WEBVTT - 4.08 - The Fires

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<v Speaker 1>The tomb of the martyrs. There are some bad people

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<v Speaker 1>buried here. Is there anyone there? Wake up? Watchman? Where

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<v Speaker 1>are you? What do you want? The sun is not

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<v Speaker 1>up yet? You think the dead care? Do you think

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<v Speaker 1>I care? Let me in? What do you want? Shadya

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<v Speaker 1>she fights a sultan Algori. She was later rest here.

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<v Speaker 1>Indeed she was. I need to see her go away

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<v Speaker 1>by order of the Grandmaster, amal Rick. You will let

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<v Speaker 1>me in. Not strictly true, but I still have his

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<v Speaker 1>Sigel Balladack. You don't look like a Balladack officer, really,

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<v Speaker 1>are you prepared to take the risk? Over there? Bring

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<v Speaker 1>a torch? M all right. This is the only resting

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<v Speaker 1>place of the great Lady Changel. We need to open it.

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<v Speaker 1>Help me, help me, or I will call my ballorad

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<v Speaker 1>brothers and they will tear this place apart, every tomb

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<v Speaker 1>of every sultan, wife and rotten official. Hold the torch closer.

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<v Speaker 1>Her face painted on wood, her eyes sparkling in the light,

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<v Speaker 1>as if in life, she dazzled the world in a

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<v Speaker 1>time when everything seems certainly not anymore, No matter how

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<v Speaker 1>beautiful or brilliant or powerful, we all arrived at this.

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<v Speaker 1>Are you already offending. I knew her once you did. Well,

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<v Speaker 1>what do you want with that? Help me to do? What?

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<v Speaker 1>Move her? Hum gently? That's it? Lift ahead? What are

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<v Speaker 1>you looking for? Yes? Her fees at cunning old fox.

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<v Speaker 1>He was ahead of us all all this time. Ancient

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<v Speaker 1>scrolls seal the tomb. Tell no one I've been here.

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<v Speaker 1>Wait wait, you're no bella at night? What are you?

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<v Speaker 1>Who are you see? Better not to ask, my friend,

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<v Speaker 1>Better not to ask two mon by, Season four, episode eight,

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<v Speaker 1>The Fires by John Scott driving you're from touman By,

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<v Speaker 1>saying that's right. Please sit down, so you see, it's

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<v Speaker 1>important that I see as soon as possible. I had

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<v Speaker 1>to wait outside the gates all night. Yes, yes, my apologies.

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<v Speaker 1>You see some of our guards are well. We don't

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<v Speaker 1>receive many visitors. Would you care for anything? I'm sorry

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<v Speaker 1>to eat or drink. You've had a long journey. Thank you.

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<v Speaker 1>I'd like to see this sultana. First, of course, it's

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<v Speaker 1>just I'm sorry to ask you this. But by whose

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<v Speaker 1>authority are you? Do you have an order? Not exactly?

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<v Speaker 1>You see the painter signor pierro is into mamba signor

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<v Speaker 1>matte el pierro. Yes, he has been commissioned. I am

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<v Speaker 1>an admirer. When I was a young boy, I saw

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<v Speaker 1>his work. He has the ceiling of the Temple of Ariana.

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<v Speaker 1>My father took me and my sister too. Yes, one

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<v Speaker 1>of the wonders of the world. Well, I need to

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<v Speaker 1>see the Sultana because my master has been commissioned by

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<v Speaker 1>the regents too. Sorry, the region mistress Fatima Fatimah. She

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<v Speaker 1>has been appointed regent of to Mambay in the Sultana's absence.

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<v Speaker 1>As she you will see very little news here. So

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<v Speaker 1>my master is working on a great painting depicting the

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<v Speaker 1>glory of Tombai, and he hadn't finished with his studies

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<v Speaker 1>of the Sultana when she was unfortunately taken. Ill see,

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<v Speaker 1>he needs her to fully finish the great work. So

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<v Speaker 1>I have been sent here's my sketch book. Oh he's

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<v Speaker 1>so fine? Is that the me Daniel Sulliman. So and

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<v Speaker 1>I recognize the gates of doors? That's right. I sketch

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<v Speaker 1>things wherever I And this is her, yes, yes, it is. Huh.

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<v Speaker 1>It's as if she is looking straight at me. Remarkable.

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<v Speaker 1>My sister had the same. Never mind that, perhaps we

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<v Speaker 1>could go on. But if you have a sketch of

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<v Speaker 1>her already didn't Why did you need to? It's what

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<v Speaker 1>my master requires. She has requested that she'd be left alone.

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<v Speaker 1>She will want to see me. Wait, please, can I

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<v Speaker 1>come with you? Wait, I'll come straight back. Breakfast, Commander Dunty,

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<v Speaker 1>bring the commander his breakfast. Nothing, thank you, mistress, just

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<v Speaker 1>mint tea? You ready? Yeah, we're off. I thought you

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<v Speaker 1>were done with work. Uncle says that's some finishing off.

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<v Speaker 1>Come on, frog, just one moment. Did you do as

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<v Speaker 1>I asked? So they are safe? The man and child?

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<v Speaker 1>You took them to the garden. They've gone? What left?

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<v Speaker 1>The maid say they went two moons ago before the

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<v Speaker 1>Ballarak locked down the city gates. Left to go where.

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<v Speaker 1>I don't know, but she gave me this said they

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<v Speaker 1>left it for whoever came looking. We need to go

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<v Speaker 1>and I need to get back to my new friends,

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<v Speaker 1>the Ballarak. I need to get the other half of

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<v Speaker 1>the scrolls. I want a slave on every corner so

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<v Speaker 1>that when Regent Fatima appears on the city walls, there

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<v Speaker 1>will yes, yes signor do you need something? Nothing is happening.

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<v Speaker 1>I'm sorry. What my canvas lighting for the area around

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<v Speaker 1>in My assistant has deserted me. I don't really need

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<v Speaker 1>help to get the canvas outside and need to see

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<v Speaker 1>it in the darkness tonight. But surely you will just

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<v Speaker 1>make sketches and then take them back to the studio. Well,

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<v Speaker 1>the final touches have to be done as the fires

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<v Speaker 1>light up the sky, so I can see and feel

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<v Speaker 1>the moment. I'm an artist. Did not question me the democrat. Hell,

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<v Speaker 1>I'll find someone for you. You will have slaves. You

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<v Speaker 1>go with Senor Piero. Make sure he has whatever he needs. Youtually,

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<v Speaker 1>come with me, Sor Piero. Right, well, I need five

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<v Speaker 1>of you to go down to the gates. What do

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<v Speaker 1>you think, uncle? Have you checked the trap door? Of course?

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<v Speaker 1>Stand aside? Frog pull the ball? Not bad? Good? Me

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<v Speaker 1>and Frog will make comments yet, right uncle, perhaps we

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<v Speaker 1>can join you on your next job. That's well, that's it, boys,

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<v Speaker 1>job done. That one's a bit now, it'll do the job.

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<v Speaker 1>We'll be taking them all down tomorrow. Anyway. Don't be,

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<v Speaker 1>don't forget the rest of the pools. I'll help you.

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<v Speaker 1>This is it. Don't be. Are you sure we should

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<v Speaker 1>do it? What are you talking about? We agreed we

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<v Speaker 1>can't back out, now, I know I know we're the

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<v Speaker 1>sky rats. Yes, it's just wait, wait whereever you do.

