WEBVTT - Questlove Supreme: WILLOW

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Okay, this

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<v Speaker 1>is not gonna be awkward, is it. Oh well, let

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<v Speaker 1>me let our listeners know. This is one of those

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<v Speaker 1>rarety one on one sessions. Actually, often in the group

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<v Speaker 1>chat say that we should do more one on one

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<v Speaker 1>sessions because it allows us to deep dive without having

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<v Speaker 1>five people kind of attack you from each angle. I

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<v Speaker 1>was fighting to get our questions in. So, of course,

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<v Speaker 1>ladies and gentlemen, this is quest Love Supreme. I'm your

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<v Speaker 1>host quest Love Shout out to the fam Sugar, Steve

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<v Speaker 1>f On, Tigelo on paid Bill Laya. When people often say,

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<v Speaker 1>you know, I don't have any regrets in life, no

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<v Speaker 1>regrets whatsoever, I might have a slight regret, Oh my goodness,

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<v Speaker 1>I would say my slight regret is that it took

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<v Speaker 1>me five decades to reach a point of and I'll

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<v Speaker 1>say this with air quotes enlightenment and even that's questionable

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<v Speaker 1>or it's still same musical enlightenment, no life enlightenment.

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<v Speaker 2>Oh okay.

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<v Speaker 1>And often dream and fantasize, like what my life would

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<v Speaker 1>have been had the mind state I've reached now in

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<v Speaker 1>my fifth decade of life, Like what would have happened

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<v Speaker 1>to me if I had this power. Well, I've always

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<v Speaker 1>had the power, but I just never turned the light

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<v Speaker 1>on if I had this at say in my early

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<v Speaker 1>thirties or even my early forties. And you know, I

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<v Speaker 1>dream about like how magical my life could have been

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<v Speaker 1>if my self confidence, or my creative process, or my

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<v Speaker 1>spiritual grounding all those things were just the overall philosophy

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<v Speaker 1>of just dealing with things.

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<v Speaker 2>That we deal with every day.

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<v Speaker 1>People pleasing and all those things. Yes, And that's just

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<v Speaker 1>me wondering about, like if I were in my thirties forties,

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<v Speaker 1>and you know, I'm giving me honor of talking to

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<v Speaker 1>a human secretly in my mind, I say, Pleadian.

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<v Speaker 2>I love that.

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<v Speaker 1>Yeah, But you know you're of the age I was

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<v Speaker 1>when I first gotten this industry. Like when my first

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<v Speaker 1>album came out, I was twenty three years old, and

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<v Speaker 1>it took me three decades to finally get grounded. Like

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<v Speaker 1>my life is just starting now in my early fifties,

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<v Speaker 1>and so you know, I'm only wondering, like, what will

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<v Speaker 1>your life be like in twenty fifty four when you

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<v Speaker 1>are in your fifties?

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<v Speaker 2>Whatay fifty four doesn't even sound real? That sounds like.

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<v Speaker 1>A I'm gonna tell you something. So when I started

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<v Speaker 1>in ninety two, and maybe because you know, when you're

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<v Speaker 1>when you're a twelve year old and Prince releases his

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<v Speaker 1>fifth album nineteen ninety nine, and you're twelve, just even

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<v Speaker 1>looking at the album covered, nineteen ninety nine seemed like

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<v Speaker 1>the future, like it seemed like, you know whatever, I

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<v Speaker 1>thought this yeah, like and now, you know, I often

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<v Speaker 1>joke that now when I think of nineteen ninety nine,

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<v Speaker 1>I just think of like the matching denim that Justin

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<v Speaker 1>and Britney wore on the MTV Totally Carpet. And so

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<v Speaker 1>now twenty fifty four is you know, that's when you'll

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<v Speaker 1>be in your fifties, and I just wonder, like what

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<v Speaker 1>that's going to be like. I'm absolutely gobsmacked at our

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<v Speaker 1>guest's rapid growth in songwriting and her singing, her song arrangements,

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<v Speaker 1>her musicianship, her abilities to pick the right collaborators, and

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<v Speaker 1>most importantly, her willingness to be vulnerable kind of and

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<v Speaker 1>on a public stage, which is really, really truly hard.

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<v Speaker 1>I think or black people often don't allow emotions or

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<v Speaker 1>feelings into their lives because there's often a penalty, or

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<v Speaker 1>we say that there's a penalty.

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<v Speaker 3>For it, there has been.

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<v Speaker 1>So whenever I see someone even remotely going there to

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<v Speaker 1>do that, because I'm also noticing that if we don't

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<v Speaker 1>allow be it dark emotions or light emotions, if we

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<v Speaker 1>don't allow that stuff to process, then that's the quickest

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<v Speaker 1>way to winding up being an obituary, because you you know,

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<v Speaker 1>you died of whatever trying to escape exactly. And so

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<v Speaker 1>I really applaud that. So our guest today is giving

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<v Speaker 1>me the honor of a conversation and helping her celebrate

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<v Speaker 1>the release of her excellent new album and Pathogen, not

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<v Speaker 1>to mention your new novel, Black Shield Maiden. What can

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<v Speaker 1>I say? I'm talking to Willi Smith Willo, professionally known

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<v Speaker 1>as Willow. How are you?

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<v Speaker 2>I'm so good, I'm honored to be here, all right.

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<v Speaker 1>So, for me, album releases are like given birth. Yes,

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<v Speaker 1>And as a person who's been holding on to his

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<v Speaker 1>eighteenth child for ten years now, who you know, Tarika

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<v Speaker 1>and I had a conversation of like, okay, we cannot

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<v Speaker 1>let an eleventh year go by and not release this record. Yes,

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<v Speaker 1>what is the feeling when you let it go into

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<v Speaker 1>the public talk to me about twenty four hours before.

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<v Speaker 1>What's the thoughts in your head?

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<v Speaker 3>The thoughts in my head are, oh, my goodness, I've

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<v Speaker 3>been talking myself up this hill and it's gonna come

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<v Speaker 3>out and no one's gonna think it's special, and I'm

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<v Speaker 3>gonna be sitting there going oh, shouldn't have trusted myself

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<v Speaker 3>that time. That's the dark end of it.

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<v Speaker 1>Oh see, you thought there's gonna be yet another tree

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<v Speaker 1>that falls in the forest that no one just people shrug.

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<v Speaker 3>I was hoping in the depths of my heart that

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<v Speaker 3>it wasn't going to be, because I really put my

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<v Speaker 3>heart and soul into this and crafted it in a

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<v Speaker 3>way that I felt like it deserved a little bit

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<v Speaker 3>of recognition even But no, those are the dark thoughts

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<v Speaker 3>that go through your mind. But then there's this feeling

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<v Speaker 3>of excitement like, oh my goodness, Like what if it

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<v Speaker 3>really is as special as I really think it is?

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<v Speaker 3>And so those two sides are kind of warring with

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<v Speaker 3>one another.

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<v Speaker 1>Yeah, I'm gonna explain to you how I let your

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<v Speaker 1>art into my life because it was the most unlikely.

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<v Speaker 1>I mean, yes, I've always been aware that you existed. Yeah,

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<v Speaker 1>I'm a guy that takes in everything. But I think

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<v Speaker 1>when you take it in everything, you don't sit with it,

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<v Speaker 1>and so it takes a lot for me to sit

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<v Speaker 1>with it past the purchase ate. Yeah, like I'll listen

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<v Speaker 1>to each record and not the obligatory like okay, I'll

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<v Speaker 1>give it a thirty second test, thirty second test next,

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<v Speaker 1>like I'll sit with an album or so. And there's

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<v Speaker 1>some artists that are so amazing that I actually see

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<v Speaker 1>their artwork ad okay. So, of course, to give full

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<v Speaker 1>context totally, we are speaking, let's say a week after

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<v Speaker 1>the what I'm calling the the Unfortunate sparring rounds of

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<v Speaker 1>Drake and Kenchrick Lamar. And of course, you know, hip

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<v Speaker 1>hop is one of those things in which you know

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<v Speaker 1>it's you know, it's almost like prayer. I two and

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<v Speaker 1>more gathered than you know, it's going to be a

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<v Speaker 1>conversation about it. And I told a friend of mine,

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<v Speaker 1>I said, you know, I love Kendrick's work, but I

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<v Speaker 1>see kendricks works so almost so overwhelming that I take

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<v Speaker 1>it in like a movie, like I love Raging Bull

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<v Speaker 1>by right, Yeah, I've seen Raging Bull like seven times.

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<v Speaker 1>I've listened to Thriller probably three hundred thousand times, and

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<v Speaker 1>it's almost like with Kendricks them. Yeah, but with Kendrick's work,

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<v Speaker 1>he doesn't release the kind of music that like, I'll

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<v Speaker 1>just put it on the background and you.

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<v Speaker 2>Know, yeah, no, you gotta listen.

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<v Speaker 1>You gotta look and stare at the speaker. Yeah, And

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<v Speaker 1>especially with this latest round of work, like I found

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<v Speaker 1>myself on YouTube like slowing the pace down to the

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<v Speaker 1>slowest to you know, to to absorb it.

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<v Speaker 2>That's the one thing I love about old school rap.

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<v Speaker 2>You can hear what they're saying.

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<v Speaker 1>Getting old.

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<v Speaker 2>No, No, I feel the same way.

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<v Speaker 1>No, but I feel like your generation is way more

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<v Speaker 1>advanced than my generation, as it should be. It's evolution

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<v Speaker 1>as it should be.

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<v Speaker 3>I'm tempted to be like advancing, like what ways, because

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<v Speaker 3>I would be the one to say that, like you

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<v Speaker 3>being like, let me so slow this down so I

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<v Speaker 3>can listen to it. Like to me, that feels like,

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<v Speaker 3>oh no, we're just getting so fast, fast fast that

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<v Speaker 3>the idea like our minds or like chipmunks, you know

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<v Speaker 3>what I'm saying, Like we're getting to where it's like, ah,

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<v Speaker 3>like what are we even saying?

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<v Speaker 1>I was really shocked at how blatant and direct you

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<v Speaker 1>are with your messaging, you know what I mean. Yeah,

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<v Speaker 1>Like the second you said the word feelings, I stopped

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<v Speaker 1>and I was like, wait, black people never talk about feelings. Yeah,

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<v Speaker 1>we have void feelings at all at all costs. Right.

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<v Speaker 1>And then when you went to the bridge about I

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<v Speaker 1>have big problems and kept repeating it, I was.

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<v Speaker 2>Like, way, I have problems too, Yes.

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<v Speaker 1>Wait is she singing about me?

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<v Speaker 2>Like literally big feelings?

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<v Speaker 3>Is? I used to call it an anti pop song,

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<v Speaker 3>but I legitimately feel like, no, it's actually a pop song.

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<v Speaker 2>Like it's crazy.

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<v Speaker 1>So George Clinton once explained the magic of Funkadelic songs

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<v Speaker 1>great examples not just need deep where not just knee

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<v Speaker 1>deep as like a ten minute song on their album

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<v Speaker 1>and which there's about maybe seventeen micro courses totally all courses,

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<v Speaker 1>not versus, and it sticks to you and thus it's like, okay,

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<v Speaker 1>well this part, yeah, dale I Soul used that for

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<v Speaker 1>me myself, and Snoop used that for this. But then

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<v Speaker 1>like just the small messaging, it's almost like you get

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<v Speaker 1>to pick which part of the song you like. So

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<v Speaker 1>that to me is the smartest way of even though

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<v Speaker 1>it might be boxed up in what might seem like

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<v Speaker 1>a very complex.

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<v Speaker 3>It's gift wrapped in a very complex wrapping, but it's

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<v Speaker 3>simple exactly.

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<v Speaker 1>And that's that's what means. That also the magic of

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<v Speaker 1>you're doing something I haven't seen since the days of Prince.

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<v Speaker 1>The idea of Prince is that, oh he's just a

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<v Speaker 1>really complex musician. No, no, no, no. He made three

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<v Speaker 1>tier work slightly. He gave something for the athletes and

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<v Speaker 1>the nerds in the back, and he had something that

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<v Speaker 1>even five year olds could follow and somewhere in between.

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<v Speaker 1>So you do that. So what I want to know

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<v Speaker 1>is I have reason to believe that your evolution journey

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<v Speaker 1>starts the day and you know disclosure. Yes, I've read

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<v Speaker 1>your Dad's been more. I read it twice. Wow. And

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<v Speaker 1>so when he talks about the haircut, yeah, and that moment,

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<v Speaker 1>my first thing was like wow, Like, what young teenager

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<v Speaker 1>has that much?

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<v Speaker 2>I wasn't even a teenager yet.

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<v Speaker 1>Well you you were eleven?

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<v Speaker 2>Yeah, I was like eleven. Yeah.

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<v Speaker 1>I was like wow, that's serious, Like where a person

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<v Speaker 1>has that much conviction to know?

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<v Speaker 2>I just knew in my heart of heart.

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<v Speaker 3>I was like, I'm not the wh my hair girl,

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<v Speaker 3>Like I am the whit my hair girl, but like

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<v Speaker 3>I'm not, though, and I was so deathly afraid, Like

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<v Speaker 3>in my heart of heart, I was terrified.

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<v Speaker 1>First of all, what was the process of what look

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<v Speaker 1>as a person with his hair?

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<v Speaker 2>Like for me, that's like, no, I feel.

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<v Speaker 1>Like my superpower, but I often wonder like what would

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<v Speaker 1>happened if ireword to like is that a new life

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<v Speaker 1>for me? Because you know Lenny kravit Is.

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<v Speaker 3>I mean, in the Rastafarian tradition, they say that like

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<v Speaker 3>your hair carries like so much energy.

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<v Speaker 2>It is your power.

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<v Speaker 3>But I think that they say it's power so they

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<v Speaker 3>don't cut their hair off.

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<v Speaker 2>They're like, no, We're going to keep it.

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<v Speaker 3>But with your power comes so many years of like

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<v Speaker 3>you have to work for that power, and that power

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<v Speaker 3>comes with pain. That power comes with like a sense

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<v Speaker 3>of like whatever you had to go through to gain

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<v Speaker 3>that power is in your hair.

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<v Speaker 2>And so for me, I was like, I want to

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<v Speaker 2>shed this pain that I've experienced.

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<v Speaker 3>I want to shed this and you know, in my weird,

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<v Speaker 3>like preteen mind, I'm like.

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<v Speaker 2>Also kind of want to piss my parents off a

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<v Speaker 2>little bit.

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<v Speaker 1>Did you knew that at eleven?

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<v Speaker 3>I didn't know that at eleven. But my heart was

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<v Speaker 3>like my heart knew that. My mind was like, oh,

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<v Speaker 3>I feel uncomfortable and the only way that I can

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<v Speaker 3>express this uncomfortability is through doing this. But I look

0:12:44.480 --> 0:12:47.520
<v Speaker 3>back and I'm like, no, like I knew I was

0:12:47.559 --> 0:12:48.480
<v Speaker 3>just I was terrified.

0:12:48.480 --> 0:12:48.720
<v Speaker 1>I was.

0:12:48.880 --> 0:12:51.240
<v Speaker 2>I knew I was not this person. I knew I

0:12:51.280 --> 0:12:52.000
<v Speaker 2>was not this person.

0:12:52.400 --> 0:12:55.280
<v Speaker 1>Amazing, So did you know that you were going to

0:12:55.400 --> 0:12:57.319
<v Speaker 1>wind up being this person? I didn't.

0:12:58.040 --> 0:13:02.840
<v Speaker 3>That's that's the part. That's that's the part that's really

0:13:02.840 --> 0:13:03.400
<v Speaker 3>funny to me.

0:13:03.559 --> 0:13:05.640
<v Speaker 2>I really didn't. But I hoped and I prayed, and

0:13:05.720 --> 0:13:06.480
<v Speaker 2>I there.

0:13:06.480 --> 0:13:09.760
<v Speaker 3>I remember I might have been like might've been like

0:13:09.760 --> 0:13:13.040
<v Speaker 3>twelve or thirteen years old, and I remember just breaking

0:13:13.080 --> 0:13:16.560
<v Speaker 3>down into tears one day and being like, am I

0:13:16.600 --> 0:13:19.920
<v Speaker 3>ever gonna be a real musician? Like I know that,

0:13:20.000 --> 0:13:23.040
<v Speaker 3>like I sing songs and stuff, but like I don't

0:13:23.120 --> 0:13:25.440
<v Speaker 3>feel like a real musician, so that must mean that

0:13:25.480 --> 0:13:29.000
<v Speaker 3>I'm not. And I legitimately had a whole moment where

0:13:29.040 --> 0:13:31.360
<v Speaker 3>I was like, oh my gosh, like I don't want

0:13:31.400 --> 0:13:33.480
<v Speaker 3>to I don't want to be in this middle ground anymore.

