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Speaker 1: R and B Money.

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Speaker 2: We are.

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Speaker 1: Take volatility.

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Speaker 2: We are the authority on all things R and B.

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Speaker 1: Ladies and gentlemen. My name is Tank Valentine.

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Speaker 3: This this is the R and B Money Podcast, the

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Speaker 3: authority on all things things.

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Speaker 1: Put it spilight on that R and B, R n

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Speaker 1: B Yeah, R and B. Yeah. There's a certain texture,

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Speaker 1: certain nuance.

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Speaker 2: Visually sonically, things that make sense when you say R

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Speaker 2: and B music.

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Speaker 1: It's gotta feel like something. It has to feel like something.

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Speaker 2: It got felt like you're taking a dry, nice drive. Yeah,

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Speaker 2: top down, top down.

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Speaker 1: Yeah. Yeah.

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Speaker 2: The weather gotta be nice to the weather gotta be nice,

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Speaker 2: not too cold, not too hot. Yeah, yeah, you know,

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Speaker 2: especially when they headed back to my place in a

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Speaker 2: beautiful city. Yeah, a city that some of you have been,

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Speaker 2: but I've been, a couple of my constitutions have been

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Speaker 2: there as well. I love, you know, just kind of

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Speaker 2: making a move in the month of October in the

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Speaker 2: city of London.

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Speaker 4: We're just right here right now, October London, in the building.

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Speaker 4: I'm so happy to be here, so happy to be here.

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Speaker 3: Oh man, Yeah, thank you, thank you for y'all who

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Speaker 3: don't know October London.

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Speaker 1: This is our guy. This is this is like, thank you,

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Speaker 1: this is our guy.

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Speaker 3: Like even before you were actually our guy, hearing what

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Speaker 3: you were doing was like, yeah.

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Speaker 1: We were tapped in for sure, coming from that's r

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Speaker 1: n B. That's what you. Okay, so let's do this.

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Speaker 1: Let's tackle this. First.

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Speaker 3: October London. Yeah, genius, thank you. The words just you know,

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Speaker 3: they fly together, Yeah, they fly? How did you get there?

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Speaker 4: October London? I got that name. My birthday is. I'm

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Speaker 4: a Libra, So birthday is October, October seventeenth.

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Speaker 1: Oh wait, I live. I got a Libra at the house.

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Speaker 2: Okay, all right, all right, okay, I got my sister's

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Speaker 2: a Libra and my wife's a Libra.

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Speaker 4: Nice, nice, Okay. October. We got October and London because

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Speaker 4: I well, I have this screen above my above my

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Speaker 4: computer when I'm recording everything. I like to have the

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Speaker 4: ambiance right, the candles, everything, everything right. And a picture

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Speaker 4: of London. It was a beautiful, like night picture of London.

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Speaker 4: And I was just trying to figure out, you know,

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Speaker 4: I'm looking up, I'm trying to figure out the last time,

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Speaker 4: like I can't be just October's October, October October. And

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Speaker 4: I looked at the picture and I was like London

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Speaker 4: and my boy Neil aka Trip Cambridge was upstairs. He

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Speaker 4: was watching TV or something. I was like, hey, what

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Speaker 4: do you think of October London. He's like I like it?

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Speaker 4: And I was like, all right, bet that's my new name. Now,

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Speaker 4: that's that's it. And then that was it.

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Speaker 1: That's simple.

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Speaker 4: That's simple because it was I had it Sam London

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Speaker 4: at first because my middle name is Samuel. And I

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Speaker 4: was like, no, I don't want that. October London sounded

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Speaker 4: I like.

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Speaker 1: October London Like, yeah, I like it.

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Speaker 2: I mean it's too late now anyway, but yeah, October

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Speaker 2: London Sam London is cool.

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Speaker 1: Yeah, it's cool. October London overseas basketball player.

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Speaker 4: Yeah, yeah, yeah.

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Speaker 3: October London Sam London for two. He's having a game

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Speaker 3: to starting to get his vibe together. You know, it

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Speaker 3: takes him a minute to warm up, but you know

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Speaker 3: right around halftimes where it really picks things up.

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Speaker 4: Sam London for two is why London.

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Speaker 3: For just checking in getting his feet wet. Oh So

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Speaker 3: let me ask you a question. Let me just ask

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Speaker 3: what do we're gonna go into? Because I got to

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Speaker 3: ask these weird questions.

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Speaker 1: Do they love you? In London.

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Speaker 4: I've been there a few times and yeah, I got

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Speaker 4: I got some good I got some good feedback in London.

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Speaker 4: It should be it should be, you know, or it

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Speaker 4: could be better. But you know we're getting there.

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Speaker 3: You make sense in London, and not just because of

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Speaker 3: your name, but because of your brand of R and B.

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Speaker 3: They love school R and B.

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Speaker 4: I've been in Germany, they love love it. Oh my goodness.

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Speaker 1: Yeah.

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Speaker 3: So you're just like you're just a few trips away

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Speaker 3: in terms of building something really crazy out And when

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Speaker 3: I tell you go every every chance.

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Speaker 4: You get, go mm hmmm, because I know that show y'all.

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Speaker 3: Love Well, here's the thing I went with genuine. So

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Speaker 3: it's really it's really those guys, you know what I'm saying,

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Speaker 3: The genuine Joe Jaggeted twelve, you know what I'm saying,

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Speaker 3: Carl Thomas, all of those, all of those Drew Hill

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Speaker 3: that came that I came out right after I missed

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Speaker 3: the overseas boat where they were just going like crazy.

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Speaker 1: And we're labels were sending their artists.

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Speaker 2: Absolutely, that's the biggest thing, right, Like it's we don't

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Speaker 2: have the same road out as that we used that

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Speaker 2: we used to have where when they released you and

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Speaker 2: they released your album, then you had your UK release

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Speaker 2: and you went over there for you know, enough time

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Speaker 2: to really let the people get.

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Speaker 4: To know you.

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Speaker 2: You know what I mean, Like talking to Boys to men,

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Speaker 2: Sean is like, bro, we were in Europe for two

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Speaker 2: years pretty much.

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Speaker 1: Nigga, like get into it, you know what I mean?

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Speaker 1: So like we don't. We don't have that no more.

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Speaker 2: And that when you look up and you see that

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Speaker 2: a Boys and Men can perform anywhere, and we're obviously

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Speaker 2: the records too, but the fact that they can still

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Speaker 2: perform everywhere in the world is because that was established

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Speaker 2: really early for that, right.

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Speaker 3: So that's what I'm telling you, Sasha, what are you

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Speaker 3: going to look at the You know, it always starts

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Speaker 3: with the money, where it's like, well, you know what,

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Speaker 3: what what do we get out of this?

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Speaker 1: Right? Yeah, But.

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Speaker 3: What what you will learn is that that investment, that

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Speaker 3: sacrifice is going to pay off. One thousand folk, one

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Speaker 3: thousand folk. They do not get tired of it. They

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Speaker 3: are still into into the simple things, man.

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Speaker 2: Absolutely just good music, good talent, right, good presentation, Like

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Speaker 2: they are still in love with that type of thing.

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Speaker 4: They absolutely love new artists. I mean when I was

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Speaker 4: overseas with Snoop, I was just listening to the radio

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Speaker 4: and we're in the van and we're like, have you

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Speaker 4: heard any song like from the States that get played

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Speaker 4: twenty eight thousand times a Day's like, no, I don't

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Speaker 4: know any of these artists at all. They're all new,

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Speaker 4: and they just love them.

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Speaker 3: They just love the music and the artistry because they

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Speaker 3: know music from from every genre, yeh know, all like

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Speaker 3: because it's I don't feel like it's so program though

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Speaker 3: of course there are artists that are worldwide that are

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Speaker 3: always going to get the two arenas and that cool stuff.

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Speaker 3: But even in terms of languages, because all of those,

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Speaker 3: all of these countries are so close to each other,

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Speaker 3: like they're in touch with Well, what's what's the heart

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Speaker 3: of the hot Italian artists over here? They're coming to town,

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Speaker 3: Let's see them. What's the hot German artist? Oh, let's

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Speaker 3: go see them.

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Speaker 1: Like it's it's such a different thing and such a

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Speaker 1: different level of appreciation when it comes to music because

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Speaker 1: they're still tapped into real music right.

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Speaker 5: Absolutely, absolutely. I love it over there. I love it overseas, okay.

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Speaker 5: October London, October Let's go back to the beginning. Man,

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Speaker 5: let's go back to the beginning. I met your parents.

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Speaker 1: Man, this is the first.

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Speaker 2: Yeah, this is no no, this is the first at

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Speaker 2: the pie where oh yeah, where somebody brought their parents.

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Speaker 4: You are the first, dope.

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Speaker 1: That's dope, that's crazy. So that's why I want to

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Speaker 1: say our family.

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Speaker 4: Family, guys, come on, come on, come on.

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Speaker 1: Yeah.

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Speaker 4: I had to bring them to La.

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Speaker 1: Man.

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Speaker 4: I just felt like I've been back and forth to LA,

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Speaker 4: you know for the last eight years with Snoop and

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Speaker 4: just I was like, you know what, I'm about to

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Speaker 4: go on tour. I'm not gonna see him for a

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Speaker 4: couple of months. You know, y'all want to roll to LA.

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Speaker 4: You haven't been on a plane in twenty one years.

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Speaker 3: Let's want you Okay. So when you said, I thought

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Speaker 3: you said been to LA in twenty one years. They

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Speaker 3: haven't been on a plane.

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Speaker 4: They haven't been on a plane in twenty one years.

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Speaker 4: So the airports were mad different. So I was like

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Speaker 4: what I was like, yeah, yeah, yeah, So you know

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Speaker 4: there are veers. So they go out and been a

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Speaker 4: big you know, like a tour bus and the hard

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Speaker 4: VideA and they go yeah, they got the big boy

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Speaker 4: and they just go and they go kick it. So

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Speaker 4: they travel a lot, but they haven't been on a

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Speaker 4: plane in twenty one years. So I was like, why

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Speaker 4: don't you just come home? But I'm not going to

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Speaker 4: send y'all. I'm not gonna get there and send you

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Speaker 4: guys because you don't know what's going on at the airport.

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Speaker 4: You got to stand up and do the whole hokey

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Speaker 4: pokey and turn yourself around, and that's how you get

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Speaker 4: locked up, you know what I'm saying. So you got

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Speaker 4: to kind of do that. So you know, I was like,

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Speaker 4: why don't you just come with me? Uh you United?

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Speaker 1: United? Yeah?

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Speaker 4: Yeah, you know, and sometimes Delta, sometimes United.

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Speaker 1: What's your airline? What's your favorite airline?

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Speaker 4: Whichever one that takes me from my hometown of South

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Speaker 4: ben Indiana, to Chicago and to l A. Because all

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Speaker 4: that going from South Bend to Charlotte and then Charlotte,

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Speaker 4: LA or back to No. I think I'm pretty sure

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Speaker 4: that's Delta. I'm not sure.

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Speaker 1: So there's no direct flights from South Bend, No, No

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Speaker 1: to l A.

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Speaker 4: No, you got to go from South Chicago. Yeah, And

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Speaker 4: that's fine, that's I'm cool. With that, I'm only an

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Speaker 4: hour and a half away from Chicago, so drive. Okay,

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Speaker 4: that's nothing. I'm literally twenty minutes on the air. Okay,

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Speaker 4: so I might get off and do my thing.

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Speaker 3: Let's go to the beginning, man, Okay, let's let's take

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Speaker 3: me to do what you do, your cool shit, do

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Speaker 3: your cool ship. When does when does somebody say you

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Speaker 3: know that baby right there? Boy, I tell you you

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Speaker 3: keep better, he gonna he gonna be somebody? When when

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Speaker 3: does when does that happen? Or when do you feel it? Like, y'all,

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Speaker 3: you know I got something here. You know, I'm kind

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Speaker 3: of fly with my ship.

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Speaker 4: I really hit it, really, you know, they knew I

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Speaker 4: was always to music, but they never nobody ever saw

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Speaker 4: nobody saw it coming till I was. I was like, okay,

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Speaker 4: let me show y'all. Like I was fifteen writing rhymes

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Speaker 4: in the bedroom.

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Speaker 1: Right rhymes because he was a rapper.

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Speaker 4: I was trying to be. I didn't know what I

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Speaker 4: was doing, So I was writing rhymes and I was

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Speaker 4: trying to sing. I was like, I'm right, and I

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Speaker 4: just balled up corner corner, corner, and I just write it.

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Speaker 4: It was trash and it wasn't until I was about

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Speaker 4: eighteen where I was like, all right, I think my

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Speaker 4: writing is getting a little better. I'm starting to feel

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Speaker 4: where I'm at vocally.

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Speaker 1: You weren't singing for anybody or anything else.

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Speaker 4: Absolutely, no couple. I wouldn't say talent shows.

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Speaker 1: I was with a man.

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Speaker 4: My boys had a group called First Fam, and it

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Speaker 4: was I was the only really well, it was a

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Speaker 4: few couple of other singers. The rest of them were

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Speaker 4: rappers and we'll go out and do like bars and stuff,

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Speaker 4: stuff like that. But I was always with them, so

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Speaker 4: I never wanted to stick out. And one day, one day,

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Speaker 4: this is when it all started. I've actually never told

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Speaker 4: this part of the story at all ever, and you know,

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Speaker 4: the last couple of years I haven't. But we were

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Speaker 4: doing this talent show and thing and they were gonna

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Speaker 4: it was like, oh, get you a label deal, or

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Speaker 4: get you a deal, you know, at least with an

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Speaker 4: indie label. And we did our routine where everybody's doing anything,

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Speaker 4: and then they stopped and then they were like, you,

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Speaker 4: I forget what dude's name is, doesn't matter anyway, he's

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Speaker 4: a bad dude, but anyway, he's like, you come here

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Speaker 4: and he said sing something, and I sang and he

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Speaker 4: was like okay, cool, and then we just all went

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Speaker 4: back to the table. Everybody's gathered around everything, and they

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Speaker 4: just took me out of the group and was like, yeah,

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Speaker 4: we want him, We don't want the rest of y'all.

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Speaker 1: Know.

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Speaker 4: You know, I know they're not gonna like that part

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Speaker 4: of the story watching this podcast, but that's just what

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Speaker 4: it was. And they took me from everybody, and I

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Speaker 4: really was like, no, I don't want to leave my boys,

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Speaker 4: you know what I'm saying. So and I went and

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Speaker 4: they were all like, no, you need to go.

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Speaker 1: Like I was like cool.

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Speaker 4: My boy Travis was like, yo, you need to go.

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Speaker 4: And yeah, I left with dude and they've gotten with

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Speaker 4: somebody else and Gouy with somebody. Sod just build Bill

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Speaker 4: Bill Build. I went to Miami and stayed in Miami

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Speaker 4: for like a year with this guy that had an

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Speaker 4: indie label.

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Speaker 1: Yeah.

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Speaker 4: Man, So I was just my whole career, I was

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Speaker 4: just taking risks to get to this. I was just

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Speaker 4: forget it. I'm just gonna do it. What's gonna happen,

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Speaker 4: you know, like, just do it. And I don't know

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Speaker 4: why I just kept doing that I got with Indie Label.

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Speaker 4: That guy went to prison for robbing a bank.

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Speaker 1: Because it was Indye label. So he gotta he gotta

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Speaker 1: fund it.

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Speaker 4: He got to fund it, you know what I'm saying.

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Speaker 1: I remember riding around the people's money, right right right.

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Speaker 4: I remember riding around. I remember riding around this Dodge Magnum.

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Speaker 4: That's when Dodge had the Magnum.

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Speaker 1: Yeah, and we all seen one of those on the

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Speaker 1: other day. You know, I had to google it because

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Speaker 1: I didn't remember the name.

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Speaker 4: Dodge Magnum was the dope and it had the hemmy

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Speaker 4: with the big wheels man that thing.

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Speaker 1: I loved.

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Speaker 4: It was black on black. It had the seats to

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Speaker 4: hug you. And I remember looking in the glove box

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Speaker 4: and I was like, oh hello. I was like, oh,

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Speaker 4: and you know, I'm a firearm owner, so I wasn't

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Speaker 4: driven about that. But at that time I wasn't.

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Speaker 1: I was, I was, I was.

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Speaker 4: I was young then, but I was like, oh, okay,

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Speaker 4: And then oh, there's a bunch of money in here.

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Speaker 4: He was like went to the store or something like

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Speaker 4: that the money, and oh yeah, no he was. He

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Speaker 4: was locking loaded in there like and I was like,

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Speaker 4: oh interesting, and he would just peel me off a

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Speaker 4: little bit, and then you know, he'd give me some money,

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Speaker 4: and I'd be staying wherever I was staying, and you know,

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Speaker 4: he come picked me up. We go to the studio

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Speaker 4: right around and get me Donald. It was crazy, Yeah,

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Speaker 4: and I knew it wasn't I knew I was in

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Speaker 4: a bad position. I knew I was in a bad position.

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Speaker 4: But I was like, this is gonna take me somewhere.

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Speaker 4: Maybe I'll link up with Rick Ross. At the time,

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Speaker 4: Rick was Miami, I was. This was two thousand and seven,

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Speaker 4: two thousand eight.

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Speaker 1: Yeah, it was so great. Yeah, yep, who's the inside joke?

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Speaker 1: It's inside?

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Speaker 4: No more, brother, Sorry, it's not inside.

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Speaker 1: No one it talked about it. We watched it. But anyway, so.

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Speaker 4: Yeah, nobody ever knew about their stories. I never told it.

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Speaker 3: So so at this point, you are you are you

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Speaker 3: going into the studio and just kind of locking in

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Speaker 3: with is different producers and different writers who was available.

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Speaker 4: I'll tell you exactly where I was recording at. I

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Speaker 4: was recording at the famous, the infamous Circle House studios.

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Speaker 1: Listen, all goes back, all goes back to Circle, It

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Speaker 1: all goes back to.

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Speaker 2: Abby Studio every other episode. Come on, you, your father,

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Speaker 2: your family, all y'all, come on to the podcast.

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Speaker 4: It all goes, it has to happen Circle House Studios.

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Speaker 1: All goes back to some of my best times ever. Ever.

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Speaker 2: I love Circle House ever Miami. That is without being said, yeah,

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Speaker 2: welcome to Miami.

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Speaker 4: In beneath the imam.

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Speaker 1: So you lived there for a years.

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Speaker 4: I lived there for a year, almost almost two years.

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Speaker 4: Lived almost two years where I met one of my

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Speaker 4: best friends, Michael Letter. He's a he's a surgeon out

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Speaker 4: in Miami, but he did music.

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Speaker 1: You know, he just did it as as like a

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Speaker 1: the surgeon.

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Speaker 4: He's a surgeon.

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Speaker 1: Yeah, I met him.

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Speaker 4: He was there because he knew somebody.

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Speaker 6: It was.

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Speaker 4: It was a crazy link up because I was going

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Speaker 4: to Circle House and then like, here's this dude standing there, tall,

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Speaker 4: six foot five, white dude. You know what I'm saying,

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Speaker 4: clean cut, you know what I'm saying, Like in his scrubs,

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Speaker 4: I'm like, what the hell is this guy? He's not

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Speaker 4: like a producer or nothing like that. He knew somebody

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Speaker 4: there and then he heard me doing stuff, heard me

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Speaker 4: doing music. He's like, man, he should come by the house.

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Speaker 4: He had a condo downtown Brickle. He's like, come by

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Speaker 4: the house man, let's work on the record or something.

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Speaker 4: He's like, I play a little piano and I write.

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Speaker 1: I was like, all right, cool.

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Speaker 4: And then as soon as I linked up with him,

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Speaker 4: we started making music. Which one of those songs that

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Speaker 4: I made in two thousand and eight called Eternity, is

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Speaker 4: now on the Color Purple soundtrack. Wow, fifteen plus years

347
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Speaker 4: of sitting in my hard drive, Larry Jackson came snatched

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Speaker 4: that up and was like, we need that for Color Purple.

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Speaker 4: To Larry Jackson, you know what I'm saying. So and

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Speaker 4: I met with Mike. And at that time I met

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Speaker 4: with Mike. God separated me from the drug?

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Speaker 1: Did? He went?

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Speaker 4: He did something crazy and he robbed a bank and

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Speaker 4: he was gone. Then I was left alone in Miami.

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Speaker 1: Mike.

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Speaker 4: Yeah, a letter, Mike letter. So after that he left

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Speaker 4: and Michael was like, man, just stay at my crib man.

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Speaker 1: Forget it. It's all good. So what separated you from

359
00:16:07,120 --> 00:16:07,920
Speaker 1: the U.

360
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Speaker 4: He went to jail, he messed up in the middle

361
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Speaker 4: of us doing music. That's when I met Mike. And

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Speaker 4: then all of a sudden, Michael was like, well, you

363
00:16:18,840 --> 00:16:21,000
Speaker 4: ain't really got you're gonna go back home, or.

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Speaker 1: You could just stay.

365
00:16:21,720 --> 00:16:23,440
Speaker 4: You just stay at the crib and crash on the couch,

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Speaker 4: crash on the couch. For a year, and he went

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Speaker 4: to work every morning, go you know, he you know,

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00:16:28,800 --> 00:16:30,400
Speaker 4: fix people up. And he come back home and we

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Speaker 4: work on records every night. We knocked out I don't

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Speaker 4: know how many records, one hundred and something, and he

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Speaker 4: would just come back. And now they're all sitting in

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Speaker 4: my heart driving now they're just now coming out. Eternity

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Speaker 4: went on color Purple, our record time is now my

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00:16:41,960 --> 00:16:44,560
Speaker 4: new album, like they're just now coming out fifteen plus

375
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Speaker 4: years later. Mm hmm, yep. Absolutely, I got so much

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00:16:50,720 --> 00:16:52,920
Speaker 4: work man in there, it's crazy. M I brought my

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Speaker 4: heart driving man, so I.

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Speaker 1: Drop off just in case, take me from Miami to

379
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Speaker 1: the next move.

380
00:17:03,080 --> 00:17:04,679
Speaker 4: Miami to the next move Miami.

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Speaker 6: Uh uh.

382
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Speaker 4: Me and Mike had a little quick spat or whatnot,

383
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Speaker 4: and then I went back home.

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Speaker 1: For a little bit.

385
00:17:12,680 --> 00:17:15,000
Speaker 4: Got like three jobs, so I was working at I'm

386
00:17:15,040 --> 00:17:16,760
Speaker 4: a car head, so I was working at a car wash,

387
00:17:16,880 --> 00:17:18,000
Speaker 4: just to like be around them.

388
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Speaker 1: You love cars like that?

389
00:17:20,240 --> 00:17:24,159
Speaker 4: Yeah, absolutely, I'll buy cars quick like I love them,

390
00:17:24,200 --> 00:17:26,159
Speaker 4: not old school, like old school, like I like the

391
00:17:26,200 --> 00:17:29,359
Speaker 4: new stuff, you know, Ferrari for eighty eight, Pietas on

392
00:17:29,440 --> 00:17:32,160
Speaker 4: the way, you know that type of stuff and stuff

393
00:17:32,200 --> 00:17:34,360
Speaker 4: like that. So I love that, he says on the way,

394
00:17:34,640 --> 00:17:37,800
Speaker 4: on the way, trying to get like brother, our brother tangle.

395
00:17:38,200 --> 00:17:45,800
Speaker 4: I have a family, yeah, said no, I have a family.

396
00:17:50,320 --> 00:17:56,280
Speaker 1: Four seaters for me, four seaters. Very nice to you.

397
00:17:56,600 --> 00:17:58,919
Speaker 4: I'm a fan, you know. I have a seven year

398
00:17:58,960 --> 00:18:01,040
Speaker 4: old by turn eight. He just love cars to I

399
00:18:01,119 --> 00:18:02,240
Speaker 4: just got the roll Spectru and he.

400
00:18:02,320 --> 00:18:07,280
Speaker 1: Was just like the stars. He loves it. So you're

401
00:18:07,320 --> 00:18:11,680
Speaker 1: talking to yeah, you've been doing.

402
00:18:14,600 --> 00:18:14,879
Speaker 4: Before.

403
00:18:15,200 --> 00:18:19,440
Speaker 1: This only has one electric flagship car and that's it. Yeah,

404
00:18:20,040 --> 00:18:20,600
Speaker 1: and that's it.

405
00:18:20,840 --> 00:18:22,800
Speaker 4: I'm gonna stop putting it on Instagram to.

406
00:18:24,280 --> 00:18:28,480
Speaker 1: It's car lifestyle like lifestyle. Yeah, they got to know

407
00:18:28,560 --> 00:18:32,720
Speaker 1: that this R and B generates money. R and B

408
00:18:33,560 --> 00:18:35,679
Speaker 1: money money.

