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Speaker 1: Yo, Bootlet keV Podcast, boot Let keV Show. We got

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Speaker 1: a special guest in here, my got Bill Bellamy. Yes, welcome,

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Speaker 1: Thank you for having me. keV.

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Speaker 2: You know what I'm saying, I've done a couple of podcasts, man,

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Speaker 2: I never I never done a podcast that felt dangerous.

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Speaker 2: That means like I'm just saying like it felt.

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Speaker 1: Yeah.

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Speaker 2: Like coming to Bilg, I was like, I was like,

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Speaker 2: I hope keV in there, cav.

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Speaker 1: Yeah, everybody pulls up there like, yo, is this the

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Speaker 1: right place?

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Speaker 2: Yo?

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Speaker 1: Yo? keV?

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Speaker 2: You got yeah, yeah, yeah, my man to come out

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Speaker 2: get you just tucking roll?

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Speaker 1: Oh man, what's been going on?

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Speaker 2: Man?

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Speaker 1: I know you got the comedy tour that you're kicking

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Speaker 1: off this week.

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Speaker 2: Just said, yeah, yeah, yeah, We're kicking off of San

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Speaker 2: Diego down at the Mic Drop, which is one of

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Speaker 2: my favorite clubs. It's only about five or six of

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Speaker 2: them in the country, and uh, they just do it right,

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Speaker 2: like they pack in the spot. People come in from

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Speaker 2: all the different cities. You know, Diego got all the

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Speaker 2: little you know, suburbs and this, that and the other.

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Speaker 2: So I look forward to doing that and then you know,

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Speaker 2: the next week Nashville and Baltimore.

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Speaker 1: I just start rolling. Yeah, you have had so many

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Speaker 1: different errors of your career that were all historical in

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Speaker 1: their own right. Thank you early MTV days. When did

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Speaker 1: you first get hired by MTV?

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Speaker 2: I got hired in ninety two, going like ninety one,

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Speaker 2: the end of ninety one going into ninety two. I

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Speaker 2: got like a thirteen week trial because back then they

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Speaker 2: were auditioning people to be vj's.

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Speaker 1: Yeah, they who wants to be a VJ? Yeah?

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Speaker 2: It was like for people that are young right now

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Speaker 2: that don't know what that is. It was called the

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Speaker 2: video jockey because we used to promote music videos back

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Speaker 2: in the day. And so I was like, damn, man,

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Speaker 2: I got this audition in New York.

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Speaker 1: I'll go out.

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Speaker 2: That was a showcase. They saw me Tracy Jordan, who

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Speaker 2: I'm gonna give her a shot out. She was the

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Speaker 2: one that did the showcase for new talent, and she

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Speaker 2: just gave me that thirteen week trial and I won

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Speaker 2: the job.

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Speaker 1: Were you a part of the spring Break with Biggie

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Speaker 1: Smalls in Lake Havasu? Yeah? I was there. You were there?

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Speaker 2: Do you remember? You know there's a funny story that no,

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Speaker 2: So this is my first time in Lake Havasu. This

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Speaker 2: is this is called white boy fun because it is

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Speaker 2: just white people boats tied together, drunk, having the most

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Speaker 2: fun of their life, like drinking, going from.

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Speaker 1: Boat to boat.

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Speaker 2: Your girls are pulling their tops off. This is the

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Speaker 2: most fun I've ever had on a green lake because

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Speaker 2: the water was green to me, right, like gatorade.

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Speaker 1: Right. It's definitely no white trash spring break spot right, right.

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Speaker 2: But it was so fun. And you brought up what

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Speaker 2: made you bring up Biggie?

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Speaker 1: Because because I just remember, I'm from Arizona. You remember

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Speaker 1: when I was a kid there. I was like, damn,

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Speaker 1: they brought Biggie of Arizona. I mean obviously Lake Havasu

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Speaker 1: is nowhere near Phoenix, but it was just kind of cool.

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Speaker 2: Yeah. And he couldn't swim. And I don't know if

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Speaker 2: you go when you when you when you see this

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Speaker 2: now that I said it, go watch it on YouTube.

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Speaker 2: We were on these pods in the water and Biggie,

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Speaker 2: I didn't know, Biggie had a fear of water. He

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Speaker 2: couldn't swim, and so we're standing there Big. It was

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Speaker 2: like little little hubble pub but sleep.

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Speaker 1: Drowned.

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Speaker 2: I'm like, Big, it's like a barge like it's not

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Speaker 2: going he was dated to get him on. It was crazy,

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Speaker 2: like he was literally like spasing.

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Speaker 1: I can imagine he's a bigger guy, and he's.

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Speaker 2: Big, he's thinking, you know, it's gonna tip over or whatever.

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Speaker 2: But they actually got him in a little season on there,

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Speaker 2: and they actually performed in the boats for a round.

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Speaker 2: I don't know if you remember, Oh, were you probably

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Speaker 2: like fifteen?

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Speaker 1: No, I'm seven. I was probably like eight.

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Speaker 2: You wasn't out there drinking?

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Speaker 1: No, no, no, I remember watching it on TV. Oh yeah,

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Speaker 1: hell yeah it was. It was epic. No, it was

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Speaker 1: definitely epic. Man. You were like a part of so

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Speaker 1: much of that era of hip hop. Like you were

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Speaker 1: in a Tupac video for Temptations, right, I was in Temptations.

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Speaker 1: Do you like did you did you ever get any

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Speaker 1: like like being an MTV at that time, was there

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Speaker 1: ever any of the Tupac Biggie East Coast, West Coast

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Speaker 1: stuff that came across your peripheral like.

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Speaker 2: Man, of course, of course. Man, So let me give

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Speaker 2: you a recap. So MTV at this time is the

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Speaker 2: only place to blow up if you're an artist. Yeah,

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Speaker 2: you going there, You're gonna start selling records. You're gonna

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Speaker 2: go on summer tour, You're gonna take off, right, and

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Speaker 2: so at that time I.

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Speaker 1: Was getting everybody. It didn't matter.

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Speaker 2: I mean, the East Coast West Coast Beef thing came

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Speaker 2: out of nowhere like it was everything was good, good,

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Speaker 2: and then it was like whoa the source after the

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Speaker 2: source of Wars it got we That's when it got like, it's.

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Speaker 1: A problem with the Snoop Dogg speech.

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Speaker 2: Yeah it was, Yeah, it was a problem. So what

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Speaker 2: when when I knew, when I knew this was going

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Speaker 2: to go all the way nuclear was, I got back

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Speaker 2: then they used to send me music CDs and you

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Speaker 2: know I would get the early releases. Yeah, I got

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Speaker 2: the early release and hit.

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Speaker 1: Him up.

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Speaker 2: The remix. There was four different versions that hit him

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Speaker 2: up on the CD. And I had a real nice

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Speaker 2: sound system in my green room. I could the first

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Speaker 2: the first bar. I had to turn it down because

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Speaker 2: he was cursing so bad. Hey, that's why I fucked you?

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Speaker 2: What turn that down? I was like, what is going on?

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Speaker 2: I'm listening good?

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Speaker 1: You good?

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Speaker 2: Beside? When we rut, I'm like, oh my god, I said, no,

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Speaker 2: it's over, It's over. Yeah, I knew right then. I

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Speaker 2: just knew it was gonna be over. And so then

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Speaker 2: for me, what was really tough was knowing if I

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Speaker 2: was gonna be good when I come out to the

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Speaker 2: West Coast, because I was coming out here.

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Speaker 1: A lot, and you were based in New York.

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Speaker 2: I was based in New York, but I was coming

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Speaker 2: out here interviewing Snoop. I came out here to interview

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Speaker 2: Doctor Dre for the album Me against the Uh it

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Speaker 2: was it all eyes on Me.

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Speaker 1: All Eyes on Me would have been that would have

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Speaker 1: been the two.

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Speaker 2: Yeah, that's a double, the double ced Eyes on Me.

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Speaker 2: I came out here to interview Ice Cube, all this

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Speaker 2: West Coast stuff that was popping off. I mean, and

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Speaker 2: you gotta admit, at that time, the West was on

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Speaker 2: fire fire. I mean even you know, we had Mac Tin,

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Speaker 2: you had the West Side Connect thing cracking, you had

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Speaker 2: Nate Dog and and and Warren g a lot. It

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Speaker 2: was a lot, dazzing corrupt. So I was interviewing everyone,

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Speaker 2: but for whatever reason, I was kind of neutral New York. Yeah,

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Speaker 2: you know, but I'm saying I never had no beats

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Speaker 2: where people was like, yo, b you can't come out here. Whatever.

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Speaker 1: I was always good.

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Speaker 2: But I just always felt like I hope this don't

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Speaker 2: continue to go left because at that moment hip hop

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Speaker 2: was blowing up. I didn't want what happened to happen

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Speaker 2: actually right, you know?

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Speaker 1: Yeah, now what was Park like man on set? Like

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Speaker 1: like like he had to be. It was like the coolest,

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Speaker 1: coolest dude.

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Speaker 2: Down the earthcat very passionate, actually really fun, you know,

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Speaker 2: got a great sense of humor, but like he had

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Speaker 2: a switch because I remember one time hanging out with

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Speaker 2: tupacing New York and turning on the news and he

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Speaker 2: was shooting at some cops. I was like, yo, I

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Speaker 2: was like, yo, he's bugging, Like I literally just saw

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Speaker 2: you in the club, Yo, chilling with some chicks having

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Speaker 2: a good time.

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Speaker 1: Turn on the news. He's shooting out with two cops

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Speaker 1: and beat the cakes in Atlanta? Rightah, crazy?

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Speaker 2: I said, Oh my god, he living too loud for me.

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Speaker 1: No, that's crazy, man, It really happened. Was uh? Was

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Speaker 1: that like New York era, like just the night life

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Speaker 1: of like going out and like I'm sure bigs around,

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Speaker 1: puffs around New York.

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Speaker 2: New York was on fire. You gotta think think about

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Speaker 2: it like this. It was the first to first because

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Speaker 2: at this time hip hop was going mainstream. Ca Cats

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Speaker 2: was selling platinum. You know, you was toopping out at

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Speaker 2: gold for a minute. Sure, you know you had cats

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Speaker 2: like Nas blowing up, you had the Fuji's blowing up,

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Speaker 2: you had Naughty by Nature blowing up. You know, I'll

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Speaker 2: give you Mike Tyson was a champion, world champion at

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Speaker 2: the time. So like you could go to a club

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Speaker 2: in New York and see Mike at the bar or

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Speaker 2: popping box, which is crazy, and I would see like

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Speaker 2: I'd be in the club and see Puff and I

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Speaker 2: see Jay and m and you'll see like un it was.

