WEBVTT - 11. The Suitcase

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<v Speaker 1>Pushkin.

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<v Speaker 2>Haley and I have been operating under an assumption that

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<v Speaker 2>if Rick was involved with my Teresa's death, he would

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<v Speaker 2>have told someone. We've reconstructed his universe person by person,

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<v Speaker 2>cold calling and emailing something like one hundred people, and

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<v Speaker 2>when that didn't work, driving to their last known address

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<v Speaker 2>in burned out mobile homes and tidy trailer parks and

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<v Speaker 2>remote stretches of the suburban desert where they were hoping

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<v Speaker 2>never to be found. And that's how we found Jill Walski,

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<v Speaker 2>sitting outside her double wide in Oxnard, surrounded by plants

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<v Speaker 2>and antiques from her parents' old home in Montanito.

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<v Speaker 3>I know God, all right, honey, Well I got company,

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<v Speaker 3>so I'll call you later, all right, Shooter, love me,

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<v Speaker 3>thank you, Bye bye, any poor guy, tuck.

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<v Speaker 2>Jill's the den mother of the Montanito Boys.

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<v Speaker 4>But excuse me.

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<v Speaker 5>The thing is me I might have straight here. I'll

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<v Speaker 5>just put it here. I see there's this crystal ashtray

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<v Speaker 5>on the oh.

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<v Speaker 6>Thanks.

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<v Speaker 2>Jill is a straight shooter, totally unclouded by visions of

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<v Speaker 2>Rick in all his blonde water skiing glory. Of all

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<v Speaker 2>the Montanito boys. She says Rick had fallen the farthest

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<v Speaker 2>from Golden Boys status to addiction, prison and homelessness.

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<v Speaker 5>He had been arrested several times. And he also wasn't

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<v Speaker 5>mentally there because he had you know, head on into

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<v Speaker 5>a tree, hit by a car on a motorcycle.

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<v Speaker 2>Jill is the person the Montanito Boys go to with

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<v Speaker 2>their problems, and in twenty twelve, Rick came to her

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<v Speaker 2>with a very big problem. The police were after him again.

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<v Speaker 2>She was at home in Montanito.

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<v Speaker 5>Knocks on the door, comes in. He says, Jill, do

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<v Speaker 5>you have a beer or something or shot of something?

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<v Speaker 5>And so I gave him something to drink and sitting

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<v Speaker 5>outside and he's just like, I just got interrogated by

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<v Speaker 5>the police. I did a light detective test.

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<v Speaker 2>The police had asked him what he knew about the

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<v Speaker 2>death of my Trees Richardson, and.

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<v Speaker 5>He's like, yeah, I don't know how they got my name.

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<v Speaker 5>And he just kept putting his head down, and he

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<v Speaker 5>just sat there probably for about forty five minutes and

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<v Speaker 5>just kept pacing and putting his head down.

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<v Speaker 2>By the time Rick left her house that day, Jill

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<v Speaker 2>had no doubt that Rick had information about my Trees's death.

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<v Speaker 5>He knows something and I think I don't think it

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<v Speaker 5>was on purpose, but he knew he knows something and

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<v Speaker 5>he had something to do with it.

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<v Speaker 2>I'm Dana Goodyear and this is Lost Hills, episode eleven,

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<v Speaker 2>The Suitcase. Jill says when Rick arrived at her house

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<v Speaker 2>after his polygraph, he was anxious and sweaty, and he

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<v Speaker 2>kept asking for more alcohol. She could tell he needed

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<v Speaker 2>to get something off his chest.

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<v Speaker 5>Because he had his head down and he kept rubbing

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<v Speaker 5>through his hair. He wanted to tell me something, and

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<v Speaker 5>I'm like, Rick, please, I really don't want to hear

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<v Speaker 5>this because then I would feel obligated to have to

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<v Speaker 5>say something.

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<v Speaker 2>But before she shut him down completely, Rick did manage

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<v Speaker 2>to tell her something crucial, something that has never been

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<v Speaker 2>reported before.

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<v Speaker 5>And he said, he goes, I picked her up, but

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<v Speaker 5>I didn't do anything to her.

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<v Speaker 2>This is a bombshell piece of information. Rick didn't just

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<v Speaker 2>see or hear my Trees on the day of her disappearance,

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<v Speaker 2>as he says in the video.

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<v Speaker 1>He picked her up.

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<v Speaker 2>Jill says, from the way Rick was acting at her house,

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<v Speaker 2>she strongly believes something else happened between him and my Trees,

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<v Speaker 2>something Rick couldn't tell the cops.

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<v Speaker 5>But why Rick doesn't say, yes, I picked her up.

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<v Speaker 5>I brought her up. He was afraid of going back

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<v Speaker 5>to prison. Bottom line, he had.

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<v Speaker 3>Just gotten out.

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<v Speaker 5>Yeah, so you know, and he just his mannerisms at

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<v Speaker 5>the house. I know he brought her up to his place.

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<v Speaker 2>She would like to think my Teresa's death was unintentional.

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<v Speaker 5>And that's my belief, is that it was an accident.

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<v Speaker 5>But in my opinion, according to him, and he was

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<v Speaker 5>sweating bullets, is that I think that she either slipped

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<v Speaker 5>and fell and he freaked out or I cannot see

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<v Speaker 5>Rick raping to somebody. Did they ever do a kit?

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<v Speaker 2>It was too long after she disappeared. She'd been up

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<v Speaker 2>in that canyon for eleven months and there was no

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<v Speaker 2>soft tissue left. It was bones, So you can't do

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<v Speaker 2>a rape kit on bones. I tell her what we've

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<v Speaker 2>heard from other friends of X, that he wouldn't have

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<v Speaker 2>been sexually interested in my trees because she was black.

