1 00:00:01,960 --> 00:00:04,760 Speaker 1: Hey, everybody, it's Matt. Before we get into the episode, 2 00:00:04,840 --> 00:00:07,560 Speaker 1: I just wanted to hop on to sorry but plug. 3 00:00:08,600 --> 00:00:10,799 Speaker 1: It being Giving season at all, I want to let 4 00:00:10,840 --> 00:00:13,880 Speaker 1: you all know my debut comedy special, Matt Rogers Have 5 00:00:14,040 --> 00:00:17,760 Speaker 1: you Heard of Christmas? Is streaming on Showtime on Friday, 6 00:00:17,800 --> 00:00:21,800 Speaker 1: December two to two and airing on Showtime that very 7 00:00:21,840 --> 00:00:24,800 Speaker 1: same night. Please check it out. Also, I'm going on 8 00:00:24,840 --> 00:00:28,840 Speaker 1: tour with the show to fourteen cities all throughout December, Atlanta, Philly, 9 00:00:29,040 --> 00:00:34,080 Speaker 1: d C, Boston, Toronto, Chicago, Minneapolis, Seattle, Portland's l A, 10 00:00:34,440 --> 00:00:38,800 Speaker 1: San Francisco, Denver, Austin, and New York City. I'm coming through. 11 00:00:39,320 --> 00:00:43,280 Speaker 1: So please check out www dot Matt Rogers Comedy dot 12 00:00:43,320 --> 00:00:45,400 Speaker 1: com for ticket links, or go to the link in 13 00:00:45,440 --> 00:00:49,440 Speaker 1: my bio at Matt Rogers though on Instagram. General on 14 00:00:49,520 --> 00:00:52,680 Speaker 1: sale is Friday November four at ten am your local time, 15 00:00:52,800 --> 00:00:56,320 Speaker 1: but if you're listening on Wednesday, November two and it's 16 00:00:56,360 --> 00:00:58,960 Speaker 1: ten am where you are, you can buy tickets now 17 00:00:59,280 --> 00:01:03,480 Speaker 1: using the pre sale code Maria Ho Ho Ho as 18 00:01:03,480 --> 00:01:06,280 Speaker 1: it were. Now, let's get into this episode. Cue that 19 00:01:06,520 --> 00:01:11,120 Speaker 1: iconic little intro of ours. Who look man, oh, I 20 00:01:11,240 --> 00:01:14,160 Speaker 1: see you? Why why and look over there. How is 21 00:01:14,200 --> 00:01:21,760 Speaker 1: that culture? Yes, goodness, let ding dot, let's call Theresa's calling? 22 00:01:22,600 --> 00:01:25,120 Speaker 1: Whoa we got the just the two today, just the 23 00:01:25,120 --> 00:01:27,679 Speaker 1: two girls. Why don't you why don't you sick of 24 00:01:27,760 --> 00:01:30,080 Speaker 1: us yet? Well, then turn it off, stop listening to 25 00:01:30,160 --> 00:01:32,120 Speaker 1: turn it off if you don't want more of this 26 00:01:32,319 --> 00:01:35,880 Speaker 1: duo than honey, it's time to hit the off switch, 27 00:01:36,160 --> 00:01:40,160 Speaker 1: because this is gonna be a hard hour of just us, period, period. 28 00:01:40,720 --> 00:01:44,160 Speaker 1: And there's so much to talk about, but we might 29 00:01:44,240 --> 00:01:46,800 Speaker 1: keep it short this week. It's gonna be an hour. 30 00:01:47,120 --> 00:01:50,080 Speaker 1: It's gonna be sixty minutes on the dot. Okay, okay, 31 00:01:50,280 --> 00:01:52,280 Speaker 1: not with ads. We can't predict. We can't predict. We 32 00:01:52,280 --> 00:01:56,200 Speaker 1: can't predict. We're of course in these sort of post 33 00:01:56,280 --> 00:02:00,000 Speaker 1: Halloween time in the year, you can say that again 34 00:02:00,360 --> 00:02:03,480 Speaker 1: this is when things really ramp up but also wind down. 35 00:02:03,560 --> 00:02:06,120 Speaker 1: And a way, isn't that so funny? The time after 36 00:02:06,160 --> 00:02:09,240 Speaker 1: Halloween is when things really get pulled in a lot 37 00:02:09,240 --> 00:02:13,040 Speaker 1: of directions. Well, November is more of a contemplate of month. 38 00:02:13,160 --> 00:02:15,880 Speaker 1: You know, November is a month of comfort. You know, 39 00:02:15,960 --> 00:02:21,160 Speaker 1: October is really a high intensity month. You're screaming, you're running, 40 00:02:21,760 --> 00:02:26,240 Speaker 1: you're adjusting, to a dip in the weather. October is maximalist, 41 00:02:26,480 --> 00:02:29,359 Speaker 1: you know what I mean, It's Taylor Swift. And then 42 00:02:29,560 --> 00:02:33,919 Speaker 1: November is more We're sitting, we're eating, we're lounging, we're 43 00:02:33,960 --> 00:02:38,680 Speaker 1: having a glass of red, We're thinking about the end 44 00:02:38,720 --> 00:02:41,040 Speaker 1: of the year. We're sort of, you know, between December 45 00:02:41,120 --> 00:02:43,680 Speaker 1: is gonna get high intensity again. And so November is 46 00:02:43,720 --> 00:02:48,280 Speaker 1: more Taylor Swift. November is more the sun's gone down 47 00:02:48,360 --> 00:02:51,640 Speaker 1: at two pm. Well, I guess it's time to go 48 00:02:51,680 --> 00:02:54,840 Speaker 1: to sleep. Yeah, it's giving hibernation. Now, what are your 49 00:02:54,880 --> 00:02:58,120 Speaker 1: thoughts on daylight savings? I'm so happy you asked my 50 00:02:58,280 --> 00:03:01,120 Speaker 1: thoughts on daylight savings are. I'm never as mad as 51 00:03:01,120 --> 00:03:02,919 Speaker 1: everyone else seems to be. I think you're going to 52 00:03:03,040 --> 00:03:05,760 Speaker 1: change your tune when it actually hits. Maybe you're right, 53 00:03:06,200 --> 00:03:10,400 Speaker 1: Maybe all right, Iconic Miley b Side, Oh yeah, of course. Well, 54 00:03:10,440 --> 00:03:14,560 Speaker 1: I technically we're coming out of daylight savings into in 55 00:03:14,600 --> 00:03:18,800 Speaker 1: the non savings part. We're not saying we're spending now daylight. 56 00:03:19,120 --> 00:03:21,799 Speaker 1: We're about to enter the doul rooms. The dol drooms 57 00:03:21,840 --> 00:03:24,079 Speaker 1: always catch you off card. That's that's why they call 58 00:03:24,160 --> 00:03:27,040 Speaker 1: them the dol drums. That's why they call them the 59 00:03:27,160 --> 00:03:32,880 Speaker 1: doll drums. Now what is doll? Do you pineapple? What 60 00:03:32,919 --> 00:03:37,000 Speaker 1: does that word mean? I think Cody could be pineapple patch? 61 00:03:37,720 --> 00:03:39,680 Speaker 1: And did you get to you got up to some fault? 62 00:03:39,720 --> 00:03:42,280 Speaker 1: Fund I thought I saw you had a great Halloween costume. 63 00:03:42,480 --> 00:03:46,280 Speaker 1: Celeste and I were laughing at work, going Matt Rogers, 64 00:03:46,400 --> 00:03:50,040 Speaker 1: one of the most wonderful, beautiful fools of this earth, 65 00:03:50,240 --> 00:03:52,720 Speaker 1: dressing up a Sades, saying thank you for saying that 66 00:03:53,080 --> 00:03:56,600 Speaker 1: because it was looking real bleak up until I'm telling 67 00:03:56,640 --> 00:03:59,560 Speaker 1: you this happens to me every year. Until minutes before 68 00:03:59,640 --> 00:04:03,120 Speaker 1: read maybe this is you. I never know what the 69 00:04:03,200 --> 00:04:06,040 Speaker 1: fuck I will put on my body as a costume 70 00:04:06,160 --> 00:04:09,240 Speaker 1: until the last the stroke of midnight at Cinderella would 71 00:04:09,280 --> 00:04:14,360 Speaker 1: say inspiration or more very fair, she would say that, 72 00:04:15,040 --> 00:04:17,360 Speaker 1: I just need people to know that Matt Rodgers has 73 00:04:17,440 --> 00:04:22,719 Speaker 1: never once missed on Halloween. Can you agree? I mean, 74 00:04:23,560 --> 00:04:25,440 Speaker 1: it's not even I don't even want to brag. It's 75 00:04:25,480 --> 00:04:30,440 Speaker 1: just bitch. We we don't miss over here in House Rogers. 76 00:04:30,520 --> 00:04:34,520 Speaker 1: We just don't miss on Halloween. That's a rural culture 77 00:04:34,640 --> 00:04:38,479 Speaker 1: number thirty one. In house Rogers, we just don't miss 78 00:04:38,560 --> 00:04:41,359 Speaker 1: on Halloween. I still have people coming up to me 79 00:04:41,400 --> 00:04:44,080 Speaker 1: asking about the pantry girl from last year. She really 80 00:04:44,080 --> 00:04:46,080 Speaker 1: is her name? I forget what her name was, but 81 00:04:46,120 --> 00:04:50,400 Speaker 1: other people remember. Now I think this is what it 82 00:04:50,520 --> 00:04:54,080 Speaker 1: is with Halloween costumes. I love a costume that is 83 00:04:54,920 --> 00:04:58,240 Speaker 1: very involved. You put a lot of effort into it. 84 00:04:58,760 --> 00:05:03,640 Speaker 1: Amazing work, King, Sovereign Queen. You know what, though, it's 85 00:05:04,120 --> 00:05:06,799 Speaker 1: very simple. If you have a black turtleneck, black pants 86 00:05:06,839 --> 00:05:09,599 Speaker 1: and a red wig, you essentially are so do you 87 00:05:09,640 --> 00:05:13,520 Speaker 1: think right? Well, I'm saying, Matt, You've never had to 88 00:05:14,680 --> 00:05:18,280 Speaker 1: lean so far in that direction of highly produced costume. 89 00:05:18,760 --> 00:05:21,880 Speaker 1: And some of these girls out here are kind of 90 00:05:21,880 --> 00:05:25,800 Speaker 1: putting all of their which we appreciativity, which we appreciate. 91 00:05:26,000 --> 00:05:28,640 Speaker 1: Not this is not a read, but I feel like 92 00:05:28,680 --> 00:05:31,039 Speaker 1: the beauty of a Matt Rogers Halloween costume is that 93 00:05:31,120 --> 00:05:36,599 Speaker 1: it is so thoughtfully coalescing in the last at the 94 00:05:36,640 --> 00:05:41,440 Speaker 1: eleventh hour, as it were. And pantry Girl Citi sink. 95 00:05:42,400 --> 00:05:45,680 Speaker 1: I would say, you know, your college are do not 96 00:05:45,760 --> 00:05:50,880 Speaker 1: college here, but post college are costumes that I remember 97 00:05:51,040 --> 00:05:54,839 Speaker 1: one year, I was just a crazy woman, like a 98 00:05:55,000 --> 00:05:58,560 Speaker 1: crazy woman at the office, crazy a crazy woman at 99 00:05:58,560 --> 00:06:01,520 Speaker 1: the office Christmas party, like like she basically it was 100 00:06:02,000 --> 00:06:06,239 Speaker 1: and I was of course wasted, wasted, And I remember, 101 00:06:06,520 --> 00:06:08,719 Speaker 1: do you remember when Luke there's the video of the 102 00:06:08,800 --> 00:06:11,080 Speaker 1: candle wax on me? It was Study's dress. I was 103 00:06:11,160 --> 00:06:16,960 Speaker 1: not there, but there was legendary video of in Halloween 104 00:06:17,040 --> 00:06:21,920 Speaker 1: drag looking stunning in a short bob little black dress, 105 00:06:22,120 --> 00:06:25,800 Speaker 1: little black dress from Study Green's closet back when she 106 00:06:25,920 --> 00:06:28,400 Speaker 1: used to to play Joan and Madman in a sketch 107 00:06:31,080 --> 00:06:34,600 Speaker 1: of how sexy it was. And there's amazing video of 108 00:06:35,080 --> 00:06:37,480 Speaker 1: you guys at a house party. I was not there 109 00:06:37,480 --> 00:06:39,080 Speaker 1: for this, but I've seen the video with my own 110 00:06:39,120 --> 00:06:45,240 Speaker 1: eyes many times, our friend Luke Marinkovic taking a lit 111 00:06:45,400 --> 00:06:48,440 Speaker 1: candle off of the coffee table while you were den 112 00:06:51,000 --> 00:06:55,880 Speaker 1: and throwing the web. I stayed in character the whole time, 113 00:06:55,920 --> 00:06:58,560 Speaker 1: though I was like, I acted like it was a 114 00:06:58,600 --> 00:07:01,360 Speaker 1: gift he had given me. But that was Studio's dressed 115 00:07:01,360 --> 00:07:03,560 Speaker 1: that I remember. I did have to tell Sudie. I 116 00:07:03,560 --> 00:07:05,280 Speaker 1: did have to tell Sudie what had happened to it, 117 00:07:05,360 --> 00:07:08,960 Speaker 1: because the dress was of course ruined. Remember this was 118 00:07:09,000 --> 00:07:12,760 Speaker 1: a time where that was not really afford to buy 119 00:07:12,840 --> 00:07:15,320 Speaker 1: that many new clothes. That was a nice garment to 120 00:07:15,400 --> 00:07:19,480 Speaker 1: having the prop closet absolutely so it was, it was 121 00:07:19,560 --> 00:07:22,440 Speaker 1: ruined and there were words between them. Sudie, it's that's 122 00:07:22,520 --> 00:07:26,120 Speaker 1: not a situation. She does well and you ruin my props. Yeah, 123 00:07:26,160 --> 00:07:28,520 Speaker 1: I'm coming for you. Yeah, No, I would. I would 124 00:07:28,520 --> 00:07:31,680 Speaker 1: do the same thing, wouldn't you? Absolutely in the fierce 125 00:07:31,720 --> 00:07:37,200 Speaker 1: words of Erica Jane, I'm coming for you. What are 126 00:07:37,200 --> 00:07:41,920 Speaker 1: their fierce words? Did Erica Jane say? What their fierce words? 