41,080 --> 00:43:43,399
Speaker 3: gotta talk about people that are not here no more.

846
00:43:43,840 --> 00:43:46,960
Speaker 3: I mean, Doctor Dre and Easy was dissing each other,

847
00:43:47,239 --> 00:43:50,160
Speaker 3: but they lived in Calabasa, seeing each other traffic Hong

848
00:43:50,200 --> 00:43:54,239
Speaker 3: Kong around the corner deuces. So nah, that was some

849
00:43:56,680 --> 00:44:01,879
Speaker 3: other when other people are behind it, did it something else?

850
00:44:02,640 --> 00:44:05,320
Speaker 3: And there was other people behind it. Because years later

851
00:44:05,920 --> 00:44:08,960
Speaker 3: me and Snooped and Orange all of us, Doctor Draven

852
00:44:09,600 --> 00:44:12,000
Speaker 3: hooked back up and was like, man, what the fuck

853
00:44:12,080 --> 00:44:15,560
Speaker 3: we was fighting for? That was on some rubless deth

854
00:44:15,640 --> 00:44:19,440
Speaker 3: row and that's on people. You know, sug was right

855
00:44:19,480 --> 00:44:22,800
Speaker 3: when he was saying certain things as far as publishing.

856
00:44:22,840 --> 00:44:26,279
Speaker 3: It's far as certain things, you know, But this is

857
00:44:26,360 --> 00:44:30,200
Speaker 3: my opinion. It just got to his head. A lot

858
00:44:30,239 --> 00:44:34,440
Speaker 3: of shit got to his head, and he took things

859
00:44:34,640 --> 00:44:35,760
Speaker 3: in the wrong manner.

860
00:44:36,560 --> 00:44:36,759
Speaker 5: You know.

861
00:44:37,120 --> 00:44:39,200
Speaker 3: Now, just imagine if he would have took it in

862
00:44:39,280 --> 00:44:42,239
Speaker 3: a different manner, you know what I mean, he would

863
00:44:42,280 --> 00:44:43,960
Speaker 3: be a multi multi billionaire.

864
00:44:44,000 --> 00:44:45,239
Speaker 5: Park would still be here.

865
00:44:46,000 --> 00:44:50,520
Speaker 3: But in this game, you cannot let your mind think

866
00:44:50,560 --> 00:44:52,799
Speaker 3: you bigger than the bridges, you know what I mean.

867
00:44:53,040 --> 00:44:56,120
Speaker 1: Easy to lose yourself, especially when you're being successful.

868
00:44:56,360 --> 00:45:01,279
Speaker 5: And even see Easy Easy was never like that.

869
00:45:01,320 --> 00:45:03,920
Speaker 3: And see Easy was going to get rid of I

870
00:45:03,960 --> 00:45:07,759
Speaker 3: remember walking in the office in Calabasits. He was like

871
00:45:08,640 --> 00:45:13,080
Speaker 3: Jerry Heller was on his side and Easy on a side.

872
00:45:13,120 --> 00:45:17,200
Speaker 5: Me and Hutch walked in. He was like, I'm about

873
00:45:17,239 --> 00:45:18,040
Speaker 5: to get rid of him.

874
00:45:18,080 --> 00:45:25,239
Speaker 3: Man, it's bullshit because everybody found out even Easy that

875
00:45:25,840 --> 00:45:27,680
Speaker 3: if you press up two hundred thousand and.

876
00:45:27,680 --> 00:45:29,720
Speaker 5: A lot of the mafia motherfucker was doing.

877
00:45:29,600 --> 00:45:33,560
Speaker 3: That in the industry and about that they would double

878
00:45:33,600 --> 00:45:35,680
Speaker 3: dip in print out of town. But that shit got

879
00:45:35,719 --> 00:45:38,160
Speaker 3: done to him too, and got done to all of us,

880
00:45:39,400 --> 00:45:45,600
Speaker 3: and you know, yeah, but at the same time doing it. Yeah,

881
00:45:45,680 --> 00:45:49,440
Speaker 3: but at the same time pros and cons. Jerry Heller

882
00:45:49,560 --> 00:45:52,759
Speaker 3: was a significant fat of Ruthless Records doing what he

883
00:45:52,880 --> 00:45:57,120
Speaker 3: did with JJ Padd because JJ Padd opened up the

884
00:45:57,160 --> 00:46:00,719
Speaker 3: doors to straight out of Compton and everything else that

885
00:46:00,840 --> 00:46:02,719
Speaker 3: derived from that, you know what I mean.

886
00:46:03,320 --> 00:46:05,240
Speaker 5: So it's pros and cons and everything.

887
00:46:05,320 --> 00:46:09,080
Speaker 3: But you know, I hear a lot of people talk

888
00:46:09,120 --> 00:46:12,359
Speaker 3: about a lot of stories on how Easy Went went.

889
00:46:12,920 --> 00:46:16,279
Speaker 3: All I know is I'm gonna tell you this me

890
00:46:16,520 --> 00:46:22,560
Speaker 3: Jada Pickett hutch KMG Recipes had a meeting prior to

891
00:46:22,719 --> 00:46:25,200
Speaker 3: Eric Passion who that was gonna do. Jada Pickett was

892
00:46:25,200 --> 00:46:27,200
Speaker 3: gonna do California because her.

893
00:46:29,560 --> 00:46:32,600
Speaker 5: Jena King. That was after we used to go to Peanuts.

894
00:46:32,640 --> 00:46:37,400
Speaker 3: They used to come to the studio with us, So.

895
00:46:38,800 --> 00:46:42,440
Speaker 5: It was like we was talking Eric's coping. I was

896
00:46:42,480 --> 00:46:44,239
Speaker 5: like damn, I don't like coming man.

897
00:46:46,040 --> 00:46:48,920
Speaker 3: And then all of a sudden we hear you know,

898
00:46:49,840 --> 00:46:55,840
Speaker 3: he's in the hospital now. Eric was cool a week ago,

899
00:46:57,760 --> 00:47:03,880
Speaker 3: Magic Johnson, it's still here thirty. Eric had enough access

900
00:47:04,080 --> 00:47:07,160
Speaker 3: enough medical stuff, just as much as Magic Dunton.

901
00:47:08,719 --> 00:47:10,560
Speaker 5: So I'm gonna leave it right there.

902
00:47:12,400 --> 00:47:14,560
Speaker 6: It's a lot of people have a lot of difference

903
00:47:14,520 --> 00:47:17,200
Speaker 6: in opinions and controversy.

904
00:47:16,440 --> 00:47:19,799
Speaker 2: Behind what happened to you because of the way it

905
00:47:19,960 --> 00:47:20,800
Speaker 2: happened and how.

906
00:47:22,360 --> 00:47:26,719
Speaker 5: Like this put it like this. A lot of motherfuckers

907
00:47:26,719 --> 00:47:30,759
Speaker 5: don't know Easy was really connected.

908
00:47:33,400 --> 00:47:39,960
Speaker 3: He was connected connected on some other ship, and he

909
00:47:40,080 --> 00:47:42,200
Speaker 3: wanted to do right by his artists. He wanted to

910
00:47:42,200 --> 00:47:45,719
Speaker 3: do right by n WA, his whole ship. But because

911
00:47:45,800 --> 00:47:49,239
Speaker 3: he was too deep in the ocean, you don't know

912
00:47:49,239 --> 00:47:50,000
Speaker 3: what to expect.

913
00:47:52,200 --> 00:47:54,480
Speaker 1: It's a lot, especially when you start talking about that

914
00:47:54,600 --> 00:47:58,439
Speaker 1: amount of money, because I know the physical game, right,

915
00:47:59,239 --> 00:48:01,360
Speaker 1: you're talking about two hundred thousand records. If you were

916
00:48:01,360 --> 00:48:03,680
Speaker 1: able to go print up to press up two hundred

917
00:48:03,680 --> 00:48:07,040
Speaker 1: thousand records overseas, you gotta think about the exchange rate

918
00:48:07,080 --> 00:48:09,320
Speaker 1: at that time for like the pound right compared to

919
00:48:09,320 --> 00:48:11,360
Speaker 1: the American dollar. So if you go over there, and

920
00:48:11,440 --> 00:48:13,840
Speaker 1: get five five you tell it to them for five pounds,

921
00:48:14,080 --> 00:48:16,920
Speaker 1: that means you getting ten dollars, possibly ten to fifty

922
00:48:16,920 --> 00:48:19,200
Speaker 1: depending on this change rate that day. So we talk

923
00:48:19,280 --> 00:48:21,959
Speaker 1: about millions of dollars being gone. Man, somebody could feel

924
00:48:21,960 --> 00:48:23,520
Speaker 1: that some kind of way when they get put out

925
00:48:23,520 --> 00:48:24,320
Speaker 1: that monic.