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Speaker 2: It was just one of those things where it was

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Speaker 2: like camps, you know what I mean, because Cats had

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Speaker 2: you know, you got Murder inc. Then you got bad Boy,

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Speaker 2: you got Rockefeller. You know, that was that era. It

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Speaker 2: was actually kind of dope.

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Speaker 1: Did you ever go to the tunnel? Yeah, the tunnel.

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Speaker 1: The tunnel. Everyone always says the tunnel was like the

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Speaker 1: most legendary space, dangerous.

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Speaker 2: It was everything the tunnel. You could. You could go

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Speaker 2: and meet the hottest qut from Brooklyn. You know, she

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Speaker 2: caught the train to the club with her little girls

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Speaker 2: or some girls, some Jersey girls and came over to

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Speaker 2: New York. Or you could be at a table with

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Speaker 2: some drug deals like you know, and they and they

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Speaker 2: in a good mood, you know what I mean. Or

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Speaker 2: you'll see you'll be in the club and you'll see

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Speaker 2: somebody like you know, Craig mac or whoever. At that time,

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Speaker 2: everybody was moving around. It was really dope. Or you'll

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Speaker 2: see nas hanging out like dang go they go bust

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Speaker 2: the rhymes.

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Speaker 1: Wow, it was like that. What is You did so

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Speaker 1: many of these spring breaks, which I miss seeing those

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Speaker 1: because they were so.

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Speaker 2: Legend because you were like four.

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Speaker 1: No. I actually DJed one of them, but it was

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Speaker 1: like in twenty ten or eleven with two chains, but

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Speaker 1: it was it was in Vegas, the palms obviously not

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Speaker 1: the same, not the same, not the same man, not

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Speaker 1: to say it. At that point they were still holding on. Yeah.

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Speaker 1: All right, another podcast brought to you by odd Socks.

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Speaker 1: some socks. Man, thank me later. But uh, what, what

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Speaker 1: is the craziest story that you have from one of

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Speaker 1: these springs because you were extremely famous at the time. Yes, sir,

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Speaker 1: women loved you at the time. They still do. They

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Speaker 1: still do. Shout out to your wife. She's a strong woman.

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Speaker 1: Yes she holds a death. But I'm curious, like, like

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Speaker 1: you had to have a crazy situation or crazy story.

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Speaker 2: I got one for you. So my first spring break

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Speaker 2: that I go to Daytona Beach. Right, So Polly shows

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Speaker 2: the man, right, So imagine he's like, he's like big bro,

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Speaker 2: he's a senior in high school.

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Speaker 1: I'm a freshman. Yeah, he's kind of like that.

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Speaker 2: But he puts, you know, takes me under his wing

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Speaker 2: or whatever. He's like, Bro, man, it's cool man to

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Speaker 2: meet you. Bro.

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Speaker 1: You're like doing good on the channel.

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Speaker 2: Man. It's like, like, I want to I want to take

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Speaker 2: you something. Man, I got to do this event. Bro,

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Speaker 2: you went a row. So I'm like, Polly, you're gonna

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Speaker 2: take me do some cool white boys ship, right, I'm like,

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Speaker 2: all right, whatever. He's like, Bro, I want you to

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Speaker 2: be a judge at a banana eating contest. And I'm

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Speaker 2: like is he I'm immediately like about to be offended

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Speaker 2: because I'm like, Yo, what what what?

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Speaker 1: What are you trying to say?

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Speaker 2: What are you trying to say? I'm taking it all wrong.

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Speaker 2: He's like, Bro, it's gonna be the most I do

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Speaker 2: these every summer. Bro, It's like the best thing I

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Speaker 2: could ever bring you to the cutest chicks.

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Speaker 1: It's gonna be crazy.

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Speaker 2: I'm like, and I'm like, man, what are they gonna

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Speaker 2: be doing with these bananas? It is a line of chicks,

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Speaker 2: thirty chicks, bikinis. It's four judges. We got the table

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Speaker 2: here full of bananas peeled already. You got chocolate, strawberry, butterscotch,

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Speaker 2: and whipped cream. And each girl as they coming up,

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Speaker 2: got to eat the banana anyway they want. By the

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Speaker 2: third girl, it's pornographic.

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Speaker 1: I'm about to say this sound yo, yo it is?

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Speaker 2: It goes so crazy. He's like, dude, you like it, man,

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Speaker 2: I'm like, yo, the fifth chick, that bro, it was

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Speaker 2: one chick, two bananas gone, come back out.

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Speaker 1: She won.

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Speaker 2: I knew she won.

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Speaker 1: I was like, she won. That's crazy.

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Speaker 2: Yeah, that was the wild before because I never even

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Speaker 2: heard of nothing like that.

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Speaker 1: Because you know, now, I feel like the Ratchets selected

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Speaker 1: to uh do stuff with cucumbers now with pool party.

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Speaker 2: Oh they're doing a new thing.

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Speaker 1: Yeah, like a little Boozy had this pool party that

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Speaker 1: went viral a few years ago and it was because

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Speaker 1: like all the chicks were deep thrown cucumbers.

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Speaker 2: Oh they turned it up. They turned it up. Oh yeah,

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Speaker 2: Boosie turned it up. We started out in the in

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Speaker 2: the Little League with the bananas.

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Speaker 1: For you man, you've had, like, like I said, so

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Speaker 1: many areas of your career, but like a show that

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Speaker 1: I actually really fucked with when I was younger was

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Speaker 1: Fast Lame, Yes, sir?

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Speaker 2: And was it one two seasons one when well we

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Speaker 2: went twenty episodes?

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Speaker 1: Was on Fox? Right?

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Speaker 2: It was on Fox? Yeah, and we came on after

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Speaker 2: American Item.

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Speaker 1: Yes, yes, yes. What was something you learned about like

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Speaker 1: going through because that wasn't necessarily like said most most

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Speaker 1: guys who are you know, funny guys or whatever I mean,

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Speaker 1: But you've also played so many different roles, But did

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Speaker 1: you learn anything about going through kind of the blender

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Speaker 1: of the TV game.

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Speaker 2: Yeah. The one thing that I learned about switching from

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Speaker 2: being a comedian comedian comedian and then doing dramatic stuff,

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Speaker 2: and that was a one hour series drama, yes, no

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Speaker 2: action action series. It's that people forget that you're funny immediately, right.

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Speaker 2: They've been like, oh yo, heat a cop now you

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Speaker 2: know what I mean? You know, like people forget Ice

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Speaker 2: t as a rapper facts a lot, like like did

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Speaker 2: they just think he's sell insurance and how to get

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Speaker 2: your motive fixed?

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Speaker 1: Right? Yeah?

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Speaker 2: Like Ice Tea was cop killer. People forget like people

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Speaker 2: only go with what you're presenting them. They don't go

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Speaker 2: behind the wall and see everything. And so for me,

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Speaker 2: I didn't do stand up for about two years because

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Speaker 2: I didn't have time. I was working on that TV

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Speaker 2: show and fifteen sixteen hour day and stuff like that.

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Speaker 2: And so when I went back and start doing stand up,

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Speaker 2: when that show got canceled, everybody was like, I ain't

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Speaker 2: even know you as a comedian. I was like, what

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Speaker 2: in two years they forgot?

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Speaker 1: They forgot?

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Speaker 2: Yeah, in two years. That's why you always got to

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Speaker 2: stay in front of them.

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Speaker 1: Do you recall time? Because I feel like the one

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Speaker 1: thing that people are nervous about when it comes to

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Speaker 1: try and stand up. Is if they bomb, when is

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Speaker 1: like a memorable bombing moment for you? And how do

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Speaker 1: you deal with that if you're if you're in the

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Speaker 1: middle of that, you really can just do nothing but

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Speaker 1: keep it.

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Speaker 2: Moving, right, No, man, being being on stage is really

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Speaker 2: it's a it's a beautiful thing, but it's actually kind

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Speaker 2: of scary because you could fail. You know, you cannot

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Speaker 2: be good or whatever. You know, it's like missing a

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Speaker 2: foul shot, you know when you really need to make one.

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Speaker 2: That's what it feels like when you bomb. And so

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Speaker 2: to me, I think that one of the scariest things

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Speaker 2: for me when I bombed that very first bad time.

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Speaker 2: It's like I didn't know what to say. After that,

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Speaker 2: I kind of got locked up and people were like,

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Speaker 2: get to the joke, bro, Like people start yelling. I

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Speaker 2: didn't know how to deal with hecklers. I just was like,

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Speaker 2: good night, I got tapped out and I'm out. I

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Speaker 2: tell yah, yeah, yeah. I didn't know what to do,

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Speaker 2: so I had to I had to practice because you

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Speaker 2: got to practice for failure too. It's just like being

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Speaker 2: in a fight, like you know, you might have a

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Speaker 2: game plan, but he's he's he's killing that plan.

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Speaker 1: You got to adjust to the plan? Did you have?

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Speaker 1: Because the How to Be a Player soundtrack was legendary? Nice,

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Speaker 1: it's so good. Yeah. Did you have your hands in

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Speaker 1: any of the songs that got picked or did you

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Speaker 1: did they? Did they go to you for any feedback? Yeah? Yeah,

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Speaker 1: yeah I did.

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Speaker 2: Actually, one of the songs that I wanted to be

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Speaker 2: the lead was the one that they chose was with

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Speaker 2: fo Yeah boom boom boom boom boom boom to boom

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Speaker 2: boom boom boom boom boom boom boom boom.

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Speaker 1: Great video. I was in the video, Yeah boom.

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Speaker 2: It was a shout out to Drew here and Foxy Whoo.

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Speaker 2: That was that was it was. I had Chris, I

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Speaker 2: had Chris Webber in that video. I had Stephan Marbury

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Speaker 2: in that video.

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Speaker 1: I had I remember Steph, Yeah, Steph.

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Speaker 2: Steph was sort of like a godbrother or something like

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Speaker 2: the fairy god brother.

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Speaker 1: And did you Were you just friends with those guys

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Speaker 1: at the time.

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Speaker 2: Yeah?

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Speaker 1: Yeah, I was cool with everybody. Yeah. See Web had

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Speaker 1: a CEA.

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Speaker 2: Web had a significant role in it, and.

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Speaker 1: He was also like a people don't know he made

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Speaker 1: a lot of hip hop beats and ship Yeah.

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Speaker 2: Yo, that's true. He did and he still does.

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Speaker 1: Yeah, he still does. Yeah yeah. So yeah, so you're

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Speaker 1: do you help put that video together?

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Speaker 2: Know what happened was I was getting privy to hearing

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Speaker 2: the songs. Yeah, and and so what At that time,

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00:17:44,600 --> 00:17:49,399
Speaker 2: the soundtracks on movies was like a second character. You know.

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Speaker 2: I don't know how they do it now, because.