127 00:07:42,200 --> 00:07:46,200 Speaker 1: We're on appeal for legal reasons. We're we're on appeal. 128 00:07:46,640 --> 00:07:51,080 Speaker 1: Jared Center Housewives group chat a meme which was flies 129 00:07:51,160 --> 00:07:57,040 Speaker 1: when they're on a banana a peel girl. Sometimes meme 130 00:07:57,120 --> 00:08:02,560 Speaker 1: humor takes me away, it really does. Speaking of daylight savings, 131 00:08:02,640 --> 00:08:05,160 Speaker 1: I mean Jared also said one today that was for 132 00:08:05,320 --> 00:08:09,000 Speaker 1: another house lives related to me. That was um Winter 133 00:08:09,120 --> 00:08:12,280 Speaker 1: taking the daylight away and it's Drenda and the girl's 134 00:08:12,280 --> 00:08:21,680 Speaker 1: trip too. What if your stun died? What? God? What 135 00:08:21,800 --> 00:08:27,120 Speaker 1: an unhinged woman? There are well the Derinda horror of 136 00:08:27,160 --> 00:08:30,640 Speaker 1: it aside, there are really creative people out there the 137 00:08:30,680 --> 00:08:33,560 Speaker 1: meme space. I'll tell you what always gets me is 138 00:08:33,720 --> 00:08:36,719 Speaker 1: any meme that uses Trey Whitfield. It was good. It 139 00:08:36,800 --> 00:08:40,000 Speaker 1: was I like the beat. I like the beat. Whenever 140 00:08:40,040 --> 00:08:42,000 Speaker 1: there's just something that comes out that kind of flaps, which, 141 00:08:42,000 --> 00:08:43,679 Speaker 1: by the way, let's just call a spade a spade. 142 00:08:44,920 --> 00:08:48,800 Speaker 1: Dorianna song what did not deliver what the girls needed 143 00:08:48,800 --> 00:08:52,360 Speaker 1: it to. It really was, My expectations were kind of 144 00:08:52,360 --> 00:08:54,559 Speaker 1: reasonable though. I was like, it's it's like a film song, 145 00:08:54,679 --> 00:08:57,760 Speaker 1: Like it's gonna be like, it's gonna be a banger, 146 00:08:57,840 --> 00:09:01,679 Speaker 1: it's gonna be like an Oscar play potentially, you know. 147 00:09:02,040 --> 00:09:05,360 Speaker 1: I mean, she said it herself, it's a lullaby. Like 148 00:09:05,480 --> 00:09:07,400 Speaker 1: did you see what she tweeted? Someone was like, real, 149 00:09:07,480 --> 00:09:09,520 Speaker 1: will there be more music? And she she said, I 150 00:09:09,720 --> 00:09:11,360 Speaker 1: was quoted. Maybe she didn't tweet it, but she was 151 00:09:11,400 --> 00:09:14,040 Speaker 1: quoted as saying, of course there's new music coming. My 152 00:09:14,120 --> 00:09:16,000 Speaker 1: fans would kill me if they knew they waited this 153 00:09:16,040 --> 00:09:20,800 Speaker 1: long for a lullaby. There's something coming, there's something coming 154 00:09:20,840 --> 00:09:22,320 Speaker 1: on the theory that we've been pushing, which is that 155 00:09:22,400 --> 00:09:25,800 Speaker 1: super Bowl will be her last live performance ever, we 156 00:09:25,800 --> 00:09:28,560 Speaker 1: were pushing that. I don't think so. Now it's becoming 157 00:09:28,559 --> 00:09:30,800 Speaker 1: clear this is a new era because they used those words, 158 00:09:30,800 --> 00:09:35,640 Speaker 1: they said, this will open up Rihanna's new era. But 159 00:09:35,800 --> 00:09:40,080 Speaker 1: here's the thing. What I think, No, you go. What 160 00:09:40,120 --> 00:09:44,240 Speaker 1: I'm thinking is the gay. What I'm thinking is the 161 00:09:44,280 --> 00:09:47,000 Speaker 1: gag is that apparently there's a second song on the album, 162 00:09:47,559 --> 00:09:49,880 Speaker 1: and I'm thinking that's going to be the Smash. Well 163 00:09:50,000 --> 00:09:53,920 Speaker 1: that's also playing during the credits, and I feel like 164 00:09:54,000 --> 00:09:56,440 Speaker 1: if it was a smash put it in the damn 165 00:09:56,440 --> 00:10:00,200 Speaker 1: movie during the battle scenes, unless it's like slap up 166 00:10:00,280 --> 00:10:05,920 Speaker 1: was that God? Then probably not during a battle scene. 167 00:10:06,760 --> 00:10:10,000 Speaker 1: Absolutely during a battle scene, that's the perfect Actually, wait, 168 00:10:10,040 --> 00:10:13,280 Speaker 1: you're so right. And also you know what's happening is 169 00:10:13,840 --> 00:10:17,240 Speaker 1: miss Letitia right is becoming Black Panther, Like I mean, 170 00:10:17,280 --> 00:10:19,560 Speaker 1: that's pretty obvious. I think so if she were just 171 00:10:19,600 --> 00:10:23,120 Speaker 1: stomp out for the very first time as Lady Black Panther, 172 00:10:23,559 --> 00:10:25,720 Speaker 1: and then the song that we heard was Rhanna singing 173 00:10:27,000 --> 00:10:32,040 Speaker 1: that that would be a triumph, that would be a triumph, 174 00:10:32,080 --> 00:10:35,400 Speaker 1: and it would with the Oscar, so then mission accomplished. 175 00:10:35,480 --> 00:10:39,120 Speaker 1: Hold my Hand Found Dead? Well, you know, like we 176 00:10:39,360 --> 00:10:42,080 Speaker 1: didn't start out liking that song when it came out, 177 00:10:42,440 --> 00:10:47,160 Speaker 1: and like many Gaga songs, it's a grow war. First 178 00:10:47,200 --> 00:10:50,319 Speaker 1: of all, when it started, I actually had to rewind 179 00:10:50,320 --> 00:10:52,760 Speaker 1: it several times because I just didn't understand what I 180 00:10:52,800 --> 00:10:55,400 Speaker 1: was hearing. I remember, like when there's that weird be 181 00:10:55,640 --> 00:10:59,839 Speaker 1: like I'm just wait hold on. I learned put on 182 00:10:59,920 --> 00:11:01,680 Speaker 1: for the first time that happened, and I was like, 183 00:11:02,080 --> 00:11:04,000 Speaker 1: hold on one second up, let me start over and 184 00:11:04,679 --> 00:11:09,720 Speaker 1: know that happens. Um she's gonna win, isn't she literally bowing? 185 00:11:10,120 --> 00:11:12,600 Speaker 1: I mean unless Rihanna comes out with something on this 186 00:11:12,640 --> 00:11:15,840 Speaker 1: second track, which is like way better than this. It's 187 00:11:15,960 --> 00:11:19,200 Speaker 1: Lady Gaga's Oscar to lose for hold my hand from 188 00:11:19,240 --> 00:11:23,280 Speaker 1: top gun Maverick, I support it. I mean the way 189 00:11:23,320 --> 00:11:25,760 Speaker 1: it felt in that concert at the end. I'm sorry 190 00:11:26,200 --> 00:11:30,839 Speaker 1: that was not just the Molly talking that was holding 191 00:11:30,880 --> 00:11:34,959 Speaker 1: my hands power. It is a powerful song and she 192 00:11:35,160 --> 00:11:39,240 Speaker 1: ended her concert with it Oscar for her, I felt 193 00:11:39,280 --> 00:11:42,400 Speaker 1: like four fighter jets we're gonna like fly above us 194 00:11:42,440 --> 00:11:45,600 Speaker 1: in that stadium. It was the only thing that was missing. 195 00:11:45,840 --> 00:11:48,040 Speaker 1: And can you bowen just for a second, Can you 196 00:11:48,040 --> 00:11:50,320 Speaker 1: go back to that moment. Can you imagine if fighter 197 00:11:50,400 --> 00:11:53,720 Speaker 1: jets had flown over the stadium, we would have we 198 00:11:53,720 --> 00:11:57,360 Speaker 1: would have ceased to exist, we would have exploded. We 199 00:11:57,400 --> 00:12:00,120 Speaker 1: would have exploded. That would be the only thing and 200 00:12:00,120 --> 00:12:02,240 Speaker 1: that could compete with the other best moment in my life, 201 00:12:02,240 --> 00:12:05,000 Speaker 1: just in terms of pure euphoric feeling, which is adults. 202 00:12:05,000 --> 00:12:08,640 Speaker 1: Em If f had f fives, what do you call him? 203 00:12:09,480 --> 00:12:12,840 Speaker 1: We're high, by the way, just call him those f planes. 204 00:12:13,160 --> 00:12:17,199 Speaker 1: If those had flown over us, I would have screamed 205 00:12:17,280 --> 00:12:20,120 Speaker 1: and cried, I would have wailed. I would have wailed, sobbing, 206 00:12:20,200 --> 00:12:24,760 Speaker 1: like we lost a great leader. Now speaking, I would 207 00:12:24,840 --> 00:12:31,120 Speaker 1: be sobbing, screaming. Speaking of concerts, we I would love 208 00:12:31,200 --> 00:12:34,520 Speaker 1: to talk to you about the moment you had this week. 209 00:12:34,640 --> 00:12:37,080 Speaker 1: Oh no, and then we have to compare notes because 210 00:12:37,120 --> 00:12:40,200 Speaker 1: you also got to go on stage with the greatest 211 00:12:40,240 --> 00:12:42,199 Speaker 1: band in the world, Muda, the greatest fan in the 212 00:12:42,240 --> 00:12:45,960 Speaker 1: world muna period period. They have just kind of finished 213 00:12:45,960 --> 00:12:49,959 Speaker 1: their American leg of their tour. Had no idea it 214 00:12:50,000 --> 00:12:52,040 Speaker 1: was their last show the other night, and that made 215 00:12:52,080 --> 00:12:58,640 Speaker 1: even better amazing live, truly an incredible show the next 216 00:12:58,720 --> 00:13:02,760 Speaker 1: time they go out, which there has been rumors. There's 217 00:13:02,760 --> 00:13:08,160 Speaker 1: been rumors. Okay, wow, this is you have all of 218 00:13:08,880 --> 00:13:12,760 Speaker 1: the ground level gossip. There's been rumors that they are 219 00:13:12,800 --> 00:13:16,600 Speaker 1: in some way opening for Taylor Swift and I I'm 220 00:13:16,640 --> 00:13:19,080 Speaker 1: allowed to say this because it exists online, like literally 221 00:13:19,360 --> 00:13:21,880 Speaker 1: people are talking about it online and so it is 222 00:13:21,920 --> 00:13:23,800 Speaker 1: like a wide out there rumor. I'm literally not even 223 00:13:23,840 --> 00:13:27,640 Speaker 1: saying anything. Hey guys, it's Matt just jumping at her 224 00:13:27,679 --> 00:13:30,040 Speaker 1: to say that. Um. This is no longer a rumor. 225 00:13:30,120 --> 00:13:33,080 Speaker 1: It is confirmed. Muna is opening for Taylor Swift on 226 00:13:33,240 --> 00:13:37,600 Speaker 1: some select dates of her Era's tour. Very exciting. Okay, 227 00:13:37,640 --> 00:13:42,840 Speaker 1: back to us from a few days ago, Well, remember 228 00:13:42,840 --> 00:13:45,559 Speaker 1: when she had him open for her in that same way, 229 00:13:45,600 --> 00:13:48,200 Speaker 1: they would make it be a perfect match, perfect match. 