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Speaker 1: All right, we have a bit of an announcement here,

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Speaker 1: joe you want to talk about this T shirt design contests.

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Speaker 1: I do open submission to anybody listening or a friend

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Speaker 1: of a friend pass it along. You got a design

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Speaker 1: you want to make for a T shirt, something that

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Speaker 1: you've heard on the show, that you want to live

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Speaker 1: in perpetuity in an image. Will send it to your

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Speaker 1: name here at Alchemy. This dot com submissions will be

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Speaker 1: done by November, and then our Patreon members are going

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Speaker 1: to be able to vote on which design they like

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Speaker 1: the best, and that one's gonna get put on a shirt. Wait, Joey,

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Speaker 1: does that mean we'll have shirts available just in time

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Speaker 1: for the holidays. Oh my gosh, that's an amazing idea.

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Speaker 1: Thank you so much. So and James, you're making sure

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Speaker 1: that we have a shirt available at where is it

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Speaker 1: going to be like you're gonna be located. You can

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Speaker 1: get it at the Patreon page and we'll get a

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Speaker 1: link up that will be uh put in all the

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Speaker 1: different places. Okay, so submit your designs for a new shirt.

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Speaker 1: We're gonna do as many as we approve in love,

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Speaker 1: and then the Patreon members will weigh in and vote

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Speaker 1: as well, they're votes, will cast along with hours and

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Speaker 1: we'll pick ourselves some brilliant artists. Welcome back to another

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Speaker 1: episode of Alchemy This I'm your host, Kevin Polligan for

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Speaker 1: the first time in eighty one shows. I'm reading this

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Speaker 1: from an iPad, not burning trees. I'm your host, Kevin Pollock.

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Speaker 1: Yes that Kevin pok. What's that the nature of my emergency? Well, gosh,

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Speaker 1: where do I begin. Let's go with politicians for four

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Speaker 1: but I digress. Let's mean our rachamists. Shall we, in

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Speaker 1: no particular order? Please say hello to Vanessa Raglan Venetian

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Speaker 1: since apparently it's a legit option? Would you rather have

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Speaker 1: a bird in the hand or two in the bush?

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Speaker 1: To bush? Whoa? You want to have two birds in

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Speaker 1: your bush? Yeah? I do. I'd love that. That would

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Speaker 1: be amazing. Thanks, I'd like I'd like both options. I'd

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Speaker 1: like one in my hand and two in my bus.

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Speaker 1: I'd like three birds, Kevin. Your your actually bush was

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Speaker 1: not on the table. A situation past the cleanex James

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Speaker 1: Eny just stepped through the portal of my heart Jinkie

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Speaker 1: jam Jam can a monkey driver car? And if so,

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Speaker 1: how long before they're working for Uber? Well, if they

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Speaker 1: have a tesla, there's nothing stopping them from being able to.

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Speaker 1: I mean, you just need to be able to put

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Speaker 1: your hands on the wheel for seconds of the time, right, Kevin,

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Speaker 1: that's right right? Because it lit thing comes on this

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Speaker 1: green I mean, please touch the way. I would not

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Speaker 1: have any fear of a tesla with a monkey baring.

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Speaker 1: In fact, I'd enjoy it. You drive itself for real? Well,

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Speaker 1: they all do, but but they don't stop it stop

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Speaker 1: signs or stop lights. They don't know because they want

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Speaker 1: you to stay engaged. Can I take back my thing

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Speaker 1: with the monkey? I don't want to know. Kevin drives

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Speaker 1: a Honda fit the page and please let Chris Alvarado in, sir,

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Speaker 1: What does it actually sound like when doves cry? Um?

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Speaker 1: It sounds like it's the same noise that Joey gream

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Speaker 1: makes when he comes. What I've heard him both, and

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Speaker 1: they're very similar. Hey, the guys just being honest. You

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Speaker 1: keep your close left to my bush, you'll find out

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Speaker 1: is what it sounds like when it comes. And the

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Speaker 1: last number or freak flag never fly. If you think

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Speaker 1: him leaves, it's Joey Greer Greer near far and forgotten.

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Speaker 1: What time. Can you pick me up tonight for Fest nineteen. Man,

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Speaker 1: I have to push. I'm not gonna be able to

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Speaker 1: make tonight, honestly, Yeah, no, I I got an I

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Speaker 1: know my hammy is all tight. I'm gonna make it

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Speaker 1: for the weekend, but I can't make it for the

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Speaker 1: by the week Okay, little milk bath um. We want

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Speaker 1: a further our announcement that you may have already heard

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Speaker 1: and invite you to the v i P member of

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Speaker 1: our new Patreon page. Fairly knew at this point live

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Speaker 1: video meet ups with the cast, bonus episodes like the

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Speaker 1: live shows from West Side Comedy Theater. There's a phone

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Speaker 1: number just for v i P members. You can call in,

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Speaker 1: leave a message, a question, or request all the topless

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Speaker 1: Alvarado content. That's right. If that's your request. Listen, if somebody,

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Speaker 1: if somebody pays the premium, the premium, top dollar, you'll get. Yeah,

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Speaker 1: top dollar means topless, Chris. That's all I'm saying. You'll

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Speaker 1: be disappointed, and also attend one of our regular live

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Speaker 1: Q and a meet up. So those it's gonna actual,

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Speaker 1: They're not gonna go live, We're gonna record them, Is

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Speaker 1: that right? James are you talking about on Sundays. Yeah,

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Speaker 1: I mean the goal is to be live, but maybe

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Speaker 1: not this weekend because this won't come out of the

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Speaker 1: announcement for it being live, will be so later. But yeah,

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Speaker 1: eventually Sundays will have meetups. It's probably already live by

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Speaker 1: the time they're here. Or is this the one we're

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Speaker 1: gonna cut and we can cut it so, like you know,

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Speaker 1: I'm taking my shirt off. Okay, trips coming off. It's

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Speaker 1: an opportunity to be creatively involved in our weekly episodes,

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Speaker 1: as only the i P members will be able to

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Speaker 1: all kinds of cool ship. So please, if you want

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Speaker 1: to be a super core fan, join our Patreon page.

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Speaker 1: Yeah yeah, our first scene, like all of our scenes,

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Speaker 1: came from one of you, the listeners. If you'd like

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Speaker 1: to submit your scene suggestions, please write to the podcast

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Speaker 1: your name here at alchemy this dot com. That's your

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Speaker 1: name here and alchemy this this dot com. My first

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Speaker 1: scene comes from Steen. That's how it's pronounced from Norway.

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Speaker 1: Just write to him who wrote Hia. I've heard all

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Speaker 1: your episodes, especially like Vanessa's crack horror voice. Everyone has

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Speaker 1: a different description. I don't know which one that is

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Speaker 1: that right, now um and generally and and and the confused,

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Speaker 1: generally ignorant Marvin mceugh from the concierge sketch. Well, Chris,

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Speaker 1: you were the concierge in that sket but it wasn't.

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Speaker 1: I mean, some say I set up that alle you,

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Speaker 1: but I don't. League and Assists. I think everyone knows that.

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Speaker 1: My suggestion he goes on a cruise ship with American

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Speaker 1: tourists passing through a Norwegian feud, suddenly face a catastrophic threat.

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Speaker 1: A select few of the passengers and crew are let

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Speaker 1: in on the situation and must save everyone else. And please,

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Speaker 1: if you're trying to do a Norwegian accent, at least

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Speaker 1: don't do a German one. Alright, So if anyone wants

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Speaker 1: to try a little Norwegian, I don't like that set

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Speaker 1: up for us to fail. Stan from Norway now moved

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Speaker 1: to the right tickets for that. Okay, Hey Sean, Sean,

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Speaker 1: I'm sorry to water slot break this up. I just

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Speaker 1: want to let you know that some of the other

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Speaker 1: monkmates and I have got together and we've asked you

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Speaker 1: to switch bunks. Not again, Yeah, not again, Sean, I'm sorry. Okay,

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Speaker 1: you just you're taking them too much space. I'm bringing

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Speaker 1: Up'm bringing the positivity and I've been I've been better

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Speaker 1: on on the deck, but below deck? Do we have

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Speaker 1: any Lincoln berries? Hello? What do you need Lincoln? Open

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Speaker 1: your mouth? Catch it? Are you keeping most Lincoln berries

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Speaker 1: in your You're going to poison them? How what do

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Speaker 1: you the pesticides in your pants? This isn't this This

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Speaker 1: feels like a personal attack. Sean. I can't be more

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Speaker 1: clear than it is. I'm assistant activities director, assistant Sean. Yeah, okay,

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Speaker 1: there's a lot of other activities beside of teaching people

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Speaker 1: how to dance and throwing beads of fruit. Of them

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Speaker 1: have problem here? Yeah? Actually we do. I don't want

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Speaker 1: to be called ma'am, sir. I don't want to be

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Speaker 1: called sir. D Um Janney, Thank you, Janney. Everything's fine,

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Speaker 1: as you can tell. The passengers are having a great time.

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Speaker 1: See that. Everyone seems a little hyped up. And you

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Speaker 1: two are arguing, arguing on the deck where everyone can

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Speaker 1: see you. Sorry, Janet, we just need a bunk switch.

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Speaker 1: That's all. Bunk switch. We put in through the proper channel. Whoa,

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Speaker 1: this is the fourth time we've had you be requested

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Speaker 1: to Janet, Yes, can you tell me about the bunk

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Speaker 1: switches and Sector four? I could. I wish I could

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Speaker 1: tell you about him. Tim, Well, but they're happening in

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Speaker 1: your area, so they are happening in I'm not responsible. Sure,

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Speaker 1: I'm trying to engender a really positive relationship and I'm

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Speaker 1: being super positive and I would love to have your

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Speaker 1: job one day. Um, but yeah, there's this. You know,

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Speaker 1: I think Sean is a problem. If you had my job,

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Speaker 1: what would you say to Janet standing in front of me,

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Speaker 1: Say you're a deep ship honey, that's right. I know.

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Speaker 1: I know how this looks. I know how this looks.

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Speaker 1: Doesn't look good, But I gotta say Sean's the problem,

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Speaker 1: and I think we should kill him. Kill him. I

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Speaker 1: don't want to tell anyone but you that, and I

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Speaker 1: think we should cover it up. But I do think. Sorry,

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Speaker 1: I just have to say that I was listening in

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Speaker 1: excuse me, or if you're talking about the killing somebody

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Speaker 1: on the ship, I didn't say killing, it's what she means. No,

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Speaker 1: I think there's a language barrier because you have that

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Speaker 1: stupid voice. I said, no, I don't think so. Do

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Speaker 1: you work on the ship. I'm the captain of the ship.

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Speaker 1: This is my ship. Why are you wearing a propeller? Hate?

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Speaker 1: It makes it the effort for me to keep my

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Speaker 1: know which way the wind is blowing. If I look

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Speaker 1: at how far the propeller moves in one direction, that's

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Speaker 1: not how propellers were Sorry sir that you overheard that.

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Speaker 1: But Janet is looking over sector fourth or nine and

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Speaker 1: there with the section problems, and we didn't want to

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Speaker 1: bring them to the captain. This is the first time

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Speaker 1: I've met the captain. Yes, me too. Stay behind the door.

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Speaker 1: It's locked, right, So why did you venture out this time? Well,

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Speaker 1: I like to get the taste of what's going on

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Speaker 1: in the sheets. Since when Sean's a big problem, locked

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Speaker 1: the door, locked the door, Captain, Sean is a big problem.

