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Speaker 1: The tomb of the martyrs. There are some bad people

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Speaker 1: buried here. Is there anyone there? Wake up? Watchman? Where

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Speaker 1: are you? What do you want? The sun is not

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Speaker 1: up yet? You think the dead care? Do you think

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Speaker 1: I care? Let me in? What do you want? Shadya

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Speaker 1: she fights a sultan Algori. She was later rest here.

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Speaker 1: Indeed she was. I need to see her go away

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Speaker 1: by order of the Grandmaster, amal Rick. You will let

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Speaker 1: me in. Not strictly true, but I still have his

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Speaker 1: Sigel Balladack. You don't look like a Balladack officer, really,

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Speaker 1: are you prepared to take the risk? Over there? Bring

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Speaker 1: a torch? M all right. This is the only resting

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Speaker 1: place of the great Lady Changel. We need to open it.

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Speaker 1: Help me, help me, or I will call my ballorad

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Speaker 1: brothers and they will tear this place apart, every tomb

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Speaker 1: of every sultan, wife and rotten official. Hold the torch closer.

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Speaker 1: Her face painted on wood, her eyes sparkling in the light,

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Speaker 1: as if in life, she dazzled the world in a

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Speaker 1: time when everything seems certainly not anymore, No matter how

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Speaker 1: beautiful or brilliant or powerful, we all arrived at this.

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Speaker 1: Are you already offending. I knew her once you did. Well,

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Speaker 1: what do you want with that? Help me to do? What?

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Speaker 1: Move her? Hum gently? That's it? Lift ahead? What are

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Speaker 1: you looking for? Yes? Her fees at cunning old fox.

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Speaker 1: He was ahead of us all all this time. Ancient

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Speaker 1: scrolls seal the tomb. Tell no one I've been here.

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Speaker 1: Wait wait, you're no bella at night? What are you?

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Speaker 1: Who are you see? Better not to ask, my friend,

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Speaker 1: Better not to ask two mon by, Season four, episode eight,

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Speaker 1: The Fires by John Scott driving you're from touman By,

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Speaker 1: saying that's right. Please sit down, so you see, it's

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Speaker 1: important that I see as soon as possible. I had

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Speaker 1: to wait outside the gates all night. Yes, yes, my apologies.

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Speaker 1: You see some of our guards are well. We don't

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Speaker 1: receive many visitors. Would you care for anything? I'm sorry

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Speaker 1: to eat or drink. You've had a long journey. Thank you.

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Speaker 1: I'd like to see this sultana. First, of course, it's

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Speaker 1: just I'm sorry to ask you this. But by whose

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Speaker 1: authority are you? Do you have an order? Not exactly?

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Speaker 1: You see the painter signor pierro is into mamba signor

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Speaker 1: matte el pierro. Yes, he has been commissioned. I am

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Speaker 1: an admirer. When I was a young boy, I saw

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Speaker 1: his work. He has the ceiling of the Temple of Ariana.

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Speaker 1: My father took me and my sister too. Yes, one

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Speaker 1: of the wonders of the world. Well, I need to

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Speaker 1: see the Sultana because my master has been commissioned by

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Speaker 1: the regents too. Sorry, the region mistress Fatima Fatimah. She

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Speaker 1: has been appointed regent of to Mambay in the Sultana's absence.

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Speaker 1: As she you will see very little news here. So

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Speaker 1: my master is working on a great painting depicting the

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Speaker 1: glory of Tombai, and he hadn't finished with his studies

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Speaker 1: of the Sultana when she was unfortunately taken. Ill see,

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Speaker 1: he needs her to fully finish the great work. So

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Speaker 1: I have been sent here's my sketch book. Oh he's

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Speaker 1: so fine? Is that the me Daniel Sulliman. So and

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Speaker 1: I recognize the gates of doors? That's right. I sketch

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Speaker 1: things wherever I And this is her, yes, yes, it is. Huh.

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Speaker 1: It's as if she is looking straight at me. Remarkable.

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Speaker 1: My sister had the same. Never mind that, perhaps we

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Speaker 1: could go on. But if you have a sketch of

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Speaker 1: her already didn't Why did you need to? It's what

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Speaker 1: my master requires. She has requested that she'd be left alone.

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Speaker 1: She will want to see me. Wait, please, can I

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Speaker 1: come with you? Wait, I'll come straight back. Breakfast, Commander Dunty,

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Speaker 1: bring the commander his breakfast. Nothing, thank you, mistress, just

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Speaker 1: mint tea? You ready? Yeah, we're off. I thought you

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Speaker 1: were done with work. Uncle says that's some finishing off.

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Speaker 1: Come on, frog, just one moment. Did you do as

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Speaker 1: I asked? So they are safe? The man and child?

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Speaker 1: You took them to the garden. They've gone? What left?

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Speaker 1: The maid say they went two moons ago before the

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Speaker 1: Ballarak locked down the city gates. Left to go where.

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Speaker 1: I don't know, but she gave me this said they

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Speaker 1: left it for whoever came looking. We need to go

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Speaker 1: and I need to get back to my new friends,

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Speaker 1: the Ballarak. I need to get the other half of

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Speaker 1: the scrolls. I want a slave on every corner so

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Speaker 1: that when Regent Fatima appears on the city walls, there

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Speaker 1: will yes, yes signor do you need something? Nothing is happening.

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Speaker 1: I'm sorry. What my canvas lighting for the area around

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Speaker 1: in My assistant has deserted me. I don't really need

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Speaker 1: help to get the canvas outside and need to see

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Speaker 1: it in the darkness tonight. But surely you will just

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Speaker 1: make sketches and then take them back to the studio. Well,

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Speaker 1: the final touches have to be done as the fires

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Speaker 1: light up the sky, so I can see and feel

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Speaker 1: the moment. I'm an artist. Did not question me the democrat. Hell,

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Speaker 1: I'll find someone for you. You will have slaves. You

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Speaker 1: go with Senor Piero. Make sure he has whatever he needs. Youtually,

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Speaker 1: come with me, Sor Piero. Right, well, I need five

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Speaker 1: of you to go down to the gates. What do

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Speaker 1: you think, uncle? Have you checked the trap door? Of course?

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Speaker 1: Stand aside? Frog pull the ball? Not bad? Good? Me

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Speaker 1: and Frog will make comments yet, right uncle, perhaps we

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Speaker 1: can join you on your next job. That's well, that's it, boys,

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Speaker 1: job done. That one's a bit now, it'll do the job.

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Speaker 1: We'll be taking them all down tomorrow. Anyway. Don't be,

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Speaker 1: don't forget the rest of the pools. I'll help you.

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Speaker 1: This is it. Don't be. Are you sure we should

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Speaker 1: do it? What are you talking about? We agreed we

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Speaker 1: can't back out, now, I know I know we're the

102
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Speaker 1: sky rats. Yes, it's just wait, wait whereever you do.

