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Speaker 1: The Nicki Gleiser Podcast, Niki Glaser, here's.

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Speaker 2: Nikki's Hello here I am It's the Nicki Glaizer Podcast. Welcome.

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Speaker 2: Oh my gosh, what an episode we have for you today.

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Speaker 2: I'm so excited in the room with me in London, Arizona.

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Speaker 2: I don't know why I wanted to say episode in London. Yeah,

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Speaker 2: because there's Paris, Texas in London, England. I almost forgot

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Speaker 2: where London was. I'm not even joking here.

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Speaker 3: I think the London Bridge might be in Arizona, Wyeah.

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Speaker 4: That's correct. The London Bridge Ryan Frani from the eighteen

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Speaker 4: hundreds is located in Lake Havasou, which is a lake

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Speaker 4: on the border of Arashon. There in the eighteen hundreds

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Speaker 4: the London Bridge was being rebuilt and they auctioned it

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Speaker 4: off to a rich billionaire who lived in Lake Havasu

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Speaker 4: and he brought it piece by piece and it was

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Speaker 4: rebuilt in the nineteen sixties in Lake Havasu. So if

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Speaker 4: you go to Arizona you can drive there in about

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Speaker 4: five hours. From LA you can walk across the actual

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Speaker 4: London Bridge from eighteen hundredth time.

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Speaker 2: Oh my god, pretty amazing. He knows all that or

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Speaker 2: that you knew that too. Yeah, little Encyclopedia Brown over there,

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Speaker 2: that was so impressive. Brian, Fransie's here, and then I'm

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Speaker 2: I'm in London with Anya Marina and Chris Convey, and

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Speaker 2: then Noah is in Arizona and we got to London today.

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Speaker 2: By the way, I'm trying to speak like this more

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Speaker 2: because if I speak sultry or it protects my voice.

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Speaker 2: And that's what my voice teacher taught me yesterday is

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Speaker 2: that I just need to lean into being more sultry.

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Speaker 3: It's not going to protect this relationship.

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Speaker 2: Yeah, well, I mean, you guys are going to be

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Speaker 2: throwing their dicks. And I was down the street talking

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Speaker 2: like this, Excuse me, sir, where is the preta mange?

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Speaker 4: Oh?

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Speaker 2: Wait, block here there's a preta mage everywhere here them Brian.

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Speaker 4: No, In fact, they have a bad memory with the

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Speaker 4: Pretamanja because they sell these sandwiches and they have all

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Speaker 4: their sandwiches aren't like a long piece of French bread.

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Speaker 4: And I remember one time I was taking a class

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Speaker 4: at UCB and I would bring a long, uh preta

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Speaker 4: man sandwich.

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Speaker 2: Every'd eat it throughout the whole class, bite like.

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Speaker 4: Sort of But what I didn't realize is that secretly

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Speaker 4: the rest of the class was judging me, because about

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Speaker 4: five weeks into the class, I was eating it and

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Speaker 4: then somebody, uh and then somebody, and I said, oh,

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Speaker 4: is it? Is it bothering anybody that I'm eating the sandwich?

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Speaker 4: And they said no, but I just think it's, uh,

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Speaker 4: it's funny that you're eating an entire loaf of bread

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Speaker 4: every week. And then everybody laughed like they'd all been

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Speaker 4: talking about it.

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Speaker 2: They were like, zip, zip, yes, it's very annoying.

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Speaker 3: And then I had an intervention and said, you had

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Speaker 3: bo oh my god.

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Speaker 2: We're just talking about this. But I do like about

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Speaker 2: after the fact, like you, it dawned on you after

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Speaker 2: doing this eight weeks in a row, maybe I should

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Speaker 2: check in.

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Speaker 4: Eating a sandwich. It was they were They thought I

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Speaker 4: was weird for eating an entire French bread. Look, but

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Speaker 4: that's just the way the sandwiches are sold. It's not

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Speaker 4: my fault.

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Speaker 3: Well, we were just talking about that. The yesterday is

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Speaker 3: like French people will just get a loaf of bread

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Speaker 3: and eat that loaf of bread on the walk home.

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Speaker 2: Yeah, with like nothing on it, because that's how good

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Speaker 2: the bread bread.

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Speaker 1: Is and Americans will get a loaf of bread and

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Speaker 1: cry themselves to sleep and shame because I had a

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Speaker 1: couple of fights.

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Speaker 2: Yes, I mean Martha Stewart just said that she stopped

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Speaker 2: eating bread to prepare for her Sports illustrated cover. Oh

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Speaker 2: what's your take on that one?

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Speaker 4: Ready?

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Speaker 2: Don't even get me startling on it and go it's

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Speaker 2: not empowering at all. It's uh, this is why they

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Speaker 2: do four covers now, so they can like kind of

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Speaker 2: tokenize the covers and like we'll give one to an

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Speaker 2: old woman, We'll give one to someone who never would

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Speaker 2: have a chance. This isn't This is a catalog that

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Speaker 2: is for horny men to look at and masturbate too,

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Speaker 2: and for women to look at and throw up too,

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Speaker 2: or what like, you know, push them towards their eating disorders.

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Speaker 2: This we know what this is. Stop trying to change

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Speaker 2: what it is. It's supposed to make you feel bad

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Speaker 2: about yourself as a woman. It's supposed to make you

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Speaker 2: think I can never be that. And and they're trying

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Speaker 2: to be like we're inclusive. Meanwhile, Anya's point yesterday was

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Speaker 2: it's still not inclusive. Even eighty one year old Martha

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Speaker 2: Stewart is not giving eight eighty one year old women

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Speaker 2: don't stand a fucking chance. They sort of illustrate hates

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Speaker 2: old women.

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Speaker 1: She's had come on multiple surgeries to look that fantastic.

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Speaker 1: She looks fantastic. She looks like a she looks great,

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Speaker 1: like a thirty seven year old woman.

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Speaker 2: Hey, easy, take offense to that. I mean that shit

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Speaker 2: is tight. Yeah, she looks great. But this is not

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Speaker 2: This is not something she said. She's up eating bread

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Speaker 2: and she started going to pilates every other day, and

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Speaker 2: I'm sure she did do those things, but that's not

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Speaker 2: the whole story. And it's not a story of like empowering.

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Speaker 2: This is telling women, if you get surgery and fight

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Speaker 2: aging and do all of these things, then maybe we'll

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Speaker 2: consider you for the cover. But it's pandering to me.

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Speaker 2: Oh my god, there's a woman naked across the Woe bra.

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Speaker 1: Oh yeah, she doesn't know we can see her.

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Speaker 2: Oh she does, Martha Stewart, she totally does. Yeah, I

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Speaker 2: mean she looks her age.

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Speaker 1: She's the European.

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Speaker 2: She's like, oh god, they're podcasting over there. I want

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Speaker 2: to close a window. Thirty jackals with.

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Speaker 1: A microphone just like glaring out the window with their

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Speaker 1: tongues out.

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Speaker 2: Yeah, so I mean any other takes that we have

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Speaker 2: on the Martha Stewart thing.

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Speaker 3: Well, the thing abouts me is, I mean, at some point,

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Speaker 3: you know, an aging woman does get to be like,

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Speaker 3: I'm just like, I've I have wrinkles. I'm like, I

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Speaker 3: don't need to try to be hot. And I think

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Speaker 3: Martha Stewart has kicked this can down the road and

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Speaker 3: now we can never give out. Seventy five year old

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Speaker 3: women are like, now I gotta I gotta chase Martha

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Speaker 3: Stewart down.

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Speaker 2: I just want to. I can't wait to ease into turtlenecks. Right,

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Speaker 2: I've uncovered something new.

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Speaker 3: Yeah, isn't there a time where people should just be

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Speaker 3: able to like give in to their.

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Speaker 2: Aging Yes, yes, yes, And but you're never off the

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Speaker 2: clock now, you're always you are always on guard for

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Speaker 2: like you could be hot, there could be something you

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Speaker 2: could do. You're never allowed to just be and yeah,

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Speaker 2: so it for me, I was just kind of rolling

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Speaker 2: my eyes when I saw it. It was not like, yes,

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Speaker 2: it's so cool they put an older woman on there.

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Speaker 2: If you fell for that, good for you. You're falling

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Speaker 2: for this is this is old men trying to figure

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Speaker 2: out how to make money because it's get pressed.

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Speaker 3: So she's she said, surgery obviously like face stuff. Then

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Speaker 3: she like incredible lighting I'm sure on that shoot, and

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Speaker 3: then airbrush retouched.

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Speaker 2: Oh yeah, there's not a single crease on her chest.

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Speaker 2: There's not anything on chef. That's what I was ideal,

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Speaker 2: regular one year olds. No, but I will say that

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Speaker 2: every time Camille Caustic is on Sports Illustrated swimsuit cover,

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Speaker 2: it makes me feel great because she is a full

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Speaker 2: figured gal that is not that makes me feel like

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Speaker 2: really good and doesn't seem to be trying to be

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Speaker 2: anything other than herself. And she's someone who I follow

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Speaker 2: and it gives me great self esteem because she's like

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Speaker 2: the hottest girl going. And look, Chris is looking me up. Now, yeah,

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Speaker 2: you're gonna like this. You're gonna like what you see.

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Speaker 1: Padma is also in Sports Illustrated.

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Speaker 2: Oh, Padma looks great. Padma is just Padma is you know.

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Speaker 2: I mean, so it's Camille, but Padma is other worldly.

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Speaker 2: She's just so so, you know, she's supermodel. It just

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Speaker 2: doesn't you know, they're aliens. We're not supposed to be

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Speaker 2: able to look at like them. But don't you like that?

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Speaker 2: Is Thatkowski's Gronkowski costa is broadcast and she's like an

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Speaker 2: acquaintance of mine. We're friendly.

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Speaker 1: Who is this person?

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Speaker 2: Click on that? This is what I'm talking about. This

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Speaker 2: makes me feel good.

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Speaker 1: I don't know this. Is she a model or does

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Speaker 1: she do anything else? She's just she's very sweet.

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Speaker 2: Yeah, she's really nice.

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Speaker 1: I'm the only person that doesn't know she was.

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Speaker 2: That's how I know about her. Yeah, we did a

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Speaker 2: dance to Taylor Swift one time together with Andrew.

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Speaker 1: Oh yes, okay, oh I saw a video of that.

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Speaker 2: That was the thing.

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Speaker 4: I like Ronkowski?

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Speaker 2: Yeah, do you?

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Speaker 4: I like retired Rob. I hated him when he played

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Speaker 4: because he always defeated my teams, but I like him.

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Speaker 4: I like his persona post NFL, the goofy. Yeah, he's

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Speaker 4: in on the joke.

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Speaker 2: It seems cool. I like their relationship.

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Speaker 1: Can we hit the sports talk bumper really quick?

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Speaker 4: Now?

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Speaker 1: I do love it when you guys have a brief.

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Speaker 4: He does the USA commercials where he tries to get

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Speaker 4: the insurance from the military and they say you can't

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Speaker 4: because you've never been in the military, and he was like,

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Speaker 4: oh man, been geez Jesus you were.

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Speaker 2: You witnessed other ads than I do miss the Michelin

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Speaker 2: Man or whatever the hell it was last time the Mitch.

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Speaker 2: I totally miss that we're in London, even today when

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Speaker 2: we were I think we were in Vienna and we

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Speaker 2: were headed to the airport and there was like a

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Speaker 2: ref whistle, like you could hear it on the radio.

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Speaker 2: Our driver was listening to it, and I almost asked Chris.

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Speaker 2: We were in the middle of conversation, so I didn't,

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Speaker 2: but I wanted to be like, is did that? Like

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Speaker 2: did your mouth start watering? Just like there's whistles going

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Speaker 2: off and there's some sports somewhere.

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Speaker 3: I do miss watching stuff because I couldn't watch any

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Speaker 3: of the NBA playoff games. We couldn't get them over. Yeah,

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Speaker 3: and we weren't going to like a bar or anything,

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Speaker 3: so yeah, I mean there's there's a certain amount of

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Speaker 3: like we went to a bar, did we?

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Speaker 2: Yeah? In my hotel, our hotel, remember, No, we came

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Speaker 2: back from the show, and no, we came back. I

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Speaker 2: don't know where we came back from. And no, I

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Speaker 2: ordered you fries and we were waiting for uber eats, remember,

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Speaker 2: and then the guy we tried to find him and

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Speaker 2: then you got the fries. Then we got in the

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Speaker 2: elevator and I was like, oh, that woman singing in

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Speaker 2: the lounge was pretty cool.

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Speaker 3: Yeah, I loved that. This was yeah I remember that.

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Speaker 2: Okay. So in our hotel in Berlin, there was like

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Speaker 2: a lounge and on Saturday night there was like this

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Speaker 2: woman who was like it was honestly like Anya in

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Speaker 2: ten years if she wanted to be. It was like

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Speaker 2: this cool woman, blonde woman playing electric guitar, but like

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Speaker 2: really jazzy, cool, like beautiful guitar.

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Speaker 3: And we were listening for like ten minutes in the

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Speaker 3: hotel lobby. We couldn't see her. She was in like

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Speaker 3: this bar area.

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Speaker 2: We just kind of heard someone singing or like we

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Speaker 2: just cool songs. And then we walked by because we

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Speaker 2: had to walk by the bar to get to the

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Speaker 2: Uber Eats because he went around the corner and I

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Speaker 2: walked by and I go, oh my god, like that's

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Speaker 2: that's what I want to do. I want to play

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Speaker 2: like guitar in a bar, like by myself, with no band,

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Speaker 2: no one to judge, just voice guitar. Love it. And

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Speaker 2: then we were getting back in the elevator and I

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Speaker 2: was like, man, that's what I like. I love that woman.

