1 00:00:00,760 --> 00:00:03,000 Speaker 1: Maxim Miles. It's a production of a typical artists and 2 00:00:03,040 --> 00:00:06,600 Speaker 1: I heart radio. What is running through your head right now? 3 00:00:06,840 --> 00:00:10,600 Speaker 1: Whoever took Riley, whoever he's running from, it might all 4 00:00:10,640 --> 00:00:13,760 Speaker 1: be over tonight. If it has something to do with 5 00:00:13,840 --> 00:00:15,760 Speaker 1: the mine, then it'll be too late for him to 6 00:00:15,800 --> 00:00:18,360 Speaker 1: do any damage after the demolition and will have lost 7 00:00:18,440 --> 00:00:20,760 Speaker 1: our chance to catch someone in the act. If it's 8 00:00:20,840 --> 00:00:24,280 Speaker 1: Mr Beatie, whatever he was doing has a deadline of tonight, 9 00:00:24,800 --> 00:00:27,600 Speaker 1: and I'm supposed to be tracking Ransom's files down, He's 10 00:00:27,640 --> 00:00:31,200 Speaker 1: going to be tracking me down soon enough. Okay, So 11 00:00:31,920 --> 00:00:34,559 Speaker 1: are you saying we should split up? Both take a 12 00:00:34,560 --> 00:00:37,839 Speaker 1: different person on ross? There's still the mine. If the 13 00:00:37,880 --> 00:00:40,560 Speaker 1: old mines get collapsed tonight, that means the project is 14 00:00:40,600 --> 00:00:43,120 Speaker 1: moving forward. And if it really is as dangerous as 15 00:00:43,200 --> 00:00:45,639 Speaker 1: Riley thought, we need to stop it, which is why 16 00:00:45,720 --> 00:00:47,559 Speaker 1: you need to go to city Hall and try to 17 00:00:47,600 --> 00:00:50,919 Speaker 1: find that environmental survey report. And what are you going 18 00:00:50,960 --> 00:00:55,000 Speaker 1: to do? I'm going to go find Riley. How I 19 00:00:55,080 --> 00:00:56,840 Speaker 1: need to go down to the demolition. Do you think 20 00:00:56,920 --> 00:01:01,000 Speaker 1: Riley might show I think someone there. How'll the sheriff, 21 00:01:01,280 --> 00:01:05,199 Speaker 1: minot or mining warren archers men, someone knows what happened 22 00:01:05,200 --> 00:01:07,720 Speaker 1: to Riley. At the very least, maybe you can stir 23 00:01:07,840 --> 00:01:11,960 Speaker 1: up some trouble stop the demo from happening exactly. Okay, 24 00:01:12,440 --> 00:01:14,479 Speaker 1: you go to City Hall, get the report, and then 25 00:01:14,480 --> 00:01:21,320 Speaker 1: meet me down there. Max, take this. Are you expecting 26 00:01:21,360 --> 00:01:23,720 Speaker 1: me to march on stage and wave this around until 27 00:01:23,720 --> 00:01:26,400 Speaker 1: they cancel the new Mind? If those really were Warren 28 00:01:26,560 --> 00:01:29,440 Speaker 1: Archer's goons at City Hall this morning, they'll definitely be 29 00:01:29,480 --> 00:01:31,840 Speaker 1: at the demolition. The last thing I need is you 30 00:01:31,920 --> 00:01:34,160 Speaker 1: getting kidnapped by the Archers because you stuck your nose 31 00:01:34,280 --> 00:01:38,120 Speaker 1: or it didn't belong. Thank you, Ross. Just bring it 32 00:01:38,160 --> 00:01:44,440 Speaker 1: back to me, Okay, I will. I promise I'll see 33 00:01:44,440 --> 00:01:57,400 Speaker 1: you soon. From a typical artists and I heart radio. 