WEBVTT - #105 - Mickey Factz

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<v Speaker 1>Bulet Cavs Show Special Guests pull up with the Grandma

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<v Speaker 1>Nier Mickey Facts. Micky Yo, I don't think enough people

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<v Speaker 1>in hip hop know about Grand Marnier because you're the

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<v Speaker 1>only rapper I've ever seen off that Grand Marnier. Man. Yeah, Yeah,

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<v Speaker 1>that's the way it's supposed to be. That's that orange shit. Yeah,

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<v Speaker 1>the cool is this something like this is like your

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<v Speaker 1>go to. It's been my go to as of late.

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<v Speaker 1>I was heavy on it in Old nine when I

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<v Speaker 1>did my deal at JAV and I just started picking

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<v Speaker 1>it back up recently. All right. So I always when

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<v Speaker 1>I think of Mickey Facts, I think of golden era,

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<v Speaker 1>of the blog era of rap music. Yeah, at the time,

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<v Speaker 1>there's not right, there's two Dope boys and all these

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<v Speaker 1>just staples, and you know, really the real an rs

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<v Speaker 1>of that era were those blog sites, right, and you

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<v Speaker 1>were one of the forefathers of that era. I feel like,

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<v Speaker 1>you know, you kind of you know, yeah, grandfathered a

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<v Speaker 1>lot of that shit that was going on at that time, man.

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<v Speaker 1>And you know, obviously was on the second Freshman cover yep,

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<v Speaker 1>the one that really made the Freshman cover like blowing,

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<v Speaker 1>because that first Freshman cover was cool. It was great

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<v Speaker 1>artists on there, but it wasn't like really a thing

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<v Speaker 1>until the second one hit. Second one hit. It changed

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<v Speaker 1>the game because the first one as as great as

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<v Speaker 1>I thought. It was a great cover, but it didn't

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<v Speaker 1>do too well. It was like Crooked Eye. Joel Ortiz

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<v Speaker 1>Loope was boozy on it, Sagon Ye Pap. It was

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<v Speaker 1>a couple of people on it. The thing about it

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<v Speaker 1>was like the game was changing from the streets to

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<v Speaker 1>the to the Internet. And when Dayton Thomas got there,

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<v Speaker 1>he was like, I want to do a freshman cover

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<v Speaker 1>and I want to cover the blog. The people who

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<v Speaker 1>was big on the blogs they said hell no, and

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<v Speaker 1>he was. He fought and fought and fought and made

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<v Speaker 1>it happen because the last one didn't sell well. When

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<v Speaker 1>we did that one, that's like the top selling that

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<v Speaker 1>was one of the top selling magazines. Yeah, because it

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<v Speaker 1>was you, Asher Roth, Walle Bob Bob, Charles Hamilton, Corey Guns.

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<v Speaker 1>Every time I hear Charles hand was his name, I

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<v Speaker 1>just I have such a big fan Free Charles. He's

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<v Speaker 1>locked up? Oh is he ship? Yeah? Corey Guns was

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<v Speaker 1>ace Hood on there, Theacehood, Cuddy Cuddy currency Wow and Blue. Wow. Yeah,

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<v Speaker 1>that's a crazy cover. That's a crazy cover. And it's

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<v Speaker 1>funny too because at the time I remember, like the

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<v Speaker 1>the the people who you were, like, h it was

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<v Speaker 1>like Ace Hood. Acehood made the cover and I was

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<v Speaker 1>like hmm. I mean, obviously Ashood went on to have

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<v Speaker 1>hit records in like a great career and stuff, but incredible,

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<v Speaker 1>but yeah, that was such a it was to me.

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<v Speaker 1>It just kind of really time stamped the era perfectly perfectly.

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<v Speaker 1>It was a perfect, perfect, perfectly balanced liked say were

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<v Speaker 1>you know? Was there a lot of camaraderie between a

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<v Speaker 1>lot of a lot of you guys on that cover.

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<v Speaker 1>At the time the time, Me and Corey were very cool. Uh.

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<v Speaker 1>I was a fan of Blue. Me and Currency was

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<v Speaker 1>super cool. Uh. Me and Wiley had a little bit

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<v Speaker 1>of issues. Me and Cuddy had did a record. We

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<v Speaker 1>were cool being Me and Charles were cool. I had

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<v Speaker 1>met Acehood that day, so for the most part, I

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<v Speaker 1>was cool with everybody there. What was it? What were

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<v Speaker 1>the issues you had with La? It was just some

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<v Speaker 1>music stuff. Like I was trying to get some music

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<v Speaker 1>done with him, meet him and push. I was trying

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<v Speaker 1>to get a track with us three on it and

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<v Speaker 1>it just didn't happen. So I kind of took offense

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<v Speaker 1>to that. I was new to the game, so I

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<v Speaker 1>didn't really understand what was going on. I didn't know how.

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<v Speaker 1>I thought if somebody sent you a record and you know,

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<v Speaker 1>you guys are on the same level, you're coming up,

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<v Speaker 1>you just get it done. But he was real busy

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<v Speaker 1>at the time. He couldn't get to it. So that

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<v Speaker 1>was like one of my first lessons in the industry.

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<v Speaker 1>But I took it to heart, and that's why we

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<v Speaker 1>kind of had issues at that time. Was it awkward? Shoot?

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<v Speaker 1>It was a very aw shoot, very awkward, but you

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<v Speaker 1>know there was you know, darker forces behind the scenes,

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<v Speaker 1>and when he kind of realized what was going on,

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<v Speaker 1>he kind of spun the block and was like, Yo,

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<v Speaker 1>my fault. You know, I understand what he was trying

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<v Speaker 1>to do. And there was people that was in my

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<v Speaker 1>ear at the time, so you know, he apologized and

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<v Speaker 1>we kind of got behind it after that. Yeah, It's

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<v Speaker 1>it's crazy because if you look at a lot of

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<v Speaker 1>the guys on that cover, right, there's so much like

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<v Speaker 1>what IF's on that cover? Right? Yeah, what if? Asheroth

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<v Speaker 1>came out five years later, because I feel like Asherroth

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<v Speaker 1>missed kind of the window to be like, I guess

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<v Speaker 1>where Jack Harley is now or with Gzy and mackl like,

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<v Speaker 1>like you know what I mean. I think when Asharrock

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<v Speaker 1>came out, I don't think people really got it all

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<v Speaker 1>the way. I think all of us. I think when

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<v Speaker 1>you look at that cover, all of us were the

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<v Speaker 1>guinea pigs for every other artist that came out after.