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<v Speaker 5>Meth changes people's minds, you know what I mean. And

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<v Speaker 5>if you're up for a few days. Look, I don't

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<v Speaker 5>think I don't think he'd even think that way. I

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<v Speaker 5>know he made the comment I was surprised that the

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<v Speaker 5>black person in Mortnito. I didn't know they lived there,

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<v Speaker 5>you know, you know, I hate to use the term,

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<v Speaker 5>but pussy's pussy, you know, and I don't know she

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<v Speaker 5>He may have given her drugs too, and then she

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<v Speaker 5>started to wander, and then he didn't want her to

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<v Speaker 5>tell anybody anything.

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<v Speaker 2>Jill knows Rerick's violent history and his drug has and

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<v Speaker 2>she's no fool. As we talk, she starts to wrestle

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<v Speaker 2>with the possibility that Rick could have harmed my.

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<v Speaker 5>Trees, so he then may have gone after her. I

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<v Speaker 5>don't think he was strong. I don't think that he

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<v Speaker 5>in his right mind would ever kill somebody. But when

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<v Speaker 5>you're on that drug and you've been up for a

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<v Speaker 5>few days and you go off and say, if she

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<v Speaker 5>tried to take something of his, you know, he may

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<v Speaker 5>have pushed her. He may have grabbed her by her

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<v Speaker 5>neck and realized, oh shit.

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<v Speaker 2>Jill brings up the video of Rick talking about his

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<v Speaker 2>encounter with My trees. She's especially unnerved by the part

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<v Speaker 2>about the vultures circling over Dark Canyon.

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<v Speaker 5>And then when I watched the video, the thing with

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<v Speaker 5>the birds and the way he was laughing, you know,

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<v Speaker 5>kind of like, oh, you know, just his manner. He

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<v Speaker 5>knew exactly where she was, which gives me the chills.

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<v Speaker 5>But if he pushed her, she hid her head. He

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<v Speaker 5>panicked she didn't wake up. He would move that body.

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<v Speaker 5>And in the video he said, you know, he had

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<v Speaker 5>heard about it and saw the vultures there. He had

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<v Speaker 5>seen them before. You know, remember he said like three

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<v Speaker 5>days after so, and he knew exactly where the spot was.

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<v Speaker 2>Jill is filled with regret when she thinks back to

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<v Speaker 2>that conversation with Rick after the polygraph. She wishes she

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<v Speaker 2>hadn't stopped him from saying whatever was on his mind.

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<v Speaker 5>But he did pick her up, and he wanted to

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<v Speaker 5>tell me something. I mean, if he was still alive,

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<v Speaker 5>I would go visit him and ask him flat out.

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<v Speaker 5>So unfortunately, yeah, I think it was Rick Well, which sucks.

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<v Speaker 2>Jill's given us new information. Rick admitted to her that

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<v Speaker 2>he picked my trees up on his motorcycle, and for

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<v Speaker 2>what it's worth, Jill feels sure he took her to

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<v Speaker 2>his spot on the mountain. It feels like all the

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<v Speaker 2>scattered fragments of this story are finally starting to come together.

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<v Speaker 2>Jill refused to hear a full confession from Rick, but

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<v Speaker 2>she did hear and share with us a crucial piece.

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<v Speaker 2>Leaving Jill's place, Haley and I.

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<v Speaker 1>Decide we need to go back to Rick's fort.

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<v Speaker 2>Rick took a lot of women to his fort. He

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<v Speaker 2>took care Aaron McKellar there. He took Lisa Lapour there,

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<v Speaker 2>he took Raven there. Did he take my tries there too?

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<v Speaker 2>Rick had a special name for his fort. He called

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<v Speaker 2>it Chateau shangri La. It was a spooky place with

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<v Speaker 2>animal bones and carcasses from Rick's mountain man activities. There

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<v Speaker 2>was a big old oak tree from its branches. Rick

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<v Speaker 2>hung Ladies Lingerie. After months of playing hard to get

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<v Speaker 2>Rick's friend, Art Davis calls me up totally unexpectedly. He's

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<v Speaker 2>the guy we met by surprise at Cheri's house when

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<v Speaker 2>we knocked on the door there. One day, Art invites

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<v Speaker 2>us to his friend's place, just down the street from

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<v Speaker 2>the house Rick grew up in, in the lower part

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<v Speaker 2>of Montanito that's known as Malibu Meadows. We sit in

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<v Speaker 2>a grove of oak trees by a rushing creek.

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<v Speaker 7>You try to figure out what went awri Art's.

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<v Speaker 2>Been thinking a lot about Rick, pretty much NonStop since

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<v Speaker 2>we last met, and.

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<v Speaker 7>All of a sudden, you show up, Hannah. When you

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<v Speaker 7>show up, I'm going like, Wow, there's a conduit to

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<v Speaker 7>connecting the dots.

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<v Speaker 2>He tells us people in Montanito are afraid of the

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<v Speaker 2>questions we're asking about Rick.

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<v Speaker 7>They're afraid of you because they're kind of like letting

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<v Speaker 7>them go. You know, I just don't want to say

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<v Speaker 7>anything really, you know, bad about Rick, because I mean,

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<v Speaker 7>there's so many memories when I come down this creek

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<v Speaker 7>going to the bus stop. There's so many memories walking

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<v Speaker 7>through this yard, you know, on early growth of these trees.

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<v Speaker 7>And then when you come back to this place is

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<v Speaker 7>like the paradise that you left behind. You took it

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<v Speaker 7>for granted back then.

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<v Speaker 2>Art wants to help us get to the bottom of what,

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<v Speaker 2>if anything, happened between Rick and my trees, but he

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<v Speaker 2>always emphasizes that his intention is to persuade us that Rick,

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<v Speaker 2>the Rick he knew, is innocent.

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<v Speaker 7>I'm going to give you bread crumbs, you know.

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<v Speaker 2>Art tells us he never went to Rick's fort. It

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<v Speaker 2>kind of depressed him that his friend was living like that.

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<v Speaker 2>He just remembers seeing a photo of Rick at the fort,

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<v Speaker 2>sitting on his motorcycle.

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<v Speaker 7>He was always telling me about it.

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<v Speaker 6>Come up there.