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Speaker 1: It used to be an extension of the movie.

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Speaker 2: Yeah, like you could. Your soundtrack had to be equivalent

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Speaker 2: to the movie. Yes, And so for me, because I

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Speaker 2: was so trenched into music, I was just lucky enough

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Speaker 2: to be able to like, oh yo, I like that

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Speaker 2: one down to be a sexy We could use that

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Speaker 2: one right there for the love scene.

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Speaker 1: They like, yeah, we'll say that, Jode, that's a little

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Speaker 1: sexy vibe.

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Speaker 2: But this is how I felt like, that's how the

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Speaker 2: movie should open up. Booom boo boom boom boom boom

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Speaker 2: boom boom, Get you going, you know what I mean?

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Speaker 1: That's I picked that. It's crazy too, because if you

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Speaker 1: think about like, I don't think people understand like growing

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Speaker 1: up around that time, like the word player was really

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Speaker 1: a thing. There was a player haters. Yeah, if you're

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Speaker 1: a player, you were playing a bunch of different women.

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Speaker 1: But this movie had to have either positively or negatively

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Speaker 1: influenced a lot of young men.

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Speaker 2: I think I think it negatively influenced a lot of

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Speaker 2: guys because they thought they could do. You was juggling

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Speaker 2: in this I was juggling everything moving in that movie,

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Speaker 2: and everything was hand picked by me.

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Speaker 1: Oh wow. Yeah.

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Speaker 2: All those girls were, you know, selected on purpose because

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Speaker 2: I wanted it to. I wanted you to be like

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Speaker 2: at the candy store.

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Speaker 1: You know, did you know any of them prior? Nah? Okay,

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Speaker 1: I don't know if they were like yo, A couple

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Speaker 1: of my jump offs made.

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Speaker 2: No, no, no, not like that. But the only one

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Speaker 2: that I knew that i'd worked with before was Lark

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Speaker 2: Got It because Lark was Onna Save by the Bell

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Speaker 2: at the time, and I had interviewed her like a

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Speaker 2: year before on MTV Got so I knew her. But

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Speaker 2: the other girls were new, and I just wanted it

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Speaker 2: to be different types of women that were attractive, so like,

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Speaker 2: it wouldn't just be like, oh, he only liked this

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Speaker 2: type of girl. No, we like everything that's sexy and beautiful.

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Speaker 1: What was Uh, you know, because I think somebody who

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Speaker 1: we're gonna miss, who's got so many iconic movie roles,

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Speaker 1: a guy like Bernie. I was gonna say AJ's in

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Speaker 1: the movie, but Bernie's in the movie as well. But

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Speaker 1: talk about both of those guys, like I think you

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Speaker 1: know Bernie Sanders in ninety seven, he's still doing that.

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Speaker 1: No Bernie, Bernie Mack or Bernie Mack. That why I

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00:19:43,080 --> 00:19:47,320
Speaker 1: say Bernie Sanders the politician. Yeah. Yeah, shout out to

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Speaker 1: our brothers at hard Dean man OTTs family. Of course,

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Speaker 1: they've been sponsoring the podcast for years now. You've been

438
00:19:52,640 --> 00:19:54,720
Speaker 1: seeing the mic flag for years now. Want to give

439
00:19:54,720 --> 00:19:56,760
Speaker 1: a shout out to our brothers. I just was in Vegas.

440
00:19:56,880 --> 00:19:58,399
Speaker 1: I had to pull up all right. Look, it's the

441
00:19:58,480 --> 00:20:01,560
Speaker 1: number one dispensary in the world. When I tell you, you

442
00:20:01,400 --> 00:20:04,520
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443
00:20:04,640 --> 00:20:07,480
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444
00:20:07,840 --> 00:20:09,760
Speaker 1: So when you go to Vegas, you get into that cab,

445
00:20:09,800 --> 00:20:12,320
Speaker 1: you get into that uber immediately, say take me to Hardeing.

446
00:20:12,480 --> 00:20:14,080
Speaker 1: They don't know what they're doing, all right, they go

447
00:20:14,240 --> 00:20:16,360
Speaker 1: get you right, all right. The number one premium cannabis

448
00:20:16,359 --> 00:20:18,800
Speaker 1: dispensary in the world. They just got me right. I

449
00:20:18,840 --> 00:20:21,960
Speaker 1: was just in town for Raffie's birthday. Had to pull

450
00:20:22,040 --> 00:20:24,240
Speaker 1: up get right, just this nice little one on one

451
00:20:24,720 --> 00:20:28,600
Speaker 1: Hardeing jersey. These are not available, all right, shout to

452
00:20:28,640 --> 00:20:30,479
Speaker 1: them man, all right, salute to the family. Follow him

453
00:20:30,480 --> 00:20:33,399
Speaker 1: on Instagram Hardeing Underscore Las Vegas. Sorry, let's get back

454
00:20:33,440 --> 00:20:36,320
Speaker 1: to the podcast. But Bernie Mack in ninety seven, he's

455
00:20:36,320 --> 00:20:37,399
Speaker 1: still doing death Jam.

456
00:20:37,680 --> 00:20:41,280
Speaker 2: Yeah, he's still He's on We're on tour together. He

457
00:20:41,400 --> 00:20:42,240
Speaker 2: was like a big bro to me.

458
00:20:42,320 --> 00:20:42,520
Speaker 1: Man.

459
00:20:42,560 --> 00:20:45,440
Speaker 2: I love Bernie a lot, man, and we really really

460
00:20:45,520 --> 00:20:48,360
Speaker 2: bonded as friends. And you know, I was like, Bernie, Man,

461
00:20:48,440 --> 00:20:50,080
Speaker 2: you should do this movie with me, man, because we

462
00:20:50,119 --> 00:20:52,240
Speaker 2: had the Who's the Man together too, And.

463
00:20:52,240 --> 00:20:54,960
Speaker 1: He was like being here. You know, so you got

464
00:20:54,960 --> 00:20:55,719
Speaker 1: Bertie a man.

465
00:20:55,960 --> 00:20:59,240
Speaker 2: Can I say what'll say? Can I do what I'll do? Like, yo, man,

466
00:20:59,280 --> 00:21:02,560
Speaker 2: We're gonna let you right. So Bernie gets in the movie. Man,

467
00:21:02,680 --> 00:21:04,960
Speaker 2: it's so many takes. I couldn't even look at him, man,

468
00:21:05,240 --> 00:21:08,119
Speaker 2: because he was Yo, man, You're so fucking funny.

469
00:21:08,119 --> 00:21:09,720
Speaker 1: Bro. I couldn't even look at him. Bro.

470
00:21:09,760 --> 00:21:11,800
Speaker 2: I had to you will see me as some tapes

471
00:21:12,080 --> 00:21:16,879
Speaker 2: jumping like because they would let him just say he

472
00:21:16,960 --> 00:21:19,679
Speaker 2: made up that whole scene. But Disney, yeah yeah, that

473
00:21:19,760 --> 00:21:20,440
Speaker 2: wasn't scripted.

474
00:21:21,000 --> 00:21:26,360
Speaker 1: Oh that was inscripted. Oh hell no, that can we

475
00:21:26,560 --> 00:21:29,920
Speaker 1: attribute but Dissey to uh, to Bernie, that's Bernie. That

476
00:21:30,359 --> 00:21:31,200
Speaker 1: came from his brain.

477
00:21:31,840 --> 00:21:33,720
Speaker 2: That just came out of his mouth.

478
00:21:34,080 --> 00:21:36,560
Speaker 1: And everybody's like, we put it in the movie. Put

479
00:21:36,560 --> 00:21:40,000
Speaker 1: it in the movie. It's done.

480
00:21:38,520 --> 00:21:42,560
Speaker 2: But dissy booty digging pussy, that's what it smell like.

481
00:21:42,800 --> 00:21:45,200
Speaker 2: That Are you imagine hearing that for the first time.

482
00:21:45,280 --> 00:21:47,000
Speaker 2: I ain't never heard nobody say no ship like that.

483
00:21:47,040 --> 00:21:48,080
Speaker 2: I was, man, I was.

484
00:21:49,119 --> 00:21:50,240
Speaker 1: That's hilarious.

485
00:21:50,640 --> 00:21:52,960
Speaker 2: That's that's the essence of Bernie and A. J. Johnson

486
00:21:53,040 --> 00:21:55,400
Speaker 2: also to a very very very funny guy.

487
00:21:55,480 --> 00:21:56,080
Speaker 1: He uh.

488
00:21:56,480 --> 00:21:59,920
Speaker 2: He was another one that can improv beyond words. Beyond

489
00:22:00,080 --> 00:22:02,040
Speaker 2: the words you could not write what he could say

490
00:22:02,240 --> 00:22:05,080
Speaker 2: off the top of his head. Rest in peace to

491
00:22:05,119 --> 00:22:07,879
Speaker 2: both of those guys, man, they were absolutely incredible for me.

492
00:22:08,920 --> 00:22:13,200
Speaker 1: Legends you are attributed with creating booty call the term, yes, sir,

493
00:22:14,080 --> 00:22:16,320
Speaker 1: what what is the origin of this? What?

494
00:22:17,119 --> 00:22:21,679
Speaker 2: It came out in ninety two? Ninety I did it

495
00:22:21,680 --> 00:22:25,200
Speaker 2: in ninety one. It probably came hit. It was a bit.

496
00:22:25,359 --> 00:22:27,639
Speaker 2: It was a bit on Death Company, jail got it

497
00:22:27,880 --> 00:22:30,640
Speaker 2: and it just blew up, Like the phrase just blew up,

498
00:22:30,720 --> 00:22:33,800
Speaker 2: and everybody was like, Yo, I'm gonna get me a

499
00:22:33,840 --> 00:22:36,200
Speaker 2: booty call, like because I just I just I feel

500
00:22:36,240 --> 00:22:38,399
Speaker 2: like I just nailed the essence of what it is,

501
00:22:38,840 --> 00:22:40,760
Speaker 2: you know, calling the check up, trying to get her

502
00:22:40,800 --> 00:22:43,080
Speaker 2: to come to the crib, you know, saying like, Yo,

503
00:22:43,320 --> 00:22:45,600
Speaker 2: she's like, what we gonna do? I don't even know,

504
00:22:45,760 --> 00:22:47,680
Speaker 2: you know, just pull up, you know what I mean.

505
00:22:47,720 --> 00:22:50,240
Speaker 2: That's every guy in the world. That's every guy that

506
00:22:50,640 --> 00:22:53,200
Speaker 2: got a new crib. Your roommate left and you got

507
00:22:53,200 --> 00:22:55,840
Speaker 2: a little shorty coming by, you know. That's the essence

508
00:22:55,840 --> 00:22:57,160
Speaker 2: of it. And I just didn't know it was gonna

509
00:22:57,160 --> 00:22:58,560
Speaker 2: become such a popular term.