0:13:33.480 --> 0:13:35.360
<v Speaker 3>Like I want to be I want to be a

0:13:35.400 --> 0:13:38.280
<v Speaker 3>real musician and then I started playing the guitar at fourteen,

0:13:38.440 --> 0:13:42.080
<v Speaker 3>which is late to me. That's late, and that was

0:13:42.080 --> 0:13:44.440
<v Speaker 3>me starting my journey of like, no, I'm not just

0:13:44.480 --> 0:13:47.280
<v Speaker 3>a singer a person who just like writes songs sometimes

0:13:47.320 --> 0:13:49.360
<v Speaker 3>like I want to create myself.

0:13:49.440 --> 0:13:52.040
<v Speaker 2>I want to create this journey of musicianship.

0:13:56.920 --> 0:14:00.400
<v Speaker 1>So at fourteen, you had zero knowledge of how to

0:14:00.480 --> 0:14:00.880
<v Speaker 1>handle this.

0:14:01.120 --> 0:14:04.120
<v Speaker 3>If somebody played me on the piano like a major

0:14:04.160 --> 0:14:06.400
<v Speaker 3>third interval, I wouldn't be able to tell them that

0:14:06.440 --> 0:14:09.640
<v Speaker 3>it was a major third interval. So like in my mind,

0:14:09.679 --> 0:14:11.839
<v Speaker 3>I'm like, that's like okay, Like are you really a

0:14:11.960 --> 0:14:14.240
<v Speaker 3>musician or like you just like making songs?

0:14:14.600 --> 0:14:17.440
<v Speaker 1>So we will say that the pandemic started with like

0:14:17.640 --> 0:14:25.320
<v Speaker 1>March of twenty twenty. Let's go to like July twenty twenty.

0:14:25.600 --> 0:14:29.160
<v Speaker 1>What's your morning routine? Like the world still stopped? I

0:14:29.200 --> 0:14:32.040
<v Speaker 1>assume that you. I mean, I know my world stopped.

0:14:32.680 --> 0:14:36.720
<v Speaker 1>I assume that even yes, all yeah, world stop? Yes,

0:14:37.920 --> 0:14:41.400
<v Speaker 1>So what's your morning routine? Because it wasn't until my

0:14:41.480 --> 0:14:48.000
<v Speaker 1>guitar player said, yo, man, you follow on a Instagram.

0:14:48.040 --> 0:14:51.440
<v Speaker 2>So your guitar player brought me to you.

0:14:51.600 --> 0:14:54.640
<v Speaker 4>Wow, the top musicians, that's amazing, the top musician.

0:14:54.840 --> 0:14:59.400
<v Speaker 5>He said, Yo, you follow I said, yeah, I think

0:14:59.400 --> 0:15:04.960
<v Speaker 5>I am. He's like dude like her advanced.

0:15:05.240 --> 0:15:05.760
<v Speaker 3>Wow.

0:15:06.160 --> 0:15:08.840
<v Speaker 1>Now here's the thing. There's a period between two thousand

0:15:08.840 --> 0:15:13.560
<v Speaker 1>and three and like twoy fifteen.

0:15:13.760 --> 0:15:15.120
<v Speaker 2>Yeah, I feel.

0:15:14.920 --> 0:15:20.040
<v Speaker 1>That where I was I rolling every hit, Like there's

0:15:20.080 --> 0:15:23.720
<v Speaker 1>a point where like, Okay, Andre's doing prototype on the

0:15:23.760 --> 0:15:27.240
<v Speaker 1>BT boards with the guitar, not knowing how to play

0:15:27.280 --> 0:15:30.000
<v Speaker 1>a guitar, but it looked cool. And then Wayne came

0:15:30.040 --> 0:15:32.800
<v Speaker 1>on stage and guitar, not guitar, but it looked cool.

0:15:33.600 --> 0:15:36.359
<v Speaker 1>Even jay Z had a moment where he had the headline.

0:15:36.480 --> 0:15:39.600
<v Speaker 1>You know, he had the whole ordeal with Oasis about

0:15:39.640 --> 0:15:42.560
<v Speaker 1>him headlining the thing, and he started his show doing

0:15:42.600 --> 0:15:47.920
<v Speaker 1>a wonderwall with the guitar in his hand, and so

0:15:47.960 --> 0:15:49.840
<v Speaker 1>suddenly I was just like, Okay, now we're just in

0:15:49.880 --> 0:15:52.520
<v Speaker 1>the age where a guitar is an accessory but people

0:15:52.560 --> 0:15:53.320
<v Speaker 1>don't know how to play it.

0:15:53.360 --> 0:15:56.280
<v Speaker 3>But let me tell you something, dope, just real quick

0:15:56.320 --> 0:15:57.280
<v Speaker 3>before you continue.

0:15:57.440 --> 0:16:01.680
<v Speaker 2>The guitar is also a himb a lot of people.

0:16:01.840 --> 0:16:04.440
<v Speaker 3>I feel like you're vibing with the aspect of like

0:16:04.480 --> 0:16:06.920
<v Speaker 3>a lot of people use it performatively, not like, oh.

0:16:06.800 --> 0:16:07.920
<v Speaker 2>I can actually play this instrument.

0:16:07.960 --> 0:16:10.920
<v Speaker 3>It's like, oh, like I'm I'm holding a guitar.

0:16:11.000 --> 0:16:11.480
<v Speaker 2>That's cool.

0:16:12.000 --> 0:16:14.520
<v Speaker 3>But I look at it in the sense of, like,

0:16:14.600 --> 0:16:17.280
<v Speaker 3>underneath all that, people know that the guitar has always

0:16:17.280 --> 0:16:18.720
<v Speaker 3>been a symbol of the culture.

0:16:19.600 --> 0:16:20.880
<v Speaker 2>The guitar has always been.

0:16:20.800 --> 0:16:25.640
<v Speaker 3>A symbol of like I am stepping out and speaking

0:16:25.800 --> 0:16:29.440
<v Speaker 3>on something of the culture, and the guitar has always

0:16:29.480 --> 0:16:33.720
<v Speaker 3>been a driving force of that, you know. And I personally,

0:16:33.760 --> 0:16:35.840
<v Speaker 3>when I see things like that, I'm like, wow, they

0:16:35.880 --> 0:16:38.320
<v Speaker 3>are recognizing and they want to use the guitar as

0:16:38.320 --> 0:16:43.400
<v Speaker 3>a symbol, not necessarily as an instrument, which you know

0:16:43.400 --> 0:16:43.960
<v Speaker 3>what I'm saying.

0:16:44.520 --> 0:16:49.600
<v Speaker 1>You know, it's like, you know, twenty twenty, I was

0:16:49.800 --> 0:16:52.960
<v Speaker 1>very dark, cynical. I feel that, and you know, I'm

0:16:53.040 --> 0:16:56.240
<v Speaker 1>changed now, but back then, so when he said that,

0:16:56.880 --> 0:17:00.480
<v Speaker 1>instantly I was like, all right, well another guitar. Yeah,

0:17:00.560 --> 0:17:05.560
<v Speaker 1>and he's like, no, dog, Like I'm serious, yeah, And I'm.

0:17:05.359 --> 0:17:08.480
<v Speaker 2>Like, well, the fact that it was your guitars.

0:17:07.960 --> 0:17:11.480
<v Speaker 1>Right, So that's the thing. And I was like, wait,

0:17:11.560 --> 0:17:14.160
<v Speaker 1>you see in her play. He's like, oh, she's kind

0:17:14.160 --> 0:17:18.119
<v Speaker 1>of killing it. Wow, I said what. And you know,

0:17:18.200 --> 0:17:21.399
<v Speaker 1>sometimes the algorithms might not have you see a person

0:17:22.640 --> 0:17:26.439
<v Speaker 1>and I went there and I was just like, oh, snap,

0:17:28.400 --> 0:17:31.960
<v Speaker 1>miss this? When did I miss this? And so how

0:17:31.960 --> 0:17:33.560
<v Speaker 1>did that process soup the nuts? Okay?

0:17:33.960 --> 0:17:37.720
<v Speaker 3>So I started playing the guitar at fourteen, and I

0:17:37.760 --> 0:17:40.160
<v Speaker 3>personally was like, oh my goodness. Like I had tried

0:17:40.160 --> 0:17:42.080
<v Speaker 3>to play the piano before, like when I was younger,

0:17:42.160 --> 0:17:45.000
<v Speaker 3>I had tried other instruments and they never really stuck.

0:17:45.080 --> 0:17:48.320
<v Speaker 3>And I've kind of felt like man like, I kind

0:17:48.320 --> 0:17:50.239
<v Speaker 3>of felt a little bit of failure energy, like I

0:17:50.280 --> 0:17:52.680
<v Speaker 3>was like, damn, like I missed it. And so then yeah,

0:17:52.720 --> 0:17:53.960
<v Speaker 3>I missed my office. And then I was like, you

0:17:53.960 --> 0:17:56.479
<v Speaker 3>know what, Willow stop? Get out of that mindset, like

0:17:56.720 --> 0:17:59.200
<v Speaker 3>just just play every day? Just play every day. And

0:17:59.480 --> 0:18:02.240
<v Speaker 3>you know, I went through I had a moment where

0:18:02.240 --> 0:18:05.199
<v Speaker 3>I was doing like classical guitar nylon string like like

0:18:05.400 --> 0:18:07.600
<v Speaker 3>I had a moment where I was doing flamenco guitar.

0:18:07.680 --> 0:18:09.560
<v Speaker 3>I went through a whole bunch of different phases that

0:18:09.600 --> 0:18:11.600
<v Speaker 3>nobody really saw because I was just trying to find it.

0:18:11.640 --> 0:18:13.920
<v Speaker 3>I was like, like, how do I want to play

0:18:13.920 --> 0:18:14.200
<v Speaker 3>the guitar?

0:18:14.280 --> 0:18:17.400
<v Speaker 2>What do I want to do? And you know, I

0:18:17.440 --> 0:18:18.879
<v Speaker 2>feel like, well, let.

0:18:18.720 --> 0:18:22.679
<v Speaker 1>Me ask you when you decided. Okay, this is going

0:18:22.720 --> 0:18:24.200
<v Speaker 1>to be a part of my life, you know, because

0:18:24.200 --> 0:18:27.360
<v Speaker 1>you also have to see something, visualize or whatever. Yeah,

0:18:28.800 --> 0:18:33.480
<v Speaker 1>what were you visualizing in terms of like your mastery

0:18:33.520 --> 0:18:33.840
<v Speaker 1>of this thing?

0:18:34.280 --> 0:18:38.360
<v Speaker 3>Back before I ever was like obsessed with jazz or ever,

0:18:38.600 --> 0:18:40.920
<v Speaker 3>like really was like listening to stuff, I would do

0:18:40.960 --> 0:18:43.440
<v Speaker 3>an exercise before I ever had the guitar teacher whatever,

0:18:43.640 --> 0:18:45.679
<v Speaker 3>where I would try to sing. I would sing a

0:18:45.720 --> 0:18:48.359
<v Speaker 3>melody and I would try to play play that melody. Right,

0:18:48.760 --> 0:18:50.720
<v Speaker 3>So I would sing a melody and I would try

0:18:50.720 --> 0:18:52.520
<v Speaker 3>to play it, or I would try to be like

0:18:52.880 --> 0:18:55.440
<v Speaker 3>I'm thinking of a note in my head and I'm

0:18:55.440 --> 0:18:59.560
<v Speaker 3>singing it. Can I play the melody as I'm singing it?

0:18:59.560 --> 0:19:03.160
<v Speaker 3>Can I as I'm singing it? Which you know now

0:19:03.200 --> 0:19:05.399
<v Speaker 3>that I see like, I see a lot of beautiful

0:19:05.440 --> 0:19:09.520
<v Speaker 3>jazz musicians who do like fully improvised things where they're

0:19:09.600 --> 0:19:13.840
<v Speaker 3>just like scatting, but they're following each line with their guitar.

0:19:14.560 --> 0:19:18.120
<v Speaker 3>And even before any of this, that was my idea

0:19:18.320 --> 0:19:19.440
<v Speaker 3>of mastery.

0:19:19.640 --> 0:19:20.760
<v Speaker 2>So I would I sat.

0:19:20.600 --> 0:19:22.080
<v Speaker 3>Down, I was like, huh, trying to sing these things,

0:19:22.080 --> 0:19:24.399
<v Speaker 3>I'm trying to play it, and weirdly enough, it's like

0:19:24.880 --> 0:19:28.119
<v Speaker 3>from that seed, you know, it's you just pick it

0:19:28.200 --> 0:19:28.800
<v Speaker 3>up every day.

0:19:28.840 --> 0:19:29.000
<v Speaker 1>Bro.

0:19:29.080 --> 0:19:30.160
<v Speaker 2>I'm honestly like.

0:19:30.920 --> 0:19:31.920
<v Speaker 1>How many hours do they?

0:19:32.720 --> 0:19:37.200
<v Speaker 3>So I want to say, like a year ago, I

0:19:37.320 --> 0:19:40.480
<v Speaker 3>started practicing the most I've ever practiced in my whole life.

0:19:40.520 --> 0:19:42.080
<v Speaker 3>So I would I would wake up in the morning,

0:19:42.080 --> 0:19:44.080
<v Speaker 3>I would do yoga, I would come back home, and

0:19:44.080 --> 0:19:47.080
<v Speaker 3>I would practice for at least three hours, at least

0:19:47.119 --> 0:19:50.640
<v Speaker 3>three hours at least okay, which you know to some

0:19:50.720 --> 0:19:53.480
<v Speaker 3>of my friends are like three hours, Like that's nothing

0:19:53.680 --> 0:19:56.240
<v Speaker 3>for me. I'm like, after the third hour, my mind,

0:19:56.880 --> 0:20:00.280
<v Speaker 3>my mind starts to like I can't. People say, you know,

0:20:00.400 --> 0:20:03.919
<v Speaker 3>you practice smart. Don't practice like you have to practice smart,

0:20:04.160 --> 0:20:05.960
<v Speaker 3>like not just sitting there doing scales. It's like, no,

0:20:06.080 --> 0:20:08.160
<v Speaker 3>let's practice for what we really want to be able

0:20:08.160 --> 0:20:10.320
<v Speaker 3>to do. We want to practice for the music we

0:20:10.359 --> 0:20:12.600
<v Speaker 3>want to be able to create, not just like oh,

0:20:12.600 --> 0:20:13.119
<v Speaker 3>people say I.

0:20:13.080 --> 0:20:15.400
<v Speaker 2>Should play scales, So let me play scales.

0:20:16.000 --> 0:20:17.920
<v Speaker 1>Who do you like practicing too?

0:20:18.960 --> 0:20:21.560
<v Speaker 3>So there's this app it's called I Reel Pro, and

0:20:21.600 --> 0:20:23.640
<v Speaker 3>it has a bunch of stuff from the real book.

0:20:23.680 --> 0:20:27.360
<v Speaker 3>It has like like random like midi recreations of things

0:20:27.400 --> 0:20:29.320
<v Speaker 3>in the real book, right, And so they give you

0:20:29.359 --> 0:20:31.159
<v Speaker 3>all the chords they give you the they give you

0:20:31.200 --> 0:20:33.399
<v Speaker 3>the key or whatever, and I just play that and

0:20:33.440 --> 0:20:37.720
<v Speaker 3>I'll just like play along to these like jazz standards.

0:20:37.720 --> 0:20:40.720
<v Speaker 1>Basically for our listeners out there, there are two kind

0:20:40.760 --> 0:20:43.200
<v Speaker 1>of Bibles in the world of jazz. There's the real

0:20:43.240 --> 0:20:46.760
<v Speaker 1>book and there's also the fake book. I'm part of

0:20:46.760 --> 0:20:49.760
<v Speaker 1>the fake book generation. Yeah, so in general, if you

0:20:50.040 --> 0:20:54.919
<v Speaker 1>are a supper club musician or just in general, you know,

0:20:54.960 --> 0:20:56.920
<v Speaker 1>it's almost like you have to know all the books

0:20:56.960 --> 0:21:00.080
<v Speaker 1>of the Bible and all the verses. So if if

0:21:00.119 --> 0:21:02.920
<v Speaker 1>you are a jazz musician, you have a real book

0:21:02.920 --> 0:21:05.680
<v Speaker 1>on you and basically has all the standards from all

0:21:05.720 --> 0:21:10.159
<v Speaker 1>of me to autumn Leaves to like basically, you know,

0:21:10.320 --> 0:21:12.600
<v Speaker 1>I'm familiar with the piano version, which is basically just

0:21:12.680 --> 0:21:13.080
<v Speaker 1>chord gang.