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Speaker 1: Going to get the tools from the hut quickly, then

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Speaker 1: quickly we need to clear the same line up. I'm

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Speaker 1: waiting for the gate to open quickly? Do you think

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Speaker 1: anyone's was I didn't know. It's gone very quiet. What

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Speaker 1: can you see? Everyone's waiting for the guards to open

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Speaker 1: the gates. Anyone looking over here? I don't think so

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Speaker 1: they're opening the gates, So what now? Mm hmm, Hello,

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Speaker 1: excuse me, I'm I'm looking for the Sultana Manel. She's

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Speaker 1: staying here and she's in the throne room waiting for

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Speaker 1: it all to be keen, waiting for what to begin

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Speaker 1: the wedding. Of course, we're to have a feast. You

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Speaker 1: know where is the throne room? Can you show me?

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Speaker 1: But we're not supposed to be there. Only the invited

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Speaker 1: guests are allowed. But she would want to seem no

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Speaker 1: I could be in trouble. No, no, you won't be

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Speaker 1: in trouble. I am one of the guests. The Sultana

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Speaker 1: is expecting me. I'm made to. You should have said quickly,

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Speaker 1: then this one, this we come this way, let me through.

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Speaker 1: He's late for the wedding. Come, come upending the throne,

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Speaker 1: room offendy, I will withdraw, Thank you, enjoy it. We

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Speaker 1: all wish the Sultana great happiness in her marriage. Yes, hello,

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Speaker 1: is anyone here? Hollell now we'll wake up? Hey, wake up,

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Speaker 1: wake up, Come on, we've got to get you out

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Speaker 1: of here. It's no good. Yes, chain me to the throne.

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Speaker 1: Who sorry, it's all right, don't tell me please, I'm

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Speaker 1: a friend. It's true. Moment has stayed with me and

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Speaker 1: helped me. What is going on here? There has been

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Speaker 1: a disturbance. The image have taken over the place I

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Speaker 1: just sat with the governor. There is no governor anymore.

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Speaker 1: All right, we need to do You have a sword? No?

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Speaker 1: They took it from me at the gates. But I

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Speaker 1: told you I was a common thief. Picking locks is

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Speaker 1: not a skill you easily forget. I need some tools,

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Speaker 1: a pin, anything small enough to turn quill? Would that were? Perhaps?

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Speaker 1: I know where I can get one. Be quick? Yes,

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Speaker 1: what are you doing? Sor nothing to concern himself. We

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Speaker 1: have a guest from Truman Bay. You can't be here.

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Speaker 1: What are you doing? It's my sister. You can't touch her.

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Speaker 1: Calm yourself, get out of here alone. So I beg

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Speaker 1: you don't do this. Ah, get her go. She's not

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Speaker 1: your sister. God, God, don't let her go. Old man,

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Speaker 1: let go of me. Listen to me, friend, listen to me.

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Speaker 1: I am older than you and wiser. I know many things.

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Speaker 1: When I was a child, I was supposed to be killed.

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Speaker 1: But the man charged with killing me showed me mercy.

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Speaker 1: He allowed me to live. Do you think your sister

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Speaker 1: would want you to do this? I said? What have

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Speaker 1: I done forgive? Let me take the key from your belt?

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Speaker 1: Or right? Taking me quick? It's just go. I've been bad,

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Speaker 1: I've lost my way away, become a strange Yet is

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Speaker 1: strange land? He's just waiting over already it was canceled

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Speaker 1: and the feast. Excuse me? What about my horse? Where's

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Speaker 1: my horse? We'll ride together? They let me help open

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Speaker 1: the gates. Yeah, where are you going? Where do you

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Speaker 1: want to go? I don't know. Yeah, it's not tight enough.

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Speaker 1: Shall I bring your cloak? Yes? Brother? Is everything ready

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Speaker 1: as you commanded? Grandmaster? Go ahead, fetch the huffies. You

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Speaker 1: seem anxious. The low clouds are unexpected, unusual at this

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Speaker 1: time of year, an unnatural event. The brothers are concerned

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Speaker 1: the fires in the sky. Are they a message from God?

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Speaker 1: What do they mean? Oh? Everything and nothing? But that

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Speaker 1: means nothing. I will tell you this because I do

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Speaker 1: care for you. You see I have failed, all have failed. Yes, yes,

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Speaker 1: but but I'm grandmother. How are you feeling, holiness? Yeah? Good?

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Speaker 1: Do you know the words? Of course? We have been

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Speaker 1: practicing them all day, haven't we? All in us? Say

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Speaker 1: go on I like we did before the wheel of

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Speaker 1: life turns the waters flow. I think, Grandmother, I think

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Speaker 1: it best not to tire his holiness at this time.

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Speaker 1: I can assure you he will rise to the occasion.

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Speaker 1: Take him to the carriage, stay with him, priest always,

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Speaker 1: always heaven. I want you to ride next to me.

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Speaker 1: Of course, Grandmaster, have been a faithful servant. The time

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Speaker 1: is coming when we are going to save the people

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Speaker 1: of two Night. Save them? How from what? From what?

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Speaker 1: The brothers are ready? Grandmaster? Good? Then let it begin.

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Speaker 1: I'm invisible as far as the Ballarak are concerned. I've

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Speaker 1: done what the Grandmaster brought me back to do. I've

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Speaker 1: delivered to her feast to him and no one. It

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Speaker 1: seems it's interested in me anymore. I can move amongst

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Speaker 1: them as I please and get the other half of

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Speaker 1: the scrolls. Okay, wrist Christ what do you want, Gregor?

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Speaker 1: What's going to happen? I can't speak to you. Why not?

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Speaker 1: I have a job to do watching over the scroll what? No,

187
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Speaker 1: the fist of course? Are they with her fists and

188
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Speaker 1: the carriage? No, the Knights have them. They will hand

189
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Speaker 1: them to be at a certain point. Then I will

190
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Speaker 1: hand them to the haffies. And if he has any

191
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Speaker 1: problems reading them, I will be there to prompt him.

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Speaker 1: And if he falls over, but don't worry, I'll be

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Speaker 1: there to hold him and help you as you please, Commander,

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Speaker 1: as you please, come, Commander Gregor, you have decided to

195
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Speaker 1: join us, Grandmaster, how did you? I have my eyes?

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Speaker 1: I'm sorry, Heaven here she sees much. I'm not really

197
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Speaker 1: a suitable candidate for the Battle Act. No one is

198
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Speaker 1: beyond redemption. There is time for you. Yeah. Perhaps, in

199
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Speaker 1: any case, I felt compelled to accompany you on such

200
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Speaker 1: an historic occasion as you wish, Grandmasters. The Great Square

201
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Speaker 1: is just ahead. It looks as if all of Tumun

202
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Speaker 1: Bay has come as it is written, So it will

203
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Speaker 1: be Heaven. I need to talk to you looking ahead

204
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Speaker 1: on the stove. Hold back, hold back a bit, Let

205
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Speaker 1: then ride ahead. The grand Master, did you do as

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Speaker 1: I asked them? The husband and child fled the city

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Speaker 1: two months ago. I don't believe you. I swear it's true.