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Speaker 2: I just want to do that. And Chris is like,

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Speaker 2: you want to go back to the watch, and I

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Speaker 2: was like yeah, And so we went in to eat

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Speaker 2: his fur eyes and we sat down and.

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Speaker 3: Nick He's like, this is the this is what I

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Speaker 3: want to be doing, Like, this is the life.

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Speaker 2: Was so cool and it was just she was playing

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Speaker 2: all over the neck like she was doing things that

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Speaker 2: I could never do and that I don't I don't

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Speaker 2: really aspire to be like doing. You know, I don't noodling.

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Speaker 2: I just kind of like strumming. That word is to.

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Speaker 1: It's actually called shreddings listening it's shredding.

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Speaker 2: She was not, but she was. She was like gently

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Speaker 2: ripping instead of shredding, like you know, like it was

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Speaker 2: just gentle. It was just so jazzy and you could

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Speaker 2: just tell she was.

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Speaker 3: Like very.

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Speaker 2: Elite, drained, yes, and she just was cool. And then

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Speaker 2: like she won song alone, No Bad fifty five.

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Speaker 3: Yeah, she was like we are mid to late fifties.

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Speaker 3: Just she just seemed cool.

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Speaker 4: Pretty we sit down now where she's like hired to

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Speaker 4: be Yeah, so she.

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Speaker 3: Was hired by the hotel. She was right when you

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Speaker 3: walk in and we sit down and we're like, oh,

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Speaker 3: this is gonna be great. Will you do this for

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Speaker 3: We can do this for a long time. She's having

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Speaker 3: a drink and she's like playing cool. She played it,

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Speaker 3: She's just playing a cool song.

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Speaker 2: They brought some nuts. I was fishing out the ones

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Speaker 2: that like were green, that have like the coating around

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Speaker 2: the nut, because I don't really like peanuts. I was

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Speaker 2: eating the coating, you know, there's like Asian.

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Speaker 3: But then she put everything that was in her hand

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Speaker 3: back in there, and I suspect that they brought that

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Speaker 3: to another table.

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Speaker 2: That's on them.

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Speaker 3: I don't have evidence. I remember when it was happening.

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Speaker 2: I didn't want the peanuts, but I didn't want him

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Speaker 2: because the waiter already hated me, and so I didn't

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Speaker 2: want him to hate me more with a little pile

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Speaker 2: of peanuts. So I just go, I'm throwing them back in.

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Speaker 2: Yeah that guy sucked, Yeah he didn't like us.

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Speaker 3: So we sit down and we're like this, this woman's amazing,

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Speaker 3: This is so exciting. This is nick This is Nicki's

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Speaker 3: future in front of us, where like this is awesome

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Speaker 3: and we're sort of like dreaming about this woman's life

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Speaker 3: in a way. But then the song ends and she goes,

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Speaker 3: I'm going on a break.

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Speaker 2: I'm like, oh God, damn it.

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Speaker 3: And then because we don't want to wait, like, you know,

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Speaker 3: thirty minutes or fifteen.

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Speaker 2: Minutes, we had just gotten there. It's the end of

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Speaker 2: the night. We were already ready to go to bed,

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Speaker 2: so we go, Okay, we'll back up and go.

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Speaker 3: So she goes to the bar and gets a drink

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Speaker 3: and then walks not.

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Speaker 2: Just a drink, it's a tower terror. It was a

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Speaker 2: tower of beer, like a giant beer. And I even

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Speaker 2: commented like, wow, she's a German woman. Like she was

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Speaker 2: just treating herself, you know. And I was like, oh,

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Speaker 2: this is like the life. Yes, she's gonna like treat

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Speaker 2: herself to this delicious beer. She's worked hard now and

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Speaker 2: she's gonna come back from break and be a little

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Speaker 2: bit looser, and like she just owns this place. It

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Speaker 2: was so cool.

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Speaker 3: So then we had to settle up because we decided

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Speaker 3: to leave. So we settled up. It took us like

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Speaker 3: a few minutes, and we leave the bar and we

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Speaker 3: walk into the lobby area and we see her humongous

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Speaker 3: beer on the table.

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Speaker 2: Yeah, and I go, oh my god, she's right there.

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Speaker 2: And then we passed by and she is looks despondent.

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Speaker 2: I mean, she looks like she is this is what

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Speaker 2: she late laid back in.

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Speaker 3: Her head and she's got her hand on her head, like,

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Speaker 3: what is what is becoming.

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Speaker 2: Of my life? I hate my life?

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Speaker 1: This is like the opening of White Lotus Berlin.

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Speaker 2: Yes, and it totally was. But it was so funny

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Speaker 2: to us because I had just romanticized her so much

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Speaker 2: and she was just miserable. And then I go, oh

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Speaker 2: my god, that's what so many people think of my

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Speaker 2: life as that. And then I'm like and it was

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Speaker 2: just you can't win ever.

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Speaker 1: Grass is always greener on the other side a little bit.

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Speaker 2: I don't want to there you go, we need to

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Speaker 2: see that beautiful mug. Yeah, So it was it was

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Speaker 2: really cool to see. And then it was like it

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Speaker 2: was also cool to just see like I just was like, God,

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Speaker 2: if I could play guitar like that, I would never

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Speaker 2: be sad again. You ever say that to yourself? Things?

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Speaker 2: Of course, like what you're saying.

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Speaker 1: If I could play piano like that, if I could

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Speaker 1: speak French like that, if I could earn money like that, yeah.

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Speaker 4: But I don't believe any of those things will make

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Speaker 4: me never sad again or happy. I mean, if I could.

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Speaker 4: I have a lot of goals. I have my forty

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Speaker 4: under forty, and one of them is playing piano for

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Speaker 4: thirty minutes, for thirty minutes in front of strangers without

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Speaker 4: being asked and have them not be annoyed.

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Speaker 2: That's one of my But you won't know until the

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Speaker 2: fourth improv class when they finally tell you, yeah, so

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Speaker 2: we do want to get to this. So forty under forty, Brian,

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Speaker 2: this is your forty things you want to do before

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Speaker 2: you turn forty. How old are you now?

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Speaker 4: Thirty five?

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Speaker 2: Five five years? Can we here's some of the things

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Speaker 2: you've already accomplished from this list, because they do run

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Speaker 2: the gamut a very simple to like bake a cake

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Speaker 2: to yes, yes, impossible ones.

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Speaker 4: I recommend everybody do it because what it does is

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Speaker 4: when you turn a milestone age or any age, you

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Speaker 4: turn that age and then a lot of times you

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Speaker 4: get really sad. But if you look back at all

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Speaker 4: the things you did, you can say, well, I did

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Speaker 4: all the things I said I was going to do.

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Speaker 4: I lived my life correctly exactly how I planned it

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Speaker 4: as long as you do all the coals, which you

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Speaker 4: might fail them all and then you'd be really so,

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Speaker 4: what are some of them? Well, I could pull it up.

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Speaker 4: I have my list right here, Glazy.

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Speaker 3: You should think about yours, and Aya, everybody should think

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Speaker 3: about what theirs should have been.

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Speaker 2: Right, because we have people past forty here too. I think, yeah, three.

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Speaker 4: Will you do forty five? And then you do fifty?

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Speaker 4: Under fifty?

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Speaker 2: Okay? Going up?

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Speaker 4: Oh right, damn it's hard.

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Speaker 2: Yeah, okay, so let's hear some of yours, Brian.

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Speaker 4: I break it down into categories. I have career, hobby, travel, baking,

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Speaker 4: I don't know why that's a whole category, and life

359
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Speaker 4: to life.

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Speaker 2: I would like to pick life for five hundred, Alex.

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Speaker 4: Okay, life for five hundred. One of them that I've

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Speaker 4: did in twenty twenty one is ride a horse.

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Speaker 2: Oh yeah, you'd never ridden a horse?

364
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Speaker 4: I don't know, not recently, not that I remember. So

365
00:17:12,800 --> 00:17:15,040
Speaker 4: I wanted to ride a horse again. Yeah, so I

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Speaker 4: rode a horse. I did it, and man, do I

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Speaker 4: feel happy?

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Speaker 3: Have you ever ridden a horse?

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Speaker 2: Yeah? When I was like a kid, and yeah, yeah.

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Speaker 1: It is a majestic animal. And did it? What did

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Speaker 1: it feel like to And first of all, why did

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Speaker 1: that go on your list? Second of all, how did

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Speaker 1: you feel after? Did you feel like you thought you

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Speaker 1: would feel?

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Speaker 4: Yeah?

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Speaker 2: Why why did the horse go on your list when

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Speaker 2: you were making this list? Do you see a horse

378
00:17:39,960 --> 00:17:43,080
Speaker 2: on TV and go that would sad that I met

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Speaker 2: thirty nine? I don't know what else to put on you.

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Speaker 4: Yeah, I saw the horse that I said it would

381
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Speaker 4: be nice to ride that thing. I didn't feel.

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Speaker 1: It's different than what I imagined. He's like perving on

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Speaker 1: a horse that's a good looking animal.

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Speaker 4: That's what I meant. That's what I meant my ride.

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Speaker 2: So why did you want to ride a horse?

386
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Speaker 4: I I just felt like, honestly, it was one of

387
00:18:07,520 --> 00:18:09,439
Speaker 4: those things that I felt like if I was a

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Speaker 4: guy who had ridden a horse before, I'd be all right.

389
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Speaker 2: Like I felt like one of the things that it's

390
00:18:15,359 --> 00:18:19,399
Speaker 2: going to solve by promising, Okay, we're gonna hear more

391
00:18:19,560 --> 00:18:21,360
Speaker 2: about this list when we get back from the break,

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00:18:21,359 --> 00:18:23,760
Speaker 2: because there's there's thirty nine things to get to and

393
00:18:23,800 --> 00:18:26,520
Speaker 2: we'll get to at least three more, and we'll also

394
00:18:26,560 --> 00:18:29,879
Speaker 2: share our goals as well, which I just read the

395
00:18:29,880 --> 00:18:31,840
Speaker 2: subtle art of not giving a fuck, and a big

396
00:18:31,880 --> 00:18:34,560
Speaker 2: part of that is just never making goals. So this

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Speaker 2: refutes everything I just spent a lot of time learning.

398
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Speaker 2: So we'll talk about all that when we get back

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00:18:39,080 --> 00:18:45,399
Speaker 2: live from London. Then Nicky Lazer back again. All right,

400
00:18:45,480 --> 00:18:47,640
Speaker 2: we're back. Brian just revealed that he's doing a forty

401
00:18:47,720 --> 00:18:49,879
Speaker 2: under forty forty things he wants to accomlished before he

402
00:18:49,920 --> 00:18:52,320
Speaker 2: turns forty. He's thirty five. Now he could be president.

403
00:18:52,760 --> 00:18:55,360
Speaker 2: That's the that's the last accomplishment you can have.

404
00:18:57,400 --> 00:19:00,320
Speaker 3: That's the last milestone. Sto for age like, yeah, vote

405
00:19:00,640 --> 00:19:02,920
Speaker 3: twenty one, retirement, rental.

406
00:19:02,600 --> 00:19:07,560
Speaker 2: Car, Yes, retirement. Also, your voice stops maturing at thirty five.

407
00:19:07,680 --> 00:19:11,040
Speaker 2: Up your voice matures. Maybe that has to do with

408
00:19:11,080 --> 00:19:12,639
Speaker 2: the president thing. They're like, we don't want someone like

409
00:19:12,800 --> 00:19:15,520
Speaker 2: squeak in up there, but you can.

410
00:19:15,400 --> 00:19:17,240
Speaker 1: Always make your voice more mature.

411
00:19:17,680 --> 00:19:20,359
Speaker 2: Yes, I'm trying to because I've been having vocal strain

412
00:19:20,480 --> 00:19:24,639
Speaker 2: recently and I spent a lot of money on fixing it.

413
00:19:24,640 --> 00:19:27,040
Speaker 1: It's the tone of this podcast.

414
00:19:27,080 --> 00:19:31,360
Speaker 4: I know everyone's more chilled out, more chill I mean,

415
00:19:31,520 --> 00:19:32,200
Speaker 4: I don't know why you.

416
00:19:33,080 --> 00:19:33,800
Speaker 2: Ris is giving me.

417
00:19:35,920 --> 00:19:37,360
Speaker 1: Minutes and then I was like, I need to take

418
00:19:37,359 --> 00:19:37,960
Speaker 1: it down enough.

419
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Speaker 2: Chris is giving me major as marm Yeah yeah really,

420
00:19:42,040 --> 00:19:44,359
Speaker 2: oh yeah, you have like a very soothing boy.

421
00:19:44,920 --> 00:19:48,879
Speaker 4: Voice is double soothing today it's not. It really is

422
00:19:48,960 --> 00:19:50,639
Speaker 4: double soothing, double.

423
00:19:50,400 --> 00:19:53,040
Speaker 1: Yeah, because normally it's soothing, but today.

424
00:19:52,800 --> 00:19:53,680
Speaker 3: It double yeah.

425
00:19:53,760 --> 00:19:59,560
Speaker 4: Yeah, the same. Please tell me his voice is the same.

426
00:19:59,600 --> 00:20:03,440
Speaker 4: You're the only one that's not putting on a soothing tone.

427
00:20:03,520 --> 00:20:05,040
Speaker 4: You're you're the same as always.