409
00:18:35,440 --> 00:18:39,280
Speaker 2: Because at one point your three jobs in because that's

410
00:18:39,320 --> 00:18:41,639
Speaker 2: the part that people washing cars, people go over that.

411
00:18:42,480 --> 00:18:44,639
Speaker 1: Yeah, they just go right to the to the roads.

412
00:18:44,720 --> 00:18:47,840
Speaker 4: Yeah, they just Now we're not doing music at all.

413
00:18:48,560 --> 00:18:51,920
Speaker 4: Fame nor wash. What what's the other two We're gonna

414
00:18:51,920 --> 00:18:55,719
Speaker 4: stake and shake car wash and a car dealership doing

415
00:18:55,720 --> 00:18:59,200
Speaker 4: the same thing, and the dealership detailing cars was boun.

416
00:18:59,200 --> 00:19:01,480
Speaker 1: So Midweest super Midwest.

417
00:19:02,480 --> 00:19:04,200
Speaker 4: Yeah. I worked at a place called Fazoli's two. But

418
00:19:04,200 --> 00:19:05,840
Speaker 4: I had three jobs at once, and I got me

419
00:19:05,920 --> 00:19:10,600
Speaker 4: a new Buick. I was happy, Yeah, baby Buick, Buick Saber,

420
00:19:11,200 --> 00:19:16,480
Speaker 4: a Buick safe condition mid West as fu.

421
00:19:16,760 --> 00:19:20,199
Speaker 1: Yeah, yeah, I love that. I love that. So how

422
00:19:20,240 --> 00:19:21,040
Speaker 1: long do you stay home?

423
00:19:22,200 --> 00:19:22,760
Speaker 4: Now? Or then?

424
00:19:22,880 --> 00:19:22,920
Speaker 6: No?

425
00:19:23,080 --> 00:19:23,240
Speaker 1: Then?

426
00:19:23,359 --> 00:19:30,120
Speaker 4: Oh then uh eight, nine, ten, five years something?

427
00:19:30,320 --> 00:19:31,320
Speaker 1: You go back for a minute. Oh.

428
00:19:31,359 --> 00:19:33,000
Speaker 4: I was like, this ain't happening for me. I was like,

429
00:19:33,040 --> 00:19:35,159
Speaker 4: oh no, I'll give up, forget it. I'm going to

430
00:19:35,160 --> 00:19:36,800
Speaker 4: get a job. I got three of them, got me

431
00:19:36,840 --> 00:19:40,120
Speaker 4: a Buick. I'm happy making four hundred dollars a week.

432
00:19:40,520 --> 00:19:42,960
Speaker 4: I got a cell phone bill. I live at home. Yeah,

433
00:19:43,920 --> 00:19:45,160
Speaker 4: naice grand little.

434
00:19:44,920 --> 00:19:48,399
Speaker 2: Strip plub money left over in the ship clubs in

435
00:19:48,480 --> 00:19:53,440
Speaker 2: South ben No, it's not okay, all right, all right,

436
00:19:53,600 --> 00:19:55,120
Speaker 2: all right, find you a diamond in the rough.

437
00:19:55,800 --> 00:19:57,399
Speaker 4: You can't find you a diamond in the rough when

438
00:19:57,480 --> 00:19:59,359
Speaker 4: that comes from Chicago or something like that, and she

439
00:19:59,440 --> 00:20:01,720
Speaker 4: don't know, you know where you might find diamond rough?

440
00:20:02,200 --> 00:20:02,480
Speaker 1: Okay.

441
00:20:02,840 --> 00:20:04,119
Speaker 4: They don't last song because they don't want to be

442
00:20:04,119 --> 00:20:09,359
Speaker 4: in South against That's that's probably the best move. Do

443
00:20:09,440 --> 00:20:11,119
Speaker 4: that hour and a half, get your hotel for the night,

444
00:20:11,240 --> 00:20:12,880
Speaker 4: kick it strip club.

445
00:20:13,000 --> 00:20:14,560
Speaker 1: That Dan, he's.

446
00:20:16,920 --> 00:20:19,159
Speaker 4: I know, you know, you can't tell some of that

447
00:20:19,640 --> 00:20:23,120
Speaker 4: that that you know that money that that steak and shaken.

448
00:20:24,920 --> 00:20:28,840
Speaker 1: Steak and shaking, sha. I don't think they yelled that

449
00:20:28,920 --> 00:20:32,640
Speaker 1: older the d J booth as well. They yell for yelling.

450
00:20:32,720 --> 00:20:34,359
Speaker 4: For hell, they gonna know. Now it's gonna be a

451
00:20:34,400 --> 00:20:35,199
Speaker 4: whole bunch of comments.

452
00:20:35,880 --> 00:20:37,040
Speaker 1: You shaking this motherfucker.

453
00:20:37,440 --> 00:20:44,040
Speaker 2: You see him, You steak and steak and shak, bring

454
00:20:44,160 --> 00:20:46,720
Speaker 2: him the mini platter out, Yeah, big beef.

455
00:20:52,280 --> 00:20:54,119
Speaker 4: Yeah, I knew this was gonna happen once I got

456
00:20:54,160 --> 00:20:54,840
Speaker 4: to the end of the day.

457
00:20:54,920 --> 00:20:56,560
Speaker 1: I warn't careful for back in the day.

458
00:21:00,080 --> 00:21:06,159
Speaker 2: It's him, you know my mind, you know, Big paulsom So.

459
00:21:06,280 --> 00:21:07,359
Speaker 1: You're home, you're tucked in.

460
00:21:07,720 --> 00:21:08,280
Speaker 4: I'm tucked in.

461
00:21:08,520 --> 00:21:11,120
Speaker 3: I tucked into work life. You're tucked into your regimen.

462
00:21:12,359 --> 00:21:14,440
Speaker 3: I won't I won't say you've given up, but maybe

463
00:21:14,480 --> 00:21:15,600
Speaker 3: you've lost a little hope.

464
00:21:15,720 --> 00:21:17,920
Speaker 4: Yeah, I've lost hope. I was like, it's not gonna

465
00:21:17,920 --> 00:21:19,919
Speaker 4: work out. I'm tired of dealing people. And then obviously,

466
00:21:20,040 --> 00:21:22,040
Speaker 4: like any other armb artists on the rise are just like,

467
00:21:22,880 --> 00:21:24,440
Speaker 4: all right, fine, I'll give it a try again. And

468
00:21:24,520 --> 00:21:26,119
Speaker 4: you give it a try again. You do the same thing.

469
00:21:26,200 --> 00:21:28,159
Speaker 4: You just keep going, you bounce back and forth. And

470
00:21:28,840 --> 00:21:31,919
Speaker 4: you know, I remember going being in Miami, going back

471
00:21:31,960 --> 00:21:36,840
Speaker 4: to Miami, going to visit Mike and yeah yeah, yeah, yeah, yeah,

472
00:21:36,880 --> 00:21:39,320
Speaker 4: yeah yeah yeah. That went to his wedding and we cool.

473
00:21:39,359 --> 00:21:41,359
Speaker 4: It was just some stupid you know, just boys, you know,

474
00:21:41,680 --> 00:21:44,280
Speaker 4: you know, it's just some super stuff. But but you know,

475
00:21:44,440 --> 00:21:46,399
Speaker 4: going back and then we're like, Mike's like, yo, I

476
00:21:46,440 --> 00:21:50,360
Speaker 4: got this connection at Satai, which that's my favorite place

477
00:21:50,400 --> 00:21:53,080
Speaker 4: in Miami, Satai, go kick it. He's like, yo, I

478
00:21:53,119 --> 00:21:56,400
Speaker 4: got this hook up. Thenny Kravit spot is upstairs. Let's

479
00:21:56,400 --> 00:21:59,360
Speaker 4: go up there, very nice studio. We go up there,

480
00:21:59,640 --> 00:22:01,399
Speaker 4: kick it, hang out, and I'm like, man, maybe I

481
00:22:01,400 --> 00:22:03,879
Speaker 4: can get a deal through the producing all that, and

482
00:22:04,000 --> 00:22:04,600
Speaker 4: that fell through.

483
00:22:04,680 --> 00:22:04,840
Speaker 3: You know.

484
00:22:05,000 --> 00:22:06,879
Speaker 4: The dude we talked to was like, yeah, you're not

485
00:22:07,000 --> 00:22:09,240
Speaker 4: ready yet and all this, which just discourags me more so,

486
00:22:09,480 --> 00:22:13,120
Speaker 4: took my ass back home, got me another job, quit again.

487
00:22:13,680 --> 00:22:16,680
Speaker 1: Hm hmmm. One thing you can do though, is good job.

488
00:22:17,880 --> 00:22:23,280
Speaker 4: I work job. I'll go to Wendy's right now, whip

489
00:22:23,400 --> 00:22:25,480
Speaker 4: up a double.

490
00:22:30,840 --> 00:22:34,600
Speaker 1: They got the orange frosty. They do because because there

491
00:22:35,040 --> 00:22:38,720
Speaker 1: there's shape machines, work work.

492
00:22:39,240 --> 00:22:43,320
Speaker 4: You go to McDonald's anytime. I'm sorry, we try to

493
00:22:43,400 --> 00:22:43,560
Speaker 4: do it.

494
00:22:44,520 --> 00:22:45,400
Speaker 1: Love the commercial.

495
00:22:45,880 --> 00:22:49,720
Speaker 4: Oh you know, I love me some French fries from McDonalds.

496
00:22:49,760 --> 00:22:52,560
Speaker 4: I love it so much. I love it.

497
00:22:52,920 --> 00:22:53,600
Speaker 1: You know what, you know what?

498
00:22:53,680 --> 00:22:55,399
Speaker 4: Honestly, I'll be completely honest with you. Know what I

499
00:22:55,440 --> 00:22:58,400
Speaker 4: get at McDonald's if I do go m I get

500
00:22:58,440 --> 00:23:03,400
Speaker 4: a triple cheeseburg AD Max sauce, triple cheese, triple cheeseburger,

501
00:23:03,480 --> 00:23:09,000
Speaker 4: ad Max Sauce, extra cheese. Mm hmm, triple triple triple cheeseburger,

502
00:23:09,320 --> 00:23:10,760
Speaker 4: ad Max sauce, extra cheese.

503
00:23:13,400 --> 00:23:21,360
Speaker 1: So bad. Let's get out of there. Let's get let's

504
00:23:21,359 --> 00:23:24,199
Speaker 1: get out of there. Let's get out of there. Yo,

505
00:23:24,880 --> 00:23:25,479
Speaker 1: go ahead and get out.

506
00:23:25,760 --> 00:23:27,720
Speaker 4: This is this hay Money podcast.

507
00:23:28,320 --> 00:23:29,120
Speaker 1: It's not good.

508
00:23:30,040 --> 00:23:32,000
Speaker 4: This is this is not a good idea.

509
00:23:33,240 --> 00:23:34,560
Speaker 1: To get out of there. You're back in Miami.

510
00:23:35,440 --> 00:23:41,280
Speaker 4: I'm back home. Got another job, got another job. Jiffy

511
00:23:41,320 --> 00:23:45,160
Speaker 4: lou Oh ship yea worked a Jiffy Loupe. You changing oil,

512
00:23:45,560 --> 00:23:47,840
Speaker 4: I'm changing oil. I'm changing oil.

513
00:23:47,680 --> 00:23:51,200
Speaker 2: Everything to be next to these cars though, absolutely, you

514
00:23:51,280 --> 00:23:52,920
Speaker 2: know I don't like cars like that.

515
00:23:53,119 --> 00:23:53,720
Speaker 4: You don't know.

516
00:23:56,680 --> 00:23:59,960
Speaker 1: Your work, and I love it on a whole nother level.

517
00:24:00,240 --> 00:24:02,359
Speaker 4: Yeah, and it bleeds off into how I do music now.

518
00:24:03,520 --> 00:24:08,920
Speaker 3: Yeah, because you're not going to be without something. No, yeah,

519
00:24:09,600 --> 00:24:11,400
Speaker 3: you're not going to be with helthing is a car.

520
00:24:12,760 --> 00:24:14,240
Speaker 3: He's not going to be without a car.

521
00:24:14,359 --> 00:24:16,000
Speaker 4: Oh. My boy's yelling me every day about a car.

522
00:24:16,280 --> 00:24:19,520
Speaker 2: Just like, no, I leave the dealership before they can

523
00:24:19,640 --> 00:24:21,520
Speaker 2: tell me what the car does. Oh for real, I

524
00:24:21,720 --> 00:24:23,639
Speaker 2: don't want to hear any of that ship. I'm the

525
00:24:23,680 --> 00:24:26,879
Speaker 2: one going break them down, and I'm like, what happened?

526
00:24:26,880 --> 00:24:32,760
Speaker 1: And why did ship keep blinking? If he must have

527
00:24:32,880 --> 00:24:33,480
Speaker 1: a rage rover?

528
00:24:33,880 --> 00:24:36,600
Speaker 2: If you want to, we can come by and do

529
00:24:36,840 --> 00:24:38,960
Speaker 2: the full intro in the car, like, yeah, I'm gonna

530
00:24:38,960 --> 00:24:39,360
Speaker 2: call you back.

531
00:24:39,480 --> 00:24:41,199
Speaker 1: Yeah. I didn't let my last car, didn't let him

532
00:24:41,200 --> 00:24:41,520
Speaker 1: detail it.

533
00:24:42,160 --> 00:24:42,360
Speaker 4: Why.

534
00:24:42,640 --> 00:24:44,480
Speaker 1: I was like, hey man, I got I got ship,

535
00:24:44,560 --> 00:24:48,119
Speaker 1: I gotta. They were like, sir, I don't know if

536
00:24:48,160 --> 00:24:50,399
Speaker 1: we sold a car this fast before. I was like,

537
00:24:51,400 --> 00:24:54,359
Speaker 1: what's meeting? Okay? Cool? Have my keys please?

538
00:24:55,040 --> 00:24:56,840
Speaker 4: Oh I see what you're saying. Oh yeah, okay, I

539
00:24:56,840 --> 00:24:59,720
Speaker 4: feel it's like, let me get it, just let me

540
00:24:59,760 --> 00:25:01,600
Speaker 4: get it. Like the car already, That's one thing I

541
00:25:01,600 --> 00:25:04,680
Speaker 4: don't like to do. Discover the blue tooth. You know,

542
00:25:04,880 --> 00:25:07,560
Speaker 4: I'm not gonna That's one thing if I'm buying, like,

543
00:25:07,640 --> 00:25:09,040
Speaker 4: I do not want to sit in the dealership either

544
00:25:09,119 --> 00:25:10,760
Speaker 4: let's get let's get it, or'm gonna change my mind.

545
00:25:10,760 --> 00:25:12,880
Speaker 1: I thought I didn't have a glove compartment though, because

546
00:25:12,880 --> 00:25:14,680
Speaker 1: I didn't ask what. You didn't know.

547
00:25:15,080 --> 00:25:18,760
Speaker 2: I didn't know where it was because it doesn't show

548
00:25:19,640 --> 00:25:21,520
Speaker 2: what was it a Tesla? Well, we're not gonn talk

549
00:25:21,560 --> 00:25:23,600
Speaker 2: about my car because you know it's crazy people out here.

550
00:25:23,680 --> 00:25:26,399
Speaker 2: So I would hate for the car. You don't know

551
00:25:26,520 --> 00:25:29,240
Speaker 2: this is my last car, but you have now Yeah. Yeah,

552
00:25:30,359 --> 00:25:31,640
Speaker 2: there's like a button that you push.

553
00:25:32,800 --> 00:25:36,880
Speaker 1: You know it's a car, but it's a spaceship. Yeah.

554
00:25:37,960 --> 00:25:39,080
Speaker 4: And then I'm getting what you put in.

555
00:25:39,280 --> 00:25:41,520
Speaker 1: I'm picking up what you nigga I'm talking about.

556
00:25:41,600 --> 00:25:44,919
Speaker 4: I was like, like, where is it at?

557
00:25:45,000 --> 00:25:46,920
Speaker 2: And then it's one of those things where you feel

558
00:25:46,960 --> 00:25:49,320
Speaker 2: stupid because you should.

559
00:25:49,119 --> 00:25:52,480
Speaker 1: Know that, and I'm like, I can't.

560
00:25:52,960 --> 00:25:53,760
Speaker 4: How about I just tell you.

561
00:25:53,800 --> 00:25:56,720
Speaker 1: I got to call these people. I gotta say, man,

562
00:25:56,800 --> 00:25:58,400
Speaker 1: I know I pulled it offst.

563
00:25:59,400 --> 00:26:01,520
Speaker 4: And he's laughing. He's laughing at you, like I told

564
00:26:01,600 --> 00:26:05,399
Speaker 4: him he knew it all. Like okay, she was European too,

565
00:26:07,600 --> 00:26:11,399
Speaker 4: Oh she's She's like, I just trying to.

566
00:26:11,480 --> 00:26:14,200
Speaker 2: Tell you I've done that before with a Lamborghini I rented.

567
00:26:14,480 --> 00:26:16,879
Speaker 2: Oh and the guy was like, okay, you need doing

568
00:26:16,920 --> 00:26:19,760
Speaker 2: anything about the car? No, I know everything about Lamborghinis.

569
00:26:19,680 --> 00:26:21,440
Speaker 4: And trying to take off and be like where driving.

570
00:26:21,640 --> 00:26:26,359
Speaker 4: I was at the station like this, what button do

571
00:26:26,440 --> 00:26:26,840
Speaker 4: I push?

572
00:26:27,240 --> 00:26:27,560
Speaker 1: Nigga?

573
00:26:27,760 --> 00:26:32,000
Speaker 4: Oh, oh, it's the way to the cram.

574
00:26:34,080 --> 00:26:35,359
Speaker 1: My girl was in the car like this, come on,

575
00:26:35,600 --> 00:26:36,560
Speaker 1: we gotta go the know.

576
00:26:36,880 --> 00:26:38,440
Speaker 4: I know, I'm trying to figure it out, calling me

577
00:26:38,440 --> 00:26:40,600
Speaker 4: where your nigga's up? Yeah, he's checking.

578
00:26:40,680 --> 00:26:44,240
Speaker 1: He should pay more attention like London, does man know.

579
00:26:44,240 --> 00:26:45,800
Speaker 4: When you get a car, tell you where's that?

580
00:26:46,160 --> 00:26:48,840
Speaker 3: You're like a car, a car, a real car enthusiast.

581
00:26:48,880 --> 00:26:52,560
Speaker 3: In terms of her workings, I'm just I'm I like

582
00:26:52,640 --> 00:26:54,080
Speaker 3: the seats in the outside.

583
00:26:54,960 --> 00:26:55,280
Speaker 1: I like that.

584
00:26:55,600 --> 00:26:58,280
Speaker 4: He's not gonna buy anything. My My thing is I'm

585
00:26:58,320 --> 00:27:01,239
Speaker 4: not I'm not buying a car unless I'm continuously look

586
00:27:01,359 --> 00:27:03,040
Speaker 4: back at it, Like if I'm not looking back at

587
00:27:03,080 --> 00:27:05,359
Speaker 4: it like if a badass chick walks past me and

588
00:27:05,440 --> 00:27:08,640
Speaker 4: she got that dang, I'm gonna keep looking back until

589
00:27:08,680 --> 00:27:10,800
Speaker 4: it's go, until it's out of my sight, so I

590
00:27:10,840 --> 00:27:12,600
Speaker 4: don't get out. Yeah, if I get out of car

591
00:27:12,640 --> 00:27:15,200
Speaker 4: and I'm looking bad, like man, that is a bad motherfucker. Yeah,

592
00:27:15,600 --> 00:27:17,480
Speaker 4: then that's when you get it. But if I walk

593
00:27:17,480 --> 00:27:19,359
Speaker 4: away from the car and I don't look back at it,

594
00:27:19,400 --> 00:27:20,000
Speaker 4: I should.

595
00:27:19,760 --> 00:27:20,360
Speaker 1: Not have that car.

596
00:27:28,800 --> 00:27:33,800
Speaker 3: I want women to understand the connection between MOCHIESE male

597
00:27:34,640 --> 00:27:35,160
Speaker 3: and the car.

598
00:27:35,960 --> 00:27:41,600
Speaker 1: Mhmm. But between testosterone and the car make me want

599
00:27:41,640 --> 00:27:45,080
Speaker 1: to get back in that it is connected. It is

600
00:27:45,200 --> 00:27:46,000
Speaker 1: connected because.

601
00:27:45,800 --> 00:27:48,760
Speaker 4: They put out so many cars, so many cars out

602
00:27:48,800 --> 00:27:52,520
Speaker 4: there in Italian, German, American.

603
00:27:52,760 --> 00:27:55,800
Speaker 1: When you got the right one, m h and forget

604
00:27:55,840 --> 00:27:58,760
Speaker 1: about the agent, fire up night. Don't forget about the cars.

605
00:27:58,760 --> 00:28:01,560
Speaker 1: They make an agent. They do have Asian concepts. Some

606
00:28:01,760 --> 00:28:05,760
Speaker 1: about your ego, yeah, some about your stars.

607
00:28:05,800 --> 00:28:08,800
Speaker 4: The room levels absolutely going to flare up.

608
00:28:08,720 --> 00:28:10,080
Speaker 1: When you pull up the right way.

609
00:28:10,359 --> 00:28:10,760
Speaker 4: That's right.

610
00:28:11,200 --> 00:28:13,280
Speaker 1: Let us do what we do, ladies, let.

611
00:28:13,320 --> 00:28:13,800
Speaker 4: Us do what we do.

612
00:28:13,920 --> 00:28:18,320
Speaker 3: That's y'all got purses, all that shoes, y'all got make up,

613
00:28:18,600 --> 00:28:20,440
Speaker 3: all that y'all got shoes.

614
00:28:21,560 --> 00:28:22,639
Speaker 1: Let us have our cars.

615
00:28:23,240 --> 00:28:24,040
Speaker 4: Just let us have a car.

616
00:28:24,119 --> 00:28:26,520
Speaker 2: That many cars? You got now, brother, I just got

617
00:28:26,640 --> 00:28:29,200
Speaker 2: rid of three or two? I just got rid of three?

618
00:28:29,480 --> 00:28:32,000
Speaker 2: Oh yeah, yeah, he the old.

619
00:28:32,040 --> 00:28:32,439
Speaker 1: I got rid.

620
00:28:32,440 --> 00:28:34,679
Speaker 4: No, no, I'm down to just two now. And then

621
00:28:34,760 --> 00:28:37,080
Speaker 4: after and then after you have after the tour at

622
00:28:37,119 --> 00:28:39,000
Speaker 4: one point and then after the tour, he was me,

623
00:28:39,440 --> 00:28:41,120
Speaker 4: see R.

624
00:28:41,160 --> 00:28:46,760
Speaker 1: And B money always take his cars. So it says, well, I.

625
00:28:46,800 --> 00:28:48,280
Speaker 4: Mean if I go over his house, I'm definitely gonna

626
00:28:48,280 --> 00:28:52,040
Speaker 4: be like what you got about the people know something?

627
00:28:52,120 --> 00:28:54,360
Speaker 1: It was I was, I was gonna give him the money.

628
00:28:54,600 --> 00:28:55,720
Speaker 4: You ain't gonna give him the money.

629
00:28:55,960 --> 00:28:58,360
Speaker 1: I just needed it for something else. You coffee?

630
00:28:59,240 --> 00:29:02,400
Speaker 4: Coffee, he said, probably hot in the back record right now,

631
00:29:03,680 --> 00:29:04,400
Speaker 4: Shade Tree.

632
00:29:04,600 --> 00:29:08,920
Speaker 3: I needed the money for something else else. B family,

633
00:29:10,200 --> 00:29:13,800
Speaker 3: give me to give me to the discovery that changes everything.

634
00:29:14,920 --> 00:29:18,840
Speaker 4: The discovery that changes everything is h me about to

635
00:29:19,640 --> 00:29:26,160
Speaker 4: this is okay the end of twenty fifteen. I'm back home.

636
00:29:27,560 --> 00:29:30,960
Speaker 4: And uh a friend of mine, close friend of mine

637
00:29:31,040 --> 00:29:33,720
Speaker 4: that's been through the trenches or day one, DeMarco Black

638
00:29:33,760 --> 00:29:38,040
Speaker 4: shout out to Marco he had a connection to Jazzy

639
00:29:38,160 --> 00:29:41,760
Speaker 4: Fay and Uh it was one of the things that

640
00:29:41,880 --> 00:29:43,240
Speaker 4: me and him go at it all the time because

641
00:29:43,240 --> 00:29:45,120
Speaker 4: it's just like he calls me all every every week.