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<v Speaker 1>You know, from you you take someone like you take

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<v Speaker 1>someone like Asha, like you said, you know, people saw that,

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<v Speaker 1>and then you have Mac Miller. Afterwards you look at

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<v Speaker 1>somebody like Blue, you see that, and then you know,

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<v Speaker 1>after Blue, you have like a Fashan or you have

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<v Speaker 1>a Ja Cole right currency right like currency was just incredible.

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<v Speaker 1>After that, you know, you get with w so like

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<v Speaker 1>people saw what the mistakes that we may have made

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<v Speaker 1>and just kind of was like, Okay, I'm gonna stay

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<v Speaker 1>away from that and kind of do this, or I'm

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<v Speaker 1>gonna do this, or I'm gonna work with these guys

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<v Speaker 1>that came out before us. And what about for you?

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<v Speaker 1>What do you think like for you, maybe you know,

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<v Speaker 1>were the things that transpire that maybe kind of prevented

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<v Speaker 1>you from me to your full potential because you had

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<v Speaker 1>full you know, full record deals and all that shit.

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<v Speaker 1>Like two main things with people taking my style being

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<v Speaker 1>a little bit more popular than me at the time,

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<v Speaker 1>I was the guy doing skinny jeans. I was the

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<v Speaker 1>guy who was fashion forward. I was the guy putting

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<v Speaker 1>a song out every week on the internet when nobody

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<v Speaker 1>was doing it. Yeah you did that. It was either

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<v Speaker 1>you were Crooked Eye. Crooked Eye did the freestyles. Shot

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<v Speaker 1>the Crooked Eye. He did the freestyles every week. I

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<v Speaker 1>was putting out songs like I put Drake. Drake was

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<v Speaker 1>on that series when nobody knew who Drake was. Cuddy

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<v Speaker 1>was on that series. You know, Corey was on that

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<v Speaker 1>series like I was. When I was doing that, it

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<v Speaker 1>was it felt different. Buckshot was on that series. It

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<v Speaker 1>was just a whole bunch of craziness. So I think

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<v Speaker 1>that mixed with the fashion people kind of took the

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<v Speaker 1>skinny jinks and people were baggy like if you oh

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<v Speaker 1>for sure, people were crazy looking at the time. So

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<v Speaker 1>so those two things and then Jive folding. When Jive folded,

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<v Speaker 1>that was the end. That was the That was the

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<v Speaker 1>end of my trajectory because now I'm moving on to RCA.

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<v Speaker 1>I did a deal with RCA because I didn't get dropped.

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<v Speaker 1>It's just the label folded. So the people did get dropped,

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<v Speaker 1>but I had got another deal. It's the same me

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<v Speaker 1>and Justin Timberlake won the same label, so he got

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<v Speaker 1>moved to RCA EPIC and I got moved to RCA,

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<v Speaker 1>did a new deal. But it's people who didn't believe

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<v Speaker 1>in me. And understand, yeah, the same people who were

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<v Speaker 1>a RS, the people who brought you on the team,

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<v Speaker 1>they're no longer they're no longer there. And when you're

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<v Speaker 1>like that in in a building, it's like you're no

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<v Speaker 1>man's land, no man's LANs. So that's what happened, and

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<v Speaker 1>that's the reason why it kind of just fell apart.

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<v Speaker 1>It happens a lot, right especially, it doesn't even happen

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<v Speaker 1>when the label folds. It happens when someone gets fired. Yep.

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<v Speaker 1>Then you get somebody who doesn't your president comes in.

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<v Speaker 1>They didn't a sign you, they don't believe in you.

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<v Speaker 1>They just following the numbers, the analytics. So that's kind

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<v Speaker 1>of what happened to me in that space. And you know,

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<v Speaker 1>stuff like that has happened to a lot of artists

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<v Speaker 1>for sure, and they and a lot of them haven't

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<v Speaker 1>recovered XV. You know XV somebody who signed with Warner

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<v Speaker 1>and just they didn't know what the fuck to do

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<v Speaker 1>with him, and he was an alien like actually was

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<v Speaker 1>like Kendrick Lamar level talent, insane, insane, huge support system

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<v Speaker 1>and fan base. But like you said, once you get

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<v Speaker 1>into that system, then move. They were still moving by

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<v Speaker 1>the archaic rules, you know, get a radio record, do

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<v Speaker 1>some promo, whereas the Internet was just coming along. Spotify

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<v Speaker 1>hadn't started yet, Spotify and it was SoundCloud was around

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<v Speaker 1>that time when he got his deal. So like things,

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<v Speaker 1>you know, the labels didn't know what to do. The

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<v Speaker 1>blogs were in charge at the time, so it was

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<v Speaker 1>tough for them to figure out how to make money

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<v Speaker 1>off of a world where it's post Napster presently, z

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<v Speaker 1>Share and hulk Share, media Fire, Media Fire, and then

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<v Speaker 1>we're right before SoundCloud, Spotify, Apple Music and things like that. Yeah,

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<v Speaker 1>that's crazy because like like when you think about that

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<v Speaker 1>cover is like, you know, so like I was a

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<v Speaker 1>huge Charles I mean, I was a huge fan of Bob.

