1 00:00:19,680 --> 00:00:23,640 Speaker 1: So I'm really excited to finally share with you guys 2 00:00:24,160 --> 00:00:26,760 Speaker 1: something that I've been working on for so long. 3 00:00:26,920 --> 00:00:29,840 Speaker 2: A longing, a long time in the making, a long time. 4 00:00:30,080 --> 00:00:33,960 Speaker 3: You had to ignore us on tour, you had to say, no, 5 00:00:34,159 --> 00:00:36,519 Speaker 3: I will not go hang out with you guys, I 6 00:00:36,560 --> 00:00:39,280 Speaker 3: am working. I know. 7 00:00:39,360 --> 00:00:44,720 Speaker 2: He was just happy about that. Yeah, uh yeah, So 8 00:00:44,760 --> 00:00:45,080 Speaker 2: I've been. 9 00:00:45,120 --> 00:00:48,280 Speaker 1: I've been really working hard for over a year on 10 00:00:48,400 --> 00:00:51,479 Speaker 1: a project that I can now share with you and 11 00:00:51,640 --> 00:00:54,440 Speaker 1: with our listeners. And it really goes back to like 12 00:00:55,280 --> 00:01:00,640 Speaker 1: my love of mysteries and crime stories, crime book especially 13 00:01:00,680 --> 00:01:03,200 Speaker 1: like novels I'm a huge fan of like ton of 14 00:01:03,280 --> 00:01:07,080 Speaker 1: French and Michael Connolly and I just I not only 15 00:01:07,120 --> 00:01:09,200 Speaker 1: do I read these, but I also listen to them 16 00:01:09,240 --> 00:01:13,960 Speaker 1: on audiobooks a lot. And I also love podcasts, true 17 00:01:14,040 --> 00:01:16,720 Speaker 1: crime podcasts, any kind of podcasts. I've been listening forever. 18 00:01:17,880 --> 00:01:18,640 Speaker 2: And that's true. 19 00:01:18,680 --> 00:01:20,760 Speaker 4: By the way, you were one of the original podcasts listed. 20 00:01:20,800 --> 00:01:22,120 Speaker 4: I think the first time I ever heard the word 21 00:01:22,120 --> 00:01:23,520 Speaker 4: podcast was from that out of my mouth. 22 00:01:23,680 --> 00:01:25,440 Speaker 1: Yeah, yes, I think I got into him in like 23 00:01:25,480 --> 00:01:27,680 Speaker 1: two thousand and eight, you know, like when I was 24 00:01:27,720 --> 00:01:29,760 Speaker 1: still had like a regular old iPod and had to 25 00:01:29,760 --> 00:01:31,600 Speaker 1: download it, so it's actually made sense to call it 26 00:01:31,640 --> 00:01:36,720 Speaker 1: a podcast. But anyway, Yeah, so I started this project. 27 00:01:37,800 --> 00:01:40,440 Speaker 1: I had I had an idea at first it was 28 00:01:40,680 --> 00:01:45,080 Speaker 1: full documentary, which was that I would interview people that 29 00:01:45,120 --> 00:01:46,640 Speaker 1: I grew up with, because you know, there's a lot 30 00:01:46,680 --> 00:01:48,880 Speaker 1: of where I grew up was like a lot of 31 00:01:48,920 --> 00:01:52,760 Speaker 1: alternative family situations, like the high school that I went to, 32 00:01:53,040 --> 00:01:54,760 Speaker 1: you know, where I graduated in the class of twelve, 33 00:01:55,280 --> 00:01:58,240 Speaker 1: a lot of like kids growing up with like communes 34 00:01:59,520 --> 00:02:03,600 Speaker 1: some may say, cults, situations where like people would be like, oh, 35 00:02:03,600 --> 00:02:05,480 Speaker 1: they're half brothers and half sisters, and it was like, 36 00:02:05,520 --> 00:02:08,280 Speaker 1: because they're the child of the same leader of their like. 37 00:02:09,160 --> 00:02:12,920 Speaker 2: Group, they'd be like your cousins, you're related? 38 00:02:13,080 --> 00:02:14,240 Speaker 5: How does this all work? And how? 39 00:02:14,360 --> 00:02:16,760 Speaker 1: You know? So I decided to like interview some of 40 00:02:16,800 --> 00:02:19,640 Speaker 1: my old friends and my family about those situations and 41 00:02:19,680 --> 00:02:21,720 Speaker 1: just see like if there was material there or something 42 00:02:21,800 --> 00:02:23,839 Speaker 1: to make a sort of podcast out of it. And 43 00:02:24,600 --> 00:02:29,240 Speaker 1: I quickly realized that, uh, there might be a fun 44 00:02:29,280 --> 00:02:32,960 Speaker 1: way to do this and actually fictionalize it, and so 45 00:02:33,080 --> 00:02:35,800 Speaker 1: I decided to take a lot of the real material 46 00:02:35,840 --> 00:02:40,840 Speaker 1: that I was gathering and write a fake true crime podcast. 