428
00:20:05,080 --> 00:20:07,520
Speaker 2: Listen, this is my path, this is my journey. I

429
00:20:07,520 --> 00:20:10,600
Speaker 2: don't want anything to touch us. I need I need

430
00:20:10,640 --> 00:20:13,240
Speaker 2: everyone to remain calm. I'll go back to the way

431
00:20:13,240 --> 00:20:17,160
Speaker 2: it was before. But having to do I'm not used

432
00:20:17,200 --> 00:20:18,360
Speaker 2: to talking all day.

433
00:20:18,520 --> 00:20:21,080
Speaker 1: I thought Michael taught us like to be up here

434
00:20:21,560 --> 00:20:22,040
Speaker 1: like hi.

435
00:20:22,280 --> 00:20:25,240
Speaker 2: No, it's supposed to be relaxed, just supposed to be open,

436
00:20:25,680 --> 00:20:29,320
Speaker 2: nothing relaxed. So this is the this is what is

437
00:20:29,359 --> 00:20:31,960
Speaker 2: the least amount of nothing in my throat is happening.

438
00:20:32,040 --> 00:20:34,960
Speaker 2: The air is just being pushed at. It's like a slide.

439
00:20:35,040 --> 00:20:35,199
Speaker 5: You know.

440
00:20:35,240 --> 00:20:37,119
Speaker 2: The slide doesn't have to do any work for you

441
00:20:37,200 --> 00:20:37,800
Speaker 2: to fly down.

442
00:20:37,920 --> 00:20:39,119
Speaker 1: That's what he told us to do.

443
00:20:39,119 --> 00:20:41,959
Speaker 2: You go. The way to relax mostly to get your

444
00:20:41,960 --> 00:20:44,680
Speaker 2: best voice to sound good is to do what I found,

445
00:20:44,680 --> 00:20:47,800
Speaker 2: because he was like just totally and I was like,

446
00:20:47,840 --> 00:20:49,480
Speaker 2: he was like, what it looks like? And I go

447
00:20:49,600 --> 00:20:51,879
Speaker 2: a stroke victim, and he started laughing. I go, what

448
00:20:51,920 --> 00:20:53,560
Speaker 2: else am I supposed to say? That's exactly what it

449
00:20:53,600 --> 00:20:56,360
Speaker 2: looks like I found for you.

450
00:20:56,960 --> 00:20:59,520
Speaker 4: Well, sorry, I just thought because you talked about your

451
00:20:59,560 --> 00:21:02,680
Speaker 4: tongue or something. I saw picture of you on your

452
00:21:02,840 --> 00:21:04,800
Speaker 4: on your Instagram where you had a bunch of pills

453
00:21:04,840 --> 00:21:11,040
Speaker 4: from like a pharmacy and one of them was magnesium. Yeah,

454
00:21:11,119 --> 00:21:11,960
Speaker 4: why are you taking that?

455
00:21:12,960 --> 00:21:17,679
Speaker 2: Because old glaized dog was stopped up. I looked about

456
00:21:17,720 --> 00:21:21,080
Speaker 2: six months pregnant, and I even showed Chris I had

457
00:21:21,119 --> 00:21:23,040
Speaker 2: a towel around it because he couldn't see my bare stomach.

458
00:21:23,080 --> 00:21:26,239
Speaker 2: But I go, babe, look look, and I stuck out

459
00:21:26,280 --> 00:21:28,680
Speaker 2: my stomach and I go, we could give an announcement

460
00:21:28,760 --> 00:21:31,520
Speaker 2: right now and no one would question it. No one.

461
00:21:31,920 --> 00:21:33,600
Speaker 2: It would be I could go to the clinic and

462
00:21:33,640 --> 00:21:38,840
Speaker 2: go aboard this and they'd go, it's too late. Even

463
00:21:38,880 --> 00:21:46,600
Speaker 2: my laugh is like supposed to no, but it's supposed

464
00:21:46,640 --> 00:21:48,720
Speaker 2: to help you be regular.

465
00:21:49,359 --> 00:21:51,320
Speaker 1: Yeah, if you're ever constipated.

466
00:21:51,720 --> 00:21:54,119
Speaker 2: I want to be special, not regular. I want my

467
00:21:54,240 --> 00:21:58,600
Speaker 2: boops to be. Chris does not like potty talk, So

468
00:21:58,600 --> 00:22:00,679
Speaker 2: we're going to move back on to Wait, what I

469
00:22:00,680 --> 00:22:02,720
Speaker 2: was gonna say about my voice? So he was telling

470
00:22:02,720 --> 00:22:05,000
Speaker 2: me to sing the best to make it so, because

471
00:22:05,200 --> 00:22:08,080
Speaker 2: the best sound is like when you're like totally relaxed,

472
00:22:08,440 --> 00:22:10,119
Speaker 2: and I couldn't do it. I was just like, I

473
00:22:10,200 --> 00:22:13,600
Speaker 2: kid this this because he's going like this, like this,

474
00:22:14,080 --> 00:22:17,600
Speaker 2: and I was going like and then I realized it's

475
00:22:17,800 --> 00:22:24,280
Speaker 2: when I'm doing a dumb guy voice. And so whenever

476
00:22:24,320 --> 00:22:26,840
Speaker 2: I'm singing and I feel tension, I always go to

477
00:22:27,520 --> 00:22:29,880
Speaker 2: like I'm imitating a dumb guy, and then I start

478
00:22:29,920 --> 00:22:30,480
Speaker 2: to sound.

479
00:22:30,240 --> 00:22:36,959
Speaker 1: About to bar right, like about to bar yeah, yeah,

480
00:22:37,119 --> 00:22:40,520
Speaker 1: And so that's some That's how I'm gonna sound like

481
00:22:40,560 --> 00:22:41,480
Speaker 1: a del someday.

482
00:22:41,760 --> 00:22:43,680
Speaker 2: So what were we talking about?

483
00:22:46,560 --> 00:22:51,200
Speaker 4: This is crazy coincidence. Two days ago, I took magnesium

484
00:22:51,200 --> 00:22:53,720
Speaker 4: for the first time ever. I didn't see her Instagram thing.

485
00:22:53,920 --> 00:22:56,840
Speaker 4: God Ali saw it and she told me Nick, he's

486
00:22:56,840 --> 00:22:59,760
Speaker 4: got magnesium, And I said, what are you talking about? Magnesium?

487
00:23:00,240 --> 00:23:01,520
Speaker 2: Did you take magnesium?

488
00:23:02,080 --> 00:23:06,040
Speaker 4: I took magnesium because it's supposed to help you sleep.

489
00:23:06,040 --> 00:23:08,760
Speaker 4: It's supposed to relax you before bed, help you.

490
00:23:09,200 --> 00:23:09,760
Speaker 1: Take it at night.

491
00:23:09,880 --> 00:23:11,919
Speaker 2: Supposed to sleep.

492
00:23:12,640 --> 00:23:20,400
Speaker 4: Yes, didn't work. No, it made me jittery. It made

493
00:23:20,440 --> 00:23:23,840
Speaker 4: me jittery and anxious. Because do you do melatonin?

494
00:23:24,760 --> 00:23:24,879
Speaker 1: No?

495
00:23:24,960 --> 00:23:28,200
Speaker 4: I I haven't done melatonin no ever.

496
00:23:28,880 --> 00:23:30,359
Speaker 1: Never put that on the list.

497
00:23:30,400 --> 00:23:33,320
Speaker 2: Bit Well that's where you start, Brian, don't put it

498
00:23:33,320 --> 00:23:36,800
Speaker 2: in magnesium. Melatonin actually works. And I know they are

499
00:23:36,880 --> 00:23:39,560
Speaker 2: listeners going, no, it makes you groggy, It doesn't work.

500
00:23:39,960 --> 00:23:45,040
Speaker 2: It does work. I hate it, love it, stand you.

501
00:23:45,160 --> 00:23:48,560
Speaker 2: Melatonin the number one thing, Chris? Sorry, what was that?

502
00:23:48,720 --> 00:23:51,000
Speaker 4: It's so stupid? Because I was I was I was

503
00:23:51,040 --> 00:23:53,280
Speaker 4: finally feeling fine. I had been sleeping fine for like

504
00:23:53,320 --> 00:23:55,720
Speaker 4: the last two days, and then I was like, I said,

505
00:23:55,760 --> 00:23:57,639
Speaker 4: I was going to take the magnesium, so let me

506
00:23:57,720 --> 00:23:59,359
Speaker 4: just take it, and then it messed me up. But

507
00:23:59,359 --> 00:24:02,679
Speaker 4: it's like, if you're feeling fine, don't take anything, just

508
00:24:02,760 --> 00:24:04,920
Speaker 4: let it. Let yourself be fine till you feel shitty again.

509
00:24:04,960 --> 00:24:07,320
Speaker 4: You don't have to fix problems that aren't there all

510
00:24:07,359 --> 00:24:07,600
Speaker 4: the time.

511
00:24:07,720 --> 00:24:11,720
Speaker 2: Right, I do that too. What what is that where you?

512
00:24:12,560 --> 00:24:16,240
Speaker 2: Because it's not comfortable feeling good. We're not used to

513
00:24:16,280 --> 00:24:17,240
Speaker 2: feeling good.

514
00:24:17,560 --> 00:24:19,320
Speaker 4: Right, you can't believe you feel like you didn't do

515
00:24:19,440 --> 00:24:21,720
Speaker 4: enough work to feel good. So you have to do something. Yeah,

516
00:24:22,240 --> 00:24:23,760
Speaker 4: it's perfectionism, was what it is.

517
00:24:24,560 --> 00:24:26,320
Speaker 2: Well, Chris and I couldn't get to sleep last night.

518
00:24:26,320 --> 00:24:28,520
Speaker 2: We were both doing the thing of like I would

519
00:24:28,560 --> 00:24:31,080
Speaker 2: think he was asleep, and I always play white Noise

520
00:24:31,200 --> 00:24:35,879
Speaker 2: and so I wouldn't hear yeah, cold.

521
00:24:35,600 --> 00:24:39,320
Speaker 3: Play and liked it.

522
00:24:39,680 --> 00:24:43,239
Speaker 2: I was on my side of the bed, you know,

523
00:24:43,320 --> 00:24:45,479
Speaker 2: the pillow wall was up. I couldn't really see what

524
00:24:45,560 --> 00:24:48,800
Speaker 2: was happening over in East Berlin, and so.

525
00:24:49,880 --> 00:24:54,200
Speaker 5: I'm west bl okay, okay, I don't know what it means,

526
00:24:54,840 --> 00:24:58,960
Speaker 5: but I was like and then I suddenly it got

527
00:24:58,960 --> 00:25:01,120
Speaker 5: to be pretty late, and I go, oh, my god,

528
00:25:01,160 --> 00:25:03,040
Speaker 5: I see I saw his little phone glowing in.

529
00:25:03,000 --> 00:25:04,320
Speaker 2: The night, and I was like, oh, he's starting a

530
00:25:04,320 --> 00:25:06,280
Speaker 2: little fire over there. Like I could see that there

531
00:25:06,320 --> 00:25:09,280
Speaker 2: was life, and I was like, oh my god, why

532
00:25:09,320 --> 00:25:13,560
Speaker 2: aren't we asleep and we're just because we're both on

533
00:25:13,600 --> 00:25:15,160
Speaker 2: our phones. And then I go, you know what I'm

534
00:25:15,200 --> 00:25:17,639
Speaker 2: gonna do. I'm gonna do what I heard and a

535
00:25:17,720 --> 00:25:20,440
Speaker 2: stand up bit, because it always I love when stand

536
00:25:20,520 --> 00:25:23,200
Speaker 2: up like changes the way you operate. And Shang Wang

537
00:25:23,240 --> 00:25:25,119
Speaker 2: has this bit that I only saw on a clip.

538
00:25:25,200 --> 00:25:27,600
Speaker 2: Did you see this? Noah I'm not sure. I don't

539
00:25:27,600 --> 00:25:29,640
Speaker 2: think so you're no in your head, so I thought,

540
00:25:29,640 --> 00:25:32,520
Speaker 2: but you must know who Shangwang is. He's a great comic,

541
00:25:32,560 --> 00:25:35,080
Speaker 2: but he's uh, he's got a special out and he

542
00:25:35,160 --> 00:25:36,760
Speaker 2: was talking about he was like, you ever try to

543
00:25:36,800 --> 00:25:39,520
Speaker 2: read a book? He was like, man, that shit makes

544
00:25:39,520 --> 00:25:42,480
Speaker 2: you so tired. He's like, there's twenty milligrams of militonin

545
00:25:42,560 --> 00:25:44,840
Speaker 2: on every page. And I was like, ye, there is

546
00:25:44,960 --> 00:25:47,560
Speaker 2: never a time that I don't get sleepy when I

547
00:25:47,560 --> 00:25:50,320
Speaker 2: read a book. Why am I trying to do anything

548
00:25:50,359 --> 00:25:53,800
Speaker 2: else when I'm tired at night? Just grab a fucking book,

549
00:25:54,400 --> 00:25:56,760
Speaker 2: right And I fell this in so last night I go,

550
00:25:57,320 --> 00:25:59,240
Speaker 2: I don't know what I'm doing. Chris, I'm reading a

551
00:25:59,240 --> 00:26:00,879
Speaker 2: book and I was out in two minutes.

552
00:26:01,480 --> 00:26:04,200
Speaker 3: Yes, I was reading for like three hours.

553
00:26:04,800 --> 00:26:06,840
Speaker 1: You doesn't always work.

554
00:26:06,960 --> 00:26:10,159
Speaker 2: Chris is reading a book right now, and I loved

555
00:26:10,200 --> 00:26:11,960
Speaker 2: because it's on his kindle and I just like to

556
00:26:12,000 --> 00:26:13,720
Speaker 2: look over over when you're sitting next to each other.