642
00:29:45,440 --> 00:29:47,160
Speaker 4: I got this thing. We gotta do it. And I

643
00:29:47,280 --> 00:29:49,880
Speaker 4: was like, not now. Call his nickname is black. I

644
00:29:49,960 --> 00:29:52,000
Speaker 4: was black, not now, Not now, man, I don't.

645
00:29:51,800 --> 00:29:52,120
Speaker 1: Want to do it.

646
00:29:52,320 --> 00:29:54,640
Speaker 4: No, man, this is it. I'm telling you. He talks

647
00:29:54,680 --> 00:29:56,800
Speaker 4: like Jesse be like what up, ken Folk, what's up?

648
00:29:57,200 --> 00:29:57,360
Speaker 1: You know?

649
00:29:57,480 --> 00:29:59,160
Speaker 4: And he was like, come on, man, come by the house.

650
00:29:59,680 --> 00:30:01,320
Speaker 4: You know I got something for you. Man, I don't

651
00:30:01,360 --> 00:30:03,200
Speaker 4: think we can we could do something like no, like

652
00:30:03,320 --> 00:30:04,920
Speaker 4: you just said that last week and the week before

653
00:30:04,960 --> 00:30:07,120
Speaker 4: that and the week before that. I'm tired, man. I

654
00:30:07,160 --> 00:30:08,440
Speaker 4: just want to get another I just want to get

655
00:30:08,440 --> 00:30:11,160
Speaker 4: another job. I'm about to graduate truck drive in school.

656
00:30:11,800 --> 00:30:13,920
Speaker 4: I'm about to be a trucker. You're gonna get your CDA,

657
00:30:14,000 --> 00:30:15,760
Speaker 4: I'm going to get my CDL. I'm gonna make this

658
00:30:15,880 --> 00:30:18,080
Speaker 4: ADGS a year. I'm gonna have a family, and it's

659
00:30:18,120 --> 00:30:20,640
Speaker 4: gonna be a rap, you know what I'm saying. And

660
00:30:20,760 --> 00:30:22,080
Speaker 4: he's like, no, man, just come by. I was like,

661
00:30:22,120 --> 00:30:24,400
Speaker 4: all right, Like fine, man, fine, fine, fine, I come by.

662
00:30:24,480 --> 00:30:26,280
Speaker 4: You got you got some liquor over there? Because I

663
00:30:26,360 --> 00:30:29,560
Speaker 4: gotta get through this. I gotta get through this. I

664
00:30:29,640 --> 00:30:31,480
Speaker 4: gotta get through it. He I got something, man, I

665
00:30:31,560 --> 00:30:33,360
Speaker 4: got some verity in the fridge I got I was like,

666
00:30:33,640 --> 00:30:36,280
Speaker 4: I'll pick up something. So then after that we get

667
00:30:36,320 --> 00:30:37,920
Speaker 4: there and he says, I got a connection to Jazzy

668
00:30:37,920 --> 00:30:41,720
Speaker 4: and I'm like, okay, I'm listening. I got the connection

669
00:30:41,800 --> 00:30:43,400
Speaker 4: to Jazzy. I text Jazzy.

670
00:30:43,480 --> 00:30:44,120
Speaker 1: Yo, what's up man.

671
00:30:44,200 --> 00:30:46,640
Speaker 4: My name's October London. I'm friends with such and so.

672
00:30:46,840 --> 00:30:48,480
Speaker 1: So you have the name now though you okay?

673
00:30:48,600 --> 00:30:50,080
Speaker 4: Oh yeah, yeah, yeah, yeah I had to. I had

674
00:30:50,080 --> 00:30:51,480
Speaker 4: the name. Yeah, I had the name at that point

675
00:30:51,720 --> 00:30:54,560
Speaker 4: and I was like, okay, you know, I got some songs.

676
00:30:54,680 --> 00:30:57,240
Speaker 4: He was like, okay, cool, yeah, just just just email

677
00:30:57,280 --> 00:31:01,040
Speaker 4: them to me. I'm like, and now it was all day.

678
00:31:01,240 --> 00:31:03,120
Speaker 4: I was waiting on text. I'm like, once again, I

679
00:31:03,160 --> 00:31:07,480
Speaker 4: don't wait some more damn time and flaking. Oh bet.

680
00:31:07,560 --> 00:31:10,200
Speaker 4: I'm like, yeah, yeah, back to the crib, hurry up.

681
00:31:10,200 --> 00:31:10,719
Speaker 4: I'm excited.

682
00:31:11,160 --> 00:31:11,560
Speaker 1: Go back.

683
00:31:12,320 --> 00:31:14,360
Speaker 4: Put on you know, turn on the computer, open up

684
00:31:14,400 --> 00:31:17,000
Speaker 4: the hard drive. I'm just that one, that one, that one,

685
00:31:17,160 --> 00:31:20,080
Speaker 4: that one, that one's for this, that's that's for ti. Uh,

686
00:31:20,320 --> 00:31:23,120
Speaker 4: that's for that's for t I, that's for Rick Ross.

687
00:31:23,440 --> 00:31:25,960
Speaker 4: This is for this person. And I just sent it

688
00:31:26,040 --> 00:31:29,560
Speaker 4: to him and he nothing. I was like, yah, I

689
00:31:29,640 --> 00:31:30,680
Speaker 4: just send it to You's like all right, bet, I'm

690
00:31:30,680 --> 00:31:35,480
Speaker 4: gonna check him out. Nothing all night, Like two o'clock

691
00:31:35,520 --> 00:31:39,960
Speaker 4: in the morning, wake up. Oh shit, Jerzy calling me?

692
00:31:40,080 --> 00:31:41,040
Speaker 5: Shut Yo?

693
00:31:41,120 --> 00:31:43,600
Speaker 4: What up Jazzy? Yoh Hey yeah, man, dog you got

694
00:31:43,680 --> 00:31:47,080
Speaker 4: some bangers, you got some hits, man, I got I

695
00:31:47,120 --> 00:31:47,840
Speaker 4: got some ideas.

696
00:31:47,880 --> 00:31:48,040
Speaker 1: Man.

697
00:31:48,160 --> 00:31:52,760
Speaker 4: Just sit tight, dogs, don't move. I got you, all right, man?

698
00:31:52,880 --> 00:31:56,000
Speaker 4: Cool Now. Obviously, next morning, I got to finish my

699
00:31:56,040 --> 00:31:57,640
Speaker 4: truck in school. So I'm gonna keep doing it because

700
00:31:57,640 --> 00:32:00,880
Speaker 4: remember I didn't give it up fourteen, you know, fifteen

701
00:32:00,880 --> 00:32:04,440
Speaker 4: eleven times, and I'm over and I'm like, man, it's

702
00:32:04,440 --> 00:32:06,400
Speaker 4: gonna be he gonna be like, it's not your time,

703
00:32:06,480 --> 00:32:08,760
Speaker 4: blah blah blah. I'm like, man, I'm gonna get my CDA.

704
00:32:08,800 --> 00:32:10,680
Speaker 4: I'm gonna get this money. And you know, dude, I'm

705
00:32:10,680 --> 00:32:13,920
Speaker 4: supposed to do I do that next. You know, a

706
00:32:14,000 --> 00:32:15,920
Speaker 4: couple of days after that, he hits me up, Yo,

707
00:32:17,000 --> 00:32:18,800
Speaker 4: I think I think I think you got something.

708
00:32:18,840 --> 00:32:18,959
Speaker 1: Man.

709
00:32:19,120 --> 00:32:21,000
Speaker 4: Just sit tight. My damn it is it tight again?

710
00:32:21,920 --> 00:32:23,880
Speaker 4: I don't waited a month, like I'm gonna need to

711
00:32:24,440 --> 00:32:27,040
Speaker 4: fast forward now. Remember that was the end of twenty fifteen,

712
00:32:27,080 --> 00:32:29,440
Speaker 4: so November December, you know, get through the holidays thing.

713
00:32:30,360 --> 00:32:32,680
Speaker 4: But he's staying in contact. Now he's consistently. Now it's

714
00:32:32,680 --> 00:32:35,160
Speaker 4: every couple of days we're talking. I'm sending more stuff.

715
00:32:35,800 --> 00:32:38,600
Speaker 4: And now fast forward to February, right before Super Bowl.

716
00:32:38,760 --> 00:32:42,120
Speaker 4: Think the night before a couple of days before twenty sixteen,

717
00:32:43,120 --> 00:32:45,640
Speaker 4: he hissed me. He's like, Yo, remember we've been talking.

718
00:32:45,680 --> 00:32:47,440
Speaker 4: Remember I told you I was gonna send them songs

719
00:32:47,480 --> 00:32:48,960
Speaker 4: to somebody and dah da da dah We're gonna do

720
00:32:48,960 --> 00:32:51,880
Speaker 4: something like yeah, yeah, yeah. He's like, just stay by

721
00:32:51,920 --> 00:32:54,480
Speaker 4: the phone. I was like today he was like, I

722
00:32:54,520 --> 00:32:56,600
Speaker 4: don't know, not right, not in today, but in the

723
00:32:56,600 --> 00:32:59,200
Speaker 4: next couple of days, I was like, okay, cool. Now

724
00:32:59,200 --> 00:33:03,800
Speaker 4: I'm at my parents house, we're watching football whatever, Jazz.

725
00:33:03,800 --> 00:33:05,800
Speaker 4: He calls me, yo, Remember I asked somebody you can

726
00:33:05,880 --> 00:33:08,120
Speaker 4: talk to him? Like, yeah, puts a girl on the phone.

727
00:33:08,360 --> 00:33:10,800
Speaker 4: It's Rick James daughter. So I'm like, oh, talking to

728
00:33:10,800 --> 00:33:13,000
Speaker 4: her whatever. I'm like, oh yo, I'm like, okay, that

729
00:33:13,160 --> 00:33:15,080
Speaker 4: was cool. You know what I'm saying that was dope,

730
00:33:15,440 --> 00:33:17,760
Speaker 4: you know. And he's like, okay, well, I'm put you

731
00:33:17,800 --> 00:33:19,360
Speaker 4: on the phone a person that I told you. I

732
00:33:19,480 --> 00:33:20,520
Speaker 4: was like, oh, I thought that was who I was

733
00:33:20,560 --> 00:33:23,920
Speaker 4: fust talk to. Hey, what's up, nephew. It's the big

734
00:33:23,960 --> 00:33:28,000
Speaker 4: homie Snoop Dog. I'm like that. I was like, Yo,

735
00:33:28,320 --> 00:33:32,600
Speaker 4: sounds sounds like an intro to an album. Absolutely. I'm like,

736
00:33:33,080 --> 00:33:34,080
Speaker 4: I'm in my parents kitchen.

737
00:33:34,080 --> 00:33:34,360
Speaker 1: I can't.

738
00:33:34,600 --> 00:33:37,520
Speaker 4: I'm like trying to, like, I'll go downstairs, look at

739
00:33:37,520 --> 00:33:41,440
Speaker 4: my dad. I'm like like, yo, know it's crazyno. He's like,

740
00:33:43,520 --> 00:33:48,440
Speaker 4: that's Snoop Snoop. You're watching football? Like what you know

741
00:33:48,480 --> 00:33:50,480
Speaker 4: what I'm saying, like trying to watch the Bears, you know.

742
00:33:50,560 --> 00:33:54,200
Speaker 4: He's a Bears fan, sadly to say anyway, So I'm like,

743
00:33:54,240 --> 00:33:55,360
Speaker 4: all r I'm talking to me. He's like, Yo, I

744
00:33:55,400 --> 00:33:56,400
Speaker 4: want to I want to fly you out.

745
00:33:56,440 --> 00:33:56,560
Speaker 1: Man.

746
00:33:56,600 --> 00:33:57,600
Speaker 4: I'm a big fan of your work.

747
00:33:57,680 --> 00:34:00,760
Speaker 1: Man. I love Colorblind songs and everything.

748
00:34:01,080 --> 00:34:03,200
Speaker 4: He started naming songs. I had a song called Colorblind

749
00:34:03,240 --> 00:34:06,440
Speaker 4: that sound very Marvin esque, and he was like, I

750
00:34:06,520 --> 00:34:09,279
Speaker 4: love that, man. You know, I'm you know, just just

751
00:34:09,520 --> 00:34:10,960
Speaker 4: you know, sit tight, you know what I'm saying. And

752
00:34:11,160 --> 00:34:12,560
Speaker 4: we're gonna work it out, but I definitely want to

753
00:34:12,560 --> 00:34:14,240
Speaker 4: get you out here to La. I'm a link with Jazzy.

754
00:34:14,239 --> 00:34:16,120
Speaker 4: We're gonna get it together. But blah blah blah. I

755
00:34:16,239 --> 00:34:18,040
Speaker 4: was like, all right, bet, bet Snoop, let's do it.

756
00:34:19,800 --> 00:34:20,120
Speaker 1: Literally.

757
00:34:20,160 --> 00:34:22,480
Speaker 4: A little less than a month later, Snoop's like, Yo,

758
00:34:22,520 --> 00:34:25,160
Speaker 4: we're about to fly you out. Flew out to Uh

759
00:34:25,320 --> 00:34:28,520
Speaker 4: flo out to La, went to Snoops Compound. You know

760
00:34:28,560 --> 00:34:31,919
Speaker 4: what I'm saying, met him, came out and he's a libra,

761
00:34:32,040 --> 00:34:33,520
Speaker 4: so instantly it was like we've been knowing each other

762
00:34:33,560 --> 00:34:35,600
Speaker 4: for years. He was like, Yo, what up, big homing man,

763
00:34:35,680 --> 00:34:38,120
Speaker 4: what's up man? Blah blah blah blah blah blah. When

764
00:34:38,200 --> 00:34:40,640
Speaker 4: the studio, he played one track because he was testing me.

765
00:34:40,719 --> 00:34:44,040
Speaker 4: Now at this point, remember that work ethic. That's where

766
00:34:44,040 --> 00:34:47,640
Speaker 4: it's like and I'm knocking knocking shit out like this place.

767
00:34:47,680 --> 00:34:48,640
Speaker 4: He's like, what do you think of this? I'm like,

768
00:34:48,680 --> 00:34:51,359
Speaker 4: it's dope. I go in to booth, bam, knock it out.

769
00:34:51,400 --> 00:34:54,040
Speaker 4: He's like, shit, okay, he was like, dope. We did

770
00:34:54,080 --> 00:34:56,000
Speaker 4: this record called a top Down. I don't know. You

771
00:34:56,040 --> 00:34:59,440
Speaker 4: probably can find it on spoder. It's twenty sixteen, twenty sixteen,

772
00:35:00,120 --> 00:35:02,560
Speaker 4: and I'm in the studio with Snoop Dogg and I'm

773
00:35:02,680 --> 00:35:05,120
Speaker 4: just like, holy shit, I think this might be it.

774
00:35:05,400 --> 00:35:08,480
Speaker 4: I'm calling Jamie and Sean and this is it. Nigga,

775
00:35:08,600 --> 00:35:10,959
Speaker 4: just it filing. They didn't see me give up eighty times.

776
00:35:11,000 --> 00:35:12,920
Speaker 4: You know, They're like, oh, we hope so nigga right,

777
00:35:13,120 --> 00:35:17,240
Speaker 4: you know, like damn and I signed to I signed

778
00:35:17,280 --> 00:35:20,040
Speaker 4: to a Cadillac Records at that point, that was Snoops

779
00:35:20,040 --> 00:35:23,040
Speaker 4: thing is Cadillac Records signed a Cadllak Records, and we

780
00:35:23,120 --> 00:35:24,920
Speaker 4: just started cranking out songs and we cranked out two

781
00:35:25,000 --> 00:35:27,840
Speaker 4: albums or one album that was a two part series.

782
00:35:28,080 --> 00:35:29,799
Speaker 4: And I was just getting on every song that he had.

783
00:35:29,880 --> 00:35:31,400
Speaker 4: He was just like, yo, jump on this album. Since

784
00:35:31,440 --> 00:35:34,839
Speaker 4: twenty sixteen, I've been on every project he's at, evenoos

785
00:35:35,000 --> 00:35:38,000
Speaker 4: Snoop and Martha Stewart presents a cooking with Smartha. That's

786
00:35:38,080 --> 00:35:38,799
Speaker 4: me singing the intro.

787
00:35:39,560 --> 00:35:40,239
Speaker 1: So he put me on.

788
00:35:41,719 --> 00:35:43,920
Speaker 4: And I want to say this, being on death Row

789
00:35:43,960 --> 00:35:48,800
Speaker 4: has been absolutely amazing, absolutely because I have all my

790
00:35:48,880 --> 00:35:51,360
Speaker 4: creative control. He's like, what you feel like on this

791
00:35:51,480 --> 00:35:54,120
Speaker 4: next album? I feel like doing DM all right, cool,

792
00:35:54,200 --> 00:35:54,480
Speaker 4: let me know what.

793
00:35:54,520 --> 00:35:56,360
Speaker 1: It's done. That's it.

794
00:35:56,480 --> 00:35:58,440
Speaker 4: There's no well, I mean you know what I'm saying, like,

795
00:35:59,080 --> 00:36:01,440
Speaker 4: you know, fourteen people over my shoulder, like oh well,

796
00:36:01,520 --> 00:36:03,279
Speaker 4: I don't think and that shouldn't and this is we

797
00:36:03,360 --> 00:36:05,239
Speaker 4: can't market this this. He's like, man, this is covied,

798
00:36:05,440 --> 00:36:06,160
Speaker 4: let's just do it.

799
00:36:06,920 --> 00:36:07,320
Speaker 1: Let's do it.

800
00:36:07,360 --> 00:36:08,319
Speaker 4: Because you know him, he's just.

801
00:36:08,520 --> 00:36:13,280
Speaker 1: Freedom, freedom, everything, and he does everything. Yeah, he does everything.

802
00:36:13,440 --> 00:36:15,840
Speaker 4: So when he sees me going in because I engineered,

803
00:36:16,480 --> 00:36:20,600
Speaker 4: I master, I mix, I produce and I'm writing, he

804
00:36:20,760 --> 00:36:23,239
Speaker 4: was like, oh okay, bet and we're gonna see And

805
00:36:23,320 --> 00:36:25,200
Speaker 4: he tried it out and we did it. I knocked

806
00:36:25,239 --> 00:36:27,600
Speaker 4: out an album and I knocked out the first album

807
00:36:27,640 --> 00:36:29,200
Speaker 4: that we did in three or four days. I actually

808
00:36:29,239 --> 00:36:31,399
Speaker 4: got sick doing it. I knocked out in four days

809
00:36:31,400 --> 00:36:33,480
Speaker 4: because I'm like, though, this opportunity I can't miss, right,

810
00:36:34,120 --> 00:36:35,680
Speaker 4: and that work at the Kittain and I knocked out.

811
00:36:35,960 --> 00:36:38,960
Speaker 4: I knocked out eighteen songs in four days. And he

812
00:36:39,160 --> 00:36:41,160
Speaker 4: was like, holy shit, and we put out all of them.

813
00:36:41,200 --> 00:36:44,160
Speaker 4: We just dropped it. He was like damn. And I

814
00:36:44,239 --> 00:36:45,600
Speaker 4: was still trying to go. He's like, no, go back

815
00:36:45,600 --> 00:36:47,719
Speaker 4: to the hotel, get you some rest. I was like,

816
00:36:48,200 --> 00:36:49,799
Speaker 4: I don't want to miss anything. I don't right, it's

817
00:36:49,800 --> 00:36:52,759
Speaker 4: an opportunity. I was like, okay, cool. I went back

818
00:36:52,800 --> 00:36:56,319
Speaker 4: to the hotel robotuests and robotuzzin robot doesn't and got

819
00:36:56,400 --> 00:36:58,080
Speaker 4: back and he was just like, yo, you got something.

820
00:36:58,239 --> 00:37:01,680
Speaker 4: And then everybody started flocking in Faith Evans. You know,

821
00:37:01,880 --> 00:37:04,239
Speaker 4: it's so many, just so many people, artists started coming

822
00:37:04,239 --> 00:37:06,520
Speaker 4: in just to see what was going on. And that

823
00:37:06,640 --> 00:37:09,160
Speaker 4: was just That's when I was like, yeah, that's I

824
00:37:09,239 --> 00:37:12,040
Speaker 4: think I'm out of here. That was twenty sixteen. I've

825
00:37:12,040 --> 00:37:13,439
Speaker 4: been rocking winning for weather eight years.

826
00:37:13,520 --> 00:37:15,359
Speaker 1: Now. How long did it take for you to move?

827
00:37:16,480 --> 00:37:17,799
Speaker 1: Are you still living in Oh?

828
00:37:17,840 --> 00:37:19,840
Speaker 4: No, I'm still living Indiana. Absolutely. You take all the

829
00:37:19,880 --> 00:37:20,920
Speaker 4: money you're making, you go live there.

830
00:37:21,040 --> 00:37:23,239
Speaker 2: No, No, you know what I'm saying. When you were working,

831
00:37:23,360 --> 00:37:27,319
Speaker 2: obviously you went home. Yeah eventually, but I'm saying eventually yeah, yeah, Yeah.

832
00:37:27,360 --> 00:37:29,040
Speaker 4: I stayed out there for I don't know, a month

833
00:37:29,160 --> 00:37:31,040
Speaker 4: or something like that, okay, and then went back home.

834
00:37:31,120 --> 00:37:32,759
Speaker 4: And then I was just going back and forth, back

835
00:37:32,760 --> 00:37:35,680
Speaker 4: and forth, back and forth, back and forth. I gave

836
00:37:35,800 --> 00:37:37,360
Speaker 4: up truck and I was like I didn't even finish.

837
00:37:37,920 --> 00:37:38,120
Speaker 1: Yeah.

838
00:37:38,239 --> 00:37:40,120
Speaker 2: I was like forget it, so I can't put this

839
00:37:40,280 --> 00:37:43,640
Speaker 2: work drug spot. You can go ahead, we can buy

840
00:37:43,680 --> 00:37:48,319
Speaker 2: some trucks up. I'll be trying to figure out how

841
00:37:48,360 --> 00:37:49,520
Speaker 2: to turn to yeah.

842
00:37:49,440 --> 00:37:51,320
Speaker 4: Yeah yeah, oh yeah yeah yeah yeah. You know I

843
00:37:51,400 --> 00:37:53,160
Speaker 4: got some people don't got yeah, I know.

844
00:37:53,239 --> 00:37:55,080
Speaker 2: You know the nigga that they wrapped the back, man,

845
00:37:55,120 --> 00:37:57,719
Speaker 2: I'm sure he got Lord, he got the pounds man,

846
00:37:57,800 --> 00:38:00,680
Speaker 2: god yeah, mercy.

847
00:38:01,280 --> 00:38:03,640
Speaker 4: Yeah, No, it's it's and it's been a ride since man,

848
00:38:03,719 --> 00:38:07,879
Speaker 4: but being on death Row is just so it's it's

849
00:38:08,000 --> 00:38:11,439
Speaker 4: it's really I'm happy. Yeah, I'm a happy artist.

850
00:38:12,040 --> 00:38:14,239
Speaker 1: I'm not like, that's great to fucking hear that.

851
00:38:14,480 --> 00:38:16,239
Speaker 4: I gotta work on this album that I don't want

852
00:38:16,280 --> 00:38:18,799
Speaker 4: to do and I like and Snoop no like my work,

853
00:38:18,960 --> 00:38:20,799
Speaker 4: like the work ethic. He'll hit me and be like, yo,

854
00:38:20,880 --> 00:38:23,879
Speaker 4: I just sent you a record thirty to forty five

855
00:38:23,920 --> 00:38:26,040
Speaker 4: seconds I give, I give a record for me to

856
00:38:26,080 --> 00:38:27,480
Speaker 4: make a hook. If I don't hear it in forty

857
00:38:27,520 --> 00:38:29,759
Speaker 4: five seconds, I don't do it. And Snoop knows that

858
00:38:29,760 --> 00:38:30,240
Speaker 4: he won't.

859
00:38:30,080 --> 00:38:30,680
Speaker 1: Even hit me back.

860
00:38:30,920 --> 00:38:33,120
Speaker 4: He'd be like, I'll have something back in a couple

861
00:38:33,160 --> 00:38:34,920
Speaker 4: of minutes if he wants to do it. He'll do it.

862
00:38:35,040 --> 00:38:36,799
Speaker 4: If not, I don't, He's like, I'm not calling him

863
00:38:37,440 --> 00:38:40,439
Speaker 4: forty five seconds, So play me a beat.

864
00:38:40,480 --> 00:38:41,560
Speaker 1: You a first listening guy.