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<v Speaker 1>Bob obviously went on to have hit records and hit records,

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<v Speaker 1>but it also took a while. Yeah, it took them

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<v Speaker 1>two years. Yeah, you know, like even I even think

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<v Speaker 1>about like Coal, like Cole was the year after or

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<v Speaker 1>two years later. Cole was the year after he was

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<v Speaker 1>on the twenty ten cover. I think it like even Coal,

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<v Speaker 1>like they didn't know what to do with Call Forever

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<v Speaker 1>he popped in twenty twelve. Yeah, Like it was like, bro,

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<v Speaker 1>like it was a weird error for the industry because,

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<v Speaker 1>like you said, like it's how do you monetize this

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<v Speaker 1>internet buzz if there isn't a hit record because the

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<v Speaker 1>labels now, as long as it's streams, it doesn't matter

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<v Speaker 1>if it's played on the radio. It took them ten

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<v Speaker 1>years to figure it out. Yeah, because Napsta pops up

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<v Speaker 1>two oh three, and you know, then you have whatever else,

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<v Speaker 1>uh streaming sites that was out around that time. I

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<v Speaker 1>forgot what the other ones were. But then and then

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<v Speaker 1>it just kept moving moving forward, moving forward, YouTube five,

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<v Speaker 1>you know, MySpace, Twitter, everything just started. So the labels

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<v Speaker 1>were confused. You know, when I first joined Twitter, nobody

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<v Speaker 1>was on Twitter, right, there was no labels on Twitter.

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<v Speaker 1>There was no news sits on Twitter, there was nobody

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<v Speaker 1>on Twitter. So once they started to get the hang

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<v Speaker 1>of it, then they started to put their minds together

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<v Speaker 1>and it was like, we're gonna we're gonna take over

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<v Speaker 1>by doing this, doing this, doing that, and now this

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<v Speaker 1>the streaming services. It's back to the way it was.

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<v Speaker 1>They're in control again. Yeah, it's almost like Carl Cherry's

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<v Speaker 1>like the new sk kind of right, or like you know,

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<v Speaker 1>because you would think, like I mean I saw with

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<v Speaker 1>my own eyes, like if you could get Shake or

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<v Speaker 1>Meg to post it your ship on two dope boys,

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<v Speaker 1>you like it literally, like will change your life, life changing. Yeah,

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<v Speaker 1>if ESK posted, you forget about it over like at that.

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<v Speaker 1>At that in the real like early stages. Not Right

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<v Speaker 1>was the blog period. It was not right and then

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<v Speaker 1>you know, everyone else was coming up. But not Right

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<v Speaker 1>was like the standard. Like if if you got on

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<v Speaker 1>not Right, it was like, oh shit, this I got it.

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<v Speaker 1>I listened to everything. I'm not right. I was on

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<v Speaker 1>that right three times a week. That's crazy. Every week

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<v Speaker 1>for the year, I was on it three times a week. Yeah,

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<v Speaker 1>I mean, yeah, it's I missed the era of music

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<v Speaker 1>because it did feel like those guys had like legitimate

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<v Speaker 1>love for quality, and I think that the blog era.

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<v Speaker 1>At least the gatekeepers, in my opinion, were the best

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<v Speaker 1>gatekeepers we've ever had because they were the most tuned

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<v Speaker 1>in and they you know, like I'm real. Over the

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<v Speaker 1>years was really tight with Shake and Mac and those guys,

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<v Speaker 1>and like they like genuinely like if they didn't like

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<v Speaker 1>your music, they didn't post it. Yeah, And that was

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<v Speaker 1>that's different, right, because now you're gonna get on a

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<v Speaker 1>playlist because it's an algorithm or because like you know,

0:10:46.040 --> 0:10:48.160
<v Speaker 1>even if the song sucks, if you're the bigger name

0:10:48.240 --> 0:10:49.839
<v Speaker 1>or you got you're on the A label, you're getting

0:10:49.880 --> 0:10:53.800
<v Speaker 1>on rap caviar, even if someone who's running that playlist

0:10:53.920 --> 0:10:56.760
<v Speaker 1>is like this shit is ass as to where back then,

0:10:56.840 --> 0:10:59.520
<v Speaker 1>I feel like at least the gatekeepers were like hip

0:10:59.559 --> 0:11:02.240
<v Speaker 1>hop no herds, and they wrote about it it was

0:11:02.320 --> 0:11:04.240
<v Speaker 1>over and they had a post where they typed and

0:11:04.320 --> 0:11:06.280
<v Speaker 1>it was like yo, like they took pride to like

0:11:06.320 --> 0:11:10.120
<v Speaker 1>help building people's careers like I owe my careers and

0:11:10.440 --> 0:11:13.320
<v Speaker 1>right and all of the blogs on Smash to Boys,

0:11:13.600 --> 0:11:16.280
<v Speaker 1>even World Star hip Hop, you know, start they would

0:11:16.280 --> 0:11:18.240
<v Speaker 1>when they first were starting out, you know, they were

0:11:18.320 --> 0:11:21.400
<v Speaker 1>underneath not right, and then you know, the fights helped them,

0:11:21.440 --> 0:11:23.280
<v Speaker 1>But a lot of times it was the music, my

0:11:23.480 --> 0:11:25.960
<v Speaker 1>freestyles that would go up there. It would help build

0:11:26.040 --> 0:11:28.880
<v Speaker 1>up the site, you know. So you know a lot

0:11:28.960 --> 0:11:31.360
<v Speaker 1>of these places was just starting out, even hip Hop

0:11:31.440 --> 0:11:33.920
<v Speaker 1>d X all hip hop, they were just starting out.

0:11:34.080 --> 0:11:36.760
<v Speaker 1>Do you remember the forum days before the blogs hip

0:11:36.760 --> 0:11:40.640
<v Speaker 1>hop game, hip hop game, there was a realist nwords

0:11:40.679 --> 0:11:42.880
<v Speaker 1>dot com. I used to download all my mixtapes off

0:11:42.920 --> 0:11:46.880
<v Speaker 1>of Slums of Boxton Love. Oh my gosh. You know

0:11:47.120 --> 0:11:49.640
<v Speaker 1>back then Jay Electronica he would post links and then

0:11:49.679 --> 0:11:53.120
<v Speaker 1>delete them. Oh really, he would go into these chatrooms,

0:11:53.160 --> 0:11:56.160
<v Speaker 1>into these forums, post a link to like Act one

0:11:56.320 --> 0:11:59.320
<v Speaker 1>or Act two and then delete it. That's crazy. Yeah,

0:11:59.400 --> 0:12:02.000
<v Speaker 1>those those are those That's how I got my name.

