1
00:00:11,800 --> 00:00:15,920
Speaker 1: He is drink Chants, motherfucking podcast makes He's a legends

2
00:00:15,920 --> 00:00:16,919
Speaker 1: every queen's rapper.

3
00:00:17,079 --> 00:00:18,800
Speaker 2: He ain't agreed as your boy in O R E.

4
00:00:18,920 --> 00:00:21,799
Speaker 3: He's a Miami hip hop poneer put up as d

5
00:00:21,920 --> 00:00:24,279
Speaker 3: J E f N. Together they drink it up with

6
00:00:24,360 --> 00:00:26,560
Speaker 3: some of the biggest players you know, me and the

7
00:00:26,640 --> 00:00:31,120
Speaker 3: most professional unprofessional podcast and your number one source for

8
00:00:31,240 --> 00:00:32,240
Speaker 3: drunk drink.

9
00:00:32,159 --> 00:00:35,560
Speaker 1: Chans mother every days New Ye see, that's it's time

10
00:00:35,880 --> 00:00:37,160
Speaker 1: for drink champions.

11
00:00:37,240 --> 00:00:38,560
Speaker 4: Drink up, mother.

12
00:00:51,640 --> 00:00:54,080
Speaker 2: I'm gonna keep your rail off top. Do anybody got switches?

13
00:00:55,880 --> 00:00:58,480
Speaker 2: The bide got switches? Goddamn? Is somebody for my drink already?

14
00:00:58,560 --> 00:00:58,960
Speaker 5: Got damn?

15
00:00:59,000 --> 00:01:07,680
Speaker 2: That's masterless Billy blunds. Jesus, how's everybody doing tonight? Make

16
00:01:07,840 --> 00:01:16,880
Speaker 2: some names started to show started to show because our community,

17
00:01:17,640 --> 00:01:19,880
Speaker 2: uh people always say, you know, when you got ten

18
00:01:19,959 --> 00:01:22,560
Speaker 2: years in this, you're washed up or you're gone. But

19
00:01:22,600 --> 00:01:25,440
Speaker 2: this is something in this world that's called legends, that's

20
00:01:25,440 --> 00:01:28,360
Speaker 2: called icons. And the two people that we are interviewing

21
00:01:28,400 --> 00:01:32,319
Speaker 2: today are legendary. They are icons. They raised some of you,

22
00:01:32,600 --> 00:01:35,000
Speaker 2: some of you people, moms and pops was fucking to

23
00:01:35,040 --> 00:01:38,800
Speaker 2: their music. Look at Big Boy while you look away,

24
00:01:39,959 --> 00:01:44,559
Speaker 2: oh ship the legends just soyo, with no further ado.

25
00:01:46,360 --> 00:01:48,560
Speaker 2: I just think we're gonna we don't even do a

26
00:01:48,640 --> 00:01:50,600
Speaker 2: regular intro because you know why, they don't need no

27
00:01:50,640 --> 00:02:07,760
Speaker 2: goddamn intro. That's motherfucking the time extra di Z in

28
00:02:07,800 --> 00:02:10,560
Speaker 2: the building. Okay, Now I'm gonna say, I'm gonna keep

29
00:02:10,560 --> 00:02:13,840
Speaker 2: it one hundred with y'all. I was over there and

30
00:02:13,880 --> 00:02:18,200
Speaker 2: they got to play me the dre and snoop material.

31
00:02:18,800 --> 00:02:22,920
Speaker 2: I could not stop smiling because you guys sound just

32
00:02:22,960 --> 00:02:25,679
Speaker 2: as young as you did when you when when?

33
00:02:25,720 --> 00:02:25,880
Speaker 6: When?

34
00:02:25,960 --> 00:02:27,600
Speaker 2: When? When it first got? How the hell do you

35
00:02:27,639 --> 00:02:28,600
Speaker 2: still have that passion?

36
00:02:28,639 --> 00:02:31,160
Speaker 6: So you're basically calling us all right now, no.

37
00:02:34,760 --> 00:02:36,399
Speaker 2: Hold on, this is ging juice right here right, Yes,

38
00:02:36,440 --> 00:02:39,840
Speaker 2: it is that yes, yeah, So how do you how

39
00:02:39,840 --> 00:02:42,520
Speaker 2: do you keep that same passion after all these years?

40
00:02:42,760 --> 00:02:44,320
Speaker 6: Just the love for the music and the love for

41
00:02:44,400 --> 00:02:47,240
Speaker 6: hip hop and what I do, and I just love

42
00:02:47,320 --> 00:02:50,280
Speaker 6: being creative. I would do this ship if I was

43
00:02:50,720 --> 00:02:54,160
Speaker 6: a plumber or something. It's just something I love to do. Unfortunately,

44
00:02:54,240 --> 00:02:57,000
Speaker 6: I've been able to make money at my passion, which

45
00:02:57,080 --> 00:03:00,880
Speaker 6: is the ultimate, the ultimate. I ain't fam there for

46
00:03:00,919 --> 00:03:03,600
Speaker 6: everyone right to do what you love to do and

47
00:03:03,639 --> 00:03:05,320
Speaker 6: make money yet it and make a living at it

48
00:03:05,320 --> 00:03:07,520
Speaker 6: and be able to not only take care of your family,

49
00:03:07,600 --> 00:03:10,280
Speaker 6: but your friends and everybody that you care about. So

50
00:03:10,520 --> 00:03:11,400
Speaker 6: that's my mission.

51
00:03:12,080 --> 00:03:14,920
Speaker 7: But what was what finally was able to get a

52
00:03:14,919 --> 00:03:18,400
Speaker 7: project past the finish line? Now it's been a while, Like,

53
00:03:18,440 --> 00:03:20,480
Speaker 7: what what was it special about this moment for you?

54
00:03:20,680 --> 00:03:23,000
Speaker 6: Well, it has to be a brotherhood, of course. It's

55
00:03:23,040 --> 00:03:24,840
Speaker 6: just like I don't just go in the studio and

56
00:03:25,000 --> 00:03:27,720
Speaker 6: just work out a card and just give a track

57
00:03:27,760 --> 00:03:30,040
Speaker 6: out for money. We never talk about money, you know,

58
00:03:30,160 --> 00:03:32,600
Speaker 6: we just going to studio and work, you know. So

59
00:03:32,680 --> 00:03:34,440
Speaker 6: I got to really fuck with you and have a

60
00:03:34,480 --> 00:03:36,200
Speaker 6: love and respect for you for me to go in

61
00:03:36,240 --> 00:03:40,119
Speaker 6: the studio and do my thing. So you know, this

62
00:03:40,160 --> 00:03:42,400
Speaker 6: is my brother. And we've been knowing each other for

63
00:03:43,280 --> 00:03:45,680
Speaker 6: well as actually we've been knowing each other for more

64
00:03:45,720 --> 00:03:48,360
Speaker 6: than thirty years, but we've been working together since. But

65
00:03:49,240 --> 00:03:51,440
Speaker 6: the first album that I produced two years ago, right,

66
00:03:51,480 --> 00:03:53,720
Speaker 6: it was thirty years ago, was well a little more

67
00:03:53,720 --> 00:03:55,760
Speaker 6: than thirty years ago. It was nineteen ninety three when

68
00:03:55,800 --> 00:03:58,320
Speaker 6: I produced his first album, Doggy Style.

69
00:03:58,600 --> 00:03:59,920
Speaker 2: And uh yeah.

70
00:04:01,800 --> 00:04:07,280
Speaker 6: Yeah, and then we circle back and I don't know

71
00:04:07,280 --> 00:04:09,240
Speaker 6: what the fuck. I don't know why the fuck it

72
00:04:09,280 --> 00:04:11,400
Speaker 6: took this long for us to circle back and get down,

73
00:04:11,440 --> 00:04:14,240
Speaker 6: but we're in there now. When you know, Snoop came

74
00:04:14,280 --> 00:04:16,320
Speaker 6: in and allowed me to get down the way I

75
00:04:16,360 --> 00:04:19,440
Speaker 6: get down. And you know, I feel like this is, uh,

76
00:04:20,040 --> 00:04:25,560
Speaker 6: some of my best work because my mentality for the

77
00:04:25,680 --> 00:04:28,839
Speaker 6: musicianship and everything that goes into doing this shit. But

78
00:04:28,880 --> 00:04:34,360
Speaker 6: then those twelve notes has just advanced so much. So yeah,

79
00:04:34,400 --> 00:04:37,080
Speaker 6: I feel like, right now today this is some of

80
00:04:37,120 --> 00:04:37,880
Speaker 6: my best work.

81
00:04:38,880 --> 00:04:40,600
Speaker 2: I ain't gonna lie to you. I was sitting back

82
00:04:40,640 --> 00:04:43,320
Speaker 2: there and I'm looking at the crowd walking and I'm like,

83
00:04:43,320 --> 00:04:45,039
Speaker 2: I'm just looking at everybody. I'm like, you don't know

84
00:04:45,080 --> 00:04:49,479
Speaker 2: what the fuck I'm listening to right now. I mean, like,

85
00:04:50,240 --> 00:04:52,560
Speaker 2: I know you're a humble guy, but you do know

86
00:04:52,600 --> 00:04:54,080
Speaker 2: you're the greatest producer of all time.

87
00:04:54,760 --> 00:04:55,200
Speaker 6: I hear that.

88
00:04:56,120 --> 00:05:00,880
Speaker 7: I thank you.

89
00:05:01,120 --> 00:05:02,600
Speaker 2: I knew you was some more off time because we

90
00:05:02,640 --> 00:05:05,400
Speaker 2: did a zoom call and you said thank you for

91
00:05:05,440 --> 00:05:07,960
Speaker 2: doing this, and I was like, he just think us.

92
00:05:08,200 --> 00:05:10,080
Speaker 2: I was like, we was like, thank you for assuming.

93
00:05:11,279 --> 00:05:16,520
Speaker 6: I mean, nobody's ever mad at humility right right, But.

94
00:05:17,560 --> 00:05:20,159
Speaker 2: It's like I heard, for real say one time that

95
00:05:20,200 --> 00:05:23,040
Speaker 2: he sees sound right. I still don't understand what he

96
00:05:23,120 --> 00:05:24,279
Speaker 2: means by that, right colors.

97
00:05:24,560 --> 00:05:27,520
Speaker 6: Ok, But so there's something in those twelve notes. Just

98
00:05:27,560 --> 00:05:30,240
Speaker 6: imagine this, since I think since the sixteen hundreds we've

99
00:05:30,920 --> 00:05:33,800
Speaker 6: there's only been twelve notes for all the music that's

100
00:05:33,839 --> 00:05:37,000
Speaker 6: been created, which is fascinated to me. Just twelve notes,

101
00:05:37,240 --> 00:05:40,040
Speaker 6: all right, So if you really think about that, it's

102
00:05:40,400 --> 00:05:45,280
Speaker 6: fucking amazing to vision. I just to think about how

103
00:05:45,320 --> 00:05:48,440
Speaker 6: many songs have been done since that time, for hundreds

104
00:05:48,480 --> 00:05:53,159
Speaker 6: of years, within just twelve notes, right. So, I mean,

105
00:05:53,920 --> 00:05:55,200
Speaker 6: I'm nerd out right now.

106
00:05:55,240 --> 00:05:58,680
Speaker 2: But yeah, that's great, that's new. I spoke to you

107
00:05:58,720 --> 00:06:00,280
Speaker 2: the on one day and.

108
00:06:00,279 --> 00:06:02,320
Speaker 6: I was wondering when he was gonna get Yeah, yeah,

109
00:06:03,320 --> 00:06:03,560
Speaker 6: what the.

110
00:06:03,600 --> 00:06:06,719
Speaker 4: Fuck is gonna I'm getting warmed up right now? Yeah? Yeah,

111
00:06:06,880 --> 00:06:08,240
Speaker 4: you know you got to turn the oven on.

112
00:06:08,400 --> 00:06:12,680
Speaker 6: Let it give him the spotlight. We're here right now.

113
00:06:14,000 --> 00:06:17,880
Speaker 8: The reason why we're study right now me question now

114
00:06:17,920 --> 00:06:19,640
Speaker 8: because I didn't.

115
00:06:19,400 --> 00:06:23,200
Speaker 2: Realize how dope our conversation was. We had spoke right

116
00:06:23,440 --> 00:06:25,880
Speaker 2: and you said, he said, because I'm gonna get with

117
00:06:25,960 --> 00:06:27,880
Speaker 2: you at the Olympics, and then you hung up, and

118
00:06:27,920 --> 00:06:31,279
Speaker 2: I did not realize you're talking about the real Olympics.

119
00:06:31,560 --> 00:06:34,160
Speaker 2: So I'm like, what Olympics is that he was?

120
00:06:34,200 --> 00:06:34,560
Speaker 7: I don't know.

121
00:06:35,400 --> 00:06:38,880
Speaker 2: Both know, he's like he was like after the Olympics,

122
00:06:39,080 --> 00:06:41,840
Speaker 2: and then I didn't realize I had that information. As

123
00:06:41,839 --> 00:06:44,680
Speaker 2: a journalist, I could have said something and then like.

124
00:06:44,640 --> 00:06:47,520
Speaker 7: Two days he saw you way early, like two weeks.

125
00:06:48,160 --> 00:06:51,200
Speaker 2: That didn't make the story. But he he didn't take

126
00:06:51,200 --> 00:06:52,000
Speaker 2: the ball roun with it.

127
00:06:52,080 --> 00:06:54,760
Speaker 6: I didn't tell you something. Snoop works harder than anybody

128
00:06:54,800 --> 00:06:58,279
Speaker 6: I know. He'll be at my house one day, right

129
00:06:59,040 --> 00:07:02,080
Speaker 6: and then like tomorrow he'll send me a picture on

130
00:07:02,120 --> 00:07:09,440
Speaker 6: a camel standing by a fucking pyramid, like it's crazy.

131
00:07:07,520 --> 00:07:12,000
Speaker 2: Yes, the first time we interviewed you, this is when.

132
00:07:11,880 --> 00:07:13,240
Speaker 6: I knew how powerful you were.

133
00:07:14,160 --> 00:07:17,080
Speaker 2: We checked into the hotel and they gave us shower caps.

134
00:07:17,880 --> 00:07:20,920
Speaker 2: Why they knew you were going to smoke.

135
00:07:22,480 --> 00:07:25,560
Speaker 8: Or they put the shower camp bed over the fire

136
00:07:25,960 --> 00:07:27,080
Speaker 8: and we still blew the ship out.

137
00:07:27,080 --> 00:07:30,360
Speaker 4: You remember what the is the shower camp ship arms

138
00:07:31,600 --> 00:07:37,080
Speaker 4: the alarmness put the shower cap over there and smoke.

139
00:07:37,200 --> 00:07:39,760
Speaker 8: Now you knew exactly what to do.

140
00:07:39,960 --> 00:07:40,880
Speaker 6: Jump right in on that.

141
00:07:41,080 --> 00:07:43,920
Speaker 2: Un It's my technique. This is a question. This is

142
00:07:44,040 --> 00:07:46,120
Speaker 2: is a personal question for me that I always wanted

143
00:07:46,120 --> 00:07:48,520
Speaker 2: to know. After the East Coast West Coast, you know

144
00:07:48,720 --> 00:07:51,640
Speaker 2: the termory that whatever happened right, there was a record

145
00:07:51,640 --> 00:07:54,560
Speaker 2: that came out for my two friends Big Pun and

146
00:07:54,600 --> 00:07:58,480
Speaker 2: Fat Joe and they did deep Cover over and at

147
00:07:58,520 --> 00:08:02,960
Speaker 2: first before the dropped, we didn't know what's that? Was

148
00:08:03,000 --> 00:08:05,240
Speaker 2: that something? And then the video dropped and we seen

149
00:08:05,320 --> 00:08:09,800
Speaker 2: Snoop was actually in the video. But they actually took

150
00:08:09,920 --> 00:08:11,160
Speaker 2: y'all record and made it.

151
00:08:11,480 --> 00:08:13,480
Speaker 4: They gave it more life.

152
00:08:13,800 --> 00:08:16,120
Speaker 2: My opinion was because sometimes when the person does my

153
00:08:16,160 --> 00:08:18,400
Speaker 2: record over, I don't like it. He hates it. I

154
00:08:18,440 --> 00:08:20,480
Speaker 2: hate it like it's not if they don't make it

155
00:08:20,680 --> 00:08:21,240
Speaker 2: just as good.

156
00:08:21,680 --> 00:08:24,760
Speaker 8: But that's that's when hip hop was hip hop. So

157
00:08:24,800 --> 00:08:26,680
Speaker 8: for them to take it, they knew that they had

158
00:08:26,680 --> 00:08:28,680
Speaker 8: the hip hop on it one and Fat Joe went

159
00:08:28,720 --> 00:08:31,080
Speaker 8: hard on that record they did and fast crazy Fat

160
00:08:31,160 --> 00:08:34,080
Speaker 8: Joe called me personally and was like, the fuck with you?

161
00:08:34,600 --> 00:08:36,360
Speaker 4: We want you to be in this video. I'm like, nigga,

162
00:08:36,360 --> 00:08:37,320
Speaker 4: get down, what I gotta do.

163
00:08:37,720 --> 00:08:39,760
Speaker 8: It came to my house, shot to part and that

164
00:08:39,880 --> 00:08:41,679
Speaker 8: and that's me and him became like this. So it

165
00:08:41,720 --> 00:08:44,320
Speaker 8: wasn't about East West it was about love. I love

166
00:08:44,360 --> 00:08:46,360
Speaker 8: what he was doing. He wanted me to be a

167
00:08:46,360 --> 00:08:48,040
Speaker 8: part of. But I was never afraid to fuck with

168
00:08:48,080 --> 00:08:51,640
Speaker 8: people from anywhere. It was never met pushing that line.

169
00:08:51,880 --> 00:08:55,680
Speaker 8: You know, I just was defending my side.

170
00:08:57,120 --> 00:09:00,360
Speaker 6: That I'm like, I love, I love what they did

171
00:09:00,440 --> 00:09:01,440
Speaker 6: to that record. Man.

172
00:09:01,600 --> 00:09:08,959
Speaker 2: So you literally literally little yeah, whole ship was crazy.

173
00:09:09,120 --> 00:09:12,439
Speaker 7: Today's actually coincidentally the anniversary of two thousand and one

174
00:09:12,840 --> 00:09:17,959
Speaker 7: the Crown twenty five years Let's let's.

175
00:09:17,760 --> 00:09:19,040
Speaker 2: Take a shot to that. Let me let me get

176
00:09:19,080 --> 00:09:20,120
Speaker 2: a shot. I'm gonna take a shot.

177
00:09:20,640 --> 00:09:22,400
Speaker 4: Fuck up twenty five years old.

178
00:09:22,480 --> 00:09:24,800
Speaker 6: Do see where you at? What's up? Big boy?

179
00:09:26,000 --> 00:09:29,480
Speaker 8: You your nigga sitting in the front row like a

180
00:09:29,520 --> 00:09:33,720
Speaker 8: regular nigga. I'm glad y'all got his ass squeezed in.

181
00:09:33,840 --> 00:09:37,680
Speaker 8: Got that nigga squeezed in between swab and right squeeze

182
00:09:37,679 --> 00:09:38,320
Speaker 8: his ass in.

183
00:09:39,400 --> 00:09:40,920
Speaker 6: You know you wasn't gonna get away with that.

184
00:09:41,080 --> 00:09:44,079
Speaker 8: No first class ship today, nigga, this is not California, nigga.

185
00:09:44,120 --> 00:09:46,760
Speaker 8: Treat that nigga like a regular nigga asking Warris ticket

186
00:09:46,760 --> 00:09:47,240
Speaker 8: at right now?

187
00:09:47,280 --> 00:09:52,439
Speaker 2: Somebody so so so dre, let me ask you something,

188
00:09:52,480 --> 00:09:54,640
Speaker 2: what is one of your favorite records that you worked

189
00:09:54,679 --> 00:09:57,480
Speaker 2: on that it was not yours.

190
00:09:58,840 --> 00:10:03,280
Speaker 6: Ship The next one, I don't know, man, that was

191
00:10:03,400 --> 00:10:07,280
Speaker 6: not mine that I worked on. Please explain that a

192
00:10:07,800 --> 00:10:12,920
Speaker 6: record that I worked on that wasn't mine. I don't know.

193
00:10:12,960 --> 00:10:14,440
Speaker 6: I don't know how to answer that question.

194
00:10:14,720 --> 00:10:18,520
Speaker 4: Okay, A song that you produced with somebody that you

195
00:10:19,400 --> 00:10:20,079
Speaker 4: a song that I.

196
00:10:20,120 --> 00:10:25,520
Speaker 6: Produced, like maybe the Firm Phone Tap? I really like

197
00:10:25,880 --> 00:10:29,560
Speaker 6: you know, I worked with nas A Z and Nature

198
00:10:29,800 --> 00:10:32,520
Speaker 6: on that song, and that was one of the times

199
00:10:32,520 --> 00:10:33,040
Speaker 6: when you.

