WEBVTT - Chapter X, Ending C - The Poisoned Mine

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<v Speaker 1>Maxim Miles. It's a production of a typical artists and

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<v Speaker 1>I heart radio. What is running through your head right now?

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<v Speaker 1>Whoever took Riley, whoever he's running from, it might all

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<v Speaker 1>be over tonight. If it has something to do with

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<v Speaker 1>the mine, then it'll be too late for him to

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<v Speaker 1>do any damage after the demolition and will have lost

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<v Speaker 1>our chance to catch someone in the act. If it's

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<v Speaker 1>Mr Beatie, whatever he was doing has a deadline of tonight,

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<v Speaker 1>and I'm supposed to be tracking Ransom's files down, He's

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<v Speaker 1>going to be tracking me down soon enough. Okay, So

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<v Speaker 1>are you saying we should split up? Both take a

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<v Speaker 1>different person on ross? There's still the mine. If the

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<v Speaker 1>old mines get collapsed tonight, that means the project is

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<v Speaker 1>moving forward. And if it really is as dangerous as

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<v Speaker 1>Riley thought, we need to stop it, which is why

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<v Speaker 1>you need to go to city Hall and try to

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<v Speaker 1>find that environmental survey report. And what are you going

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<v Speaker 1>to do? I'm going to go find Riley. How I

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<v Speaker 1>need to go down to the demolition. Do you think

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<v Speaker 1>Riley might show I think someone there. How'll the sheriff,

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<v Speaker 1>minot or mining warren archers men, someone knows what happened

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<v Speaker 1>to Riley. At the very least, maybe you can stir

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<v Speaker 1>up some trouble stop the demo from happening exactly. Okay,

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<v Speaker 1>you go to City Hall, get the report, and then

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<v Speaker 1>meet me down there. Max, take this. Are you expecting

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<v Speaker 1>me to march on stage and wave this around until

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<v Speaker 1>they cancel the new Mind? If those really were Warren

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<v Speaker 1>Archer's goons at City Hall this morning, they'll definitely be

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<v Speaker 1>at the demolition. The last thing I need is you

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<v Speaker 1>getting kidnapped by the Archers because you stuck your nose

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<v Speaker 1>or it didn't belong. Thank you, Ross. Just bring it

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<v Speaker 1>back to me, Okay, I will. I promise I'll see

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<v Speaker 1>you soon. From a typical artists and I heart radio.

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<v Speaker 1>You're listening to Maxie Miles. You've chosen ending seat the

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<v Speaker 1>Poisoned Mind. Hey Max, Jenna, what are you doing here?

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<v Speaker 1>I could ask you the same thing. I didn't think

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<v Speaker 1>you'd want to watch this blatant display of industrial destruction?

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<v Speaker 1>Well you know what they say, no the enemy or whatever? Yeah,

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<v Speaker 1>well I guess it work with me. You were never

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<v Speaker 1>my enemy, Jenna. Whatever. Have you seen the sheriff? Yeah,

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<v Speaker 1>he's down that way. Thanks, Theo's not here yet, though,

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<v Speaker 1>I'm not looking for THEO. No Archer grooms. As far

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<v Speaker 1>as I can see, there he is. Where's the as always?

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<v Speaker 1>Oh he's a good kid. He is past move on, Joe.

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<v Speaker 1>But that's definitely the consensus in the Miles household, big

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<v Speaker 1>fans of the Combs over here and right back at you.

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<v Speaker 1>You still think Max has a crush? Oh my god.

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<v Speaker 1>I'm honestly not sure anymore. And she's been more focused

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<v Speaker 1>on Riley recently, spending all her time with that teller boy.

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<v Speaker 1>Maybe that's a good thing. It might make telling them

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<v Speaker 1>both less awkward. Thank you for being patient with me.

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<v Speaker 1>I'm still new to this whole raising a kid thing,

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<v Speaker 1>I get it. Joe and I haven't exactly been ready

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<v Speaker 1>to tell THEO yet either. I haven't had a serious

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<v Speaker 1>relationship since we lost his mom, I know, but this

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<v Speaker 1>is serious for me at least for me too, and

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<v Speaker 1>I think I'm ready to tell them about it. Max

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<v Speaker 1>will probably still be embarrassed by the conversation, but at

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<v Speaker 1>least it won't be because I'm dating her crushes dad.

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<v Speaker 1>Even if she does still have a crush on THEO,

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<v Speaker 1>we'll figure it out together. Oh, that's one mystery solved.

