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Speaker 1: So Karen Culkin is reving it and reving it, and

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Speaker 1: he's and he's really pushing the gas on the jet

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Speaker 1: ski and he's going, I just love the way.

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Speaker 2: I love the way when you hit the waves.

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Speaker 1: And I'm like, Karen, you and I both know that

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Speaker 1: this is just a trick to get me to huck

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Speaker 1: you tighter.

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Speaker 2: How did you avoid it?

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Speaker 1: Well, what I wound up doing is I had to

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Speaker 1: get in the water and then and I just jumped

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Speaker 1: in the water and I said, unless you either let

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Speaker 1: me drive, which is what we agreed on beforehand, or

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Speaker 1: unless you start driving at a speed where I can

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Speaker 1: give you a gentle hug and not have to grip

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Speaker 1: so tight. Because you know I've had that forearm surgery. Well,

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Speaker 1: I got metal put in that.

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Speaker 2: You can't give big huggies, you can only give gentle huggies. Well, I, yes,

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Speaker 2: I need for them because you'll hurt that you'll slice them.

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Speaker 1: Yes, because I do have sort of a blade that

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Speaker 1: comes out of the inside of my forearm. Now if

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Speaker 1: I if I it's triggered, well, if I completely stress

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Speaker 1: those muscles, now a blade comes out from the inside.

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Speaker 2: So if I were to close.

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Speaker 1: Line someone, yes, I literally would chop the head clean. Yes,

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Speaker 1: and I'd hope I don't have to do that.

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Speaker 2: Especially to a friend. Here in a yes, in a

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Speaker 2: hugging isituation?

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Speaker 1: Well, and it's people don't understand the danger involved in

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Speaker 1: getting a big hug from me, and that's what's so hard.

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Speaker 1: And so yeah, I jumped in the water and and

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Speaker 1: then I wound up having to slice up a shark

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Speaker 1: and an octopus who'd wanted to try to attack me.

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Speaker 2: Hey, welcome to Hollywood Handbook. An insider sky to kicking

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Speaker 2: button dropping names in the red carpet line back hallways

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Speaker 2: of this industry we call show bas We're gonna go

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Speaker 2: on a rant something. This is something we do from

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Speaker 2: time to time. It's another one of our classical round

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Speaker 2: forgive us. We are about to go on a rant,

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Speaker 2: and this is another one about a company.

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Speaker 1: Can I say first that we hate to get off

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Speaker 1: on a rant? Yes, I And I know I know

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Speaker 1: that most people, and traditionally rants are something that when

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Speaker 1: someone's ramping up into them, they say, oh, I'm excited

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Speaker 1: to do one of my rants. Here comes one of

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Speaker 1: my rants. But Haes and I take a little different

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Speaker 1: tech where we go. We don't want to get off on.

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Speaker 2: A rant heat. It's not fun for us, and it's

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Speaker 2: not really fun for anyone else. It's more of an

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Speaker 2: obligation out of a sense of duty, rather than to

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Speaker 2: actually entertain somebody. It can be scary to be around,

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Speaker 2: especially when it is there are people's jobs involved and

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Speaker 2: things like that. When it is when we do it

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Speaker 2: against a company.

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Speaker 1: And it's been a little while since we dismantled a company.

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Speaker 1: I think you've heard a few less I don't want

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Speaker 1: to say it, but Cards against Humanity ads lately. Yes,

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Speaker 1: And you'd notice they're not advertising on our show anymore.

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Speaker 1: And that's because they're not company anymore, because.

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Speaker 2: We did destroy it. We went on a couple of

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Speaker 2: rants against the ED. They ended up not advertising us

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Speaker 2: anymore because they didn't have any more money because they

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Speaker 2: weren't a company.

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Speaker 1: Because not enough money, because they can't sell funny cards.

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Speaker 2: Now because we told the truth, they don't get to

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Speaker 2: be a company. And now you don't get to be

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Speaker 2: You can't run as in our show if you aren't

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Speaker 2: a company.

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Speaker 1: And so that's punishment enough. And so what we want

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Speaker 1: to talk about today is not a funny cards company,

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Speaker 1: but it may as well be, because it's a funny

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Speaker 1: list company and a company on the Internet, and that's

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Speaker 1: pissing me off.

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Speaker 2: BuzzFeed has been putting us on all these lists, and

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Speaker 2: the problem is when we go to look for ourselves

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Speaker 2: to see what we're doing in the news, and we'll

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Speaker 2: put type our names on the internet.

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Speaker 1: When I have my cousin Sam do my googles for

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Speaker 1: me and he does googles of me and Hayes, I

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Speaker 1: want to come up what movies I'm doing, and I

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Speaker 1: don't want to come up, Oh ten celebrities who can

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Speaker 1: beat up Superman? Yes, and who probably good in bed

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Speaker 1: and definitely really good in bed, And then I'm on

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Speaker 1: this list all over the place.

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Speaker 2: Yeah, it's guys. We don't want to see ourselves on

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Speaker 2: a list of like ten old guys who you'd like

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Speaker 2: to see do a pov porno. We're not doing any

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Speaker 2: pov pornos. And Kirk Douglas is not going to do

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Speaker 2: any pov pornos. Oh at ps.

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Speaker 1: Superman's a good guy, yeah, so why am I beating

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Speaker 1: him up? I mean that's so insulting.

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Speaker 2: To say that you could beat up Superman is to

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Speaker 2: say that you have a problem with your morals that

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Speaker 2: you would actually be capable of beating up somebody who

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Speaker 2: is good and be a super villain like dooms Day.

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Speaker 1: Yes, yes, it's basically calling us dooms Day.

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Speaker 2: And that guy was ugly, Yes, he was so spiky

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Speaker 2: and such a nasty beast.

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Speaker 1: Now, hey brings up a good point. Kirk Douglas isn't

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Speaker 1: going to do any pov pornos. And you know who

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Speaker 1: else isn't going to do any pov pornos, sir Ian McKellen.

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Speaker 2: He doesn't want to do any of that stuff. He

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Speaker 2: wants to do real movies and he doesn't want to

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Speaker 2: do POV pornos for your sick pleasure.

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Speaker 1: And I don't think he wants to see an artist's

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Speaker 1: rendering of what it would look like for him to

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Speaker 1: do POV porn when he has my little cousin Sam

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Speaker 1: do his googles for him.

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Speaker 2: No, and something else? Can I say? You know, sometimes

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Speaker 2: we're looking at these together, these results, and when you

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Speaker 2: see a list that's like twelve pairs of guys, I

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Speaker 2: want him to do a big kissy right now. It

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Speaker 2: can be very you know, it changes the whole tone

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Speaker 2: of Sean and I are trying to have a business meeting,

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Speaker 2: and it just like it sets it off on this

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Speaker 2: course that is difficult to sort of recover read something.

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Speaker 1: And let's clear the air, because it looks like when

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Speaker 1: you read that headline and you're sitting next to and

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Speaker 1: you turn to him like, I've just read the headline.

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Speaker 1: Now I'm making eye contact with you. He thinks, I'm

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Speaker 1: asking do you think we should do that?

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Speaker 2: Right? And I'm doing the same thing just because I'm

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Speaker 2: looking and saying are you even seeing this? Yes?

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Speaker 1: But are you even seeing this? That face? Yeah, you know,

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Speaker 1: with people who are so expressive like us, can sort

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Speaker 1: of be a face that kind of seems like, should

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Speaker 1: we just do this?

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Speaker 2: And when we do, the computer, Sean and I both

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Speaker 2: need to see the screen. So the computer's on my lap.

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Speaker 2: Sean is kind of between my legs with his head

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Speaker 2: between the computer and me, so he can see. Yeah,

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Speaker 2: I'm sort of at the same I'm.

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Speaker 1: Tucked up against his chest the back of my head

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Speaker 1: and so when I turn to look at him, my

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Speaker 1: chin is coming right underneath his chin and he's looking

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Speaker 1: down at me. And so if you can picture it

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Speaker 1: the way our heads are positioned, it would be a

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Speaker 1: pretty romantic kissy, you know. And so you read something

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Speaker 1: like two guys who I'd love to see do a

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Speaker 1: big kissy, and yes, right right now, Why doesn't it

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Speaker 1: say like, at some you know, at some mutually agree

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Speaker 1: to Pussie they're in the middle of business that.

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Speaker 2: You want to do it at some point. You don't

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Speaker 2: have to say right now in your list.

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Speaker 1: Now, I understand that you got you know, kelln Lutz

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Speaker 1: and Max Greenfield to do it, and that's fine, and

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Speaker 1: that then they made a you know, Instagram video or

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Speaker 1: whatever the hell these techno freaks are doing on the internet.

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Speaker 1: But but that's some reason to pressure me in hate.

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Speaker 1: If we want to do a big kissy, we'll do

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Speaker 1: it on our time, and we don't. I don't think,

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Speaker 1: am I right?

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Speaker 2: Are you whatever? I don't know what you're saying. I'm

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Speaker 2: not saying either here or there.

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Speaker 1: Yeah, yeah, but I'm saying I don't want to see

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Speaker 1: the list anymore.

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Speaker 2: The thing that you have to think about when you

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Speaker 2: look at a list like that is like, what's the

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Speaker 2: cost if you don't do it? And they don't say.

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Speaker 2: They don't say if somebody's going to be in trouble

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Speaker 2: or if somebody's gonna get sick. You don't know who's

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Speaker 2: like putting the together saying I want you to do

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Speaker 2: this right now or what?

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Speaker 1: Yeah, right now? I'm like, oh, is this because of

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Speaker 1: somebody's like trapped and the yes, somebody is going to

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Speaker 1: set them for somebody could be trapped, And so we

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Speaker 1: don't know if somebody is trapped, and we know that

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Speaker 1: the cost of actually doing it is not so high,

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Speaker 1: and we don't know what the cost of not doing it.

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Speaker 2: It's not the best thing in the world to do.

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Speaker 2: No no, but there could be worse things. Sure, they're

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Speaker 2: definitely my favorite thing to do. No, no, No, And

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Speaker 2: it's not my favorite either. You know, there are lots

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Speaker 2: of other things I'd rather be done.

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Speaker 1: Please please so much. I am getting right now really

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Speaker 1: into cave swimming, and I just love there's so beautiful

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Speaker 1: limestone caves down in Toulom, and I just think that

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Speaker 1: it's just such a magical I think they're caused by

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Speaker 1: meteors or something, and that's something I love. Now do

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Speaker 1: that environment to do a bit, Kissy, I don't know

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Speaker 1: you're swimming in the limestone cave. That's not the point.

