WEBVTT - Episode 439 w/ Dr. Dre and Snoop Dogg

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<v Speaker 1>He is drink Chants, motherfucking podcast makes He's a legends

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<v Speaker 1>every queen's rapper.

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<v Speaker 2>He ain't agreed as your boy in O R E.

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<v Speaker 3>He's a Miami hip hop poneer put up as d

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<v Speaker 3>J E f N. Together they drink it up with

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<v Speaker 3>some of the biggest players you know, me and the

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<v Speaker 3>most professional unprofessional podcast and your number one source for

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<v Speaker 3>drunk drink.

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<v Speaker 1>Chans mother every days New Ye see, that's it's time

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<v Speaker 1>for drink champions.

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<v Speaker 4>Drink up, mother.

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<v Speaker 2>I'm gonna keep your rail off top. Do anybody got switches?

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<v Speaker 2>The bide got switches? Goddamn? Is somebody for my drink already?

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<v Speaker 5>Got damn?

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<v Speaker 2>That's masterless Billy blunds. Jesus, how's everybody doing tonight? Make

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<v Speaker 2>some names started to show started to show because our community,

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<v Speaker 2>uh people always say, you know, when you got ten

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<v Speaker 2>years in this, you're washed up or you're gone. But

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<v Speaker 2>this is something in this world that's called legends, that's

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<v Speaker 2>called icons. And the two people that we are interviewing

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<v Speaker 2>today are legendary. They are icons. They raised some of you,

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<v Speaker 2>some of you people, moms and pops was fucking to

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<v Speaker 2>their music. Look at Big Boy while you look away,

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<v Speaker 2>oh ship the legends just soyo, with no further ado.

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<v Speaker 2>I just think we're gonna we don't even do a

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<v Speaker 2>regular intro because you know why, they don't need no

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<v Speaker 2>goddamn intro. That's motherfucking the time extra di Z in

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<v Speaker 2>the building. Okay, Now I'm gonna say, I'm gonna keep

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<v Speaker 2>it one hundred with y'all. I was over there and

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<v Speaker 2>they got to play me the dre and snoop material.

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<v Speaker 2>I could not stop smiling because you guys sound just

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<v Speaker 2>as young as you did when you when when?

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<v Speaker 6>When?

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<v Speaker 2>When? When it first got? How the hell do you

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<v Speaker 2>still have that passion?

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<v Speaker 6>So you're basically calling us all right now, no.

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<v Speaker 2>Hold on, this is ging juice right here right, Yes,

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<v Speaker 2>it is that yes, yeah, So how do you how

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<v Speaker 2>do you keep that same passion after all these years?

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<v Speaker 6>Just the love for the music and the love for

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<v Speaker 6>hip hop and what I do, and I just love

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<v Speaker 6>being creative. I would do this ship if I was

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<v Speaker 6>a plumber or something. It's just something I love to do. Unfortunately,

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<v Speaker 6>I've been able to make money at my passion, which

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<v Speaker 6>is the ultimate, the ultimate. I ain't fam there for

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<v Speaker 6>everyone right to do what you love to do and

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<v Speaker 6>make money yet it and make a living at it

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<v Speaker 6>and be able to not only take care of your family,

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<v Speaker 6>but your friends and everybody that you care about. So

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<v Speaker 6>that's my mission.

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<v Speaker 7>But what was what finally was able to get a

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<v Speaker 7>project past the finish line? Now it's been a while, Like,

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<v Speaker 7>what what was it special about this moment for you?

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<v Speaker 6>Well, it has to be a brotherhood, of course. It's

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<v Speaker 6>just like I don't just go in the studio and

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<v Speaker 6>just work out a card and just give a track

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<v Speaker 6>out for money. We never talk about money, you know,

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<v Speaker 6>we just going to studio and work, you know. So

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<v Speaker 6>I got to really fuck with you and have a

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<v Speaker 6>love and respect for you for me to go in

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<v Speaker 6>the studio and do my thing. So you know, this

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<v Speaker 6>is my brother. And we've been knowing each other for

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<v Speaker 6>well as actually we've been knowing each other for more

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<v Speaker 6>than thirty years, but we've been working together since. But

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<v Speaker 6>the first album that I produced two years ago, right,

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<v Speaker 6>it was thirty years ago, was well a little more

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<v Speaker 6>than thirty years ago. It was nineteen ninety three when

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<v Speaker 6>I produced his first album, Doggy Style.

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<v Speaker 2>And uh yeah.

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<v Speaker 6>Yeah, and then we circle back and I don't know

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<v Speaker 6>what the fuck. I don't know why the fuck it

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<v Speaker 6>took this long for us to circle back and get down,

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<v Speaker 6>but we're in there now. When you know, Snoop came

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<v Speaker 6>in and allowed me to get down the way I

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<v Speaker 6>get down. And you know, I feel like this is, uh,

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<v Speaker 6>some of my best work because my mentality for the

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<v Speaker 6>musicianship and everything that goes into doing this shit. But

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<v Speaker 6>then those twelve notes has just advanced so much. So yeah,

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<v Speaker 6>I feel like, right now today this is some of

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<v Speaker 6>my best work.

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<v Speaker 2>I ain't gonna lie to you. I was sitting back

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<v Speaker 2>there and I'm looking at the crowd walking and I'm like,

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<v Speaker 2>I'm just looking at everybody. I'm like, you don't know

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<v Speaker 2>what the fuck I'm listening to right now. I mean, like,

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<v Speaker 2>I know you're a humble guy, but you do know

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<v Speaker 2>you're the greatest producer of all time.

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<v Speaker 6>I hear that.

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<v Speaker 7>I thank you.

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<v Speaker 2>I knew you was some more off time because we

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<v Speaker 2>did a zoom call and you said thank you for

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<v Speaker 2>doing this, and I was like, he just think us.

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<v Speaker 2>I was like, we was like, thank you for assuming.

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<v Speaker 6>I mean, nobody's ever mad at humility right right, But.

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<v Speaker 2>It's like I heard, for real say one time that

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<v Speaker 2>he sees sound right. I still don't understand what he

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<v Speaker 2>means by that, right colors.

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<v Speaker 6>Ok, But so there's something in those twelve notes. Just

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<v Speaker 6>imagine this, since I think since the sixteen hundreds we've

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<v Speaker 6>there's only been twelve notes for all the music that's

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<v Speaker 6>been created, which is fascinated to me. Just twelve notes,

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<v Speaker 6>all right, So if you really think about that, it's

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<v Speaker 6>fucking amazing to vision. I just to think about how

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<v Speaker 6>many songs have been done since that time, for hundreds

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<v Speaker 6>of years, within just twelve notes, right. So, I mean,

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<v Speaker 6>I'm nerd out right now.

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<v Speaker 2>But yeah, that's great, that's new. I spoke to you

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<v Speaker 2>the on one day and.

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<v Speaker 6>I was wondering when he was gonna get Yeah, yeah,

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<v Speaker 6>what the.

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<v Speaker 4>Fuck is gonna I'm getting warmed up right now? Yeah? Yeah,

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<v Speaker 4>you know you got to turn the oven on.

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<v Speaker 6>Let it give him the spotlight. We're here right now.

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<v Speaker 8>The reason why we're study right now me question now

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<v Speaker 8>because I didn't.

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<v Speaker 2>Realize how dope our conversation was. We had spoke right

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<v Speaker 2>and you said, he said, because I'm gonna get with

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<v Speaker 2>you at the Olympics, and then you hung up, and

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<v Speaker 2>I did not realize you're talking about the real Olympics.

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<v Speaker 2>So I'm like, what Olympics is that he was?

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<v Speaker 7>I don't know.

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<v Speaker 2>Both know, he's like he was like after the Olympics,

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<v Speaker 2>and then I didn't realize I had that information. As

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<v Speaker 2>a journalist, I could have said something and then like.

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<v Speaker 7>Two days he saw you way early, like two weeks.

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<v Speaker 2>That didn't make the story. But he he didn't take

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<v Speaker 2>the ball roun with it.

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<v Speaker 6>I didn't tell you something. Snoop works harder than anybody

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<v Speaker 6>I know. He'll be at my house one day, right

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<v Speaker 6>and then like tomorrow he'll send me a picture on

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<v Speaker 6>a camel standing by a fucking pyramid, like it's crazy.

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<v Speaker 2>Yes, the first time we interviewed you, this is when.

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<v Speaker 6>I knew how powerful you were.

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<v Speaker 2>We checked into the hotel and they gave us shower caps.

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<v Speaker 2>Why they knew you were going to smoke.

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<v Speaker 8>Or they put the shower camp bed over the fire

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<v Speaker 8>and we still blew the ship out.

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<v Speaker 4>You remember what the is the shower camp ship arms

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<v Speaker 4>the alarmness put the shower cap over there and smoke.

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<v Speaker 8>Now you knew exactly what to do.

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<v Speaker 6>Jump right in on that.

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<v Speaker 2>Un It's my technique. This is a question. This is

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<v Speaker 2>is a personal question for me that I always wanted

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<v Speaker 2>to know. After the East Coast West Coast, you know

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<v Speaker 2>the termory that whatever happened right, there was a record

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<v Speaker 2>that came out for my two friends Big Pun and

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<v Speaker 2>Fat Joe and they did deep Cover over and at

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<v Speaker 2>first before the dropped, we didn't know what's that? Was

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<v Speaker 2>that something? And then the video dropped and we seen

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<v Speaker 2>Snoop was actually in the video. But they actually took

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<v Speaker 2>y'all record and made it.

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<v Speaker 4>They gave it more life.

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<v Speaker 2>My opinion was because sometimes when the person does my

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<v Speaker 2>record over, I don't like it. He hates it. I

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<v Speaker 2>hate it like it's not if they don't make it

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<v Speaker 2>just as good.

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<v Speaker 8>But that's that's when hip hop was hip hop. So

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<v Speaker 8>for them to take it, they knew that they had

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<v Speaker 8>the hip hop on it one and Fat Joe went

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<v Speaker 8>hard on that record they did and fast crazy Fat

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<v Speaker 8>Joe called me personally and was like, the fuck with you?

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<v Speaker 4>We want you to be in this video. I'm like, nigga,

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<v Speaker 4>get down, what I gotta do.

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<v Speaker 8>It came to my house, shot to part and that

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<v Speaker 8>and that's me and him became like this. So it

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<v Speaker 8>wasn't about East West it was about love. I love

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<v Speaker 8>what he was doing. He wanted me to be a

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<v Speaker 8>part of. But I was never afraid to fuck with

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<v Speaker 8>people from anywhere. It was never met pushing that line.

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<v Speaker 8>You know, I just was defending my side.

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<v Speaker 6>That I'm like, I love, I love what they did

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<v Speaker 6>to that record. Man.

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<v Speaker 2>So you literally literally little yeah, whole ship was crazy.

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<v Speaker 7>Today's actually coincidentally the anniversary of two thousand and one

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<v Speaker 7>the Crown twenty five years Let's let's.

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<v Speaker 2>Take a shot to that. Let me let me get

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<v Speaker 2>a shot. I'm gonna take a shot.

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<v Speaker 4>Fuck up twenty five years old.

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<v Speaker 6>Do see where you at? What's up? Big boy?

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<v Speaker 8>You your nigga sitting in the front row like a

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<v Speaker 8>regular nigga. I'm glad y'all got his ass squeezed in.

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<v Speaker 8>Got that nigga squeezed in between swab and right squeeze

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<v Speaker 8>his ass in.

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<v Speaker 6>You know you wasn't gonna get away with that.

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<v Speaker 8>No first class ship today, nigga, this is not California, nigga.

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<v Speaker 8>Treat that nigga like a regular nigga asking Warris ticket

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<v Speaker 8>at right now?

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<v Speaker 2>Somebody so so so dre, let me ask you something,

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<v Speaker 2>what is one of your favorite records that you worked

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<v Speaker 2>on that it was not yours.

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<v Speaker 6>Ship The next one, I don't know, man, that was

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<v Speaker 6>not mine that I worked on. Please explain that a

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<v Speaker 6>record that I worked on that wasn't mine. I don't know.

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<v Speaker 6>I don't know how to answer that question.

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<v Speaker 4>Okay, A song that you produced with somebody that you

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<v Speaker 4>a song that I.

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<v Speaker 6>Produced, like maybe the Firm Phone Tap? I really like

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<v Speaker 6>you know, I worked with nas A Z and Nature

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<v Speaker 6>on that song, and that was one of the times

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<v Speaker 6>when you.

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<v Speaker 4>Were still using that show on his radio show, he

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<v Speaker 4>owe you money for that.

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<v Speaker 6>Big still use that phone tap? That's right.

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<v Speaker 4>I don't think he ever paid you.

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<v Speaker 2>Come never that nigga. Never even talk to me about money.

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<v Speaker 2>When being the front road goes wrong, I still love it.

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<v Speaker 6>Let me tell you how to know what you was

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<v Speaker 6>in store for coming here, how big?

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<v Speaker 2>Let me tell you how dope your life is. Doctor

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<v Speaker 2>j Is. When we spoke the other day, I said,

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<v Speaker 2>you know, I know I met you before we worked

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<v Speaker 2>on the Firm album. You was the one who played

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<v Speaker 2>I'm leaving on the Firm album for me. You was

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<v Speaker 2>the one who did that, and you co signed me

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<v Speaker 2>being on the Firm album. That's how dope your life is.

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<v Speaker 2>You don't even remember you could change my life and

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<v Speaker 2>don't even remember trying hard to remember.

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<v Speaker 6>Yo, I'm actually a little bit embarrassed, right, No.

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<v Speaker 2>No, So how was that working on the East East

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<v Speaker 2>Coast album? Because you know, predominantly you you fully produced

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<v Speaker 2>the n w A. But then you get a chance

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<v Speaker 2>to work with Nas is arguably one of the lyricists

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<v Speaker 2>and he says, I want to come with my crew.

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<v Speaker 2>Was that it's a different process working with East Coast artists,

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<v Speaker 2>working with you.

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<v Speaker 6>When I go in the studio with somebody, I'm not

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<v Speaker 6>thinking about where you live, where you're from, East Coast,

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<v Speaker 6>West Coast and all that bullshit. It was complete bullshit

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<v Speaker 6>that caused a lot of motherfucking violence, danger to our

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<v Speaker 6>culture and what we do. That was really unnecessary. So

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<v Speaker 6>I wasn't thinking about it in that way. What I

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<v Speaker 6>was thinking about was working with an artist that I

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<v Speaker 6>really love and respect Nas, So you know that that

0:12:10.679 --> 0:12:12.520
<v Speaker 6>was it, That was the draw for me. So I

0:12:12.559 --> 0:12:14.160
<v Speaker 6>got a chance to get in the room with this

0:12:14.280 --> 0:12:17.000
<v Speaker 6>amazing artist and we just created something that I thought

0:12:17.080 --> 0:12:20.320
<v Speaker 6>was spectacular, you know, meaning Phone Tap. I thought that

0:12:20.440 --> 0:12:22.280
<v Speaker 6>was a really fun record and that was one of

0:12:22.320 --> 0:12:25.120
<v Speaker 6>the times that there was no managers or anything like

0:12:25.160 --> 0:12:28.760
<v Speaker 6>that in the studio and it was just us artists

0:12:28.800 --> 0:12:31.840
<v Speaker 6>just in there, just free to be creative.

0:12:33.640 --> 0:12:35.600
<v Speaker 2>I feel like I feel like you guys started something

0:12:35.720 --> 0:12:38.280
<v Speaker 2>as well. Right Can y'all put the spotlight on Snoop?

0:12:38.400 --> 0:12:40.000
<v Speaker 2>It's both y'all right now.

0:12:39.880 --> 0:12:41.240
<v Speaker 6>The super Bowl.

0:12:41.360 --> 0:12:43.120
<v Speaker 4>Time need to get your ship off here.

0:12:43.679 --> 0:12:45.360
<v Speaker 2>Alumni, he's like the third host right now.

0:12:45.880 --> 0:12:48.880
<v Speaker 4>Look at my uniform, dream already on the team this.

0:12:49.000 --> 0:12:52.040
<v Speaker 2>Look at the reason why we're in here right now.

0:12:53.400 --> 0:12:56.920
<v Speaker 2>Let me ask y'all, since y'all performed at the super

0:12:56.920 --> 0:13:00.400
<v Speaker 2>Bowl and that super Bowl happened to be in Los Angeles,

0:13:00.720 --> 0:13:02.880
<v Speaker 2>it's this big thing that's going on right now that

0:13:02.960 --> 0:13:07.040
<v Speaker 2>everyone thinks that whatever the super Bowl takes place, the

0:13:07.200 --> 0:13:09.720
<v Speaker 2>artist that's there, it's supposed to know.

0:13:09.800 --> 0:13:12.640
<v Speaker 8>What we need to think about is that before jay

0:13:12.720 --> 0:13:16.080
<v Speaker 8>Z got control of the Super Bowl, was no niggas performing.

0:13:16.720 --> 0:13:19.440
<v Speaker 8>So let's go back to the essence of the beginning

0:13:19.600 --> 0:13:22.760
<v Speaker 8>of Breach. He's creating a wave of artists to have

0:13:22.840 --> 0:13:25.920
<v Speaker 8>an opportunity to perform. If you're good artist, and you're

0:13:25.920 --> 0:13:28.960
<v Speaker 8>a great artist, your time will come. Like I was

0:13:29.040 --> 0:13:32.080
<v Speaker 8>never crying about it or mad about it. When doctor

0:13:32.120 --> 0:13:33.719
<v Speaker 8>Dray called me and asked me to get his back,

0:13:33.800 --> 0:13:35.880
<v Speaker 8>I was there for him, but I didn't feel like

0:13:35.920 --> 0:13:37.079
<v Speaker 8>I was supposed to be there.

0:13:37.160 --> 0:13:40.280
<v Speaker 4>I was, you know, in demand to be there. This

0:13:40.360 --> 0:13:41.160
<v Speaker 4>is a big event.

0:13:41.679 --> 0:13:45.199
<v Speaker 8>People looking at everything when they pick the person to perform.

0:13:45.400 --> 0:13:47.720
<v Speaker 8>You should just be honored that, you know, hip hop

0:13:47.760 --> 0:13:50.440
<v Speaker 8>is being able to be seen on that platform for

0:13:50.559 --> 0:13:52.959
<v Speaker 8>all of us. And not hate on the next man,

0:13:53.040 --> 0:13:53.640
<v Speaker 8>but be happy.

0:13:55.960 --> 0:13:58.199
<v Speaker 2>We had you on the show after the super Bowl

0:13:58.360 --> 0:14:02.480
<v Speaker 2>and you spoke about game and was there anybody that

0:14:02.520 --> 0:14:04.800
<v Speaker 2>you felt like you left on stage or you was

0:14:04.840 --> 0:14:05.360
<v Speaker 2>good with it?

0:14:06.120 --> 0:14:08.040
<v Speaker 6>No? I was good. It was perfect.

0:14:09.000 --> 0:14:13.720
<v Speaker 2>That's it. Nobody get no cigars.

0:14:14.040 --> 0:14:14.960
<v Speaker 4>I got some backwoods.

0:14:16.559 --> 0:14:18.240
<v Speaker 2>I spoke a backwood. I like, oh, what is time

0:14:18.280 --> 0:14:18.920
<v Speaker 2>for flowers?

0:14:18.960 --> 0:14:19.080
<v Speaker 6>Man?