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<v Speaker 1>I guess alright, just do it. Max. Joe was going

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<v Speaker 1>to yell at you. You have to talk to show

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<v Speaker 1>it's been taken care row. That's all you need to know. Well,

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<v Speaker 1>if you hadn't let him go, we would no pat

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<v Speaker 1>listen to me. Just get down here. Who Maxine? What

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<v Speaker 1>are you doing here? Who were you talking to? Oh?

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<v Speaker 1>You shouldn't be in here, Max, Why not? Well it's

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<v Speaker 1>private property for one. Let's go outside. The demolition ceremony

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<v Speaker 1>is about to start. Were you talking to Maxine? That's

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<v Speaker 1>none of your business? I think it is. Come on, man,

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<v Speaker 1>why are you trying to let me out of here? Well,

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<v Speaker 1>seeing is neither of us work for the mining company.

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<v Speaker 1>It's not really our place. You were in here. I

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<v Speaker 1>just needed to make a phone call, But now we

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<v Speaker 1>should Could it be that this trail is full of

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<v Speaker 1>evidence that the mind is going to poison the town?

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<v Speaker 1>Excuse me? Look, I know how important this project is

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<v Speaker 1>to the town. But it's not too late. You can

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<v Speaker 1>still do the right thing. I don't think you know

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<v Speaker 1>what you're talking about. Young Lady Riley knew somehow. I

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<v Speaker 1>don't know how he found out about the environmental impact

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<v Speaker 1>report that was done. I don't think he found it, though,

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<v Speaker 1>so maybe you and I can look through these files

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<v Speaker 1>and find the real evidence. Maxine, you need to stop

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<v Speaker 1>it right now. This is grown up business, so it's

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<v Speaker 1>none of yours. It's Hastings business, which means it very

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<v Speaker 1>much is mine. I know it can be exciting to

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<v Speaker 1>think we understand big, real life problems. When we do?

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<v Speaker 1>You understand them? You think you do? You want to

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<v Speaker 1>know what I understand? The Archers will do whatever they

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<v Speaker 1>can to make money and keep their state in this town,

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<v Speaker 1>so they decide to re vitalize the Hastings economy by

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<v Speaker 1>investing in a new mining company. Except when they do

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<v Speaker 1>their due diligence on all the permits and surveys, they

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<v Speaker 1>discover that putting a pit mine here could create deadly

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<v Speaker 1>run off, so they do whatever they can to hide it.

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<v Speaker 1>Is that what you think, camping? I do? Well, it's

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<v Speaker 1>quite a story. Do you have any proof? I have

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<v Speaker 1>Riley's notebook detailing what he found out about the mine,

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<v Speaker 1>A story conjured up by a board. But clever teenager

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<v Speaker 1>Riley will be able to tell us where he got

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<v Speaker 1>his intel, maybe even where the report is no, he

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<v Speaker 1>won't what it's an interesting theory magazine, but it's not

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<v Speaker 1>quite right. So you admit that there is a report

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<v Speaker 1>out there that proves this new project is dangerous. Does

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<v Speaker 1>a report exist if there's no one there to read it?

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<v Speaker 1>If a tree falls in the forest, does it make

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<v Speaker 1>a sound. If a nosy team can't snoop around, can

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<v Speaker 1>they steal do damage you? You took Riley wrong again, Maxine.

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<v Speaker 1>You've got all the pieces, it seems, but you're just

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<v Speaker 1>not quite putting them together. Maybe you're not as much

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<v Speaker 1>of a concern as I thought. Patrick. You were talking

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<v Speaker 1>to Mr Beatty, weren't you. I don't see why that matters.

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<v Speaker 1>You let him go, that's what you said to him.

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<v Speaker 1>Ross was right. What nonsense are you going on about? Now?

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<v Speaker 1>Mr Beatty did kidnap Riley and you you're involved somehow?

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<v Speaker 1>But how could you? Why? Maxine? I told you this,

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<v Speaker 1>This is all far beyond you. No, it's not you.

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<v Speaker 1>You're the one who knew that Riley had evidence against

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<v Speaker 1>the mining project, and you told Mr Beatty to keep

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<v Speaker 1>him quiet, and and then that sap let the boy go.