926
00:48:24,120 --> 00:48:27,040
Speaker 3: Cheese and see Eric was like, man, we're finna get

927
00:48:27,200 --> 00:48:28,520
Speaker 3: NWA back together.

928
00:48:28,560 --> 00:48:32,880
Speaker 5: He had a quick meeting with QBE he told us.

929
00:48:32,760 --> 00:48:35,439
Speaker 3: Called us on the phone, like, man, we gonna make

930
00:48:35,560 --> 00:48:40,839
Speaker 3: all this shit happen, but it's shit happens the way

931
00:48:40,880 --> 00:48:41,800
Speaker 3: it happens.

932
00:48:41,920 --> 00:48:45,880
Speaker 1: Now before we go on. You know further, if Easier

933
00:48:46,000 --> 00:48:48,720
Speaker 1: stayed it live, let's just stay theoretically he stayed alive.

934
00:48:49,760 --> 00:48:51,919
Speaker 1: You think Ruthless has probably been the biggest record label

935
00:48:51,960 --> 00:48:53,279
Speaker 1: hip hop record label of all time.

936
00:48:53,520 --> 00:48:57,680
Speaker 3: Of course, of course, absolutely, because it wasn't no stopping us.

937
00:48:57,719 --> 00:49:00,319
Speaker 3: It was something new, it was fresh. It was coming

938
00:49:00,320 --> 00:49:03,239
Speaker 3: from a suppressed environment where everybody, I don't care where

939
00:49:03,239 --> 00:49:04,719
Speaker 3: you're from, they related to that.

940
00:49:05,400 --> 00:49:08,080
Speaker 5: You know what I mean. They influenced all of us, man.

941
00:49:08,920 --> 00:49:11,480
Speaker 3: I mean, you can go back and say I might

942
00:49:11,520 --> 00:49:13,440
Speaker 3: have been rapping at the same time.

943
00:49:13,520 --> 00:49:16,120
Speaker 5: But they out the gate. They influenced all of us.

944
00:49:16,120 --> 00:49:20,640
Speaker 3: Man, that allowed people from a suppressed environment or ghettos

945
00:49:20,719 --> 00:49:21,640
Speaker 3: or a hood.

946
00:49:21,880 --> 00:49:24,280
Speaker 5: For us to go ahead and capitulate to success.

947
00:49:25,160 --> 00:49:28,759
Speaker 3: You know, we were very successful because you know who

948
00:49:28,800 --> 00:49:32,480
Speaker 3: would think man like a brother from Compton that put

949
00:49:32,520 --> 00:49:36,440
Speaker 3: up his dope money and years later you see the

950
00:49:36,480 --> 00:49:41,400
Speaker 3: family tree he created. It's just on a business administrative level,

951
00:49:41,480 --> 00:49:42,760
Speaker 3: it's just astronomical.

952
00:49:43,000 --> 00:49:46,160
Speaker 5: So of course they would have been the biggest shit ever.

953
00:49:47,400 --> 00:49:50,560
Speaker 3: Because death Row wouldn't be death row without the success

954
00:49:50,600 --> 00:49:51,800
Speaker 3: of ROUPUS records.

955
00:49:52,120 --> 00:49:54,160
Speaker 1: Yeah, you gotta remember. I think a lot of people

956
00:49:54,200 --> 00:49:56,920
Speaker 1: forget that. When trade, when he had all those defectors,

957
00:49:57,800 --> 00:49:59,560
Speaker 1: he had a budd of law y'all was still doing

958
00:49:59,600 --> 00:50:02,919
Speaker 1: your thing, signed bone thugs, harmony who blew the fuck

959
00:50:03,000 --> 00:50:03,520
Speaker 1: up because.

960
00:50:03,320 --> 00:50:05,799
Speaker 4: They were so different with dope for it to be

961
00:50:05,880 --> 00:50:08,399
Speaker 4: out of state, that's that was always a different kind

962
00:50:08,440 --> 00:50:09,920
Speaker 4: of He knew.

963
00:50:10,120 --> 00:50:13,759
Speaker 3: When Eric came to us, he said, look, man, all

964
00:50:13,800 --> 00:50:16,800
Speaker 3: that where you're from. Yeah, I don't care if you

965
00:50:16,880 --> 00:50:20,680
Speaker 3: crip blood essay. We got to sell records to everybody,

966
00:50:21,200 --> 00:50:25,360
Speaker 3: so we don't need none of that ship. You know

967
00:50:25,360 --> 00:50:28,520
Speaker 3: what I'm saying. We're selling records. He understood the vision

968
00:50:29,200 --> 00:50:32,319
Speaker 3: that we all do down like we messed with a

969
00:50:32,360 --> 00:50:36,879
Speaker 3: lot of people. Definitely, but he understood that vision and

970
00:50:36,920 --> 00:50:39,000
Speaker 3: you know, it's safe to say he was the first

971
00:50:39,040 --> 00:50:43,960
Speaker 3: one to have that vision. That definitely hustler, you know

972
00:50:44,000 --> 00:50:46,640
Speaker 3: what I mean, and don't get nothing, don't get nothing twisted.

973
00:50:46,640 --> 00:50:49,839
Speaker 3: Everybody rhyme Sitdeka was definitely doing their thing.

974
00:50:50,560 --> 00:50:52,640
Speaker 5: I want to say that. I mean at that time.

975
00:50:52,560 --> 00:50:55,200
Speaker 4: To me, that's how I look at it, right, Ryan,

976
00:50:55,360 --> 00:50:57,760
Speaker 4: all the stuff that came with Iced Tea and Unknown

977
00:50:57,840 --> 00:51:00,760
Speaker 4: and all the stuff that came from Easy and everything

978
00:51:00,800 --> 00:51:04,360
Speaker 4: which goes to me like Uncle Jam's Army and world

979
00:51:04,360 --> 00:51:07,760
Speaker 4: class record crew. So all the things, right because Unknown

980
00:51:07,800 --> 00:51:11,080
Speaker 4: come from Uncle Jam's Army. Unknown, you know, you get

981
00:51:11,080 --> 00:51:13,800
Speaker 4: the Ice Tea records, you get the comp's most wanted

982
00:51:13,800 --> 00:51:17,440
Speaker 4: and then all the same from Easy, dren.

983
00:51:20,000 --> 00:51:24,719
Speaker 3: Check a few Egyptian Lover was motherfl Us, they had

984
00:51:24,840 --> 00:51:27,359
Speaker 3: King t Yep, right.

985
00:51:27,520 --> 00:51:32,040
Speaker 4: Yeah, all of that stuff came from those things as

986
00:51:32,040 --> 00:51:33,080
Speaker 4: a head elements.

987
00:51:33,560 --> 00:51:37,520
Speaker 3: Yeah, but it goes back Man to influence. You know,

988
00:51:37,680 --> 00:51:41,640
Speaker 3: influence is important because all music is recycled, you know,

989
00:51:41,840 --> 00:51:44,920
Speaker 3: and we were influenced and we was on the custom

990
00:51:45,040 --> 00:51:48,319
Speaker 3: things that we didn't know years later, how much West

991
00:51:48,400 --> 00:51:52,800
Speaker 3: Coast influence would have an impact on the world wide coaches,

992
00:51:52,840 --> 00:51:56,640
Speaker 3: from low riding to banging to how we wear our

993
00:51:56,719 --> 00:51:58,680
Speaker 3: whole ship. We don't call it. We didn't call it

994
00:51:58,760 --> 00:52:01,480
Speaker 3: a trap. We call it the You know what I'm saying.