0:21:13.240 --> 0:21:15.320
<v Speaker 2>Yeah, yeah, totally, But there's a.

0:21:15.560 --> 0:21:17.639
<v Speaker 1>Real or fake book for guitarist as well.

0:21:17.920 --> 0:21:20.640
<v Speaker 3>No, no, no, no, I'm just going off of the real book,

0:21:20.840 --> 0:21:23.040
<v Speaker 3>like the keys and the different like chord changes, and

0:21:23.080 --> 0:21:25.800
<v Speaker 3>I'm just improvising on the guitar through those changes.

0:21:26.200 --> 0:21:28.160
<v Speaker 1>So you even have to teach yourself how to read.

0:21:28.480 --> 0:21:31.320
<v Speaker 3>So no, so the really cool thing about this app

0:21:31.400 --> 0:21:34.639
<v Speaker 3>is that there's no actual notation. It'll just be like

0:21:34.920 --> 0:21:38.000
<v Speaker 3>D sharp or like it'll give you like this, like

0:21:38.080 --> 0:21:40.480
<v Speaker 3>when it changes. Do you see what I'm saying, Like

0:21:40.520 --> 0:21:42.880
<v Speaker 3>it will actually say like D sharp, like a flat

0:21:43.520 --> 0:21:46.840
<v Speaker 3>all this stuff. And so I'm sitting there and I'm like, okay,

0:21:47.280 --> 0:21:49.520
<v Speaker 3>a flat. Let me find my let me find my shapes.

0:21:49.840 --> 0:21:52.080
<v Speaker 1>They're playing the chord and you have to fill.

0:21:52.520 --> 0:21:56.200
<v Speaker 3>Yeah, I'm trying to find the lines through the changes,

0:21:57.080 --> 0:21:58.400
<v Speaker 3>like if it's changing keys.

0:21:58.920 --> 0:21:59.639
<v Speaker 2>You know what I'm saying.

0:21:59.720 --> 0:22:02.320
<v Speaker 1>I'm not asking you as an interviewer. I'm asking you

0:22:02.440 --> 0:22:05.320
<v Speaker 1>almost for inspiration, like yeah, oh that's how I should do.

0:22:05.760 --> 0:22:09.040
<v Speaker 3>No, totally totally, like just playing through the changes, and

0:22:09.200 --> 0:22:12.240
<v Speaker 3>I'm not My mind doesn't work in the way of

0:22:12.359 --> 0:22:14.680
<v Speaker 3>like oh like now I'm in this key.

0:22:14.720 --> 0:22:16.720
<v Speaker 2>Now I'm in this key, like i'm my ear.

0:22:16.880 --> 0:22:20.080
<v Speaker 3>I just go off of ear usually, but I've been

0:22:20.160 --> 0:22:22.920
<v Speaker 3>trying to like get that strength of like no, no, no, no,

0:22:23.480 --> 0:22:25.320
<v Speaker 3>I can I know what key this song isn't you

0:22:25.359 --> 0:22:26.720
<v Speaker 3>didn't even have to, you know what I'm saying, Like

0:22:26.720 --> 0:22:28.840
<v Speaker 3>I'm trying to get my ear right. I'm trying to

0:22:28.840 --> 0:22:31.879
<v Speaker 3>get my improvisational skills right, like oh, let's say I

0:22:31.960 --> 0:22:34.399
<v Speaker 3>go and play with questlove and his band one day, right,

0:22:34.560 --> 0:22:36.359
<v Speaker 3>I don't want to be sitting there going, oh guys,

0:22:36.480 --> 0:22:37.160
<v Speaker 3>what cure mean?

0:22:37.960 --> 0:22:40.000
<v Speaker 2>Do you see what I'm saying? I want to be it?

0:22:40.240 --> 0:22:42.160
<v Speaker 3>Yes, I want to be able to be like ah okay,

0:22:42.200 --> 0:22:45.000
<v Speaker 3>I hear that rhythm. I know it's in seven. Ah okay,

0:22:45.000 --> 0:22:46.760
<v Speaker 3>I hear that chord progression, it's going to the five,

0:22:46.800 --> 0:22:48.080
<v Speaker 3>it's going to the four, it's going to the You

0:22:48.160 --> 0:22:51.399
<v Speaker 3>see what I'm saying. So that's what I'm trying right now.

0:22:51.640 --> 0:22:53.640
<v Speaker 3>That's that's what I'm trying to learn how to do.

0:22:55.040 --> 0:22:56.360
<v Speaker 1>I think you did it.

0:22:56.680 --> 0:23:02.120
<v Speaker 3>So there's always you know, there's always more to learn.

0:23:02.240 --> 0:23:05.280
<v Speaker 1>Oh no, you're You're always learning, You're always expanding. What

0:23:05.440 --> 0:23:06.840
<v Speaker 1>is your morning routine?

0:23:07.440 --> 0:23:10.480
<v Speaker 2>So my morning routine when I'm on my when you're.

0:23:10.359 --> 0:23:14.120
<v Speaker 1>On your five version, give me yeah today, I got

0:23:14.119 --> 0:23:18.280
<v Speaker 1>admit this week I've never since the pandemic, I've been

0:23:19.640 --> 0:23:24.080
<v Speaker 1>like rigorous with you know, yeah, the affirmations, breathing. Yes,

0:23:25.200 --> 0:23:28.720
<v Speaker 1>I've let three days go by and I everything cub

0:23:29.720 --> 0:23:32.359
<v Speaker 1>right and then I'm already in my head like a man.

0:23:32.760 --> 0:23:35.320
<v Speaker 1>I didn't do my stretching on my breathing or my affirmations.

0:23:35.359 --> 0:23:38.199
<v Speaker 3>But that's why I had that sciatica bro because I

0:23:38.280 --> 0:23:40.359
<v Speaker 3>usually wake up every morning, I do yoga hot yoga

0:23:40.400 --> 0:23:42.480
<v Speaker 3>for an hour. Okay, so I do hot yoga for

0:23:42.520 --> 0:23:44.840
<v Speaker 3>an hour, then I come back. Then I come back home,

0:23:45.160 --> 0:23:47.720
<v Speaker 3>and if I'm working, I pretty much only get to

0:23:47.760 --> 0:23:50.120
<v Speaker 3>practice like two hours, like if I have to work,

0:23:50.200 --> 0:23:52.040
<v Speaker 3>like if I go to if I go to yoga,

0:23:52.080 --> 0:23:54.280
<v Speaker 3>seven am, okay, get back you.

0:23:54.240 --> 0:23:56.800
<v Speaker 1>Go somewhere to go to yes, yes, okay.

0:23:56.560 --> 0:23:59.040
<v Speaker 3>So seven am, I do my hour, come back home

0:23:59.240 --> 0:24:02.760
<v Speaker 3>by nine, practicing by eleven. I'm like getting ready to

0:24:02.840 --> 0:24:06.000
<v Speaker 3>like leave the house. Okay, you see what I'm saying.

0:24:06.240 --> 0:24:07.560
<v Speaker 3>And so then if I have my day, I did

0:24:07.600 --> 0:24:10.840
<v Speaker 3>dada da whatever. I have six animals, so I come

0:24:10.880 --> 0:24:14.240
<v Speaker 3>back home. I'm trying to make I know. I know,

0:24:14.359 --> 0:24:17.280
<v Speaker 3>I have three dogs, three cats, and they like each other.

0:24:17.359 --> 0:24:21.639
<v Speaker 3>They love each other. It's nuts. So I'll go do

0:24:21.720 --> 0:24:24.280
<v Speaker 3>my day. I'll go to my day working and working whatever.

0:24:24.320 --> 0:24:26.040
<v Speaker 2>I come home. Got to take care of the animals.

0:24:26.080 --> 0:24:29.119
<v Speaker 2>It's a whole thing. You see what I'm saying. Hopefully

0:24:29.160 --> 0:24:30.439
<v Speaker 2>I'll be able to get an hour of reading it

0:24:30.520 --> 0:24:31.080
<v Speaker 2>at some point.

0:24:31.200 --> 0:24:33.280
<v Speaker 1>And you swear by this app that.

0:24:34.440 --> 0:24:36.480
<v Speaker 3>I wouldn't say I swear by this app but I

0:24:36.480 --> 0:24:40.920
<v Speaker 3>would say that it helps to be like, oh, that's

0:24:40.920 --> 0:24:43.040
<v Speaker 3>what it sounds like when the one changes to the five.

0:24:43.560 --> 0:24:47.159
<v Speaker 3>That's what it sounds like when the like instead of

0:24:47.240 --> 0:24:49.720
<v Speaker 3>just seeing it as like mathematics on a page or

0:24:49.760 --> 0:24:51.879
<v Speaker 3>seeing it like a concept, it's like, oh wait, no,

0:24:52.080 --> 0:24:53.320
<v Speaker 3>that's what it sounds like.

0:24:53.880 --> 0:24:54.720
<v Speaker 2>You know what I'm saying.

0:24:54.880 --> 0:24:57.440
<v Speaker 1>So do they guarantee that you will?

0:24:58.080 --> 0:25:00.240
<v Speaker 2>They don't. I just use it as a I just

0:25:00.320 --> 0:25:01.600
<v Speaker 2>use it as a specific tool.

0:25:01.800 --> 0:25:04.040
<v Speaker 3>I don't even think people actually, I think people just

0:25:04.160 --> 0:25:06.680
<v Speaker 3>use it to like, oh, I'm gonna play this song

0:25:06.800 --> 0:25:09.119
<v Speaker 3>at a jazz club later tonight, let me shed to

0:25:09.160 --> 0:25:09.760
<v Speaker 3>it or something.

0:25:09.960 --> 0:25:14.240
<v Speaker 2>I think people just use it like that, explain Okay.

0:25:14.880 --> 0:25:18.840
<v Speaker 3>So I pretty much during Coping Mechanism, So that was

0:25:18.840 --> 0:25:22.840
<v Speaker 3>my last album, I made friends with a really amazing musician.

0:25:22.880 --> 0:25:23.840
<v Speaker 2>His name is Chris Creotti.

0:25:24.280 --> 0:25:26.439
<v Speaker 3>And the way that he was I've always been a

0:25:26.440 --> 0:25:30.000
<v Speaker 3>harmony addict, so like, whenever I start a song, I'm like, oh, harmonies,

0:25:30.000 --> 0:25:30.639
<v Speaker 3>and I just never end.

0:25:30.680 --> 0:25:31.960
<v Speaker 2>I'm like, okay, I need to stop.

0:25:32.640 --> 0:25:35.159
<v Speaker 3>So he had that same thing, but he while he

0:25:35.240 --> 0:25:37.119
<v Speaker 3>was going through it, he was explaining to me, like

0:25:37.920 --> 0:25:40.480
<v Speaker 3>these this this is like the layers of the harmonies.

0:25:40.520 --> 0:25:43.240
<v Speaker 3>Like he was explaining to me music theory from a

0:25:43.280 --> 0:25:44.960
<v Speaker 3>point of view that I had never heard it before.

0:25:45.480 --> 0:25:47.879
<v Speaker 2>Do you see what I'm saying. So from before I

0:25:47.880 --> 0:25:50.680
<v Speaker 2>met him, I was like, Oh, this sounds good. I'm

0:25:50.720 --> 0:25:52.399
<v Speaker 2>gonna layer this. This also sounds good.

0:25:52.440 --> 0:25:54.439
<v Speaker 3>A layer this, I'm not thinking like, oh that's the

0:25:54.480 --> 0:25:56.879
<v Speaker 3>sharp four, that's the major third.

0:25:57.359 --> 0:25:59.920
<v Speaker 1>And how are you? How are you meeting your community?

0:26:00.359 --> 0:26:04.560
<v Speaker 3>So I'm very very grateful, you know. I opened up

0:26:04.560 --> 0:26:05.960
<v Speaker 3>my heart and I was like, please God. I was

0:26:06.000 --> 0:26:10.080
<v Speaker 3>like I had not lost some friendships, but had some

0:26:10.240 --> 0:26:13.440
<v Speaker 3>rocky roads and you know, friends that I had had

0:26:13.480 --> 0:26:15.600
<v Speaker 3>from a young age that I kind of felt like

0:26:16.640 --> 0:26:18.800
<v Speaker 3>we're not really growing together, you know.

0:26:18.920 --> 0:26:21.399
<v Speaker 2>So that was really painful for me.

0:26:21.440 --> 0:26:23.160
<v Speaker 3>And I remember being like, oh, I'm opening my heart

0:26:23.200 --> 0:26:26.000
<v Speaker 3>and I'm like, God, please allow people into my life

0:26:26.000 --> 0:26:29.040
<v Speaker 3>that are going to inspire me and lead me towards

0:26:29.080 --> 0:26:30.919
<v Speaker 3>the person that I actually want to be. So I

0:26:31.080 --> 0:26:34.480
<v Speaker 3>made I was like I'm being intentional with this, and

0:26:34.920 --> 0:26:38.320
<v Speaker 3>I legitimately feel like the universe was like you shed

0:26:38.359 --> 0:26:41.760
<v Speaker 3>some leaves. Here are some people in your life to

0:26:41.880 --> 0:26:43.640
<v Speaker 3>like uplift you a little bit.

0:26:44.040 --> 0:26:45.840
<v Speaker 1>That's my biggest fear.

0:26:47.800 --> 0:26:50.400
<v Speaker 2>Well, you know, why is that your biggest fear?

0:26:50.440 --> 0:26:50.520
<v Speaker 3>What?

0:26:50.840 --> 0:26:53.399
<v Speaker 1>See, it's weird to do this episode because usually the

0:26:53.560 --> 0:26:56.880
<v Speaker 1>other four will chime in, and you know, I kind

0:26:56.880 --> 0:27:00.760
<v Speaker 1>of whit me in this shape, but the way that

0:27:00.800 --> 0:27:04.160
<v Speaker 1>I've structured. Okay, so this is what I realized. If

0:27:04.160 --> 0:27:07.639
<v Speaker 1>you don't know much about me, you know, my main

0:27:07.720 --> 0:27:13.000
<v Speaker 1>addiction was working workaholic. And if a person is a workaholic,

0:27:13.200 --> 0:27:19.119
<v Speaker 1>it prevents them from dealing with life or whatever it

0:27:19.200 --> 0:27:23.640
<v Speaker 1>was in the room too busy, and thus, as a result,

0:27:23.840 --> 0:27:27.440
<v Speaker 1>you know, relationships I have might fall apart after a

0:27:27.520 --> 0:27:29.919
<v Speaker 1>year and a half. Are we having kids or not?

0:27:30.040 --> 0:27:33.560
<v Speaker 1>Are we getting married? I gotta work on this project.

0:27:34.680 --> 0:27:38.840
<v Speaker 1>So thus, you know, one at one time during a session,

0:27:40.080 --> 0:27:44.240
<v Speaker 1>I was told to, you know, like, well, name your friends.

0:27:45.119 --> 0:27:48.119
<v Speaker 1>And I named them, and you know, my person was like, well,

0:27:48.760 --> 0:27:51.840
<v Speaker 1>aren't they on your payroll? And I was like yeah,

0:27:51.880 --> 0:27:54.560
<v Speaker 1>but you know, like they're my best friends and we

0:27:54.600 --> 0:27:57.760
<v Speaker 1>go to basketball games together whatever. And so then when

0:27:57.800 --> 0:28:02.160
<v Speaker 1>I had to list people who are not on payroll

0:28:03.040 --> 0:28:03.600
<v Speaker 1>who are.

0:28:03.440 --> 0:28:05.600
<v Speaker 2>My friends but you're working with you're with them all

0:28:05.600 --> 0:28:07.080
<v Speaker 2>the time. Like I get that, I get it.