47 00:02:41,240 --> 00:02:45,440 Speaker 1: So essentially like Blair witching some real aspects of my life. 48 00:02:46,320 --> 00:02:50,080 Speaker 1: So I ended up changing the names of everybody involved 49 00:02:50,120 --> 00:02:53,280 Speaker 1: except for my immediate family. So my wife is in it, 50 00:02:53,480 --> 00:02:56,400 Speaker 1: my son, isn't it? My parents, my brother. Then I 51 00:02:56,480 --> 00:02:59,360 Speaker 1: kept interviewing friends, I kept gathering material. I spent a 52 00:02:59,400 --> 00:03:03,280 Speaker 1: lot of time outlining, and then this fall I spent 53 00:03:03,760 --> 00:03:07,520 Speaker 1: weeks running around with the microphone, which was like the 54 00:03:07,560 --> 00:03:09,240 Speaker 1: most fun I've had in so long. 55 00:03:09,400 --> 00:03:10,920 Speaker 5: Anyway, I'm really proud of it. 56 00:03:11,000 --> 00:03:11,200 Speaker 1: I am. 57 00:03:11,200 --> 00:03:12,840 Speaker 5: Now I've been editing and. 58 00:03:12,720 --> 00:03:15,960 Speaker 1: Creating music with Kyle Morton of Typhoon, who did our 59 00:03:16,040 --> 00:03:19,920 Speaker 1: who created our podcast theme, has been composing all this 60 00:03:20,000 --> 00:03:22,320 Speaker 1: incredible music for me, and I got to go up 61 00:03:22,320 --> 00:03:24,760 Speaker 1: to Portland and like do that anyway, I want to 62 00:03:24,760 --> 00:03:27,120 Speaker 1: play the first seven minutes forty So. 63 00:03:27,400 --> 00:03:29,200 Speaker 2: What's it called? Can we ask? What's it called? The 64 00:03:29,240 --> 00:03:31,320 Speaker 2: Red Weather? The Red Weather? 65 00:03:44,680 --> 00:03:46,240 Speaker 5: The Red Weather is a work of fiction. 66 00:03:46,600 --> 00:03:49,600 Speaker 1: Any resemblance to actual persons or events reflects the adaptation 67 00:03:49,680 --> 00:03:52,840 Speaker 1: of real, publicly available materials for creative and legal reasons. 68 00:03:53,040 --> 00:03:55,720 Speaker 1: The content of this podcast is the sole responsibility of 69 00:03:55,760 --> 00:03:58,240 Speaker 1: Red Weather LLC and does not reflect the views of 70 00:03:58,280 --> 00:04:04,040 Speaker 1: responsibilities of iHeartMedia or It's affiliates. A few days before 71 00:04:04,040 --> 00:04:10,920 Speaker 1: she died, I got a letter from Willow. Willow was 72 00:04:10,960 --> 00:04:13,000 Speaker 1: my neighbor and one of my best friends as a kid. 73 00:04:13,360 --> 00:04:15,760 Speaker 1: We grew up in the Redwoods outside of Sebastopol, California. 74 00:04:15,800 --> 00:04:16,760 Speaker 5: It's about sixty. 75 00:04:16,520 --> 00:04:19,159 Speaker 1: Miles in north of San Francisco, and even though we 76 00:04:19,160 --> 00:04:21,400 Speaker 1: were just through the woods from one another, we had 77 00:04:21,520 --> 00:04:25,080 Speaker 1: very different childhoods. Willow was part of a commune or 78 00:04:25,640 --> 00:04:28,160 Speaker 1: what they called it a collective. It was a group 79 00:04:28,200 --> 00:04:30,960 Speaker 1: of maybe thirty people and it was called Tender Hearts. 80 00:04:31,400 --> 00:04:35,000 Speaker 5: It was one guy, really, the leader, Elric, and then 81 00:04:35,040 --> 00:04:37,960 Speaker 5: women and kids. That's Sheriff Maldonado. 82 00:04:38,080 --> 00:04:40,080 Speaker 1: He was the sheriff back in the eighties and the nineties, 83 00:04:40,120 --> 00:04:42,320 Speaker 1: so he ended up dealing with the tender Hearts when 84 00:04:42,440 --> 00:04:45,680 Speaker 1: neighbors would complain or if kids got into trouble. It 85 00:04:45,720 --> 00:04:46,920 Speaker 1: was hard to wrap your head around. 86 00:04:46,960 --> 00:04:51,120 Speaker 5: It was nature and trees and praying. 87 00:04:51,480 --> 00:04:53,520 Speaker 1: I guess it would be called meditating. 88 00:04:53,279 --> 00:04:59,520 Speaker 5: Today, and drugs. It was pot, mushrooms, mescaline. 89 00:05:00,040 --> 00:05:02,520 Speaker 1: Willow's mom was a founding member of Tender Hearts, so 90 00:05:02,560 --> 00:05:05,159 Speaker 1: she lived there with Willow and her sister Anna when 91 00:05:05,160 --> 00:05:08,159 Speaker 1: we were young. Willow and I were close, really close. 