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<v Speaker 7>No, I don't want to do that because I don't

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<v Speaker 7>want to identify with the fact that you want to

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<v Speaker 7>live off the grid. I just don't want to go

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<v Speaker 7>ahead and do that. But I'll hook up with you

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<v Speaker 7>somewhere else, like at work, and then we'll go out

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<v Speaker 7>to eat and we'll be civilized.

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<v Speaker 2>Haley and I had been planning to head to the

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<v Speaker 2>fort after our visit with Art. Haley's never seen it,

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<v Speaker 2>but Art isn't ready to say goodbye. He wants to

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<v Speaker 2>show us all these other spots up Payuma Road, his

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<v Speaker 2>little breadcrumbs, I guess. So we make a split second

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<v Speaker 2>decision and invite him to come with us to ricks

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<v Speaker 2>for it all right here for that?

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<v Speaker 7>Do you like windy roads?

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<v Speaker 3>No? No, but I brought my sour patch kids.

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<v Speaker 7>I'm the one who gets carsick.

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<v Speaker 2>We all pile into my car.

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<v Speaker 7>You're driving just fine, thank you. What will happen to

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<v Speaker 7>Dana and Art in the next exciting adventure?

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<v Speaker 2>We pull the car over in a turnout and head

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<v Speaker 2>into the brush. So I'm gonna pull vegetation now because

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<v Speaker 2>of all the rain. We get to a marker, I

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<v Speaker 2>remember from when I was here three years ago. Think

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<v Speaker 2>we can do it and make a sharp left.

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<v Speaker 7>I could have brought a machete.

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<v Speaker 8>Okay, so this is so overgrown, but.

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<v Speaker 2>We got to get crouched down. As we move deeper

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<v Speaker 2>into the woods, Art starts to hesitate.

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<v Speaker 7>You don't have to do this, you know, we can

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<v Speaker 7>do it in another time. We're here.

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<v Speaker 8>We're here, let's do it.

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<v Speaker 2>After a couple of minutes, we see the trash. First,

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<v Speaker 2>it's just a little pile of sun faded bludweiser cans.

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<v Speaker 7>Yeah, well that's Bloodweiser's Rick.

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<v Speaker 3>I was gonna say, is that is?

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<v Speaker 6>Is that his?

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<v Speaker 7>Your choice?

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<v Speaker 5>Yep.

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<v Speaker 2>Then as we get closer to the big tree that

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<v Speaker 2>mark's Rick's camp, we see more trash mixed into a

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<v Speaker 2>mound of loose, churned up leafy soil. There's an empty

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<v Speaker 2>jug of Sunny Delight, red bags, yogurt cups, a sharpie,

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<v Speaker 2>a toothbrush, a blue plastic razor.

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<v Speaker 7>That that would have been DNA at the wing wearing

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<v Speaker 7>right there. Razor Eli like to keep itself clean, He

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<v Speaker 7>like to keep knees and tiety. But he's hiding here.

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<v Speaker 2>I'm so confused by what I'm seeing I was here

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<v Speaker 2>in twenty twenty one and none of this was here.

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<v Speaker 2>Then we've had two seasons of historic rainfall in Los

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<v Speaker 2>Angeles County. Is it possible that all this stuff was

0:15:13.116 --> 0:15:18.036
<v Speaker 2>buried underground and the flash floods and storms and atmospheric

0:15:18.156 --> 0:15:23.556
<v Speaker 2>rivers unearthed up. If this is Rick's garbage heap, that

0:15:23.756 --> 0:15:27.716
<v Speaker 2>means there could be something of my Teresa's here. We

0:15:27.756 --> 0:15:32.716
<v Speaker 2>don't say that out loud. We don't have to. Haley

0:15:32.756 --> 0:15:35.116
<v Speaker 2>and I start poking through the trash with sticks and

0:15:35.196 --> 0:15:37.516
<v Speaker 2>a blue plastic hangar we find lying in the dart.

0:15:38.436 --> 0:15:41.836
<v Speaker 2>We're not touching anything with our bare hands. It's disgusting,

0:15:42.236 --> 0:15:45.516
<v Speaker 2>but also who knows. We could find something that has

0:15:45.636 --> 0:15:49.356
<v Speaker 2>value as evidence, something that would link my trees to

0:15:49.436 --> 0:15:53.636
<v Speaker 2>this site and finally get the attention of law enforcement.

0:15:55.396 --> 0:15:58.316
<v Speaker 2>Several pieces of my Teresa's clothing were not found at

0:15:58.356 --> 0:16:02.236
<v Speaker 2>the remain site in Dark Canyon, her vans, her Bob

0:16:02.316 --> 0:16:04.956
<v Speaker 2>Marley T shirt, the brown hat she had with her

0:16:04.996 --> 0:16:09.076
<v Speaker 2>when she left the station, and then there's her id.

0:16:09.836 --> 0:16:11.596
<v Speaker 2>They're all I can think of while we dig.

0:16:12.276 --> 0:16:13.876
<v Speaker 5>What's the What is that?

0:16:13.876 --> 0:16:14.996
<v Speaker 7>That's a gas line?

0:16:15.436 --> 0:16:18.316
<v Speaker 2>Art looks like he wishes he'd stayed back in Montanito,

0:16:19.116 --> 0:16:22.356
<v Speaker 2>and he is actively trying to manage us. He thinks

0:16:22.636 --> 0:16:23.796
<v Speaker 2>we're being hysterical.

0:16:24.676 --> 0:16:28.956
<v Speaker 3>Look look in that hole, Art in there. Yeah, what's

0:16:28.956 --> 0:16:30.876
<v Speaker 3>that thing for the right thing?

0:16:31.716 --> 0:16:32.556
<v Speaker 7>Is that a pipe?

0:16:33.396 --> 0:16:38.596
<v Speaker 3>That big thing is that a pipe? It's this that thing?

0:16:40.836 --> 0:16:46.836
<v Speaker 7>Oh, come on, overreactact you're overreact?

0:16:47.076 --> 0:16:48.836
<v Speaker 6>What is that like?