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Speaker 1: So basically, BuzzFeed, you can buzz off. And unless you

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Speaker 1: want to be friggin chicken feed, because I ground you

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Speaker 1: up and feed you to my chickens, which, by the way,

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Speaker 1: Hayes you were asking, are doing better. They all had

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Speaker 1: gotten some disease.

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Speaker 2: And yeah, they were all tipping over.

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Speaker 1: Yes, they were falling over on their side and I

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Speaker 1: couldn't get them to right up again. Their legs had

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Speaker 1: just become stiff.

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Speaker 2: And yeah, had become completely stiff, firing eggs into the wall.

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Speaker 1: Yes, and I got hit with an egg right in

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Speaker 1: the stomach. Ooh, I said, yeah. But anyway, the chickens

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Speaker 1: are doing it. But unless you want to become chicken

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Speaker 1: feed instead of BuzzFeed, you need to buzz off.

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Speaker 2: If I said that, yeah, and that's Sean saying that that, I, uh,

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Speaker 2: that's actually not something I'm personally willing to say. I

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Speaker 2: don't feel positively about this situation. But I I, that's

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Speaker 2: that is not how I would phrase it myself. Okay,

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Speaker 2: and stop screwing up on Google's boyd. We have such

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Speaker 2: a fun and great guest today. Zoe Jarman is here

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Speaker 2: from the Mimby Project and uh and now she's doing

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Speaker 2: and writing on TV and she's gonna talk with us

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Speaker 2: the boys on Hollywood Handbookllywood Handbook.

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Speaker 3: Can I hear myself? Can I hear that? I don't know? Can?

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Speaker 2: I seems like nollow? Is that better?

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Speaker 3: Is that better? Well? I mean I can hear myself.

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Speaker 2: But is it better or worse when you have your

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Speaker 2: headphones on or your headphones blocking your ears from hearing

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Speaker 2: yourself or okay, it makes it better it amplifies your voice.

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Speaker 3: Is it amplifying my voice? Yeah? I guess, I guess so. Okay,

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Speaker 3: I just feel like I have headphones on.

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Speaker 1: Yeah, but does sound come through the headphones?

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Speaker 3: I guess so, yes, a little bit?

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Speaker 2: Yeah, Okay, wow, how Sam this is?

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Speaker 1: We should be recording this? I mean it's insane.

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Speaker 3: I mean, I just I don't know what to expect

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Speaker 3: its headphones was I can't tell because I'm hearing myself speaking. Yeah,

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Speaker 3: I'm good then, okay.

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Speaker 1: It just doesn't feel like the microphone.

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Speaker 3: It doesn't feel like I'm super in the microphone. But

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Speaker 3: I also don't.

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Speaker 1: Know, like, well, one thing is over there, Yes, you

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Speaker 1: are pointing your head way away from it and turning it.

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Speaker 3: Maybe I need it like this?

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Speaker 1: Or does I mean you want to put it in

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Speaker 1: front of your mouth.

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Speaker 3: Yeah, okay, I mean I can hear myself. I think

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Speaker 3: there's no problem. Yeah, good, I don't know.

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Speaker 2: Sorry, no, no, no, it is Sam's fut.

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Speaker 1: So I look down the aisle and I'm like, that's

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Speaker 1: Asher raw yeah, and he's buying freaking toilet paper.

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Speaker 2: Wow.

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Speaker 1: It was just like, I'm sorry, I have to tell

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Speaker 1: this story.

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Speaker 4: Tonight, you know, because we're going to the same game night.

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Speaker 2: Yeah, and he said, okay, tell it. It was like,

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Speaker 2: I want you to tell it. It's funnier. He said,

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Speaker 2: don't tell it. He said don't he said. He was

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Speaker 2: firmly on the don't tell it. Oh. He said, you

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Speaker 2: don't want that.

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Speaker 1: Oh yeah, and he no, he don't want that. And

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Speaker 1: he because he, you know, is using it to clean

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Speaker 1: up you know, dude his bathroom does Yes.

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Speaker 4: Well, yes, that's what it's for. And he's buying it

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Speaker 4: like just in the store, like in front of everybody.

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Speaker 4: And so then I was like, I'm gonna tell it.

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Speaker 4: And then I start running and he starts chasing me, and.

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Speaker 1: Then he's got you and he said, dun't you know.

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Speaker 1: I said, don't catch me. But he still wants to

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Speaker 1: so then I stopped turnaround and I say, fine, you

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Speaker 1: caught me. What are you going to do about it?

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Speaker 1: And he cocks his fist back to take a swing,

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Speaker 1: and he looks at me and I see.

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Speaker 2: Him realize.

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Speaker 1: Yeah, yeah, And he just had to be like, Okay,

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Speaker 1: tell the story, man, and I didn't.

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Speaker 2: Hey, Welcome to Hollywood, Hambug and inside this guy just

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Speaker 2: kicking button dropping names in the red carpet line back

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Speaker 2: hallways of this industry we call showbiz what what all right?

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Speaker 2: To our listeners? Into our great guests. And Zoe Jarman

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Speaker 2: is here. Hello, and she's from the Mimbi Project and

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Speaker 2: she's and she's and she's doing writing on Workaholics, Now

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Speaker 2: that's true. And she has done acting on stage, and

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Speaker 2: she's an actress and she is a writer. Zoe, there's you,

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Speaker 2: and there's Zoe Saldana and there's Zoe Kazan And which

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Speaker 2: one is which of them?

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Speaker 3: It's an interesting question because when your name is Zoe,

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Speaker 3: you just get compiled into one person. Yes it is,

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Speaker 3: I'm glad you asked. But within the Zoe category there

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Speaker 3: are all these different people and it's basically almost impossible

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Speaker 3: discern which is which.

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Speaker 2: You have to take a class Zoe one on one

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Speaker 2: whom is.

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Speaker 3: Whom Zoey sel Anna is, uh, probably the lithest of

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Speaker 3: all the Zoe's. That's how i'd make her out.

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Speaker 1: Don't you say that? Don't you sell yourself short like that.

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Speaker 3: I'm live.

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Speaker 1: I'm just saying so live.

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Speaker 3: Thanks, Sean. Yes, I know that I'm live. But Zoe Saldana,

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Speaker 3: you know she got her start in center stage? Is

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Speaker 3: that true? You all have probably seen the movie. It's

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Speaker 3: a movie about Ballerina's.

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Speaker 2: Black Swan at the circus.

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Speaker 3: Yes, at the circus, at the circus we call New

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Speaker 3: York City.

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Speaker 2: And that is so true. But why explain that because

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Speaker 2: anyone has not.

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Speaker 1: Everyone has been in New York who listens?

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Speaker 2: Yes, yes, but I do know why it is a circus,

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Speaker 2: Yes it is. It can be.

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Speaker 3: We all know why it's a circus, yes, Sue, And

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Speaker 3: but you know better than me. The subway, the subway

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Speaker 3: is like it's like the hallway.

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Speaker 2: To the zoo. Yes, it is like the path.

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Speaker 3: Leading to the zoo that is lined with well the

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Speaker 3: zoo halls.

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Speaker 1: Yes, where you when you're on your way there?

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Speaker 3: Yeah?

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Speaker 2: Yeah.

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Speaker 3: And then all the there're all the very tall buildings

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Speaker 3: and you can't see very far, and it's just people

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Speaker 3: are coming and going, and.

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Speaker 1: Yeah, don't try to feed them peanuts. You know, you

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Speaker 1: might lose because they're maniacs.

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Speaker 3: It's like it's a big They like pizza and that's it. Yes,

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Speaker 3: only feed them pizza.

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Speaker 2: Yes, they love pizza. Right, they say thank you.

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Speaker 3: So amongst that in that sort of that's the location

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Speaker 3: for the movie that Szoe saw down to be is

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Speaker 3: probably the lithest in she plays an actual ballerina.

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Speaker 2: Yeah, but you walked in here doing those backflips where

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Speaker 2: like your feet don't even leave the ground when you're

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Speaker 2: your hands are touching.

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Speaker 3: Yes, hand, hands backwards overhead and then the feet are

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Speaker 3: also on the floor and then you kick up.

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Speaker 2: Now it's feats turn to.

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Speaker 3: Go up over the head. Well, I always narrate when

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Speaker 3: I'm doing gymnastics or any sort of aerobics.

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Speaker 1: Well, and you are, and it is, and that is

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Speaker 1: an educational experience, and you are something of a teacher,

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Speaker 1: and you have teachers of blood in your veins. I do,

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Speaker 1: and so you are always educating. Okay, Now it's the

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Speaker 1: feats turn and people can learn from that.

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Speaker 3: Now it's the feats turn. Yeah, I mean. And the

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Speaker 3: thing that it's sort of an insider secret about acting

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Speaker 3: is you know, when you go to your acting class,

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Speaker 3: it's sort of like being given like a mantra where

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Speaker 3: the teacher decides, Okay, Zoe, you're going to act with

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Speaker 3: your mouth. Every actor has a different part of their body.

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Speaker 1: Lucky choice to lucky choice to get the mouth because

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Speaker 1: you do have to do a lot of words in

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Speaker 1: a lot of these shows, right, and.

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Speaker 3: So if you're a mouth actor, it's sort of like

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Speaker 3: that's what that's what you're hoping for, Like the sorting hat.

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Speaker 3: You're hoping for what what is it? Gryffindor you're hoping

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Speaker 3: you'll get put into Gryffindor, you know in Harry Potter Babies,

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Speaker 3: No Wow, in Harry Potter you go to Hogwarts. You

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Speaker 3: show up at Hogwarts and all the students have to

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Speaker 3: put this hat on.

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Speaker 1: Your head a Hog'swarts.

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Speaker 2: Who would want to who would want to go in that?

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Speaker 1: No?

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Speaker 3: No, no, no, it's actually this epic, very elegant Castle School.

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Speaker 1: Well and it's not changed the name.

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Speaker 3: Well, you're right, call it Castle School. Okay, in Castle School?

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Speaker 2: Now, I want I want to go Okay, I'm in

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Speaker 2: what are we doing.

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Speaker 3: You're learning how to be a wizard, all right?

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Speaker 1: Uh huh sounds a little scary at least I'm scary.

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Speaker 2: Move into my room and stuff first.

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Speaker 3: Okay, you've moved into your room. You have all of

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Speaker 3: your dorm equipment. You've moved into your room.

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Speaker 1: But a hot plate or no?

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Speaker 3: No hot plate? Uh huh no, because you have a

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Speaker 3: really really nice uh dining hall where the food is

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Speaker 3: really good.