92 00:05:08,680 --> 00:05:10,400 Speaker 1: We used to meet in the woods between our houses 93 00:05:10,440 --> 00:05:14,240 Speaker 1: and spend all afternoon together, sometimes camping out, but things 94 00:05:14,279 --> 00:05:17,159 Speaker 1: got complicated in our teens. By the time I got 95 00:05:17,160 --> 00:05:19,760 Speaker 1: her letter, I hadn't talked to her in years. I 96 00:05:19,800 --> 00:05:22,960 Speaker 1: didn't even know she had my address. She was in Panama, 97 00:05:23,279 --> 00:05:25,760 Speaker 1: in Pocas del Toro. It's a series of islands close 98 00:05:25,760 --> 00:05:29,120 Speaker 1: to Costa Rica. Apparently she'd gone with an organization to 99 00:05:29,200 --> 00:05:32,840 Speaker 1: help sea turtles protect their habitat or something, but really 100 00:05:33,600 --> 00:05:34,360 Speaker 1: it sounds like she. 101 00:05:34,320 --> 00:05:36,279 Speaker 5: Went to get away and to get sober. 102 00:05:37,160 --> 00:05:38,839 Speaker 1: The letter was mostly about what she was up to 103 00:05:38,880 --> 00:05:41,679 Speaker 1: in Panama, working in a vegan pizza place down there. 104 00:05:42,040 --> 00:05:44,560 Speaker 1: Before I could write her back, I found out she 105 00:05:44,640 --> 00:05:47,720 Speaker 1: took her own life. My mom saw it on Facebook. 106 00:05:47,800 --> 00:05:51,160 Speaker 1: So you're still in tough with her mom. 107 00:05:50,960 --> 00:05:53,760 Speaker 6: Well, only through Facebook. I mean, it's not like I 108 00:05:54,200 --> 00:05:57,479 Speaker 6: see her or talk to her, have private phone calls, 109 00:05:57,520 --> 00:06:00,840 Speaker 6: but you know, she posts things. This was one of 110 00:06:00,920 --> 00:06:04,839 Speaker 6: the things she posted. I was surprised. It's really sad. 111 00:06:05,279 --> 00:06:06,240 Speaker 6: It's really sad. 112 00:06:06,680 --> 00:06:08,320 Speaker 7: She was begging me to come visit her. 113 00:06:08,440 --> 00:06:10,800 Speaker 5: This is Noah. He grew up with Willow too. 114 00:06:11,040 --> 00:06:13,480 Speaker 7: She begged me. She was like, kid, please please come visit. 115 00:06:13,560 --> 00:06:16,240 Speaker 7: I'm really lonely. I need a friend, I need some help. 116 00:06:16,320 --> 00:06:18,159 Speaker 7: You know. She wrote me this poem that was very 117 00:06:19,160 --> 00:06:21,360 Speaker 7: you know, in that context, was quite deep and dark 118 00:06:21,400 --> 00:06:24,360 Speaker 7: and basically just talking about loneliness and isolation and kind 119 00:06:24,400 --> 00:06:25,760 Speaker 7: of meaninglessness of everything. 120 00:06:25,960 --> 00:06:28,400 Speaker 5: He's now a psychiatrist up in Seattle. 121 00:06:28,080 --> 00:06:31,000 Speaker 7: And it's really challenging. It's really I mean, I've had 122 00:06:31,040 --> 00:06:33,520 Speaker 7: a number of patient suicide and even with that, it's 123 00:06:33,560 --> 00:06:37,000 Speaker 7: really hard to reconcile that of like, could I have 124 00:06:37,040 --> 00:06:37,760 Speaker 7: done something more? 125 00:06:44,520 --> 00:06:45,000 Speaker 5: If I was. 126 00:06:44,960 --> 00:06:47,960 Speaker 1: Honest, I might not have even written her back. I mean, 127 00:06:48,440 --> 00:06:52,200 Speaker 1: we were in very different places. She was single, childless, 128 00:06:52,360 --> 00:06:55,320 Speaker 1: hopping around a different countries. I'm married, I have a kid. 129 00:06:55,360 --> 00:06:57,600 Speaker 1: I live in LA I work as a writer director, 130 00:06:58,000 --> 00:07:01,599 Speaker 1: and as you might know, I host a podcast about 131 00:07:01,600 --> 00:07:03,160 Speaker 1: the TV show I was on as a kid. 132 00:07:03,480 --> 00:07:04,520 Speaker 2: Welcome to Podney's World. 133 00:07:04,520 --> 00:07:07,480 Speaker 5: I'm being official. I'm rather strong, and I'm Wilfordell. 134 00:07:10,680 --> 00:07:14,560 Speaker 1: Willow was still chasing new experiences, new people, and new 135 00:07:14,600 --> 00:07:16,880 Speaker 1: places in a way that when we were young was 136 00:07:16,920 --> 00:07:20,320 Speaker 1: exciting and admirable, but now that we're in our forties, 137 00:07:20,680 --> 00:07:22,720 Speaker 1: it felt a little desperate, erratic. 