1 00:00:04,120 --> 00:00:07,480 Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of 2 00:00:07,520 --> 00:00:14,480 Speaker 1: iHeartRadio and Grimm and Mild. Our world is full of 3 00:00:14,520 --> 00:00:18,480 Speaker 1: the unexplainable, and if history is an open book, all 4 00:00:18,520 --> 00:00:22,639 Speaker 1: of these amazing tales right there on display, just waiting 5 00:00:22,680 --> 00:00:28,920 Speaker 1: for us to explore. Welcome to the Cabinet of Curiosities. 6 00:00:36,800 --> 00:00:40,560 Speaker 1: What makes for a stereotypical librarian? Personally? I tend to 7 00:00:40,600 --> 00:00:43,920 Speaker 1: picture a cozy sweater, ink stained hands, and tea, so 8 00:00:44,200 --> 00:00:47,280 Speaker 1: much tea. Of course, these kinds of stereotypes are left 9 00:00:47,280 --> 00:00:49,720 Speaker 1: over from a time when the librarian might be a 10 00:00:49,800 --> 00:00:52,520 Speaker 1: woman who was thought to be a bit dowdy. Belde 11 00:00:52,560 --> 00:00:56,040 Speaker 1: Coosta Green certainly did not fit that mold. In fact, 12 00:00:56,120 --> 00:00:58,920 Speaker 1: Beldacosta Green didn't fit really into any mold in the 13 00:00:58,960 --> 00:01:02,560 Speaker 1: early twentieth century. She was born Belle Maran Greener in 14 00:01:02,640 --> 00:01:06,240 Speaker 1: eighteen seventy nine in Washington, d c. To parents who 15 00:01:06,240 --> 00:01:09,440 Speaker 1: were prominent and well liked in their community. Her mother, 16 00:01:09,760 --> 00:01:12,840 Speaker 1: Genevieve Ida Fleet, was a music teacher from a prominent 17 00:01:12,880 --> 00:01:16,600 Speaker 1: local black family, and her father, Richard Theodore Greener, was 18 00:01:16,680 --> 00:01:19,520 Speaker 1: the first black graduate of Harvard in the class of 19 00:01:19,560 --> 00:01:23,680 Speaker 1: eighteen seventy Her father was an activist in every sense 20 00:01:23,720 --> 00:01:27,480 Speaker 1: of the word, and wielded his education and intellect with pride, 21 00:01:27,520 --> 00:01:30,360 Speaker 1: passing on a keen hunger for knowledge to his children, 22 00:01:30,760 --> 00:01:34,920 Speaker 1: especially to Belle. Admittedly, she had a complicated relationship with 23 00:01:34,959 --> 00:01:37,800 Speaker 1: her father. He left the family when she was seventeen, 24 00:01:38,160 --> 00:01:40,720 Speaker 1: and it's not clear if Belle ever saw him again. 25 00:01:41,680 --> 00:01:44,800 Speaker 1: The family was of mixed ancestry, and Belle herself was 26 00:01:45,040 --> 00:01:47,440 Speaker 1: very light skinned. To get ahead in a world that 27 00:01:47,600 --> 00:01:51,480 Speaker 1: enforced segregation in every way possible, Belle changed her name 28 00:01:51,520 --> 00:01:55,000 Speaker 1: to Green and made her middle name DaCosta, creating a 29 00:01:55,040 --> 00:01:59,680 Speaker 1: story of Portuguese heritage to explain her darker complexion. It 30 00:01:59,720 --> 00:02:02,440 Speaker 1: was Belle Belle's position at the Princeton Library, though, that 31 00:02:02,560 --> 00:02:05,480 Speaker 1: set her apart. She began working there in nineteen oh 32 00:02:05,480 --> 00:02:08,919 Speaker 1: two and came to the attention of one Junius Spencer 33 00:02:09,000 --> 00:02:12,240 Speaker 1: Morgan the Second, the nephew of the infamous JP Morgan. 