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Speaker 2: So you say, is it open? What are the hours?

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Speaker 2: Like sometimes I have practice.

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Speaker 3: No, no, not twenty four hours because at night everyone

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Speaker 3: has to be asleep in their dorms because that's when

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Speaker 3: a lot of mistress happens.

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Speaker 1: I'm sneaking out, you know, you sneak out.

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Speaker 3: I'm sneaking out the janitor, the old janitor. You're trying

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Speaker 3: to sort of like make sure he doesn't see you.

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Speaker 3: He's the only one walking the halls. So you do

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Speaker 3: have to get your eating done, probably before like, I

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Speaker 3: don't know, ten thirties.

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Speaker 1: I don't want everybody to see me eat. Are you

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Speaker 1: sure I can't have a hot plate. I don't want

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Speaker 1: to eat in front of everybody.

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Speaker 3: You know, you could try to have a hot plate

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Speaker 3: and see if they find it, and I can just.

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Speaker 2: Do a food spell anyway.

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Speaker 3: So that's that's the other thing. You're gonna have your

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Speaker 3: baton your or you're just so noisy.

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Speaker 1: I don't want everyone staring at me because I'm noisy.

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Speaker 2: I'm flipping it around and I'm catching it and I'm

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Speaker 2: doing all sorts of tricks.

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Speaker 1: Yes, and for me, it's a yard stick, and I'm like,

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Speaker 1: and I wish it was nicer, you know, could you.

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Speaker 3: Get yourself a nicer yardstick at this point?

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Speaker 1: Well, I wish it was just a nicer.

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Speaker 3: You're going to the premiere.

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Speaker 2: It's a bad yard You wish you were a nice

385
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Speaker 2: yard stick, Like I would like a nice one. Yeah,

386
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Speaker 2: but it's a bad one.

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Speaker 1: Well, I'm not even sure it's accurate.

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Speaker 2: It's that's a yard. It's a yard. To say it's

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Speaker 2: a yard stick is like, really, it just came from

390
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Speaker 2: your yard.

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Speaker 1: It's misleading. Yes, No, it's not a measurement device.

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Speaker 3: Oh no, oh, I was thinking you had yourself a

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Speaker 3: yard stick from like the one that that actually is

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Speaker 3: the official measuring device.

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Speaker 2: That measures a yard.

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Speaker 1: No, no, no, it's just from a yard, and I

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Speaker 1: wish it was from my yard. My yard is actually

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Speaker 1: pretty well kept. This is from one of one of

399
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Speaker 1: the yards that I was in that wasn't very nice.

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Speaker 3: Well, you have a yard that has zero sticks in it?

401
00:21:25,280 --> 00:21:27,480
Speaker 2: None, I have nice ones.

402
00:21:27,520 --> 00:21:28,959
Speaker 1: I wish I could get one of those.

403
00:21:29,080 --> 00:21:32,679
Speaker 3: But yeah, to take a stick from your own yard.

404
00:21:33,960 --> 00:21:36,280
Speaker 1: Well, my dad was in the military.

405
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Speaker 3: That explains it.

406
00:21:37,520 --> 00:21:39,880
Speaker 1: Yeah, so he's pretty strict.

407
00:21:40,480 --> 00:21:43,960
Speaker 3: Right, But once you're back, once you're.

408
00:21:43,840 --> 00:21:46,879
Speaker 1: At Hogwarts, okay, yes, let's get back to this is

409
00:21:46,920 --> 00:21:47,760
Speaker 1: the Castle school.

410
00:21:47,920 --> 00:21:51,080
Speaker 3: Castle School, that's much better. You guys are much happier

411
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Speaker 3: about that. Once you're in Castle School. You're there. You

412
00:21:54,840 --> 00:21:58,119
Speaker 3: might have a less desirable yard stick than other people.

413
00:21:58,920 --> 00:22:01,520
Speaker 3: But isn't that just like yeah, but.

414
00:22:01,560 --> 00:22:07,440
Speaker 1: Then, well it's giving my hand a rash?

415
00:22:07,520 --> 00:22:10,040
Speaker 3: Well, then that might have been actually an actual problem.

416
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Speaker 2: I think so.

417
00:22:11,760 --> 00:22:13,160
Speaker 1: Yeah, my hands all.

418
00:22:13,119 --> 00:22:16,679
Speaker 2: Swelled up, And are those leaves on it and the

419
00:22:16,720 --> 00:22:18,480
Speaker 2: dining halls clothes that's all you have to eat.

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00:22:18,880 --> 00:22:24,080
Speaker 3: Yeah, maybe it's the leaves that you're eating that's giving

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Speaker 3: you a rash on your hand.

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00:22:26,200 --> 00:22:28,040
Speaker 1: I don't think so, because I've got the rash all

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Speaker 1: over too.

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Speaker 3: I think there's zolle. Yeah.

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Speaker 2: When you say now it's the feats turn.

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Speaker 3: Sure.

427
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Speaker 2: Isn't that also sort of like a mantra for women

428
00:22:43,920 --> 00:22:45,200
Speaker 2: in Hollywood these days?

429
00:22:45,480 --> 00:22:46,960
Speaker 3: Yes, now it's the.

430
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Speaker 1: Feat For so long, women has been the feats and

431
00:22:53,119 --> 00:22:55,320
Speaker 1: men has been the hands in the head.

432
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Speaker 2: But when you do your backflips, you're saying, yeah, now

433
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Speaker 2: the feet.

434
00:23:00,119 --> 00:23:03,320
Speaker 3: Are on top, feats are on top, alternating with the

435
00:23:03,400 --> 00:23:07,239
Speaker 3: hands alternating. You still have to alternate. And that is

436
00:23:07,359 --> 00:23:12,760
Speaker 3: just it's just life equality because gravity exists, equality exists,

437
00:23:13,400 --> 00:23:18,640
Speaker 3: and yeah, it is this new experience for women. Now

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00:23:18,640 --> 00:23:19,680
Speaker 3: the feats is on top.

439
00:23:20,000 --> 00:23:25,520
Speaker 1: Yes, yeah, speaking of gravity. You guys watch Cosmos.

440
00:23:28,200 --> 00:23:32,040
Speaker 3: No, I actually haven't seen Cosmos, and I know popular position.

441
00:23:32,240 --> 00:23:38,800
Speaker 2: The star is this alien who's like from space and

442
00:23:38,840 --> 00:23:41,040
Speaker 2: he's telling us all about space that he comes from.

443
00:23:41,160 --> 00:23:46,840
Speaker 3: And he looks like a human, right, No, No.

444
00:23:46,400 --> 00:23:48,320
Speaker 2: I've always want to say, I almost want to say,

445
00:23:48,359 --> 00:23:51,720
Speaker 2: don't watch. He looks extremely weird.

446
00:23:51,880 --> 00:23:54,640
Speaker 1: If you are expecting a human, good luck sleeping after

447
00:23:54,680 --> 00:23:57,159
Speaker 1: you see what's really I.

448
00:23:59,520 --> 00:24:00,560
Speaker 2: Don't even look at it.

449
00:24:00,640 --> 00:24:04,919
Speaker 3: But what if I want knowledge about the outer space

450
00:24:04,960 --> 00:24:07,840
Speaker 3: the Cosmos.

451
00:24:06,240 --> 00:24:10,760
Speaker 2: Ask case, Well, then I guess just be listening and

452
00:24:11,240 --> 00:24:13,040
Speaker 2: turn your brightness all the way down.

453
00:24:13,680 --> 00:24:15,919
Speaker 3: Or put like a piece of paper over there.

454
00:24:16,240 --> 00:24:22,400
Speaker 1: Yes, but I'm sorry we were talking about women in Hollywood.

455
00:24:22,480 --> 00:24:25,680
Speaker 3: I just no, no, no, I'm used to the conversation

456
00:24:26,200 --> 00:24:28,600
Speaker 3: turning to women in Hollywood and then turning away from it,

457
00:24:28,800 --> 00:24:30,280
Speaker 3: just sort of organically. Oh.

458
00:24:30,359 --> 00:24:32,960
Speaker 1: And it can be uncomfortable sometimes to talk about women

459
00:24:33,000 --> 00:24:36,040
Speaker 1: in Hollywood because we are getting kind of a nasty

460
00:24:36,119 --> 00:24:40,479
Speaker 1: surprise in a way. People who were married to the

461
00:24:40,520 --> 00:24:44,640
Speaker 1: old models, yes, and who didn't want things to change.

462
00:24:44,840 --> 00:24:45,199
Speaker 3: Yes.

463
00:24:45,480 --> 00:24:50,400
Speaker 1: And let's face it, women are funny. We've known that

464
00:24:50,440 --> 00:24:52,440
Speaker 1: they can be funny, and we've known that for quite

465
00:24:52,440 --> 00:24:58,119
Speaker 1: some time. But the real surprise I think that we

466
00:24:58,280 --> 00:25:02,880
Speaker 1: found on TV and movies is women can be quirky.

467
00:25:03,640 --> 00:25:05,960
Speaker 3: That's right, that's what's really going on.

468
00:25:06,840 --> 00:25:08,600
Speaker 1: We've actually speak done that.

469
00:25:08,760 --> 00:25:13,040
Speaker 3: People are confused that. You know, people are saying, oh,

470
00:25:13,080 --> 00:25:15,640
Speaker 3: we didn't think women were funny. We didn't know women

471
00:25:15,680 --> 00:25:18,679
Speaker 3: were funny. That's actually a myth. We've known for a

472
00:25:18,720 --> 00:25:21,280
Speaker 3: long long time, since the beginning of time that women

473
00:25:21,320 --> 00:25:28,320
Speaker 3: are funny, since Bridesmaids, well from even before Bridesmaids. Yeah,

474
00:25:28,320 --> 00:25:31,840
Speaker 3: I did see Bridesmaids. I really like that movie. But

475
00:25:31,880 --> 00:25:34,640
Speaker 3: you know, right around that time, what we started finding

476
00:25:34,760 --> 00:25:37,200
Speaker 3: was that we knew women could be funny while they

477
00:25:37,200 --> 00:25:41,880
Speaker 3: looked pretty. Yes, you know, we knew women looked could

478
00:25:41,920 --> 00:25:45,440
Speaker 3: be funny if their hair was done and they had

479
00:25:45,720 --> 00:25:49,240
Speaker 3: beautifully done makeup, and that they were you know, at

480
00:25:49,240 --> 00:25:54,320
Speaker 3: their their target goal weight. That we all we know that.