557
00:26:13,840 --> 00:26:17,000
Speaker 3: I've actually changed the font to like being smaller so

558
00:26:17,000 --> 00:26:18,560
Speaker 3: it's harder for you to spot words.

559
00:26:18,720 --> 00:26:21,480
Speaker 2: Well, he reads like Game of Thrones books and Lord

560
00:26:21,520 --> 00:26:23,639
Speaker 2: of Rings, and I just like to look over because

561
00:26:23,680 --> 00:26:27,359
Speaker 2: there is never there's never a page that seems normal.

562
00:26:27,480 --> 00:26:30,840
Speaker 2: It's always like and then Gladiil flew through the night,

563
00:26:31,800 --> 00:26:36,080
Speaker 2: and then the Crusaders cloaked themselves. There's always works like

564
00:26:36,200 --> 00:26:41,840
Speaker 2: cloaked and and she yes, old yes, I mean, will

565
00:26:41,840 --> 00:26:45,199
Speaker 2: you do kindle on hand? Will you go grab it?

566
00:26:45,240 --> 00:26:47,960
Speaker 2: Because I just look at one page of your Nightfall book?

567
00:26:48,240 --> 00:26:49,560
Speaker 2: What are you reading? What's it called?

568
00:26:49,600 --> 00:26:55,800
Speaker 1: So people who are interested, that's a classic?

569
00:26:56,680 --> 00:26:59,400
Speaker 3: No, I forget what it's called because it's it used

570
00:26:59,440 --> 00:27:02,280
Speaker 3: to be three smaller.

571
00:27:02,520 --> 00:27:07,200
Speaker 1: Like of the Rings and Goblin.

572
00:27:08,880 --> 00:27:11,200
Speaker 2: I know what you mean. I know it was like.

573
00:27:11,119 --> 00:27:15,080
Speaker 3: Three novellas they combined to make one one book.

574
00:27:15,240 --> 00:27:17,160
Speaker 2: But do you ever start laughing when you read a word?

575
00:27:17,200 --> 00:27:19,800
Speaker 2: Because you could see me making fun of you. Because

576
00:27:19,840 --> 00:27:21,679
Speaker 2: I'm trying to get you to start just laughing when

577
00:27:21,720 --> 00:27:24,480
Speaker 2: you read it because it's so funny.

578
00:27:25,000 --> 00:27:27,720
Speaker 3: I just angle further away from you.

579
00:27:27,920 --> 00:27:30,120
Speaker 2: I just like to make fun of your feels.

580
00:27:29,800 --> 00:27:35,199
Speaker 3: Like I'm like looking at like other girls Instagram. What

581
00:27:35,240 --> 00:27:36,359
Speaker 3: are you doing there? I'm like nothing.

582
00:27:37,320 --> 00:27:40,880
Speaker 2: One time reading about dunk and eggs. For the other day,

583
00:27:40,920 --> 00:27:44,159
Speaker 2: I couldn't stop laughing. I was laughing sword because I

584
00:27:44,160 --> 00:27:46,000
Speaker 2: looked over and there was like a picture with like

585
00:27:46,280 --> 00:27:49,760
Speaker 2: a griffin and in the wind that looked like Florence

586
00:27:49,800 --> 00:27:51,639
Speaker 2: in the machine, and it was just like it was

587
00:27:51,760 --> 00:27:54,879
Speaker 2: the most It was like, it's just so cute to

588
00:27:54,880 --> 00:27:58,080
Speaker 2: see your boyfriend read about like these like other worlds

589
00:27:58,400 --> 00:28:02,080
Speaker 2: where like dragons exist. It's just so cute. It's like

590
00:28:02,119 --> 00:28:04,840
Speaker 2: when I call your f one racing your room rooms.

591
00:28:05,359 --> 00:28:08,280
Speaker 2: I just like to infantilize these things that I don't understand,

592
00:28:08,320 --> 00:28:10,520
Speaker 2: and I'm jealous that I can't yell get into them.

593
00:28:10,800 --> 00:28:13,360
Speaker 1: I want to. I'm dying to be swept up into

594
00:28:13,400 --> 00:28:15,760
Speaker 1: a book. Take me out of this fucked.

595
00:28:15,440 --> 00:28:19,960
Speaker 2: Up realm that's keeping his books, Like realm is another word.

596
00:28:20,640 --> 00:28:22,240
Speaker 3: Oh yeah, you so you're reading the same thing.

597
00:28:24,200 --> 00:28:26,000
Speaker 1: It's been so long since. I'm like, I can't wait

598
00:28:26,040 --> 00:28:27,040
Speaker 1: to get back to my book.

599
00:28:27,240 --> 00:28:29,080
Speaker 2: I have to do a start one. All you have

600
00:28:29,160 --> 00:28:30,840
Speaker 2: to do is just talk to a friend who you

601
00:28:30,880 --> 00:28:33,399
Speaker 2: trust and say, what book is I going to? I

602
00:28:33,440 --> 00:28:33,800
Speaker 2: did that.

603
00:28:33,920 --> 00:28:36,560
Speaker 1: I read Colleen Hoover's Thing. I got through thirty or

604
00:28:36,560 --> 00:28:38,480
Speaker 1: forty pages and I gave up. I'm just like the

605
00:28:38,520 --> 00:28:41,680
Speaker 1: phone has ruined my attention span. That's way more interesting

606
00:28:41,720 --> 00:28:43,479
Speaker 1: on my phone than the book.

607
00:28:44,120 --> 00:28:49,160
Speaker 3: I'm trying to get through the biography, the autobiography of

608
00:28:49,160 --> 00:28:52,640
Speaker 3: Mark Twain, and I mean every single time, I'm like,

609
00:28:52,680 --> 00:28:53,960
Speaker 3: I got to get back to that realm.

610
00:28:54,440 --> 00:29:00,440
Speaker 1: Yes, dragons, and I do love a non fictional I

611
00:29:00,520 --> 00:29:02,880
Speaker 1: love a memoir. Like I read Prince Harry's Thing. That

612
00:29:02,960 --> 00:29:03,720
Speaker 1: was the last thing I read.

613
00:29:03,840 --> 00:29:06,760
Speaker 2: Let's ago and that you were kept. That's pretty good, right,

614
00:29:06,920 --> 00:29:09,760
Speaker 2: It was pretty good a long book. If you didn't

615
00:29:09,800 --> 00:29:12,080
Speaker 2: like it, you wouldn't have gone, Oh wait, that doesn't count.

616
00:29:12,160 --> 00:29:13,160
Speaker 1: That was an audiobook.

617
00:29:13,440 --> 00:29:15,400
Speaker 4: If you don't want to go back to reading the book,

618
00:29:15,440 --> 00:29:17,959
Speaker 4: if you're not itching to go read it, then just

619
00:29:19,240 --> 00:29:19,640
Speaker 4: let it go.

620
00:29:19,760 --> 00:29:22,080
Speaker 2: You'll have this weird thing about they got to finish

621
00:29:22,080 --> 00:29:25,320
Speaker 2: anything they start, and I think that discourages reading, because.

622
00:29:25,080 --> 00:29:27,160
Speaker 1: It's the same with raising children. If you're not into

623
00:29:27,200 --> 00:29:28,440
Speaker 1: it and give it on, just gimme.

624
00:29:29,520 --> 00:29:31,720
Speaker 3: I think Nick Hornby said that. I think I think

625
00:29:31,760 --> 00:29:33,360
Speaker 3: it was Nick Hornby. He was just like, if you

626
00:29:33,360 --> 00:29:36,080
Speaker 3: don't like a book, you've got to quit it because

627
00:29:36,480 --> 00:29:39,080
Speaker 3: reading should be fun and reading should be enjoyable. You

628
00:29:39,080 --> 00:29:41,160
Speaker 3: should be wanting to do it. So if you like

629
00:29:41,240 --> 00:29:43,360
Speaker 3: are dreading it, you need to quit that book.

630
00:29:43,360 --> 00:29:47,600
Speaker 1: Immediately opposite advice for songwriters. I've heard multiple times if

631
00:29:47,640 --> 00:29:51,680
Speaker 1: you start a song, no matter what, just finish it, really,

632
00:29:51,720 --> 00:29:53,640
Speaker 1: even if it's a shitty just finish it. And I

633
00:29:53,680 --> 00:29:55,960
Speaker 1: find that to be good advice, Like, you know, you

634
00:29:56,000 --> 00:29:57,800
Speaker 1: can make it a verse and a chorus and then

635
00:29:57,800 --> 00:30:00,480
Speaker 1: you're done, but just try to finish it.

636
00:30:00,720 --> 00:30:03,920
Speaker 3: That's something I could put in my forty under fifty

637
00:30:04,920 --> 00:30:05,720
Speaker 3: write a song.

638
00:30:05,640 --> 00:30:09,160
Speaker 2: I know for sure. Let's get back to your list, bro.

639
00:30:09,480 --> 00:30:12,000
Speaker 4: I have a fun game about books that you can

640
00:30:12,000 --> 00:30:14,280
Speaker 4: play if you're sitting next to somebody reading. What I

641
00:30:14,320 --> 00:30:17,160
Speaker 4: do to Ali is I will look ahead to like

642
00:30:17,240 --> 00:30:19,480
Speaker 4: the end of this of the last page, I'll find

643
00:30:19,520 --> 00:30:23,320
Speaker 4: a word. It'll be like balloon, and then I'll just

644
00:30:23,440 --> 00:30:26,560
Speaker 4: whisper in her ear balloon and she won't know why.

645
00:30:26,680 --> 00:30:28,600
Speaker 4: But then like two minutes later, she'll get to the

646
00:30:28,640 --> 00:30:29,960
Speaker 4: word and then she'll laugh.

647
00:30:31,520 --> 00:30:32,160
Speaker 2: That's good.

648
00:30:32,360 --> 00:30:33,120
Speaker 3: Yeah, it's clever.

649
00:30:33,880 --> 00:30:34,680
Speaker 2: Do something like that.

650
00:30:35,160 --> 00:30:38,120
Speaker 3: Yeah, well I did something like that in college. My

651
00:30:38,600 --> 00:30:43,320
Speaker 3: so I would leave, I would go to the I

652
00:30:43,320 --> 00:30:46,680
Speaker 3: would go to the library. I would go to the

653
00:30:46,720 --> 00:30:51,520
Speaker 3: library and I would leave like notes in books, or

654
00:30:51,560 --> 00:30:53,680
Speaker 3: write on pages, or just find a random book in

655
00:30:53,720 --> 00:30:56,600
Speaker 3: the library and where I went to college at University Missouri,

656
00:30:57,160 --> 00:30:59,880
Speaker 3: and I would write messages or something in them and

657
00:31:00,080 --> 00:31:02,200
Speaker 3: I would know what they were, and usually I would

658
00:31:02,240 --> 00:31:05,720
Speaker 3: do it specifically to people just to like mess with them,

659
00:31:05,800 --> 00:31:07,800
Speaker 3: or or like I did it to my girlfriend at

660
00:31:07,800 --> 00:31:11,280
Speaker 3: the time, and I would say like, hey, go get

661
00:31:11,360 --> 00:31:14,320
Speaker 3: this book. Find this book and turn to page you know,

662
00:31:14,440 --> 00:31:17,040
Speaker 3: like seventy four and there would be like either have

663
00:31:17,080 --> 00:31:19,960
Speaker 3: a note in there, or I would like circle words

664
00:31:20,000 --> 00:31:22,960
Speaker 3: that that created a note like something for.

665
00:31:22,960 --> 00:31:28,240
Speaker 1: Them, and positive pranks.

666
00:31:27,960 --> 00:31:30,160
Speaker 4: You made his life. He's probably talking about that all

667
00:31:30,160 --> 00:31:30,600
Speaker 4: the time.

668
00:31:30,960 --> 00:31:31,160
Speaker 2: Yeah.

669
00:31:31,200 --> 00:31:33,360
Speaker 3: People were just like, how did you do that? He's

670
00:31:33,440 --> 00:31:35,640
Speaker 3: just like, yeah, you know, I just thought about something

671
00:31:35,640 --> 00:31:37,200
Speaker 3: that create a little bit in advance.

672
00:31:37,240 --> 00:31:38,920
Speaker 4: I used to have a shed. I used to have

673
00:31:38,960 --> 00:31:41,640
Speaker 4: a shed in my backyard that was there before my

674
00:31:41,720 --> 00:31:44,520
Speaker 4: parents bought the house. And on the inside of the

675
00:31:44,560 --> 00:31:49,400
Speaker 4: shed someone wrote a treasure map, and a treasure map

676
00:31:49,440 --> 00:31:51,959
Speaker 4: was written down, and we followed the treasure map, uh,

677
00:31:52,320 --> 00:31:55,160
Speaker 4: and it led to a rabbit's grave.

678
00:31:55,800 --> 00:31:56,200
Speaker 1: I knew it.

679
00:31:56,840 --> 00:31:57,360
Speaker 2: I knew it.

680
00:31:57,960 --> 00:31:59,520
Speaker 1: I knew it was going to be a dead animal.

681
00:31:59,640 --> 00:32:02,360
Speaker 2: Yeah, why is that a Russian thing?

682
00:32:02,400 --> 00:32:02,920
Speaker 4: I don't know.

683
00:32:03,880 --> 00:32:07,240
Speaker 1: Just to assume the worst yes, Oh yeah, assume the

684
00:32:07,360 --> 00:32:08,000
Speaker 1: darkest thing.