34 00:02:12,639 --> 00:02:15,400 Speaker 1: Junius was a book lover that eventually introduced Bell to 35 00:02:15,440 --> 00:02:18,840 Speaker 1: his uncle, who was looking for a personal librarian to 36 00:02:18,960 --> 00:02:22,360 Speaker 1: manage and expand his collection. And even though Morgan was 37 00:02:22,400 --> 00:02:24,840 Speaker 1: just trying to impress old money in New York City, 38 00:02:25,120 --> 00:02:27,000 Speaker 1: that didn't mean that he didn't want the best and 39 00:02:27,080 --> 00:02:29,880 Speaker 1: most valuable, and he needed someone with a tenacity to 40 00:02:29,919 --> 00:02:32,560 Speaker 1: get it. He hired Bell in nineteen oh five and 41 00:02:32,680 --> 00:02:35,760 Speaker 1: charged her with taming the collection and then getting more. 42 00:02:36,200 --> 00:02:40,280 Speaker 1: There always had to be more. Although libraries are commonly 43 00:02:40,280 --> 00:02:44,680 Speaker 1: thought of as a woman's domain, remember our dowdy librarian stereotype, 44 00:02:44,840 --> 00:02:48,280 Speaker 1: Most high level positions are occupied by men. Bell had 45 00:02:48,280 --> 00:02:50,240 Speaker 1: her work cut out for her, and she handled it 46 00:02:50,280 --> 00:02:53,960 Speaker 1: with her usual flare, often saying, and I quote, just 47 00:02:54,000 --> 00:02:56,800 Speaker 1: because I'm a librarian doesn't mean I have to dress 48 00:02:56,880 --> 00:03:01,200 Speaker 1: like one. Bell traveled extensively to Europe, out charming and 49 00:03:01,280 --> 00:03:04,639 Speaker 1: outbidding the other collectors that came to jockey for positions 50 00:03:04,639 --> 00:03:07,480 Speaker 1: in auctions and sales. She learned from the best in 51 00:03:07,520 --> 00:03:10,079 Speaker 1: the field, and her word was as good as gold 52 00:03:10,120 --> 00:03:14,760 Speaker 1: with European galleries, shops and dealers. She was fashionable, formidable, 53 00:03:15,000 --> 00:03:18,880 Speaker 1: a splash of color and a somewhat drab male dominated world. 54 00:03:19,480 --> 00:03:22,919 Speaker 1: And Bell was also forthright, maybe even blunt, with her 55 00:03:22,960 --> 00:03:26,200 Speaker 1: employees and wasn't afraid to push Morgan when she was right, 56 00:03:26,520 --> 00:03:30,240 Speaker 1: as she so often was. She acquired a staggering collection 57 00:03:30,320 --> 00:03:33,800 Speaker 1: of rare books, manuscripts, and fine art for the Morgan Library, 58 00:03:34,160 --> 00:03:38,360 Speaker 1: but her position became precarious when Morgan died in nineteen thirteen. 59 00:03:39,160 --> 00:03:41,200 Speaker 1: It could have all come crashing down in that moment, 60 00:03:41,480 --> 00:03:45,400 Speaker 1: but Morgan's son, JP. Morgan Junior, established the Pierpont Morgan 61 00:03:45,480 --> 00:03:49,480 Speaker 1: Library as a public institution in nineteen twenty four and 62 00:03:49,600 --> 00:03:52,640 Speaker 1: wasn't about to let a gem like Bell get away anyway. 63 00:03:52,680 --> 00:03:55,760 Speaker 1: His father's will stipulated that Bell was to be kept 64 00:03:55,760 --> 00:03:58,960 Speaker 1: on at the library with a salary of fifty thousand dollars. 65 00:04:00,080 --> 00:04:02,400 Speaker 1: Didn't just stay on as a librarian, though, she became 66 00:04:02,440 --> 00:04:06,000 Speaker 1: the director. Under Bell's care, the Morgan Library blossomed into 67 00:04:06,000 --> 00:04:09,880 Speaker 1: a significant public institution, and Bell herself was a respected 68 00:04:09,920 --> 00:04:13,320 Speaker 1: figure who mentored colleagues and was the person to see 69 00:04:13,360 --> 00:04:19,120 Speaker 1: about medieval art, particularly illuminated manuscripts. Because of that, institutions 70 00:04:19,120 --> 00:04:22,239 Speaker 1: far and wide sought her council, But in nineteen thirty 71 00:04:22,279 --> 00:04:25,320 Speaker 1: she was needed a little closer to home. The Metropolitan 72 00:04:25,400 --> 00:04:28,640 Speaker 1: Museum of Art wanted to purchase an extremely rare medieval 73 00:04:28,680 --> 00:04:33,080 Speaker 1: panel painting by Spanish master Jorge Ingles. It was a 74 00:04:33,120 --> 00:04:37,480 Speaker 1: gorgeous piece showing the betrothal of Saint Ursula. At first glance, 75 00:04:37,520 --> 00:04:40,280 Speaker 1: it was perfect, a busy scene with the large crowd 76 00:04:40,560 --> 00:04:44,359 Speaker 1: centered around Saint Ursula and her would be husband. However, 77 00:04:44,480 --> 00:04:49,240 Speaker 1: Belle looked closer and realized that something was off. People 78 00:04:49,279 --> 00:04:52,040 Speaker 1: have certain expectations when it comes to the Middle Ages, 79 00:04:52,320 --> 00:04:55,039 Speaker 1: and this painting played into all of them. What no 80 00:04:55,080 --> 00:04:57,440 Speaker 1: one realized that day in nineteen thirty was that Bell 81 00:04:57,520 --> 00:05:00,000 Speaker 1: had just uncovered one of the most successful and massive 82 00:05:00,480 --> 00:05:03,680 Speaker 1: forgers in history. As it turns out, the figure Bell 83 00:05:03,760 --> 00:05:07,920 Speaker 1: dubbed the Spanish Forger had been busy creating several medieval 84 00:05:07,960 --> 00:05:10,800 Speaker 1: works for decades. Bell sought them out with the same 85 00:05:10,880 --> 00:05:14,520 Speaker 1: single minded focus she devoted to Morgan's collection. The paintings 86 00:05:14,520 --> 00:05:17,280 Speaker 1: were too perfect, they were too decorative and had too 87 00:05:17,400 --> 00:05:21,120 Speaker 1: much gold leaf, something that was spare in actual medieval art. 88 00:05:21,839 --> 00:05:25,040 Speaker 1: After almost a decade, Bell compiled the list of fourteen 89 00:05:25,080 --> 00:05:28,440 Speaker 1: items she confirmed to have been created by the Spanish Forger. 90 00:05:28,880 --> 00:05:32,120 Speaker 1: She retired in nineteen forty eight and died two years later, 91 00:05:32,520 --> 00:05:35,440 Speaker 1: but her story is only just beginning to be explored 92 00:05:35,480 --> 00:05:39,240 Speaker 1: and understood. The hunt for the Spanish Forger continues to 93 00:05:39,320 --> 00:05:42,120 Speaker 1: this day. Currently, the list of works attributed to them 94 00:05:42,400 --> 00:05:45,640 Speaker 1: stands at over three hundred But there's one last thing. 95 00:05:46,120 --> 00:05:49,680 Speaker 1: A funny thing happened. After Bell's discovery, the Spanish Forger's 96 00:05:49,800 --> 00:05:52,880 Speaker 1: art became just as valuable and sought after as the 97 00:05:52,920 --> 00:05:56,200 Speaker 1: works they once sought to imitate. There are auctions for 98 00:05:56,279 --> 00:05:59,440 Speaker 1: people to claim these pieces for their own, and thousands 99 00:05:59,480 --> 00:06:04,440 Speaker 1: of dollars are exchanged, all for a pretty lie. We've 100 00:06:04,520 --> 00:06:07,800 Speaker 1: never found out who the Spanish forger was. Thanks to 101 00:06:07,839 --> 00:06:27,080 Speaker 1: Bella DaCosta Green, we've certainly discovered a colorful mystery. Everyone 102 00:06:27,160 --> 00:06:29,320 Speaker 1: has that one item in their house they're proud of. 103 00:06:29,600 --> 00:06:32,320 Speaker 1: Maybe it's the eighty inch TV in the living room, 104 00:06:32,400 --> 00:06:35,520 Speaker 1: or their extensive collection of humble figurines. It could be 105 00:06:35,560 --> 00:06:38,320 Speaker 1: an award, or a vintage piece of furniture, or even 106 00:06:38,320 --> 00:06:41,240 Speaker 1: a prop from a famous movie. Whatever it is, it's 107 00:06:41,279 --> 00:06:44,400 Speaker 1: something that brings them joy and acts as a conversation 108 00:06:44,560 --> 00:06:47,240 Speaker 1: starter for when the guests come over. After all, who 109 00:06:47,240 --> 00:06:50,000 Speaker 1: can ignore a TV almost as big as the wall? 110 00:06:50,640 --> 00:06:53,800 Speaker 1: But Sadik Mohammad Khan