481
00:25:54,520 --> 00:25:57,919
Speaker 3: But now we know, we're starting to know that women

482
00:25:59,040 --> 00:26:04,600
Speaker 3: are actually can offbeat quirky, funny without any you know

483
00:26:05,920 --> 00:26:08,040
Speaker 3: of that extra that sort of.

484
00:26:08,440 --> 00:26:11,000
Speaker 2: Facade and there you like to do that sometimes?

485
00:26:11,680 --> 00:26:12,080
Speaker 3: Uh?

486
00:26:12,160 --> 00:26:15,720
Speaker 2: Sure, yeah, what are some kinds of ways you what

487
00:26:15,840 --> 00:26:16,480
Speaker 2: and you do that?

488
00:26:20,960 --> 00:26:24,320
Speaker 3: I like to I like to Uh, I like to

489
00:26:25,440 --> 00:26:34,520
Speaker 3: not wear high heels, not war the wunderbra, and not

490
00:26:34,800 --> 00:26:42,680
Speaker 3: wear the hair, no wig, and you're so out of comedy.

491
00:26:42,720 --> 00:26:45,400
Speaker 3: And I go out and I do comedy. People don't

492
00:26:45,480 --> 00:26:47,919
Speaker 3: like it at first. People are like, oh, my eyes,

493
00:26:48,880 --> 00:26:50,840
Speaker 3: I can't even look at the woman.

494
00:26:51,080 --> 00:26:52,360
Speaker 1: Watching Cosmos right.

495
00:26:52,520 --> 00:26:55,040
Speaker 3: They're covering up their eyes because it's they think it's Cosmos.

496
00:26:55,080 --> 00:26:57,960
Speaker 3: And I'm like, Cosmos is over now, it's me. It's

497
00:26:58,000 --> 00:27:00,439
Speaker 3: me doing comedy. And they're like, oh, okay, I'm going

498
00:27:00,480 --> 00:27:02,240
Speaker 3: to open my eyes. And then they're like, oh, this

499
00:27:02,400 --> 00:27:05,880
Speaker 3: is so unappealing to look at. And I'm angry at

500
00:27:05,880 --> 00:27:10,160
Speaker 3: you I'm angry at you for not making yourself into

501
00:27:10,200 --> 00:27:14,359
Speaker 3: the thing that I want to look at and then throw. Yeah,

502
00:27:15,400 --> 00:27:18,640
Speaker 3: I'm throwing them on I'm just I'm being I'm being

503
00:27:18,880 --> 00:27:22,760
Speaker 3: just clocked in the head with wonderbras, with lipstick tubes

504
00:27:22,840 --> 00:27:27,159
Speaker 3: and wigs, with wigs, and I'm saying, no, no, no, no, no,

505
00:27:27,400 --> 00:27:27,879
Speaker 3: just give me a.

506
00:27:28,359 --> 00:27:30,639
Speaker 1: Very scary if somebody throws a wig on stage, it

507
00:27:30,680 --> 00:27:32,159
Speaker 1: could look like a hairy octopus.

508
00:27:33,119 --> 00:27:34,640
Speaker 2: And I've been very scared by that.

509
00:27:34,600 --> 00:27:37,800
Speaker 3: Before me too. Yes, I had, I've had that happen,

510
00:27:38,800 --> 00:27:40,720
Speaker 3: and then I have to remember. And I also think

511
00:27:40,760 --> 00:27:43,960
Speaker 3: that if there was a hairy octopus that existed, which

512
00:27:44,040 --> 00:27:46,760
Speaker 3: there I'm sure is various.

513
00:27:46,560 --> 00:27:49,400
Speaker 2: Parts of the ocean that we don't even we don't

514
00:27:49,400 --> 00:27:55,639
Speaker 2: even know. We've only seen one one.

515
00:27:53,359 --> 00:27:57,720
Speaker 1: Of the ocean and this is math and we've and

516
00:27:57,760 --> 00:28:00,600
Speaker 1: we've only ever seen one percent of it, and we

517
00:28:00,680 --> 00:28:03,280
Speaker 1: can't even get boats into big parts of it because

518
00:28:03,280 --> 00:28:05,800
Speaker 1: they're pretty sure there could be sea monster.

519
00:28:05,560 --> 00:28:09,200
Speaker 2: And there is. It's so and sometimes it's and when

520
00:28:09,200 --> 00:28:12,640
Speaker 2: it's so deep, there can be.

521
00:28:12,440 --> 00:28:15,960
Speaker 3: No light, right, so you wouldn't even be able to

522
00:28:15,960 --> 00:28:17,720
Speaker 3: see what was down there if you were there.

523
00:28:17,640 --> 00:28:19,800
Speaker 2: There's no light because it can't travel.

524
00:28:20,359 --> 00:28:23,800
Speaker 3: Nope, I only can travel to a certain point and

525
00:28:23,800 --> 00:28:24,480
Speaker 3: then it stops.

526
00:28:25,080 --> 00:28:30,040
Speaker 1: And since man has been looking up for so long,

527
00:28:30,280 --> 00:28:32,840
Speaker 1: yes at Cosmos, and that.

528
00:28:33,760 --> 00:28:36,000
Speaker 3: There were not used to looking We.

529
00:28:35,920 --> 00:28:37,240
Speaker 1: Didn't remember.

530
00:28:38,600 --> 00:28:38,680
Speaker 3: That.

531
00:28:38,960 --> 00:28:42,840
Speaker 1: Actually we've only seen one percent of the ocean, and

532
00:28:42,880 --> 00:28:45,200
Speaker 1: we got to look down at the water and even

533
00:28:45,240 --> 00:28:48,320
Speaker 1: go in therewn from a boat, not down. And my

534
00:28:48,520 --> 00:28:51,320
Speaker 1: thing and I've emailed and I've sent this email to

535
00:28:51,600 --> 00:28:56,800
Speaker 1: some of the government, is we should put lights on.

536
00:28:56,720 --> 00:29:00,920
Speaker 2: A fish, and they are doing on some of them.

537
00:29:00,960 --> 00:29:03,440
Speaker 3: They're starting to do that. Here's the weird thing is

538
00:29:03,480 --> 00:29:08,320
Speaker 3: that fish are so fed up with us not knowing

539
00:29:08,360 --> 00:29:11,240
Speaker 3: what's happening down there that they are already growing lights

540
00:29:11,240 --> 00:29:15,720
Speaker 3: on themselves. They're like, come on, and I have developed

541
00:29:15,760 --> 00:29:18,920
Speaker 3: this light thing on my forehead over years and years

542
00:29:19,040 --> 00:29:22,160
Speaker 3: so that you can see down here. I'm doing the

543
00:29:22,160 --> 00:29:24,800
Speaker 3: work for you just can't just like look, just open

544
00:29:24,840 --> 00:29:25,360
Speaker 3: your eyes.

545
00:29:25,480 --> 00:29:28,040
Speaker 2: And isn't that a nice metaphor for women in Hollywood?

546
00:29:28,080 --> 00:29:30,880
Speaker 3: It is are we are the We are the fish

547
00:29:30,920 --> 00:29:34,040
Speaker 3: at the very very bottom of the deepest parts of

548
00:29:34,040 --> 00:29:39,200
Speaker 3: the ocean that are like, yes.

549
00:29:39,200 --> 00:29:41,840
Speaker 1: And now, but you've started to grow your own lights

550
00:29:42,360 --> 00:29:43,360
Speaker 1: and so that you.

551
00:29:43,280 --> 00:29:45,360
Speaker 3: Can shine what a beautiful matphor.

552
00:29:45,120 --> 00:29:47,200
Speaker 1: And have your own you know TV show.

553
00:29:47,360 --> 00:29:50,840
Speaker 3: Dang, I wish I had said that, Sean, is that

554
00:29:50,880 --> 00:29:51,920
Speaker 3: a beautiful metaphor?

555
00:29:52,840 --> 00:29:55,120
Speaker 1: Well, look, it's what I.

556
00:29:55,080 --> 00:29:57,120
Speaker 3: Was thinking, It's what we were all thinking. But I'm

557
00:29:57,160 --> 00:29:58,160
Speaker 3: glad that a man said.

558
00:30:00,000 --> 00:30:04,480
Speaker 1: It doesn't matter who said it. You're right, you look

559
00:30:04,680 --> 00:30:09,520
Speaker 1: pissed off. I mean, you look really freaking pissed if.

560
00:30:10,000 --> 00:30:12,960
Speaker 3: Because you guys at home can't see my face right now,

561
00:30:13,080 --> 00:30:13,600
Speaker 3: Sean is.

562
00:30:13,600 --> 00:30:15,000
Speaker 2: You're shaking fist.

563
00:30:15,480 --> 00:30:19,560
Speaker 3: Sean is observing something that's happening, which is I'm really angry.

564
00:30:20,520 --> 00:30:25,120
Speaker 3: I'm really angry. I'm being interviewed by men. I'm a

565
00:30:25,160 --> 00:30:31,200
Speaker 3: woman in comedy, and they're speaking for me. You're speaking

566
00:30:31,240 --> 00:30:33,200
Speaker 3: for me, and you're saying things that I would like

567
00:30:33,240 --> 00:30:36,680
Speaker 3: to say, but you just said them first chronologically in time,

568
00:30:37,240 --> 00:30:39,320
Speaker 3: and now they've been said.

569
00:30:39,920 --> 00:30:42,960
Speaker 2: Hmm. And isn't that nice that men instead of we

570
00:30:43,040 --> 00:30:46,800
Speaker 2: used to just speak for ourselves and now we are

571
00:30:47,440 --> 00:30:50,600
Speaker 2: taking the time to speak for women as well, and

572
00:30:51,040 --> 00:30:54,120
Speaker 2: we can speak for everyone equally.

573
00:30:54,760 --> 00:30:56,960
Speaker 1: And one thing I say is, hey, listen up, listen

574
00:30:57,040 --> 00:30:59,560
Speaker 1: up to these women, you know, and for men, to

575
00:30:59,560 --> 00:31:01,920
Speaker 1: finally will get.

576
00:31:01,800 --> 00:31:03,160
Speaker 2: Here's what these women are saying.

577
00:31:03,160 --> 00:31:06,680
Speaker 3: Finally, finally, Yes, well it's true. Before you were sort

578
00:31:06,720 --> 00:31:09,280
Speaker 3: of like, hey, you see these women, you see them,

579
00:31:09,720 --> 00:31:12,320
Speaker 3: don't see them and don't listen to them, And now

580
00:31:12,360 --> 00:31:16,360
Speaker 3: you're going, hey, you see these women, just see him,

581
00:31:16,840 --> 00:31:19,080
Speaker 3: look at them and pay attention to him, maybe listen

582
00:31:19,120 --> 00:31:23,080
Speaker 3: to him, because they also have legitimate things to express.