0:16:50.316 --> 0:16:52.716
<v Speaker 2>And then we see it.

0:16:52.716 --> 0:16:54.716
<v Speaker 7>It's stuff his stuff right here.

0:16:55.476 --> 0:17:00.196
<v Speaker 2>It's a suitcase, plain black carry on size with a

0:17:00.196 --> 0:17:01.276
<v Speaker 2>brand tag on it.

0:17:01.836 --> 0:17:05.396
<v Speaker 7>See that name Embark or whatever is it Embark.

0:17:06.556 --> 0:17:10.436
<v Speaker 2>The suitcase is stained with mud and mold. Little bright

0:17:10.476 --> 0:17:14.516
<v Speaker 2>green plants are growing through it. But Art recognizes it.

0:17:15.476 --> 0:17:19.596
<v Speaker 2>He says it's the kind Rick would use. So this

0:17:19.676 --> 0:17:20.396
<v Speaker 2>looks familiar.

0:17:20.476 --> 0:17:20.996
<v Speaker 7>This looks like.

0:17:22.476 --> 0:17:22.676
<v Speaker 6>Art.

0:17:22.676 --> 0:17:29.636
<v Speaker 2>Prize. Open the main compartment. It's empty, but there are pockets.

0:17:30.476 --> 0:17:30.636
<v Speaker 7>Art.

0:17:30.676 --> 0:17:33.396
<v Speaker 3>If you're feeling continually brave, will you just unzip that

0:17:33.996 --> 0:17:34.636
<v Speaker 3>front bucket?

0:17:40.676 --> 0:17:44.076
<v Speaker 2>Oh lucky you are, there's two pockets.

0:17:45.996 --> 0:17:47.316
<v Speaker 7>Oh my god, Oh my god.

0:17:47.716 --> 0:17:54.676
<v Speaker 2>Inside is a mass of disintegrating women's lingerie, bras thongs, stockings,

0:17:55.316 --> 0:17:59.316
<v Speaker 2>a small black nightie with spaghetti straps, a mesh romper.

0:18:00.996 --> 0:18:03.956
<v Speaker 2>I catch Haley's eye. I can tell we're thinking the

0:18:04.036 --> 0:18:04.556
<v Speaker 2>same thing.

0:18:05.556 --> 0:18:05.836
<v Speaker 6>We know.

0:18:05.956 --> 0:18:09.476
<v Speaker 2>The bras don't belong to my trees. Her bra was

0:18:09.476 --> 0:18:14.076
<v Speaker 2>found in Dark Canyon, but her underpants were never found.

0:18:14.796 --> 0:18:15.796
<v Speaker 6>Is that ladies underwear?

0:18:16.036 --> 0:18:21.236
<v Speaker 2>Lady bra with roses on it. It's a surreal experience.

0:18:21.796 --> 0:18:26.516
<v Speaker 2>It's like this stuff just materialized, a whole suitcase of it.

0:18:27.476 --> 0:18:30.196
<v Speaker 2>And just to add to the bizarreness, while we're trying

0:18:30.236 --> 0:18:35.036
<v Speaker 2>to process what's happening, Art is frantically downplaying the whole thing.

0:18:36.516 --> 0:18:39.596
<v Speaker 6>These are tights. Those are those? Are his?

0:18:40.516 --> 0:18:41.156
<v Speaker 2>Are those tights?

0:18:41.236 --> 0:18:41.396
<v Speaker 4>Yeah?

0:18:41.396 --> 0:18:42.516
<v Speaker 6>These are tights.

0:18:42.956 --> 0:18:44.036
<v Speaker 7>It's like to stay warm.

0:18:44.756 --> 0:18:46.276
<v Speaker 2>Well maybe at friends. They're small.

0:18:46.276 --> 0:18:47.396
<v Speaker 1>I don't think these would fit him.

0:18:47.956 --> 0:18:54.036
<v Speaker 2>Let's do a little inventory. Ladies, small stockings, black underpants,

0:18:54.916 --> 0:19:00.116
<v Speaker 2>age underpants. Art starts making noises like he wants to

0:19:00.116 --> 0:19:03.156
<v Speaker 2>get out of the woods, which is great because we

0:19:03.196 --> 0:19:05.956
<v Speaker 2>want him out of our hair. We need to get

0:19:05.996 --> 0:19:08.916
<v Speaker 2>some gloves and some garbage bags and remove as much

0:19:08.956 --> 0:19:11.436
<v Speaker 2>of this stuff as we can before the sun goes down.

0:19:12.316 --> 0:19:14.756
<v Speaker 2>It's a long shot, but we're wondering if there could

0:19:14.796 --> 0:19:19.756
<v Speaker 2>be DNA evidence that would definitively connect Rick and my trees.

0:19:22.476 --> 0:19:25.756
<v Speaker 2>We drop Art in Montanito, drive to the nearest grocery

0:19:25.756 --> 0:19:34.076
<v Speaker 2>store and fill a shopping cart with supplies. We settle

0:19:34.116 --> 0:19:36.596
<v Speaker 2>for a box cutter instead of a knife, and a

0:19:36.716 --> 0:19:39.716
<v Speaker 2>kitty litter scooper for a shovel. They'll have to do.

0:19:41.996 --> 0:19:45.196
<v Speaker 2>We return to the fort with one goal to bring

0:19:45.276 --> 0:19:48.956
<v Speaker 2>back the contents of that suitcase and any other potential

0:19:48.996 --> 0:19:54.836
<v Speaker 2>evidence we can find. Back at the fort, the suitcase

0:19:54.996 --> 0:19:58.116
<v Speaker 2>is just where we left it. And now we notice

0:19:58.156 --> 0:20:01.236
<v Speaker 2>there's another pocket which we didn't open with art.

0:20:03.356 --> 0:20:04.276
<v Speaker 6>The zippers jimned.

0:20:10.196 --> 0:20:14.476
<v Speaker 2>Okay, so now we've got a oh, purple like string bra.