865
00:38:41,640 --> 00:38:46,279
Speaker 4: Absolutely, absolutely, I'm just a first listen I just want

866
00:38:46,320 --> 00:38:47,440
Speaker 4: to do it. If I want to do it, I'm

867
00:38:47,440 --> 00:38:49,400
Speaker 4: gonna give you. I'm because I just don't want to

868
00:38:49,440 --> 00:38:54,040
Speaker 4: ever give anybody shit work. Yeah, I just don't like

869
00:38:54,120 --> 00:38:56,040
Speaker 4: if he sent me something I don't like. Jesus Christ,

870
00:38:56,120 --> 00:39:01,319
Speaker 4: I know I gotta put him forward because I've looked

871
00:39:01,400 --> 00:39:04,160
Speaker 4: up to him for a long time and vocals of

872
00:39:04,400 --> 00:39:08,360
Speaker 4: the runs and everything, you know, study him, you know

873
00:39:08,400 --> 00:39:10,000
Speaker 4: what I'm saying. That's what it's all about. Like artists

874
00:39:10,040 --> 00:39:12,279
Speaker 4: be like, oh I got it, and no, man, shut up,

875
00:39:12,440 --> 00:39:16,800
Speaker 4: listen and study, sit back, shut the fuck up, you

876
00:39:16,840 --> 00:39:17,399
Speaker 4: know what I'm saying.

877
00:39:18,120 --> 00:39:21,680
Speaker 2: And then just progress, you know, just to Snoop though.

878
00:39:21,719 --> 00:39:24,680
Speaker 2: First of all, Snoop, get all the shouts, man, because

879
00:39:25,320 --> 00:39:28,240
Speaker 2: Snoop is one of my favorite human beings. Yeah, period,

880
00:39:29,120 --> 00:39:33,560
Speaker 2: and every time I mean over the last shiit twenty

881
00:39:33,640 --> 00:39:36,399
Speaker 2: something years, every time I've ever seen Snoop, it's been

882
00:39:36,680 --> 00:39:38,040
Speaker 2: it's always love.

883
00:39:38,480 --> 00:39:43,239
Speaker 1: Yeah, that's what he leads with, smile and some what's

884
00:39:43,280 --> 00:39:43,600
Speaker 1: going on?

885
00:39:44,080 --> 00:39:44,600
Speaker 4: Absolutely.

886
00:39:46,280 --> 00:39:48,799
Speaker 2: You know what I'm saying, It's like inviting. It's like, man,

887
00:39:48,840 --> 00:39:50,320
Speaker 2: what you need Snoop? You didn't need to do anything?

888
00:39:50,960 --> 00:39:51,680
Speaker 1: What can I do for you?

889
00:39:51,880 --> 00:39:56,719
Speaker 3: It's like these personality So I can imagine being in

890
00:39:56,800 --> 00:39:59,920
Speaker 3: a space where you get to be creative and get

891
00:40:00,080 --> 00:40:02,520
Speaker 3: to be yourself with a guy like Snoop, who is

892
00:40:02,640 --> 00:40:04,360
Speaker 3: just the ultimate cheerleader.

893
00:40:04,400 --> 00:40:06,400
Speaker 1: You know what I'm saying, do his thing.

894
00:40:06,680 --> 00:40:10,040
Speaker 4: That's right, right, and he got the power, has the

895
00:40:10,360 --> 00:40:17,520
Speaker 4: power power. He's likable everywhere everywhere commercial Snoop, Commercial, Olympics,

896
00:40:17,719 --> 00:40:20,040
Speaker 4: Snoop everywhere, Corona Snoop.

897
00:40:20,239 --> 00:40:23,520
Speaker 2: I was about to say that, you know, during COVID

898
00:40:24,000 --> 00:40:29,239
Speaker 2: he had a Corona commercial. Because you need Snoop to

899
00:40:29,520 --> 00:40:33,360
Speaker 2: change the narrative of what they are connecting to this brand.

900
00:40:33,880 --> 00:40:37,759
Speaker 1: Mm hmm, who do you call you? Cap? You need

901
00:40:37,840 --> 00:40:39,680
Speaker 1: it cool? You need to be cool, be cool, you

902
00:40:39,760 --> 00:40:41,840
Speaker 1: need it to be cooled Snoop.

903
00:40:42,960 --> 00:40:46,040
Speaker 2: Yeah, that that's great, that's great. So okay, so now

904
00:40:46,120 --> 00:40:48,560
Speaker 2: we we're working on we're working on the on your

905
00:40:48,680 --> 00:40:52,560
Speaker 2: projects purely indy at this point, though, like y'all fully indie,

906
00:40:52,560 --> 00:40:55,240
Speaker 2: because at this point there's no there's.

907
00:40:55,040 --> 00:40:55,560
Speaker 1: No death row.

908
00:40:55,640 --> 00:40:58,480
Speaker 4: Yeah, there's no death Row at this point right fast

909
00:40:58,560 --> 00:41:02,640
Speaker 4: forward to only twenty was that we're in twenty we're

910
00:41:02,680 --> 00:41:05,200
Speaker 4: in twenty four, so twenty twenty three when he when

911
00:41:05,239 --> 00:41:09,080
Speaker 4: he acquired death Row, I was in the room's year. No,

912
00:41:09,960 --> 00:41:13,560
Speaker 4: I've been with him for example Aqua Row. Yeah it's

913
00:41:13,560 --> 00:41:15,319
Speaker 4: been I think it has been a little over a year.

914
00:41:15,320 --> 00:41:17,279
Speaker 4: I believe, yeah, just over a year. And it's like

915
00:41:17,320 --> 00:41:19,360
Speaker 4: I was in the room where I'm like him doing it,

916
00:41:19,440 --> 00:41:21,759
Speaker 4: and as he's getting off the phone like okay, cool,

917
00:41:21,760 --> 00:41:25,080
Speaker 4: we got da da da bam October, He's like he's like,

918
00:41:25,120 --> 00:41:27,840
Speaker 4: you hear that. I'm like, yeah, was I supposed to

919
00:41:27,840 --> 00:41:30,319
Speaker 4: be in the room here and all this? I don't

920
00:41:30,400 --> 00:41:34,200
Speaker 4: know that. That man is the like he is so

921
00:41:34,400 --> 00:41:40,000
Speaker 4: transparent with me. No artists should be like like, well,

922
00:41:40,160 --> 00:41:42,240
Speaker 4: every artist should be you know here in these cos

923
00:41:42,239 --> 00:41:44,040
Speaker 4: I want to say, no, every artist should be hearing

924
00:41:44,080 --> 00:41:46,920
Speaker 4: these conversations. I'll be like, I'm gonna give you a minute.

925
00:41:47,440 --> 00:41:50,560
Speaker 4: He's like, set the fuck down, Like he's like, no,

926
00:41:50,719 --> 00:41:53,879
Speaker 4: I want you to hear this. Hear these conversations. Hear

927
00:41:54,000 --> 00:41:56,600
Speaker 4: what's going on, so you can understand, you know, for

928
00:41:56,719 --> 00:41:59,120
Speaker 4: when I'm gone or whatever whatever, when you're when you

929
00:41:59,200 --> 00:42:01,880
Speaker 4: want to just explore old after you can, you know.

930
00:42:02,400 --> 00:42:05,360
Speaker 4: And I've learned so much from him just being like,

931
00:42:05,440 --> 00:42:10,200
Speaker 4: noa sit here, chill drank listening to this conversation. I've

932
00:42:10,200 --> 00:42:12,280
Speaker 4: been in the room with so many people execs and everything,

933
00:42:12,360 --> 00:42:14,839
Speaker 4: and everybody's executive and I'm the only person just sitting there.

934
00:42:14,880 --> 00:42:16,879
Speaker 4: And I'm like, you don't see me sitting in the bay,

935
00:42:17,000 --> 00:42:18,719
Speaker 4: like sitting in a circle, and I'm just sitting there

936
00:42:18,760 --> 00:42:21,080
Speaker 4: and I'm just quiet and I'm just listening because I

937
00:42:21,160 --> 00:42:23,160
Speaker 4: have nothing to say. I don't have any weight in

938
00:42:23,200 --> 00:42:26,720
Speaker 4: this circle. And I'm just like, Damn, that's how labels think. Damn,

939
00:42:26,800 --> 00:42:30,279
Speaker 4: that's how good, Damn what Being on death Row is

940
00:42:30,320 --> 00:42:33,759
Speaker 4: the best thing for me. Like, I don't want to

941
00:42:33,800 --> 00:42:36,960
Speaker 4: be a part of this shit. It's crazy. So it's

942
00:42:37,040 --> 00:42:39,560
Speaker 4: like doing that and like having that creative control and

943
00:42:39,719 --> 00:42:41,719
Speaker 4: being able to just do stuff and be you know,

944
00:42:41,840 --> 00:42:43,480
Speaker 4: it's I love it.

945
00:42:43,560 --> 00:42:43,719
Speaker 1: Man.

946
00:42:43,760 --> 00:42:46,320
Speaker 4: I'll retire from death Row. I'm not going. I'm not

947
00:42:46,400 --> 00:42:48,440
Speaker 4: going anywhere else. It would be a death sentence for

948
00:42:48,520 --> 00:42:50,479
Speaker 4: me to go anywhere else. That's how I really feel.

949
00:42:50,480 --> 00:42:52,440
Speaker 4: If you want me to be real on this podcast,

950
00:42:52,680 --> 00:42:54,279
Speaker 4: it'd be a death sentence for me to go anywhere else.

951
00:42:55,480 --> 00:42:57,680
Speaker 1: Wow, I've never heard it already say that about a

952
00:42:57,760 --> 00:43:01,040
Speaker 1: label ever. Incredible.

953
00:43:01,120 --> 00:43:02,839
Speaker 4: Mm hmmm mm hmm.

954
00:43:04,040 --> 00:43:09,520
Speaker 1: Give me the breakout October London moment for you. Back

955
00:43:09,560 --> 00:43:12,080
Speaker 1: to your place? Mm hm, back to your place.

956
00:43:12,640 --> 00:43:14,800
Speaker 4: And we didn't when we came out with the album

957
00:43:14,920 --> 00:43:17,840
Speaker 4: Rebirth of Marvin, which is out on all streaming platforms.

958
00:43:19,480 --> 00:43:22,400
Speaker 1: You Rebirth of Marvel hard copies too. Did y'all do anything?

959
00:43:22,680 --> 00:43:25,759
Speaker 4: No, we're about to do Vinyl about to say, yeah, yeah, yeah,

960
00:43:25,840 --> 00:43:27,960
Speaker 4: yeah vinyl. Yeah, so I think we're about to. We

961
00:43:28,000 --> 00:43:29,680
Speaker 4: need to tell you a piece of vinyl to put

962
00:43:29,760 --> 00:43:38,680
Speaker 4: up here that you want to meet it. I got yall, man, Yes,

963
00:43:39,280 --> 00:43:39,799
Speaker 4: can we just.

964
00:43:41,560 --> 00:43:44,759
Speaker 1: Problem we really fuck with you? Brog I'm just a truck.

965
00:43:45,400 --> 00:43:48,160
Speaker 1: I'm just said, he's just a trucker. I'm just know

966
00:43:48,280 --> 00:43:50,200
Speaker 1: you not nigga. You can't get these packs off. I'm

967
00:43:50,200 --> 00:43:52,319
Speaker 1: trying to get off. You can't, no motherfucker drug nigga

968
00:43:53,120 --> 00:43:53,800
Speaker 1: you're talking about.

969
00:43:57,080 --> 00:43:59,160
Speaker 4: No, I just got too big for bridge, not too

970
00:43:59,200 --> 00:44:01,440
Speaker 4: big for your I don't know what the truck. No

971
00:44:01,560 --> 00:44:06,520
Speaker 4: more talking about. You don't want to always one one nigga.

972
00:44:07,000 --> 00:44:10,799
Speaker 4: You better, you better get you better get that. Don't

973
00:44:10,840 --> 00:44:13,960
Speaker 4: want a truck, Yeah, Hollywood, you know what, Hollywood.

974
00:44:14,600 --> 00:44:15,480
Speaker 1: He don't want to try about.

975
00:44:15,520 --> 00:44:17,719
Speaker 4: He don't eat ramen no more. He don't eat rhyme

976
00:44:18,040 --> 00:44:19,920
Speaker 4: ram he steak tar tar.

977
00:44:26,800 --> 00:44:27,640
Speaker 1: Don't be a steak.

978
00:44:30,040 --> 00:44:31,040
Speaker 4: They gonna be a rhymen.

979
00:44:31,120 --> 00:44:32,720
Speaker 1: Nigga, that's boozie to another.

980
00:44:34,480 --> 00:44:36,680
Speaker 4: By the way, I still make the best rhymen. But anyway,

981
00:44:36,760 --> 00:44:42,160
Speaker 4: talk about you know, let me really get a rest.

982
00:44:42,280 --> 00:44:43,239
Speaker 4: I get the rest right now.

983
00:44:43,280 --> 00:44:43,800
Speaker 1: It's crazy.

984
00:44:44,280 --> 00:44:46,200
Speaker 4: Everybody laughs at me. Know for it. I want to

985
00:44:46,239 --> 00:44:47,440
Speaker 4: know my son thinks I'm the best.

986
00:44:47,560 --> 00:44:48,520
Speaker 1: You cook a spread though.

987
00:44:49,920 --> 00:44:51,520
Speaker 4: I can grill, I can do like steak.

988
00:44:51,600 --> 00:44:57,759
Speaker 1: I can over your head's penitent. He didn't truck long enough,

989
00:44:59,200 --> 00:45:05,320
Speaker 1: because that's what the because yea calendar.

990
00:45:07,000 --> 00:45:10,880
Speaker 4: See, I don't lost me. I'll wait till you return.

991
00:45:12,400 --> 00:45:14,800
Speaker 4: I'll wait till you nigga, I thought you was the

992
00:45:14,880 --> 00:45:18,360
Speaker 4: king of South being. Oh I am I am that,

993
00:45:18,920 --> 00:45:21,480
Speaker 4: Oh I am that somebody right now South. It was

994
00:45:21,480 --> 00:45:24,160
Speaker 4: like I thought I was the king of South. No no, no, no, no,

995
00:45:24,360 --> 00:45:26,200
Speaker 4: no no no no.

996
00:45:28,840 --> 00:45:30,760
Speaker 1: You got this record, you got this thing that's.

997
00:45:30,640 --> 00:45:32,839
Speaker 4: Going I'm breaking out. I'm in the middle of making

998
00:45:33,000 --> 00:45:36,520
Speaker 4: amazing cuisine Ramen. I'm breaking out. But we dropped the

999
00:45:36,600 --> 00:45:38,360
Speaker 4: we dropped Rebirth of Marvin, and we didn't want to

1000
00:45:38,480 --> 00:45:41,799
Speaker 4: drop a single first, so we were like, yo, let's

1001
00:45:41,960 --> 00:45:43,880
Speaker 4: just let's just put the album out and let the

1002
00:45:43,920 --> 00:45:45,920
Speaker 4: fans decide what the single should be. Because at first

1003
00:45:46,000 --> 00:45:47,880
Speaker 4: this point we're like, oh, we're gonna put out the

1004
00:45:47,880 --> 00:45:49,600
Speaker 4: Way You Move or what one of the one of

1005
00:45:49,640 --> 00:45:52,160
Speaker 4: the records, this is the one. Let's just let the

1006
00:45:52,200 --> 00:45:56,360
Speaker 4: people decide. Put it out and we see which is crazy?

1007
00:45:56,920 --> 00:45:59,400
Speaker 4: You see just all of the you know on iTunes

1008
00:45:59,400 --> 00:46:02,560
Speaker 4: where you see like the popularity, Yeah, they're all going up,

1009
00:46:02,719 --> 00:46:05,680
Speaker 4: and I'm just like, which one ones? Lord and this?

1010
00:46:05,840 --> 00:46:09,400
Speaker 4: So I think I'm just like but back to your place.

1011
00:46:09,760 --> 00:46:12,839
Speaker 4: They the radio stations started saying no, that's the one.

1012
00:46:13,640 --> 00:46:17,080
Speaker 4: We're like, okay, okay, all right, let's let's do that.

1013
00:46:17,239 --> 00:46:21,360
Speaker 4: And it's just it's like longest running R and B

1014
00:46:21,480 --> 00:46:23,719
Speaker 4: song of the year something like that, Like I forget

1015
00:46:23,760 --> 00:46:25,120
Speaker 4: how many weeks I want to get it wrong, it's

1016
00:46:25,120 --> 00:46:27,160
Speaker 4: template ten plus or something like that.

1017
00:46:28,960 --> 00:46:31,800
Speaker 1: It's like, you know, you had a run run with

1018
00:46:31,840 --> 00:46:32,160
Speaker 1: that record.

1019
00:46:32,200 --> 00:46:33,200
Speaker 4: I had a nice little run with it.

1020
00:46:33,280 --> 00:46:35,480
Speaker 1: So I want to talking to talking to Sam about it.

1021
00:46:35,800 --> 00:46:37,080
Speaker 4: Okay, okay, yep, yep.

1022
00:46:37,480 --> 00:46:40,680
Speaker 1: It was like October London, he's got this record just

1023
00:46:40,840 --> 00:46:43,840
Speaker 1: like I love him. It's it's massive.

1024
00:46:44,080 --> 00:46:46,879
Speaker 2: I love him, and so so this is what we're

1025
00:46:46,880 --> 00:46:50,880
Speaker 2: gonna Dott, This what we're gonna do. We got to

1026
00:46:50,920 --> 00:46:54,560
Speaker 2: put butts in the seats. So we're gonna get I

1027
00:46:54,680 --> 00:46:57,000
Speaker 2: need I need you to get October London. I need

1028
00:46:57,040 --> 00:46:59,320
Speaker 2: you call him for me. I need October London. You

1029
00:47:00,080 --> 00:47:04,840
Speaker 2: and like Nigga shout out that record went up. You

1030
00:47:04,960 --> 00:47:09,640
Speaker 2: were immediately in the conversation that's crazy immediately, and we

1031
00:47:09,800 --> 00:47:11,720
Speaker 2: need him on the shows.

1032
00:47:11,920 --> 00:47:14,000
Speaker 4: And when Sam things like you and you, you and

1033
00:47:14,120 --> 00:47:17,239
Speaker 4: Tank and I was like, Man was like hell yeah,

1034
00:47:18,239 --> 00:47:21,080
Speaker 4: hell yeah, I'm not taking my shirt off, but hell yeah.

1035
00:47:21,400 --> 00:47:23,080
Speaker 4: You know what I'm saying. I don't contract me to

1036
00:47:23,120 --> 00:47:23,320
Speaker 4: do that.

1037
00:47:23,640 --> 00:47:24,319
Speaker 1: You know what I'm saying.

1038
00:47:25,000 --> 00:47:27,080
Speaker 4: Oh there, but as long as I have my cigar

1039
00:47:27,160 --> 00:47:29,480
Speaker 4: on my liquor, I'm good to go.

1040
00:47:30,360 --> 00:47:32,080
Speaker 1: Tell me the difference.

1041
00:47:32,239 --> 00:47:35,319
Speaker 3: I mean, because we've all been through it, the experience

1042
00:47:35,760 --> 00:47:40,279
Speaker 3: of before this record drops and you just kind of

1043
00:47:40,880 --> 00:47:44,040
Speaker 3: having your shows and making your way through the mall

1044
00:47:45,040 --> 00:47:47,640
Speaker 3: to now this record is number one, and now you

1045
00:47:47,800 --> 00:47:50,640
Speaker 3: have your shows and you're making your way through the mall.

1046
00:47:50,840 --> 00:47:50,960
Speaker 1: Yo.

1047
00:47:51,560 --> 00:47:53,600
Speaker 4: Yeah, it's crazy. It wasn't even the mall, it was

1048
00:47:53,680 --> 00:47:54,320
Speaker 4: the airports.

1049
00:47:54,960 --> 00:48:02,760
Speaker 1: Yeah, shout out. Shout out to the TSA workers. Absolutely

1050
00:48:03,320 --> 00:48:04,839
Speaker 1: everything they.

1051
00:48:04,920 --> 00:48:09,840
Speaker 2: See everybody top flight security cracking. They're not going to

1052
00:48:10,000 --> 00:48:13,279
Speaker 2: say anything no, but if you're cracking, they gonna sing

1053
00:48:13,400 --> 00:48:15,960
Speaker 2: your song. They're gonna say shit you said on the podcast.

1054
00:48:17,600 --> 00:48:20,040
Speaker 4: Absolutely because they're like they in it. They're like, oh,

1055
00:48:20,080 --> 00:48:22,600
Speaker 4: I'm going through TSA Preja and they're like, you ain't

1056
00:48:22,600 --> 00:48:25,000
Speaker 4: got no cigar on you, huh? And I'm like, oh,

1057
00:48:28,400 --> 00:48:32,160
Speaker 4: I'm like oh, okay. On the way here, I was like, yo,

1058
00:48:32,800 --> 00:48:36,080
Speaker 4: the lady was like, take off your glasses. I'm like, huh,

1059
00:48:36,520 --> 00:48:38,800
Speaker 4: take off your glasses. I took off my glasses and

1060
00:48:38,920 --> 00:48:40,680
Speaker 4: she just stopped talking. She just went on a bottle

1061
00:48:40,680 --> 00:48:42,799
Speaker 4: whel okay, put.

1062
00:48:42,760 --> 00:48:43,080
Speaker 1: Them back on.

1063
00:48:43,160 --> 00:48:44,480
Speaker 4: She was like, take off your glasses and I was

1064
00:48:44,520 --> 00:48:47,160
Speaker 4: like what. She was like, you that one nigga?

1065
00:48:48,040 --> 00:48:48,920
Speaker 1: Yeah, they do that.

1066
00:48:49,120 --> 00:48:53,440
Speaker 4: You have one singing nigga. I know you are my grandmamna.

1067
00:48:53,520 --> 00:48:53,880
Speaker 6: Love you.

1068
00:48:54,120 --> 00:48:54,680
Speaker 4: You know what I'm saying.

1069
00:48:54,680 --> 00:48:54,920
Speaker 1: I love it.

1070
00:48:54,960 --> 00:48:56,080
Speaker 4: I was like yeah, yeah, yeah.

1071
00:48:56,080 --> 00:48:56,400
Speaker 1: I told her.

1072
00:48:56,640 --> 00:48:58,520
Speaker 4: She was like I knew it all right going about

1073
00:48:58,560 --> 00:49:00,560
Speaker 4: to day. I was like, all right, but now it's that,

1074
00:49:00,760 --> 00:49:03,600
Speaker 4: and then now then mhalland Drive is number one, yeah,

1075
00:49:03,800 --> 00:49:07,160
Speaker 4: and now it's yeah slot man. I judge it off

1076
00:49:07,239 --> 00:49:10,000
Speaker 4: of being back home because back home everybody knows me.

1077
00:49:10,120 --> 00:49:12,120
Speaker 4: But it's like it's Jared. So I'm coming through. I

1078
00:49:12,400 --> 00:49:15,560
Speaker 4: meant Lemon Pepper Wings out to find Lindon Grill. You

1079
00:49:15,640 --> 00:49:16,200
Speaker 4: know what I'm saying.

1080
00:49:17,080 --> 00:49:19,680
Speaker 1: Even even feed me for fifteen plus when I go

1081
00:49:19,880 --> 00:49:21,400
Speaker 1: up to South Ben that's what I got to go.

1082
00:49:21,440 --> 00:49:23,440
Speaker 4: London Grill. That's the first stop. And then the second

1083
00:49:23,480 --> 00:49:25,359
Speaker 4: step London Linden Grill.

1084
00:49:25,680 --> 00:49:27,360
Speaker 1: So the second stop, the second.

1085
00:49:27,160 --> 00:49:29,759
Speaker 4: Stop Frankie's Barbecue bening business for fifty plus.

1086
00:49:29,840 --> 00:49:31,920
Speaker 1: Your like sound frank that sounds likes that sound like

1087
00:49:31,960 --> 00:49:32,680
Speaker 1: something you want to be.

1088
00:49:32,840 --> 00:49:35,279
Speaker 4: If you ain't going to Linden and Frankie's on your

1089
00:49:35,320 --> 00:49:38,239
Speaker 4: first day, you should have Linden Grill for lunch. Get

1090
00:49:38,280 --> 00:49:40,439
Speaker 4: the Linden Pepper Wings or the October London Meal because

1091
00:49:40,440 --> 00:49:45,120
Speaker 4: they do. Hey hey, hey, he got his own money.

1092
00:49:46,000 --> 00:49:49,000
Speaker 1: Yeah, that's what R and V money, dude.