0:14:19.160 --> 0:14:21.840
<v Speaker 2>Yes, lets, our show is about giving people their flowers

0:14:21.920 --> 0:14:25.760
<v Speaker 2>while they're alive. While they're doing it, Dre, you haven't

0:14:25.800 --> 0:14:28.080
<v Speaker 2>been able to be on our show. And our show

0:14:28.840 --> 0:14:33.200
<v Speaker 2>is based on giving people their motherfucking flowers while they're alive, Snoop,

0:14:35.040 --> 0:14:37.600
<v Speaker 2>and Snoop says. Snoop says, this is better than the

0:14:37.680 --> 0:14:40.440
<v Speaker 2>Grammy because it comes from your motherfucking people. To everybody

0:14:40.440 --> 0:14:43.480
<v Speaker 2>in the motherfucking house. Make some noise for motherfucking doctor,

0:14:43.520 --> 0:14:44.680
<v Speaker 2>dre stoop dope.

0:14:47.040 --> 0:14:52.680
<v Speaker 6>Get you. Yes, that's dope.

0:14:53.120 --> 0:14:54.880
<v Speaker 2>So let me let me ask you. I'm sorry to

0:14:55.000 --> 0:14:56.440
<v Speaker 2>have it all on you, but let me ask you something.

0:14:57.200 --> 0:15:00.080
<v Speaker 2>As anybody ever told you, I appreciate it any I

0:15:00.240 --> 0:15:02.080
<v Speaker 2>ever told you no, because I feel like you one

0:15:02.120 --> 0:15:04.720
<v Speaker 2>of those people that no one says no to. Oh shit,

0:15:06.280 --> 0:15:06.880
<v Speaker 2>is that quick?

0:15:08.200 --> 0:15:08.960
<v Speaker 6>What you said no to?

0:15:09.040 --> 0:15:09.360
<v Speaker 2>Snoop?

0:15:09.560 --> 0:15:11.240
<v Speaker 8>I say no all the time, but he do too.

0:15:11.320 --> 0:15:13.200
<v Speaker 8>But that's what that's what a brotherhood is about.

0:15:13.600 --> 0:15:16.800
<v Speaker 6>It depends on you know the question, you know, and

0:15:16.880 --> 0:15:17.120
<v Speaker 6>the no.

0:15:17.360 --> 0:15:19.200
<v Speaker 4>Is not mean no.

0:15:19.320 --> 0:15:22.320
<v Speaker 8>It's like we're trying to make each other better. So

0:15:22.600 --> 0:15:25.480
<v Speaker 8>the no is usually because we think we can do better.

0:15:25.920 --> 0:15:26.720
<v Speaker 4>That's what the no is.

0:15:26.760 --> 0:15:28.920
<v Speaker 8>It's never like no, I ain't fucking with you. Is no,

0:15:29.480 --> 0:15:31.200
<v Speaker 8>I think we can do something better than that.

0:15:31.200 --> 0:15:33.200
<v Speaker 6>That's the drawn fuck suck Wait.

0:15:33.240 --> 0:15:35.600
<v Speaker 2>Snoop said no to a drake beat ever.

0:15:35.720 --> 0:15:38.520
<v Speaker 8>Always he said this. Nigga sent me beats one hundred

0:15:38.600 --> 0:15:40.480
<v Speaker 8>beats all the time. And this is how you know.

0:15:40.520 --> 0:15:42.480
<v Speaker 8>I don't fuck with it. I don't say nothing.

0:15:42.480 --> 0:15:43.520
<v Speaker 2>A real relationship.

0:15:44.320 --> 0:15:45.400
<v Speaker 6>But if I funk with it.

0:15:45.480 --> 0:15:49.840
<v Speaker 8>He getting all kind of emojis, and yeah, Drake got

0:15:49.880 --> 0:15:50.400
<v Speaker 8>the emojis.

0:15:50.920 --> 0:15:54.280
<v Speaker 6>I'm always up at like six am sing sentence Snoop

0:15:54.400 --> 0:15:56.400
<v Speaker 6>tracks and ship like that, and then you know, I

0:15:56.440 --> 0:15:58.640
<v Speaker 6>don't hear ship, and then every now and then it's

0:15:58.680 --> 0:16:03.080
<v Speaker 6>like non fire emojis, you know. So, yeah, that's that's

0:16:03.120 --> 0:16:03.600
<v Speaker 6>what it is.

0:16:03.760 --> 0:16:05.560
<v Speaker 4>That's my niggas when he put that one out.

0:16:06.480 --> 0:16:08.560
<v Speaker 2>So at one point, right, it wasn't like y'all wasn't

0:16:08.560 --> 0:16:10.000
<v Speaker 2>messing with each other, but it was like Snoop was

0:16:10.040 --> 0:16:11.840
<v Speaker 2>doing his own thing. You was doing your own thing.

0:16:12.200 --> 0:16:15.440
<v Speaker 2>How did that time feel to you guys? Being separated?

0:16:16.840 --> 0:16:19.520
<v Speaker 8>To me, it felt it felt good because I was

0:16:19.520 --> 0:16:20.280
<v Speaker 8>able to show.

0:16:20.120 --> 0:16:22.880
<v Speaker 4>Doctor Dre that I was. I was who I was.

0:16:23.120 --> 0:16:25.200
<v Speaker 8>That's the reason why he was fucking with me. And

0:16:25.240 --> 0:16:27.400
<v Speaker 8>I was always trying to impress Doctor Dred. And the

0:16:27.440 --> 0:16:30.040
<v Speaker 8>part that he didn't understand was every fucking producer I

0:16:30.120 --> 0:16:34.320
<v Speaker 8>worked with would always ask me about him. They would

0:16:34.360 --> 0:16:36.600
<v Speaker 8>play his records that we made, or they would play

0:16:36.640 --> 0:16:37.840
<v Speaker 8>the song that we made.

0:16:37.640 --> 0:16:40.080
<v Speaker 4>Even when we did drop it like It's Hot.

0:16:41.000 --> 0:16:44.040
<v Speaker 8>Arell called this nigga to the studio and I told him,

0:16:44.040 --> 0:16:45.680
<v Speaker 8>I'm fing to go to the car and get some blunts,

0:16:45.680 --> 0:16:47.760
<v Speaker 8>and I left because I didn't want to be in

0:16:47.760 --> 0:16:49.640
<v Speaker 8>there to hear this nigga to say that he didn't

0:16:49.680 --> 0:16:50.280
<v Speaker 8>like the record.

0:16:52.400 --> 0:16:55.520
<v Speaker 6>But after he heard story.

0:16:55.720 --> 0:16:58.880
<v Speaker 8>That nigga called me, it was like, Nigga, that motherfucker

0:16:58.920 --> 0:17:00.000
<v Speaker 8>fire hot.

0:17:00.320 --> 0:17:03.600
<v Speaker 6>Yes, I saw of my favorite records that Snoop did.

0:17:03.320 --> 0:17:06.719
<v Speaker 8>That made me feel good and I was able to

0:17:06.960 --> 0:17:09.720
<v Speaker 8>impress doctor Drake because it's all his students. You got

0:17:09.760 --> 0:17:12.119
<v Speaker 8>to understand, we all thrive on impressing him when we

0:17:12.240 --> 0:17:15.400
<v Speaker 8>not with him, because he's so exceptional when he's with us.

0:17:15.400 --> 0:17:18.600
<v Speaker 8>So it's a demand of that level that we demand

0:17:18.600 --> 0:17:20.560
<v Speaker 8>from the producers for real timblin.

0:17:21.160 --> 0:17:23.359
<v Speaker 4>These niggas they always.

0:17:23.800 --> 0:17:26.359
<v Speaker 8>Put the up against him, and when they making records

0:17:26.359 --> 0:17:28.320
<v Speaker 8>for me, they're like, man, I don't know, man, what

0:17:28.400 --> 0:17:29.200
<v Speaker 8>you think Drake Gonay?

0:17:29.200 --> 0:17:30.520
<v Speaker 4>I'm like, why the fuck is you worry about what

0:17:30.520 --> 0:17:32.160
<v Speaker 4>he man?

0:17:32.240 --> 0:17:34.360
<v Speaker 8>If Dre don't like it, man, I'm like, he ain't

0:17:34.359 --> 0:17:35.520
<v Speaker 8>gonna like the motherfuckers.

0:17:37.000 --> 0:17:38.919
<v Speaker 2>I imagine this problem. I don't know why I'm in

0:17:38.920 --> 0:17:42.400
<v Speaker 2>those conversations. Set the bar, you set the bar.

0:17:42.320 --> 0:17:43.680
<v Speaker 6>Cut yeah, Okay.

0:17:43.920 --> 0:17:47.600
<v Speaker 7>I imagine that this project probably felt different because before

0:17:47.640 --> 0:17:50.280
<v Speaker 7>it was the mentor and the student, and it's like

0:17:50.320 --> 0:17:51.400
<v Speaker 7>the student n't graduating.

0:17:51.480 --> 0:17:52.359
<v Speaker 2>You guys are more than you.

0:17:52.359 --> 0:17:55.239
<v Speaker 6>No wash, Wait, hold on, let me tell you what

0:17:55.280 --> 0:17:56.199
<v Speaker 6>the fuck I'm dealing with.

0:17:56.320 --> 0:17:57.000
<v Speaker 4>Man, tell you.

0:17:57.040 --> 0:17:59.720
<v Speaker 6>So when we started, I'm like, snoop, let's do this

0:17:59.760 --> 0:18:02.320
<v Speaker 6>fuck a right, and he was like, yeah, we could

0:18:02.320 --> 0:18:03.800
<v Speaker 6>get this done in two weeks.

0:18:04.320 --> 0:18:07.600
<v Speaker 4>Did you say that two weeks? I did say that, what.

0:18:07.480 --> 0:18:09.399
<v Speaker 6>The fuck we're gonna do in two weeks? Two songs?

0:18:09.440 --> 0:18:11.120
<v Speaker 8>I was trying to lock you into getting this shit

0:18:11.200 --> 0:18:11.640
<v Speaker 8>to come out.

0:18:11.840 --> 0:18:14.880
<v Speaker 6>No, no, no, that's what we're doing now. No.

0:18:16.440 --> 0:18:18.880
<v Speaker 8>I knew if I got two weeks with you that

0:18:18.880 --> 0:18:20.679
<v Speaker 8>that would be a solid two weeks. But then it

0:18:20.720 --> 0:18:23.320
<v Speaker 8>turned from two weeks to after we finished two weeks.

0:18:23.160 --> 0:18:25.320
<v Speaker 2>Nah, nigga, keep it a buck. You wanted to do

0:18:25.359 --> 0:18:26.639
<v Speaker 2>the whole album in two weeks.

0:18:26.680 --> 0:18:29.119
<v Speaker 8>I did because you was on one. You had a

0:18:29.200 --> 0:18:31.399
<v Speaker 8>thousand beats, you had a gang of shit over there.

0:18:31.440 --> 0:18:34.119
<v Speaker 8>You was energetic, you was ready to go, and I

0:18:34.200 --> 0:18:34.800
<v Speaker 8>was ready to go.

0:18:34.960 --> 0:18:35.800
<v Speaker 6>See what I'm dealing with.

0:18:36.760 --> 0:18:40.720
<v Speaker 4>But then he said, just give me two days. I

0:18:40.800 --> 0:18:43.919
<v Speaker 4>game two days. It's give me two more days. Just

0:18:43.920 --> 0:18:45.160
<v Speaker 4>give me two more days.

0:18:45.720 --> 0:18:50.120
<v Speaker 8>It's been two more days since we started, but we're

0:18:50.119 --> 0:18:52.720
<v Speaker 8>at the finish line and those two days are great

0:18:52.800 --> 0:18:55.800
<v Speaker 8>days because we make exceptional music and we push each

0:18:55.800 --> 0:18:58.280
<v Speaker 8>other and it's the funnest time I've ever had working

0:18:58.280 --> 0:18:59.639
<v Speaker 8>with him and his crew, because he got a hell

0:18:59.640 --> 0:19:01.000
<v Speaker 8>of a crew that he don't speak on it.

0:19:01.080 --> 0:19:02.960
<v Speaker 4>I want to speak on the ic U.

0:19:03.440 --> 0:19:06.240
<v Speaker 8>He got some bad motherfuckers with him that they don't

0:19:06.280 --> 0:19:08.440
<v Speaker 8>do nothing but put their hand down and they work

0:19:08.760 --> 0:19:10.679
<v Speaker 8>and they make sure that the project is effective. So

0:19:10.680 --> 0:19:12.080
<v Speaker 8>I want to get him a shout out because it's

0:19:12.080 --> 0:19:12.960
<v Speaker 8>a pleasure working with you.

0:19:13.080 --> 0:19:18.800
<v Speaker 6>I got an amazing team from my Smitty Khan, Coco,

0:19:19.720 --> 0:19:25.040
<v Speaker 6>all of my you know, uh fucking focus Fred record

0:19:25.119 --> 0:19:29.320
<v Speaker 6>is in here, Eric, Yeah, Griz, It's just like a

0:19:29.400 --> 0:19:32.199
<v Speaker 6>team of us appreciate it. So it's a team of

0:19:32.280 --> 0:19:33.960
<v Speaker 6>us that we come in there and we get down

0:19:34.000 --> 0:19:37.280
<v Speaker 6>and I don't know what we do more music or laugh,

0:19:37.440 --> 0:19:40.320
<v Speaker 6>but it's a whole it's a whole situation. Every day

0:19:40.720 --> 0:19:42.720
<v Speaker 6>we come in there and it's just fun. I don't

0:19:42.720 --> 0:19:44.120
<v Speaker 6>even know what we call it work.

0:19:44.400 --> 0:19:49.120
<v Speaker 8>But remember you saying that the student I graduated, this

0:19:49.200 --> 0:19:51.560
<v Speaker 8>is the trip about this project. I turned back into

0:19:51.640 --> 0:19:55.159
<v Speaker 8>the student, but even more of a student. When I

0:19:55.200 --> 0:19:58.160
<v Speaker 8>was a student the first time, I was like going

0:19:58.200 --> 0:20:01.080
<v Speaker 8>to the board righting ideas, and I think this should

0:20:01.080 --> 0:20:03.480
<v Speaker 8>happen this time as a student. I set my ass

0:20:03.480 --> 0:20:06.800
<v Speaker 8>in class and let the teacher teach, Let the teacher

0:20:06.880 --> 0:20:11.640
<v Speaker 8>produce and engage and tell me, direct me and show me.

0:20:12.160 --> 0:20:13.800
<v Speaker 8>So it was more of a like I'm going back

0:20:13.840 --> 0:20:14.960
<v Speaker 8>to first in that mode.

0:20:15.359 --> 0:20:18.120
<v Speaker 6>That's actually what happened. We're both we we don't get

0:20:18.160 --> 0:20:20.280
<v Speaker 6>in each other's way. I do my ship, he does

0:20:20.320 --> 0:20:22.600
<v Speaker 6>this ship and then boom, it's magic.

0:20:24.160 --> 0:20:27.320
<v Speaker 2>Are y'all in the same room or do you do?

0:20:27.400 --> 0:20:30.680
<v Speaker 6>You? What the fuck?

0:20:30.800 --> 0:20:31.880
<v Speaker 4>Don't see where you at?

0:20:32.280 --> 0:20:32.880
<v Speaker 6>He right there?

0:20:33.000 --> 0:20:34.960
<v Speaker 2>The fuck that you just say, no, no, no, nose. You

0:20:35.000 --> 0:20:37.199
<v Speaker 2>know why we're in the same room. One time I

0:20:37.240 --> 0:20:39.640
<v Speaker 2>worked with Premier and Permit just got in the zone

0:20:39.680 --> 0:20:41.520
<v Speaker 2>and he just went in in the room by himself,

0:20:41.560 --> 0:20:43.480
<v Speaker 2>in the preproduction room, and he just made the beat.

0:20:43.480 --> 0:20:46.560
<v Speaker 2>And when he came't he walked over and he raised

0:20:46.600 --> 0:20:47.600
<v Speaker 2>every bat. He played me.

0:20:47.760 --> 0:20:50.520
<v Speaker 4>Doctor Drake Cook and the motherfucking cake fro front of everybody,

0:20:50.600 --> 0:20:51.720
<v Speaker 4>and then one of those.

0:20:52.000 --> 0:20:56.760
<v Speaker 6>The room, hold on, let him tell you, I don't

0:20:56.800 --> 0:20:58.520
<v Speaker 6>know what the fuck that is. She was just talking.

0:21:00.040 --> 0:21:02.240
<v Speaker 2>I just said, some producers do that. I've seen for

0:21:02.320 --> 0:21:03.840
<v Speaker 2>Man do that. I seen for Real do that. Go

0:21:03.880 --> 0:21:07.000
<v Speaker 2>on his own and just kick everybodyself of my favorite producers.

0:21:07.320 --> 0:21:13.200
<v Speaker 2>But however, you make beats in front of everybody, Go ahead.

0:21:12.640 --> 0:21:15.760
<v Speaker 8>Doctor Drake cooks the motherfucking dish in front of everybody.

0:21:15.840 --> 0:21:17.840
<v Speaker 4>He put the motherfucking.

0:21:17.600 --> 0:21:20.600
<v Speaker 8>Lady ingredients side on the table and he cooked that ship.

0:21:20.680 --> 0:21:22.600
<v Speaker 8>And whatever's in the motherfucking room. We know how to

0:21:22.640 --> 0:21:24.600
<v Speaker 8>take every piece what's in that room and make that

0:21:24.600 --> 0:21:28.120
<v Speaker 8>shit fit. And then at the same time, the production

0:21:28.760 --> 0:21:30.960
<v Speaker 8>ain't right until he says right, So we can say

0:21:31.000 --> 0:21:32.919
<v Speaker 8>the song is done, but he gonna go listen to it.

0:21:32.960 --> 0:21:34.760
<v Speaker 8>Then he's gonna add some pieces to it, and it's

0:21:34.800 --> 0:21:37.200
<v Speaker 8>gonna it's gonna be fully it's gonna be fully loaded,

0:21:37.240 --> 0:21:37.919
<v Speaker 8>locked and loaded.

0:21:39.160 --> 0:21:40.840
<v Speaker 2>I don't know what I'll do for doctor dre Be.

0:21:41.480 --> 0:21:43.560
<v Speaker 4>You gotta have a whole lot of money, cuz right here,

0:21:44.080 --> 0:21:44.720
<v Speaker 4>it's all right.

0:21:44.840 --> 0:21:46.040
<v Speaker 6>You're working on it right now.

0:21:46.160 --> 0:21:51.960
<v Speaker 2>No, I'm coming out of the time. Were on the record, right,

0:21:53.160 --> 0:21:54.760
<v Speaker 2>You got method Man on a new album too.

0:21:54.960 --> 0:21:59.920
<v Speaker 6>Yes, method Man came through it was shiny bla fabulous Yeah. Yeah,

0:22:00.080 --> 0:22:02.800
<v Speaker 6>he came through, not only for a song on Snoop's album.

0:22:02.920 --> 0:22:06.520
<v Speaker 6>He killed the second verse. It was like, actually one

0:22:06.520 --> 0:22:09.879
<v Speaker 6>of my favorite parts in the album, the song It

0:22:09.960 --> 0:22:13.119
<v Speaker 6>is Nuts. So, and we did a short movie for

0:22:13.160 --> 0:22:15.639
<v Speaker 6>the release of the album. It's a ten minute short movie.