0:20:16.396 --> 0:20:19.036
<v Speaker 6>What do you call that? Oh?

0:20:19.076 --> 0:20:21.076
<v Speaker 3>My god, I don't know what.

0:20:21.156 --> 0:20:25.476
<v Speaker 6>This is, just some massive Ladies garments.

0:20:25.836 --> 0:20:29.556
<v Speaker 2>The underwear is wet and moldy and falling apart. I

0:20:29.676 --> 0:20:33.196
<v Speaker 2>hold open a garbage bag and Hayley deposits it piece

0:20:33.276 --> 0:20:33.756
<v Speaker 2>by piece.

0:20:35.836 --> 0:20:36.756
<v Speaker 4>Yeah, let's just start here.

0:20:36.836 --> 0:20:38.356
<v Speaker 2>Let's just bag let's bag up the.

0:20:38.316 --> 0:20:39.396
<v Speaker 1>Ladies underwear first.

0:20:40.076 --> 0:20:43.276
<v Speaker 2>We'll do a full accounting later. But even now, in

0:20:43.316 --> 0:20:46.716
<v Speaker 2>the moment, it's obvious that this collection does not connect

0:20:46.836 --> 0:20:51.796
<v Speaker 2>to just one woman. There are all different sizes small, medium,

0:20:52.076 --> 0:21:00.356
<v Speaker 2>extra large, and the styles are eclectic, solid black patterns, thongs,

0:21:00.796 --> 0:21:03.956
<v Speaker 2>granny panties, like girls T shirt. It makes sense that

0:21:04.076 --> 0:21:07.076
<v Speaker 2>some of these things would have belonged to Darien. She's

0:21:07.156 --> 0:21:09.796
<v Speaker 2>the dead girlfriend whose thong ricked like to put on,

0:21:10.396 --> 0:21:12.676
<v Speaker 2>and we've heard he kept a lot of her undergarments here.

0:21:13.436 --> 0:21:16.676
<v Speaker 2>But still it's pretty obvious that they are not all

0:21:16.836 --> 0:21:21.276
<v Speaker 2>hers a mouse. Now that we have gloves, we dig

0:21:21.356 --> 0:21:24.036
<v Speaker 2>through the mound of dirt around the suitcase a bit more.

0:21:24.916 --> 0:21:31.276
<v Speaker 2>Haley pulls up Rick's headlamp. It's bright yellow, and I

0:21:31.276 --> 0:21:35.596
<v Speaker 2>don't know why, but it feels so personal, like a

0:21:35.676 --> 0:21:40.516
<v Speaker 2>representation of Rick. It makes me think of him up

0:21:40.556 --> 0:21:45.196
<v Speaker 2>here in the dark. It's not an image. I want

0:21:45.196 --> 0:21:45.876
<v Speaker 2>to sit with.

0:21:47.796 --> 0:21:48.756
<v Speaker 6>You. Here's some more clothing.

0:21:49.916 --> 0:21:53.396
<v Speaker 2>We find more pieces of fabric in the mound, long

0:21:53.476 --> 0:21:57.996
<v Speaker 2>lacy strands that disappear deep into the earth, intertwining.

0:21:57.356 --> 0:21:58.316
<v Speaker 1>With the roots.

0:21:58.836 --> 0:22:01.396
<v Speaker 2>We pull on them, and I feel my guts turn

0:22:01.476 --> 0:22:06.996
<v Speaker 2>over nauseatingly, like I'm tugging on my own entrails.

0:22:07.516 --> 0:22:11.196
<v Speaker 6>This looks like a little kids lee hard.

0:22:12.236 --> 0:22:17.036
<v Speaker 2>I spot something bright, purply pink and shiny. It's a

0:22:17.116 --> 0:22:24.076
<v Speaker 2>kid's nightgown, like a toddler would wear. It's a Barbie princess.

0:22:24.636 --> 0:22:28.316
<v Speaker 2>It's crust or I mean, dizzy princess. That's what I mean,

0:22:29.236 --> 0:22:32.596
<v Speaker 2>I have no clue what to make of that it

0:22:32.676 --> 0:22:36.236
<v Speaker 2>goes in the bag. All I can think about are

0:22:36.236 --> 0:22:41.156
<v Speaker 2>my Teresa's missing things, her shoes, her T shirt, her

0:22:41.236 --> 0:22:46.036
<v Speaker 2>underpants if she was wearing them.

0:22:44.996 --> 0:22:53.436
<v Speaker 6>To find one little sign of her, if.

0:22:53.356 --> 0:22:54.796
<v Speaker 2>She was here, she was here for like.

0:22:54.796 --> 0:23:01.796
<v Speaker 3>One day, I know, or you just brought back something,

0:23:01.916 --> 0:23:02.116
<v Speaker 3>you know.

0:23:03.596 --> 0:23:05.116
<v Speaker 6>Yeah, that's true.

0:23:06.276 --> 0:23:08.796
<v Speaker 2>I look over the mound of dirt again and notice

0:23:08.836 --> 0:23:12.876
<v Speaker 2>a long, narrow piece of green net like fabric. I've

0:23:12.916 --> 0:23:15.636
<v Speaker 2>always been stumped by the description of the material that

0:23:15.756 --> 0:23:19.996
<v Speaker 2>was found during my Teresa's second autopsy. The criminalists who

0:23:19.996 --> 0:23:24.556
<v Speaker 2>collected it described it as quote loose green fuzz like

0:23:24.876 --> 0:23:30.396
<v Speaker 2>hair slash fibers located near the legs. Could this green

0:23:30.476 --> 0:23:34.276
<v Speaker 2>fabric at the fort be connected to that green fuzz

0:23:34.436 --> 0:23:36.716
<v Speaker 2>found near my Teresa's legs? Hey, I think we should

0:23:36.716 --> 0:23:38.316
<v Speaker 2>get out of here. We put it in the bag,

0:23:39.756 --> 0:23:42.516
<v Speaker 2>and then we get out of there with a big

0:23:42.556 --> 0:23:44.796
<v Speaker 2>garbage bag full of molding underwear.