0:28:07.200 --> 0:28:09.840
<v Speaker 1>I get that, Yeah, But then the the other side

0:28:09.880 --> 0:28:14.280
<v Speaker 1>of that coin is that once they leave, Yeah, then

0:28:14.440 --> 0:28:16.800
<v Speaker 1>I have zero contact with them. So so it is

0:28:16.840 --> 0:28:20.600
<v Speaker 1>a professional relationship and you're paying for it. Yeah. So

0:28:21.680 --> 0:28:25.040
<v Speaker 1>you know, I'll say that for the last two years,

0:28:26.000 --> 0:28:31.560
<v Speaker 1>I've been struggling to find like friends whom I have

0:28:31.760 --> 0:28:32.800
<v Speaker 1>no professional time.

0:28:32.960 --> 0:28:37.320
<v Speaker 3>That's the struggle of my life. That's the struggle of

0:28:37.359 --> 0:28:40.400
<v Speaker 3>a lot of artists' lives that I remember. I used

0:28:40.440 --> 0:28:42.360
<v Speaker 3>to go to my mom and I would cry, and

0:28:42.400 --> 0:28:44.960
<v Speaker 3>I'd be like, am.

0:28:44.800 --> 0:28:45.760
<v Speaker 2>I just too weird?

0:28:46.080 --> 0:28:46.160
<v Speaker 3>Like?

0:28:46.400 --> 0:28:47.920
<v Speaker 2>Am I like? What is like?

0:28:48.120 --> 0:28:51.440
<v Speaker 3>I I've always been so driven, right, and I've always

0:28:51.520 --> 0:28:55.680
<v Speaker 3>had such vision And you're saying like, oh, you're seeing

0:28:55.680 --> 0:28:57.720
<v Speaker 3>it as like a workaholic thing, and it can definitely

0:28:57.720 --> 0:29:00.560
<v Speaker 3>turn into that, and it does turn into that. But

0:29:01.240 --> 0:29:03.400
<v Speaker 3>we're people who have a vision, and we're people who

0:29:03.440 --> 0:29:08.760
<v Speaker 3>really maybe too much care about that vision and making

0:29:08.800 --> 0:29:11.320
<v Speaker 3>it come to fruition, and even so much so that

0:29:11.360 --> 0:29:14.360
<v Speaker 3>we might be like, h this stuff over here. No, no, no, no,

0:29:14.400 --> 0:29:17.840
<v Speaker 3>I'm intoxicated by the vision. So I get that part

0:29:17.880 --> 0:29:19.080
<v Speaker 3>of it. But I would go to my mom and

0:29:19.120 --> 0:29:21.320
<v Speaker 3>be like and she would always tell me, You're gonna

0:29:21.320 --> 0:29:23.960
<v Speaker 3>find your tribe. You're gonna find your tribe, how.

0:29:23.840 --> 0:29:29.960
<v Speaker 1>Do you avoid the trappings of what people outside of

0:29:30.000 --> 0:29:34.960
<v Speaker 1>your dome or your world would see as an easily

0:29:35.120 --> 0:29:37.560
<v Speaker 1>Like you know, as far as what we know of

0:29:38.200 --> 0:29:41.720
<v Speaker 1>anyone raised anywhere near Hollywood or that sort of thing,

0:29:42.040 --> 0:29:45.200
<v Speaker 1>Like it's almost like a one way ticket to the

0:29:45.360 --> 0:29:47.240
<v Speaker 1>same filtered path.

0:29:47.240 --> 0:29:49.160
<v Speaker 2>To the same unhappiness and disillusion.

0:29:50.280 --> 0:29:53.560
<v Speaker 1>Well, here's the thing, I don't want to be judgmental

0:29:53.800 --> 0:29:57.240
<v Speaker 1>to say, like, well, obviously that person's unhappy whatever. It's

0:29:57.280 --> 0:29:59.280
<v Speaker 1>like they they are what they are. But like you

0:29:59.280 --> 0:30:02.920
<v Speaker 1>could easily just like okay, and who knows, you might

0:30:02.960 --> 0:30:05.080
<v Speaker 1>come out with a sneaker line one day or whatever.

0:30:06.320 --> 0:30:09.120
<v Speaker 3>I'm out with a sneaker line or go to rehab.

0:30:09.160 --> 0:30:11.080
<v Speaker 2>Who knows the world's my oyster.

0:30:12.600 --> 0:30:15.800
<v Speaker 1>But you know what I'm talking about, Like, for you

0:30:15.840 --> 0:30:19.520
<v Speaker 1>to have not fallen down the same path that I've

0:30:19.560 --> 0:30:24.480
<v Speaker 1>seen everyone your age go down, that's miracle enough. Yeah,

0:30:24.520 --> 0:30:30.120
<v Speaker 1>so it's but it almost feels though you didn't necessarily

0:30:30.280 --> 0:30:34.200
<v Speaker 1>had to hit a rock But based on your lyrics also,

0:30:34.400 --> 0:30:37.120
<v Speaker 1>I'm like, okay, there might have been a rock bottom

0:30:37.160 --> 0:30:38.400
<v Speaker 1>point that we are not.

0:30:38.560 --> 0:30:41.840
<v Speaker 3>Pop who have watched the Red Table talk no things

0:30:41.960 --> 0:30:45.160
<v Speaker 3>right exactly. But but what I will say is we

0:30:45.200 --> 0:30:48.200
<v Speaker 3>all experienced darkness. I've experienced crazy darkness in my life.

0:30:48.200 --> 0:30:54.960
<v Speaker 3>But that darkness has informed, weirdly enough, informed and inspired.

0:30:55.160 --> 0:30:57.680
<v Speaker 2>My like just just like my.

0:30:59.360 --> 0:31:03.320
<v Speaker 3>Love for life in such a weird way, like when

0:31:03.400 --> 0:31:07.200
<v Speaker 3>you really sit in that loneliness and you really sit

0:31:07.440 --> 0:31:11.960
<v Speaker 3>in that like Pemacholdrin this, she's a Buddhist monk. She

0:31:12.080 --> 0:31:14.960
<v Speaker 3>calls it being on the edge of a needle. Like

0:31:15.000 --> 0:31:16.960
<v Speaker 3>you're a beetle on the on the edge of a

0:31:17.000 --> 0:31:19.080
<v Speaker 3>needle and if you move, and you move, you're gonna

0:31:19.080 --> 0:31:21.320
<v Speaker 3>impale yourself. See what I'm saying. You're like, oh my god,

0:31:21.360 --> 0:31:24.000
<v Speaker 3>this this stings. I'm about to die. And then you're like, ah,

0:31:24.160 --> 0:31:27.200
<v Speaker 3>you impel yourself. You know what I'm saying. But if

0:31:27.240 --> 0:31:31.360
<v Speaker 3>you can just be still and that it's gonna it's painful.

0:31:31.360 --> 0:31:32.680
<v Speaker 3>You know, you're on the tip of a needle, But

0:31:32.720 --> 0:31:35.440
<v Speaker 3>if you can be still, you won't impael yourself.

0:31:35.920 --> 0:31:36.640
<v Speaker 2>You know what I'm saying.

0:31:37.160 --> 0:31:41.080
<v Speaker 1>Okay, So what I've learned about feelings, coming back to

0:31:41.120 --> 0:31:45.360
<v Speaker 1>feelings again is oftentimes when the dark feelings come through,

0:31:46.360 --> 0:31:48.840
<v Speaker 1>what I've learned about emotions is I mean, some people

0:31:48.880 --> 0:31:51.080
<v Speaker 1>say thirty seven emotions, some people say two hundred and

0:31:51.120 --> 0:31:52.000
<v Speaker 1>eighty emotions.

0:31:52.040 --> 0:31:53.320
<v Speaker 2>Totally when we.

0:31:53.240 --> 0:31:58.960
<v Speaker 1>Get to those dark places, suddenly this is uncomfortable. What

0:31:59.120 --> 0:32:01.720
<v Speaker 1>makes me happy? Yeah, and let me get to happy.

0:32:01.720 --> 0:32:06.080
<v Speaker 1>Happy is the good feeling I remember happy, But I

0:32:06.160 --> 0:32:09.680
<v Speaker 1>maybe learned two years ago that you even have to

0:32:09.760 --> 0:32:15.720
<v Speaker 1>let dark emotions process. Man, And how do you get

0:32:15.760 --> 0:32:21.280
<v Speaker 1>to that place where you're comfortable? Like weirdly enough, I'm

0:32:21.320 --> 0:32:22.640
<v Speaker 1>just I'm a year into this.

0:32:22.960 --> 0:32:28.280
<v Speaker 3>Self soothing is actually a good thing. Self medicating. You

0:32:28.360 --> 0:32:33.120
<v Speaker 3>see what I'm saying. Self soothing is actually what we're

0:32:33.120 --> 0:32:38.080
<v Speaker 3>all trying to learn. Self soothing is, I personally believe

0:32:38.760 --> 0:32:43.920
<v Speaker 3>one of the important hallmarks of adulthood because you know,

0:32:44.000 --> 0:32:46.320
<v Speaker 3>when we're still and shit, I'm a fucking child, I'm

0:32:46.440 --> 0:32:49.680
<v Speaker 3>talking shit. But when we're still in that mindset of

0:32:49.760 --> 0:32:52.640
<v Speaker 3>like we're born and we need our parents, you see

0:32:52.640 --> 0:32:56.440
<v Speaker 3>what I'm saying, And throughout our whole life, we're trying

0:32:56.480 --> 0:33:04.440
<v Speaker 3>to gain our parents attention, their love, you know, because

0:33:04.600 --> 0:33:08.280
<v Speaker 3>deep in our evolutionary biology, deep in our minds and

0:33:08.320 --> 0:33:11.720
<v Speaker 3>our hearts, we are wired we see our parents and

0:33:11.720 --> 0:33:15.040
<v Speaker 3>we go you give me life like you sustain me. Like,

0:33:16.240 --> 0:33:18.360
<v Speaker 3>not just with the laughs and the cuddles, but you

0:33:18.440 --> 0:33:20.760
<v Speaker 3>feed me. Like if I'm not with you, I die,

0:33:20.960 --> 0:33:23.320
<v Speaker 3>you see what I'm saying. And so as life goes on,

0:33:24.120 --> 0:33:26.200
<v Speaker 3>you know, you have a boss, so you have your

0:33:26.360 --> 0:33:29.880
<v Speaker 3>or you have your you know your partner, and you're like, well,

0:33:29.880 --> 0:33:31.040
<v Speaker 3>how am I going to get love from them?

0:33:31.080 --> 0:33:32.880
<v Speaker 2>How am I going to get attention from them? You

0:33:32.920 --> 0:33:33.600
<v Speaker 2>see what I'm saying.

0:33:34.120 --> 0:33:37.120
<v Speaker 3>And I feel like very few humans ever get to

0:33:37.120 --> 0:33:41.200
<v Speaker 3>the point to where we realize like, oh my goodness,

0:33:41.240 --> 0:33:44.440
<v Speaker 3>like it's not about me trying to push myself in

0:33:44.480 --> 0:33:46.520
<v Speaker 3>all these different shapes and to stretch myself into all

0:33:46.520 --> 0:33:49.560
<v Speaker 3>these ways so that these people will love me or

0:33:49.600 --> 0:33:52.400
<v Speaker 3>these people will validate me.

0:33:53.320 --> 0:33:56.880
<v Speaker 2>It's about me really just loving them and loving myself.

0:33:57.680 --> 0:34:02.120
<v Speaker 3>But getting to that place, I mean, no one gets

0:34:02.160 --> 0:34:03.560
<v Speaker 3>to that place, you know what I'm saying.

0:34:03.560 --> 0:34:04.400
<v Speaker 2>I'm not at that place.

0:34:04.520 --> 0:34:07.040
<v Speaker 3>I'm talking from a position of reading a million fucking

0:34:07.760 --> 0:34:10.239
<v Speaker 3>self help books and just wishing and hoping every single day,

0:34:10.320 --> 0:34:11.000
<v Speaker 3>you know what I'm saying.

0:34:11.239 --> 0:34:12.920
<v Speaker 1>So for you, it's a daily struggle to you.

0:34:13.080 --> 0:34:15.080
<v Speaker 2>Oh my goodness, are you kidding me?

0:34:15.800 --> 0:34:17.000
<v Speaker 1>I don't feel so alone now.

0:34:17.080 --> 0:34:17.760
<v Speaker 2>Oh my gosh.

0:34:17.840 --> 0:34:22.800
<v Speaker 3>The darkness being choke hold bro, like it's crazy.

0:34:25.920 --> 0:34:29.240
<v Speaker 1>I'm working on a project right now. I'm gonna tell

0:34:29.280 --> 0:34:34.600
<v Speaker 1>the story of sly Stone. Here's the thing, though, sly

0:34:34.800 --> 0:34:41.600
<v Speaker 1>Stone is, in my opinion, the first post civil rights figure,

0:34:43.120 --> 0:34:47.320
<v Speaker 1>which basically means that his level of celebrity is slightly

0:34:47.360 --> 0:34:51.760
<v Speaker 1>different than say, Ray Charles Totally, Chuck Berry or James Brown.

0:34:52.080 --> 0:34:55.760
<v Speaker 1>Whereas like, Okay, you're famous in the fifties, Yeah, James

0:34:55.760 --> 0:34:58.839
<v Speaker 1>Brown cannot eat in the same supper club that he

0:34:58.880 --> 0:35:03.120
<v Speaker 1>can perform. You know, that's really yeah, And it's not like, Okay,

0:35:03.120 --> 0:35:05.080
<v Speaker 1>in nineteen sixty eight everything was right with the world.

0:35:05.120 --> 0:35:08.040
<v Speaker 2>We still definitely not every day.

0:35:08.719 --> 0:35:14.640
<v Speaker 1>However, sly is the first Black celebrity of his caliber

0:35:15.480 --> 0:35:20.120
<v Speaker 1>that kind of gets draped in a kind of zero fox.

0:35:20.160 --> 0:35:26.279
<v Speaker 1>Given level of celebrity, basically gets what we think we want,

0:35:26.640 --> 0:35:28.719
<v Speaker 1>you know, when we think of what a celebrity, what

0:35:28.760 --> 0:35:31.520
<v Speaker 1>is being famous, what's being rich? What's being popular? Like,

0:35:31.760 --> 0:35:37.319
<v Speaker 1>he gets the dream and depending on who you ask,

0:35:37.560 --> 0:35:42.520
<v Speaker 1>and it's almost like I'm wondering if I wound up

0:35:42.560 --> 0:35:46.600
<v Speaker 1>doing this documentary for me instead of a sly depending

0:35:46.640 --> 0:35:50.920
<v Speaker 1>on who you ask. When it comes to his fifth album,

0:35:51.719 --> 0:35:54.640
<v Speaker 1>he'll release an album, there's a ride going on in

0:35:54.680 --> 0:35:58.120
<v Speaker 1>which I'm still sticking no matter what he says or

0:35:58.160 --> 0:36:00.800
<v Speaker 1>anyone is camp or any of the expert as I interviewed,

0:36:01.680 --> 0:36:04.160
<v Speaker 1>I still feel as though there's a riote going on.

0:36:05.120 --> 0:36:07.920
<v Speaker 1>Is one of the most painful forty one minutes to

0:36:08.040 --> 0:36:13.719
<v Speaker 1>listen to you, because whereas you're very transparent in all

0:36:13.840 --> 0:36:17.640
<v Speaker 1>your work and you're not just this album totally, but

0:36:17.760 --> 0:36:21.400
<v Speaker 1>there's a level of pain and vulnerability there that I

0:36:21.440 --> 0:36:26.120
<v Speaker 1>think people are generally blinded by, simply because on the

0:36:26.160 --> 0:36:30.359
<v Speaker 1>other side of that coin, he's such a genius. Like

0:36:30.840 --> 0:36:34.439
<v Speaker 1>essentially Riot, in my opinion, is his twenty seven club entry,

0:36:34.480 --> 0:36:35.000
<v Speaker 1>even though.

0:36:34.840 --> 0:36:39.640
<v Speaker 3>He's still okay, yeah, no, I feel you.