510
00:22:58,840 --> 00:23:02,879
Speaker 1: The deaf comedy jam era was so legendary because you

511
00:23:02,920 --> 00:23:05,359
Speaker 1: had so many people come out of it. Did you

512
00:23:05,400 --> 00:23:08,240
Speaker 1: guys realize how special it was at the time, Like Livally,

513
00:23:08,640 --> 00:23:09,119
Speaker 1: we knew.

514
00:23:09,720 --> 00:23:13,240
Speaker 2: We knew because the buzz was crazy. You got to

515
00:23:13,320 --> 00:23:17,080
Speaker 2: understand it had never been an opportunity. It had never

516
00:23:17,119 --> 00:23:20,320
Speaker 2: been an opportunity in black comedy where everybody was going

517
00:23:20,359 --> 00:23:22,439
Speaker 2: to get a shot at one time. You know, it

518
00:23:22,440 --> 00:23:25,399
Speaker 2: would be like an NBA draft where all of the

519
00:23:25,440 --> 00:23:27,720
Speaker 2: best players are going to get a chance to go

520
00:23:27,760 --> 00:23:30,119
Speaker 2: to the league. Right, That's what it felt like. It

521
00:23:30,160 --> 00:23:32,879
Speaker 2: was like, if you get on this show, Scott's the

522
00:23:32,920 --> 00:23:35,159
Speaker 2: limit because you're going to be deemed one of the

523
00:23:35,200 --> 00:23:37,879
Speaker 2: top comedians in the country. And that's how we did it.

524
00:23:38,080 --> 00:23:41,200
Speaker 2: We came in hard. Everybody had eight minutes to get busy,

525
00:23:41,320 --> 00:23:43,680
Speaker 2: and you wanted your eight minutes to stand them up.

526
00:23:44,160 --> 00:23:46,080
Speaker 1: What was the hardest guy you ever had to follow?

527
00:23:46,080 --> 00:23:50,200
Speaker 1: Where you watched it set and you're like, fuck, that's crazy,

528
00:23:50,359 --> 00:23:52,280
Speaker 1: I'm supposed to follow this shit. Wow?

529
00:23:52,800 --> 00:23:54,680
Speaker 2: The hardest person to follow was Bernie Mack.

530
00:23:54,960 --> 00:23:58,320
Speaker 1: Yeah, I can imagine a Bernie Mack.

531
00:23:58,359 --> 00:24:01,480
Speaker 2: Was a monster man, talk about you had to be

532
00:24:01,760 --> 00:24:06,280
Speaker 2: on your a game. You could not slack with him.

533
00:24:06,600 --> 00:24:08,960
Speaker 2: And he was just hosting the Deaf Jam Tour and

534
00:24:08,960 --> 00:24:10,960
Speaker 2: he was killing everybody.

535
00:24:11,280 --> 00:24:11,760
Speaker 1: Murdering it.

536
00:24:11,880 --> 00:24:16,359
Speaker 2: He was getting standing ovations as this before the show

537
00:24:16,480 --> 00:24:21,240
Speaker 2: started while people were going to their seats. That's bro.

538
00:24:21,840 --> 00:24:23,840
Speaker 2: Do you know how hard that is? That's how funny

539
00:24:23,880 --> 00:24:24,480
Speaker 2: Bernie is.

540
00:24:24,480 --> 00:24:30,160
Speaker 1: Man? Who yo was there? What's the most awkward situation

541
00:24:30,240 --> 00:24:33,960
Speaker 1: where interview you did with MTV. Maybe somebody high, maybe

542
00:24:33,960 --> 00:24:36,240
Speaker 1: somebody was drunk, Maybe somebody didn't want to be interviewed,

543
00:24:36,240 --> 00:24:38,840
Speaker 1: maybe somebody was an asshole. Was there ever like an interview?

544
00:24:38,880 --> 00:24:41,000
Speaker 1: You're like, god, that was that was interesting?

545
00:24:41,840 --> 00:24:43,800
Speaker 2: Oh well, I mean the only one I could say

546
00:24:43,840 --> 00:24:46,800
Speaker 2: that was I guess like that was R Kelly and

547
00:24:46,800 --> 00:24:52,200
Speaker 2: Aliah Oh wow, yeah, because he just left. He just

548
00:24:51,800 --> 00:24:56,720
Speaker 2: like like they we were doing the interview, asking about

549
00:24:56,720 --> 00:24:58,679
Speaker 2: the album, talk to her, talk to him talking. This

550
00:24:58,720 --> 00:25:01,159
Speaker 2: is when she's promoting agent ag ain't nothing but a

551
00:25:01,240 --> 00:25:05,000
Speaker 2: number And they was obviously married at the time. Nobody

552
00:25:05,080 --> 00:25:08,120
Speaker 2: knew they had on this cute little short set, same

553
00:25:08,119 --> 00:25:10,920
Speaker 2: little match and Mickey Mouse bullshit on what the fuck?

554
00:25:11,040 --> 00:25:12,760
Speaker 2: And in the middle of the interview, he was like,

555
00:25:12,920 --> 00:25:16,000
Speaker 2: we're done. I was like what. I was like you

556
00:25:16,119 --> 00:25:18,760
Speaker 2: in the bathroom looking around and ship all the producers

557
00:25:18,760 --> 00:25:20,640
Speaker 2: come running out the back of what's going on? Man?

558
00:25:20,760 --> 00:25:23,680
Speaker 2: Robert Sleeving, He's sitting in a limo. I'm like for he?

559
00:25:23,800 --> 00:25:27,040
Speaker 1: So did Aliah leave too? Yeah? They left?

560
00:25:27,359 --> 00:25:29,400
Speaker 2: So rumor has it was at that time he got

561
00:25:29,400 --> 00:25:31,400
Speaker 2: in his feelings about me talking to her like that.

562
00:25:32,280 --> 00:25:33,560
Speaker 1: Do you know what you said?

563
00:25:33,560 --> 00:25:36,239
Speaker 2: That might nothing man, it was all interview. Man, I

564
00:25:36,359 --> 00:25:38,320
Speaker 2: was I was just being yourself. Yeah, I was just

565
00:25:38,320 --> 00:25:41,840
Speaker 2: being myself and like we was laughing or whatever. I

566
00:25:41,880 --> 00:25:44,239
Speaker 2: don't even when we went back and looked at it,

567
00:25:44,240 --> 00:25:46,439
Speaker 2: it was nothing in there. I think it was just

568
00:25:46,640 --> 00:25:50,080
Speaker 2: the energy of her laughing with somebody else and maybe.

569
00:25:49,840 --> 00:25:51,440
Speaker 1: He's like, you can't laugh with another man.

570
00:25:51,720 --> 00:25:54,560
Speaker 2: Nah, you my little shorty baby. Age ain't nothing but

571
00:25:54,600 --> 00:25:55,080
Speaker 2: the number.

572
00:25:55,200 --> 00:26:00,480
Speaker 1: And so did everyone know they were together? No thing?

573
00:26:00,560 --> 00:26:02,360
Speaker 2: She was in the ninth grade. I think at the time.

574
00:26:02,520 --> 00:26:03,080
Speaker 1: That's my thing.

575
00:26:03,160 --> 00:26:05,520
Speaker 2: I just holler you when you're sixteen, ninth.

576
00:26:05,280 --> 00:26:08,520
Speaker 1: Grade, tenth grade, ninth or tenth grade. My thing is

577
00:26:08,520 --> 00:26:10,520
Speaker 1: is like who was around her? That was like, ah,

578
00:26:10,600 --> 00:26:12,679
Speaker 1: you're pushing this album called AG nothing but a Number,

579
00:26:12,800 --> 00:26:15,400
Speaker 1: and R Kelly's with you everywhere. We got to ask

580
00:26:15,440 --> 00:26:15,920
Speaker 1: these questions.

581
00:26:15,960 --> 00:26:20,439
Speaker 2: But you got to understand back then, having R. Kelly

582
00:26:20,920 --> 00:26:23,000
Speaker 2: executive produce your album.

583
00:26:22,760 --> 00:26:25,720
Speaker 1: Huge deal, Like it's the biggest shit.

584
00:26:25,840 --> 00:26:29,320
Speaker 2: Yeah, oh my god, he did the whole album and

585
00:26:29,520 --> 00:26:33,280
Speaker 2: that was a big deal. And so she was brand new.

586
00:26:33,880 --> 00:26:37,119
Speaker 2: You know, back then, we didn't even put two and

587
00:26:37,160 --> 00:26:40,359
Speaker 2: two together. AG ain't nothing but a number. We didn't

588
00:26:40,359 --> 00:26:45,560
Speaker 2: even think about it. Back then, Yeah right, it didn't

589
00:26:45,600 --> 00:26:47,680
Speaker 2: even like we were just like, oh, that's a nice

590
00:26:47,680 --> 00:26:48,000
Speaker 2: thing then.

591
00:26:48,160 --> 00:26:49,639
Speaker 1: And then when the news started to come out, you

592
00:26:49,640 --> 00:26:51,880
Speaker 1: were like, oh right.

593
00:26:52,000 --> 00:26:58,040
Speaker 2: Fuck, just told on yourself, homie. What was up?

594
00:26:58,359 --> 00:27:00,520
Speaker 1: Rest in peace of Nono Luis who passed the way

595
00:27:02,000 --> 00:27:05,040
Speaker 1: a legendary anti personality.

596
00:27:04,560 --> 00:27:11,200
Speaker 2: Incredible person, wonderful system man. That was tough because Ananda

597
00:27:11,480 --> 00:27:19,760
Speaker 2: had all the boxes checked off. Beautiful, smart, intuitive, funny,

598
00:27:20,640 --> 00:27:23,359
Speaker 2: down to earth. She was just perfect, bro, and we

599
00:27:23,560 --> 00:27:26,399
Speaker 2: we just loved her to death and nobody knew she

600
00:27:26,440 --> 00:27:29,080
Speaker 2: was sick. Now, she didn't look sick or whatever, you know,

601
00:27:29,320 --> 00:27:32,560
Speaker 2: or she didn't go from here to be really sick

602
00:27:32,560 --> 00:27:34,679
Speaker 2: looking or anything. She just looked normal. Then she was

603
00:27:34,760 --> 00:27:39,560
Speaker 2: just gone. This is crazy. So the most uncanny thing.

604
00:27:39,720 --> 00:27:44,359
Speaker 2: I went to her memorial, and she knew she was dying, right,

605
00:27:45,040 --> 00:27:48,480
Speaker 2: She didn't want to do certain medicines and stuff she did,

606
00:27:48,640 --> 00:27:52,360
Speaker 2: you know, so this you know, realistic thing or whatever.