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Speaker 1: I have a note from your husband, quicken taking. He's

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Speaker 1: given instructions how to find them. He will be waiting

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Speaker 1: for you in serene, Thank God. The future of Tumuan Bay,

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Speaker 1: the future of everything, depends on bringing the scrolls together.

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Speaker 1: What the scrolls? The Grandmaster only has half of them.

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Speaker 1: The other half I have safe. They need to be

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Speaker 1: brought together to save the city, to save everything. Why

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Speaker 1: you'll think I'm mad if I tell you sometimes they

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Speaker 1: that mad myself. Believe me, I have seen madness, and

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Speaker 1: you are not mad. There was is a traveler, a

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Speaker 1: woman who I knew. She used to advise the Sultana.

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Speaker 1: She died, but she's returned. She's traveled to distant lands

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Speaker 1: and beyond. She knows many things. She has told me.

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Speaker 1: Do you believe her? I do. Yeah, that does sound mad.

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Speaker 1: Are you sure they'll be enthusiastic enough? Of course, it's

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Speaker 1: been a long time since there's been a chance to

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Speaker 1: celebrate and free refreshments are being distributed to one le.

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Speaker 1: Did you make it clear that it's from me, that

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Speaker 1: it's my gift to the people. Of course, of course, mistress. Come,

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Speaker 1: they're waiting for you. This will be the climax of

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Speaker 1: the chronicles. The city. No, the empire receives its mother.

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Speaker 1: Perhaps you would like to gather yourself. I'll just make

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Speaker 1: sure everything said. Yes, Grand Visia, the jelly doesn't work

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Speaker 1: in the crowds. They're chanting her name. So how did

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Speaker 1: you achieve that? What? We have agents in the crowd.

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Speaker 1: When people know they are being watched, they do as

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Speaker 1: they are to old good, good, well done. Can you hear, mistress?

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Speaker 1: They are calling for you. Are you ready, Visier? Are

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Speaker 1: you ready, mistress? Yes? If you could stand here, the

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Speaker 1: door will swing open in three two. One step forward, mistress.

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Speaker 1: Show them you are theirs and they are yours. You

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Speaker 1: are one my people. They love me, they really do.

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Speaker 1: My peoples here parts signor puiro. I trust all is

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Speaker 1: in order. It's going to rain. I need shelter for

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Speaker 1: the gandhas I can assure you it never reigns in

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Speaker 1: Tuman Bass, so that is unlikely. Excuse me, good where

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Speaker 1: are the ballarack? They're almost here, Mistress, I should be

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Speaker 1: the one making the grand entrance. We entered the square

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Speaker 1: and it is as if all Tuman Bay is here.

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Speaker 1: Ballarak soldiers clear away through the crowds towards a high

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Speaker 1: platform on the far side. What do you see? Haven't

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Speaker 1: why the people cheering dancers by readers? I see the

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Speaker 1: prison block on one side with a hundred gallows, and

251
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Speaker 1: all around, high up on the walls, Ballarak soldiers are

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Speaker 1: taking positions looking down enclosing the city. Grandmaster, I bid

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Speaker 1: you welcome. I thought you would have come earlier to

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Speaker 1: enjoy the entertainment. I thought God's fires would be entertainment

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Speaker 1: enough Grandma's, but you put on some fair ground carnival. Come,

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Speaker 1: grand Master, I am the regent. You are a guest

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Speaker 1: soon to depart? Is that not so? It is? Undoubtedly?

258
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Speaker 1: Then let this be a happy farewell for all our difficulties.

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Speaker 1: Let us leave on good terms. And Master perhaps would

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Speaker 1: like to come this way as you requested, We have

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Speaker 1: prepared a tent for you where you can rest and

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Speaker 1: watch as the evening unfolds. Shall I accompany? No, No,

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Speaker 1: it has begun. It is a blessing, a sign of

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Speaker 1: God's approval, Mistress, a sign of a new dawn for

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Speaker 1: the empire. But unfortunately they can't see much, Grandmaster, through

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Speaker 1: the clouds. You know it's never cloudy in Tuman Bay.

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Speaker 1: Is that it is? That all there is, that Murdam

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Speaker 1: is in the hands of the Almighty. There's a good job.

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Speaker 1: We have other entertainment arranged. Let the executions begin the

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Speaker 1: aqueduct first, if you will indulge me, Madam, ingratitude for

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Speaker 1: your hospitality over these past moons. I would like to

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Speaker 1: present our gift to the people of Tuman so they

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Speaker 1: may drink the pure clear waters as he please, bring

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Speaker 1: the helfied. He's sublime, Holiness the Huffies direct descendant of

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Speaker 1: the teacher. Do you think you can stand? Take my

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Speaker 1: hand and don't worry. I'm right beside your holiness. Remember

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Speaker 1: the words, the week of life turns, the will of

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Speaker 1: life turns, the water slope, the waters flow, Drink the

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Speaker 1: water of life. Drink the water of life, and to

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Speaker 1: be free, and be free, Let the waters flow, Let

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Speaker 1: the waters flow, And I give the order, Grandmaster, Let

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Speaker 1: the wheel turn, Let the wheel turn, Let the wheel down.

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Speaker 1: Bring the scrolls forward. The her fees must bless the scrolls.

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Speaker 1: A Ballora officer places a box and come to their

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Speaker 1: fees helping it. And there they are. I could almost

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Speaker 1: reach out and get their guarded closely. The her fees

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00:25:37,640 --> 00:25:41,240
Speaker 1: touches them, his fingers caressing the ancient parchment, a slight

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Speaker 1: smile on his lips. Now it is take the cup, work, drink,

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Speaker 1: see the words. I take this cup on, I take

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Speaker 1: this cap and drink. Mhmm. Now you can withdraw in

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00:26:07,960 --> 00:26:15,919
Speaker 1: what there is life. In life, there is knowledge and hope. Drink,

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Speaker 1: refresh your souls and rejoice in the medical existing holderness.

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Speaker 1: What is it I think I think I've been. What's

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Speaker 1: wrong with him is a sickly fellow. I don't think.

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Speaker 1: Let us retire to my tent. Our time is should

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Speaker 1: but the huffies shouldn't be helping. God will take care

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Speaker 1: of the huffies. Take my hand, show me the way. Yes,

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00:27:00,040 --> 00:27:05,760
Speaker 1: whatever her THESI has been taken ill. God, you want

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Speaker 1: to take his hood and us back to the palace.

300
00:27:08,359 --> 00:27:16,320
Speaker 1: And it's raining, he told me. It never rains in Tumanda.

301
00:27:16,600 --> 00:27:19,480
Speaker 1: I think we should move on swiftly, Mistress. We don't

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00:27:19,520 --> 00:27:22,040
Speaker 1: want the people to drift away. Yes, let's get on

303
00:27:22,119 --> 00:27:26,040
Speaker 1: with the executions, of course, But perhaps whilst we wait

304
00:27:26,119 --> 00:27:28,679
Speaker 1: for the prisoners to be brought forth, you should speak

305
00:27:28,760 --> 00:27:34,520
Speaker 1: to the people, mistress. Yes, yes, it's time to tell

306
00:27:34,600 --> 00:27:40,200
Speaker 1: them how much you love for them. Announcer. Now now, now,

307
00:27:40,680 --> 00:27:47,720
Speaker 1: the mother of the Empire of Human Bays stand here, mistress.