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Speaker 1: Justin we disposed with Sean. We've gotten seventeen requests for

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Speaker 1: him to be moved. I don't know what else to do.

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Speaker 1: You could technically fall overboard. Is that a thing. Let's

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Speaker 1: take a look at this map here, let's unfold it. Okay,

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Speaker 1: we're about to go into an area that I think

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Speaker 1: would be easy to lose a body. Is it a fjord?

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Speaker 1: It's a funeral exactly. Okay, So once we get to

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Speaker 1: the Fiord, all we need to do is get a

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Speaker 1: distraction and then we can push this. Let me get

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Speaker 1: some more chicken fingers. I don't know what's going on, man.

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Speaker 1: The captain is looking crazy. He doesn't understand when propulsion

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Speaker 1: or even anything else. I've been telling him for weeks

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Speaker 1: that the radiators are going to overheat the giant radiator

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Speaker 1: in the center of the ship. It feels the whole

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Speaker 1: damn thing it's gonna blow. No, uh no, no, iutling class.

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Speaker 1: That's what I love you. Let me get some more

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Speaker 1: chicken fingers. It's just crazy. It's like we got twelve

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Speaker 1: thousand people aboard this ship, and every single one of

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Speaker 1: them's lives are in the palm of a hand of

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Speaker 1: a guy who wears propeller hats, propeller pants. You know,

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Speaker 1: he's got propellers all over about it. You don't have

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Speaker 1: to check the wind, you goddamn said, but but light, Yeah,

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Speaker 1: I think one of those. And and and the thing

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Speaker 1: that just irks my burke all the way up the

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Speaker 1: stock is that there's just no way to get through

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Speaker 1: to the guy. Chicken fingers. Okay, okay, no, den. You know,

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Speaker 1: do you guys really speak Spanish? It feels like you're

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Speaker 1: just using like a few words. I'm just like, I'm

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Speaker 1: overhearing and it feels like fake. Um. I think that

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Speaker 1: you don't want to talk to that man, and you're

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Speaker 1: you're pretending, Hey, Julian, don't you get us a bucket

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Speaker 1: of fries? Huh? How are you? I'm okay? So are

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Speaker 1: you talking about it? Julian? There? I don't think your

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Speaker 1: buddy likes him. He's pretending he doesn't speak English, but

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Speaker 1: I'm like, really sure he does. He listens to the

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Speaker 1: action really well and he doesn't speak full sentences of Spanish.

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Speaker 1: So your guests on the ship, huh, yeah, that's great.

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Speaker 1: Have you noticed the boat is like drifting in weird ways? Yeah.

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Speaker 1: I'm not supposed to tell you this, but I'm on

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Speaker 1: the observation deck driving it around and just get blow up.

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Speaker 1: I shouldn't be talking. Can we get some the radiator

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Speaker 1: is going to blow up? What are you doing on

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Speaker 1: the observation deck? What? K oh my god? Oh ship? Okay, everybody,

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Speaker 1: it's the chicken dance tie. Please please have the smoke

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Speaker 1: coming from a back because we're making it hot. Anybody now, guys,

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Speaker 1: I am On. I am the assistant activities director's here today.

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Speaker 1: There's an emergency at the starboard hall. Okay, Janet, I'm

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Speaker 1: not moving out of my bunk right now. You have

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Speaker 1: to see this that you love animals. There's a porpoise

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Speaker 1: stuck in the fjord. Porpoise. Give me one second, all right, everybody,

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Speaker 1: I need you all to play a game of Simon says,

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Speaker 1: as I leave. Okay, Simon says, close your eyes. Okay,

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Speaker 1: where is it your assets? You can't say that to

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Speaker 1: me over there, look down further down and and let

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Speaker 1: this see. And now we've got to Sean and that

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Speaker 1: should be good, right sir? Are you from Norway or Italy?

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Speaker 1: I'm from Norway? Okay, this is a Norwegian accent. You

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Speaker 1: don't want me to speak in Norway. If you hear

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Speaker 1: my native language, it would just make no sense to you.

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Speaker 1: Your native language. That was tam you're worried about his accent,

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Speaker 1: which killed Sean from there's a chance that the dolphins

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Speaker 1: will take can of There's no dolphin, you fucking idiot.

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Speaker 1: That was my excuse to get him a little there.

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Speaker 1: I heard that was this little sound thing do it again.

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Speaker 1: It's really good. That's the button and it makes that noise.

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Speaker 1: That's a really good one. What is this smell like smoke?

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Speaker 1: I don't believe fire usually fire is that it's causes

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Speaker 1: smoke machines and he gadgets and he whistled moms. That

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Speaker 1: can tell us where the smoke's coming from. Your propellers

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Speaker 1: are all spending really well, let's follow. The gage is

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Speaker 1: going up. The goddamn mapp here. I need to turn

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Speaker 1: down with a fifteen to Greece North. Now, more coal

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Speaker 1: inside this god more game not. I need to move

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Speaker 1: all those towels and those wet blankets out of here.

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Speaker 1: There dasting gasoline. Everyone moved. We gotta press ourselves against

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Speaker 1: the wall. Those pylons are gonna blow. It looks like

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Speaker 1: where the smoke is coming from. Guys, what are we

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Speaker 1: down here? We killed? Shot, we killed telling everyone, don't

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Speaker 1: give the goddamn I need your help right now. How

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Speaker 1: giant red house? What's giant to three times the size

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Speaker 1: of a man? Shot? Shut shut, shut, shut, shut shut.

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Speaker 1: The passengers don't know what's going on. We've got to

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Speaker 1: keep them out of this, and I neither send one

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Speaker 1: of you in there to keep them, and I got captain.

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Speaker 1: I gotta tell you your personality is pretty spectacular. And

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Speaker 1: do you want me to go down? Then take anything

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Speaker 1: there we've killed obviously not all right, everybody, it's a

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Speaker 1: special movement. I think you don't can tell by all

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Speaker 1: the propellers on me. So this is what you guys

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Speaker 1: must all. Simond says that, god, dude, I got equation.

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Speaker 1: Oh I haven't now was playing mid Simon says game

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Speaker 1: her as Chloe for quite a while. You get bumping

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Speaker 1: into people, so we opened their eyes. Well that means

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Speaker 1: you lose. Well that's fine. We're fine with losing. We

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Speaker 1: used to. We're smell smoke though't were wondering where there's smoke,

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Speaker 1: there's far usually or ribs, ribs. We would prefer alcohol.

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Speaker 1: Oh yeah, yeah. Where there's where there's smoke, there's Alcohol's

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Speaker 1: if I was to say, they would have better have

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Speaker 1: been soaked ribs and it's going to be alcohol. And

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Speaker 1: but don't say that again. It sounds weird. Rips. Yeah, yeah,

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Speaker 1: that sounds kind of goof where from cap Norregia? You

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Speaker 1: know these things. I'm the captain of this. Do you

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Speaker 1: mean Norway? Yeah, that's you're spinning things. You come clean

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Speaker 1: with this cab from you feel like you're from Sicily

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Speaker 1: or so Ccily. I was just thinking, Sherman Oaks, Cantfornia.

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Speaker 1: If you've got a problem here in this boat, we're

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Speaker 1: all mechanics, we'll be having anything. We got a ninja

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Speaker 1: dream mechanics. What do you need? Well, honestly, the last

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Speaker 1: thing that I heard is I need a wrench through

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Speaker 1: times decizello. Everybody, Oh shit, wait, wait, wait, wait, wait wait,

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Speaker 1: Who the hell's that coming out of the water. He's

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Speaker 1: riding a dolphin? That shan, you get that gun? That

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Speaker 1: dolphin can't survive on the deck. Yes, he can, it's

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Speaker 1: just not o. A couple of things. One, I am

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Speaker 1: no longer assistant activities director. I am full time activities director.

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Speaker 1: And to my friend, dolphin man here is pretty cool.

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Speaker 1: So what's the issue. I didn't kill a man. Are

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Speaker 1: you that gun? Oh my god? Okay, Sean, look man,

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Speaker 1: my bad. I didn't know. Oh damn, I killed the

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Speaker 1: dolphin inside the dolphin and there's tinier doll. Oh my god.

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Speaker 1: What None of this would have happened if you didn't

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Speaker 1: ask me to leave the bunk. Sorry, put the barrel,

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Speaker 1: this gun in your mouth, that suck that thing. There

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Speaker 1: you go, there you go, And my fantasy has come

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Speaker 1: true of pregnant dolphin dying at the end of a sketch.

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Speaker 1: That was really that was it. I'm sorry you killed

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Speaker 1: the person in that sketch, right, No, I don't remember that.

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Speaker 1: I tried to, but you came back. We'd like to

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Speaker 1: polycarbonate and and and oh man, take good time. Okay,

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Speaker 1: let me try this and anodized You got anodized anodized

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Speaker 1: aluminum craig is that right? And and anodized aluminum is

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Speaker 1: that right? That's my new vocal warm up and anodized

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Speaker 1: go right, you don't. These wheels are going to spin

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Speaker 1: three sixty degrees, guaranteed smooth. Right, Joey, you have something

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Speaker 1: you want? Yeah, I got some stuff. I got to say.

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Speaker 1: Are these suitcases are designed for a lifetime. That's a

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Speaker 1: fa If anything breaks, they're gonna fix it. So I

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Speaker 1: guess I'm not saying break something on it, but if

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Speaker 1: you do, or someone else does, they'll replace you. Get

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Speaker 1: a hundred day trial on everything away, make hundred day

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Speaker 1: trial for a hundred days. I don't care quite your job,

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Speaker 1: sell your family, do whatever you gotta do. It's free shipping.

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Speaker 1: All these bad boys too, vaness, well what I like

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Speaker 1: and call me practical. You're practical. I like the removable

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00:20:22,640 --> 00:20:25,679
Speaker 1: laundry bags you can separate your dirty clothes. I'm always

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00:20:25,680 --> 00:20:28,400
Speaker 1: in a hotel room scrounging for that dry cleaner bag

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00:20:28,440 --> 00:20:30,240
Speaker 1: they leave in the thing, and they're not always there. No,

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00:20:30,359 --> 00:20:32,280
Speaker 1: they're not always there, and they're not big enough. So

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00:20:32,440 --> 00:20:35,000
Speaker 1: this is let's keep it all separated, let's keep it

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Speaker 1: clean so we can have a nice trip yet animals. Now, Chris,

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Speaker 1: you have one of these, I have one. I have

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Speaker 1: the bigger carry on. It's honestly the perfect bag. The

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Speaker 1: design is insane. The attention to detail is just out

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Speaker 1: of this world. There's some great removable Yeah, the charger

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Speaker 1: for your phone, that's right, So it has a charger,

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00:20:54,440 --> 00:20:55,760
Speaker 1: you can just plug your phone. And when you're waiting

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Speaker 1: at the airport, and if you do one of those things,

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Speaker 1: which is what I do to avoid um checking about

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Speaker 1: on because it's it's small enough to be a carry on, right,

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00:21:02,960 --> 00:21:04,840
Speaker 1: And then when they say, hey, we're asking for bags

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Speaker 1: to be checked out for free, right, I got I

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00:21:07,119 --> 00:21:09,080
Speaker 1: always volunteer, mind, and then I can just hit the

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Speaker 1: echecked and take the charge the charger right out of there. Also,

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00:21:12,840 --> 00:21:15,920
Speaker 1: the colors are so subtle and nice. I know that

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Speaker 1: sounds weird, but sometimes I see these ugliest things at

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Speaker 1: Thank you Away. See two comes from Jason, who wrote

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Speaker 1: high Second Family. Let's get this out of the way.