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<v Speaker 1>Going to get the tools from the hut quickly, then

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<v Speaker 1>quickly we need to clear the same line up. I'm

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<v Speaker 1>waiting for the gate to open quickly? Do you think

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<v Speaker 1>anyone's was I didn't know. It's gone very quiet. What

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<v Speaker 1>can you see? Everyone's waiting for the guards to open

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<v Speaker 1>the gates. Anyone looking over here? I don't think so

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<v Speaker 1>they're opening the gates, So what now? Mm hmm, Hello,

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<v Speaker 1>excuse me, I'm I'm looking for the Sultana Manel. She's

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<v Speaker 1>staying here and she's in the throne room waiting for

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<v Speaker 1>it all to be keen, waiting for what to begin

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<v Speaker 1>the wedding. Of course, we're to have a feast. You

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<v Speaker 1>know where is the throne room? Can you show me?

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<v Speaker 1>But we're not supposed to be there. Only the invited

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<v Speaker 1>guests are allowed. But she would want to seem no

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<v Speaker 1>I could be in trouble. No, no, you won't be

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<v Speaker 1>in trouble. I am one of the guests. The Sultana

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<v Speaker 1>is expecting me. I'm made to. You should have said quickly,

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<v Speaker 1>then this one, this we come this way, let me through.

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<v Speaker 1>He's late for the wedding. Come, come upending the throne,

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<v Speaker 1>room offendy, I will withdraw, Thank you, enjoy it. We

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<v Speaker 1>all wish the Sultana great happiness in her marriage. Yes, hello,

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<v Speaker 1>is anyone here? Hollell now we'll wake up? Hey, wake up,

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<v Speaker 1>wake up, Come on, we've got to get you out

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<v Speaker 1>of here. It's no good. Yes, chain me to the throne.

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<v Speaker 1>Who sorry, it's all right, don't tell me please, I'm

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<v Speaker 1>a friend. It's true. Moment has stayed with me and

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<v Speaker 1>helped me. What is going on here? There has been

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<v Speaker 1>a disturbance. The image have taken over the place I

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<v Speaker 1>just sat with the governor. There is no governor anymore.

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<v Speaker 1>All right, we need to do You have a sword? No?

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<v Speaker 1>They took it from me at the gates. But I

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<v Speaker 1>told you I was a common thief. Picking locks is

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<v Speaker 1>not a skill you easily forget. I need some tools,

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<v Speaker 1>a pin, anything small enough to turn quill? Would that were? Perhaps?

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<v Speaker 1>I know where I can get one. Be quick? Yes,

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<v Speaker 1>what are you doing? Sor nothing to concern himself. We

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<v Speaker 1>have a guest from Truman Bay. You can't be here.

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<v Speaker 1>What are you doing? It's my sister. You can't touch her.

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<v Speaker 1>Calm yourself, get out of here alone. So I beg

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<v Speaker 1>you don't do this. Ah, get her go. She's not

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<v Speaker 1>your sister. God, God, don't let her go. Old man,

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<v Speaker 1>let go of me. Listen to me, friend, listen to me.

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<v Speaker 1>I am older than you and wiser. I know many things.

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<v Speaker 1>When I was a child, I was supposed to be killed.

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<v Speaker 1>But the man charged with killing me showed me mercy.

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<v Speaker 1>He allowed me to live. Do you think your sister

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<v Speaker 1>would want you to do this? I said? What have

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<v Speaker 1>I done forgive? Let me take the key from your belt?

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<v Speaker 1>Or right? Taking me quick? It's just go. I've been bad,

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<v Speaker 1>I've lost my way away, become a strange Yet is

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<v Speaker 1>strange land? He's just waiting over already it was canceled

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<v Speaker 1>and the feast. Excuse me? What about my horse? Where's

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<v Speaker 1>my horse? We'll ride together? They let me help open

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<v Speaker 1>the gates. Yeah, where are you going? Where do you

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<v Speaker 1>want to go? I don't know. Yeah, it's not tight enough.

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<v Speaker 1>Shall I bring your cloak? Yes? Brother? Is everything ready

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<v Speaker 1>as you commanded? Grandmaster? Go ahead, fetch the huffies. You

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<v Speaker 1>seem anxious. The low clouds are unexpected, unusual at this

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<v Speaker 1>time of year, an unnatural event. The brothers are concerned

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<v Speaker 1>the fires in the sky. Are they a message from God?

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<v Speaker 1>What do they mean? Oh? Everything and nothing? But that

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<v Speaker 1>means nothing. I will tell you this because I do

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<v Speaker 1>care for you. You see I have failed, all have failed. Yes, yes,

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<v Speaker 1>but but I'm grandmother. How are you feeling, holiness? Yeah? Good?

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<v Speaker 1>Do you know the words? Of course? We have been

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<v Speaker 1>practicing them all day, haven't we? All in us? Say

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<v Speaker 1>go on I like we did before the wheel of

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<v Speaker 1>life turns the waters flow. I think, Grandmother, I think

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<v Speaker 1>it best not to tire his holiness at this time.

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<v Speaker 1>I can assure you he will rise to the occasion.

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<v Speaker 1>Take him to the carriage, stay with him, priest always,

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<v Speaker 1>always heaven. I want you to ride next to me.

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<v Speaker 1>Of course, Grandmaster, have been a faithful servant. The time

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<v Speaker 1>is coming when we are going to save the people

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<v Speaker 1>of two Night. Save them? How from what? From what?

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<v Speaker 1>The brothers are ready? Grandmaster? Good? Then let it begin.

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<v Speaker 1>I'm invisible as far as the Ballarak are concerned. I've

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<v Speaker 1>done what the Grandmaster brought me back to do. I've

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<v Speaker 1>delivered to her feast to him and no one. It

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<v Speaker 1>seems it's interested in me anymore. I can move amongst

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<v Speaker 1>them as I please and get the other half of

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<v Speaker 1>the scrolls. Okay, wrist Christ what do you want, Gregor?

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<v Speaker 1>What's going to happen? I can't speak to you. Why not?

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<v Speaker 1>I have a job to do watching over the scroll what? No,

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<v Speaker 1>the fist of course? Are they with her fists and

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<v Speaker 1>the carriage? No, the Knights have them. They will hand

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<v Speaker 1>them to be at a certain point. Then I will

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<v Speaker 1>hand them to the haffies. And if he has any

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<v Speaker 1>problems reading them, I will be there to prompt him.

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<v Speaker 1>And if he falls over, but don't worry, I'll be

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<v Speaker 1>there to hold him and help you as you please, Commander,

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<v Speaker 1>as you please, come, Commander Gregor, you have decided to

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<v Speaker 1>join us, Grandmaster, how did you? I have my eyes?

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<v Speaker 1>I'm sorry, Heaven here she sees much. I'm not really

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<v Speaker 1>a suitable candidate for the Battle Act. No one is

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<v Speaker 1>beyond redemption. There is time for you. Yeah. Perhaps, in

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<v Speaker 1>any case, I felt compelled to accompany you on such

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<v Speaker 1>an historic occasion as you wish, Grandmasters. The Great Square

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<v Speaker 1>is just ahead. It looks as if all of Tumun

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<v Speaker 1>Bay has come as it is written, So it will

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<v Speaker 1>be Heaven. I need to talk to you looking ahead

0:18:17.200 --> 0:18:20.080
<v Speaker 1>on the stove. Hold back, hold back a bit, Let

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<v Speaker 1>then ride ahead. The grand Master, did you do as

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<v Speaker 1>I asked them? The husband and child fled the city

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<v Speaker 1>two months ago. I don't believe you. I swear it's true.

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<v Speaker 1>I have a note from your husband, quicken taking. He's

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<v Speaker 1>given instructions how to find them. He will be waiting

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<v Speaker 1>for you in serene, Thank God. The future of Tumuan Bay,

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<v Speaker 1>the future of everything, depends on bringing the scrolls together.

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<v Speaker 1>What the scrolls? The Grandmaster only has half of them.