230 00:13:48,240 --> 00:13:51,079 Speaker 1: It makes sense, It makes total sense. I feel like, 231 00:13:51,200 --> 00:13:54,920 Speaker 1: especially with men like the Midnight sort of sonic Landscape 232 00:13:55,040 --> 00:13:58,400 Speaker 1: is similar to a Muna album. Any Muna album, really 233 00:13:58,400 --> 00:14:01,640 Speaker 1: take your pet truly, that show, if that's going to happen, 234 00:14:01,800 --> 00:14:05,880 Speaker 1: that show will absolutely be number two my favorite show 235 00:14:05,880 --> 00:14:08,480 Speaker 1: of the year, behind whatever Beyonce does with Renaissance. That 236 00:14:08,559 --> 00:14:12,600 Speaker 1: will be like epic moment in time. I can't believe 237 00:14:12,760 --> 00:14:15,440 Speaker 1: we're living in a world where we could get Beyonce tour, 238 00:14:15,880 --> 00:14:18,520 Speaker 1: a tailored tour with Muna opening some dates that would 239 00:14:18,559 --> 00:14:22,720 Speaker 1: be Psycho and then also Rihanna. It is a great 240 00:14:22,760 --> 00:14:28,200 Speaker 1: prosperous time in culture. Absolutely now, I really need to 241 00:14:28,240 --> 00:14:31,520 Speaker 1: know the feeling of you coming out there, going out 242 00:14:31,520 --> 00:14:35,600 Speaker 1: there and singing with them. It's it's a whole different 243 00:14:36,120 --> 00:14:39,520 Speaker 1: thing to be on stage. Could you believe could you 244 00:14:39,560 --> 00:14:42,640 Speaker 1: believe the energy what I'm saying? The energy, of course amazing, 245 00:14:42,680 --> 00:14:44,560 Speaker 1: But I'm just saying, like, performing to an ear way, 246 00:14:44,680 --> 00:14:48,120 Speaker 1: it's wild. To an earpiece, it's crazy, and that's ours 247 00:14:48,200 --> 00:14:51,080 Speaker 1: for people. That's like Beyonce, she's up there with an 248 00:14:51,240 --> 00:14:55,000 Speaker 1: with voices screaming into her ear while she's supposed to 249 00:14:55,080 --> 00:14:57,280 Speaker 1: dance and do all this ship. It's like, you get 250 00:14:57,320 --> 00:14:59,800 Speaker 1: up there and do it, and you're like, wow, this 251 00:14:59,840 --> 00:15:03,280 Speaker 1: is insane to have to harness that energy and focus 252 00:15:03,720 --> 00:15:06,480 Speaker 1: that entire time. But I guess like you do eventually 253 00:15:06,520 --> 00:15:09,520 Speaker 1: just kick into it being normal because it's the only 254 00:15:09,600 --> 00:15:11,880 Speaker 1: way you can. You have to just like commit to it. 255 00:15:11,960 --> 00:15:14,960 Speaker 1: And they texted me and they said, do you want 256 00:15:15,000 --> 00:15:17,760 Speaker 1: to do a verse? I was like, I thought I 257 00:15:17,760 --> 00:15:20,160 Speaker 1: would come out there and flop around like, oh, there 258 00:15:20,160 --> 00:15:22,960 Speaker 1: he is dancing while we sing the chorus. But they said, 259 00:15:23,000 --> 00:15:24,960 Speaker 1: do you want to do a verse of either home 260 00:15:25,080 --> 00:15:27,720 Speaker 1: By Now or kind of Girl? I was like, I 261 00:15:27,840 --> 00:15:30,040 Speaker 1: want y'all to have kind of girl? And also I 262 00:15:30,080 --> 00:15:33,920 Speaker 1: wouldn't dare you would have slayed kind of girl girl? 263 00:15:34,240 --> 00:15:36,240 Speaker 1: Home By now it's perfect for you too. But yeah, 264 00:15:36,240 --> 00:15:37,920 Speaker 1: they gave me the second verson of home by Now 265 00:15:38,040 --> 00:15:41,120 Speaker 1: it was so much more and like, honestly, the Earwig 266 00:15:41,240 --> 00:15:43,400 Speaker 1: was a challenge, but I did deliver the verse. I 267 00:15:43,440 --> 00:15:46,600 Speaker 1: delivered the verse. I landed. Oh of course you did. 268 00:15:46,600 --> 00:15:49,440 Speaker 1: I saw the tape, bitch, there needed to be more 269 00:15:49,440 --> 00:15:53,040 Speaker 1: footage of you doing so Chavon there's you're just not 270 00:15:53,120 --> 00:15:57,720 Speaker 1: doing a good enough to You didn't repost it enough. 271 00:15:59,680 --> 00:16:03,880 Speaker 1: It's on It's on stuff. I'm sure it's on stuff. 272 00:16:04,040 --> 00:16:08,000 Speaker 1: So you know, an incredible moment. I was shaking when 273 00:16:08,000 --> 00:16:10,080 Speaker 1: I went off the stage and I told them, I 274 00:16:10,160 --> 00:16:13,800 Speaker 1: was like, that was one of the most incredible moments 275 00:16:13,840 --> 00:16:16,480 Speaker 1: of my life. Oh my god. And they do that 276 00:16:16,560 --> 00:16:20,840 Speaker 1: every night. It's so cool. It's crazy. They literally are 277 00:16:20,880 --> 00:16:24,800 Speaker 1: the coolest and they're just like also very very very 278 00:16:25,040 --> 00:16:29,480 Speaker 1: chill people, which makes it all the more merry. And 279 00:16:29,520 --> 00:16:32,360 Speaker 1: if they do go out with Taylor Swift, I urge 280 00:16:33,240 --> 00:16:37,960 Speaker 1: people to pay top dollar and support in a capitalist 281 00:16:38,080 --> 00:16:41,960 Speaker 1: way with your money, with your dollars that tour. Yeah, 282 00:16:42,000 --> 00:16:48,840 Speaker 1: because that's activism. You know, years ago there was um 283 00:16:49,080 --> 00:16:52,480 Speaker 1: member of political subversities I love Paul. I was thinking 284 00:16:52,480 --> 00:16:56,280 Speaker 1: about police have the other day. Stephanie Shoe an alumnus 285 00:16:56,320 --> 00:17:03,920 Speaker 1: and alumna, and a song called activism Slack remember it 286 00:17:07,359 --> 00:17:10,840 Speaker 1: and that is the power of the hook. Yes, Emma 287 00:17:10,920 --> 00:17:15,080 Speaker 1: Tadden bound fine period period. Oh my god, what a 288 00:17:15,200 --> 00:17:18,959 Speaker 1: what a moment in history. That was like us us 289 00:17:19,000 --> 00:17:21,879 Speaker 1: doing Paprulett. That was like years of our life Like 290 00:17:21,960 --> 00:17:27,000 Speaker 1: that was like that was like four or five years. Yeah. Yeah, 291 00:17:27,080 --> 00:17:30,920 Speaker 1: and the like brief overlap with poly stuff that we 292 00:17:31,080 --> 00:17:33,760 Speaker 1: have so political diversities. They were this musical sketch comedy 293 00:17:33,760 --> 00:17:37,280 Speaker 1: group in New York City. It was like a few 294 00:17:37,359 --> 00:17:41,199 Speaker 1: sketch comedians, but mostly it was these amazing actors and 295 00:17:41,920 --> 00:17:46,320 Speaker 1: singers and musical theater performers. SHANEA. Talb was in the group. 296 00:17:46,359 --> 00:17:50,119 Speaker 1: Who's now like major, No, it's it's stacked, It's ship Tub, 297 00:17:50,359 --> 00:17:56,200 Speaker 1: it's Brandon Goodman, if Stephanie Shoe, it's fucking Jabari Brisporte, 298 00:17:56,200 --> 00:17:59,320 Speaker 1: who's now a State Senator of New York. Jabari was 299 00:17:59,400 --> 00:18:02,680 Speaker 1: in a bowl and it amazing. God bless him now 300 00:18:02,840 --> 00:18:05,880 Speaker 1: for doing all this amazing work. But he was doing 301 00:18:05,920 --> 00:18:11,439 Speaker 1: another kind of amazing organizing. Yeah, the iconic Kim Blank 302 00:18:11,560 --> 00:18:15,200 Speaker 1: to Kim Blank, come on, give it up was Alice 303 00:18:15,280 --> 00:18:19,360 Speaker 1: Joker ever in it? I think so, but maybe like 304 00:18:19,480 --> 00:18:22,000 Speaker 1: towards the end, but Ali was like, you know, in 305 00:18:22,080 --> 00:18:25,200 Speaker 1: that circle and like it was just I knew they 306 00:18:25,200 --> 00:18:27,720 Speaker 1: were talented, but I'm like yeah, and it's it's one 307 00:18:27,720 --> 00:18:29,520 Speaker 1: of those things where like thank you for lifting up 308 00:18:29,520 --> 00:18:32,879 Speaker 1: the people who are like amazing. I mean, Shana is 309 00:18:32,960 --> 00:18:36,840 Speaker 1: literally co writing The Devil, whereas Proud of musical with 310 00:18:36,960 --> 00:18:40,960 Speaker 1: Elton John. Can we just get into that for a second, which, 311 00:18:41,000 --> 00:18:42,359 Speaker 1: by the way, I heard his great and had it 312 00:18:42,520 --> 00:18:46,399 Speaker 1: like great, Yeah, but that's insane. It's insane. And then 313 00:18:46,400 --> 00:18:49,119 Speaker 1: she's also like one of the chairs like the A 314 00:18:49,200 --> 00:18:53,399 Speaker 1: C l U like planning committees. She's Shane' tab incredible 315 00:18:53,440 --> 00:18:57,280 Speaker 1: persons around More people need to be like her. Yeah, 316 00:18:57,320 --> 00:18:59,119 Speaker 1: I know. I ran into her when I saw alex 317 00:18:59,119 --> 00:19:04,560 Speaker 1: Aiedelman show in New York, which was also fantastic. It 318 00:19:04,640 --> 00:19:07,399 Speaker 1: was so good. We love alex Um. You know what, 319 00:19:07,440 --> 00:19:09,680 Speaker 1: You're right, this is an amazing time for the culture, 320 00:19:10,040 --> 00:19:13,280 Speaker 1: Is it right or what? Beyonce Brianna Taylor are going 321 00:19:13,320 --> 00:19:16,080 Speaker 1: on tour maybe in the next year, and Shana and 322 00:19:16,119 --> 00:19:21,000 Speaker 1: Elton are writing a musical that makes me want to 323 00:19:22,080 --> 00:19:28,679 Speaker 1: belt a joyful note. I'm so glad you did that. 324 00:19:28,840 --> 00:19:30,680 Speaker 1: You know I'm gonna be doing a lot more of that. 325 00:19:38,359 --> 00:19:41,880 Speaker 1: Can I take this moment to say, please that now 326 00:19:41,920 --> 00:19:44,159 Speaker 1: that my special is announced, I'm very excited about it, 327 00:19:44,200 --> 00:19:47,720 Speaker 1: and I want to thank everyone for being so positive 328 00:19:47,760 --> 00:19:51,120 Speaker 1: and excited enthusiastic about it. And also by now my 329 00:19:51,200 --> 00:19:54,840 Speaker 1: tour is announced, and that's why I should just take 330 00:19:54,840 --> 00:19:58,440 Speaker 1: this opportunity to say, buy tickets. Please buy tickets, because 331 00:19:58,440 --> 00:20:00,240 Speaker 1: I don't want to say like a billion times I 332 00:20:00,240 --> 00:20:02,760 Speaker 1: don't know hawk myself on the pod, but they are 333 00:20:02,840 --> 00:20:05,920 Speaker 1: going on sale this week, and so please buy Tigott. 334 00:20:06,359 --> 00:20:09,159 Speaker 1: It'll be very fun and um, I'm just very excited 335 00:20:09,160 --> 00:20:10,960 Speaker 1: about the month because the show will be out, The 336 00:20:11,000 --> 00:20:14,400 Speaker 1: special will be out on Showtime December two. You will 337 00:20:14,440 --> 00:20:18,800 Speaker 1: not regret it. You must, must, must take the opportunity 338 00:20:18,800 --> 00:20:21,760 Speaker 1: to see Matt because it's one of those Christmas things, 339 00:20:21,760 --> 00:20:24,239 Speaker 1: those holiday things where which I don't think we get 340 00:20:24,280 --> 00:20:26,639 Speaker 1: a lot of anymore. But it's like you remember the 341 00:20:26,640 --> 00:20:29,399 Speaker 1: first time you saw like, let's say Elf, or the 342 00:20:29,440 --> 00:20:32,600 Speaker 1: first time you saw like the Gringe, or like any 343 00:20:32,640 --> 00:20:35,200 Speaker 1: of these amazing Christmas things like this is I mean, 344 00:20:35,280 --> 00:20:37,640 Speaker 1: Joel has said this publicly, and now at this point, 345 00:20:37,640 --> 00:20:39,720 Speaker 1: you've done it for enough years now that we can 346 00:20:39,800 --> 00:20:43,439 Speaker 1: feel like it's this holiday classic tradition for us that 347 00:20:43,520 --> 00:20:46,719 Speaker 1: like we love it's it's holiday entertainment that is like 348 00:20:47,160 --> 00:20:49,159 Speaker 1: as soon as you see it, you recognize it to 349 00:20:49,200 --> 00:20:51,000 Speaker 1: be great, and then you're like, I can't wait to 350 00:20:51,040 --> 00:20:53,240 Speaker 1: see this every year. It's one of those things you 351 00:20:53,359 --> 00:20:55,600 Speaker 1: have to go buy a ticket. I love you, guys. 352 00:20:55,800 --> 00:20:59,560 Speaker 1: I'm so proud. That is so nice. It really genuinely 353 00:20:59,680 --> 00:21:01,760 Speaker 1: is my pride to joy. And so I'm just happy 354 00:21:01,800 --> 00:21:04,040 Speaker 1: now that it's like announced, because now I feel like 355 00:21:04,080 --> 00:21:07,840 Speaker 1: it has to happen, like I always feel like at 356 00:21:07,840 --> 00:21:10,520 Speaker 1: any second, like I don't know, there's been some rough, 357 00:21:10,600 --> 00:21:13,280 Speaker 1: weird moments where like like the Quimmy thing, and like 358 00:21:13,920 --> 00:21:15,919 Speaker 1: I don't know that I just got so off trapped. 