0:23:45.916 --> 0:23:47.156
<v Speaker 7>Well, what are we going to do with it?

0:23:47.676 --> 0:23:48.116
<v Speaker 1>I don't know.

0:23:48.796 --> 0:23:51.996
<v Speaker 2>So we don't feel like the beleving. We can't leave it.

0:23:53.716 --> 0:23:55.276
<v Speaker 1>I think we have to figure out what we're going

0:23:55.356 --> 0:23:55.836
<v Speaker 1>to do with them.

0:23:55.996 --> 0:23:59.756
<v Speaker 6>Yeah, and maybe like talk to some other people about it.

0:24:00.276 --> 0:24:03.796
<v Speaker 2>Yeah, we don't know exactly what to do with this stuff.

0:24:04.476 --> 0:24:07.276
<v Speaker 2>We just know we can't leave it out here. There's

0:24:07.276 --> 0:24:09.596
<v Speaker 2>some friend of Rick's who gets wind of it, could

0:24:09.596 --> 0:24:13.236
<v Speaker 2>come and move it. It might be our only potential

0:24:13.316 --> 0:24:16.756
<v Speaker 2>way of connecting my trees to the fort through physical evidence.

0:24:19.596 --> 0:24:23.636
<v Speaker 2>That night, it pours rain again and there's another flash flood. Warning.

0:24:24.596 --> 0:24:28.716
<v Speaker 2>My mind goes to Rick's fort. Maybe it would all

0:24:28.756 --> 0:24:32.996
<v Speaker 2>be gone, buried again or washed away except for what

0:24:33.076 --> 0:24:36.436
<v Speaker 2>we rescued in a garbage bag that's now locked in

0:24:36.476 --> 0:24:55.036
<v Speaker 2>Haley's office while we formulate a plan. We don't know

0:24:55.116 --> 0:24:59.676
<v Speaker 2>why law enforcements stopped pursuing Rick after the polygraph. Maybe

0:24:59.756 --> 0:25:03.836
<v Speaker 2>they learned something that excluded him, but we asked and

0:25:03.996 --> 0:25:06.996
<v Speaker 2>not one of the detectives we spoke to said Rick

0:25:07.076 --> 0:25:11.116
<v Speaker 2>had definitively been ruled out. Maybe it was just he

0:25:11.196 --> 0:25:15.876
<v Speaker 2>passed the polygraph. But even if law enforcement had wanted

0:25:15.916 --> 0:25:19.716
<v Speaker 2>to keep interrogating him, it would have been extremely difficult

0:25:20.476 --> 0:25:24.116
<v Speaker 2>because not long after he was interviewed, he sustained yet

0:25:24.236 --> 0:25:28.756
<v Speaker 2>another traumatic brain injury. He had a long history of those.

0:25:30.156 --> 0:25:31.356
<v Speaker 2>Art Davis again.

0:25:32.396 --> 0:25:34.476
<v Speaker 7>I mean he ran right into an eighty year old

0:25:34.516 --> 0:25:37.676
<v Speaker 7>eucalyptus tree like that.

0:25:38.356 --> 0:25:41.756
<v Speaker 2>In two thousand and one, Rick, driving drunk, had smashed

0:25:41.756 --> 0:25:44.356
<v Speaker 2>into a tree onto Pega Canyon Boulevard.

0:25:44.876 --> 0:25:47.716
<v Speaker 7>Exploded his you know, all his teeth and they put

0:25:47.756 --> 0:25:50.796
<v Speaker 7>all his teeth back in. He busted both knees, broke

0:25:50.836 --> 0:25:56.516
<v Speaker 7>his neck, you know, his back, his leg, all kinds

0:25:56.516 --> 0:25:59.116
<v Speaker 7>of stuff. I mean, they took the jaws alive man

0:25:59.156 --> 0:26:00.276
<v Speaker 7>and got him out of there.

0:26:01.236 --> 0:26:04.796
<v Speaker 2>Then, in the fall of twenty twelve, not long after

0:26:04.836 --> 0:26:08.356
<v Speaker 2>he took the polygraph and beat up Lisa Lapour, Rick

0:26:08.476 --> 0:26:12.276
<v Speaker 2>was riding his motorcycle down Payuma when he collided with

0:26:12.356 --> 0:26:15.796
<v Speaker 2>the Toyota Highlander at the intersection with Cold Canyon Road.

0:26:16.756 --> 0:26:20.036
<v Speaker 6>So he was on a motorcycle and he told my mom, Okay,

0:26:20.076 --> 0:26:22.356
<v Speaker 6>I'm going to go feed the dogs really fast at

0:26:22.356 --> 0:26:23.076
<v Speaker 6>his mom's house.

0:26:23.676 --> 0:26:27.516
<v Speaker 2>This is Shari Amic again. When the accident happened, Rick

0:26:27.676 --> 0:26:29.756
<v Speaker 2>was back living at Schari's parents' house.

0:26:30.716 --> 0:26:35.636
<v Speaker 6>And when I pulled up, my mom was standing outside,

0:26:35.836 --> 0:26:39.116
<v Speaker 6>and I knew there was something wrong. I just knew

0:26:39.196 --> 0:26:40.436
<v Speaker 6>right away because there was a chopper.

0:26:41.476 --> 0:26:43.076
<v Speaker 2>Rick wasn't wearing a helmet.

0:26:43.636 --> 0:26:46.996
<v Speaker 6>Rick was in a coma again, and this time you know,

0:26:47.276 --> 0:26:50.156
<v Speaker 6>everyone just said Rick's gonna die, and I was like, no,

0:26:50.276 --> 0:26:52.316
<v Speaker 6>he's not, No, he's not.

0:26:53.236 --> 0:26:56.516
<v Speaker 2>Rick didn't die. He emerged from his coma and the

0:26:56.556 --> 0:26:59.396
<v Speaker 2>first thing he did was to attack the hospital staff.