138 00:07:22,880 --> 00:07:25,560 Speaker 7: I remember for the first few years of our friendship, 139 00:07:25,840 --> 00:07:27,600 Speaker 7: you know, it was like it was kind of like 140 00:07:27,640 --> 00:07:29,840 Speaker 7: being a being on a drug near her. She had 141 00:07:29,880 --> 00:07:33,680 Speaker 7: so much energy and excitement and spontaneity and like. But 142 00:07:33,720 --> 00:07:36,920 Speaker 7: then I remember as she started to decompensate in our 143 00:07:36,960 --> 00:07:40,680 Speaker 7: teen years, it was like it was very it was 144 00:07:40,680 --> 00:07:43,120 Speaker 7: really challenging to be around her. I should say all 145 00:07:43,120 --> 00:07:45,200 Speaker 7: this with a caveat that it's impossible for me not 146 00:07:45,280 --> 00:07:50,480 Speaker 7: to like use my psychiatric nosology on her now now 147 00:07:50,520 --> 00:07:53,000 Speaker 7: looking back, I mean, she was just the archetype of 148 00:07:53,040 --> 00:08:03,000 Speaker 7: someone who had had clearly had a lot of childhood trauma. 149 00:08:07,200 --> 00:08:10,280 Speaker 5: There's a few traumas Noah could be referring to here. 150 00:08:10,680 --> 00:08:11,720 Speaker 5: There was the fact that. 151 00:08:11,720 --> 00:08:14,280 Speaker 1: She grew up on a collective in the woods. She 152 00:08:14,640 --> 00:08:18,640 Speaker 1: definitely had some awful boyfriends, there were drugs. But the 153 00:08:18,680 --> 00:08:21,200 Speaker 1: central trauma of Willow's life had to do with her 154 00:08:21,240 --> 00:08:26,040 Speaker 1: sister Anna. Anna was two years older than us, which 155 00:08:26,160 --> 00:08:29,720 Speaker 1: isn't much except when you're fifteen. Back then, she was 156 00:08:29,760 --> 00:08:32,319 Speaker 1: in a whole other category of existence, and I probably 157 00:08:32,360 --> 00:08:35,520 Speaker 1: would have gotten to nowhere better except on Halloween night 158 00:08:35,679 --> 00:08:41,080 Speaker 1: nineteen ninety five, Anna disappeared. It was a horrible time 159 00:08:42,080 --> 00:08:43,840 Speaker 1: for a couple of months there, it seemed like everyone 160 00:08:43,880 --> 00:08:44,559 Speaker 1: we knew was. 161 00:08:44,520 --> 00:08:47,480 Speaker 5: A suspect or had a secret. We all got interviewed 162 00:08:47,480 --> 00:08:48,079 Speaker 5: by the cops. 163 00:08:48,360 --> 00:08:51,640 Speaker 1: People blamed Willow's mom, people blamed the Tender Hearts and 164 00:08:51,720 --> 00:08:56,120 Speaker 1: his boyfriend, and people blamed the town. But no one 165 00:08:56,200 --> 00:09:01,200 Speaker 1: knew what actually happened. Nobody was ever found, no charges 166 00:09:01,240 --> 00:09:04,480 Speaker 1: ever filed. Most everyone assumed that Anna ran away, that 167 00:09:04,600 --> 00:09:07,439 Speaker 1: she just wanted out of Tender Hearts or small. 168 00:09:07,200 --> 00:09:08,240 Speaker 5: Town took off. 169 00:09:08,760 --> 00:09:11,560 Speaker 1: The Willow never thought that she knew her sister would 170 00:09:11,559 --> 00:09:14,880 Speaker 1: never leave without her, or at least without saying goodbye. 171 00:09:19,559 --> 00:09:22,280 Speaker 1: This is from Willow's letter. I know I made you 172 00:09:22,360 --> 00:09:26,600 Speaker 1: promise something about the night Anna disappeared. You and chrysto 173 00:09:26,720 --> 00:09:29,719 Speaker 1: Vecchio and Ryan and Connor were there too. Do you 174 00:09:29,760 --> 00:09:33,920 Speaker 1: remember we pinky swore. So here's the deal. I want 175 00:09:33,960 --> 00:09:36,760 Speaker 1: you to know I don't fucking care anymore. I release 176 00:09:36,840 --> 00:09:37,720 Speaker 1: your pinky sir. 177 00:09:38,440 --> 00:09:41,240 Speaker 5: I am no. I can't read this, but I think 178 00:09:41,240 --> 00:09:44,280 Speaker 5: she wrote authority, but I want to know the truth. 179 00:09:44,880 --> 00:09:46,600 Speaker 1: If Anna is still out there, or the person who 180 00:09:46,679 --> 00:09:49,280 Speaker 1: killed her is out there, then keeping my secret is stupid. 181 00:09:49,559 --> 00:09:52,800 Speaker 5: It always has been. I kept going back over the letter. 