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00:21:43,040 --> 00:21:49,560
Speaker 1: James need the best fun. Everyone else stand this culture

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00:21:49,640 --> 00:21:53,159
Speaker 1: that we've created. I created. I don't think I created

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00:21:53,200 --> 00:21:56,479
Speaker 1: your cult. I'm a teacher in Australia and I travel

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00:21:56,560 --> 00:22:00,200
Speaker 1: a lot. After discovering your podcast, I find myself looking

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00:22:00,240 --> 00:22:02,800
Speaker 1: forward to long trips because I get to lose my ship,

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00:22:03,119 --> 00:22:06,320
Speaker 1: which makes me think you all have probably caused accidents,

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00:22:06,400 --> 00:22:10,120
Speaker 1: you monsters. Recently, on a school excursion, I was ignoring

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00:22:10,200 --> 00:22:13,800
Speaker 1: my students to get my alchemy on. Listening to James

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00:22:13,880 --> 00:22:17,360
Speaker 1: Heeney as a toilet paper company's CEO getting overly excited

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00:22:17,440 --> 00:22:21,800
Speaker 1: by a quote unquote winding machine made me silently convolve

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00:22:21,920 --> 00:22:24,440
Speaker 1: so much that the other teachers and students thought I

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00:22:24,560 --> 00:22:28,440
Speaker 1: was suffering in medical condition. Here's my scene suggestion A

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Speaker 1: day in the classroom, except the teacher is a child

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Speaker 1: and the students are grown ups. That's it. Have fun.

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Speaker 1: I lied, I love you all. Although James Heeney is

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00:22:40,000 --> 00:22:48,400
Speaker 1: best James, thanks, and from Jason t Chairs. I don't

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00:22:48,520 --> 00:22:58,560
Speaker 1: know ship two left it. But if it's like it's

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00:22:59,760 --> 00:23:04,879
Speaker 1: not we got to make sure that bring my kid.

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00:23:05,880 --> 00:23:07,520
Speaker 1: We just built around it. If that's a problem, if

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00:23:07,560 --> 00:23:09,600
Speaker 1: that's what we wanted. You want a call? Yeah, I

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00:23:09,640 --> 00:23:11,400
Speaker 1: am on a call. Okay, So we're trying to start

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Speaker 1: a class. Does anyone have a quark? What's I started yet?

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00:23:14,240 --> 00:23:23,400
Speaker 1: So when it starts? I mean, so we're all, aren't you? Blessed? Everybody?

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00:23:24,280 --> 00:23:27,359
Speaker 1: Could everybody please just calm down? I'm about to teach.

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00:23:27,400 --> 00:23:32,440
Speaker 1: What's happening? What's happening? What's up? Guy? I'm I'm substitute

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00:23:32,480 --> 00:23:36,000
Speaker 1: teaching for the normal professor that usually teaches this class.

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00:23:36,320 --> 00:23:38,879
Speaker 1: What's your name? My name is Bobby, And Bobby, what

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00:23:38,960 --> 00:23:41,320
Speaker 1: makes you think you're qualified to teach us? We're growing up? Well?

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00:23:41,400 --> 00:23:45,280
Speaker 1: I was hired through a vigorous interview process and I've

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00:23:45,320 --> 00:23:47,560
Speaker 1: been chosen this one. If this is a prank show,

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00:23:47,720 --> 00:23:51,280
Speaker 1: I'm doing this. I'm going to kick your as signed

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00:23:51,400 --> 00:23:54,280
Speaker 1: uh you know any kind of release form? I don't

393
00:23:54,320 --> 00:23:56,520
Speaker 1: want to be on reality television again. It already ruined

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00:23:56,560 --> 00:23:59,760
Speaker 1: my life once? What makes What were you on? Where's

395
00:23:59,800 --> 00:24:04,920
Speaker 1: the I was on Where's the Hamster? And to ruin

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00:24:05,040 --> 00:24:07,240
Speaker 1: my life once? And you said where's the Hampton's that

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00:24:07,359 --> 00:24:09,639
Speaker 1: one I love? Oh that's a great one. Where's the Hamster?

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00:24:10,720 --> 00:24:13,720
Speaker 1: Is is your time? I'm not either way? So if

399
00:24:13,760 --> 00:24:16,399
Speaker 1: you guys don't want to learn, okay, don't learn. Excuse me?

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00:24:16,440 --> 00:24:19,119
Speaker 1: What was my name's Bobby. It's just hard for us

401
00:24:19,160 --> 00:24:21,040
Speaker 1: to believe that you are going to help teach us

402
00:24:21,080 --> 00:24:26,359
Speaker 1: build websites. He's not wrong, is it? Dave? Dave? Hey,

403
00:24:26,520 --> 00:24:29,120
Speaker 1: my name is Dave. To thank you, Carl. Dave's made

404
00:24:29,119 --> 00:24:31,080
Speaker 1: a hell of a point. It's a real boys club

405
00:24:31,160 --> 00:24:36,200
Speaker 1: in here. Well Dave, I don't know, doesn't have a lighter. Listen,

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00:24:36,280 --> 00:24:38,600
Speaker 1: thank you. I need you guys to concentrate because I

407
00:24:38,720 --> 00:24:44,080
Speaker 1: am a webmass. Okay, just computers are like a second language.

408
00:24:44,119 --> 00:24:46,200
Speaker 1: I had to be just language since I was born.

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00:24:46,320 --> 00:24:48,679
Speaker 1: No smoking in this class. I'm not smoking. I'm huffing

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00:24:48,760 --> 00:24:52,399
Speaker 1: the lighter. How old are you? I am thirteen? Okay,

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00:24:52,640 --> 00:25:00,720
Speaker 1: I'm thirteen years old. What do you said? I forgot

412
00:25:00,760 --> 00:25:02,440
Speaker 1: said you? Should have gone through year olds or like

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00:25:02,520 --> 00:25:05,800
Speaker 1: full people. You're like, wait a second, baby's walking in

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00:25:07,000 --> 00:25:09,440
Speaker 1: your kid. It's not my kid, it's my little brother,

415
00:25:09,960 --> 00:25:12,520
Speaker 1: my little brother. He doesn't say this is a ship show?

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00:25:12,680 --> 00:25:16,160
Speaker 1: Is this an accredited university? Until I will go straight

417
00:25:16,200 --> 00:25:18,280
Speaker 1: to the dark web and you guys, lives will all

418
00:25:18,359 --> 00:25:21,879
Speaker 1: be over. You can teach us how to get to

419
00:25:21,920 --> 00:25:24,440
Speaker 1: the dark web. I mean, yeah, of course I can't.

420
00:25:26,280 --> 00:25:28,480
Speaker 1: It's about building a web. Okay. I'm looking over your

421
00:25:28,640 --> 00:25:32,200
Speaker 1: resume here and uh says here that you're over thirteen.

422
00:25:32,560 --> 00:25:35,199
Speaker 1: I am, okay, Well, we're not looking for that right now.

423
00:25:36,200 --> 00:25:38,440
Speaker 1: We're looking for a young young kids, young young little

424
00:25:38,440 --> 00:25:42,240
Speaker 1: boys and girls to teach. That's illegal, is it? We're

425
00:25:42,240 --> 00:25:45,480
Speaker 1: an accredited university. I understand that, and I am a

426
00:25:45,680 --> 00:25:50,040
Speaker 1: teacher with full certifications. I have my masters, my e D.

427
00:25:51,280 --> 00:25:52,680
Speaker 1: What are you looking at me like that for? It

428
00:25:53,040 --> 00:25:55,360
Speaker 1: just seems that everything you recognize me from a show

429
00:25:57,280 --> 00:25:59,720
Speaker 1: Where's my Hipster? Is that where I see you from?

430
00:26:01,600 --> 00:26:03,840
Speaker 1: I've never seen someone exposed there anus like that on TV.

431
00:26:05,359 --> 00:26:09,480
Speaker 1: Let me get this straight. You you you want to

432
00:26:09,640 --> 00:26:11,639
Speaker 1: teach this class and now you're just taking this class.

433
00:26:11,920 --> 00:26:16,480
Speaker 1: I tried to teach it, and yeah, that doesn't Why

434
00:26:16,520 --> 00:26:19,120
Speaker 1: doesn't it make sense to you? I wanted in, I'm

435
00:26:19,200 --> 00:26:21,399
Speaker 1: getting in. Did you know our our teacher was going

436
00:26:21,440 --> 00:26:24,680
Speaker 1: to be thirteen? I had my suspicions when the person

437
00:26:24,720 --> 00:26:27,240
Speaker 1: who interviewed me said I was too old. You are

438
00:26:27,240 --> 00:26:31,520
Speaker 1: a little old. I'm forty two. My name is Dave

439
00:26:31,680 --> 00:26:35,280
Speaker 1: and his name you? Listen, why did you tell you

440
00:26:35,359 --> 00:26:41,640
Speaker 1: that I don't need that? Carl? I'm familiar. Hi Carl? Anyway,

441
00:26:41,800 --> 00:26:45,760
Speaker 1: the man who interviewed me, you were too old? Can

442
00:26:45,840 --> 00:26:50,960
Speaker 1: I Carl? I got it? Two? Dave's in a Carl

443
00:26:51,040 --> 00:26:57,320
Speaker 1: in a tiny little toddler, Bobby, how long is this break?

444
00:26:57,320 --> 00:26:58,680
Speaker 1: Are we supposed to be on break for a while?

445
00:26:59,040 --> 00:27:02,879
Speaker 1: I guess a new interviewed me said he's looking for

446
00:27:02,960 --> 00:27:07,200
Speaker 1: someone under thirty. Okay, so listen, come in. Can I

447
00:27:07,280 --> 00:27:10,440
Speaker 1: trust you? Guys? Jesus, I can do you one better

448
00:27:10,440 --> 00:27:12,560
Speaker 1: than recording it. What are these envelopes? Are you giving

449
00:27:12,560 --> 00:27:15,080
Speaker 1: the look? This a little money? Okay, just a little

450
00:27:15,119 --> 00:27:19,240
Speaker 1: money for I'm trying to do an expose. Shut I'm

451
00:27:19,280 --> 00:27:25,960
Speaker 1: not forty seven, I'm forty two. Look at my skin. Okay, listen,

452
00:27:26,440 --> 00:27:29,960
Speaker 1: what I want to do? Expose Okay, this is hush money.

453
00:27:30,040 --> 00:27:32,200
Speaker 1: For now we're going to crack the story open. I'm

454
00:27:32,200 --> 00:27:34,639
Speaker 1: going to get my life back on track. So we

455
00:27:34,720 --> 00:27:37,119
Speaker 1: don't talk. This is so we don't talk until I

456
00:27:37,400 --> 00:27:39,640
Speaker 1: published the expose. That's going to get my life back

457
00:27:39,680 --> 00:27:41,840
Speaker 1: on track. All right, guys, that was the break, and

458
00:27:41,960 --> 00:27:45,440
Speaker 1: now it's time to car next thing. Excuse me, what

459
00:27:45,640 --> 00:27:50,199
Speaker 1: was that I said? I wish I could have children. Oh,

460
00:27:50,280 --> 00:27:53,080
Speaker 1: I'm so sorry. They're a blessing. I really blessed my parents.