1093
00:49:49,239 --> 00:49:52,520
Speaker 4: He got his own money. Yeah, and his own meal,

1094
00:49:53,320 --> 00:49:54,439
Speaker 4: the October London Meal.

1095
00:49:54,520 --> 00:49:58,600
Speaker 1: After you see some meals back home. Get on. I'm

1096
00:49:58,640 --> 00:50:00,680
Speaker 1: following his footsteps. I'm going make some call.

1097
00:50:00,880 --> 00:50:01,120
Speaker 6: Dog.

1098
00:50:01,719 --> 00:50:05,439
Speaker 1: Somebody give me my fucking meal. Amn, ye big in mind,

1099
00:50:05,840 --> 00:50:08,640
Speaker 1: thank you, because man, he got the restaurants and she

1100
00:50:08,760 --> 00:50:11,240
Speaker 1: give me a goddamn meal. Man, we need a Valentine Vegan.

1101
00:50:12,480 --> 00:50:14,600
Speaker 4: Vegan Tank the drink. You know what I'm saying.

1102
00:50:15,320 --> 00:50:17,319
Speaker 1: It is that's Tank Away himself right there.

1103
00:50:18,120 --> 00:50:20,640
Speaker 4: You gotta have a drink, man, you know. So you

1104
00:50:20,920 --> 00:50:22,000
Speaker 4: go to you gotta go lind the grill and you

1105
00:50:22,000 --> 00:50:25,400
Speaker 4: gotta do franks. After that, there's a lot of boogie stuff.

1106
00:50:25,480 --> 00:50:28,240
Speaker 4: But that is like where you go get that, okay,

1107
00:50:28,480 --> 00:50:29,880
Speaker 4: Grandmama made woman.

1108
00:50:30,000 --> 00:50:31,920
Speaker 1: Is where you get your indicators home.

1109
00:50:31,960 --> 00:50:35,279
Speaker 4: It's work, yeah, absolutely, because before it's like, all right,

1110
00:50:35,280 --> 00:50:35,799
Speaker 4: what's up, Jared?

1111
00:50:35,840 --> 00:50:37,680
Speaker 1: What what? Okay? Cool? Whatever?

1112
00:50:37,760 --> 00:50:39,200
Speaker 4: You know what I'm saying, I'm pulling up in the buick.

1113
00:50:39,400 --> 00:50:43,480
Speaker 4: Now it's just I'm eating and I'm with my son

1114
00:50:43,880 --> 00:50:45,800
Speaker 4: and there's fifteen people out there and they're just like

1115
00:50:46,040 --> 00:50:49,160
Speaker 4: and I'm cool with everybody, like i'd know beef for nobody.

1116
00:50:49,360 --> 00:50:51,960
Speaker 4: I'm good in my city, like I talked to everybody.

1117
00:50:52,080 --> 00:50:54,359
Speaker 4: I'm not like, oh, give me a man, I don't

1118
00:50:54,360 --> 00:50:55,759
Speaker 4: need like I'm gonna do that, Like I could be

1119
00:50:55,840 --> 00:50:57,120
Speaker 4: on the phone or something like that. Just give me

1120
00:50:57,120 --> 00:50:58,600
Speaker 4: a second. I'll take it. Yeah, for sure. I don't

1121
00:50:58,600 --> 00:51:01,160
Speaker 4: be like no, man, leave me. I'm like that. You

1122
00:51:01,200 --> 00:51:02,760
Speaker 4: know what I'm saying, because God gave me this blessing

1123
00:51:02,840 --> 00:51:04,560
Speaker 4: and and if you know what I'm saying, if I

1124
00:51:04,600 --> 00:51:07,960
Speaker 4: were to abuse this power, you're grateful. Yeah, I'm very grateful,

1125
00:51:08,080 --> 00:51:10,920
Speaker 4: very grateful. Like my ship talking is always in the studio,

1126
00:51:11,520 --> 00:51:13,200
Speaker 4: I should talking studio all day as soon as I

1127
00:51:13,320 --> 00:51:15,440
Speaker 4: leave that. I'm not a singer. I'm just Jared here

1128
00:51:15,480 --> 00:51:17,640
Speaker 4: and so I'm just I'm just me. Yeah, I'll take

1129
00:51:17,640 --> 00:51:18,719
Speaker 4: a picture and do all that. So me and my

1130
00:51:18,800 --> 00:51:20,200
Speaker 4: son would out and there'll be a bunch of people

1131
00:51:20,239 --> 00:51:22,640
Speaker 4: out there taking pictures. And let me see the car. Man,

1132
00:51:22,719 --> 00:51:24,080
Speaker 4: I'm opening a car you sit in and I.

1133
00:51:24,080 --> 00:51:26,680
Speaker 1: Don't care about that because you said you would before

1134
00:51:26,680 --> 00:51:31,520
Speaker 1: you suld pull on. Yeah now now what do you

1135
00:51:34,080 --> 00:51:34,759
Speaker 1: those open?

1136
00:51:34,880 --> 00:51:35,040
Speaker 6: Man?

1137
00:51:40,160 --> 00:51:40,600
Speaker 1: This way?

1138
00:51:41,400 --> 00:51:48,120
Speaker 4: And now they open yes, you know yeah, yeah look up.

1139
00:51:48,360 --> 00:51:48,560
Speaker 3: Yeah.

1140
00:51:49,280 --> 00:51:51,839
Speaker 4: At first it was business and that was pleasure.

1141
00:51:53,120 --> 00:51:56,400
Speaker 1: Because when the legs go that way, you know, can

1142
00:51:56,480 --> 00:51:57,160
Speaker 1: we just get we can?

1143
00:51:57,680 --> 00:51:57,839
Speaker 4: Yeah?

1144
00:52:00,120 --> 00:52:10,640
Speaker 1: Back, yeah, come on trying to base myself, keep clecking glasses.

1145
00:52:12,600 --> 00:52:15,600
Speaker 4: Oh yes, you know, that's how it is. You know

1146
00:52:15,640 --> 00:52:16,080
Speaker 4: what I'm saying.

1147
00:52:16,600 --> 00:52:19,680
Speaker 1: Congratulations, So yeah, being.

1148
00:52:19,600 --> 00:52:21,600
Speaker 4: Home and just chilling and all that. So I'm still

1149
00:52:21,680 --> 00:52:24,479
Speaker 4: so that's how I'm like, when it starts getting crazy

1150
00:52:24,520 --> 00:52:27,719
Speaker 4: at home, it's going to get real crazy over there.

1151
00:52:28,400 --> 00:52:30,279
Speaker 4: And that's exactly how it is now. It's like getting

1152
00:52:30,320 --> 00:52:33,200
Speaker 4: to that point where it's like, Okay, a little attention,

1153
00:52:33,800 --> 00:52:35,440
Speaker 4: pan attention. It's a lot going on here and as

1154
00:52:35,440 --> 00:52:39,120
Speaker 4: soon as I leave and it's paparazzi or it's you know,

1155
00:52:39,239 --> 00:52:41,920
Speaker 4: being in South Carolina or Alabama and people are you know,

1156
00:52:42,080 --> 00:52:44,920
Speaker 4: or Philly. One day, I was like having a Michael

1157
00:52:45,000 --> 00:52:48,399
Speaker 4: Jackson moment. I've walked out not masicket, but the security there.

1158
00:52:49,280 --> 00:52:51,719
Speaker 4: My security no better, but the security I had there.

1159
00:52:51,760 --> 00:52:53,680
Speaker 4: They took me out the wrong door. It was right

1160
00:52:53,719 --> 00:52:57,200
Speaker 4: when everybody was coming out after my show. It was

1161
00:52:57,239 --> 00:52:59,000
Speaker 4: a run down the escalator thing.

1162
00:52:59,080 --> 00:53:01,360
Speaker 1: It was, so it's that's your craziest fan moment.

1163
00:53:01,600 --> 00:53:05,200
Speaker 4: Absolutely, that was like a MI like. It was that moment.

1164
00:53:05,280 --> 00:53:07,399
Speaker 4: I was like, oh yeah, I was like, I don't

1165
00:53:07,440 --> 00:53:11,560
Speaker 4: know if I'm ready for this mic No what I'm

1166
00:53:11,600 --> 00:53:13,440
Speaker 4: just saying it was that moment you know where everybody is.

1167
00:53:14,000 --> 00:53:17,759
Speaker 4: You know, it's a chance, it's a it's like you

1168
00:53:17,840 --> 00:53:19,600
Speaker 4: know what I'm saying. I got all these older women

1169
00:53:19,680 --> 00:53:21,880
Speaker 4: and they just I'll cook your grints, you know what

1170
00:53:21,920 --> 00:53:23,520
Speaker 4: I'm saying, Like, come on by the house.

1171
00:53:24,360 --> 00:53:25,560
Speaker 1: We heard them stories before.

1172
00:53:25,640 --> 00:53:27,840
Speaker 4: Oh I'm making some chicken.

1173
00:53:28,520 --> 00:53:28,800
Speaker 1: Cook it.

1174
00:53:29,000 --> 00:53:30,880
Speaker 4: Oh they'll cook it. They're like, come to the crib.

1175
00:53:31,200 --> 00:53:32,319
Speaker 4: I live at three ninety five.

1176
00:53:32,440 --> 00:53:34,200
Speaker 1: You talking about the ones that put their hands in

1177
00:53:34,280 --> 00:53:35,880
Speaker 1: the oh, just going in.

1178
00:53:36,239 --> 00:53:39,120
Speaker 2: They don't use the utensils. They go like this here, baby,

1179
00:53:39,200 --> 00:53:40,520
Speaker 2: ain't seen the tong They like that.

1180
00:53:41,640 --> 00:53:43,680
Speaker 4: The tornado twistering at.

1181
00:53:45,880 --> 00:53:46,480
Speaker 1: Shaking it in.

1182
00:53:48,360 --> 00:53:52,040
Speaker 4: Yeah, dog, yeah, they going in. They going in.

1183
00:53:52,280 --> 00:53:55,120
Speaker 2: Your DM is gonna go crazy right now because you

1184
00:53:55,160 --> 00:53:57,360
Speaker 2: know the O Jesus they own the social media.

1185
00:53:58,200 --> 00:54:01,200
Speaker 1: Like they on the social media like I like to eat.

1186
00:54:01,239 --> 00:54:05,000
Speaker 2: So I stayed getting the boy if I was, well

1187
00:54:05,040 --> 00:54:11,080
Speaker 2: you not, ma'am, Well you're not, man, take that girl.

1188
00:54:14,719 --> 00:54:15,439
Speaker 4: That was good.

1189
00:54:24,120 --> 00:54:26,799
Speaker 2: That's on the tour, bro, that's the tour I came.

1190
00:54:27,000 --> 00:54:30,040
Speaker 2: I came to one of your dates with my guy

1191
00:54:30,160 --> 00:54:30,760
Speaker 2: John Brown.

1192
00:54:31,560 --> 00:54:36,399
Speaker 1: Oh yeah, yeah, tour man. Absolutely in a great room

1193
00:54:37,600 --> 00:54:39,040
Speaker 1: like Dallas is something money Dallas.

1194
00:54:39,080 --> 00:54:41,719
Speaker 4: Yeah, yeah, yeah, yeah, yeah, and.

1195
00:54:41,800 --> 00:54:44,359
Speaker 1: That wasn't there was that. I just be remembering ship

1196
00:54:44,440 --> 00:54:45,040
Speaker 1: that was.

1197
00:54:45,000 --> 00:54:48,080
Speaker 3: You missed everything like Elephant. It was like that was

1198
00:54:48,120 --> 00:54:51,800
Speaker 3: your first headline tour. Yeah, absolutely, give me, give me

1199
00:54:51,880 --> 00:54:53,000
Speaker 3: that experience wrapped that up.

1200
00:54:53,920 --> 00:54:56,600
Speaker 4: First headline tour was was incredible. Man, we did we

1201
00:54:56,680 --> 00:54:59,600
Speaker 4: did great. Numbers turned out really great. That was just

1202
00:54:59,680 --> 00:55:04,759
Speaker 4: a really great learning experience because you know, funding the tour.

1203
00:55:05,680 --> 00:55:07,960
Speaker 1: Oh, we know you want to talk about funding.

1204
00:55:09,719 --> 00:55:12,200
Speaker 4: Us three. No, what that's all about. A lot of

1205
00:55:12,280 --> 00:55:16,959
Speaker 4: people don't understand in funding ain't no funding, funding, ain't

1206
00:55:16,960 --> 00:55:17,680
Speaker 4: no fund and funded.

1207
00:55:17,719 --> 00:55:20,200
Speaker 1: I don't think people really get it.

1208
00:55:20,520 --> 00:55:23,880
Speaker 2: No, you really love your fans, absolutely, you have to

1209
00:55:23,960 --> 00:55:24,799
Speaker 2: really love your fans.

1210
00:55:24,840 --> 00:55:26,920
Speaker 4: They're like, oh, he's making this much. Yeah, but it's

1211
00:55:27,400 --> 00:55:30,480
Speaker 4: that much coming out maybe more, maybe more, maybe more

1212
00:55:30,600 --> 00:55:31,920
Speaker 4: sometimes you and the negative.

1213
00:55:33,160 --> 00:55:35,600
Speaker 1: Yeah, they overages is what they call them.

1214
00:55:35,760 --> 00:55:39,080
Speaker 2: Exactly what you mean is oh yeah, y'all pulled up

1215
00:55:39,120 --> 00:55:41,520
Speaker 2: thirty exactly when you were supposed to load in it

1216
00:55:41,719 --> 00:55:43,040
Speaker 2: right right.

1217
00:55:43,120 --> 00:55:44,640
Speaker 4: That tour didn't favor that damn rolls.

1218
00:55:44,760 --> 00:55:45,400
Speaker 1: That was royalty.

1219
00:55:45,600 --> 00:55:50,080
Speaker 4: That wasn't no tour tour. I mean Roman, Yeah, you

1220
00:55:50,120 --> 00:55:53,440
Speaker 4: know what I'm saying, it's just that's what it is. Uh,

1221
00:55:53,920 --> 00:55:57,439
Speaker 4: twenty five hundred I think, yeah, something like that. Mm hmm, yeah,

1222
00:55:57,440 --> 00:55:59,799
Speaker 4: I think I think twenty five hundred eighteen or twenty

1223
00:55:59,800 --> 00:56:02,240
Speaker 4: five something like that. So, you know, we did Madison

1224
00:56:02,280 --> 00:56:04,160
Speaker 4: Square Garden and the twenty five year because they got

1225
00:56:04,200 --> 00:56:08,600
Speaker 4: different with the theater. We did the theater. I did

1226
00:56:08,640 --> 00:56:13,320
Speaker 4: that with Babyface. Yeah, man, we did Uh oh, I

1227
00:56:13,400 --> 00:56:14,759
Speaker 4: forget what it's called down I did. I just did

1228
00:56:14,800 --> 00:56:18,040
Speaker 4: something with Buster. But but that was a great experience

1229
00:56:18,120 --> 00:56:20,480
Speaker 4: and it was a really great learning experience from me

1230
00:56:20,560 --> 00:56:22,319
Speaker 4: and my team because you know, I got my boys, man,

1231
00:56:22,360 --> 00:56:25,040
Speaker 4: I got you know, Seawan and Jamie are here. You know,

1232
00:56:25,120 --> 00:56:27,600
Speaker 4: those are my day ones, you know, twenty plus years

1233
00:56:27,640 --> 00:56:30,200
Speaker 4: of being friends. So I got them. I got my

1234
00:56:30,280 --> 00:56:32,600
Speaker 4: whole team's trying to buy you know, ones doing merch

1235
00:56:32,719 --> 00:56:35,759
Speaker 4: ones my day to day which is Jamie Shawn's of renaissancement.

1236
00:56:35,840 --> 00:56:37,640
Speaker 4: That dude just does everything. He's all over the place.

1237
00:56:38,239 --> 00:56:41,000
Speaker 4: Funny story. I called that dude real quick and was like, yo, oh,

1238
00:56:41,120 --> 00:56:42,520
Speaker 4: I'm not We were standing. I was like, I'm out

1239
00:56:42,520 --> 00:56:44,960
Speaker 4: of cigars. I'm out of cigars before I go on stage,

1240
00:56:45,719 --> 00:56:48,239
Speaker 4: and he's like, oh, man, okay, I dropped the ball.

1241
00:56:48,440 --> 00:56:49,879
Speaker 4: I'm gonna go get it. I thought he was getting

1242
00:56:49,880 --> 00:56:52,560
Speaker 4: an uber, so I called him, Sean, Yo, I'm about

1243
00:56:52,560 --> 00:56:53,680
Speaker 4: to go on stage in like ten minutes. He said,

1244
00:56:53,680 --> 00:56:55,120
Speaker 4: I'm about to pull up and all I here is

1245
00:56:57,280 --> 00:56:58,759
Speaker 4: and I'm like, oh, you got your window down.

1246
00:56:58,800 --> 00:57:00,640
Speaker 1: He's like no, No. I was like, well were you?

1247
00:57:01,040 --> 00:57:01,680
Speaker 1: I'm on a scooter.

1248
00:57:02,360 --> 00:57:04,680
Speaker 4: He was on a line scooter. Yeah.

1249
00:57:04,920 --> 00:57:07,279
Speaker 1: Yeah, on the thing and pulled up with a cigar,

1250
00:57:07,480 --> 00:57:09,560
Speaker 1: like we'll make it. Do what he do, bab So.

1251
00:57:09,600 --> 00:57:13,840
Speaker 4: Shout out to Sean, You're going to get them cigars.

1252
00:57:14,800 --> 00:57:17,640
Speaker 4: Come on, take me, take it. Drink for se Take

1253
00:57:17,680 --> 00:57:20,120
Speaker 4: it drink for Sean. Shout after Sean, Man, you know

1254
00:57:20,120 --> 00:57:22,200
Speaker 4: what I'm saying. We're going to get them scars on.

1255
00:57:23,080 --> 00:57:24,640
Speaker 4: He calls him a Cadillac for some reason.

1256
00:57:25,800 --> 00:57:28,480
Speaker 1: But yeah, so you don't go on stage without a stick.

1257
00:57:28,880 --> 00:57:32,840
Speaker 4: No. No, I've had one where Sheriff was in the

1258
00:57:32,880 --> 00:57:34,920
Speaker 4: audience and he gave me a cigar that exactly what

1259
00:57:35,000 --> 00:57:37,480
Speaker 4: I smoked, the placencia of the green labels, and he

1260
00:57:37,680 --> 00:57:39,480
Speaker 4: was like, I got one for you, and he came up.

1261
00:57:40,760 --> 00:57:46,720
Speaker 4: Probably the most emotional part of the the whole entire tour.

1262
00:57:46,800 --> 00:57:49,000
Speaker 4: It was amazing and I love the whole tour. The

1263
00:57:49,120 --> 00:57:51,320
Speaker 4: most memorable was you know this guy, he comes up

1264
00:57:51,360 --> 00:57:53,080
Speaker 4: and he's saying me the cigar, and I'm just like, oh,

1265
00:57:53,120 --> 00:57:54,440
Speaker 4: thank you so much. I'm like, yo, tell him to

1266
00:57:54,440 --> 00:57:55,680
Speaker 4: come up. You can come up and watch the show

1267
00:57:55,720 --> 00:57:58,160
Speaker 4: from the stage. And they brought him up and I

1268
00:57:58,200 --> 00:57:59,880
Speaker 4: got a cigar. I'm like, thank you, man, I appreciate it.

1269
00:58:00,080 --> 00:58:02,160
Speaker 4: Get off. I give him this big hug and he

1270
00:58:02,240 --> 00:58:03,840
Speaker 4: looks at me. He's like, man, I was about to

1271
00:58:03,920 --> 00:58:08,120
Speaker 4: kill myself. He's like, man, I listened to your album man,

1272
00:58:08,200 --> 00:58:12,200
Speaker 4: and I just kind of got through it. And I'm like, huh, yeah,

1273
00:58:12,680 --> 00:58:13,440
Speaker 4: you're about to what.

1274
00:58:15,280 --> 00:58:15,480
Speaker 1: Nah?

1275
00:58:16,520 --> 00:58:19,000
Speaker 4: He was like, I was going through stuff, man. And

1276
00:58:19,200 --> 00:58:20,800
Speaker 4: that's when it kind of hit me, like is my

1277
00:58:20,960 --> 00:58:23,840
Speaker 4: music really doing like because to me, I make so

1278
00:58:24,040 --> 00:58:26,000
Speaker 4: much of it. I'm just doing it and I'm like

1279
00:58:26,080 --> 00:58:28,880
Speaker 4: a machine. I'm not thinking of anything else after it.

1280
00:58:28,920 --> 00:58:31,880
Speaker 4: I'm just thinking of just making different content. And I'm

1281
00:58:31,960 --> 00:58:35,320
Speaker 4: just like I just blew my mind. And that was

1282
00:58:35,360 --> 00:58:36,880
Speaker 4: towards I think the end of the tour, and I

1283
00:58:37,000 --> 00:58:40,280
Speaker 4: was just like that was the most emotional moments. I

1284
00:58:40,360 --> 00:58:42,680
Speaker 4: was just like, I didn't know that this was doing

1285
00:58:42,720 --> 00:58:45,560
Speaker 4: anything to people. To be honest, I just make music.

1286
00:58:45,680 --> 00:58:47,960
Speaker 4: I don't know how it touches people. And then when

1287
00:58:47,960 --> 00:58:50,320
Speaker 4: they come up and say that, I had a seven

1288
00:58:50,440 --> 00:58:52,240
Speaker 4: year old girl come up and sing mahaland dry front

1289
00:58:52,280 --> 00:58:53,920
Speaker 4: to back, I'm like, what.

1290
00:58:54,600 --> 00:58:56,040
Speaker 1: Now, my daughter knows exactly who you are.

1291
00:58:56,240 --> 00:59:00,240
Speaker 4: I'm just like, wow, Oh, I'm just from India. Say

1292
00:59:00,240 --> 00:59:04,160
Speaker 4: Indiana cat I'm just doing music, you know, and.

1293
00:59:04,480 --> 00:59:08,560
Speaker 1: You know you know Indiana cats man, It's something in

1294
00:59:08,640 --> 00:59:08,960
Speaker 1: the water.

1295
00:59:09,080 --> 00:59:11,560
Speaker 2: Come on, bro, don't just don't just say I'm just

1296
00:59:11,680 --> 00:59:12,560
Speaker 2: Indiana cat man.

1297
00:59:12,640 --> 00:59:12,800
Speaker 6: You know.

1298
00:59:13,080 --> 00:59:15,240
Speaker 4: I mean we got we got Michael Michaels from from

1299
00:59:15,240 --> 00:59:15,640
Speaker 4: the Land.

1300
00:59:15,760 --> 00:59:17,240
Speaker 1: Brother, you're from the Land.

1301
00:59:18,720 --> 00:59:22,440
Speaker 4: Well, and you know we got my we and j

1302
00:59:22,720 --> 00:59:25,280
Speaker 4: and Tito Nigga. We got Tito.

1303
00:59:25,720 --> 00:59:26,200
Speaker 1: You gotta have.

1304
00:59:26,680 --> 00:59:28,920
Speaker 4: We got yeah, you gotta have. We gotta have t Though,

1305
00:59:29,120 --> 00:59:32,280
Speaker 4: we got the whole Jack five, we got everybody, come on, man.

1306
00:59:32,640 --> 00:59:34,360
Speaker 4: So it's just I don't know. It's just weird to

1307
00:59:34,760 --> 00:59:37,480
Speaker 4: see people really loving the music, because when I put

1308
00:59:37,520 --> 00:59:40,000
Speaker 4: it out, I get closed off. I'm just like they're

1309
00:59:40,040 --> 00:59:41,960
Speaker 4: gonna hate it. We knew I should have put more

1310
00:59:42,040 --> 00:59:42,480
Speaker 4: vocals on this.

1311
00:59:42,600 --> 00:59:47,240
Speaker 2: Ride if you even go more vocals, we got babyface. Yeah,

1312
00:59:47,360 --> 00:59:49,680
Speaker 2: you got the Edmonds brothers. You gotta, I mean, you

1313
00:59:49,720 --> 00:59:54,280
Speaker 2: got after seven. Come on, y'all listen, wait after seven

1314
00:59:55,600 --> 01:00:00,400
Speaker 2: related they're his brothers. Oh yeah, well this just starting

1315
01:00:00,400 --> 01:00:00,760
Speaker 2: to kick in.

1316
01:00:04,800 --> 01:00:07,720
Speaker 4: This is starting to kick in. This is brought to

1317
01:00:07,760 --> 01:00:12,000
Speaker 4: you by death Row. Oh ship, here we go again.