200
00:10:33,280 --> 00:10:35,120
Speaker 4: Were still using that show on his radio show, he

201
00:10:35,160 --> 00:10:35,959
Speaker 4: owe you money for that.

202
00:10:35,960 --> 00:10:38,320
Speaker 6: Big still use that phone tap? That's right.

203
00:10:39,040 --> 00:10:40,280
Speaker 4: I don't think he ever paid you.

204
00:10:40,320 --> 00:10:46,120
Speaker 2: Come never that nigga. Never even talk to me about money.

205
00:10:47,160 --> 00:10:49,760
Speaker 2: When being the front road goes wrong, I still love it.

206
00:10:50,440 --> 00:10:51,560
Speaker 6: Let me tell you how to know what you was

207
00:10:51,600 --> 00:10:53,160
Speaker 6: in store for coming here, how big?

208
00:10:53,720 --> 00:10:55,439
Speaker 2: Let me tell you how dope your life is. Doctor

209
00:10:55,520 --> 00:10:59,000
Speaker 2: j Is. When we spoke the other day, I said,

210
00:10:59,080 --> 00:11:00,840
Speaker 2: you know, I know I met you before we worked

211
00:11:00,840 --> 00:11:03,200
Speaker 2: on the Firm album. You was the one who played

212
00:11:03,240 --> 00:11:05,280
Speaker 2: I'm leaving on the Firm album for me. You was

213
00:11:05,320 --> 00:11:07,880
Speaker 2: the one who did that, and you co signed me

214
00:11:08,080 --> 00:11:10,520
Speaker 2: being on the Firm album. That's how dope your life is.

215
00:11:10,559 --> 00:11:13,680
Speaker 2: You don't even remember you could change my life and

216
00:11:13,679 --> 00:11:16,040
Speaker 2: don't even remember trying hard to remember.

217
00:11:18,840 --> 00:11:23,560
Speaker 6: Yo, I'm actually a little bit embarrassed, right, No.

218
00:11:22,240 --> 00:11:25,920
Speaker 2: No, So how was that working on the East East

219
00:11:25,960 --> 00:11:29,960
Speaker 2: Coast album? Because you know, predominantly you you fully produced

220
00:11:30,000 --> 00:11:32,840
Speaker 2: the n w A. But then you get a chance

221
00:11:32,840 --> 00:11:35,040
Speaker 2: to work with Nas is arguably one of the lyricists

222
00:11:35,080 --> 00:11:36,520
Speaker 2: and he says, I want to come with my crew.

223
00:11:36,800 --> 00:11:39,439
Speaker 2: Was that it's a different process working with East Coast artists,

224
00:11:39,480 --> 00:11:40,520
Speaker 2: working with you.

225
00:11:42,640 --> 00:11:44,560
Speaker 6: When I go in the studio with somebody, I'm not

226
00:11:44,600 --> 00:11:47,320
Speaker 6: thinking about where you live, where you're from, East Coast,

227
00:11:47,400 --> 00:11:51,079
Speaker 6: West Coast and all that bullshit. It was complete bullshit

228
00:11:51,600 --> 00:11:57,360
Speaker 6: that caused a lot of motherfucking violence, danger to our

229
00:11:57,400 --> 00:12:00,360
Speaker 6: culture and what we do. That was really unnecessary. So

230
00:12:00,400 --> 00:12:02,800
Speaker 6: I wasn't thinking about it in that way. What I

231
00:12:02,880 --> 00:12:05,720
Speaker 6: was thinking about was working with an artist that I

232
00:12:05,760 --> 00:12:10,440
Speaker 6: really love and respect Nas, So you know that that

233
00:12:10,679 --> 00:12:12,520
Speaker 6: was it, That was the draw for me. So I

234
00:12:12,559 --> 00:12:14,160
Speaker 6: got a chance to get in the room with this

235
00:12:14,280 --> 00:12:17,000
Speaker 6: amazing artist and we just created something that I thought

236
00:12:17,080 --> 00:12:20,320
Speaker 6: was spectacular, you know, meaning Phone Tap. I thought that

237
00:12:20,440 --> 00:12:22,280
Speaker 6: was a really fun record and that was one of

238
00:12:22,320 --> 00:12:25,120
Speaker 6: the times that there was no managers or anything like

239
00:12:25,160 --> 00:12:28,760
Speaker 6: that in the studio and it was just us artists

240
00:12:28,800 --> 00:12:31,840
Speaker 6: just in there, just free to be creative.

241
00:12:33,640 --> 00:12:35,600
Speaker 2: I feel like I feel like you guys started something

242
00:12:35,720 --> 00:12:38,280
Speaker 2: as well. Right Can y'all put the spotlight on Snoop?

243
00:12:38,400 --> 00:12:40,000
Speaker 2: It's both y'all right now.

244
00:12:39,880 --> 00:12:41,240
Speaker 6: The super Bowl.

245
00:12:41,360 --> 00:12:43,120
Speaker 4: Time need to get your ship off here.

246
00:12:43,679 --> 00:12:45,360
Speaker 2: Alumni, he's like the third host right now.

247
00:12:45,880 --> 00:12:48,880
Speaker 4: Look at my uniform, dream already on the team this.

248
00:12:49,000 --> 00:12:52,040
Speaker 2: Look at the reason why we're in here right now.

249
00:12:53,400 --> 00:12:56,920
Speaker 2: Let me ask y'all, since y'all performed at the super

250
00:12:56,920 --> 00:13:00,400
Speaker 2: Bowl and that super Bowl happened to be in Los Angeles,

251
00:13:00,720 --> 00:13:02,880
Speaker 2: it's this big thing that's going on right now that

252
00:13:02,960 --> 00:13:07,040
Speaker 2: everyone thinks that whatever the super Bowl takes place, the

253
00:13:07,200 --> 00:13:09,720
Speaker 2: artist that's there, it's supposed to know.

254
00:13:09,800 --> 00:13:12,640
Speaker 8: What we need to think about is that before jay

255
00:13:12,720 --> 00:13:16,080
Speaker 8: Z got control of the Super Bowl, was no niggas performing.

256
00:13:16,720 --> 00:13:19,440
Speaker 8: So let's go back to the essence of the beginning

257
00:13:19,600 --> 00:13:22,760
Speaker 8: of Breach. He's creating a wave of artists to have

258
00:13:22,840 --> 00:13:25,920
Speaker 8: an opportunity to perform. If you're good artist, and you're

259
00:13:25,920 --> 00:13:28,960
Speaker 8: a great artist, your time will come. Like I was

260
00:13:29,040 --> 00:13:32,080
Speaker 8: never crying about it or mad about it. When doctor

261
00:13:32,120 --> 00:13:33,719
Speaker 8: Dray called me and asked me to get his back,

262
00:13:33,800 --> 00:13:35,880
Speaker 8: I was there for him, but I didn't feel like

263
00:13:35,920 --> 00:13:37,079
Speaker 8: I was supposed to be there.

264
00:13:37,160 --> 00:13:40,280
Speaker 4: I was, you know, in demand to be there. This

265
00:13:40,360 --> 00:13:41,160
Speaker 4: is a big event.

266
00:13:41,679 --> 00:13:45,199
Speaker 8: People looking at everything when they pick the person to perform.

267
00:13:45,400 --> 00:13:47,720
Speaker 8: You should just be honored that, you know, hip hop

268
00:13:47,760 --> 00:13:50,440
Speaker 8: is being able to be seen on that platform for

269
00:13:50,559 --> 00:13:52,959
Speaker 8: all of us. And not hate on the next man,

270
00:13:53,040 --> 00:13:53,640
Speaker 8: but be happy.

271
00:13:55,960 --> 00:13:58,199
Speaker 2: We had you on the show after the super Bowl

272
00:13:58,360 --> 00:14:02,480
Speaker 2: and you spoke about game and was there anybody that

273
00:14:02,520 --> 00:14:04,800
Speaker 2: you felt like you left on stage or you was

274
00:14:04,840 --> 00:14:05,360
Speaker 2: good with it?

275
00:14:06,120 --> 00:14:08,040
Speaker 6: No? I was good. It was perfect.

276
00:14:09,000 --> 00:14:13,720
Speaker 2: That's it. Nobody get no cigars.

277
00:14:14,040 --> 00:14:14,960
Speaker 4: I got some backwoods.

278
00:14:16,559 --> 00:14:18,240
Speaker 2: I spoke a backwood. I like, oh, what is time

279
00:14:18,280 --> 00:14:18,920
Speaker 2: for flowers?

280
00:14:18,960 --> 00:14:19,080
Speaker 6: Man?

281
00:14:19,160 --> 00:14:21,840
Speaker 2: Yes, lets, our show is about giving people their flowers

282
00:14:21,920 --> 00:14:25,760
Speaker 2: while they're alive. While they're doing it, Dre, you haven't

283
00:14:25,800 --> 00:14:28,080
Speaker 2: been able to be on our show. And our show

284
00:14:28,840 --> 00:14:33,200
Speaker 2: is based on giving people their motherfucking flowers while they're alive, Snoop,

285
00:14:35,040 --> 00:14:37,600
Speaker 2: and Snoop says. Snoop says, this is better than the

286
00:14:37,680 --> 00:14:40,440
Speaker 2: Grammy because it comes from your motherfucking people. To everybody

287
00:14:40,440 --> 00:14:43,480
Speaker 2: in the motherfucking house. Make some noise for motherfucking doctor,

288
00:14:43,520 --> 00:14:44,680
Speaker 2: dre stoop dope.

289
00:14:47,040 --> 00:14:52,680
Speaker 6: Get you. Yes, that's dope.

290
00:14:53,120 --> 00:14:54,880
Speaker 2: So let me let me ask you. I'm sorry to

291
00:14:55,000 --> 00:14:56,440
Speaker 2: have it all on you, but let me ask you something.

292
00:14:57,200 --> 00:15:00,080
Speaker 2: As anybody ever told you, I appreciate it any I

293
00:15:00,240 --> 00:15:02,080
Speaker 2: ever told you no, because I feel like you one

294
00:15:02,120 --> 00:15:04,720
Speaker 2: of those people that no one says no to. Oh shit,

295
00:15:06,280 --> 00:15:06,880
Speaker 2: is that quick?

296
00:15:08,200 --> 00:15:08,960
Speaker 6: What you said no to?

297
00:15:09,040 --> 00:15:09,360
Speaker 2: Snoop?

298
00:15:09,560 --> 00:15:11,240
Speaker 8: I say no all the time, but he do too.

299
00:15:11,320 --> 00:15:13,200
Speaker 8: But that's what that's what a brotherhood is about.

300
00:15:13,600 --> 00:15:16,800
Speaker 6: It depends on you know the question, you know, and

301
00:15:16,880 --> 00:15:17,120
Speaker 6: the no.

302
00:15:17,360 --> 00:15:19,200
Speaker 4: Is not mean no.

303
00:15:19,320 --> 00:15:22,320
Speaker 8: It's like we're trying to make each other better. So

304
00:15:22,600 --> 00:15:25,480
Speaker 8: the no is usually because we think we can do better.

305
00:15:25,920 --> 00:15:26,720
Speaker 4: That's what the no is.

306
00:15:26,760 --> 00:15:28,920
Speaker 8: It's never like no, I ain't fucking with you. Is no,

307
00:15:29,480 --> 00:15:31,200
Speaker 8: I think we can do something better than that.

308
00:15:31,200 --> 00:15:33,200
Speaker 6: That's the drawn fuck suck Wait.

309
00:15:33,240 --> 00:15:35,600
Speaker 2: Snoop said no to a drake beat ever.

310
00:15:35,720 --> 00:15:38,520
Speaker 8: Always he said this. Nigga sent me beats one hundred

311
00:15:38,600 --> 00:15:40,480
Speaker 8: beats all the time. And this is how you know.

312
00:15:40,520 --> 00:15:42,480
Speaker 8: I don't fuck with it. I don't say nothing.

313
00:15:42,480 --> 00:15:43,520
Speaker 2: A real relationship.

314
00:15:44,320 --> 00:15:45,400
Speaker 6: But if I funk with it.

315
00:15:45,480 --> 00:15:49,840
Speaker 8: He getting all kind of emojis, and yeah, Drake got

316
00:15:49,880 --> 00:15:50,400
Speaker 8: the emojis.

317
00:15:50,920 --> 00:15:54,280
Speaker 6: I'm always up at like six am sing sentence Snoop

318
00:15:54,400 --> 00:15:56,400
Speaker 6: tracks and ship like that, and then you know, I

319
00:15:56,440 --> 00:15:58,640
Speaker 6: don't hear ship, and then every now and then it's

320
00:15:58,680 --> 00:16:03,080
Speaker 6: like non fire emojis, you know. So, yeah, that's that's

321
00:16:03,120 --> 00:16:03,600
Speaker 6: what it is.

322
00:16:03,760 --> 00:16:05,560
Speaker 4: That's my niggas when he put that one out.

323
00:16:06,480 --> 00:16:08,560
Speaker 2: So at one point, right, it wasn't like y'all wasn't

324
00:16:08,560 --> 00:16:10,000
Speaker 2: messing with each other, but it was like Snoop was

325
00:16:10,040 --> 00:16:11,840
Speaker 2: doing his own thing. You was doing your own thing.

326
00:16:12,200 --> 00:16:15,440
Speaker 2: How did that time feel to you guys? Being separated?

327
00:16:16,840 --> 00:16:19,520
Speaker 8: To me, it felt it felt good because I was

328
00:16:19,520 --> 00:16:20,280
Speaker 8: able to show.

329
00:16:20,120 --> 00:16:22,880
Speaker 4: Doctor Dre that I was. I was who I was.

330
00:16:23,120 --> 00:16:25,200
Speaker 8: That's the reason why he was fucking with me. And

331
00:16:25,240 --> 00:16:27,400
Speaker 8: I was always trying to impress Doctor Dred. And the

332
00:16:27,440 --> 00:16:30,040
Speaker 8: part that he didn't understand was every fucking producer I

333
00:16:30,120 --> 00:16:34,320
Speaker 8: worked with would always ask me about him. They would

334
00:16:34,360 --> 00:16:36,600
Speaker 8: play his records that we made, or they would play

335
00:16:36,640 --> 00:16:37,840
Speaker 8: the song that we made.

336
00:16:37,640 --> 00:16:40,080
Speaker 4: Even when we did drop it like It's Hot.

337
00:16:41,000 --> 00:16:44,040
Speaker 8: Arell called this nigga to the studio and I told him,

338
00:16:44,040 --> 00:16:45,680
Speaker 8: I'm fing to go to the car and get some blunts,

339
00:16:45,680 --> 00:16:47,760
Speaker 8: and I left because I didn't want to be in

340
00:16:47,760 --> 00:16:49,640
Speaker 8: there to hear this nigga to say that he didn't

341
00:16:49,680 --> 00:16:50,280
Speaker 8: like the record.

342
00:16:52,400 --> 00:16:55,520
Speaker 6: But after he heard story.

343
00:16:55,720 --> 00:16:58,880
Speaker 8: That nigga called me, it was like, Nigga, that motherfucker

344
00:16:58,920 --> 00:17:00,000
Speaker 8: fire hot.

345
00:17:00,320 --> 00:17:03,600
Speaker 6: Yes, I saw of my favorite records that Snoop did.

346
00:17:03,320 --> 00:17:06,719
Speaker 8: That made me feel good and I was able to

347
00:17:06,960 --> 00:17:09,720
Speaker 8: impress doctor Drake because it's all his students. You got

348
00:17:09,760 --> 00:17:12,119
Speaker 8: to understand, we all thrive on impressing him when we

349
00:17:12,240 --> 00:17:15,400
Speaker 8: not with him, because he's so exceptional when he's with us.

350
00:17:15,400 --> 00:17:18,600
Speaker 8: So it's a demand of that level that we demand

351
00:17:18,600 --> 00:17:20,560
Speaker 8: from the producers for real timblin.

352
00:17:21,160 --> 00:17:23,359
Speaker 4: These niggas they always.

353
00:17:23,800 --> 00:17:26,359
Speaker 8: Put the up against him, and when they making records

354
00:17:26,359 --> 00:17:28,320
Speaker 8: for me, they're like, man, I don't know, man, what

355
00:17:28,400 --> 00:17:29,200
Speaker 8: you think Drake Gonay?

356
00:17:29,200 --> 00:17:30,520
Speaker 4: I'm like, why the fuck is you worry about what

357
00:17:30,520 --> 00:17:32,160
Speaker 4: he man?

358
00:17:32,240 --> 00:17:34,360
Speaker 8: If Dre don't like it, man, I'm like, he ain't

359
00:17:34,359 --> 00:17:35,520
Speaker 8: gonna like the motherfuckers.

360
00:17:37,000 --> 00:17:38,919
Speaker 2: I imagine this problem. I don't know why I'm in

361
00:17:38,920 --> 00:17:42,400
Speaker 2: those conversations. Set the bar, you set the bar.

362
00:17:42,320 --> 00:17:43,680
Speaker 6: Cut yeah, Okay.

363
00:17:43,920 --> 00:17:47,600
Speaker 7: I imagine that this project probably felt different because before

364
00:17:47,640 --> 00:17:50,280
Speaker 7: it was the mentor and the student, and it's like

365
00:17:50,320 --> 00:17:51,400
Speaker 7: the student n't graduating.

366
00:17:51,480 --> 00:17:52,359
Speaker 2: You guys are more than you.

367
00:17:52,359 --> 00:17:55,239
Speaker 6: No wash, Wait, hold on, let me tell you what

368
00:17:55,280 --> 00:17:56,199
Speaker 6: the fuck I'm dealing with.

369
00:17:56,320 --> 00:17:57,000
Speaker 4: Man, tell you.

370
00:17:57,040 --> 00:17:59,720
Speaker 6: So when we started, I'm like, snoop, let's do this

371
00:17:59,760 --> 00:18:02,320
Speaker 6: fuck a right, and he was like, yeah, we could

372
00:18:02,320 --> 00:18:03,800
Speaker 6: get this done in two weeks.

373
00:18:04,320 --> 00:18:07,600
Speaker 4: Did you say that two weeks? I did say that, what.

374
00:18:07,480 --> 00:18:09,399
Speaker 6: The fuck we're gonna do in two weeks? Two songs?

375
00:18:09,440 --> 00:18:11,120
Speaker 8: I was trying to lock you into getting this shit

376
00:18:11,200 --> 00:18:11,640
Speaker 8: to come out.

377
00:18:11,840 --> 00:18:14,880
Speaker 6: No, no, no, that's what we're doing now. No.

378
00:18:16,440 --> 00:18:18,880
Speaker 8: I knew if I got two weeks with you that

379
00:18:18,880 --> 00:18:20,679
Speaker 8: that would be a solid two weeks. But then it

380
00:18:20,720 --> 00:18:23,320
Speaker 8: turned from two weeks to after we finished two weeks.

381
00:18:23,160 --> 00:18:25,320
Speaker 2: Nah, nigga, keep it a buck. You wanted to do

382
00:18:25,359 --> 00:18:26,639
Speaker 2: the whole album in two weeks.

383
00:18:26,680 --> 00:18:29,119
Speaker 8: I did because you was on one. You had a

384
00:18:29,200 --> 00:18:31,399
Speaker 8: thousand beats, you had a gang of shit over there.

385
00:18:31,440 --> 00:18:34,119
Speaker 8: You was energetic, you was ready to go, and I

386
00:18:34,200 --> 00:18:34,800
Speaker 8: was ready to go.

387
00:18:34,960 --> 00:18:35,800
Speaker 6: See what I'm dealing with.

388
00:18:36,760 --> 00:18:40,720
Speaker 4: But then he said, just give me two days. I

389
00:18:40,800 --> 00:18:43,919
Speaker 4: game two days. It's give me two more days. Just

390
00:18:43,920 --> 00:18:45,160
Speaker 4: give me two more days.

391
00:18:45,720 --> 00:18:50,120
Speaker 8: It's been two more days since we started, but we're

392
00:18:50,119 --> 00:18:52,720
Speaker 8: at the finish line and those two days are great

393
00:18:52,800 --> 00:18:55,800
Speaker 8: days because we make exceptional music and we push each

394
00:18:55,800 --> 00:18:58,280
Speaker 8: other and it's the funnest time I've ever had working

395
00:18:58,280 --> 00:18:59,639
Speaker 8: with him and his crew, because he got a hell

396
00:18:59,640 --> 00:19:01,000
Speaker 8: of a crew that he don't speak on it.

397
00:19:01,080 --> 00:19:02,960
Speaker 4: I want to speak on the ic U.