461
00:27:53,200 --> 00:27:55,879
Speaker 1: They're so proud of me. What's your brother's name? My

462
00:27:55,960 --> 00:27:59,919
Speaker 1: brother's name is We call him too, and he does

463
00:28:00,080 --> 00:28:03,080
Speaker 1: speak very well. You see your teacher's assistant. No, I

464
00:28:03,200 --> 00:28:05,639
Speaker 1: just have to babysit him because Mike while you teach up.

465
00:28:06,720 --> 00:28:08,880
Speaker 1: I am so sorry. Are you not okay with having

466
00:28:08,920 --> 00:28:12,640
Speaker 1: a child? I'm not. This baby is making eye contact

467
00:28:12,720 --> 00:28:16,560
Speaker 1: with me right now. Okay, let me pick up. I

468
00:28:16,600 --> 00:28:18,440
Speaker 1: think it knows my name. It could be are you

469
00:28:18,520 --> 00:28:24,480
Speaker 1: talking to me? Or the day? Which day? Which day? Baby?

470
00:28:24,600 --> 00:28:30,560
Speaker 1: Which day? What secrets do you have you seen? Baby? Genius?

471
00:28:30,960 --> 00:28:33,240
Speaker 1: A child knows everything up to a certain point, and

472
00:28:33,280 --> 00:28:35,000
Speaker 1: then once they crust that point, I forgot all the

473
00:28:35,040 --> 00:28:39,040
Speaker 1: story that is not the story where I gotta take

474
00:28:39,080 --> 00:28:45,280
Speaker 1: this baby, Bobby. I'm sorry, I gotta take how much

475
00:28:45,320 --> 00:28:48,560
Speaker 1: for this baby? All right? Turn it over? Okay, there

476
00:28:48,600 --> 00:28:51,800
Speaker 1: we go. Okay, upside going do this quick, mat on.

477
00:28:52,040 --> 00:28:53,480
Speaker 1: I want to just want to get to the table.

478
00:28:53,560 --> 00:29:02,640
Speaker 1: How much all right? I can give you in dollars cash,

479
00:29:03,640 --> 00:29:06,960
Speaker 1: I'll do fifty grand. You got to make a dollar

480
00:29:07,040 --> 00:29:14,480
Speaker 1: over here. It's cash shirty too. There you go. Okay,

481
00:29:15,960 --> 00:29:23,040
Speaker 1: hey baby, baby sleeping, I was sleeping ship Um, that's

482
00:29:23,080 --> 00:29:25,920
Speaker 1: when late. You know, I'm home from class. Remember remember

483
00:29:26,000 --> 00:29:27,600
Speaker 1: when you were saying you wouldn't sleep with me because

484
00:29:27,640 --> 00:29:29,840
Speaker 1: you don't respect me because I don't do much with

485
00:29:29,960 --> 00:29:33,040
Speaker 1: my life. But I am in that web building class

486
00:29:33,120 --> 00:29:36,360
Speaker 1: and I thought maybe that would turn turn you on. Hey, Dave,

487
00:29:36,640 --> 00:29:39,400
Speaker 1: that relationship you have a screepy ships. I mean, you

488
00:29:39,440 --> 00:29:41,080
Speaker 1: know she's of age, but she sounds like a tod

489
00:29:41,840 --> 00:29:44,520
Speaker 1: She just sounds like a baby. It's that's her night voice.

490
00:29:44,800 --> 00:29:47,440
Speaker 1: It's weird when she clears the throat. It's better alright, man,

491
00:29:47,440 --> 00:29:49,600
Speaker 1: because every time we've hung out with the Buffalo wild Wings,

492
00:29:49,680 --> 00:29:51,680
Speaker 1: that's how she talks because she's it's a nighttime only

493
00:29:51,720 --> 00:29:54,000
Speaker 1: hang out. Also, who are you to give him about

494
00:29:54,040 --> 00:29:57,360
Speaker 1: how a girlfriend sound? Damn, Carl was a friend to

495
00:29:57,400 --> 00:29:58,760
Speaker 1: a friend. I think I can do that. Friend to

496
00:29:58,840 --> 00:30:02,080
Speaker 1: a friend, says you, girlfriend sounds like an idiot. Boo,

497
00:30:04,880 --> 00:30:12,320
Speaker 1: you don't think. Yeah, you're proud of me in class? Wow,

498
00:30:13,760 --> 00:30:16,800
Speaker 1: you want to see to David Carl. No, that's my

499
00:30:16,840 --> 00:30:20,800
Speaker 1: teacher out there. That's Bobby Carl. Nipples her heart? Yeah, right,

500
00:30:21,240 --> 00:30:26,920
Speaker 1: kidding me? All right, baby, i' seeing a little bit it. Okay. See,

501
00:30:26,920 --> 00:30:28,440
Speaker 1: I'm telling me she didn't respect me for a very

502
00:30:28,520 --> 00:30:31,040
Speaker 1: long time. Right. That woman is an idiot. She doesn't

503
00:30:31,040 --> 00:30:34,120
Speaker 1: respect her an idiot, Dave, she doesn't respect herself. What

504
00:30:34,200 --> 00:30:36,080
Speaker 1: do you mean? How can you tell that she's got

505
00:30:36,120 --> 00:30:41,840
Speaker 1: a little toddlers football. Maybe she's so intelligent, she's figured

506
00:30:41,880 --> 00:30:44,000
Speaker 1: it all out. She's a lady genius. She's come back

507
00:30:44,040 --> 00:30:46,080
Speaker 1: to the other side. That's not what a lady genius?

508
00:30:46,120 --> 00:30:48,600
Speaker 1: How are you talking about? What are you calling? I

509
00:30:48,680 --> 00:30:59,600
Speaker 1: gotta go. Don't take my wife for a right? What

510
00:30:59,680 --> 00:31:15,480
Speaker 1: do you think? Jerry thirty seven? You ships sixty? Hey,

511
00:31:15,520 --> 00:31:19,120
Speaker 1: sorry with so you missed something. So it's control v V.

512
00:31:20,720 --> 00:31:23,680
Speaker 1: I'm so sorry, but you took my brother earlier. There's

513
00:31:23,720 --> 00:31:26,960
Speaker 1: no way to prove that. No, I mean, I'm Bobby, professor, Bobby,

514
00:31:27,160 --> 00:31:29,240
Speaker 1: you know how long have you been teaching? This is

515
00:31:29,840 --> 00:31:31,680
Speaker 1: this is my first class. But don't think of me

516
00:31:31,800 --> 00:31:34,640
Speaker 1: as a I'm good at it and that's how I

517
00:31:34,760 --> 00:31:38,200
Speaker 1: got the job. But this is my first She picks

518
00:31:38,200 --> 00:31:41,440
Speaker 1: me up at did they hire you as a contractor

519
00:31:41,760 --> 00:31:44,040
Speaker 1: or I'm an independent contractor, but I could be a

520
00:31:44,040 --> 00:31:47,040
Speaker 1: staff members early in the morning. What do you do

521
00:31:47,160 --> 00:31:56,240
Speaker 1: after class? Get the cup, Bobby, Okay, okay, get the mom.

522
00:31:56,560 --> 00:31:58,920
Speaker 1: People gave me a really hard time at school today,

523
00:31:59,640 --> 00:32:03,880
Speaker 1: like this a grateful but I'm driving it. No, they'll

524
00:32:03,920 --> 00:32:05,880
Speaker 1: just like suck on a little bit, puff it up.

525
00:32:08,880 --> 00:32:14,520
Speaker 1: You don't like it? Hate smoking? Oh, cops, put this

526
00:32:14,600 --> 00:32:18,000
Speaker 1: cocaine in your pants. Put this cocaine. Put this mustard,

527
00:32:19,760 --> 00:32:25,240
Speaker 1: mustrooms mustard. Come in. I'm not getting in the vehicle.

528
00:32:25,400 --> 00:32:30,720
Speaker 1: Oh absolutely. We just rolled down the window. How are you, ma'am? Yes,

529
00:32:31,080 --> 00:32:35,920
Speaker 1: a license and registration. Okay, let me find in here.

530
00:32:37,760 --> 00:32:40,760
Speaker 1: Let me just look for it really quick. I saw that.

531
00:32:40,920 --> 00:32:45,360
Speaker 1: We just take your seat. Do you see your team?

532
00:32:46,680 --> 00:32:58,840
Speaker 1: There we go, let's go listen. We here at the station,

533
00:32:59,400 --> 00:33:02,600
Speaker 1: all agree not to call you a woman. Cop, lady cop,

534
00:33:02,760 --> 00:33:05,360
Speaker 1: because you wanted to just be called cop officer. Is

535
00:33:05,400 --> 00:33:10,280
Speaker 1: that correct? Terrific um? And yet you also begged us

536
00:33:10,320 --> 00:33:13,480
Speaker 1: to put you on the four am beat. Is that correct? Yeah,

537
00:33:13,920 --> 00:33:18,760
Speaker 1: which is typically one of the hardest beats to patrol. Great,

538
00:33:19,400 --> 00:33:26,240
Speaker 1: So once again, once again we trusted you again. Where

539
00:33:26,360 --> 00:33:30,040
Speaker 1: the problem is? You pulled over somebody and they sped off.

540
00:33:30,440 --> 00:33:35,920
Speaker 1: That's on them, Sergeant Tinkle. Sergeant Tinkle, Yes, they ran

541
00:33:36,040 --> 00:33:40,560
Speaker 1: over my fucking foot. Yes, I think we just have

542
00:33:40,640 --> 00:33:44,240
Speaker 1: a text message from your wife. Let me see. Okay,

543
00:33:44,800 --> 00:33:51,680
Speaker 1: I am getting that's under your business, lady copy alright, alright,

544
00:33:51,920 --> 00:33:55,600
Speaker 1: I want to respect you. You do a terrible job.

545
00:33:56,080 --> 00:34:00,000
Speaker 1: I that is not on me. Here's the good news.

546
00:34:01,000 --> 00:34:04,040
Speaker 1: Your dash cam take a picture of the license plate,

547
00:34:04,240 --> 00:34:06,920
Speaker 1: so we have the address of the purpose to do

548
00:34:06,960 --> 00:34:12,560
Speaker 1: a little health call. Yes, please get your act together.

549
00:34:13,000 --> 00:34:15,200
Speaker 1: You get your act together. I'm sorry, I'm sorry I

550
00:34:15,280 --> 00:34:18,000
Speaker 1: said that. Captain. I'm gonna ask you a question because

551
00:34:18,080 --> 00:34:22,880
Speaker 1: Captain I couldn't remember what his title. Captain Tinkle to you,

552
00:34:22,960 --> 00:34:25,480
Speaker 1: I'm your search everyone else on the Captain, do you

553
00:34:25,640 --> 00:34:32,640
Speaker 1: work at the station or front assistant? Friend, I need

554
00:34:32,680 --> 00:34:37,120
Speaker 1: a new partner. This is Sean. Yeah, we've already moved

555
00:34:37,160 --> 00:34:40,680
Speaker 1: to three or four times already. I understand, but I

556
00:34:40,880 --> 00:34:44,560
Speaker 1: just can't deal with the constant nagging and complaining. You know,

557
00:34:45,080 --> 00:34:46,719
Speaker 1: we're out there in the field. We got a job

558
00:34:46,800 --> 00:34:49,239
Speaker 1: to do. We got we have to serve, right, we

559
00:34:49,320 --> 00:34:55,240
Speaker 1: have to protect, and he's just complaining constantly about what everything.

560
00:34:56,480 --> 00:35:00,160
Speaker 1: Excuse me, I've been waiting in the car, going the car.