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<v Speaker 1>Why why would you do this? You love Hastings? Yes,

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<v Speaker 1>I do. That's why I did this. There's a lot

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<v Speaker 1>you don't understand saying that. That's just what adults say

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<v Speaker 1>when they don't want to admit they've done something wrong. Oh,

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<v Speaker 1>you think you're so clever, and I'll grant you you're

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<v Speaker 1>cleverer than most, so is Riley. But neither of you

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<v Speaker 1>can comprehend what's really going on here. Where is he?

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<v Speaker 1>You said you took care of it? What did you do?

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<v Speaker 1>Warren Archer knows how serious this is, how important. He

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<v Speaker 1>was kind enough to lend me some of his associates

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<v Speaker 1>to handah Riley after Mr Beady failed to do so.

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<v Speaker 1>That's why they were in City Hall. They were there

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<v Speaker 1>to see you. What did they do to Riley? They

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<v Speaker 1>just took him somewhere safe. He won't be able to

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<v Speaker 1>stop the demolition, and once that's done, the deal is seal.

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<v Speaker 1>You can't get away with this, not if you go

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<v Speaker 1>out there and ruin everything. True, I guess I'll have

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<v Speaker 1>to call Warren's men back. Don't come any closer. Max,

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<v Speaker 1>be reasonable now. I know how much you love Hastings too,

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<v Speaker 1>and I'm sure we could come to some sort of agreement.

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<v Speaker 1>What do you want excuse me. Riley has been very

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<v Speaker 1>uncooperative this whole time. But it's not like they weren't

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<v Speaker 1>other options. There's an easy way to do this, Max.

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<v Speaker 1>You can take the easy way, keep your secret for you.

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<v Speaker 1>I don't think so, not even to protect your uncle.

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<v Speaker 1>Joe would never want me to lie. He'd stand by

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<v Speaker 1>me in this. You don't scare him. M Yes, Joe

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<v Speaker 1>is a very capable adult. What about Ross? What? Well?

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<v Speaker 1>The boy is clearly devoted to you. He'd stand by

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<v Speaker 1>you too, but at what cost to him? Neither of

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<v Speaker 1>them have anything to do with this. Based on all

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<v Speaker 1>the questions Ross was asking me this morning, I don't

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<v Speaker 1>think that's quite true. What are you saying? I'm saying

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<v Speaker 1>you keep your mouth shut and everybody goes home happy.

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<v Speaker 1>And if I don't, then we do this the hard way. Vaccine, vaccine?

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<v Speaker 1>Where are you going back here? Right? Vaccine? Where do

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<v Speaker 1>we go? Where do we go? I have to find?

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<v Speaker 1>Are you all right? It's your beaty? Max? What are

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<v Speaker 1>you You took rightly? What Mayor House said? He here

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<v Speaker 1>this way? What did you say to how it was?

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<v Speaker 1>He's the one who covered up what's going on with

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<v Speaker 1>the mine. He's known this whole time, and you why

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<v Speaker 1>did you do it? Why would you hurt Riley? I

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<v Speaker 1>didn't hurt him. I was trying to protect him by

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<v Speaker 1>kidnapping him. Hell needed him out of the way, just

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<v Speaker 1>until the contracts were signed. But why would you agree

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<v Speaker 1>to that? It doesn't matter if he's the mayor. What

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<v Speaker 1>you both did is a crime. I oh, Hell, I

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<v Speaker 1>didn't have a choice. But I never hurt Riley. How

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<v Speaker 1>said you let him go? I don't understand Riley promised

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<v Speaker 1>to lay low. If I did, I just I couldn't.

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<v Speaker 1>I couldn't do it anymore. I couldn't be the reason

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<v Speaker 1>he was scared. We have to find him. I know.

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<v Speaker 1>That's why I'm here. I'm We're just going to show

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<v Speaker 1>up and do something foolish. No, he won't, he can't.

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<v Speaker 1>How how said he got someone else to take care

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<v Speaker 1>of it, warren archers men. But I don't. I don't

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<v Speaker 1>know who they are. Warren's men, but I got I

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<v Speaker 1>just saw them come of the old mine entrance, the

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<v Speaker 1>one in the ridge just northwester here. Okay, they were

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<v Speaker 1>holding rope. What are you saying? No, No, he wouldn't.

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<v Speaker 1>I know that. How is is misguided? But he wouldn't.

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<v Speaker 1>I'm not so sure, but Warren Archer's men definitely would.

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<v Speaker 1>They're about to collapse the entire mind. If if Riley

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<v Speaker 1>is in there, we have to find him. You have

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<v Speaker 1>to go talk to the sheriff. Stop the detonation. But

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<v Speaker 1>I don't How can I be sure we can trust

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<v Speaker 1>the sheriff. You trust your uncle, don't you? Of course?