0:36:40.160 --> 0:36:45.080
<v Speaker 1>It's someone falling on their sword and it's a self

0:36:45.080 --> 0:36:51.480
<v Speaker 1>sabotagement totally. So essentially, I have a theory that black

0:36:52.520 --> 0:36:59.640
<v Speaker 1>success is just as traumatic as failure, because there's often

0:36:59.719 --> 0:37:03.880
<v Speaker 1>times and which when something really good happens to me,

0:37:05.719 --> 0:37:09.240
<v Speaker 1>suddenly I feel guilty about it because I start thinking

0:37:09.280 --> 0:37:12.000
<v Speaker 1>about all the other people who are going to alienate,

0:37:12.280 --> 0:37:14.440
<v Speaker 1>who won't talk to you anymore because like, oh, you're

0:37:14.440 --> 0:37:19.000
<v Speaker 1>too important to talk to me, or it's more isolated loneliness.

0:37:19.400 --> 0:37:22.719
<v Speaker 1>Culturally speaking, you're you're always feeling like, WHOA am I

0:37:22.760 --> 0:37:25.640
<v Speaker 1>doing too much? Am I selling out? Missing my connection

0:37:25.800 --> 0:37:31.279
<v Speaker 1>with where I started? And what I started to notice was,

0:37:31.320 --> 0:37:33.520
<v Speaker 1>you know, because people would often ask me about like

0:37:33.680 --> 0:37:37.000
<v Speaker 1>my modern piers now totally, Why does blah blah blah

0:37:37.640 --> 0:37:40.759
<v Speaker 1>wait ten years between records? Why does da data I

0:37:40.840 --> 0:37:42.880
<v Speaker 1>always show up late? Why does da da I always

0:37:42.920 --> 0:37:46.080
<v Speaker 1>get go to jail? Why is why is everyone dying

0:37:46.080 --> 0:37:49.759
<v Speaker 1>before sixty? Why? Like, why do we start addictions and

0:37:49.800 --> 0:37:54.800
<v Speaker 1>all these things? How do you deal with especially now

0:37:55.680 --> 0:38:01.239
<v Speaker 1>which I'm assuming that you've had an outpouring love out

0:38:01.239 --> 0:38:02.960
<v Speaker 1>the Gate we didn't even talk about with my hair,

0:38:03.000 --> 0:38:06.080
<v Speaker 1>like the fact that out the Gate you got this love,

0:38:07.040 --> 0:38:09.160
<v Speaker 1>But I almost feel like the love you're getting now

0:38:09.200 --> 0:38:12.720
<v Speaker 1>for this record, which is why you know, I'm always

0:38:12.960 --> 0:38:15.960
<v Speaker 1>telling you like, I'm so like, I'm only telling you

0:38:16.000 --> 0:38:18.480
<v Speaker 1>like three percent of the excitement I feel about this

0:38:18.520 --> 0:38:21.840
<v Speaker 1>record totally, because what I don't want to do is

0:38:22.040 --> 0:38:25.680
<v Speaker 1>make it so overwhelming that now when you start to

0:38:26.080 --> 0:38:29.000
<v Speaker 1>go to another direction during your head about well, damn,

0:38:29.040 --> 0:38:30.439
<v Speaker 1>people really loved me when I.

0:38:30.400 --> 0:38:33.839
<v Speaker 3>Was I had that experience with coping mechanism, like I

0:38:34.040 --> 0:38:36.600
<v Speaker 3>felt the energy of like people being like, oh, well,

0:38:37.160 --> 0:38:38.560
<v Speaker 3>people love you doing rock music.

0:38:38.600 --> 0:38:40.480
<v Speaker 2>People love you in this area.

0:38:40.640 --> 0:38:43.759
<v Speaker 3>And I did have a moment where I was like, well,

0:38:43.760 --> 0:38:46.400
<v Speaker 3>do I just make another rock album because it seems

0:38:46.400 --> 0:38:47.400
<v Speaker 3>like people really like that.

0:38:48.160 --> 0:38:50.840
<v Speaker 2>But in my heart of hearts, I don't know. I

0:38:51.080 --> 0:38:51.480
<v Speaker 2>don't know.

0:38:51.640 --> 0:38:55.880
<v Speaker 3>I'm just super connected with my gut feeling, and my

0:38:55.960 --> 0:38:58.920
<v Speaker 3>gut feeling has led me through my entire life, and

0:38:58.960 --> 0:39:01.560
<v Speaker 3>I hope that I can stay connected enough to it

0:39:01.719 --> 0:39:04.040
<v Speaker 3>for it to lead me till I'm no longer here.

0:39:05.920 --> 0:39:08.600
<v Speaker 3>But my gut feeling was just like, you can't make

0:39:08.640 --> 0:39:11.480
<v Speaker 3>another rock album, bro, Like you just can't do it.

0:39:11.400 --> 0:39:14.120
<v Speaker 1>Like do you feel like you're speed dating to find

0:39:14.200 --> 0:39:18.480
<v Speaker 1>like what's my fit? Or no, who knows what you'll feel.

0:39:19.120 --> 0:39:23.120
<v Speaker 3>I think that I have been experimenting with so many

0:39:23.160 --> 0:39:26.000
<v Speaker 3>different kinds of music and gaining so many different tools.

0:39:26.520 --> 0:39:28.800
<v Speaker 3>To continue to make so many different kinds of music

0:39:28.960 --> 0:39:31.719
<v Speaker 3>and continue to gain so many different tools. I think

0:39:31.800 --> 0:39:36.040
<v Speaker 3>my favorite musicians are the ones who do whatever the

0:39:36.040 --> 0:39:39.920
<v Speaker 3>fuck they want and who do it well, right with

0:39:40.040 --> 0:39:43.319
<v Speaker 3>like a scalpel, Like, do whatever the fuck you want,

0:39:43.520 --> 0:39:48.000
<v Speaker 3>but do it with like the most trained scalpel in

0:39:48.040 --> 0:39:50.919
<v Speaker 3>the world, and that's what I'm going for.

0:39:51.160 --> 0:39:52.080
<v Speaker 2>That's what I'm going for.

0:39:52.440 --> 0:39:58.560
<v Speaker 1>Okay, I'm gonna try a new twist on an old question, please, Okay,

0:40:02.080 --> 0:40:04.840
<v Speaker 1>House on Fire? Okay, all right, Well you live in

0:40:04.960 --> 0:40:05.759
<v Speaker 1>LA anyway.

0:40:05.480 --> 0:40:08.280
<v Speaker 2>So I know, so that's pretty uh think about that.

0:40:08.640 --> 0:40:13.120
<v Speaker 1>Okay, So you've saved your menagerie. Yes, you can only

0:40:13.400 --> 0:40:17.720
<v Speaker 1>save five records from your collection. I'm gonna ask twenty

0:40:17.719 --> 0:40:20.440
<v Speaker 1>three you that question, and then i'm gonna ask thirteen

0:40:20.480 --> 0:40:24.279
<v Speaker 1>year old you that question as well. So twenty three

0:40:24.360 --> 0:40:28.200
<v Speaker 1>years old, which five albums are you saving from your

0:40:28.200 --> 0:40:29.520
<v Speaker 1>record collection? Okay?

0:40:30.520 --> 0:40:33.560
<v Speaker 2>Purple Rain that's gonna be that's gonna be.

0:40:33.600 --> 0:40:36.160
<v Speaker 3>That's Prince Record, that's gonna be number I'm sorry, that's

0:40:36.160 --> 0:40:38.200
<v Speaker 3>gonna be number one for me. Or Sign of the

0:40:38.280 --> 0:40:42.359
<v Speaker 3>Times Okay, okay, no, no, okay, okay, I mean okay,

0:40:42.360 --> 0:40:44.480
<v Speaker 3>I'm gonna I'm gonna put both of them in there.

0:40:44.520 --> 0:40:46.439
<v Speaker 3>I'm gonna put Purple Rain and Sign of the Times

0:40:46.440 --> 0:40:49.120
<v Speaker 3>in there, So that's there's two in there. Okay, I'm

0:40:49.120 --> 0:40:52.680
<v Speaker 3>gonna put DiAngelo. I'm gonna put DiAngelo in there. I'm

0:40:52.680 --> 0:40:53.480
<v Speaker 3>gonna put U.

0:40:53.800 --> 0:40:54.440
<v Speaker 1>Which one in there?

0:40:54.480 --> 0:40:56.600
<v Speaker 2>I'm gonna pu Voodoo in there. Okay, I'm gonna put

0:40:56.600 --> 0:40:57.560
<v Speaker 2>DiAngelo Voodoo.

0:40:57.880 --> 0:41:03.680
<v Speaker 3>I'm gonna put im gonna put Goldfrap Felt Mountain Word.

0:41:04.520 --> 0:41:05.879
<v Speaker 1>Okay, how is that four?

0:41:05.920 --> 0:41:06.760
<v Speaker 2>Already?

0:41:07.120 --> 0:41:07.279
<v Speaker 3>Four?

0:41:07.520 --> 0:41:11.240
<v Speaker 2>And then I'm gonna put that one high is Coyote album?

0:41:11.320 --> 0:41:14.040
<v Speaker 2>Oh Mood Mood Valiant.

0:41:14.160 --> 0:41:17.160
<v Speaker 3>Yes, that's the one. That's the one Mood Valiant. Okay, yeah,

0:41:17.200 --> 0:41:18.520
<v Speaker 3>so that's my twenty three year.

0:41:18.360 --> 0:41:20.040
<v Speaker 2>Old okay one?

0:41:20.719 --> 0:41:23.600
<v Speaker 1>Oh man, thirteen, Well, I feel like you were even

0:41:23.680 --> 0:41:26.200
<v Speaker 1>musically advanced at thirteen, so I might push this back

0:41:26.239 --> 0:41:27.120
<v Speaker 1>to like nine.

0:41:27.400 --> 0:41:29.759
<v Speaker 2>Oh my gosh, nine come on.

0:41:29.719 --> 0:41:32.680
<v Speaker 1>Man, we all have those records.

0:41:33.120 --> 0:41:38.680
<v Speaker 3>I used to really love this artist named Lanka Lanka.

0:41:38.760 --> 0:41:40.799
<v Speaker 3>She was really cool. She had she had a she

0:41:40.960 --> 0:41:43.920
<v Speaker 3>had a song. Weirdly enough, I think the song was

0:41:43.960 --> 0:41:48.920
<v Speaker 3>called like a song. Ha weird, Yeah, Lanka Lanka. The

0:41:48.960 --> 0:41:52.759
<v Speaker 3>song was literally called like a song, which is so weird.

0:41:53.200 --> 0:41:57.120
<v Speaker 3>Uh so we have Lanka uh imagen. I mean.

0:41:57.560 --> 0:41:59.759
<v Speaker 2>I actually didn't get into image heap until much later.

0:41:59.760 --> 0:42:03.640
<v Speaker 3>Hold on nine nine, man, When I was nine, I

0:42:03.680 --> 0:42:04.840
<v Speaker 3>was listening to some Lady Gaga.

0:42:04.880 --> 0:42:09.920
<v Speaker 2>Bro, I can't even nine dude, Lady show. You know,

0:42:10.080 --> 0:42:16.440
<v Speaker 2>you know, I was listening to some Lady Got nine Lanka.

0:42:17.600 --> 0:42:21.880
<v Speaker 3>At this time, I also was getting into a ballet,

0:42:22.360 --> 0:42:23.880
<v Speaker 3>so I was like, I was listening to a lot

0:42:23.880 --> 0:42:27.239
<v Speaker 3>of classical music during this time as well. So when

0:42:27.239 --> 0:42:29.759
<v Speaker 3>you're when you're practicing ballet, that's all you listen to

0:42:29.880 --> 0:42:33.280
<v Speaker 3>is classical music. Wow.

0:42:33.480 --> 0:42:35.239
<v Speaker 2>Nine nine nine. I wish I could look at Can

0:42:35.239 --> 0:42:36.000
<v Speaker 2>I look at my phone?

0:42:36.200 --> 0:42:36.439
<v Speaker 1>Yes?

0:42:37.320 --> 0:42:39.760
<v Speaker 2>Okay, because I'm like, I still have music.

0:42:39.600 --> 0:42:43.160
<v Speaker 3>On my phone from when I was nine.

0:42:43.320 --> 0:42:44.720
<v Speaker 1>You can't throw away your history.

0:42:44.960 --> 0:42:47.160
<v Speaker 2>Yeah, like music on my phone from when I was nine.

0:42:47.239 --> 0:42:50.680
<v Speaker 2>That's nuts. Oh wait, my mom got me into the

0:42:50.680 --> 0:42:52.000
<v Speaker 2>Cocktail Twins.

0:42:52.560 --> 0:42:52.840
<v Speaker 1>Nice.

0:42:53.000 --> 0:42:55.319
<v Speaker 3>Yeah, my mom got me into the cock Yes, I

0:42:55.360 --> 0:42:59.080
<v Speaker 3>love that song. My mom got me into the Yes,

0:42:59.200 --> 0:43:01.040
<v Speaker 3>my mom loves the Cocktail Twins.

0:43:01.800 --> 0:43:03.719
<v Speaker 2>Yeah she got me. Yeah, she got me.

0:43:03.800 --> 0:43:07.920
<v Speaker 3>My mom actually gave me, like my my musical taste

0:43:08.360 --> 0:43:15.280
<v Speaker 3>from like nine to like fifteen's like all my mom, honestly,

0:43:15.920 --> 0:43:20.080
<v Speaker 3>which's kind of insaying, you know what's weird? Right, And

0:43:20.120 --> 0:43:22.240
<v Speaker 3>this is very controversial, but I'm going to say it anyway.

0:43:22.520 --> 0:43:22.839
<v Speaker 1>Hit me.

0:43:23.360 --> 0:43:26.239
<v Speaker 2>Eminem was like one of my favorite musicians when I

0:43:26.320 --> 0:43:26.839
<v Speaker 2>was like nine.

0:43:27.200 --> 0:43:28.319
<v Speaker 1>It's not controversial.

0:43:28.600 --> 0:43:32.160
<v Speaker 3>Yeah, I loved like I literally had like my heart

0:43:32.360 --> 0:43:35.160
<v Speaker 3>like I was like, she's special.

0:43:35.360 --> 0:43:37.680
<v Speaker 2>Like nine years old. I'm like, this guy's special. I

0:43:37.719 --> 0:43:38.759
<v Speaker 2>don't know how many that was.

0:43:39.480 --> 0:43:40.319
<v Speaker 1>He kind of went over it.

0:43:40.360 --> 0:43:41.040
<v Speaker 2>Yeah, I went over it.

0:43:41.120 --> 0:43:45.000
<v Speaker 1>I'm sorry, all right, So I see. Wait, I never

0:43:45.080 --> 0:43:47.600
<v Speaker 1>told you how I wound up discovering you by accident.

0:43:47.920 --> 0:43:48.520
<v Speaker 2>I don't think so.

0:43:48.760 --> 0:43:49.120
<v Speaker 3>Yeah.

0:43:49.200 --> 0:43:51.920
<v Speaker 1>You know I work at thirty Rocks. Now I've been

0:43:51.920 --> 0:43:52.880
<v Speaker 1>there for sixteen years.

0:43:52.960 --> 0:43:54.960
<v Speaker 2>Wow, So that's amazing.

0:43:55.719 --> 0:43:58.960
<v Speaker 1>Back in two thousand and nine, I still felt like

0:44:00.080 --> 0:44:02.200
<v Speaker 1>I was a part of the fabric of the world,

0:44:02.440 --> 0:44:05.680
<v Speaker 1>not like whatever I'm supposed to be now, like the

0:44:05.800 --> 0:44:09.919
<v Speaker 1>getting stages of the Sage Elder, like I don't want

0:44:09.960 --> 0:44:11.080
<v Speaker 1>to be that guy, but.

0:44:15.200 --> 0:44:15.560
<v Speaker 3>You are.