Abbasi the Fourth didn't have a 111 00:06:53,839 --> 00:06:57,279 Speaker 1: giant television set or a movie prop. What he had 112 00:06:57,880 --> 00:07:02,640 Speaker 1: was a really nice bed. Abbasi was the Navab of Bahawalpur, 113 00:07:02,839 --> 00:07:07,200 Speaker 1: a princely state of the British Indian Empire. Bahawalpur wasn't 114 00:07:07,200 --> 00:07:10,040 Speaker 1: technically governed by the British. Instead, it was overseen by 115 00:07:10,080 --> 00:07:13,360 Speaker 1: the Navab and controlled by the Crown through indirect rule. 116 00:07:14,000 --> 00:07:17,520 Speaker 1: Bahawalpur was located on the eastern edge of modern Pakistan. 117 00:07:17,840 --> 00:07:20,040 Speaker 1: It was founded in sixteen oh nine a d. But 118 00:07:20,440 --> 00:07:24,840 Speaker 1: didn't form a subsidiary alliance with Britain until eighteen thirty three. 119 00:07:25,240 --> 00:07:28,800 Speaker 1: As for Abbasi, sources are conflicted. Some say that he 120 00:07:28,840 --> 00:07:31,240 Speaker 1: was born in eighteen sixty one, while others claimed that 121 00:07:31,280 --> 00:07:34,040 Speaker 1: he was born a year later. His father was Navab 122 00:07:34,120 --> 00:07:36,560 Speaker 1: at the time, but he sadly passed away in eighteen 123 00:07:36,640 --> 00:07:40,160 Speaker 1: sixty six when Sadiq was only a boy. As the 124 00:07:40,160 --> 00:07:42,080 Speaker 1: boy was still a minor at the time of his 125 00:07:42,160 --> 00:07:44,640 Speaker 1: father's death, he was unable to assume the role and 126 00:07:44,720 --> 00:07:48,760 Speaker 1: duties of Navab. Instead, the British took temporary control until 127 00:07:48,800 --> 00:07:52,040 Speaker 1: Abbasi came of age in eighteen seventy nine, at which 128 00:07:52,080 --> 00:07:55,800 Speaker 1: point he was granted the title of tenth Navab of Bahawalpur. 129 00:07:56,680 --> 00:07:59,640 Speaker 1: In photographs, Abasi appeared to be fairly tall, with a 130 00:07:59,680 --> 00:08:02,880 Speaker 1: full beard and long, dark hair that fell past his shoulders. 131 00:08:03,200 --> 00:08:05,360 Speaker 1: He had a taste for the finer things in life, 132 00:08:05,480 --> 00:08:09,640 Speaker 1: often depicted wearing long ornate jackets stitched with detailed phil agree, 133 00:08:10,000 --> 00:08:12,120 Speaker 1: and I will confess that I cannot help but picture 134 00:08:12,240 --> 00:08:14,760 Speaker 1: Nandor the relentless from what we do in the shadows. 135 00:08:14,760 --> 00:08:17,560 Speaker 1: But you picture what you want to picture. But to 136 00:08:17,560 --> 00:08:19,840 Speaker 1: get a true sense of his wealth and power, one 137 00:08:19,880 --> 00:08:22,560 Speaker 1: need to look no further than his bedroom. Because the 138 00:08:22,560 --> 00:08:25,840 Speaker 1: bed on which he slept was no ordinary resting place. 139 00:08:26,440 --> 00:08:29,000 Speaker 1: He had it commissioned in eighteen eighty two to be 140 00:08:29,040 --> 00:08:31,520 Speaker 1: built out of rosewood, a strong wood with a deep, 141 00:08:31,720 --> 00:08:34,240 Speaker 1: rich red hue. Then he had the bed covered in 142 00:08:34,320 --> 00:08:36,880 Speaker 1: a third of a ton of sterling silver from the 143 00:08:36,960 --> 00:08:41,480 Speaker 1: Krystofel company in Paris. Christophel was a renowned silverware company 144 00:08:41,679 --> 00:08:45,320 Speaker 1: that had supplied kings and emperors with beautiful tableware dating 145 00:08:45,360 --> 00:08:48,360 Speaker 1: back to the eighteen forties. When it introduced a new 146 00:08:48,400 --> 00:08:51,400 Speaker 1: way of bonding thin layers of metal to their forks, knives, 147 00:08:51,400 --> 00:08:55,400 Speaker 1: and spoons, they called it