0:22:15.680 --> 0:22:20.200
<v Speaker 6>That's craziest shit. And method Man blessed us and did

0:22:20.560 --> 0:22:24.600
<v Speaker 6>the narration over the movie. So yeah, so that's gonna

0:22:25.119 --> 0:22:28.399
<v Speaker 6>come out right before the album drops. The album drops

0:22:28.400 --> 0:22:31.880
<v Speaker 6>December thirteenth, and hopefully this movie comes out December ninth.

0:22:32.280 --> 0:22:34.560
<v Speaker 6>Goddamn shameless plug, shameless plug.

0:22:35.520 --> 0:22:37.120
<v Speaker 2>I'm gonna take a shot to this.

0:22:37.200 --> 0:22:38.680
<v Speaker 4>Yeah, let him getting drunk.

0:22:38.840 --> 0:22:42.320
<v Speaker 2>So yeah, so let's talk about this one second, because

0:22:42.560 --> 0:22:44.000
<v Speaker 2>I remember at first you had that this.

0:22:44.280 --> 0:22:46.280
<v Speaker 6>Is okay, this is the part that Jimmy Where is

0:22:46.359 --> 0:22:46.920
<v Speaker 6>Jimmy head?

0:22:46.960 --> 0:22:48.080
<v Speaker 2>I think right over there?

0:22:48.160 --> 0:22:50.600
<v Speaker 6>Yeah yeah, oh there he is. Yeah, this is the

0:22:50.600 --> 0:22:53.080
<v Speaker 6>part that Jimmy's been waiting for. Okay, that's my man.

0:22:56.080 --> 0:22:59.000
<v Speaker 8>Saw were pushing the product right now, hold on. So

0:22:59.040 --> 0:23:00.960
<v Speaker 8>what we did was we start with the can first,

0:23:01.040 --> 0:23:03.080
<v Speaker 8>right because we wanted to make it easy grab. We

0:23:03.119 --> 0:23:05.080
<v Speaker 8>wanted to have everybody moving and grooving to it, So

0:23:05.119 --> 0:23:05.960
<v Speaker 8>we came with the can.

0:23:06.440 --> 0:23:07.480
<v Speaker 4>Then we moved on to.

0:23:07.480 --> 0:23:08.359
<v Speaker 6>The pre mixed.

0:23:08.400 --> 0:23:09.800
<v Speaker 2>Right, it's already mixed, already.

0:23:09.520 --> 0:23:11.240
<v Speaker 4>Mixed gin and juice, already ready.

0:23:11.320 --> 0:23:12.680
<v Speaker 6>This is the business right here.

0:23:13.240 --> 0:23:15.480
<v Speaker 4>You understand me, Ready to go, you know what I'm saying.

0:23:15.480 --> 0:23:18.080
<v Speaker 8>The ladies really love it. And then we wanted to

0:23:18.080 --> 0:23:20.359
<v Speaker 8>come with the next level was the steal.

0:23:21.160 --> 0:23:23.199
<v Speaker 2>Yeah, this is my ship. You send me that, You

0:23:23.200 --> 0:23:23.840
<v Speaker 2>send me this, and.

0:23:23.960 --> 0:23:25.280
<v Speaker 4>I know that won't cost too much.

0:23:26.160 --> 0:23:29.240
<v Speaker 8>See the bottle, this is send you some can.

0:23:29.440 --> 0:23:31.680
<v Speaker 2>No motherfuckers, not trying to but take a shot of this. Please,

0:23:32.320 --> 0:23:33.119
<v Speaker 2>did you drink it?

0:23:33.440 --> 0:23:35.040
<v Speaker 4>I got to hand you the bottle. Nord that ship

0:23:35.080 --> 0:23:35.600
<v Speaker 4>laughing to break.

0:23:36.520 --> 0:23:40.600
<v Speaker 6>I did that bottle and he's amazing. Cheers.

0:23:40.680 --> 0:23:43.080
<v Speaker 2>I ain't gonna lie, toll, I ain't gonna lie to you. Move.

0:23:43.560 --> 0:23:47.440
<v Speaker 2>But it's smooth. Yeah, I'm not even a ginger and

0:23:47.480 --> 0:23:47.960
<v Speaker 2>this is smooth.

0:23:48.160 --> 0:23:49.960
<v Speaker 6>It's smooth, and it's gonna fuck you up.

0:23:50.040 --> 0:23:52.840
<v Speaker 2>So yeah, and this is in stores yet, let me

0:23:52.880 --> 0:23:55.199
<v Speaker 2>get a little bit. Yeah, yeah, is this in stores?

0:23:57.200 --> 0:23:59.200
<v Speaker 4>Jo, hello, sun shine, because you bring me mind.

0:23:59.240 --> 0:24:02.240
<v Speaker 6>Jimmy's right there. You can ask him what mmy.

0:24:02.480 --> 0:24:04.800
<v Speaker 2>We need Jimmy to have a Mic over there. He's

0:24:04.840 --> 0:24:08.920
<v Speaker 2>not gonna come up here, but let's let's talk about

0:24:08.960 --> 0:24:12.320
<v Speaker 2>that for a second. You and Jimmy's relationship, it seems

0:24:12.359 --> 0:24:17.000
<v Speaker 2>like it's been like it's been impeccable, Like you know

0:24:17.000 --> 0:24:19.760
<v Speaker 2>what I'm saying, Like most people say, you know that,

0:24:19.880 --> 0:24:21.959
<v Speaker 2>you know how bad the music industry is, but then

0:24:21.960 --> 0:24:24.640
<v Speaker 2>you got examples like you and him who had this great,

0:24:24.880 --> 0:24:27.160
<v Speaker 2>you know, a relationship, Like how did that start?

0:24:27.560 --> 0:24:30.959
<v Speaker 6>That's a great question. Jimmy and I we have a

0:24:31.160 --> 0:24:33.639
<v Speaker 6>massive amount of love and respect for each other. And

0:24:33.680 --> 0:24:36.479
<v Speaker 6>one of the things that makes Jimmy so great is

0:24:36.520 --> 0:24:40.680
<v Speaker 6>that he was a music producer that produced a shipload

0:24:40.880 --> 0:24:48.080
<v Speaker 6>of fucking crazy working with some amazing artists from Bruce

0:24:48.080 --> 0:24:50.879
<v Speaker 6>Springs Thing to John Lennon and all of this. So

0:24:50.920 --> 0:24:54.359
<v Speaker 6>we understand he understands what it takes to do what

0:24:54.480 --> 0:24:58.760
<v Speaker 6>I do. That's one of the reasons for our friendship.

0:24:58.760 --> 0:25:01.720
<v Speaker 6>And not only that, we have a personal relationship that's

0:25:01.840 --> 0:25:04.800
<v Speaker 6>just unbelievable. We talk all the time, and every time

0:25:04.840 --> 0:25:08.159
<v Speaker 6>we talk we have laughter and the whole nine and again,

0:25:08.560 --> 0:25:12.640
<v Speaker 6>it's a massive amount of love and respect. So that

0:25:13.080 --> 0:25:16.320
<v Speaker 6>is just the foundation, just the tip of the iceberg

0:25:16.760 --> 0:25:18.560
<v Speaker 6>of what our relationship is.

0:25:19.600 --> 0:25:22.520
<v Speaker 2>God damn, that's hard. Let's make some noise for that.

0:25:22.520 --> 0:25:23.360
<v Speaker 2>Got damn, that was hard.

0:25:28.480 --> 0:25:31.560
<v Speaker 7>I want to go back a little bit here, Okay, Dray,

0:25:32.400 --> 0:25:34.359
<v Speaker 7>Was there ever a blueprint that you followed or an

0:25:34.400 --> 0:25:37.320
<v Speaker 7>inspiration to start doing collaborative projects like the first being

0:25:37.359 --> 0:25:40.679
<v Speaker 7>The Chronic where you were grabbing people, whether it be

0:25:40.760 --> 0:25:43.879
<v Speaker 7>underground casts or unsigned artists and bringing them together to

0:25:43.880 --> 0:25:46.520
<v Speaker 7>make a queees of project. Like there was nothing like

0:25:46.560 --> 0:25:48.240
<v Speaker 7>The Chronic when it first came out.

0:25:48.520 --> 0:25:53.600
<v Speaker 6>Well, fortunately for me, I was extremely naive, thinking that

0:25:54.760 --> 0:25:57.800
<v Speaker 6>they're supposed to be one producer on an album, right,

0:25:57.880 --> 0:26:00.159
<v Speaker 6>So that's how I attempted it. From in deb you

0:26:00.240 --> 0:26:03.640
<v Speaker 6>wage straight out of Compton. You know, I'm producing all

0:26:03.640 --> 0:26:06.000
<v Speaker 6>of this shit. The Chronic album is just me. From

0:26:06.359 --> 0:26:10.919
<v Speaker 6>Doggie Style Stoop's album, it was I thought, you have

0:26:10.960 --> 0:26:14.840
<v Speaker 6>one artist and one producer. Fortunately I was naive at

0:26:14.840 --> 0:26:17.159
<v Speaker 6>that time and was able to accomplish that. And that

0:26:17.280 --> 0:26:19.919
<v Speaker 6>happened all the way up through the early two thousands

0:26:19.920 --> 0:26:23.800
<v Speaker 6>with Eminem's I think first three or four albums it

0:26:23.840 --> 0:26:27.760
<v Speaker 6>was just us, you know, and then we then we

0:26:27.960 --> 0:26:31.560
<v Speaker 6>decided to collaborate on get Rich or DoD trying with

0:26:31.680 --> 0:26:34.520
<v Speaker 6>fifty cents. First album, it was just me and Eminem.

0:26:34.560 --> 0:26:37.439
<v Speaker 6>He produced the first half and I produced the second half.

0:26:38.119 --> 0:26:45.000
<v Speaker 6>So that was fun. And it's just finding an artist

0:26:46.119 --> 0:26:50.040
<v Speaker 6>that it's like Snoop or Eminem or ice Cube or

0:26:50.080 --> 0:26:53.240
<v Speaker 6>anything like that. Find an artist like that that you

0:26:53.359 --> 0:26:59.439
<v Speaker 6>cannot only produce, maintain a friendship with, and have a

0:26:59.480 --> 0:27:01.959
<v Speaker 6>love and other shit with is amazing and that's what

0:27:02.000 --> 0:27:06.159
<v Speaker 6>I look for. So that's what it is to me

0:27:06.200 --> 0:27:11.960
<v Speaker 6>as a producer, you know. And also finding people to

0:27:12.040 --> 0:27:15.439
<v Speaker 6>collaborate with is a skill in itself, you know.

0:27:16.119 --> 0:27:19.600
<v Speaker 7>So yeah, because you put people out of the underground,

0:27:19.600 --> 0:27:21.960
<v Speaker 7>whether it be adfar Eye or cast you know, legends

0:27:22.000 --> 0:27:24.520
<v Speaker 7>like like King T and you'll make these records that

0:27:25.080 --> 0:27:28.080
<v Speaker 7>people wouldn't think that these artists with dre what what

0:27:28.119 --> 0:27:30.160
<v Speaker 7>that would be. It's like, you're not scared to take

0:27:30.160 --> 0:27:32.359
<v Speaker 7>a chance on these artists. I'm here something not it

0:27:32.400 --> 0:27:33.520
<v Speaker 7>makes sense for your project.

0:27:33.560 --> 0:27:38.200
<v Speaker 6>Yeah, no risk, no reward. I mean, you know, I'm

0:27:38.200 --> 0:27:42.320
<v Speaker 6>not mad at taking risks. You know, I failed at times,

0:27:42.359 --> 0:27:47.760
<v Speaker 6>but I've learned from those failures. So yeah, and the

0:27:47.800 --> 0:27:50.080
<v Speaker 6>way I think has put me in this position in

0:27:50.119 --> 0:27:53.879
<v Speaker 6>my life, which is fucking fantastic, you know, And I'm like, damn,

0:27:53.920 --> 0:27:54.639
<v Speaker 6>don't finch me.

0:27:56.560 --> 0:27:58.280
<v Speaker 7>I guess the cliche is that we think hip hop

0:27:58.280 --> 0:27:59.120
<v Speaker 7>would take it this far.

0:27:59.680 --> 0:28:03.440
<v Speaker 6>Huh. How about that we're here because of hip hop?

0:28:04.640 --> 0:28:11.200
<v Speaker 4>Facts? Absolutely what I'm talking. God comes down, Snoop America.

0:28:12.040 --> 0:28:13.760
<v Speaker 6>God comes down your time.

0:28:15.160 --> 0:28:17.480
<v Speaker 2>God comes down, and God's having a meeting with you,

0:28:17.520 --> 0:28:20.399
<v Speaker 2>one on one. And God is like, Yo, Snoop on

0:28:20.520 --> 0:28:22.800
<v Speaker 2>the load. It's between me and you. You gotta make

0:28:22.840 --> 0:28:26.879
<v Speaker 2>one record, save humanity. This one record's gonna change the

0:28:26.880 --> 0:28:31.119
<v Speaker 2>World's gonna save humanity. Who's gonna be the producer and

0:28:31.119 --> 0:28:32.080
<v Speaker 2>who's gonna be the feature?

0:28:32.119 --> 0:28:33.960
<v Speaker 6>Oh? Ship mm hmm?

0:28:34.119 --> 0:28:35.280
<v Speaker 4>To change humanity?

0:28:35.640 --> 0:28:37.399
<v Speaker 2>Yeah, save the motherfucking world.

0:28:37.680 --> 0:28:39.800
<v Speaker 4>Can I can I grab somebody from from death? Not

0:28:39.880 --> 0:28:42.720
<v Speaker 4>here no more? Oh yes, because I'm talking this is God.

0:28:42.800 --> 0:28:46.080
<v Speaker 2>Yeah, it's God dead all live.

0:28:46.120 --> 0:28:48.880
<v Speaker 8>I've got that, so God can raise the dead, right,

0:28:49.480 --> 0:28:50.600
<v Speaker 8>he could be with them niggas.

0:28:50.720 --> 0:28:51.760
<v Speaker 4>Okay, forget it down.

0:28:51.840 --> 0:28:54.600
<v Speaker 8>So what I'm gonna do with as a producer, I'm

0:28:54.600 --> 0:28:56.720
<v Speaker 8>gonna I'm gonna double up on the production, right.

0:28:56.600 --> 0:28:57.760
<v Speaker 2>Okay, double up two?

0:28:58.120 --> 0:29:02.280
<v Speaker 8>Yeah, Okay, it's gonna be I could drink quincy Jones's

0:29:02.360 --> 0:29:06.000
<v Speaker 8>Christy Jones.

0:29:06.040 --> 0:29:07.480
<v Speaker 6>That's great company right there.

0:29:08.280 --> 0:29:09.160
<v Speaker 4>Amazing.

0:29:10.200 --> 0:29:13.720
<v Speaker 8>Watch this, watch this left hook. You said humanity to

0:29:13.840 --> 0:29:16.800
<v Speaker 8>change the world, right, got to get Marvin.

0:29:16.480 --> 0:29:23.720
<v Speaker 2>Gay One those in I'm just I'm just hear that

0:29:24.080 --> 0:29:24.760
<v Speaker 2>the record.

0:29:24.480 --> 0:29:27.280
<v Speaker 8>Those four in one room, Marvin, Snooth, Quincy and Drake

0:29:27.400 --> 0:29:28.680
<v Speaker 8>with God overseeing it.

0:29:30.160 --> 0:29:31.680
<v Speaker 2>God's executive producers.

0:29:34.360 --> 0:29:35.080
<v Speaker 6>What's going on.

0:29:35.680 --> 0:29:37.480
<v Speaker 2>I'm taking, Yeah, I'm taking.

0:29:37.600 --> 0:29:38.600
<v Speaker 4>I'm gonna take a shot to that.

0:29:38.760 --> 0:29:39.240
<v Speaker 6>Take a shot.

0:29:39.240 --> 0:29:42.600
<v Speaker 8>I'm taking the shot that that's that wasn't bad for

0:29:42.760 --> 0:29:47.480
<v Speaker 8>me a little bit with your heavy ass hand, niggata.

0:29:47.080 --> 0:29:49.960
<v Speaker 2>Give me a shot to the bottle.

0:29:50.000 --> 0:29:53.479
<v Speaker 4>Girl, This nigga made my whole drink too.

0:29:55.320 --> 0:29:58.400
<v Speaker 6>I gonna lie you got Yeah, this must be special

0:29:58.440 --> 0:30:01.240
<v Speaker 6>because this nigga don't even really drink. Yeah, you know

0:30:01.280 --> 0:30:01.800
<v Speaker 6>what he does.

0:30:03.520 --> 0:30:05.120
<v Speaker 8>I fuck with y'all are once in a while, but

0:30:05.160 --> 0:30:06.000
<v Speaker 8>nigga got ship to do.

0:30:06.040 --> 0:30:06.560
<v Speaker 6>You know what I'm saying.

0:30:06.600 --> 0:30:12.920
<v Speaker 2>I so s missionary. Yes, we got some records. And

0:30:12.920 --> 0:30:17.600
<v Speaker 2>by the way, crowd, I did not know that these brothers,

0:30:18.680 --> 0:30:21.680
<v Speaker 2>they love y'all so much that I wanted to be

0:30:21.720 --> 0:30:25.480
<v Speaker 2>the only person that heard these five records. I want

0:30:25.480 --> 0:30:27.840
<v Speaker 2>to share it with y'all. We're gonna play some records today.

0:30:27.840 --> 0:30:29.600
<v Speaker 2>They records for y'all.

0:30:31.480 --> 0:30:35.880
<v Speaker 6>Okay, so let me hold up. I was funny about

0:30:35.920 --> 0:30:38.520
<v Speaker 6>this because I don't want to be I don't usually

0:30:38.600 --> 0:30:40.480
<v Speaker 6>want to be in the room where my music is

0:30:40.520 --> 0:30:47.400
<v Speaker 6>being played. And that's one. Two. There's gonna be a

0:30:47.440 --> 0:30:50.800
<v Speaker 6>song that's played that I'm not finished with yet. So

0:30:50.800 --> 0:30:52.960
<v Speaker 6>it's a demo of a song we just did. What

0:30:53.040 --> 0:30:54.000
<v Speaker 6>was it.

0:30:54.000 --> 0:30:55.600
<v Speaker 4>It's called thank thank you.

0:30:55.800 --> 0:30:59.400
<v Speaker 6>It's called thank It's called thank you, and I'm not

0:30:59.520 --> 0:31:03.400
<v Speaker 6>done when it's a demo and fuck it, play that first, but.

0:31:03.560 --> 0:31:05.800
<v Speaker 2>Hold on, hold on, hold on, but on thank you,

0:31:06.280 --> 0:31:07.120
<v Speaker 2>on thank you?

0:31:07.560 --> 0:31:09.560
<v Speaker 6>Wait wait, wait, we're not supposed to play thank you first.

0:31:09.600 --> 0:31:12.280
<v Speaker 2>Okay, out to blue Jimmy had Jimmy had the request.

0:31:12.320 --> 0:31:13.080
<v Speaker 2>We wanted to say.

0:31:12.920 --> 0:31:15.920
<v Speaker 8>Gorgeous first, right, because gorgeous out Now to the echo,

0:31:16.160 --> 0:31:17.760
<v Speaker 8>it's out. Just in case those that didn't hear it.

0:31:17.800 --> 0:31:20.040
<v Speaker 8>Let I'm gonna get a bucket play okay, hold on, hold.