398
00:19:03,440 --> 00:19:06,240
Speaker 8: He got some bad motherfuckers with him that they don't

399
00:19:06,280 --> 00:19:08,440
Speaker 8: do nothing but put their hand down and they work

400
00:19:08,760 --> 00:19:10,679
Speaker 8: and they make sure that the project is effective. So

401
00:19:10,680 --> 00:19:12,080
Speaker 8: I want to get him a shout out because it's

402
00:19:12,080 --> 00:19:12,960
Speaker 8: a pleasure working with you.

403
00:19:13,080 --> 00:19:18,800
Speaker 6: I got an amazing team from my Smitty Khan, Coco,

404
00:19:19,720 --> 00:19:25,040
Speaker 6: all of my you know, uh fucking focus Fred record

405
00:19:25,119 --> 00:19:29,320
Speaker 6: is in here, Eric, Yeah, Griz, It's just like a

406
00:19:29,400 --> 00:19:32,199
Speaker 6: team of us appreciate it. So it's a team of

407
00:19:32,280 --> 00:19:33,960
Speaker 6: us that we come in there and we get down

408
00:19:34,000 --> 00:19:37,280
Speaker 6: and I don't know what we do more music or laugh,

409
00:19:37,440 --> 00:19:40,320
Speaker 6: but it's a whole it's a whole situation. Every day

410
00:19:40,720 --> 00:19:42,720
Speaker 6: we come in there and it's just fun. I don't

411
00:19:42,720 --> 00:19:44,120
Speaker 6: even know what we call it work.

412
00:19:44,400 --> 00:19:49,120
Speaker 8: But remember you saying that the student I graduated, this

413
00:19:49,200 --> 00:19:51,560
Speaker 8: is the trip about this project. I turned back into

414
00:19:51,640 --> 00:19:55,159
Speaker 8: the student, but even more of a student. When I

415
00:19:55,200 --> 00:19:58,160
Speaker 8: was a student the first time, I was like going

416
00:19:58,200 --> 00:20:01,080
Speaker 8: to the board righting ideas, and I think this should

417
00:20:01,080 --> 00:20:03,480
Speaker 8: happen this time as a student. I set my ass

418
00:20:03,480 --> 00:20:06,800
Speaker 8: in class and let the teacher teach, Let the teacher

419
00:20:06,880 --> 00:20:11,640
Speaker 8: produce and engage and tell me, direct me and show me.

420
00:20:12,160 --> 00:20:13,800
Speaker 8: So it was more of a like I'm going back

421
00:20:13,840 --> 00:20:14,960
Speaker 8: to first in that mode.

422
00:20:15,359 --> 00:20:18,120
Speaker 6: That's actually what happened. We're both we we don't get

423
00:20:18,160 --> 00:20:20,280
Speaker 6: in each other's way. I do my ship, he does

424
00:20:20,320 --> 00:20:22,600
Speaker 6: this ship and then boom, it's magic.

425
00:20:24,160 --> 00:20:27,320
Speaker 2: Are y'all in the same room or do you do?

426
00:20:27,400 --> 00:20:30,680
Speaker 6: You? What the fuck?

427
00:20:30,800 --> 00:20:31,880
Speaker 4: Don't see where you at?

428
00:20:32,280 --> 00:20:32,880
Speaker 6: He right there?

429
00:20:33,000 --> 00:20:34,960
Speaker 2: The fuck that you just say, no, no, no, nose. You

430
00:20:35,000 --> 00:20:37,199
Speaker 2: know why we're in the same room. One time I

431
00:20:37,240 --> 00:20:39,640
Speaker 2: worked with Premier and Permit just got in the zone

432
00:20:39,680 --> 00:20:41,520
Speaker 2: and he just went in in the room by himself,

433
00:20:41,560 --> 00:20:43,480
Speaker 2: in the preproduction room, and he just made the beat.

434
00:20:43,480 --> 00:20:46,560
Speaker 2: And when he came't he walked over and he raised

435
00:20:46,600 --> 00:20:47,600
Speaker 2: every bat. He played me.

436
00:20:47,760 --> 00:20:50,520
Speaker 4: Doctor Drake Cook and the motherfucking cake fro front of everybody,

437
00:20:50,600 --> 00:20:51,720
Speaker 4: and then one of those.

438
00:20:52,000 --> 00:20:56,760
Speaker 6: The room, hold on, let him tell you, I don't

439
00:20:56,800 --> 00:20:58,520
Speaker 6: know what the fuck that is. She was just talking.

440
00:21:00,040 --> 00:21:02,240
Speaker 2: I just said, some producers do that. I've seen for

441
00:21:02,320 --> 00:21:03,840
Speaker 2: Man do that. I seen for Real do that. Go

442
00:21:03,880 --> 00:21:07,000
Speaker 2: on his own and just kick everybodyself of my favorite producers.

443
00:21:07,320 --> 00:21:13,200
Speaker 2: But however, you make beats in front of everybody, Go ahead.

444
00:21:12,640 --> 00:21:15,760
Speaker 8: Doctor Drake cooks the motherfucking dish in front of everybody.

445
00:21:15,840 --> 00:21:17,840
Speaker 4: He put the motherfucking.

446
00:21:17,600 --> 00:21:20,600
Speaker 8: Lady ingredients side on the table and he cooked that ship.

447
00:21:20,680 --> 00:21:22,600
Speaker 8: And whatever's in the motherfucking room. We know how to

448
00:21:22,640 --> 00:21:24,600
Speaker 8: take every piece what's in that room and make that

449
00:21:24,600 --> 00:21:28,120
Speaker 8: shit fit. And then at the same time, the production

450
00:21:28,760 --> 00:21:30,960
Speaker 8: ain't right until he says right, So we can say

451
00:21:31,000 --> 00:21:32,919
Speaker 8: the song is done, but he gonna go listen to it.

452
00:21:32,960 --> 00:21:34,760
Speaker 8: Then he's gonna add some pieces to it, and it's

453
00:21:34,800 --> 00:21:37,200
Speaker 8: gonna it's gonna be fully it's gonna be fully loaded,

454
00:21:37,240 --> 00:21:37,919
Speaker 8: locked and loaded.

455
00:21:39,160 --> 00:21:40,840
Speaker 2: I don't know what I'll do for doctor dre Be.

456
00:21:41,480 --> 00:21:43,560
Speaker 4: You gotta have a whole lot of money, cuz right here,

457
00:21:44,080 --> 00:21:44,720
Speaker 4: it's all right.

458
00:21:44,840 --> 00:21:46,040
Speaker 6: You're working on it right now.

459
00:21:46,160 --> 00:21:51,960
Speaker 2: No, I'm coming out of the time. Were on the record, right,

460
00:21:53,160 --> 00:21:54,760
Speaker 2: You got method Man on a new album too.

461
00:21:54,960 --> 00:21:59,920
Speaker 6: Yes, method Man came through it was shiny bla fabulous Yeah. Yeah,

462
00:22:00,080 --> 00:22:02,800
Speaker 6: he came through, not only for a song on Snoop's album.

463
00:22:02,920 --> 00:22:06,520
Speaker 6: He killed the second verse. It was like, actually one

464
00:22:06,520 --> 00:22:09,879
Speaker 6: of my favorite parts in the album, the song It

465
00:22:09,960 --> 00:22:13,119
Speaker 6: is Nuts. So, and we did a short movie for

466
00:22:13,160 --> 00:22:15,639
Speaker 6: the release of the album. It's a ten minute short movie.

467
00:22:15,680 --> 00:22:20,200
Speaker 6: That's craziest shit. And method Man blessed us and did

468
00:22:20,560 --> 00:22:24,600
Speaker 6: the narration over the movie. So yeah, so that's gonna

469
00:22:25,119 --> 00:22:28,399
Speaker 6: come out right before the album drops. The album drops

470
00:22:28,400 --> 00:22:31,880
Speaker 6: December thirteenth, and hopefully this movie comes out December ninth.

471
00:22:32,280 --> 00:22:34,560
Speaker 6: Goddamn shameless plug, shameless plug.

472
00:22:35,520 --> 00:22:37,120
Speaker 2: I'm gonna take a shot to this.

473
00:22:37,200 --> 00:22:38,680
Speaker 4: Yeah, let him getting drunk.

474
00:22:38,840 --> 00:22:42,320
Speaker 2: So yeah, so let's talk about this one second, because

475
00:22:42,560 --> 00:22:44,000
Speaker 2: I remember at first you had that this.

476
00:22:44,280 --> 00:22:46,280
Speaker 6: Is okay, this is the part that Jimmy Where is

477
00:22:46,359 --> 00:22:46,920
Speaker 6: Jimmy head?

478
00:22:46,960 --> 00:22:48,080
Speaker 2: I think right over there?

479
00:22:48,160 --> 00:22:50,600
Speaker 6: Yeah yeah, oh there he is. Yeah, this is the

480
00:22:50,600 --> 00:22:53,080
Speaker 6: part that Jimmy's been waiting for. Okay, that's my man.

481
00:22:56,080 --> 00:22:59,000
Speaker 8: Saw were pushing the product right now, hold on. So

482
00:22:59,040 --> 00:23:00,960
Speaker 8: what we did was we start with the can first,

483
00:23:01,040 --> 00:23:03,080
Speaker 8: right because we wanted to make it easy grab. We

484
00:23:03,119 --> 00:23:05,080
Speaker 8: wanted to have everybody moving and grooving to it, So

485
00:23:05,119 --> 00:23:05,960
Speaker 8: we came with the can.

486
00:23:06,440 --> 00:23:07,480
Speaker 4: Then we moved on to.

487
00:23:07,480 --> 00:23:08,359
Speaker 6: The pre mixed.

488
00:23:08,400 --> 00:23:09,800
Speaker 2: Right, it's already mixed, already.

489
00:23:09,520 --> 00:23:11,240
Speaker 4: Mixed gin and juice, already ready.

490
00:23:11,320 --> 00:23:12,680
Speaker 6: This is the business right here.

491
00:23:13,240 --> 00:23:15,480
Speaker 4: You understand me, Ready to go, you know what I'm saying.

492
00:23:15,480 --> 00:23:18,080
Speaker 8: The ladies really love it. And then we wanted to

493
00:23:18,080 --> 00:23:20,359
Speaker 8: come with the next level was the steal.

494
00:23:21,160 --> 00:23:23,199
Speaker 2: Yeah, this is my ship. You send me that, You

495
00:23:23,200 --> 00:23:23,840
Speaker 2: send me this, and.

496
00:23:23,960 --> 00:23:25,280
Speaker 4: I know that won't cost too much.

497
00:23:26,160 --> 00:23:29,240
Speaker 8: See the bottle, this is send you some can.

498
00:23:29,440 --> 00:23:31,680
Speaker 2: No motherfuckers, not trying to but take a shot of this. Please,

499
00:23:32,320 --> 00:23:33,119
Speaker 2: did you drink it?

500
00:23:33,440 --> 00:23:35,040
Speaker 4: I got to hand you the bottle. Nord that ship

501
00:23:35,080 --> 00:23:35,600
Speaker 4: laughing to break.

502
00:23:36,520 --> 00:23:40,600
Speaker 6: I did that bottle and he's amazing. Cheers.

503
00:23:40,680 --> 00:23:43,080
Speaker 2: I ain't gonna lie, toll, I ain't gonna lie to you. Move.

504
00:23:43,560 --> 00:23:47,440
Speaker 2: But it's smooth. Yeah, I'm not even a ginger and

505
00:23:47,480 --> 00:23:47,960
Speaker 2: this is smooth.

506
00:23:48,160 --> 00:23:49,960
Speaker 6: It's smooth, and it's gonna fuck you up.

507
00:23:50,040 --> 00:23:52,840
Speaker 2: So yeah, and this is in stores yet, let me

508
00:23:52,880 --> 00:23:55,199
Speaker 2: get a little bit. Yeah, yeah, is this in stores?

509
00:23:57,200 --> 00:23:59,200
Speaker 4: Jo, hello, sun shine, because you bring me mind.

510
00:23:59,240 --> 00:24:02,240
Speaker 6: Jimmy's right there. You can ask him what mmy.

511
00:24:02,480 --> 00:24:04,800
Speaker 2: We need Jimmy to have a Mic over there. He's

512
00:24:04,840 --> 00:24:08,920
Speaker 2: not gonna come up here, but let's let's talk about

513
00:24:08,960 --> 00:24:12,320
Speaker 2: that for a second. You and Jimmy's relationship, it seems

514
00:24:12,359 --> 00:24:17,000
Speaker 2: like it's been like it's been impeccable, Like you know

515
00:24:17,000 --> 00:24:19,760
Speaker 2: what I'm saying, Like most people say, you know that,

516
00:24:19,880 --> 00:24:21,959
Speaker 2: you know how bad the music industry is, but then

517
00:24:21,960 --> 00:24:24,640
Speaker 2: you got examples like you and him who had this great,

518
00:24:24,880 --> 00:24:27,160
Speaker 2: you know, a relationship, Like how did that start?

519
00:24:27,560 --> 00:24:30,959
Speaker 6: That's a great question. Jimmy and I we have a

520
00:24:31,160 --> 00:24:33,639
Speaker 6: massive amount of love and respect for each other. And

521
00:24:33,680 --> 00:24:36,479
Speaker 6: one of the things that makes Jimmy so great is

522
00:24:36,520 --> 00:24:40,680
Speaker 6: that he was a music producer that produced a shipload

523
00:24:40,880 --> 00:24:48,080
Speaker 6: of fucking crazy working with some amazing artists from Bruce

524
00:24:48,080 --> 00:24:50,879
Speaker 6: Springs Thing to John Lennon and all of this. So

525
00:24:50,920 --> 00:24:54,359
Speaker 6: we understand he understands what it takes to do what

526
00:24:54,480 --> 00:24:58,760
Speaker 6: I do. That's one of the reasons for our friendship.

527
00:24:58,760 --> 00:25:01,720
Speaker 6: And not only that, we have a personal relationship that's

528
00:25:01,840 --> 00:25:04,800
Speaker 6: just unbelievable. We talk all the time, and every time

529
00:25:04,840 --> 00:25:08,159
Speaker 6: we talk we have laughter and the whole nine and again,

530
00:25:08,560 --> 00:25:12,640
Speaker 6: it's a massive amount of love and respect. So that

531
00:25:13,080 --> 00:25:16,320
Speaker 6: is just the foundation, just the tip of the iceberg

532
00:25:16,760 --> 00:25:18,560
Speaker 6: of what our relationship is.

533
00:25:19,600 --> 00:25:22,520
Speaker 2: God damn, that's hard. Let's make some noise for that.

534
00:25:22,520 --> 00:25:23,360
Speaker 2: Got damn, that was hard.

535
00:25:28,480 --> 00:25:31,560
Speaker 7: I want to go back a little bit here, Okay, Dray,

536
00:25:32,400 --> 00:25:34,359
Speaker 7: Was there ever a blueprint that you followed or an

537
00:25:34,400 --> 00:25:37,320
Speaker 7: inspiration to start doing collaborative projects like the first being

538
00:25:37,359 --> 00:25:40,679
Speaker 7: The Chronic where you were grabbing people, whether it be

539
00:25:40,760 --> 00:25:43,879
Speaker 7: underground casts or unsigned artists and bringing them together to

540
00:25:43,880 --> 00:25:46,520
Speaker 7: make a queees of project. Like there was nothing like

541
00:25:46,560 --> 00:25:48,240
Speaker 7: The Chronic when it first came out.

542
00:25:48,520 --> 00:25:53,600
Speaker 6: Well, fortunately for me, I was extremely naive, thinking that

543
00:25:54,760 --> 00:25:57,800
Speaker 6: they're supposed to be one producer on an album, right,

544
00:25:57,880 --> 00:26:00,159
Speaker 6: So that's how I attempted it. From in deb you

545
00:26:00,240 --> 00:26:03,640
Speaker 6: wage straight out of Compton. You know, I'm producing all

546
00:26:03,640 --> 00:26:06,000
Speaker 6: of this shit. The Chronic album is just me. From

547
00:26:06,359 --> 00:26:10,919
Speaker 6: Doggie Style Stoop's album, it was I thought, you have

548
00:26:10,960 --> 00:26:14,840
Speaker 6: one artist and one producer. Fortunately I was naive at

549
00:26:14,840 --> 00:26:17,159
Speaker 6: that time and was able to accomplish that. And that

550
00:26:17,280 --> 00:26:19,919
Speaker 6: happened all the way up through the early two thousands

551
00:26:19,920 --> 00:26:23,800
Speaker 6: with Eminem's I think first three or four albums it

552
00:26:23,840 --> 00:26:27,760
Speaker 6: was just us, you know, and then we then we

553
00:26:27,960 --> 00:26:31,560
Speaker 6: decided to collaborate on get Rich or DoD trying with

554
00:26:31,680 --> 00:26:34,520
Speaker 6: fifty cents. First album, it was just me and Eminem.

555
00:26:34,560 --> 00:26:37,439
Speaker 6: He produced the first half and I produced the second half.

556
00:26:38,119 --> 00:26:45,000
Speaker 6: So that was fun. And it's just finding an artist

557
00:26:46,119 --> 00:26:50,040
Speaker 6: that it's like Snoop or Eminem or ice Cube or

558
00:26:50,080 --> 00:26:53,240
Speaker 6: anything like that. Find an artist like that that you

559
00:26:53,359 --> 00:26:59,439
Speaker 6: cannot only produce, maintain a friendship with, and have a

560
00:26:59,480 --> 00:27:01,959
Speaker 6: love and other shit with is amazing and that's what

561
00:27:02,000 --> 00:27:06,159
Speaker 6: I look for. So that's what it is to me

562
00:27:06,200 --> 00:27:11,960
Speaker 6: as a producer, you know. And also finding people to

563
00:27:12,040 --> 00:27:15,439
Speaker 6: collaborate with is a skill in itself, you know.

564
00:27:16,119 --> 00:27:19,600
Speaker 7: So yeah, because you put people out of the underground,

565
00:27:19,600 --> 00:27:21,960
Speaker 7: whether it be adfar Eye or cast you know, legends

566
00:27:22,000 --> 00:27:24,520
Speaker 7: like like King T and you'll make these records that

567
00:27:25,080 --> 00:27:28,080
Speaker 7: people wouldn't think that these artists with dre what what

568
00:27:28,119 --> 00:27:30,160
Speaker 7: that would be. It's like, you're not scared to take

569
00:27:30,160 --> 00:27:32,359
Speaker 7: a chance on these artists. I'm here something not it

570
00:27:32,400 --> 00:27:33,520
Speaker 7: makes sense for your project.

571
00:27:33,560 --> 00:27:38,200
Speaker 6: Yeah, no risk, no reward. I mean, you know, I'm

572
00:27:38,200 --> 00:27:42,320
Speaker 6: not mad at taking risks. You know, I failed at times,

573
00:27:42,359 --> 00:27:47,760
Speaker 6: but I've learned from those failures. So yeah, and the

574
00:27:47,800 --> 00:27:50,080
Speaker 6: way I think has put me in this position in

575
00:27:50,119 --> 00:27:53,879
Speaker 6: my life, which is fucking fantastic, you know, And I'm like, damn,

576
00:27:53,920 --> 00:27:54,639
Speaker 6: don't finch me.

577
00:27:56,560 --> 00:27:58,280
Speaker 7: I guess the cliche is that we think hip hop

578
00:27:58,280 --> 00:27:59,120
Speaker 7: would take it this far.

579
00:27:59,680 --> 00:28:03,440
Speaker 6: Huh. How about that we're here because of hip hop?

580
00:28:04,640 --> 00:28:11,200
Speaker 4: Facts? Absolutely what I'm talking. God comes down, Snoop America.

581
00:28:12,040 --> 00:28:13,760
Speaker 6: God comes down your time.

582
00:28:15,160 --> 00:28:17,480
Speaker 2: God comes down, and God's having a meeting with you,

583
00:28:17,520 --> 00:28:20,399
Speaker 2: one on one. And God is like, Yo, Snoop on

584
00:28:20,520 --> 00:28:22,800
Speaker 2: the load. It's between me and you. You gotta make

585
00:28:22,840 --> 00:28:26,879
Speaker 2: one record, save humanity. This one record's gonna change the

586
00:28:26,880 --> 00:28:31,119
Speaker 2: World's gonna save humanity. Who's gonna be the producer and

587
00:28:31,119 --> 00:28:32,080
Speaker 2: who's gonna be the feature?

588
00:28:32,119 --> 00:28:33,960
Speaker 6: Oh? Ship mm hmm?

589
00:28:34,119 --> 00:28:35,280
Speaker 4: To change humanity?

590
00:28:35,640 --> 00:28:37,399
Speaker 2: Yeah, save the motherfucking world.

591
00:28:37,680 --> 00:28:39,800
Speaker 4: Can I can I grab somebody from from death? Not

592
00:28:39,880 --> 00:28:42,720
Speaker 4: here no more? Oh yes, because I'm talking this is God.

593
00:28:42,800 --> 00:28:46,080
Speaker 2: Yeah, it's God dead all live.