685
00:32:08,200 --> 00:32:10,960
Speaker 2: A few years later, frozen We have so many dead

686
00:32:10,960 --> 00:32:12,520
Speaker 2: apples buried frozen out.

687
00:32:12,880 --> 00:32:15,760
Speaker 4: I brought my friend over. This is like the elementary

688
00:32:15,800 --> 00:32:18,080
Speaker 4: school or before middle school or something, and I said,

689
00:32:18,080 --> 00:32:19,840
Speaker 4: there was a treasure map. I found a treasure map,

690
00:32:19,920 --> 00:32:22,320
Speaker 4: and I had I had. I had went to the

691
00:32:22,400 --> 00:32:24,600
Speaker 4: rabbit's grave area and changed the treasure map of us

692
00:32:24,600 --> 00:32:26,440
Speaker 4: to be not at the rabbit's grave. And I buried

693
00:32:27,440 --> 00:32:31,080
Speaker 4: a little chest that had a chicken McNuggets box in

694
00:32:31,120 --> 00:32:34,040
Speaker 4: it and a single penny in the chicken McNuggets box.

695
00:32:34,360 --> 00:32:39,280
Speaker 4: And we spent four hours following the treasure map. Uh.

696
00:32:39,360 --> 00:32:41,720
Speaker 4: And we we found the spot and like we got

697
00:32:41,720 --> 00:32:43,880
Speaker 4: a dig and we just and we dug and then

698
00:32:43,880 --> 00:32:45,280
Speaker 4: he's like, oh my god, there's something here. In the

699
00:32:45,280 --> 00:32:47,120
Speaker 4: whole time, I'm pretending like this is the first time

700
00:32:47,120 --> 00:32:47,840
Speaker 4: I've ever seen anything.

701
00:32:47,920 --> 00:32:50,280
Speaker 2: You like giving gifts, Brian, Are you like really into

702
00:32:50,320 --> 00:32:50,920
Speaker 2: gift giving?

703
00:32:52,920 --> 00:32:54,520
Speaker 4: Yeah? I like giving gifts. I don't like receipts.

704
00:32:54,520 --> 00:32:56,800
Speaker 2: Because you knew the whole time what the surprise was,

705
00:32:56,840 --> 00:32:59,160
Speaker 2: but you were getting off on the idea, not off,

706
00:32:59,160 --> 00:33:01,040
Speaker 2: but you were like I did the fact that this

707
00:33:01,080 --> 00:33:03,840
Speaker 2: guy was going to find something that you already knew existed,

708
00:33:03,880 --> 00:33:06,480
Speaker 2: so you weren't being excited about finding a thing and

709
00:33:06,520 --> 00:33:07,440
Speaker 2: being like what is it?

710
00:33:07,680 --> 00:33:09,680
Speaker 4: Well, it was like a whole I thought it was

711
00:33:09,680 --> 00:33:11,960
Speaker 4: gonna be funny that he's like, it's going to be treasure,

712
00:33:12,000 --> 00:33:13,640
Speaker 4: and it's a treasure chest. Then he opens it and

713
00:33:13,680 --> 00:33:17,120
Speaker 4: it's a Chicken mischen nuggets box with a penny in it.

714
00:33:17,600 --> 00:33:18,880
Speaker 4: Four hours like, oh my god.

715
00:33:21,520 --> 00:33:23,360
Speaker 2: The books I'm reading right now that I will never

716
00:33:23,400 --> 00:33:27,320
Speaker 2: finish is The Art of Impossible, a peak performance primer

717
00:33:27,400 --> 00:33:29,800
Speaker 2: by Steven Cotler. It actually is very good and it

718
00:33:29,840 --> 00:33:31,960
Speaker 2: just teaches you how to do things that are impossible,

719
00:33:32,320 --> 00:33:35,720
Speaker 2: like really impossible that you know, NASA even says you're

720
00:33:35,720 --> 00:33:37,720
Speaker 2: not gonna be able to build a space shuttle that

721
00:33:37,800 --> 00:33:40,040
Speaker 2: you can reuse twice to go to the moon, and

722
00:33:40,080 --> 00:33:42,560
Speaker 2: then this guy fucking did it. And it shows you

723
00:33:42,600 --> 00:33:44,320
Speaker 2: just a map of how you want to do anything

724
00:33:44,400 --> 00:33:46,600
Speaker 2: kind of physical feats or you know, any kind of

725
00:33:46,600 --> 00:33:49,960
Speaker 2: thing you want to do. Then the power of your

726
00:33:50,000 --> 00:33:55,440
Speaker 2: subconscious mind that is blowing my mind. That is a

727
00:33:55,480 --> 00:33:57,440
Speaker 2: really good one. It's so hard for me though, because

728
00:33:57,480 --> 00:34:00,360
Speaker 2: you have to constantly pretty much the whole PREMI says

729
00:34:00,440 --> 00:34:04,320
Speaker 2: is that your subconscious mind is kind of stupid and

730
00:34:04,640 --> 00:34:08,399
Speaker 2: doesn't no irony, It doesn't no joking, it doesn't. It doesn't. Ever,

731
00:34:08,800 --> 00:34:11,960
Speaker 2: it takes everything you tell it seriously. So it's constantly

732
00:34:12,000 --> 00:34:14,920
Speaker 2: listening to your conscious mind. So whatever you're saying to

733
00:34:14,960 --> 00:34:18,520
Speaker 2: yourself about yourself, about the world, your subconscious mind is

734
00:34:18,560 --> 00:34:20,560
Speaker 2: going like, that's the way it is, and we're going

735
00:34:20,640 --> 00:34:22,880
Speaker 2: to proceed that way. So if you're like, I'm an idiot,

736
00:34:22,880 --> 00:34:25,080
Speaker 2: I'm an idiot, your subconscious mind is always going to

737
00:34:25,360 --> 00:34:27,279
Speaker 2: direct you in the way that you're an idiot. So

738
00:34:27,320 --> 00:34:29,440
Speaker 2: if you lie to it constantly, it doesn't know you're lying.

739
00:34:29,480 --> 00:34:32,800
Speaker 2: If you're like I'm a you know, I've been recently

740
00:34:32,840 --> 00:34:34,640
Speaker 2: just saying to myself, you're the best singer in the

741
00:34:34,640 --> 00:34:39,080
Speaker 2: whole world, because like I'm I'm God's gift to music.

742
00:34:39,160 --> 00:34:43,120
Speaker 2: I've been literally saying the most delusional things to it recently,

743
00:34:43,680 --> 00:34:46,560
Speaker 2: just so that I can trick it into then making

744
00:34:46,600 --> 00:34:50,080
Speaker 2: that happen. And it's almost He's talked about how they've

745
00:34:50,120 --> 00:34:53,200
Speaker 2: studied people that have had their optic nerves completely severed,

746
00:34:53,719 --> 00:34:58,239
Speaker 2: and the people have believed enough that they have sight

747
00:34:58,880 --> 00:35:01,960
Speaker 2: that doctors are confounded that they're able to see when

748
00:35:02,000 --> 00:35:04,760
Speaker 2: their optic nerve does not even attach to their eye,

749
00:35:04,800 --> 00:35:07,319
Speaker 2: but they're able to see again because their subconscious mind

750
00:35:07,719 --> 00:35:09,840
Speaker 2: is really in charge of everything. But I like the

751
00:35:09,880 --> 00:35:12,400
Speaker 2: idea that it's like a dumb idiot and it takes

752
00:35:12,440 --> 00:35:16,919
Speaker 2: everything you say completely seriously, so you can never It's

753
00:35:16,960 --> 00:35:20,040
Speaker 2: really hard for me, someone who talks negatively to themselves

754
00:35:20,080 --> 00:35:23,360
Speaker 2: almost all the time, to then stop it and go like,

755
00:35:23,480 --> 00:35:26,200
Speaker 2: oh no. It's almost like being around a child and

756
00:35:26,239 --> 00:35:27,839
Speaker 2: like cussing around a kid and being like, I can

757
00:35:27,880 --> 00:35:30,040
Speaker 2: fuck up that kid's whole life if I say the

758
00:35:30,080 --> 00:35:32,239
Speaker 2: wrong thing, and it's going to set it off on

759
00:35:32,239 --> 00:35:36,799
Speaker 2: this weird course. So it's it really is interesting though, Brian.

760
00:35:36,840 --> 00:35:38,320
Speaker 2: Have you read about this kind of stuff?

761
00:35:38,400 --> 00:35:38,560
Speaker 1: Oh?

762
00:35:38,600 --> 00:35:40,400
Speaker 4: I know all about it. I mean yeah, it's like

763
00:35:40,600 --> 00:35:43,480
Speaker 4: it's like drags from Guardians of the Galaxy For anybody

764
00:35:43,520 --> 00:35:44,880
Speaker 4: who knows what I'm talking.

765
00:35:44,719 --> 00:35:46,279
Speaker 2: About, what I am grew?

766
00:35:46,400 --> 00:35:49,160
Speaker 4: What is it? Yeah, he doesn't understand sarcasm. So if

767
00:35:49,160 --> 00:35:51,200
Speaker 4: you go, that went over my head and you'd be like,

768
00:35:51,200 --> 00:35:52,880
Speaker 4: nothing would go over my head. I would catch it

769
00:35:53,000 --> 00:35:53,640
Speaker 4: like that type of thing.

770
00:35:53,800 --> 00:35:56,480
Speaker 2: Yes, But do you know about that being like your

771
00:35:56,480 --> 00:35:59,640
Speaker 2: subconscious mind is really stupid. It's smarter than that. It like,

772
00:36:00,200 --> 00:36:01,719
Speaker 2: you know what they compared it to, which I like

773
00:36:01,760 --> 00:36:04,920
Speaker 2: this analogy. If there's a ship cap in captain, and

774
00:36:04,920 --> 00:36:06,520
Speaker 2: then there's someone within the hall of the ship that

775
00:36:06,560 --> 00:36:09,120
Speaker 2: can't see anything outside of what's happening, what are you

776
00:36:09,160 --> 00:36:09,560
Speaker 2: about to say?

777
00:36:09,640 --> 00:36:13,719
Speaker 4: Christ That's what I was thinking, because you said cap

778
00:36:15,160 --> 00:36:15,760
Speaker 4: is it captain?

779
00:36:15,840 --> 00:36:20,799
Speaker 3: Crunch ships colloquial.

780
00:36:21,880 --> 00:36:28,880
Speaker 2: Boat talk coming through. So the captain's upstairs, and then

781
00:36:28,920 --> 00:36:31,720
Speaker 2: your subconscious mind is in the hall of the ship,

782
00:36:31,760 --> 00:36:34,239
Speaker 2: and that's the one that's doing the oars, that's the

783
00:36:34,239 --> 00:36:37,919
Speaker 2: one that's putting the coal into the fucking It can't

784
00:36:37,960 --> 00:36:40,439
Speaker 2: see out the window. It has no idea. So if

785
00:36:40,480 --> 00:36:44,200
Speaker 2: the captain is telling it, like, you know, go this way,

786
00:36:44,440 --> 00:36:46,120
Speaker 2: there's no way for it to go, Like are we

787
00:36:46,160 --> 00:36:48,120
Speaker 2: really supposed to go that way? Is there not an

788
00:36:48,200 --> 00:36:50,719
Speaker 2: iceberg coming? It just will do it. So you have

789
00:36:50,760 --> 00:36:53,280
Speaker 2: to think of your subconscious mind as always taking direction

790
00:36:53,680 --> 00:36:56,719
Speaker 2: from your your conscious mind, and you've got to make

791
00:36:56,760 --> 00:36:58,920
Speaker 2: sure your conscious mind is being a really good boat captain,

792
00:36:58,960 --> 00:37:00,759
Speaker 2: otherwise you don a Titanic.

793
00:37:01,200 --> 00:37:04,880
Speaker 1: And everyone can say they hate positive affirmations and it's lame.

794
00:37:05,400 --> 00:37:08,440
Speaker 1: But if you think about it. You're giving yourself negative.

795
00:37:08,480 --> 00:37:12,319
Speaker 1: You might be giving yourself negative affirmations all day long,

796
00:37:12,400 --> 00:37:14,600
Speaker 1: so you kind of have to balance it out a little.

797
00:37:14,680 --> 00:37:18,600
Speaker 2: It takes three to one, so for every that's pretty

798
00:37:18,680 --> 00:37:22,000
Speaker 2: much the studies have shown that three positive for every

799
00:37:22,000 --> 00:37:24,800
Speaker 2: one negative. So if you say, oh god, I'm so fat,

800
00:37:24,880 --> 00:37:28,040
Speaker 2: you got to course correct and say three positive things

801
00:37:28,080 --> 00:37:30,239
Speaker 2: to make your brain undo that thing.

802
00:37:30,600 --> 00:37:32,759
Speaker 3: Fat with a pH, fat with a pH, fat with

803
00:37:32,800 --> 00:37:33,240
Speaker 3: a pH.

804
00:37:33,360 --> 00:37:37,759
Speaker 4: So that's an important distinction, is you're you're not only

805
00:37:37,760 --> 00:37:40,919
Speaker 4: does it not understand sarcasm, but your subconscious mind doesn't

806
00:37:40,960 --> 00:37:45,040
Speaker 4: understand negatives either. So if you say I am not fat,

807
00:37:45,520 --> 00:37:48,319
Speaker 4: your subconscious mind is just hearing I am fat. It

808
00:37:48,360 --> 00:37:50,960
Speaker 4: doesn't understand they're not part. So you have to say, really,

809
00:37:51,120 --> 00:37:52,719
Speaker 4: I am skinny, I am hell.