34 00:01:57,840 --> 00:02:24,960 Speaker 1: You're listening to Maxie Miles. You've chosen ending seat the 35 00:02:25,040 --> 00:02:46,240 Speaker 1: Poisoned Mind. Hey Max, Jenna, what are you doing here? 36 00:02:46,800 --> 00:02:49,960 Speaker 1: I could ask you the same thing. I didn't think 37 00:02:50,000 --> 00:02:53,200 Speaker 1: you'd want to watch this blatant display of industrial destruction? 38 00:02:53,520 --> 00:02:58,399 Speaker 1: Well you know what they say, no the enemy or whatever? Yeah, 39 00:02:58,560 --> 00:03:01,679 Speaker 1: well I guess it work with me. You were never 40 00:03:01,760 --> 00:03:06,960 Speaker 1: my enemy, Jenna. Whatever. Have you seen the sheriff? Yeah, 41 00:03:07,200 --> 00:03:11,520 Speaker 1: he's down that way. Thanks, Theo's not here yet, though, 42 00:03:11,919 --> 00:03:19,000 Speaker 1: I'm not looking for THEO. No Archer grooms. As far 43 00:03:19,040 --> 00:03:32,040 Speaker 1: as I can see, there he is. Where's the as always? 44 00:03:32,280 --> 00:03:38,760 Speaker 1: Oh he's a good kid. He is past move on, Joe. 45 00:03:39,480 --> 00:03:43,520 Speaker 1: But that's definitely the consensus in the Miles household, big 46 00:03:43,560 --> 00:03:46,600 Speaker 1: fans of the Combs over here and right back at you. 47 00:03:48,440 --> 00:03:51,640 Speaker 1: You still think Max has a crush? Oh my god. 48 00:03:52,120 --> 00:03:55,240 Speaker 1: I'm honestly not sure anymore. And she's been more focused 49 00:03:55,240 --> 00:03:58,240 Speaker 1: on Riley recently, spending all her time with that teller boy. 50 00:03:59,080 --> 00:04:02,240 Speaker 1: Maybe that's a good thing. It might make telling them 51 00:04:02,240 --> 00:04:07,000 Speaker 1: both less awkward. Thank you for being patient with me. 52 00:04:07,120 --> 00:04:09,760 Speaker 1: I'm still new to this whole raising a kid thing, 53 00:04:09,920 --> 00:04:13,680 Speaker 1: I get it. Joe and I haven't exactly been ready 54 00:04:13,720 --> 00:04:17,159 Speaker 1: to tell THEO yet either. I haven't had a serious 55 00:04:17,200 --> 00:04:21,440 Speaker 1: relationship since we lost his mom, I know, but this 56 00:04:21,880 --> 00:04:26,640 Speaker 1: is serious for me at least for me too, and 57 00:04:26,800 --> 00:04:30,160 Speaker 1: I think I'm ready to tell them about it. Max 58 00:04:30,640 --> 00:04:33,719 Speaker 1: will probably still be embarrassed by the conversation, but at 59 00:04:33,800 --> 00:04:36,359 Speaker 1: least it won't be because I'm dating her crushes dad. 60 00:04:37,560 --> 00:04:40,000 Speaker 1: Even if she does still have a crush on THEO, 61 00:04:40,240 --> 00:04:46,240 Speaker 1: we'll figure it out together. Oh, that's one mystery solved. 62 00:04:46,279 --> 00:04:51,160 Speaker 1: I guess alright, just do it. Max. Joe was going 63 00:04:51,160 --> 00:04:53,240 Speaker 1: to yell at you. You have to talk to show 64 00:04:58,880 --> 00:05:10,560 Speaker 1: it's been taken care row. That's all you need to know. Well, 65 00:05:10,600 --> 00:05:14,280 Speaker 1: if you hadn't let him go, we would no pat 66 00:05:14,440 --> 00:05:22,599 Speaker 1: listen to me. Just get down here. Who Maxine? What 67 00:05:22,680 --> 00:05:26,360 Speaker 1: are you doing here? Who were you talking to? Oh? 68 00:05:26,440 --> 00:05:30,240 Speaker 1: You shouldn't be in here, Max, Why not? Well it's 69 00:05:30,360 --> 00:05:35,760 Speaker 1: private property for one. Let's go outside. The demolition ceremony 70 00:05:35,800 --> 00:05:39,240 Speaker 1: is about to start. Were you talking to Maxine? That's 71 00:05:39,279 --> 00:05:44,320 Speaker 1: none of your business? I think it is. Come on, man, 72 00:05:44,400 --> 00:05:47,119 Speaker 1: why are you trying to let me out of here? Well, 73 00:05:47,720 --> 00:05:50,440 Speaker 1: seeing is neither of us work for the mining company. 