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00:27:47,960 --> 00:27:55,000
Speaker 1: They will see you better speak to your people, people

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Speaker 1: of Human Bay. My heart was broken when my adopted daughter,

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Speaker 1: the Sultana Manel, was no longer able to continue her duties.

311
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Speaker 1: I've often dreamed of this moment. So what happens next?

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00:28:14,720 --> 00:28:17,680
Speaker 1: I don't know. I've always woken up just as the

313
00:28:17,720 --> 00:28:22,080
Speaker 1: blind man puts the noose around her neck. Is that

314
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Speaker 1: all you can say? They're bringing the prisoners out. Ready, careful,

315
00:28:29,400 --> 00:28:32,360
Speaker 1: they'll see. They're bringing them all out, just the man.

316
00:28:32,520 --> 00:28:34,639
Speaker 1: Surely the women are meant to be later. But I

317
00:28:34,720 --> 00:28:37,000
Speaker 1: can see her. I can see Materna. They're leading her

318
00:28:37,040 --> 00:28:39,400
Speaker 1: to the gallows. Perhaps they changed the plan because of

319
00:28:39,440 --> 00:28:44,880
Speaker 1: the rain. They're doing it. Quickly, get the straw. Start

320
00:28:44,920 --> 00:28:53,840
Speaker 1: the fire started, now, I will. Can you see any

321
00:28:53,960 --> 00:29:00,720
Speaker 1: fires in the sky? No, Occasionally the clouds appeared to glow.

322
00:29:02,640 --> 00:29:08,120
Speaker 1: You're disappointed, for the brothers expected more for me. How

323
00:29:08,240 --> 00:29:12,800
Speaker 1: it happens makes no difference. I cannot see, but shortly

324
00:29:13,040 --> 00:29:18,960
Speaker 1: I will have sight. Grandmaster, you requested that the scrolls,

325
00:29:19,000 --> 00:29:22,240
Speaker 1: and then I will keep them here beside me as

326
00:29:22,320 --> 00:29:28,600
Speaker 1: the end of time approaches. Is everything prepared? Yes, Grandmaster,

327
00:29:30,040 --> 00:29:44,640
Speaker 1: then bring me the cup. Brother thank you. It has

328
00:29:44,720 --> 00:29:47,840
Speaker 1: been an honor to serve you, Grandmaster. We all serve

329
00:29:47,960 --> 00:29:52,040
Speaker 1: only one must. Now go take the brothers up onto

330
00:29:52,080 --> 00:29:54,400
Speaker 1: the walls and wait. You may be needed yet, if

331
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Speaker 1: is the rain come to cause any problems the door,

332
00:29:58,080 --> 00:30:02,320
Speaker 1: the wheel is turning. The elixir is potent, the will

333
00:30:02,440 --> 00:30:08,600
Speaker 1: the elixir I I don't understand. Brothers, Be resolute in

334
00:30:08,640 --> 00:30:12,160
Speaker 1: your actions, be certain in your purpose. Do not doubt

335
00:30:12,240 --> 00:30:18,160
Speaker 1: that we will be reunited shortly in the light. Go, brothers,

336
00:30:18,240 --> 00:30:22,640
Speaker 1: Go distribute water, Make sure that all drink. If they won't,

337
00:30:23,800 --> 00:30:30,480
Speaker 1: persuade them, offer them the chance of salvation. Yes, Miss

338
00:30:30,560 --> 00:30:40,000
Speaker 1: Master Robert, read to me, Read from the scrolls, and

339
00:30:40,200 --> 00:30:47,560
Speaker 1: you will understand. And at the end of times, the

340
00:30:47,640 --> 00:30:51,360
Speaker 1: wheel of life will turn, and those who have drunk

341
00:30:51,400 --> 00:31:00,440
Speaker 1: from the fountain drink from the cup. Don't question, just

342
00:31:00,760 --> 00:31:06,760
Speaker 1: drink and you will be saved. The Aqueduct, the Alixiry,

343
00:31:06,840 --> 00:31:10,800
Speaker 1: the promise of salvation. Those who drink will be saved.

344
00:31:11,200 --> 00:31:14,520
Speaker 1: Those who do not will burn in the fires. Yes,

345
00:31:14,720 --> 00:31:18,280
Speaker 1: the end is coming, Heaven, my dear child. The fires

346
00:31:18,320 --> 00:31:20,960
Speaker 1: will destroy all, but those who can show their faith

347
00:31:21,000 --> 00:31:26,920
Speaker 1: by drinking from the fountain will be saved. So take

348
00:31:27,000 --> 00:31:40,960
Speaker 1: the cup. I will drink. After you come, we will

349
00:31:41,040 --> 00:31:45,320
Speaker 1: drink together. No, my my duties to make sure your

350
00:31:45,360 --> 00:31:48,080
Speaker 1: worldly body is treated with respect before I come. A

351
00:31:48,200 --> 00:31:52,400
Speaker 1: body means nothing. It's ash. Now drink, Heaven. I need

352
00:31:52,600 --> 00:32:02,719
Speaker 1: to know you will be saved. It's all right if

353
00:32:02,800 --> 00:32:08,000
Speaker 1: you don't wish to bring me the scrolls, put them

354
00:32:08,040 --> 00:32:20,720
Speaker 1: back in the box of me. Drink. I cannot leave

355
00:32:20,800 --> 00:32:23,760
Speaker 1: you behind. If you burn in the fires, you will

356
00:32:23,800 --> 00:32:25,960
Speaker 1: burn for ever. But if you drink now and come

357
00:32:26,080 --> 00:32:29,000
Speaker 1: with me, you will be free in the spirit. Those

358
00:32:29,000 --> 00:32:35,000
Speaker 1: who burn will burn for eternity. You'll need to trust me, Heaven.

359
00:32:35,680 --> 00:32:38,040
Speaker 1: I do you know what the good? Then allow me

360
00:32:38,240 --> 00:32:43,800
Speaker 1: to put the cup to your lips. Yes, yes, I

361
00:32:44,120 --> 00:32:51,360
Speaker 1: understand doubt. I understand weakness. You know in my weakness

362
00:32:51,440 --> 00:32:54,840
Speaker 1: I have longed to see you, And when we are saved,

363
00:32:55,880 --> 00:32:58,360
Speaker 1: I will see you, and in the next life. You

364
00:32:58,440 --> 00:33:18,760
Speaker 1: will be as my daughter that heaven. Listen for yours,

365
00:33:20,080 --> 00:33:40,920
Speaker 1: your world, listener for mine. Yeah we're not. I's not.

366
00:33:46,720 --> 00:33:51,240
Speaker 1: Come on, it's too damp, light, dumb you light. It's

367
00:33:51,280 --> 00:33:54,240
Speaker 1: no good. We need a distraction. We have to help.