0:27:00.156 --> 0:27:04.076
<v Speaker 2>But he was probably no longer mentally capable of being interrogated,

0:27:04.596 --> 0:27:07.516
<v Speaker 2>and the detectives may have had no new leads to

0:27:07.556 --> 0:27:12.716
<v Speaker 2>pursue about him anyway. Over the next decade, Rick had

0:27:12.756 --> 0:27:15.756
<v Speaker 2>more accidents as his cognitive abilities declined.

0:27:16.636 --> 0:27:19.236
<v Speaker 6>So his heart is telling him, like, you know, he

0:27:19.276 --> 0:27:22.716
<v Speaker 6>always used to be, you know, very athletic and could

0:27:22.756 --> 0:27:25.476
<v Speaker 6>do anything, superman. I'm making it up those chairs well,

0:27:25.676 --> 0:27:27.236
<v Speaker 6>you know, off balance, No you're not.

0:27:27.916 --> 0:27:30.396
<v Speaker 2>He spent his final years in a nursing home.

0:27:31.196 --> 0:27:39.836
<v Speaker 6>I went to go see Rick. Rick couldn't talk, he

0:27:39.876 --> 0:27:48.316
<v Speaker 6>couldn't speak. He could understand me, he understood everything. And

0:27:48.356 --> 0:27:52.316
<v Speaker 6>they had him heavily drugged, very heavily sedated, you know,

0:27:52.356 --> 0:27:55.796
<v Speaker 6>because he's going to try to get up. He's just

0:27:55.836 --> 0:27:57.756
<v Speaker 6>going to try to get up and do things his

0:27:57.756 --> 0:27:58.916
<v Speaker 6>body can't do anymore.

0:28:00.276 --> 0:28:04.636
<v Speaker 2>Most of Rick's old friends stayed away. Even Cherie found

0:28:04.676 --> 0:28:08.636
<v Speaker 2>it almost intolerable to see him so diminished. He was

0:28:08.716 --> 0:28:11.516
<v Speaker 2>only in his sixties, but he was unable to speak

0:28:11.636 --> 0:28:15.676
<v Speaker 2>or walk. It felt to her like everything was catching

0:28:15.756 --> 0:28:16.276
<v Speaker 2>up with Rick.

0:28:17.436 --> 0:28:20.916
<v Speaker 6>Rick is alive, but this is like, oh shit, now

0:28:20.956 --> 0:28:25.796
<v Speaker 6>he's going to pay for all you know, the times

0:28:25.796 --> 0:28:30.396
<v Speaker 6>he didn't listen, you know, like a little kid just

0:28:30.396 --> 0:28:34.716
<v Speaker 6>didn't listen, did what he wanted to do, reckless fun Rick.

0:28:35.996 --> 0:28:39.556
<v Speaker 2>When Rick died in December twenty nineteen, he had a

0:28:39.596 --> 0:28:43.316
<v Speaker 2>picture of his son, Ricky taped above his bed. No

0:28:43.396 --> 0:28:46.396
<v Speaker 2>one had told him Ricky had died two years earlier,

0:28:46.956 --> 0:28:53.716
<v Speaker 2>at the age of twenty two. Rick didn't make formal

0:28:53.756 --> 0:28:57.556
<v Speaker 2>amends for his mistakes in life. That person. Haley and

0:28:57.556 --> 0:29:00.356
<v Speaker 2>I were hoping to find someone he might have confessed

0:29:00.396 --> 0:29:02.716
<v Speaker 2>to about my Terse, what he knew, or what he

0:29:02.756 --> 0:29:07.556
<v Speaker 2>may have done. We never found that person, but we

0:29:07.636 --> 0:29:14.836
<v Speaker 2>did find Rick's poems. Yes, it turns out Rick wrote poetry.

0:29:16.236 --> 0:29:19.156
<v Speaker 2>In the fall of twenty ten, about two months after

0:29:19.276 --> 0:29:23.356
<v Speaker 2>my Terce's remains were found, Rick started a blog, Prose

0:29:23.596 --> 0:29:27.196
<v Speaker 2>of a Khan. He published a number of poems, most

0:29:27.196 --> 0:29:30.956
<v Speaker 2>of them centered on themes of drug addiction, deception, regret,

0:29:31.276 --> 0:29:35.596
<v Speaker 2>and the hope for forgiveness in the afterlife. For example,

0:29:35.796 --> 0:29:39.996
<v Speaker 2>quote as I lost my integrity the truth all but dies,

0:29:40.436 --> 0:29:43.316
<v Speaker 2>and when it all comes forth, I'm caught in my

0:29:43.476 --> 0:29:48.556
<v Speaker 2>lies unquote. In the poems, Rick writes a lot about

0:29:48.596 --> 0:29:52.716
<v Speaker 2>finding salvation through God, and for spiritual guidance, he turned

0:29:52.716 --> 0:29:56.516
<v Speaker 2>to his former girlfriend Karen McKellar. She'd gotten away from

0:29:56.596 --> 0:30:00.076
<v Speaker 2>drugs and into God and spent her adult life counseling

0:30:00.156 --> 0:30:04.596
<v Speaker 2>female addicts as part of a Christian ministry. Karen says

0:30:04.836 --> 0:30:07.116
<v Speaker 2>that for about a year after Rick took her up

0:30:07.156 --> 0:30:09.916
<v Speaker 2>to the fort and put on the thong, he reached

0:30:09.996 --> 0:30:13.716
<v Speaker 2>out to her obsessively and it was always about the

0:30:13.756 --> 0:30:14.316
<v Speaker 2>same thing.

0:30:15.516 --> 0:30:18.836
<v Speaker 4>He called me and and he was asking me questions

0:30:18.876 --> 0:30:19.636
<v Speaker 4>about Christ.

0:30:20.516 --> 0:30:24.556
<v Speaker 2>It seemed like Rick was seeking absolution for the life

0:30:24.596 --> 0:30:25.076
<v Speaker 2>he lived.