359 00:21:16,200 --> 00:21:18,639 Speaker 1: What I was talking about was you were talking, and 360 00:21:18,680 --> 00:21:22,359 Speaker 1: I would love to talk about this this general thing 361 00:21:22,920 --> 00:21:27,160 Speaker 1: in any place of work, in any workplace dynamic where 362 00:21:27,160 --> 00:21:30,439 Speaker 1: it's like, oh, the thing that you want to happen, 363 00:21:30,480 --> 00:21:34,040 Speaker 1: the outcome you want is up until the very last second, 364 00:21:34,240 --> 00:21:39,480 Speaker 1: not guaranteed, and it's usually because it's being sort of mediated, 365 00:21:39,680 --> 00:21:44,400 Speaker 1: held hostage by people who like make the decision for you, 366 00:21:45,000 --> 00:21:47,280 Speaker 1: and that it's such a bad feeling on a human 367 00:21:47,800 --> 00:21:51,080 Speaker 1: emotional level to like carry that around all the time. 368 00:21:51,160 --> 00:21:53,720 Speaker 1: And like I feel like that's so much of what 369 00:21:54,520 --> 00:21:56,200 Speaker 1: so many jobs are, but I feel like it's also 370 00:21:56,280 --> 00:21:58,240 Speaker 1: so much of what like you and I do, where 371 00:21:58,840 --> 00:22:02,520 Speaker 1: it is just like okay, we'll see what they say. 372 00:22:01,640 --> 00:22:05,480 Speaker 1: Yeah yeah, And also you want things to be successful too, 373 00:22:05,480 --> 00:22:09,359 Speaker 1: And also with with this, it's I'm fully feeling like 374 00:22:09,840 --> 00:22:13,960 Speaker 1: I really put into this hour of like that's me, 375 00:22:14,160 --> 00:22:15,560 Speaker 1: you know what I mean, Like that is my sense 376 00:22:15,600 --> 00:22:18,360 Speaker 1: of humor. That is like what I'm capable of, Like 377 00:22:18,440 --> 00:22:21,760 Speaker 1: that's me, and so like I'm just anxious to get 378 00:22:21,800 --> 00:22:26,159 Speaker 1: it out because not everyone gets to have that experience. 379 00:22:26,320 --> 00:22:29,320 Speaker 1: That's very cool. That is like an amazing opportunity, and 380 00:22:29,359 --> 00:22:32,679 Speaker 1: so I'm really proud of it, like I can fully 381 00:22:32,760 --> 00:22:35,040 Speaker 1: stand beside it and say this is me. And just 382 00:22:35,119 --> 00:22:36,919 Speaker 1: the fact that it now has a release date is 383 00:22:36,960 --> 00:22:40,560 Speaker 1: like it's happening. Literally, Like I can't believe that's going 384 00:22:40,600 --> 00:22:43,639 Speaker 1: to happen, and I couldn't be happier about what it is. 385 00:22:43,680 --> 00:22:50,080 Speaker 1: So that's why I, you know, speak on So of 386 00:22:50,119 --> 00:22:54,800 Speaker 1: course we also have to talk about so many Matt 387 00:22:54,920 --> 00:22:59,240 Speaker 1: Rogers happenings, and I love when there are Matt Rodgers 388 00:22:59,240 --> 00:23:01,720 Speaker 1: happenings in the world. We did not get a chance 389 00:23:01,760 --> 00:23:06,159 Speaker 1: to talk about your Celebrity Jeopardy appearance. Holy shit, that 390 00:23:06,520 --> 00:23:11,679 Speaker 1: was so much fun and surreal, thrilling TV. What are 391 00:23:11,680 --> 00:23:14,000 Speaker 1: the que card guys that work? Roman? I love you, Roman, 392 00:23:14,119 --> 00:23:16,800 Speaker 1: Roman goes stops me on the floor yesterday on a 393 00:23:16,840 --> 00:23:18,800 Speaker 1: Saturday when there's like a lot of craziness going on, 394 00:23:18,840 --> 00:23:21,640 Speaker 1: he goes. But when I have to tell you, I 395 00:23:21,720 --> 00:23:24,560 Speaker 1: loved Matt on Celebrity Jeopardy. It was one of the 396 00:23:24,600 --> 00:23:27,280 Speaker 1: most thrilling hours of TV in my life I've ever seen. 397 00:23:27,320 --> 00:23:30,760 Speaker 1: It was like, wasn't it just the true Daily Doubles 398 00:23:31,600 --> 00:23:35,000 Speaker 1: talk about it, Sally. That was first of all, when 399 00:23:35,040 --> 00:23:36,800 Speaker 1: I said that I did it on the podcast, I 400 00:23:36,840 --> 00:23:38,800 Speaker 1: had just taped it, so I was very much on 401 00:23:38,840 --> 00:23:41,639 Speaker 1: a high. I was nervous that people would start watching 402 00:23:41,640 --> 00:23:44,080 Speaker 1: it because it started so bad. You guys, like I 403 00:23:44,119 --> 00:23:46,600 Speaker 1: was just being it was I was scared. I knew 404 00:23:46,640 --> 00:23:48,520 Speaker 1: the outcome and I was scared. Oh no, I was 405 00:23:48,600 --> 00:23:52,560 Speaker 1: being a dummy, Like it was really not going well. 406 00:23:52,920 --> 00:23:54,840 Speaker 1: And so I thought to myself At one point I 407 00:23:54,880 --> 00:23:58,360 Speaker 1: was like, you know what, Like I'm just gonna really 408 00:23:58,560 --> 00:24:02,160 Speaker 1: try to calm down. I was so wild on the buzzer, 409 00:24:02,200 --> 00:24:05,600 Speaker 1: Like the buzzer of it all is very much an 410 00:24:05,600 --> 00:24:10,320 Speaker 1: element of it that matters. Yes, clearly because so many 411 00:24:10,320 --> 00:24:12,879 Speaker 1: of the answers, you clearly knew the answer. I mean, 412 00:24:12,920 --> 00:24:15,280 Speaker 1: it was like baby jeopardy. You know. The questions were 413 00:24:15,320 --> 00:24:17,560 Speaker 1: not hard, The questions were not the issue. It was 414 00:24:17,600 --> 00:24:20,359 Speaker 1: the buzzer. So talk about the buzzer. What is it? 415 00:24:20,880 --> 00:24:22,960 Speaker 1: What's happening there? Like you have to press it, not 416 00:24:23,000 --> 00:24:25,479 Speaker 1: a second sooner than when it lets you, so picture 417 00:24:25,520 --> 00:24:28,639 Speaker 1: you're me. I hold the buzzer in my hand. It's huge. 418 00:24:29,160 --> 00:24:32,280 Speaker 1: It's like girthy. It's like a girthy buzzer. I hate 419 00:24:32,280 --> 00:24:36,320 Speaker 1: a girthy buzzer. And the button itself is very thick, 420 00:24:36,880 --> 00:24:38,840 Speaker 1: you know what I mean. It's not like a pen cap, 421 00:24:39,000 --> 00:24:42,200 Speaker 1: like a clicker on a pen. It's like a thick 422 00:24:42,359 --> 00:24:45,560 Speaker 1: red button. And so that's like harder to negler skate 423 00:24:45,640 --> 00:24:47,679 Speaker 1: with your thumb. I know I sound insane, but I 424 00:24:47,680 --> 00:24:49,240 Speaker 1: feel like a lot of the readers are at home 425 00:24:49,280 --> 00:24:52,840 Speaker 1: nodding because thumb dexterity. You know, if you either have 426 00:24:52,920 --> 00:24:56,119 Speaker 1: it or you don't know. And I'm sure it's intentional 427 00:24:56,160 --> 00:24:58,280 Speaker 1: by design that they make it sort of hard to 428 00:24:58,840 --> 00:25:02,240 Speaker 1: press yes maneuver because they don't want you abusing it. 429 00:25:02,920 --> 00:25:06,960 Speaker 1: And so then there's this I had been told prior 430 00:25:07,400 --> 00:25:11,800 Speaker 1: by a person that's been on Jeopardy, Lewis Verrtel, that 431 00:25:11,920 --> 00:25:15,560 Speaker 1: you pressed the button on the last syllable of the 432 00:25:15,560 --> 00:25:18,200 Speaker 1: host saying the question I get there. Come to find 433 00:25:18,200 --> 00:25:23,000 Speaker 1: out that is no longer true. So it's the second 434 00:25:23,080 --> 00:25:28,040 Speaker 1: she stops saying the question the second and these lights 435 00:25:28,040 --> 00:25:29,479 Speaker 1: go up on the screen and then you buzz in. 436 00:25:29,920 --> 00:25:34,080 Speaker 1: But like it's weird because like listening to her land 437 00:25:34,119 --> 00:25:36,000 Speaker 1: the word and also thinking about the answer at the 438 00:25:36,000 --> 00:25:37,960 Speaker 1: same time, whether you're a confident with the buzzing, it's 439 00:25:38,000 --> 00:25:41,080 Speaker 1: just a lot more. And then there's the physical difficulty 440 00:25:41,160 --> 00:25:44,480 Speaker 1: of the button. It's just more to adjust to than 441 00:25:44,560 --> 00:25:47,680 Speaker 1: you think. It's a lot. It's a lot. I've never 442 00:25:47,720 --> 00:25:51,600 Speaker 1: been on a game show, but watching you, I could 443 00:25:51,640 --> 00:25:55,200 Speaker 1: sort of by proxy you would slay No. I wouldn't 444 00:25:55,240 --> 00:25:58,600 Speaker 1: because I you would was stressed in that environment. I 445 00:25:58,640 --> 00:26:00,880 Speaker 1: would not have gotten the Garland p question by the way, 446 00:26:01,160 --> 00:26:03,240 Speaker 1: you would have gotten that right now, I no, I wouldn't. 447 00:26:03,280 --> 00:26:05,840 Speaker 1: I did not know never more was the answer. Yeah, 448 00:26:06,040 --> 00:26:10,720 Speaker 1: So the question was, it's a three syllable word that's 449 00:26:10,880 --> 00:26:14,959 Speaker 1: used like many times, many times Edgar Allan Pope poem 450 00:26:15,000 --> 00:26:17,399 Speaker 1: The Raven, and I knew it was never more, but 451 00:26:17,440 --> 00:26:20,240 Speaker 1: I quickly had to go more like do the syllable thing, 452 00:26:20,280 --> 00:26:23,520 Speaker 1: because I was like it was a big old daily 453 00:26:23,520 --> 00:26:26,080 Speaker 1: double like it was all my money, which, by the way, 454 00:26:26,400 --> 00:26:32,560 Speaker 1: I answered the Taylor Swift question and then sorry, that 455 00:26:32,600 --> 00:26:38,959 Speaker 1: was witchcraft, that was chaos magic. Wanda m if you 456 00:26:39,160 --> 00:26:44,080 Speaker 1: like the fact that you and Ago wote him had 457 00:26:44,080 --> 00:26:47,160 Speaker 1: a learning curve with it struggled in the beginning makes 458 00:26:47,200 --> 00:26:49,640 Speaker 1: me terrifies me because these are two of the smartest 459 00:26:49,680 --> 00:26:53,800 Speaker 1: people I know, and I cannot outperform them in that way. 460 00:26:53,840 --> 00:26:55,800 Speaker 1: I know, I won't know you could, you would be 461 00:26:55,880 --> 00:26:58,920 Speaker 1: a lot calmer, That's what I'll say. And also, just 462 00:26:58,920 --> 00:27:01,480 Speaker 1: watch Joel Joel. This episode is coming up, but just 463 00:27:01,480 --> 00:27:04,520 Speaker 1: watch Joel Joel. I know for a fact, I have 464 00:27:04,600 --> 00:27:07,720 Speaker 1: no doubt that he is a star on TV game show. 465 00:27:08,480 --> 00:27:10,560 Speaker 1: You're gonna want to tune in on that one or 466 00:27:10,640 --> 00:27:13,359 Speaker 1: stream it on Hulu. The way I'm hawking celebrity japping 467 00:27:13,400 --> 00:27:14,919 Speaker 1: now because I feel like I'm in the family like 468 00:27:15,359 --> 00:27:20,040 Speaker 1: you are in the family's It's so much fun to 469 00:27:20,119 --> 00:27:22,560 Speaker 1: play because like at the first you're nervous and then 470 00:27:22,600 --> 00:27:25,399 Speaker 1: as as it goes, you're like, I'm into this, Like 471 00:27:25,480 --> 00:27:28,320 Speaker 1: I would love to like have a way to stage 472 00:27:28,320 --> 00:27:30,479 Speaker 1: like a Jeopardy and play that one night with friends. 