74 00:05:50,560 --> 00:05:55,080 Speaker 1: It's not really our place. You were in here. I 75 00:05:55,200 --> 00:05:58,160 Speaker 1: just needed to make a phone call, But now we 76 00:05:58,200 --> 00:06:00,520 Speaker 1: should Could it be that this trail is full of 77 00:06:00,560 --> 00:06:02,480 Speaker 1: evidence that the mind is going to poison the town? 78 00:06:04,080 --> 00:06:08,320 Speaker 1: Excuse me? Look, I know how important this project is 79 00:06:08,320 --> 00:06:10,480 Speaker 1: to the town. But it's not too late. You can 80 00:06:10,520 --> 00:06:14,880 Speaker 1: still do the right thing. I don't think you know 81 00:06:14,960 --> 00:06:19,800 Speaker 1: what you're talking about. Young Lady Riley knew somehow. I 82 00:06:19,839 --> 00:06:22,200 Speaker 1: don't know how he found out about the environmental impact 83 00:06:22,240 --> 00:06:24,839 Speaker 1: report that was done. I don't think he found it, though, 84 00:06:25,160 --> 00:06:27,320 Speaker 1: so maybe you and I can look through these files 85 00:06:27,360 --> 00:06:30,479 Speaker 1: and find the real evidence. Maxine, you need to stop 86 00:06:30,520 --> 00:06:36,080 Speaker 1: it right now. This is grown up business, so it's 87 00:06:36,240 --> 00:06:40,120 Speaker 1: none of yours. It's Hastings business, which means it very 88 00:06:40,160 --> 00:06:44,440 Speaker 1: much is mine. I know it can be exciting to 89 00:06:44,480 --> 00:06:48,440 Speaker 1: think we understand big, real life problems. When we do? 90 00:06:48,480 --> 00:06:52,120 Speaker 1: You understand them? You think you do? You want to 91 00:06:52,160 --> 00:06:55,960 Speaker 1: know what I understand? The Archers will do whatever they 92 00:06:56,000 --> 00:06:58,520 Speaker 1: can to make money and keep their state in this town, 93 00:06:59,040 --> 00:07:01,800 Speaker 1: so they decide to re vitalize the Hastings economy by 94 00:07:01,839 --> 00:07:05,280 Speaker 1: investing in a new mining company. Except when they do 95 00:07:05,360 --> 00:07:08,520 Speaker 1: their due diligence on all the permits and surveys, they 96 00:07:08,560 --> 00:07:12,000 Speaker 1: discover that putting a pit mine here could create deadly 97 00:07:12,080 --> 00:07:15,120 Speaker 1: run off, so they do whatever they can to hide it. 98 00:07:15,280 --> 00:07:19,240 Speaker 1: Is that what you think, camping? I do? Well, it's 99 00:07:19,720 --> 00:07:23,400 Speaker 1: quite a story. Do you have any proof? I have 100 00:07:23,560 --> 00:07:26,360 Speaker 1: Riley's notebook detailing what he found out about the mine, 101 00:07:27,160 --> 00:07:31,320 Speaker 1: A story conjured up by a board. But clever teenager 102 00:07:32,000 --> 00:07:34,040 Speaker 1: Riley will be able to tell us where he got 103 00:07:34,080 --> 00:07:37,400 Speaker 1: his intel, maybe even where the report is no, he 104 00:07:37,480 --> 00:07:42,320 