electroplating. The process was a 148 00:08:55,480 --> 00:08:58,439 Speaker 1: huge boon to their business too, But the Navab didn't 149 00:08:58,440 --> 00:09:02,160 Speaker 1: have his bed electroplated. Instead, he asked the company's designers 150 00:09:02,200 --> 00:09:06,280 Speaker 1: to carve and engrave the sterling silver with delicate patterns 151 00:09:06,320 --> 00:09:09,559 Speaker 1: and ornamentations to show everyone that this was a bed 152 00:09:09,679 --> 00:09:13,400 Speaker 1: fit for a king. A rosewood bed covered in specially 153 00:09:13,440 --> 00:09:16,920 Speaker 1: crafted sterling silver might have been enough for most wealthy nobles, 154 00:09:16,960 --> 00:09:20,000 Speaker 1: but not a bossy. He wanted more, and so on 155 00:09:20,040 --> 00:09:22,800 Speaker 1: each of the four posts at the bed's corners he 156 00:09:22,920 --> 00:09:26,760 Speaker 1: had placed four life size automatons cast from bronze. They 157 00:09:26,760 --> 00:09:30,120 Speaker 1: were made by French artists on Ribouet and were modeled 158 00:09:30,120 --> 00:09:33,560 Speaker 1: as four nude women of European descent, each wearing a 159 00:09:33,640 --> 00:09:37,640 Speaker 1: dark wig and holding a feathered fan. Inside the posts 160 00:09:37,640 --> 00:09:40,160 Speaker 1: on which they stood were springs that had been wired 161 00:09:40,200 --> 00:09:43,040 Speaker 1: to a music box. Stored beneath the bed and under 162 00:09:43,080 --> 00:09:46,120 Speaker 1: the mattress was a pressure sensor that was triggered when 163 00:09:46,160 --> 00:09:47,960 Speaker 1: a bossi would crawl in at the end of a 164 00:09:48,000 --> 00:09:51,240 Speaker 1: long busy day, and when the censor was activated, the 165 00:09:51,320 --> 00:09:54,360 Speaker 1: four robotic women would move their eyes and wave their 166 00:09:54,400 --> 00:09:57,760 Speaker 1: fans over him as a piece from a popular opera 167 00:09:57,880 --> 00:10:01,640 Speaker 1: played for thirty minutes. Unfortunate, the current whereabouts of the 168 00:10:01,679 --> 00:10:05,160 Speaker 1: bed are unknown. All that remains today are some photos 169 00:10:05,200 --> 00:10:08,240 Speaker 1: taken by the Christoffel Company in eighteen eighty two, as 170 00:10:08,240 --> 00:10:11,280 Speaker 1: well as a watercolor painting of it by Carl A. Scoggard. 171 00:10:11,760 --> 00:10:14,800 Speaker 1: Looking back, though Nnavab's musical bed was more than just 172 00:10:14,880 --> 00:10:17,960 Speaker 1: a display of extravagance and wealth, it was also a 173 00:10:18,000 --> 00:10:21,480 Speaker 1: marvel of engineering and craftsmanship. To know it might still 174 00:10:21,520 --> 00:10:24,480 Speaker 1: be out there waiting for somebody to lay down and 175 00:10:24,640 --> 00:10:28,120 Speaker 1: switch on its half hour music show, well that would 176 00:10:28,200 --> 00:10:35,920 Speaker 1: keep anyone up at night. I hope you've enjoyed today's 177 00:10:35,920 --> 00:10:39,560 Speaker 1: guided tour of the Cabinet of Curiosities. Subscribe for free 178 00:10:39,640 --> 00:10:42,319 Speaker 1: on Apple Podcasts, or learn more about the show by 179 00:10:42,400 --> 00:10:47,400 Speaker 1: visiting Curiosities podcast dot com. The show was created by 180 00:10:47,440 --> 00:10:51,040 Speaker 1: me Aaron Manky in partnership with how Stuff Works. I 181 00:10:51,120 --> 00:10:54,920 Speaker 1: make another award winning show called Lore, which is a podcast, 182 00:10:55,040 --> 00:10:58,000 Speaker 1: book series, and television show, and you can learn all 183 00:10:58,000 --> 00:11:01,520 Speaker 1: about it over at the World of Lore dot com. 184 00:11:01,559 --> 00:11:07,160 Speaker 1: And until next time, stay curious. H