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<v Speaker 1>The other half I have safe. They need to be

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<v Speaker 1>brought together to save the city, to save everything. Why

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<v Speaker 1>you'll think I'm mad if I tell you sometimes they

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<v Speaker 1>that mad myself. Believe me, I have seen madness, and

0:19:03.160 --> 0:19:08.280
<v Speaker 1>you are not mad. There was is a traveler, a

0:19:08.359 --> 0:19:10.800
<v Speaker 1>woman who I knew. She used to advise the Sultana.

0:19:12.040 --> 0:19:17.720
<v Speaker 1>She died, but she's returned. She's traveled to distant lands

0:19:17.720 --> 0:19:22.119
<v Speaker 1>and beyond. She knows many things. She has told me.

0:19:22.720 --> 0:19:28.800
<v Speaker 1>Do you believe her? I do. Yeah, that does sound mad.

0:19:31.920 --> 0:19:35.120
<v Speaker 1>Are you sure they'll be enthusiastic enough? Of course, it's

0:19:35.119 --> 0:19:36.919
<v Speaker 1>been a long time since there's been a chance to

0:19:36.960 --> 0:19:41.879
<v Speaker 1>celebrate and free refreshments are being distributed to one le.

0:19:42.119 --> 0:19:45.000
<v Speaker 1>Did you make it clear that it's from me, that

0:19:45.119 --> 0:19:49.480
<v Speaker 1>it's my gift to the people. Of course, of course, mistress. Come,

0:19:49.560 --> 0:19:53.040
<v Speaker 1>they're waiting for you. This will be the climax of

0:19:53.080 --> 0:19:59.240
<v Speaker 1>the chronicles. The city. No, the empire receives its mother.

0:20:00.880 --> 0:20:04.960
<v Speaker 1>Perhaps you would like to gather yourself. I'll just make

0:20:05.000 --> 0:20:10.880
<v Speaker 1>sure everything said. Yes, Grand Visia, the jelly doesn't work

0:20:10.920 --> 0:20:13.960
<v Speaker 1>in the crowds. They're chanting her name. So how did

0:20:13.960 --> 0:20:16.359
<v Speaker 1>you achieve that? What? We have agents in the crowd.

0:20:16.960 --> 0:20:18.600
<v Speaker 1>When people know they are being watched, they do as

0:20:18.640 --> 0:20:24.080
<v Speaker 1>they are to old good, good, well done. Can you hear, mistress?

0:20:25.160 --> 0:20:30.280
<v Speaker 1>They are calling for you. Are you ready, Visier? Are

0:20:30.320 --> 0:20:39.600
<v Speaker 1>you ready, mistress? Yes? If you could stand here, the

0:20:39.640 --> 0:20:51.959
<v Speaker 1>door will swing open in three two. One step forward, mistress.

0:20:51.960 --> 0:20:55.800
<v Speaker 1>Show them you are theirs and they are yours. You

0:20:55.880 --> 0:21:09.840
<v Speaker 1>are one my people. They love me, they really do.

0:21:12.400 --> 0:21:22.119
<v Speaker 1>My peoples here parts signor puiro. I trust all is

0:21:22.160 --> 0:21:25.080
<v Speaker 1>in order. It's going to rain. I need shelter for

0:21:25.160 --> 0:21:28.080
<v Speaker 1>the gandhas I can assure you it never reigns in

0:21:28.240 --> 0:21:36.760
<v Speaker 1>Tuman Bass, so that is unlikely. Excuse me, good where

0:21:36.800 --> 0:21:40.480
<v Speaker 1>are the ballarack? They're almost here, Mistress, I should be

0:21:40.560 --> 0:21:47.480
<v Speaker 1>the one making the grand entrance. We entered the square

0:21:47.880 --> 0:21:50.200
<v Speaker 1>and it is as if all Tuman Bay is here.

0:21:51.040 --> 0:21:53.920
<v Speaker 1>Ballarak soldiers clear away through the crowds towards a high

0:21:54.000 --> 0:21:57.639
<v Speaker 1>platform on the far side. What do you see? Haven't

0:21:58.640 --> 0:22:03.680
<v Speaker 1>why the people cheering dancers by readers? I see the

0:22:03.720 --> 0:22:07.280
<v Speaker 1>prison block on one side with a hundred gallows, and

0:22:07.400 --> 0:22:10.760
<v Speaker 1>all around, high up on the walls, Ballarak soldiers are

0:22:10.800 --> 0:22:18.680
<v Speaker 1>taking positions looking down enclosing the city. Grandmaster, I bid

0:22:18.800 --> 0:22:21.760
<v Speaker 1>you welcome. I thought you would have come earlier to

0:22:22.200 --> 0:22:26.240
<v Speaker 1>enjoy the entertainment. I thought God's fires would be entertainment

0:22:26.480 --> 0:22:37.520
<v Speaker 1>enough Grandma's, but you put on some fair ground carnival. Come,

0:22:39.000 --> 0:22:41.439
<v Speaker 1>grand Master, I am the regent. You are a guest

0:22:42.560 --> 0:22:47.480
<v Speaker 1>soon to depart? Is that not so? It is? Undoubtedly?

0:22:49.680 --> 0:22:54.840
<v Speaker 1>Then let this be a happy farewell for all our difficulties.

0:22:56.400 --> 0:23:00.280
<v Speaker 1>Let us leave on good terms. And Master perhaps would

0:23:00.359 --> 0:23:03.240
<v Speaker 1>like to come this way as you requested, We have

0:23:03.480 --> 0:23:06.480
<v Speaker 1>prepared a tent for you where you can rest and

0:23:06.760 --> 0:23:12.000
<v Speaker 1>watch as the evening unfolds. Shall I accompany? No, No,

0:23:15.840 --> 0:23:19.320
<v Speaker 1>it has begun. It is a blessing, a sign of

0:23:19.440 --> 0:23:22.960
<v Speaker 1>God's approval, Mistress, a sign of a new dawn for

0:23:23.080 --> 0:23:35.600
<v Speaker 1>the empire. But unfortunately they can't see much, Grandmaster, through

0:23:35.680 --> 0:23:40.240
<v Speaker 1>the clouds. You know it's never cloudy in Tuman Bay.

0:23:44.160 --> 0:23:48.200
<v Speaker 1>Is that it is? That all there is, that Murdam

0:23:48.359 --> 0:23:51.680
<v Speaker 1>is in the hands of the Almighty. There's a good job.

0:23:51.840 --> 0:23:55.600
<v Speaker 1>We have other entertainment arranged. Let the executions begin the

0:23:55.680 --> 0:24:01.560
<v Speaker 1>aqueduct first, if you will indulge me, Madam, ingratitude for

0:24:01.680 --> 0:24:05.399
<v Speaker 1>your hospitality over these past moons. I would like to

0:24:05.600 --> 0:24:09.520
<v Speaker 1>present our gift to the people of Tuman so they

0:24:09.600 --> 0:24:15.680
<v Speaker 1>may drink the pure clear waters as he please, bring

0:24:15.760 --> 0:24:22.320
<v Speaker 1>the helfied. He's sublime, Holiness the Huffies direct descendant of

0:24:22.560 --> 0:24:27.879
<v Speaker 1>the teacher. Do you think you can stand? Take my

0:24:28.000 --> 0:24:36.880
<v Speaker 1>hand and don't worry. I'm right beside your holiness. Remember

0:24:36.920 --> 0:24:42.040
<v Speaker 1>the words, the week of life turns, the will of

0:24:42.280 --> 0:24:50.119
<v Speaker 1>life turns, the water slope, the waters flow, Drink the

0:24:50.160 --> 0:24:55.280
<v Speaker 1>water of life. Drink the water of life, and to

0:24:55.359 --> 0:25:02.920
<v Speaker 1>be free, and be free, Let the waters flow, Let

0:25:03.080 --> 0:25:10.280
<v Speaker 1>the waters flow, And I give the order, Grandmaster, Let

0:25:10.359 --> 0:25:16.480
<v Speaker 1>the wheel turn, Let the wheel turn, Let the wheel down.