182 00:09:53,160 --> 00:09:55,640 Speaker 1: Going back over my memories and my relationship with Willow, 183 00:09:56,920 --> 00:10:00,000 Speaker 1: I kept wondering, why did she send this to me? 184 00:10:01,320 --> 00:10:06,800 Speaker 1: Why didn't she decide to tell the truth herself. In 185 00:10:06,880 --> 00:10:10,080 Speaker 1: nineteen ninety five, my neighbor and a trainer disappeared. 186 00:10:10,520 --> 00:10:11,319 Speaker 5: She was seventeen. 187 00:10:11,720 --> 00:10:14,560 Speaker 1: Her body was never found, no one was ever arrested, 188 00:10:14,800 --> 00:10:19,720 Speaker 1: no explanation given. And back then, I lied to my parents, 189 00:10:20,160 --> 00:10:23,960 Speaker 1: I lied to police, I lied to everybody because Ana's sister. 190 00:10:23,800 --> 00:10:27,520 Speaker 5: Willow, asked me to. I've decided to go back. 191 00:10:27,360 --> 00:10:30,040 Speaker 1: To my hometown, interview my friends and family, and talk 192 00:10:30,120 --> 00:10:33,400 Speaker 1: to police and journalists whoever I can to try to 193 00:10:33,440 --> 00:10:37,240 Speaker 1: find out what actually happened. I am actor and filmmaker, 194 00:10:37,320 --> 00:10:40,359 Speaker 1: right strong, this is the red weather. 195 00:10:40,880 --> 00:10:44,160 Speaker 2: Cool, It's crazy. It sounds amazing. 196 00:10:44,240 --> 00:10:45,079 Speaker 5: I got chilled. 197 00:10:45,200 --> 00:10:47,200 Speaker 2: Yeah, it sounds amazing. It's very dark. 198 00:10:47,200 --> 00:10:49,240 Speaker 1: I probably should have worn people it. 199 00:10:49,120 --> 00:10:50,080 Speaker 2: Gets dark fast. 200 00:10:50,200 --> 00:10:52,160 Speaker 5: But yeah, ah, I'm so excited. 201 00:10:52,400 --> 00:10:54,800 Speaker 2: Did you really have a neighbor that committed suicide? 202 00:10:54,840 --> 00:10:58,160 Speaker 1: I'm not going there was a real suicide. Uh inspired 203 00:10:58,200 --> 00:11:04,200 Speaker 1: this story? Yes, But you know the character of Willow. 204 00:11:04,440 --> 00:11:07,080 Speaker 1: A lot of the characters are combinations of people you know, 205 00:11:07,120 --> 00:11:09,520 Speaker 1: to sort of sort of like take take like two 206 00:11:09,679 --> 00:11:12,800 Speaker 1: or three people and sort of merge them together and 207 00:11:12,960 --> 00:11:17,240 Speaker 1: you know, create a fictional version. But yeah, it's it's 208 00:11:17,240 --> 00:11:20,240 Speaker 1: how many episodes, how many episodes? Eight episodes, they're like, 209 00:11:20,360 --> 00:11:24,440 Speaker 1: you know, thirty five forty minutes each. I can't wait 210 00:11:24,440 --> 00:11:26,840 Speaker 1: for you guys to listen to it. And I can't 211 00:11:26,840 --> 00:11:29,320 Speaker 1: wait for people to Yeah, it's you know, it's it's like, 212 00:11:29,640 --> 00:11:32,240 Speaker 1: even though it's you know, it's very fictional, it's also 213 00:11:32,480 --> 00:11:34,800 Speaker 1: very personal. So it's like in this weird way, like 214 00:11:34,840 --> 00:11:36,959 Speaker 1: I've spent all this time on this thing and now 215 00:11:37,000 --> 00:11:39,400 Speaker 1: it's like terrifying to kind of expose it to the 216 00:11:39,400 --> 00:11:40,400 Speaker 1: world and like, you. 217 00:11:40,360 --> 00:11:43,160 Speaker 2: Know, yeah, but when does the drop? When can we 218 00:11:43,160 --> 00:11:43,480 Speaker 2: hear it? 219 00:11:44,040 --> 00:11:47,760 Speaker 1: January twenty eighth, so soon, And the trailer has more, like, 220 00:11:47,840 --> 00:11:50,040 Speaker 1: you know what, the action because this this opening is 221 00:11:50,040 --> 00:11:52,440 Speaker 1: mostly just me talking and like my mom in there 222 00:11:52,440 --> 00:11:54,920 Speaker 1: and some friends and stuff, but like, you know, it 223 00:11:54,920 --> 00:11:58,760 Speaker 1: actually gets into scenes. I mean everything is like documentary style, 224 00:11:59,440 --> 00:12:01,480 Speaker 1: but you know it was me like running around with 225 00:12:01,520 --> 00:12:05,360 Speaker 1: an actual like head microphone, microphones and in the woods 226 00:12:05,360 --> 00:12:08,160 Speaker 1: and like real scenes. It's like really fun stuff. Yeah, 227 00:12:08,320 --> 00:12:09,480 Speaker 1: I can't wait for guys to listen to it. 228 00:12:09,600 --> 00:12:10,319 Speaker 2: I can't wait. 229 00:12:10,920 --> 00:12:11,400 Speaker 4: I love that. 230 00:12:11,480 --> 00:12:14,199 Speaker 3: It's that you while you're listening to that that for 231 00:12:14,360 --> 00:12:17,720 Speaker 3: seven minutes, you're thinking, like, yeah, I'm interested, why why 232 00:12:17,720 --> 00:12:19,400 Speaker 3: did this girl kill herself? I'm going to get to 233 00:12:19,440 --> 00:12:22,599 Speaker 3: the bottom of of Willow's death. And then at the 234 00:12:22,679 --> 00:12:24,720 Speaker 3: end you're actually like, no. 235 00:12:25,840 --> 00:12:28,880 Speaker 2: Mom is about what happened to her sister. 