607
00:27:53,359 --> 00:27:58,600
Speaker 2: But what was so uncanny She did a whole interview

608
00:27:58,880 --> 00:28:01,720
Speaker 2: thing of herself alive, knowing that she was going to

609
00:28:01,800 --> 00:28:04,119
Speaker 2: be gone, and they played that at the memorial, so

610
00:28:04,160 --> 00:28:08,800
Speaker 2: she she knew, bro, it was just creepy dope. She

611
00:28:08,920 --> 00:28:12,480
Speaker 2: wanted to stay alive to see her son graduating. Wow, man,

612
00:28:12,600 --> 00:28:15,080
Speaker 2: it was it was deep, bro. It was everybody was crying.

613
00:28:15,119 --> 00:28:17,879
Speaker 1: Bro. It was crazy at that time. Or you guys

614
00:28:18,119 --> 00:28:23,919
Speaker 1: like you have like this personality of MTV cast members.

615
00:28:23,720 --> 00:28:26,480
Speaker 2: Like like a bond like we're like like like.

616
00:28:26,400 --> 00:28:29,040
Speaker 1: Even like a guy like Kurt Loader. Guys ever hang

617
00:28:29,040 --> 00:28:29,439
Speaker 1: out with Kurt.

618
00:28:29,640 --> 00:28:31,439
Speaker 2: Well, we don't get to see it in the studio,

619
00:28:32,960 --> 00:28:36,160
Speaker 2: but like we all kind of still have these little

620
00:28:36,160 --> 00:28:40,240
Speaker 2: overlapping friendships. You know, we bonded, we kind of grew

621
00:28:40,320 --> 00:28:43,440
Speaker 2: up together at that time. We were all very very young.

622
00:28:45,200 --> 00:28:49,200
Speaker 2: Like Kennedy, I still stay in touch with her. I

623
00:28:49,320 --> 00:28:52,360
Speaker 2: just saw Simon Rex a couple of weeks ago.

624
00:28:53,240 --> 00:28:55,320
Speaker 1: He was hanging out with like riff Raff.

625
00:28:55,800 --> 00:28:58,440
Speaker 2: I don't know what he's doing, but you know he's alive.

626
00:28:58,480 --> 00:29:05,240
Speaker 2: So I'm proud of that. I haven't seen Duff or

627
00:29:05,360 --> 00:29:11,080
Speaker 2: anybody like. I haven't seen Let me see who else,

628
00:29:13,000 --> 00:29:15,880
Speaker 2: John Cencio. I haven't seen Matt Penfield.

629
00:29:16,040 --> 00:29:21,480
Speaker 1: Matt Penfield was legend. Hey Bgger's ball man. I saw

630
00:29:21,520 --> 00:29:25,000
Speaker 1: that dude somewhere. I love Matt Penfield Jersey Boy. In

631
00:29:25,040 --> 00:29:27,120
Speaker 1: the last decade, I saw Matt Penfield somewhere and I

632
00:29:27,160 --> 00:29:27,760
Speaker 1: was just like.

633
00:29:28,760 --> 00:29:31,800
Speaker 2: And he was my first he was my first chat GPT.

634
00:29:32,320 --> 00:29:38,840
Speaker 2: He knew everything music nerd. He's a music nerd for sure, don't.

635
00:29:38,600 --> 00:29:41,600
Speaker 1: Diple Pilots eighty four. You know he was that guy.

636
00:29:42,440 --> 00:29:45,320
Speaker 1: Do you have any perks or rather, does Shaq have

637
00:29:45,360 --> 00:29:47,400
Speaker 1: any perks with you being his cousin when he first

638
00:29:47,400 --> 00:29:48,600
Speaker 1: comes into the league.

639
00:29:48,760 --> 00:29:50,479
Speaker 2: Are you guys? I think it's I think it's very

640
00:29:50,560 --> 00:29:53,120
Speaker 2: I think it's it works. It works both ways. It

641
00:29:53,440 --> 00:29:54,280
Speaker 2: doesn't hurt.

642
00:29:54,200 --> 00:29:55,880
Speaker 1: Either, Like, were you guys close cousins?

643
00:29:55,960 --> 00:29:58,240
Speaker 2: Yeah, okay, yeah, So I just talked to him.

644
00:29:58,280 --> 00:30:02,080
Speaker 1: He goes LSU and this ship is just crazy.

645
00:30:00,560 --> 00:30:05,239
Speaker 2: Bro, Bro, this is what's so crazy. How we just

646
00:30:05,480 --> 00:30:07,640
Speaker 2: we always laugh? How did this happen?

647
00:30:07,720 --> 00:30:07,920
Speaker 1: Right?

648
00:30:08,440 --> 00:30:11,240
Speaker 2: You just almost summed it up. Shack goes to l

649
00:30:11,360 --> 00:30:15,720
Speaker 2: s U. I'm coming up, I'm graduating from Rutgers. I'm

650
00:30:15,880 --> 00:30:18,880
Speaker 2: literally don't even know in the next two years, I'm

651
00:30:18,880 --> 00:30:22,080
Speaker 2: about to be famous. I don't know that yet. Shack's

652
00:30:22,120 --> 00:30:26,120
Speaker 2: down there tearing Rims down, going bonkers. Right, So within

653
00:30:26,280 --> 00:30:28,400
Speaker 2: two years, because he only did two with LSU, I

654
00:30:28,400 --> 00:30:32,040
Speaker 2: think I believe, right, So two let's say two years,

655
00:30:32,280 --> 00:30:36,760
Speaker 2: two years. He's gone two years. I'm blowing up. It

656
00:30:36,920 --> 00:30:40,560
Speaker 2: happened so bugged out. Cut to He's in the league,

657
00:30:40,560 --> 00:30:46,120
Speaker 2: ain't Orlando, I'm on MTV. Bam, We're back together. It's crazy,

658
00:30:46,160 --> 00:30:46,720
Speaker 2: it's crazy.

659
00:30:46,720 --> 00:30:49,320
Speaker 1: And then he's like he almost immediately becomes like a

660
00:30:49,360 --> 00:30:50,040
Speaker 1: cultural thing.

661
00:30:50,320 --> 00:30:52,600
Speaker 2: Yeah, because he's it was like he was the big

662
00:30:52,840 --> 00:30:54,040
Speaker 2: jolly green jaion. Yo.

663
00:30:54,120 --> 00:30:56,520
Speaker 1: It's like, I remember you could buy the Shack toys

664
00:30:56,760 --> 00:31:03,800
Speaker 1: quick Shack, I have the Super Nintendo game everything, because

665
00:31:03,840 --> 00:31:07,240
Speaker 1: am fucking what was the other joint steel steal.

666
00:31:09,280 --> 00:31:10,920
Speaker 2: I told him not to be a genie, but he did.

667
00:31:10,960 --> 00:31:11,640
Speaker 2: He did it anyway.

668
00:31:11,760 --> 00:31:13,960
Speaker 1: I think I think I'll take his am over Steele,

669
00:31:14,120 --> 00:31:18,760
Speaker 1: You'll take I just I think neither movie is good, right, right,

670
00:31:19,000 --> 00:31:21,680
Speaker 1: But for comedic purposes to see Shack as a giant genie,

671
00:31:21,840 --> 00:31:24,720
Speaker 1: it works. It works for sure. Shout out to Raffi

672
00:31:24,800 --> 00:31:27,880
Speaker 1: Law Group, our family. Yes, it's been so dope to

673
00:31:28,040 --> 00:31:30,560
Speaker 1: partner with, you know, such a name and brand and

674
00:31:30,600 --> 00:31:33,760
Speaker 1: somebody who I actually am a customer of. Shout out

675
00:31:33,800 --> 00:31:38,120
Speaker 1: to Raffi Law Group, man Arizona's premier personal injury law firm.

676
00:31:38,200 --> 00:31:41,240
Speaker 1: And I don't just put my name on anybody when

677
00:31:41,360 --> 00:31:43,400
Speaker 1: we do this stuff on the Bootleg cap podcast and

678
00:31:43,400 --> 00:31:46,440
Speaker 1: you see us partnering with brands. We're very selective about

679
00:31:46,440 --> 00:31:49,640
Speaker 1: who we connect with, and Raffi is someone who's actually

680
00:31:49,680 --> 00:31:53,000
Speaker 1: helped my family, helped my wife get a settlement, all right,

681
00:31:53,120 --> 00:31:57,360
Speaker 1: has helped over seventy thousand people in Arizona. No matter

682
00:31:57,400 --> 00:32:01,239
Speaker 1: what happens, man, car accident, crash, injury, you maybe get

683
00:32:01,280 --> 00:32:03,520
Speaker 1: bit by a dog, I don't know, whatever it is,

684
00:32:03,920 --> 00:32:07,760
Speaker 1: Raffi Law Group makes the process less stressful. They put

685
00:32:07,800 --> 00:32:10,560
Speaker 1: money in your pocket. Yes, the name you can trust.

686
00:32:10,560 --> 00:32:13,840
Speaker 1: You already know, man, Raffie Law Group. Save the number

687
00:32:14,080 --> 00:32:16,000
Speaker 1: just in case, because hey, you get into a car

688
00:32:16,040 --> 00:32:19,600
Speaker 1: accident tomorrow, you gotta call Raffi six two three three

689
00:32:19,760 --> 00:32:22,680
Speaker 1: eight eight four three three three And want to wish

690
00:32:22,720 --> 00:32:25,960
Speaker 1: a big happy birthday to Raffi's just celebrated his fortieth birthday.

691
00:32:26,000 --> 00:32:28,640
Speaker 1: We had a good time in Vegas. Fifty cent was there,

692
00:32:28,760 --> 00:32:31,880
Speaker 1: pauly D was there, mad Rich was there. E c

693
00:32:32,120 --> 00:32:35,280
Speaker 1: Rock was there. It was a movie, all right, Secretary

694
00:32:35,320 --> 00:32:37,360
Speaker 1: of State was there. We were just hanging out, Man Show.

695
00:32:37,520 --> 00:32:40,520
Speaker 1: Look shout out to Brandon Raffi. Don't forget Raffi Law Group.

696
00:32:40,640 --> 00:32:42,640
Speaker 1: The only calling you to make. If you're an az

697
00:32:42,920 --> 00:32:44,920
Speaker 1: and you get into an accident or you get into

698
00:32:45,000 --> 00:32:48,880
Speaker 1: any sort of injury situation, they'll take care you immediately

699
00:32:49,080 --> 00:32:52,360
Speaker 1: call RAFFI. Baby. Let's get back to the podcast. Yo.