473 00:27:30,680 --> 00:27:34,040 Speaker 1: I do like games. My girls and I haven't played 474 00:27:34,200 --> 00:27:36,560 Speaker 1: games in a long time. You need to make up 475 00:27:36,560 --> 00:27:39,040 Speaker 1: your mind because you are a lot of the time 476 00:27:39,359 --> 00:27:42,480 Speaker 1: like I hate games. Is that correct? I actually am 477 00:27:42,560 --> 00:27:44,880 Speaker 1: not someone that says that. I just think if we're 478 00:27:44,920 --> 00:27:48,000 Speaker 1: going to hang out, it should be either about games 479 00:27:48,480 --> 00:27:51,160 Speaker 1: or about something else. Like I don't like to plan 480 00:27:51,280 --> 00:27:54,040 Speaker 1: for one thing and then suddenly it's games, you know 481 00:27:54,040 --> 00:27:56,160 Speaker 1: what I mean? Like I'm actually pretty much always down 482 00:27:56,200 --> 00:27:59,520 Speaker 1: for games, but I like to know you need to 483 00:27:59,520 --> 00:28:01,879 Speaker 1: know if it's game night. Don't you think you do? 484 00:28:02,119 --> 00:28:04,800 Speaker 1: But I think, here sneak peak, this is my I 485 00:28:04,800 --> 00:28:09,400 Speaker 1: don't think so honey, okay, limbs inside. But I'm just saying, 486 00:28:09,440 --> 00:28:13,440 Speaker 1: like people who like are anti games. It's like, okay, 487 00:28:13,440 --> 00:28:15,480 Speaker 1: so you hate following whatever? You know? I know. I 488 00:28:15,480 --> 00:28:19,240 Speaker 1: I feel like I can see being anti some games. 489 00:28:19,560 --> 00:28:22,800 Speaker 1: I can see being anti games when you are a 490 00:28:23,400 --> 00:28:30,480 Speaker 1: stranger in someone else's social circle. That's that's hell. That 491 00:28:30,800 --> 00:28:35,200 Speaker 1: that's hell. A true nightmare is playing Cliplash with a 492 00:28:35,240 --> 00:28:38,360 Speaker 1: close group of friends and being the only person that 493 00:28:38,480 --> 00:28:41,400 Speaker 1: the friend of in that situation. It's like if we 494 00:28:41,440 --> 00:28:46,120 Speaker 1: played Cliplash with the real Housewives of Salt Lake City. Up, 495 00:28:46,160 --> 00:28:48,560 Speaker 1: we don't get this humor. We don't know this humor yet, 496 00:28:48,880 --> 00:28:51,720 Speaker 1: so I'll do a different I don't think so, honey. 497 00:28:51,840 --> 00:28:58,040 Speaker 1: But it's this thing where you sorry, I'm so stoned. 498 00:28:58,160 --> 00:29:03,440 Speaker 1: It's this thing same where people say that they don't 499 00:29:03,520 --> 00:29:06,640 Speaker 1: like games. You can't say you're not a game person. 500 00:29:06,720 --> 00:29:09,360 Speaker 1: If you were with five of your closest friends in 501 00:29:09,400 --> 00:29:12,440 Speaker 1: the world, five of your favorite people to ever exist, 502 00:29:12,840 --> 00:29:15,440 Speaker 1: doesn't matter if you knew them or not. And let's 503 00:29:15,440 --> 00:29:18,479 Speaker 1: say you were, you knew them like family, then then 504 00:29:18,520 --> 00:29:20,200 Speaker 1: would you play a game with them? Then you're a 505 00:29:20,200 --> 00:29:22,680 Speaker 1: game person. Most likely your answer is yes, Then yes, 506 00:29:22,720 --> 00:29:25,200 Speaker 1: you're a game person. Do you know what I'm remembering 507 00:29:25,280 --> 00:29:27,440 Speaker 1: right now? Which was one of the funnest nights, was 508 00:29:27,480 --> 00:29:30,920 Speaker 1: when me, you and Pat played Mario Party. That was 509 00:29:31,440 --> 00:29:34,680 Speaker 1: so funny And I have an announcement. We tried to 510 00:29:34,680 --> 00:29:38,680 Speaker 1: book Pat Regan for this episode, but which was too big. Girl, 511 00:29:39,040 --> 00:29:42,320 Speaker 1: Can I say I will be going back to the 512 00:29:42,320 --> 00:29:45,120 Speaker 1: Eagle on Wednesday nights for jock Strap Night on a 513 00:29:45,320 --> 00:29:48,760 Speaker 1: semi regular basis. We had so much fun. It was me, Pat, Josh, 514 00:29:48,800 --> 00:29:52,880 Speaker 1: Aaron um, Ryan Jones, our friend, and Joel and then 515 00:29:52,920 --> 00:29:55,320 Speaker 1: Joel was in town doing the Time one hundred gala 516 00:29:55,440 --> 00:29:57,040 Speaker 1: and Joel was like, let's go to the Eagle. I 517 00:29:57,080 --> 00:29:58,480 Speaker 1: was like, oh, I've always wanted to go for jock 518 00:29:58,520 --> 00:30:00,080 Speaker 1: strap Night and the Pats like, so did I? So 519 00:30:00,160 --> 00:30:02,320 Speaker 1: have I. Sam Taggert was like, so have I. But 520 00:30:02,400 --> 00:30:04,760 Speaker 1: he couldn't make it, but we're bringing him next time. 521 00:30:05,440 --> 00:30:07,760 Speaker 1: We were like, this is really fun. Actually I had 522 00:30:07,760 --> 00:30:11,160 Speaker 1: a great time. That is a blast that everyone wear jocks. 523 00:30:11,520 --> 00:30:13,400 Speaker 1: Most people did. The only one who did it I 524 00:30:13,400 --> 00:30:17,760 Speaker 1: brought a job to work for the read through and 525 00:30:17,800 --> 00:30:20,080 Speaker 1: then after did you wear your jot in the read through? 526 00:30:20,400 --> 00:30:22,400 Speaker 1: I didn't. I was thinking about it and then I 527 00:30:22,560 --> 00:30:25,720 Speaker 1: would have been iconic behavior. Maybe I'll do it soon. 528 00:30:26,800 --> 00:30:30,040 Speaker 1: But anyway, it was great and then Pat and I 529 00:30:30,160 --> 00:30:33,920 Speaker 1: just that boy is so important to us. We love Pat. Oh, 530 00:30:33,920 --> 00:30:38,080 Speaker 1: he's he's a treasure. He's a American treasure. We were 531 00:30:38,080 --> 00:30:40,400 Speaker 1: hoping to share our American treasure with here today. But 532 00:30:40,960 --> 00:30:45,480 Speaker 1: my girls on script, girls on script four hacks. She's 533 00:30:45,480 --> 00:30:49,880 Speaker 1: on outline for hop outline excuse me, pardon me. Entirely 534 00:30:49,920 --> 00:30:53,600 Speaker 1: different process. It's, you see, a totally different process. When 535 00:30:53,600 --> 00:30:56,480 Speaker 1: you're on outline, you're saying, look, this happened here and 536 00:30:56,520 --> 00:30:59,200 Speaker 1: that happened there. And when you're on script, it's more 537 00:30:59,240 --> 00:31:02,880 Speaker 1: like it's happening and you're doing it. A glimpse inside 538 00:31:03,080 --> 00:31:07,400 Speaker 1: the television industry. What if you wait? Did you watch 539 00:31:07,480 --> 00:31:11,480 Speaker 1: The Male Speaking of the television industry? The reboot of It? Yes? No, 540 00:31:11,680 --> 00:31:15,080 Speaker 1: should I you have to? Oh my god, Joel and 541 00:31:15,120 --> 00:31:20,160 Speaker 1: I loved Is it? Anderson still? No, it's this iconic 542 00:31:20,200 --> 00:31:25,040 Speaker 1: woman Alex Wagner. Yeah, she's sort of like I guess um, 543 00:31:25,080 --> 00:31:26,880 Speaker 1: I didn't know this, but she's sort of like mad 544 00:31:26,880 --> 00:31:29,880 Speaker 1: I was replacement, I I suppose, Yes, Yes, she's she's 545 00:31:30,120 --> 00:31:33,680 Speaker 1: an NBC girl. Yes, I wasn't aware of her perfect 546 00:31:33,800 --> 00:31:36,880 Speaker 1: vibe as the host of the Mall. Okay, I'm starting tonight. 547 00:31:36,920 --> 00:31:40,200 Speaker 1: I was thinking about watching Malignant, but no, I need 548 00:31:40,240 --> 00:31:43,680 Speaker 1: I need something. No girl and the spooky season. Watch 549 00:31:43,800 --> 00:31:46,560 Speaker 1: The Caper, that the Social Caper, that is the Mall. 550 00:31:46,600 --> 00:31:49,200 Speaker 1: I'm telling you there's some iconic characters, including a woman 551 00:31:49,280 --> 00:31:53,200 Speaker 1: named Joy that you're gonna be screaming laughing at. I 552 00:31:53,240 --> 00:31:55,640 Speaker 1: love it. I'm obsessed. My sister, Yang Yang when we 553 00:31:55,640 --> 00:31:57,480 Speaker 1: first moved to the US. That was when The Male. 554 00:31:57,600 --> 00:32:00,800 Speaker 1: It was right around the time when The Male premiered, 555 00:32:01,360 --> 00:32:03,680 Speaker 1: and I remember it being I mean, Yang was the 556 00:32:03,720 --> 00:32:06,640 Speaker 1: sort of cultural shepherd for me. Sure she was the shirt, 557 00:32:06,640 --> 00:32:08,920 Speaker 1: but she kind of like it was like, here, you 558 00:32:08,920 --> 00:32:11,880 Speaker 1: should watch this. I'm like this. Like her friends would 559 00:32:11,880 --> 00:32:15,720 Speaker 1: make her mix CDs with like, you know, like s 560 00:32:15,760 --> 00:32:17,560 Speaker 1: Club seven songs on them, let's say it, And I'd 561 00:32:17,560 --> 00:32:19,719 Speaker 1: be like, who's this, Like I need to come out 562 00:32:19,760 --> 00:32:21,720 Speaker 1: and say this. Like Yan was my portal to a 563 00:32:21,760 --> 00:32:23,920 Speaker 1: lot of stuff. But The Male was one of the first, 564 00:32:24,280 --> 00:32:26,640 Speaker 1: literally one of the earliest pieces of culture. I can 565 00:32:26,720 --> 00:32:30,000 Speaker 1: remember coming to the US and being like, oh, this 566 00:32:30,160 --> 00:32:33,000 Speaker 1: fun show where people where someone's the mall and it 567 00:32:33,080 --> 00:32:37,680 Speaker 1: really is a beautiful show. Beautiful She was really really good. 568 00:32:37,720 --> 00:32:39,840 Speaker 1: I mean, I love that it's all out now so 569 00:32:39,920 --> 00:32:41,760 Speaker 1: you can just binge the whole thing, which, by the way, 570 00:32:41,800 --> 00:32:43,200 Speaker 1: I'm gonna do it right now. I didn't realize there 571 00:32:43,200 --> 00:32:45,840 Speaker 1: was a new season of The Circle, and that's now 572 00:32:45,880 --> 00:32:49,320 Speaker 1: shot to the top of the list. Every season of 573 00:32:49,360 --> 00:32:53,480 Speaker 1: The Circle is amazing, It's perfect. I am so excited. Girl. 574 00:32:53,760 --> 00:32:57,120 Speaker 1: We die for the Circle. Lost Culture is a Circle 575 00:32:57,320 --> 00:33:01,880 Speaker 1: Stand show. We will do circle recaps. Potentially. Love is 576 00:33:01,880 --> 00:33:03,880 Speaker 1: Blind is back in a really big way. I hear 577 00:33:03,920 --> 00:33:06,200 Speaker 1: in a way that's like shocking and depressing and like 578 00:33:06,840 --> 00:33:13,560 Speaker 1: concerning a wild season producer Becca saying wild season, Um, 579 00:33:13,600 --> 00:33:16,800 Speaker 1: I need to tell you Jeff Probes was on SNL. 580 00:33:17,120 --> 00:33:20,880 Speaker 1: Wait I saw that, did you meet him? I got 581 00:33:20,880 --> 00:33:22,840 Speaker 1: to meet him, I got to say hello. I he 582 00:33:23,560 --> 00:33:28,280 Speaker 1: Celeste was helping out so introduced mus for this incredible sketch. 