Speaker 1: won't what it's an interesting theory magazine, but it's not 105 00:07:42,480 --> 00:07:46,880 Speaker 1: quite right. So you admit that there is a report 106 00:07:46,880 --> 00:07:50,560 Speaker 1: out there that proves this new project is dangerous. Does 107 00:07:50,600 --> 00:07:52,760 Speaker 1: a report exist if there's no one there to read it? 108 00:07:53,080 --> 00:07:55,160 Speaker 1: If a tree falls in the forest, does it make 109 00:07:55,200 --> 00:07:59,520 Speaker 1: a sound. If a nosy team can't snoop around, can 110 00:07:59,560 --> 00:08:07,040 Speaker 1: they steal do damage you? You took Riley wrong again, Maxine. 111 00:08:07,800 --> 00:08:10,120 Speaker 1: You've got all the pieces, it seems, but you're just 112 00:08:10,320 --> 00:08:15,000 Speaker 1: not quite putting them together. Maybe you're not as much 113 00:08:15,040 --> 00:08:19,520 Speaker 1: of a concern as I thought. Patrick. You were talking 114 00:08:19,560 --> 00:08:22,880 Speaker 1: to Mr Beatty, weren't you. I don't see why that matters. 115 00:08:23,400 --> 00:08:26,920 Speaker 1: You let him go, that's what you said to him. 116 00:08:27,160 --> 00:08:30,560 Speaker 1: Ross was right. What nonsense are you going on about? Now? 117 00:08:31,120 --> 00:08:36,080 Speaker 1: Mr Beatty did kidnap Riley and you you're involved somehow? 118 00:08:36,120 --> 00:08:42,280 Speaker 1: But how could you? Why? Maxine? I told you this, 119 00:08:42,280 --> 00:08:46,720 Speaker 1: This is all far beyond you. No, it's not you. 120 00:08:46,720 --> 00:08:49,559 Speaker 1: You're the one who knew that Riley had evidence against 121 00:08:49,600 --> 00:08:52,360 Speaker 1: the mining project, and you told Mr Beatty to keep 122 00:08:52,400 --> 00:08:55,800 Speaker 1: him quiet, and and then that sap let the boy go. 123 00:08:56,360 --> 00:09:00,280 Speaker 1: Why why would you do this? You love Hastings? Yes, 124 00:09:00,600 --> 00:09:04,760 Speaker 1: I do. That's why I did this. There's a lot 125 00:09:04,880 --> 00:09:09,559 Speaker 1: you don't understand saying that. That's just what adults say 126 00:09:09,559 --> 00:09:11,960 Speaker 1: when they don't want to admit they've done something wrong. Oh, 127 00:09:12,080 --> 00:09:15,000 Speaker 1: you think you're so clever, and I'll grant you you're 128 00:09:15,040 --> 00:09:18,839 Speaker 1: cleverer than most, so is Riley. But neither of you 129 00:09:18,920 --> 00:09:23,080 Speaker 1: can comprehend what's really going on here. Where is he? 130 00:09:23,520 --> 00:09:25,320 Speaker 1: You said you took care of it? What did you do? 131 00:09:25,600 --> 00:09:30,839 Speaker 1: Warren Archer knows how serious this is, how important. He 132 00:09:31,000 --> 00:09:34,400 Speaker 1: was kind enough to lend me some of his associates 133 00:09:34,440 --> 00:09:37,080 Speaker 1: to handah Riley after Mr Beady failed to do so. 134 00:09:38,000 --> 00:09:40,400 Speaker 1: That's why they were in City Hall. They were there 135 00:09:40,440 --> 00:09:43,480 Speaker 1: to see you. What did they do to Riley? They 136 00:09:43,600 --> 00:09:46,959 Speaker 1: just took him somewhere safe. He won't be able to 137 00:09:47,000 --> 00:09:50,720 Speaker 1: stop the demolition, and once that's done, the deal is seal. 138 00:09:50,920 --> 00:09:53,000 Speaker 1: You can't get away with this, not if you go 139 00:09:53,080 --> 00:09:56,080 Speaker 1: out there and ruin everything. True, I guess I'll have 140 00:09:56,120 --> 00:10:00,760 Speaker 1: to call Warren's men back. Don't come any closer. Max, 141 00:10:01,520 --> 00:10:05,200 Speaker 1: be reasonable now. I know how much you love Hastings too, 142 00:10:05,920 --> 00:10:09,079 Speaker 1: and I'm sure we could come to some sort of agreement. 