594
00:28:46,120 --> 00:28:48,880
Speaker 8: I've got that, so God can raise the dead, right,

595
00:28:49,480 --> 00:28:50,600
Speaker 8: he could be with them niggas.

596
00:28:50,720 --> 00:28:51,760
Speaker 4: Okay, forget it down.

597
00:28:51,840 --> 00:28:54,600
Speaker 8: So what I'm gonna do with as a producer, I'm

598
00:28:54,600 --> 00:28:56,720
Speaker 8: gonna I'm gonna double up on the production, right.

599
00:28:56,600 --> 00:28:57,760
Speaker 2: Okay, double up two?

600
00:28:58,120 --> 00:29:02,280
Speaker 8: Yeah, Okay, it's gonna be I could drink quincy Jones's

601
00:29:02,360 --> 00:29:06,000
Speaker 8: Christy Jones.

602
00:29:06,040 --> 00:29:07,480
Speaker 6: That's great company right there.

603
00:29:08,280 --> 00:29:09,160
Speaker 4: Amazing.

604
00:29:10,200 --> 00:29:13,720
Speaker 8: Watch this, watch this left hook. You said humanity to

605
00:29:13,840 --> 00:29:16,800
Speaker 8: change the world, right, got to get Marvin.

606
00:29:16,480 --> 00:29:23,720
Speaker 2: Gay One those in I'm just I'm just hear that

607
00:29:24,080 --> 00:29:24,760
Speaker 2: the record.

608
00:29:24,480 --> 00:29:27,280
Speaker 8: Those four in one room, Marvin, Snooth, Quincy and Drake

609
00:29:27,400 --> 00:29:28,680
Speaker 8: with God overseeing it.

610
00:29:30,160 --> 00:29:31,680
Speaker 2: God's executive producers.

611
00:29:34,360 --> 00:29:35,080
Speaker 6: What's going on.

612
00:29:35,680 --> 00:29:37,480
Speaker 2: I'm taking, Yeah, I'm taking.

613
00:29:37,600 --> 00:29:38,600
Speaker 4: I'm gonna take a shot to that.

614
00:29:38,760 --> 00:29:39,240
Speaker 6: Take a shot.

615
00:29:39,240 --> 00:29:42,600
Speaker 8: I'm taking the shot that that's that wasn't bad for

616
00:29:42,760 --> 00:29:47,480
Speaker 8: me a little bit with your heavy ass hand, niggata.

617
00:29:47,080 --> 00:29:49,960
Speaker 2: Give me a shot to the bottle.

618
00:29:50,000 --> 00:29:53,479
Speaker 4: Girl, This nigga made my whole drink too.

619
00:29:55,320 --> 00:29:58,400
Speaker 6: I gonna lie you got Yeah, this must be special

620
00:29:58,440 --> 00:30:01,240
Speaker 6: because this nigga don't even really drink. Yeah, you know

621
00:30:01,280 --> 00:30:01,800
Speaker 6: what he does.

622
00:30:03,520 --> 00:30:05,120
Speaker 8: I fuck with y'all are once in a while, but

623
00:30:05,160 --> 00:30:06,000
Speaker 8: nigga got ship to do.

624
00:30:06,040 --> 00:30:06,560
Speaker 6: You know what I'm saying.

625
00:30:06,600 --> 00:30:12,920
Speaker 2: I so s missionary. Yes, we got some records. And

626
00:30:12,920 --> 00:30:17,600
Speaker 2: by the way, crowd, I did not know that these brothers,

627
00:30:18,680 --> 00:30:21,680
Speaker 2: they love y'all so much that I wanted to be

628
00:30:21,720 --> 00:30:25,480
Speaker 2: the only person that heard these five records. I want

629
00:30:25,480 --> 00:30:27,840
Speaker 2: to share it with y'all. We're gonna play some records today.

630
00:30:27,840 --> 00:30:29,600
Speaker 2: They records for y'all.

631
00:30:31,480 --> 00:30:35,880
Speaker 6: Okay, so let me hold up. I was funny about

632
00:30:35,920 --> 00:30:38,520
Speaker 6: this because I don't want to be I don't usually

633
00:30:38,600 --> 00:30:40,480
Speaker 6: want to be in the room where my music is

634
00:30:40,520 --> 00:30:47,400
Speaker 6: being played. And that's one. Two. There's gonna be a

635
00:30:47,440 --> 00:30:50,800
Speaker 6: song that's played that I'm not finished with yet. So

636
00:30:50,800 --> 00:30:52,960
Speaker 6: it's a demo of a song we just did. What

637
00:30:53,040 --> 00:30:54,000
Speaker 6: was it.

638
00:30:54,000 --> 00:30:55,600
Speaker 4: It's called thank thank you.

639
00:30:55,800 --> 00:30:59,400
Speaker 6: It's called thank It's called thank you, and I'm not

640
00:30:59,520 --> 00:31:03,400
Speaker 6: done when it's a demo and fuck it, play that first, but.

641
00:31:03,560 --> 00:31:05,800
Speaker 2: Hold on, hold on, hold on, but on thank you,

642
00:31:06,280 --> 00:31:07,120
Speaker 2: on thank you?

643
00:31:07,560 --> 00:31:09,560
Speaker 6: Wait wait, wait, we're not supposed to play thank you first.

644
00:31:09,600 --> 00:31:12,280
Speaker 2: Okay, out to blue Jimmy had Jimmy had the request.

645
00:31:12,320 --> 00:31:13,080
Speaker 2: We wanted to say.

646
00:31:12,920 --> 00:31:15,920
Speaker 8: Gorgeous first, right, because gorgeous out Now to the echo,

647
00:31:16,160 --> 00:31:17,760
Speaker 8: it's out. Just in case those that didn't hear it.

648
00:31:17,800 --> 00:31:20,040
Speaker 8: Let I'm gonna get a bucket play okay, hold on, hold.

649
00:31:19,880 --> 00:31:22,400
Speaker 2: Hold on, but before we get to that, you say

650
00:31:22,480 --> 00:31:25,680
Speaker 2: on thank you, say things just ain't the same for gangsters.

651
00:31:25,680 --> 00:31:27,440
Speaker 2: You said that back then, but you said it again,

652
00:31:27,480 --> 00:31:30,680
Speaker 2: you repeated, Doctor Dre said Okay, that was my record.

653
00:31:30,840 --> 00:31:32,680
Speaker 2: Things still ain't the same for gangsters.

654
00:31:33,080 --> 00:31:38,640
Speaker 8: It's not it's not they're telling now mmmm, but they've

655
00:31:38,640 --> 00:31:44,440
Speaker 8: been telling U snoop. Not at this rate they telling

656
00:31:44,480 --> 00:31:47,560
Speaker 8: and they become gangsters. See it's about that answer.

657
00:31:48,040 --> 00:31:48,840
Speaker 2: You don't like that one.

658
00:31:49,440 --> 00:31:51,320
Speaker 8: It used to be when you told you wasn't gangster.

659
00:31:51,440 --> 00:31:55,760
Speaker 8: Now you're telling and you becoming gangst Like that's that.

660
00:31:55,800 --> 00:31:58,400
Speaker 8: Ain't the book I read out of God damn it.

661
00:31:58,800 --> 00:31:59,520
Speaker 2: Before this?

662
00:31:59,600 --> 00:32:03,240
Speaker 6: This the me Why do you be rich? Why do

663
00:32:03,320 --> 00:32:05,520
Speaker 6: you become rich and then decide to become.

664
00:32:05,240 --> 00:32:07,840
Speaker 2: Against That doesn't make any sense. It doesn't make any sense.

665
00:32:07,880 --> 00:32:10,520
Speaker 6: I'm gonna stop practicing. Let's say, universe, that's a whole

666
00:32:10,520 --> 00:32:11,000
Speaker 6: different commed.

667
00:32:11,040 --> 00:32:13,120
Speaker 4: You see me, we got I started that way.

668
00:32:13,160 --> 00:32:17,120
Speaker 8: Look at me now. Yes, you're supposed to reverse the brainwashed.

669
00:32:17,120 --> 00:32:18,800
Speaker 8: You know what I'm saying. When I was brainwashed, I

670
00:32:18,880 --> 00:32:22,120
Speaker 8: was pushing that line. Now my line is love, peace, unity,

671
00:32:22,480 --> 00:32:24,479
Speaker 8: no division, just bringing everybody together.

672
00:32:25,320 --> 00:32:28,640
Speaker 6: We're not only doing now, we're building schools, we're doing

673
00:32:28,720 --> 00:32:31,280
Speaker 6: all of this shit and we're taking care of our community,

674
00:32:31,520 --> 00:32:35,640
Speaker 6: our community, and we're giving back. So that's what we're on.

675
00:32:35,760 --> 00:32:40,160
Speaker 6: So just imagine the trajectory of where we were in

676
00:32:40,400 --> 00:32:42,520
Speaker 6: nineteen ninety three and where we are now.

677
00:32:42,840 --> 00:32:45,120
Speaker 4: Shit banging ain't damn it just wasn't legit.

678
00:32:47,760 --> 00:32:50,560
Speaker 2: Before we play the music, No, no, because I want

679
00:32:50,560 --> 00:32:53,800
Speaker 2: to yeah, ago, because I want I want to ask

680
00:32:53,800 --> 00:32:56,760
Speaker 2: this because in hip hop, we have so many great movies, right,

681
00:32:57,520 --> 00:33:00,479
Speaker 2: and then we have you know, the biopic move right

682
00:33:01,040 --> 00:33:02,560
Speaker 2: and straight out of content.

683
00:33:03,200 --> 00:33:04,640
Speaker 6: Ship. It was the Ship.

684
00:33:05,640 --> 00:33:06,480
Speaker 2: I love that movie.

685
00:33:06,520 --> 00:33:09,440
Speaker 8: It was I know them niggas and didn't know that story.

686
00:33:09,520 --> 00:33:11,560
Speaker 8: So that was beautiful for me to see it as

687
00:33:11,720 --> 00:33:16,160
Speaker 8: I was a teenager on the sideline watching that story

688
00:33:16,320 --> 00:33:18,760
Speaker 8: and then to see it come to life, it was beautiful.

689
00:33:18,760 --> 00:33:21,120
Speaker 8: They told it very well. The actors were very believable.

690
00:33:21,160 --> 00:33:22,280
Speaker 8: The direction, I.

691
00:33:22,280 --> 00:33:26,000
Speaker 6: Mean yeah, I loved everything about the process of that.

692
00:33:26,160 --> 00:33:29,080
Speaker 6: The actors all new actors that we've never heard of

693
00:33:29,200 --> 00:33:33,440
Speaker 6: scene before, and they killed it. Gary f Gary Gray

694
00:33:33,600 --> 00:33:38,280
Speaker 6: killed it. He directed it, and yeah, I just yeah,

695
00:33:38,440 --> 00:33:41,520
Speaker 6: I love it. I'm proud of it came out what

696
00:33:41,640 --> 00:33:42,880
Speaker 6: you said.

697
00:33:42,040 --> 00:33:45,960
Speaker 8: I'm sorry, I'm rugging.

698
00:33:46,080 --> 00:33:48,800
Speaker 6: She smelled good. I didn't even see that.

699
00:33:48,880 --> 00:33:50,920
Speaker 8: And he get my blood out of my bag and

700
00:33:50,960 --> 00:33:53,680
Speaker 8: we got a live audience because you know what it is.

701
00:33:55,120 --> 00:33:56,680
Speaker 6: By the way. I didn't. I didn't even know we

702
00:33:56,680 --> 00:33:59,200
Speaker 6: were doing this with a live audience. This is yeah,

703
00:33:59,280 --> 00:34:04,000
Speaker 6: but neither this is cool. With that being said, this

704
00:34:04,080 --> 00:34:06,160
Speaker 6: is such an honor. But I hope that one day

705
00:34:06,200 --> 00:34:07,640
Speaker 6: we could get you in the drink Champs set.

706
00:34:07,760 --> 00:34:11,400
Speaker 2: Yes, the real dream. That's what I thought, Jesus, listen, Jesus,

707
00:34:12,320 --> 00:34:13,120
Speaker 2: but that's what I thought.

708
00:34:13,160 --> 00:34:15,839
Speaker 6: I was doing it, and that right away.

709
00:34:16,000 --> 00:34:20,840
Speaker 2: You know, you're like, so, do you think that Straight

710
00:34:20,840 --> 00:34:23,640
Speaker 2: Out of Confident was a success because most of the

711
00:34:23,680 --> 00:34:25,840
Speaker 2: people are still here? Snoop or you think no.

712
00:34:25,960 --> 00:34:27,640
Speaker 8: I think it was a success because it was a

713
00:34:27,680 --> 00:34:31,600
Speaker 8: beautiful story on paper. A great movie starts on paper.

714
00:34:32,200 --> 00:34:35,799
Speaker 8: The script was amazing. Then they found actors that were

715
00:34:35,840 --> 00:34:39,120
Speaker 8: believable that really, you know, made you feel like you

716
00:34:39,239 --> 00:34:41,879
Speaker 8: was watching those characters on screen, and it had heart

717
00:34:41,960 --> 00:34:44,480
Speaker 8: and had soul and it had a beautiful ending. You've

718
00:34:44,520 --> 00:34:48,640
Speaker 8: seen doctor dre go off and say, what's the name

719
00:34:48,680 --> 00:34:52,400
Speaker 8: of that weak ass label Nigga? After math Nigga and

720
00:34:52,520 --> 00:34:54,040
Speaker 8: walked out Nigga. That ship was so.

721
00:34:54,080 --> 00:34:57,160
Speaker 4: Gangster coldest seeing the motherfucking.

722
00:34:56,600 --> 00:35:00,080
Speaker 2: Movie shout Out the CHOREO cried when I seen.

723
00:35:02,320 --> 00:35:05,200
Speaker 6: Shout Out to Corey Hawkins who played my character, because

724
00:35:05,200 --> 00:35:07,440
Speaker 6: the day I met him, I'm like, okay, he looks

725
00:35:07,480 --> 00:35:12,799
Speaker 6: nothing like me, but we pushed that aside and his

726
00:35:13,000 --> 00:35:16,719
Speaker 6: performance was just like, Okay, he got it. And it's

727
00:35:16,760 --> 00:35:19,799
Speaker 6: really crazy because his voice sounds similar to mine, and

728
00:35:19,840 --> 00:35:22,480
Speaker 6: I just like, I stay in touch for him because

729
00:35:22,480 --> 00:35:24,759
Speaker 6: of that. He's an amazing actor. Again, his name is

730
00:35:24,800 --> 00:35:25,839
Speaker 6: Corey Hawkins.

731
00:35:26,400 --> 00:35:28,680
Speaker 2: How about you, snoop, did you not like the dude's

732
00:35:28,760 --> 00:35:31,720
Speaker 2: voice because you did the voice right boy, and and

733
00:35:31,880 --> 00:35:35,440
Speaker 2: the character, No, I wasn't you. That was the voice.

734
00:35:35,680 --> 00:35:37,839
Speaker 2: That was the thing. He did a voiceover like it's

735
00:35:37,840 --> 00:35:38,440
Speaker 2: a game or something.

736
00:35:38,520 --> 00:35:42,080
Speaker 8: Nigga, the actor nigga, look Keith man, nigga was sound

737
00:35:42,200 --> 00:35:47,400
Speaker 8: like you like that isn't it was?

738
00:35:48,440 --> 00:35:52,000
Speaker 6: Keith is amazing. Ain't seen his worry up.

739
00:35:52,040 --> 00:35:54,640
Speaker 2: Nobody else thought that ship no fuck y'all man, So

740
00:35:54,719 --> 00:35:55,120
Speaker 2: I don't know.

741
00:35:55,160 --> 00:35:57,640
Speaker 6: Look Keith, come on man, this nigga lo.

742
00:35:57,760 --> 00:35:59,560
Speaker 4: Keith fash feel is an amazing actor.

743
00:35:59,600 --> 00:35:59,759
Speaker 6: Man.

744
00:35:59,800 --> 00:36:02,160
Speaker 8: I honor that he played me in that movie. I

745
00:36:02,200 --> 00:36:03,680
Speaker 8: didn't even know I was gonna be in that movie.

746
00:36:03,680 --> 00:36:05,600
Speaker 8: That's what fucked me up. I was just thinking that

747
00:36:05,600 --> 00:36:06,239
Speaker 8: it was gonna be.

748
00:36:06,520 --> 00:36:07,160
Speaker 6: W a yeah.

749
00:36:07,239 --> 00:36:09,040
Speaker 4: Then when they got to that point, I'm like, oh, Ship,

750
00:36:09,080 --> 00:36:09,399
Speaker 4: I'm in.

751
00:36:09,360 --> 00:36:13,520
Speaker 8: This moment, nigga, we told you stopped playing. But you

752
00:36:13,520 --> 00:36:15,719
Speaker 8: could tell me that. But certain things you say can

753
00:36:15,760 --> 00:36:17,799
Speaker 8: get cut out of a motherfucking movie and be left

754
00:36:17,840 --> 00:36:20,920
Speaker 8: on the floor in the editing room.

755
00:36:20,960 --> 00:36:21,440
Speaker 6: I'm gonna tell you.

756
00:36:21,520 --> 00:36:23,759
Speaker 2: I'm gonna tell you some funny Ship. Right when I

757
00:36:23,800 --> 00:36:26,920
Speaker 2: first heard straight out of Comfton, I thought it was

758
00:36:26,960 --> 00:36:30,239
Speaker 2: a jail. It was like, I don't never want to

759
00:36:30,280 --> 00:36:31,920
Speaker 2: go to Compton. That was the power, that was the

760
00:36:31,960 --> 00:36:35,200
Speaker 2: power that was about. I was wow, Okay, I was

761
00:36:35,320 --> 00:36:39,000
Speaker 2: literally scared of n w A like from the music. Yeah,

762
00:36:39,080 --> 00:36:42,120
Speaker 2: like like I could because we like we were used

763
00:36:42,160 --> 00:36:45,759
Speaker 2: to African medallions at the time, and then where it came.

764
00:36:45,800 --> 00:36:47,960
Speaker 2: I was like, straight out of Oh.

765
00:36:47,880 --> 00:36:50,320
Speaker 6: That's why it worked, you know what I mean. We

766
00:36:50,520 --> 00:36:53,680
Speaker 6: just we're just making music, right. All we don't want

767
00:36:53,719 --> 00:36:58,000
Speaker 6: is making music and having fun, being creative and writing

768
00:36:58,080 --> 00:36:59,839
Speaker 6: and let's see what it's gonna do, and if it's

769
00:37:00,120 --> 00:37:04,640
Speaker 6: to chrain some mindsets or temperatures to what's going on.

770
00:37:04,719 --> 00:37:07,239
Speaker 6: But that's what we were doing at the time. I was,

771
00:37:07,360 --> 00:37:10,960
Speaker 6: you know, twenty years old making that music and a

772
00:37:10,960 --> 00:37:15,400
Speaker 6: little bit reckless, of course, but you know that's what

773
00:37:15,440 --> 00:37:18,799
Speaker 6: we were doing as kids and adolescens and creating and

774
00:37:18,800 --> 00:37:20,600
Speaker 6: making music, and that's what came out.

775
00:37:21,080 --> 00:37:23,600
Speaker 7: But it was so powerful about NWA, I think for

776
00:37:23,760 --> 00:37:27,880
Speaker 7: hip hop and for me, like personally, NWA and Public Enemy.

777
00:37:27,680 --> 00:37:29,760
Speaker 2: Were my favorite groups of all time, right.

778
00:37:29,880 --> 00:37:31,719
Speaker 7: And I feel like what happened in hip hop at

779
00:37:31,719 --> 00:37:34,440
Speaker 7: that moment is that you guys can conveyed an emotion

780
00:37:35,160 --> 00:37:37,479
Speaker 7: that hip hop and rap wasn't doing at the time.

781
00:37:37,960 --> 00:37:39,879
Speaker 2: Like, like he said, he was scared to come down,

782
00:37:39,880 --> 00:37:41,839
Speaker 2: I was scared. We was like whoa, whoa, Yo, what's

783
00:37:41,840 --> 00:37:42,120
Speaker 2: going on?

784
00:37:42,200 --> 00:37:44,279
Speaker 6: Isn't that what we're supposed to do. That's a part

785
00:37:44,320 --> 00:37:47,880
Speaker 6: of entertainment. It's like, you know, you go to a

786
00:37:47,960 --> 00:37:50,160
Speaker 6: fucking horror movie to get fucking scared.

787
00:37:50,360 --> 00:37:51,520
Speaker 2: Hip Hop wasn't doing that yet.