583 00:33:28,800 --> 00:33:31,680 Speaker 1: Go watch it. But there's a twist and Jeff Probes 584 00:33:31,720 --> 00:33:33,720 Speaker 1: shows up at the end, And first he was just 585 00:33:33,760 --> 00:33:35,920 Speaker 1: written in the script. It was like an amazing turn, 586 00:33:36,040 --> 00:33:37,800 Speaker 1: like on page eight of like we got and Jeff 587 00:33:37,800 --> 00:33:40,560 Speaker 1: Probes shows up, but like you know, someone playing Jeff 588 00:33:40,600 --> 00:33:44,200 Speaker 1: Probes is there. Yeah, And then they were full on 589 00:33:44,320 --> 00:33:48,160 Speaker 1: able to get Probes to fly fly from the West 590 00:33:48,200 --> 00:33:53,440 Speaker 1: Coast with his family and and then Celestium was assisting 591 00:33:53,440 --> 00:33:55,320 Speaker 1: on the sketch and they were like, yeah, Probes it's coming. 592 00:33:55,400 --> 00:33:57,880 Speaker 1: Was like, oh my god, Celeste and they were like, 593 00:33:58,000 --> 00:33:59,360 Speaker 1: I was like, do you watch Survivor. They're like no, 594 00:33:59,400 --> 00:34:00,680 Speaker 1: I don't, but I know that I should. And I 595 00:34:00,720 --> 00:34:04,680 Speaker 1: was like, Celest stand, Jeff Probes coming is going to 596 00:34:04,760 --> 00:34:08,239 Speaker 1: be major. And literally we had Tom Hanks back to 597 00:34:08,239 --> 00:34:11,760 Speaker 1: do David Davids Pumpkins to be in some other sketches. 598 00:34:12,200 --> 00:34:16,160 Speaker 1: Of course, like incredible experience. Could not be nice for 599 00:34:16,239 --> 00:34:20,279 Speaker 1: that man every universally adored. Everyone was so excited for 600 00:34:20,360 --> 00:34:24,120 Speaker 1: him to come back with Bobby moynihan. But when Celester 601 00:34:24,200 --> 00:34:27,279 Speaker 1: was like Bowen, I was like bringing Jeff Probes to 602 00:34:27,320 --> 00:34:31,160 Speaker 1: the floor and everyone burned their heads and was like, 603 00:34:31,280 --> 00:34:34,480 Speaker 1: oh my god, Props. And then like people went up 604 00:34:34,480 --> 00:34:36,480 Speaker 1: to him and he was so nice. I went up 605 00:34:36,520 --> 00:34:38,600 Speaker 1: to him the first time made It was like good 606 00:34:38,640 --> 00:34:40,560 Speaker 1: nights at dress rehearsal, and I was so stupid. I 607 00:34:40,600 --> 00:34:42,399 Speaker 1: was like, Hi, Jeff, it's so nice to meet you. 608 00:34:42,760 --> 00:34:45,560 Speaker 1: It's such a great season so far. I just started. 609 00:34:45,600 --> 00:34:48,640 Speaker 1: I literally just started. I love Carla. Everyone was right, 610 00:34:48,719 --> 00:34:51,520 Speaker 1: Carla is an icon and my winner, and she's reached 611 00:34:51,560 --> 00:34:53,720 Speaker 1: out on instant and we're in touch and we're grabbing 612 00:34:53,760 --> 00:34:56,960 Speaker 1: drinks when we're in the same city. It's already fast friendship. 613 00:34:57,280 --> 00:35:01,319 Speaker 1: It's fast friendship period. Love that she is amazing. And 614 00:35:01,360 --> 00:35:03,640 Speaker 1: then and then Jeff said, Carl is amazing. I don't 615 00:35:03,640 --> 00:35:06,840 Speaker 1: know what that means. But then I was so stupid 616 00:35:06,960 --> 00:35:14,359 Speaker 1: and I said, and um, I've spoken to Parvety. I've 617 00:35:14,400 --> 00:35:20,120 Speaker 1: spoken to parmty'overty. He was like, oh no, he was. 618 00:35:20,239 --> 00:35:23,359 Speaker 1: He was like, oh wow, that's great. And Zee we've 619 00:35:23,400 --> 00:35:26,480 Speaker 1: had we've had two survivor contestants. And then and then 620 00:35:26,520 --> 00:35:30,320 Speaker 1: and then afterwards, I was like three Aliza before Analyza, 621 00:35:30,520 --> 00:35:33,960 Speaker 1: before dressing, before Good Nights on air. I was like, oh, 622 00:35:34,000 --> 00:35:36,920 Speaker 1: and I also forgot to mention like I was friends 623 00:35:36,920 --> 00:35:39,560 Speaker 1: with Zeke before he even went on the show. Um, 624 00:35:39,640 --> 00:35:43,200 Speaker 1: and Jeff was also, of course going off about how 625 00:35:43,200 --> 00:35:45,239 Speaker 1: great Zeke is and so I was just like, but 626 00:35:45,280 --> 00:35:49,719 Speaker 1: I was like, this man was so I explained, and 627 00:35:49,719 --> 00:35:52,600 Speaker 1: Celester was like, no, like he invented like a form 628 00:35:52,640 --> 00:35:56,040 Speaker 1: of American television, Like it's crazy, you know, he is 629 00:35:56,080 --> 00:35:58,600 Speaker 1: a blueprint. He's a blueprint. And then Celester was, I'm 630 00:35:58,640 --> 00:36:01,240 Speaker 1: so impressed by how he is one of those people 631 00:36:01,239 --> 00:36:02,839 Speaker 1: like so many times when people come nest and now 632 00:36:02,960 --> 00:36:06,040 Speaker 1: you know, they're they're a little like perturbed by how 633 00:36:06,040 --> 00:36:08,080 Speaker 1: it all works, which of course, but like if you 634 00:36:08,080 --> 00:36:09,360 Speaker 1: tell them, okay, so this is where you have to 635 00:36:09,400 --> 00:36:10,440 Speaker 1: be and this is we have to do, like, they 636 00:36:10,480 --> 00:36:13,640 Speaker 1: get a little overwhelmed and that's totally able. But Slats 637 00:36:13,760 --> 00:36:15,520 Speaker 1: was like I went up to him and I was like, okay, 638 00:36:15,560 --> 00:36:17,319 Speaker 1: and can this line be like more of this and 639 00:36:17,320 --> 00:36:19,080 Speaker 1: can you like be here and face and cheat out 640 00:36:19,080 --> 00:36:20,759 Speaker 1: this way? He was like yep, yep, yep, okay great, 641 00:36:20,840 --> 00:36:22,440 Speaker 1: and I was like, of course, Like this man like 642 00:36:22,719 --> 00:36:25,839 Speaker 1: is an executive producer of like this amazing TV show 643 00:36:25,920 --> 00:36:29,359 Speaker 1: and he's just like consummate professional like that. This man 644 00:36:29,480 --> 00:36:33,400 Speaker 1: like is involved in all of the fucking challenges and stuff. 645 00:36:33,600 --> 00:36:36,680 Speaker 1: You know, he is a machine of broadcasting. He he 646 00:36:36,800 --> 00:36:41,200 Speaker 1: literally we can talk about it like he really hosts 647 00:36:41,239 --> 00:36:44,640 Speaker 1: the ship out of Survivor. Those tribal councils are long. 648 00:36:44,680 --> 00:36:48,840 Speaker 1: He always has interesting ways to phrase questions relate to 649 00:36:48,920 --> 00:36:52,960 Speaker 1: everyone be knowing but unknowing, And I mean he runs 650 00:36:53,160 --> 00:36:57,520 Speaker 1: those episodes like it is the Jeff Probes Show and 651 00:36:57,560 --> 00:37:01,040 Speaker 1: those live finales were no joke. I mean, this guy 652 00:37:01,239 --> 00:37:05,200 Speaker 1: is he's tremendous. He's really really gifted at at what 653 00:37:05,320 --> 00:37:11,879 Speaker 1: he does. Well, like he was just incredible. I I 654 00:37:11,880 --> 00:37:14,160 Speaker 1: I I love him, and I did not. I did 655 00:37:14,160 --> 00:37:16,680 Speaker 1: not ask to take a picture because I was like, 656 00:37:16,680 --> 00:37:18,560 Speaker 1: I don't want to. I just want to keep the 657 00:37:18,600 --> 00:37:23,120 Speaker 1: memory and so great, so great, you know what. I'm 658 00:37:23,120 --> 00:37:25,479 Speaker 1: watching it again now and I'm like, maybe I would 659 00:37:25,560 --> 00:37:28,440 Speaker 1: do it. Yeah, you would be great. I don't know 660 00:37:28,480 --> 00:37:30,960 Speaker 1: if I'd be great, but it would be a really 661 00:37:31,640 --> 00:37:36,200 Speaker 1: fun fucking thing to do. Now that I've been on 662 00:37:36,280 --> 00:37:38,880 Speaker 1: two game shows, I need a third. I need to 663 00:37:38,920 --> 00:37:42,360 Speaker 1: complete the trifecta. You know what, I was watching earlier, 664 00:37:42,360 --> 00:37:45,160 Speaker 1: and I watched all of which I kindly reminded of. 665 00:37:45,280 --> 00:37:49,360 Speaker 1: One of your greatest performances was I watched the documentary 666 00:37:49,400 --> 00:37:53,279 Speaker 1: about the bling ering Alexis Nyers. Oh my god. And 667 00:37:53,280 --> 00:37:55,800 Speaker 1: of course they were kept saying a l e x 668 00:37:56,000 --> 00:37:59,319 Speaker 1: I s in the documentary and my own she was 669 00:37:59,400 --> 00:38:02,640 Speaker 1: going off. She just was so obsessed with herself. I'm like, girl, 670 00:38:02,719 --> 00:38:06,440 Speaker 1: no one's talking to you. Shut up. But I watched 671 00:38:06,440 --> 00:38:12,319 Speaker 1: the Nyer's documentary the thing. It was so good. I 672 00:38:12,400 --> 00:38:16,040 Speaker 1: can't believe that happened, Like the t the bling Ringing 673 00:38:16,080 --> 00:38:17,520 Speaker 1: of it all, And now I think tonight I am 674 00:38:17,520 --> 00:38:20,400 Speaker 1: gonna after Potomac put on the Emma Watson, the Sofia 675 00:38:20,440 --> 00:38:23,920 Speaker 1: Coppola movie The Bling Ring, because I really need to 676 00:38:23,920 --> 00:38:27,360 Speaker 1: watch it with my eyes now instead of them. I 677 00:38:27,440 --> 00:38:31,000 Speaker 1: think it's aged quite well. I can't wait, And because 678 00:38:31,000 --> 00:38:33,879 Speaker 1: I think even still this happens where it's like people 679 00:38:33,920 --> 00:38:39,400 Speaker 1: don't take like things about teen girls seriously, Like especially 680 00:38:39,400 --> 00:38:41,279 Speaker 1: back then when it came out, it was like people like, 681 00:38:41,360 --> 00:38:45,960 Speaker 1: what is this? Yeah? I want to rob, I want 682 00:38:45,960 --> 00:38:50,200 Speaker 1: to rob. That is iconic? Is it iconic? Yeah? It's iconic? 683 00:38:50,239 --> 00:38:52,640 Speaker 1: But do we like I think there's there's a big 684 00:38:52,680 --> 00:38:55,319 Speaker 1: conversation to be had about I think people seem to 685 00:38:55,320 --> 00:38:58,520 Speaker 1: be in disagreement about like Emma's performance in that movie. 686 00:38:58,920 --> 00:39:01,839 Speaker 1: I think that the people that are right, I think 687 00:39:01,920 --> 00:39:04,960 Speaker 1: it's very good, and I think that the people that 688 00:39:05,040 --> 00:39:08,399 Speaker 1: are wrong are leading into maybe they don't like her 689 00:39:08,440 --> 00:39:11,680 Speaker 1: as an actress generally, but that is a good performance. 690 00:39:11,920 --> 00:39:15,960 Speaker 1: I I really do think it is. I do whenever 691 00:39:16,000 --> 00:39:18,120 Speaker 1: I think of that movie, I mean, everybody, this The 692 00:39:18,280 --> 00:39:23,160 Speaker 1: iconic thing to me is that full shot of the house. Yeah, 693 00:39:23,920 --> 00:39:25,520 Speaker 1: in one take and they just do the whole thing 694 00:39:26,360 --> 00:39:29,000 Speaker 1: genius perfect and what I love to do is that 695 00:39:29,000 --> 00:39:32,279 Speaker 1: that was like Paris Hilton's actual house and she let 696 00:39:32,320 --> 00:39:34,360 Speaker 1: them shoot in there. And then she fully went to 697 00:39:34,440 --> 00:39:37,239 Speaker 1: the premiere. And at the end of this documentary it's 698 00:39:37,280 --> 00:39:39,399 Speaker 1: three parts, it was really good. I loved it. Um 699 00:39:39,440 --> 00:39:41,759 Speaker 1: At the end um and they're interviewing her on the 700 00:39:41,800 --> 00:39:43,320 Speaker 1: red carpet and they were like, so, what do you 701 00:39:43,360 --> 00:39:45,080 Speaker 1: think people would take from this movie? And she was 702 00:39:45,120 --> 00:39:47,799 Speaker 1: just like that fame is so crazy and like we 703 00:39:47,840 --> 00:39:50,239 Speaker 1: need because we need to center other things exeriously, this 704 00:39:50,719 --> 00:39:53,480 Speaker 1: celebrity US culture is you know, it's too much, it's 705 00:39:53,520 --> 00:39:56,360 Speaker 1: gone too far, and like it's really bad and poisonous. 