0:25:17.560 --> 0:25:20.800
<v Speaker 1>Bring the scrolls forward. The her fees must bless the scrolls.

0:25:24.640 --> 0:25:27.000
<v Speaker 1>A Ballora officer places a box and come to their

0:25:27.160 --> 0:25:33.080
<v Speaker 1>fees helping it. And there they are. I could almost

0:25:33.119 --> 0:25:37.560
<v Speaker 1>reach out and get their guarded closely. The her fees

0:25:37.640 --> 0:25:41.240
<v Speaker 1>touches them, his fingers caressing the ancient parchment, a slight

0:25:41.400 --> 0:25:50.439
<v Speaker 1>smile on his lips. Now it is take the cup, work, drink,

0:25:51.560 --> 0:25:57.440
<v Speaker 1>see the words. I take this cup on, I take

0:25:57.640 --> 0:26:07.639
<v Speaker 1>this cap and drink. Mhmm. Now you can withdraw in

0:26:07.960 --> 0:26:15.919
<v Speaker 1>what there is life. In life, there is knowledge and hope. Drink,

0:26:16.920 --> 0:26:29.280
<v Speaker 1>refresh your souls and rejoice in the medical existing holderness.

0:26:30.080 --> 0:26:37.760
<v Speaker 1>What is it I think I think I've been. What's

0:26:37.760 --> 0:26:41.640
<v Speaker 1>wrong with him is a sickly fellow. I don't think.

0:26:44.280 --> 0:26:48.760
<v Speaker 1>Let us retire to my tent. Our time is should

0:26:49.480 --> 0:26:53.000
<v Speaker 1>but the huffies shouldn't be helping. God will take care

0:26:53.240 --> 0:26:59.679
<v Speaker 1>of the huffies. Take my hand, show me the way. Yes,

0:27:00.040 --> 0:27:05.760
<v Speaker 1>whatever her THESI has been taken ill. God, you want

0:27:05.760 --> 0:27:07.880
<v Speaker 1>to take his hood and us back to the palace.

0:27:08.359 --> 0:27:16.320
<v Speaker 1>And it's raining, he told me. It never rains in Tumanda.

0:27:16.600 --> 0:27:19.480
<v Speaker 1>I think we should move on swiftly, Mistress. We don't

0:27:19.520 --> 0:27:22.040
<v Speaker 1>want the people to drift away. Yes, let's get on

0:27:22.119 --> 0:27:26.040
<v Speaker 1>with the executions, of course, But perhaps whilst we wait

0:27:26.119 --> 0:27:28.679
<v Speaker 1>for the prisoners to be brought forth, you should speak

0:27:28.760 --> 0:27:34.520
<v Speaker 1>to the people, mistress. Yes, yes, it's time to tell

0:27:34.600 --> 0:27:40.200
<v Speaker 1>them how much you love for them. Announcer. Now now, now,

0:27:40.680 --> 0:27:47.720
<v Speaker 1>the mother of the Empire of Human Bays stand here, mistress.

0:27:47.960 --> 0:27:55.000
<v Speaker 1>They will see you better speak to your people, people

0:27:55.600 --> 0:28:02.000
<v Speaker 1>of Human Bay. My heart was broken when my adopted daughter,

0:28:02.720 --> 0:28:07.000
<v Speaker 1>the Sultana Manel, was no longer able to continue her duties.

0:28:09.000 --> 0:28:13.480
<v Speaker 1>I've often dreamed of this moment. So what happens next?

0:28:14.720 --> 0:28:17.680
<v Speaker 1>I don't know. I've always woken up just as the

0:28:17.720 --> 0:28:22.080
<v Speaker 1>blind man puts the noose around her neck. Is that

0:28:22.240 --> 0:28:28.520
<v Speaker 1>all you can say? They're bringing the prisoners out. Ready, careful,

0:28:29.400 --> 0:28:32.360
<v Speaker 1>they'll see. They're bringing them all out, just the man.

0:28:32.520 --> 0:28:34.639
<v Speaker 1>Surely the women are meant to be later. But I

0:28:34.720 --> 0:28:37.000
<v Speaker 1>can see her. I can see Materna. They're leading her

0:28:37.040 --> 0:28:39.400
<v Speaker 1>to the gallows. Perhaps they changed the plan because of

0:28:39.440 --> 0:28:44.880
<v Speaker 1>the rain. They're doing it. Quickly, get the straw. Start

0:28:44.920 --> 0:28:53.840
<v Speaker 1>the fire started, now, I will. Can you see any

0:28:53.960 --> 0:29:00.720
<v Speaker 1>fires in the sky? No, Occasionally the clouds appeared to glow.

0:29:02.640 --> 0:29:08.120
<v Speaker 1>You're disappointed, for the brothers expected more for me. How

0:29:08.240 --> 0:29:12.800
<v Speaker 1>it happens makes no difference. I cannot see, but shortly

0:29:13.040 --> 0:29:18.960
<v Speaker 1>I will have sight. Grandmaster, you requested that the scrolls,

0:29:19.000 --> 0:29:22.240
<v Speaker 1>and then I will keep them here beside me as

0:29:22.320 --> 0:29:28.600
<v Speaker 1>the end of time approaches. Is everything prepared? Yes, Grandmaster,

0:29:30.040 --> 0:29:44.640
<v Speaker 1>then bring me the cup. Brother thank you. It has

0:29:44.720 --> 0:29:47.840
<v Speaker 1>been an honor to serve you, Grandmaster. We all serve

0:29:47.960 --> 0:29:52.040
<v Speaker 1>only one must. Now go take the brothers up onto

0:29:52.080 --> 0:29:54.400
<v Speaker 1>the walls and wait. You may be needed yet, if

0:29:55.000 --> 0:29:57.720
<v Speaker 1>is the rain come to cause any problems the door,

0:29:58.080 --> 0:30:02.320
<v Speaker 1>the wheel is turning. The elixir is potent, the will

0:30:02.440 --> 0:30:08.600
<v Speaker 1>the elixir I I don't understand. Brothers, Be resolute in

0:30:08.640 --> 0:30:12.160
<v Speaker 1>your actions, be certain in your purpose. Do not doubt

0:30:12.240 --> 0:30:18.160
<v Speaker 1>that we will be reunited shortly in the light. Go, brothers,

0:30:18.240 --> 0:30:22.640
<v Speaker 1>Go distribute water, Make sure that all drink. If they won't,

0:30:23.800 --> 0:30:30.480
<v Speaker 1>persuade them, offer them the chance of salvation. Yes, Miss

0:30:30.560 --> 0:30:40.000
<v Speaker 1>Master Robert, read to me, Read from the scrolls, and

0:30:40.200 --> 0:30:47.560
<v Speaker 1>you will understand. And at the end of times, the

0:30:47.640 --> 0:30:51.360
<v Speaker 1>wheel of life will turn, and those who have drunk

0:30:51.400 --> 0:31:00.440
<v Speaker 1>from the fountain drink from the cup. Don't question, just

0:31:00.760 --> 0:31:06.760
<v Speaker 1>drink and you will be saved. The Aqueduct, the Alixiry,

0:31:06.840 --> 0:31:10.800
<v Speaker 1>the promise of salvation. Those who drink will be saved.