995
00:52:02,160 --> 00:52:06,720
Speaker 3: We influenced a lot. And what you know, at that time,

996
00:52:07,239 --> 00:52:10,800
Speaker 3: they didn't give East Coast a chance to have breakout

997
00:52:10,840 --> 00:52:13,400
Speaker 3: records to make millions of dollars?

998
00:52:15,080 --> 00:52:16,920
Speaker 5: What Eric did?

999
00:52:16,719 --> 00:52:23,440
Speaker 3: He and Jerry Eller they showed a blueprint on how

1000
00:52:24,120 --> 00:52:28,719
Speaker 3: to make millions of dollars. Because if there was no

1001
00:52:28,800 --> 00:52:31,640
Speaker 3: rubless records in blueprint, it even goes down.

1002
00:52:31,440 --> 00:52:32,120
Speaker 5: To jay Z.

1003
00:52:32,400 --> 00:52:36,000
Speaker 3: I mean, they wouldn't even knew what to do because

1004
00:52:36,760 --> 00:52:41,040
Speaker 3: on the West Coast we were making money on the

1005
00:52:41,080 --> 00:52:45,759
Speaker 3: West coast, East Coast. It started from there, but then

1006
00:52:45,800 --> 00:52:50,800
Speaker 3: when it moved to the West Coast, we were checkbusting,

1007
00:52:51,520 --> 00:52:54,640
Speaker 3: we were doing our ship, you know what I mean,

1008
00:52:54,800 --> 00:52:57,720
Speaker 3: And it became a rival. At that time. I remember

1009
00:52:57,800 --> 00:53:03,040
Speaker 3: Tim Dogg had a called Whoop woop Compton and it's like,

1010
00:53:03,200 --> 00:53:07,040
Speaker 3: why did he do that? You feel me? Because West

1011
00:53:07,080 --> 00:53:11,200
Speaker 3: Coast was making a big impression on the whole fucking world.

1012
00:53:12,239 --> 00:53:13,200
Speaker 5: You know what I'm saying.

1013
00:53:13,160 --> 00:53:15,480
Speaker 4: About it right there was talking about self destruction. Now

1014
00:53:15,520 --> 00:53:17,280
Speaker 4: you look out there and they got bloods and crips,

1015
00:53:17,400 --> 00:53:18,040
Speaker 4: they got bloods.

1016
00:53:18,080 --> 00:53:19,560
Speaker 5: And man, I went out there.

1017
00:53:20,239 --> 00:53:24,120
Speaker 3: I went out there, Hey man, this is Brooklyn, blood

1018
00:53:25,239 --> 00:53:28,480
Speaker 3: do Jersey, Grape Street, all kinds of ship.

1019
00:53:28,520 --> 00:53:31,920
Speaker 4: And I don't hung in all the hoods. They got neighborhoods.

1020
00:53:31,920 --> 00:53:35,600
Speaker 4: In the Bronx, they serious suits and Brooklyn they got

1021
00:53:36,160 --> 00:53:39,840
Speaker 4: brims and and and and and I was calling still,

1022
00:53:39,920 --> 00:53:42,359
Speaker 4: I'm telling him every time I'm hanging out with different people,

1023
00:53:42,400 --> 00:53:44,759
Speaker 4: they got were woo tangs from they got brims and

1024
00:53:44,800 --> 00:53:47,200
Speaker 4: them projects. Now you know what I mean.

1025
00:53:48,239 --> 00:53:52,200
Speaker 5: But that's what that's that's that's that's you know now

1026
00:53:52,400 --> 00:53:52,719
Speaker 5: you know.

1027
00:53:54,160 --> 00:53:56,800
Speaker 3: When we're looking back and you see all the movies

1028
00:53:56,840 --> 00:53:59,160
Speaker 3: you did it was a part of and different.

1029
00:53:58,800 --> 00:54:02,840
Speaker 5: Other things that we did. It it's like it's deep

1030
00:54:02,880 --> 00:54:06,400
Speaker 5: with the influence. Man, definitely, it's it's.

1031
00:54:06,160 --> 00:54:10,799
Speaker 3: Super deep, like like the gospel so to speak, you

1032
00:54:10,840 --> 00:54:13,960
Speaker 3: know what I mean. And we're we're definitely privileged to

1033
00:54:14,000 --> 00:54:16,840
Speaker 3: be able to tell a tale because some of the homies,

1034
00:54:16,880 --> 00:54:18,000
Speaker 3: you know, rest of pees.

1035
00:54:17,840 --> 00:54:19,239
Speaker 2: Ain't you just didn't make it.

1036
00:54:19,560 --> 00:54:23,200
Speaker 6: Yeah, And uh, like I said, it's it's it's it's

1037
00:54:23,200 --> 00:54:25,920
Speaker 6: definitely fortunate to be able to come from and walks

1038
00:54:25,920 --> 00:54:27,960
Speaker 6: of life and be able to still sit around and

1039
00:54:28,000 --> 00:54:33,520
Speaker 6: tell people about you know, uh, what you basically had

1040
00:54:33,520 --> 00:54:35,680
Speaker 6: to go through, you know, to get to this point

1041
00:54:35,760 --> 00:54:39,439
Speaker 6: right now, because it wasn't always studios and microphones and shit.

1042
00:54:40,680 --> 00:54:45,160
Speaker 6: Before that ship came along, Niggas was really living. Uh,

1043
00:54:45,280 --> 00:54:48,520
Speaker 6: you know what we speak about and and what you

1044
00:54:48,640 --> 00:54:50,320
Speaker 6: see and what we try to represent.

1045
00:54:50,800 --> 00:54:52,000
Speaker 2: And that ship wasn't easy.

1046
00:54:52,480 --> 00:54:56,400
Speaker 6: You know, No fuckers look at uh being from the

1047
00:54:56,480 --> 00:54:59,920
Speaker 6: neighborhood is a glorified faction or some ship, like.

1048
00:55:00,040 --> 00:55:01,799
Speaker 4: A bunch of poor niggas trying to make mother.

1049
00:55:02,440 --> 00:55:03,399
Speaker 2: That was a hard life.

1050
00:55:03,440 --> 00:55:05,120
Speaker 4: That was a poor bunch of poor niggas trying to

1051
00:55:05,600 --> 00:55:09,000
Speaker 4: hardever you can. It's funny. I did an interview with

1052
00:55:09,080 --> 00:55:11,239
Speaker 4: Arion Foster and some white guys and they was like,

1053
00:55:11,840 --> 00:55:14,040
Speaker 4: you know, what do gang members do on Tuesday? And

1054
00:55:14,239 --> 00:55:16,240
Speaker 4: you know, he didn't want to ask. He felt his embarrassed,

1055
00:55:16,239 --> 00:55:19,520
Speaker 4: And I'm like, ship, what you do on Tuesday? Usually

1056
00:55:19,520 --> 00:55:21,440
Speaker 4: some nigga line And it's just so funny how they

1057
00:55:21,520 --> 00:55:24,920
Speaker 4: look at it like it's this different thing, and I

1058
00:55:25,280 --> 00:55:27,520
Speaker 4: keep explaining it's just a bunch of poor people trying

1059
00:55:27,520 --> 00:55:28,640
Speaker 4: to make a name for themself.

1060
00:55:28,840 --> 00:55:31,040
Speaker 5: Makes ship talk.

1061
00:55:31,840 --> 00:55:35,360
Speaker 4: Like you said, those oppressed communities always tell still to

1062
00:55:35,480 --> 00:55:37,920
Speaker 4: still always give me ship about it. And I'm like,

1063
00:55:38,000 --> 00:55:41,080
Speaker 4: it's not as crazy as it seems. A bunch of shorts.

1064
00:55:42,280 --> 00:55:43,960
Speaker 4: You act like this is a unity.

1065
00:55:45,160 --> 00:55:48,719
Speaker 6: Where you you was from somewhere to man, where hood

1066
00:55:48,800 --> 00:55:52,080
Speaker 6: you was from? Say where you was the Long Beach

1067
00:55:52,160 --> 00:55:54,560
Speaker 6: Nigga five, he was from one hundred and five.

1068
00:55:54,719 --> 00:55:57,960
Speaker 4: Nigga came out here five the Loan Beach game.

1069
00:55:58,040 --> 00:55:59,840
Speaker 2: That's why. That's why you ain't get put on the.