810
00:37:52,840 --> 00:37:55,440
Speaker 1: Let's be the thought fat in your head.

811
00:37:55,600 --> 00:37:56,439
Speaker 2: I've heard that too.

812
00:37:56,640 --> 00:38:00,200
Speaker 1: So rather than saying I'm not fat, you say or like,

813
00:38:00,400 --> 00:38:01,799
Speaker 1: this is one that I do a lot. Like when

814
00:38:01,800 --> 00:38:04,080
Speaker 1: I was in physical pain, I'd be like, okay, I

815
00:38:04,160 --> 00:38:06,120
Speaker 1: don't I have any pain, and then I heard no.

816
00:38:06,320 --> 00:38:10,400
Speaker 1: You have to say, like, I feel incredible, I am mobile,

817
00:38:10,800 --> 00:38:13,040
Speaker 1: I am at one hundred percent, even I am at

818
00:38:13,040 --> 00:38:16,520
Speaker 1: one hundred percent might be slightly putting the idea in

819
00:38:16,600 --> 00:38:20,280
Speaker 1: your subconscious mind that there's there's a possibility of a deficit.

820
00:38:20,960 --> 00:38:23,360
Speaker 1: So you just say like, I'm thriving.

821
00:38:23,239 --> 00:38:26,480
Speaker 2: Sometimes though I cannot help it, like I'm someone who

822
00:38:26,520 --> 00:38:28,880
Speaker 2: believes in this stuff, and even reading the books, I'm like,

823
00:38:28,960 --> 00:38:30,399
Speaker 2: this is the way I'm going to believe my life.

824
00:38:30,440 --> 00:38:32,399
Speaker 2: I'm going to change my life on a fucking dime

825
00:38:32,520 --> 00:38:35,120
Speaker 2: right now. I'm never gonna talk negatively to myself again.

826
00:38:35,280 --> 00:38:40,600
Speaker 2: It doesn't behoove me. It feels so good to bully myself.

827
00:38:40,680 --> 00:38:44,400
Speaker 2: I'm not kidding you. I almost started an account just

828
00:38:44,560 --> 00:38:47,600
Speaker 2: to write on my own posts the things that I

829
00:38:47,680 --> 00:38:50,359
Speaker 2: know other people are already thinking, so that I can

830
00:38:50,400 --> 00:38:53,640
Speaker 2: beat them to it, and they don't get to have

831
00:38:53,680 --> 00:38:56,000
Speaker 2: to control the narrative. I get to control it.

832
00:38:56,440 --> 00:38:59,600
Speaker 1: So like then you're in a hell of your own making.

833
00:39:00,360 --> 00:39:03,120
Speaker 2: But at least I get to there's some It was weird.

834
00:39:03,400 --> 00:39:05,400
Speaker 2: I don't do it, and I would never do it,

835
00:39:05,440 --> 00:39:09,400
Speaker 2: but I really thought, like I can bully myself better

836
00:39:09,440 --> 00:39:11,719
Speaker 2: than these people, and I want to be the one

837
00:39:11,760 --> 00:39:13,480
Speaker 2: to do it, to show them how it's done.

838
00:39:14,000 --> 00:39:16,680
Speaker 1: So what's been three to one to that that's a

839
00:39:16,719 --> 00:39:19,360
Speaker 1: lot of effort. I don't know how how do you

840
00:39:19,400 --> 00:39:22,840
Speaker 1: balance that out? You have to create like a positive account.

841
00:39:22,440 --> 00:39:25,200
Speaker 2: To me, you know what I need. I needed to

842
00:39:25,320 --> 00:39:28,719
Speaker 2: squeeze out three tears and then I was fine. Like

843
00:39:28,920 --> 00:39:32,080
Speaker 2: crying just like fixes everything for me. And I don't

844
00:39:32,160 --> 00:39:34,160
Speaker 2: know why I can't do it more often. I just

845
00:39:34,600 --> 00:39:36,920
Speaker 2: every time I'm feeling that way, I think I just

846
00:39:37,000 --> 00:39:38,839
Speaker 2: need to go. I need to step away and watch

847
00:39:38,880 --> 00:39:41,480
Speaker 2: a sad movie or a video or something and just cry.

848
00:39:41,520 --> 00:39:44,760
Speaker 2: Because after I cry, I don't even have that feeling

849
00:39:44,800 --> 00:39:46,880
Speaker 2: of like, oh I feel stupid now, Like I just

850
00:39:46,920 --> 00:39:50,840
Speaker 2: feel like better, and it just it fixes, it literally

851
00:39:50,880 --> 00:39:53,120
Speaker 2: fixes everything. I keep leaving so late to the game

852
00:39:53,160 --> 00:39:55,600
Speaker 2: and figuring out this cry thing. It's pretty fucking good.

853
00:39:56,040 --> 00:39:58,480
Speaker 4: I think what you have there though, as a screenplay,

854
00:39:58,640 --> 00:40:00,879
Speaker 4: I think that's a movie. You have a social media

855
00:40:00,920 --> 00:40:04,640
Speaker 4: influencer who sick and tired of troll so she goes

856
00:40:04,880 --> 00:40:07,359
Speaker 4: and creates a fake account that trolls her, and then

857
00:40:07,400 --> 00:40:10,960
Speaker 4: the fake account becomes also very famous, and then she

858
00:40:11,000 --> 00:40:15,000
Speaker 4: has to pretend to be both these people. Like maybe

859
00:40:15,000 --> 00:40:17,520
Speaker 4: she winds up, you know, having a suicide attempt or

860
00:40:17,560 --> 00:40:20,000
Speaker 4: something like that. This is a to.

861
00:40:21,960 --> 00:40:24,600
Speaker 3: That and then like the guy of her dreams falls

862
00:40:24,600 --> 00:40:25,640
Speaker 3: in love with the bully.

863
00:40:26,160 --> 00:40:29,120
Speaker 1: Yeah, oh yeah, it has to become the bully in

864
00:40:29,160 --> 00:40:29,760
Speaker 1: a scene.

865
00:40:30,160 --> 00:40:32,640
Speaker 2: Okay, this is good. You guys were something we should

866
00:40:32,640 --> 00:40:39,759
Speaker 2: take this tell anybody, don't tell me. Steals it. So

867
00:40:39,960 --> 00:40:40,760
Speaker 2: we're in London.

868
00:40:41,960 --> 00:40:44,279
Speaker 3: Well, I feel like there was another story besides the

869
00:40:44,760 --> 00:40:48,360
Speaker 3: the the person who had like your future life and

870
00:40:48,400 --> 00:40:50,920
Speaker 3: who hated it. We had another story that we really liked.

871
00:40:51,320 --> 00:40:53,719
Speaker 2: Oh about the lounge singing woman. Oh yeah, I wrote

872
00:40:53,760 --> 00:40:55,520
Speaker 2: it down. Hold on, let me see because I had.

873
00:40:55,480 --> 00:40:57,799
Speaker 1: Does it take place in Berlin or did it take

874
00:40:57,840 --> 00:40:58,680
Speaker 1: place in Vienna?

875
00:40:58,840 --> 00:41:02,840
Speaker 2: Oh no, this one takes place in JFK. No, not JFK. Newark.

876
00:41:03,040 --> 00:41:03,520
Speaker 3: Oh yeah.

877
00:41:04,800 --> 00:41:06,960
Speaker 2: So we flew from Saint Louis to Newark and then

878
00:41:06,960 --> 00:41:09,560
Speaker 2: from Newark to Berlin, and we Chris and I had

879
00:41:09,560 --> 00:41:12,560
Speaker 2: like a six hour layover and so, which is kind

880
00:41:12,600 --> 00:41:15,080
Speaker 2: of nice because Newark actually is like in good shape.

881
00:41:15,120 --> 00:41:17,359
Speaker 2: I used to think Newark was the worst airport by far,

882
00:41:17,440 --> 00:41:19,960
Speaker 2: but it was. We were in a good section and

883
00:41:20,239 --> 00:41:23,239
Speaker 2: we sat down at a restaurant. Chris made a joke

884
00:41:23,239 --> 00:41:25,000
Speaker 2: that I didn't even understand was a joke. At the time,

885
00:41:25,000 --> 00:41:26,560
Speaker 2: but looking back, it was funny because I was like,

886
00:41:26,560 --> 00:41:28,279
Speaker 2: do you want to sit inside? And he goes, no,

887
00:41:28,400 --> 00:41:30,680
Speaker 2: let's sit outside, and it's like, not outside, it's just

888
00:41:30,719 --> 00:41:35,400
Speaker 2: like in the terminal. So we sit outside and we

889
00:41:35,440 --> 00:41:38,440
Speaker 2: get some I get some shashido peppers, you get some

890
00:41:38,480 --> 00:41:42,640
Speaker 2: little fried dumplins. And we're having a nice little chat.

891
00:41:42,680 --> 00:41:44,279
Speaker 2: And then I look behind Chris and I see a

892
00:41:44,320 --> 00:41:48,319
Speaker 2: duty free shop and one of the posters on for

893
00:41:48,800 --> 00:41:53,000
Speaker 2: a fragrance is this model and I go, look behind you,

894
00:41:53,200 --> 00:41:57,920
Speaker 2: it's Willa. And he turns around and it looks exactly

895
00:41:57,920 --> 00:42:03,040
Speaker 2: like Willa from Succession. Her name is Justine. I forget

896
00:42:03,040 --> 00:42:06,800
Speaker 2: her Loupe loope, Oh easy was a little too fast.

897
00:42:07,800 --> 00:42:09,640
Speaker 2: Why don't you try to look it up? Like Camille Costack.

898
00:42:10,320 --> 00:42:14,000
Speaker 3: You don't know. I'm rooting for her more than most

899
00:42:14,160 --> 00:42:15,840
Speaker 3: other people in the show, Like I want her to

900
00:42:15,880 --> 00:42:16,680
Speaker 3: have a happy ending.

901
00:42:16,960 --> 00:42:20,600
Speaker 2: I think she her turn. Her whole turn in the

902
00:42:20,760 --> 00:42:22,799
Speaker 2: in the show has been very interesting. But anyway, she

903
00:42:22,800 --> 00:42:26,720
Speaker 2: plays Willow. She plays Connor Roy's wife, but who started

904
00:42:26,719 --> 00:42:31,560
Speaker 2: out as his prostitute. Yeah girlfriend, like everyone knew. Everyone

905
00:42:31,800 --> 00:42:34,399
Speaker 2: always talked about like she's just being paid to hang

906
00:42:34,440 --> 00:42:36,040
Speaker 2: out with him, and then they end up getting married

907
00:42:36,200 --> 00:42:38,360
Speaker 2: and now she's kind of like the most supportive wife

908
00:42:38,360 --> 00:42:40,719
Speaker 2: out of the whole thing, Like they have the best

909
00:42:40,760 --> 00:42:43,759
Speaker 2: relationship with anyone, which is fairly ironic given how they

910
00:42:43,840 --> 00:42:45,760
Speaker 2: met and how she was kind of when he first

911
00:42:45,840 --> 00:42:48,200
Speaker 2: was like, you know, do you do you think you

912
00:42:48,200 --> 00:42:50,200
Speaker 2: could be happy with me? Or are you happy with me?

913
00:42:50,239 --> 00:42:53,880
Speaker 2: And she's like yeah, like she's just like kind of

914
00:42:54,280 --> 00:42:57,000
Speaker 2: not run into it, and she goes, I'm not gonna

915
00:42:57,080 --> 00:42:59,319
Speaker 2: leave now. She said that to him and he was

916
00:42:59,360 --> 00:43:02,000
Speaker 2: like okay, good and he's all just like heartened by that.

917
00:43:02,520 --> 00:43:05,160
Speaker 2: So anyway, they get married and but I go didn't

918
00:43:05,200 --> 00:43:07,040
Speaker 2: look like Willa and he turns on he's like, oh, yeah,

919
00:43:07,320 --> 00:43:08,719
Speaker 2: I forget what you said. You kind of were like

920
00:43:08,800 --> 00:43:11,080
Speaker 2: yeah kind of and he's like not as good, not

921
00:43:11,200 --> 00:43:14,440
Speaker 2: as good as Justine Lupe and I go easy. And

922
00:43:14,480 --> 00:43:16,080
Speaker 2: then five.

923
00:43:15,880 --> 00:43:19,879
Speaker 4: Minutes past what you just you know, if a guy

924
00:43:19,960 --> 00:43:21,879
Speaker 4: thinks an actress is hot, if they know their full

925
00:43:21,960 --> 00:43:24,960
Speaker 4: name off the yes.

926
00:43:27,800 --> 00:43:30,240
Speaker 2: And so like the other night we were watching, oh

927
00:43:30,360 --> 00:43:32,600
Speaker 2: what were we watching? And oh there we were some

928
00:43:32,640 --> 00:43:35,520
Speaker 2: sporting thing and I go, oh, look who's like on

929
00:43:35,640 --> 00:43:37,960
Speaker 2: a cool sports It was like some she was like

930
00:43:38,040 --> 00:43:42,640
Speaker 2: on some like Porsche or like cool like f one brand,

931
00:43:43,120 --> 00:43:46,239
Speaker 2: and it was what is her name? I don't even

932
00:43:46,239 --> 00:43:53,920
Speaker 2: know her Brett, No, no Brev.

933
00:43:51,440 --> 00:43:53,160
Speaker 4: No idea, I have no idea.

934
00:43:53,480 --> 00:43:54,640
Speaker 2: Right of course, no clue.

935
00:43:54,719 --> 00:43:55,879
Speaker 3: Right, I didn't know her name either.