788
00:37:51,640 --> 00:37:53,680
Speaker 6: Well yeah, I know it wasn't, but that's the way

789
00:37:53,719 --> 00:37:56,520
Speaker 6: I decided to do it, you know. So it's like

790
00:37:56,600 --> 00:38:00,440
Speaker 6: it's all entertainment and we're supposed to touch certain oceans

791
00:38:00,520 --> 00:38:03,040
Speaker 6: and that ship, right, whether you're scared, whether you're like

792
00:38:03,160 --> 00:38:05,399
Speaker 6: fuck you, I don't like what you say, we're still

793
00:38:05,440 --> 00:38:08,920
Speaker 6: touching an emotion with that ship, which means it's entertaining, right,

794
00:38:09,040 --> 00:38:12,160
Speaker 6: That's our job to entertain. So like it or not,

795
00:38:12,880 --> 00:38:15,520
Speaker 6: you're still listening to it. You had you actually comment

796
00:38:15,600 --> 00:38:18,279
Speaker 6: on that ship, so you were entertained in some type

797
00:38:18,280 --> 00:38:18,839
Speaker 6: of world, right.

798
00:38:18,960 --> 00:38:22,759
Speaker 2: I think it was a positive thing. Yeah, so.

799
00:38:26,200 --> 00:38:32,319
Speaker 6: Go ahead, uh see, like, shut the fuck up, play

800
00:38:32,360 --> 00:38:32,760
Speaker 6: the music.

801
00:38:32,880 --> 00:38:34,200
Speaker 2: Yeah, I want that.

802
00:38:34,600 --> 00:38:35,200
Speaker 6: I want that.

803
00:38:35,760 --> 00:38:36,440
Speaker 2: I actually don't have.

804
00:38:36,440 --> 00:38:38,520
Speaker 8: Nobody actually said, yeah, we ready for the track park.

805
00:38:38,560 --> 00:38:40,239
Speaker 6: These motherfucker's talking too much.

806
00:38:40,560 --> 00:38:44,560
Speaker 2: Y'all want to hear the track for the tracks? Yes, okay,

807
00:38:44,600 --> 00:38:46,840
Speaker 2: So I'll drink some jin and juice while you're doing it.

808
00:38:47,480 --> 00:38:49,560
Speaker 6: Yeah, bring I'm kind of nervous right now.

809
00:38:49,560 --> 00:38:51,560
Speaker 2: Somebody take another shot and make sure you're gonna listen

810
00:38:51,560 --> 00:38:52,200
Speaker 2: to Missionary.

811
00:38:52,320 --> 00:38:53,720
Speaker 6: So what what?

812
00:38:53,719 --> 00:38:56,520
Speaker 2: What record do we want to start with? Out the Blue?

813
00:38:57,080 --> 00:38:57,680
Speaker 2: Out the Blue?

814
00:38:57,840 --> 00:38:58,240
Speaker 6: Why?

815
00:38:58,560 --> 00:38:59,880
Speaker 4: Because it's out the blow.

816
00:39:01,640 --> 00:39:04,600
Speaker 6: Now, I think this is one of the songs. I

817
00:39:04,640 --> 00:39:09,319
Speaker 6: think I'm on two songs on the entire album, two

818
00:39:09,320 --> 00:39:11,160
Speaker 6: out of the sixteen, and this is one of the

819
00:39:11,280 --> 00:39:14,120
Speaker 6: songs that I'm on, and it's a part of the

820
00:39:14,120 --> 00:39:16,799
Speaker 6: short movie that we just did. So let's see if

821
00:39:16,840 --> 00:39:17,839
Speaker 6: you guys enjoy it.

822
00:39:18,160 --> 00:39:20,640
Speaker 2: They gonna enjoy it, trust me. You got to queue up.

823
00:39:20,680 --> 00:39:24,560
Speaker 2: Is everybody ready, because I mean I know the crowd ready,

824
00:39:24,560 --> 00:39:25,120
Speaker 2: I'm talking about to.

825
00:39:25,800 --> 00:39:29,120
Speaker 6: Think we're gonna play four songs, right, okay, yeah, all right,

826
00:39:29,160 --> 00:39:31,560
Speaker 6: so this one is out of the blue, Out of

827
00:39:31,560 --> 00:39:37,200
Speaker 6: the blue. Yeah, ready, don't.

828
00:39:37,239 --> 00:39:38,759
Speaker 4: Can't turn that ship up. You ain't got to run

829
00:39:38,800 --> 00:39:39,680
Speaker 4: that out night.

830
00:39:40,239 --> 00:39:41,560
Speaker 9: Make these motherfucker kick.

831
00:39:41,480 --> 00:39:43,959
Speaker 6: Up house and I need more highs.

832
00:39:46,320 --> 00:39:46,920
Speaker 4: Back in business.

833
00:39:47,400 --> 00:39:48,320
Speaker 6: This ship I've been smoking.

834
00:39:48,320 --> 00:39:51,600
Speaker 4: It's highly recommended record this all of money because pushing.

835
00:39:51,400 --> 00:39:52,399
Speaker 6: The limited high.

836
00:39:52,560 --> 00:39:54,839
Speaker 2: I mean we be in the final sec Yeah, I've.

837
00:39:54,719 --> 00:39:57,040
Speaker 6: Been around the world and now yeah, yeah, it's seen

838
00:39:57,040 --> 00:39:59,920
Speaker 6: the mother fucking things that I can't but reaching knees to.

839
00:40:00,000 --> 00:40:02,320
Speaker 6: If heights come with the third time, I'm better re

840
00:40:02,400 --> 00:40:05,640
Speaker 6: betting on me. The numbers don't lie. That's how we rolling.

841
00:40:05,480 --> 00:40:06,520
Speaker 4: Niggas, you know them go.

842
00:40:06,680 --> 00:40:08,680
Speaker 6: Then you want to pick up the letter very in

843
00:40:08,760 --> 00:40:09,480
Speaker 6: the mid and figures.

844
00:40:09,600 --> 00:40:11,560
Speaker 4: I keep the triple hitters, call them silver back of

845
00:40:11,680 --> 00:40:12,840
Speaker 4: rievers going. They shipping.

846
00:40:12,920 --> 00:40:14,040
Speaker 6: You know, ain't nobody.

847
00:40:14,440 --> 00:40:15,560
Speaker 4: Show time nigga yet.

848
00:40:15,640 --> 00:40:18,279
Speaker 2: This is the big gigging coach of copsime I'm talking

849
00:40:18,320 --> 00:40:19,840
Speaker 2: to that can't rich and this is this is like

850
00:40:19,880 --> 00:40:22,160
Speaker 2: a movie I'm seeing the bigger picture, said Snoop.

851
00:40:22,160 --> 00:40:23,160
Speaker 6: Couldn't get much higher.

852
00:40:23,200 --> 00:40:25,120
Speaker 2: But I think it's different on sight.

853
00:40:25,239 --> 00:40:28,160
Speaker 4: I be eating green lights. Some niggas, it's all walking nigga.

854
00:40:28,200 --> 00:40:30,800
Speaker 4: We all fight you gabbling with your life and fuckings

855
00:40:30,840 --> 00:40:33,279
Speaker 4: frow the dice. Some motherucking problems with this dog, and

856
00:40:33,320 --> 00:40:38,440
Speaker 4: I'm like, that's right. Smoke in that legendary sound there

857
00:40:38,480 --> 00:40:43,960
Speaker 4: like legendary. We can't arrange that, you know, I ain't that.

858
00:40:54,320 --> 00:40:56,960
Speaker 6: PLoP ship globe. We don't get he want to see

859
00:40:56,960 --> 00:40:58,720
Speaker 6: your mother. We're showing you how to pissot.

860
00:40:58,920 --> 00:41:00,319
Speaker 4: Got this ship from DM seek.

861
00:41:00,360 --> 00:41:02,960
Speaker 2: Let's slum with it to the fundamentals and having us some.

862
00:41:03,040 --> 00:41:03,600
Speaker 6: Fun with it.

863
00:41:03,920 --> 00:41:06,680
Speaker 4: These songs came on my team show. God said, let's

864
00:41:06,680 --> 00:41:09,160
Speaker 4: say fire to whatever I bring. Got to kill us

865
00:41:09,200 --> 00:41:10,919
Speaker 4: in quiet, all singing my thing sound.

866
00:41:10,920 --> 00:41:12,200
Speaker 6: I can never do this alone.

867
00:41:12,239 --> 00:41:12,759
Speaker 4: Motherfucker.

868
00:41:13,760 --> 00:41:16,480
Speaker 6: Still trade still on shop, still got it, the sonics

869
00:41:16,480 --> 00:41:18,600
Speaker 6: still like kind of they still stiff in the products.

870
00:41:18,640 --> 00:41:19,680
Speaker 6: I've seen the money coming.

871
00:41:19,719 --> 00:41:21,520
Speaker 4: I showed you that I'm a prop had a riding

872
00:41:21,560 --> 00:41:23,520
Speaker 4: shot God. In case niggas get out of pocket, why

873
00:41:23,520 --> 00:41:24,839
Speaker 4: do you want to press? They'st you money.

874
00:41:25,000 --> 00:41:26,480
Speaker 10: Case you need to stop and keep them all your

875
00:41:26,520 --> 00:41:29,520
Speaker 10: over day for depositions and doctor back at the topic

876
00:41:29,600 --> 00:41:31,959
Speaker 10: against you niggas, but got it, but not in mishead father.

877
00:41:32,040 --> 00:41:40,840
Speaker 4: May you keep that listening, legendary missionary. We can't arrange that,

878
00:41:42,480 --> 00:41:52,760
Speaker 4: you know what, fang now, just take you take your.

879
00:41:56,160 --> 00:41:56,200
Speaker 6: Not.

880
00:42:05,520 --> 00:42:09,640
Speaker 2: I'm not gonna lie to y'all. That ship sounds so good.

881
00:42:10,520 --> 00:42:12,560
Speaker 2: It's even better with them doing the lyrics right now. No,

882
00:42:13,200 --> 00:42:14,799
Speaker 2: I ain't gonna lie to you, man. And to see

883
00:42:14,920 --> 00:42:18,359
Speaker 2: Jimmy put out his phone him recording, I'm like, holy shit,

884
00:42:18,880 --> 00:42:20,680
Speaker 2: Oh this is an euphoria moment for me.

885
00:42:21,000 --> 00:42:23,560
Speaker 6: Holy moly. Got to go. Are we chilling?

886
00:42:23,680 --> 00:42:25,880
Speaker 2: Or we want what's the next shoe? No?

887
00:42:26,040 --> 00:42:26,799
Speaker 6: We talked enough?

888
00:42:28,160 --> 00:42:30,279
Speaker 8: Okay, Well, just so y'all know that song is also

889
00:42:30,400 --> 00:42:32,920
Speaker 8: featured in Jame What's the Next Song? Jamie Fox and

890
00:42:33,000 --> 00:42:35,279
Speaker 8: Cameron Diaz new movie that's coming out on Netflix. That

891
00:42:35,360 --> 00:42:38,120
Speaker 8: song is featured in that, so be on the lookout

892
00:42:38,160 --> 00:42:38,719
Speaker 8: for that as well.

893
00:42:39,080 --> 00:42:41,759
Speaker 6: Shameless plug and y'all just pushing all right.

894
00:42:41,920 --> 00:42:43,880
Speaker 8: Oh, it's in Madden twenty five right now too, So

895
00:42:43,960 --> 00:42:45,520
Speaker 8: if you're playing mad you can hear that ship.

896
00:42:45,600 --> 00:42:49,640
Speaker 6: When if you're playing you won't stop promoting and marketing.

897
00:42:49,719 --> 00:42:51,799
Speaker 4: Nigga plugging right now, I'm fugging nigga.

898
00:42:51,800 --> 00:42:53,640
Speaker 6: I'm the plug to your plug. I'm, you know, talking

899
00:42:53,640 --> 00:42:54,880
Speaker 6: about see what I'm dealing with.

900
00:42:56,040 --> 00:42:58,600
Speaker 2: Hey man, you know you know I'll be eating your

901
00:42:58,680 --> 00:42:59,239
Speaker 2: cereal too.

902
00:42:59,440 --> 00:42:59,840
Speaker 6: You fuck what?

903
00:43:00,200 --> 00:43:00,439
Speaker 10: Yeah?

904
00:43:00,600 --> 00:43:02,920
Speaker 2: He talks about all the time. Sploops, Yah, I got

905
00:43:02,960 --> 00:43:05,479
Speaker 2: your phone number. I don't even Astley has.

906
00:43:05,440 --> 00:43:07,040
Speaker 6: A serial called Snoop Loop.

907
00:43:07,480 --> 00:43:08,440
Speaker 2: You shut up?

908
00:43:09,800 --> 00:43:11,560
Speaker 6: I love you knowing? Do you really?

909
00:43:11,719 --> 00:43:14,440
Speaker 2: Do you realize you're the most famous rapper everywhere? Like

910
00:43:14,480 --> 00:43:16,160
Speaker 2: a nigga can say I know Snoop and nigga be like,

911
00:43:16,239 --> 00:43:19,600
Speaker 2: I know, like, you can't go nowhere.

912
00:43:19,920 --> 00:43:21,120
Speaker 6: No, everybody knows Snoop.

913
00:43:21,160 --> 00:43:24,319
Speaker 2: Everybody knows I talk about babies, know you? But then

914
00:43:24,400 --> 00:43:25,600
Speaker 2: come up to the womb here that's Snoop.

915
00:43:27,440 --> 00:43:31,000
Speaker 6: What's the next generation gonna be called? You know, I

916
00:43:31,080 --> 00:43:32,960
Speaker 6: don't know anyway they're gonna know this nigga.

917
00:43:33,000 --> 00:43:35,520
Speaker 8: You don't know this nigga? Yeah, how the hellful thing

918
00:43:35,840 --> 00:43:37,840
Speaker 8: that happened? I'm engaging, you know what I'm saying. I

919
00:43:37,920 --> 00:43:41,359
Speaker 8: got grandkids, so I make things for kids. I got

920
00:43:41,440 --> 00:43:43,640
Speaker 8: a football league, I got you know, I got a

921
00:43:43,719 --> 00:43:46,680
Speaker 8: relationship with Martha Stewart. So I got like different people

922
00:43:46,760 --> 00:43:48,880
Speaker 8: in my life that allow me to you know, go

923
00:43:49,040 --> 00:43:54,080
Speaker 8: to different places and be different football league though, Yes, sir, yes, sir, yes, sir.

924
00:43:54,600 --> 00:43:56,760
Speaker 8: Proud of that right there, man, that's that's my baby

925
00:43:56,880 --> 00:43:59,000
Speaker 8: right there in my football league. We sent up with

926
00:43:59,040 --> 00:44:01,600
Speaker 8: forty kids to the nf fail. We got you know, graduates,

927
00:44:01,719 --> 00:44:06,239
Speaker 8: Rhodes scholars, you know, fireman's share, sheep of polices that

928
00:44:06,360 --> 00:44:08,399
Speaker 8: came out of my league. I'm so proud of that league.

929
00:44:08,840 --> 00:44:10,680
Speaker 8: Thank y'all for the great work, and thank y'all for

930
00:44:10,760 --> 00:44:11,680
Speaker 8: appreciating what we do.

931
00:44:12,440 --> 00:44:16,279
Speaker 6: That's part of what this thing is, the foundation of

932
00:44:16,400 --> 00:44:19,200
Speaker 6: what we're trying to do moving forward and how we'd

933
00:44:19,320 --> 00:44:23,120
Speaker 6: like to give back. So let's stop the talking. You

934
00:44:23,160 --> 00:44:24,600
Speaker 6: want to play some more music?

935
00:44:24,800 --> 00:44:26,200
Speaker 2: Werena, We're gonna go, thank you.

936
00:44:27,400 --> 00:44:30,759
Speaker 6: Thank you? Okay, So let me can you explain some

937
00:44:30,840 --> 00:44:34,080
Speaker 6: of the Yeah, let me. Yeah, this this one, I'm

938
00:44:34,120 --> 00:44:37,239
Speaker 6: not done with it yet, right, I just started on

939
00:44:37,400 --> 00:44:40,120
Speaker 6: this ship. It needs horns and strings.

940
00:44:40,239 --> 00:44:43,799
Speaker 4: You just started on this record, yeah, days ago, Yeah,

941
00:44:43,800 --> 00:44:44,279
Speaker 4: we just did this.

942
00:44:44,440 --> 00:44:45,520
Speaker 2: Is this the one that when we was on the

943
00:44:45,600 --> 00:44:47,040
Speaker 2: Zoom you said, I'm about to go finish this.

944
00:44:47,320 --> 00:44:49,719
Speaker 6: Yes, okay, so I'm not finished with it yet. So

945
00:44:50,000 --> 00:44:52,799
Speaker 6: it's fucking weirdest hell to be playing my music.

946
00:44:53,000 --> 00:44:54,279
Speaker 2: I'm surprised you let us play it.

947
00:44:54,360 --> 00:44:59,480
Speaker 6: Let's go for an audience, my unfinished music for an audience.

948
00:44:59,640 --> 00:45:01,279
Speaker 6: But uh, let's go.

949
00:45:01,440 --> 00:45:03,920
Speaker 2: Yeah all right, see what se thank you playing for

950
00:45:04,360 --> 00:45:04,759
Speaker 2: says something.

951
00:45:05,000 --> 00:45:08,960
Speaker 6: But by the way, thank thank you, and you.

952
00:45:08,960 --> 00:45:10,800
Speaker 8: Gotta you gotta ay time out, time out, turn my

953
00:45:10,880 --> 00:45:13,560
Speaker 8: stop about time about stop stop.

954
00:45:14,080 --> 00:45:15,640
Speaker 2: We lost we lost the engineer.

955
00:45:15,719 --> 00:45:18,080
Speaker 4: Now you don't love the I We got a nigga

956
00:45:18,120 --> 00:45:18,560
Speaker 4: that ran off.

957
00:45:18,640 --> 00:45:20,640
Speaker 2: Nigga, you know how to push play, how to tickle?

958
00:45:21,480 --> 00:45:24,560
Speaker 4: Yeah, turn that ship up, turn it up, nigga, get.

959
00:45:24,520 --> 00:45:25,040
Speaker 2: Us kick down?

960
00:45:27,440 --> 00:45:27,799
Speaker 3: Thank you.

961
00:45:33,160 --> 00:45:36,040
Speaker 4: Yah yeah, please excuse me while like it's the.

962
00:45:36,160 --> 00:45:37,200
Speaker 6: Sky thank you.

963
00:45:41,560 --> 00:45:45,000
Speaker 10: Day yeah yeah yeah yeah, please excuse me wild like

964
00:45:45,120 --> 00:45:48,680
Speaker 10: this style. Thanks just saying the same against us time

965
00:45:48,760 --> 00:45:51,160
Speaker 10: to change in your niggas is dangerous, rich and.

966
00:45:51,239 --> 00:45:52,239
Speaker 4: Shameless to any thing.

967
00:45:52,320 --> 00:45:52,960
Speaker 6: To be famous.

968
00:45:53,040 --> 00:45:54,760
Speaker 8: If you're talking about the script and then you're speaking

969
00:45:54,840 --> 00:45:57,279
Speaker 8: my language, and if you're waking up with the world

970
00:45:57,360 --> 00:45:57,840
Speaker 8: up under you.

971
00:45:58,080 --> 00:45:59,960
Speaker 4: I'm going this us fucked up. It's so cd.

972
00:46:00,440 --> 00:46:02,520
Speaker 10: I'm reving that my revenue. What am I not available

973
00:46:02,600 --> 00:46:07,200
Speaker 10: somewhere amailable. Somehow I made it off the avenue, the.

974
00:46:07,280 --> 00:46:09,160
Speaker 4: Taws and waking long the street sent them.

975
00:46:09,120 --> 00:46:11,920
Speaker 10: Up as in the field that the sails close calls

976
00:46:11,960 --> 00:46:13,440
Speaker 10: with big whales, got fish scales.

977
00:46:13,480 --> 00:46:16,080
Speaker 4: That's so fall shit. I like to thank me.

978
00:46:16,360 --> 00:46:18,440
Speaker 8: And if we're talking about the West, nigga, thank me

979
00:46:18,840 --> 00:46:20,000
Speaker 8: Walker Fane made a name.

980
00:46:20,080 --> 00:46:22,320
Speaker 4: Nigga, thank me ain't nothing. Now, this is what a

981
00:46:22,400 --> 00:46:24,200
Speaker 4: nigga do. I just want to say thank you.

982
00:46:25,080 --> 00:46:25,480
Speaker 6: Let me.

983
00:46:29,320 --> 00:46:31,000
Speaker 7: How you thank you?

984
00:46:31,160 --> 00:46:32,200
Speaker 6: It's me would like this?

985
00:46:32,440 --> 00:46:32,800
Speaker 7: Thank you?

986
00:46:38,080 --> 00:46:40,880
Speaker 6: DAGs? Excuse me?

987
00:46:41,080 --> 00:46:41,600
Speaker 2: Why like this?

988
00:46:41,840 --> 00:46:44,399
Speaker 4: The sty Now you're gonna fuck around and find out

989
00:46:44,920 --> 00:46:46,759
Speaker 4: I thank you. Niggas need to take her time out.