236 00:12:29,400 --> 00:12:31,480 Speaker 3: That will uncover things about Willow. 237 00:12:31,679 --> 00:12:35,160 Speaker 2: Oh man, I'm so excited. That's really cool. I'm very 238 00:12:35,360 --> 00:12:36,360 Speaker 2: I'm excited too. That's great. 239 00:12:36,360 --> 00:12:39,720 Speaker 1: It's very much like nineties nostalgia, and you know, it's 240 00:12:39,720 --> 00:12:42,120 Speaker 1: it's kind of about nostalgia too, you know, it's about 241 00:12:42,120 --> 00:12:45,280 Speaker 1: the sort of pitfalls of that. So, you know, and 242 00:12:45,360 --> 00:12:49,040 Speaker 1: I'm very much not the hero like I am. I 243 00:12:49,080 --> 00:12:51,120 Speaker 1: am a bad detective. That's part of the fun of it, 244 00:12:51,200 --> 00:12:53,280 Speaker 1: you know. It's like I'm you know, I get to 245 00:12:53,360 --> 00:12:56,360 Speaker 1: poke fun at myself a lot, but also pay homage 246 00:12:56,400 --> 00:12:59,000 Speaker 1: to my hometown and like, you know, all the weird 247 00:12:59,040 --> 00:13:02,080 Speaker 1: and wonderful things about sebastopoling up north and like the 248 00:13:02,080 --> 00:13:03,640 Speaker 1: way I grew up and the people around me. 249 00:13:03,720 --> 00:13:06,400 Speaker 3: It's really are all of the episodes coming out at once? 250 00:13:06,480 --> 00:13:07,559 Speaker 3: Are you going to release one? 251 00:13:07,800 --> 00:13:08,000 Speaker 7: Yeah? 252 00:13:08,360 --> 00:13:08,760 Speaker 1: Wednesday? 253 00:13:08,800 --> 00:13:09,199 Speaker 2: Wednesday? 254 00:13:09,240 --> 00:13:10,920 Speaker 1: The twenty eighth, the first one comes out, and then 255 00:13:11,080 --> 00:13:13,719 Speaker 1: Friday the second one will come out, and then it 256 00:13:13,720 --> 00:13:15,840 Speaker 1: will be a Wednesday Friday for the next like three 257 00:13:15,880 --> 00:13:18,880 Speaker 1: weeks after that. Yeah, so there's eight episodes. Yes, so cool. 258 00:13:19,520 --> 00:13:20,320 Speaker 2: I can't wait for people. 259 00:13:20,320 --> 00:13:21,960 Speaker 1: I can't wait to Yeah, so if you give a 260 00:13:22,000 --> 00:13:23,959 Speaker 1: listen to the whole thing and then let me know 261 00:13:24,000 --> 00:13:24,360 Speaker 1: what you think. 262 00:13:24,400 --> 00:13:26,800 Speaker 5: And you know, I'm so excited to share this. 263 00:13:27,080 --> 00:13:31,640 Speaker 3: Man, congratulations, I'm proud of you. Now, will we should 264 00:13:31,679 --> 00:13:34,319 Speaker 3: go on the road and see if writers still has 265 00:13:34,520 --> 00:13:35,600 Speaker 3: still won't have lunch with us? 266 00:13:35,880 --> 00:13:36,360 Speaker 2: Well he still? 267 00:13:36,640 --> 00:13:37,400 Speaker 5: Well, now I got to write it. 268 00:13:37,559 --> 00:13:39,679 Speaker 1: Now, I'm actually writing a novel, so I'm going to 269 00:13:39,760 --> 00:13:41,600 Speaker 1: like say, see you guys, I can't I can't stay out. 270 00:13:41,640 --> 00:13:42,120 Speaker 1: I gotta write. 271 00:13:42,200 --> 00:13:43,920 Speaker 4: But yeah, no, I have to get better at that. 272 00:13:44,600 --> 00:13:48,480 Speaker 4: I'm actually sitting down and writing. Yeah hard, I know 273 00:13:48,880 --> 00:13:50,640 Speaker 4: it's your pages in no. 274 00:13:50,800 --> 00:13:52,320 Speaker 1: I mean what I started doing with this is I 275 00:13:52,360 --> 00:13:54,240 Speaker 1: just woke up at four thirty every morning because it 276 00:13:54,320 --> 00:13:56,000 Speaker 1: was the only way because otherwise it's like you don't 277 00:13:56,000 --> 00:13:58,360 Speaker 1: get it done, man, and life just keeps happening. 