0:31:11.200 --> 0:31:14.520
<v Speaker 1>Those who do not will burn in the fires. Yes,

0:31:14.720 --> 0:31:18.280
<v Speaker 1>the end is coming, Heaven, my dear child. The fires

0:31:18.320 --> 0:31:20.960
<v Speaker 1>will destroy all, but those who can show their faith

0:31:21.000 --> 0:31:26.920
<v Speaker 1>by drinking from the fountain will be saved. So take

0:31:27.000 --> 0:31:40.960
<v Speaker 1>the cup. I will drink. After you come, we will

0:31:41.040 --> 0:31:45.320
<v Speaker 1>drink together. No, my my duties to make sure your

0:31:45.360 --> 0:31:48.080
<v Speaker 1>worldly body is treated with respect before I come. A

0:31:48.200 --> 0:31:52.400
<v Speaker 1>body means nothing. It's ash. Now drink, Heaven. I need

0:31:52.600 --> 0:32:02.719
<v Speaker 1>to know you will be saved. It's all right if

0:32:02.800 --> 0:32:08.000
<v Speaker 1>you don't wish to bring me the scrolls, put them

0:32:08.040 --> 0:32:20.720
<v Speaker 1>back in the box of me. Drink. I cannot leave

0:32:20.800 --> 0:32:23.760
<v Speaker 1>you behind. If you burn in the fires, you will

0:32:23.800 --> 0:32:25.960
<v Speaker 1>burn for ever. But if you drink now and come

0:32:26.080 --> 0:32:29.000
<v Speaker 1>with me, you will be free in the spirit. Those

0:32:29.000 --> 0:32:35.000
<v Speaker 1>who burn will burn for eternity. You'll need to trust me, Heaven.

0:32:35.680 --> 0:32:38.040
<v Speaker 1>I do you know what the good? Then allow me

0:32:38.240 --> 0:32:43.800
<v Speaker 1>to put the cup to your lips. Yes, yes, I

0:32:44.120 --> 0:32:51.360
<v Speaker 1>understand doubt. I understand weakness. You know in my weakness

0:32:51.440 --> 0:32:54.840
<v Speaker 1>I have longed to see you, And when we are saved,

0:32:55.880 --> 0:32:58.360
<v Speaker 1>I will see you, and in the next life. You

0:32:58.440 --> 0:33:18.760
<v Speaker 1>will be as my daughter that heaven. Listen for yours,

0:33:20.080 --> 0:33:40.920
<v Speaker 1>your world, listener for mine. Yeah we're not. I's not.

0:33:46.720 --> 0:33:51.240
<v Speaker 1>Come on, it's too damp, light, dumb you light. It's

0:33:51.280 --> 0:33:54.240
<v Speaker 1>no good. We need a distraction. We have to help.

0:33:54.600 --> 0:34:05.680
<v Speaker 1>Your hands are bleeding. Okay, Yeah, something's happening. This has

0:34:05.760 --> 0:34:10.640
<v Speaker 1>to work. It has to Frog. Stop. People are dying.

0:34:10.920 --> 0:34:14.560
<v Speaker 1>I know no, they're falling down. The guds are just

0:34:14.680 --> 0:34:17.920
<v Speaker 1>standing there staring out at the crowd. What are you doing?

0:34:20.600 --> 0:34:28.480
<v Speaker 1>What's going on? What? The people are just dropping like flies? Frog? Frog?

0:34:28.680 --> 0:34:31.600
<v Speaker 1>Follow me? Where are you going? You can't bring them out?

0:34:34.480 --> 0:34:46.520
<v Speaker 1>Great Mantilla, take my hand, Come on, it's me God,

0:34:46.760 --> 0:34:57.839
<v Speaker 1>get not enough dum Petilla's happen, Frog, they can't. I've

0:34:57.840 --> 0:34:59.880
<v Speaker 1>got to get her out of it. We need to go.

0:35:01.440 --> 0:35:04.960
<v Speaker 1>Why stop that coming? You have sorts, I have this

0:35:05.160 --> 0:35:13.000
<v Speaker 1>and have a complete lunithic go from go forever. We'll

0:35:13.080 --> 0:35:20.920
<v Speaker 1>lose ourselves in the crowd. The rains have stopped, clouds

0:35:20.960 --> 0:35:27.480
<v Speaker 1>are lifting. Did you see that, mistress? It's another one.

0:35:30.440 --> 0:35:36.600
<v Speaker 1>The whole universe is celebrating your glory. Just Fatima, keep

0:35:36.640 --> 0:35:40.880
<v Speaker 1>your head out. That's right, there's something happening. In the

0:35:40.920 --> 0:35:45.759
<v Speaker 1>square below, people lying on the ground as if to

0:35:45.880 --> 0:35:56.239
<v Speaker 1>better see the sky. Something's wrong, Commander, still here. I

0:35:56.280 --> 0:35:59.320
<v Speaker 1>suppose you'll be leaving in the morning with your new friends.

0:35:59.760 --> 0:36:03.320
<v Speaker 1>My do hope you enjoy the monastic life. What's happening

0:36:03.400 --> 0:36:09.160
<v Speaker 1>here here? Look down there? The people are celebrating a

0:36:09.400 --> 0:36:16.520
<v Speaker 1>new dawn, the rebirth of Tuman back. Oh, dear Gregor,

0:36:16.840 --> 0:36:21.280
<v Speaker 1>can't you see you picked the wrong side? The Ballarak

0:36:21.320 --> 0:36:25.719
<v Speaker 1>are leaving with their tails between their legs, and Fatima, well,

0:36:25.960 --> 0:36:35.120
<v Speaker 1>she is going to My mistress needs me. You have

0:36:35.239 --> 0:36:42.120
<v Speaker 1>the scrolls here? What's going on down? They've poisoned the aqueduct.

0:36:42.360 --> 0:36:45.080
<v Speaker 1>Come with me, how I think I know the source.

0:36:45.200 --> 0:36:56.360
<v Speaker 1>We have to stop it. Don't drink the water about

0:36:57.160 --> 0:36:59.520
<v Speaker 1>This is the night we've been waiting for. Woman day

0:36:59.640 --> 0:37:04.640
<v Speaker 1>is going Don't drink all of you you would die? Please?

0:37:08.560 --> 0:37:18.919
<v Speaker 1>Can we have to hurry. Once we get up into

0:37:18.920 --> 0:37:22.280
<v Speaker 1>the aqueduct, there's a bump house. It contains a huge wheel.

0:37:22.760 --> 0:37:31.080
<v Speaker 1>That's where the poison is. H h are you Gregor,

0:37:31.280 --> 0:37:33.719
<v Speaker 1>master of the palace guard? The Grand Master has sent me.

0:37:34.520 --> 0:37:39.239
<v Speaker 1>Oh have you drunk from the water's yet? Brother? Not yet? Then?

0:37:39.680 --> 0:37:42.680
<v Speaker 1>Let me offer you this cup. You must be thirsty.

0:37:43.920 --> 0:37:47.480
<v Speaker 1>Drink you two sister. Please we need to pass. No

0:37:47.600 --> 0:37:49.800
<v Speaker 1>one is allowed up here. I have orders, I have

0:37:50.000 --> 0:37:58.960
<v Speaker 1>new orders, urgent ones. Let me see. Yeah, I'm sorry,

0:37:59.040 --> 0:38:01.600
<v Speaker 1>my friend, it's over. At least you don't have to

0:38:01.640 --> 0:38:10.720
<v Speaker 1>wait like your brother's come. Why are this girls so important?

0:38:10.880 --> 0:38:13.680
<v Speaker 1>I don't know. The two halves need to come together.