700
00:32:52,520 --> 00:32:56,240
Speaker 1: Did you feel like uh uh? Because you you're in,

701
00:32:56,560 --> 00:32:59,239
Speaker 1: you got You're in some awesome cult classics. I think

702
00:32:59,240 --> 00:33:01,280
Speaker 1: a movie like The Brothers that I think came out about.

703
00:33:01,440 --> 00:33:04,520
Speaker 1: I think you just celebrated twenty five years of being released. Yeah,

704
00:33:04,560 --> 00:33:07,600
Speaker 1: The Brothers. Is there a movie of yours that you

705
00:33:07,640 --> 00:33:10,480
Speaker 1: feel like doesn't get enough love that is just like

706
00:33:10,760 --> 00:33:11,600
Speaker 1: a favorite for you.

707
00:33:12,080 --> 00:33:14,280
Speaker 2: I think one of the movies I did that should

708
00:33:14,280 --> 00:33:16,080
Speaker 2: get a lot of love is Love Stinks.

709
00:33:16,520 --> 00:33:17,160
Speaker 1: Love Stinks?

710
00:33:17,240 --> 00:33:21,800
Speaker 2: Yeah, it was a movie I did with Tyra Banks

711
00:33:23,120 --> 00:33:24,200
Speaker 2: Bridget Nielsen.

712
00:33:25,520 --> 00:33:26,960
Speaker 1: Was Tyra Banks your love us? She was?

713
00:33:27,240 --> 00:33:31,800
Speaker 2: Yeah, she was my love interest. Uh, French Stewart okay.

714
00:33:31,840 --> 00:33:35,920
Speaker 2: And Jason Bateman, Oh the Bateman's man, Come on, Black Rabbit.

715
00:33:36,200 --> 00:33:37,720
Speaker 1: Jason Bateman's awesome.

716
00:33:38,200 --> 00:33:40,280
Speaker 2: And you know who else was in that movie? Oh?

717
00:33:40,400 --> 00:33:43,560
Speaker 2: You know, not that movie. I did a movie called

718
00:33:43,560 --> 00:33:44,360
Speaker 2: Buying the Cow.

719
00:33:44,800 --> 00:33:50,480
Speaker 1: Bionic buying, Buying a Cow, Buying the Cow, Buying the Cow.

720
00:33:50,520 --> 00:33:55,719
Speaker 2: Interesting and Ryan who plays I'm thinking of his name

721
00:33:55,800 --> 00:33:59,320
Speaker 2: right now. I'm joining Blank Ryan. He's Superstar, Superstar, did

722
00:33:59,360 --> 00:34:00,560
Speaker 2: all the superhero real stuff.

723
00:34:01,560 --> 00:34:02,640
Speaker 1: Oh fuck, I don't know.

724
00:34:02,560 --> 00:34:04,720
Speaker 2: He's got He's the character with the with the two

725
00:34:04,840 --> 00:34:09,520
Speaker 2: Swords of the back right here. Oh oh Ryan, that

726
00:34:09,680 --> 00:34:11,840
Speaker 2: man that pool bruh.

727
00:34:11,880 --> 00:34:15,680
Speaker 1: Ryan the main dude. He's this is gonna bother me.

728
00:34:15,680 --> 00:34:18,120
Speaker 1: Why can't I think of it? I know I know him.

729
00:34:18,160 --> 00:34:22,440
Speaker 1: He's in everything we are talking about. Ryan Reynolds.

730
00:34:22,560 --> 00:34:24,520
Speaker 2: Yeah, me and Roynald Reynolds did a movie together too.

731
00:34:24,680 --> 00:34:27,560
Speaker 1: That's fire Man. Are you still like, I guess what

732
00:34:27,719 --> 00:34:29,480
Speaker 1: motivate you now? Because I feel like you have. If

733
00:34:29,480 --> 00:34:31,320
Speaker 1: you're gonna do the stand up thing, that's got to

734
00:34:31,360 --> 00:34:34,360
Speaker 1: be something you you love and it's got to be

735
00:34:34,360 --> 00:34:36,920
Speaker 1: something that you like, you kind of got to train for,

736
00:34:37,080 --> 00:34:39,160
Speaker 1: you know, like, oh, it's a random Tuesday. Let me

737
00:34:39,200 --> 00:34:41,200
Speaker 1: pull up to the laugh Factory and get off five minutes.

738
00:34:41,280 --> 00:34:41,920
Speaker 1: I did, I did.

739
00:34:42,040 --> 00:34:43,800
Speaker 2: I did that a week ago.

740
00:34:44,040 --> 00:34:44,640
Speaker 1: I went to.

741
00:34:46,640 --> 00:34:50,200
Speaker 2: Chocolate Sundays and Laugh Factory legendary blew it up like

742
00:34:50,280 --> 00:34:53,920
Speaker 2: fifteen minutes of straight fire right, and that to me

743
00:34:54,719 --> 00:34:56,560
Speaker 2: And I just had a dude walk up to me

744
00:34:57,400 --> 00:34:59,920
Speaker 2: and say, yo, man, I was at Chocolate Sunday's your man.

745
00:35:00,080 --> 00:35:00,480
Speaker 1: You got that?

746
00:35:00,800 --> 00:35:03,839
Speaker 2: You still got that fied. I was like, yeah, that's good,

747
00:35:03,880 --> 00:35:04,279
Speaker 2: that's what.

748
00:35:04,200 --> 00:35:07,279
Speaker 1: You want to hear. Yeah, yeah. Do you do that

749
00:35:07,360 --> 00:35:08,920
Speaker 1: often when you know you're gonna be hitting the road,

750
00:35:09,000 --> 00:35:10,359
Speaker 1: just make sure you can't.

751
00:35:10,640 --> 00:35:12,680
Speaker 2: You don't want to be that. That's the thing about

752
00:35:12,719 --> 00:35:14,520
Speaker 2: by stand up like you don't want to come off

753
00:35:14,640 --> 00:35:17,520
Speaker 2: rusty because because your rhythm, you know your time, it

754
00:35:17,560 --> 00:35:19,359
Speaker 2: could be off. So you gotta get you gotta get

755
00:35:19,360 --> 00:35:21,719
Speaker 2: some reps up. So when you hit that role like that,

756
00:35:21,880 --> 00:35:24,000
Speaker 2: you like, bam bam, bam bam.

757
00:35:24,120 --> 00:35:24,360
Speaker 1: You know what.

758
00:35:24,520 --> 00:35:26,120
Speaker 2: You know what you're saying. You know where you're going,

759
00:35:26,160 --> 00:35:26,640
Speaker 2: you know what I mean?

760
00:35:26,719 --> 00:35:30,719
Speaker 1: Yeah for sure? Yeah do you you you have a

761
00:35:31,960 --> 00:35:34,960
Speaker 1: I guess a pretty nice repertoire of music videos. You've

762
00:35:34,960 --> 00:35:36,879
Speaker 1: been in Jamie Fox blame it.

763
00:35:37,080 --> 00:35:38,759
Speaker 2: Blame it on it, don't blame it on it. We

764
00:35:38,920 --> 00:35:41,600
Speaker 2: talked about I was in Temptations.

765
00:35:41,680 --> 00:35:43,840
Speaker 1: We talked about the Foxy Brown I was in.

766
00:35:45,040 --> 00:35:45,839
Speaker 2: I was in.

767
00:35:47,800 --> 00:35:51,440
Speaker 1: The Brat, give it to you legend, this early Brat.

768
00:35:51,360 --> 00:35:54,279
Speaker 2: Early Brat. Everybody was in that one. Yeah, was there

769
00:35:54,360 --> 00:35:54,839
Speaker 2: another one?

770
00:35:55,000 --> 00:35:57,880
Speaker 1: Could you kind of were like the the like we

771
00:35:57,920 --> 00:35:59,320
Speaker 1: need an attractive Londoners.

772
00:35:59,600 --> 00:36:02,160
Speaker 2: Yeah. I was always the handsome love instertrants guy.

773
00:36:02,280 --> 00:36:04,840
Speaker 1: Whatever. What was the most interesting video shoot? You've been

774
00:36:04,840 --> 00:36:06,719
Speaker 1: a part of Temptations?

775
00:36:07,200 --> 00:36:07,399
Speaker 2: Why?

776
00:36:07,760 --> 00:36:08,000
Speaker 1: Why?

777
00:36:08,760 --> 00:36:11,279
Speaker 2: Because if you go back and watch that movie, it

778
00:36:11,400 --> 00:36:14,680
Speaker 2: was like being in a in a voyeurs club or

779
00:36:14,719 --> 00:36:17,880
Speaker 2: something like that. Because if you go back, we shot

780
00:36:17,920 --> 00:36:22,880
Speaker 2: that in an old hotel downtown La Coolio is like

781
00:36:22,960 --> 00:36:27,680
Speaker 2: the waiter that's delivering all the food to all the rooms.

782
00:36:27,960 --> 00:36:29,640
Speaker 2: And if you remember, if you see the video, you

783
00:36:29,640 --> 00:36:31,600
Speaker 2: look through the keyhole and then you can see what's

784
00:36:31,640 --> 00:36:33,800
Speaker 2: in there. And then I was in a love scene

785
00:36:33,840 --> 00:36:39,880
Speaker 2: in this big furry bed with Jasmine guy. Wow, you

786
00:36:39,920 --> 00:36:41,400
Speaker 2: know how many people was in that video?

787
00:36:41,960 --> 00:36:45,319
Speaker 1: Jada Clio serving.

788
00:36:45,040 --> 00:36:47,200
Speaker 2: Food like Colio go back.

789
00:36:47,560 --> 00:36:49,040
Speaker 1: Iced Tea was in it. Iced tea.

790
00:36:49,480 --> 00:36:52,040
Speaker 2: Iced tea was the guy at the at the at

791
00:36:52,040 --> 00:36:55,799
Speaker 2: the counter, the receptionist, so iced tea was in it.

792
00:36:55,840 --> 00:36:58,800
Speaker 2: Coolio was in it, Tretch was in it. Salt and

793
00:36:58,840 --> 00:37:03,440
Speaker 2: Pepper was in it. Jada Pinkey was in it. Damn, damn,

794
00:37:04,000 --> 00:37:07,640
Speaker 2: Jasmine guy. I'm just going down the list. That's crazy, yo.

795
00:37:07,920 --> 00:37:10,759
Speaker 1: Who do you put as your deaf comedy? Jam Mount

796
00:37:10,800 --> 00:37:15,360
Speaker 1: Rushmore that is a great question.

797
00:37:16,920 --> 00:37:19,640
Speaker 2: First of all, Martin Lawrence shot out to Martin. Of course,

798
00:37:20,160 --> 00:37:22,279
Speaker 2: you can't say death jam without mart Lawrence. You got

799
00:37:22,280 --> 00:37:28,520
Speaker 2: to go, Martin, you gotta go. Bernie yep Um. Trying

800
00:37:28,520 --> 00:37:31,080
Speaker 2: to think somebody death comedy jail.