583
00:31:23,280 --> 00:31:26,959
Speaker 1: So is it very funny to confuse the terms women's

584
00:31:27,000 --> 00:31:28,480
Speaker 1: suffrage with women's suffering?

585
00:31:28,840 --> 00:31:29,840
Speaker 2: Is that a funny joke?

586
00:31:31,080 --> 00:31:38,440
Speaker 3: That joke goes way back to the beginnings of women's votings,

587
00:31:39,000 --> 00:31:44,160
Speaker 3: voting's abilities, And I think it was probably a joke

588
00:31:44,280 --> 00:31:49,360
Speaker 3: that really went over back when women's were getting the

589
00:31:49,440 --> 00:31:50,280
Speaker 3: rights to votes.

590
00:31:51,560 --> 00:31:53,600
Speaker 2: And is okay and speak on that?

591
00:31:54,880 --> 00:31:59,479
Speaker 3: Well, back in the year that women were working on

592
00:31:59,560 --> 00:32:05,240
Speaker 3: getting their own vote, the term suffrage came about. And

593
00:32:06,200 --> 00:32:10,959
Speaker 3: that is a word that is derived from a Latinate

594
00:32:11,400 --> 00:32:14,640
Speaker 3: word meaning to shout.

595
00:32:15,200 --> 00:32:23,960
Speaker 1: So yeah, I changed my mind. Don't speak on that, okay, So.

596
00:32:21,200 --> 00:32:23,320
Speaker 3: I'll speak on whatever you asked me to speak on

597
00:32:24,880 --> 00:32:28,680
Speaker 3: because I'm still in sort of a you know, this

598
00:32:28,760 --> 00:32:29,160
Speaker 3: sort of.

599
00:32:30,600 --> 00:32:34,320
Speaker 1: Patriarchal You're still growing your life, you're still growing your fish.

600
00:32:34,240 --> 00:32:38,719
Speaker 3: Like, yeah, yeah, I'm a young fish, so it did.

601
00:32:38,880 --> 00:32:41,360
Speaker 2: He likes to do a play.

602
00:32:43,640 --> 00:32:44,920
Speaker 3: Uh yeah.

603
00:32:44,960 --> 00:32:52,480
Speaker 2: And people who are listening to the show, it would

604
00:32:52,480 --> 00:32:55,239
Speaker 2: be helpful if you could sort of explain what that

605
00:32:55,600 --> 00:32:59,680
Speaker 2: is is because they hear that and they think.

606
00:32:59,560 --> 00:33:01,840
Speaker 3: Like it's like a pun, like a play on words.

607
00:33:01,920 --> 00:33:04,720
Speaker 2: Well, they think of it as like a game where

608
00:33:04,760 --> 00:33:12,200
Speaker 2: they're like poking something that's dead. Sure, you know, like, oh, this.

609
00:33:11,760 --> 00:33:13,600
Speaker 3: This is play, like child's play.

610
00:33:14,040 --> 00:33:15,600
Speaker 2: Yes, this is I'm play.

611
00:33:16,320 --> 00:33:16,960
Speaker 3: I am play.

612
00:33:17,240 --> 00:33:21,120
Speaker 2: I poke the big bug, I poke.

613
00:33:21,000 --> 00:33:22,200
Speaker 3: The bug, and that's a play.

614
00:33:22,600 --> 00:33:23,960
Speaker 2: Yes, that's I'm play.

615
00:33:24,000 --> 00:33:27,360
Speaker 1: Well that's yes for a lot of Unfortunately, for a

616
00:33:27,360 --> 00:33:28,880
Speaker 1: lot of the country, that is a play.

617
00:33:29,000 --> 00:33:29,360
Speaker 2: Mm hmm.

618
00:33:29,840 --> 00:33:33,240
Speaker 3: Unfortunately that is so. But at least they're doing something.

619
00:33:33,240 --> 00:33:36,440
Speaker 2: But what what does when it's you're doing it?

620
00:33:36,720 --> 00:33:37,280
Speaker 3: Yeah?

621
00:33:37,320 --> 00:33:38,760
Speaker 2: What do you mean?

622
00:33:39,440 --> 00:33:47,160
Speaker 3: Classically, play is meant to represent when humans mm hmmm

623
00:33:47,840 --> 00:33:54,680
Speaker 3: are live in person hmm acting out a story.

624
00:33:54,840 --> 00:33:57,840
Speaker 1: And they do this maybe in some of that in

625
00:33:57,880 --> 00:34:00,600
Speaker 1: that circus you've talked about before New York.

626
00:34:01,720 --> 00:34:04,880
Speaker 3: Yes, they absolutely do. I mean that is the headquarters

627
00:34:05,000 --> 00:34:08,240
Speaker 3: of play. That's where most play happens.

628
00:34:08,280 --> 00:34:09,840
Speaker 1: And it's not in Washington, d C.

629
00:34:10,760 --> 00:34:14,520
Speaker 3: No, no, I mean they have play there, but that's

630
00:34:14,680 --> 00:34:20,200
Speaker 3: more politicals plays. Yes, yes, yes, I'm talking about drama

631
00:34:21,200 --> 00:34:24,240
Speaker 3: dramatic play plays.

632
00:34:24,560 --> 00:34:27,480
Speaker 2: And you like some of them?

633
00:34:27,719 --> 00:34:28,120
Speaker 3: Sure?

634
00:34:28,760 --> 00:34:29,560
Speaker 2: And what are they?

635
00:34:31,080 --> 00:34:35,279
Speaker 3: What kind of plays do I like? I like, you know,

636
00:34:36,040 --> 00:34:41,719
Speaker 3: I like some some Shakespeare's of Shakespeare's plays.

637
00:34:42,200 --> 00:34:44,479
Speaker 2: And I'm gonna I just want to get out ahead

638
00:34:44,520 --> 00:34:44,640
Speaker 2: of this.

639
00:34:46,080 --> 00:34:48,000
Speaker 3: Sean, you want to go ahead and explain this.

640
00:34:48,360 --> 00:34:52,080
Speaker 2: No, this you when you mentioned his name. Sean has

641
00:34:52,120 --> 00:34:57,480
Speaker 2: some opinions on this that are not necessarily the kind

642
00:34:57,520 --> 00:34:58,960
Speaker 2: of things that we want to do on the show.

643
00:34:59,520 --> 00:35:02,920
Speaker 1: And so before if you don't start, okay, if you

644
00:35:02,920 --> 00:35:08,080
Speaker 1: don't really want to know the truth about it, okay,

645
00:35:08,360 --> 00:35:11,080
Speaker 1: start this is but this plays in exactly to what

646
00:35:11,120 --> 00:35:16,279
Speaker 1: we're talking about, because Queen Elizabeth wrote those plays and

647
00:35:16,360 --> 00:35:18,840
Speaker 1: had to publish it under a man's name, and we

648
00:35:19,040 --> 00:35:21,279
Speaker 1: know that he didn't and if you've seen Anonymous, we

649
00:35:21,440 --> 00:35:24,919
Speaker 1: know that he didn't write it. And so in order

650
00:35:25,000 --> 00:35:27,040
Speaker 1: for people to buy the plays and see them and

651
00:35:27,080 --> 00:35:29,839
Speaker 1: watch the tickets and do and be happy and have

652
00:35:29,920 --> 00:35:33,360
Speaker 1: all the laughs or cry when the people are eating

653
00:35:33,360 --> 00:35:36,440
Speaker 1: the poison, they need to have a man's name on

654
00:35:36,480 --> 00:35:40,880
Speaker 1: it so that they could watch it and not be upset.

655
00:35:41,440 --> 00:35:46,440
Speaker 1: And actually Shakespeare didn't do it, And so you know,

656
00:35:46,520 --> 00:35:48,640
Speaker 1: Hayes wants to say that that's not the place of

657
00:35:48,680 --> 00:35:51,960
Speaker 1: the show, but it is an educational show. And I

658
00:35:51,960 --> 00:35:53,520
Speaker 1: don't think this is the same as when I talk

659
00:35:53,560 --> 00:35:56,200
Speaker 1: about religion is the cause ofmost wars, and Hayes doesn't

660
00:35:56,200 --> 00:35:58,040
Speaker 1: want to hear about that. But religion is the cause

661
00:35:58,040 --> 00:35:59,680
Speaker 1: of most wars and has killed more people.

662
00:36:00,200 --> 00:36:02,399
Speaker 2: One disease to.

663
00:36:03,840 --> 00:36:07,600
Speaker 1: Break And it's like, how about the elegon out break?

664
00:36:07,640 --> 00:36:10,960
Speaker 3: Can I just stop you, Sean from speaking? Because I'm

665
00:36:10,960 --> 00:36:17,239
Speaker 3: furious again viewers, listeners at home.

666
00:36:17,360 --> 00:36:18,799
Speaker 2: You've made Zoe furious.

667
00:36:19,120 --> 00:36:24,960
Speaker 3: I'm shaking, I'm trembling with anger because once again you

668
00:36:25,120 --> 00:36:29,520
Speaker 3: revealed you spoke, you were the mouthpiece for a woman

669
00:36:30,760 --> 00:36:34,200
Speaker 3: before I got a chance to do it before another woman.

670
00:36:35,840 --> 00:36:39,080
Speaker 3: Because that queen actually did write those plays.

671
00:36:39,120 --> 00:36:42,040
Speaker 2: Oh no, and she's you sink the same.

672
00:36:41,960 --> 00:36:48,919
Speaker 3: Stuff, Shawn and I are, Sean, I are just my nightmare.

673
00:36:49,200 --> 00:36:50,719
Speaker 3: We're just talking about the truth here.

674
00:36:52,120 --> 00:36:54,640
Speaker 1: How come okay, if Shakespeare really wrote it, then how

675
00:36:54,640 --> 00:36:55,960
Speaker 1: come we don't know where he's buried?

676
00:36:56,680 --> 00:36:56,879
Speaker 3: Right?

677
00:36:57,600 --> 00:36:59,239
Speaker 1: And I can think about and maybe it was a

678
00:36:59,320 --> 00:37:01,480
Speaker 1: queen and maybe it was this other earl, but either

679
00:37:01,520 --> 00:37:03,080
Speaker 1: way it definitely wasn't him.

680
00:37:03,440 --> 00:37:05,719
Speaker 2: What did they do? What do you what do you

681
00:37:05,760 --> 00:37:07,200
Speaker 2: think they did with his body?