936
00:43:56,440 --> 00:44:02,440
Speaker 2: Chris goes, oh, yeah, she's good, she's something, she's special

937
00:44:02,560 --> 00:44:06,480
Speaker 2: like and I never get jealous of him oggling women

938
00:44:06,560 --> 00:44:08,800
Speaker 2: and not ogling just but like noticing a woman's beauty.

939
00:44:08,800 --> 00:44:10,759
Speaker 2: It doesn't bother me. But then he goes, oh, she's

940
00:44:10,800 --> 00:44:13,120
Speaker 2: the one with a red dress. And I go what?

941
00:44:13,280 --> 00:44:15,839
Speaker 2: And that now I was starting to go what's going

942
00:44:15,880 --> 00:44:18,399
Speaker 2: on here? And I go, I bet he, I bet

943
00:44:18,480 --> 00:44:21,480
Speaker 2: he knows. And sure enough, you google Nina Doe Brev

944
00:44:21,719 --> 00:44:24,480
Speaker 2: red dress. No, no, you like as in the you

945
00:44:24,600 --> 00:44:27,799
Speaker 2: generally if you google it, because I googled it and

946
00:44:27,800 --> 00:44:32,319
Speaker 2: looked it up, and it is quite impressive. There are

947
00:44:32,360 --> 00:44:34,560
Speaker 2: some boobs going, there's different angles of the boom. There's

948
00:44:34,560 --> 00:44:37,000
Speaker 2: side boom, there's under boom, there's top boob. It's all

949
00:44:37,040 --> 00:44:40,719
Speaker 2: of the sides of the boom in one dress. It's fantastic.

950
00:44:41,600 --> 00:44:44,600
Speaker 2: And but anyway, so he was a fan, and we're

951
00:44:44,600 --> 00:44:48,320
Speaker 2: also fans of this Will a character. So five minutes

952
00:44:48,360 --> 00:44:50,239
Speaker 2: after I point out this, this girl looks like her.

953
00:44:50,560 --> 00:44:53,200
Speaker 2: I see, I'm talking about some bullshit and Chris is

954
00:44:53,320 --> 00:44:55,760
Speaker 2: listening kind of and and then all of a sudden,

955
00:44:56,239 --> 00:44:58,440
Speaker 2: he's I see his face go like, oh my god,

956
00:44:58,520 --> 00:44:58,799
Speaker 2: my god.

957
00:44:58,880 --> 00:45:00,440
Speaker 4: He goes Will, Will.

958
00:45:00,239 --> 00:45:01,879
Speaker 2: And I think he's saying Will, and I go, who's Will?

959
00:45:02,160 --> 00:45:05,440
Speaker 2: And then passing us and he goes Willa, Willa, and

960
00:45:05,480 --> 00:45:09,320
Speaker 2: I go, what what? And it's so she was walking

961
00:45:09,400 --> 00:45:12,279
Speaker 2: behind me right towards him. Then she passes me and

962
00:45:12,320 --> 00:45:13,719
Speaker 2: then I see the back of her head and I

963
00:45:14,000 --> 00:45:16,520
Speaker 2: was like, oh my god, we love it. Like I

964
00:45:16,560 --> 00:45:20,160
Speaker 2: tried to get her attention. She didn't turn around, but

965
00:45:20,200 --> 00:45:22,840
Speaker 2: then she kind of did further down. Because I think

966
00:45:23,239 --> 00:45:25,880
Speaker 2: you said that she saw you make the recognition.

967
00:45:25,920 --> 00:45:28,839
Speaker 3: Yeah, I think she saw in my I think those

968
00:45:28,840 --> 00:45:33,640
Speaker 3: people that are like are newly famous, they can kind

969
00:45:33,640 --> 00:45:36,680
Speaker 3: of they can kind of see somebody yes doing the

970
00:45:36,719 --> 00:45:38,480
Speaker 3: math in their head. And I think she saw me

971
00:45:38,600 --> 00:45:42,279
Speaker 3: doing the math, and you know, she.

972
00:45:42,239 --> 00:45:43,799
Speaker 1: Makes herself kind of available.

973
00:45:44,200 --> 00:45:46,080
Speaker 3: And I wouldn't say that necessarily. I just I just

974
00:45:46,120 --> 00:45:49,319
Speaker 3: think she was like, I think that guy's doing the math, right.

975
00:45:49,960 --> 00:45:51,480
Speaker 3: I don't know if he's gotten there yet.

976
00:45:51,880 --> 00:45:56,719
Speaker 2: So she this was so I'm like freaking out, but

977
00:45:56,760 --> 00:45:58,880
Speaker 2: I know where she's going because she's going to a

978
00:45:58,920 --> 00:46:00,480
Speaker 2: dead end. We just came from there. That's where our

979
00:46:00,520 --> 00:46:02,359
Speaker 2: flight got out, and it's dead and there's no food

980
00:46:02,400 --> 00:46:03,680
Speaker 2: and they don't seem to be in a rush, her

981
00:46:03,680 --> 00:46:05,680
Speaker 2: and her boyfriend. So I was like, Oh, their gate

982
00:46:05,760 --> 00:46:06,960
Speaker 2: is down there. They're gonna look at their gate and

983
00:46:07,000 --> 00:46:09,160
Speaker 2: they're gonna circle back around because they seem to have time.

984
00:46:09,320 --> 00:46:11,239
Speaker 2: They're gonna go back and try to find something to eat.

985
00:46:11,480 --> 00:46:13,439
Speaker 2: We're gonna see him again. So I was like, cause

986
00:46:13,440 --> 00:46:16,000
Speaker 2: I'm gonna say something. I'm not letting I have a

987
00:46:16,040 --> 00:46:18,239
Speaker 2: succession Bengo card and I want to meet everyone from

988
00:46:18,239 --> 00:46:18,680
Speaker 2: that show.

989
00:46:18,840 --> 00:46:21,480
Speaker 3: I love your enthusiasm for the situation because I thought

990
00:46:21,760 --> 00:46:23,080
Speaker 3: I thought it was like, oh, that was fun to

991
00:46:23,080 --> 00:46:26,160
Speaker 3: see them, but then you believe they were coming back

992
00:46:26,200 --> 00:46:27,719
Speaker 3: and you were like, oh, I'm this is going to

993
00:46:27,800 --> 00:46:28,920
Speaker 3: be a thing that I'm doing.

994
00:46:29,400 --> 00:46:29,560
Speaker 4: Yeah.

995
00:46:29,600 --> 00:46:31,960
Speaker 2: Because Chris and I continued our conversation, I said, I

996
00:46:31,960 --> 00:46:33,360
Speaker 2: don't want you to think I'm rude, but I'm on,

997
00:46:34,160 --> 00:46:36,239
Speaker 2: I'm on willow Watch right now, Like I'm gonna be

998
00:46:36,280 --> 00:46:39,719
Speaker 2: looking behind you but I'm there, you know. So then

999
00:46:39,719 --> 00:46:41,799
Speaker 2: all of a sudden, I feel like I.

1000
00:46:41,760 --> 00:46:43,719
Speaker 3: Was a like an LA party where you were just

1001
00:46:43,719 --> 00:46:46,680
Speaker 3: like looking over my shoulder to see if there's somebody

1002
00:46:46,680 --> 00:46:47,960
Speaker 3: more interesting to talk to.

1003
00:46:48,680 --> 00:46:50,480
Speaker 4: That's so true. So I was.

1004
00:46:50,520 --> 00:46:52,200
Speaker 2: I was looking at her shoulder, but I told him, like,

1005
00:46:52,239 --> 00:46:54,560
Speaker 2: don't think I'm rude, like I am looking for someone better.

1006
00:46:55,000 --> 00:47:01,600
Speaker 3: And then Glenn from Haveverick, I'm into him.

1007
00:47:03,400 --> 00:47:06,160
Speaker 2: I don't care for that anymore. So then I see

1008
00:47:06,200 --> 00:47:09,080
Speaker 2: her and she's walking towards me, and I am desperate

1009
00:47:09,120 --> 00:47:12,120
Speaker 2: to make I started fixing my hair and like doing

1010
00:47:12,160 --> 00:47:14,560
Speaker 2: this under my eyes to like smooth out my bags,

1011
00:47:14,600 --> 00:47:16,640
Speaker 2: just any like just and I go, do I look weird?

1012
00:47:16,640 --> 00:47:17,800
Speaker 2: Do I have anything in my teeth? Because I was

1013
00:47:17,840 --> 00:47:21,040
Speaker 2: eating seaweed salad and like these peppers, and so I'm like,

1014
00:47:21,120 --> 00:47:23,279
Speaker 2: is there anything? And then I'm like hi, I go

1015
00:47:23,760 --> 00:47:26,200
Speaker 2: and I waved and I got her attention and she walks,

1016
00:47:26,280 --> 00:47:28,040
Speaker 2: you know, right by her table. So she stops and

1017
00:47:28,080 --> 00:47:31,239
Speaker 2: I go, I love you so much. You are so great,

1018
00:47:31,280 --> 00:47:33,160
Speaker 2: you are so talented, Like what did I say.

1019
00:47:34,840 --> 00:47:37,319
Speaker 3: Gushing career? Yeah you were gushing, yeah, and you were

1020
00:47:37,400 --> 00:47:40,239
Speaker 3: very positive about her future. And she was like, she

1021
00:47:40,360 --> 00:47:42,160
Speaker 3: was really sweet about the whole thing, and her guy

1022
00:47:42,360 --> 00:47:46,160
Speaker 3: was of me, just like because when people come up

1023
00:47:46,160 --> 00:47:47,880
Speaker 3: to you all the time and I'm talking to you

1024
00:47:48,200 --> 00:47:50,040
Speaker 3: and I'm just sort of like sitting in the background,

1025
00:47:50,080 --> 00:47:51,040
Speaker 3: like smiling and.

1026
00:47:50,920 --> 00:47:55,399
Speaker 2: Not heatud of because I was like, and I wanted

1027
00:47:55,440 --> 00:47:57,920
Speaker 2: to give her a compliment that was beyond like, because

1028
00:47:57,960 --> 00:48:00,759
Speaker 2: I know what it's probably like to get role like that.

1029
00:48:00,800 --> 00:48:02,719
Speaker 2: You've been working your whole life, and you have so

1030
00:48:02,840 --> 00:48:04,839
Speaker 2: many other things you've done, and now this is the

1031
00:48:04,880 --> 00:48:07,400
Speaker 2: only thing you ever get recognized for. And there it

1032
00:48:07,560 --> 00:48:10,120
Speaker 2: just ended too and maybe you don't have anything coming up.

1033
00:48:10,160 --> 00:48:12,399
Speaker 2: But I was like, but she's so good on that show,

1034
00:48:12,440 --> 00:48:15,560
Speaker 2: and I've studied her acting so much on it because

1035
00:48:15,560 --> 00:48:18,400
Speaker 2: she's so funny and so subtle that I was just like,

1036
00:48:18,440 --> 00:48:20,319
Speaker 2: I need to give her a good compliment. So I said,

1037
00:48:20,440 --> 00:48:22,960
Speaker 2: we'll be watching you forever you're not. I was like,

1038
00:48:23,239 --> 00:48:26,840
Speaker 2: I'm you're You're so fantastic. You're such a good actress

1039
00:48:26,880 --> 00:48:29,279
Speaker 2: and you're just amazing. And she was just like thank you.

1040
00:48:29,320 --> 00:48:32,120
Speaker 2: And she just looked stunning, you know, but like normal,

1041
00:48:32,239 --> 00:48:34,120
Speaker 2: not as tall as you'd think. Will it would be

1042
00:48:34,239 --> 00:48:36,440
Speaker 2: for everyone who watches succession. You probably think she's very

1043
00:48:36,480 --> 00:48:36,879
Speaker 2: very tall.

1044
00:48:36,960 --> 00:48:38,720
Speaker 1: Yeah, I was gonna guess like five eleven.

1045
00:48:39,160 --> 00:48:43,200
Speaker 2: She may have been actually, because models, she's like model beautiful,

1046
00:48:43,200 --> 00:48:44,880
Speaker 2: So she just looked like gorgeous. And then I went

1047
00:48:44,920 --> 00:48:46,439
Speaker 2: to the bathroom afterwards and I was like, I gotta

1048
00:48:46,480 --> 00:48:48,880
Speaker 2: get my shit together. Like she didn't have any makeup

1049
00:48:48,920 --> 00:48:50,879
Speaker 2: on yet she still looks stunning. I mean, we both

1050
00:48:50,880 --> 00:48:52,560
Speaker 2: had the same level of care put in, but I

1051
00:48:52,600 --> 00:48:57,319
Speaker 2: looked like a ragamuffin. So anyway, I punted it out

1052
00:48:57,440 --> 00:49:01,080
Speaker 2: so exciting, and christ oh, yeah, I'm beautiful, I'm strong,

1053
00:49:01,160 --> 00:49:02,719
Speaker 2: I'm lucky, and things work out for me. And so

1054
00:49:02,800 --> 00:49:04,799
Speaker 2: then and I'm gonna be watching myself the rest of

1055
00:49:04,800 --> 00:49:07,160
Speaker 2: my life. And so then I was like yeah, yeah, yeah,

1056
00:49:07,160 --> 00:49:08,920
Speaker 2: And Chris took a picture and she's very small in

1057
00:49:08,920 --> 00:49:10,840
Speaker 2: the background because by then she had gotten far away.