801
00:37:34,800 --> 00:37:35,479
Speaker 1: That is hard.

802
00:37:35,520 --> 00:37:38,000
Speaker 2: So I mean I only get two more, two more,

803
00:37:38,840 --> 00:37:45,880
Speaker 2: two more, I would say, Chris Tucker.

804
00:37:46,080 --> 00:37:50,239
Speaker 1: Yeah, yeah, and me and you I love it, I

805
00:37:50,320 --> 00:37:50,759
Speaker 1: killed it.

806
00:37:50,960 --> 00:37:53,279
Speaker 2: What I'm just trying to think of people who had

807
00:37:53,320 --> 00:37:54,320
Speaker 2: explosive sets.

808
00:37:54,800 --> 00:37:57,759
Speaker 1: Can we talk about because I think Russell Simmons, for

809
00:37:57,840 --> 00:38:00,160
Speaker 1: all of the better or worse things he's known for

810
00:38:00,280 --> 00:38:02,480
Speaker 1: right now, uh, he did have a lot to do

811
00:38:02,560 --> 00:38:05,120
Speaker 1: with helping the comedic scene in a real way, Yeah,

812
00:38:05,160 --> 00:38:07,439
Speaker 1: with elevating us with yeah ev I mean he even

813
00:38:07,440 --> 00:38:09,880
Speaker 1: executive produced the movie How to Be a Player? Absolutely,

814
00:38:10,480 --> 00:38:12,640
Speaker 1: Can you speak to like Russ's kind of just like

815
00:38:13,400 --> 00:38:17,200
Speaker 1: I guess slept on uh impact on comedy, because I

816
00:38:17,200 --> 00:38:18,200
Speaker 1: don't think you can talk about it.

817
00:38:18,239 --> 00:38:21,160
Speaker 2: I think I think you know, what people don't realize

818
00:38:21,360 --> 00:38:25,160
Speaker 2: about Russell Simmons, you know, is that he has always

819
00:38:25,239 --> 00:38:28,239
Speaker 2: been a pioneer for the music, you know, and so

820
00:38:28,520 --> 00:38:31,960
Speaker 2: his early days of him and Rick Rubin you know,

821
00:38:32,080 --> 00:38:35,200
Speaker 2: creating deaf comedy jam in a college dorm is crazy

822
00:38:35,280 --> 00:38:38,800
Speaker 2: for sure, insane. I mean, that's just just the concept

823
00:38:38,840 --> 00:38:41,160
Speaker 2: of two guys sitting together going, Yo, we're going to

824
00:38:41,239 --> 00:38:43,480
Speaker 2: create something that don't exist, and it's gonna be big,

825
00:38:43,520 --> 00:38:46,280
Speaker 2: and it's gonna be crazy, and we're going to change lives.

826
00:38:46,560 --> 00:38:51,600
Speaker 2: That's that's dope. He did literally the same thing with comedy.

827
00:38:51,680 --> 00:38:56,040
Speaker 2: He thought that urban comedy was the funniest representation of

828
00:38:56,080 --> 00:38:58,440
Speaker 2: the culture of hip hop. You know what we were

829
00:38:58,480 --> 00:39:02,160
Speaker 2: talking about, the energy music, Like black comics are the

830
00:39:02,160 --> 00:39:04,520
Speaker 2: only comics that Toda's day come on stage to music,

831
00:39:04,800 --> 00:39:06,879
Speaker 2: right right, right, right right, Well, white guys come out,

832
00:39:06,920 --> 00:39:10,040
Speaker 2: they just say, hey, there's guys, here's Ryan, Hey guys.

833
00:39:10,440 --> 00:39:12,960
Speaker 2: You know, we come out to hip hop's it's a

834
00:39:13,000 --> 00:39:15,520
Speaker 2: part of what we do, is the feeling is, it's

835
00:39:15,560 --> 00:39:19,520
Speaker 2: the skin of the game. And Russell definitely saw that

836
00:39:19,640 --> 00:39:22,239
Speaker 2: and he said, hey, man, I'm going to present this

837
00:39:22,320 --> 00:39:25,200
Speaker 2: to HBO and he changed our lives as a lot

838
00:39:25,200 --> 00:39:27,439
Speaker 2: of guys became movie stars tv stars from him.

839
00:39:27,320 --> 00:39:29,040
Speaker 1: One hundred percent, man, And that was kind of like

840
00:39:29,080 --> 00:39:32,600
Speaker 1: the beginning of it. Yes, sir, all right, dude, well listen,

841
00:39:33,000 --> 00:39:35,080
Speaker 1: I got to ask you about this because everyone in

842
00:39:35,120 --> 00:39:37,160
Speaker 1: comedy is talking about this roast that just happened with

843
00:39:37,239 --> 00:39:40,600
Speaker 1: Kevin Hart. Yeah, it's crazy. I see both sides of

844
00:39:40,600 --> 00:39:44,640
Speaker 1: the coin. Yeah, yeah, I've seen, like, you know, a

845
00:39:44,640 --> 00:39:46,360
Speaker 1: lot of people coming to fend Tony hinchflip. But what

846
00:39:46,440 --> 00:39:48,600
Speaker 1: are your thoughts about just the roast and like, do

847
00:39:48,680 --> 00:39:51,000
Speaker 1: you think some of the jokes went too far? Yeah?

848
00:39:51,040 --> 00:39:52,879
Speaker 2: I do think some of the jokes went too far.

849
00:39:53,080 --> 00:39:55,000
Speaker 2: But but that's what the roast is.

850
00:39:55,480 --> 00:39:56,719
Speaker 1: It's kind of the point of the roast.

851
00:39:57,680 --> 00:40:00,719
Speaker 2: Like I'm to me, I'm like, if you ain't, if

852
00:40:00,760 --> 00:40:03,040
Speaker 2: you can't, if you can't take the heat, don't go

853
00:40:03,080 --> 00:40:03,560
Speaker 2: in the kitchen.

854
00:40:03,680 --> 00:40:03,839
Speaker 1: Right.

855
00:40:04,200 --> 00:40:07,319
Speaker 2: That's why I would never do a rose. I don't

856
00:40:07,320 --> 00:40:08,640
Speaker 2: want to be in part. I don't want to be

857
00:40:08,680 --> 00:40:09,240
Speaker 2: a part.

858
00:40:09,000 --> 00:40:09,640
Speaker 1: Of a roast.

859
00:40:10,160 --> 00:40:13,000
Speaker 2: I'd rather be able to make you laugh about yourself.

860
00:40:13,080 --> 00:40:14,719
Speaker 2: I don't want to hurt you. Like some of that

861
00:40:14,760 --> 00:40:15,880
Speaker 2: shit could go too hard, you.

862
00:40:15,880 --> 00:40:18,319
Speaker 1: Know what I'm saying. When they were talking about Cheryl

863
00:40:18,360 --> 00:40:21,959
Speaker 1: Underwood's that's crazy, but I guess you knew that they were.

864
00:40:22,040 --> 00:40:24,200
Speaker 2: Yeah, but she but she she's a g with it.

865
00:40:24,400 --> 00:40:25,319
Speaker 1: Yeah, yo, But.

866
00:40:25,440 --> 00:40:27,680
Speaker 2: Some of that stuff, you know, that George Floyd thing

867
00:40:27,840 --> 00:40:30,400
Speaker 2: was it was nothing and you can you can't get

868
00:40:30,440 --> 00:40:34,600
Speaker 2: around it. There's certain things you cannot make fun of.

869
00:40:34,840 --> 00:40:36,879
Speaker 2: There's no way to make light of it. It's just

870
00:40:36,880 --> 00:40:39,680
Speaker 2: just inappropriate. So why do that joke because you could

871
00:40:39,719 --> 00:40:42,480
Speaker 2: do something else, like you could do you could do

872
00:40:42,600 --> 00:40:46,120
Speaker 2: that joke differently, if you want to talk about the

873
00:40:46,160 --> 00:40:48,320
Speaker 2: same premise, use a different You could still get a

874
00:40:48,400 --> 00:40:50,480
Speaker 2: joke off, like, you don't have to use it that way.

875
00:40:50,600 --> 00:40:51,320
Speaker 1: That's why I don't.

876
00:40:51,239 --> 00:40:54,080
Speaker 2: Understand why they didn't they do it that way, Like

877
00:40:54,080 --> 00:40:56,080
Speaker 2: why they say, well, you know what, I don't want

878
00:40:56,080 --> 00:40:58,400
Speaker 2: to take people out the joke. It's just like sometimes

879
00:40:58,480 --> 00:41:01,239
Speaker 2: you do a political joke and or you might do

880
00:41:01,320 --> 00:41:06,200
Speaker 2: something a little too you know, male dominant women, Oh

881
00:41:06,200 --> 00:41:08,160
Speaker 2: my god, Like you know what I mean, if you

882
00:41:08,200 --> 00:41:09,799
Speaker 2: make people do this this too much?

883
00:41:10,160 --> 00:41:10,600
Speaker 1: Like you can.

884
00:41:10,880 --> 00:41:13,000
Speaker 2: But you can still have a cool pen and write

885
00:41:13,000 --> 00:41:15,120
Speaker 2: a real good joke and be smart about it. But

886
00:41:15,200 --> 00:41:18,080
Speaker 2: sometimes you gotta be just a little mindful, you know

887
00:41:18,120 --> 00:41:18,520
Speaker 2: what I mean?

888
00:41:19,000 --> 00:41:20,840
Speaker 1: Do you feel I just saw did you see what

889
00:41:20,880 --> 00:41:23,640
Speaker 1: happened with Carlos Mencia? He got arrested. No, what happened?

890
00:41:23,680 --> 00:41:26,600
Speaker 1: So he got arrested with like, I think twelve tax

891
00:41:26,680 --> 00:41:31,200
Speaker 1: fraud charges. He's in jail. He's actually arrested.

892
00:41:30,880 --> 00:41:33,399
Speaker 2: In Carlos Mencia is in jail, is.

893
00:41:33,360 --> 00:41:38,359
Speaker 1: Currently in federal custody. What yes, So for what they said,

894
00:41:38,360 --> 00:41:41,080
Speaker 1: he did not report over eight million dollars of earnings

895
00:41:41,120 --> 00:41:42,960
Speaker 1: in the last I don't know X amount of years.

896
00:41:44,200 --> 00:41:46,840
Speaker 1: So I was gonna ask you now that you've just

897
00:41:46,880 --> 00:41:49,600
Speaker 1: found out about this, do you feel like it? That

898
00:41:49,760 --> 00:41:51,239
Speaker 1: is one of the things that's hard to kind of

899
00:41:51,239 --> 00:41:53,680
Speaker 1: figure out when you are a comedian, is like how

900
00:41:53,719 --> 00:41:56,560
Speaker 1: to get your finances right, and cause.