143 00:10:10,120 --> 00:10:14,720 Speaker 1: What do you want excuse me. Riley has been very 144 00:10:14,800 --> 00:10:19,120 Speaker 1: uncooperative this whole time. But it's not like they weren't 145 00:10:19,120 --> 00:10:22,600 Speaker 1: other options. There's an easy way to do this, Max. 146 00:10:23,520 --> 00:10:26,719 Speaker 1: You can take the easy way, keep your secret for you. 147 00:10:27,040 --> 00:10:30,280 Speaker 1: I don't think so, not even to protect your uncle. 148 00:10:30,800 --> 00:10:33,480 Speaker 1: Joe would never want me to lie. He'd stand by 149 00:10:33,520 --> 00:10:37,680 Speaker 1: me in this. You don't scare him. M Yes, Joe 150 00:10:38,040 --> 00:10:44,240 Speaker 1: is a very capable adult. What about Ross? What? Well? 151 00:10:44,320 --> 00:10:47,800 Speaker 1: The boy is clearly devoted to you. He'd stand by 152 00:10:47,880 --> 00:10:51,320 Speaker 1: you too, but at what cost to him? Neither of 153 00:10:51,360 --> 00:10:54,959 Speaker 1: them have anything to do with this. Based on all 154 00:10:54,960 --> 00:10:58,400 Speaker 1: the questions Ross was asking me this morning, I don't 155 00:10:58,400 --> 00:11:02,040 Speaker 1: think that's quite true. What are you saying? I'm saying 156 00:11:02,200 --> 00:11:05,760 Speaker 1: you keep your mouth shut and everybody goes home happy. 157 00:11:05,840 --> 00:11:18,080 Speaker 1: And if I don't, then we do this the hard way. Vaccine, vaccine? 158 00:11:18,120 --> 00:11:36,640 Speaker 1: Where are you going back here? Right? Vaccine? Where do 159 00:11:36,720 --> 00:11:43,400 Speaker 1: we go? Where do we go? I have to find? 160 00:11:45,960 --> 00:11:48,760 Speaker 1: Are you all right? It's your beaty? Max? What are 161 00:11:48,800 --> 00:11:54,280 Speaker 1: you You took rightly? What Mayor House said? He here 162 00:11:55,720 --> 00:11:59,760 Speaker 1: this way? What did you say to how it was? 163 00:11:59,800 --> 00:12:02,520 Speaker 1: He's the one who covered up what's going on with 164 00:12:02,559 --> 00:12:07,040 Speaker 1: the mine. He's known this whole time, and you why 165 00:12:07,040 --> 00:12:09,959 Speaker 1: did you do it? Why would you hurt Riley? I 166 00:12:10,000 --> 00:12:13,839 Speaker 1: didn't hurt him. I was trying to protect him by 167 00:12:13,920 --> 00:12:17,360 Speaker 1: kidnapping him. Hell needed him out of the way, just 168 00:12:17,480 --> 00:12:19,880 Speaker 1: until the contracts were signed. But why would you agree 169 00:12:19,920 --> 00:12:22,200 Speaker 1: to that? It doesn't matter if he's the mayor. What 170 00:12:22,320 --> 00:12:26,000 Speaker 1: you both did is a crime. I oh, Hell, I 171 00:12:27,000 --> 00:12:30,719 Speaker 1: didn't have a choice. But I never hurt Riley. How 172 00:12:30,800 --> 00:12:34,240 Speaker 1: said you let him go? I don't understand Riley