278 00:13:58,440 --> 00:13:59,640 Speaker 2: But see, I don't need to do that because I 279 00:13:59,640 --> 00:14:01,000 Speaker 2: don't have it. So I can do it at four 280 00:14:01,040 --> 00:14:02,120 Speaker 2: thirty in the afternoon. 281 00:14:01,800 --> 00:14:06,360 Speaker 1: It's true, yeah, but will you That's the thing that's 282 00:14:06,400 --> 00:14:08,480 Speaker 1: the problem when you wake up and there's nothing else 283 00:14:08,520 --> 00:14:10,360 Speaker 1: to do and everyone else is still asleep. 284 00:14:10,480 --> 00:14:11,839 Speaker 2: It's like, Okay, you and. 285 00:14:11,800 --> 00:14:14,040 Speaker 4: I have had this conversation for years about what you've 286 00:14:14,080 --> 00:14:17,320 Speaker 4: done here, about the combination of genres. Yes, which is 287 00:14:17,360 --> 00:14:19,640 Speaker 4: so much fun. Which is the book that I'm writing 288 00:14:19,760 --> 00:14:21,800 Speaker 4: the same thing. It's my memoir with a fantasy novel. 289 00:14:22,200 --> 00:14:24,440 Speaker 4: And so that the idea of taking the two things 290 00:14:24,440 --> 00:14:27,920 Speaker 4: and then but actually together out the way that you did, 291 00:14:27,960 --> 00:14:29,280 Speaker 4: because at first I was like, wait, if you're just 292 00:14:29,280 --> 00:14:31,400 Speaker 4: doing a podcast, why are you like running around the woods? 293 00:14:31,760 --> 00:14:31,880 Speaker 2: Right? 294 00:14:31,920 --> 00:14:33,800 Speaker 4: And then but when you think about it, it's the 295 00:14:33,920 --> 00:14:35,960 Speaker 4: perfect way to do it because it's like it's kind 296 00:14:36,000 --> 00:14:36,640 Speaker 4: of the new film. 297 00:14:36,640 --> 00:14:39,440 Speaker 2: It's like an old school radio show totally. It's it is. 298 00:14:39,520 --> 00:14:41,200 Speaker 4: It's the shadow that my dad and I used to 299 00:14:41,240 --> 00:14:42,880 Speaker 4: listen to when he when you know, he was a kid. 300 00:14:42,880 --> 00:14:44,760 Speaker 4: Then he had me listen to it exactly. It's almost 301 00:14:44,760 --> 00:14:46,760 Speaker 4: like you're on a foly stage. You've got exact people, 302 00:14:46,880 --> 00:14:48,400 Speaker 4: but you're actually doing it your wad. 303 00:14:48,400 --> 00:14:50,640 Speaker 1: That was the big thing for me it was like 304 00:14:50,920 --> 00:14:52,680 Speaker 1: because I I've tried to listen to a lot of 305 00:14:52,680 --> 00:14:55,560 Speaker 1: scriptive podcasts, and you know, there's just a level of 306 00:14:55,640 --> 00:14:57,960 Speaker 1: like when you're when you know actors are sitting in 307 00:14:58,000 --> 00:15:01,000 Speaker 1: a booth and recording it, it feels little it's harder. 308 00:15:00,760 --> 00:15:01,640 Speaker 2: To like buy into it. 309 00:15:01,680 --> 00:15:03,880 Speaker 1: You know, you can always tell when someone's acting with 310 00:15:03,920 --> 00:15:06,080 Speaker 1: their voice. And so that's why I wanted to use 311 00:15:06,120 --> 00:15:08,600 Speaker 1: real material. Like we never were in a booth, Like 312 00:15:08,640 --> 00:15:12,400 Speaker 1: we never you know. Besides my voiceover. Everything is on location, 313 00:15:12,520 --> 00:15:14,120 Speaker 1: Like so if a scene took place at a diner, 314 00:15:14,160 --> 00:15:16,880 Speaker 1: we're like in a real diner while it's open. We're 315 00:15:16,920 --> 00:15:20,360 Speaker 1: just like having real conversations. I improvised like crazy, like, 316 00:15:20,480 --> 00:15:22,280 Speaker 1: so it was a lot of outlining, but the whole 317 00:15:22,280 --> 00:15:24,120 Speaker 1: goal was to just make it as real as possible, 318 00:15:24,200 --> 00:15:26,280 Speaker 1: you know. And when I listened to scripted stuff, it's 319 00:15:26,320 --> 00:15:28,200 Speaker 1: hard for my ear to like buy in, you know. 320 00:15:28,480 --> 00:15:30,480 Speaker 1: But when I listened to like people just actually talking, 321 00:15:30,560 --> 00:15:31,680 Speaker 1: it's really intriguing, you know. 322 00:15:31,760 --> 00:15:32,680 Speaker 5: Like podcasting. 