901
00:41:56,400 --> 00:41:59,560
Speaker 2: You know, you make a lot of money fast sometimes.

902
00:41:59,200 --> 00:42:00,479
Speaker 1: And then it's a lot of time. He had ninety

903
00:42:00,520 --> 00:42:01,640
Speaker 1: nine money, yep.

904
00:42:01,760 --> 00:42:03,640
Speaker 2: You sometimes you're getting cash, you know.

905
00:42:04,000 --> 00:42:06,360
Speaker 1: So it's like, I feel like it's easy to avoid

906
00:42:06,440 --> 00:42:08,560
Speaker 1: paying taxes when it's like not front of mind. I

907
00:42:08,560 --> 00:42:09,319
Speaker 1: guess yeah.

908
00:42:09,360 --> 00:42:12,200
Speaker 2: But you also got to have an accountant to you know,

909
00:42:12,239 --> 00:42:14,440
Speaker 2: you got to have bookkeeping. You got to be able

910
00:42:14,480 --> 00:42:18,520
Speaker 2: to protect yourself because if if they do if they

911
00:42:18,560 --> 00:42:21,839
Speaker 2: do all your shows and they go back and say,

912
00:42:21,840 --> 00:42:25,399
Speaker 2: you made two million dollars last year and you didn't

913
00:42:25,440 --> 00:42:28,000
Speaker 2: report nothing, and we know you made two million dollars

914
00:42:28,000 --> 00:42:30,560
Speaker 2: because we went to all the venues, and because what

915
00:42:30,680 --> 00:42:33,319
Speaker 2: happens is the venues ten ninety nine, they don't want

916
00:42:33,320 --> 00:42:36,600
Speaker 2: it on them, right, so they put it on you. You

917
00:42:36,040 --> 00:42:38,600
Speaker 2: ain't hey, I gave you. I gave you forty thousand,

918
00:42:39,080 --> 00:42:40,719
Speaker 2: all right, don't look for me. I gave you the

919
00:42:40,760 --> 00:42:43,360
Speaker 2: forty thousand. So they send the government to your career.

920
00:42:43,680 --> 00:42:48,919
Speaker 2: You're so if you don't report it. Yeah, they only

921
00:42:48,960 --> 00:42:52,280
Speaker 2: do that because it's a massive for sure something happened,

922
00:42:52,719 --> 00:42:55,520
Speaker 2: because he's locked up like it ain't like he made bell.

923
00:42:55,960 --> 00:42:57,239
Speaker 1: He's been locked up for like a week.

924
00:42:57,920 --> 00:42:59,880
Speaker 2: Wow, I didn't even know that when it got him

925
00:43:00,600 --> 00:43:03,239
Speaker 2: to hear that, bro crazy, You.

926
00:43:03,560 --> 00:43:06,480
Speaker 1: Were somebody who was on Chelsea Lately show regularly. I

927
00:43:06,520 --> 00:43:09,000
Speaker 1: feel like she doesn't get enough credit for the platform

928
00:43:09,120 --> 00:43:10,360
Speaker 1: she gave up and coming comedians.

929
00:43:10,360 --> 00:43:12,319
Speaker 2: Oh yeah, man, Chelsea's a rider man.

930
00:43:12,400 --> 00:43:15,280
Speaker 1: Like I found out about Joe Coy from her show.

931
00:43:15,320 --> 00:43:17,560
Speaker 2: There's a bunch of guys and girls that came on

932
00:43:17,680 --> 00:43:20,320
Speaker 2: regularly like that sat at that panel and was able

933
00:43:20,360 --> 00:43:22,840
Speaker 2: to just get off jokes and have fun and shout

934
00:43:22,840 --> 00:43:23,960
Speaker 2: out to Chelsea for that.

935
00:43:23,960 --> 00:43:25,200
Speaker 1: That was really really cool.

936
00:43:25,480 --> 00:43:28,279
Speaker 2: And people that don't know how down the earth she

937
00:43:28,360 --> 00:43:30,640
Speaker 2: really is even though she comes off super edgy and shit,

938
00:43:30,760 --> 00:43:32,680
Speaker 2: but she's like down to earth and super cool.

939
00:43:32,800 --> 00:43:34,560
Speaker 1: Did she ever try to throw it at you? Well,

940
00:43:34,560 --> 00:43:36,600
Speaker 1: you're a married man, so I am assuming that man.

941
00:43:36,960 --> 00:43:38,399
Speaker 2: No, she never tried, but she liked.

942
00:43:38,680 --> 00:43:42,400
Speaker 1: She comes across like she's like just trying to She

943
00:43:42,400 --> 00:43:46,840
Speaker 1: she like she needed She's everybody now.

944
00:43:46,960 --> 00:43:49,160
Speaker 2: When I when I was doing Chelsea, she was dating

945
00:43:49,160 --> 00:43:51,279
Speaker 2: a dude from CBS at the time, I thought.

946
00:43:51,000 --> 00:43:53,400
Speaker 1: Good for her. Shout out to Chelsea. Do you have

947
00:43:53,520 --> 00:43:56,560
Speaker 1: a secret because you just celebrated twenty five years of marriage?

948
00:43:57,960 --> 00:44:00,000
Speaker 1: What is your secret to success in a marriage?

949
00:44:01,280 --> 00:44:07,080
Speaker 2: Compromise, balance, consideration.

950
00:44:07,200 --> 00:44:07,879
Speaker 1: You know what I'm saying.

951
00:44:07,960 --> 00:44:09,840
Speaker 2: It's like, you gotta make time for your family. You

952
00:44:09,880 --> 00:44:11,960
Speaker 2: gotta make time for your kids. You gotta make time

953
00:44:11,960 --> 00:44:15,840
Speaker 2: for yourself. Like it's always about how do you utilize

954
00:44:15,840 --> 00:44:19,120
Speaker 2: your time? Because if you don't make the time, you

955
00:44:19,160 --> 00:44:22,560
Speaker 2: miss it. Think about it, it's risk. You work here

956
00:44:22,600 --> 00:44:24,319
Speaker 2: all the time, you don't spend time with your kid,

957
00:44:24,719 --> 00:44:26,360
Speaker 2: you ain't gonna make no memories.

958
00:44:26,360 --> 00:44:26,480
Speaker 1: Bro.

959
00:44:27,360 --> 00:44:29,799
Speaker 2: So you gotta figure out, Okay, well I can't tape

960
00:44:29,840 --> 00:44:33,240
Speaker 2: every day. Maybe I'll tape extra on Wednesday. Take Tuesday

961
00:44:33,280 --> 00:44:37,640
Speaker 2: off your tour is coming up. Top Billing Tour kicking

962
00:44:37,640 --> 00:44:40,319
Speaker 2: off in San Diego this weekend. Yeah, we getting busy too.

963
00:44:40,440 --> 00:44:42,840
Speaker 1: It's going all the way till December. We're not playing.

964
00:44:44,880 --> 00:44:46,399
Speaker 1: You gotta be pretty excited hit the road again.

965
00:44:48,719 --> 00:44:52,799
Speaker 2: I was out, I don't know, maybe four or five

966
00:44:52,840 --> 00:44:55,480
Speaker 2: months ago and i was doing Popping In, Popping Out.

967
00:44:55,480 --> 00:44:57,239
Speaker 2: But I'm going hard to the end of the year

968
00:44:57,560 --> 00:45:00,840
Speaker 2: because I'm really gonna knock out another special. So this

969
00:45:01,000 --> 00:45:03,359
Speaker 2: is just just prime time for me to be right.

970
00:45:03,480 --> 00:45:05,799
Speaker 1: Are you doing the special where a partner You're doing

971
00:45:05,800 --> 00:45:09,000
Speaker 1: the YouTube route or because I feel like, I mean

972
00:45:09,000 --> 00:45:12,360
Speaker 1: it might be you know, just did like a million

973
00:45:12,440 --> 00:45:13,439
Speaker 1: views in the first day.

974
00:45:13,640 --> 00:45:17,680
Speaker 2: Yeah, because it's free, right and YouTube is accessful to everybody.

975
00:45:17,719 --> 00:45:19,160
Speaker 2: Everybody be like, oh my god, I heard this thing

976
00:45:19,200 --> 00:45:21,000
Speaker 2: on YouTube. I love that part about it, you know

977
00:45:21,040 --> 00:45:22,920
Speaker 2: what I mean. They don't have to weigh you know,

978
00:45:23,080 --> 00:45:25,480
Speaker 2: if you some people don't have cable, you know, but

979
00:45:25,520 --> 00:45:28,240
Speaker 2: they got they got internet, right, So I think YouTube

980
00:45:28,280 --> 00:45:32,799
Speaker 2: is definitely a big, big play, but just making people laugh, right, Like,

981
00:45:32,840 --> 00:45:35,080
Speaker 2: I just want to put out good content. I just

982
00:45:35,160 --> 00:45:40,160
Speaker 2: launched my new YouTube channel, Bill Bellamy TV. Dope my

983
00:45:40,239 --> 00:45:42,360
Speaker 2: website you can go get tickets for all this for

984
00:45:42,400 --> 00:45:45,279
Speaker 2: this tour at Bill Bellamy dot com. I'm tapped in

985
00:45:45,360 --> 00:45:48,040
Speaker 2: on TikTok, I'm tapped in on Instagram. I'm like, I'm

986
00:45:48,040 --> 00:45:48,719
Speaker 2: locked in there.

987
00:45:48,760 --> 00:45:51,239
Speaker 1: It is man, Bill Bellamy, go buy tickets to the

988
00:45:51,239 --> 00:45:53,560
Speaker 1: tour the rest of the year, he'll be on the road.

989
00:45:53,640 --> 00:45:54,960
Speaker 1: Let's go out there.

990
00:45:55,000 --> 00:45:55,239
Speaker 2: It is.

991
00:45:55,280 --> 00:45:57,759
Speaker 1: Appreciate you pulling up, man. Yeah, yes, sir. What if

992
00:45:57,800 --> 00:45:59,600
Speaker 1: y'all were here at Ease you already know. If you're

993
00:45:59,640 --> 00:46:01,920
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994
00:46:02,000 --> 00:46:05,440
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995
00:46:05,480 --> 00:46:10,839
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996
00:46:10,840 --> 00:46:14,760
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997
00:46:14,920 --> 00:46:17,759
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998
00:46:17,760 --> 00:46:19,799
Speaker 1: in LA, pull up because we're here right now. Come on,

999
00:46:19,880 --> 00:46:20,719
Speaker 1: meshout out to Ease