368
00:33:54,600 --> 00:34:05,680
Speaker 1: Your hands are bleeding. Okay, Yeah, something's happening. This has

369
00:34:05,760 --> 00:34:10,640
Speaker 1: to work. It has to Frog. Stop. People are dying.

370
00:34:10,920 --> 00:34:14,560
Speaker 1: I know no, they're falling down. The guds are just

371
00:34:14,680 --> 00:34:17,920
Speaker 1: standing there staring out at the crowd. What are you doing?

372
00:34:20,600 --> 00:34:28,480
Speaker 1: What's going on? What? The people are just dropping like flies? Frog? Frog?

373
00:34:28,680 --> 00:34:31,600
Speaker 1: Follow me? Where are you going? You can't bring them out?

374
00:34:34,480 --> 00:34:46,520
Speaker 1: Great Mantilla, take my hand, Come on, it's me God,

375
00:34:46,760 --> 00:34:57,839
Speaker 1: get not enough dum Petilla's happen, Frog, they can't. I've

376
00:34:57,840 --> 00:34:59,880
Speaker 1: got to get her out of it. We need to go.

377
00:35:01,440 --> 00:35:04,960
Speaker 1: Why stop that coming? You have sorts, I have this

378
00:35:05,160 --> 00:35:13,000
Speaker 1: and have a complete lunithic go from go forever. We'll

379
00:35:13,080 --> 00:35:20,920
Speaker 1: lose ourselves in the crowd. The rains have stopped, clouds

380
00:35:20,960 --> 00:35:27,480
Speaker 1: are lifting. Did you see that, mistress? It's another one.

381
00:35:30,440 --> 00:35:36,600
Speaker 1: The whole universe is celebrating your glory. Just Fatima, keep

382
00:35:36,640 --> 00:35:40,880
Speaker 1: your head out. That's right, there's something happening. In the

383
00:35:40,920 --> 00:35:45,759
Speaker 1: square below, people lying on the ground as if to

384
00:35:45,880 --> 00:35:56,239
Speaker 1: better see the sky. Something's wrong, Commander, still here. I

385
00:35:56,280 --> 00:35:59,320
Speaker 1: suppose you'll be leaving in the morning with your new friends.

386
00:35:59,760 --> 00:36:03,320
Speaker 1: My do hope you enjoy the monastic life. What's happening

387
00:36:03,400 --> 00:36:09,160
Speaker 1: here here? Look down there? The people are celebrating a

388
00:36:09,400 --> 00:36:16,520
Speaker 1: new dawn, the rebirth of Tuman back. Oh, dear Gregor,

389
00:36:16,840 --> 00:36:21,280
Speaker 1: can't you see you picked the wrong side? The Ballarak

390
00:36:21,320 --> 00:36:25,719
Speaker 1: are leaving with their tails between their legs, and Fatima, well,

391
00:36:25,960 --> 00:36:35,120
Speaker 1: she is going to My mistress needs me. You have

392
00:36:35,239 --> 00:36:42,120
Speaker 1: the scrolls here? What's going on down? They've poisoned the aqueduct.

393
00:36:42,360 --> 00:36:45,080
Speaker 1: Come with me, how I think I know the source.

394
00:36:45,200 --> 00:36:56,360
Speaker 1: We have to stop it. Don't drink the water about

395
00:36:57,160 --> 00:36:59,520
Speaker 1: This is the night we've been waiting for. Woman day

396
00:36:59,640 --> 00:37:04,640
Speaker 1: is going Don't drink all of you you would die? Please?

397
00:37:08,560 --> 00:37:18,919
Speaker 1: Can we have to hurry. Once we get up into

398
00:37:18,920 --> 00:37:22,280
Speaker 1: the aqueduct, there's a bump house. It contains a huge wheel.

399
00:37:22,760 --> 00:37:31,080
Speaker 1: That's where the poison is. H h are you Gregor,

400
00:37:31,280 --> 00:37:33,719
Speaker 1: master of the palace guard? The Grand Master has sent me.

401
00:37:34,520 --> 00:37:39,239
Speaker 1: Oh have you drunk from the water's yet? Brother? Not yet? Then?

402
00:37:39,680 --> 00:37:42,680
Speaker 1: Let me offer you this cup. You must be thirsty.

403
00:37:43,920 --> 00:37:47,480
Speaker 1: Drink you two sister. Please we need to pass. No

404
00:37:47,600 --> 00:37:49,800
Speaker 1: one is allowed up here. I have orders, I have

405
00:37:50,000 --> 00:37:58,960
Speaker 1: new orders, urgent ones. Let me see. Yeah, I'm sorry,

406
00:37:59,040 --> 00:38:01,600
Speaker 1: my friend, it's over. At least you don't have to

407
00:38:01,640 --> 00:38:10,720
Speaker 1: wait like your brother's come. Why are this girls so important?

408
00:38:10,880 --> 00:38:13,680
Speaker 1: I don't know. The two halves need to come together.

409
00:38:14,360 --> 00:38:17,279
Speaker 1: I have to take them somewhere where. I have to

410
00:38:17,360 --> 00:38:24,040
Speaker 1: wait for a sign just along there. I saw it

411
00:38:24,160 --> 00:38:29,279
Speaker 1: before the Grandmaster was expecting to work, so I didn't

412
00:38:29,320 --> 00:38:36,640
Speaker 1: know what it was. Bella regards all dead. I must

413
00:38:36,640 --> 00:38:42,200
Speaker 1: have drunk poison. You need to find of controls to

414
00:38:42,360 --> 00:38:50,720
Speaker 1: stop m hm No, it's embedded in the machine itself,

415
00:38:52,560 --> 00:39:03,440
Speaker 1: the card spear. Yeah yeah, what is no good? You need?

416
00:39:03,480 --> 00:39:06,520
Speaker 1: Iye and stay back. This is poison. I know that

417
00:39:07,160 --> 00:39:10,440
Speaker 1: I've got it all over you. What are you doing here, dumpy?

418
00:39:11,239 --> 00:39:13,920
Speaker 1: I've lost my friends. We're trying to get to the garden.

419
00:39:14,120 --> 00:39:16,200
Speaker 1: This is the only safe way to get there around

420
00:39:16,239 --> 00:39:19,279
Speaker 1: the walls. Can I help you for Mallet give it

421
00:39:19,320 --> 00:39:34,400
Speaker 1: to me. Are you all right? Brother? Don't touch me.

422
00:39:35,719 --> 00:39:39,879
Speaker 1: The poison might enter through the skin. Come sit here.

423
00:39:40,880 --> 00:39:53,520
Speaker 1: M h m hmm. Maybe it doesn't matter anyway. What

424
00:39:53,600 --> 00:39:59,360
Speaker 1: do you mean? Fires from destroy everything? That's what the

425
00:39:59,400 --> 00:40:03,239
Speaker 1: bell I reck when? Yeah? And do you think so? Maybe?

426
00:40:06,120 --> 00:40:09,680
Speaker 1: I don't know. I don't believe that. If there is

427
00:40:09,719 --> 00:40:12,440
Speaker 1: a god or gods, why would they want to destroy us?