1070
00:56:00,080 --> 00:56:03,279
Speaker 4: He got put on the Long Beach game. Put him on.

1071
00:56:03,520 --> 00:56:07,080
Speaker 6: He got what was what they call you over there?

1072
00:56:07,200 --> 00:56:10,799
Speaker 6: What fine being? Them call you? They all you big.

1073
00:56:11,280 --> 00:56:15,000
Speaker 6: They called his ass state. They call his ass big Country.

1074
00:56:15,120 --> 00:56:17,640
Speaker 6: That's what they call the.

1075
00:56:18,200 --> 00:56:20,160
Speaker 4: He come up with CONTROVERSI you know what, I don't

1076
00:56:20,200 --> 00:56:25,240
Speaker 4: know why I gotta becas. They called that nigga Big Country.

1077
00:56:25,280 --> 00:56:27,440
Speaker 4: When he came through the hood, man, it was like,

1078
00:56:27,440 --> 00:56:30,480
Speaker 4: that's that nigga from Cleveland. That nigga probably looked like

1079
00:56:30,480 --> 00:56:31,400
Speaker 4: a slave back.

1080
00:56:31,239 --> 00:56:33,440
Speaker 1: Here because cocaine. You know, he came through and blistered.

1081
00:56:33,600 --> 00:56:36,600
Speaker 4: Some albums still look like a young slave back.

1082
00:56:37,680 --> 00:56:43,320
Speaker 6: Yeah, yeah, your nigga that played oigga that played roots

1083
00:56:43,680 --> 00:56:44,600
Speaker 6: running through the day.

1084
00:56:44,600 --> 00:56:47,439
Speaker 1: He's gonna kill back real quick.

1085
00:56:47,840 --> 00:56:48,280
Speaker 2: Classes.

1086
00:56:48,320 --> 00:56:50,359
Speaker 1: I want to ask you about cancel thee nuts because

1087
00:56:50,360 --> 00:56:53,359
Speaker 1: you got album. Yeah, cancel theese nuts.

1088
00:56:53,400 --> 00:56:55,400
Speaker 4: Yea cocaine on it. Like I just told you I

1089
00:56:55,440 --> 00:56:58,319
Speaker 4: added another three to that four thousand, two hundred and

1090
00:56:58,320 --> 00:57:01,319
Speaker 4: thirty five. For sure, you don't like your four record.

1091
00:57:02,560 --> 00:57:05,279
Speaker 1: In all kind of fingers. He definitely gonna make any

1092
00:57:05,320 --> 00:57:06,160
Speaker 1: song better.

1093
00:57:06,000 --> 00:57:10,000
Speaker 4: Him and sugar Free. Them niggas will do some ship.

1094
00:57:10,080 --> 00:57:12,160
Speaker 4: They will be like, send me that, and they'll just

1095
00:57:12,200 --> 00:57:15,080
Speaker 4: have these little parts and these little ports could just

1096
00:57:15,120 --> 00:57:17,080
Speaker 4: make the song better. Like sugar Free heard a song,

1097
00:57:17,360 --> 00:57:19,000
Speaker 4: He's like, I'm just do your ad libs. I'm like,

1098
00:57:19,000 --> 00:57:21,280
Speaker 4: why are you hearing the ad libs?

1099
00:57:21,280 --> 00:57:21,840
Speaker 1: You know what I'm saying.

1100
00:57:21,840 --> 00:57:26,160
Speaker 3: But that's the but you know, but but you know what, Malone,

1101
00:57:27,040 --> 00:57:29,280
Speaker 3: It's like, you know, why have a six four if

1102
00:57:29,320 --> 00:57:31,920
Speaker 3: you don't have the check the flags on it, if

1103
00:57:31,960 --> 00:57:36,160
Speaker 3: you don't have the detail, See like certain ship. When

1104
00:57:36,200 --> 00:57:40,800
Speaker 3: you just do little ship, people pay attention to details,

1105
00:57:41,400 --> 00:57:44,120
Speaker 3: you know what with the cruise and so between me

1106
00:57:44,120 --> 00:57:47,880
Speaker 3: and p we we we a detail type type of

1107
00:57:48,000 --> 00:57:48,920
Speaker 3: or like my.

1108
00:57:49,000 --> 00:57:49,640
Speaker 5: Record like that.

1109
00:57:49,640 --> 00:57:51,640
Speaker 4: It's funny on this album and it's so funny because

1110
00:57:51,640 --> 00:57:53,960
Speaker 4: I was listening to I'm like, it's these little small

1111
00:57:54,040 --> 00:57:56,560
Speaker 4: things like Cuz only this nigga could do this ship

1112
00:57:56,960 --> 00:57:58,880
Speaker 4: and then free se me. He was like, send me

1113
00:57:58,920 --> 00:58:00,760
Speaker 4: this and he did the same thing. I just thought

1114
00:58:00,760 --> 00:58:04,320
Speaker 4: that was y'all. It's a funky town of creator, just creativity.

1115
00:58:04,400 --> 00:58:06,640
Speaker 4: Man's funking that town for man. I don't know where

1116
00:58:06,720 --> 00:58:07,240
Speaker 4: y'all get that.

1117
00:58:07,520 --> 00:58:10,840
Speaker 1: From here, y'all, y'all know before we go, we got

1118
00:58:10,920 --> 00:58:14,600
Speaker 1: always touched on the news right right forgettle news, though

1119
00:58:15,160 --> 00:58:18,080
Speaker 1: not the regular news, but the ghettle news. What's y'all

1120
00:58:18,120 --> 00:58:21,040
Speaker 1: think about this whole situation? Man with blue face and creation.

1121
00:58:21,600 --> 00:58:23,680
Speaker 4: I don't think nothing about it that some high school

1122
00:58:23,680 --> 00:58:27,600
Speaker 4: ship can't get your groopies pregnant. Man, that was just groopie.

1123
00:58:28,200 --> 00:58:31,360
Speaker 5: High school ship. A lot of people still in high school.

1124
00:58:31,920 --> 00:58:37,000
Speaker 2: I don't pretty much follow uh ship like that.

1125
00:58:37,760 --> 00:58:39,520
Speaker 1: It's unfortunately it's a muffler, I know.

1126
00:58:39,560 --> 00:58:41,840
Speaker 6: And that's a little lot like like I always tell

1127
00:58:41,920 --> 00:58:46,880
Speaker 6: you, you know, it's unfortunate that we as a people like

1128
00:58:47,000 --> 00:58:51,600
Speaker 6: to see you know, silly and crazy ship and embarrassing ship,

1129
00:58:52,080 --> 00:58:55,800
Speaker 6: and that's what puts the scales of curiosity up there.

1130
00:58:55,880 --> 00:59:01,080
Speaker 6: But sometimes you gotta, uh, you got respect who you

1131
00:59:01,120 --> 00:59:03,400
Speaker 6: are and not want to do a lot of ship

1132
00:59:03,480 --> 00:59:04,320
Speaker 6: for a paycheck.

1133
00:59:04,560 --> 00:59:05,680
Speaker 2: And that's what I feel.

1134
00:59:06,040 --> 00:59:10,520
Speaker 6: Just listen to this world ship and you know sometimes

1135
00:59:10,720 --> 00:59:17,840
Speaker 6: his world like like I said a couple of shows ago, today,

1136
00:59:17,920 --> 00:59:21,600
Speaker 6: motherfuckers would do anything to become faans social currency.

1137
00:59:21,720 --> 00:59:22,200
Speaker 2: You feel.

1138
00:59:22,240 --> 00:59:26,560
Speaker 4: You see the cocker road, Yeah, you're on the internet

1139
00:59:27,520 --> 00:59:31,960
Speaker 4: and bathing and mayonnaise or that's how motherfucker running across

1140
00:59:32,000 --> 00:59:35,560
Speaker 4: some hot colds butt ass naked just for a t

1141
00:59:36,000 --> 00:59:38,880
Speaker 4: away for my future. That's how he got on. He

1142
00:59:38,920 --> 00:59:42,920
Speaker 4: had the cocker roads in this video. Just just he tough.

1143
00:59:42,960 --> 00:59:45,000
Speaker 4: He tough as fuck you I know, you know he is.