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<v Speaker 1>But he trusts Walt. I think that means you can't.

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<v Speaker 1>What are you talking about? Wait? Did you know they

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<v Speaker 1>were dating? It's obvious, isn't it. What? Never mind? What

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<v Speaker 1>are you going to do? I'm going to go into

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<v Speaker 1>the mind to find Riley? What no way? I know

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<v Speaker 1>these minds? Then you know that just because you saw

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<v Speaker 1>Warren's guys come out of one of the entrances doesn't

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<v Speaker 1>mean they went in through that entrance. That entire place

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<v Speaker 1>is amazed. I have to make this right. They're about

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<v Speaker 1>to start go. Yeah, thank you, thank you all for coming?

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<v Speaker 1>Are you sure? Of course? Today's a very special occasion.

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<v Speaker 1>How where did you go? You are so fortunate that

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<v Speaker 1>the Archers have once again invested in haste instituture. Where

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<v Speaker 1>are you now? There will be plenty of time for speeches,

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<v Speaker 1>but let's get to the good style. It's a good

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<v Speaker 1>warring arch of wishes he could be here himself. But

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<v Speaker 1>I'm on to get to push the plungeon that we're

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<v Speaker 1>usher in this new chapter of paste. God, I hope

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<v Speaker 1>this is the white wire. Here we go, read two?

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<v Speaker 1>Got it one? Oh my god, I can't believe that

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<v Speaker 1>worked well. We seem to be having some technical difficulties, said.

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<v Speaker 1>Anyone that seen me try to use a computer certainly

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<v Speaker 1>knows I'm no stranger to those. Yes, I'm sure fighted her.

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<v Speaker 1>Just one moment, folks will be blowing the fusing new tide.

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<v Speaker 1>That's my cue. Okay. If I remember those maps correctly,

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<v Speaker 1>which do, then this entrance will eventually connect to the

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<v Speaker 1>ones that Mr Beatie saw One's men come out of.

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<v Speaker 1>You can do this, weeks. Riley, Riley, Rightley, where are you? Riley?

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<v Speaker 1>Keep talking? I'm here. I'm here right way. Max, MAXs

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<v Speaker 1>and you ry, Oh my god, Oh my god, MAXI

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<v Speaker 1>She'll sleep. You're here, jeez, Riany are you they tied

0:17:10.680 --> 0:17:13.640
<v Speaker 1>you up? No? I thought it'd be fun to trap

0:17:13.680 --> 0:17:16.240
<v Speaker 1>myself in a mind that's about to self destruct. I can't.

0:17:16.840 --> 0:17:20.000
<v Speaker 1>I can't believe they would do this? How I know.

0:17:20.160 --> 0:17:22.320
<v Speaker 1>I don't quite worry about that. Later. We gotta get

0:17:22.359 --> 0:17:27.639
<v Speaker 1>out of here. Have you seen Mr Beany? Don't why

0:17:27.960 --> 0:17:37.399
<v Speaker 1>he's coming and rescue you. That's Ronny. Come on wait,

0:17:37.600 --> 0:17:39.760
<v Speaker 1>I came in this way. I don't put this way

0:17:39.800 --> 0:18:05.560
<v Speaker 1>is faster, trust me? That's yeah? Okay? Where are we

0:18:07.680 --> 0:18:17.440
<v Speaker 1>on the north bridge of the forest? Come on? Thank god?

0:18:18.320 --> 0:18:22.440
<v Speaker 1>Mr Beany, you're okay, Riley, it's I'm so glad to

0:18:22.480 --> 0:18:25.600
<v Speaker 1>see her. All right, Stay away from me, Mr Beaty.

0:18:25.840 --> 0:18:29.600
<v Speaker 1>Why are you bleeding? Oh? Ye had a run in

0:18:29.640 --> 0:18:33.600
<v Speaker 1>with Warren's men. I only just got away, Max. I

0:18:33.680 --> 0:18:35.800
<v Speaker 1>told you to talk to walk I couldn't find him.

0:18:36.000 --> 0:18:38.040
<v Speaker 1>Then why is he able to stop the demolition? I

0:18:38.080 --> 0:18:42.120
<v Speaker 1>cut the wire that works toon. Not for long. They'll

0:18:42.119 --> 0:18:44.000
<v Speaker 1>be able to reroute the few soon enough. Then we

0:18:44.000 --> 0:18:48.520
<v Speaker 1>should get out of here. Where's your other one? What

0:18:48.640 --> 0:18:51.240
<v Speaker 1>other one? The teller boy? He was he was biking

0:18:51.280 --> 0:18:53.359
<v Speaker 1>down to the ceremonies as on my way up here?