428
00:40:13,120 --> 00:40:17,880
Speaker 1: Why would they allow all this to happen? Mhm. The

429
00:40:17,960 --> 00:40:23,840
Speaker 1: clouds are clearing out of the moons, shining down. And

430
00:40:24,560 --> 00:40:29,480
Speaker 1: it's the palace. Oh, it's the grounds just beyond the palace,

431
00:40:29,680 --> 00:40:34,480
Speaker 1: of course, the old Imperial Menagerie. Look, the birds are

432
00:40:34,480 --> 00:40:40,759
Speaker 1: flying circles above it. Fires the disorientated or is it

433
00:40:40,840 --> 00:40:44,600
Speaker 1: the sign that I've been waiting for? Stay here? What

434
00:40:44,719 --> 00:40:48,880
Speaker 1: are you doing? Give me the scrolls. Don't go down there.

435
00:40:48,920 --> 00:40:55,360
Speaker 1: It's it's not safe. Don't worry, and may be dead already. Please,

436
00:40:55,480 --> 00:40:58,560
Speaker 1: Now I know the managerie. It was always the Menagerie,

437
00:40:58,600 --> 00:41:06,759
Speaker 1: where it began and where it will end. And on

438
00:41:06,880 --> 00:41:09,320
Speaker 1: the glorious night of the fires, a little do the

439
00:41:09,440 --> 00:41:13,719
Speaker 1: last stars shone, bright eyes up, wonderful, wonderful. And the

440
00:41:13,840 --> 00:41:18,320
Speaker 1: people demanded that Mistress Fatima accept the type. Don't look away,

441
00:41:18,560 --> 00:41:23,440
Speaker 1: look at me of Empress, not Sultana, but Empress of Truman.

442
00:41:23,520 --> 00:41:29,640
Speaker 1: Bag where are you moving? It's coming into low. We're

443
00:41:29,680 --> 00:41:38,160
Speaker 1: not going out ahead that they're not beforening of the city.

444
00:41:42,320 --> 00:41:45,960
Speaker 1: Perhaps mistress and I maybe said both. Perhaps we should

445
00:41:46,360 --> 00:41:49,520
Speaker 1: come down from the walls and retire to the safety

446
00:41:49,680 --> 00:41:54,279
Speaker 1: of the palace. Yes, where are you going, mistress? The

447
00:41:54,600 --> 00:42:02,560
Speaker 1: great work? H my my mom my painting in branch.

448
00:42:03,080 --> 00:42:06,759
Speaker 1: Someone helped me. No, no, no, no, no, no, no no,

449
00:42:07,120 --> 00:42:24,759
Speaker 1: no hopeful look or the city it's burning. Do you

450
00:42:24,840 --> 00:42:30,359
Speaker 1: want to go back? If I did what you coming,

451
00:42:31,160 --> 00:42:37,480
Speaker 1: I would I would accompany you wherever you went, even

452
00:42:37,520 --> 00:42:42,600
Speaker 1: to death, even to death without question. I know you

453
00:42:42,760 --> 00:42:53,920
Speaker 1: have a duty. Come. No, no, there's nothing there for

454
00:42:54,000 --> 00:43:00,200
Speaker 1: me anymore. Everything that means anything to me. It's right

455
00:43:00,280 --> 00:43:06,200
Speaker 1: here beside me. We go east towards the sun rise,

456
00:43:06,880 --> 00:43:26,000
Speaker 1: towards the sun Hyeah? Where is everyone? Summon, my slaves?

457
00:43:26,360 --> 00:43:37,680
Speaker 1: Are you go? Tell the steward the regent require Mr

458
00:43:37,760 --> 00:43:40,279
Speaker 1: Fantom and this way we need We need to get

459
00:43:40,400 --> 00:43:46,000
Speaker 1: back out. The palace is under attack. I need my army.

460
00:43:46,480 --> 00:43:50,520
Speaker 1: Mrs You have no army. You never paid them. They

461
00:43:50,560 --> 00:43:54,320
Speaker 1: went away, all of them a carriage. Then we have

462
00:43:54,440 --> 00:43:58,440
Speaker 1: to get out of the city to my palace in

463
00:43:58,480 --> 00:44:15,120
Speaker 1: the provinces. Now come, are you right? I need to

464
00:44:15,200 --> 00:44:19,000
Speaker 1: stop for a moment. There's a quiet street along here.

465
00:44:19,080 --> 00:44:22,120
Speaker 1: I know it will be safe. I lived here once

466
00:44:22,160 --> 00:44:28,160
Speaker 1: when I was young. Sit there, rest for a moment.

467
00:44:33,360 --> 00:44:39,000
Speaker 1: What was happening back there? People were falling all around us.

468
00:44:39,680 --> 00:44:43,360
Speaker 1: I don't know. You shouldn't have come from What do

469
00:44:43,440 --> 00:44:48,719
Speaker 1: you mean you're here? Were I rescued you from the

470
00:44:48,800 --> 00:44:52,560
Speaker 1: blind man? You think because you're rescuing me from the gallows.

471
00:44:53,160 --> 00:44:57,000
Speaker 1: I am released from your dreams. As long as you

472
00:44:57,080 --> 00:45:07,040
Speaker 1: are here and we are together, there's hope. Oh Ma

473
00:45:07,200 --> 00:45:10,719
Speaker 1: thress so dry. They wouldn't give us food or water.

474
00:45:10,800 --> 00:45:18,640
Speaker 1: Today there's a fountain on the corner. Water is flowing

475
00:45:18,719 --> 00:45:23,560
Speaker 1: throughout the city. A gift from the Ballaraq, Yeah, drink,

476
00:45:27,840 --> 00:45:32,160
Speaker 1: A gift from the ballaraches, A gift from the blind man.

477
00:45:37,080 --> 00:45:41,239
Speaker 1: Everyone has deserted me. This is what we want to

478
00:45:41,360 --> 00:45:47,879
Speaker 1: like loyalty these days the Eastern Gates. As fast as

479
00:45:47,920 --> 00:45:54,040
Speaker 1: you can it will be well rewarded. I'm not sure

480
00:45:54,360 --> 00:46:00,320
Speaker 1: that's wise. There's trust. The Eastern Gates likely to be wounded,

481
00:46:00,400 --> 00:46:04,440
Speaker 1: with people watching the fires from its high walls. Might

482
00:46:04,480 --> 00:46:12,400
Speaker 1: I suggest them let's go hard, driver, don't roll The

483
00:46:12,480 --> 00:46:30,799
Speaker 1: head is blood because he could see h m hm.

484
00:46:31,680 --> 00:46:35,520
Speaker 1: The Ballarak soldiers. They're forcing people to drink. Those that

485
00:46:35,640 --> 00:46:47,120
Speaker 1: refuse they are slaughtering. Driver, driver, turn around, ray gone,

486
00:46:47,920 --> 00:46:53,160
Speaker 1: deserted us. I think, mistress, we may be better off

487
00:46:53,200 --> 00:46:56,680
Speaker 1: going on foot. No one will notice us in the panic.