0:31:19.880 --> 0:31:22.400
<v Speaker 2>Hold on, but before we get to that, you say

0:31:22.480 --> 0:31:25.680
<v Speaker 2>on thank you, say things just ain't the same for gangsters.

0:31:25.680 --> 0:31:27.440
<v Speaker 2>You said that back then, but you said it again,

0:31:27.480 --> 0:31:30.680
<v Speaker 2>you repeated, Doctor Dre said Okay, that was my record.

0:31:30.840 --> 0:31:32.680
<v Speaker 2>Things still ain't the same for gangsters.

0:31:33.080 --> 0:31:38.640
<v Speaker 8>It's not it's not they're telling now mmmm, but they've

0:31:38.640 --> 0:31:44.440
<v Speaker 8>been telling U snoop. Not at this rate they telling

0:31:44.480 --> 0:31:47.560
<v Speaker 8>and they become gangsters. See it's about that answer.

0:31:48.040 --> 0:31:48.840
<v Speaker 2>You don't like that one.

0:31:49.440 --> 0:31:51.320
<v Speaker 8>It used to be when you told you wasn't gangster.

0:31:51.440 --> 0:31:55.760
<v Speaker 8>Now you're telling and you becoming gangst Like that's that.

0:31:55.800 --> 0:31:58.400
<v Speaker 8>Ain't the book I read out of God damn it.

0:31:58.800 --> 0:31:59.520
<v Speaker 2>Before this?

0:31:59.600 --> 0:32:03.240
<v Speaker 6>This the me Why do you be rich? Why do

0:32:03.320 --> 0:32:05.520
<v Speaker 6>you become rich and then decide to become.

0:32:05.240 --> 0:32:07.840
<v Speaker 2>Against That doesn't make any sense. It doesn't make any sense.

0:32:07.880 --> 0:32:10.520
<v Speaker 6>I'm gonna stop practicing. Let's say, universe, that's a whole

0:32:10.520 --> 0:32:11.000
<v Speaker 6>different commed.

0:32:11.040 --> 0:32:13.120
<v Speaker 4>You see me, we got I started that way.

0:32:13.160 --> 0:32:17.120
<v Speaker 8>Look at me now. Yes, you're supposed to reverse the brainwashed.

0:32:17.120 --> 0:32:18.800
<v Speaker 8>You know what I'm saying. When I was brainwashed, I

0:32:18.880 --> 0:32:22.120
<v Speaker 8>was pushing that line. Now my line is love, peace, unity,

0:32:22.480 --> 0:32:24.479
<v Speaker 8>no division, just bringing everybody together.

0:32:25.320 --> 0:32:28.640
<v Speaker 6>We're not only doing now, we're building schools, we're doing

0:32:28.720 --> 0:32:31.280
<v Speaker 6>all of this shit and we're taking care of our community,

0:32:31.520 --> 0:32:35.640
<v Speaker 6>our community, and we're giving back. So that's what we're on.

0:32:35.760 --> 0:32:40.160
<v Speaker 6>So just imagine the trajectory of where we were in

0:32:40.400 --> 0:32:42.520
<v Speaker 6>nineteen ninety three and where we are now.

0:32:42.840 --> 0:32:45.120
<v Speaker 4>Shit banging ain't damn it just wasn't legit.

0:32:47.760 --> 0:32:50.560
<v Speaker 2>Before we play the music, No, no, because I want

0:32:50.560 --> 0:32:53.800
<v Speaker 2>to yeah, ago, because I want I want to ask

0:32:53.800 --> 0:32:56.760
<v Speaker 2>this because in hip hop, we have so many great movies, right,

0:32:57.520 --> 0:33:00.479
<v Speaker 2>and then we have you know, the biopic move right

0:33:01.040 --> 0:33:02.560
<v Speaker 2>and straight out of content.

0:33:03.200 --> 0:33:04.640
<v Speaker 6>Ship. It was the Ship.

0:33:05.640 --> 0:33:06.480
<v Speaker 2>I love that movie.

0:33:06.520 --> 0:33:09.440
<v Speaker 8>It was I know them niggas and didn't know that story.

0:33:09.520 --> 0:33:11.560
<v Speaker 8>So that was beautiful for me to see it as

0:33:11.720 --> 0:33:16.160
<v Speaker 8>I was a teenager on the sideline watching that story

0:33:16.320 --> 0:33:18.760
<v Speaker 8>and then to see it come to life, it was beautiful.

0:33:18.760 --> 0:33:21.120
<v Speaker 8>They told it very well. The actors were very believable.

0:33:21.160 --> 0:33:22.280
<v Speaker 8>The direction, I.

0:33:22.280 --> 0:33:26.000
<v Speaker 6>Mean yeah, I loved everything about the process of that.

0:33:26.160 --> 0:33:29.080
<v Speaker 6>The actors all new actors that we've never heard of

0:33:29.200 --> 0:33:33.440
<v Speaker 6>scene before, and they killed it. Gary f Gary Gray

0:33:33.600 --> 0:33:38.280
<v Speaker 6>killed it. He directed it, and yeah, I just yeah,

0:33:38.440 --> 0:33:41.520
<v Speaker 6>I love it. I'm proud of it came out what

0:33:41.640 --> 0:33:42.880
<v Speaker 6>you said.

0:33:42.040 --> 0:33:45.960
<v Speaker 8>I'm sorry, I'm rugging.

0:33:46.080 --> 0:33:48.800
<v Speaker 6>She smelled good. I didn't even see that.

0:33:48.880 --> 0:33:50.920
<v Speaker 8>And he get my blood out of my bag and

0:33:50.960 --> 0:33:53.680
<v Speaker 8>we got a live audience because you know what it is.

0:33:55.120 --> 0:33:56.680
<v Speaker 6>By the way. I didn't. I didn't even know we

0:33:56.680 --> 0:33:59.200
<v Speaker 6>were doing this with a live audience. This is yeah,

0:33:59.280 --> 0:34:04.000
<v Speaker 6>but neither this is cool. With that being said, this

0:34:04.080 --> 0:34:06.160
<v Speaker 6>is such an honor. But I hope that one day

0:34:06.200 --> 0:34:07.640
<v Speaker 6>we could get you in the drink Champs set.

0:34:07.760 --> 0:34:11.400
<v Speaker 2>Yes, the real dream. That's what I thought, Jesus, listen, Jesus,

0:34:12.320 --> 0:34:13.120
<v Speaker 2>but that's what I thought.

0:34:13.160 --> 0:34:15.839
<v Speaker 6>I was doing it, and that right away.

0:34:16.000 --> 0:34:20.840
<v Speaker 2>You know, you're like, so, do you think that Straight

0:34:20.840 --> 0:34:23.640
<v Speaker 2>Out of Confident was a success because most of the

0:34:23.680 --> 0:34:25.840
<v Speaker 2>people are still here? Snoop or you think no.

0:34:25.960 --> 0:34:27.640
<v Speaker 8>I think it was a success because it was a

0:34:27.680 --> 0:34:31.600
<v Speaker 8>beautiful story on paper. A great movie starts on paper.

0:34:32.200 --> 0:34:35.799
<v Speaker 8>The script was amazing. Then they found actors that were

0:34:35.840 --> 0:34:39.120
<v Speaker 8>believable that really, you know, made you feel like you

0:34:39.239 --> 0:34:41.879
<v Speaker 8>was watching those characters on screen, and it had heart

0:34:41.960 --> 0:34:44.480
<v Speaker 8>and had soul and it had a beautiful ending. You've

0:34:44.520 --> 0:34:48.640
<v Speaker 8>seen doctor dre go off and say, what's the name

0:34:48.680 --> 0:34:52.400
<v Speaker 8>of that weak ass label Nigga? After math Nigga and

0:34:52.520 --> 0:34:54.040
<v Speaker 8>walked out Nigga. That ship was so.

0:34:54.080 --> 0:34:57.160
<v Speaker 4>Gangster coldest seeing the motherfucking.

0:34:56.600 --> 0:35:00.080
<v Speaker 2>Movie shout Out the CHOREO cried when I seen.

0:35:02.320 --> 0:35:05.200
<v Speaker 6>Shout Out to Corey Hawkins who played my character, because

0:35:05.200 --> 0:35:07.440
<v Speaker 6>the day I met him, I'm like, okay, he looks

0:35:07.480 --> 0:35:12.799
<v Speaker 6>nothing like me, but we pushed that aside and his

0:35:13.000 --> 0:35:16.719
<v Speaker 6>performance was just like, Okay, he got it. And it's

0:35:16.760 --> 0:35:19.799
<v Speaker 6>really crazy because his voice sounds similar to mine, and

0:35:19.840 --> 0:35:22.480
<v Speaker 6>I just like, I stay in touch for him because

0:35:22.480 --> 0:35:24.759
<v Speaker 6>of that. He's an amazing actor. Again, his name is

0:35:24.800 --> 0:35:25.839
<v Speaker 6>Corey Hawkins.

0:35:26.400 --> 0:35:28.680
<v Speaker 2>How about you, snoop, did you not like the dude's

0:35:28.760 --> 0:35:31.720
<v Speaker 2>voice because you did the voice right boy, and and

0:35:31.880 --> 0:35:35.440
<v Speaker 2>the character, No, I wasn't you. That was the voice.

0:35:35.680 --> 0:35:37.839
<v Speaker 2>That was the thing. He did a voiceover like it's

0:35:37.840 --> 0:35:38.440
<v Speaker 2>a game or something.

0:35:38.520 --> 0:35:42.080
<v Speaker 8>Nigga, the actor nigga, look Keith man, nigga was sound

0:35:42.200 --> 0:35:47.400
<v Speaker 8>like you like that isn't it was?

0:35:48.440 --> 0:35:52.000
<v Speaker 6>Keith is amazing. Ain't seen his worry up.

0:35:52.040 --> 0:35:54.640
<v Speaker 2>Nobody else thought that ship no fuck y'all man, So

0:35:54.719 --> 0:35:55.120
<v Speaker 2>I don't know.

0:35:55.160 --> 0:35:57.640
<v Speaker 6>Look Keith, come on man, this nigga lo.

0:35:57.760 --> 0:35:59.560
<v Speaker 4>Keith fash feel is an amazing actor.

0:35:59.600 --> 0:35:59.759
<v Speaker 6>Man.

0:35:59.800 --> 0:36:02.160
<v Speaker 8>I honor that he played me in that movie. I

0:36:02.200 --> 0:36:03.680
<v Speaker 8>didn't even know I was gonna be in that movie.

0:36:03.680 --> 0:36:05.600
<v Speaker 8>That's what fucked me up. I was just thinking that

0:36:05.600 --> 0:36:06.239
<v Speaker 8>it was gonna be.

0:36:06.520 --> 0:36:07.160
<v Speaker 6>W a yeah.

0:36:07.239 --> 0:36:09.040
<v Speaker 4>Then when they got to that point, I'm like, oh, Ship,

0:36:09.080 --> 0:36:09.399
<v Speaker 4>I'm in.

0:36:09.360 --> 0:36:13.520
<v Speaker 8>This moment, nigga, we told you stopped playing. But you

0:36:13.520 --> 0:36:15.719
<v Speaker 8>could tell me that. But certain things you say can

0:36:15.760 --> 0:36:17.799
<v Speaker 8>get cut out of a motherfucking movie and be left

0:36:17.840 --> 0:36:20.920
<v Speaker 8>on the floor in the editing room.

0:36:20.960 --> 0:36:21.440
<v Speaker 6>I'm gonna tell you.

0:36:21.520 --> 0:36:23.759
<v Speaker 2>I'm gonna tell you some funny Ship. Right when I

0:36:23.800 --> 0:36:26.920
<v Speaker 2>first heard straight out of Comfton, I thought it was

0:36:26.960 --> 0:36:30.239
<v Speaker 2>a jail. It was like, I don't never want to

0:36:30.280 --> 0:36:31.920
<v Speaker 2>go to Compton. That was the power, that was the

0:36:31.960 --> 0:36:35.200
<v Speaker 2>power that was about. I was wow, Okay, I was

0:36:35.320 --> 0:36:39.000
<v Speaker 2>literally scared of n w A like from the music. Yeah,

0:36:39.080 --> 0:36:42.120
<v Speaker 2>like like I could because we like we were used

0:36:42.160 --> 0:36:45.759
<v Speaker 2>to African medallions at the time, and then where it came.

0:36:45.800 --> 0:36:47.960
<v Speaker 2>I was like, straight out of Oh.

0:36:47.880 --> 0:36:50.320
<v Speaker 6>That's why it worked, you know what I mean. We

0:36:50.520 --> 0:36:53.680
<v Speaker 6>just we're just making music, right. All we don't want

0:36:53.719 --> 0:36:58.000
<v Speaker 6>is making music and having fun, being creative and writing

0:36:58.080 --> 0:36:59.839
<v Speaker 6>and let's see what it's gonna do, and if it's

0:37:00.120 --> 0:37:04.640
<v Speaker 6>to chrain some mindsets or temperatures to what's going on.

0:37:04.719 --> 0:37:07.239
<v Speaker 6>But that's what we were doing at the time. I was,

0:37:07.360 --> 0:37:10.960
<v Speaker 6>you know, twenty years old making that music and a

0:37:10.960 --> 0:37:15.400
<v Speaker 6>little bit reckless, of course, but you know that's what

0:37:15.440 --> 0:37:18.799
<v Speaker 6>we were doing as kids and adolescens and creating and

0:37:18.800 --> 0:37:20.600
<v Speaker 6>making music, and that's what came out.

0:37:21.080 --> 0:37:23.600
<v Speaker 7>But it was so powerful about NWA, I think for

0:37:23.760 --> 0:37:27.880
<v Speaker 7>hip hop and for me, like personally, NWA and Public Enemy.

0:37:27.680 --> 0:37:29.760
<v Speaker 2>Were my favorite groups of all time, right.

0:37:29.880 --> 0:37:31.719
<v Speaker 7>And I feel like what happened in hip hop at

0:37:31.719 --> 0:37:34.440
<v Speaker 7>that moment is that you guys can conveyed an emotion

0:37:35.160 --> 0:37:37.479
<v Speaker 7>that hip hop and rap wasn't doing at the time.

0:37:37.960 --> 0:37:39.879
<v Speaker 2>Like, like he said, he was scared to come down,

0:37:39.880 --> 0:37:41.839
<v Speaker 2>I was scared. We was like whoa, whoa, Yo, what's

0:37:41.840 --> 0:37:42.120
<v Speaker 2>going on?

0:37:42.200 --> 0:37:44.279
<v Speaker 6>Isn't that what we're supposed to do. That's a part

0:37:44.320 --> 0:37:47.880
<v Speaker 6>of entertainment. It's like, you know, you go to a

0:37:47.960 --> 0:37:50.160
<v Speaker 6>fucking horror movie to get fucking scared.

0:37:50.360 --> 0:37:51.520
<v Speaker 2>Hip Hop wasn't doing that yet.

0:37:51.640 --> 0:37:53.680
<v Speaker 6>Well yeah, I know it wasn't, but that's the way

0:37:53.719 --> 0:37:56.520
<v Speaker 6>I decided to do it, you know. So it's like

0:37:56.600 --> 0:38:00.440
<v Speaker 6>it's all entertainment and we're supposed to touch certain oceans

0:38:00.520 --> 0:38:03.040
<v Speaker 6>and that ship, right, whether you're scared, whether you're like

0:38:03.160 --> 0:38:05.399
<v Speaker 6>fuck you, I don't like what you say, we're still

0:38:05.440 --> 0:38:08.920
<v Speaker 6>touching an emotion with that ship, which means it's entertaining, right,

0:38:09.040 --> 0:38:12.160
<v Speaker 6>That's our job to entertain. So like it or not,

0:38:12.880 --> 0:38:15.520
<v Speaker 6>you're still listening to it. You had you actually comment

0:38:15.600 --> 0:38:18.279
<v Speaker 6>on that ship, so you were entertained in some type

0:38:18.280 --> 0:38:18.839
<v Speaker 6>of world, right.

0:38:18.960 --> 0:38:22.759
<v Speaker 2>I think it was a positive thing. Yeah, so.

0:38:26.200 --> 0:38:32.319
<v Speaker 6>Go ahead, uh see, like, shut the fuck up, play

0:38:32.360 --> 0:38:32.760
<v Speaker 6>the music.

0:38:32.880 --> 0:38:34.200
<v Speaker 2>Yeah, I want that.

0:38:34.600 --> 0:38:35.200
<v Speaker 6>I want that.

0:38:35.760 --> 0:38:36.440
<v Speaker 2>I actually don't have.

0:38:36.440 --> 0:38:38.520
<v Speaker 8>Nobody actually said, yeah, we ready for the track park.

0:38:38.560 --> 0:38:40.239
<v Speaker 6>These motherfucker's talking too much.

0:38:40.560 --> 0:38:44.560
<v Speaker 2>Y'all want to hear the track for the tracks? Yes, okay,

0:38:44.600 --> 0:38:46.840
<v Speaker 2>So I'll drink some jin and juice while you're doing it.

0:38:47.480 --> 0:38:49.560
<v Speaker 6>Yeah, bring I'm kind of nervous right now.

0:38:49.560 --> 0:38:51.560
<v Speaker 2>Somebody take another shot and make sure you're gonna listen

0:38:51.560 --> 0:38:52.200
<v Speaker 2>to Missionary.

0:38:52.320 --> 0:38:53.720
<v Speaker 6>So what what?

0:38:53.719 --> 0:38:56.520
<v Speaker 2>What record do we want to start with? Out the Blue?

0:38:57.080 --> 0:38:57.680
<v Speaker 2>Out the Blue?

0:38:57.840 --> 0:38:58.240
<v Speaker 6>Why?

0:38:58.560 --> 0:38:59.880
<v Speaker 4>Because it's out the blow.

0:39:01.640 --> 0:39:04.600
<v Speaker 6>Now, I think this is one of the songs. I

0:39:04.640 --> 0:39:09.319
<v Speaker 6>think I'm on two songs on the entire album, two

0:39:09.320 --> 0:39:11.160
<v Speaker 6>out of the sixteen, and this is one of the

0:39:11.280 --> 0:39:14.120
<v Speaker 6>songs that I'm on, and it's a part of the

0:39:14.120 --> 0:39:16.799
<v Speaker 6>short movie that we just did. So let's see if

0:39:16.840 --> 0:39:17.839
<v Speaker 6>you guys enjoy it.

0:39:18.160 --> 0:39:20.640
<v Speaker 2>They gonna enjoy it, trust me. You got to queue up.

0:39:20.680 --> 0:39:24.560
<v Speaker 2>Is everybody ready, because I mean I know the crowd ready,

0:39:24.560 --> 0:39:25.120
<v Speaker 2>I'm talking about to.

0:39:25.800 --> 0:39:29.120
<v Speaker 6>Think we're gonna play four songs, right, okay, yeah, all right,

0:39:29.160 --> 0:39:31.560
<v Speaker 6>so this one is out of the blue, Out of

0:39:31.560 --> 0:39:37.200
<v Speaker 6>the blue. Yeah, ready, don't.

0:39:37.239 --> 0:39:38.759
<v Speaker 4>Can't turn that ship up. You ain't got to run

0:39:38.800 --> 0:39:39.680
<v Speaker 4>that out night.

0:39:40.239 --> 0:39:41.560
<v Speaker 9>Make these motherfucker kick.