990
00:46:46,960 --> 00:46:48,799
Speaker 4: Might have a leave a a dope to me. Gonna

991
00:46:48,800 --> 00:46:50,879
Speaker 4: be your posts to read high level pope and see

992
00:46:50,960 --> 00:46:53,520
Speaker 4: better than dope for me. You fucking would have winn

993
00:46:53,520 --> 00:46:53,880
Speaker 4: a winner.

994
00:46:53,920 --> 00:46:54,560
Speaker 6: What a ship.

995
00:46:54,600 --> 00:46:56,640
Speaker 10: It's been a minute since we went up getting now

996
00:46:56,719 --> 00:46:58,120
Speaker 10: for six billion ways to get it?

997
00:46:58,239 --> 00:47:00,480
Speaker 4: She was one snooped off about.

998
00:47:00,280 --> 00:47:02,839
Speaker 10: They the hell of a running any comic tick bile

999
00:47:02,920 --> 00:47:04,399
Speaker 10: the man dropping a pile.

1000
00:47:04,520 --> 00:47:05,879
Speaker 2: I'm in here with both guys.

1001
00:47:05,920 --> 00:47:08,120
Speaker 4: How I made mind click click boom and show.

1002
00:47:08,040 --> 00:47:09,160
Speaker 10: Come nigga, These Niggs.

1003
00:47:09,200 --> 00:47:12,720
Speaker 8: I'm throwing money like at this guy's saying.

1004
00:47:13,440 --> 00:47:15,120
Speaker 4: Hold on your I'm playing nobody.

1005
00:47:15,760 --> 00:47:16,640
Speaker 6: Well, shit, get heavy.

1006
00:47:16,719 --> 00:47:18,840
Speaker 10: You know when Nigga pushed the limits locking up on

1007
00:47:18,920 --> 00:47:19,759
Speaker 10: every coming Nigga.

1008
00:47:19,800 --> 00:47:20,759
Speaker 6: I just want to thank you.

1009
00:47:27,200 --> 00:47:28,600
Speaker 4: Lazy huge like.

1010
00:47:28,640 --> 00:47:33,279
Speaker 6: It's that guy, and thank you for letting myself.

1011
00:47:34,480 --> 00:47:36,680
Speaker 4: Can we get hi yah ya ya yao.

1012
00:47:38,600 --> 00:47:42,960
Speaker 6: Style? All right?

1013
00:47:43,760 --> 00:47:50,440
Speaker 2: Hold up? You did say that this is your favorite

1014
00:47:50,480 --> 00:47:51,319
Speaker 2: record when we were.

1015
00:47:51,239 --> 00:47:55,200
Speaker 6: Talking to us, Oh, what are your favorite? I said

1016
00:47:55,200 --> 00:47:57,839
Speaker 6: it's my favorite because of the like this one, did

1017
00:47:57,960 --> 00:48:00,319
Speaker 6: that one? Like I said, It's not done and I'm

1018
00:48:00,320 --> 00:48:02,000
Speaker 6: still working on it, so it's weird.

1019
00:48:02,239 --> 00:48:03,560
Speaker 2: What else you got to do that record?

1020
00:48:03,719 --> 00:48:05,920
Speaker 6: It's weird playing the unfinished products.

1021
00:48:05,920 --> 00:48:07,160
Speaker 2: You can put a thing on it.

1022
00:48:07,200 --> 00:48:07,719
Speaker 6: What are you doing?

1023
00:48:08,120 --> 00:48:10,240
Speaker 4: That's the difference between his ears and our ears.

1024
00:48:10,400 --> 00:48:12,919
Speaker 6: Yes, it's not done.

1025
00:48:13,000 --> 00:48:16,000
Speaker 4: It's rough mixes sound like most niggas master mixes. But

1026
00:48:16,200 --> 00:48:17,200
Speaker 4: he's a perfectionist.

1027
00:48:17,239 --> 00:48:19,880
Speaker 8: He's it's something in there that he doesn't feel as

1028
00:48:20,040 --> 00:48:21,440
Speaker 8: right as a composed of the.

1029
00:48:21,440 --> 00:48:22,719
Speaker 2: Whole How bell in there?

1030
00:48:22,840 --> 00:48:24,000
Speaker 4: Oh we got a whole album?

1031
00:48:25,120 --> 00:48:27,320
Speaker 8: No that that song got to go inside of the

1032
00:48:27,400 --> 00:48:30,520
Speaker 8: whole album. So it's not just a standalone record. So

1033
00:48:30,600 --> 00:48:32,520
Speaker 8: he's thinking about all of the other songs, and.

1034
00:48:32,719 --> 00:48:35,800
Speaker 6: It's the whole thing. I'm on my fucking I don't know.

1035
00:48:36,520 --> 00:48:39,399
Speaker 6: It's just strings and horns that are missing, and it's

1036
00:48:39,440 --> 00:48:42,279
Speaker 6: not mixed yet. So you guys are hearing just the

1037
00:48:42,400 --> 00:48:46,880
Speaker 6: demo and unfinished work. So and I'm weird about playing

1038
00:48:46,960 --> 00:48:51,720
Speaker 6: that shit. So all right, so I've never done this before.

1039
00:48:52,040 --> 00:48:54,640
Speaker 2: So great, the greatest, that's what she said, the greatest,

1040
00:48:54,680 --> 00:48:56,640
Speaker 2: thank you for doing. Let me say something. The greatest

1041
00:48:56,640 --> 00:48:59,000
Speaker 2: thing about twenty twenty four is you could get an

1042
00:48:59,040 --> 00:49:01,880
Speaker 2: instant response, right, you could throw something out and get instance.

1043
00:49:02,120 --> 00:49:04,640
Speaker 2: I just wanted the crowd to tell you how. Tell us,

1044
00:49:04,680 --> 00:49:09,279
Speaker 2: motherfucker record, tell us, motherfucker Now. I don't know what

1045
00:49:09,440 --> 00:49:11,000
Speaker 2: you want to think about the recond.

1046
00:49:17,080 --> 00:49:21,719
Speaker 4: Yes, let's drink some gin and juice, man, real quick.

1047
00:49:23,080 --> 00:49:23,279
Speaker 2: I know.

1048
00:49:23,880 --> 00:49:26,680
Speaker 8: Big up to my brother Swiss Beat. Yeah, rest of

1049
00:49:26,719 --> 00:49:29,640
Speaker 8: that blood. I don't smoke with niggas, says COVID.

1050
00:49:29,719 --> 00:49:31,400
Speaker 6: Fuck that. Well, yeah, work.

1051
00:49:31,520 --> 00:49:32,840
Speaker 4: I don't know what you niggas.

1052
00:49:32,600 --> 00:49:34,880
Speaker 2: Got, but big up my brother Swiss Beasts and Timberland.

1053
00:49:35,040 --> 00:49:36,719
Speaker 2: But a Swiss Beasts and Timberland was to come to

1054
00:49:36,840 --> 00:49:40,520
Speaker 2: y'all and say y'all. We want Dre and Snoop Dogg

1055
00:49:40,840 --> 00:49:44,120
Speaker 2: to do a versus, but y'all get to pick y'all pony.

1056
00:49:44,560 --> 00:49:47,160
Speaker 6: Okay, So that's a really good question. I was just

1057
00:49:47,320 --> 00:49:50,520
Speaker 6: on the phone with Swiss Beach yesterday and this morning,

1058
00:49:51,560 --> 00:49:56,239
Speaker 6: and we've been swapping trash together and I actually just

1059
00:49:56,560 --> 00:50:00,960
Speaker 6: did a song over one of his beasts, zip, where zippit?

1060
00:50:01,040 --> 00:50:01,560
Speaker 6: Where are you at?

1061
00:50:02,160 --> 00:50:02,520
Speaker 2: Right there?

1062
00:50:03,880 --> 00:50:08,960
Speaker 6: What was that yesterday or the day before? Day before yesterday?

1063
00:50:09,040 --> 00:50:12,160
Speaker 6: We just did a song to us Swiss Beats on

1064
00:50:12,320 --> 00:50:15,239
Speaker 6: one of his tracks. That's I mean, we did our

1065
00:50:15,360 --> 00:50:17,759
Speaker 6: thing around it and play with it. But yeah, it

1066
00:50:17,800 --> 00:50:20,840
Speaker 6: is a co production. It is probably gonna be that

1067
00:50:21,040 --> 00:50:23,640
Speaker 6: we haven't finished the song just ship, but yeah, Swiss

1068
00:50:23,800 --> 00:50:27,320
Speaker 6: Beats is like one of our brothers. Timberland is like

1069
00:50:27,480 --> 00:50:32,960
Speaker 6: I really appreciate like Timberland because I feel like he

1070
00:50:33,160 --> 00:50:36,239
Speaker 6: inspired me. He was the one the first person that

1071
00:50:37,040 --> 00:50:39,560
Speaker 6: started doing a double time ship with the beats like

1072
00:50:42,600 --> 00:50:46,759
Speaker 6: that thing. So I was really impressed with that and

1073
00:50:46,840 --> 00:50:49,680
Speaker 6: that inspired me. So yeah, big shout out to Timberland.

1074
00:50:52,680 --> 00:50:54,799
Speaker 2: Because you versus supposed to be a celebration as well.

1075
00:50:54,840 --> 00:50:57,960
Speaker 2: It's not a battle, right, So they say what artists.

1076
00:50:58,000 --> 00:51:00,680
Speaker 2: Would you what your artists? Would you Snoop want to

1077
00:51:00,680 --> 00:51:01,160
Speaker 2: go against?

1078
00:51:02,960 --> 00:51:04,719
Speaker 4: We got to go up against Jimmy Jam and Terry

1079
00:51:04,800 --> 00:51:05,759
Speaker 4: Lewis can't nobody.

1080
00:51:08,440 --> 00:51:16,359
Speaker 6: Jimmy Jam. I'm just that's like, what how about jay

1081
00:51:16,400 --> 00:51:18,920
Speaker 6: Z and Kanye talked at Jimmy Jam every every now

1082
00:51:18,960 --> 00:51:24,360
Speaker 6: and then. Yeah, and he's a super humble motherfucker. He

1083
00:51:24,440 --> 00:51:26,479
Speaker 6: doesn't even I don't even think he knows how dope

1084
00:51:26,480 --> 00:51:29,479
Speaker 6: he is. But yeah, it's really cool.

1085
00:51:29,680 --> 00:51:33,960
Speaker 2: So Missy and Timberland. Nah, you said jay Z and Kanye?

1086
00:51:34,040 --> 00:51:34,840
Speaker 2: What do you think about that?

1087
00:51:35,080 --> 00:51:35,839
Speaker 6: But say it again?

1088
00:51:35,920 --> 00:51:40,960
Speaker 2: Versus versus versus? Yeah, Oh, I don't know. I don't know.

1089
00:51:41,360 --> 00:51:43,040
Speaker 6: How about you thought that ship was cool?

1090
00:51:43,160 --> 00:51:44,720
Speaker 4: But I did versus with DMX.

1091
00:51:44,840 --> 00:51:47,080
Speaker 2: That was a beautiful thing he had on Timberland's in

1092
00:51:47,200 --> 00:51:48,280
Speaker 2: your studio during.

1093
00:51:48,080 --> 00:51:49,960
Speaker 4: Cod and you know, it turned into a love thing.

1094
00:51:50,040 --> 00:51:51,720
Speaker 4: It wasn't a battle, you see what happens.

1095
00:51:52,120 --> 00:51:53,560
Speaker 2: It was a celebration, it really was.

1096
00:51:54,239 --> 00:51:56,320
Speaker 8: That probably was the first one that was actually a

1097
00:51:56,400 --> 00:52:00,200
Speaker 8: real celebration because we was in the same room her.

1098
00:52:00,400 --> 00:52:04,440
Speaker 4: We shared now ladies and chicken wings and hennessy, you

1099
00:52:04,480 --> 00:52:06,520
Speaker 4: know what I'm saying. And then we share some party

1100
00:52:06,560 --> 00:52:06,719
Speaker 4: to me.

1101
00:52:06,880 --> 00:52:06,920
Speaker 6: No.

1102
00:52:07,200 --> 00:52:11,120
Speaker 8: Then he told the story of how his record holler

1103
00:52:11,160 --> 00:52:14,319
Speaker 8: at me, get at Me Dog. Yeah, I said him.

1104
00:52:14,320 --> 00:52:16,120
Speaker 8: When I was at ja Varga Square. I was performing

1105
00:52:16,160 --> 00:52:18,800
Speaker 8: out there and cousin was coming out the club and

1106
00:52:18,880 --> 00:52:19,600
Speaker 8: I ain't knowing me.

1107
00:52:20,160 --> 00:52:20,880
Speaker 4: He said, what's up?

1108
00:52:20,920 --> 00:52:23,120
Speaker 8: I said, get at me dog, and he said that's

1109
00:52:23,160 --> 00:52:25,400
Speaker 8: how he made his motherfucking record For me saying that.

1110
00:52:25,480 --> 00:52:26,719
Speaker 6: To him, I didn't know that.

1111
00:52:27,000 --> 00:52:28,879
Speaker 2: I didn't know that, he said.

1112
00:52:29,080 --> 00:52:29,480
Speaker 6: He said it.

1113
00:52:32,280 --> 00:52:34,200
Speaker 4: Out of the X mouth. Rest in peace to the King.

1114
00:52:34,280 --> 00:52:34,880
Speaker 4: He understand me.

1115
00:52:35,360 --> 00:52:37,640
Speaker 2: I didn't realize it was that I passed crazy.

1116
00:52:37,880 --> 00:52:38,839
Speaker 6: But he was at the show.

1117
00:52:38,920 --> 00:52:40,240
Speaker 4: When I was at Jervagar Square.

1118
00:52:40,280 --> 00:52:42,680
Speaker 6: You wasn't there though, huh No, I was too young.

1119
00:52:42,760 --> 00:52:46,879
Speaker 6: I was in jail tripping. He was like a big

1120
00:52:46,920 --> 00:52:48,880
Speaker 6: app Okay another story, Yes.

1121
00:52:49,000 --> 00:52:53,960
Speaker 2: Story for another day. We're on positivity, happiness, God damn it. Yeah,

1122
00:52:54,600 --> 00:52:59,120
Speaker 2: the best, ain't you. I'm a real drinker.

1123
00:53:00,200 --> 00:53:02,960
Speaker 4: This ship is great, it's smoth.

1124
00:53:03,160 --> 00:53:05,080
Speaker 2: They're gonna put you on y'all.

1125
00:53:05,120 --> 00:53:08,040
Speaker 6: See what y'all camera, Yo, listen, I'm holdly for the

1126
00:53:08,080 --> 00:53:09,840
Speaker 6: camera and do this for Jimmy.

1127
00:53:09,880 --> 00:53:13,400
Speaker 2: I be the first person to besides you guys and Jimmy,

1128
00:53:13,520 --> 00:53:15,080
Speaker 2: I mean, the first person to promote this ship.

1129
00:53:15,200 --> 00:53:16,799
Speaker 8: So can we can we make sure when you get

1130
00:53:16,840 --> 00:53:19,440
Speaker 8: back to the to the real establishment in Miami, we're

1131
00:53:19,480 --> 00:53:21,439
Speaker 8: gonna we got like I need like five of these

1132
00:53:21,520 --> 00:53:24,480
Speaker 8: lined up every episode absolutely, whether we're there or not.

1133
00:53:25,400 --> 00:53:26,239
Speaker 6: This is right.

1134
00:53:26,680 --> 00:53:34,680
Speaker 9: Listen, but look at me, look at me, yes, by

1135
00:53:34,680 --> 00:53:37,280
Speaker 9: the way, sit week.

1136
00:53:37,160 --> 00:53:41,480
Speaker 2: With Snoop Dogg. By the way, get the pants, oh ship.

1137
00:53:43,760 --> 00:53:45,000
Speaker 6: On the one time show.

1138
00:53:45,120 --> 00:53:48,080
Speaker 2: A little bit of that state walker yo, yo, by

1139
00:53:48,120 --> 00:53:49,279
Speaker 2: the way, you got my address, no.

1140
00:53:52,000 --> 00:53:53,399
Speaker 4: Way walk God God to give him the room.

1141
00:53:54,280 --> 00:53:55,800
Speaker 2: So let me ask you Snoop before we get.

1142
00:53:55,640 --> 00:53:57,000
Speaker 6: Into the music, right.

1143
00:53:59,000 --> 00:54:05,880
Speaker 2: Since not like us, right, everybody everybody crip walks and

1144
00:54:06,480 --> 00:54:10,080
Speaker 2: not not cripwalk, they blood walk in kripwalk. That's both.

1145
00:54:10,320 --> 00:54:14,120
Speaker 6: Yes, it's the thing. Sorry, yeah, don't get fucked up.

1146
00:54:14,160 --> 00:54:14,719
Speaker 6: It's it's real.

1147
00:54:14,760 --> 00:54:16,799
Speaker 4: Ship on the West I'm talking about.

1148
00:54:17,600 --> 00:54:20,080
Speaker 8: When you've seen that stage where Kendrick was that night

1149
00:54:20,320 --> 00:54:23,640
Speaker 8: at that concert, it was ninety eight percent bloods up there.

1150
00:54:24,000 --> 00:54:26,040
Speaker 2: I thought it was cribs. I'm saying the East.

1151
00:54:26,239 --> 00:54:29,840
Speaker 8: So why would they have all that red on? Oh no,

1152
00:54:34,080 --> 00:54:35,440
Speaker 8: let me tell you, Let me tell you what that

1153
00:54:35,560 --> 00:54:38,320
Speaker 8: record did. Do it unified the West.

1154
00:54:38,800 --> 00:54:39,040
Speaker 6: Wow.

1155
00:54:39,840 --> 00:54:42,440
Speaker 8: So it may have been disrespectful, but it's hip hop,

1156
00:54:42,520 --> 00:54:45,200
Speaker 8: so it's part of hip hop. I chose no signs

1157
00:54:45,280 --> 00:54:48,880
Speaker 8: because I have no individual cause with that. That's a

1158
00:54:48,920 --> 00:54:51,120
Speaker 8: grown man going against a grown man. But what it

1159
00:54:51,239 --> 00:54:53,839
Speaker 8: did do was unite the West and make everybody out

1160
00:54:53,880 --> 00:54:56,359
Speaker 8: here start looking at each other like how much love

1161
00:54:56,440 --> 00:54:57,279
Speaker 8: we got for each other.

1162
00:54:57,760 --> 00:54:59,799
Speaker 4: It was a blood walk where the bloods had peace.

1163
00:55:00,480 --> 00:55:03,120
Speaker 8: You had certain crib gangs that came together and became

1164
00:55:03,719 --> 00:55:05,879
Speaker 8: you know, real friends as opposed to being an enemy.

1165
00:55:05,960 --> 00:55:07,920
Speaker 8: So that record did a lot for us on the

1166
00:55:07,960 --> 00:55:11,520
Speaker 8: West as far as uniting. So we should speak on that, right.

1167
00:55:12,280 --> 00:55:14,279
Speaker 7: I mean, one thing I always say on drinks, y'all said,

1168
00:55:14,280 --> 00:55:16,160
Speaker 7: you don't have to be against someone to be for

1169
00:55:16,360 --> 00:55:16,759
Speaker 7: hip hop?

1170
00:55:17,040 --> 00:55:17,640
Speaker 6: Right right?

1171
00:55:17,640 --> 00:55:20,640
Speaker 2: You know what I'm saying. Everybody makes that. So what

1172
00:55:20,800 --> 00:55:21,640
Speaker 2: is that dance called?

1173
00:55:21,760 --> 00:55:22,239
Speaker 6: Is it called?

1174
00:55:22,760 --> 00:55:25,319
Speaker 4: It's the walk? If you're crip, is the crip walk,

1175
00:55:25,360 --> 00:55:26,560
Speaker 4: if you're blood is to b walk?

1176
00:55:27,400 --> 00:55:28,839
Speaker 2: But now it is white people walk.

1177
00:55:29,080 --> 00:55:32,640
Speaker 6: Say that a gag, But no, no, wait, say that again, because.

1178
00:55:32,400 --> 00:55:33,720
Speaker 2: The most they're just walking.

1179
00:55:33,960 --> 00:55:36,400
Speaker 6: Yeah wait, wait, wait, no say that again, Stull, because

1180
00:55:36,520 --> 00:55:39,360
Speaker 6: most people don't understand that and they don't even know

1181
00:55:39,520 --> 00:55:40,400
Speaker 6: that that exists.

1182
00:55:40,719 --> 00:55:43,759
Speaker 8: Okay, So when it comes to the gang coaching, that

1183
00:55:44,040 --> 00:55:47,880
Speaker 8: dance was created by gang members. So on both sides

1184
00:55:48,239 --> 00:55:51,000
Speaker 8: danced to the music. They danced with that in mind.

1185
00:55:51,160 --> 00:55:54,080
Speaker 8: So if you're a blood, you put your gang first.