promised 173 00:12:34,280 --> 00:12:36,840 Speaker 1: to lay low. If I did, I just I couldn't. 174 00:12:37,200 --> 00:12:39,880 Speaker 1: I couldn't do it anymore. I couldn't be the reason 175 00:12:39,920 --> 00:12:42,200 Speaker 1: he was scared. We have to find him. I know. 176 00:12:42,640 --> 00:12:44,839 Speaker 1: That's why I'm here. I'm We're just going to show 177 00:12:44,920 --> 00:12:48,440 Speaker 1: up and do something foolish. No, he won't, he can't. 178 00:12:49,120 --> 00:12:52,199 Speaker 1: How how said he got someone else to take care 179 00:12:52,200 --> 00:12:55,400 Speaker 1: of it, warren archers men. But I don't. I don't 180 00:12:55,400 --> 00:12:59,200 Speaker 1: know who they are. Warren's men, but I got I 181 00:12:59,280 --> 00:13:01,440 Speaker 1: just saw them come of the old mine entrance, the 182 00:13:01,480 --> 00:13:04,480 Speaker 1: one in the ridge just northwester here. Okay, they were 183 00:13:04,480 --> 00:13:10,520 Speaker 1: holding rope. What are you saying? No, No, he wouldn't. 184 00:13:11,200 --> 00:13:14,360 Speaker 1: I know that. How is is misguided? But he wouldn't. 185 00:13:14,559 --> 00:13:18,640 Speaker 1: I'm not so sure, but Warren Archer's men definitely would. 186 00:13:18,720 --> 00:13:21,640 Speaker 1: They're about to collapse the entire mind. If if Riley 187 00:13:21,720 --> 00:13:24,160 Speaker 1: is in there, we have to find him. You have 188 00:13:24,240 --> 00:13:26,760 Speaker 1: to go talk to the sheriff. Stop the detonation. But 189 00:13:26,800 --> 00:13:29,240 Speaker 1: I don't How can I be sure we can trust 190 00:13:29,360 --> 00:13:32,320 Speaker 1: the sheriff. You trust your uncle, don't you? Of course? 191 00:13:32,520 --> 00:13:35,800 Speaker 1: But he trusts Walt. I think that means you can't. 192 00:13:35,960 --> 00:13:40,240 Speaker 1: What are you talking about? Wait? Did you know they 193 00:13:40,280 --> 00:13:46,720 Speaker 1: were dating? It's obvious, isn't it. What? Never mind? What 194 00:13:46,760 --> 00:13:48,760 Speaker 1: are you going to do? I'm going to go into 195 00:13:48,760 --> 00:13:52,000 Speaker 1: the mind to find Riley? What no way? I know 196 00:13:52,240 --> 00:13:54,760 Speaker 1: these minds? Then you know that just because you saw 197 00:13:54,840 --> 00:13:57,439 Speaker 1: Warren's guys come out of one of the entrances doesn't 198 00:13:57,480 --> 00:14:00,760 Speaker 1: mean they went in through that entrance. That entire place 199 00:14:00,840 --> 00:14:07,720 Speaker 1: is amazed. I have to make this right. They're about 200 00:14:07,760 --> 00:14:32,080 Speaker 1: to start go. Yeah, thank you, thank you all for coming? 201 00:14:32,760 --> 00:14:37,320 Speaker 1: Are you sure? Of course? Today's a very special occasion. 202 00:14:39,240 --> 00:14:42,840 Speaker 1: How where did you go? You are so fortunate that 203 00:14:42,960 --> 00:14:47,280 Speaker 1: the Archers have once again invested in haste instituture. Where 204 00:14:47,320 --> 00:14:51,120 Speaker 1: are you now? There will be plenty of time for speeches, 205 00:14:51,240 --> 00:14:55,400 Speaker 1: but let's get to the good style. It's a good 206 00:14:55,400 --> 00:14:58,480 Speaker 1: warring arch of wishes he could be here himself. But 207 00:14:58,640 --> 00:15:01,920 Speaker 1: I'm on to get to push the plungeon that we're 208 00:15:02,080 --> 00:15:09,200 Speaker 1: usher in this new chapter of paste. God, I hope 209 00:15:09,200 --> 00:15:15,200 Speaker 1: this is the white wire. Here we go, read two? 210 00:15:16,800 --> 00:15:21,760 Speaker 1: Got it one? Oh my god, I can't believe that 211 00:15:21,840 --> 00:15:31,720 Speaker 1: worked well. We seem to be having some technical difficulties, said. 212 00:15:32,240 --> 00:15:35,080 Speaker 1: Anyone that seen me try to use a computer certainly 213 00:15:35,080 --> 00:15:40,760 Speaker 1: knows I'm no stranger to those. Yes, I'm sure fighted her. 214 00:15:42,120 --> 00:15:45,840 Speaker 1: Just one moment, folks will be blowing the fusing new tide. 215 00:15:46,520 --> 00:16:07,920 Speaker 1: That's my cue. Okay. If I remember those maps correctly, 216 00:16:07,960 --> 00:16:12,040 Speaker 1: which do, then this entrance will eventually connect to the 217 00:16:12,040 --> 00:16:14,160 Speaker 1: ones that Mr Beatie saw One's men come out of. 218 00:16:16,560 --> 00:16:54,720 Speaker 1: You can do this, weeks. Riley, Riley, Rightley, where are you? Riley? 219 00:16:55,640 --> 00:17:02,440 Speaker 1: Keep talking? I'm here. I'm here right way. Max, MAXs 220 00:17:02,480 --> 00:17:07,160 Speaker 1: and you ry, Oh my god, Oh my god, MAXI 221 00:17:07,240 --> 00:17:10,640 Speaker 1: She'll sleep. You're here, jeez, Riany are you they tied 222 00:17:10,680 --> 00:17:13,640 Speaker 1: you up? No? I thought it'd be fun to trap 223 00:17:13,680 --> 00:17:16,240 Speaker 1: myself in a mind that's about to self destruct. I can't. 224 00:17:16,840 --> 00:17:20,000 Speaker 1: I can't believe they would do this? How I know. 225 00:17:20,160 --> 00:17:22,320 Speaker 1: I don't quite worry about that. Later. We gotta get 226 00:17:22,359 --> 00:17:27,639 Speaker 1: out of here. Have you seen Mr Beany? Don't why 227 00:17:27,960 --> 00:17:37,399 Speaker 1: he's coming and rescue you. That's Ronny. Come on wait, 228 00:17:37,600 --> 00:17:39,760 Speaker 1: I came in this way. I don't put this way 229 00:17:39,800 --> 00:18:05,560 Speaker 1: is faster, trust me? That's yeah? Okay? Where are we 230 00:18:07,680 --> 00:18:17,440 Speaker 1: on the north bridge of the forest? Come on? Thank god? 231 00:18:18,320 --> 00:18:22,440 Speaker 1: Mr Beany, you're okay, Riley, it's I'm so glad to 232 00:18:22,480 --> 00:18:25,600 Speaker 1: see her. All right, Stay away from me, Mr Beaty. 233 00:18:25,840 --> 00:18:29,600 Speaker 1: Why are you bleeding? Oh? Ye had a run in 234 00:18:29,640 --> 00:18:33,600 Speaker 1: with Warren's men. I only just got away, Max. I 235 00:18:33,680 --> 00:18:35,800 Speaker 1: told you to talk to walk I couldn't find him. 236 00:18:36,000 --> 00:18:38,040 Speaker 1: Then why is he able to stop the demolition? I 237 00:18:38,080 --> 00:18:42,120 Speaker 1: cut the wire that works toon. Not for long. They'll 238 00:18:42,119 --> 00:18:44,000 Speaker 1: be able to reroute the few soon enough. Then we 239 00:18:44,000 --> 00:18:48,520 Speaker 1: should get out of here. Where's your other one? What 240 00:18:48,640 --> 00:18:51,240 Speaker 1: other one? The teller boy? He was he was biking 241 00:18:51,280 --> 00:18:53,359 Speaker 1: down to the ceremonies as on my way up here? 242 