0:44:15.960 --> 0:44:20.439
<v Speaker 1>Thank you. But you know, there was a time period

0:44:20.440 --> 0:44:25.160
<v Speaker 1>where I started getting fatigue, and I have two occupations

0:44:25.160 --> 0:44:28.560
<v Speaker 1>that don't allow that. Being at the Tonight Show, I'm

0:44:28.600 --> 0:44:31.640
<v Speaker 1>always asked, hey, maybe what do you think about what

0:44:31.680 --> 0:44:33.520
<v Speaker 1>do you think about dirty projectors? Hey what do you

0:44:33.520 --> 0:44:39.080
<v Speaker 1>think about? Right? And so it keeps you sharp. And

0:44:39.120 --> 0:44:43.319
<v Speaker 1>then as a DJ, now, yes, there's sometimes where I

0:44:43.360 --> 0:44:47.479
<v Speaker 1>put myself in positions of which I'm allowed to play

0:44:47.520 --> 0:44:50.640
<v Speaker 1>what I feel. But then there's the ones in the

0:44:50.640 --> 0:44:53.680
<v Speaker 1>blue moon time where I actually have to like catch

0:44:53.719 --> 0:44:57.440
<v Speaker 1>up to society. I got to play the role. And

0:44:57.760 --> 0:45:03.480
<v Speaker 1>the thing is is that oftentimes my interns and even now,

0:45:03.520 --> 0:45:07.600
<v Speaker 1>like my people that work with me, now you know,

0:45:07.800 --> 0:45:09.840
<v Speaker 1>they're in their twenties their thirties, so they keep me

0:45:09.880 --> 0:45:13.360
<v Speaker 1>sharp as into who's who and what's what. And so

0:45:14.760 --> 0:45:19.480
<v Speaker 1>I think this is right When Olivia Rodrigo was starting

0:45:19.480 --> 0:45:25.279
<v Speaker 1>to pop and I heard one song and my old

0:45:25.800 --> 0:45:33.200
<v Speaker 1>guy grumpy cynical stance wasn't there. Yeah, And I was like, oh,

0:45:33.280 --> 0:45:36.640
<v Speaker 1>that song's not bad totally. And then one of the

0:45:36.640 --> 0:45:39.200
<v Speaker 1>interns is like, well, yeah, because the producer she works

0:45:39.239 --> 0:45:42.279
<v Speaker 1>with is like kind of your age. Like, I heard

0:45:42.320 --> 0:45:43.520
<v Speaker 1>a lot of reference.

0:45:43.200 --> 0:45:48.719
<v Speaker 4>Like references, and I was like, oh, okay, so that's

0:45:48.760 --> 0:45:53.279
<v Speaker 4>why her music sounds like it sounded wise in I

0:45:53.320 --> 0:45:55.200
<v Speaker 4>was like, there's no way that someone in her.

0:45:55.080 --> 0:46:00.600
<v Speaker 1>Age knows references totally. So I get home and I

0:46:00.640 --> 0:46:03.480
<v Speaker 1>put my speaker on. I was like, all right, let

0:46:03.520 --> 0:46:06.200
<v Speaker 1>me see what else she has in her catalog that

0:46:06.320 --> 0:46:10.520
<v Speaker 1>I might gravitate towards. So I was listening, listening, listening, listening,

0:46:10.600 --> 0:46:12.360
<v Speaker 1>and I'm the kind of person that when I'm still

0:46:13.280 --> 0:46:18.440
<v Speaker 1>no matter what, Yeah, really instantly asleep. The thing is

0:46:18.480 --> 0:46:19.560
<v Speaker 1>the music's blasting.

0:46:19.719 --> 0:46:21.040
<v Speaker 2>Yeah.

0:46:21.080 --> 0:46:25.520
<v Speaker 1>And so I was sitting there on my and at

0:46:25.840 --> 0:46:29.600
<v Speaker 1>five o nine a m. I heard something.

0:46:29.840 --> 0:46:34.960
<v Speaker 2>Yeah, I said, damn, Olive is kind of incredible.

0:46:37.600 --> 0:46:41.720
<v Speaker 1>Yeah, it's amazing. And but the thing was, I was such,

0:46:41.920 --> 0:46:46.080
<v Speaker 1>I mean, this is beyond the alpha and the beta

0:46:46.160 --> 0:46:49.440
<v Speaker 1>state of sleep, Like sometimes I actually have the ability

0:46:49.480 --> 0:46:52.359
<v Speaker 1>to sleep and over my eyes will still be asleep total,

0:46:52.520 --> 0:46:56.759
<v Speaker 1>like occasionally, like my eyes will open but I can't move.

0:46:57.360 --> 0:46:59.280
<v Speaker 1>I don't know how to describe it, like I'm still asleep,

0:46:59.360 --> 0:47:03.120
<v Speaker 1>but somehow my eyes are are active totally. And I

0:47:03.239 --> 0:47:06.879
<v Speaker 1>realized that I was sleeping on top of my iPhone. Yeah,

0:47:06.920 --> 0:47:08.440
<v Speaker 1>and I felt the heat thing in the back, but

0:47:09.160 --> 0:47:10.839
<v Speaker 1>it was such a deep sleep that I couldn't move

0:47:10.880 --> 0:47:14.799
<v Speaker 1>it totally. So I fell asleep again. And then at

0:47:15.000 --> 0:47:21.319
<v Speaker 1>around like maybe six thirty seven am, another song came on.

0:47:21.600 --> 0:47:25.160
<v Speaker 1>I was like, yo, And this time I got up.

0:47:25.960 --> 0:47:32.759
<v Speaker 1>I looked that Willow Smith. Yeah, wait a minute. I

0:47:32.840 --> 0:47:36.560
<v Speaker 1>got up at maybe the eight in the morning, totally

0:47:37.680 --> 0:47:40.080
<v Speaker 1>entirely in the gym. I went through your whole catalog,

0:47:40.239 --> 0:47:43.000
<v Speaker 1>like yo. And this leads back to the whole friend thing.

0:47:43.120 --> 0:47:44.480
<v Speaker 1>I was like, Yo, how come no one put me

0:47:44.520 --> 0:47:44.960
<v Speaker 1>onto this?

0:47:45.080 --> 0:47:46.680
<v Speaker 2>Totally like what the fuck?

0:47:46.840 --> 0:47:49.560
<v Speaker 1>And then I called Kirk. I said, dude, you remember

0:47:49.560 --> 0:47:49.879
<v Speaker 1>what you.

0:47:49.800 --> 0:47:51.800
<v Speaker 2>Told me about Willow? Yeah?

0:47:51.880 --> 0:47:55.080
<v Speaker 1>I said she was alwayshidding like this and girl was like, yo,

0:47:55.480 --> 0:47:56.560
<v Speaker 1>I was trying to tell you.

0:47:56.600 --> 0:47:57.200
<v Speaker 3>Wow.

0:47:57.440 --> 0:47:59.520
<v Speaker 1>I was like, dude, how came you? I said, wait, Kurt,

0:47:59.600 --> 0:48:01.640
<v Speaker 1>how you know about this? And curts like a mirror.

0:48:01.640 --> 0:48:04.040
<v Speaker 1>I got kids, My kids put me on the I

0:48:04.080 --> 0:48:07.480
<v Speaker 1>felt like, you know, I get mad when something's so

0:48:07.680 --> 0:48:09.879
<v Speaker 1>dope and no one puts me onto it.

0:48:10.960 --> 0:48:12.880
<v Speaker 2>I feel you, I feel you. You're like, where have

0:48:12.960 --> 0:48:13.279
<v Speaker 2>I been?

0:48:13.680 --> 0:48:13.879
<v Speaker 3>Right?

0:48:14.040 --> 0:48:18.840
<v Speaker 1>And literally it's like I was aware, but I never

0:48:19.920 --> 0:48:22.680
<v Speaker 1>but not really, I've never deep that. Like, to me,

0:48:22.719 --> 0:48:25.840
<v Speaker 1>a mark of a true artist is when they're filler total,

0:48:26.360 --> 0:48:28.360
<v Speaker 1>not the songs. You know, this is beyond, this is

0:48:28.400 --> 0:48:31.960
<v Speaker 1>not Wait a minute. Came on Olivia Radio like they

0:48:32.280 --> 0:48:34.680
<v Speaker 1>I know you say your anti technology. So when you're

0:48:34.719 --> 0:48:38.320
<v Speaker 1>on when you're on Spotify, when an album is done,

0:48:38.600 --> 0:48:42.520
<v Speaker 1>then they'll automatically put you on whatever artists you chose

0:48:42.640 --> 0:48:46.360
<v Speaker 1>their radio stage, of which then they'll start playing their music,

0:48:46.400 --> 0:48:48.840
<v Speaker 1>maybe two of their songs. Yeah, someone that's adjacent to

0:48:50.239 --> 0:48:52.600
<v Speaker 1>but then they run out of that and whoever the

0:48:52.600 --> 0:48:57.160
<v Speaker 1>next artist is under her total. So then apparently in

0:48:57.200 --> 0:49:00.000
<v Speaker 1>my sleep, I just heard two hours of your music.

0:49:01.000 --> 0:49:04.480
<v Speaker 1>Totally sorry, Olivia, Look, I thought you had those amazing

0:49:04.520 --> 0:49:06.040
<v Speaker 1>coret changes, but it wasn't.

0:49:06.920 --> 0:49:11.760
<v Speaker 6>So we love everyone right, right, And so I've spent

0:49:11.880 --> 0:49:17.239
<v Speaker 6>like maybe four days just like asking people, like I.

0:49:17.200 --> 0:49:19.719
<v Speaker 1>Went to our bookers totally how come this is not

0:49:19.840 --> 0:49:24.000
<v Speaker 1>on the show? Literally, I just went on a mission

0:49:24.760 --> 0:49:27.640
<v Speaker 1>and that's how I was able to discovery.

0:49:27.680 --> 0:49:30.400
<v Speaker 2>I love that, like, I love that so much.

0:49:30.520 --> 0:49:34.040
<v Speaker 1>So for you, what is because I know that this

0:49:34.120 --> 0:49:36.399
<v Speaker 1>level of magic that's happening for you right now, it's new,

0:49:37.560 --> 0:49:40.200
<v Speaker 1>but I feel like there's a result of a manifestation.

0:49:40.400 --> 0:49:41.200
<v Speaker 1>Ask for something.

0:49:41.239 --> 0:49:43.879
<v Speaker 2>Oh no, it is. It's a result of manifestation. And

0:49:43.960 --> 0:49:46.319
<v Speaker 2>just just not me, just no giving up, dude.

0:49:46.560 --> 0:49:50.279
<v Speaker 3>Just like I put out albums and you know, my

0:49:50.520 --> 0:49:52.840
<v Speaker 3>second album it was like orchestral.

0:49:52.920 --> 0:49:55.240
<v Speaker 2>There were a lot of like like cellos and stuff.

0:49:55.360 --> 0:49:58.440
<v Speaker 3>Yeah, and that was the first album that I actually

0:49:58.480 --> 0:49:59.680
<v Speaker 3>played guitar on.

0:50:02.080 --> 0:50:02.760
<v Speaker 2>This is the first.

0:50:03.280 --> 0:50:04.239
<v Speaker 1>Yeah, the.

0:50:06.040 --> 0:50:10.200
<v Speaker 3>Titles, Yeah, I know I wanted it. I want I'm

0:50:10.200 --> 0:50:11.799
<v Speaker 3>not even to go into that. I'm just I'm just

0:50:11.800 --> 0:50:15.359
<v Speaker 3>a fucking weirdo. But so that was the first album

0:50:15.400 --> 0:50:19.600
<v Speaker 3>I actually played guitar on, and yeah, I don't know,

0:50:19.760 --> 0:50:24.680
<v Speaker 3>Like I just feel like every time I've been challenging myself,

0:50:24.719 --> 0:50:28.080
<v Speaker 3>challenging myself, challenging myself, and I make it a point

0:50:28.160 --> 0:50:29.719
<v Speaker 3>like every album, I want to be able to do

0:50:29.760 --> 0:50:31.360
<v Speaker 3>something I never was able to do before.

0:50:32.200 --> 0:50:34.719
<v Speaker 2>And so I feel like, you know, my sixth.

0:50:34.440 --> 0:50:37.920
<v Speaker 3>Album, I'm like, I just grew up a little bit, Like,

0:50:38.280 --> 0:50:42.480
<v Speaker 3>you know, my tools have kind of I know where

0:50:42.480 --> 0:50:44.880
<v Speaker 3>they are. I know I have a little bit of

0:50:44.880 --> 0:50:48.440
<v Speaker 3>a more of a mind to know how to use them.

0:50:48.640 --> 0:50:51.600
<v Speaker 3>You know what I'm saying, Just getting acquainted with the

0:50:51.640 --> 0:50:54.080
<v Speaker 3>tools that I've been that I've been just trying to gather.

0:50:54.280 --> 0:50:54.959
<v Speaker 2>You know what I'm saying.

0:50:55.400 --> 0:50:59.279
<v Speaker 1>All your collaborators from from dev to Tyler to on,

0:51:00.160 --> 0:51:03.280
<v Speaker 1>how do you choose them? And like, what's the process

0:51:03.320 --> 0:51:06.760
<v Speaker 1>at the top of a project when you're creating this stuff.

0:51:07.640 --> 0:51:09.719
<v Speaker 3>I never go before I make an album like, oh

0:51:09.760 --> 0:51:12.400
<v Speaker 3>I want these people on it. I always have to

0:51:12.600 --> 0:51:17.200
<v Speaker 3>make Jack Antonov said something really really insightful. He said,

0:51:17.400 --> 0:51:19.879
<v Speaker 3>whenever you're making an album, there's always that song that's

0:51:19.920 --> 0:51:23.000
<v Speaker 3>the door into your album. It's like, think of your

0:51:23.000 --> 0:51:26.400
<v Speaker 3>album as a house and you want to bring people inside.

0:51:26.440 --> 0:51:30.640
<v Speaker 3>Like what song is that open door bringing people inside

0:51:30.640 --> 0:51:33.680
<v Speaker 3>of this house that is your album? And I never

0:51:33.800 --> 0:51:37.240
<v Speaker 3>like to think about features until I have that song

0:51:38.080 --> 0:51:42.080
<v Speaker 3>that is like, this is the entryway into Empathogen, This

0:51:42.160 --> 0:51:45.560
<v Speaker 3>is the entryway into coping mechanism. And once I have

0:51:45.640 --> 0:51:50.800
<v Speaker 3>that song, then I'm like who embodies? Like who embodies

0:51:50.840 --> 0:51:53.640
<v Speaker 3>the feeling at this entrance? Okay, you know what I'm saying,

0:51:54.120 --> 0:51:57.520
<v Speaker 3>Like who embodies? That's why having Jon Baptiste on the

0:51:57.520 --> 0:51:59.759
<v Speaker 3>first song of Empathogen, He's like.

0:51:59.800 --> 0:52:03.440
<v Speaker 6>Ah, I love everything, and the first voice on the

0:52:03.440 --> 0:52:05.400
<v Speaker 6>record literally of everything.

0:52:05.400 --> 0:52:08.680
<v Speaker 1>I was like, dude, do you know how amazing an

0:52:08.719 --> 0:52:12.040
<v Speaker 1>honor it is for you to be the first voice

0:52:12.080 --> 0:52:15.760
<v Speaker 1>of what I feel is her arrival to the life place,

0:52:16.760 --> 0:52:19.000
<v Speaker 1>Like of all the honor that he's gotten in the

0:52:19.120 --> 0:52:22.320
<v Speaker 1>last I know, like, forget his oscars, forget all that,

0:52:23.440 --> 0:52:27.920
<v Speaker 1>the fact that he gets to red carpet and be

0:52:28.000 --> 0:52:31.160
<v Speaker 1>the first voice of your new.

0:52:31.640 --> 0:52:36.560
<v Speaker 3>Arrival and that's him being himself, like him, I love everything,

0:52:36.640 --> 0:52:39.920
<v Speaker 3>Like that's so him, Yes, And I felt like, oh

0:52:39.960 --> 0:52:43.920
<v Speaker 3>my goodness, Like what a perfect entry way into this

0:52:44.040 --> 0:52:46.040
<v Speaker 3>house that I have created.

0:52:46.960 --> 0:52:50.800
<v Speaker 1>How do you decide, because even with your album titles,

0:52:52.120 --> 0:52:54.360
<v Speaker 1>does it come first or does it come last? Because

0:52:54.800 --> 0:53:00.319
<v Speaker 1>like I decide what the overall theme is. As far

0:53:00.320 --> 0:53:01.200
<v Speaker 1>as your album.

0:53:00.960 --> 0:53:03.520
<v Speaker 2>Titles, there's usually a theme.

0:53:03.920 --> 0:53:08.520
<v Speaker 3>Like for my first album, Artipithecius, that's the scientific artist,

0:53:08.600 --> 0:53:12.200
<v Speaker 3>Like Artipithecus ramatist is like the scientific word for the

0:53:12.239 --> 0:53:16.280
<v Speaker 3>first hominid bones that scientists found that were standing upright.

0:53:16.880 --> 0:53:17.759
<v Speaker 2>And so for me.

0:53:18.600 --> 0:53:22.320
<v Speaker 3>Nerds, I know that's what it's screams.