0:38:14.360 --> 0:38:17.279
<v Speaker 1>I have to take them somewhere where. I have to

0:38:17.360 --> 0:38:24.040
<v Speaker 1>wait for a sign just along there. I saw it

0:38:24.160 --> 0:38:29.279
<v Speaker 1>before the Grandmaster was expecting to work, so I didn't

0:38:29.320 --> 0:38:36.640
<v Speaker 1>know what it was. Bella regards all dead. I must

0:38:36.640 --> 0:38:42.200
<v Speaker 1>have drunk poison. You need to find of controls to

0:38:42.360 --> 0:38:50.720
<v Speaker 1>stop m hm No, it's embedded in the machine itself,

0:38:52.560 --> 0:39:03.440
<v Speaker 1>the card spear. Yeah yeah, what is no good? You need?

0:39:03.480 --> 0:39:06.520
<v Speaker 1>Iye and stay back. This is poison. I know that

0:39:07.160 --> 0:39:10.440
<v Speaker 1>I've got it all over you. What are you doing here, dumpy?

0:39:11.239 --> 0:39:13.920
<v Speaker 1>I've lost my friends. We're trying to get to the garden.

0:39:14.120 --> 0:39:16.200
<v Speaker 1>This is the only safe way to get there around

0:39:16.239 --> 0:39:19.279
<v Speaker 1>the walls. Can I help you for Mallet give it

0:39:19.320 --> 0:39:34.400
<v Speaker 1>to me. Are you all right? Brother? Don't touch me.

0:39:35.719 --> 0:39:39.879
<v Speaker 1>The poison might enter through the skin. Come sit here.

0:39:40.880 --> 0:39:53.520
<v Speaker 1>M h m hmm. Maybe it doesn't matter anyway. What

0:39:53.600 --> 0:39:59.360
<v Speaker 1>do you mean? Fires from destroy everything? That's what the

0:39:59.400 --> 0:40:03.239
<v Speaker 1>bell I reck when? Yeah? And do you think so? Maybe?

0:40:06.120 --> 0:40:09.680
<v Speaker 1>I don't know. I don't believe that. If there is

0:40:09.719 --> 0:40:12.440
<v Speaker 1>a god or gods, why would they want to destroy us?

0:40:13.120 --> 0:40:17.880
<v Speaker 1>Why would they allow all this to happen? Mhm. The

0:40:17.960 --> 0:40:23.840
<v Speaker 1>clouds are clearing out of the moons, shining down. And

0:40:24.560 --> 0:40:29.480
<v Speaker 1>it's the palace. Oh, it's the grounds just beyond the palace,

0:40:29.680 --> 0:40:34.480
<v Speaker 1>of course, the old Imperial Menagerie. Look, the birds are

0:40:34.480 --> 0:40:40.759
<v Speaker 1>flying circles above it. Fires the disorientated or is it

0:40:40.840 --> 0:40:44.600
<v Speaker 1>the sign that I've been waiting for? Stay here? What

0:40:44.719 --> 0:40:48.880
<v Speaker 1>are you doing? Give me the scrolls. Don't go down there.

0:40:48.920 --> 0:40:55.360
<v Speaker 1>It's it's not safe. Don't worry, and may be dead already. Please,

0:40:55.480 --> 0:40:58.560
<v Speaker 1>Now I know the managerie. It was always the Menagerie,

0:40:58.600 --> 0:41:06.759
<v Speaker 1>where it began and where it will end. And on

0:41:06.880 --> 0:41:09.320
<v Speaker 1>the glorious night of the fires, a little do the

0:41:09.440 --> 0:41:13.719
<v Speaker 1>last stars shone, bright eyes up, wonderful, wonderful. And the

0:41:13.840 --> 0:41:18.320
<v Speaker 1>people demanded that Mistress Fatima accept the type. Don't look away,

0:41:18.560 --> 0:41:23.440
<v Speaker 1>look at me of Empress, not Sultana, but Empress of Truman.

0:41:23.520 --> 0:41:29.640
<v Speaker 1>Bag where are you moving? It's coming into low. We're

0:41:29.680 --> 0:41:38.160
<v Speaker 1>not going out ahead that they're not beforening of the city.

0:41:42.320 --> 0:41:45.960
<v Speaker 1>Perhaps mistress and I maybe said both. Perhaps we should

0:41:46.360 --> 0:41:49.520
<v Speaker 1>come down from the walls and retire to the safety

0:41:49.680 --> 0:41:54.279
<v Speaker 1>of the palace. Yes, where are you going, mistress? The

0:41:54.600 --> 0:42:02.560
<v Speaker 1>great work? H my my mom my painting in branch.

0:42:03.080 --> 0:42:06.759
<v Speaker 1>Someone helped me. No, no, no, no, no, no, no no,

0:42:07.120 --> 0:42:24.759
<v Speaker 1>no hopeful look or the city it's burning. Do you

0:42:24.840 --> 0:42:30.359
<v Speaker 1>want to go back? If I did what you coming,

0:42:31.160 --> 0:42:37.480
<v Speaker 1>I would I would accompany you wherever you went, even

0:42:37.520 --> 0:42:42.600
<v Speaker 1>to death, even to death without question. I know you

0:42:42.760 --> 0:42:53.920
<v Speaker 1>have a duty. Come. No, no, there's nothing there for

0:42:54.000 --> 0:43:00.200
<v Speaker 1>me anymore. Everything that means anything to me. It's right

0:43:00.280 --> 0:43:06.200
<v Speaker 1>here beside me. We go east towards the sun rise,

0:43:06.880 --> 0:43:26.000
<v Speaker 1>towards the sun Hyeah? Where is everyone? Summon, my slaves?

0:43:26.360 --> 0:43:37.680
<v Speaker 1>Are you go? Tell the steward the regent require Mr

0:43:37.760 --> 0:43:40.279
<v Speaker 1>Fantom and this way we need We need to get

0:43:40.400 --> 0:43:46.000
<v Speaker 1>back out. The palace is under attack. I need my army.

0:43:46.480 --> 0:43:50.520
<v Speaker 1>Mrs You have no army. You never paid them. They

0:43:50.560 --> 0:43:54.320
<v Speaker 1>went away, all of them a carriage. Then we have

0:43:54.440 --> 0:43:58.440
<v Speaker 1>to get out of the city to my palace in

0:43:58.480 --> 0:44:15.120
<v Speaker 1>the provinces. Now come, are you right? I need to

0:44:15.200 --> 0:44:19.000
<v Speaker 1>stop for a moment. There's a quiet street along here.

0:44:19.080 --> 0:44:22.120
<v Speaker 1>I know it will be safe. I lived here once

0:44:22.160 --> 0:44:28.160
<v Speaker 1>when I was young. Sit there, rest for a moment.

0:44:33.360 --> 0:44:39.000
<v Speaker 1>What was happening back there? People were falling all around us.

0:44:39.680 --> 0:44:43.360
<v Speaker 1>I don't know. You shouldn't have come from What do

0:44:43.440 --> 0:44:48.719
<v Speaker 1>you mean you're here? Were I rescued you from the

0:44:48.800 --> 0:44:52.560
<v Speaker 1>blind man? You think because you're rescuing me from the gallows.

0:44:53.160 --> 0:44:57.000
<v Speaker 1>I am released from your dreams. As long as you

0:44:57.080 --> 0:45:07.040
<v Speaker 1>are here and we are together, there's hope. Oh Ma

0:45:07.200 --> 0:45:10.719
<v Speaker 1>thress so dry. They wouldn't give us food or water.

0:45:10.800 --> 0:45:18.640
<v Speaker 1>Today there's a fountain on the corner. Water is flowing

0:45:18.719 --> 0:45:23.560
<v Speaker 1>throughout the city. A gift from the Ballaraq, Yeah, drink,

0:45:27.840 --> 0:45:32.160
<v Speaker 1>A gift from the ballaraches, A gift from the blind man.