561
00:35:00,760 --> 00:35:05,120
Speaker 1: I've been waiting outside with the car running. That's wasting. Yeah,

562
00:35:05,360 --> 00:35:06,719
Speaker 1: and I gave you a couple of minutes. It's been

563
00:35:06,760 --> 00:35:09,279
Speaker 1: like this Sunday on Fox two Cops on the beat

564
00:35:09,360 --> 00:35:14,720
Speaker 1: that you need to see Carl and Sean hit the streets. Okay,

565
00:35:14,840 --> 00:35:16,880
Speaker 1: we wanted him out to we go. We get a

566
00:35:16,920 --> 00:35:19,040
Speaker 1: burger and fries were done to get back on the

567
00:35:19,120 --> 00:35:24,600
Speaker 1: street with the hottest arrest you've ever heard. Good, don't.

568
00:35:24,640 --> 00:35:26,759
Speaker 1: We don't have time for food right now. It's this

569
00:35:26,920 --> 00:35:30,920
Speaker 1: is not the sexiest arrest you've ever heard. Put your

570
00:35:30,960 --> 00:35:32,920
Speaker 1: clothes back on. You're not supposed to have clothes off.

571
00:35:32,960 --> 00:35:36,120
Speaker 1: Your officer, not a stripper. I understand it was hot

572
00:35:37,000 --> 00:35:40,279
Speaker 1: you These arrests are gonna get you off, guarantee it.

573
00:35:41,040 --> 00:35:44,960
Speaker 1: Why are you wearing handcuffs. I can't find the key man,

574
00:35:45,840 --> 00:35:47,960
Speaker 1: But why did you put him on in the first place, Carl.

575
00:35:48,200 --> 00:35:54,520
Speaker 1: These arrests are gonna make you ask me, Oh, that's disgusting.

576
00:35:54,600 --> 00:35:57,319
Speaker 1: What are you doing in the car, Carl? I'm trying

577
00:35:57,360 --> 00:36:01,520
Speaker 1: to ask questions to the voiceover guy got ship. These

578
00:36:01,600 --> 00:36:06,520
Speaker 1: arrests are getting me off. Why does heitor realized? Why

579
00:36:06,560 --> 00:36:09,680
Speaker 1: doesn't he just let people know what channel we're on

580
00:36:09,800 --> 00:36:12,839
Speaker 1: and what time we're on? This is insane. I don't

581
00:36:12,960 --> 00:36:15,759
Speaker 1: understand what we're watching so the cops can hear the

582
00:36:15,880 --> 00:36:22,399
Speaker 1: voice the voice over, I don't know what are we watching? Well,

583
00:36:22,520 --> 00:36:26,480
Speaker 1: I mean, is this YouTube or TV? I think it's

584
00:36:26,520 --> 00:36:30,040
Speaker 1: Internet for sure. It says Fox, but it feels like internet.

585
00:36:30,160 --> 00:36:33,560
Speaker 1: He said come and it takes. But you can say

586
00:36:33,640 --> 00:36:41,520
Speaker 1: come because you could be spelling it like ejaculate, Sergeant Tinkle.

587
00:36:42,040 --> 00:36:44,520
Speaker 1: I hate to be the guy that keeps complaining about Alex.

588
00:36:46,440 --> 00:36:52,239
Speaker 1: Excuse me, Lady Cole, Hey, anyway, don't We've been having

589
00:36:52,320 --> 00:36:54,480
Speaker 1: to write along with the producers from the show, and

590
00:36:54,680 --> 00:36:57,400
Speaker 1: they are distracting. I'm trying to be a police officer

591
00:36:57,600 --> 00:37:03,560
Speaker 1: and they're I hear the are you recasting? Well, I'm

592
00:37:03,600 --> 00:37:08,839
Speaker 1: just I'm curious you're cast. I'm a cop cast member. Well,

593
00:37:08,880 --> 00:37:11,080
Speaker 1: you know what, you can get killed off at any minute.

594
00:37:11,200 --> 00:37:13,799
Speaker 1: That's not a threat. Al Right, guys, uh, we're gonna

595
00:37:13,840 --> 00:37:16,040
Speaker 1: be casting for a new cop show on Fox. Is

596
00:37:16,080 --> 00:37:19,120
Speaker 1: going to be a premier on Sundays, and it's waited

597
00:37:19,200 --> 00:37:21,400
Speaker 1: for a second. So just everyone give me your headshots

598
00:37:21,400 --> 00:37:23,839
Speaker 1: and resume. We're looking for somebody under thirteen, as mammy,

599
00:37:23,880 --> 00:37:25,799
Speaker 1: did you get your lunch older in there? Not yet? Okay,

600
00:37:26,520 --> 00:37:28,680
Speaker 1: let me get Let me get too hummusburgers. I don't

601
00:37:28,680 --> 00:37:32,400
Speaker 1: want anyone don't want that with a lettuce wrap, grilled onions, mushrooms, zucchini,

602
00:37:32,480 --> 00:37:34,960
Speaker 1: and a little bit of a spigano. Okaya all the

603
00:37:34,960 --> 00:37:40,320
Speaker 1: way through the exactly I've had that too. Okay, so

604
00:37:41,120 --> 00:37:44,480
Speaker 1: let's just get right to it. Do we get a

605
00:37:45,080 --> 00:37:47,799
Speaker 1: lunch in the bullpen? Are we in a bullpen? You're

606
00:37:47,840 --> 00:37:50,919
Speaker 1: just auditioning, Thank you very much. Okay, So let's let's

607
00:37:50,920 --> 00:37:54,839
Speaker 1: just get you right into it. We have twelve great um,

608
00:37:54,960 --> 00:37:58,120
Speaker 1: I feel like she's much older. She sounds like a

609
00:37:58,160 --> 00:38:06,439
Speaker 1: toddler though, yeah, it's your forty one. Might work older

610
00:38:06,520 --> 00:38:10,759
Speaker 1: to play younger. So I like the audition okay, great. Um,

611
00:38:10,960 --> 00:38:14,839
Speaker 1: I love sports and I make my own jello awesome. Okay, great,

612
00:38:14,880 --> 00:38:16,360
Speaker 1: So let's just get in the scenario here. We have

613
00:38:16,520 --> 00:38:17,800
Speaker 1: one of our fellow actors here is gonna do a

614
00:38:17,800 --> 00:38:20,640
Speaker 1: scene with you. Okay, and he start on page three,

615
00:38:20,719 --> 00:38:22,800
Speaker 1: okay three, So do you have any questions? Do you

616
00:38:22,880 --> 00:38:25,640
Speaker 1: understand what's going on? Totally? Okay? Great? So this uh,

617
00:38:25,800 --> 00:38:27,840
Speaker 1: this person right here is gonna play a purp and

618
00:38:28,200 --> 00:38:30,759
Speaker 1: I'm going to be filming your feet. Great. And so

619
00:38:30,840 --> 00:38:33,160
Speaker 1: what he's been doing has been a stuffing cadavers with drugs,

620
00:38:33,239 --> 00:38:34,920
Speaker 1: just like in Bad Boys Too. Are you familiar? I

621
00:38:35,160 --> 00:38:37,520
Speaker 1: have the script right here, okay. So there's certain extra

622
00:38:37,760 --> 00:38:39,880
Speaker 1: extacy pills that have been stamped, and that's how we're

623
00:38:39,920 --> 00:38:42,480
Speaker 1: gonna find out where they are. I'm doing fine. And

624
00:38:42,719 --> 00:38:44,680
Speaker 1: so you are in an on tops room a morgue,

625
00:38:45,120 --> 00:38:48,480
Speaker 1: and you're in Mount Miami South Beach. Okay, and get

626
00:38:48,520 --> 00:38:51,759
Speaker 1: it together all right? You know? And there's a and

627
00:38:51,880 --> 00:38:53,480
Speaker 1: just like in the film, there's a cadaver with breast

628
00:38:53,560 --> 00:38:57,200
Speaker 1: that like it inappropriately touches. So we start, yes, we can,

629
00:38:57,680 --> 00:39:01,000
Speaker 1: and we're gonna we're gonna start what Ever, when I

630
00:39:01,040 --> 00:39:03,000
Speaker 1: start blinking, you start looking me in the eyes when

631
00:39:03,040 --> 00:39:07,880
Speaker 1: I start blinking. Okay, what time you get four? Okay,

632
00:39:08,120 --> 00:39:10,239
Speaker 1: you weren't supposed to be here till thirty? What's up?

633
00:39:12,360 --> 00:39:16,759
Speaker 1: I'm early? That's right. I was wondering why you're early?

634
00:39:17,080 --> 00:39:20,240
Speaker 1: This is pretty good drugs say that while he's auditioning

635
00:39:20,520 --> 00:39:23,600
Speaker 1: drug you're early because of the drugs? Is there just

636
00:39:23,680 --> 00:39:29,719
Speaker 1: one line on each page everywhere? Yeah? Yeah, you got

637
00:39:29,880 --> 00:39:36,480
Speaker 1: you got that. Listen. I'm uh huh sure. Let's see

638
00:39:36,480 --> 00:39:39,000
Speaker 1: that again. Let's go from the top again, and this

639
00:39:39,200 --> 00:39:42,640
Speaker 1: time does he really have one word on every page? Yes, yes,

640
00:39:42,920 --> 00:39:44,960
Speaker 1: it's easier that way. That's how he branded it. He

641
00:39:45,000 --> 00:39:47,279
Speaker 1: can't figure the printer out. It's easy that. I can't

642
00:39:47,280 --> 00:39:48,920
Speaker 1: figure that. I took a class on this stuff. It

643
00:39:49,000 --> 00:39:52,759
Speaker 1: just this professor. He was old as ship. He didn't

644
00:39:52,760 --> 00:39:56,000
Speaker 1: know what. It doesn't matter. I don't know, like the

645
00:39:58,680 --> 00:40:01,680
Speaker 1: gotta go to a zoo USA if you want to

646
00:40:01,719 --> 00:40:04,080
Speaker 1: go to that online college. No, it's not online, it's

647
00:40:04,120 --> 00:40:06,759
Speaker 1: in real life and they have professors as young as

648
00:40:06,840 --> 00:40:09,840
Speaker 1: thirteen are teaching you the most cutting edge approach to

649
00:40:10,080 --> 00:40:12,560
Speaker 1: the dark web and other things. And also you should

650
00:40:12,600 --> 00:40:14,040
Speaker 1: be able to figure out how to work that printer

651
00:40:14,200 --> 00:40:17,560
Speaker 1: in no time. It's content so good it'll make you

652
00:40:18,040 --> 00:40:31,880
Speaker 1: come into Hi gang. I got my brother listening, so

653
00:40:32,000 --> 00:40:39,000
Speaker 1: I did my part. Shout out to Ben. We go

654
00:40:39,200 --> 00:40:42,800
Speaker 1: back to the first moon landing mission. The astronauts have

655
00:40:43,000 --> 00:40:45,400
Speaker 1: just taken off, but soon after takeoff, they realized that

656
00:40:45,480 --> 00:40:49,520
Speaker 1: NASA engineers did not include a bathroom. Frantically, they are

657
00:40:49,600 --> 00:40:52,640
Speaker 1: in touch with Houston to create such a device. Allah

658
00:40:52,680 --> 00:40:55,680
Speaker 1: Apollo thirteen and can't wait to hear what happens. PS.

659
00:40:55,719 --> 00:41:05,600
Speaker 1: I love you all equally from Corey. Uh, wake up Houston,

660
00:41:05,880 --> 00:41:14,760
Speaker 1: wake up man? Wake can you talking to him? You're sleep?