1186
00:55:54,160 --> 00:55:56,520
Speaker 8: That's the blood walk. If you're a Cryp, that's the

1187
00:55:56,680 --> 00:55:59,200
Speaker 8: crypt walk. But the Crypts have been so dominant in

1188
00:55:59,239 --> 00:56:01,759
Speaker 8: the music, and it's me that you think that that's

1189
00:56:01,840 --> 00:56:05,360
Speaker 8: the only way that it's difficult, right, But when you

1190
00:56:05,440 --> 00:56:08,720
Speaker 8: see Kendrick, you see Quick, you see you know yg

1191
00:56:09,200 --> 00:56:11,879
Speaker 8: whoever you see that's from the Red side, they dance

1192
00:56:11,960 --> 00:56:13,920
Speaker 8: the same way we dance. Because it's a it's a

1193
00:56:14,280 --> 00:56:16,280
Speaker 8: culture thing, you know what I'm saying. It's for the culture.

1194
00:56:16,600 --> 00:56:19,160
Speaker 8: They just represent for they side, but both sides are together,

1195
00:56:19,320 --> 00:56:21,960
Speaker 8: so it's a unification. So it's a beautiful thing.

1196
00:56:22,160 --> 00:56:24,759
Speaker 6: And you could never understand this ship if you don't

1197
00:56:24,840 --> 00:56:27,920
Speaker 6: understand the coach, right, you know, there's a lot of

1198
00:56:27,960 --> 00:56:30,480
Speaker 6: people probably in this throne and probably going to be

1199
00:56:30,600 --> 00:56:33,360
Speaker 6: listening and looking at this ship that don't understand it.

1200
00:56:33,440 --> 00:56:36,520
Speaker 6: But hopefully we can at least clear it up for

1201
00:56:37,120 --> 00:56:39,040
Speaker 6: you a little bit, to at least take a chance

1202
00:56:39,120 --> 00:56:39,880
Speaker 6: to understand it.

1203
00:56:41,640 --> 00:56:43,280
Speaker 2: Stevie wanted to really call you at five.

1204
00:56:43,320 --> 00:56:48,640
Speaker 6: M off that stupid Now we're back to the levity, right, No,

1205
00:56:48,800 --> 00:56:51,600
Speaker 6: but let's get back to the funny ship. Let's get

1206
00:56:51,640 --> 00:56:53,040
Speaker 6: back to the entertained part of this.

1207
00:56:55,760 --> 00:56:57,840
Speaker 2: Because they said that Stevie want of those streets like

1208
00:56:57,920 --> 00:57:00,919
Speaker 2: seeing basketball players play on some real ship. Kis Steve

1209
00:57:01,040 --> 00:57:01,880
Speaker 2: c on everything?

1210
00:57:01,960 --> 00:57:06,839
Speaker 8: I love Stevie Wonder, does FaceTime me? Come on, man,

1211
00:57:08,360 --> 00:57:11,200
Speaker 8: I can't make this ship up. Nigga, I was in

1212
00:57:11,280 --> 00:57:13,080
Speaker 8: there chilling with my I was getting my hair done

1213
00:57:13,120 --> 00:57:16,720
Speaker 8: with my hairstyling and my phone and my hairstyling is like,

1214
00:57:16,840 --> 00:57:18,080
Speaker 8: did I say Stevie Wonder?

1215
00:57:18,120 --> 00:57:21,120
Speaker 4: I said yep. I went boom and he was like, nigga,

1216
00:57:21,120 --> 00:57:21,840
Speaker 4: I've been looking for you.

1217
00:57:23,240 --> 00:57:27,640
Speaker 9: I got the fuck out here, man, the fuck out

1218
00:57:29,040 --> 00:57:31,000
Speaker 9: I've been looking for No.

1219
00:57:31,240 --> 00:57:35,280
Speaker 2: Stevie Wander calls me like a five five am.

1220
00:57:35,480 --> 00:57:37,480
Speaker 6: And he's asking me to text him. I'm like, what

1221
00:57:37,640 --> 00:57:40,960
Speaker 6: the what the fuck?

1222
00:57:41,040 --> 00:57:41,520
Speaker 4: What you say?

1223
00:57:41,640 --> 00:57:42,480
Speaker 2: You send your text?

1224
00:57:43,720 --> 00:57:47,840
Speaker 6: Send them a text? And I'm like, okay, I'm hanging

1225
00:57:47,840 --> 00:57:50,400
Speaker 6: I'm hanging, hang up the phone. I'm like the fuck

1226
00:57:50,480 --> 00:57:53,880
Speaker 6: that Stevie wants me to text.

1227
00:57:53,720 --> 00:57:58,320
Speaker 2: Him who see Wonder on drink?

1228
00:58:00,040 --> 00:58:02,360
Speaker 6: First of all, let me just be clear, Stevie Wonder

1229
00:58:02,520 --> 00:58:05,560
Speaker 6: is one of my all time favorites. He's my year role.

1230
00:58:07,040 --> 00:58:10,160
Speaker 4: He is funny, and he is funny too. He would

1231
00:58:10,200 --> 00:58:12,000
Speaker 4: laugh at this, so he get funny.

1232
00:58:12,280 --> 00:58:15,680
Speaker 6: Yeah, he's funny as hell. Right. He walks up to

1233
00:58:15,760 --> 00:58:18,200
Speaker 6: you and says, that's a nice red shirt you're wearing.

1234
00:58:18,320 --> 00:58:20,880
Speaker 6: You know, so that ship.

1235
00:58:21,200 --> 00:58:23,040
Speaker 2: Let me ask you a question. Does Stevie Wander have

1236
00:58:23,320 --> 00:58:28,800
Speaker 2: TVs or lights in his house? Let's move on.

1237
00:58:28,920 --> 00:58:29,120
Speaker 6: Let me.

1238
00:58:31,000 --> 00:58:32,520
Speaker 2: Okay, to what record we're going through?

1239
00:58:32,600 --> 00:58:32,720
Speaker 7: Now?

1240
00:58:33,160 --> 00:58:33,880
Speaker 2: What record we play?

1241
00:58:34,560 --> 00:58:39,200
Speaker 6: Jimmy keeps streaming off Mary Jane? All right, so Mary Jane, Okay,

1242
00:58:39,320 --> 00:58:42,960
Speaker 6: this didn't have to marry Jane. So there's a ready.

1243
00:58:43,000 --> 00:58:44,560
Speaker 2: When I was back there, my little Nord keep saying

1244
00:58:44,640 --> 00:58:46,440
Speaker 2: back there, No, no, they didn't have it back there.

1245
00:58:46,480 --> 00:58:50,160
Speaker 6: We got it up here. You gotta get it ready up. Yeah.

1246
00:58:50,160 --> 00:58:52,080
Speaker 6: I'm about to give a whole setup for that ship.

1247
00:58:52,200 --> 00:58:56,840
Speaker 6: So hopefully they have it ready. All right, let me

1248
00:58:56,960 --> 00:58:59,240
Speaker 6: let me set it up. Stop for a second second.

1249
00:58:59,440 --> 00:59:05,600
Speaker 6: This is the one. So the Great Tom Petty said

1250
00:59:05,720 --> 00:59:09,320
Speaker 6: something in our documentary, and he said, the day that

1251
00:59:09,560 --> 00:59:13,000
Speaker 6: doctor Dre does a version of Mary james Last Dance

1252
00:59:13,160 --> 00:59:19,000
Speaker 6: is going to be an instant hit, right. So fortunately

1253
00:59:19,200 --> 00:59:22,480
Speaker 6: his family blessed us with the files and all of

1254
00:59:22,600 --> 00:59:26,680
Speaker 6: his vocals. So I took his did a whole new

1255
00:59:26,760 --> 00:59:30,280
Speaker 6: beat and put his vocals on the chorus, and it's

1256
00:59:30,360 --> 00:59:35,000
Speaker 6: harmonica playing on the chorus. And then jelly Roll. Jelly

1257
00:59:35,120 --> 00:59:38,600
Speaker 6: Roll came to my house and sung the second verse. Right,

1258
00:59:39,360 --> 00:59:43,280
Speaker 6: So yeah, that's the setup, and that's what we're about

1259
00:59:43,320 --> 00:59:55,760
Speaker 6: to hear. Can we churn it up?

1260
00:59:56,680 --> 00:59:59,280
Speaker 4: Don't bother ask me to ever? Give my lady up?

1261
00:59:59,520 --> 01:00:02,080
Speaker 4: What's goo? Five years old? Take him my first puff?

1262
01:00:02,240 --> 01:00:04,800
Speaker 4: It was love at first life, feather love her first night.

1263
01:00:04,880 --> 01:00:07,040
Speaker 4: My uncle told me, don't rush, this could be your

1264
01:00:07,120 --> 01:00:07,720
Speaker 4: first crush.

1265
01:00:07,840 --> 01:00:09,520
Speaker 10: Now I'm on the block with all my homies and

1266
01:00:09,600 --> 01:00:12,600
Speaker 10: it's up amber a fair seventeen with a dream blowing

1267
01:00:12,680 --> 01:00:15,400
Speaker 10: smoke in the air. Seven things. My routine is one,

1268
01:00:15,520 --> 01:00:18,840
Speaker 10: what's that year? Avoiding them fucking pandas in my rear view.

1269
01:00:18,840 --> 01:00:21,240
Speaker 4: Meter County Blues want of news. Ship, I'm on all

1270
01:00:21,320 --> 01:00:23,880
Speaker 4: of my pills looking back. I wouldn't change ship or

1271
01:00:23,920 --> 01:00:26,280
Speaker 4: what a career? I used to flip bags with her

1272
01:00:26,640 --> 01:00:29,560
Speaker 4: skip class word. She comfortable the fuck on, I'm trying

1273
01:00:29,600 --> 01:00:30,440
Speaker 4: to smash with her.

1274
01:00:30,600 --> 01:00:34,720
Speaker 10: She got always the last and ashes to ask the dust,

1275
01:00:34,760 --> 01:00:36,680
Speaker 10: so it looks like I'm last us. I can't get

1276
01:00:36,760 --> 01:00:40,080
Speaker 10: past the rushing never passer up. Who took this bitch worldwide?

1277
01:00:40,160 --> 01:00:41,960
Speaker 10: Nigga we gas in that and now with the.

1278
01:00:48,760 --> 01:00:51,560
Speaker 4: Before the things, she was my novercare. You know what,

1279
01:00:51,680 --> 01:01:02,240
Speaker 4: it ain't gonna get a video where they ain't gonna say,

1280
01:01:02,360 --> 01:01:04,800
Speaker 4: right my little slave by my chid.

1281
01:01:13,760 --> 01:01:19,120
Speaker 5: Jelly rode high spends and faces in my wood. She's like,

1282
01:01:19,240 --> 01:01:23,360
Speaker 5: I'm rich in this side this time, I'm changing my time.

1283
01:01:23,440 --> 01:01:27,760
Speaker 5: I'm saying good side of the danger inside. Sometimes got

1284
01:01:27,920 --> 01:01:31,880
Speaker 5: a hold the fast time as a can copy as

1285
01:01:32,520 --> 01:01:35,280
Speaker 5: somehow she came among between them.

1286
01:01:35,320 --> 01:01:38,840
Speaker 6: What gusn't made it follow everything you.

1287
01:01:38,880 --> 01:01:41,480
Speaker 1: Ever told me you were from the kick go yess

1288
01:01:41,560 --> 01:01:45,320
Speaker 1: I didn't. And if I gotta graphic, can I guess

1289
01:01:45,360 --> 01:01:47,880
Speaker 1: I mean to strike him that super bird that appreciates

1290
01:01:47,960 --> 01:01:52,960
Speaker 1: it's so fan been to me. The wishes barked this piphany.

1291
01:01:54,000 --> 01:01:56,040
Speaker 2: Don't walk away by the combling.

1292
01:01:55,720 --> 01:01:58,680
Speaker 1: In the whole world, combling in something panther.

1293
01:01:58,600 --> 01:02:09,080
Speaker 4: Change knows my before the things, it was my noga.

1294
01:02:09,360 --> 01:02:11,120
Speaker 7: You know what name?

1295
01:02:19,520 --> 01:02:21,280
Speaker 4: Just say the second one that my m.

1296
01:02:32,960 --> 01:02:34,680
Speaker 2: Yeah, yeah, yeah, he.

1297
01:02:38,680 --> 01:02:39,040
Speaker 9: Went off.

1298
01:02:40,880 --> 01:02:46,240
Speaker 2: Hey, come on, so that's label Mary Jane. Not the

1299
01:02:46,320 --> 01:02:47,080
Speaker 2: last dance.

1300
01:02:49,480 --> 01:02:50,880
Speaker 6: That was that was dope, thank you?

1301
01:02:52,040 --> 01:02:53,720
Speaker 2: So what's the name of that one? That's Mary Jane?

1302
01:02:53,880 --> 01:02:55,840
Speaker 6: Not the last last last dance with Mary?

1303
01:02:56,040 --> 01:02:58,560
Speaker 2: Okay, okay. I called this because I heard that one.

1304
01:02:59,000 --> 01:03:00,280
Speaker 2: They told me. I didn't hear Mary regime.

1305
01:03:00,400 --> 01:03:04,800
Speaker 4: Hey know how much money Jardine give it what it had? Jeez, Luis,

1306
01:03:05,400 --> 01:03:06,440
Speaker 4: how much dope they give you?

1307
01:03:06,800 --> 01:03:08,000
Speaker 2: You fucking found nigga.

1308
01:03:09,040 --> 01:03:12,520
Speaker 4: I fuck with you people trying to make sure you

1309
01:03:12,600 --> 01:03:13,600
Speaker 4: getting what you're supposed to get.

1310
01:03:19,920 --> 01:03:22,560
Speaker 2: So how fun was it getting back in the studio

1311
01:03:22,640 --> 01:03:22,960
Speaker 2: with him?

1312
01:03:23,400 --> 01:03:25,400
Speaker 8: It was it was like me being a kid again

1313
01:03:25,440 --> 01:03:27,240
Speaker 8: because I got a chance to like just go back

1314
01:03:27,280 --> 01:03:29,920
Speaker 8: to being directed and not have to be the leader

1315
01:03:29,960 --> 01:03:31,640
Speaker 8: in the studio and be the one to come up

1316
01:03:31,680 --> 01:03:34,200
Speaker 8: with all the ideas and be so creative. I could

1317
01:03:34,200 --> 01:03:37,360
Speaker 8: come to the studio and just really just let them

1318
01:03:37,440 --> 01:03:39,720
Speaker 8: work on me, and it feel good to be in

1319
01:03:39,760 --> 01:03:42,240
Speaker 8: a position to have them produce me and write for

1320
01:03:42,360 --> 01:03:44,680
Speaker 8: me and put me in, you know, great positions as

1321
01:03:44,720 --> 01:03:46,600
Speaker 8: an artist, because I want to be a great artist.

1322
01:03:46,680 --> 01:03:48,840
Speaker 4: When I'm done with this, and sometimes you got to

1323
01:03:48,840 --> 01:03:50,640
Speaker 4: be produced. I look at all of the greater.

1324
01:03:50,600 --> 01:03:51,840
Speaker 2: You already are a great artist.

1325
01:03:51,960 --> 01:03:54,320
Speaker 6: No, but I'm saying a great artists.

1326
01:03:54,360 --> 01:03:57,400
Speaker 8: But I think I think one thing that was missing

1327
01:03:57,640 --> 01:04:01,920
Speaker 8: from my artifacts was to be produced, and to actually

1328
01:04:02,000 --> 01:04:04,320
Speaker 8: be produced and let the rings go and say okay,

1329
01:04:05,560 --> 01:04:08,120
Speaker 8: let go a lot of bit like everything like this

1330
01:04:08,280 --> 01:04:10,880
Speaker 8: is what it's all about when you really trust somebody,

1331
01:04:11,080 --> 01:04:14,080
Speaker 8: like to trust doctor Dre's process and his procedure, no

1332
01:04:14,200 --> 01:04:16,520
Speaker 8: matter how long it take, I trust it, and to

1333
01:04:16,600 --> 01:04:19,760
Speaker 8: trust it and say, look, produce me like nobody else has.

1334
01:04:20,240 --> 01:04:22,280
Speaker 8: Is everybody too afraid to try to write for me

1335
01:04:22,440 --> 01:04:24,200
Speaker 8: or try to do for me because they feel like, oh,

1336
01:04:24,240 --> 01:04:26,200
Speaker 8: you know what you're doing, snoop you at that level.

1337
01:04:26,560 --> 01:04:28,439
Speaker 4: But with him, I'm still his little brother.

1338
01:04:28,560 --> 01:04:31,360
Speaker 8: So it's always that he knows what's best for me,

1339
01:04:31,520 --> 01:04:33,680
Speaker 8: so to produce for me and to write for me,

1340
01:04:33,760 --> 01:04:35,040
Speaker 8: and to put me in a position and where I

1341
01:04:35,080 --> 01:04:37,080
Speaker 8: can sound good and feel good for the moment.

1342
01:04:36,880 --> 01:04:39,400
Speaker 4: That I'm in right now. Very appreciated today.

1343
01:04:40,040 --> 01:04:40,240
Speaker 6: Yeah.

1344
01:04:42,400 --> 01:04:44,400
Speaker 2: It also it feels like you can with it to

1345
01:04:44,880 --> 01:04:49,640
Speaker 2: meeting a giant. Hold on, hold, look, we got a

1346
01:04:49,680 --> 01:04:50,600
Speaker 2: couple more records play.

1347
01:04:50,720 --> 01:04:53,320
Speaker 6: Do we need anything else after that? Yo? I mean

1348
01:04:54,520 --> 01:04:55,160
Speaker 6: all right, let's.

1349
01:04:55,040 --> 01:04:58,400
Speaker 2: Getah come on, So what's the next record? Another part

1350
01:04:58,440 --> 01:04:59,520
Speaker 2: of me feature Stink.

1351
01:05:01,320 --> 01:05:04,640
Speaker 6: Yeah. It was crazy because we did this song and

1352
01:05:05,320 --> 01:05:09,400
Speaker 6: we just sent it in to Sting to just clear

1353
01:05:09,680 --> 01:05:13,240
Speaker 6: because we redid all of his music guitar, paused, drums

1354
01:05:13,280 --> 01:05:15,960
Speaker 6: and everything. We just sent it into him to get

1355
01:05:16,040 --> 01:05:18,160
Speaker 6: it clear, and he asked if he could be on

1356
01:05:18,280 --> 01:05:22,480
Speaker 6: the record, Like what the fud? Like? What see?

1357
01:05:22,520 --> 01:05:23,960
Speaker 7: That's what stuff that You're still a fan of it

1358
01:05:24,080 --> 01:05:25,400
Speaker 7: so much that that excites me.

1359
01:05:25,480 --> 01:05:27,360
Speaker 6: Oh yeah, man, in order to be great at something,

1360
01:05:27,440 --> 01:05:30,080
Speaker 6: you have to be a student of it first, you know.

1361
01:05:30,320 --> 01:05:33,320
Speaker 6: So yeah, and I'm not. I'm still a student of

1362
01:05:33,440 --> 01:05:36,800
Speaker 6: what I do, you know. So yeah.

1363
01:05:37,000 --> 01:05:38,600
Speaker 10: So he.

1364
01:05:40,480 --> 01:05:43,800
Speaker 6: Called back and said, you know, would you like me

1365
01:05:43,920 --> 01:05:46,560
Speaker 6: to be on the song? So the end of the song,

1366
01:05:47,320 --> 01:05:51,240
Speaker 6: we wrote it and he sung and did the harmonies. Actually,

1367
01:05:51,320 --> 01:05:53,480
Speaker 6: he left some of the same harmonies that were on

1368
01:05:53,720 --> 01:06:00,680
Speaker 6: the template. I know, I'm fucking talking shit that he

1369
01:06:00,840 --> 01:06:05,000
Speaker 6: might not give a funk about right now, but yeah,

1370
01:06:05,040 --> 01:06:07,800
Speaker 6: but he did. He he left some of the backgrounds

1371
01:06:07,840 --> 01:06:11,840
Speaker 6: in and he did the whole outro and he sounds amazing,

1372
01:06:12,040 --> 01:06:15,080
Speaker 6: So I'll stop talking. You want to play it like

1373
01:06:15,160 --> 01:06:24,320
Speaker 6: to hear it? Here you go, turn it up.

1374
01:06:29,760 --> 01:06:30,360
Speaker 2: A little love.

1375
01:06:32,200 --> 01:06:33,920
Speaker 6: This is more of a pop one.

1376
01:06:35,800 --> 01:06:36,960
Speaker 4: Play with the top crowd.

1377
01:06:37,040 --> 01:06:44,560
Speaker 6: It's like, that's so that's what we're turning around from

1378
01:06:44,640 --> 01:07:00,560
Speaker 6: the stadium. Love it his spelling. Go ahead, get.