0:39:41.480 --> 0:39:43.959
<v Speaker 6>Up house and I need more highs.

0:39:46.320 --> 0:39:46.920
<v Speaker 4>Back in business.

0:39:47.400 --> 0:39:48.320
<v Speaker 6>This ship I've been smoking.

0:39:48.320 --> 0:39:51.600
<v Speaker 4>It's highly recommended record this all of money because pushing.

0:39:51.400 --> 0:39:52.399
<v Speaker 6>The limited high.

0:39:52.560 --> 0:39:54.839
<v Speaker 2>I mean we be in the final sec Yeah, I've.

0:39:54.719 --> 0:39:57.040
<v Speaker 6>Been around the world and now yeah, yeah, it's seen

0:39:57.040 --> 0:39:59.920
<v Speaker 6>the mother fucking things that I can't but reaching knees to.

0:40:00.000 --> 0:40:02.320
<v Speaker 6>If heights come with the third time, I'm better re

0:40:02.400 --> 0:40:05.640
<v Speaker 6>betting on me. The numbers don't lie. That's how we rolling.

0:40:05.480 --> 0:40:06.520
<v Speaker 4>Niggas, you know them go.

0:40:06.680 --> 0:40:08.680
<v Speaker 6>Then you want to pick up the letter very in

0:40:08.760 --> 0:40:09.480
<v Speaker 6>the mid and figures.

0:40:09.600 --> 0:40:11.560
<v Speaker 4>I keep the triple hitters, call them silver back of

0:40:11.680 --> 0:40:12.840
<v Speaker 4>rievers going. They shipping.

0:40:12.920 --> 0:40:14.040
<v Speaker 6>You know, ain't nobody.

0:40:14.440 --> 0:40:15.560
<v Speaker 4>Show time nigga yet.

0:40:15.640 --> 0:40:18.279
<v Speaker 2>This is the big gigging coach of copsime I'm talking

0:40:18.320 --> 0:40:19.840
<v Speaker 2>to that can't rich and this is this is like

0:40:19.880 --> 0:40:22.160
<v Speaker 2>a movie I'm seeing the bigger picture, said Snoop.

0:40:22.160 --> 0:40:23.160
<v Speaker 6>Couldn't get much higher.

0:40:23.200 --> 0:40:25.120
<v Speaker 2>But I think it's different on sight.

0:40:25.239 --> 0:40:28.160
<v Speaker 4>I be eating green lights. Some niggas, it's all walking nigga.

0:40:28.200 --> 0:40:30.800
<v Speaker 4>We all fight you gabbling with your life and fuckings

0:40:30.840 --> 0:40:33.279
<v Speaker 4>frow the dice. Some motherucking problems with this dog, and

0:40:33.320 --> 0:40:38.440
<v Speaker 4>I'm like, that's right. Smoke in that legendary sound there

0:40:38.480 --> 0:40:43.960
<v Speaker 4>like legendary. We can't arrange that, you know, I ain't that.

0:40:54.320 --> 0:40:56.960
<v Speaker 6>PLoP ship globe. We don't get he want to see

0:40:56.960 --> 0:40:58.720
<v Speaker 6>your mother. We're showing you how to pissot.

0:40:58.920 --> 0:41:00.319
<v Speaker 4>Got this ship from DM seek.

0:41:00.360 --> 0:41:02.960
<v Speaker 2>Let's slum with it to the fundamentals and having us some.

0:41:03.040 --> 0:41:03.600
<v Speaker 6>Fun with it.

0:41:03.920 --> 0:41:06.680
<v Speaker 4>These songs came on my team show. God said, let's

0:41:06.680 --> 0:41:09.160
<v Speaker 4>say fire to whatever I bring. Got to kill us

0:41:09.200 --> 0:41:10.919
<v Speaker 4>in quiet, all singing my thing sound.

0:41:10.920 --> 0:41:12.200
<v Speaker 6>I can never do this alone.

0:41:12.239 --> 0:41:12.759
<v Speaker 4>Motherfucker.

0:41:13.760 --> 0:41:16.480
<v Speaker 6>Still trade still on shop, still got it, the sonics

0:41:16.480 --> 0:41:18.600
<v Speaker 6>still like kind of they still stiff in the products.

0:41:18.640 --> 0:41:19.680
<v Speaker 6>I've seen the money coming.

0:41:19.719 --> 0:41:21.520
<v Speaker 4>I showed you that I'm a prop had a riding

0:41:21.560 --> 0:41:23.520
<v Speaker 4>shot God. In case niggas get out of pocket, why

0:41:23.520 --> 0:41:24.839
<v Speaker 4>do you want to press? They'st you money.

0:41:25.000 --> 0:41:26.480
<v Speaker 10>Case you need to stop and keep them all your

0:41:26.520 --> 0:41:29.520
<v Speaker 10>over day for depositions and doctor back at the topic

0:41:29.600 --> 0:41:31.959
<v Speaker 10>against you niggas, but got it, but not in mishead father.

0:41:32.040 --> 0:41:40.840
<v Speaker 4>May you keep that listening, legendary missionary. We can't arrange that,

0:41:42.480 --> 0:41:52.760
<v Speaker 4>you know what, fang now, just take you take your.

0:41:56.160 --> 0:41:56.200
<v Speaker 6>Not.

0:42:05.520 --> 0:42:09.640
<v Speaker 2>I'm not gonna lie to y'all. That ship sounds so good.

0:42:10.520 --> 0:42:12.560
<v Speaker 2>It's even better with them doing the lyrics right now. No,

0:42:13.200 --> 0:42:14.799
<v Speaker 2>I ain't gonna lie to you, man. And to see

0:42:14.920 --> 0:42:18.359
<v Speaker 2>Jimmy put out his phone him recording, I'm like, holy shit,

0:42:18.880 --> 0:42:20.680
<v Speaker 2>Oh this is an euphoria moment for me.

0:42:21.000 --> 0:42:23.560
<v Speaker 6>Holy moly. Got to go. Are we chilling?

0:42:23.680 --> 0:42:25.880
<v Speaker 2>Or we want what's the next shoe? No?

0:42:26.040 --> 0:42:26.799
<v Speaker 6>We talked enough?

0:42:28.160 --> 0:42:30.279
<v Speaker 8>Okay, Well, just so y'all know that song is also

0:42:30.400 --> 0:42:32.920
<v Speaker 8>featured in Jame What's the Next Song? Jamie Fox and

0:42:33.000 --> 0:42:35.279
<v Speaker 8>Cameron Diaz new movie that's coming out on Netflix. That

0:42:35.360 --> 0:42:38.120
<v Speaker 8>song is featured in that, so be on the lookout

0:42:38.160 --> 0:42:38.719
<v Speaker 8>for that as well.

0:42:39.080 --> 0:42:41.759
<v Speaker 6>Shameless plug and y'all just pushing all right.

0:42:41.920 --> 0:42:43.880
<v Speaker 8>Oh, it's in Madden twenty five right now too, So

0:42:43.960 --> 0:42:45.520
<v Speaker 8>if you're playing mad you can hear that ship.

0:42:45.600 --> 0:42:49.640
<v Speaker 6>When if you're playing you won't stop promoting and marketing.

0:42:49.719 --> 0:42:51.799
<v Speaker 4>Nigga plugging right now, I'm fugging nigga.

0:42:51.800 --> 0:42:53.640
<v Speaker 6>I'm the plug to your plug. I'm, you know, talking

0:42:53.640 --> 0:42:54.880
<v Speaker 6>about see what I'm dealing with.

0:42:56.040 --> 0:42:58.600
<v Speaker 2>Hey man, you know you know I'll be eating your

0:42:58.680 --> 0:42:59.239
<v Speaker 2>cereal too.

0:42:59.440 --> 0:42:59.840
<v Speaker 6>You fuck what?

0:43:00.200 --> 0:43:00.439
<v Speaker 10>Yeah?

0:43:00.600 --> 0:43:02.920
<v Speaker 2>He talks about all the time. Sploops, Yah, I got

0:43:02.960 --> 0:43:05.479
<v Speaker 2>your phone number. I don't even Astley has.

0:43:05.440 --> 0:43:07.040
<v Speaker 6>A serial called Snoop Loop.

0:43:07.480 --> 0:43:08.440
<v Speaker 2>You shut up?

0:43:09.800 --> 0:43:11.560
<v Speaker 6>I love you knowing? Do you really?

0:43:11.719 --> 0:43:14.440
<v Speaker 2>Do you realize you're the most famous rapper everywhere? Like

0:43:14.480 --> 0:43:16.160
<v Speaker 2>a nigga can say I know Snoop and nigga be like,

0:43:16.239 --> 0:43:19.600
<v Speaker 2>I know, like, you can't go nowhere.

0:43:19.920 --> 0:43:21.120
<v Speaker 6>No, everybody knows Snoop.

0:43:21.160 --> 0:43:24.319
<v Speaker 2>Everybody knows I talk about babies, know you? But then

0:43:24.400 --> 0:43:25.600
<v Speaker 2>come up to the womb here that's Snoop.

0:43:27.440 --> 0:43:31.000
<v Speaker 6>What's the next generation gonna be called? You know, I

0:43:31.080 --> 0:43:32.960
<v Speaker 6>don't know anyway they're gonna know this nigga.

0:43:33.000 --> 0:43:35.520
<v Speaker 8>You don't know this nigga? Yeah, how the hellful thing

0:43:35.840 --> 0:43:37.840
<v Speaker 8>that happened? I'm engaging, you know what I'm saying. I

0:43:37.920 --> 0:43:41.359
<v Speaker 8>got grandkids, so I make things for kids. I got

0:43:41.440 --> 0:43:43.640
<v Speaker 8>a football league, I got you know, I got a

0:43:43.719 --> 0:43:46.680
<v Speaker 8>relationship with Martha Stewart. So I got like different people

0:43:46.760 --> 0:43:48.880
<v Speaker 8>in my life that allow me to you know, go

0:43:49.040 --> 0:43:54.080
<v Speaker 8>to different places and be different football league though, Yes, sir, yes, sir, yes, sir.

0:43:54.600 --> 0:43:56.760
<v Speaker 8>Proud of that right there, man, that's that's my baby

0:43:56.880 --> 0:43:59.000
<v Speaker 8>right there in my football league. We sent up with

0:43:59.040 --> 0:44:01.600
<v Speaker 8>forty kids to the nf fail. We got you know, graduates,

0:44:01.719 --> 0:44:06.239
<v Speaker 8>Rhodes scholars, you know, fireman's share, sheep of polices that

0:44:06.360 --> 0:44:08.399
<v Speaker 8>came out of my league. I'm so proud of that league.

0:44:08.840 --> 0:44:10.680
<v Speaker 8>Thank y'all for the great work, and thank y'all for

0:44:10.760 --> 0:44:11.680
<v Speaker 8>appreciating what we do.

0:44:12.440 --> 0:44:16.279
<v Speaker 6>That's part of what this thing is, the foundation of

0:44:16.400 --> 0:44:19.200
<v Speaker 6>what we're trying to do moving forward and how we'd

0:44:19.320 --> 0:44:23.120
<v Speaker 6>like to give back. So let's stop the talking. You

0:44:23.160 --> 0:44:24.600
<v Speaker 6>want to play some more music?

0:44:24.800 --> 0:44:26.200
<v Speaker 2>Werena, We're gonna go, thank you.

0:44:27.400 --> 0:44:30.759
<v Speaker 6>Thank you? Okay, So let me can you explain some

0:44:30.840 --> 0:44:34.080
<v Speaker 6>of the Yeah, let me. Yeah, this this one, I'm

0:44:34.120 --> 0:44:37.239
<v Speaker 6>not done with it yet, right, I just started on

0:44:37.400 --> 0:44:40.120
<v Speaker 6>this ship. It needs horns and strings.

0:44:40.239 --> 0:44:43.799
<v Speaker 4>You just started on this record, yeah, days ago, Yeah,

0:44:43.800 --> 0:44:44.279
<v Speaker 4>we just did this.

0:44:44.440 --> 0:44:45.520
<v Speaker 2>Is this the one that when we was on the

0:44:45.600 --> 0:44:47.040
<v Speaker 2>Zoom you said, I'm about to go finish this.

0:44:47.320 --> 0:44:49.719
<v Speaker 6>Yes, okay, so I'm not finished with it yet. So

0:44:50.000 --> 0:44:52.799
<v Speaker 6>it's fucking weirdest hell to be playing my music.

0:44:53.000 --> 0:44:54.279
<v Speaker 2>I'm surprised you let us play it.

0:44:54.360 --> 0:44:59.480
<v Speaker 6>Let's go for an audience, my unfinished music for an audience.

0:44:59.640 --> 0:45:01.279
<v Speaker 6>But uh, let's go.

0:45:01.440 --> 0:45:03.920
<v Speaker 2>Yeah all right, see what se thank you playing for

0:45:04.360 --> 0:45:04.759
<v Speaker 2>says something.

0:45:05.000 --> 0:45:08.960
<v Speaker 6>But by the way, thank thank you, and you.

0:45:08.960 --> 0:45:10.800
<v Speaker 8>Gotta you gotta ay time out, time out, turn my

0:45:10.880 --> 0:45:13.560
<v Speaker 8>stop about time about stop stop.

0:45:14.080 --> 0:45:15.640
<v Speaker 2>We lost we lost the engineer.

0:45:15.719 --> 0:45:18.080
<v Speaker 4>Now you don't love the I We got a nigga

0:45:18.120 --> 0:45:18.560
<v Speaker 4>that ran off.

0:45:18.640 --> 0:45:20.640
<v Speaker 2>Nigga, you know how to push play, how to tickle?

0:45:21.480 --> 0:45:24.560
<v Speaker 4>Yeah, turn that ship up, turn it up, nigga, get.

0:45:24.520 --> 0:45:25.040
<v Speaker 2>Us kick down?

0:45:27.440 --> 0:45:27.799
<v Speaker 3>Thank you.

0:45:33.160 --> 0:45:36.040
<v Speaker 4>Yah yeah, please excuse me while like it's the.

0:45:36.160 --> 0:45:37.200
<v Speaker 6>Sky thank you.

0:45:41.560 --> 0:45:45.000
<v Speaker 10>Day yeah yeah yeah yeah, please excuse me wild like

0:45:45.120 --> 0:45:48.680
<v Speaker 10>this style. Thanks just saying the same against us time

0:45:48.760 --> 0:45:51.160
<v Speaker 10>to change in your niggas is dangerous, rich and.

0:45:51.239 --> 0:45:52.239
<v Speaker 4>Shameless to any thing.

0:45:52.320 --> 0:45:52.960
<v Speaker 6>To be famous.

0:45:53.040 --> 0:45:54.760
<v Speaker 8>If you're talking about the script and then you're speaking

0:45:54.840 --> 0:45:57.279
<v Speaker 8>my language, and if you're waking up with the world

0:45:57.360 --> 0:45:57.840
<v Speaker 8>up under you.

0:45:58.080 --> 0:45:59.960
<v Speaker 4>I'm going this us fucked up. It's so cd.

0:46:00.440 --> 0:46:02.520
<v Speaker 10>I'm reving that my revenue. What am I not available

0:46:02.600 --> 0:46:07.200
<v Speaker 10>somewhere amailable. Somehow I made it off the avenue, the.

0:46:07.280 --> 0:46:09.160
<v Speaker 4>Taws and waking long the street sent them.

0:46:09.120 --> 0:46:11.920
<v Speaker 10>Up as in the field that the sails close calls

0:46:11.960 --> 0:46:13.440
<v Speaker 10>with big whales, got fish scales.

0:46:13.480 --> 0:46:16.080
<v Speaker 4>That's so fall shit. I like to thank me.

0:46:16.360 --> 0:46:18.440
<v Speaker 8>And if we're talking about the West, nigga, thank me

0:46:18.840 --> 0:46:20.000
<v Speaker 8>Walker Fane made a name.

0:46:20.080 --> 0:46:22.320
<v Speaker 4>Nigga, thank me ain't nothing. Now, this is what a

0:46:22.400 --> 0:46:24.200
<v Speaker 4>nigga do. I just want to say thank you.

0:46:25.080 --> 0:46:25.480
<v Speaker 6>Let me.

0:46:29.320 --> 0:46:31.000
<v Speaker 7>How you thank you?

0:46:31.160 --> 0:46:32.200
<v Speaker 6>It's me would like this?

0:46:32.440 --> 0:46:32.800
<v Speaker 7>Thank you?

0:46:38.080 --> 0:46:40.880
<v Speaker 6>DAGs? Excuse me?

0:46:41.080 --> 0:46:41.600
<v Speaker 2>Why like this?

0:46:41.840 --> 0:46:44.399
<v Speaker 4>The sty Now you're gonna fuck around and find out

0:46:44.920 --> 0:46:46.759
<v Speaker 4>I thank you. Niggas need to take her time out.

0:46:46.960 --> 0:46:48.799
<v Speaker 4>Might have a leave a a dope to me. Gonna

0:46:48.800 --> 0:46:50.879
<v Speaker 4>be your posts to read high level pope and see

0:46:50.960 --> 0:46:53.520
<v Speaker 4>better than dope for me. You fucking would have winn

0:46:53.520 --> 0:46:53.880
<v Speaker 4>a winner.

0:46:53.920 --> 0:46:54.560
<v Speaker 6>What a ship.

0:46:54.600 --> 0:46:56.640
<v Speaker 10>It's been a minute since we went up getting now

0:46:56.719 --> 0:46:58.120
<v Speaker 10>for six billion ways to get it?

0:46:58.239 --> 0:47:00.480
<v Speaker 4>She was one snooped off about.

0:47:00.280 --> 0:47:02.839
<v Speaker 10>They the hell of a running any comic tick bile

0:47:02.920 --> 0:47:04.399
<v Speaker 10>the man dropping a pile.

0:47:04.520 --> 0:47:05.879
<v Speaker 2>I'm in here with both guys.

0:47:05.920 --> 0:47:08.120
<v Speaker 4>How I made mind click click boom and show.

0:47:08.040 --> 0:47:09.160
<v Speaker 10>Come nigga, These Niggs.

0:47:09.200 --> 0:47:12.720
<v Speaker 8>I'm throwing money like at this guy's saying.

0:47:13.440 --> 0:47:15.120
<v Speaker 4>Hold on your I'm playing nobody.

0:47:15.760 --> 0:47:16.640
<v Speaker 6>Well, shit, get heavy.

0:47:16.719 --> 0:47:18.840
<v Speaker 10>You know when Nigga pushed the limits locking up on

0:47:18.920 --> 0:47:19.759
<v Speaker 10>every coming Nigga.

0:47:19.800 --> 0:47:20.759
<v Speaker 6>I just want to thank you.

0:47:27.200 --> 0:47:28.600
<v Speaker 4>Lazy huge like.

0:47:28.640 --> 0:47:33.279
<v Speaker 6>It's that guy, and thank you for letting myself.

0:47:34.480 --> 0:47:36.680
<v Speaker 4>Can we get hi yah ya ya yao.

0:47:38.600 --> 0:47:42.960
<v Speaker 6>Style? All right?

0:47:43.760 --> 0:47:50.440
<v Speaker 2>Hold up? You did say that this is your favorite

0:47:50.480 --> 0:47:51.319
<v Speaker 2>record when we were.