682
00:37:07,320 --> 00:37:12,759
Speaker 1: Oh, you're so brainwashed by the freaking republic craps and

683
00:37:12,840 --> 00:37:15,440
Speaker 1: the freaking lib tards in this country that you just

684
00:37:15,480 --> 00:37:18,920
Speaker 1: don't even want to ever look beyond the very surface level.

685
00:37:20,200 --> 00:37:23,480
Speaker 3: Scratch the paint, scratch the paint, and you see that

686
00:37:24,200 --> 00:37:28,800
Speaker 3: down underneath the first couple layers of paint, you've got

687
00:37:29,840 --> 00:37:34,440
Speaker 3: what the You've got actual wood, you have the actual

688
00:37:34,560 --> 00:37:37,840
Speaker 3: source material under the paint. And that's what we're talking about.

689
00:37:37,880 --> 00:37:43,520
Speaker 3: We're talking about how Queen Elizabeth the first, the first,

690
00:37:45,080 --> 00:37:49,200
Speaker 3: she wrote it first, She wrote it first, she said

691
00:37:49,200 --> 00:37:50,640
Speaker 3: it best, and she wrote it first.

692
00:37:50,840 --> 00:37:52,520
Speaker 2: Queen Elizabeth the first one to.

693
00:37:52,719 --> 00:37:55,319
Speaker 3: The first one was Queen Elizabeth was the first one.

694
00:37:55,400 --> 00:37:59,440
Speaker 3: That's actually what the the the what is it?

695
00:37:59,480 --> 00:38:00,279
Speaker 2: The number?

696
00:38:00,360 --> 00:38:04,080
Speaker 3: The demarcation is about wheals with the first the.

697
00:38:04,000 --> 00:38:06,480
Speaker 2: First one to write the play, the second one to

698
00:38:06,480 --> 00:38:09,560
Speaker 2: write the play. Mm hmm, well I don't think that's

699
00:38:09,560 --> 00:38:13,560
Speaker 2: what it is at all. But we saying about plays.

700
00:38:14,360 --> 00:38:15,840
Speaker 1: Agreed to miss agree, friend.

701
00:38:15,960 --> 00:38:20,360
Speaker 2: And don't you think that plays? We could just plays?

702
00:38:21,280 --> 00:38:24,120
Speaker 2: What's so good about them.

703
00:38:24,160 --> 00:38:29,160
Speaker 3: We want to encourage us people in this country to

704
00:38:29,400 --> 00:38:37,719
Speaker 3: have cultural experiences and to experience storytelling and feelings about them.

705
00:38:38,000 --> 00:38:41,880
Speaker 3: We want to relate to each other, and plays is

706
00:38:42,200 --> 00:38:46,120
Speaker 3: a great way to do that, and it's inexpensive. It

707
00:38:46,160 --> 00:38:51,239
Speaker 3: doesn't require any equipment, and you can get people to

708
00:38:51,480 --> 00:38:56,160
Speaker 3: get into a space, get them next to the players, which.

709
00:38:56,000 --> 00:38:59,600
Speaker 2: Getting out and actually being in a place and talking

710
00:38:59,640 --> 00:39:03,360
Speaker 2: to each other other and not just dialoguing, not using.

711
00:39:03,280 --> 00:39:05,600
Speaker 1: At text and looking at the well, no, and not

712
00:39:05,680 --> 00:39:06,400
Speaker 1: just looking at.

713
00:39:06,239 --> 00:39:10,280
Speaker 3: A phone, not just looking at a phone, but watching

714
00:39:10,520 --> 00:39:14,480
Speaker 3: other humans do something and going this is my priority

715
00:39:14,719 --> 00:39:18,320
Speaker 3: for the next hour, is to watch these humans acting

716
00:39:18,400 --> 00:39:21,000
Speaker 3: out things that maybe I do in my life.

717
00:39:21,040 --> 00:39:24,400
Speaker 2: And the immediacy of live theater. You know, yeah, because

718
00:39:24,400 --> 00:39:29,759
Speaker 2: it's well, there's no net. There's no net exactly, you're

719
00:39:29,880 --> 00:39:33,239
Speaker 2: up there. It's not like movies. No, because movies you

720
00:39:33,320 --> 00:39:36,640
Speaker 2: have take two, Yes, I mean you could do it,

721
00:39:36,680 --> 00:39:38,040
Speaker 2: take two, takes.

722
00:39:37,880 --> 00:39:40,839
Speaker 3: Three, take have take four, take five takes.

723
00:39:40,280 --> 00:39:43,600
Speaker 1: Only two takes on my set. But yes, oh okay

724
00:39:43,760 --> 00:39:44,640
Speaker 1: you yes.

725
00:39:44,520 --> 00:39:47,440
Speaker 2: And there's no net, so nobody can catch you with it.

726
00:39:47,520 --> 00:39:49,040
Speaker 2: No one can try to capture you.

727
00:39:49,080 --> 00:39:50,840
Speaker 1: No, you can run free where.

728
00:39:50,960 --> 00:39:54,759
Speaker 3: There's the high line that people walk across where there's

729
00:39:54,760 --> 00:39:55,640
Speaker 3: a net underneath.

730
00:39:55,760 --> 00:39:58,440
Speaker 2: Yes, and if you fall into it, yeah, you're trapped.

731
00:39:58,480 --> 00:40:00,440
Speaker 2: If you fall into it, you're you're finished.

732
00:40:00,440 --> 00:40:03,759
Speaker 3: Like Spider Man's nut. Yes, you're trapped, and that's the

733
00:40:03,800 --> 00:40:06,240
Speaker 3: end of your career. That's what that does in the circus.

734
00:40:06,920 --> 00:40:12,600
Speaker 1: Yes, and and there's no you know dog.

735
00:40:12,480 --> 00:40:17,000
Speaker 3: Catcher right, well, there could be a dog catcher in there.

736
00:40:17,239 --> 00:40:18,360
Speaker 1: He could chase you with me.

737
00:40:18,640 --> 00:40:19,719
Speaker 2: He could chase you with a net.

738
00:40:19,800 --> 00:40:23,160
Speaker 1: Oh yes, oh yes, if the plays about a dog catcher, sure,

739
00:40:23,200 --> 00:40:24,680
Speaker 1: but that would be a prop net and I could

740
00:40:24,760 --> 00:40:29,239
Speaker 1: rip that to shreds. Yeah, so you could never catch

741
00:40:29,280 --> 00:40:31,480
Speaker 1: me with that, right, So Hayes is right. There's a

742
00:40:31,480 --> 00:40:34,759
Speaker 1: lot of net, but a real net.

743
00:40:36,000 --> 00:40:37,560
Speaker 2: I've seen you try to get out of a.

744
00:40:37,520 --> 00:40:40,280
Speaker 3: Net when you got caught that once.

745
00:40:40,880 --> 00:40:46,720
Speaker 1: Yes, Well, I'm able to dislocate my shoulder to escape

746
00:40:46,719 --> 00:40:48,719
Speaker 1: from a straight jacket, and I thought that would work

747
00:40:48,760 --> 00:40:50,680
Speaker 1: with a net. And what it did, really was it

748
00:40:50,800 --> 00:40:51,920
Speaker 1: just a really hurt.

749
00:40:52,200 --> 00:40:52,719
Speaker 2: Very bad.

750
00:40:53,800 --> 00:40:58,120
Speaker 3: Yeah. Well, because the nut is all encompassing, Well, it's

751
00:40:58,160 --> 00:40:59,000
Speaker 3: not sleeves.

752
00:40:59,040 --> 00:41:00,200
Speaker 2: That's one thing I learned.

753
00:41:04,560 --> 00:41:09,800
Speaker 3: It certainly isn't unless you know, you got a cool

754
00:41:09,880 --> 00:41:17,879
Speaker 3: mess shirt on. It's tank top but extended into one

755
00:41:17,920 --> 00:41:21,520
Speaker 3: that has sleeves where you might wear it out.

756
00:41:22,960 --> 00:41:24,800
Speaker 1: Yes, but I'll tell you I wouldn't be trying to

757
00:41:24,920 --> 00:41:27,200
Speaker 1: escape out of that. I'd be trying to make sure

758
00:41:27,200 --> 00:41:27,840
Speaker 1: everybody saw me.

759
00:41:28,760 --> 00:41:30,800
Speaker 3: Yeah.

760
00:41:31,400 --> 00:41:34,360
Speaker 1: Now, we talked a little bit about theater and how

761
00:41:34,400 --> 00:41:38,480
Speaker 1: exciting it is, the immediacy of it. I wonder if

762
00:41:39,040 --> 00:41:43,440
Speaker 1: the three of us can actually do theater right now?

763
00:41:44,360 --> 00:41:47,640
Speaker 2: Oh, do just to show people who are listening how

764
00:41:48,120 --> 00:41:53,279
Speaker 2: play happens and have the experience of seeing and.

765
00:41:53,239 --> 00:41:55,840
Speaker 1: Put down the stick and stop poking that dead bug,

766
00:41:56,000 --> 00:41:58,759
Speaker 1: and you can actually come join us in this sort

767
00:41:58,760 --> 00:42:01,400
Speaker 1: of circus of the mind.

768
00:42:01,520 --> 00:42:04,120
Speaker 2: They used to have that where the train would be

769
00:42:04,160 --> 00:42:06,520
Speaker 2: coming through town and the actors would stand on the

770
00:42:06,560 --> 00:42:08,840
Speaker 2: back of the train and they would do the play

771
00:42:08,880 --> 00:42:11,719
Speaker 2: for people to run behind the train and watch and

772
00:42:11,800 --> 00:42:14,480
Speaker 2: watch the show. Yeah, and so this is sort of

773
00:42:14,600 --> 00:42:14,960
Speaker 2: like that.

774
00:42:14,960 --> 00:42:18,879
Speaker 3: That was the very first sort of fitness initiative, and.

775
00:42:18,880 --> 00:42:21,600
Speaker 1: That was the first snow piercer off your asses.

776
00:42:22,160 --> 00:42:26,640
Speaker 3: Yes, this is a class system. Most rich people in

777
00:42:26,680 --> 00:42:28,440
Speaker 3: the front of the pack because they're also in the

778
00:42:28,440 --> 00:42:31,919
Speaker 3: best shape and they're running. They had the best view,

779
00:42:32,040 --> 00:42:34,640
Speaker 3: and then the poorest people, who are also the fattest,

780
00:42:35,120 --> 00:42:35,879
Speaker 3: are the very back.

781
00:42:35,960 --> 00:42:40,920
Speaker 2: They have to try and lassue the train and ride a.