0:12:02.520 --> 0:12:06.680
<v Speaker 1>I would illegally download mixtapes and albums from those forums

0:12:07.280 --> 0:12:08.800
<v Speaker 1>and then go to the swat meet when I was

0:12:08.840 --> 0:12:13.040
<v Speaker 1>sixteen and sling them bitches. Wow. Yeah. I used to

0:12:13.080 --> 0:12:15.720
<v Speaker 1>sell mixtapes in bootleg albums when I was in high school.

0:12:15.960 --> 0:12:17.880
<v Speaker 1>That's crazy. Hey, what up man? We gotta interrupt the

0:12:17.920 --> 0:12:20.280
<v Speaker 1>interview real quick to tell you about our family at

0:12:20.360 --> 0:12:22.600
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0:12:30.240 --> 0:12:33.400
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0:12:44.520 --> 0:12:47.079
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0:12:50.280 --> 0:12:54.840
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0:12:55.160 --> 0:12:58.400
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0:12:58.600 --> 0:13:03.480
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0:13:14.800 --> 0:13:16.960
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0:13:24.280 --> 0:13:26.120
<v Speaker 1>to odd Socks let's get back to the interview. I

0:13:26.320 --> 0:13:28.439
<v Speaker 1>just think, like now it's kind of it's kind of

0:13:28.480 --> 0:13:32.240
<v Speaker 1>like somewhere in the middle unfortunately, like you know, like

0:13:32.600 --> 0:13:35.480
<v Speaker 1>there's not as many gatekeepers, right, there's only a few. Yeah,

0:13:36.160 --> 0:13:39.280
<v Speaker 1>and you know, I mean I consider call Churry a gatekeeper. Yeah.

0:13:39.280 --> 0:13:42.040
<v Speaker 1>And Carl's super tuned in. He's super He is a

0:13:42.120 --> 0:13:45.240
<v Speaker 1>hip hop fanatic, you know, like Carl's he was a

0:13:45.280 --> 0:13:48.120
<v Speaker 1>part of the double XLF Freshman cover. Yeah, Carl's a

0:13:48.160 --> 0:13:51.800
<v Speaker 1>fucking one of the good guys, I say, you know,

0:13:52.600 --> 0:13:54.880
<v Speaker 1>and Carl's taking chances on a lot of artists too.

0:13:55.000 --> 0:13:56.920
<v Speaker 1>Like there's a kid out of La Na Nana that's

0:13:57.000 --> 0:13:59.800
<v Speaker 1>incredible that like doesn't even have ten thousand followers, but

0:13:59.840 --> 0:14:03.760
<v Speaker 1>he's a fucking incredible artist. Grip, who just simon Shady Grip.

0:14:04.040 --> 0:14:05.680
<v Speaker 1>That's my boy. I love Grip. You know. I found

0:14:05.679 --> 0:14:08.640
<v Speaker 1>out about Grip. I had a show in Nebraska and

0:14:08.720 --> 0:14:10.599
<v Speaker 1>the promoter he just kept playing Grip and I'm like,

0:14:10.640 --> 0:14:12.840
<v Speaker 1>who is this guy? This guy is incredible? So yes,

0:14:12.960 --> 0:14:15.640
<v Speaker 1>guy named Grip Man, he's dope. I DM Grip immediately

0:14:15.840 --> 0:14:17.679
<v Speaker 1>He's fired. I didn't even know he was signing. He

0:14:17.720 --> 0:14:21.400
<v Speaker 1>got album called Snubnose from twenty nineteen. That's Fire. I

0:14:21.440 --> 0:14:22.880
<v Speaker 1>think that was the album I was listening to. He

0:14:23.080 --> 0:14:26.000
<v Speaker 1>is incredible, and you know I hit him up like, yo, man,

0:14:26.040 --> 0:14:28.480
<v Speaker 1>I think you're dope. Would love to work monf late

0:14:28.520 --> 0:14:32.360
<v Speaker 1>to sign of Shady Wow, kind of break down the

0:14:32.840 --> 0:14:36.360
<v Speaker 1>fake internet altercations. Obviously, you and Lup are real close, right,

0:14:36.440 --> 0:14:38.320
<v Speaker 1>We're like, yeah, that's my bro. You guys like we're

0:14:38.400 --> 0:14:40.760
<v Speaker 1>kind of trolling each other for a while. I don't

0:14:40.760 --> 0:14:42.600
<v Speaker 1>know if he was trolling each other. I think it

0:14:42.640 --> 0:14:44.160
<v Speaker 1>was one of those things where we was just kind

0:14:44.200 --> 0:14:47.280
<v Speaker 1>of having conversations about hip hop, you know, just trying

0:14:47.280 --> 0:14:50.240
<v Speaker 1>to you know, there was this talk about who's the best,

0:14:50.320 --> 0:14:52.960
<v Speaker 1>and you know, I was just trying to conduct the interview.