323 00:15:32,720 --> 00:15:34,280 Speaker 1: That's what's so great about it is like it's it's 324 00:15:34,280 --> 00:15:36,800 Speaker 1: like a window into somebody's I guess a window is 325 00:15:36,800 --> 00:15:38,560 Speaker 1: a bad metaphor because that's like a visual one. But 326 00:15:38,600 --> 00:15:40,600 Speaker 1: you know, it's like there's something about like the audio 327 00:15:40,640 --> 00:15:43,040 Speaker 1: that just like draws you in for me at least, 328 00:15:43,240 --> 00:15:44,560 Speaker 1: and so I just wanted to try and make it 329 00:15:44,600 --> 00:15:46,240 Speaker 1: as real as possible. And you're right, like making a 330 00:15:46,280 --> 00:15:48,160 Speaker 1: fake documentary became the best way. 331 00:15:48,040 --> 00:15:49,680 Speaker 4: To do that. All right, So when this becomes a 332 00:15:49,720 --> 00:15:51,280 Speaker 4: huge success, you have to do another one, but you 333 00:15:51,320 --> 00:15:52,480 Speaker 4: have to use Danielle and I. 334 00:15:52,720 --> 00:15:54,920 Speaker 1: Oh no, I already know what Season two is. Okay good, 335 00:15:54,960 --> 00:15:56,960 Speaker 1: and it will definitely involve your guys, Okay. 336 00:15:56,760 --> 00:15:58,320 Speaker 4: Good, all right, we got to be involved in that 337 00:15:58,400 --> 00:15:59,600 Speaker 4: in some way because it's too cool. 338 00:15:59,760 --> 00:16:02,280 Speaker 1: Yeah. No, if I get a season two, I will 339 00:16:02,320 --> 00:16:05,440 Speaker 1: definitely I will definitely include you guys, Yeah, for sure, 340 00:16:05,480 --> 00:16:07,280 Speaker 1: as yourselves. 341 00:16:07,280 --> 00:16:07,920 Speaker 5: So much fun. 342 00:16:08,120 --> 00:16:10,200 Speaker 3: Well, congratulations writer, We're proud of you. I can't wait 343 00:16:10,240 --> 00:16:11,800 Speaker 3: to hear it all. I think it'll be perfect timing 344 00:16:11,800 --> 00:16:13,680 Speaker 3: for me because I'll be on the road. Uh, and 345 00:16:13,760 --> 00:16:16,400 Speaker 3: so even with the three weeks at least most of it, 346 00:16:16,520 --> 00:16:18,840 Speaker 3: I'll be able to the minute they come out. 347 00:16:19,160 --> 00:16:21,480 Speaker 2: Yeah. Awesome, Well, it's awesome. 348 00:16:21,600 --> 00:16:24,600 Speaker 3: You all can listen to red Weather starting January twenty 349 00:16:24,640 --> 00:16:28,480 Speaker 3: eighth on the iHeartRadio app, Apple Podcasts or wherever you 350 00:16:28,520 --> 00:16:31,040 Speaker 3: get your podcasts. We can't wait to hear your thoughts. 351 00:16:31,280 --> 00:16:33,880 Speaker 3: I'll be sure to send you my notes. Yes, can 352 00:16:33,920 --> 00:16:35,440 Speaker 3: we can we get early episodes? 353 00:16:35,480 --> 00:16:38,640 Speaker 2: Do I know you? You give me any hook up 354 00:16:38,720 --> 00:16:38,840 Speaker 2: or so? 355 00:16:39,520 --> 00:16:40,680 Speaker 5: But yeah, yeah, I'll sorr. 356 00:16:41,280 --> 00:16:42,320 Speaker 2: Okay, how does it say? 357 00:16:42,360 --> 00:16:43,840 Speaker 3: Do we do we get at all? 358 00:16:43,880 --> 00:16:45,240 Speaker 5: From friends with being friends with you? 359 00:16:46,960 --> 00:16:48,120 Speaker 2: I want these episodes. 360 00:16:48,160 --> 00:16:48,600 Speaker 6: I do too. 361 00:16:48,800 --> 00:16:50,560 Speaker 4: And by the way, everything we say on this podcast 362 00:16:50,640 --> 00:16:52,520 Speaker 4: is the express view of everyone at iHeart. 363 00:16:54,720 --> 00:16:57,240 Speaker 2: I'm like writers, I write this one. This one is 364 00:16:58,720 --> 00:17:00,960 Speaker 2: entirely responsibility. 365 00:17:06,560 --> 00:17:09,960 Speaker 1: Podmeats World is an iHeart podcast producer hosted by Danielle Fischel, 366 00:17:10,000 --> 00:17:14,160 Speaker 1: Wilfridell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman. 367 00:17:14,320 --> 00:17:17,480 Speaker 1: Executive in charge of production, Danielle Romo, producer and editor, 368 00:17:17,520 --> 00:17:20,960 Speaker 1: Taras Sudbach, producer, Maddy Moore, engineer and Boy Meets World 369 00:17:21,040 --> 00:17:22,240 Speaker 1: Superman Easton Outen. 370 00:17:22,400 --> 00:17:25,000 Speaker 5: Our theme song is by Kyle Morton of Typhoon. 371 00:17:25,280 --> 00:17:28,240 Speaker 1: Follow us on Instagram at Podmeats World Show or email 372 00:17:28,320 --> 00:17:34,400 Speaker 1: us at Podmeats World Show at gmail dot com.