00:18:53,400 --> 00:18:56,160 Speaker 1: What he was looking for? You accuse me of all 243 00:18:56,200 --> 00:18:59,439 Speaker 1: sorts of things? Was he wrong about any of them? Wait? 244 00:18:59,480 --> 00:19:01,880 Speaker 1: So he's at the demolition. I told him that's where 245 00:19:01,880 --> 00:19:05,640 Speaker 1: you were. I didn't see him. I should have passed him. 246 00:19:05,800 --> 00:19:09,439 Speaker 1: I told him I was looking for Riley in the mine. No, No, 247 00:19:09,600 --> 00:19:13,280 Speaker 1: he wouldn't be that dumb you were. And if Ross 248 00:19:13,280 --> 00:19:15,360 Speaker 1: thought you were going to do something stupid, I don't 249 00:19:15,359 --> 00:19:23,280 Speaker 1: think he'd be far behind. What was that? Riley? Riley? 250 00:19:23,400 --> 00:19:32,119 Speaker 1: Are you here? Oh? My god? Riley back? Ross, Ross, Ross, 251 00:19:32,119 --> 00:19:41,720 Speaker 1: Get out of there, Max, Max, Where are you? Ross? Roll? 252 00:19:49,840 --> 00:19:51,560 Speaker 1: Thank you for listening to season one of Max and 253 00:19:51,640 --> 00:19:53,920 Speaker 1: Miles and for being a part of the investigation. As 254 00:19:53,920 --> 00:19:56,159 Speaker 1: we wait for season two, feel free to listen to 255 00:19:56,200 --> 00:19:58,320 Speaker 1: the other two endings and see where another choice could 256 00:19:58,320 --> 00:20:00,000 Speaker 1: have let you. Also be sure to follow us into 257 00:20:00,000 --> 00:20:02,480 Speaker 1: Better at a Typical Artists for updates about the show 258 00:20:02,480 --> 00:20:04,720 Speaker 1: and to see which ended hoos most by our listeners. 259 00:20:04,760 --> 00:20:06,720 Speaker 1: The most popular choice will become the starting point for 260 00:20:06,760 --> 00:20:10,479 Speaker 1: our next season, including any consequences that ending contained. Maxie 261 00:20:10,480 --> 00:20:12,520 Speaker 1: Miles was created by Lauren Chippen and his production of 262 00:20:12,520 --> 00:20:15,119 Speaker 1: Eight Typical Artists and iHeart Radio. His episode is written 263 00:20:15,119 --> 00:20:17,680 Speaker 1: and directed by Lauren Chippen, Dialog, editing and sound designed 264 00:20:17,680 --> 00:20:19,800 Speaker 1: by more See Young and Hemma Creek Productions, with editing 265 00:20:19,840 --> 00:20:22,680 Speaker 1: assistance from Laurie and Davis and Melissa Ponds. It featured 266 00:20:22,760 --> 00:20:25,680 Speaker 1: Jordan Cobb as Maxie Miles, Maxi Follow as Ross Heller, 267 00:20:25,920 --> 00:20:29,040 Speaker 1: Shawny Cannon car at Jenna Ambrose, Michael Smallwood as Uncle Joe, 268 00:20:29,240 --> 00:20:31,960 Speaker 1: Sean Jayne as Sheriff Holmes, Josh R. Bino as Mayor 269 00:20:31,960 --> 00:20:34,359 Speaker 1: How Made You for It? As Mr Beatie, and Brigand 270 00:20:34,359 --> 00:20:38,320 Speaker 1: Snow as Riley Stevens. Original artwork by Shae McMullen. Maxie 271 00:20:38,400 --> 00:20:41,080 Speaker 1: Miles is executive produced by Laura Shippen and iHeart Radio 272 00:20:41,280 --> 00:20:43,359 Speaker 1: and for more podcast for my heart Radio, visit the 273 00:20:43,359 --> 00:20:46,119 Speaker 1: iHeart Radio app, Apple Podcasts, or wherever you listen to 274 00:20:46,119 --> 00:20:49,320 Speaker 1: your favorite shows. Thank you for listening and keep curious,