1318
01:00:15,000 --> 01:00:17,760
Speaker 2: Yeah, I got real heavy hitters, bro man, y'all got

1319
01:00:17,840 --> 01:00:19,360
Speaker 2: real heavy hitters out of Indiana.

1320
01:00:20,080 --> 01:00:20,600
Speaker 4: Mm hmmm.

1321
01:00:21,120 --> 01:00:22,960
Speaker 1: So don't just say like I'm just a guy out

1322
01:00:23,000 --> 01:00:24,600
Speaker 1: of Indiana. You're from a special place, bro.

1323
01:00:25,640 --> 01:00:27,760
Speaker 4: Yeah, because South Bend, everybody just thinks the sports. They

1324
01:00:27,760 --> 01:00:29,520
Speaker 4: don't give a ship about the music part, because they're

1325
01:00:29,560 --> 01:00:34,240
Speaker 4: just like, we want sports, want football, Notre Dame, you

1326
01:00:34,320 --> 01:00:37,640
Speaker 4: know what I'm saying. And now seeing that now that

1327
01:00:37,760 --> 01:00:40,840
Speaker 4: Notre Dame is even recognizing, like, oh, like my city

1328
01:00:40,880 --> 01:00:43,560
Speaker 4: gave me a proclamation so I have my own day

1329
01:00:43,720 --> 01:00:48,000
Speaker 4: and all that kind of yeah, what's your day September October?

1330
01:00:48,440 --> 01:00:52,280
Speaker 4: Every time I say that, they say, yo, why isn't

1331
01:00:52,320 --> 01:00:55,240
Speaker 4: it in October? And I'm like, you got a good point,

1332
01:00:55,400 --> 01:00:57,160
Speaker 4: But I was so on a natural high.

1333
01:00:57,360 --> 01:00:57,880
Speaker 1: You just took it.

1334
01:00:58,280 --> 01:01:02,240
Speaker 4: I took it. I said, ship whatever, change it for you. Yeah, absolutely,

1335
01:01:02,280 --> 01:01:04,000
Speaker 4: I think we should change it. Might well change to

1336
01:01:04,040 --> 01:01:04,440
Speaker 4: my birthday.

1337
01:01:05,040 --> 01:01:09,920
Speaker 1: Seventeenth is the new being Yeah, yeah, yeah, Mayor Pete.

1338
01:01:09,960 --> 01:01:11,760
Speaker 4: He's in the office now, he's in he's around the

1339
01:01:11,760 --> 01:01:13,840
Speaker 4: White House. Now I need to give me something.

1340
01:01:13,960 --> 01:01:14,600
Speaker 1: We will give you a day.

1341
01:01:15,520 --> 01:01:17,080
Speaker 4: Yeah, I'm gonna give you a day.

1342
01:01:17,920 --> 01:01:21,880
Speaker 1: We got a gift for you in September, butrary.

1343
01:01:22,520 --> 01:01:23,400
Speaker 4: You drinking with us.

1344
01:01:25,880 --> 01:01:27,880
Speaker 1: We got a day in August. It's really gonna change

1345
01:01:27,920 --> 01:01:28,240
Speaker 1: your life.

1346
01:01:30,040 --> 01:01:31,360
Speaker 4: We gotta in August.

1347
01:01:31,640 --> 01:01:33,560
Speaker 1: You just stick around. I promise you, we're gonna do

1348
01:01:33,640 --> 01:01:36,800
Speaker 1: something special for you. In the it's seen today.

1349
01:01:38,760 --> 01:01:43,840
Speaker 4: It's the who you got the wrong man, man cam.

1350
01:01:43,760 --> 01:01:46,800
Speaker 1: Thief is what you are today.

1351
01:01:47,040 --> 01:01:47,640
Speaker 4: That's not me.

1352
01:01:47,920 --> 01:01:50,560
Speaker 1: We're gonna take care that's not me in a special way.

1353
01:01:50,680 --> 01:01:53,080
Speaker 4: My son's birthday is November third. I wonder if he's

1354
01:01:53,080 --> 01:01:56,000
Speaker 4: gonna be November London, if he be artist, because he's

1355
01:01:56,000 --> 01:01:58,320
Speaker 4: an E D M. He's his favorite R was DJ Marshmallow.

1356
01:01:58,480 --> 01:02:00,200
Speaker 4: So now you got to get in touch with DJ

1357
01:02:00,280 --> 01:02:03,480
Speaker 4: Marshmallow somehow, some way, and so shout out DJ Marshmallow.

1358
01:02:03,480 --> 01:02:05,360
Speaker 4: Please call me or hit me up because I need

1359
01:02:05,440 --> 01:02:05,800
Speaker 4: my son to.

1360
01:02:05,800 --> 01:02:07,520
Speaker 1: Meet I'm sure Snoopy knows.

1361
01:02:08,200 --> 01:02:09,160
Speaker 4: Maybe you could because you.

1362
01:02:11,080 --> 01:02:13,560
Speaker 2: The tank knows and ship Okay. I was about to say, stoopid,

1363
01:02:13,680 --> 01:02:17,960
Speaker 2: I need it, I need it. Yeah, November London. November

1364
01:02:18,000 --> 01:02:20,440
Speaker 2: London is actually yeah, he's already already.

1365
01:02:20,760 --> 01:02:24,040
Speaker 4: He's already going in see all the basketball games like

1366
01:02:24,120 --> 01:02:29,320
Speaker 4: November not Uncle Jay, you the old what the end?

1367
01:02:30,640 --> 01:02:32,680
Speaker 4: No matter what you are doing London. There we go,

1368
01:02:32,880 --> 01:02:35,720
Speaker 4: there it is he already, he's already his school, like

1369
01:02:35,880 --> 01:02:37,600
Speaker 4: you know, like I said, my sons seven by turn

1370
01:02:37,680 --> 01:02:41,080
Speaker 4: eight November thirty and he's talking talk. Oh no, he's

1371
01:02:41,200 --> 01:02:43,320
Speaker 4: he's he's into it. I just hear him in the

1372
01:02:43,880 --> 01:02:45,520
Speaker 4: here's the crazy part. I think he's I think he's

1373
01:02:45,520 --> 01:02:46,720
Speaker 4: not gonna do me. I think it's gonna be into

1374
01:02:46,760 --> 01:02:48,920
Speaker 4: movies and have the music in it. Because I go

1375
01:02:49,000 --> 01:02:51,880
Speaker 4: in his room, He's like, Dad, I'm making a movie

1376
01:02:52,000 --> 01:02:54,800
Speaker 4: right now. And I'm like, all right, son, I just

1377
01:02:54,960 --> 01:02:56,800
Speaker 4: was coming in here. If you want some something to eat,

1378
01:02:56,920 --> 01:02:58,480
Speaker 4: he was like yeah, I'm hungry. I'm like all right.

1379
01:02:58,520 --> 01:02:58,720
Speaker 1: Cool.

1380
01:03:00,000 --> 01:03:02,520
Speaker 4: So he's in there like building a set and cameras

1381
01:03:02,600 --> 01:03:06,400
Speaker 4: come down and like Carrer's car fanatic too. Cars are

1382
01:03:06,640 --> 01:03:08,880
Speaker 4: the cyber truck is rolled over on its side. This

1383
01:03:09,040 --> 01:03:11,240
Speaker 4: car then blew up and this and that, like I

1384
01:03:11,360 --> 01:03:14,600
Speaker 4: just I'm just I love my imagination. Let him cook.

1385
01:03:15,040 --> 01:03:17,080
Speaker 4: And then he's playing music. This is what and he's rolled.

1386
01:03:17,120 --> 01:03:19,120
Speaker 4: I'm just watching from the corner door and the cars

1387
01:03:19,160 --> 01:03:19,840
Speaker 4: coming down.

1388
01:03:20,200 --> 01:03:20,600
Speaker 1: And he's just.

1389
01:03:22,600 --> 01:03:25,800
Speaker 2: We were having this conversation earlier today, myself, my brother

1390
01:03:26,600 --> 01:03:27,600
Speaker 2: and my brother tank.

1391
01:03:29,880 --> 01:03:34,800
Speaker 1: Parents, stop being killers of dreams. Speak on him, speak

1392
01:03:34,840 --> 01:03:38,920
Speaker 1: on it. Every kid is not prepared to fight against that.

1393
01:03:39,040 --> 01:03:44,000
Speaker 1: You can't do something. Some kids need this.

1394
01:03:44,720 --> 01:03:45,120
Speaker 4: Mm hmm.

1395
01:03:45,560 --> 01:03:47,720
Speaker 1: You can do whatever you want to do. Yep, you

1396
01:03:47,760 --> 01:03:50,840
Speaker 1: will make movies. I'm gonna come to your movie.

1397
01:03:50,880 --> 01:03:51,720
Speaker 4: I'm a company movie.

1398
01:03:51,800 --> 01:03:52,880
Speaker 1: They need to see that.

1399
01:03:53,000 --> 01:03:56,680
Speaker 2: They need to hear that, parents, because you are the

1400
01:03:56,880 --> 01:03:58,720
Speaker 2: first superheroes for these kids.

1401
01:03:58,800 --> 01:03:58,920
Speaker 4: Oh.

1402
01:03:59,040 --> 01:04:03,880
Speaker 1: Absolutely, do not kill their dreams. Absolutely. This man's parents

1403
01:04:04,000 --> 01:04:06,320
Speaker 1: let him live in the house until.

1404
01:04:07,160 --> 01:04:10,120
Speaker 4: Oh yeah, until I'm still eating food.

1405
01:04:10,200 --> 01:04:13,000
Speaker 1: He was just saying, that's something I picked up every

1406
01:04:13,080 --> 01:04:15,680
Speaker 1: time you went back I went to.

1407
01:04:15,720 --> 01:04:19,080
Speaker 4: Mom and dad, Mama, Daddy, my dad always yeah, my

1408
01:04:19,120 --> 01:04:21,120
Speaker 4: dad alway telling me, He's like, I leave a light

1409
01:04:21,240 --> 01:04:23,439
Speaker 4: on next to the front door and the other door

1410
01:04:24,240 --> 01:04:27,400
Speaker 4: because just in case y'all want to come home. He's like,

1411
01:04:27,440 --> 01:04:29,480
Speaker 4: and I'm gonna do that until they I die. He

1412
01:04:29,560 --> 01:04:31,680
Speaker 4: was like, light is always on, and it is every

1413
01:04:31,800 --> 01:04:34,000
Speaker 4: freaking night. It's been like that for I'm thirty seven

1414
01:04:34,080 --> 01:04:34,280
Speaker 4: by to.

1415
01:04:34,280 --> 01:04:34,800
Speaker 1: Be thirty eight.

1416
01:04:35,080 --> 01:04:36,160
Speaker 4: It's been like that every time.

1417
01:04:36,480 --> 01:04:37,800
Speaker 1: Yeah, I love them for it.

1418
01:04:37,840 --> 01:04:40,520
Speaker 4: I love my parents for it. So now they're instilling

1419
01:04:40,560 --> 01:04:41,960
Speaker 4: all that knowledge into my son.

1420
01:04:42,120 --> 01:04:43,840
Speaker 1: And now you know, and and my.

1421
01:04:43,840 --> 01:04:45,320
Speaker 4: Son is on doggy Oh by the way, you know,

1422
01:04:45,400 --> 01:04:46,880
Speaker 4: you know me, Snoop. You know, I'm a co owner

1423
01:04:46,920 --> 01:04:52,200
Speaker 4: of Doggyland. The kids talk about it, and I put

1424
01:04:52,240 --> 01:04:54,400
Speaker 4: my son on that, so it's like, you know, he's

1425
01:04:54,440 --> 01:04:55,160
Speaker 4: getting a piece of that.

1426
01:04:55,320 --> 01:04:56,200
Speaker 1: So he's getting that that.

1427
01:04:56,320 --> 01:05:01,200
Speaker 4: Long that long generation, that generational that generates. Yeah, So

1428
01:05:01,320 --> 01:05:04,600
Speaker 4: I do the voice of Wolfy. I do the music,

1429
01:05:05,160 --> 01:05:07,600
Speaker 4: so I'm producing, right, a lot of the music. And

1430
01:05:07,640 --> 01:05:10,360
Speaker 4: then co owner also me Claude Brooks and Snoop are

1431
01:05:10,360 --> 01:05:15,360
Speaker 4: the owners of Dogland kids. You know, I'm all over

1432
01:05:15,440 --> 01:05:16,880
Speaker 4: the place. Man, A lot of people don't know, like

1433
01:05:16,960 --> 01:05:19,919
Speaker 4: I'm I'm doing dogging. I'm doing the whole Wolfy voice.

1434
01:05:20,840 --> 01:05:30,840
Speaker 1: The doors open, Yeah, and then your son Rose pulls up. Yeah,

1435
01:05:32,440 --> 01:05:33,360
Speaker 1: what this ship is about?

1436
01:05:33,480 --> 01:05:33,680
Speaker 6: Man?

1437
01:05:34,160 --> 01:05:34,360
Speaker 1: Yeah?

1438
01:05:34,560 --> 01:05:38,080
Speaker 2: And it's like you know, those those moments for you

1439
01:05:38,240 --> 01:05:41,960
Speaker 2: on tour, like I love those moments for you because

1440
01:05:42,960 --> 01:05:48,640
Speaker 2: sometimes you know, it's hard to it's hard to know.

1441
01:05:50,960 --> 01:05:55,960
Speaker 2: You know where your music lands absolutely and what ultimately

1442
01:05:56,440 --> 01:06:00,439
Speaker 2: is your true purpose, the true purpose for your music,

1443
01:06:00,520 --> 01:06:04,640
Speaker 2: for your existence. You know, and we we love all

1444
01:06:04,720 --> 01:06:08,600
Speaker 2: of the perks that come along with it. But when

1445
01:06:08,640 --> 01:06:11,920
Speaker 2: someone walks up to you and says your music saved

1446
01:06:12,000 --> 01:06:12,760
Speaker 2: my life.

1447
01:06:13,320 --> 01:06:13,400
Speaker 6: That.

1448
01:06:15,880 --> 01:06:20,360
Speaker 3: Gives you something different, That gives you a different energy,

1449
01:06:20,440 --> 01:06:23,840
Speaker 3: a different motivation, makes you want to be part of

1450
01:06:23,920 --> 01:06:29,520
Speaker 3: something different, something greater, which you unconsciously are because you work.

1451
01:06:30,360 --> 01:06:34,000
Speaker 3: Absolutely you're one hundred percent dedicated and committed to the work.

1452
01:06:34,040 --> 01:06:38,040
Speaker 3: I'll be in here all night and all day if

1453
01:06:38,160 --> 01:06:44,760
Speaker 3: need be. But I'm glad you got to experience that

1454
01:06:45,520 --> 01:06:49,520
Speaker 3: to know what your music is actually doing. Not just

1455
01:06:49,600 --> 01:06:52,520
Speaker 3: the billboard, not just the back end you pick up.

1456
01:06:52,640 --> 01:06:57,080
Speaker 1: No, not that how you how how your gift affects life.

1457
01:06:59,280 --> 01:07:00,720
Speaker 1: That's the muscle important part of it.

1458
01:07:01,560 --> 01:07:02,560
Speaker 4: Just thinking about that is.

1459
01:07:03,600 --> 01:07:07,200
Speaker 2: They're they're pisses, Like it's like people are watching you

1460
01:07:07,440 --> 01:07:11,480
Speaker 2: that you never imagine people are listening to you, that

1461
01:07:11,640 --> 01:07:15,200
Speaker 2: you are that you never imagine people are finding something

1462
01:07:15,360 --> 01:07:19,160
Speaker 2: in your tone, in your lyrics, in your production that

1463
01:07:19,880 --> 01:07:22,480
Speaker 2: you didn't put there on purpose. It's just there because

1464
01:07:22,480 --> 01:07:25,120
Speaker 2: it's your gift and it's saving and it's healing them.

1465
01:07:25,240 --> 01:07:28,400
Speaker 1: Like that's that's what all this is about.

1466
01:07:28,560 --> 01:07:31,600
Speaker 4: Yeah, it's God moving, man, God is moving on, shaking

1467
01:07:31,640 --> 01:07:35,200
Speaker 4: and move, shaking and moving like, Yo, you're not putting

1468
01:07:35,240 --> 01:07:37,240
Speaker 4: that there, You're going here, you're not doing that there.

1469
01:07:37,400 --> 01:07:39,520
Speaker 4: And that's just that's why I just go. When I'm recording,

1470
01:07:39,560 --> 01:07:41,800
Speaker 4: I just go and how it turns out, that's how

1471
01:07:41,840 --> 01:07:43,440
Speaker 4: it turns out. And that's just what it is. And

1472
01:07:43,520 --> 01:07:45,800
Speaker 4: it just it just falls right in the slot every time.

1473
01:07:45,960 --> 01:07:49,480
Speaker 4: I'm just I'm just grateful. I'm just very grateful.

1474
01:07:49,720 --> 01:07:50,400
Speaker 1: What's next for you?

1475
01:07:52,040 --> 01:07:52,280
Speaker 4: Next?

1476
01:07:52,360 --> 01:07:52,560
Speaker 3: For me?

1477
01:07:54,000 --> 01:07:56,520
Speaker 4: Well, I know us three are working on a joint

1478
01:07:56,560 --> 01:08:00,600
Speaker 4: project t j O. I think working on that.

1479
01:08:02,080 --> 01:08:10,439
Speaker 1: I think that's be more initial yea, the mechanics or something.

1480
01:08:13,400 --> 01:08:15,720
Speaker 4: Let us work on these cars, ladies and gentlemen coming

1481
01:08:15,760 --> 01:08:19,720
Speaker 4: to the state steak in shape and shape and sh

1482
01:08:19,920 --> 01:08:20,479
Speaker 4: I wouldn't be in.

1483
01:08:23,320 --> 01:08:23,519
Speaker 1: Man.

1484
01:08:23,600 --> 01:08:28,719
Speaker 4: What's next for me is uh, well, two things about

1485
01:08:28,760 --> 01:08:31,880
Speaker 4: to drop the single she keeps calling a single for

1486
01:08:32,600 --> 01:08:36,320
Speaker 4: for the October new album coming October eleventh, called October

1487
01:08:36,439 --> 01:08:42,000
Speaker 4: Nights and the singles coming. Yeah, so thank you, thank you.

1488
01:08:42,080 --> 01:08:44,599
Speaker 4: That snoop title. Once again, he's two titles and he's

1489
01:08:45,240 --> 01:08:46,479
Speaker 4: stay in it, stay in.

1490
01:08:48,320 --> 01:08:49,040
Speaker 1: Yeah. Yep.

1491
01:08:49,240 --> 01:08:52,360
Speaker 4: So I was gonna name the album Triple Cheeseburger Max,

1492
01:08:52,680 --> 01:08:53,360
Speaker 4: but I guess.

1493
01:08:54,520 --> 01:08:57,360
Speaker 1: With with the Maxauce.

1494
01:08:58,240 --> 01:09:06,800
Speaker 6: Max doing, we're doing that, we're not doing it. We

1495
01:09:06,920 --> 01:09:11,120
Speaker 6: call the album that we're not doing Knights Tripple.

1496
01:09:11,680 --> 01:09:14,439
Speaker 1: This is day where we are. Bro, let's go to

1497
01:09:14,600 --> 01:09:17,240
Speaker 1: for two. You got to take out of that. Wow,

1498
01:09:22,040 --> 01:09:30,599
Speaker 1: you're going triple a little bit.

1499
01:09:31,000 --> 01:09:38,559
Speaker 4: Oh, I do this, I do this is gonna happen.

1500
01:09:39,160 --> 01:09:42,280
Speaker 4: We all got one room. If we hit a stage together,

1501
01:09:42,439 --> 01:09:45,360
Speaker 4: it's not gonna be good. Backstage, it's not gonna be good.

1502
01:09:45,400 --> 01:09:47,439
Speaker 4: But we're gonna have a great time.

1503
01:09:47,520 --> 01:09:48,000
Speaker 1: Man. We do that.

1504
01:09:48,200 --> 01:09:50,679
Speaker 4: You have the single, got the single and the album

1505
01:09:51,000 --> 01:09:53,800
Speaker 4: and now it's called October Nights. Singles called She Keeps

1506
01:09:53,840 --> 01:09:59,599
Speaker 4: Calling comes out you know a couple of days and yeah,

1507
01:09:59,680 --> 01:10:03,360
Speaker 4: it's it's it's really dope. So I got that and

1508
01:10:04,400 --> 01:10:06,240
Speaker 4: what else I got? I mean, we keep putting out.

1509
01:10:07,400 --> 01:10:11,880
Speaker 4: Yeah to the tour, yeah, yeah, the tour actually coming

1510
01:10:11,920 --> 01:10:15,559
Speaker 4: out September fourteenth is when we get on the first round.

1511
01:10:15,960 --> 01:10:19,120
Speaker 4: I'm out there with Come on, tell us. I don't

1512
01:10:19,160 --> 01:10:23,240
Speaker 4: know if they're ready. Oh you're I'm out there with

1513
01:10:24,360 --> 01:10:30,960
Speaker 4: Maxwell and Jasmine Sullivan, Maxwell and Jasmine Sullivan.

1514
01:10:31,600 --> 01:10:32,439
Speaker 1: Yeah's work.

1515
01:10:33,320 --> 01:10:37,520
Speaker 4: Yeah, I gotta, I gotta, I gotta prepare because they gonna.

1516
01:10:37,280 --> 01:10:42,120
Speaker 1: Go work absolutely well for that challenge. Yeah. No, I

1517
01:10:42,240 --> 01:10:43,200
Speaker 1: love it. I love it.

1518
01:10:43,439 --> 01:10:45,840
Speaker 4: It makes me better every time I'm not out there

1519
01:10:45,960 --> 01:10:51,000
Speaker 4: like mo No, it makes me better. Twenty six, twenty

1520
01:10:51,080 --> 01:10:53,400
Speaker 4: six cities, forty four days on the road.

1521
01:10:53,920 --> 01:10:54,160
Speaker 1: Nice.

1522
01:10:55,439 --> 01:10:57,559
Speaker 4: Yeah, you know, I just got that tour bus bill.

1523
01:10:59,160 --> 01:10:59,360
Speaker 1: T me.

1524
01:10:59,479 --> 01:11:02,080
Speaker 4: Yeah, I know, I know, I know, you know you know,

1525
01:11:04,600 --> 01:11:05,200
Speaker 4: but yeah.

1526
01:11:05,640 --> 01:11:08,400
Speaker 1: What hit? What it hit? Folk? I was trying to

1527
01:11:08,439 --> 01:11:12,519
Speaker 1: sell my bunk for the nights. He wasn't on to

1528
01:11:13,040 --> 01:11:14,720
Speaker 1: his bunk was eleven hundred.

1529
01:11:20,439 --> 01:11:23,519
Speaker 4: Eleven hundred dollars. It's just nasty work.

1530
01:11:23,360 --> 01:11:27,719
Speaker 3: With my son out here. Leven honey, eleven here, your godson,

1531
01:11:27,800 --> 01:11:32,599
Speaker 3: eleven hundred. I'm not gonna let you do these lives

1532
01:11:32,680 --> 01:11:34,160
Speaker 3: on me night.

1533
01:11:34,400 --> 01:11:39,559
Speaker 2: Charge Zion eleven honey, Oh.

1534
01:11:38,080 --> 01:11:41,680
Speaker 1: My god, can get his weight up, get his weight up.

1535
01:11:42,200 --> 01:11:44,639
Speaker 4: I need to pay the bill, pay his tax. Eleven

1536
01:11:44,960 --> 01:11:46,519
Speaker 4: You gotta learn, and that's with tax.

1537
01:11:46,760 --> 01:11:52,000
Speaker 1: Gotta learn eleven. You gotta pay resorts, niggas. I hate

1538
01:11:52,040 --> 01:11:54,920
Speaker 1: that ship. You be thinking you're gonna pay for the

1539
01:11:55,040 --> 01:11:58,200
Speaker 1: nice little role. Yeah, I'm not using your punk as amen.

1540
01:11:58,960 --> 01:12:01,000
Speaker 4: Then you gotta pay the minute, these bill and everything else.

1541
01:12:01,000 --> 01:12:01,800
Speaker 4: I might as well pay the.

1542
01:12:01,800 --> 01:12:05,040
Speaker 1: Water in the gas. So before you go on your next.

1543
01:12:04,960 --> 01:12:08,799
Speaker 4: Tour, Maxwell Tour, Serenade Tour, after.

1544
01:12:08,600 --> 01:12:11,960
Speaker 3: You finish that tour, let's talk before you do another tour.