706 00:39:56,360 --> 00:39:58,000 Speaker 1: And then she just goes and hits the carpet and 707 00:39:58,000 --> 00:40:02,960 Speaker 1: it's like it's just funny, like it's it's wild and 708 00:40:03,120 --> 00:40:05,200 Speaker 1: what was crazy about it wasn't And if you watch, 709 00:40:05,239 --> 00:40:10,000 Speaker 1: you'll see every person involved wanted to be famous in 710 00:40:10,040 --> 00:40:13,520 Speaker 1: some way, like the lawyers, the people like it was. 711 00:40:13,600 --> 00:40:18,520 Speaker 1: It was really a clown show. It was a clown parade, 712 00:40:19,120 --> 00:40:24,200 Speaker 1: clown brigade. By the way, clown parade now on big 713 00:40:24,239 --> 00:40:29,240 Speaker 1: many players, please listen. Honestly, I believe in our children 714 00:40:29,280 --> 00:40:31,760 Speaker 1: so much and I believe the children are the future. 715 00:40:32,080 --> 00:40:34,240 Speaker 1: I'm so proud of each and every one of these girls. 716 00:40:34,600 --> 00:40:37,440 Speaker 1: These girls really did that. No, I am like truly amazed, 717 00:40:37,840 --> 00:40:43,600 Speaker 1: all so fucking funny voices. Gotta listen to Grata Marty 718 00:40:43,640 --> 00:40:49,640 Speaker 1: got list, Crass Dazi, gotta listen to Riga Ka's you 719 00:40:49,719 --> 00:40:52,520 Speaker 1: getta listen? Okay, so many more people coming, Millie, I'm missing. 720 00:40:52,520 --> 00:40:55,240 Speaker 1: I'm missing so many people. I cannot wait for Millie. 721 00:40:55,719 --> 00:40:59,759 Speaker 1: I can't wait for me coming out, hanging out. Wow, 722 00:41:00,320 --> 00:41:03,279 Speaker 1: that girl. We spent a lot of time together. Um, 723 00:41:03,640 --> 00:41:07,160 Speaker 1: Halloween weekend study and I we we party hopped. Uh huh, 724 00:41:07,640 --> 00:41:13,920 Speaker 1: what do you do well, first reconnect, share time. Well, 725 00:41:14,000 --> 00:41:15,920 Speaker 1: we want to know. We went to this one party 726 00:41:16,000 --> 00:41:20,800 Speaker 1: that was very fun but very packed in l A 727 00:41:21,760 --> 00:41:24,160 Speaker 1: and um oh it might have just an inspired and 728 00:41:24,200 --> 00:41:29,160 Speaker 1: I don't think so, honey. Actually oops, oops, well that's interesting. 729 00:41:29,960 --> 00:41:32,560 Speaker 1: Should we should we proceed? I don't think so, honey. 730 00:41:32,640 --> 00:41:36,759 Speaker 1: Let's yeah, I'm dragging. I'm so sorry. No, it's okay, bitch. 731 00:41:36,840 --> 00:41:40,200 Speaker 1: We're still giving an hour of life. And after last 732 00:41:40,239 --> 00:41:52,480 Speaker 1: week's Taylor, I think we're all just hungover. Yes, so 733 00:41:52,680 --> 00:41:54,040 Speaker 1: I have my I don't think so, honey, I don't 734 00:41:54,040 --> 00:41:56,799 Speaker 1: think so, honey. Is a sixty second segment um where 735 00:41:56,840 --> 00:41:59,200 Speaker 1: we dragged something and I just want to say, like 736 00:41:59,680 --> 00:42:03,560 Speaker 1: this is personal. Okay, oh for this, I don't think 737 00:42:04,960 --> 00:42:07,600 Speaker 1: is not personal? Okay, all right, this is Matt Rogers. 738 00:42:07,640 --> 00:42:09,960 Speaker 1: I don't think so many as time starts new, I 739 00:42:10,040 --> 00:42:13,600 Speaker 1: don't think so, honey. If you're having a party in 740 00:42:13,840 --> 00:42:18,480 Speaker 1: your bathroom situation is not together. We got to get 741 00:42:18,640 --> 00:42:23,440 Speaker 1: the bathroom situations together at a large gathering. I'm talking 742 00:42:23,680 --> 00:42:31,000 Speaker 1: several opportunities to relieve yourself locations wise. We need access. 743 00:42:31,880 --> 00:42:35,200 Speaker 1: We need people to not be pissing all over the 744 00:42:35,320 --> 00:42:39,240 Speaker 1: front lawn like it's mayhem, because that is the only 745 00:42:40,840 --> 00:42:43,560 Speaker 1: and I'm telling you it was like a communal baccanal 746 00:42:43,760 --> 00:42:47,239 Speaker 1: experience peeing with everyone like it was like it was 747 00:42:47,360 --> 00:42:51,120 Speaker 1: like a beautiful chorus, but not what I wanted to 748 00:42:51,320 --> 00:42:55,520 Speaker 1: necessarily experience. So if you're having a big, big party, 749 00:42:56,120 --> 00:42:59,200 Speaker 1: have the bathroom situation together, because it's one thing people 750 00:42:59,239 --> 00:43:01,480 Speaker 1: are going to need to do is use the bathroom. 751 00:43:01,520 --> 00:43:04,719 Speaker 1: They're gonna they're gonna probably want to drink five and 752 00:43:04,960 --> 00:43:08,320 Speaker 1: vibe conversate. They're gonna need to use the bathroom. I 753 00:43:08,480 --> 00:43:12,560 Speaker 1: don't think somebody if they can't, oh that's one minute. Yikes, 754 00:43:13,239 --> 00:43:15,920 Speaker 1: got to have the bathroom situation together. You need to 755 00:43:16,200 --> 00:43:18,520 Speaker 1: walk me through this. I did go home with someone 756 00:43:18,600 --> 00:43:21,920 Speaker 1: from that party that absolutely split me in half. I 757 00:43:22,120 --> 00:43:28,560 Speaker 1: love that somebody. No, Oh, it felt so good to 758 00:43:28,600 --> 00:43:31,120 Speaker 1: get split in half. I'll say that it had been 759 00:43:31,520 --> 00:43:34,400 Speaker 1: it had been a long time, not you know, you 760 00:43:34,480 --> 00:43:41,720 Speaker 1: have sex, but getting like really just really absolutely fucked. Yeah. 761 00:43:42,080 --> 00:43:46,120 Speaker 1: When m hmm, I was gonna say when you're dot 762 00:43:46,200 --> 00:43:49,680 Speaker 1: dot dot split, because that's the perfect word. I don't know. 763 00:43:49,880 --> 00:43:52,960 Speaker 1: I just remember I remember being so afraid to bottom, 764 00:43:53,040 --> 00:43:55,480 Speaker 1: like in my twenties, and now I would go back 765 00:43:55,560 --> 00:43:58,600 Speaker 1: to that girl and I would say, you don't know 766 00:43:59,080 --> 00:44:03,080 Speaker 1: what a wait you child. I would just pap him 767 00:44:03,120 --> 00:44:05,600 Speaker 1: on the head and say, you don't know what awaits 768 00:44:05,640 --> 00:44:07,920 Speaker 1: your child. If you as long as you let it happen, 769 00:44:08,320 --> 00:44:11,680 Speaker 1: it's gonna be okay, It's gonna be Okayna be okay. 770 00:44:13,480 --> 00:44:17,720 Speaker 1: It's amazing. Well, I don't really think I have anything. 771 00:44:20,360 --> 00:44:24,279 Speaker 1: I don't think so, honey, you just said you did earlier. Well, 772 00:44:24,440 --> 00:44:27,560 Speaker 1: but I feel as we covered it, what was it again? 773 00:44:28,120 --> 00:44:32,680 Speaker 1: The people who say they're not games people, but is Okay, 774 00:44:32,719 --> 00:44:34,680 Speaker 1: then I'll challenge you. Is there a game that you 775 00:44:34,800 --> 00:44:39,839 Speaker 1: don't like? Is there a game that Bowen Yang doesn't enjoy? Absolutely? 776 00:44:40,440 --> 00:44:43,239 Speaker 1: What is it? And would you even say you I 777 00:44:43,280 --> 00:44:46,600 Speaker 1: don't think so Honey it no, because it's just it's 778 00:44:46,680 --> 00:44:49,319 Speaker 1: it's it's I don't think so Honey ends up being 779 00:44:49,400 --> 00:44:50,879 Speaker 1: I'm going to try to really make mine. I don't 780 00:44:50,920 --> 00:44:53,879 Speaker 1: think so Honey is communal. Too many times, I feel 781 00:44:53,880 --> 00:44:57,440 Speaker 1: like I don't think so many is an individual perspective 782 00:44:57,520 --> 00:44:59,880 Speaker 1: on something. The best I don't think so honies are, 783 00:45:00,120 --> 00:45:04,560 Speaker 1: of course, the ones that are speaking to something um relatable. 784 00:45:04,640 --> 00:45:07,560 Speaker 1: Let's say it's relatable content, and that's what the future 785 00:45:07,880 --> 00:45:10,400 Speaker 1: of I don't think so Honey will be of holds. So, 786 00:45:10,800 --> 00:45:12,960 Speaker 1: but I have something, I have something? Well, first say 787 00:45:13,000 --> 00:45:15,239 Speaker 1: what the game is that you don't like? I don't 788 00:45:15,320 --> 00:45:18,400 Speaker 1: like custom heads up depths like when like it? Because 789 00:45:18,480 --> 00:45:21,560 Speaker 1: that is that is the ultimate version of Oh, a 790 00:45:21,680 --> 00:45:24,239 Speaker 1: friend of is here. But we're gonna play with the 791 00:45:24,360 --> 00:45:28,040 Speaker 1: deck that is very specific to us, to this friend group. 792 00:45:29,160 --> 00:45:31,080 Speaker 1: I go, I don't know about that. I don't know 793 00:45:31,080 --> 00:45:33,680 Speaker 1: about that. It feels like an exclusion to me. Exclusion 794 00:45:34,080 --> 00:45:41,120 Speaker 1: rider two words, two words, exclusion right rider, alright, alright, 795 00:45:41,160 --> 00:45:43,200 Speaker 1: well this is Bowen Yanks. I don't think so, honey, 796 00:45:43,360 --> 00:45:45,399 Speaker 1: And what I do at this point in the show 797 00:45:45,480 --> 00:45:47,560 Speaker 1: as I get my I get my phone so like 798 00:45:49,320 --> 00:45:51,919 Speaker 1: and I've now I've done that. So for everyone keeping 799 00:45:51,960 --> 00:45:57,120 Speaker 1: scoring at home, Um, that's happened, and his time starts now. 800 00:45:57,680 --> 00:46:02,600 Speaker 1: I don't think, so, honey. Why hotel don't sell the notepads, 801 00:46:02,719 --> 00:46:05,719 Speaker 1: the stationary that's in every room, Like, it doesn't cost 802 00:46:05,800 --> 00:46:09,279 Speaker 1: that much money. You would sell so many units. It 803 00:46:09,440 --> 00:46:11,880 Speaker 1: is the chicest thing you can write something down on 804 00:46:12,040 --> 00:46:15,440 Speaker 1: by hand, and so I need it around me at 805 00:46:15,440 --> 00:46:18,200 Speaker 1: all times, and you can't, Like the only thing you 806 00:46:18,280 --> 00:46:22,759 Speaker 1: can buy on the internet is like the Stanley Hotel notepad. 807 00:46:23,239 --> 00:46:31,080 Speaker 1: Oh hotel, fucking like stupid hotels from culture. I'm like, 808 00:46:31,160 --> 00:46:33,520 Speaker 1: I don't want that. I want to real I want 809 00:46:33,560 --> 00:46:37,360 Speaker 1: a Sunset Tower notepad. I want an Ace Hotel notepad. 810 00:46:37,440 --> 00:46:39,719 Speaker 1: I want a Hotel Chelsea. I just I don't. And 811 00:46:39,800 --> 00:46:42,680 Speaker 1: it's not even about like the idea of the hotel. 