782
00:42:40,840 --> 00:42:44,960
Speaker 3: Skateboard with a very That would be a very strong lasso.

783
00:42:45,920 --> 00:42:51,319
Speaker 3: Mm m, yeah, yeah, I think that this is a

784
00:42:51,360 --> 00:42:51,920
Speaker 3: great idea.

785
00:42:52,200 --> 00:42:55,640
Speaker 2: Okay, well, let's do it right now.

786
00:42:56,120 --> 00:42:58,960
Speaker 1: Okay, and then, Zoe, you just tell us the title

787
00:42:58,960 --> 00:42:59,160
Speaker 1: of them.

788
00:42:59,360 --> 00:43:01,920
Speaker 3: That's the name of the The name of this play

789
00:43:02,239 --> 00:43:07,800
Speaker 3: is Old Men with a Dog.

790
00:43:09,080 --> 00:43:11,839
Speaker 1: Oh so there might be a dog catch Old Men

791
00:43:11,920 --> 00:43:13,880
Speaker 1: with a Dog. They're all sharing it.

792
00:43:13,960 --> 00:43:17,719
Speaker 2: Huh. Just sounds like disparaging about all of us, but

793
00:43:17,880 --> 00:43:21,520
Speaker 2: all right, well, well we'll do it.

794
00:43:21,760 --> 00:43:25,960
Speaker 3: No, hey, is you're missing the whole point of the play.

795
00:43:26,040 --> 00:43:29,480
Speaker 3: A play never actually means anything. It's not it's not

796
00:43:29,520 --> 00:43:30,600
Speaker 3: reflecting directly.

797
00:43:30,680 --> 00:43:31,080
Speaker 2: That's true.

798
00:43:31,080 --> 00:43:32,120
Speaker 1: Plays don't mean anything.

799
00:43:32,719 --> 00:43:35,000
Speaker 3: What's happening in real life?

800
00:43:35,080 --> 00:43:39,400
Speaker 2: Well I know that. And also, but sometimes it's tricking me.

801
00:43:40,560 --> 00:43:43,480
Speaker 3: They are meant to trick you, but they're meant to

802
00:43:43,520 --> 00:43:45,400
Speaker 3: trick you into thinking that they're about something.

803
00:43:45,480 --> 00:43:48,239
Speaker 2: But we can do that. Okay, how about.

804
00:43:47,960 --> 00:43:51,520
Speaker 3: This Old Men with an imaginary dog.

805
00:43:52,400 --> 00:43:56,560
Speaker 2: Okay, that sounds like, yes, that makes me feel better. Okay,

806
00:43:56,880 --> 00:44:02,879
Speaker 2: And we're doing the play and lights are on, and

807
00:44:02,920 --> 00:44:05,280
Speaker 2: we skip the music part.

808
00:44:05,200 --> 00:44:08,759
Speaker 3: The overture m hm, which happens in musicals.

809
00:44:09,080 --> 00:44:12,680
Speaker 2: Yes, but we're skipping it, or there may be is none. Well,

810
00:44:12,680 --> 00:44:14,840
Speaker 2: that's what I'm saying, because we're gonna skip.

811
00:44:14,600 --> 00:44:18,640
Speaker 1: It fected and it skipped, And then Hayes is doing

812
00:44:18,680 --> 00:44:19,960
Speaker 1: the stage directions.

813
00:44:20,080 --> 00:44:23,960
Speaker 2: Now, Yes, somebody's knocking on a door.

814
00:44:26,600 --> 00:44:29,880
Speaker 3: Let me in, Beatrice, I'm coming, I'm coming.

815
00:44:30,080 --> 00:44:32,480
Speaker 1: You've leoked me out in the cold for the last time.

816
00:44:33,040 --> 00:44:35,839
Speaker 3: Hold on, it's just that there's no doorknob on this door.

817
00:44:35,920 --> 00:44:39,440
Speaker 2: Patress scampers over to the door, and she's wearing oven

818
00:44:39,560 --> 00:44:42,160
Speaker 2: mits and there's no doorknob, so she's having a heck

819
00:44:42,160 --> 00:44:45,680
Speaker 2: of a time opening turn the knob.

820
00:44:45,800 --> 00:44:46,839
Speaker 1: My arms are full.

821
00:44:47,040 --> 00:44:49,880
Speaker 3: Just one second. I have to get my mit in

822
00:44:50,080 --> 00:44:52,719
Speaker 3: through the hole where the doorknob was.

823
00:44:53,000 --> 00:44:56,759
Speaker 1: My arms are full of these honeycombs that I've brought home. No, no,

824
00:44:57,360 --> 00:44:59,040
Speaker 1: they forgot to get all the bees out.

825
00:45:00,000 --> 00:45:04,239
Speaker 3: Oh no, no, I got the.

826
00:45:04,200 --> 00:45:07,840
Speaker 2: Door, picked the lock with an oven and the door

827
00:45:08,440 --> 00:45:12,200
Speaker 2: swings open, uh the other way with a sharp kick

828
00:45:12,719 --> 00:45:18,440
Speaker 2: from Oscar, and Beatrice explodes across the room with the

829
00:45:18,480 --> 00:45:19,279
Speaker 2: force of the door.

830
00:45:20,239 --> 00:45:24,160
Speaker 1: Oh oh, sorry to send you flying like that. I

831
00:45:24,239 --> 00:45:26,719
Speaker 1: was just lying about those bees in that honey comb.

832
00:45:26,920 --> 00:45:31,239
Speaker 3: My big caboose was sent right over my head, my

833
00:45:31,360 --> 00:45:33,640
Speaker 3: feet up over my head, and I did a flip.

834
00:45:33,920 --> 00:45:37,280
Speaker 3: Well now I'm back on my feet, Thank Heavens.

835
00:45:37,640 --> 00:45:41,520
Speaker 1: Well, it was a good cushioning that caboose. When you

836
00:45:41,600 --> 00:45:48,080
Speaker 1: hit the floor. The rail workers told me a big

837
00:45:48,120 --> 00:45:50,120
Speaker 1: piece of news about the new cemetery.

838
00:45:50,280 --> 00:45:53,279
Speaker 2: Oscar lies down on the floor. They say that.

839
00:45:55,200 --> 00:45:58,279
Speaker 1: Skellington's is starting to rise out of the ground in

840
00:45:58,320 --> 00:46:01,200
Speaker 1: the cemetery, and people's heads off.

841
00:46:01,640 --> 00:46:08,520
Speaker 3: Skelington's the old benefactor of the town who's now a skeleton.

842
00:46:09,960 --> 00:46:12,440
Speaker 3: Skelington's is rising up out of his grave.

843
00:46:12,520 --> 00:46:19,400
Speaker 1: And Roberts Skelington, the founder of the old brass factory,

844
00:46:20,480 --> 00:46:23,200
Speaker 1: has now become a skeleton. Skeleton.

845
00:46:23,360 --> 00:46:27,400
Speaker 3: Ah ah, one of your bees stung me in the kaboose.

846
00:46:28,960 --> 00:46:30,160
Speaker 1: Sorry about your kabooz.

847
00:46:30,200 --> 00:46:33,920
Speaker 2: Chris runs outside and does three very fast laps around

848
00:46:34,120 --> 00:46:34,600
Speaker 2: the house.

849
00:46:35,680 --> 00:46:39,000
Speaker 1: Anyway, I'm sorry. I told you I was just kidding

850
00:46:39,000 --> 00:46:41,600
Speaker 1: about those bees and that I made it up. They're real,

851
00:46:41,680 --> 00:46:46,120
Speaker 1: and I'm sorry I had it sting you. Now, I

852
00:46:46,200 --> 00:46:50,480
Speaker 1: was telling a lie about that skeleton. But except unless

853
00:46:50,520 --> 00:46:52,839
Speaker 1: it wasn't a lie, because it's what the railwork has

854
00:46:52,880 --> 00:46:53,480
Speaker 1: really said.

855
00:46:55,120 --> 00:47:00,360
Speaker 3: So you're having doubts about the truthfulness of the railroad workers,

856
00:47:00,400 --> 00:47:02,680
Speaker 3: but you also think that it could be true.

857
00:47:02,960 --> 00:47:04,799
Speaker 1: Oh look, our rebellious son's home.

858
00:47:07,000 --> 00:47:11,560
Speaker 2: Oh Scooter, the rebellious out of Beatrice and Oscar h

859
00:47:12,040 --> 00:47:13,759
Speaker 2: rides a BMX into the room.

860
00:47:14,200 --> 00:47:19,160
Speaker 3: Scooter, I told you not to track that contraption in here.

861
00:47:19,560 --> 00:47:22,920
Speaker 1: And I told you you can kiss my grant's grandma.

862
00:47:23,640 --> 00:47:24,360
Speaker 2: Whoa, whoa.

863
00:47:25,000 --> 00:47:27,640
Speaker 3: I'm not your grandmother, I'm your mother. I gave birth

864
00:47:27,680 --> 00:47:32,280
Speaker 3: to you through my own, my very own loins.

865
00:47:32,560 --> 00:47:35,080
Speaker 1: Hey, if you want to get into labels, go to

866
00:47:35,120 --> 00:47:36,360
Speaker 1: the soup factory.

867
00:47:37,160 --> 00:47:39,840
Speaker 3: I will be going there on Monday for my shift

868
00:47:40,280 --> 00:47:40,840
Speaker 3: at work.

869
00:47:41,239 --> 00:47:46,040
Speaker 2: Oh kay, Scooter feeds his bike dinner like it's an

870
00:47:46,040 --> 00:47:48,160
Speaker 2: imaginary dog from the title.

871
00:47:48,840 --> 00:47:52,240
Speaker 1: Comma eat it with your tire. Come on, bite.

872
00:47:52,880 --> 00:47:57,960
Speaker 3: You know that there's a faminon get off my grandma

873
00:47:58,520 --> 00:48:02,080
Speaker 3: from the railroad worker. And they are only enough to

874
00:48:02,200 --> 00:48:05,600
Speaker 3: go for the next month if we each have a

875
00:48:05,680 --> 00:48:06,480
Speaker 3: quarter per day.

876
00:48:07,120 --> 00:48:13,360
Speaker 2: Suddenly, an army of Chinese railroad workers appears over the horizon.

877
00:48:13,560 --> 00:48:17,480
Speaker 2: They look extremely hungry, Oh.

878
00:48:17,400 --> 00:48:23,600
Speaker 3: No, the railroad workers, they're coming to us. They know

879
00:48:23,719 --> 00:48:26,960
Speaker 3: that we stole the potatoes. It was only a bucket.