0:14:53.000 --> 0:14:56.640
<v Speaker 1>I wasn't. I actually think Loop a Fiasco like lyrically

0:14:57.400 --> 0:15:00.560
<v Speaker 1>as like a just pure rapper. He's he might be

0:15:00.720 --> 0:15:03.960
<v Speaker 1>like top five to ten. Ever I'm not talking about

0:15:04.000 --> 0:15:07.960
<v Speaker 1>like and by the way, he's got classic projects, yes,

0:15:08.440 --> 0:15:10.760
<v Speaker 1>but like, if we're just talking about putting you in

0:15:10.840 --> 0:15:14.240
<v Speaker 1>a room, here's a pad of paper, go crazy. I'm

0:15:14.280 --> 0:15:16.560
<v Speaker 1>not sure there's many people in the history of this

0:15:16.720 --> 0:15:19.920
<v Speaker 1>planet that can hang with Lupe Fiasco. I say that

0:15:19.920 --> 0:15:22.520
<v Speaker 1>with all due respects. I agree. I agree he's one

0:15:22.520 --> 0:15:25.800
<v Speaker 1>of the greats. He's my biggest what if. Yeah, like

0:15:26.200 --> 0:15:28.920
<v Speaker 1>Lupe to me should be on the like like when

0:15:28.960 --> 0:15:31.760
<v Speaker 1>I think of like Loope's trajectory and like how Atlanta

0:15:31.840 --> 0:15:33.800
<v Speaker 1>kind of stalled them, I feel like Atlantic stalled him out,

0:15:33.800 --> 0:15:35.080
<v Speaker 1>and I feel like at some point in time he

0:15:35.120 --> 0:15:37.720
<v Speaker 1>might have maybe just lost not necessarily lost passion for

0:15:37.760 --> 0:15:40.000
<v Speaker 1>the hip hop like as an art form, but just

0:15:40.080 --> 0:15:43.320
<v Speaker 1>for the industry. Yeah, I mean, I think I just

0:15:43.400 --> 0:15:45.120
<v Speaker 1>think he wanted to do what he wanted to do,

0:15:45.760 --> 0:15:49.920
<v Speaker 1>and I think Atlantic saw the success of Superstar, right,

0:15:50.360 --> 0:15:51.800
<v Speaker 1>we need more of that, We need more of that.

0:15:52.400 --> 0:15:54.360
<v Speaker 1>And he's like, bro, I'm an artist. I want to

0:15:54.440 --> 0:15:56.840
<v Speaker 1>do this, And then Lasers comes out and it's like

0:15:57.280 --> 0:15:59.080
<v Speaker 1>shout out to my guy Poube, you know. But at

0:15:59.080 --> 0:16:01.080
<v Speaker 1>the time it was going by MDMA. But like there's

0:16:01.120 --> 0:16:03.000
<v Speaker 1>like a lot of these like commercial like aren't like

0:16:03.120 --> 0:16:05.600
<v Speaker 1>weird R and B hooks that just didn't feel right.

0:16:06.120 --> 0:16:07.640
<v Speaker 1>But it's like, yeah, that's not why we came here

0:16:07.640 --> 0:16:09.160
<v Speaker 1>in the first place. It's not why Lupe has got

0:16:09.240 --> 0:16:12.160
<v Speaker 1>a fucking cult following. They're not here for that ship yeah,

0:16:12.200 --> 0:16:14.080
<v Speaker 1>I mean they gave him his biggest records though, I

0:16:14.120 --> 0:16:16.320
<v Speaker 1>think you know, I mean obviously, Yeah, it's like you said,

0:16:17.080 --> 0:16:19.800
<v Speaker 1>the record with which Tray was huge, Trey record was

0:16:20.360 --> 0:16:22.880
<v Speaker 1>nuts and even you know, the Show goes On. I

0:16:22.960 --> 0:16:24.840
<v Speaker 1>think that might was that on that album. Yeah, show

0:16:24.880 --> 0:16:26.760
<v Speaker 1>goes On, I think huge. I think that might that

0:16:27.120 --> 0:16:29.280
<v Speaker 1>is either between that or Superstar might be the biggest,

0:16:29.360 --> 0:16:31.520
<v Speaker 1>right show. Yeah, it's one of those two. You know,

0:16:31.600 --> 0:16:34.000
<v Speaker 1>those are the two biggest records. So you know, I

0:16:34.080 --> 0:16:36.120
<v Speaker 1>think he has a love and hate relationship with Lasers,

0:16:37.120 --> 0:16:40.640
<v Speaker 1>but you know he's still top five tops man. Listen.

0:16:40.800 --> 0:16:42.560
<v Speaker 1>I was I don't know, was it twenty fifteen that

0:16:42.640 --> 0:16:44.920
<v Speaker 1>Murals they saw Murals came out and he was rapping

0:16:44.960 --> 0:16:47.120
<v Speaker 1>for nine minutes straight and it was just and I

0:16:47.200 --> 0:16:49.600
<v Speaker 1>just remember like saying, anybody who thinks Lupe fell off,

0:16:49.720 --> 0:16:52.800
<v Speaker 1>just press play on that Nels and it's like, what

0:16:53.040 --> 0:16:57.080
<v Speaker 1>the fuck? Like that Smithsonian rep right there? Yeah, it's crazy, man.

0:16:57.200 --> 0:16:59.960
<v Speaker 1>But uh, you have a joint project out with Blue. Yeah,

0:17:00.120 --> 0:17:03.040
<v Speaker 1>that's my brother. Shout out to Blue. Somebody else you

0:17:03.120 --> 0:17:05.600
<v Speaker 1>know his album is that? That first album with Exile

0:17:05.720 --> 0:17:08.600
<v Speaker 1>was another moment and like Below the Heavens is got

0:17:08.800 --> 0:17:12.960
<v Speaker 1>backpack you know moment, It was like a moment in

0:17:13.040 --> 0:17:16.639
<v Speaker 1>backpack history. Yeah, that boom back, Like wow, shit, Like

0:17:17.200 --> 0:17:19.520
<v Speaker 1>he was right. I want to say he was right

0:17:19.640 --> 0:17:23.520
<v Speaker 1>before the blog era because that dropped in seven, So

0:17:23.640 --> 0:17:25.679
<v Speaker 1>he was right before yeah, because it came out when

0:17:25.680 --> 0:17:28.359
<v Speaker 1>I was in high school. Yeah, and that project is

0:17:28.840 --> 0:17:31.359
<v Speaker 1>I'm a fan of that project. Yeah. So you guys

0:17:31.720 --> 0:17:35.159
<v Speaker 1>originally met at the cover shoot. We actually met. We

0:17:35.280 --> 0:17:38.440
<v Speaker 1>had a show together at Rock the Bells. Was it

0:17:38.560 --> 0:17:40.960
<v Speaker 1>Rock the Bells? No, it was the Booklyn Hip Hop Fest.