0:53:22.320 --> 0:53:24.279
<v Speaker 2>It just screams a nerd because I am a nerd.

0:53:24.360 --> 0:53:27.000
<v Speaker 3>But in my head, I was like, the title always

0:53:27.040 --> 0:53:29.440
<v Speaker 3>comes first, And in my head, I was like, this

0:53:29.600 --> 0:53:31.480
<v Speaker 3>is my first album, It's going to be a part

0:53:31.560 --> 0:53:33.680
<v Speaker 3>of an evolution.

0:53:33.360 --> 0:53:33.759
<v Speaker 2>Like I saw.

0:53:33.800 --> 0:53:35.239
<v Speaker 3>I was like, this is the first step on my

0:53:35.600 --> 0:53:40.799
<v Speaker 3>evolution as a musician. And Artipithecus Ramitist being like, it's

0:53:40.800 --> 0:53:43.440
<v Speaker 3>not quite human yet, you know what I'm saying, But

0:53:43.480 --> 0:53:45.600
<v Speaker 3>we're we're what we're almost you know what I'm saying.

0:53:45.600 --> 0:53:47.960
<v Speaker 3>We're almost We're katting there, you know what I'm saying.

0:53:48.440 --> 0:53:53.400
<v Speaker 3>And so each album I am like, Okay, I know

0:53:53.520 --> 0:53:55.400
<v Speaker 3>the feeling in my heart that I want this to

0:53:55.480 --> 0:53:58.680
<v Speaker 3>express and what this means to me, like coping mechanism.

0:53:59.400 --> 0:54:02.600
<v Speaker 2>I was so pressed through the entire recording of that album.

0:54:02.960 --> 0:54:06.560
<v Speaker 3>I would like all the escapisms I was trying to escape,

0:54:06.680 --> 0:54:07.480
<v Speaker 3>you know what I'm saying.

0:54:07.719 --> 0:54:12.480
<v Speaker 1>But yet you let us in when you're that vulnerable.

0:54:12.640 --> 0:54:17.080
<v Speaker 1>How hard is that? Because a lot of the artists

0:54:17.120 --> 0:54:19.879
<v Speaker 1>I know hide and plain sight totally the first time

0:54:19.920 --> 0:54:23.000
<v Speaker 1>I ever heard of this term. Bary Gordy was the

0:54:23.040 --> 0:54:28.319
<v Speaker 1>only one not impressed with Marvin Gaye's mastery of multiple tracking. Yeah,

0:54:28.520 --> 0:54:30.040
<v Speaker 1>and I don't know if you know the story of

0:54:30.080 --> 0:54:32.680
<v Speaker 1>Got to Give It Up, but he actually made a

0:54:32.719 --> 0:54:36.520
<v Speaker 1>bet with Marvin Gaye. He says, look, I'll give you

0:54:36.840 --> 0:54:40.560
<v Speaker 1>a one hundred thousand dollars check if you can give

0:54:40.600 --> 0:54:44.480
<v Speaker 1>me one song when you're not trying to hide behind

0:54:44.600 --> 0:54:48.600
<v Speaker 1>all your background vocals and you just sing one lead

0:54:49.000 --> 0:54:51.520
<v Speaker 1>and has to be clear or is that we know?

0:54:51.719 --> 0:54:52.279
<v Speaker 2>Totally?

0:54:52.560 --> 0:54:54.400
<v Speaker 1>He said, if you could do that for five minutes

0:54:54.440 --> 0:54:56.920
<v Speaker 1>and that song goes to number one, I'll give you

0:54:56.960 --> 0:54:59.600
<v Speaker 1>this hundred thousand dollars check. So Marvin Gaye did Got

0:54:59.600 --> 0:55:01.920
<v Speaker 1>to Give It Up? Wow, And sure enough, like right

0:55:01.960 --> 0:55:03.640
<v Speaker 1>after the five minute mark, suddenly all.

0:55:03.560 --> 0:55:05.680
<v Speaker 2>The yeah, exactly exactly.

0:55:06.200 --> 0:55:10.640
<v Speaker 1>But when I went back to listen, I was like, oh, okay,

0:55:11.719 --> 0:55:14.880
<v Speaker 1>Marvin Gay hides and plain sight where he's hide and

0:55:14.920 --> 0:55:17.799
<v Speaker 1>behind all of his background vocals and totally you can't

0:55:17.840 --> 0:55:19.960
<v Speaker 1>make it out and what's he's saying and all that stuff,

0:55:20.480 --> 0:55:25.680
<v Speaker 1>because you're very clear on your intentions and on sharing

0:55:26.680 --> 0:55:30.239
<v Speaker 1>what you go through. Like, what was the decision to

0:55:30.280 --> 0:55:32.160
<v Speaker 1>be that honest?

0:55:33.120 --> 0:55:35.280
<v Speaker 2>I never really thought there was any other way.

0:55:35.600 --> 0:55:38.040
<v Speaker 3>I feel like being a kid and being like, ugh,

0:55:38.760 --> 0:55:40.319
<v Speaker 3>like I don't want to be the kind of like

0:55:40.320 --> 0:55:42.120
<v Speaker 3>I don't want to be a pop star. I don't

0:55:42.160 --> 0:55:44.319
<v Speaker 3>want to I don't want to have people pitching me

0:55:44.440 --> 0:55:46.880
<v Speaker 3>songs and writing me songs and have other people producing

0:55:46.880 --> 0:55:48.640
<v Speaker 3>them and then I just show up and da like

0:55:48.680 --> 0:55:52.080
<v Speaker 3>I don't want to do that. That whole realization was

0:55:52.120 --> 0:55:56.399
<v Speaker 3>a part of me being like this is not this

0:55:56.480 --> 0:55:59.280
<v Speaker 3>is not vulnerable. I'm trying to get to the most

0:55:59.320 --> 0:56:01.480
<v Speaker 3>I'm trying to get to the top of that vulnerability hill,

0:56:02.000 --> 0:56:05.640
<v Speaker 3>you see what I'm saying. So that whole thing for me,

0:56:05.640 --> 0:56:09.080
<v Speaker 3>me going away from that way of doing things was

0:56:09.239 --> 0:56:14.640
<v Speaker 3>also me searching for a way to be more vulnerable,

0:56:15.040 --> 0:56:18.200
<v Speaker 3>and I've never really gotten off that path. I just

0:56:18.280 --> 0:56:21.560
<v Speaker 3>knew that the artists that I love, the artists that

0:56:21.640 --> 0:56:24.959
<v Speaker 3>make me feel like life is worth living, they don't

0:56:24.960 --> 0:56:27.440
<v Speaker 3>hold anything back and they really tell you how it is.

0:56:28.040 --> 0:56:29.920
<v Speaker 3>And I've always wanted to be one of those artists.

0:56:30.160 --> 0:56:33.120
<v Speaker 3>I never that was never an option in my mind

0:56:33.320 --> 0:56:35.360
<v Speaker 3>to like play it safe.

0:56:35.760 --> 0:56:37.839
<v Speaker 1>Did you fear that we wouldn't receive it?

0:56:37.920 --> 0:56:40.800
<v Speaker 3>Because it has not been received? Many times it hasn't

0:56:40.800 --> 0:56:42.360
<v Speaker 3>been received. Well, you know what I'm saying.

0:56:42.640 --> 0:56:45.880
<v Speaker 1>You wait time out, you read your press or you

0:56:45.920 --> 0:56:47.360
<v Speaker 1>read your whatever reviews.

0:56:47.640 --> 0:56:48.120
<v Speaker 2>I don't.

0:56:48.480 --> 0:56:51.839
<v Speaker 3>But when you're on social media and you just put

0:56:51.840 --> 0:56:54.839
<v Speaker 3>out an album or people are talking or whatever, and

0:56:54.880 --> 0:56:56.759
<v Speaker 3>you just get a vibe from your peers, you get

0:56:56.760 --> 0:56:58.839
<v Speaker 3>a vibe from you know what I'm saying. And there

0:56:58.840 --> 0:57:01.080
<v Speaker 3>have been many times where IM like a that just

0:57:01.120 --> 0:57:03.720
<v Speaker 3>didn't hit, Like that's okay, you know what I'm saying,

0:57:04.120 --> 0:57:09.800
<v Speaker 3>Like that one didn't quite land, you know, and that's okay.

0:57:13.120 --> 0:57:15.080
<v Speaker 1>What is your biggest fear in life?

0:57:15.680 --> 0:57:16.800
<v Speaker 2>Not reaching my potential?

0:57:17.560 --> 0:57:19.320
<v Speaker 1>Do you visualize what your potential is?

0:57:19.880 --> 0:57:20.320
<v Speaker 2>I do?

0:57:20.880 --> 0:57:21.680
<v Speaker 1>What is your dream?

0:57:21.720 --> 0:57:24.560
<v Speaker 2>Then that's a big right.

0:57:24.600 --> 0:57:27.640
<v Speaker 1>Now you can share it. Nothing's too silly, Nothing silly?

0:57:28.760 --> 0:57:36.400
<v Speaker 2>What is my dream. I want to be like a shaman.

0:57:37.240 --> 0:57:41.760
<v Speaker 3>Who brings people closer to themselves, but I want to

0:57:41.760 --> 0:57:47.720
<v Speaker 3>be a shaman through music. Yes, you see what I'm saying,

0:57:48.280 --> 0:57:52.440
<v Speaker 3>like the interconnectedness, like the science and also the spiritual

0:57:52.440 --> 0:57:55.840
<v Speaker 3>aspect of it, and have it integrate completely.

0:57:57.040 --> 0:57:58.720
<v Speaker 2>I thought you were gonna give me the nerd alert

0:57:58.720 --> 0:58:01.520
<v Speaker 2>nerd alert, but it's true because I am a nerd.

0:58:01.520 --> 0:58:05.240
<v Speaker 1>But I also yeah, like since and I've talked about

0:58:05.240 --> 0:58:08.160
<v Speaker 1>this on the show, like yeah, but before twenty twenty,

0:58:08.200 --> 0:58:11.720
<v Speaker 1>I was hide and play sight, running from my shadow,

0:58:12.360 --> 0:58:18.240
<v Speaker 1>raised in a very strict religious like anything outside of

0:58:18.800 --> 0:58:21.720
<v Speaker 1>like my next project, I can't announce it yet, but

0:58:22.520 --> 0:58:27.600
<v Speaker 1>we started. My next project is going to deal a

0:58:27.680 --> 0:58:32.840
<v Speaker 1>lot with metaphysical living yea. And my goal is, if

0:58:32.880 --> 0:58:35.720
<v Speaker 1>I have a dream, my dream is to pry people

0:58:36.800 --> 0:58:42.080
<v Speaker 1>away from what they've been taught totally in terms of

0:58:42.200 --> 0:58:48.160
<v Speaker 1>spirituality the R word, yeah, and letting go of the

0:58:48.360 --> 0:58:51.720
<v Speaker 1>R word and letting more metaphysical spirituality.

0:58:51.800 --> 0:58:53.640
<v Speaker 2>And that is so beautiful, which.

0:58:54.840 --> 0:58:57.520
<v Speaker 1>I mean, it's a lofty goal, but it's it's going

0:58:57.600 --> 0:59:01.280
<v Speaker 1>to be hard because if you know us, you know

0:59:01.360 --> 0:59:05.920
<v Speaker 1>that safety, safety is our homeboy, and rather like you

0:59:05.960 --> 0:59:08.520
<v Speaker 1>know that idea of what we related, you know, raised

0:59:08.560 --> 0:59:11.959
<v Speaker 1>it as far as religion is concerned. Is that so? Yeah?

0:59:12.040 --> 0:59:15.920
<v Speaker 3>No, no, No, expanding the scope of what it means

0:59:16.120 --> 0:59:19.680
<v Speaker 3>to be a black person, like you know, what it

0:59:19.760 --> 0:59:23.680
<v Speaker 3>means to be a black person connected to God? You

0:59:23.720 --> 0:59:26.880
<v Speaker 3>know what I'm saying, That whole aspect is like, there's

0:59:27.080 --> 0:59:28.560
<v Speaker 3>so much room.

0:59:28.360 --> 0:59:33.280
<v Speaker 2>To expand that. Yes, there's so much room to expand that.

0:59:33.880 --> 0:59:34.000
<v Speaker 3>Now.

0:59:34.280 --> 0:59:39.120
<v Speaker 1>I did my first journey, like I mean twenty seventeen. Wow,

0:59:39.200 --> 0:59:41.360
<v Speaker 1>So I was like, yeah, I want to be a

0:59:41.360 --> 0:59:45.840
<v Speaker 1>shaman totally. But it's also like, well, I gotta be

0:59:46.280 --> 0:59:48.960
<v Speaker 1>this guy too, So how do I work my way

0:59:48.960 --> 0:59:51.280
<v Speaker 1>into that? So I'm glad you said that. I'm at

0:59:51.360 --> 0:59:53.800
<v Speaker 1>least with you. I'm like, okay, I'm not crazy. No,

0:59:53.920 --> 0:59:54.880
<v Speaker 1>being a shaman.

0:59:55.120 --> 0:59:57.520
<v Speaker 2>No, being a shaman is like being a monk or

0:59:57.520 --> 0:59:59.840
<v Speaker 2>a shaman. That's what I always say, being a shaman.

1:00:00.040 --> 1:00:05.080
<v Speaker 1>Yes, that's okay. You say you were anti technology.

1:00:04.560 --> 1:00:06.880
<v Speaker 2>But I wouldn't say anti technology.

1:00:06.920 --> 1:00:09.920
<v Speaker 1>I would say television, I do what do you binge?

1:00:10.600 --> 1:00:13.520
<v Speaker 2>What do I binge? I really love that one show

1:00:13.560 --> 1:00:14.960
<v Speaker 2>Blown Away where they blow glass.

1:00:16.280 --> 1:00:17.560
<v Speaker 1>That's all they do, that's all they do.

1:00:17.600 --> 1:00:20.919
<v Speaker 3>They blow glass and they like make these insane glass sculptures.

1:00:21.720 --> 1:00:23.320
<v Speaker 1>Okay, where where do I find.

1:00:23.080 --> 1:00:24.520
<v Speaker 2>This in Netflix?

1:00:25.080 --> 1:00:26.360
<v Speaker 1>Okay? Blown away?

1:00:26.520 --> 1:00:27.000
<v Speaker 2>Blown away?

1:00:27.760 --> 1:00:29.560
<v Speaker 1>Say like the guy a channel or something like that.

1:00:29.680 --> 1:00:32.240
<v Speaker 3>No, it's like it's super artistic. But I wouldn't say.

1:00:32.280 --> 1:00:35.800
<v Speaker 3>I wouldn't say I mean blowing or is it? No?

1:00:35.920 --> 1:00:38.200
<v Speaker 3>People just go in their artists and they blow glass

1:00:38.200 --> 1:00:39.720
<v Speaker 3>and they and they compete.

1:00:40.520 --> 1:00:42.960
<v Speaker 2>Wow, Like what's yeah, it's called blown away?

1:00:43.440 --> 1:00:46.200
<v Speaker 1>See the business guy means also like trying to figure

1:00:46.200 --> 1:00:49.160
<v Speaker 1>out what that pitch meaning was, like literally like okay,

1:00:49.200 --> 1:00:52.520
<v Speaker 1>here's the deal. It's beautiful, you're going to do glass

1:00:52.160 --> 1:00:55.040
<v Speaker 1>towards all right? Blow away?

1:00:55.280 --> 1:00:56.000
<v Speaker 2>No, it's flying?

1:00:56.080 --> 1:00:56.280
<v Speaker 5>Yeah?

1:00:56.960 --> 1:00:57.080
<v Speaker 3>Uh?

1:00:57.600 --> 1:01:04.000
<v Speaker 1>What is your all time favorite cereal? Question? Really?

1:01:04.600 --> 1:01:08.400
<v Speaker 3>I me and my brothers would down some cinnamon toast

1:01:08.440 --> 1:01:09.480
<v Speaker 3>crunch back in the day.

1:01:10.000 --> 1:01:11.480
<v Speaker 2>I love Yeah.

1:01:11.600 --> 1:01:15.120
<v Speaker 1>Okay. Well, as a person that's always displayed her talents

1:01:15.160 --> 1:01:18.360
<v Speaker 1>on our social media, I think there's anything left. What

1:01:18.520 --> 1:01:20.680
<v Speaker 1>secret talent do you have that we don't know about?