1144
00:59:47,160 --> 00:59:47,960
Speaker 1: His first video.

1145
00:59:48,040 --> 00:59:51,080
Speaker 4: He ate a roach, but I think blue Face he

1146
00:59:51,240 --> 00:59:53,040
Speaker 4: just you can't get she was a groupie, like she

1147
00:59:53,120 --> 00:59:54,840
Speaker 4: was trying to change your life and he knew that

1148
00:59:54,920 --> 00:59:57,760
Speaker 4: and he let her get all loney and it kind

1149
00:59:57,760 --> 00:59:59,840
Speaker 4: of messed him up. And now you get your groopie.

1150
01:00:00,240 --> 01:00:02,920
Speaker 4: Now you got this craziness because she ain't gonna never

1151
01:00:02,960 --> 01:00:04,920
Speaker 4: be grateful to him. She ain't gonna never give me

1152
01:00:04,960 --> 01:00:08,600
Speaker 4: credit for her success. It's all about her. But every

1153
01:00:08,600 --> 01:00:10,959
Speaker 4: other woman is gonna make him the trauma of her life.

1154
01:00:11,720 --> 01:00:14,160
Speaker 3: But you know what, you know what, you know what,

1155
01:00:14,680 --> 01:00:18,000
Speaker 3: and you know some people have strengths. Some people are weak.

1156
01:00:19,440 --> 01:00:21,840
Speaker 3: That's a weakness, you know what I'm saying.

1157
01:00:22,800 --> 01:00:29,280
Speaker 4: Yeah, he's just young man, young brother, live a little bit.

1158
01:00:29,520 --> 01:00:32,880
Speaker 3: You know he gonna go back and be like damn man.

1159
01:00:33,680 --> 01:00:38,280
Speaker 3: Because that's that's what we want to really perpetuate, is

1160
01:00:38,320 --> 01:00:42,800
Speaker 3: that youngsters listen, learn because you want to be a

1161
01:00:42,880 --> 01:00:44,080
Speaker 3: O G two one day.

1162
01:00:44,560 --> 01:00:45,280
Speaker 5: You don't want to be No.

1163
01:00:45,400 --> 01:00:49,600
Speaker 3: Five pop po pop pop will get short and.

1164
01:00:49,560 --> 01:00:51,320
Speaker 1: Don't want to talk to you about you in past

1165
01:00:51,360 --> 01:00:54,160
Speaker 1: tense for sure. And you know I'm gonna ask you all,

1166
01:00:54,200 --> 01:00:55,800
Speaker 1: whats y'all think? You know the sister that got here

1167
01:00:55,800 --> 01:00:58,120
Speaker 1: with the brick? Don't raise thirty thousand dollars on go

1168
01:00:58,240 --> 01:00:58,560
Speaker 1: fund me.

1169
01:00:58,640 --> 01:01:04,480
Speaker 3: So far, all I can say is, you know I

1170
01:01:04,520 --> 01:01:07,320
Speaker 3: wouldn't do it, but don't start.

1171
01:01:07,400 --> 01:01:07,720
Speaker 5: No shit.

1172
01:01:07,760 --> 01:01:11,600
Speaker 3: Won't be no shit prior to that. You know, whole

1173
01:01:11,640 --> 01:01:14,080
Speaker 3: live about this, she run around slapping people.

1174
01:01:14,800 --> 01:01:17,520
Speaker 4: I don't really want nothing, but I just wouldn't be

1175
01:01:17,600 --> 01:01:20,320
Speaker 4: on my phone. So I've seen a video right, and

1176
01:01:20,320 --> 01:01:22,240
Speaker 4: this is some real quick shit. I'm just let out.

1177
01:01:22,440 --> 01:01:25,440
Speaker 4: Like Instagram couzins for Brandon, It's short so people come

1178
01:01:25,520 --> 01:01:27,480
Speaker 4: up with silly shit off the smallest.

1179
01:01:27,000 --> 01:01:28,480
Speaker 2: Thing on Instagram.

1180
01:01:28,520 --> 01:01:32,360
Speaker 4: Twitter will read your motherfucking ass. Twitter is where the

1181
01:01:32,360 --> 01:01:35,200
Speaker 4: smart motherfuckers go. They will research everything about you and

1182
01:01:35,240 --> 01:01:38,600
Speaker 4: make a qualified decision. I saw one video where the

1183
01:01:38,680 --> 01:01:41,640
Speaker 4: lady is antagonizing the niggas in a parking lot that

1184
01:01:41,760 --> 01:01:44,040
Speaker 4: she said let her get hit with a brick and

1185
01:01:44,080 --> 01:01:47,600
Speaker 4: they let him leave. Well, why would you antagonize these

1186
01:01:47,680 --> 01:01:49,640
Speaker 4: niggas if they just let you get hit with a brick?

1187
01:01:50,920 --> 01:01:52,640
Speaker 4: You know what I mean. You just seen the last

1188
01:01:52,680 --> 01:01:55,760
Speaker 4: time you was antagonizing, some motherfucker got you hit with

1189
01:01:55,800 --> 01:01:58,880
Speaker 4: a brick. Why would you antagonize the niggas who let

1190
01:01:58,960 --> 01:01:59,360
Speaker 4: you get.

1191
01:01:59,280 --> 01:01:59,880
Speaker 2: Hit with a brick.

1192
01:02:00,800 --> 01:02:03,960
Speaker 5: Some people ain't playing, But you know, like I said,

1193
01:02:04,000 --> 01:02:04,480
Speaker 5: I don't know.

1194
01:02:04,560 --> 01:02:08,640
Speaker 6: People do anything today to be seen, to create a

1195
01:02:08,760 --> 01:02:14,440
Speaker 6: lane for them to become famous, and nobody is satisfied

1196
01:02:14,600 --> 01:02:16,280
Speaker 6: with being a regular motherfucker.

1197
01:02:16,560 --> 01:02:19,280
Speaker 1: Ain't this Just think about.

1198
01:02:19,000 --> 01:02:21,120
Speaker 4: It like this, She's the new brick baby, that's her name.

1199
01:02:21,240 --> 01:02:24,240
Speaker 1: You can get cancer for any motherfucking things. Baby, you

1200
01:02:24,280 --> 01:02:27,560
Speaker 1: can get canceled for saying some real ship. It's backwards nowadays.

1201
01:02:27,800 --> 01:02:30,919
Speaker 1: If you go online and talk about crazy shit shit

1202
01:02:30,960 --> 01:02:33,320
Speaker 1: that don't make no sense, you get praised for the

1203
01:02:33,400 --> 01:02:35,680
Speaker 1: rewarded for it. But if you say some real ship,

1204
01:02:35,880 --> 01:02:37,320
Speaker 1: they talk about canceling your ass.

1205
01:02:37,600 --> 01:02:39,480
Speaker 5: Yeah that's what that That that lets you know. It's

1206
01:02:39,520 --> 01:02:40,280
Speaker 5: a real agenda.

1207
01:02:40,880 --> 01:02:45,520
Speaker 4: Break baby, Man, she's gonna be out. She got thirty bucks.

1208
01:02:44,320 --> 01:02:47,680
Speaker 3: All right, oh man, raised more, probably raised more, and

1209
01:02:47,720 --> 01:02:49,600
Speaker 3: then at the end of that, shout out the big brick.

1210
01:02:49,800 --> 01:02:52,280
Speaker 3: Probably She's probably gonna be like, Damn, I'm glad that

1211
01:02:52,280 --> 01:02:53,959
Speaker 3: motherfucker hit me in the head with a brick.

1212
01:02:54,600 --> 01:02:56,640
Speaker 5: Ship, I got a hundred thousand chips.

1213
01:02:57,120 --> 01:03:02,920
Speaker 1: Shout to the ship that paid the bill.

1214
01:03:04,160 --> 01:03:05,920
Speaker 4: This shit right here is gonna get thirty thousand.

1215
01:03:06,920 --> 01:03:07,320
Speaker 1: They got it.

1216
01:03:07,400 --> 01:03:07,720
Speaker 5: You know what.

1217
01:03:07,760 --> 01:03:09,720
Speaker 4: It be hard, you know, but you know what it

1218
01:03:09,800 --> 01:03:12,120
Speaker 4: be hard. They should bring her on no jumper.