0:17:41.040 --> 0:17:43.760
<v Speaker 1>We had a show together and that's what we first met,

0:17:43.800 --> 0:17:46.000
<v Speaker 1>and then we met again at the cover. So you

0:17:46.080 --> 0:17:48.639
<v Speaker 1>guys have obviously kept rapport throughout the years, and now

0:17:48.800 --> 0:17:51.440
<v Speaker 1>you know what was this? What was the Whose idea

0:17:51.560 --> 0:17:53.480
<v Speaker 1>was it to do a project together? It was mine.

0:17:53.600 --> 0:17:55.600
<v Speaker 1>We were on tour in twenty eighteen and I was like, yo,

0:17:55.640 --> 0:17:56.960
<v Speaker 1>I think we should do a project while we were

0:17:56.960 --> 0:18:00.240
<v Speaker 1>in the car and he was like, yep, that's do it.

0:18:00.560 --> 0:18:02.359
<v Speaker 1>And I was like all right, so I went. You know,

0:18:02.440 --> 0:18:04.600
<v Speaker 1>we both was reaching out to different producers to see

0:18:04.600 --> 0:18:07.639
<v Speaker 1>who could do the whole thing, and we settled on Knots.

0:18:08.280 --> 0:18:10.280
<v Speaker 1>Nots is a legend and nots was like, yeah, let's

0:18:10.320 --> 0:18:12.400
<v Speaker 1>do it. So, you know, we just kind of went

0:18:12.680 --> 0:18:15.800
<v Speaker 1>and picked beats and we put this project together. It

0:18:15.880 --> 0:18:19.000
<v Speaker 1>was crazy. It's crazy. It's called the narrative. How is it? Uh?

0:18:20.160 --> 0:18:22.280
<v Speaker 1>Because you know, when you're working on solo shit, you

0:18:22.400 --> 0:18:25.879
<v Speaker 1>really only have to worry about like your vision, right.

0:18:26.840 --> 0:18:29.600
<v Speaker 1>It is not you know, you know what your perspective

0:18:29.720 --> 0:18:31.600
<v Speaker 1>is is you know how to get your point across?

0:18:31.880 --> 0:18:34.480
<v Speaker 1>How is the dynamic changing when you have when you

0:18:34.600 --> 0:18:37.399
<v Speaker 1>bring a whole nother prolific rapper to the table and

0:18:37.480 --> 0:18:39.720
<v Speaker 1>you guys have to collaborate on like these things. For

0:18:39.800 --> 0:18:42.160
<v Speaker 1>the most part, I'm a pretty easy going m see

0:18:42.680 --> 0:18:45.080
<v Speaker 1>if he a lot of times Blue would have concepts

0:18:45.080 --> 0:18:46.520
<v Speaker 1>and I'd be like okay, and I was just run

0:18:46.600 --> 0:18:48.720
<v Speaker 1>with it. And there were times when you know, I

0:18:48.760 --> 0:18:51.119
<v Speaker 1>would put I put like maybe the two of the

0:18:51.200 --> 0:18:54.239
<v Speaker 1>songs together and he was like, okay, cool. I mean,

0:18:54.320 --> 0:18:56.520
<v Speaker 1>once you have two people that don't have big egos

0:18:56.600 --> 0:18:58.600
<v Speaker 1>that come together, they're both just trying to make sure

0:18:58.640 --> 0:19:00.800
<v Speaker 1>that the project just comes to other pretty well. It

0:19:00.920 --> 0:19:03.200
<v Speaker 1>was very easy project for us to put together. It

0:19:03.280 --> 0:19:05.040
<v Speaker 1>took forever to come out because of the features we

0:19:05.080 --> 0:19:06.639
<v Speaker 1>were waiting a long time for the features to come.

0:19:06.720 --> 0:19:08.560
<v Speaker 1>Who was on the album? We got coded a friend

0:19:08.760 --> 0:19:12.440
<v Speaker 1>shout out to Cota. We got a tank uh, Tabianna

0:19:12.480 --> 0:19:15.760
<v Speaker 1>Bell from Tanking the Bangers. We have Si the Kid

0:19:15.880 --> 0:19:21.680
<v Speaker 1>on There's Dorof is on there, Fishawn is on there. Oswyn,

0:19:21.720 --> 0:19:25.680
<v Speaker 1>Benjamin Oswyn is my guy. My producer Tony Chuck and

0:19:25.760 --> 0:19:28.960
<v Speaker 1>him are doing a whole project together. Yeah. It's funny

0:19:29.040 --> 0:19:31.320
<v Speaker 1>because he was going to do, uh, he was going

0:19:31.400 --> 0:19:37.200
<v Speaker 1>to do a High on Life freestyle. I listen. So

0:19:37.440 --> 0:19:40.440
<v Speaker 1>he calls me while I'm in New York and he's like, yo, Mickey,

0:19:40.480 --> 0:19:42.639
<v Speaker 1>I got to do a High on Life freestyle. And

0:19:42.800 --> 0:19:45.399
<v Speaker 1>I was like, I got to do a bootleg cav freestyle.