661
00:41:15,520 --> 00:41:17,480
Speaker 1: I'll call if you're a sleep may but on this

662
00:41:17,600 --> 00:41:22,360
Speaker 1: for thirty seven hours. A. Yeah, this is Houston. We

663
00:41:22,480 --> 00:41:24,839
Speaker 1: just want to make sure you Felas had that third

664
00:41:24,960 --> 00:41:29,040
Speaker 1: meal and everything is that you can do? Is that?

665
00:41:29,280 --> 00:41:31,120
Speaker 1: Is that? Is that a bad thing? Yeah? Well that's

666
00:41:31,160 --> 00:41:34,520
Speaker 1: probably that's coming from your end. That that sounds that's

667
00:41:34,560 --> 00:41:36,720
Speaker 1: not that's not me. It's got to be from year around.

668
00:41:37,360 --> 00:41:40,560
Speaker 1: Oh I found Is that is that bad? Is that me? Well?

669
00:41:40,600 --> 00:41:42,920
Speaker 1: I don't know if it's bad or you? But how

670
00:41:42,960 --> 00:41:46,560
Speaker 1: did that third meal go? And went good? Uh? Third

671
00:41:46,600 --> 00:41:53,360
Speaker 1: meal went good? We are eating our FilmOn. Yeah, secret recipe,

672
00:41:53,760 --> 00:41:59,759
Speaker 1: A secret recipe. Excuse excuse me? Excuse me to call.

673
00:42:00,920 --> 00:42:02,920
Speaker 1: I can't seem to find the bathroom. I've checked and

674
00:42:03,040 --> 00:42:06,359
Speaker 1: this is the last door and you're here, so it's

675
00:42:06,360 --> 00:42:11,720
Speaker 1: not a bathroom, right, I need to use the restroom.

676
00:42:11,800 --> 00:42:13,960
Speaker 1: I I feel a little sick. That's on you. I

677
00:42:14,040 --> 00:42:16,480
Speaker 1: got I get on what to do for you? Okay?

678
00:42:17,120 --> 00:42:19,239
Speaker 1: Does any can we do a quick roll call of

679
00:42:19,360 --> 00:42:23,799
Speaker 1: who's in the shuttle and who's in at Houston? Why

680
00:42:23,840 --> 00:42:26,719
Speaker 1: do we have to do that? It's not for me?

681
00:42:26,880 --> 00:42:31,160
Speaker 1: You know, it's protocol. Everything around the control center you'll

682
00:42:31,200 --> 00:42:34,359
Speaker 1: see who's there up in so I know you are.

683
00:42:34,440 --> 00:42:35,960
Speaker 1: You have to say when I call your name, you

684
00:42:36,080 --> 00:42:41,080
Speaker 1: to say Space or Houston? How many people? Why did

685
00:42:41,120 --> 00:42:43,239
Speaker 1: you look around yourself and see? If it's not for me,

686
00:42:43,320 --> 00:42:45,120
Speaker 1: it's protocol. Okay, So I want to call your name,

687
00:42:45,160 --> 00:42:49,080
Speaker 1: Please say either Space or Houston. Okay, we go? Uh Derek,

688
00:42:50,600 --> 00:42:57,640
Speaker 1: thank you? Johanna. I'm sorry? Did you say Derek was

689
00:42:57,719 --> 00:43:01,919
Speaker 1: in space? Okay? Because I'm on the Apollo thirteen. There's

690
00:43:02,000 --> 00:43:06,719
Speaker 1: there's no Derek here here? Is there another Johanna? You're

691
00:43:06,760 --> 00:43:10,280
Speaker 1: in in Brisbane? Okay? You shouldn't be on this channel.

692
00:43:10,760 --> 00:43:13,080
Speaker 1: I didn't know what we're talking about. No, well we

693
00:43:13,200 --> 00:43:17,360
Speaker 1: have Apolo seventy one. What is going on coming over Brisbane?

694
00:43:17,400 --> 00:43:23,719
Speaker 1: I think you guys are tracking Polo. Okay, yes, I'm

695
00:43:23,760 --> 00:43:26,800
Speaker 1: in space and there is an emergence space. We're not

696
00:43:26,880 --> 00:43:33,040
Speaker 1: there just yet, Johanna. Okay, Derek, did you get in

697
00:43:33,160 --> 00:43:36,319
Speaker 1: contact with Houston. I've been talking to them and they

698
00:43:36,760 --> 00:43:38,520
Speaker 1: are just doing roll call right now. So I have

699
00:43:38,600 --> 00:43:41,000
Speaker 1: no answers. Oh, Man, I did something sucked up? What

700
00:43:41,080 --> 00:43:44,160
Speaker 1: did you do? Just they fucked up? What did you do?

701
00:43:45,120 --> 00:43:46,880
Speaker 1: I cut up Sean and the pete inside of Man.

702
00:43:47,760 --> 00:43:49,320
Speaker 1: I didn't know where to go. Man, I didn't know

703
00:43:49,360 --> 00:43:54,400
Speaker 1: where to go. No, no, no, no, no, no, Spider, No,

704
00:43:54,640 --> 00:44:00,560
Speaker 1: you're in space a space. Okay, great, look this test

705
00:44:00,680 --> 00:44:02,279
Speaker 1: is flawed. Then if that guy doesn't know where he is,

706
00:44:02,440 --> 00:44:05,000
Speaker 1: we have to redo it. Okay, well, okay, just real quick,

707
00:44:05,000 --> 00:44:10,400
Speaker 1: I don't think the test is flawed. Sean Sean, Sean

708
00:44:10,560 --> 00:44:12,600
Speaker 1: wasn't okay, Johanna, can we just get a live feed

709
00:44:12,640 --> 00:44:16,400
Speaker 1: on him? Derek, Derek, I just wanted Derek speaking in space. Uh,

710
00:44:16,560 --> 00:44:18,239
Speaker 1: this is an emergency, So if we could just skip

711
00:44:18,360 --> 00:44:22,240
Speaker 1: this next name. Okay, so that Spider's screaming, right, who's

712
00:44:22,280 --> 00:44:27,239
Speaker 1: taking roll? Call? I am Spice. We haven't gotten to me.

713
00:44:28,000 --> 00:44:32,200
Speaker 1: Oh my god, hold on that. You gotta be quiet.

714
00:44:32,320 --> 00:44:38,400
Speaker 1: That's my god. Do I cut his body up in Houston? Spider?

715
00:44:38,560 --> 00:44:44,520
Speaker 1: Oh my god? Can you please? Okay? Spider side side

716
00:44:44,800 --> 00:44:48,960
Speaker 1: and cut him up side? He caught up Sean and

717
00:44:49,920 --> 00:44:55,120
Speaker 1: a crazy sense of humor and Australian actually what we

718
00:44:55,280 --> 00:45:01,040
Speaker 1: we joke like that too? Good? From my story report,

719
00:45:01,440 --> 00:45:04,680
Speaker 1: I did mind on the Apollo seventy one mission. There's

720
00:45:04,719 --> 00:45:08,120
Speaker 1: no such thing. Sit down they that did happen? It

721
00:45:08,200 --> 00:45:12,279
Speaker 1: did happen to Pete, and sit down. If anybody brings

722
00:45:12,360 --> 00:45:15,200
Speaker 1: up any missions that they've heard their parents talk about

723
00:45:15,280 --> 00:45:18,920
Speaker 1: that I don't have in this book, your ass is grass.

724
00:45:19,239 --> 00:45:23,319
Speaker 1: Mr and Mrs Morgan, thank you for coming into my office. Egency, Well,

725
00:45:23,320 --> 00:45:26,400
Speaker 1: the emergency is that your son is spitting some conspiracy

726
00:45:26,400 --> 00:45:28,960
Speaker 1: theories to the class and it's wait, wait, wait, wait,

727
00:45:30,719 --> 00:45:33,400
Speaker 1: that's my husband the Apolo seventy one mission. Oh my god,

728
00:45:34,760 --> 00:45:38,360
Speaker 1: did you tell him? Of course I told him. It's employees' studying.

729
00:45:39,120 --> 00:45:43,000
Speaker 1: He's ten years old and it's not a conspiracy theory.

730
00:45:44,280 --> 00:45:51,239
Speaker 1: We lost a good uncle on that. Hi Mrs me Loaf, Yeah, um,

731
00:45:52,880 --> 00:45:55,040
Speaker 1: you know me, of course I do. You've worked with

732
00:45:55,160 --> 00:45:59,000
Speaker 1: our family for Sean and you've gone Wait, come inside,

733
00:45:59,600 --> 00:46:02,640
Speaker 1: thank you very much. Do you remember that's Dave. I'm Dave. Um.

734
00:46:03,080 --> 00:46:06,279
Speaker 1: Please have a seat. Okay, why are we back? It's

735
00:46:06,280 --> 00:46:11,680
Speaker 1: about okay, it's a cliffy fee? Okay, should I should

736
00:46:11,719 --> 00:46:13,600
Speaker 1: sit down? You should probably sit down? Are you gonna stand?

737
00:46:16,360 --> 00:46:18,320
Speaker 1: Do you guys mind if we stand in the backyard.

738
00:46:18,440 --> 00:46:21,400
Speaker 1: Mrs metelof Sean come come with me. Let's go. I

739
00:46:21,440 --> 00:46:24,640
Speaker 1: want to lift the fee out in the backyard, just

740
00:46:24,719 --> 00:46:28,000
Speaker 1: through this glass door. All right, Sean is dead, Oh

741
00:46:28,120 --> 00:46:31,239
Speaker 1: my god. But it gets a little bit worse. Are

742
00:46:31,280 --> 00:46:36,040
Speaker 1: these crystals he didn't die? Are these crystal? Those aren't real?

743
00:46:36,080 --> 00:46:40,840
Speaker 1: Crystal nose? They look real? Those were from Sean didn't

744
00:46:40,880 --> 00:46:44,400
Speaker 1: die in a respectable manner. He was cut up, and

745
00:46:44,440 --> 00:46:46,319
Speaker 1: then Pete and side He was cut up and then

746
00:46:46,400 --> 00:46:52,200
Speaker 1: Pete and sead of Okay, okay, okay, the other bend

747
00:46:52,200 --> 00:46:56,120
Speaker 1: news is spider, Hey, neighbor, what's going on? Okay? You

748
00:46:56,200 --> 00:46:59,160
Speaker 1: know what? I'm having a private conversation. Maybe if you

749
00:46:59,200 --> 00:47:01,560
Speaker 1: want a private convert stations. Maybe you should fix your fence.

750
00:47:01,640 --> 00:47:05,799
Speaker 1: Like I mentioned, missus meat love just please guys, gang

751
00:47:05,880 --> 00:47:09,839
Speaker 1: bang just miss now her husband died. Her husband's dead, Sean, Yeah,

752
00:47:09,960 --> 00:47:14,640
Speaker 1: he got cut up in the every business, Come back inside.

753
00:47:14,640 --> 00:47:16,600
Speaker 1: I don't want to be in the yard, you know,

754
00:47:16,760 --> 00:47:18,560
Speaker 1: you know what. I don't want to be near your backyard.