812 00:46:42,920 --> 00:46:46,759 Speaker 1: It's just about writing something down that has the name 813 00:46:46,800 --> 00:46:50,480 Speaker 1: of a fancy place on it, that's all. And there's 814 00:46:50,520 --> 00:46:56,240 Speaker 1: something elevates the content of what is on that notepad, 815 00:46:56,680 --> 00:46:59,239 Speaker 1: and therefore it's important to have it. That was an 816 00:46:59,400 --> 00:47:05,760 Speaker 1: iconic one minute in two seconds. Wow, King, the kingdom 817 00:47:05,800 --> 00:47:09,400 Speaker 1: that you reign over is plentiful with gifts. I feel like, 818 00:47:09,520 --> 00:47:13,000 Speaker 1: can I be honest to say right now? I feel 819 00:47:13,040 --> 00:47:15,480 Speaker 1: like you know that I'm in a very tender row place, 820 00:47:16,280 --> 00:47:18,839 Speaker 1: and so you're you're just you're just validating the hell 821 00:47:18,920 --> 00:47:22,040 Speaker 1: out of me. No, well, I know that you are 822 00:47:22,080 --> 00:47:24,080 Speaker 1: in a tender row place. It's been a hard week, 823 00:47:24,239 --> 00:47:26,080 Speaker 1: and then you went out, and like you're such a 824 00:47:26,120 --> 00:47:29,000 Speaker 1: soldier for that, after you're a hard week, you even 825 00:47:29,080 --> 00:47:35,399 Speaker 1: went out, And we're a soldier, a social soldier even now, 826 00:47:36,440 --> 00:47:41,880 Speaker 1: social soldial soldier. Even now, you're just gassing me up. 827 00:47:42,080 --> 00:47:43,839 Speaker 1: And I don't I don't want that. I don't want 828 00:47:43,840 --> 00:47:47,359 Speaker 1: you to do that. To talk to you, Yeah, yeah, 829 00:47:47,600 --> 00:47:50,759 Speaker 1: just or what have I done? No, No, not that that. 830 00:47:51,080 --> 00:47:52,919 Speaker 1: What have you done lately? What have I done lately? 831 00:47:52,960 --> 00:47:56,400 Speaker 1: That's annoyed? You? Be honest, it's honest, Um what you 832 00:47:56,640 --> 00:48:00,399 Speaker 1: done lately? They can mean anything. It won't be you harsh, 833 00:48:00,480 --> 00:48:02,120 Speaker 1: it won't be sure. I would say this, okay, this 834 00:48:02,200 --> 00:48:05,360 Speaker 1: didn't annoy me. But if I even had one it's this. 835 00:48:06,040 --> 00:48:10,360 Speaker 1: You texted me like this week to say something and 836 00:48:10,480 --> 00:48:13,120 Speaker 1: didn't elaborate, and then I was like, I wish I 837 00:48:13,200 --> 00:48:15,000 Speaker 1: knew what was happening, you know what I mean, Like 838 00:48:15,080 --> 00:48:16,920 Speaker 1: you texted me something that was just like I'm feeling 839 00:48:17,000 --> 00:48:19,719 Speaker 1: this way, and I was like, what's going on? And 840 00:48:19,800 --> 00:48:21,560 Speaker 1: then I did send you a lot of text back 841 00:48:21,680 --> 00:48:24,880 Speaker 1: and you didn't respond, but I don't that didn't annoy me. 842 00:48:24,960 --> 00:48:27,720 Speaker 1: I was just like, he's busy in and in his feelings. 843 00:48:28,160 --> 00:48:32,640 Speaker 1: I'm sorry, but literally didn't annoy me. Let me see, 844 00:48:33,120 --> 00:48:36,560 Speaker 1: I'm I'm looking back at the texts, Oh, you know 845 00:48:36,640 --> 00:48:40,400 Speaker 1: what I mean? I saw that, but I feel like 846 00:48:40,440 --> 00:48:43,239 Speaker 1: that's self evident. Though I'm not defending. I had no 847 00:48:43,600 --> 00:48:46,960 Speaker 1: questions that were so probing that I needed you to respond. 848 00:48:46,960 --> 00:48:49,279 Speaker 1: I was just like, oh, we'll talk later. Yeah. I 849 00:48:49,400 --> 00:48:53,120 Speaker 1: was just, you know, feeling something at Mars is in retrograde. 850 00:48:53,480 --> 00:48:57,560 Speaker 1: Everybody say that, So that means we're all going to 851 00:48:57,640 --> 00:49:02,520 Speaker 1: have to reinterpret the way anger and conflict and power 852 00:49:02,600 --> 00:49:07,360 Speaker 1: show up in our lives. Channy Nicholas is peering into 853 00:49:07,440 --> 00:49:11,320 Speaker 1: my ass this year more than others. This is she 854 00:49:11,640 --> 00:49:15,360 Speaker 1: is the one. It's well documented on this podcast. My 855 00:49:16,880 --> 00:49:22,320 Speaker 1: skepticism with astrology. Now, I only I don't use it 856 00:49:22,400 --> 00:49:25,839 Speaker 1: to like predict the future or like define myself necessarily. 857 00:49:26,320 --> 00:49:28,800 Speaker 1: But but the way Channy always does astrology is that 858 00:49:28,880 --> 00:49:32,120 Speaker 1: it always explains the collective mood and then like your 859 00:49:32,160 --> 00:49:34,320 Speaker 1: own what might be going on in your life that 860 00:49:34,480 --> 00:49:36,560 Speaker 1: you can that it's not like pointing to something that 861 00:49:37,040 --> 00:49:39,880 Speaker 1: is happening but is going You can rethink of something 862 00:49:40,520 --> 00:49:43,640 Speaker 1: that you're going through in these terms. And that's so useful, 863 00:49:44,320 --> 00:49:47,560 Speaker 1: that's so nice. So it's amazing. It's also like it 864 00:49:48,440 --> 00:49:50,920 Speaker 1: well this, I'll say this. One thing I have to 865 00:49:50,960 --> 00:49:53,719 Speaker 1: stop doing is telling every single virgo I meet that 866 00:49:53,800 --> 00:49:57,080 Speaker 1: I'm supposed to marry a virgo. Right, I looked them 867 00:49:57,120 --> 00:49:59,319 Speaker 1: in their eyes and I say, I'm supposed to marry 868 00:49:59,360 --> 00:50:05,880 Speaker 1: a virgo. Yeah. But what I was gonna say is, 869 00:50:06,680 --> 00:50:09,840 Speaker 1: as long as it doesn't dictate everything and puts us 870 00:50:09,880 --> 00:50:12,800 Speaker 1: in a good mood, I don't think like astrology like 871 00:50:12,960 --> 00:50:14,560 Speaker 1: should be putting us in a bad mood. I think 872 00:50:14,560 --> 00:50:17,320 Speaker 1: we should be using it to connect. Well yeah, I 873 00:50:17,320 --> 00:50:21,520 Speaker 1: mean yes, I agree, like we should literally yeah, does 874 00:50:21,560 --> 00:50:23,160 Speaker 1: that make sense? Like what I'm thinking about, Channey, It's 875 00:50:23,160 --> 00:50:26,200 Speaker 1: like the astrology is never like you're gonna be this 876 00:50:26,400 --> 00:50:30,000 Speaker 1: today because you're fucking bitch, like like co star or whatever. 877 00:50:30,280 --> 00:50:32,920 Speaker 1: It's like, here's a tool for your life exactly, like 878 00:50:33,080 --> 00:50:35,680 Speaker 1: here's what's happening like in in your chart and in 879 00:50:35,760 --> 00:50:38,360 Speaker 1: the sky, like this is how you can think of 880 00:50:38,440 --> 00:50:42,520 Speaker 1: something you're going through and it's so helpful. So anyway, 881 00:50:42,760 --> 00:50:45,560 Speaker 1: that's why I like Taro. Yeah, Taras found yes and 882 00:50:45,640 --> 00:50:48,640 Speaker 1: then and Channey pulls a card every week, um, and 883 00:50:48,719 --> 00:50:51,960 Speaker 1: it's really really nice for me with Mars Bector grade, 884 00:50:51,960 --> 00:50:53,520 Speaker 1: and I think this might be for a lot of people, 885 00:50:53,920 --> 00:50:58,080 Speaker 1: like I am experiencing anger for the first time in 886 00:50:58,120 --> 00:51:01,440 Speaker 1: a long time. I did not consider myself an angry 887 00:51:01,560 --> 00:51:04,920 Speaker 1: person that I did not identify as one for a 888 00:51:05,000 --> 00:51:07,839 Speaker 1: long time. And now I'm back to being like very 889 00:51:08,320 --> 00:51:13,960 Speaker 1: very just on an oblivion level, being like everything must 890 00:51:14,360 --> 00:51:18,239 Speaker 1: be destroyed. But it's so scary, it's so scary you 891 00:51:18,360 --> 00:51:21,160 Speaker 1: just have to walk yourself back to just you know, 892 00:51:21,280 --> 00:51:25,960 Speaker 1: take a breath and understand that things are very circumstantial 893 00:51:26,320 --> 00:51:29,600 Speaker 1: and you know it's but yes, I mean, I never 894 00:51:29,760 --> 00:51:32,560 Speaker 1: want you to feel angry because that's such an uncomfortable 895 00:51:32,600 --> 00:51:35,480 Speaker 1: emotion to be in. Because it also it also The 896 00:51:35,600 --> 00:51:37,680 Speaker 1: thing is when I feel angry, I also feel self 897 00:51:37,760 --> 00:51:41,680 Speaker 1: conscious about that, and I just that's I hate having 898 00:51:41,760 --> 00:51:44,359 Speaker 1: to manage that too. Like that, that's a I think 899 00:51:44,400 --> 00:51:46,840 Speaker 1: a side effective anger that people don't admit is that 900 00:51:46,960 --> 00:51:50,480 Speaker 1: it's embarrassing. Well, I'm learning now that like anger never 901 00:51:50,680 --> 00:51:53,080 Speaker 1: like gets me to do the thing I want to 902 00:51:53,160 --> 00:51:56,400 Speaker 1: do better. It really never some people. I believe that 903 00:51:56,480 --> 00:52:00,320 Speaker 1: some people are like, oh, anger motivates me into action, 904 00:52:00,520 --> 00:52:03,879 Speaker 1: or it motivates me into like awareness and doing something 905 00:52:03,960 --> 00:52:06,840 Speaker 1: with awareness, and that's like activating or whatever. And I'm like, 906 00:52:07,640 --> 00:52:10,160 Speaker 1: I realized, I literally realized that that does not apply 907 00:52:10,280 --> 00:52:12,279 Speaker 1: to me, because I was angry and then like it 908 00:52:12,480 --> 00:52:14,400 Speaker 1: got in the way of doing something that I was 909 00:52:14,760 --> 00:52:18,520 Speaker 1: called to do and I didn't like that. Um. Sorry, 910 00:52:18,800 --> 00:52:22,680 Speaker 1: sorry I'm being vague readers, UM, but anyway, thank you 911 00:52:22,800 --> 00:52:26,680 Speaker 1: everyone for um just just listening to these blending an 912 00:52:26,840 --> 00:52:33,399 Speaker 1: ear too truly to lending an ear to her. Well, girl, 913 00:52:33,560 --> 00:52:36,279 Speaker 1: I this was therapy once again. This was one of 914 00:52:36,360 --> 00:52:39,520 Speaker 1: those Um, it's been a big holiday and a tough 915 00:52:39,600 --> 00:52:45,319 Speaker 1: week and we record on Sunday's vibes and that raw 916 00:52:45,480 --> 00:52:49,440 Speaker 1: tender nerve that you share, Huh, it is why you 917 00:52:49,520 --> 00:52:52,000 Speaker 1: were a legends, and I have a song for you 918 00:52:52,080 --> 00:52:54,200 Speaker 1: that's going to check us out. Oh my god, my 919 00:52:54,440 --> 00:52:57,840 Speaker 1: friend is so good to me. I can almost see 920 00:53:00,080 --> 00:53:09,840 Speaker 1: that dream I'm dreaming. There's a voice you'll never reach. 921 00:53:10,160 --> 00:53:12,799 Speaker 1: You think about that. There's a voice inside your head 922 00:53:12,880 --> 00:53:16,479 Speaker 1: saying you will never reach it. Terrible for I hate 923 00:53:16,520 --> 00:53:25,600 Speaker 1: that voice. It is big. Take it. I don't know 924 00:53:25,680 --> 00:53:27,239 Speaker 1: the rest of that. Okay, well, if you want to 925 00:53:27,280 --> 00:53:28,600 Speaker 1: hear the rest of it, you can listen to Miley 926 00:53:28,680 --> 00:53:31,319 Speaker 1: CYRSS album. I actually don't remember which one right now. 927 00:53:31,719 --> 00:53:33,480 Speaker 1: It's off It's off the hand hm on Tanna soundtrack 928 00:53:33,600 --> 00:53:38,239 Speaker 1: movie The Client, Bitch. You made it look bad. You 929 00:53:38,320 --> 00:53:40,560 Speaker 1: made me look bad at dot the words you made 930 00:53:40,640 --> 00:53:43,759 Speaker 1: me look bad? Fuck you? Should we end on this shoe? 931 00:53:43,760 --> 00:53:49,200 Speaker 1: We end on an angry note? Yeah, hey fuck you? No, No, 932 00:53:49,480 --> 00:53:52,239 Speaker 1: we love you, love you love