0:19:45.440 --> 0:19:47.960
<v Speaker 1>But I haven't written anything yet, and he was like,

0:19:48.040 --> 0:19:49.760
<v Speaker 1>y I'm I'm about to get on the flight. I said,

0:19:49.800 --> 0:19:52.879
<v Speaker 1>I when you land my verse would be done. So

0:19:52.960 --> 0:19:55.440
<v Speaker 1>when he landed, I called him versus done and we

0:19:55.520 --> 0:19:57.080
<v Speaker 1>both split our verses and he was like, y'all tell

0:19:57.080 --> 0:19:59.280
<v Speaker 1>bootglet cad myself up because he's he's he's on my

0:19:59.320 --> 0:20:02.040
<v Speaker 1>bucket list. No, he's coming up here. Yeah, he was like, yo,

0:20:02.119 --> 0:20:03.720
<v Speaker 1>he's on my bucket list. I said, yeah, Kevin is

0:20:03.720 --> 0:20:05.800
<v Speaker 1>on my bucket. He lives in my hometown. He's out,

0:20:05.840 --> 0:20:07.920
<v Speaker 1>He's in Phoenix now, Yeah, he's in my hometown. Yeah Yeah,

0:20:08.200 --> 0:20:11.440
<v Speaker 1>Osmind's gonna gonna have a nice career. He's incredible, he

0:20:11.480 --> 0:20:13.680
<v Speaker 1>can do a lot, he can see it rap, He's

0:20:13.840 --> 0:20:15.879
<v Speaker 1>very I mean, I don't think like he's had the

0:20:15.960 --> 0:20:18.680
<v Speaker 1>moment where we can say he's slept on yet. But

0:20:19.400 --> 0:20:22.600
<v Speaker 1>you know, I think he's bubbling and when his moment comes,

0:20:22.640 --> 0:20:24.760
<v Speaker 1>it'll be soon, it'll be big. It's gonna it's it's

0:20:24.800 --> 0:20:26.280
<v Speaker 1>on the way. I believe it's on the way. I

0:20:26.359 --> 0:20:28.280
<v Speaker 1>think he you know, he just has to, you know,

0:20:28.440 --> 0:20:30.400
<v Speaker 1>figure it out. Once he figures it out, he's out

0:20:30.400 --> 0:20:32.760
<v Speaker 1>of here. Yeah. He's got a lot of talent. Yeah,

0:20:32.800 --> 0:20:35.960
<v Speaker 1>that's dope. So with this album, do you feel like

0:20:37.560 --> 0:20:39.920
<v Speaker 1>you know, because I do feel like, was there a

0:20:40.000 --> 0:20:41.520
<v Speaker 1>point in time where you kind of just stepped away

0:20:41.560 --> 0:20:44.560
<v Speaker 1>from music? Yeah? I quit music in twenty thirteen at

0:20:44.560 --> 0:20:46.520
<v Speaker 1>the end of twenty thirteen. And was that like a

0:20:46.600 --> 0:20:48.320
<v Speaker 1>hard thing for you to do? Man? Because I know,

0:20:48.520 --> 0:20:50.840
<v Speaker 1>you know, I know this industry will spit you up,

0:20:51.160 --> 0:20:52.920
<v Speaker 1>chew you up, and spit you out. Man. It was

0:20:52.960 --> 0:20:57.000
<v Speaker 1>too much that was going on. You know, I left RCA.

0:20:58.000 --> 0:21:00.680
<v Speaker 1>It just wasn't it's a shitty label and it's your priority.

0:21:00.720 --> 0:21:02.560
<v Speaker 1>Shout out to RCA, but God bless them, but yeah,

0:21:02.560 --> 0:21:04.719
<v Speaker 1>if you're not a priority, fuck they had d one

0:21:04.800 --> 0:21:06.800
<v Speaker 1>on RCA forever and didn't know what the fuck to do. Anyway,

0:21:07.160 --> 0:21:09.840
<v Speaker 1>I digress. I left, and then I lost a lot

0:21:09.920 --> 0:21:13.040
<v Speaker 1>of money in twenty thirteen not working and I had

0:21:13.080 --> 0:21:15.360
<v Speaker 1>full fourteen in my bank account, and I was like, man,

0:21:15.400 --> 0:21:18.680
<v Speaker 1>I'm not doing rap no more. And then twenty fourteen

0:21:18.760 --> 0:21:20.600
<v Speaker 1>comes around and I'm like I couldn't get a job

0:21:21.240 --> 0:21:24.240
<v Speaker 1>because I hadn't. I hadn't worked since two thousand and seven.

0:21:25.080 --> 0:21:27.600
<v Speaker 1>So by April, when I realized that I couldn't get

0:21:27.640 --> 0:21:29.360
<v Speaker 1>a job, I was like, well, I'm trying to wrap again.

0:21:29.400 --> 0:21:31.560
<v Speaker 1>And that just kind of was my resurgence, and I

0:21:31.600 --> 0:21:33.560
<v Speaker 1>went into my Plan B, which was just being this

0:21:33.800 --> 0:21:36.680
<v Speaker 1>MC that can just that just goes to just wraps,

0:21:37.119 --> 0:21:39.680
<v Speaker 1>and people just kind of, you know, it just continued

0:21:39.680 --> 0:21:43.399
<v Speaker 1>to snowball, snowball, snowball, snowball, snowball, And now you know,

0:21:43.640 --> 0:21:46.240
<v Speaker 1>I am I'm here, you know, yeah, I think what's

0:21:46.280 --> 0:21:50.719
<v Speaker 1>dope is like, now, uh, there is no middleman. If

0:21:50.720 --> 0:21:53.240
<v Speaker 1>you want to drop music, you just get a distro

0:21:53.359 --> 0:21:56.080
<v Speaker 1>kid account and you're on, and you're on, and you

0:21:56.160 --> 0:21:58.560
<v Speaker 1>can run up your indie catalog and even if you

0:21:58.680 --> 0:22:01.840
<v Speaker 1>have a thousand and fans that are your core fan base,

0:22:02.040 --> 0:22:04.359
<v Speaker 1>there's a way to monetize that and make a living

0:22:04.440 --> 0:22:07.240
<v Speaker 1>off of this rap shit. Yep. Everybody like you got

0:22:07.359 --> 0:22:10.200
<v Speaker 1>to be consistent and you have to like figure out

0:22:10.600 --> 0:22:12.280
<v Speaker 1>how to get to a point where you have enough