1219
01:03:12,240 --> 01:03:14,760
Speaker 6: They're telling to pick up the homie shit. Man, I

1220
01:03:14,920 --> 01:03:17,960
Speaker 6: want to do Glasses Malone. Talk about your album, Man,

1221
01:03:18,000 --> 01:03:20,160
Speaker 6: you're supposed to be the promote now. Album is trouble.

1222
01:03:21,000 --> 01:03:24,840
Speaker 6: Everything about Glasses. Every nigga sitting up here gonna tell

1223
01:03:24,840 --> 01:03:25,480
Speaker 6: you it's trouble.

1224
01:03:25,720 --> 01:03:28,200
Speaker 1: Anytime a nigga call this album cancel, he's nuts. You

1225
01:03:28,200 --> 01:03:29,360
Speaker 1: know he coming with some bullshit.

1226
01:03:29,440 --> 01:03:33,280
Speaker 4: It's just trouble. That'saw all. I represented trouble, this earliest

1227
01:03:33,280 --> 01:03:37,080
Speaker 4: Gangst the Rap phases. It's exactly everything. That's why when

1228
01:03:37,120 --> 01:03:40,680
Speaker 4: eight everybody get mad, I'm like, y'all made me this way.

1229
01:03:41,200 --> 01:03:43,520
Speaker 4: How y'all gonna be mad? How you gonna be mad

1230
01:03:43,560 --> 01:03:45,720
Speaker 4: at me? Y'all made me say what I want to say.

1231
01:03:45,960 --> 01:03:47,880
Speaker 4: That's why I say what I want to say now.

1232
01:03:48,360 --> 01:03:50,560
Speaker 4: So this is nothing but a continuation. Shout out to

1233
01:03:50,560 --> 01:03:52,920
Speaker 4: the giants, shout out to EP. We're just telling you

1234
01:03:52,920 --> 01:03:55,520
Speaker 4: what it is. It's the first socially charged album and

1235
01:03:55,640 --> 01:03:58,240
Speaker 4: Gangst the rap history. It's ain't politically charged. We just

1236
01:03:58,360 --> 01:04:01,880
Speaker 4: on everything here. That's goofy. We the voice of barber shops.

1237
01:04:02,000 --> 01:04:04,800
Speaker 4: We the voice of the Promona barber shops, counter barber shops,

1238
01:04:05,040 --> 01:04:06,960
Speaker 4: was barber shops, l A barber shops.

1239
01:04:06,960 --> 01:04:08,200
Speaker 1: Whatever, that's it.

1240
01:04:08,320 --> 01:04:10,040
Speaker 4: We said what we say when we're getting our haircut.

1241
01:04:10,160 --> 01:04:12,600
Speaker 1: Somebody need to say something because we in some crazy.

1242
01:04:12,280 --> 01:04:14,280
Speaker 5: And I'm glad I'm the man you invited me on

1243
01:04:14,320 --> 01:04:14,880
Speaker 5: the project.

1244
01:04:14,920 --> 01:04:19,439
Speaker 1: And tell you all picked this up yet right here,

1245
01:04:20,080 --> 01:04:23,800
Speaker 1: this is a bad motherfucking album. Dog Sugar Cane Mane

1246
01:04:23,960 --> 01:04:24,600
Speaker 1: sins Rat.

1247
01:04:25,680 --> 01:04:30,920
Speaker 4: When we're saying it should have been a funk album, hard, Yeah,

1248
01:04:30,960 --> 01:04:31,680
Speaker 4: that's what it is.

1249
01:04:31,760 --> 01:04:32,040
Speaker 3: Funk.

1250
01:04:32,480 --> 01:04:35,840
Speaker 1: This ship banging like a motherfucker. It's like to me,

1251
01:04:35,880 --> 01:04:38,720
Speaker 1: a transcend rappid remind me of like listening like with

1252
01:04:38,840 --> 01:04:40,880
Speaker 1: Boots and Them would be putting out to day, you

1253
01:04:40,920 --> 01:04:42,320
Speaker 1: know exactly. And I was.

1254
01:04:42,400 --> 01:04:44,320
Speaker 4: I was saying that to Ted and them. I'm like,

1255
01:04:44,840 --> 01:04:47,280
Speaker 4: this is a real funk album. It's a disservice to

1256
01:04:47,320 --> 01:04:50,080
Speaker 4: call it a hip hop album. Right, It's bigger, it's greater.

1257
01:04:50,240 --> 01:04:52,760
Speaker 1: Even the way the album covers the sign. Look at this,

1258
01:04:52,760 --> 01:04:54,680
Speaker 1: This is like the album cover that your mom had shot.

1259
01:04:54,920 --> 01:04:55,720
Speaker 5: That's that.

1260
01:04:55,720 --> 01:04:59,760
Speaker 3: That's that old school nostalgia from the ohio playing adio players.

1261
01:05:00,200 --> 01:05:03,000
Speaker 5: Yeah, feel me, but we call ourselves put on the players.

1262
01:05:03,120 --> 01:05:03,720
Speaker 2: I like that.

1263
01:05:04,760 --> 01:05:06,479
Speaker 1: Oh and Banks produced another who.

1264
01:05:06,800 --> 01:05:10,800
Speaker 3: Does yeah that We actually were actually doing the video

1265
01:05:11,400 --> 01:05:15,000
Speaker 3: this Friday. Catch one song called Bitch Shut Up.

1266
01:05:15,200 --> 01:05:17,480
Speaker 1: You were just talking about that and she'll produce put

1267
01:05:17,560 --> 01:05:18,080
Speaker 1: the tippy in.

1268
01:05:18,520 --> 01:05:21,600
Speaker 5: Oh yeah, chill produce that. That motherfucker.

1269
01:05:21,680 --> 01:05:23,200
Speaker 4: Tord I definitely got to do more.

1270
01:05:23,200 --> 01:05:23,439
Speaker 1: Work.

1271
01:05:23,520 --> 01:05:23,680
Speaker 6: Man.

1272
01:05:24,480 --> 01:05:26,680
Speaker 5: We're already working on our second album right now.

1273
01:05:26,880 --> 01:05:28,520
Speaker 4: Five songs for every three months.

1274
01:05:28,560 --> 01:05:30,200
Speaker 1: Man. But what I think y'all should go with it

1275
01:05:30,200 --> 01:05:32,600
Speaker 1: this time? I think y'all should have George Cleaning up

1276
01:05:32,600 --> 01:05:34,200
Speaker 1: in there with y'all, because that's what y'all doing.

1277
01:05:34,440 --> 01:05:37,520
Speaker 4: Boozy Boosy, Why breathing Boosy is alive?

1278
01:05:38,520 --> 01:05:41,000
Speaker 3: Ave, I got something brewing in the store. I just

1279
01:05:41,040 --> 01:05:43,600
Speaker 3: don't want to say it to everybody, but keep it.

1280
01:05:43,600 --> 01:05:44,120
Speaker 2: On the hush.

1281
01:05:44,240 --> 01:05:48,120
Speaker 3: Yeah, you are too many ear ear hustles the game. Yeah,

1282
01:05:49,080 --> 01:05:52,720
Speaker 3: I got some ship coming out with this with this

1283
01:05:53,120 --> 01:05:57,240
Speaker 3: Doctor Cokenstein punkin Adventures of Doctor coach Stein coming out

1284
01:05:57,280 --> 01:06:01,040
Speaker 3: next year. It's a double album, real funky, like your

1285
01:06:01,040 --> 01:06:03,640
Speaker 3: baby Mama Monkey. You know what I'm saying, and you're

1286
01:06:03,640 --> 01:06:04,280
Speaker 3: gonna dig it.

1287
01:06:04,440 --> 01:06:06,680
Speaker 1: I know we gotta started relating. I promise you ain't

1288
01:06:06,680 --> 01:06:09,760
Speaker 1: gonna hold us too much longer. I think something that

1289
01:06:09,840 --> 01:06:12,280
Speaker 1: y'all both doing is dope is they both got your

1290
01:06:12,360 --> 01:06:14,360
Speaker 1: own labels. And I think what you're doing with Buddy

1291
01:06:14,360 --> 01:06:17,240
Speaker 1: Boys genius. I was talking to him one day about

1292
01:06:17,240 --> 01:06:19,120
Speaker 1: going to go stream his music. He said, you gotta

1293
01:06:19,160 --> 01:06:22,760
Speaker 1: go to Buddy Boy stream my shit. Oh yeah, iTunes.