488
00:46:58,080 --> 00:47:04,719
Speaker 1: So put your shawl over your like like soup. Yes, yes, yes,

489
00:47:05,640 --> 00:47:13,320
Speaker 1: take my hand. Where are we going? I know a

490
00:47:13,440 --> 00:47:21,279
Speaker 1: way through the back streets. We need to be quick

491
00:47:21,680 --> 00:47:25,440
Speaker 1: less the poltic time h when you get out of

492
00:47:25,480 --> 00:47:28,839
Speaker 1: the way, excuse me leaving now? We don't have time.

493
00:47:31,400 --> 00:47:36,520
Speaker 1: What's I know? You? Your mistress, Fatima, mother of the Empire.

494
00:47:37,480 --> 00:47:41,520
Speaker 1: I'm I'm sorry. You're mistaken. It's Fatima. She's here. Leave

495
00:47:41,560 --> 00:47:49,839
Speaker 1: me alone, Leave me alone. Go Ali, good, Ali. Put

496
00:47:49,880 --> 00:47:54,000
Speaker 1: a noose around her neck. You are mistaken defending my son,

497
00:47:55,960 --> 00:48:01,040
Speaker 1: so you could leave your palis and the bothers. Killer killer,

498
00:48:01,400 --> 00:48:11,640
Speaker 1: killer killer stand stand hello, task which of you dares

499
00:48:12,280 --> 00:48:22,480
Speaker 1: to touch me? Your empress? Come on, then, come on?

500
00:48:24,200 --> 00:48:47,520
Speaker 1: Who will be the first to die? Killer? Hello? I

501
00:48:47,640 --> 00:48:55,040
Speaker 1: have what you asked for. I've brought the scrolls. What

502
00:48:55,160 --> 00:49:09,560
Speaker 1: do I do? How can yeah? If you can hear me? Hello, Gregor?

503
00:49:11,480 --> 00:49:17,480
Speaker 1: You have them? I do I never doubted you. So

504
00:49:17,600 --> 00:49:21,920
Speaker 1: what happens now? Give them to me? What will you

505
00:49:22,000 --> 00:49:28,279
Speaker 1: do with them? Give them to me. They used to

506
00:49:28,320 --> 00:49:32,920
Speaker 1: be all sorts of creatures. Here Sultan al Guri collected

507
00:49:32,960 --> 00:49:36,520
Speaker 1: them from the furthest lands. Yes, I told you before.

508
00:49:37,600 --> 00:49:41,480
Speaker 1: The world is like this menagerie, and it is in danger.

509
00:49:42,440 --> 00:49:47,080
Speaker 1: But the scrolls, they are the promise. Promise for what

510
00:49:47,760 --> 00:49:51,040
Speaker 1: the promise at the inception of the world, a contract

511
00:49:51,120 --> 00:49:54,240
Speaker 1: between this world and the outside, that once the seeds

512
00:49:54,280 --> 00:49:58,120
Speaker 1: are planted, the world will be left alone, and those

513
00:49:58,160 --> 00:50:00,200
Speaker 1: who live on it will be allowed to det herm

514
00:50:00,280 --> 00:50:07,800
Speaker 1: in their own future. The scrolls guarantee. That's right. You

515
00:50:07,880 --> 00:50:10,279
Speaker 1: need to give me the scroll so that the fires stop.

516
00:50:10,760 --> 00:50:13,120
Speaker 1: They will not stop until the scrolls are returned to me.

517
00:50:14,239 --> 00:50:18,399
Speaker 1: You are so close, Gregor, We need to be quick.

518
00:50:18,560 --> 00:50:28,200
Speaker 1: Look the fish, what in the pond floating? They've been

519
00:50:28,280 --> 00:50:31,839
Speaker 1: poisoned too. These waters are fed by the aqueduct. See

520
00:50:33,400 --> 00:50:37,240
Speaker 1: I see my reflection. The curious slave boy who arrived

521
00:50:37,239 --> 00:50:39,760
Speaker 1: in two munday full of hope and ambition has become

522
00:50:40,800 --> 00:50:43,759
Speaker 1: a lost and empty face gazing back at me through

523
00:50:43,800 --> 00:50:46,560
Speaker 1: the surface of the water. I wonder what is on

524
00:50:46,640 --> 00:50:52,120
Speaker 1: the other side, the other side another world. Nothing, there

525
00:50:52,239 --> 00:50:55,480
Speaker 1: is nothing there. Come away. We need to act fast.

526
00:50:55,760 --> 00:50:59,960
Speaker 1: And then, for a fleeting instant, I see her reflect

527
00:51:00,000 --> 00:51:02,960
Speaker 1: action in the surface, and all at once everything comes

528
00:51:03,040 --> 00:51:09,759
Speaker 1: into focus. When suddenly I understand the Queen. You might

529
00:51:09,840 --> 00:51:12,600
Speaker 1: have seen a new dreams. Perhaps this has all been

530
00:51:12,840 --> 00:51:15,320
Speaker 1: an illusion that she will wake inside your head. This

531
00:51:15,480 --> 00:51:17,680
Speaker 1: is a kingdom that will be destroyed from within. One

532
00:51:17,760 --> 00:51:20,520
Speaker 1: of them is inside you too. The scrolls were never

533
00:51:20,640 --> 00:51:24,680
Speaker 1: about the past, they were about the future. Sarah. What

534
00:51:26,200 --> 00:51:28,959
Speaker 1: I saw her reflection in the water. I heard her voice.

535
00:51:29,040 --> 00:51:31,040
Speaker 1: I don't know what you are talking. Will wake up

536
00:51:31,080 --> 00:51:39,760
Speaker 1: inside your head, maya you. We need to stop the fires.

537
00:51:40,080 --> 00:51:43,440
Speaker 1: The fires, yes, the battle, I believe they herald the

538
00:51:43,520 --> 00:51:49,040
Speaker 1: end of the world. But do they yes? Or is

539
00:51:49,080 --> 00:51:52,960
Speaker 1: it merely a celestial occurrence. It has happened before, astrologers

540
00:51:53,040 --> 00:51:56,640
Speaker 1: predicted their coming the battle. I believe the world is ending.

541
00:51:56,840 --> 00:52:01,520
Speaker 1: But the end is coming, Gregor. Only the scrolls can

542
00:52:01,600 --> 00:52:04,839
Speaker 1: save it. The important thing is that the scrolls are

543
00:52:04,920 --> 00:52:09,000
Speaker 1: whole again. You have brought them together, Gregor, and you

544
00:52:09,040 --> 00:52:15,040
Speaker 1: will be rewarded. Rewarded how with too, mum Bey the

545
00:52:15,200 --> 00:52:18,160
Speaker 1: city is yours to rule. You mean I will do

546
00:52:18,320 --> 00:52:23,400
Speaker 1: your bidding. You have proved yourself, Gregor, master of the

547
00:52:23,440 --> 00:52:33,040
Speaker 1: Palace Guard, Gregor, Sultan of all he sees. No, you

548
00:52:33,200 --> 00:52:35,239
Speaker 1: came here as a slave. You have a chance to

549
00:52:35,320 --> 00:52:38,919
Speaker 1: be your slave. I was born free and I will

550
00:52:38,960 --> 00:52:42,840
Speaker 1: die a free man. Just give me the scrolls, Greggor,

551
00:52:42,960 --> 00:52:46,839
Speaker 1: and you can have all you desire. I can see

552
00:52:46,880 --> 00:52:51,880
Speaker 1: inside your heart. Greggor, you are full of doubt, uncertainty.