0:45:37.080 --> 0:45:41.239
<v Speaker 1>Everyone has deserted me. This is what we want to

0:45:41.360 --> 0:45:47.879
<v Speaker 1>like loyalty these days the Eastern Gates. As fast as

0:45:47.920 --> 0:45:54.040
<v Speaker 1>you can it will be well rewarded. I'm not sure

0:45:54.360 --> 0:46:00.320
<v Speaker 1>that's wise. There's trust. The Eastern Gates likely to be wounded,

0:46:00.400 --> 0:46:04.440
<v Speaker 1>with people watching the fires from its high walls. Might

0:46:04.480 --> 0:46:12.400
<v Speaker 1>I suggest them let's go hard, driver, don't roll The

0:46:12.480 --> 0:46:30.799
<v Speaker 1>head is blood because he could see h m hm.

0:46:31.680 --> 0:46:35.520
<v Speaker 1>The Ballarak soldiers. They're forcing people to drink. Those that

0:46:35.640 --> 0:46:47.120
<v Speaker 1>refuse they are slaughtering. Driver, driver, turn around, ray gone,

0:46:47.920 --> 0:46:53.160
<v Speaker 1>deserted us. I think, mistress, we may be better off

0:46:53.200 --> 0:46:56.680
<v Speaker 1>going on foot. No one will notice us in the panic.

0:46:58.080 --> 0:47:04.719
<v Speaker 1>So put your shawl over your like like soup. Yes, yes, yes,

0:47:05.640 --> 0:47:13.320
<v Speaker 1>take my hand. Where are we going? I know a

0:47:13.440 --> 0:47:21.279
<v Speaker 1>way through the back streets. We need to be quick

0:47:21.680 --> 0:47:25.440
<v Speaker 1>less the poltic time h when you get out of

0:47:25.480 --> 0:47:28.839
<v Speaker 1>the way, excuse me leaving now? We don't have time.

0:47:31.400 --> 0:47:36.520
<v Speaker 1>What's I know? You? Your mistress, Fatima, mother of the Empire.

0:47:37.480 --> 0:47:41.520
<v Speaker 1>I'm I'm sorry. You're mistaken. It's Fatima. She's here. Leave

0:47:41.560 --> 0:47:49.839
<v Speaker 1>me alone, Leave me alone. Go Ali, good, Ali. Put

0:47:49.880 --> 0:47:54.000
<v Speaker 1>a noose around her neck. You are mistaken defending my son,

0:47:55.960 --> 0:48:01.040
<v Speaker 1>so you could leave your palis and the bothers. Killer killer,

0:48:01.400 --> 0:48:11.640
<v Speaker 1>killer killer stand stand hello, task which of you dares

0:48:12.280 --> 0:48:22.480
<v Speaker 1>to touch me? Your empress? Come on, then, come on?

0:48:24.200 --> 0:48:47.520
<v Speaker 1>Who will be the first to die? Killer? Hello? I

0:48:47.640 --> 0:48:55.040
<v Speaker 1>have what you asked for. I've brought the scrolls. What

0:48:55.160 --> 0:49:09.560
<v Speaker 1>do I do? How can yeah? If you can hear me? Hello, Gregor?

0:49:11.480 --> 0:49:17.480
<v Speaker 1>You have them? I do I never doubted you. So

0:49:17.600 --> 0:49:21.920
<v Speaker 1>what happens now? Give them to me? What will you

0:49:22.000 --> 0:49:28.279
<v Speaker 1>do with them? Give them to me. They used to

0:49:28.320 --> 0:49:32.920
<v Speaker 1>be all sorts of creatures. Here Sultan al Guri collected

0:49:32.960 --> 0:49:36.520
<v Speaker 1>them from the furthest lands. Yes, I told you before.

0:49:37.600 --> 0:49:41.480
<v Speaker 1>The world is like this menagerie, and it is in danger.

0:49:42.440 --> 0:49:47.080
<v Speaker 1>But the scrolls, they are the promise. Promise for what

0:49:47.760 --> 0:49:51.040
<v Speaker 1>the promise at the inception of the world, a contract

0:49:51.120 --> 0:49:54.240
<v Speaker 1>between this world and the outside, that once the seeds

0:49:54.280 --> 0:49:58.120
<v Speaker 1>are planted, the world will be left alone, and those

0:49:58.160 --> 0:50:00.200
<v Speaker 1>who live on it will be allowed to det herm

0:50:00.280 --> 0:50:07.800
<v Speaker 1>in their own future. The scrolls guarantee. That's right. You

0:50:07.880 --> 0:50:10.279
<v Speaker 1>need to give me the scroll so that the fires stop.

0:50:10.760 --> 0:50:13.120
<v Speaker 1>They will not stop until the scrolls are returned to me.

0:50:14.239 --> 0:50:18.399
<v Speaker 1>You are so close, Gregor, We need to be quick.

0:50:18.560 --> 0:50:28.200
<v Speaker 1>Look the fish, what in the pond floating? They've been

0:50:28.280 --> 0:50:31.839
<v Speaker 1>poisoned too. These waters are fed by the aqueduct. See

0:50:33.400 --> 0:50:37.240
<v Speaker 1>I see my reflection. The curious slave boy who arrived

0:50:37.239 --> 0:50:39.760
<v Speaker 1>in two munday full of hope and ambition has become

0:50:40.800 --> 0:50:43.759
<v Speaker 1>a lost and empty face gazing back at me through

0:50:43.800 --> 0:50:46.560
<v Speaker 1>the surface of the water. I wonder what is on

0:50:46.640 --> 0:50:52.120
<v Speaker 1>the other side, the other side another world. Nothing, there

0:50:52.239 --> 0:50:55.480
<v Speaker 1>is nothing there. Come away. We need to act fast.

0:50:55.760 --> 0:50:59.960
<v Speaker 1>And then, for a fleeting instant, I see her reflect

0:51:00.000 --> 0:51:02.960
<v Speaker 1>action in the surface, and all at once everything comes

0:51:03.040 --> 0:51:09.759
<v Speaker 1>into focus. When suddenly I understand the Queen. You might

0:51:09.840 --> 0:51:12.600
<v Speaker 1>have seen a new dreams. Perhaps this has all been

0:51:12.840 --> 0:51:15.320
<v Speaker 1>an illusion that she will wake inside your head. This

0:51:15.480 --> 0:51:17.680
<v Speaker 1>is a kingdom that will be destroyed from within. One

0:51:17.760 --> 0:51:20.520
<v Speaker 1>of them is inside you too. The scrolls were never

0:51:20.640 --> 0:51:24.680
<v Speaker 1>about the past, they were about the future. Sarah. What

0:51:26.200 --> 0:51:28.959
<v Speaker 1>I saw her reflection in the water. I heard her voice.

0:51:29.040 --> 0:51:31.040
<v Speaker 1>I don't know what you are talking. Will wake up

0:51:31.080 --> 0:51:39.760
<v Speaker 1>inside your head, maya you. We need to stop the fires.

0:51:40.080 --> 0:51:43.440
<v Speaker 1>The fires, yes, the battle, I believe they herald the

0:51:43.520 --> 0:51:49.040
<v Speaker 1>end of the world. But do they yes? Or is

0:51:49.080 --> 0:51:52.960
<v Speaker 1>it merely a celestial occurrence. It has happened before, astrologers

0:51:53.040 --> 0:51:56.640
<v Speaker 1>predicted their coming the battle. I believe the world is ending.