1294
01:06:22,760 --> 01:06:24,520
Speaker 1: I'm gonna tell you something. I'm gonna tell you something

1295
01:06:24,520 --> 01:06:29,080
Speaker 1: not to cut you off. Motherfucker's laughing at me. It's like, yeah, streaming,

1296
01:06:29,800 --> 01:06:33,640
Speaker 1: streaming fourteen years. I've been pushing this website.

1297
01:06:34,120 --> 01:06:38,440
Speaker 3: Now who laughing everybody, and they Mama bo, you go

1298
01:06:38,480 --> 01:06:42,560
Speaker 3: to my web because dummy, is nothing more important than

1299
01:06:42,640 --> 01:06:47,320
Speaker 3: cutting out the middle man and direct marketing. That point

1300
01:06:47,400 --> 01:06:50,800
Speaker 3: zero seven on the sense is fuckery. And the industry

1301
01:06:50,840 --> 01:06:54,400
Speaker 3: did this on purpose. They purposely put out a propaganda

1302
01:06:55,000 --> 01:06:58,480
Speaker 3: blitz and they made more money with the streaming company

1303
01:06:58,520 --> 01:07:00,920
Speaker 3: than they ever did in the fucking music industry.

1304
01:07:01,000 --> 01:07:02,880
Speaker 1: But let me take that back. All something all three

1305
01:07:02,920 --> 01:07:04,560
Speaker 1: of y'all is doing because he is putting his own

1306
01:07:04,560 --> 01:07:05,040
Speaker 1: shit out.

1307
01:07:04,960 --> 01:07:07,560
Speaker 4: To you, just talking about cocaine and eight no.

1308
01:07:07,200 --> 01:07:09,720
Speaker 1: No, all three of yo, all three of yo. Y'all

1309
01:07:09,720 --> 01:07:12,320
Speaker 1: putting out y'all own music now. And I think that's incredible,

1310
01:07:12,360 --> 01:07:14,520
Speaker 1: and I think that's sportant out because you really don't

1311
01:07:14,520 --> 01:07:15,400
Speaker 1: need no middle man.

1312
01:07:15,680 --> 01:07:18,360
Speaker 4: Yeah, I say, I saw four hundred and thirteen CDs

1313
01:07:18,400 --> 01:07:19,640
Speaker 4: in eleven days.

1314
01:07:19,680 --> 01:07:22,280
Speaker 3: Look, let me tell you something. Let me tell you something.

1315
01:07:22,400 --> 01:07:26,480
Speaker 3: You you gotta sell a billion, a trillion one to

1316
01:07:26,560 --> 01:07:30,560
Speaker 3: get a little bubblegum check compared to like selling twenty

1317
01:07:30,640 --> 01:07:32,640
Speaker 3: or twenty five thousand units.

1318
01:07:33,440 --> 01:07:36,240
Speaker 5: It's like, are you this is the music business? Do

1319
01:07:36,280 --> 01:07:39,360
Speaker 5: you do you? Are you in the business? Are you

1320
01:07:39,480 --> 01:07:41,320
Speaker 5: in the just industry?

1321
01:07:42,080 --> 01:07:44,320
Speaker 3: And it's like, I don't consider us a part of

1322
01:07:44,320 --> 01:07:46,600
Speaker 3: the industry because that shit is over with.

1323
01:07:46,800 --> 01:07:49,320
Speaker 5: Man, The word celebrity is unheard of.

1324
01:07:49,440 --> 01:07:52,760
Speaker 3: Anybody can hop up on TikTok and do some bubblegum

1325
01:07:52,840 --> 01:07:55,240
Speaker 3: ass shit and go viral, you know what I mean.

1326
01:07:55,360 --> 01:07:58,400
Speaker 3: So us as the last of a dying breed, it's

1327
01:07:58,480 --> 01:08:01,400
Speaker 3: for us to control the culture because we have the autonomy.

1328
01:08:02,080 --> 01:08:05,400
Speaker 3: Just be patient, you know, don't don't don't, don't sell

1329
01:08:05,440 --> 01:08:08,120
Speaker 3: your pork bellies yet. Man, when you already got your stable.

1330
01:08:08,680 --> 01:08:11,120
Speaker 3: And it's like, we're blessed enough to be here. We

1331
01:08:11,160 --> 01:08:16,800
Speaker 3: do shows. Money's is coming through. We can license out records,

1332
01:08:17,520 --> 01:08:20,800
Speaker 3: all kinds of things because we have went to that stature,

1333
01:08:21,439 --> 01:08:23,400
Speaker 3: you know what I mean. We have paid the cost

1334
01:08:23,520 --> 01:08:26,320
Speaker 3: to be the boss over a thirty four year plight.

1335
01:08:26,720 --> 01:08:29,360
Speaker 3: I can say, me and this gentleman right here, we're

1336
01:08:29,439 --> 01:08:32,160
Speaker 3: able to go ahead and transcend the time. So when

1337
01:08:32,200 --> 01:08:35,439
Speaker 3: you get older, you're supposed to learn more you know,

1338
01:08:35,560 --> 01:08:36,920
Speaker 3: that's what you're supposed to do.

1339
01:08:37,479 --> 01:08:38,720
Speaker 5: And we were blessed enough to.

1340
01:08:40,240 --> 01:08:43,200
Speaker 3: Take a risk, because no man can't win if you

1341
01:08:43,240 --> 01:08:46,200
Speaker 3: don't take a risk on yourself, if you always want

1342
01:08:46,200 --> 01:08:49,439
Speaker 3: to bang on somebody door, where you're gonna capitulate the

1343
01:08:49,560 --> 01:08:52,120
Speaker 3: being the third or fourth fifth party on your music.

1344
01:08:52,520 --> 01:08:55,920
Speaker 5: And I got tired of that shit. Motherfucker's just taking

1345
01:08:56,080 --> 01:08:56,679
Speaker 5: take taking.

1346
01:08:56,760 --> 01:09:00,479
Speaker 3: They don't take into consideration it costs over ten fifteen

1347
01:09:00,520 --> 01:09:01,439
Speaker 3: thousand the promotion.

1348
01:09:01,680 --> 01:09:04,400
Speaker 5: Shit, it costs over ten to be in the studio.

1349
01:09:05,040 --> 01:09:09,000
Speaker 3: It's like the word candy striper and free became intertwined

1350
01:09:09,000 --> 01:09:11,760
Speaker 3: when it came to the internet. Now we get an

1351
01:09:11,800 --> 01:09:17,559
Speaker 3: opportunity and chance to direct market and really create a

1352
01:09:17,720 --> 01:09:21,479
Speaker 3: new fucking industry because the old industry is archaic.

1353
01:09:21,760 --> 01:09:23,080
Speaker 5: It's out the fucking window.

1354
01:09:23,439 --> 01:09:25,760
Speaker 3: They done stole from us, you know what I mean,

1355
01:09:25,840 --> 01:09:28,200
Speaker 3: did this And it's like you see a lot of

1356
01:09:28,800 --> 01:09:31,120
Speaker 3: big record labels they shaking in their boots.

1357
01:09:31,600 --> 01:09:34,080
Speaker 5: Who whatever thought MCA will foul Chapter eleven.

1358
01:09:35,600 --> 01:09:40,280
Speaker 3: There's no mc A, no more MCACA is going all them.

1359
01:09:40,320 --> 01:09:40,880
Speaker 5: You feel me.

1360
01:09:41,479 --> 01:09:47,600
Speaker 3: But then that's good because it's good for the independent artists.

1361
01:09:47,560 --> 01:09:48,160
Speaker 5: You know what I mean?

1362
01:09:48,240 --> 01:09:50,880
Speaker 3: And you know, I get deals offered all the time.

1363
01:09:51,560 --> 01:09:54,280
Speaker 3: Y'all could do the cash money thing right now. But

1364
01:09:54,320 --> 01:09:56,759
Speaker 3: if a person say I'm worth fifteen to twenty million,

1365
01:09:56,920 --> 01:09:58,920
Speaker 3: that let me know I'm worth a billion, nigga.