0:30:26.276 --> 0:30:28.836
<v Speaker 4>And then I told him, you know, Jesus is the

0:30:28.876 --> 0:30:32.796
<v Speaker 4>only way, Rick, you know, you really need to surrender

0:30:33.116 --> 0:30:35.676
<v Speaker 4>to him. And so I was trying to, you know,

0:30:35.796 --> 0:30:39.236
<v Speaker 4>help him, and on the phone only because I would

0:30:39.276 --> 0:30:42.276
<v Speaker 4>not come back there, but he always would call me,

0:30:42.316 --> 0:30:46.036
<v Speaker 4>you know, interrupt me in my life. And so then

0:30:46.076 --> 0:30:48.516
<v Speaker 4>it was kind of like a client and a sad

0:30:48.716 --> 0:30:51.956
<v Speaker 4>soul that I was trying to help get saved. And

0:30:52.596 --> 0:30:55.396
<v Speaker 4>he told me, he goes, yeah, Well, I prayed to

0:30:55.476 --> 0:30:57.636
<v Speaker 4>the tree, and I said, Rick, the tree isn't going

0:30:57.756 --> 0:30:58.316
<v Speaker 4>to save you.

0:30:59.196 --> 0:31:02.076
<v Speaker 2>Rick was praying to the big tree at his fort,

0:31:02.836 --> 0:31:04.716
<v Speaker 2>the one where he hung the bras.

0:31:04.916 --> 0:31:07.596
<v Speaker 4>I told him, you need to confess all your whatever

0:31:07.676 --> 0:31:12.036
<v Speaker 4>it is that you're going through, because he was so troubled.

0:31:13.116 --> 0:31:16.836
<v Speaker 4>So when he told me that he prayed to the tree,

0:31:17.636 --> 0:31:20.116
<v Speaker 4>I was like, I'm this is just a waste of time.

0:31:20.116 --> 0:31:23.396
<v Speaker 4>And I ended up blocking them off my phone because

0:31:23.396 --> 0:31:26.756
<v Speaker 4>I couldn't take the you know calls. All the time

0:31:27.836 --> 0:31:30.076
<v Speaker 4>I was praying for him, you know, because it was sad,

0:31:30.276 --> 0:31:34.116
<v Speaker 4>very he was not mentally stable. So yes, I think

0:31:34.276 --> 0:31:38.156
<v Speaker 4>for sure he was looking for salvation and I prayed

0:31:38.196 --> 0:31:38.676
<v Speaker 4>found it.

0:31:45.996 --> 0:31:48.796
<v Speaker 2>Back at the office, Haley goes through the contents of

0:31:48.836 --> 0:31:52.316
<v Speaker 2>the garbage bag. She makes a catalog and we go

0:31:52.436 --> 0:31:55.316
<v Speaker 2>through it, marking the items that seem like they could

0:31:55.356 --> 0:31:59.596
<v Speaker 2>potentially connect to my trees. Black thong with lace down

0:31:59.636 --> 0:32:06.316
<v Speaker 2>the front, rampage, size medium black thong, badly degraded Zanana outfitters,

0:32:06.556 --> 0:32:11.756
<v Speaker 2>size medium, two black thongs, no labels, and the piece

0:32:11.836 --> 0:32:16.596
<v Speaker 2>of green net fabric. We contact a private forensic lab.

0:32:17.116 --> 0:32:20.316
<v Speaker 2>The DNA expert there tells us that even though these

0:32:20.356 --> 0:32:24.316
<v Speaker 2>items have been moldering, possibly underground for more than a decade.

0:32:24.956 --> 0:32:28.836
<v Speaker 2>It's entirely possible they'll be able to identify a DNA signature.

0:32:30.196 --> 0:32:32.396
<v Speaker 2>This clothing might have nothing to do with my trees,

0:32:32.956 --> 0:32:36.516
<v Speaker 2>but we've got to see this through before we send

0:32:36.556 --> 0:32:38.396
<v Speaker 2>it to a lab. Though. We have to go see

0:32:38.396 --> 0:32:42.876
<v Speaker 2>her dad, Michael. We need to return my Teres's journals

0:32:43.476 --> 0:32:46.316
<v Speaker 2>and we're hoping he might have something more to share

0:32:46.356 --> 0:32:52.916
<v Speaker 2>with us. Next time on Lost Hills.

0:32:53.796 --> 0:32:57.636
<v Speaker 8>It's in a ziplock bag and some just told me

0:32:57.716 --> 0:32:59.236
<v Speaker 8>never get rid of and I couldn't do it if

0:32:59.276 --> 0:33:02.356
<v Speaker 8>I wanted to, you know, So I just always felt

0:33:02.396 --> 0:33:06.036
<v Speaker 8>like someday somehow we got to need him, We got

0:33:06.036 --> 0:33:09.196
<v Speaker 8>to need him. Yeah, So let me know when you're ready.

0:33:10.316 --> 0:33:15.316
<v Speaker 2>That's next in episode twelve, Dig two Graves, the final

0:33:15.396 --> 0:33:22.156
<v Speaker 2>episode of season four of Lost Hills. Lost Hills is

0:33:22.156 --> 0:33:25.876
<v Speaker 2>written and hosted by Me Dana Goodyear. It was reported

0:33:25.876 --> 0:33:29.596
<v Speaker 2>by Me and Hailey Fox, our senior producer. The show

0:33:29.716 --> 0:33:33.436
<v Speaker 2>was created by Me and Benedere. Lost Hills is a

0:33:33.476 --> 0:33:42.236
<v Speaker 2>production of Western Sound and Pushkin Industries. Subscribe to Pushkin

0:33:42.316 --> 0:33:45.236
<v Speaker 2>Plus and you can binge the whole season right now.

0:33:45.436 --> 0:33:48.956
<v Speaker 2>Ad free find Pushkin plus on the Lost Hills show

0:33:48.996 --> 0:33:53.276
<v Speaker 2>page in Apple Podcasts, or at pushkin dot fm, slash

0:33:53.516 --> 0:33:54.676
<v Speaker 2>plus