0:51:56.840 --> 0:52:01.520
<v Speaker 1>But the end is coming, Gregor. Only the scrolls can

0:52:01.600 --> 0:52:04.839
<v Speaker 1>save it. The important thing is that the scrolls are

0:52:04.920 --> 0:52:09.000
<v Speaker 1>whole again. You have brought them together, Gregor, and you

0:52:09.040 --> 0:52:15.040
<v Speaker 1>will be rewarded. Rewarded how with too, mum Bey the

0:52:15.200 --> 0:52:18.160
<v Speaker 1>city is yours to rule. You mean I will do

0:52:18.320 --> 0:52:23.400
<v Speaker 1>your bidding. You have proved yourself, Gregor, master of the

0:52:23.440 --> 0:52:33.040
<v Speaker 1>Palace Guard, Gregor, Sultan of all he sees. No, you

0:52:33.200 --> 0:52:35.239
<v Speaker 1>came here as a slave. You have a chance to

0:52:35.320 --> 0:52:38.919
<v Speaker 1>be your slave. I was born free and I will

0:52:38.960 --> 0:52:42.840
<v Speaker 1>die a free man. Just give me the scrolls, Greggor,

0:52:42.960 --> 0:52:46.839
<v Speaker 1>and you can have all you desire. I can see

0:52:46.880 --> 0:52:51.880
<v Speaker 1>inside your heart. Greggor, you are full of doubt, uncertainty.

0:52:53.080 --> 0:52:57.200
<v Speaker 1>The world. It is not as you think it is.

0:52:58.800 --> 0:53:02.760
<v Speaker 1>You need to have faith. You need to trust, Sarah, Gregor,

0:53:02.920 --> 0:53:05.520
<v Speaker 1>I love you. If you love me, take my hand.

0:53:08.640 --> 0:53:11.360
<v Speaker 1>I don't believe you. Where's Alkin? Where did you go?

0:53:12.360 --> 0:53:17.440
<v Speaker 1>Elkin died, she was hanged. Remember you cremated her, sent

0:53:17.520 --> 0:53:21.320
<v Speaker 1>her body out to sea. You saw it. Give me

0:53:21.400 --> 0:53:26.080
<v Speaker 1>what Maya desires. You're in my head. If I die,

0:53:27.600 --> 0:53:32.040
<v Speaker 1>you die, Maya dies, and two Monday will be saved

0:53:32.239 --> 0:53:37.080
<v Speaker 1>from one from us. Brother. Remember when we first came

0:53:37.160 --> 0:53:41.640
<v Speaker 1>to Two Monday's boys, we thought we could conquer the city.

0:53:42.560 --> 0:53:48.240
<v Speaker 1>We still can. You and I we can escape together, Gregor,

0:53:49.080 --> 0:53:55.680
<v Speaker 1>you and I forever. Just give me the scrolls. No, No,

0:53:56.920 --> 0:53:59.359
<v Speaker 1>you don't exist. You're in my head. Of course, I am.

0:54:00.400 --> 0:54:04.919
<v Speaker 1>We are one. I am you. You are me. I've

0:54:05.000 --> 0:54:08.640
<v Speaker 1>always been with you, brother, Give me the scrolls. I

0:54:08.920 --> 0:54:13.160
<v Speaker 1>am your brother. No cool, and you are dead. No,

0:54:13.520 --> 0:54:16.959
<v Speaker 1>I'm alive. Give me the scrolls and we can rule

0:54:17.080 --> 0:54:23.400
<v Speaker 1>together as we always want. We are running out of time, Grickols.

0:54:23.719 --> 0:54:27.800
<v Speaker 1>Your world is about to anything. The fires will stop

0:54:28.160 --> 0:54:31.560
<v Speaker 1>as they did before. The city can survive them, but

0:54:31.760 --> 0:54:36.200
<v Speaker 1>it cannot survive you. You are making a complete elephants

0:54:36.280 --> 0:54:39.840
<v Speaker 1>ass of yourself. Little brother, I wonder if it's healthy

0:54:39.880 --> 0:54:42.160
<v Speaker 1>being seen in your company anymore? What are you going

0:54:42.239 --> 0:54:44.720
<v Speaker 1>to do? Run into the fire. You've always going to survive,

0:54:44.800 --> 0:54:47.920
<v Speaker 1>a grandmoire. You're not going to do that. Throughout your life.

0:54:48.320 --> 0:54:52.880
<v Speaker 1>You killed to survive. You have survived at any cost.

0:54:53.239 --> 0:54:58.239
<v Speaker 1>Not this time, brother, What are you doing? Peace? No

0:55:00.040 --> 0:55:07.040
<v Speaker 1>m hm. As the fire takes me, I gripped the

0:55:07.080 --> 0:55:11.080
<v Speaker 1>scrolls hard and field a parchment disintegrate between my fingers.

0:55:12.719 --> 0:55:18.880
<v Speaker 1>In my end is my beginning? Have I defeated? Maya?

0:55:20.560 --> 0:55:34.800
<v Speaker 1>Will there be here tomorrow? There is a city far away.

0:55:36.320 --> 0:55:38.759
<v Speaker 1>My parents often spoke of it as if it had

0:55:38.920 --> 0:55:43.400
<v Speaker 1>always been there and always whitby. I had seen it

0:55:43.520 --> 0:55:46.840
<v Speaker 1>in paintings, I had read of it in stories. The

0:55:47.000 --> 0:55:51.960
<v Speaker 1>richest most powerful place on earth, the center of everything.

0:55:53.480 --> 0:55:56.840
<v Speaker 1>It drew people from every corner of the empire and beyond,

0:55:58.040 --> 0:56:01.920
<v Speaker 1>hungry for wealth and power, or in some cases, more

0:56:02.040 --> 0:56:07.120
<v Speaker 1>wealth than more power. They were dazzled by its brightness,

0:56:09.080 --> 0:56:14.040
<v Speaker 1>and like baths drawn to a candle. Many were burnt

0:56:14.120 --> 0:56:22.919
<v Speaker 1>alife by its fire. Come and by why? Why? Yeah?

0:56:26.000 --> 0:56:29.200
<v Speaker 1>I wasn't sure if there was anyone else. I saw

0:56:29.280 --> 0:56:35.360
<v Speaker 1>some others having towards the city gates. I'm frog Heaven.

0:56:36.360 --> 0:56:42.239
<v Speaker 1>Have you seen any Ballarat? No? Last night they were

0:56:42.440 --> 0:56:45.960
<v Speaker 1>cutting everyone down. Then they drank their own poison. Damn them.

0:56:47.760 --> 0:56:52.359
<v Speaker 1>Are you alone? No, it's safe. You can come out now.

0:56:55.880 --> 0:57:00.320
<v Speaker 1>My name is Mittilla. Are you Heaven? Where are you

0:57:00.440 --> 0:57:05.360
<v Speaker 1>going out of the city. I'm looking for my family.

0:57:05.400 --> 0:57:13.040
<v Speaker 1>I think they're in Serene. Can we come to Yes?

0:57:39.920 --> 0:57:44.280
<v Speaker 1>Season four, Episode eight of To Mumbai. The Fires, featuring

0:57:44.360 --> 0:57:49.560
<v Speaker 1>Rufus Wright, Olivia Popka, Anton Lesser, Aisha Hart, and Kirstie Bushell,

0:57:50.280 --> 0:57:53.800
<v Speaker 1>was written and directed by Me John Scott Dryden, with

0:57:54.040 --> 0:57:57.200
<v Speaker 1>music by Sasha Putnam and editing and sound design by

0:57:57.280 --> 0:58:01.760
<v Speaker 1>Eloise Whitmore. To Mumbai It's created by Me and Mike

0:58:01.840 --> 0:58:05.400
<v Speaker 1>Walker and produced by Emma Herne and Nadir Khan. For

0:58:05.520 --> 0:58:08.880
<v Speaker 1>more details, including scripts and a full cast list, visit

0:58:09.000 --> 0:58:10.400
<v Speaker 1>touman bay dot com