1545
01:12:13,479 --> 01:12:16,519
Speaker 3: We keep we keep saying, but let's let's actually you

1546
01:12:16,680 --> 01:12:18,280
Speaker 3: already booked for another tour right after that.

1547
01:12:18,800 --> 01:12:21,720
Speaker 4: This is the ship I just signed on another tour.

1548
01:12:21,880 --> 01:12:23,559
Speaker 4: I can't even say when it is right now, but yeah,

1549
01:12:24,560 --> 01:12:27,600
Speaker 4: I'm no. But let's just go overseas. Why don't we

1550
01:12:27,680 --> 01:12:29,400
Speaker 4: just all go overseas. Let's just go do I got time.

1551
01:12:29,479 --> 01:12:31,600
Speaker 4: I'm gonna have time. Have it between November and the

1552
01:12:31,640 --> 01:12:35,639
Speaker 4: time I'm gonna tell you about next year. I know, yeah,

1553
01:12:35,680 --> 01:12:37,320
Speaker 4: I know, but I'm gonna have that time.

1554
01:12:37,560 --> 01:12:40,080
Speaker 1: My brother, I appreciate no memory into the week.

1555
01:12:40,439 --> 01:12:42,000
Speaker 4: Why don't we I don't like to.

1556
01:12:42,000 --> 01:12:48,200
Speaker 1: Go to it's a come on, man, that I got

1557
01:12:48,240 --> 01:12:49,160
Speaker 1: your flight for this weekend.

1558
01:12:49,880 --> 01:12:53,320
Speaker 4: Uh, I'm not going to minneapolet's go.

1559
01:12:53,600 --> 01:12:58,920
Speaker 1: But I'm the TV show. I'm trying to good luck nigga.

1560
01:12:59,320 --> 01:13:01,799
Speaker 1: I'm not doing it. Do it by yourself?

1561
01:13:03,000 --> 01:13:07,160
Speaker 4: No, no, no, but we should. Let's just let's go

1562
01:13:07,280 --> 01:13:09,320
Speaker 4: do it. I say, let's just go do it. I say,

1563
01:13:09,400 --> 01:13:11,439
Speaker 4: you call my agent, They're gonna call you. We're gonna

1564
01:13:11,439 --> 01:13:11,800
Speaker 4: get a crack.

1565
01:13:12,640 --> 01:13:12,800
Speaker 2: Just go.

1566
01:13:12,920 --> 01:13:15,800
Speaker 4: We're just doing that. I'm good after Hey, look, I'm

1567
01:13:15,880 --> 01:13:19,080
Speaker 4: free after November one. I'm talking about between November one

1568
01:13:19,840 --> 01:13:21,720
Speaker 4: and oh my son's birthday is the third, so I'm

1569
01:13:21,760 --> 01:13:23,839
Speaker 4: off November fifth through.

1570
01:13:25,280 --> 01:13:25,519
Speaker 1: March.

1571
01:13:26,640 --> 01:13:27,720
Speaker 4: March is twenty twenty five.

1572
01:13:27,800 --> 01:13:29,920
Speaker 1: So when do you go with your next door? It

1573
01:13:30,000 --> 01:13:31,800
Speaker 1: is after March. Yeah.

1574
01:13:33,240 --> 01:13:36,280
Speaker 4: I just can't say that. I can't, you know, no,

1575
01:13:36,479 --> 01:13:37,559
Speaker 4: but we can do it though.

1576
01:13:39,520 --> 01:13:43,200
Speaker 1: Who are my top five London? Your top five R

1577
01:13:43,280 --> 01:13:45,040
Speaker 1: and B singers?

1578
01:13:46,720 --> 01:13:52,559
Speaker 4: My top five that I could say that have been

1579
01:13:52,640 --> 01:13:55,360
Speaker 4: pivotal in my career because I gotta do that.

1580
01:13:55,840 --> 01:13:56,000
Speaker 1: Yes.

1581
01:13:58,360 --> 01:14:04,040
Speaker 4: Number one, number one, the one and only R Kelly Hm,

1582
01:14:05,600 --> 01:14:17,639
Speaker 4: unapologetically speaking, R kills the writing, impeccable, impeccable. Number two,

1583
01:14:19,120 --> 01:14:19,760
Speaker 4: you are ready for this?

1584
01:14:22,040 --> 01:14:26,920
Speaker 1: Yeah with me? Wait a minute.

1585
01:14:27,720 --> 01:14:44,920
Speaker 4: Number three D'Angelo. Yeah, this top five, Number four Maxwell, Yeah, Wow,

1586
01:14:45,320 --> 01:14:47,960
Speaker 4: that's what's crazy. That's how I came full circle, the

1587
01:14:48,040 --> 01:14:53,200
Speaker 4: best full circle of the moment. Number five, thanks Wow,

1588
01:14:53,320 --> 01:14:55,360
Speaker 4: hands down. I'm not saying that because I'm on here.

1589
01:14:56,080 --> 01:14:57,400
Speaker 4: I literally look.

1590
01:14:57,360 --> 01:15:02,200
Speaker 1: Up to you. Wow to good brother taking another Top five.

1591
01:15:02,200 --> 01:15:06,760
Speaker 4: Toast to creating another monster. Ladies and gentlemen, you are

1592
01:15:09,040 --> 01:15:16,360
Speaker 4: you are him, You are the one they chose. Absolutely

1593
01:15:16,479 --> 01:15:19,439
Speaker 4: your top five R and B songs? Top five R

1594
01:15:19,439 --> 01:15:22,320
Speaker 4: and B songs? Is it okay if I pull out

1595
01:15:22,360 --> 01:15:22,759
Speaker 4: my phone?

1596
01:15:22,920 --> 01:15:23,960
Speaker 1: Your world? What do you mean?

1597
01:15:24,160 --> 01:15:25,479
Speaker 4: I just want to pull out my phone because I

1598
01:15:25,520 --> 01:15:27,400
Speaker 4: wrote it down because these are the ones that I

1599
01:15:27,479 --> 01:15:31,080
Speaker 4: played the most. I just I just didn't want people

1600
01:15:31,080 --> 01:15:32,120
Speaker 4: to think it was a cheat code.

1601
01:15:32,760 --> 01:15:33,479
Speaker 1: Whatever you want to do.

1602
01:15:33,960 --> 01:15:36,479
Speaker 4: But my top five I want to the songs that

1603
01:15:36,560 --> 01:15:44,439
Speaker 4: I bang on a daily, daily consistently. Number one Tank,

1604
01:15:45,240 --> 01:15:49,800
Speaker 4: No Limit featuring Alex Yeah, come on Alex.

1605
01:15:49,680 --> 01:15:50,439
Speaker 1: Yes and real.

1606
01:15:52,200 --> 01:15:52,799
Speaker 4: Real Sanging.

1607
01:15:52,960 --> 01:15:56,160
Speaker 3: Alex sent that record back to me with them vocal

1608
01:15:57,200 --> 01:16:00,800
Speaker 3: talk about it, and I said, my god, Cooks, we

1609
01:16:00,960 --> 01:16:02,000
Speaker 3: are shooting.

1610
01:16:01,640 --> 01:16:04,800
Speaker 4: A video asap and I love the video. Oh my god,

1611
01:16:05,080 --> 01:16:08,799
Speaker 4: We're gonna get the location I need? Yeah, Yeah, crazy,

1612
01:16:08,880 --> 01:16:13,760
Speaker 4: I love Alex Love We hopefully, hopefully I'll be able

1613
01:16:13,800 --> 01:16:15,320
Speaker 4: to work with her because I know we're friends on

1614
01:16:15,400 --> 01:16:16,760
Speaker 4: Instagram and all we go back and forth.

1615
01:16:16,920 --> 01:16:18,640
Speaker 1: Yet we gotta make that.

1616
01:16:19,240 --> 01:16:21,320
Speaker 4: Yeah, I need no need you on the album too

1617
01:16:21,320 --> 01:16:25,880
Speaker 4: before it come on anyway. Uh, Jeremiah Bryson, Tailler and

1618
01:16:25,920 --> 01:16:27,880
Speaker 4: Chris Brown just came out of a record called wait

1619
01:16:27,960 --> 01:16:33,720
Speaker 4: on It. Dang It every day, just wait on it really.

1620
01:16:34,960 --> 01:16:35,320
Speaker 1: Come on.

1621
01:16:36,080 --> 01:16:41,040
Speaker 4: I'll be it's a I'll be like, oh, and these

1622
01:16:41,080 --> 01:16:44,120
Speaker 4: are the records that just I'm banging right now. Uh,

1623
01:16:44,400 --> 01:16:45,680
Speaker 4: Brent Fayres where you at?

1624
01:16:46,000 --> 01:16:46,280
Speaker 1: Come on?

1625
01:16:46,479 --> 01:16:46,720
Speaker 4: Come on?

1626
01:16:46,880 --> 01:16:47,120
Speaker 1: Come on?

1627
01:16:47,520 --> 01:16:51,200
Speaker 4: Love that record? Love that record, love that record. I've

1628
01:16:51,240 --> 01:16:52,639
Speaker 4: done some well.

1629
01:16:52,760 --> 01:16:54,080
Speaker 1: Yes, amen, the Lord's work.

1630
01:16:54,200 --> 01:16:54,760
Speaker 4: Yeah, the Lord.

1631
01:16:54,920 --> 01:16:55,639
Speaker 1: The Lord's work.

1632
01:16:55,720 --> 01:17:03,880
Speaker 4: The Lord's work, The Lord's work. Anyway, I just ran

1633
01:17:03,920 --> 01:17:08,360
Speaker 4: across an artist I don't know him. I just ran

1634
01:17:08,400 --> 01:17:11,880
Speaker 4: across them, and I was like, oh, this is dope.

1635
01:17:11,920 --> 01:17:14,320
Speaker 4: I need to so shout out to this brother right here.

1636
01:17:14,920 --> 01:17:21,679
Speaker 4: Isaiah Falls is called Diva very dope people. Isaiah Falls

1637
01:17:22,000 --> 01:17:24,920
Speaker 4: Falls and the records called Diva Deep Falls.

1638
01:17:24,960 --> 01:17:25,680
Speaker 1: We're looking for you.

1639
01:17:26,160 --> 01:17:29,240
Speaker 4: We're looking for you, Isaiah, where you at? And then

1640
01:17:29,280 --> 01:17:31,600
Speaker 4: the last one got to give it up to our

1641
01:17:31,680 --> 01:17:33,439
Speaker 4: brother because I just did a record with him and

1642
01:17:33,479 --> 01:17:36,680
Speaker 4: it's actually coming out on the soundtrack on Friday. I

1643
01:17:36,720 --> 01:17:39,280
Speaker 4: got it because I've been playing this record. Me and

1644
01:17:39,400 --> 01:17:45,639
Speaker 4: Tyree got a song called Bedroom Bully, Bedroom Bully, Bedroom Bully,

1645
01:17:45,920 --> 01:17:47,040
Speaker 4: and it's a monster.

1646
01:17:47,320 --> 01:17:48,519
Speaker 1: And this is what I'll say with this.

1647
01:17:49,479 --> 01:17:50,840
Speaker 4: You have the first.

1648
01:17:52,240 --> 01:17:56,559
Speaker 2: Top five for right now, you're the first. Everybody else

1649
01:17:56,600 --> 01:17:59,960
Speaker 2: does top five of our time. You did your top five,

1650
01:18:00,080 --> 01:18:02,960
Speaker 2: but what you jammer? No, no, no, which is perfect.

1651
01:18:03,040 --> 01:18:04,479
Speaker 4: I was like, no, no, no, no.

1652
01:18:05,120 --> 01:18:10,559
Speaker 2: Because you also introduced an artists, Oh absolutely, which is incredible. Yeah,

1653
01:18:10,800 --> 01:18:13,920
Speaker 2: which most male R and B artists don't do. Oh

1654
01:18:14,479 --> 01:18:15,799
Speaker 2: they don't shout out other niggas.

1655
01:18:16,360 --> 01:18:18,240
Speaker 1: Oh, definitely niggas.

1656
01:18:18,240 --> 01:18:20,840
Speaker 4: I was thought I was going on script. No, going

1657
01:18:20,880 --> 01:18:21,320
Speaker 4: off script.

1658
01:18:21,360 --> 01:18:23,120
Speaker 1: You went off script. But you wrote a great one.

1659
01:18:24,520 --> 01:18:29,240
Speaker 4: Well, thank you. Yeah, Isaiah falls, Isaiah Falls, diva Diva

1660
01:18:29,479 --> 01:18:33,439
Speaker 4: check that out. Alex Eisley, Yeah, come on, come on,

1661
01:18:33,720 --> 01:18:37,240
Speaker 4: I mean fire as a Beast. And then the Men

1662
01:18:37,400 --> 01:18:43,880
Speaker 4: Tank song Man Bedroom Bully comes out August thirty. Now,

1663
01:18:44,840 --> 01:18:46,439
Speaker 4: see this is the.

1664
01:18:46,560 --> 01:18:46,880
Speaker 6: What is.

1665
01:18:48,920 --> 01:18:51,479
Speaker 1: Snoop? Probably you make the top of it. Snoop probably

1666
01:18:51,520 --> 01:18:53,400
Speaker 1: was like, you know, we're doing nineteen ninety two right now,

1667
01:18:56,120 --> 01:19:00,479
Speaker 1: that's why. Yeah, you ain't in nineteen ninety two. Yeah, man,

1668
01:19:00,600 --> 01:19:02,320
Speaker 1: I didn't get that call. You didn't get that call either.

1669
01:19:03,040 --> 01:19:04,640
Speaker 1: I'm sure you could have played a gang member in

1670
01:19:04,680 --> 01:19:07,519
Speaker 1: nineteen ninety two or something. But just wait on it.

1671
01:19:07,640 --> 01:19:08,920
Speaker 1: He called me when they feel like.

1672
01:19:09,280 --> 01:19:11,080
Speaker 4: They just they just called me when they feel like

1673
01:19:11,880 --> 01:19:13,240
Speaker 4: I've been by the way. I've been trying to get

1674
01:19:13,800 --> 01:19:16,519
Speaker 4: Tank on a record, and he keeps sending me a voicemail.

1675
01:19:16,640 --> 01:19:18,519
Speaker 4: So I called him last night and he's just like

1676
01:19:19,320 --> 01:19:23,400
Speaker 4: his voicemail was like if this was October, I'm busy

1677
01:19:24,000 --> 01:19:26,479
Speaker 4: gassing up my brand new.

1678
01:19:26,479 --> 01:19:27,120
Speaker 1: That's not true.

1679
01:19:27,760 --> 01:19:31,000
Speaker 4: McLaren, p one, McLaren, I told you.

1680
01:19:31,400 --> 01:19:33,880
Speaker 1: I told you have a family gasing.

1681
01:19:36,320 --> 01:19:38,040
Speaker 4: I wish your family do about that garage.

1682
01:19:38,120 --> 01:19:40,599
Speaker 3: They got all them cars listening. I'm in my sprinting

1683
01:19:40,680 --> 01:19:43,640
Speaker 3: van driving it. Kids are wiping the bag. Where you

1684
01:19:43,880 --> 01:19:44,400
Speaker 3: want to go next?

1685
01:19:44,479 --> 01:19:44,639
Speaker 1: Yeah?

1686
01:19:44,720 --> 01:19:49,719
Speaker 4: Yeah, they're like, Dad, don't want to go to steak

1687
01:19:49,760 --> 01:19:50,439
Speaker 4: and shap, let's go.

1688
01:19:51,720 --> 01:19:54,080
Speaker 1: It's gonna be a long That's true. I love driving

1689
01:19:54,160 --> 01:19:56,920
Speaker 1: my sprinter. I love driving my family around. I love it.

1690
01:19:57,080 --> 01:19:58,759
Speaker 1: You know, he really does.

1691
01:20:02,560 --> 01:20:04,599
Speaker 4: About I'm about to come over and check it out.

1692
01:20:05,439 --> 01:20:10,280
Speaker 1: Cheatko saved me about fifty sixty grand on tour.

1693
01:20:11,880 --> 01:20:16,400
Speaker 2: As an additional vehicle, yes, yes, and tacky right to taxes?

1694
01:20:16,520 --> 01:20:18,719
Speaker 2: Yeah right it okay, that's working.

1695
01:20:19,080 --> 01:20:22,880
Speaker 1: The whole thing wrote off already money.

1696
01:20:24,600 --> 01:20:28,320
Speaker 3: Because you just you just named one tour that you

1697
01:20:28,439 --> 01:20:32,360
Speaker 3: can speak on and another tour that you can't. So

1698
01:20:32,479 --> 01:20:34,720
Speaker 3: honestly you need to buy it to absolutely, and then

1699
01:20:34,760 --> 01:20:36,920
Speaker 3: you just want to And then you just announced let

1700
01:20:37,000 --> 01:20:45,280
Speaker 3: me see my up four seventy five five ten I

1701
01:20:45,280 --> 01:20:45,880
Speaker 3: would expect.

1702
01:20:46,280 --> 01:20:51,240
Speaker 1: Yeah, he just half a million in one car, and

1703
01:20:51,439 --> 01:20:53,320
Speaker 1: then he went to that point and then he went

1704
01:20:53,400 --> 01:20:57,160
Speaker 1: to the order.

1705
01:20:58,880 --> 01:21:02,200
Speaker 3: You about it about half you about a million in

1706
01:21:02,400 --> 01:21:05,320
Speaker 3: cars alone, R and B.

1707
01:21:05,360 --> 01:21:07,840
Speaker 4: Money good really good to me, ain't it? It is

1708
01:21:08,160 --> 01:21:09,479
Speaker 4: just saying that was good.

1709
01:21:09,520 --> 01:21:11,120
Speaker 1: I'm gonna let you know what that bus gonna do though,

1710
01:21:11,400 --> 01:21:12,479
Speaker 1: that bus gonna do that work.

1711
01:21:12,560 --> 01:21:15,680
Speaker 3: That what the bus gonna do for you, And then

1712
01:21:15,800 --> 01:21:18,320
Speaker 3: when the bus go out without you, that bus gonna

1713
01:21:18,320 --> 01:21:19,639
Speaker 3: pay for the rest of your work.

1714
01:21:20,160 --> 01:21:21,080
Speaker 4: On a bunk.

1715
01:21:21,840 --> 01:21:22,840
Speaker 1: Let me rich your bunks out.

1716
01:21:23,360 --> 01:21:24,360
Speaker 4: It's twelve bun.

1717
01:21:25,600 --> 01:21:29,880
Speaker 1: Let me be your bunk. The math that's twenty.

1718
01:21:31,160 --> 01:21:34,720
Speaker 4: That my my camera guy, Chris Riquez, He's like I

1719
01:21:34,760 --> 01:21:37,479
Speaker 4: didn't know I was paying eleven a day.

1720
01:21:37,760 --> 01:21:41,800
Speaker 1: He got check your statements. I'm missing for twenty six

1721
01:21:42,600 --> 01:21:44,200
Speaker 1: to do the math. That's fourteen.

1722
01:21:44,600 --> 01:21:46,560
Speaker 4: That's that's oh okay.

1723
01:21:46,720 --> 01:21:47,280
Speaker 1: Is it a night?

1724
01:21:47,600 --> 01:21:49,479
Speaker 4: Is it a night or is it every week? I

1725
01:21:49,560 --> 01:21:50,640
Speaker 4: don't know. I don't know.

1726
01:21:51,400 --> 01:21:54,920
Speaker 1: Let's do this make a volt trying. You're super R

1727
01:21:54,960 --> 01:21:59,320
Speaker 1: and B artists. I want to know you do so

1728
01:21:59,439 --> 01:22:01,280
Speaker 1: many good things. I like what I like what you do.

1729
01:22:01,600 --> 01:22:04,320
Speaker 3: I want to know where you're getting the vocal from

1730
01:22:05,040 --> 01:22:09,080
Speaker 3: the performance style, the styling, the passion of the artist,

1731
01:22:09,400 --> 01:22:12,160
Speaker 3: who's writing for the artist, who's producing for the artists.

1732
01:22:12,880 --> 01:22:15,880
Speaker 3: Vocal What vocal are you getting for your super R

1733
01:22:15,920 --> 01:22:17,240
Speaker 3: and B artist? One vocal?

1734
01:22:20,040 --> 01:22:30,599
Speaker 4: You vocal vocally? Manils down? Sorry man, I wasn't trying

1735
01:22:30,640 --> 01:22:31,200
Speaker 4: to make you drink.

1736
01:22:31,280 --> 01:22:32,479
Speaker 1: Who's just being real?

1737
01:22:33,720 --> 01:22:39,559
Speaker 4: I'm sorry vocally vocally all day you Wow?

1738
01:22:39,720 --> 01:22:43,040
Speaker 1: Thank you brother? Yeah no, yeah, you want to colds

1739
01:22:43,840 --> 01:22:46,320
Speaker 1: performance style on stage.

1740
01:22:49,080 --> 01:22:53,559
Speaker 4: It's the art of being not crazy. Is the art

1741
01:22:53,600 --> 01:22:56,200
Speaker 4: of not going doing the flips and doing all that stuff.

1742
01:22:56,200 --> 01:22:57,840
Speaker 4: Shout out to Chris Man because he'd be going in.

1743
01:22:57,960 --> 01:23:01,960
Speaker 4: Shout out Chris Brown. I honestly don't have the gut

1744
01:23:02,040 --> 01:23:04,000
Speaker 4: for it. You know what I'm saying, don't have the

1745
01:23:04,040 --> 01:23:07,840
Speaker 4: body stamina for it, body standing up for Chris Brown,

1746
01:23:08,760 --> 01:23:12,680
Speaker 4: the body for it. No, no, yeah, I don't have

1747
01:23:12,720 --> 01:23:14,840
Speaker 4: the body standing for it. My belly button will be

1748
01:23:15,240 --> 01:23:16,519
Speaker 4: absolutely mad at me.

1749
01:23:17,800 --> 01:23:18,400
Speaker 1: I don't have that.

1750
01:23:19,560 --> 01:23:21,960
Speaker 4: I don't have the stillness of some artists. So I

1751
01:23:22,000 --> 01:23:25,080
Speaker 4: would have to say when it comes to movement, I

1752
01:23:25,160 --> 01:23:29,160
Speaker 4: would have to say, uh. I would have to say

1753
01:23:29,439 --> 01:23:32,639
Speaker 4: Luther Vandross and why because he would point at your

1754
01:23:32,760 --> 01:23:35,320
Speaker 4: ass and be like, I'm talking to you and he

1755
01:23:35,400 --> 01:23:40,080
Speaker 4: would yeah, yeah, yeah, so you're gonna be in love

1756
01:23:40,479 --> 01:23:44,680
Speaker 4: with me? I want you and need you to be

1757
01:23:46,479 --> 01:23:48,920
Speaker 4: all that like and point at you. Still in love?

1758
01:23:49,120 --> 01:23:51,320
Speaker 4: So enough steal in love and.

1759
01:23:51,400 --> 01:23:52,840
Speaker 1: Pointing with me?

1760
01:23:54,160 --> 01:23:59,720
Speaker 4: Yeah yeah, yeah, yeah, that's he would. He would you

1761
01:23:59,880 --> 01:24:07,800
Speaker 4: be like my own acid. It's too it's so colored.

1762
01:24:07,880 --> 01:24:14,960
Speaker 4: I mean, he's so my God, So I gotta give

1763
01:24:14,960 --> 01:24:15,320
Speaker 4: it to Luther.

1764
01:24:15,640 --> 01:24:15,880
Speaker 1: Yeah.

1765
01:24:16,200 --> 01:24:29,840
Speaker 4: Styling, styling on stage man, To be completely honest, you know,

1766
01:24:30,200 --> 01:24:33,240
Speaker 4: it just popped up in my head. I think I

1767
01:24:33,360 --> 01:24:36,320
Speaker 4: got styling from Pitt Bull because he goes up there

1768
01:24:37,160 --> 01:24:45,640
Speaker 4: screaming dollar in a whole open Oh he will go

1769
01:24:45,760 --> 01:24:51,879
Speaker 4: bow get it on my throte.

1770
01:24:53,160 --> 01:24:54,479
Speaker 1: He'll go there, you'll go there.

1771
01:24:54,800 --> 01:24:56,680
Speaker 4: He'll bark at you. You know what I'm saying, And

1772
01:24:56,920 --> 01:24:59,400
Speaker 4: white you can't look first off, you barking anybody in

1773
01:24:59,479 --> 01:25:02,320
Speaker 4: a suit. Pit bullet is cold cold, shout out the

1774
01:25:02,400 --> 01:25:05,040
Speaker 4: pit Bull. So I got that from and I was

1775
01:25:05,280 --> 01:25:07,800
Speaker 4: I was watching him. I was like, yo, okay, he

1776
01:25:07,920 --> 01:25:10,760
Speaker 4: got leadway in the pants. You know what I'm saying.