880
00:48:27,440 --> 00:48:36,800
Speaker 3: It was one bucket of potatoes. No, almost stereotypically Native

881
00:48:36,840 --> 00:48:47,040
Speaker 3: Americans derived in there they're singing, which is even more terrifying. Hello, General,

882
00:48:48,880 --> 00:48:58,920
Speaker 3: General Bill. Are you just passing through the the burg,

883
00:48:59,360 --> 00:49:04,719
Speaker 3: the neighborhood, the tiny village. Yep, well, it's good to

884
00:49:04,719 --> 00:49:05,080
Speaker 3: see you.

885
00:49:05,360 --> 00:49:09,160
Speaker 2: General Bill walks into the house and trips over Oscar,

886
00:49:09,200 --> 00:49:12,719
Speaker 2: who is still lying on the floor, defeating him.

887
00:49:12,960 --> 00:49:17,160
Speaker 3: Oh ha ha, we set a trap for you, General Bill.

888
00:49:17,880 --> 00:49:19,840
Speaker 3: My husband Oscar is a genius.

889
00:49:21,400 --> 00:49:26,839
Speaker 1: Yes, Beatrice, this was good what happened. And so that's

890
00:49:26,880 --> 00:49:29,480
Speaker 1: the end of the play.

891
00:49:30,600 --> 00:49:31,680
Speaker 2: And that's really it.

892
00:49:31,760 --> 00:49:35,520
Speaker 1: And it's and you see how the imaginary dog Oscar

893
00:49:35,560 --> 00:49:39,640
Speaker 1: sounded old, and the and Bill and General Bill sounded old,

894
00:49:40,120 --> 00:49:42,719
Speaker 1: and so those are old, and the bike was the

895
00:49:42,719 --> 00:49:46,560
Speaker 1: imaginary dog. But really the star of the play was Beatrice.

896
00:49:46,600 --> 00:49:49,479
Speaker 3: In my mind, yes, thank you. That's what it's meant

897
00:49:49,480 --> 00:49:52,680
Speaker 3: to be. And what you don't maybe pick up on,

898
00:49:53,040 --> 00:49:59,280
Speaker 3: because perhaps the play fails there, is that Beatrice actually

899
00:49:59,280 --> 00:50:03,120
Speaker 3: holds a fla for both Oscar and General Bill.

900
00:50:03,760 --> 00:50:06,360
Speaker 2: And I think the play does fit Actually did get that?

901
00:50:06,600 --> 00:50:09,359
Speaker 2: Oh okay, I actually did get that she had the

902
00:50:09,400 --> 00:50:10,640
Speaker 2: big hots for all of them.

903
00:50:10,719 --> 00:50:14,000
Speaker 3: But you were reading the stage directions and there.

904
00:50:14,280 --> 00:50:17,440
Speaker 2: Was the well it's in the line.

905
00:50:17,239 --> 00:50:21,160
Speaker 3: Readings, right, which we don't actually say that's part of

906
00:50:21,160 --> 00:50:21,560
Speaker 3: the play.

907
00:50:21,680 --> 00:50:24,799
Speaker 2: Under Beatrice's lines, it says randomly.

908
00:50:24,640 --> 00:50:27,000
Speaker 3: Randoy and I hope you got that from my performance,

909
00:50:27,040 --> 00:50:30,279
Speaker 3: But that also could have been a failure on my part.

910
00:50:31,560 --> 00:50:33,279
Speaker 1: I don't know if it's you, but I do think

911
00:50:33,320 --> 00:50:34,600
Speaker 1: the play was very bad.

912
00:50:36,040 --> 00:50:37,200
Speaker 2: What didn't you like about it?

913
00:50:38,960 --> 00:50:41,040
Speaker 1: I guess I didn't like all those Chinese guys.

914
00:50:42,320 --> 00:50:46,880
Speaker 2: Well, you didn't like them because you thought they were bad.

915
00:50:46,760 --> 00:50:50,120
Speaker 3: Like were they bad at guys.

916
00:50:49,520 --> 00:50:53,200
Speaker 2: Or or you didn't like that they were in the play.

917
00:50:53,320 --> 00:50:57,120
Speaker 1: I thought they were being mean guys and I and

918
00:50:57,160 --> 00:51:00,160
Speaker 1: I think that's for a different play. I mean, if

919
00:51:00,200 --> 00:51:02,480
Speaker 1: I hear imaginary dog, I'm here to have fun, and

920
00:51:02,520 --> 00:51:05,520
Speaker 1: I think feeding food to a bike that's fun, right,

921
00:51:06,560 --> 00:51:08,640
Speaker 1: And the fact that the food then came from these

922
00:51:09,280 --> 00:51:12,480
Speaker 1: guys who they have every right to be Chinese, But

923
00:51:12,680 --> 00:51:16,320
Speaker 1: at the same time, do they need to then ruin

924
00:51:16,360 --> 00:51:17,440
Speaker 1: the play with meanness?

925
00:51:17,640 --> 00:51:20,480
Speaker 2: Well that's a great conversation station Actually, I'd love to

926
00:51:20,520 --> 00:51:26,520
Speaker 2: talk about that because when they were defeated, I thought

927
00:51:26,560 --> 00:51:30,200
Speaker 2: that was another example of fun, when you see meanness

928
00:51:30,200 --> 00:51:32,680
Speaker 2: in your life and then the meanness is defeated.

929
00:51:32,760 --> 00:51:35,719
Speaker 3: Can I just point out that this is the purpose

930
00:51:35,840 --> 00:51:40,520
Speaker 3: of the play, is to incite conversation, conversation and reaction

931
00:51:40,880 --> 00:51:46,040
Speaker 3: and anti reaction and common ground and uncommon ground, and

932
00:51:46,360 --> 00:51:51,080
Speaker 3: we want that. So maybe you actually did like the

933
00:51:51,200 --> 00:51:52,040
Speaker 3: Chinese guys.

934
00:51:53,239 --> 00:51:58,120
Speaker 1: Wow, I guess. I guess I liked that they made

935
00:51:58,160 --> 00:51:58,640
Speaker 1: me think?

936
00:51:59,200 --> 00:52:02,719
Speaker 2: Yes, And is it possible that maybe they remind you

937
00:52:02,800 --> 00:52:07,239
Speaker 2: of someone near your life like it does the sound

938
00:52:07,320 --> 00:52:09,319
Speaker 2: of their footsteps. Does it remind you a little bit

939
00:52:09,360 --> 00:52:11,200
Speaker 2: of your my mailman?

940
00:52:11,760 --> 00:52:15,279
Speaker 3: Mm hmm. Yeah, it's all personal. It all can be

941
00:52:15,320 --> 00:52:16,600
Speaker 3: related back to your life.

942
00:52:16,680 --> 00:52:20,600
Speaker 1: I guess everybody has a mailman in this country.

943
00:52:20,840 --> 00:52:23,080
Speaker 3: We're lucky enough to all have a mailman or woman.

944
00:52:25,200 --> 00:52:29,240
Speaker 2: And does it think about you being hungry? Yeah?

945
00:52:29,960 --> 00:52:32,080
Speaker 3: Do you want to be fed like a scooter dog

946
00:52:33,239 --> 00:52:38,240
Speaker 3: the leftover potatoes stolen from the Chinese railroad workers?

947
00:52:38,960 --> 00:52:41,960
Speaker 1: Not right now, No, But I there was a time where, yeah,

948
00:52:42,040 --> 00:52:46,120
Speaker 1: I wish every day I would wait by the door

949
00:52:47,120 --> 00:52:49,840
Speaker 1: for the mailman to bring you know, some potatoes or

950
00:52:49,840 --> 00:52:55,360
Speaker 1: a turkey dinner. And he didn't because that's.

951
00:52:55,200 --> 00:52:56,280
Speaker 2: Notice he was bringing the mail.

952
00:52:57,080 --> 00:52:58,640
Speaker 1: Well, it was all the paper and stuff.

953
00:52:58,760 --> 00:53:02,800
Speaker 3: Yeah, you could look in the paper though and find

954
00:53:02,880 --> 00:53:06,440
Speaker 3: coupons for a deal on potatoes or a turkey dinner.

955
00:53:06,760 --> 00:53:09,920
Speaker 2: But anyway, it was and we figured out that it

956
00:53:09,960 --> 00:53:10,600
Speaker 2: was a good play.

957
00:53:11,360 --> 00:53:14,799
Speaker 3: And how was the consensus that we all agreed on.

958
00:53:15,200 --> 00:53:19,640
Speaker 1: And I think that you should like the Facebook page,

959
00:53:19,760 --> 00:53:23,440
Speaker 1: rate us on iTunes, subscribe on iTunes, write a nice review,

960
00:53:23,520 --> 00:53:25,680
Speaker 1: get on the forums, talk to us on the forums,

961
00:53:26,000 --> 00:53:29,440
Speaker 1: go all over the internet, and email your aunts and

962
00:53:29,600 --> 00:53:31,560
Speaker 1: uncles and tell them to start listening to the show.

963
00:53:31,640 --> 00:53:35,359
Speaker 1: We really want people to hear it and learn from

964
00:53:35,480 --> 00:53:37,640
Speaker 1: plays like this. I know I learned a lot. And

965
00:53:37,760 --> 00:53:41,480
Speaker 1: Shakespeare didn't write his own work, and so and so

966
00:53:41,680 --> 00:53:43,680
Speaker 1: I think did anyone buy the Proverbs?

967
00:53:43,800 --> 00:53:52,560
Speaker 2: Yes, Anastasia Vigo version and as her prize, Zoe Jarman

968
00:53:52,760 --> 00:53:56,560
Speaker 2: is going to write a play about just the title

969
00:53:56,880 --> 00:54:01,400
Speaker 2: of a play that's about her. What's her name, Anastagia

970
00:54:01,520 --> 00:54:03,440
Speaker 2: Vigo or Anastasia.

971
00:54:02,840 --> 00:54:10,600
Speaker 3: Maybe Anastasia's dream life in a country house.

972
00:54:11,080 --> 00:54:13,799
Speaker 1: Oh wow, Okay, so all these titles that you've come

973
00:54:13,880 --> 00:54:15,480
Speaker 1: up with are kind of boring.

974
00:54:20,840 --> 00:54:21,840
Speaker 2: Hollywood hamper.

975
00:54:27,640 --> 00:54:30,600
Speaker 5: This has been an Earwolf Media production Executive producers Jeff

976
00:54:30,640 --> 00:54:43,200
Speaker 5: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

977
00:54:38,360 --> 00:54:49,120
Speaker 2: Ear Warf Radio, Boom dot com, The worlf Dead