755
00:47:18,600 --> 00:47:22,399
Speaker 1: But you won't fix your damn fans. Bitch. But Jane,

756
00:47:22,440 --> 00:47:24,960
Speaker 1: what's happening now? He was having a party with I

757
00:47:25,000 --> 00:47:26,719
Speaker 1: don't know what she's doing, but she's out there with

758
00:47:26,840 --> 00:47:30,040
Speaker 1: some guys and suits root and Sean got cut up

759
00:47:30,080 --> 00:47:37,720
Speaker 1: and piston. It's none of your guys business. Come on bus, Okay,

760
00:47:37,800 --> 00:47:40,920
Speaker 1: I will premise. And if your dog poops on my

761
00:47:41,080 --> 00:47:44,360
Speaker 1: yard again, honey, I'm stuffing her. Please do Mommy, mommy,

762
00:47:44,719 --> 00:47:47,840
Speaker 1: what why are you quieting? I'm let's go inside of

763
00:47:48,040 --> 00:47:54,799
Speaker 1: old your good I'm month one months old, forty good

764
00:47:54,880 --> 00:47:58,720
Speaker 1: months here because your daddy got cut up and people

765
00:47:58,960 --> 00:48:04,879
Speaker 1: don't say it. I like to come in. I don't

766
00:48:04,920 --> 00:48:06,759
Speaker 1: want to have this is this? Is this crystal or

767
00:48:06,920 --> 00:48:11,880
Speaker 1: fake crystals? Crystal? No, just meat loaves do not have crystal.

768
00:48:11,960 --> 00:48:13,879
Speaker 1: They can't even fix the damn fence. If you found out.

769
00:48:13,920 --> 00:48:16,239
Speaker 1: That's Crystal. Sell it to me. Where do you think

770
00:48:16,320 --> 00:48:19,880
Speaker 1: you are a cowboy? Yeah? I just just where do

771
00:48:20,000 --> 00:48:23,800
Speaker 1: you guys work? You know? I work for that's that

772
00:48:24,320 --> 00:48:29,720
Speaker 1: that's a space program. It stands for National Ariotics Space

773
00:48:29,960 --> 00:48:36,000
Speaker 1: and Association. Come in stands the last Stop talking to

774
00:48:36,120 --> 00:48:45,480
Speaker 1: my neighbors and what come inside? Oh? Do inside my house?

775
00:48:46,719 --> 00:48:50,960
Speaker 1: The neighbors? You fix that damn fence. Well, we don't

776
00:48:51,000 --> 00:48:53,759
Speaker 1: have to come inside your half that dude? Should we

777
00:48:53,800 --> 00:48:56,160
Speaker 1: just go in the kitchen's I guess we misunderstood. We

778
00:48:56,200 --> 00:48:59,840
Speaker 1: thought you were inviting everybody. Yeah, can we please go inside?

779
00:49:00,000 --> 00:49:02,640
Speaker 1: Get no, I was trying to get away from you guys.

780
00:49:02,760 --> 00:49:06,319
Speaker 1: My my husband just dog just got hit by car.

781
00:49:06,920 --> 00:49:10,000
Speaker 1: So what do you want eat? I want to leave crying.

782
00:49:10,040 --> 00:49:11,680
Speaker 1: I understand that, But we just we got a job

783
00:49:11,719 --> 00:49:13,719
Speaker 1: to do. Okay, well you already did the job. What

784
00:49:13,840 --> 00:49:16,000
Speaker 1: are you going through her pantry? Where's that keep the bread?

785
00:49:16,080 --> 00:49:18,160
Speaker 1: That has? So I'm looking for you, sa Dave, Dave,

786
00:49:18,440 --> 00:49:21,440
Speaker 1: let's beat it, Dave. We gotta hang for a bit.

787
00:49:21,800 --> 00:49:23,400
Speaker 1: What do you got a job to do? We're from NASA.

788
00:49:23,560 --> 00:49:25,440
Speaker 1: By the way, do you see that neighbor? Which one

789
00:49:25,520 --> 00:49:28,400
Speaker 1: the one that's all like the which one was? Well,

790
00:49:28,560 --> 00:49:31,480
Speaker 1: she's like, all right, where's that? I don't know. Did

791
00:49:31,560 --> 00:49:37,440
Speaker 1: we meet them or no? Yeah we met him, I

792
00:49:37,480 --> 00:49:40,439
Speaker 1: don't think so. Listen, we're gonna we're gonna head out soon.

793
00:49:40,960 --> 00:49:42,480
Speaker 1: Where do you keep your meat? Which drawer do you

794
00:49:42,520 --> 00:49:44,800
Speaker 1: have your meeting? Well? I have everything's in the fridge.

795
00:49:46,160 --> 00:49:49,839
Speaker 1: You guys, don't eat my food. You make I am

796
00:49:49,960 --> 00:49:54,920
Speaker 1: making sand pitches? Would she like one? Please? Okay, tell

797
00:49:54,960 --> 00:49:56,880
Speaker 1: me what happened to my daddy again? Let me just

798
00:49:57,000 --> 00:50:00,239
Speaker 1: put you up in this counter. Okay, now it's just

799
00:50:00,280 --> 00:50:04,320
Speaker 1: a gasp, Yes it is. I what was my booty? Alright?

800
00:50:04,400 --> 00:50:06,680
Speaker 1: Well do you know what space travel is? Yes? That's

801
00:50:06,800 --> 00:50:09,600
Speaker 1: my daddy does. Okay, very well he did. So what

802
00:50:09,760 --> 00:50:12,840
Speaker 1: happened was out in space? We forgot to put a

803
00:50:12,920 --> 00:50:16,560
Speaker 1: little peepe room spider. What's up man? You call me? Yeah?

804
00:50:17,480 --> 00:50:19,920
Speaker 1: What's going on? Man? Huh? Nothing? Just I just think

805
00:50:19,960 --> 00:50:23,799
Speaker 1: I then talking to my wife and my little baby girl. Yeah, yeah, yeah,

806
00:50:23,960 --> 00:50:27,600
Speaker 1: what's up you? Uh? It looks a little weird, dude, bad?

807
00:50:28,040 --> 00:50:30,879
Speaker 1: You know what? I can't find the bathroom anywise? Got bad? Man,

808
00:50:31,120 --> 00:50:37,360
Speaker 1: that's crazy, that's crazy. Publish anyone? Do you? Yep? Copy.

809
00:50:37,520 --> 00:50:39,120
Speaker 1: We are good. Just want you hang on that for

810
00:50:39,120 --> 00:50:42,359
Speaker 1: a second. Hu okay, so that up for second. Many

811
00:50:42,400 --> 00:50:47,040
Speaker 1: body looks like a little peepee room. Huh. I'll tell

812
00:50:47,080 --> 00:50:50,640
Speaker 1: you what inside it is like cavernous and waiting for urine.

813
00:50:50,640 --> 00:50:53,120
Speaker 1: You know what I mean. Um listen, I'm gonna grab

814
00:50:53,200 --> 00:50:56,480
Speaker 1: some of thistro and so that's all the auto recordings

815
00:50:56,520 --> 00:51:00,839
Speaker 1: we have. That's that's awful. I think that that man,

816
00:51:01,239 --> 00:51:03,120
Speaker 1: I think that was the man who did it. Oh, no,

817
00:51:03,239 --> 00:51:04,759
Speaker 1: we know, we know it is. Well, are you going

818
00:51:04,840 --> 00:51:07,000
Speaker 1: to retrieve him the American here? We can't. We're not

819
00:51:07,040 --> 00:51:10,439
Speaker 1: gonna arrest him that he's an astronaut. So there's laws.

820
00:51:11,120 --> 00:51:13,120
Speaker 1: But we can't have you talk about the mission because

821
00:51:13,120 --> 00:51:17,160
Speaker 1: it's hands. Have you have a refrigerator ship? The beef? Oh,

822
00:51:17,640 --> 00:51:24,319
Speaker 1: the beef, I'm burning it. That was your I thought

823
00:51:24,320 --> 00:51:27,720
Speaker 1: it was your daughter. I'm a girl. That's just so upset.

824
00:51:27,840 --> 00:51:32,320
Speaker 1: My beef is alright, Dave, alright, Dave, he put the

825
00:51:32,400 --> 00:51:35,359
Speaker 1: knife down, puts the knife down. We'll get it away

826
00:51:35,400 --> 00:51:38,759
Speaker 1: from the from Mrs me Long. She's fucking next. You're

827
00:51:38,760 --> 00:51:40,640
Speaker 1: gonna slice her up in pe inside of her. I

828
00:51:40,680 --> 00:51:43,560
Speaker 1: don't mind, don't do it, please, don't do it. Cut

829
00:51:43,640 --> 00:51:46,919
Speaker 1: that kid up and that white me look at Okay,

830
00:51:47,000 --> 00:51:50,560
Speaker 1: that's just the boo boo. Everything's fine, everybody relaxed, Dave.

831
00:51:50,600 --> 00:51:53,720
Speaker 1: I just want to go over your last couple of house.

832
00:51:55,320 --> 00:51:58,200
Speaker 1: Do you want me on the right? I'd love to

833
00:51:58,239 --> 00:52:00,560
Speaker 1: have you on the radio. Is that is that? Jo

834
00:52:01,040 --> 00:52:08,759
Speaker 1: Is Johanna? I just need jop Hanna, jop Hanny, Deep, Joe,

835
00:52:09,960 --> 00:52:15,080
Speaker 1: Joe Hen. They're big fans of here. I've never heard

836
00:52:15,120 --> 00:52:20,520
Speaker 1: that before. No, you're serious, not an actually song, Dave? Yeah,

837
00:52:20,880 --> 00:52:25,040
Speaker 1: what's up? I'm sorry to Dave Jones. Who's in spice?

838
00:52:26,160 --> 00:52:29,160
Speaker 1: At this point where we've lost track of who's in space?

839
00:52:29,200 --> 00:52:35,120
Speaker 1: I think it's easy to figure out that spiders sunny voice.

840
00:52:36,560 --> 00:52:39,000
Speaker 1: I didn't know you did funny voices? Yeah, you know,

841
00:52:39,040 --> 00:52:42,960
Speaker 1: I do. I loved it. I'll do it again. Who's

842
00:52:43,120 --> 00:52:51,800
Speaker 1: in space? Joan? So you're saying you've never heard that,

843
00:52:52,280 --> 00:52:55,879
Speaker 1: I've never heard that. Nor that was sarcastic. I think, so, Dave,

844
00:52:55,920 --> 00:52:57,759
Speaker 1: what is your problem? If we could narrow down, let's

845
00:52:57,760 --> 00:53:00,520
Speaker 1: go through. Do they feel like three things that are

846
00:53:00,560 --> 00:53:04,680
Speaker 1: a problem? One what you're asking me, that's what I'm

847
00:53:04,719 --> 00:53:09,719
Speaker 1: picking up. Both earth bound, yes and they've been making

848
00:53:09,760 --> 00:53:14,799
Speaker 1: house calls to a widow and I'm getting horrible reports. Well,

849
00:53:14,840 --> 00:53:16,880
Speaker 1: I don't mind. You tried to put a baby on

850
00:53:16,960 --> 00:53:20,879
Speaker 1: a stove cooking. Yes, but look, it's not my it's

851
00:53:20,880 --> 00:53:22,480
Speaker 1: not our fault that we have to keep going back

852
00:53:22,480 --> 00:53:27,600
Speaker 1: and talking to her. Okay, it's your job. That point

853
00:53:27,840 --> 00:53:29,239
Speaker 1: is that my falls my job. We have to keep

854
00:53:29,239 --> 00:53:30,800
Speaker 1: going back. We have to keep doing these house visits.