1777
01:25:10,840 --> 01:25:13,280
Speaker 4: Like he's gonna move, he gonna move, he got leeway

1778
01:25:13,320 --> 01:25:15,560
Speaker 4: in the pan. It's not like it's like it's the

1779
01:25:15,720 --> 01:25:19,320
Speaker 4: suit is you gotta get it fitted. I literally just

1780
01:25:19,439 --> 01:25:21,120
Speaker 4: got fitted for a bunch of suits for this tour.

1781
01:25:22,000 --> 01:25:22,200
Speaker 1: Yep.

1782
01:25:22,560 --> 01:25:24,200
Speaker 4: Just so I was like, okay, cool, I'm gonna take

1783
01:25:24,240 --> 01:25:24,880
Speaker 4: that from pit Bull.

1784
01:25:25,360 --> 01:25:30,240
Speaker 1: Passion of the artists, Passion mean it?

1785
01:25:32,280 --> 01:25:39,759
Speaker 4: Mmmm mmm, Army start who means it? Man? I would

1786
01:25:39,880 --> 01:25:46,719
Speaker 4: have to go with who means it? I would, honestly,

1787
01:25:46,760 --> 01:25:50,120
Speaker 4: I'd have to go with Maxwell Man. I'd have to

1788
01:25:50,160 --> 01:25:54,320
Speaker 4: go Maxwell or D'Angelo because sometimes dangel is standing up

1789
01:25:54,320 --> 01:25:55,720
Speaker 4: with something. A lot of times he's sitting down at

1790
01:25:55,720 --> 01:25:59,040
Speaker 4: the piano. But that man is sweating like a hooker

1791
01:25:59,120 --> 01:26:02,920
Speaker 4: in a whorehouse. He is just cooking all types of

1792
01:26:03,040 --> 01:26:06,040
Speaker 4: chicken green. He's just sweating and he's just giving you

1793
01:26:06,160 --> 01:26:07,919
Speaker 4: the flake. He's the passion.

1794
01:26:08,600 --> 01:26:09,000
Speaker 1: He's just.

1795
01:26:11,000 --> 01:26:14,719
Speaker 4: Out of his seems out. You could smell the chiplins

1796
01:26:15,640 --> 01:26:17,880
Speaker 4: just coming out of the flavor. I don't need chills,

1797
01:26:17,880 --> 01:26:20,760
Speaker 4: but you know you can smell the flake you've had them.

1798
01:26:20,920 --> 01:26:21,439
Speaker 4: What do you think.

1799
01:26:21,880 --> 01:26:24,839
Speaker 1: I walked out of the kitchen ned, Oh no, I can't.

1800
01:26:24,960 --> 01:26:26,760
Speaker 3: Smelling him, And I was like, no, walk I know

1801
01:26:26,840 --> 01:26:28,360
Speaker 3: what time it is. Seems I get home from school

1802
01:26:28,400 --> 01:26:30,600
Speaker 3: and I smelled smell it is.

1803
01:26:32,200 --> 01:26:32,760
Speaker 1: It's just chip.

1804
01:26:33,080 --> 01:26:35,839
Speaker 4: Yeah, like you just this this just you know, Maxwell,

1805
01:26:35,920 --> 01:26:38,559
Speaker 4: and then they just command something.

1806
01:26:38,960 --> 01:26:39,160
Speaker 1: Yeah.

1807
01:26:39,400 --> 01:26:40,760
Speaker 4: So yeah, I'd have to go with Dansel Max.

1808
01:26:40,920 --> 01:26:41,080
Speaker 1: That's so.

1809
01:26:41,160 --> 01:26:45,240
Speaker 2: That's who's writing for the artists? Who and who's producing

1810
01:26:45,280 --> 01:26:47,160
Speaker 2: for the artist. Let's do a combo. Put them both together,

1811
01:26:47,400 --> 01:26:48,919
Speaker 2: writing and producing for this super.

1812
01:26:49,000 --> 01:26:53,519
Speaker 4: Kells all day. Kells can't writing when you come to

1813
01:26:53,640 --> 01:26:59,880
Speaker 4: R and B and writing, stop talking about stop stop

1814
01:27:00,280 --> 01:27:01,080
Speaker 4: stop and stopping.

1815
01:27:02,640 --> 01:27:07,080
Speaker 2: Okay, we're here, Okay, we hearpe'cial segment. We tell us

1816
01:27:07,080 --> 01:27:10,200
Speaker 2: a story. Oh God, to take no SIPs funny, are

1817
01:27:10,240 --> 01:27:14,600
Speaker 2: fucked up? Are funny and fucked up? Only rude to

1818
01:27:14,640 --> 01:27:17,200
Speaker 2: the game. You can't say no names.

1819
01:27:18,000 --> 01:27:24,160
Speaker 4: Okay, mm hmm. Funniest story a fund up or fucked up?

1820
01:27:25,240 --> 01:27:25,799
Speaker 1: No names.

1821
01:27:27,320 --> 01:27:29,280
Speaker 4: I have a funny. I don't have funked up. I

1822
01:27:29,360 --> 01:27:30,120
Speaker 4: have a funny.

1823
01:27:30,680 --> 01:27:32,360
Speaker 1: We like to last. Okay, and then and.

1824
01:27:32,400 --> 01:27:33,880
Speaker 4: Then you know, once the cameras out, I'll tell you

1825
01:27:33,960 --> 01:27:34,320
Speaker 4: who it was.

1826
01:27:34,360 --> 01:27:37,599
Speaker 1: But I think I think you'll don't say that because

1827
01:27:37,600 --> 01:27:38,640
Speaker 1: they always ask us.

1828
01:27:44,600 --> 01:27:47,479
Speaker 4: Here's the thing. I think that once you hear the story,

1829
01:27:47,520 --> 01:27:50,639
Speaker 4: you're gonna know. You know what I'm saying, You're gonna

1830
01:27:50,720 --> 01:27:51,520
Speaker 4: know automatically.

1831
01:27:51,680 --> 01:27:54,240
Speaker 1: So this was uh.

1832
01:27:56,720 --> 01:28:05,280
Speaker 4: Circa two thousand, two thousand and seventeen or something like that, eighteen, so,

1833
01:28:05,920 --> 01:28:07,640
Speaker 4: you know, and.

1834
01:28:09,120 --> 01:28:10,080
Speaker 1: I was doing.

1835
01:28:11,680 --> 01:28:14,840
Speaker 4: It's my first time being an actor on Empire. I

1836
01:28:14,920 --> 01:28:19,880
Speaker 4: did season three, I think, episode fifteen of Empire. And

1837
01:28:20,479 --> 01:28:23,479
Speaker 4: we're you know, the trailers and everything else. Everything's getting

1838
01:28:23,520 --> 01:28:29,320
Speaker 4: set up, and I was we're doing the set, we're

1839
01:28:29,360 --> 01:28:31,880
Speaker 4: doing the scene. We did the scene. You know, we're

1840
01:28:31,920 --> 01:28:34,200
Speaker 4: talking to directors and producing everything. We're doing the scene.

1841
01:28:34,840 --> 01:28:38,000
Speaker 4: And but before the scene, a friend of mine, since

1842
01:28:38,000 --> 01:28:40,599
Speaker 4: I can't you know, name, no names, friend of mine

1843
01:28:40,680 --> 01:28:45,400
Speaker 4: was sitting next to me, and you know, he chiefs,

1844
01:28:45,479 --> 01:28:49,439
Speaker 4: he smokes a little bit, and yeah, he got he

1845
01:28:49,560 --> 01:28:53,799
Speaker 4: got you know, some some some really high quality grade

1846
01:28:54,120 --> 01:29:00,160
Speaker 4: California from from from you know, a significant other, from

1847
01:29:00,160 --> 01:29:02,680
Speaker 4: someone else, Yeah, from someone else, and uh he hit

1848
01:29:02,880 --> 01:29:05,040
Speaker 4: he hit, he hit it, and uh he's a he's

1849
01:29:05,040 --> 01:29:08,400
Speaker 4: an avid, avid smoker. He's an avid smoker. So I

1850
01:29:08,600 --> 01:29:11,880
Speaker 4: was like, oh, you know this might not be nothing. Yeah, okay,

1851
01:29:11,960 --> 01:29:14,200
Speaker 4: we're sitting there. He hit it and they passed it

1852
01:29:14,240 --> 01:29:16,720
Speaker 4: back and forth probably twice they get only made it

1853
01:29:16,760 --> 01:29:21,160
Speaker 4: like twice, and uh, I look over. I'm sitting just

1854
01:29:21,240 --> 01:29:24,879
Speaker 4: like that. I look over. I'm like, are you sweating

1855
01:29:24,920 --> 01:29:25,240
Speaker 4: a lot?

1856
01:29:26,200 --> 01:29:27,400
Speaker 2: What are you good?

1857
01:29:27,439 --> 01:29:29,320
Speaker 4: You have a heart? Attacker's home, you're sweating. And he's like,

1858
01:29:29,920 --> 01:29:33,040
Speaker 4: I'm good, I'm good. What you mean I'm good? I

1859
01:29:33,160 --> 01:29:36,439
Speaker 4: was like, alright, I guess I'm like all right.

1860
01:29:36,520 --> 01:29:36,680
Speaker 1: Cool.

1861
01:29:36,720 --> 01:29:39,240
Speaker 4: Google's were talking, We talking business and blah blah blah

1862
01:29:39,280 --> 01:29:41,120
Speaker 4: and by this cool and we're like all right. They're like, hey, yo,

1863
01:29:41,200 --> 01:29:44,080
Speaker 4: are young? Come out young? Can't come on out and

1864
01:29:44,160 --> 01:29:47,360
Speaker 4: we can start shooting. We left, We left, we left trailer.

1865
01:29:47,520 --> 01:29:51,040
Speaker 4: My boy he walked with us and we just walking

1866
01:29:51,160 --> 01:29:53,240
Speaker 4: towards the set and we do the set. My boy

1867
01:29:53,320 --> 01:29:56,840
Speaker 4: stays back and we go do the We go do scene.

1868
01:29:57,880 --> 01:29:59,760
Speaker 4: We come out the same bam, all right, cut, we

1869
01:29:59,800 --> 01:30:03,040
Speaker 4: got everything's good, cool, get out of there, and I'm like,

1870
01:30:05,400 --> 01:30:06,560
Speaker 4: where the hell did he go?

1871
01:30:07,479 --> 01:30:07,599
Speaker 1: Now?

1872
01:30:07,640 --> 01:30:10,080
Speaker 4: The other person that's with me has some of the

1873
01:30:10,240 --> 01:30:11,120
Speaker 4: Cali's finest.

1874
01:30:11,479 --> 01:30:12,959
Speaker 1: Okay, they're both partaking.

1875
01:30:13,120 --> 01:30:16,479
Speaker 4: Oh, they were probably eating, and he comes out. Man,

1876
01:30:16,520 --> 01:30:19,599
Speaker 4: he hits it there, yo. I ain't gonna say they hey, yo,

1877
01:30:20,439 --> 01:30:23,280
Speaker 4: if you better be dead, because I'm coming to smoke

1878
01:30:23,360 --> 01:30:24,000
Speaker 4: you out again.

1879
01:30:24,640 --> 01:30:25,040
Speaker 1: And he is.

1880
01:30:25,320 --> 01:30:27,880
Speaker 4: I'm like, I'm laughing, laughing like crazy. We can't find

1881
01:30:27,960 --> 01:30:29,679
Speaker 4: They get on the radio. They can't find my boy.

1882
01:30:29,720 --> 01:30:33,280
Speaker 4: They're like, yo, yo, where's he? Hey? October London is

1883
01:30:33,280 --> 01:30:35,160
Speaker 4: looking for such as such. We're looking for such and

1884
01:30:35,200 --> 01:30:37,800
Speaker 4: such and they're looking for him. They can nobody can

1885
01:30:37,880 --> 01:30:40,240
Speaker 4: find him. And we walking. Me and this other person

1886
01:30:40,600 --> 01:30:43,320
Speaker 4: were walking and he's just yelling through where's he at?

1887
01:30:43,439 --> 01:30:46,479
Speaker 4: I'm gonna find him. And we finally get to my trailer.

1888
01:30:46,520 --> 01:30:50,439
Speaker 4: We open the door. They at this point it was

1889
01:30:50,479 --> 01:30:53,839
Speaker 4: cold outside and we're in Chicago, so all the trailers

1890
01:30:54,120 --> 01:30:57,880
Speaker 4: had the fire fireplaces going, so keep the eating and

1891
01:30:57,960 --> 01:30:59,559
Speaker 4: they're just going. I woke and I'm like, oh my god,

1892
01:30:59,600 --> 01:31:01,920
Speaker 4: it's hot. I look on the couch. My boy's laying

1893
01:31:02,000 --> 01:31:08,680
Speaker 4: there passed out sleep, sweating profusely, and I'm like yo,

1894
01:31:09,160 --> 01:31:09,920
Speaker 4: and I hit him on the leg.

1895
01:31:09,960 --> 01:31:10,439
Speaker 1: He wakes up.

1896
01:31:12,680 --> 01:31:14,400
Speaker 4: I think I just had the best sleep of my life.

1897
01:31:15,200 --> 01:31:16,679
Speaker 4: I think I just had the best sleep by life.

1898
01:31:16,800 --> 01:31:19,439
Speaker 4: And the other person walks in. He's like, yeah, you

1899
01:31:19,520 --> 01:31:24,040
Speaker 4: ready to go again? He's like no, no, no, not

1900
01:31:24,200 --> 01:31:26,360
Speaker 4: at all. And that was one of the greatest moments

1901
01:31:26,400 --> 01:31:29,760
Speaker 4: that I've just me bringing other people around, people that

1902
01:31:30,040 --> 01:31:35,759
Speaker 4: are He died for about a good forty five minutes.

1903
01:31:36,240 --> 01:31:37,680
Speaker 4: He had the best leap of his life, and he

1904
01:31:37,760 --> 01:31:39,799
Speaker 4: died already rolled.

1905
01:31:40,400 --> 01:31:41,840
Speaker 1: Nope, you don't smoke here.

1906
01:31:42,640 --> 01:31:45,120
Speaker 4: You have to be careful. You have to be careful.

1907
01:31:46,000 --> 01:31:47,639
Speaker 4: It could be that cryptic kind of life.

1908
01:31:47,920 --> 01:31:49,040
Speaker 1: What they call him pre rolls.

1909
01:31:49,160 --> 01:31:53,080
Speaker 4: No oh yeah, then it might be wrapped in another

1910
01:31:53,240 --> 01:31:56,000
Speaker 4: pre roll like you. That's you know what that's called.

1911
01:31:56,040 --> 01:31:57,920
Speaker 4: It's called a triple cheeseburger. Abmac.

1912
01:32:00,200 --> 01:32:04,000
Speaker 1: He's gonna get get his max geez. I want you to.

1913
01:32:04,280 --> 01:32:07,680
Speaker 4: I want you to get away from that double I'm

1914
01:32:07,680 --> 01:32:08,160
Speaker 4: gonna let you.

1915
01:32:09,800 --> 01:32:10,439
Speaker 1: Triple meat.

1916
01:32:15,560 --> 01:32:18,280
Speaker 4: I'm out of pocket. I'm out of pocket, like I.

1917
01:32:18,280 --> 01:32:21,439
Speaker 1: Got loose chain, out of pounds with triple meat. You

1918
01:32:21,520 --> 01:32:22,439
Speaker 1: gotta cut that out.

1919
01:32:26,160 --> 01:32:31,040
Speaker 4: I can't wait. I can't wait, bro dog, I'm about

1920
01:32:31,040 --> 01:32:36,160
Speaker 4: to go to McDonald's right now. I'm pulling up at

1921
01:32:36,200 --> 01:32:36,519
Speaker 4: the house.

1922
01:32:37,840 --> 01:32:38,719
Speaker 1: I brought you some food.

1923
01:32:39,280 --> 01:32:39,640
Speaker 4: What is it.

1924
01:32:40,200 --> 01:32:40,920
Speaker 1: It's better not me.

1925
01:32:41,720 --> 01:32:45,240
Speaker 4: That's better not what I'm thinking is it's better not me.

1926
01:32:46,080 --> 01:32:48,080
Speaker 4: If you live closer here, I'll pull it out.

1927
01:32:48,280 --> 01:32:52,640
Speaker 2: I'm like I'm pulling out this nigga literally has a

1928
01:32:52,800 --> 01:32:54,439
Speaker 2: natural Dave Chappelle voice.

1929
01:32:54,479 --> 01:32:56,920
Speaker 3: Though yeah, you know he's speaking. If he did comedy,

1930
01:32:56,920 --> 01:32:58,200
Speaker 3: he'd be outstanding. Has the voice.

1931
01:32:59,439 --> 01:33:01,080
Speaker 4: I got a joke right now, just joking.

1932
01:33:03,760 --> 01:33:04,160
Speaker 1: I should have.

1933
01:33:04,320 --> 01:33:06,679
Speaker 4: I should have, but no, a joke.

1934
01:33:06,760 --> 01:33:06,880
Speaker 3: Bro.

1935
01:33:09,280 --> 01:33:12,439
Speaker 1: First of all, man, you're really dope, You really dope.

1936
01:33:12,520 --> 01:33:16,880
Speaker 1: Appreciated and we that is just fine. We appreciate what

1937
01:33:16,960 --> 01:33:17,519
Speaker 1: you're bringing up.

1938
01:33:17,600 --> 01:33:21,599
Speaker 4: No funding, fun, no funding, it's no fund and funding.

1939
01:33:22,080 --> 01:33:23,479
Speaker 1: Appreciate what you bringing R and B.

1940
01:33:23,680 --> 01:33:24,360
Speaker 4: Thank you, thank you.

1941
01:33:25,439 --> 01:33:29,040
Speaker 3: The work ethic, bro is, is to be respected, to

1942
01:33:29,160 --> 01:33:34,400
Speaker 3: be respected. And I tell people all the time, if

1943
01:33:34,640 --> 01:33:36,679
Speaker 3: anything you want is on the other side.

1944
01:33:36,439 --> 01:33:41,080
Speaker 4: Of our work, absolutely anything you want just on the

1945
01:33:41,120 --> 01:33:47,919
Speaker 4: other side. The woman that car that music, lifestyle, the lifestyle,

1946
01:33:48,080 --> 01:33:52,400
Speaker 4: everything is absolutely it's not going nowhere if in fact,

1947
01:33:52,520 --> 01:33:53,840
Speaker 4: it's just gonna be better.

1948
01:33:54,560 --> 01:33:57,599
Speaker 1: Yeah, it's just gonna be better.

1949
01:33:57,760 --> 01:34:00,559
Speaker 4: It just keeps getting better, making them better exactly.

1950
01:34:03,800 --> 01:34:14,160
Speaker 1: I mean electric rolls mean, I hope you don't get

1951
01:34:14,240 --> 01:34:14,839
Speaker 1: this pose.

1952
01:34:15,520 --> 01:34:19,280
Speaker 4: Day's giving a pose that is just it's very triple

1953
01:34:19,400 --> 01:34:20,320
Speaker 4: cheeseburger of health.

1954
01:34:22,439 --> 01:34:22,599
Speaker 6: Though.

1955
01:34:24,800 --> 01:34:27,240
Speaker 3: We we love you, man, we are we are your

1956
01:34:27,280 --> 01:34:30,080
Speaker 3: brothers first and foremost, thank you. But we are your

1957
01:34:30,240 --> 01:34:32,000
Speaker 3: peers and we are your supporters.

1958
01:34:33,240 --> 01:34:33,519
Speaker 1: Thank you.

1959
01:34:33,760 --> 01:34:38,120
Speaker 3: We celebrate your brother and we will continue to be

1960
01:34:39,120 --> 01:34:42,439
Speaker 3: a safe space for whatever you need. You know what

1961
01:34:42,479 --> 01:34:44,280
Speaker 3: I'm saying, I need twenty dollars.

1962
01:34:44,439 --> 01:34:45,000
Speaker 4: That's what I need.

1963
01:34:45,040 --> 01:34:45,280
Speaker 1: I need.

1964
01:34:45,479 --> 01:34:48,320
Speaker 4: I need to borrow two dollars because there's no way

1965
01:34:48,439 --> 01:34:49,200
Speaker 4: I could get.

1966
01:34:52,400 --> 01:34:52,599
Speaker 1: Well.

1967
01:34:53,000 --> 01:34:54,599
Speaker 4: I was trying to hold it in when you're saying

1968
01:34:54,640 --> 01:34:55,520
Speaker 4: we're brothers.

1969
01:34:56,280 --> 01:34:58,920
Speaker 1: For fun your pocket.

1970
01:35:00,960 --> 01:35:03,360
Speaker 4: Put this towards sprinkle and Sparkle to night after the

1971
01:35:03,439 --> 01:35:04,960
Speaker 4: Strip Club, nephew.

1972
01:35:05,120 --> 01:35:06,679
Speaker 1: You know you know Snoop.

1973
01:35:06,880 --> 01:35:08,240
Speaker 4: You know Snoop got that new strip club.

1974
01:35:08,280 --> 01:35:10,240
Speaker 1: So you know, take the Players Club.

1975
01:35:10,400 --> 01:35:11,599
Speaker 4: You bought the Players Club?

1976
01:35:12,200 --> 01:35:13,960
Speaker 1: Yeah, yeah, where is it?

1977
01:35:14,000 --> 01:35:18,599
Speaker 3: Actau boss Lady downtown being but you know hear everything, yes,

1978
01:35:18,800 --> 01:35:21,280
Speaker 3: can see. The thing is like when brothers like Snoop

1979
01:35:21,520 --> 01:35:24,360
Speaker 3: when they're when they're when they're venturing out in businesses,

1980
01:35:24,880 --> 01:35:26,680
Speaker 3: we want to support them. We want to be there

1981
01:35:26,720 --> 01:35:29,080
Speaker 3: for them back to make sure black owned businesses, you

1982
01:35:29,120 --> 01:35:31,200
Speaker 3: know what I'm saying. So we're gonna to take it,

1983
01:35:31,320 --> 01:35:33,799
Speaker 3: take a trip down there to support the brother Snoop

1984
01:35:33,840 --> 01:35:37,160
Speaker 3: and all of his endeavors to the what is it called.

1985
01:35:39,800 --> 01:35:40,000
Speaker 1: Club?

1986
01:35:40,439 --> 01:35:42,120
Speaker 4: To act like you don't know what it is, boss Lady,

1987
01:35:43,120 --> 01:35:44,479
Speaker 4: because I know what. I don't know what it is,

1988
01:35:44,520 --> 01:35:45,080
Speaker 4: but I know what it is.

1989
01:35:45,160 --> 01:35:46,640
Speaker 2: It's going to go down to the Players Club and

1990
01:35:46,720 --> 01:35:51,920
Speaker 2: support Snoop, boss Lady, and Boss Lady is the big Yeah,

1991
01:35:52,760 --> 01:35:57,360
Speaker 2: the Big Boss. We absolutely supporting Boss Lady first, then

1992
01:35:57,439 --> 01:36:00,880
Speaker 2: Snoop second, and then Snoop second. So all the it's

1993
01:36:00,920 --> 01:36:03,120
Speaker 2: all the knowledges I got like about two thousand ones

1994
01:36:03,160 --> 01:36:07,000
Speaker 2: and now it's all just a celebration to them family

1995
01:36:07,320 --> 01:36:12,840
Speaker 2: to to to celebrate opening of new black businesses. Yes,

1996
01:36:14,880 --> 01:36:16,439
Speaker 2: gott keep we gotta keep them open.

1997
01:36:19,960 --> 01:36:21,360
Speaker 1: The ones who worked there got to keep up.

1998
01:36:22,400 --> 01:36:24,759
Speaker 4: You know, you gotta gain.

1999
01:36:26,080 --> 01:36:27,479
Speaker 1: You got to My name is.

2000
01:36:29,080 --> 01:36:31,720
Speaker 3: And this is the Army Monny Podcast, the authority on

2001
01:36:31,960 --> 01:36:36,439
Speaker 3: all things R and B. And this is This is

2002
01:36:36,520 --> 01:36:39,240
Speaker 3: one of my most favorite human beings in the whole

2003
01:36:39,320 --> 01:36:40,120
Speaker 3: wild wide world.

2004
01:36:40,600 --> 01:36:45,400
Speaker 2: The talent Ship, the incredibleppreciating off to but yeah,