1366
01:09:59,200 --> 01:10:01,200
Speaker 4: They can't you your wife and make money.

1367
01:10:01,600 --> 01:10:06,040
Speaker 3: It's just a matter of time taking ship, taking no deal,

1368
01:10:06,160 --> 01:10:08,839
Speaker 3: my nigga, and I don't want to put nobody on blasts,

1369
01:10:08,840 --> 01:10:10,760
Speaker 3: but they offer me a significant amount of money, and

1370
01:10:10,800 --> 01:10:13,080
Speaker 3: I said, nah, cool you want so.

1371
01:10:13,040 --> 01:10:15,240
Speaker 1: If this Jim walking here right now said eight, we

1372
01:10:15,280 --> 01:10:17,519
Speaker 1: want to put out one. We want to put out a.

1373
01:10:20,320 --> 01:10:25,720
Speaker 5: Part to Paish Now, don't get it twisted. Don't get

1374
01:10:25,760 --> 01:10:26,320
Speaker 5: it twisted.

1375
01:10:26,479 --> 01:10:27,000
Speaker 4: One album.

1376
01:10:27,160 --> 01:10:29,800
Speaker 5: The only way you deal with majors like.

1377
01:10:29,800 --> 01:10:34,560
Speaker 3: That is if you license out some ship. If you

1378
01:10:35,120 --> 01:10:38,479
Speaker 3: license out some ship, you own your ship. They got

1379
01:10:38,479 --> 01:10:40,840
Speaker 3: so much to collect and sell the record that give

1380
01:10:40,880 --> 01:10:45,240
Speaker 3: you insurance. It's no reason why anybody that has a

1381
01:10:45,479 --> 01:10:49,519
Speaker 3: that has a structure or independent should sell the rights

1382
01:10:49,520 --> 01:10:54,599
Speaker 3: and ship and get into a con con where they

1383
01:10:54,640 --> 01:10:59,840
Speaker 3: can track you. You feel me, contracts, you get into agreements, man.

1384
01:11:00,920 --> 01:11:03,439
Speaker 3: That's why things that I do all over the world,

1385
01:11:03,479 --> 01:11:06,679
Speaker 3: whether it's music, commercials, not just in the United States.

1386
01:11:08,120 --> 01:11:09,920
Speaker 5: You want to license on some shit. I have a

1387
01:11:09,960 --> 01:11:15,000
Speaker 5: catalog so motherfucking big, but hell nah, I don't take no. Man.

1388
01:11:15,040 --> 01:11:17,320
Speaker 3: I got offered four million dollars. I said, hell no

1389
01:11:18,720 --> 01:11:22,000
Speaker 3: because they seem my catalog like and that wasn't enough.

1390
01:11:22,000 --> 01:11:25,400
Speaker 3: But you know everybody gonna try to penny pitch. I

1391
01:11:25,439 --> 01:11:28,280
Speaker 3: said nah, And that's what makes you more powerful when

1392
01:11:28,320 --> 01:11:29,479
Speaker 3: you say no.

1393
01:11:29,640 --> 01:11:31,320
Speaker 5: Thank you for the whole thing. Glasses.

1394
01:11:31,360 --> 01:11:34,080
Speaker 1: Where can people go get your album shit for me?

1395
01:11:34,400 --> 01:11:35,479
Speaker 4: The cripstore dot com.

1396
01:11:35,920 --> 01:11:37,519
Speaker 1: Want the cripstore dot com?

1397
01:11:37,720 --> 01:11:40,559
Speaker 4: Uh, cripstore dot com.

1398
01:11:40,760 --> 01:11:42,599
Speaker 1: So you'all hear that. I'm pretty sure ain't nobody out

1399
01:11:42,600 --> 01:11:45,000
Speaker 1: there gonna forget that. The cripstore dot com. It's when

1400
01:11:45,040 --> 01:11:48,240
Speaker 1: you crack last and stuff. Oh buck you cooker where

1401
01:11:48,240 --> 01:11:48,559
Speaker 1: they're going?

1402
01:11:49,200 --> 01:11:49,439
Speaker 5: All right?

1403
01:11:49,520 --> 01:11:52,240
Speaker 3: Man, you gotta go to www dot Buddy boy music

1404
01:11:52,320 --> 01:11:55,040
Speaker 3: dot com if you want to get the autograph copy

1405
01:11:55,120 --> 01:11:58,360
Speaker 3: of the Sugarcane, because unfortunately you can't sign an autograph copy.

1406
01:11:58,200 --> 01:12:01,000
Speaker 5: On a motherfucking digital. You can go the Www.

1407
01:12:01,120 --> 01:12:05,720
Speaker 3: Sugarcange Official dot com. In your mouth, super simple, come

1408
01:12:05,800 --> 01:12:06,880
Speaker 3: to the source, you.

1409
01:12:06,920 --> 01:12:07,400
Speaker 5: Know what I mean.

1410
01:12:08,120 --> 01:12:10,400
Speaker 3: And we ain't on no AI shit or none of that. Man,

1411
01:12:10,479 --> 01:12:13,519
Speaker 3: we still hear living legends, messing with the young g's

1412
01:12:13,560 --> 01:12:16,320
Speaker 3: and all that shit. So make sure you come to

1413
01:12:16,520 --> 01:12:19,479
Speaker 3: my site. Don't ask where you can get it from.

1414
01:12:19,680 --> 01:12:21,920
Speaker 3: Come to my site. Now you might hear a single

1415
01:12:22,040 --> 01:12:24,760
Speaker 3: or two on a social network, but I'm using him

1416
01:12:24,840 --> 01:12:27,360
Speaker 3: like they're using me. Come to my motherfucking site and

1417
01:12:27,439 --> 01:12:28,040
Speaker 3: get the album.

1418
01:12:28,360 --> 01:12:32,719
Speaker 1: Bengo listens to and listens to us out that's everywhere

1419
01:12:32,720 --> 01:12:34,200
Speaker 1: because eight fucking with the streamer platform.

1420
01:12:34,280 --> 01:12:36,839
Speaker 2: I fuck with anything I can get some money. I don't.

1421
01:12:38,160 --> 01:12:43,400
Speaker 1: Well listen to all now, Yeah, he did the thing,

1422
01:12:43,880 --> 01:12:45,320
Speaker 1: the thing, let's go.

1423
01:12:45,600 --> 01:12:47,640
Speaker 5: It's all right man. Shout out to sugar Free and

1424
01:12:47,720 --> 01:12:50,200
Speaker 5: Tied too, pushing that ship.

1425
01:12:51,600 --> 01:12:54,160
Speaker 4: What's up with it? G l a double dollar sign

1426
01:12:54,240 --> 01:12:58,040
Speaker 4: the shot. That's right, glasses malone And on motherfucking September

1427
01:12:58,120 --> 01:13:02,000
Speaker 4: twenty second, I'm dropping my new album. Cancel these nuts.

1428
01:13:02,240 --> 01:13:05,679
Speaker 4: But for anybody that want to support right now, hop online,

1429
01:13:06,000 --> 01:13:09,320
Speaker 4: go to the cryptstore dot com. That's right, the crypt

1430
01:13:09,400 --> 01:13:12,479
Speaker 4: store t H E c R I P S t

1431
01:13:12,680 --> 01:13:15,800
Speaker 4: O r E dot com and buy a physical copy

1432
01:13:15,920 --> 01:13:19,240
Speaker 4: right now, autograph from me right now. You can have

1433
01:13:19,320 --> 01:13:21,519
Speaker 4: it ahead of time before it's on all streaming sites.

1434
01:13:21,720 --> 01:13:23,400
Speaker 4: So social support to the real was. You know what

1435
01:13:23,439 --> 01:13:25,680
Speaker 4: I'm saying. Jump on the cryptstore dot com and buy

1436
01:13:25,800 --> 01:13:28,880
Speaker 4: my new album, Cancel These Nuts. Buy it right now

1437
01:13:29,120 --> 01:13:33,440
Speaker 4: before it drops online September twenty second. Yeah, the cryptstore

1438
01:13:33,520 --> 01:13:34,000
Speaker 4: dot Com