0:47:51.239 --> 0:47:55.200
<v Speaker 6>Talking to us, Oh, what are your favorite? I said

0:47:55.200 --> 0:47:57.839
<v Speaker 6>it's my favorite because of the like this one, did

0:47:57.960 --> 0:48:00.319
<v Speaker 6>that one? Like I said, It's not done and I'm

0:48:00.320 --> 0:48:02.000
<v Speaker 6>still working on it, so it's weird.

0:48:02.239 --> 0:48:03.560
<v Speaker 2>What else you got to do that record?

0:48:03.719 --> 0:48:05.920
<v Speaker 6>It's weird playing the unfinished products.

0:48:05.920 --> 0:48:07.160
<v Speaker 2>You can put a thing on it.

0:48:07.200 --> 0:48:07.719
<v Speaker 6>What are you doing?

0:48:08.120 --> 0:48:10.240
<v Speaker 4>That's the difference between his ears and our ears.

0:48:10.400 --> 0:48:12.919
<v Speaker 6>Yes, it's not done.

0:48:13.000 --> 0:48:16.000
<v Speaker 4>It's rough mixes sound like most niggas master mixes. But

0:48:16.200 --> 0:48:17.200
<v Speaker 4>he's a perfectionist.

0:48:17.239 --> 0:48:19.880
<v Speaker 8>He's it's something in there that he doesn't feel as

0:48:20.040 --> 0:48:21.440
<v Speaker 8>right as a composed of the.

0:48:21.440 --> 0:48:22.719
<v Speaker 2>Whole How bell in there?

0:48:22.840 --> 0:48:24.000
<v Speaker 4>Oh we got a whole album?

0:48:25.120 --> 0:48:27.320
<v Speaker 8>No that that song got to go inside of the

0:48:27.400 --> 0:48:30.520
<v Speaker 8>whole album. So it's not just a standalone record. So

0:48:30.600 --> 0:48:32.520
<v Speaker 8>he's thinking about all of the other songs, and.

0:48:32.719 --> 0:48:35.800
<v Speaker 6>It's the whole thing. I'm on my fucking I don't know.

0:48:36.520 --> 0:48:39.399
<v Speaker 6>It's just strings and horns that are missing, and it's

0:48:39.440 --> 0:48:42.279
<v Speaker 6>not mixed yet. So you guys are hearing just the

0:48:42.400 --> 0:48:46.880
<v Speaker 6>demo and unfinished work. So and I'm weird about playing

0:48:46.960 --> 0:48:51.720
<v Speaker 6>that shit. So all right, so I've never done this before.

0:48:52.040 --> 0:48:54.640
<v Speaker 2>So great, the greatest, that's what she said, the greatest,

0:48:54.680 --> 0:48:56.640
<v Speaker 2>thank you for doing. Let me say something. The greatest

0:48:56.640 --> 0:48:59.000
<v Speaker 2>thing about twenty twenty four is you could get an

0:48:59.040 --> 0:49:01.880
<v Speaker 2>instant response, right, you could throw something out and get instance.

0:49:02.120 --> 0:49:04.640
<v Speaker 2>I just wanted the crowd to tell you how. Tell us,

0:49:04.680 --> 0:49:09.279
<v Speaker 2>motherfucker record, tell us, motherfucker Now. I don't know what

0:49:09.440 --> 0:49:11.000
<v Speaker 2>you want to think about the recond.

0:49:17.080 --> 0:49:21.719
<v Speaker 4>Yes, let's drink some gin and juice, man, real quick.

0:49:23.080 --> 0:49:23.279
<v Speaker 2>I know.

0:49:23.880 --> 0:49:26.680
<v Speaker 8>Big up to my brother Swiss Beat. Yeah, rest of

0:49:26.719 --> 0:49:29.640
<v Speaker 8>that blood. I don't smoke with niggas, says COVID.

0:49:29.719 --> 0:49:31.400
<v Speaker 6>Fuck that. Well, yeah, work.

0:49:31.520 --> 0:49:32.840
<v Speaker 4>I don't know what you niggas.

0:49:32.600 --> 0:49:34.880
<v Speaker 2>Got, but big up my brother Swiss Beasts and Timberland.

0:49:35.040 --> 0:49:36.719
<v Speaker 2>But a Swiss Beasts and Timberland was to come to

0:49:36.840 --> 0:49:40.520
<v Speaker 2>y'all and say y'all. We want Dre and Snoop Dogg

0:49:40.840 --> 0:49:44.120
<v Speaker 2>to do a versus, but y'all get to pick y'all pony.

0:49:44.560 --> 0:49:47.160
<v Speaker 6>Okay, So that's a really good question. I was just

0:49:47.320 --> 0:49:50.520
<v Speaker 6>on the phone with Swiss Beach yesterday and this morning,

0:49:51.560 --> 0:49:56.239
<v Speaker 6>and we've been swapping trash together and I actually just

0:49:56.560 --> 0:50:00.960
<v Speaker 6>did a song over one of his beasts, zip, where zippit?

0:50:01.040 --> 0:50:01.560
<v Speaker 6>Where are you at?

0:50:02.160 --> 0:50:02.520
<v Speaker 2>Right there?

0:50:03.880 --> 0:50:08.960
<v Speaker 6>What was that yesterday or the day before? Day before yesterday?

0:50:09.040 --> 0:50:12.160
<v Speaker 6>We just did a song to us Swiss Beats on

0:50:12.320 --> 0:50:15.239
<v Speaker 6>one of his tracks. That's I mean, we did our

0:50:15.360 --> 0:50:17.759
<v Speaker 6>thing around it and play with it. But yeah, it

0:50:17.800 --> 0:50:20.840
<v Speaker 6>is a co production. It is probably gonna be that

0:50:21.040 --> 0:50:23.640
<v Speaker 6>we haven't finished the song just ship, but yeah, Swiss

0:50:23.800 --> 0:50:27.320
<v Speaker 6>Beats is like one of our brothers. Timberland is like

0:50:27.480 --> 0:50:32.960
<v Speaker 6>I really appreciate like Timberland because I feel like he

0:50:33.160 --> 0:50:36.239
<v Speaker 6>inspired me. He was the one the first person that

0:50:37.040 --> 0:50:39.560
<v Speaker 6>started doing a double time ship with the beats like

0:50:42.600 --> 0:50:46.759
<v Speaker 6>that thing. So I was really impressed with that and

0:50:46.840 --> 0:50:49.680
<v Speaker 6>that inspired me. So yeah, big shout out to Timberland.

0:50:52.680 --> 0:50:54.799
<v Speaker 2>Because you versus supposed to be a celebration as well.

0:50:54.840 --> 0:50:57.960
<v Speaker 2>It's not a battle, right, So they say what artists.

0:50:58.000 --> 0:51:00.680
<v Speaker 2>Would you what your artists? Would you Snoop want to

0:51:00.680 --> 0:51:01.160
<v Speaker 2>go against?

0:51:02.960 --> 0:51:04.719
<v Speaker 4>We got to go up against Jimmy Jam and Terry

0:51:04.800 --> 0:51:05.759
<v Speaker 4>Lewis can't nobody.

0:51:08.440 --> 0:51:16.359
<v Speaker 6>Jimmy Jam. I'm just that's like, what how about jay

0:51:16.400 --> 0:51:18.920
<v Speaker 6>Z and Kanye talked at Jimmy Jam every every now

0:51:18.960 --> 0:51:24.360
<v Speaker 6>and then. Yeah, and he's a super humble motherfucker. He

0:51:24.440 --> 0:51:26.479
<v Speaker 6>doesn't even I don't even think he knows how dope

0:51:26.480 --> 0:51:29.479
<v Speaker 6>he is. But yeah, it's really cool.

0:51:29.680 --> 0:51:33.960
<v Speaker 2>So Missy and Timberland. Nah, you said jay Z and Kanye?

0:51:34.040 --> 0:51:34.840
<v Speaker 2>What do you think about that?

0:51:35.080 --> 0:51:35.839
<v Speaker 6>But say it again?

0:51:35.920 --> 0:51:40.960
<v Speaker 2>Versus versus versus? Yeah, Oh, I don't know. I don't know.

0:51:41.360 --> 0:51:43.040
<v Speaker 6>How about you thought that ship was cool?

0:51:43.160 --> 0:51:44.720
<v Speaker 4>But I did versus with DMX.

0:51:44.840 --> 0:51:47.080
<v Speaker 2>That was a beautiful thing he had on Timberland's in

0:51:47.200 --> 0:51:48.280
<v Speaker 2>your studio during.

0:51:48.080 --> 0:51:49.960
<v Speaker 4>Cod and you know, it turned into a love thing.

0:51:50.040 --> 0:51:51.720
<v Speaker 4>It wasn't a battle, you see what happens.

0:51:52.120 --> 0:51:53.560
<v Speaker 2>It was a celebration, it really was.

0:51:54.239 --> 0:51:56.320
<v Speaker 8>That probably was the first one that was actually a

0:51:56.400 --> 0:52:00.200
<v Speaker 8>real celebration because we was in the same room her.

0:52:00.400 --> 0:52:04.440
<v Speaker 4>We shared now ladies and chicken wings and hennessy, you

0:52:04.480 --> 0:52:06.520
<v Speaker 4>know what I'm saying. And then we share some party

0:52:06.560 --> 0:52:06.719
<v Speaker 4>to me.

0:52:06.880 --> 0:52:06.920
<v Speaker 6>No.

0:52:07.200 --> 0:52:11.120
<v Speaker 8>Then he told the story of how his record holler

0:52:11.160 --> 0:52:14.319
<v Speaker 8>at me, get at Me Dog. Yeah, I said him.

0:52:14.320 --> 0:52:16.120
<v Speaker 8>When I was at ja Varga Square. I was performing

0:52:16.160 --> 0:52:18.800
<v Speaker 8>out there and cousin was coming out the club and

0:52:18.880 --> 0:52:19.600
<v Speaker 8>I ain't knowing me.

0:52:20.160 --> 0:52:20.880
<v Speaker 4>He said, what's up?

0:52:20.920 --> 0:52:23.120
<v Speaker 8>I said, get at me dog, and he said that's

0:52:23.160 --> 0:52:25.400
<v Speaker 8>how he made his motherfucking record For me saying that.

0:52:25.480 --> 0:52:26.719
<v Speaker 6>To him, I didn't know that.

0:52:27.000 --> 0:52:28.879
<v Speaker 2>I didn't know that, he said.

0:52:29.080 --> 0:52:29.480
<v Speaker 6>He said it.

0:52:32.280 --> 0:52:34.200
<v Speaker 4>Out of the X mouth. Rest in peace to the King.

0:52:34.280 --> 0:52:34.880
<v Speaker 4>He understand me.

0:52:35.360 --> 0:52:37.640
<v Speaker 2>I didn't realize it was that I passed crazy.

0:52:37.880 --> 0:52:38.839
<v Speaker 6>But he was at the show.

0:52:38.920 --> 0:52:40.240
<v Speaker 4>When I was at Jervagar Square.

0:52:40.280 --> 0:52:42.680
<v Speaker 6>You wasn't there though, huh No, I was too young.

0:52:42.760 --> 0:52:46.879
<v Speaker 6>I was in jail tripping. He was like a big

0:52:46.920 --> 0:52:48.880
<v Speaker 6>app Okay another story, Yes.

0:52:49.000 --> 0:52:53.960
<v Speaker 2>Story for another day. We're on positivity, happiness, God damn it. Yeah,

0:52:54.600 --> 0:52:59.120
<v Speaker 2>the best, ain't you. I'm a real drinker.

0:53:00.200 --> 0:53:02.960
<v Speaker 4>This ship is great, it's smoth.

0:53:03.160 --> 0:53:05.080
<v Speaker 2>They're gonna put you on y'all.

0:53:05.120 --> 0:53:08.040
<v Speaker 6>See what y'all camera, Yo, listen, I'm holdly for the

0:53:08.080 --> 0:53:09.840
<v Speaker 6>camera and do this for Jimmy.

0:53:09.880 --> 0:53:13.400
<v Speaker 2>I be the first person to besides you guys and Jimmy,

0:53:13.520 --> 0:53:15.080
<v Speaker 2>I mean, the first person to promote this ship.

0:53:15.200 --> 0:53:16.799
<v Speaker 8>So can we can we make sure when you get

0:53:16.840 --> 0:53:19.440
<v Speaker 8>back to the to the real establishment in Miami, we're

0:53:19.480 --> 0:53:21.439
<v Speaker 8>gonna we got like I need like five of these

0:53:21.520 --> 0:53:24.480
<v Speaker 8>lined up every episode absolutely, whether we're there or not.

0:53:25.400 --> 0:53:26.239
<v Speaker 6>This is right.

0:53:26.680 --> 0:53:34.680
<v Speaker 9>Listen, but look at me, look at me, yes, by

0:53:34.680 --> 0:53:37.280
<v Speaker 9>the way, sit week.

0:53:37.160 --> 0:53:41.480
<v Speaker 2>With Snoop Dogg. By the way, get the pants, oh ship.

0:53:43.760 --> 0:53:45.000
<v Speaker 6>On the one time show.

0:53:45.120 --> 0:53:48.080
<v Speaker 2>A little bit of that state walker yo, yo, by

0:53:48.120 --> 0:53:49.279
<v Speaker 2>the way, you got my address, no.

0:53:52.000 --> 0:53:53.399
<v Speaker 4>Way walk God God to give him the room.

0:53:54.280 --> 0:53:55.800
<v Speaker 2>So let me ask you Snoop before we get.

0:53:55.640 --> 0:53:57.000
<v Speaker 6>Into the music, right.

0:53:59.000 --> 0:54:05.880
<v Speaker 2>Since not like us, right, everybody everybody crip walks and

0:54:06.480 --> 0:54:10.080
<v Speaker 2>not not cripwalk, they blood walk in kripwalk. That's both.

0:54:10.320 --> 0:54:14.120
<v Speaker 6>Yes, it's the thing. Sorry, yeah, don't get fucked up.

0:54:14.160 --> 0:54:14.719
<v Speaker 6>It's it's real.

0:54:14.760 --> 0:54:16.799
<v Speaker 4>Ship on the West I'm talking about.

0:54:17.600 --> 0:54:20.080
<v Speaker 8>When you've seen that stage where Kendrick was that night

0:54:20.320 --> 0:54:23.640
<v Speaker 8>at that concert, it was ninety eight percent bloods up there.

0:54:24.000 --> 0:54:26.040
<v Speaker 2>I thought it was cribs. I'm saying the East.

0:54:26.239 --> 0:54:29.840
<v Speaker 8>So why would they have all that red on? Oh no,

0:54:34.080 --> 0:54:35.440
<v Speaker 8>let me tell you, Let me tell you what that

0:54:35.560 --> 0:54:38.320
<v Speaker 8>record did. Do it unified the West.

0:54:38.800 --> 0:54:39.040
<v Speaker 6>Wow.

0:54:39.840 --> 0:54:42.440
<v Speaker 8>So it may have been disrespectful, but it's hip hop,

0:54:42.520 --> 0:54:45.200
<v Speaker 8>so it's part of hip hop. I chose no signs

0:54:45.280 --> 0:54:48.880
<v Speaker 8>because I have no individual cause with that. That's a

0:54:48.920 --> 0:54:51.120
<v Speaker 8>grown man going against a grown man. But what it

0:54:51.239 --> 0:54:53.839
<v Speaker 8>did do was unite the West and make everybody out

0:54:53.880 --> 0:54:56.359
<v Speaker 8>here start looking at each other like how much love

0:54:56.440 --> 0:54:57.279
<v Speaker 8>we got for each other.

0:54:57.760 --> 0:54:59.799
<v Speaker 4>It was a blood walk where the bloods had peace.

0:55:00.480 --> 0:55:03.120
<v Speaker 8>You had certain crib gangs that came together and became

0:55:03.719 --> 0:55:05.879
<v Speaker 8>you know, real friends as opposed to being an enemy.

0:55:05.960 --> 0:55:07.920
<v Speaker 8>So that record did a lot for us on the

0:55:07.960 --> 0:55:11.520
<v Speaker 8>West as far as uniting. So we should speak on that, right.

0:55:12.280 --> 0:55:14.279
<v Speaker 7>I mean, one thing I always say on drinks, y'all said,

0:55:14.280 --> 0:55:16.160
<v Speaker 7>you don't have to be against someone to be for

0:55:16.360 --> 0:55:16.759
<v Speaker 7>hip hop?

0:55:17.040 --> 0:55:17.640
<v Speaker 6>Right right?

0:55:17.640 --> 0:55:20.640
<v Speaker 2>You know what I'm saying. Everybody makes that. So what

0:55:20.800 --> 0:55:21.640
<v Speaker 2>is that dance called?

0:55:21.760 --> 0:55:22.239
<v Speaker 6>Is it called?

0:55:22.760 --> 0:55:25.319
<v Speaker 4>It's the walk? If you're crip, is the crip walk,

0:55:25.360 --> 0:55:26.560
<v Speaker 4>if you're blood is to b walk?

0:55:27.400 --> 0:55:28.839
<v Speaker 2>But now it is white people walk.

0:55:29.080 --> 0:55:32.640
<v Speaker 6>Say that a gag, But no, no, wait, say that again, because.

0:55:32.400 --> 0:55:33.720
<v Speaker 2>The most they're just walking.

0:55:33.960 --> 0:55:36.400
<v Speaker 6>Yeah wait, wait, wait, no say that again, Stull, because

0:55:36.520 --> 0:55:39.360
<v Speaker 6>most people don't understand that and they don't even know

0:55:39.520 --> 0:55:40.400
<v Speaker 6>that that exists.

0:55:40.719 --> 0:55:43.759
<v Speaker 8>Okay, So when it comes to the gang coaching, that

0:55:44.040 --> 0:55:47.880
<v Speaker 8>dance was created by gang members. So on both sides

0:55:48.239 --> 0:55:51.000
<v Speaker 8>danced to the music. They danced with that in mind.

0:55:51.160 --> 0:55:54.080
<v Speaker 8>So if you're a blood, you put your gang first.

0:55:54.160 --> 0:55:56.520
<v Speaker 8>That's the blood walk. If you're a Cryp, that's the

0:55:56.680 --> 0:55:59.200
<v Speaker 8>crypt walk. But the Crypts have been so dominant in

0:55:59.239 --> 0:56:01.759
<v Speaker 8>the music, and it's me that you think that that's

0:56:01.840 --> 0:56:05.360
<v Speaker 8>the only way that it's difficult, right, But when you

0:56:05.440 --> 0:56:08.720
<v Speaker 8>see Kendrick, you see Quick, you see you know yg

0:56:09.200 --> 0:56:11.879
<v Speaker 8>whoever you see that's from the Red side, they dance

0:56:11.960 --> 0:56:13.920
<v Speaker 8>the same way we dance. Because it's a it's a

0:56:14.280 --> 0:56:16.280
<v Speaker 8>culture thing, you know what I'm saying. It's for the culture.

0:56:16.600 --> 0:56:19.160
<v Speaker 8>They just represent for they side, but both sides are together,

0:56:19.320 --> 0:56:21.960
<v Speaker 8>so it's a unification. So it's a beautiful thing.

0:56:22.160 --> 0:56:24.759
<v Speaker 6>And you could never understand this ship if you don't

0:56:24.840 --> 0:56:27.920
<v Speaker 6>understand the coach, right, you know, there's a lot of

0:56:27.960 --> 0:56:30.480
<v Speaker 6>people probably in this throne and probably going to be

0:56:30.600 --> 0:56:33.360
<v Speaker 6>listening and looking at this ship that don't understand it.