1379
01:07:03,760 --> 01:07:09,640
Speaker 4: Like just another part. I mean, I'm just trying to

1380
01:07:09,720 --> 01:07:13,520
Speaker 4: show you some gang step up wearing my heart or

1381
01:07:13,640 --> 01:07:17,600
Speaker 4: my slaves. Yeah, out of living long that dang, you.

1382
01:07:17,760 --> 01:07:20,800
Speaker 2: Must tell me what do you want fucking.

1383
01:07:21,640 --> 01:07:24,240
Speaker 4: Get in the end of the Lost Center, Scanners and.

1384
01:07:24,360 --> 01:07:29,160
Speaker 10: Um the Golden Nights right the wave walk thanks, just

1385
01:07:29,240 --> 01:07:31,840
Speaker 10: the dead loss and jan Us Cool.

1386
01:07:31,960 --> 01:07:32,640
Speaker 4: I'm not done.

1387
01:07:32,920 --> 01:07:35,880
Speaker 10: He decided one of one from a hood to one,

1388
01:07:35,960 --> 01:07:38,560
Speaker 10: No moms getting the top, run, don't back out on

1389
01:07:38,640 --> 01:07:40,560
Speaker 10: the more to run being drank red.

1390
01:07:40,720 --> 01:07:42,920
Speaker 4: Run they can take with these bread crumbs on.

1391
01:07:43,080 --> 01:07:44,240
Speaker 9: My mama, son of a coup.

1392
01:07:44,680 --> 01:07:47,320
Speaker 4: This on my people. I'm just having no Lember of features.

1393
01:07:47,320 --> 01:07:49,520
Speaker 4: You ain't no see no thing, no ego vision like

1394
01:07:49,680 --> 01:07:50,280
Speaker 4: up there's.

1395
01:07:50,080 --> 01:07:53,280
Speaker 10: An eagle could start with woe guards from breaking laws

1396
01:07:53,320 --> 01:07:54,919
Speaker 10: and beating charge just topping charts.

1397
01:07:55,000 --> 01:07:56,800
Speaker 4: The ship is all stakes. He had him on a

1398
01:07:56,840 --> 01:07:59,400
Speaker 4: blue cat and standing in the close, your fucking around

1399
01:07:59,400 --> 01:08:03,040
Speaker 4: and got your got back. Get from the smell of it,

1400
01:08:03,240 --> 01:08:07,080
Speaker 4: call for rag and they pat your feeling good. Don't

1401
01:08:07,120 --> 01:08:09,600
Speaker 4: the same? Make the same? Older? This is they not

1402
01:08:09,720 --> 01:08:12,320
Speaker 4: kind of moment Pney on my mind.

1403
01:08:12,960 --> 01:08:17,519
Speaker 8: O game she about to come a knife okay, and

1404
01:08:17,600 --> 01:08:21,120
Speaker 8: it's right before you ride them O Jameson, just the.

1405
01:08:21,200 --> 01:08:24,800
Speaker 10: Keep it in the night, little skin you the jump

1406
01:08:24,920 --> 01:08:27,000
Speaker 10: on the run by a black away.

1407
01:08:27,439 --> 01:08:29,960
Speaker 2: I'm the one give a pup, but the guy to

1408
01:08:30,080 --> 01:08:32,400
Speaker 2: say I'm gonna.

1409
01:08:32,200 --> 01:08:35,880
Speaker 6: Get up abide on my way. This is a better

1410
01:08:36,040 --> 01:08:36,880
Speaker 6: time than to day.

1411
01:08:37,160 --> 01:08:41,320
Speaker 2: You know me jump about set in motion, up broken,

1412
01:08:41,400 --> 01:08:42,160
Speaker 2: go up, choosing.

1413
01:08:42,240 --> 01:08:45,320
Speaker 10: I just gotta high sway times passing that they act

1414
01:08:45,360 --> 01:08:48,040
Speaker 10: the Babu's half of movies Rapping Mill Stack and the

1415
01:08:48,160 --> 01:08:51,320
Speaker 10: one half of Lapis is on the same to jump.

1416
01:08:51,200 --> 01:08:53,280
Speaker 6: Out and run by blah blah away.

1417
01:08:53,720 --> 01:08:56,240
Speaker 10: I'm the one give a pup, but the gout to

1418
01:08:56,400 --> 01:08:59,840
Speaker 10: say I'm gonna get up a bid on my way.

1419
01:09:01,479 --> 01:09:03,360
Speaker 4: There's no time that you tell.

1420
01:09:05,840 --> 01:09:20,320
Speaker 6: Yeah yeah yeah, yeah, yeah yeah yeah. That's fine.

1421
01:09:22,439 --> 01:09:23,479
Speaker 4: These making sound big.

1422
01:09:23,640 --> 01:09:24,320
Speaker 2: They sounds big.

1423
01:09:25,560 --> 01:09:26,160
Speaker 7: I can't.

1424
01:09:30,560 --> 01:09:33,599
Speaker 6: I can't wait for this album to drop so much.

1425
01:09:33,720 --> 01:09:36,519
Speaker 2: It's so cute. So we're sorry the time. But let

1426
01:09:36,600 --> 01:09:39,280
Speaker 2: me just say something to you, Drake again, because I

1427
01:09:39,360 --> 01:09:41,360
Speaker 2: never had a chance. I never had a chance to

1428
01:09:41,520 --> 01:09:45,200
Speaker 2: tell you this or Jimmy this. I know that you

1429
01:09:45,479 --> 01:09:47,600
Speaker 2: actually said that the firm flop or whatever. But the

1430
01:09:47,680 --> 01:09:50,600
Speaker 2: firm didn't flop for me, okay, the firm made me

1431
01:09:51,479 --> 01:09:54,840
Speaker 2: my whole solo artist. Well I shouldn't have said that. Actually,

1432
01:09:55,560 --> 01:09:58,599
Speaker 2: no said but go ahead, okay, But I'm just letting

1433
01:09:58,640 --> 01:10:00,680
Speaker 2: you know that you and Jimmy, I was the only

1434
01:10:00,720 --> 01:10:02,720
Speaker 2: person that was on the album that wasn't firm. I

1435
01:10:02,840 --> 01:10:05,120
Speaker 2: wasn't officially firm. I was just a queen shooter and

1436
01:10:05,280 --> 01:10:10,000
Speaker 2: they put me down. And really, but you co signed

1437
01:10:10,040 --> 01:10:12,400
Speaker 2: that and Jimmy. I never told you. I got your

1438
01:10:12,439 --> 01:10:14,600
Speaker 2: phone number two, Jimmy, and I never told you that

1439
01:10:14,720 --> 01:10:18,200
Speaker 2: when y'all let my record rock on the Firm album

1440
01:10:19,200 --> 01:10:21,960
Speaker 2: that set up my whole solo career. What's set up?

1441
01:10:22,040 --> 01:10:23,560
Speaker 2: Drink champ? So I think I owe you money and

1442
01:10:23,600 --> 01:10:24,000
Speaker 2: ship like.

1443
01:10:25,160 --> 01:10:26,240
Speaker 6: He too rich?

1444
01:10:26,479 --> 01:10:28,920
Speaker 4: You don't want me the money, noorr he too rich?

1445
01:10:29,000 --> 01:10:29,559
Speaker 4: Give me the money.

1446
01:10:30,240 --> 01:10:32,599
Speaker 6: I hold it for him, yo.

1447
01:10:33,400 --> 01:10:36,080
Speaker 2: But I want to tell you, I want to tell

1448
01:10:36,120 --> 01:10:39,040
Speaker 2: you thank you because that shit changed my life. That

1449
01:10:39,200 --> 01:10:42,360
Speaker 2: one record. From that one record, you know, I dropped

1450
01:10:42,400 --> 01:10:44,160
Speaker 2: an album called The War Report, and I dropped it

1451
01:10:44,400 --> 01:10:46,560
Speaker 2: and everyone said it's a classic. I didn't feel it.

1452
01:10:46,600 --> 01:10:47,519
Speaker 2: I was still selling crack.

1453
01:10:48,240 --> 01:10:48,920
Speaker 4: It was horrible.

1454
01:10:49,120 --> 01:10:51,559
Speaker 2: I was still selling crack. And then I did that one,

1455
01:10:52,000 --> 01:10:54,120
Speaker 2: that one record. Now, sobody to fly out to the

1456
01:10:54,320 --> 01:10:56,439
Speaker 2: l A. I believe it's record one on this.

1457
01:10:56,760 --> 01:10:59,120
Speaker 6: Yeah, and I went there and I did it, and

1458
01:11:00,040 --> 01:11:02,799
Speaker 6: they'll have that studio actually, but go ahead and continue,

1459
01:11:02,880 --> 01:11:03,479
Speaker 6: let's let's see it.

1460
01:11:03,880 --> 01:11:07,600
Speaker 2: But you for you co signing along with NAS. Of

1461
01:11:07,720 --> 01:11:12,800
Speaker 2: course after that record, I pressed it out and did

1462
01:11:13,320 --> 01:11:16,120
Speaker 2: so much wonderful things as a solo artist. But if

1463
01:11:16,160 --> 01:11:18,240
Speaker 2: it wasn't for that record, I wouldn't went on that path.

1464
01:11:18,320 --> 01:11:20,360
Speaker 2: So I gotta thank you. I really do.

1465
01:11:20,560 --> 01:11:20,960
Speaker 4: I really do.

1466
01:11:21,560 --> 01:11:23,760
Speaker 2: And Jimmy, I speak to Jimmy. I never even told

1467
01:11:23,760 --> 01:11:25,479
Speaker 2: you this, right, Like Jimmy's like probably like what the

1468
01:11:25,520 --> 01:11:26,320
Speaker 2: fuck is wrong with Nori?

1469
01:11:27,160 --> 01:11:29,719
Speaker 6: But man, I really take week a last day fucking

1470
01:11:29,840 --> 01:11:34,040
Speaker 6: camera on Jimmy, Right, he doesn't want that, but yeah, I.

1471
01:11:34,040 --> 01:11:34,720
Speaker 2: Actually want to say.

1472
01:11:35,120 --> 01:11:36,559
Speaker 7: My thing is gonna be a little bit more cornier

1473
01:11:36,640 --> 01:11:37,920
Speaker 7: than his, because Mush is a little corny.

1474
01:11:37,960 --> 01:11:41,639
Speaker 2: I was corny. No, no, just corny. Now it wasn't corny?

1475
01:11:42,760 --> 01:11:43,400
Speaker 2: Is gonna be corny?

1476
01:11:43,840 --> 01:11:46,160
Speaker 7: I told you on the zoom that we briefly met

1477
01:11:46,240 --> 01:11:46,960
Speaker 7: at how can I be.

1478
01:11:47,000 --> 01:11:47,759
Speaker 2: Down in Jamaica.

1479
01:11:47,960 --> 01:11:50,560
Speaker 7: Yeah, you sat across and uh we was in a

1480
01:11:50,600 --> 01:11:52,280
Speaker 7: picnic table and you was right across on the other

1481
01:11:52,320 --> 01:11:54,360
Speaker 7: side of the seat of the picnic table. And and

1482
01:11:54,360 --> 01:11:56,120
Speaker 7: I'm telling I was like, I'm a huge n w

1483
01:11:56,320 --> 01:11:58,720
Speaker 7: A fan, the legacy of everything n w A, and

1484
01:11:58,840 --> 01:12:00,800
Speaker 7: I couldn't bring myself to say ship to you.

1485
01:12:01,640 --> 01:12:02,519
Speaker 6: Yeah, that's fucked up.

1486
01:12:03,479 --> 01:12:03,760
Speaker 2: I could.

1487
01:12:03,920 --> 01:12:07,840
Speaker 6: I was like, like, I'm not that guy. Bro, I

1488
01:12:07,960 --> 01:12:09,720
Speaker 6: don't like that.

1489
01:12:09,760 --> 01:12:10,400
Speaker 2: We're here right now.

1490
01:12:10,760 --> 01:12:14,599
Speaker 6: Bro, I'm not that nigga that takes my my job

1491
01:12:15,040 --> 01:12:18,519
Speaker 6: to my head to where I'm not approachable and ship.

1492
01:12:19,200 --> 01:12:20,000
Speaker 2: It was my problem.

1493
01:12:20,240 --> 01:12:22,120
Speaker 6: But I'm just letting you know I'm not that guy.

1494
01:12:22,240 --> 01:12:24,760
Speaker 6: I'm not that nigga. You can Yeah, what what's up?

1495
01:12:25,479 --> 01:12:27,600
Speaker 6: What's up? You know what I mean? You want to

1496
01:12:28,240 --> 01:12:32,800
Speaker 6: I want to take a picture whatever you want you want, Like,

1497
01:12:33,000 --> 01:12:36,040
Speaker 6: it's like, it's really impressive that motherfuckers still want to

1498
01:12:36,080 --> 01:12:38,280
Speaker 6: take a picture with me and get my autograph and ship.

1499
01:12:38,400 --> 01:12:40,639
Speaker 2: So you know, I just think it's dope. When we're

1500
01:12:40,640 --> 01:12:42,680
Speaker 2: at right now, how important.

1501
01:12:42,320 --> 01:12:46,760
Speaker 6: That is for me, And that's that's how I get down, bro, and.

1502
01:12:46,800 --> 01:12:48,800
Speaker 2: I want to congratulate both you. You know, both of you.

1503
01:12:49,439 --> 01:12:52,360
Speaker 2: What you've been doing with Death Row Records is so impressive.

1504
01:12:53,520 --> 01:12:56,160
Speaker 2: It's it's inspiring. To be honest with you, I'm dropping

1505
01:12:56,200 --> 01:12:58,080
Speaker 2: my single with Doctor Dre on Death Record.

1506
01:12:58,240 --> 01:13:01,160
Speaker 6: Let me tell you something. I was so upset when

1507
01:13:01,240 --> 01:13:04,439
Speaker 6: I heard that Snow was fucking doing the Death Road

1508
01:13:04,560 --> 01:13:07,880
Speaker 6: ship at the beginning, like nigga, what that ship has

1509
01:13:08,080 --> 01:13:13,200
Speaker 6: so much bullshit following it. But then now I'm so

1510
01:13:13,560 --> 01:13:16,120
Speaker 6: happy about it, and I'm so impressed with my what

1511
01:13:16,280 --> 01:13:19,840
Speaker 6: my bro is doing because he's taking our thing that

1512
01:13:20,040 --> 01:13:24,800
Speaker 6: we that we created and bringing it back to life.

1513
01:13:25,040 --> 01:13:27,599
Speaker 6: And now I see I see his vision now when

1514
01:13:27,640 --> 01:13:31,200
Speaker 6: I I appreciate it and I'm proud of it now.

1515
01:13:31,280 --> 01:13:32,160
Speaker 6: So I'm a flag that.

1516
01:13:32,880 --> 01:13:33,760
Speaker 4: It made me feel good.

1517
01:13:34,120 --> 01:13:34,519
Speaker 6: Thank y'all.

1518
01:13:34,520 --> 01:13:36,760
Speaker 4: You'll trying to make a nigga cry because I'm I just.

1519
01:13:36,760 --> 01:13:39,240
Speaker 2: Want to say something. This is a room in my city.

1520
01:13:39,240 --> 01:13:40,719
Speaker 2: I'm going to raise in New York City.

1521
01:13:41,080 --> 01:13:45,360
Speaker 8: And when he give you a niggas a countdown, let

1522
01:13:45,360 --> 01:13:47,920
Speaker 8: me say, let me say real TV right now, flow down, nigga.

1523
01:13:49,400 --> 01:13:51,080
Speaker 2: Let me say this. It's a room in my city

1524
01:13:51,160 --> 01:13:53,760
Speaker 2: that when the Knicks is winning, the city is better. Right.

1525
01:13:55,080 --> 01:13:57,560
Speaker 2: So I want to say to y'all on behalf of

1526
01:13:57,640 --> 01:14:03,320
Speaker 2: the music industry. When Dre is making music, life is better.

1527
01:14:05,320 --> 01:14:09,600
Speaker 4: That's the fact, doun he ain't lying on that.

1528
01:14:10,280 --> 01:14:11,320
Speaker 6: That's what we're doing right now.

1529
01:14:12,280 --> 01:14:14,360
Speaker 2: I'm gonna be honest because you know, Snoop. Snoop knows

1530
01:14:14,360 --> 01:14:16,040
Speaker 2: how I feel about him in the world knows, and

1531
01:14:16,960 --> 01:14:19,240
Speaker 2: it's very seldom that. By the way, I got a

1532
01:14:19,280 --> 01:14:23,560
Speaker 2: flaws too, were the first podcast Doctor Dre. Are you motherfuckers?

1533
01:14:24,080 --> 01:14:24,760
Speaker 6: We got it.

1534
01:14:26,840 --> 01:14:27,000
Speaker 9: Got?

1535
01:14:30,800 --> 01:14:32,800
Speaker 6: It's hard to get me outside, but I'm here.

1536
01:14:33,040 --> 01:14:36,519
Speaker 2: Yeah, but I'm gonna take another shot. But man, life,

1537
01:14:38,000 --> 01:14:39,680
Speaker 2: you changed my life in so many ways. I know

1538
01:14:39,800 --> 01:14:40,760
Speaker 2: that personally, but.

1539
01:14:40,880 --> 01:14:43,920
Speaker 6: Thank you for all. I really appreciate all of those words.

1540
01:14:44,560 --> 01:14:47,680
Speaker 2: Besides all that, like you are the best producer of

1541
01:14:47,840 --> 01:14:50,880
Speaker 2: all times. And when you are embracing the studio and

1542
01:14:51,000 --> 01:14:55,840
Speaker 2: you embrace this industry, life is better. Crime goes down?

1543
01:14:58,080 --> 01:15:00,280
Speaker 6: Really and is that true?

1544
01:15:00,760 --> 01:15:01,240
Speaker 2: It's great?

1545
01:15:05,320 --> 01:15:10,400
Speaker 6: Okay, So what we're going to Okay, it's Snoop that's official.

1546
01:15:10,720 --> 01:15:12,880
Speaker 2: Doctor Dre. I want to thank y'all so much because

1547
01:15:13,320 --> 01:15:15,400
Speaker 2: I literally could never repay y'all back for which I

1548
01:15:15,479 --> 01:15:18,439
Speaker 2: did just about now sitting down with us in front of.

1549
01:15:18,479 --> 01:15:20,400
Speaker 6: All of these people's honor.

1550
01:15:20,439 --> 01:15:21,040
Speaker 2: It's honor, man.

1551
01:15:21,120 --> 01:15:23,400
Speaker 6: Yeah, I want to thank all of you guys for

1552
01:15:23,520 --> 01:15:25,640
Speaker 6: coming out to check us out and listen to us

1553
01:15:25,800 --> 01:15:29,920
Speaker 6: just talk all ship. We really appreciate it, really appreciate it.

1554
01:15:30,240 --> 01:15:33,639
Speaker 6: And that's a no bullshit, you know. Thanks awesome.

1555
01:15:34,320 --> 01:15:38,639
Speaker 2: Also, smack up a complex right complex con God damn juice,

1556
01:15:39,200 --> 01:15:42,200
Speaker 2: Jenny juice, and we're gonna take a picture, and yeah,

1557
01:15:42,280 --> 01:15:42,720
Speaker 2: get out of here.

1558
01:15:42,760 --> 01:15:46,160
Speaker 6: Thank y'all, Let's take the pic.

1559
01:15:48,360 --> 01:15:51,760
Speaker 7: Drink Champs is a Drink Champs LLC production hosts and

1560
01:15:51,880 --> 01:15:54,800
Speaker 7: executive producers n O r E and d J E

1561
01:15:55,040 --> 01:15:55,320
Speaker 7: f N.

1562
01:15:56,479 --> 01:15:57,280
Speaker 2: Listen to Drink.

1563
01:15:57,160 --> 01:16:01,439
Speaker 7: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1564
01:16:01,600 --> 01:16:05,360
Speaker 7: get your podcasts. Thanks for joining us for another episode

1565
01:16:05,400 --> 01:16:08,040
Speaker 7: of Drink Champs hosted by yours truly, DJ E f

1566
01:16:08,160 --> 01:16:10,320
Speaker 7: N and n O r E. Please make sure to

1567
01:16:10,360 --> 01:16:12,840
Speaker 7: follow us on all our socials that's at drink Champs

1568
01:16:12,880 --> 01:16:17,560
Speaker 7: across all platforms, at the Real norriegon ig at Noriega

1569
01:16:17,640 --> 01:16:21,280
Speaker 7: on Twitter, mine is at Who's Crazy on ig At,

1570
01:16:21,400 --> 01:16:24,200
Speaker 7: dj e f N on Twitter, and most importantly, stay

1571
01:16:24,240 --> 01:16:27,240
Speaker 7: up to date with the latest releases, news and merch

1572
01:16:27,400 --> 01:16:29,280
Speaker 7: by going to drink Champs dot com