855
00:53:31,200 --> 00:53:33,480
Speaker 1: You don't keep going back to the same house. I

856
00:53:33,520 --> 00:53:35,560
Speaker 1: don't understand why. Next on the agenda is we have

857
00:53:35,640 --> 00:53:38,040
Speaker 1: to go visit Spider's life. I'm not doing and give

858
00:53:38,080 --> 00:53:41,719
Speaker 1: her a metal. No, yes, it seems weird. But before

859
00:53:41,760 --> 00:53:44,319
Speaker 1: we do that, we're gonna go to Mrs Meatlope, you're

860
00:53:44,400 --> 00:53:48,000
Speaker 1: not going back to me. We cut. Are you doing

861
00:53:48,080 --> 00:53:51,600
Speaker 1: back here? Well, I'm already gotta knock. We just want

862
00:53:51,640 --> 00:53:54,399
Speaker 1: you to know that Spider's wife is getting the metal.

863
00:53:55,960 --> 00:54:02,120
Speaker 1: Why that's salting the wind, he's getting the hero idiot.

864
00:54:05,760 --> 00:54:08,200
Speaker 1: You never told us to get out Mrs meat Loaf.

865
00:54:08,440 --> 00:54:10,320
Speaker 1: We want to read what's going to be inscribed in

866
00:54:10,360 --> 00:54:12,799
Speaker 1: the plaque. I don't cook these ribs or no, please

867
00:54:12,800 --> 00:54:19,719
Speaker 1: don't cook the riper for tomorrow having killed Yeah, he's

868
00:54:19,719 --> 00:54:22,680
Speaker 1: getting the metal. Yeah, so it says to the White

869
00:54:23,880 --> 00:54:28,000
Speaker 1: Spider is a national hero for his valor in slicing

870
00:54:28,160 --> 00:54:37,960
Speaker 1: and dicing and peeing in I think good. Please, why

871
00:54:37,960 --> 00:54:42,040
Speaker 1: are you cooking that meat ribs? I love cooking up

872
00:54:42,080 --> 00:54:45,000
Speaker 1: for every kind of sauce. I do dry. I don't

873
00:54:45,120 --> 00:54:47,520
Speaker 1: use any sauce. I let the meat speak for itself.

874
00:54:47,640 --> 00:54:49,320
Speaker 1: So I hope it's good. Yeah, I do dry to

875
00:54:49,800 --> 00:54:54,399
Speaker 1: my girlfriend, Johannah loves when I do dry rubs Johannah. Yeah,

876
00:54:54,440 --> 00:54:57,200
Speaker 1: I mean so, I mean, have you met her? That's

877
00:54:57,200 --> 00:54:59,120
Speaker 1: a crazy question to ask somebody who don't know. What

878
00:54:59,160 --> 00:55:02,760
Speaker 1: do you mean? Have you your girlfriend? Dude? Your girlfriend

879
00:55:02,960 --> 00:55:08,520
Speaker 1: tells your problem? A girlfriend? You said she was in Australia.

880
00:55:12,239 --> 00:55:16,640
Speaker 1: The hell is your deal? Man? Are you SpaceX? Might

881
00:55:16,800 --> 00:55:22,520
Speaker 1: be what is spacextand for well space and then the

882
00:55:22,800 --> 00:55:25,880
Speaker 1: X part is the X factor. Oh interesting, Yeah, so

883
00:55:25,960 --> 00:55:30,400
Speaker 1: it's are you in X? Yeah? I don't think you did, baby,

884
00:55:30,600 --> 00:55:33,080
Speaker 1: I didn't know that. Well, it's kind of a secret mission.

885
00:55:33,400 --> 00:55:35,680
Speaker 1: I thought you made ink blotters. No, we try to

886
00:55:35,760 --> 00:55:40,200
Speaker 1: build journals for spaceships. Oh, we need we want to

887
00:55:40,280 --> 00:55:44,560
Speaker 1: be on the cutting yea space. Hello, everybody, you're probably

888
00:55:44,600 --> 00:55:47,319
Speaker 1: finding this moment strange? Dave, what are you doing? You're

889
00:55:47,360 --> 00:55:50,680
Speaker 1: talking to you? They put you're all currently in space?

890
00:55:50,960 --> 00:55:56,120
Speaker 1: What this is a simulation? You are not actually in

891
00:55:56,360 --> 00:55:58,360
Speaker 1: alt Tadina, Dave, what are you doing? This is the

892
00:55:58,440 --> 00:56:03,360
Speaker 1: greatest ships alive. We're in space, baby. I don't know

893
00:56:03,360 --> 00:56:06,239
Speaker 1: how we got here, dude, when we were asleep at

894
00:56:06,280 --> 00:56:09,680
Speaker 1: aliens abductives. I don't understand. Dave, what's going on? Dave,

895
00:56:09,800 --> 00:56:12,759
Speaker 1: looking the mirror, Look in the mirror. Day you're the

896
00:56:12,800 --> 00:56:15,880
Speaker 1: one talking on the megaphone. Oh my god, I'm the

897
00:56:15,960 --> 00:56:19,839
Speaker 1: one talking on the map. There's only one day. Oh

898
00:56:19,920 --> 00:56:25,080
Speaker 1: my god, Dave, put your pants on. Man, be so bad.

899
00:56:26,200 --> 00:56:29,200
Speaker 1: I gotta be so bad. It's the strangest damn mission

900
00:56:29,200 --> 00:56:31,200
Speaker 1: I've ever been on. Baby. But if we survive, I

901
00:56:31,280 --> 00:56:33,280
Speaker 1: want you to know I love you and our children

902
00:56:33,520 --> 00:56:36,279
Speaker 1: I love you too. This is the mission we're on.

903
00:56:36,560 --> 00:56:40,920
Speaker 1: Apparently is blown. I thought we were just coming over

904
00:56:41,000 --> 00:56:44,240
Speaker 1: to visit the neighborhood. Didn't fix the damn fence outside

905
00:56:44,400 --> 00:56:47,160
Speaker 1: space too. But it's all got to be on a

906
00:56:47,200 --> 00:56:52,440
Speaker 1: ship because the outside looks like a yard. Whoa the

907
00:56:52,520 --> 00:56:55,880
Speaker 1: party one going? It's not going good. I think that

908
00:56:56,960 --> 00:57:02,400
Speaker 1: my space made who killed one already? I think he

909
00:57:02,480 --> 00:57:04,799
Speaker 1: needs to go to the bathroom again and I fear

910
00:57:04,880 --> 00:57:09,680
Speaker 1: for my life. Okay, so you bring us back down

911
00:57:09,760 --> 00:57:11,759
Speaker 1: to earth? What are you talking about? Could you bring

912
00:57:11,880 --> 00:57:14,239
Speaker 1: us back down like a recall? Take off the heads

913
00:57:14,280 --> 00:57:17,200
Speaker 1: over a bit? Okay? Did we agree, Joanna and Brisbane

914
00:57:17,320 --> 00:57:20,080
Speaker 1: on the radio? Did we agree that we're calling it

915
00:57:20,240 --> 00:57:25,520
Speaker 1: spice nights? I don't know what other word I can say.

916
00:57:27,040 --> 00:57:32,080
Speaker 1: That was protocol hearing spice night and note to myself,

917
00:57:32,160 --> 00:57:37,080
Speaker 1: spacemates was the name of our final scene in the episode. Uh,

918
00:57:37,440 --> 00:57:40,880
Speaker 1: I's like all of our alchemists today, starting with Chris Alvarano.

919
00:57:40,960 --> 00:57:43,000
Speaker 1: Thank you so much. Path you're waiting on the studio

920
00:57:43,920 --> 00:57:46,919
Speaker 1: and shout out to whoever you'd like or whatever you'd

921
00:57:46,960 --> 00:57:50,000
Speaker 1: like to all the lovely people out there. So the

922
00:57:50,160 --> 00:57:53,960
Speaker 1: not lovely people don't get a shout out. I understand, Venete,

923
00:57:55,320 --> 00:57:58,640
Speaker 1: I shout out to the not lovely. Let's cover all

924
00:57:58,680 --> 00:58:02,440
Speaker 1: of them ye with love love? Yeah absolutely, dot Com,

925
00:58:02,600 --> 00:58:06,600
Speaker 1: yes absolutely, and Dannie's the typewriter on Instagram and yeah

926
00:58:06,960 --> 00:58:09,479
Speaker 1: everyone that has it's a great pet owner. I would

927
00:58:09,480 --> 00:58:14,720
Speaker 1: give a mad props, right, James Zeney, thank you guys

928
00:58:14,760 --> 00:58:17,640
Speaker 1: for tuning in the loveliest the unlovelies. But check out

929
00:58:17,680 --> 00:58:21,440
Speaker 1: our Instagram. Danny has been killing it. Now when you

930
00:58:21,480 --> 00:58:25,160
Speaker 1: say Danny, do you mean Joey Greer? Know you keep

931
00:58:25,240 --> 00:58:29,160
Speaker 1: saying you must be out of your Who's Danny the

932
00:58:29,200 --> 00:58:36,200
Speaker 1: guy holding the camera? Oh? He was in Chicago last week. Business.

933
00:58:36,560 --> 00:58:43,960
Speaker 1: I didn't understand. But our Instagram's killing. Danny's killing so

934
00:58:44,320 --> 00:58:46,200
Speaker 1: and that's all you want to tell folks. Yeah, just

935
00:58:46,320 --> 00:58:48,680
Speaker 1: check out? Wait? Can you also tell him to write

936
00:58:48,680 --> 00:58:50,720
Speaker 1: and review the show? Oh? Yeah, please rate and review

937
00:58:50,760 --> 00:58:54,880
Speaker 1: the show. There's been some great since Scrowdy Wayne, I

938
00:58:54,920 --> 00:58:57,160
Speaker 1: don't remember his name, but so many other people have

939
00:58:57,280 --> 00:58:59,439
Speaker 1: put in great reviews. You should just go and read

940
00:58:59,480 --> 00:59:01,360
Speaker 1: the reviews times. They're fun to read. Will you read

941
00:59:01,400 --> 00:59:04,160
Speaker 1: us a couple when we do our media? Yes, let's

942
00:59:04,200 --> 00:59:07,720
Speaker 1: do that. Can you remember to do that? Oh yeah?

943
00:59:08,680 --> 00:59:13,200
Speaker 1: Joey Grierman Jeffy Greeber at the various social media that's

944
00:59:13,240 --> 00:59:17,320
Speaker 1: it Man and I just released an album. Got a

945
00:59:17,400 --> 00:59:21,720
Speaker 1: comedy album called good Night downloaded on Spotify, iTunes wherever.

946
00:59:22,000 --> 00:59:24,160
Speaker 1: While iTunes is still a thing iTunes if you have

947
00:59:24,200 --> 00:59:26,760
Speaker 1: Apple Music, it's free with Spotify. Wait is iTunes to

948
00:59:26,840 --> 00:59:31,520
Speaker 1: Jeopardy Going Away, that being discontinued, wait that, we'll talk

949
00:59:31,560 --> 00:59:34,160
Speaker 1: about it next episode. Let's thank your engineer to the

950
00:59:34,160 --> 00:59:40,840
Speaker 1: stars Mr Doug bab Our, post signed design artist and

951
00:59:40,960 --> 00:59:45,400
Speaker 1: I Heard Media. Thanks for the auspice as always, Oh

952
00:59:45,480 --> 00:59:48,600
Speaker 1: my god, I'm your host, Kevin Polk until next time.

953
01:00:00,760 --> 01:00:19,920
Speaker 1: And a football pepper and a football pepper.