553
00:52:53,080 --> 00:52:57,200
Speaker 1: The world. It is not as you think it is.

554
00:52:58,800 --> 00:53:02,760
Speaker 1: You need to have faith. You need to trust, Sarah, Gregor,

555
00:53:02,920 --> 00:53:05,520
Speaker 1: I love you. If you love me, take my hand.

556
00:53:08,640 --> 00:53:11,360
Speaker 1: I don't believe you. Where's Alkin? Where did you go?

557
00:53:12,360 --> 00:53:17,440
Speaker 1: Elkin died, she was hanged. Remember you cremated her, sent

558
00:53:17,520 --> 00:53:21,320
Speaker 1: her body out to sea. You saw it. Give me

559
00:53:21,400 --> 00:53:26,080
Speaker 1: what Maya desires. You're in my head. If I die,

560
00:53:27,600 --> 00:53:32,040
Speaker 1: you die, Maya dies, and two Monday will be saved

561
00:53:32,239 --> 00:53:37,080
Speaker 1: from one from us. Brother. Remember when we first came

562
00:53:37,160 --> 00:53:41,640
Speaker 1: to Two Monday's boys, we thought we could conquer the city.

563
00:53:42,560 --> 00:53:48,240
Speaker 1: We still can. You and I we can escape together, Gregor,

564
00:53:49,080 --> 00:53:55,680
Speaker 1: you and I forever. Just give me the scrolls. No, No,

565
00:53:56,920 --> 00:53:59,359
Speaker 1: you don't exist. You're in my head. Of course, I am.

566
00:54:00,400 --> 00:54:04,919
Speaker 1: We are one. I am you. You are me. I've

567
00:54:05,000 --> 00:54:08,640
Speaker 1: always been with you, brother, Give me the scrolls. I

568
00:54:08,920 --> 00:54:13,160
Speaker 1: am your brother. No cool, and you are dead. No,

569
00:54:13,520 --> 00:54:16,959
Speaker 1: I'm alive. Give me the scrolls and we can rule

570
00:54:17,080 --> 00:54:23,400
Speaker 1: together as we always want. We are running out of time, Grickols.

571
00:54:23,719 --> 00:54:27,800
Speaker 1: Your world is about to anything. The fires will stop

572
00:54:28,160 --> 00:54:31,560
Speaker 1: as they did before. The city can survive them, but

573
00:54:31,760 --> 00:54:36,200
Speaker 1: it cannot survive you. You are making a complete elephants

574
00:54:36,280 --> 00:54:39,840
Speaker 1: ass of yourself. Little brother, I wonder if it's healthy

575
00:54:39,880 --> 00:54:42,160
Speaker 1: being seen in your company anymore? What are you going

576
00:54:42,239 --> 00:54:44,720
Speaker 1: to do? Run into the fire. You've always going to survive,

577
00:54:44,800 --> 00:54:47,920
Speaker 1: a grandmoire. You're not going to do that. Throughout your life.

578
00:54:48,320 --> 00:54:52,880
Speaker 1: You killed to survive. You have survived at any cost.

579
00:54:53,239 --> 00:54:58,239
Speaker 1: Not this time, brother, What are you doing? Peace? No

580
00:55:00,040 --> 00:55:07,040
Speaker 1: m hm. As the fire takes me, I gripped the

581
00:55:07,080 --> 00:55:11,080
Speaker 1: scrolls hard and field a parchment disintegrate between my fingers.

582
00:55:12,719 --> 00:55:18,880
Speaker 1: In my end is my beginning? Have I defeated? Maya?

583
00:55:20,560 --> 00:55:34,800
Speaker 1: Will there be here tomorrow? There is a city far away.

584
00:55:36,320 --> 00:55:38,759
Speaker 1: My parents often spoke of it as if it had

585
00:55:38,920 --> 00:55:43,400
Speaker 1: always been there and always whitby. I had seen it

586
00:55:43,520 --> 00:55:46,840
Speaker 1: in paintings, I had read of it in stories. The

587
00:55:47,000 --> 00:55:51,960
Speaker 1: richest most powerful place on earth, the center of everything.

588
00:55:53,480 --> 00:55:56,840
Speaker 1: It drew people from every corner of the empire and beyond,

589
00:55:58,040 --> 00:56:01,920
Speaker 1: hungry for wealth and power, or in some cases, more

590
00:56:02,040 --> 00:56:07,120
Speaker 1: wealth than more power. They were dazzled by its brightness,

591
00:56:09,080 --> 00:56:14,040
Speaker 1: and like baths drawn to a candle. Many were burnt

592
00:56:14,120 --> 00:56:22,919
Speaker 1: alife by its fire. Come and by why? Why? Yeah?

593
00:56:26,000 --> 00:56:29,200
Speaker 1: I wasn't sure if there was anyone else. I saw

594
00:56:29,280 --> 00:56:35,360
Speaker 1: some others having towards the city gates. I'm frog Heaven.

595
00:56:36,360 --> 00:56:42,239
Speaker 1: Have you seen any Ballarat? No? Last night they were

596
00:56:42,440 --> 00:56:45,960
Speaker 1: cutting everyone down. Then they drank their own poison. Damn them.

597
00:56:47,760 --> 00:56:52,359
Speaker 1: Are you alone? No, it's safe. You can come out now.

598
00:56:55,880 --> 00:57:00,320
Speaker 1: My name is Mittilla. Are you Heaven? Where are you

599
00:57:00,440 --> 00:57:05,360
Speaker 1: going out of the city. I'm looking for my family.

600
00:57:05,400 --> 00:57:13,040
Speaker 1: I think they're in Serene. Can we come to Yes?

601
00:57:39,920 --> 00:57:44,280
Speaker 1: Season four, Episode eight of To Mumbai. The Fires, featuring

602
00:57:44,360 --> 00:57:49,560
Speaker 1: Rufus Wright, Olivia Popka, Anton Lesser, Aisha Hart, and Kirstie Bushell,

603
00:57:50,280 --> 00:57:53,800
Speaker 1: was written and directed by Me John Scott Dryden, with

604
00:57:54,040 --> 00:57:57,200
Speaker 1: music by Sasha Putnam and editing and sound design by

605
00:57:57,280 --> 00:58:01,760
Speaker 1: Eloise Whitmore. To Mumbai It's created by Me and Mike

606
00:58:01,840 --> 00:58:05,400
Speaker 1: Walker and produced by Emma Herne and Nadir Khan. For

607
00:58:05,520 --> 00:58:08,880
Speaker 1: more details, including scripts and a full cast list, visit

608
00:58:09,000 --> 00:58:10,400
Speaker 1: touman bay dot com