1:01:21.920 --> 1:01:22.360
<v Speaker 2>Listening?

1:01:23.440 --> 1:01:24.120
<v Speaker 1>That's a talent.

1:01:24.400 --> 1:01:28.479
<v Speaker 3>Yeah, some people don't do it well.

1:01:28.520 --> 1:01:29.600
<v Speaker 2>Most people don't do it well.

1:01:30.720 --> 1:01:36.640
<v Speaker 1>Facts. Okay, what is your go to order at Starbucks?

1:01:36.760 --> 1:01:45.840
<v Speaker 3>Oh? Yeah, hibiscus the ice hibiscus something tea, Yes, yeah,

1:01:45.960 --> 1:01:46.440
<v Speaker 3>I love it.

1:01:47.320 --> 1:01:51.000
<v Speaker 1>I'm new to I'm new to Starbucks World. I've avoided

1:01:51.040 --> 1:01:52.520
<v Speaker 1>tea and coffee for the longest point.

1:01:52.680 --> 1:01:54.760
<v Speaker 2>I feel you as of lately I've been it's just

1:01:54.800 --> 1:01:55.400
<v Speaker 2>so sugary.

1:01:56.280 --> 1:02:01.600
<v Speaker 1>Yes, exactly, what is the one conception of you that

1:02:01.760 --> 1:02:05.560
<v Speaker 1>most of us get wrong that you would like to correct.

1:02:06.320 --> 1:02:14.840
<v Speaker 3>That I am somehow exempt from feeling deeply because I

1:02:14.880 --> 1:02:16.400
<v Speaker 3>have privilege.

1:02:16.600 --> 1:02:21.440
<v Speaker 1>That's real, that's real. That's another part of this sli thing,

1:02:21.520 --> 1:02:24.240
<v Speaker 1>like we often think that once you get to safety,

1:02:24.520 --> 1:02:27.680
<v Speaker 1>oh there's money, that's actually.

1:02:27.480 --> 1:02:29.880
<v Speaker 2>When the problems start totally.

1:02:30.040 --> 1:02:32.360
<v Speaker 1>That's when again I don't know what the one to

1:02:32.400 --> 1:02:36.400
<v Speaker 1>ten level of what your reaction was to the pandemic.

1:02:37.760 --> 1:02:39.600
<v Speaker 1>You know, I went through like maybe three weeks of

1:02:39.640 --> 1:02:43.840
<v Speaker 1>like balled up in the corner fetal positions level panic

1:02:44.720 --> 1:02:48.760
<v Speaker 1>and then you know, that's when suddenly I get you know,

1:02:48.920 --> 1:02:50.640
<v Speaker 1>a mere you need to learn what meditation is and

1:02:50.680 --> 1:02:54.919
<v Speaker 1>all that stuff. So there was a period even though, yes,

1:02:55.040 --> 1:03:00.240
<v Speaker 1>twenty twenty was somewhat of a horrible year because also

1:03:00.360 --> 1:03:02.240
<v Speaker 1>on my side of the fence, like the amount of

1:03:02.240 --> 1:03:04.880
<v Speaker 1>people all lost, Yeah, a lot of a mount of

1:03:04.880 --> 1:03:07.160
<v Speaker 1>people in the hospital, like you know, I mean, can

1:03:07.240 --> 1:03:08.840
<v Speaker 1>you help us out with dada da? So, like just

1:03:08.880 --> 1:03:11.080
<v Speaker 1>the weight of my world.

1:03:10.960 --> 1:03:13.160
<v Speaker 2>A community trying to try.

1:03:13.040 --> 1:03:16.000
<v Speaker 1>To it was hard. But I think for the first

1:03:16.000 --> 1:03:19.000
<v Speaker 1>time of this year, I started like looking at twenty

1:03:19.040 --> 1:03:24.920
<v Speaker 1>twenty like the good old days, which I don't.

1:03:24.640 --> 1:03:26.720
<v Speaker 2>Know, like how is that happening?

1:03:27.640 --> 1:03:31.280
<v Speaker 1>So like now that we're in twenty twenty four, like

1:03:31.440 --> 1:03:36.480
<v Speaker 1>how do you look at twenty twenty, Like was it

1:03:36.520 --> 1:03:38.280
<v Speaker 1>the good old days? Or was it like.

1:03:40.080 --> 1:03:40.640
<v Speaker 2>Never again?

1:03:41.160 --> 1:03:45.640
<v Speaker 3>Twenty twenty was dark, okay, twenty twenty, twenty twenty one,

1:03:45.720 --> 1:03:46.520
<v Speaker 3>twenty twenty.

1:03:46.280 --> 1:03:47.800
<v Speaker 2>Two, it was dark, okay.

1:03:47.880 --> 1:03:54.000
<v Speaker 3>But I will say the thing that really kept me present.

1:03:54.920 --> 1:03:56.960
<v Speaker 3>This is gonna sound weird, but if I didn't have

1:03:57.000 --> 1:03:59.720
<v Speaker 3>so many animals, I probably would have been way more

1:03:59.720 --> 1:04:04.240
<v Speaker 3>dis associated and not grounded in reality because you got

1:04:04.320 --> 1:04:07.000
<v Speaker 3>six animals looking at you like I need this, I

1:04:07.040 --> 1:04:07.840
<v Speaker 3>need this, I need.

1:04:07.720 --> 1:04:08.520
<v Speaker 2>This all the time.

1:04:08.640 --> 1:04:13.520
<v Speaker 3>Yeah, And so that kept me always so in the

1:04:13.560 --> 1:04:14.200
<v Speaker 3>present moment.

1:04:14.360 --> 1:04:15.840
<v Speaker 1>Are the dogs the same breed at least?

1:04:16.000 --> 1:04:20.400
<v Speaker 2>No, they're all different. One's one's this big, one's like

1:04:21.280 --> 1:04:21.840
<v Speaker 2>it's a lot.

1:04:23.360 --> 1:04:27.360
<v Speaker 1>Jackie Barland, Tito, Michael Randy and.

1:04:27.800 --> 1:04:32.520
<v Speaker 2>Were putting them to work. So the cats are Lola, Tubs.

1:04:32.240 --> 1:04:33.360
<v Speaker 1>And Aria okay.

1:04:33.800 --> 1:04:37.680
<v Speaker 3>And the dogs are Abby, Corn and Rocky. And Rocky's

1:04:37.680 --> 1:04:39.640
<v Speaker 3>the big one, the big german shepherd. Abby and Corn

1:04:39.640 --> 1:04:41.440
<v Speaker 3>are Tainy okay.

1:04:41.880 --> 1:04:44.640
<v Speaker 1>Last three questions, When is the last time you cried?

1:04:44.880 --> 1:04:46.440
<v Speaker 2>Huh A little bit this morning?

1:04:47.600 --> 1:04:48.560
<v Speaker 1>Okay? Yeah?

1:04:48.640 --> 1:04:50.000
<v Speaker 2>I cry every day.

1:04:50.200 --> 1:04:50.880
<v Speaker 1>That's amazing.

1:04:50.960 --> 1:04:53.120
<v Speaker 2>Yeah, I cry every day, damn.

1:04:53.440 --> 1:04:56.080
<v Speaker 1>One of my biggest shames was like, doing one therapy session,

1:04:56.160 --> 1:04:58.960
<v Speaker 1>they asked like, when's the last time you cried? I

1:04:59.000 --> 1:04:59.800
<v Speaker 1>was like this decade?

1:05:00.240 --> 1:05:00.880
<v Speaker 2>Ah?

1:05:00.920 --> 1:05:01.160
<v Speaker 3>Wow?

1:05:01.320 --> 1:05:04.160
<v Speaker 2>Really and they were like whoa.

1:05:04.200 --> 1:05:07.000
<v Speaker 1>They were like, you basically said that you haven't taken

1:05:07.040 --> 1:05:09.120
<v Speaker 1>a piss in a decade. Is that what you're saying?

1:05:09.240 --> 1:05:12.400
<v Speaker 1>And I was like, well, you know, maybe five years

1:05:12.400 --> 1:05:14.439
<v Speaker 1>ago in my boy's funeral, I think I cried.

1:05:14.440 --> 1:05:15.840
<v Speaker 2>It's so good for.

1:05:15.800 --> 1:05:19.400
<v Speaker 1>Three twenty three, twenty twenty. Wow, that's amazing. I mean,

1:05:19.480 --> 1:05:22.080
<v Speaker 1>I wish I had that.

1:05:21.080 --> 1:05:23.960
<v Speaker 2>That hyper emotion emotion out sometimes.

1:05:24.040 --> 1:05:26.560
<v Speaker 1>I see, no, I gotta get to your life. I

1:05:26.600 --> 1:05:29.880
<v Speaker 1>gotta I gotta do that. At least your emotions are moving.

1:05:29.920 --> 1:05:30.240
<v Speaker 2>We got it.

1:05:30.320 --> 1:05:32.360
<v Speaker 1>Yeah, all right, what's your favorite word?

1:05:32.800 --> 1:05:34.640
<v Speaker 2>Recently? I've been saying voracious a.

1:05:34.600 --> 1:05:37.560
<v Speaker 1>Lot okay for future scrabble game.

1:05:37.600 --> 1:05:40.880
<v Speaker 3>Gracious, No, Like, I just love like like I'm a

1:05:40.960 --> 1:05:44.080
<v Speaker 3>voracious reader, like I love like. It's like you're so

1:05:44.280 --> 1:05:47.760
<v Speaker 3>in like you're so into it, you're so like consumed

1:05:47.800 --> 1:05:48.200
<v Speaker 3>by it.

1:05:49.040 --> 1:05:53.480
<v Speaker 1>Last question, you're in your seventies, you have the luxury

1:05:53.560 --> 1:05:56.120
<v Speaker 1>to retire, and let's just say the earth is still here.

1:05:56.200 --> 1:05:59.360
<v Speaker 2>Oh man, I hope so yeah. Flip a coin.

1:05:59.480 --> 1:06:01.240
<v Speaker 6>Yeah, where are.

1:06:01.120 --> 1:06:03.640
<v Speaker 1>The three cities that if you did not have to

1:06:03.680 --> 1:06:06.400
<v Speaker 1>work a day in your life ever again, would you

1:06:06.480 --> 1:06:09.880
<v Speaker 1>just want to be in exist with three cities?

1:06:11.080 --> 1:06:14.360
<v Speaker 3>I feel like I'd be down to pass away, live

1:06:14.520 --> 1:06:18.360
<v Speaker 3>the rest of my days in like Oregon or Portland.

1:06:18.480 --> 1:06:20.320
<v Speaker 2>Yeah, I don't know about Portland.

1:06:20.440 --> 1:06:24.560
<v Speaker 3>I love Portland like I love Oregon, Like I literally

1:06:24.640 --> 1:06:26.720
<v Speaker 3>road trip down there all the time, just just like

1:06:26.800 --> 1:06:28.280
<v Speaker 3>for nothing or India.

1:06:29.160 --> 1:06:35.200
<v Speaker 1>Talk Portland. Until the kind of fuckery of twenty twenty

1:06:35.360 --> 1:06:39.120
<v Speaker 1>that happened, Portland was my number one city ever more

1:06:39.320 --> 1:06:43.040
<v Speaker 1>use record Store totally. The Food Truck game was good,

1:06:43.120 --> 1:06:45.080
<v Speaker 1>bro wow. I thought it was the only one that

1:06:45.200 --> 1:06:47.919
<v Speaker 1>rode like. Portland and Austin were always like my team.

1:06:48.600 --> 1:06:52.200
<v Speaker 2>The vibe is just so there, Like I don't know, look.

1:06:52.000 --> 1:06:56.560
<v Speaker 1>I cannot say this enough. I've been as a guy

1:06:56.640 --> 1:07:04.400
<v Speaker 1>who's been constantly grumpy of like just dealing with well, no,

1:07:04.600 --> 1:07:06.440
<v Speaker 1>not dealing with life, as this is a person who's

1:07:06.600 --> 1:07:11.160
<v Speaker 1>married to music, like I've been in show business like

1:07:11.480 --> 1:07:15.400
<v Speaker 1>since the age of five. Yeah, and you know, there's

1:07:15.440 --> 1:07:20.320
<v Speaker 1>a point where suddenly I didn't like music anymore, and

1:07:20.360 --> 1:07:23.400
<v Speaker 1>then I became indifferent, and then I just had no

1:07:23.560 --> 1:07:29.080
<v Speaker 1>hope for the future whatsoever. I want to thank you

1:07:30.280 --> 1:07:38.720
<v Speaker 1>for just allowing yourself the space to be this artist

1:07:38.800 --> 1:07:41.600
<v Speaker 1>like I needed to see it, you know, because sometimes

1:07:41.640 --> 1:07:46.360
<v Speaker 1>we often feel like we're a loaned and I was

1:07:46.400 --> 1:07:52.600
<v Speaker 1>looking ahead for a leader, and you know, maybe I

1:07:52.640 --> 1:07:55.360
<v Speaker 1>had to realize that. Well, you ever think that one

1:07:55.440 --> 1:08:01.960
<v Speaker 1>day that a black woman three decades your your your junior,

1:08:02.280 --> 1:08:05.880
<v Speaker 1>might be the leader that you're looking for. And I'm

1:08:05.920 --> 1:08:09.560
<v Speaker 1>just and I don't think it's by accident of discovering

1:08:09.560 --> 1:08:12.680
<v Speaker 1>your music and all those things. Like, I want to

1:08:12.720 --> 1:08:20.599
<v Speaker 1>thank you for allowing yourself the space to grow. And

1:08:20.680 --> 1:08:24.400
<v Speaker 1>I know that if other people see it, it makes

1:08:24.439 --> 1:08:27.920
<v Speaker 1>them feel that they can do it too. Yes, and

1:08:28.240 --> 1:08:31.880
<v Speaker 1>maybe this is the paradigm shift I've been hoping for.

1:08:32.680 --> 1:08:37.280
<v Speaker 2>So you're gonna make cry yes.

1:08:38.680 --> 1:08:44.559
<v Speaker 1>On, behalf on, behalf of my q ols fam. Shout

1:08:44.560 --> 1:08:49.720
<v Speaker 1>out to Chick, Stephen and Bill and and Uhlayah, Fontigelow,

1:08:50.560 --> 1:08:53.560
<v Speaker 1>Jake and Fritt. Thank you very much, Willis Smith. This

1:08:54.040 --> 1:08:59.160
<v Speaker 1>was an overdue conversation. Oh come on now, tell me

1:08:59.200 --> 1:09:02.200
<v Speaker 1>a joke. All right, end on this, tell me a joke.

1:09:02.720 --> 1:09:06.599
<v Speaker 2>I can't. I'm just a thank you so much for this.

1:09:06.840 --> 1:09:09.120
<v Speaker 2>Oh my goodness, you're welcome.

1:09:09.160 --> 1:09:12.479
<v Speaker 1>Thank you so much. All right, goodbye people. Wow, that

1:09:12.600 --> 1:09:13.080
<v Speaker 1>was awesome.

1:09:13.160 --> 1:09:14.120
<v Speaker 2>That was amazing.

1:09:15.800 --> 1:09:18.160
<v Speaker 7>Thank you for listening to Quest Love Supreme. This podcast

1:09:18.200 --> 1:09:21.439
<v Speaker 7>is hosted by a Mere Quest Love, Thompson, Liyah Saint Clair,

1:09:21.760 --> 1:09:25.639
<v Speaker 7>Fonte Coleman Sugar, Steve Mandell, and myself unpaid Bill Shir.

1:09:26.000 --> 1:09:27.600
<v Speaker 1>The executive producers.

1:09:27.160 --> 1:09:30.599
<v Speaker 7>Are Meir just walked into the goddamn room, Thompson, Sean

1:09:30.720 --> 1:09:34.400
<v Speaker 7>g and Brian Calhoun. Produced by Brittany Benjamin, Jake Payne

1:09:34.439 --> 1:09:37.240
<v Speaker 7>and Liah Saint Clair. Edited by Alex Conroy I Know

1:09:37.280 --> 1:09:40.439
<v Speaker 7>Alex Conwen. Produced for iHeart by Noel Brown.

1:09:48.040 --> 1:09:55.040
<v Speaker 1>West Love Supreme is a production of iHeart Radio. For

1:09:55.160 --> 1:09:58.280
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app

1:09:58.479 --> 1:10:01.519
<v Speaker 1>Apple Podcasts Wherever you listen to your favorite shows,