0:18:53.400 --> 0:18:56.160
<v Speaker 1>What he was looking for? You accuse me of all

0:18:56.200 --> 0:18:59.439
<v Speaker 1>sorts of things? Was he wrong about any of them? Wait?

0:18:59.480 --> 0:19:01.880
<v Speaker 1>So he's at the demolition. I told him that's where

0:19:01.880 --> 0:19:05.640
<v Speaker 1>you were. I didn't see him. I should have passed him.

0:19:05.800 --> 0:19:09.439
<v Speaker 1>I told him I was looking for Riley in the mine. No, No,

0:19:09.600 --> 0:19:13.280
<v Speaker 1>he wouldn't be that dumb you were. And if Ross

0:19:13.280 --> 0:19:15.360
<v Speaker 1>thought you were going to do something stupid, I don't

0:19:15.359 --> 0:19:23.280
<v Speaker 1>think he'd be far behind. What was that? Riley? Riley?

0:19:23.400 --> 0:19:32.119
<v Speaker 1>Are you here? Oh? My god? Riley back? Ross, Ross, Ross,

0:19:32.119 --> 0:19:41.720
<v Speaker 1>Get out of there, Max, Max, Where are you? Ross? Roll?

0:19:49.840 --> 0:19:51.560
<v Speaker 1>Thank you for listening to season one of Max and

0:19:51.640 --> 0:19:53.920
<v Speaker 1>Miles and for being a part of the investigation. As

0:19:53.920 --> 0:19:56.159
<v Speaker 1>we wait for season two, feel free to listen to

0:19:56.200 --> 0:19:58.320
<v Speaker 1>the other two endings and see where another choice could

0:19:58.320 --> 0:20:00.000
<v Speaker 1>have let you. Also be sure to follow us into

0:20:00.000 --> 0:20:02.480
<v Speaker 1>Better at a Typical Artists for updates about the show

0:20:02.480 --> 0:20:04.720
<v Speaker 1>and to see which ended hoos most by our listeners.

0:20:04.760 --> 0:20:06.720
<v Speaker 1>The most popular choice will become the starting point for

0:20:06.760 --> 0:20:10.479
<v Speaker 1>our next season, including any consequences that ending contained. Maxie

0:20:10.480 --> 0:20:12.520
<v Speaker 1>Miles was created by Lauren Chippen and his production of

0:20:12.520 --> 0:20:15.119
<v Speaker 1>Eight Typical Artists and iHeart Radio. His episode is written

0:20:15.119 --> 0:20:17.680
<v Speaker 1>and directed by Lauren Chippen, Dialog, editing and sound designed

0:20:17.680 --> 0:20:19.800
<v Speaker 1>by more See Young and Hemma Creek Productions, with editing

0:20:19.840 --> 0:20:22.680
<v Speaker 1>assistance from Laurie and Davis and Melissa Ponds. It featured

0:20:22.760 --> 0:20:25.680
<v Speaker 1>Jordan Cobb as Maxie Miles, Maxi Follow as Ross Heller,

0:20:25.920 --> 0:20:29.040
<v Speaker 1>Shawny Cannon car at Jenna Ambrose, Michael Smallwood as Uncle Joe,

0:20:29.240 --> 0:20:31.960
<v Speaker 1>Sean Jayne as Sheriff Holmes, Josh R. Bino as Mayor

0:20:31.960 --> 0:20:34.359
<v Speaker 1>How Made You for It? As Mr Beatie, and Brigand

0:20:34.359 --> 0:20:38.320
<v Speaker 1>Snow as Riley Stevens. Original artwork by Shae McMullen. Maxie

0:20:38.400 --> 0:20:41.080
<v Speaker 1>Miles is executive produced by Laura Shippen and iHeart Radio

0:20:41.280 --> 0:20:43.359
<v Speaker 1>and for more podcast for my heart Radio, visit the

0:20:43.359 --> 0:20:46.119
<v Speaker 1>iHeart Radio app, Apple Podcasts, or wherever you listen to

0:20:46.119 --> 0:20:49.320
<v Speaker 1>your favorite shows. Thank you for listening and keep curious,