0:56:33.440 --> 0:56:36.520
<v Speaker 6>But hopefully we can at least clear it up for

0:56:37.120 --> 0:56:39.040
<v Speaker 6>you a little bit, to at least take a chance

0:56:39.120 --> 0:56:39.880
<v Speaker 6>to understand it.

0:56:41.640 --> 0:56:43.280
<v Speaker 2>Stevie wanted to really call you at five.

0:56:43.320 --> 0:56:48.640
<v Speaker 6>M off that stupid Now we're back to the levity, right, No,

0:56:48.800 --> 0:56:51.600
<v Speaker 6>but let's get back to the funny ship. Let's get

0:56:51.640 --> 0:56:53.040
<v Speaker 6>back to the entertained part of this.

0:56:55.760 --> 0:56:57.840
<v Speaker 2>Because they said that Stevie want of those streets like

0:56:57.920 --> 0:57:00.919
<v Speaker 2>seeing basketball players play on some real ship. Kis Steve

0:57:01.040 --> 0:57:01.880
<v Speaker 2>c on everything?

0:57:01.960 --> 0:57:06.839
<v Speaker 8>I love Stevie Wonder, does FaceTime me? Come on, man,

0:57:08.360 --> 0:57:11.200
<v Speaker 8>I can't make this ship up. Nigga, I was in

0:57:11.280 --> 0:57:13.080
<v Speaker 8>there chilling with my I was getting my hair done

0:57:13.120 --> 0:57:16.720
<v Speaker 8>with my hairstyling and my phone and my hairstyling is like,

0:57:16.840 --> 0:57:18.080
<v Speaker 8>did I say Stevie Wonder?

0:57:18.120 --> 0:57:21.120
<v Speaker 4>I said yep. I went boom and he was like, nigga,

0:57:21.120 --> 0:57:21.840
<v Speaker 4>I've been looking for you.

0:57:23.240 --> 0:57:27.640
<v Speaker 9>I got the fuck out here, man, the fuck out

0:57:29.040 --> 0:57:31.000
<v Speaker 9>I've been looking for No.

0:57:31.240 --> 0:57:35.280
<v Speaker 2>Stevie Wander calls me like a five five am.

0:57:35.480 --> 0:57:37.480
<v Speaker 6>And he's asking me to text him. I'm like, what

0:57:37.640 --> 0:57:40.960
<v Speaker 6>the what the fuck?

0:57:41.040 --> 0:57:41.520
<v Speaker 4>What you say?

0:57:41.640 --> 0:57:42.480
<v Speaker 2>You send your text?

0:57:43.720 --> 0:57:47.840
<v Speaker 6>Send them a text? And I'm like, okay, I'm hanging

0:57:47.840 --> 0:57:50.400
<v Speaker 6>I'm hanging, hang up the phone. I'm like the fuck

0:57:50.480 --> 0:57:53.880
<v Speaker 6>that Stevie wants me to text.

0:57:53.720 --> 0:57:58.320
<v Speaker 2>Him who see Wonder on drink?

0:58:00.040 --> 0:58:02.360
<v Speaker 6>First of all, let me just be clear, Stevie Wonder

0:58:02.520 --> 0:58:05.560
<v Speaker 6>is one of my all time favorites. He's my year role.

0:58:07.040 --> 0:58:10.160
<v Speaker 4>He is funny, and he is funny too. He would

0:58:10.200 --> 0:58:12.000
<v Speaker 4>laugh at this, so he get funny.

0:58:12.280 --> 0:58:15.680
<v Speaker 6>Yeah, he's funny as hell. Right. He walks up to

0:58:15.760 --> 0:58:18.200
<v Speaker 6>you and says, that's a nice red shirt you're wearing.

0:58:18.320 --> 0:58:20.880
<v Speaker 6>You know, so that ship.

0:58:21.200 --> 0:58:23.040
<v Speaker 2>Let me ask you a question. Does Stevie Wander have

0:58:23.320 --> 0:58:28.800
<v Speaker 2>TVs or lights in his house? Let's move on.

0:58:28.920 --> 0:58:29.120
<v Speaker 6>Let me.

0:58:31.000 --> 0:58:32.520
<v Speaker 2>Okay, to what record we're going through?

0:58:32.600 --> 0:58:32.720
<v Speaker 7>Now?

0:58:33.160 --> 0:58:33.880
<v Speaker 2>What record we play?

0:58:34.560 --> 0:58:39.200
<v Speaker 6>Jimmy keeps streaming off Mary Jane? All right, so Mary Jane, Okay,

0:58:39.320 --> 0:58:42.960
<v Speaker 6>this didn't have to marry Jane. So there's a ready.

0:58:43.000 --> 0:58:44.560
<v Speaker 2>When I was back there, my little Nord keep saying

0:58:44.640 --> 0:58:46.440
<v Speaker 2>back there, No, no, they didn't have it back there.

0:58:46.480 --> 0:58:50.160
<v Speaker 6>We got it up here. You gotta get it ready up. Yeah.

0:58:50.160 --> 0:58:52.080
<v Speaker 6>I'm about to give a whole setup for that ship.

0:58:52.200 --> 0:58:56.840
<v Speaker 6>So hopefully they have it ready. All right, let me

0:58:56.960 --> 0:58:59.240
<v Speaker 6>let me set it up. Stop for a second second.

0:58:59.440 --> 0:59:05.600
<v Speaker 6>This is the one. So the Great Tom Petty said

0:59:05.720 --> 0:59:09.320
<v Speaker 6>something in our documentary, and he said, the day that

0:59:09.560 --> 0:59:13.000
<v Speaker 6>doctor Dre does a version of Mary james Last Dance

0:59:13.160 --> 0:59:19.000
<v Speaker 6>is going to be an instant hit, right. So fortunately

0:59:19.200 --> 0:59:22.480
<v Speaker 6>his family blessed us with the files and all of

0:59:22.600 --> 0:59:26.680
<v Speaker 6>his vocals. So I took his did a whole new

0:59:26.760 --> 0:59:30.280
<v Speaker 6>beat and put his vocals on the chorus, and it's

0:59:30.360 --> 0:59:35.000
<v Speaker 6>harmonica playing on the chorus. And then jelly Roll. Jelly

0:59:35.120 --> 0:59:38.600
<v Speaker 6>Roll came to my house and sung the second verse. Right,

0:59:39.360 --> 0:59:43.280
<v Speaker 6>So yeah, that's the setup, and that's what we're about

0:59:43.320 --> 0:59:55.760
<v Speaker 6>to hear. Can we churn it up?

0:59:56.680 --> 0:59:59.280
<v Speaker 4>Don't bother ask me to ever? Give my lady up?

0:59:59.520 --> 1:00:02.080
<v Speaker 4>What's goo? Five years old? Take him my first puff?

1:00:02.240 --> 1:00:04.800
<v Speaker 4>It was love at first life, feather love her first night.

1:00:04.880 --> 1:00:07.040
<v Speaker 4>My uncle told me, don't rush, this could be your

1:00:07.120 --> 1:00:07.720
<v Speaker 4>first crush.

1:00:07.840 --> 1:00:09.520
<v Speaker 10>Now I'm on the block with all my homies and

1:00:09.600 --> 1:00:12.600
<v Speaker 10>it's up amber a fair seventeen with a dream blowing

1:00:12.680 --> 1:00:15.400
<v Speaker 10>smoke in the air. Seven things. My routine is one,

1:00:15.520 --> 1:00:18.840
<v Speaker 10>what's that year? Avoiding them fucking pandas in my rear view.

1:00:18.840 --> 1:00:21.240
<v Speaker 4>Meter County Blues want of news. Ship, I'm on all

1:00:21.320 --> 1:00:23.880
<v Speaker 4>of my pills looking back. I wouldn't change ship or

1:00:23.920 --> 1:00:26.280
<v Speaker 4>what a career? I used to flip bags with her

1:00:26.640 --> 1:00:29.560
<v Speaker 4>skip class word. She comfortable the fuck on, I'm trying

1:00:29.600 --> 1:00:30.440
<v Speaker 4>to smash with her.

1:00:30.600 --> 1:00:34.720
<v Speaker 10>She got always the last and ashes to ask the dust,

1:00:34.760 --> 1:00:36.680
<v Speaker 10>so it looks like I'm last us. I can't get

1:00:36.760 --> 1:00:40.080
<v Speaker 10>past the rushing never passer up. Who took this bitch worldwide?

1:00:40.160 --> 1:00:41.960
<v Speaker 10>Nigga we gas in that and now with the.

1:00:48.760 --> 1:00:51.560
<v Speaker 4>Before the things, she was my novercare. You know what,

1:00:51.680 --> 1:01:02.240
<v Speaker 4>it ain't gonna get a video where they ain't gonna say,

1:01:02.360 --> 1:01:04.800
<v Speaker 4>right my little slave by my chid.

1:01:13.760 --> 1:01:19.120
<v Speaker 5>Jelly rode high spends and faces in my wood. She's like,

1:01:19.240 --> 1:01:23.360
<v Speaker 5>I'm rich in this side this time, I'm changing my time.

1:01:23.440 --> 1:01:27.760
<v Speaker 5>I'm saying good side of the danger inside. Sometimes got

1:01:27.920 --> 1:01:31.880
<v Speaker 5>a hold the fast time as a can copy as

1:01:32.520 --> 1:01:35.280
<v Speaker 5>somehow she came among between them.

1:01:35.320 --> 1:01:38.840
<v Speaker 6>What gusn't made it follow everything you.

1:01:38.880 --> 1:01:41.480
<v Speaker 1>Ever told me you were from the kick go yess

1:01:41.560 --> 1:01:45.320
<v Speaker 1>I didn't. And if I gotta graphic, can I guess

1:01:45.360 --> 1:01:47.880
<v Speaker 1>I mean to strike him that super bird that appreciates

1:01:47.960 --> 1:01:52.960
<v Speaker 1>it's so fan been to me. The wishes barked this piphany.

1:01:54.000 --> 1:01:56.040
<v Speaker 2>Don't walk away by the combling.

1:01:55.720 --> 1:01:58.680
<v Speaker 1>In the whole world, combling in something panther.

1:01:58.600 --> 1:02:09.080
<v Speaker 4>Change knows my before the things, it was my noga.

1:02:09.360 --> 1:02:11.120
<v Speaker 7>You know what name?

1:02:19.520 --> 1:02:21.280
<v Speaker 4>Just say the second one that my m.

1:02:32.960 --> 1:02:34.680
<v Speaker 2>Yeah, yeah, yeah, he.

1:02:38.680 --> 1:02:39.040
<v Speaker 9>Went off.

1:02:40.880 --> 1:02:46.240
<v Speaker 2>Hey, come on, so that's label Mary Jane. Not the

1:02:46.320 --> 1:02:47.080
<v Speaker 2>last dance.

1:02:49.480 --> 1:02:50.880
<v Speaker 6>That was that was dope, thank you?

1:02:52.040 --> 1:02:53.720
<v Speaker 2>So what's the name of that one? That's Mary Jane?

1:02:53.880 --> 1:02:55.840
<v Speaker 6>Not the last last last dance with Mary?

1:02:56.040 --> 1:02:58.560
<v Speaker 2>Okay, okay. I called this because I heard that one.

1:02:59.000 --> 1:03:00.280
<v Speaker 2>They told me. I didn't hear Mary regime.

1:03:00.400 --> 1:03:04.800
<v Speaker 4>Hey know how much money Jardine give it what it had? Jeez, Luis,

1:03:05.400 --> 1:03:06.440
<v Speaker 4>how much dope they give you?

1:03:06.800 --> 1:03:08.000
<v Speaker 2>You fucking found nigga.

1:03:09.040 --> 1:03:12.520
<v Speaker 4>I fuck with you people trying to make sure you

1:03:12.600 --> 1:03:13.600
<v Speaker 4>getting what you're supposed to get.

1:03:19.920 --> 1:03:22.560
<v Speaker 2>So how fun was it getting back in the studio

1:03:22.640 --> 1:03:22.960
<v Speaker 2>with him?

1:03:23.400 --> 1:03:25.400
<v Speaker 8>It was it was like me being a kid again

1:03:25.440 --> 1:03:27.240
<v Speaker 8>because I got a chance to like just go back

1:03:27.280 --> 1:03:29.920
<v Speaker 8>to being directed and not have to be the leader

1:03:29.960 --> 1:03:31.640
<v Speaker 8>in the studio and be the one to come up

1:03:31.680 --> 1:03:34.200
<v Speaker 8>with all the ideas and be so creative. I could

1:03:34.200 --> 1:03:37.360
<v Speaker 8>come to the studio and just really just let them

1:03:37.440 --> 1:03:39.720
<v Speaker 8>work on me, and it feel good to be in

1:03:39.760 --> 1:03:42.240
<v Speaker 8>a position to have them produce me and write for

1:03:42.360 --> 1:03:44.680
<v Speaker 8>me and put me in, you know, great positions as

1:03:44.720 --> 1:03:46.600
<v Speaker 8>an artist, because I want to be a great artist.

1:03:46.680 --> 1:03:48.840
<v Speaker 4>When I'm done with this, and sometimes you got to

1:03:48.840 --> 1:03:50.640
<v Speaker 4>be produced. I look at all of the greater.

1:03:50.600 --> 1:03:51.840
<v Speaker 2>You already are a great artist.

1:03:51.960 --> 1:03:54.320
<v Speaker 6>No, but I'm saying a great artists.

1:03:54.360 --> 1:03:57.400
<v Speaker 8>But I think I think one thing that was missing

1:03:57.640 --> 1:04:01.920
<v Speaker 8>from my artifacts was to be produced, and to actually

1:04:02.000 --> 1:04:04.320
<v Speaker 8>be produced and let the rings go and say okay,

1:04:05.560 --> 1:04:08.120
<v Speaker 8>let go a lot of bit like everything like this

1:04:08.280 --> 1:04:10.880
<v Speaker 8>is what it's all about when you really trust somebody,

1:04:11.080 --> 1:04:14.080
<v Speaker 8>like to trust doctor Dre's process and his procedure, no

1:04:14.200 --> 1:04:16.520
<v Speaker 8>matter how long it take, I trust it, and to

1:04:16.600 --> 1:04:19.760
<v Speaker 8>trust it and say, look, produce me like nobody else has.

1:04:20.240 --> 1:04:22.280
<v Speaker 8>Is everybody too afraid to try to write for me

1:04:22.440 --> 1:04:24.200
<v Speaker 8>or try to do for me because they feel like, oh,

1:04:24.240 --> 1:04:26.200
<v Speaker 8>you know what you're doing, snoop you at that level.

1:04:26.560 --> 1:04:28.439
<v Speaker 4>But with him, I'm still his little brother.

1:04:28.560 --> 1:04:31.360
<v Speaker 8>So it's always that he knows what's best for me,

1:04:31.520 --> 1:04:33.680
<v Speaker 8>so to produce for me and to write for me,

1:04:33.760 --> 1:04:35.040
<v Speaker 8>and to put me in a position and where I

1:04:35.080 --> 1:04:37.080
<v Speaker 8>can sound good and feel good for the moment.

1:04:36.880 --> 1:04:39.400
<v Speaker 4>That I'm in right now. Very appreciated today.

1:04:40.040 --> 1:04:40.240
<v Speaker 6>Yeah.

1:04:42.400 --> 1:04:44.400
<v Speaker 2>It also it feels like you can with it to

1:04:44.880 --> 1:04:49.640
<v Speaker 2>meeting a giant. Hold on, hold, look, we got a

1:04:49.680 --> 1:04:50.600
<v Speaker 2>couple more records play.

1:04:50.720 --> 1:04:53.320
<v Speaker 6>Do we need anything else after that? Yo? I mean

1:04:54.520 --> 1:04:55.160
<v Speaker 6>all right, let's.

1:04:55.040 --> 1:04:58.400
<v Speaker 2>Getah come on, So what's the next record? Another part

1:04:58.440 --> 1:04:59.520
<v Speaker 2>of me feature Stink.

1:05:01.320 --> 1:05:04.640
<v Speaker 6>Yeah. It was crazy because we did this song and

1:05:05.320 --> 1:05:09.400
<v Speaker 6>we just sent it in to Sting to just clear

1:05:09.680 --> 1:05:13.240
<v Speaker 6>because we redid all of his music guitar, paused, drums

1:05:13.280 --> 1:05:15.960
<v Speaker 6>and everything. We just sent it into him to get

1:05:16.040 --> 1:05:18.160
<v Speaker 6>it clear, and he asked if he could be on

1:05:18.280 --> 1:05:22.480
<v Speaker 6>the record, Like what the fud? Like? What see?

1:05:22.520 --> 1:05:23.960
<v Speaker 7>That's what stuff that You're still a fan of it

1:05:24.080 --> 1:05:25.400
<v Speaker 7>so much that that excites me.

1:05:25.480 --> 1:05:27.360
<v Speaker 6>Oh yeah, man, in order to be great at something,

1:05:27.440 --> 1:05:30.080
<v Speaker 6>you have to be a student of it first, you know.

1:05:30.320 --> 1:05:33.320
<v Speaker 6>So yeah, and I'm not. I'm still a student of

1:05:33.440 --> 1:05:36.800
<v Speaker 6>what I do, you know. So yeah.

1:05:37.000 --> 1:05:38.600
<v Speaker 10>So he.

1:05:40.480 --> 1:05:43.800
<v Speaker 6>Called back and said, you know, would you like me

1:05:43.920 --> 1:05:46.560
<v Speaker 6>to be on the song? So the end of the song,

1:05:47.320 --> 1:05:51.240
<v Speaker 6>we wrote it and he sung and did the harmonies. Actually,

1:05:51.320 --> 1:05:53.480
<v Speaker 6>he left some of the same harmonies that were on

1:05:53.720 --> 1:06:00.680
<v Speaker 6>the template. I know, I'm fucking talking shit that he

1:06:00.840 --> 1:06:05.000
<v Speaker 6>might not give a funk about right now, but yeah,

1:06:05.040 --> 1:06:07.800
<v Speaker 6>but he did. He he left some of the backgrounds

1:06:07.840 --> 1:06:11.840
<v Speaker 6>in and he did the whole outro and he sounds amazing,

1:06:12.040 --> 1:06:15.080
<v Speaker 6>So I'll stop talking. You want to play it like

1:06:15.160 --> 1:06:24.320
<v Speaker 6>to hear it? Here you go, turn it up.

1:06:29.760 --> 1:06:30.360
<v Speaker 2>A little love.

1:06:32.200 --> 1:06:33.920
<v Speaker 6>This is more of a pop one.

1:06:35.800 --> 1:06:36.960
<v Speaker 4>Play with the top crowd.

1:06:37.040 --> 1:06:44.560
<v Speaker 6>It's like, that's so that's what we're turning around from

1:06:44.640 --> 1:07:00.560
<v Speaker 6>the stadium. Love it his spelling. Go ahead, get.

1:07:03.760 --> 1:07:09.640
<v Speaker 4>Like just another part. I mean, I'm just trying to

1:07:09.720 --> 1:07:13.520
<v Speaker 4>show you some gang step up wearing my heart or

1:07:13.640 --> 1:07:17.600
<v Speaker 4>my slaves. Yeah, out of living long that dang, you.

1:07:17.760 --> 1:07:20.800
<v Speaker 2>Must tell me what do you want fucking.

1:07:21.640 --> 1:07:24.240
<v Speaker 4>Get in the end of the Lost Center, Scanners and.