0:22:12.359 --> 0:22:14.639
<v Speaker 1>fans that are like die hard fans. It could be

0:22:14.680 --> 0:22:17.720
<v Speaker 1>five hundred kids. So if they support everything you do

0:22:18.760 --> 0:22:20.840
<v Speaker 1>and you're strategic and you're smart, you're gonna be able

0:22:20.840 --> 0:22:22.920
<v Speaker 1>to pay your bills off rap music. You know what

0:22:22.960 --> 0:22:25.399
<v Speaker 1>I'm saying. You turn five hundred into six hundred and

0:22:25.840 --> 0:22:27.480
<v Speaker 1>so on and so forth. And I think that's what's

0:22:27.520 --> 0:22:30.680
<v Speaker 1>kind of been dope about. Like somebody like, you know,

0:22:31.200 --> 0:22:34.000
<v Speaker 1>what Griselda has done is like they've just racked up

0:22:34.119 --> 0:22:38.159
<v Speaker 1>so much catalog and Russ, who took a page out

0:22:38.200 --> 0:22:39.960
<v Speaker 1>of your book, shout out to Russ. Russ is you know,

0:22:40.119 --> 0:22:41.800
<v Speaker 1>did did a one song a week for a year.

0:22:42.480 --> 0:22:46.639
<v Speaker 1>But it's like just betting on yourself knowing guess what,

0:22:46.840 --> 0:22:48.920
<v Speaker 1>not every record is going to be a hit. No,

0:22:49.080 --> 0:22:51.800
<v Speaker 1>it doesn't work like that. But it's okay because every

0:22:51.840 --> 0:22:54.200
<v Speaker 1>record someone's gonna listen to it, and it just commuticly

0:22:54.240 --> 0:22:56.960
<v Speaker 1>it's it all adds up, like it all builds up.

0:22:57.000 --> 0:22:59.479
<v Speaker 1>It all adds up, And I think that's what matters, right,

0:22:59.600 --> 0:23:04.040
<v Speaker 1>like being able to, you know, put out content that

0:23:04.200 --> 0:23:07.879
<v Speaker 1>your supporters really appreciate and they want to support you

0:23:08.000 --> 0:23:10.520
<v Speaker 1>because they feel like you're giving them the soundtracks and

0:23:10.600 --> 0:23:13.520
<v Speaker 1>not only your life but their life, and that matters

0:23:13.560 --> 0:23:15.920
<v Speaker 1>to them a lot. So you know that it also

0:23:16.119 --> 0:23:18.520
<v Speaker 1>puts you in a dope creative position because now you're

0:23:18.560 --> 0:23:20.880
<v Speaker 1>just giving people what they want, not with the people

0:23:20.920 --> 0:23:23.040
<v Speaker 1>on the fifty second floor once right, because they're all

0:23:23.080 --> 0:23:25.640
<v Speaker 1>about numbers and analytics. Like now, you guys, I'm Mickey facts.

0:23:25.680 --> 0:23:27.399
<v Speaker 1>People fuck with me because I could wrap my fucking

0:23:27.480 --> 0:23:29.320
<v Speaker 1>ass off. So let me give y'all some of that.

0:23:29.480 --> 0:23:31.399
<v Speaker 1>That's why. That's how I got here, That's how I

0:23:31.480 --> 0:23:33.560
<v Speaker 1>got here, and that's how we're going to stay here.

0:23:33.760 --> 0:23:36.120
<v Speaker 1>Yeah straight up, man. Well, look the album is out,

0:23:36.280 --> 0:23:39.040
<v Speaker 1>go support it. The narrative me Blue Knots, make sure

0:23:39.080 --> 0:23:42.159
<v Speaker 1>you guys go pick that out is crazy, yo, Go support.

0:23:42.160 --> 0:23:45.560
<v Speaker 1>Shout to Knots legend. He's from Virginia, right, Virginia, beach man.

0:23:45.600 --> 0:23:46.879
<v Speaker 1>I don't know what's in the world. He did a

0:23:46.920 --> 0:23:49.959
<v Speaker 1>whole album with Asher Roth. I believe that bucking crazy

0:23:50.080 --> 0:23:54.800
<v Speaker 1>and yeah yeah yea and me nas is that he's incredible. Yo.

0:23:54.920 --> 0:24:01.280
<v Speaker 1>Shout out to Virginia for producing Pharrell, Timblin and Knots

0:24:01.920 --> 0:24:05.040
<v Speaker 1>and Bink and Bink. Wow. I didn't know Bink was

0:24:05.080 --> 0:24:07.600
<v Speaker 1>from Virginia. He's from Virginia. Something about something in the

0:24:07.680 --> 0:24:11.640
<v Speaker 1>water in Virginia for producers. Boy, is Missy from there? Yeah?

0:24:12.400 --> 0:24:15.240
<v Speaker 1>Is she from Virginia? I don't know if Missy's from Virginia.

0:24:16.040 --> 0:24:19.719
<v Speaker 1>Think she is? She might be wa wit checking at

0:24:19.960 --> 0:24:24.320
<v Speaker 1>is Magoo from Virginia? I don't know if Hey the

0:24:24.359 --> 0:24:26.840
<v Speaker 1>first timer landa Macgo album. Finally, he's on DSP shot

0:24:26.840 --> 0:24:31.280
<v Speaker 1>out to the Empire. Uh yeah, crazy, she's a producer

0:24:31.280 --> 0:24:37.680
<v Speaker 1>to the clips, the clips, the clips, Chad Hugo, we

0:24:37.760 --> 0:24:39.720
<v Speaker 1>got we don't get enough, give enough love to chat

0:24:39.880 --> 0:24:43.280
<v Speaker 1>chat is man? Monster? Monster? All right? Well, look there's

0:24:43.280 --> 0:24:46.280
<v Speaker 1>gonna be another YouTube video where this guy's look wrapping

0:24:46.320 --> 0:24:48.600
<v Speaker 1>his ass off, blacking out. Let's go, yes, sir,