1:07:24.360 --> 1:07:29.160
<v Speaker 10>Um the Golden Nights right the wave walk thanks, just

1:07:29.240 --> 1:07:31.840
<v Speaker 10>the dead loss and jan Us Cool.

1:07:31.960 --> 1:07:32.640
<v Speaker 4>I'm not done.

1:07:32.920 --> 1:07:35.880
<v Speaker 10>He decided one of one from a hood to one,

1:07:35.960 --> 1:07:38.560
<v Speaker 10>No moms getting the top, run, don't back out on

1:07:38.640 --> 1:07:40.560
<v Speaker 10>the more to run being drank red.

1:07:40.720 --> 1:07:42.920
<v Speaker 4>Run they can take with these bread crumbs on.

1:07:43.080 --> 1:07:44.240
<v Speaker 9>My mama, son of a coup.

1:07:44.680 --> 1:07:47.320
<v Speaker 4>This on my people. I'm just having no Lember of features.

1:07:47.320 --> 1:07:49.520
<v Speaker 4>You ain't no see no thing, no ego vision like

1:07:49.680 --> 1:07:50.280
<v Speaker 4>up there's.

1:07:50.080 --> 1:07:53.280
<v Speaker 10>An eagle could start with woe guards from breaking laws

1:07:53.320 --> 1:07:54.919
<v Speaker 10>and beating charge just topping charts.

1:07:55.000 --> 1:07:56.800
<v Speaker 4>The ship is all stakes. He had him on a

1:07:56.840 --> 1:07:59.400
<v Speaker 4>blue cat and standing in the close, your fucking around

1:07:59.400 --> 1:08:03.040
<v Speaker 4>and got your got back. Get from the smell of it,

1:08:03.240 --> 1:08:07.080
<v Speaker 4>call for rag and they pat your feeling good. Don't

1:08:07.120 --> 1:08:09.600
<v Speaker 4>the same? Make the same? Older? This is they not

1:08:09.720 --> 1:08:12.320
<v Speaker 4>kind of moment Pney on my mind.

1:08:12.960 --> 1:08:17.519
<v Speaker 8>O game she about to come a knife okay, and

1:08:17.600 --> 1:08:21.120
<v Speaker 8>it's right before you ride them O Jameson, just the.

1:08:21.200 --> 1:08:24.800
<v Speaker 10>Keep it in the night, little skin you the jump

1:08:24.920 --> 1:08:27.000
<v Speaker 10>on the run by a black away.

1:08:27.439 --> 1:08:29.960
<v Speaker 2>I'm the one give a pup, but the guy to

1:08:30.080 --> 1:08:32.400
<v Speaker 2>say I'm gonna.

1:08:32.200 --> 1:08:35.880
<v Speaker 6>Get up abide on my way. This is a better

1:08:36.040 --> 1:08:36.880
<v Speaker 6>time than to day.

1:08:37.160 --> 1:08:41.320
<v Speaker 2>You know me jump about set in motion, up broken,

1:08:41.400 --> 1:08:42.160
<v Speaker 2>go up, choosing.

1:08:42.240 --> 1:08:45.320
<v Speaker 10>I just gotta high sway times passing that they act

1:08:45.360 --> 1:08:48.040
<v Speaker 10>the Babu's half of movies Rapping Mill Stack and the

1:08:48.160 --> 1:08:51.320
<v Speaker 10>one half of Lapis is on the same to jump.

1:08:51.200 --> 1:08:53.280
<v Speaker 6>Out and run by blah blah away.

1:08:53.720 --> 1:08:56.240
<v Speaker 10>I'm the one give a pup, but the gout to

1:08:56.400 --> 1:08:59.840
<v Speaker 10>say I'm gonna get up a bid on my way.

1:09:01.479 --> 1:09:03.360
<v Speaker 4>There's no time that you tell.

1:09:05.840 --> 1:09:20.320
<v Speaker 6>Yeah yeah yeah, yeah, yeah yeah yeah. That's fine.

1:09:22.439 --> 1:09:23.479
<v Speaker 4>These making sound big.

1:09:23.640 --> 1:09:24.320
<v Speaker 2>They sounds big.

1:09:25.560 --> 1:09:26.160
<v Speaker 7>I can't.

1:09:30.560 --> 1:09:33.599
<v Speaker 6>I can't wait for this album to drop so much.

1:09:33.720 --> 1:09:36.519
<v Speaker 2>It's so cute. So we're sorry the time. But let

1:09:36.600 --> 1:09:39.280
<v Speaker 2>me just say something to you, Drake again, because I

1:09:39.360 --> 1:09:41.360
<v Speaker 2>never had a chance. I never had a chance to

1:09:41.520 --> 1:09:45.200
<v Speaker 2>tell you this or Jimmy this. I know that you

1:09:45.479 --> 1:09:47.600
<v Speaker 2>actually said that the firm flop or whatever. But the

1:09:47.680 --> 1:09:50.600
<v Speaker 2>firm didn't flop for me, okay, the firm made me

1:09:51.479 --> 1:09:54.840
<v Speaker 2>my whole solo artist. Well I shouldn't have said that. Actually,

1:09:55.560 --> 1:09:58.599
<v Speaker 2>no said but go ahead, okay, But I'm just letting

1:09:58.640 --> 1:10:00.680
<v Speaker 2>you know that you and Jimmy, I was the only

1:10:00.720 --> 1:10:02.720
<v Speaker 2>person that was on the album that wasn't firm. I

1:10:02.840 --> 1:10:05.120
<v Speaker 2>wasn't officially firm. I was just a queen shooter and

1:10:05.280 --> 1:10:10.000
<v Speaker 2>they put me down. And really, but you co signed

1:10:10.040 --> 1:10:12.400
<v Speaker 2>that and Jimmy. I never told you. I got your

1:10:12.439 --> 1:10:14.600
<v Speaker 2>phone number two, Jimmy, and I never told you that

1:10:14.720 --> 1:10:18.200
<v Speaker 2>when y'all let my record rock on the Firm album

1:10:19.200 --> 1:10:21.960
<v Speaker 2>that set up my whole solo career. What's set up?

1:10:22.040 --> 1:10:23.560
<v Speaker 2>Drink champ? So I think I owe you money and

1:10:23.600 --> 1:10:24.000
<v Speaker 2>ship like.

1:10:25.160 --> 1:10:26.240
<v Speaker 6>He too rich?

1:10:26.479 --> 1:10:28.920
<v Speaker 4>You don't want me the money, noorr he too rich?

1:10:29.000 --> 1:10:29.559
<v Speaker 4>Give me the money.

1:10:30.240 --> 1:10:32.599
<v Speaker 6>I hold it for him, yo.

1:10:33.400 --> 1:10:36.080
<v Speaker 2>But I want to tell you, I want to tell

1:10:36.120 --> 1:10:39.040
<v Speaker 2>you thank you because that shit changed my life. That

1:10:39.200 --> 1:10:42.360
<v Speaker 2>one record. From that one record, you know, I dropped

1:10:42.400 --> 1:10:44.160
<v Speaker 2>an album called The War Report, and I dropped it

1:10:44.400 --> 1:10:46.560
<v Speaker 2>and everyone said it's a classic. I didn't feel it.

1:10:46.600 --> 1:10:47.519
<v Speaker 2>I was still selling crack.

1:10:48.240 --> 1:10:48.920
<v Speaker 4>It was horrible.

1:10:49.120 --> 1:10:51.559
<v Speaker 2>I was still selling crack. And then I did that one,

1:10:52.000 --> 1:10:54.120
<v Speaker 2>that one record. Now, sobody to fly out to the

1:10:54.320 --> 1:10:56.439
<v Speaker 2>l A. I believe it's record one on this.

1:10:56.760 --> 1:10:59.120
<v Speaker 6>Yeah, and I went there and I did it, and

1:11:00.040 --> 1:11:02.799
<v Speaker 6>they'll have that studio actually, but go ahead and continue,

1:11:02.880 --> 1:11:03.479
<v Speaker 6>let's let's see it.

1:11:03.880 --> 1:11:07.600
<v Speaker 2>But you for you co signing along with NAS. Of

1:11:07.720 --> 1:11:12.800
<v Speaker 2>course after that record, I pressed it out and did

1:11:13.320 --> 1:11:16.120
<v Speaker 2>so much wonderful things as a solo artist. But if

1:11:16.160 --> 1:11:18.240
<v Speaker 2>it wasn't for that record, I wouldn't went on that path.

1:11:18.320 --> 1:11:20.360
<v Speaker 2>So I gotta thank you. I really do.

1:11:20.560 --> 1:11:20.960
<v Speaker 4>I really do.

1:11:21.560 --> 1:11:23.760
<v Speaker 2>And Jimmy, I speak to Jimmy. I never even told

1:11:23.760 --> 1:11:25.479
<v Speaker 2>you this, right, Like Jimmy's like probably like what the

1:11:25.520 --> 1:11:26.320
<v Speaker 2>fuck is wrong with Nori?

1:11:27.160 --> 1:11:29.719
<v Speaker 6>But man, I really take week a last day fucking

1:11:29.840 --> 1:11:34.040
<v Speaker 6>camera on Jimmy, Right, he doesn't want that, but yeah, I.

1:11:34.040 --> 1:11:34.720
<v Speaker 2>Actually want to say.

1:11:35.120 --> 1:11:36.559
<v Speaker 7>My thing is gonna be a little bit more cornier

1:11:36.640 --> 1:11:37.920
<v Speaker 7>than his, because Mush is a little corny.

1:11:37.960 --> 1:11:41.639
<v Speaker 2>I was corny. No, no, just corny. Now it wasn't corny?

1:11:42.760 --> 1:11:43.400
<v Speaker 2>Is gonna be corny?

1:11:43.840 --> 1:11:46.160
<v Speaker 7>I told you on the zoom that we briefly met

1:11:46.240 --> 1:11:46.960
<v Speaker 7>at how can I be.

1:11:47.000 --> 1:11:47.759
<v Speaker 2>Down in Jamaica.

1:11:47.960 --> 1:11:50.560
<v Speaker 7>Yeah, you sat across and uh we was in a

1:11:50.600 --> 1:11:52.280
<v Speaker 7>picnic table and you was right across on the other

1:11:52.320 --> 1:11:54.360
<v Speaker 7>side of the seat of the picnic table. And and

1:11:54.360 --> 1:11:56.120
<v Speaker 7>I'm telling I was like, I'm a huge n w

1:11:56.320 --> 1:11:58.720
<v Speaker 7>A fan, the legacy of everything n w A, and

1:11:58.840 --> 1:12:00.800
<v Speaker 7>I couldn't bring myself to say ship to you.

1:12:01.640 --> 1:12:02.519
<v Speaker 6>Yeah, that's fucked up.

1:12:03.479 --> 1:12:03.760
<v Speaker 2>I could.

1:12:03.920 --> 1:12:07.840
<v Speaker 6>I was like, like, I'm not that guy. Bro, I

1:12:07.960 --> 1:12:09.720
<v Speaker 6>don't like that.

1:12:09.760 --> 1:12:10.400
<v Speaker 2>We're here right now.

1:12:10.760 --> 1:12:14.599
<v Speaker 6>Bro, I'm not that nigga that takes my my job

1:12:15.040 --> 1:12:18.519
<v Speaker 6>to my head to where I'm not approachable and ship.

1:12:19.200 --> 1:12:20.000
<v Speaker 2>It was my problem.

1:12:20.240 --> 1:12:22.120
<v Speaker 6>But I'm just letting you know I'm not that guy.

1:12:22.240 --> 1:12:24.760
<v Speaker 6>I'm not that nigga. You can Yeah, what what's up?

1:12:25.479 --> 1:12:27.600
<v Speaker 6>What's up? You know what I mean? You want to

1:12:28.240 --> 1:12:32.800
<v Speaker 6>I want to take a picture whatever you want you want, Like,

1:12:33.000 --> 1:12:36.040
<v Speaker 6>it's like, it's really impressive that motherfuckers still want to

1:12:36.080 --> 1:12:38.280
<v Speaker 6>take a picture with me and get my autograph and ship.

1:12:38.400 --> 1:12:40.639
<v Speaker 2>So you know, I just think it's dope. When we're

1:12:40.640 --> 1:12:42.680
<v Speaker 2>at right now, how important.

1:12:42.320 --> 1:12:46.760
<v Speaker 6>That is for me, And that's that's how I get down, bro, and.

1:12:46.800 --> 1:12:48.800
<v Speaker 2>I want to congratulate both you. You know, both of you.

1:12:49.439 --> 1:12:52.360
<v Speaker 2>What you've been doing with Death Row Records is so impressive.

1:12:53.520 --> 1:12:56.160
<v Speaker 2>It's it's inspiring. To be honest with you, I'm dropping

1:12:56.200 --> 1:12:58.080
<v Speaker 2>my single with Doctor Dre on Death Record.

1:12:58.240 --> 1:13:01.160
<v Speaker 6>Let me tell you something. I was so upset when

1:13:01.240 --> 1:13:04.439
<v Speaker 6>I heard that Snow was fucking doing the Death Road

1:13:04.560 --> 1:13:07.880
<v Speaker 6>ship at the beginning, like nigga, what that ship has

1:13:08.080 --> 1:13:13.200
<v Speaker 6>so much bullshit following it. But then now I'm so

1:13:13.560 --> 1:13:16.120
<v Speaker 6>happy about it, and I'm so impressed with my what

1:13:16.280 --> 1:13:19.840
<v Speaker 6>my bro is doing because he's taking our thing that

1:13:20.040 --> 1:13:24.800
<v Speaker 6>we that we created and bringing it back to life.

1:13:25.040 --> 1:13:27.599
<v Speaker 6>And now I see I see his vision now when

1:13:27.640 --> 1:13:31.200
<v Speaker 6>I I appreciate it and I'm proud of it now.

1:13:31.280 --> 1:13:32.160
<v Speaker 6>So I'm a flag that.

1:13:32.880 --> 1:13:33.760
<v Speaker 4>It made me feel good.

1:13:34.120 --> 1:13:34.519
<v Speaker 6>Thank y'all.

1:13:34.520 --> 1:13:36.760
<v Speaker 4>You'll trying to make a nigga cry because I'm I just.

1:13:36.760 --> 1:13:39.240
<v Speaker 2>Want to say something. This is a room in my city.

1:13:39.240 --> 1:13:40.719
<v Speaker 2>I'm going to raise in New York City.

1:13:41.080 --> 1:13:45.360
<v Speaker 8>And when he give you a niggas a countdown, let

1:13:45.360 --> 1:13:47.920
<v Speaker 8>me say, let me say real TV right now, flow down, nigga.

1:13:49.400 --> 1:13:51.080
<v Speaker 2>Let me say this. It's a room in my city

1:13:51.160 --> 1:13:53.760
<v Speaker 2>that when the Knicks is winning, the city is better. Right.

1:13:55.080 --> 1:13:57.560
<v Speaker 2>So I want to say to y'all on behalf of

1:13:57.640 --> 1:14:03.320
<v Speaker 2>the music industry. When Dre is making music, life is better.

1:14:05.320 --> 1:14:09.600
<v Speaker 4>That's the fact, doun he ain't lying on that.

1:14:10.280 --> 1:14:11.320
<v Speaker 6>That's what we're doing right now.

1:14:12.280 --> 1:14:14.360
<v Speaker 2>I'm gonna be honest because you know, Snoop. Snoop knows

1:14:14.360 --> 1:14:16.040
<v Speaker 2>how I feel about him in the world knows, and

1:14:16.960 --> 1:14:19.240
<v Speaker 2>it's very seldom that. By the way, I got a

1:14:19.280 --> 1:14:23.560
<v Speaker 2>flaws too, were the first podcast Doctor Dre. Are you motherfuckers?

1:14:24.080 --> 1:14:24.760
<v Speaker 6>We got it.

1:14:26.840 --> 1:14:27.000
<v Speaker 9>Got?

1:14:30.800 --> 1:14:32.800
<v Speaker 6>It's hard to get me outside, but I'm here.

1:14:33.040 --> 1:14:36.519
<v Speaker 2>Yeah, but I'm gonna take another shot. But man, life,

1:14:38.000 --> 1:14:39.680
<v Speaker 2>you changed my life in so many ways. I know

1:14:39.800 --> 1:14:40.760
<v Speaker 2>that personally, but.

1:14:40.880 --> 1:14:43.920
<v Speaker 6>Thank you for all. I really appreciate all of those words.

1:14:44.560 --> 1:14:47.680
<v Speaker 2>Besides all that, like you are the best producer of

1:14:47.840 --> 1:14:50.880
<v Speaker 2>all times. And when you are embracing the studio and

1:14:51.000 --> 1:14:55.840
<v Speaker 2>you embrace this industry, life is better. Crime goes down?

1:14:58.080 --> 1:15:00.280
<v Speaker 6>Really and is that true?

1:15:00.760 --> 1:15:01.240
<v Speaker 2>It's great?

1:15:05.320 --> 1:15:10.400
<v Speaker 6>Okay, So what we're going to Okay, it's Snoop that's official.

1:15:10.720 --> 1:15:12.880
<v Speaker 2>Doctor Dre. I want to thank y'all so much because

1:15:13.320 --> 1:15:15.400
<v Speaker 2>I literally could never repay y'all back for which I

1:15:15.479 --> 1:15:18.439
<v Speaker 2>did just about now sitting down with us in front of.

1:15:18.479 --> 1:15:20.400
<v Speaker 6>All of these people's honor.

1:15:20.439 --> 1:15:21.040
<v Speaker 2>It's honor, man.

1:15:21.120 --> 1:15:23.400
<v Speaker 6>Yeah, I want to thank all of you guys for

1:15:23.520 --> 1:15:25.640
<v Speaker 6>coming out to check us out and listen to us

1:15:25.800 --> 1:15:29.920
<v Speaker 6>just talk all ship. We really appreciate it, really appreciate it.

1:15:30.240 --> 1:15:33.639
<v Speaker 6>And that's a no bullshit, you know. Thanks awesome.

1:15:34.320 --> 1:15:38.639
<v Speaker 2>Also, smack up a complex right complex con God damn juice,

1:15:39.200 --> 1:15:42.200
<v Speaker 2>Jenny juice, and we're gonna take a picture, and yeah,

1:15:42.280 --> 1:15:42.720
<v Speaker 2>get out of here.

1:15:42.760 --> 1:15:46.160
<v Speaker 6>Thank y'all, Let's take the pic.

1:15:48.360 --> 1:15:51.760
<v Speaker 7>Drink Champs is a Drink Champs LLC production hosts and

1:15:51.880 --> 1:15:54.800
<v Speaker 7>executive producers n O r E and d J E

1:15:55.040 --> 1:15:55.320
<v Speaker 7>f N.

1:15:56.479 --> 1:15:57.280
<v Speaker 2>Listen to Drink.

1:15:57.160 --> 1:16:01.439
<v Speaker 7>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1:16:01.600 --> 1:16:05.360
<v Speaker 7>get your podcasts. Thanks for joining us for another episode

1:16:05.400 --> 1:16:08.040
<v Speaker 7>of Drink Champs hosted by yours truly, DJ E f

1:16:08.160 --> 1:16:10.320
<v Speaker 7>N and n O r E. Please make sure to

1:16:10.360 --> 1:16:12.840
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1:16:12.880 --> 1:16:17.560
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1:16:17.640 --> 1:16:21.280
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1:16:21.400 --> 1:16:24.200
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