1058
00:49:11,000 --> 00:49:12,879
Speaker 2: And then I posted it and I tagged her in it,

1059
00:49:13,200 --> 00:49:15,440
Speaker 2: and then she wrote me back and she said this

1060
00:49:15,560 --> 00:49:18,319
Speaker 2: is the most flattering and all these heart emojis, and

1061
00:49:18,360 --> 00:49:20,799
Speaker 2: she said, I've loved hearing you on podcasts talking about

1062
00:49:20,800 --> 00:49:23,160
Speaker 2: your life with such honesty. Of course your comedy is

1063
00:49:23,200 --> 00:49:25,919
Speaker 2: so great, but hearing you be so transparent is really

1064
00:49:26,000 --> 00:49:28,560
Speaker 2: inspiring and quite rare. And then I wrote back a

1065
00:49:28,680 --> 00:49:32,239
Speaker 2: gigantic paragraph. She saw it didn't ride back, but we're

1066
00:49:32,440 --> 00:49:35,719
Speaker 2: off to a good star. I said, thank you so

1067
00:49:35,800 --> 00:49:37,600
Speaker 2: much for saying this. It makes me feel so good.

1068
00:49:37,840 --> 00:49:39,480
Speaker 2: I am such a fan and will be for life.

1069
00:49:39,520 --> 00:49:42,040
Speaker 2: I legit rewind and rewatch and study the subtle comedic

1070
00:49:42,120 --> 00:49:44,120
Speaker 2: choices you make on the show. You're such a standout.

1071
00:49:44,160 --> 00:49:46,279
Speaker 2: I'm not telling you anything that everyone isn't already saying,

1072
00:49:46,280 --> 00:49:48,040
Speaker 2: but your truly next level is so nice to meet you.

1073
00:49:48,200 --> 00:49:48,399
Speaker 5: Xo.

1074
00:49:48,600 --> 00:49:49,520
Speaker 1: Oh that's so nice.

1075
00:49:49,520 --> 00:49:51,880
Speaker 2: That's like a period.

1076
00:49:53,640 --> 00:49:56,319
Speaker 1: Compliments those are great well, because.

1077
00:49:56,040 --> 00:49:58,360
Speaker 2: I get compliments all the time, and they break my

1078
00:49:58,640 --> 00:50:02,600
Speaker 2: fucking heart. And that's why I don't like hanging out

1079
00:50:02,600 --> 00:50:06,160
Speaker 2: of this. Just like you know, I love you on

1080
00:50:06,200 --> 00:50:09,799
Speaker 2: your roast and they've just watched me do stand up.

1081
00:50:09,960 --> 00:50:11,600
Speaker 2: Then they but this is how they say it. They go,

1082
00:50:11,680 --> 00:50:14,200
Speaker 2: you know what I really love is your ross. You

1083
00:50:14,239 --> 00:50:16,239
Speaker 2: know that, Like that's what they say, or they'll they'll

1084
00:50:16,320 --> 00:50:20,760
Speaker 2: just compliments more than not when you are an insecure

1085
00:50:20,760 --> 00:50:24,680
Speaker 2: person and which most performers are, just take something from

1086
00:50:24,760 --> 00:50:28,479
Speaker 2: you sometimes. But so yeah, I'm I try to give

1087
00:50:28,560 --> 00:50:30,480
Speaker 2: what I would want without being insincere.

1088
00:50:30,680 --> 00:50:32,759
Speaker 3: I think it's I think it's easy. It's easy for

1089
00:50:32,800 --> 00:50:36,800
Speaker 3: people to use something negative to then make it seem

1090
00:50:36,840 --> 00:50:38,719
Speaker 3: like whatever they're like. They set it up with like,

1091
00:50:39,040 --> 00:50:43,239
Speaker 3: I'm not usually into female comics, but you're funny, so

1092
00:50:43,880 --> 00:50:47,880
Speaker 3: they think it's like catapulting their compliment into the stratosphere

1093
00:50:48,400 --> 00:50:49,399
Speaker 3: when really.

1094
00:50:49,640 --> 00:50:55,080
Speaker 2: Like I want over this guy. He doesn't. I don't

1095
00:50:55,120 --> 00:50:58,000
Speaker 2: think he's an idiot at all from his first statement.

1096
00:50:57,719 --> 00:50:59,640
Speaker 3: But people think like, oh, this is a you know,

1097
00:50:59,680 --> 00:51:02,719
Speaker 3: like I usually don't watch stuff like this, but I'm

1098
00:51:02,800 --> 00:51:06,520
Speaker 3: really into your stuff. Yes, all right, well cool, your

1099
00:51:06,520 --> 00:51:12,879
Speaker 3: compliment didn't need to like or like describe yourself. Yes,

1100
00:51:13,560 --> 00:51:15,959
Speaker 3: I don't care an.

1101
00:51:15,960 --> 00:51:17,960
Speaker 2: Art form like not everyone knows how to do. You

1102
00:51:18,000 --> 00:51:20,440
Speaker 2: have to learn how to do it. Yeah, I read

1103
00:51:20,480 --> 00:51:23,799
Speaker 2: a book really well, said no, you didn't.

1104
00:51:23,920 --> 00:51:25,640
Speaker 1: Writing a book on it.

1105
00:51:25,600 --> 00:51:28,040
Speaker 4: It'd be funny if it turns out that that wasn't

1106
00:51:28,080 --> 00:51:29,799
Speaker 4: Willa and you were just like, I'm going to be

1107
00:51:29,840 --> 00:51:31,600
Speaker 4: watching you. I love you.

1108
00:51:36,360 --> 00:51:39,359
Speaker 2: Made me feel really good. You read a book about

1109
00:51:39,360 --> 00:51:41,320
Speaker 2: how to give compliments.

1110
00:51:40,800 --> 00:51:42,880
Speaker 4: How to talk to anyone? Ninety one little secrets or

1111
00:51:42,920 --> 00:51:43,520
Speaker 4: big Success.

1112
00:51:44,560 --> 00:51:48,600
Speaker 2: You love these numbers. Okay, so what was I think

1113
00:51:48,640 --> 00:51:50,520
Speaker 2: you learned from it, have you, guys? No, I like

1114
00:51:50,600 --> 00:51:52,560
Speaker 2: this book. Wait, well, we have to take a break.

1115
00:51:52,640 --> 00:51:55,280
Speaker 2: Let's learn from Brian about how to best give compliments

1116
00:51:55,320 --> 00:51:57,200
Speaker 2: and talk to people. When we get back, and to

1117
00:51:57,320 --> 00:52:03,400
Speaker 2: casual dance. We'll learn all that we get back, all right,

1118
00:52:03,440 --> 00:52:06,640
Speaker 2: Brian ninety one Ways to talk to What was the

1119
00:52:06,640 --> 00:52:07,360
Speaker 2: title of the book.

1120
00:52:07,400 --> 00:52:10,000
Speaker 4: We talked to Anyone? Ninety one Little Secrets for Big Success.

1121
00:52:10,440 --> 00:52:11,400
Speaker 4: It's a great book.

1122
00:52:12,160 --> 00:52:17,200
Speaker 2: No, you don't on you.

1123
00:52:13,400 --> 00:52:17,399
Speaker 4: You can also do with She also has another book

1124
00:52:17,400 --> 00:52:19,120
Speaker 4: called How to Make How to Fall in Love with

1125
00:52:19,160 --> 00:52:21,840
Speaker 4: Anyone and or how Anyone Can Fall in Love with

1126
00:52:22,200 --> 00:52:23,879
Speaker 4: the titles it's how to Make Anyone fall in Love

1127
00:52:23,920 --> 00:52:24,120
Speaker 4: with You?

1128
00:52:26,480 --> 00:52:27,200
Speaker 2: Deal Carnegie.

1129
00:52:27,520 --> 00:52:29,080
Speaker 1: Yes, tell us some tips.

1130
00:52:29,239 --> 00:52:32,160
Speaker 2: Yeah, like some of the more fascinating things you learned.

1131
00:52:32,239 --> 00:52:36,680
Speaker 4: My favorite tip about complimenting is that you should. It's

1132
00:52:36,760 --> 00:52:40,759
Speaker 4: how to accept a compliment people. Some often people will

1133
00:52:40,800 --> 00:52:44,680
Speaker 4: be rude and not accept compliments. If someone says, hey,

1134
00:52:45,080 --> 00:52:48,680
Speaker 4: that's a nice shirt of common response would be, oh,

1135
00:52:48,719 --> 00:52:50,520
Speaker 4: this old thing this is you know, this is a

1136
00:52:50,520 --> 00:52:52,680
Speaker 4: piece of shit. I hate this, and then it makes

1137
00:52:52,680 --> 00:52:56,440
Speaker 4: a compliment or feel stupid. It's like saying you're stupid

1138
00:52:56,480 --> 00:52:59,600
Speaker 4: that you thought this was a nice shirt. So what

1139
00:52:59,640 --> 00:53:01,360
Speaker 4: do you do? How do you how do you accept

1140
00:53:01,360 --> 00:53:02,520
Speaker 4: a compliment in a good way?

1141
00:53:03,160 --> 00:53:04,080
Speaker 2: Thank you?

1142
00:53:04,080 --> 00:53:06,759
Speaker 3: You say, that's so nice of you. How thoughtful of

1143
00:53:06,800 --> 00:53:10,239
Speaker 3: you to think of me like that, that think how

1144
00:53:11,280 --> 00:53:13,360
Speaker 3: interesting of you to make that observation.

1145
00:53:14,120 --> 00:53:17,000
Speaker 4: Yeah, that's pretty close. So what they that's actually pretty close.

1146
00:53:17,040 --> 00:53:18,920
Speaker 4: So if you just say thank you, that's like fine.

1147
00:53:18,960 --> 00:53:22,640
Speaker 4: But that's like a C you know, like a grade. Yeah,

1148
00:53:22,680 --> 00:53:24,960
Speaker 4: because that's like, okay, I've acknowledged that. You know, I

1149
00:53:24,960 --> 00:53:26,920
Speaker 4: didn't shoot you down, but we're supposed to do.

1150
00:53:27,280 --> 00:53:30,360
Speaker 3: So nice of you to say that.

1151
00:53:29,400 --> 00:53:36,400
Speaker 4: That's okay. Uh see C plus.

1152
00:53:36,440 --> 00:53:39,200
Speaker 1: But I was hating this shirt earlier, but you made

1153
00:53:39,239 --> 00:53:40,680
Speaker 1: me feel so incredible.

1154
00:53:40,960 --> 00:53:41,840
Speaker 2: Here take it.

1155
00:53:46,280 --> 00:53:48,480
Speaker 4: Oh my god, did you see that the clip when

1156
00:53:49,120 --> 00:53:52,360
Speaker 4: Donald Trump was on Conan from like the before he

1157
00:53:52,520 --> 00:53:56,600
Speaker 4: was a political guy and he had this Trump tie on.

1158
00:53:56,760 --> 00:53:59,120
Speaker 4: He was wearing one of his own ties, and Conan,

1159
00:53:59,560 --> 00:54:01,319
Speaker 4: you know, was just being nice and he said, oh,

1160
00:54:01,360 --> 00:54:03,520
Speaker 4: I like your tie. That's a nice tie. And then

1161
00:54:03,560 --> 00:54:06,319
Speaker 4: Trump said, are you like this tie? I'll give it

1162
00:54:06,360 --> 00:54:08,000
Speaker 4: to you. And he took off his tie and gave

1163
00:54:08,040 --> 00:54:10,759
Speaker 4: it to Conan and Conan, did you ever see that? No?

1164
00:54:10,960 --> 00:54:12,800
Speaker 2: But do you feel like he read a book?

1165
00:54:13,520 --> 00:54:16,720
Speaker 4: The warder action made me? What made me feel weird?

1166
00:54:18,320 --> 00:54:20,040
Speaker 2: I've had that happened to me before, where people have

1167
00:54:20,080 --> 00:54:21,880
Speaker 2: been like do you want it? And I'm like, yes, Whitney,

1168
00:54:21,880 --> 00:54:28,359
Speaker 2: I'd love that shirt with horses on. Your dad does

1169
00:54:28,360 --> 00:54:29,200
Speaker 2: that every time.

1170
00:54:29,239 --> 00:54:30,920
Speaker 3: I'm like, oh cool, you know he gets like a

1171
00:54:30,960 --> 00:54:35,239
Speaker 3: new Patagony, cool Patagonia and he's like, you have it. Yeah,

1172
00:54:35,400 --> 00:54:40,480
Speaker 3: I'm like, no thing every single time if you compliment anything,

1173
00:54:40,520 --> 00:54:43,520
Speaker 3: So we like start like we'll do this, We'll compliment

1174
00:54:43,560 --> 00:54:47,120
Speaker 3: him on things. We'll be like, get off, get off

1175
00:54:47,160 --> 00:54:47,480
Speaker 3: a dad.

1176
00:54:48,400 --> 00:54:49,480
Speaker 1: Pretty soon he's naked.

1177
00:54:49,760 --> 00:54:51,800
Speaker 2: What do you say?

1178
00:54:52,120 --> 00:54:56,560
Speaker 4: You need to compliment the complimenter for complimenting you.

1179
00:54:56,680 --> 00:54:59,359
Speaker 1: So if somebody says, centered, we didn't think of that, you.

1180
00:54:59,320 --> 00:55:01,120
Speaker 4: Got to think of the other person. So if somebody

1181
00:55:01,160 --> 00:55:05,040
Speaker 4: says that's a nice shirt, then you should say, oh,

1182
00:55:05,080 --> 00:55:08,279
Speaker 4: that's so interesting that you say that. You actually my

1183
00:55:08,480 --> 00:55:10,400
Speaker 4: aunt got me this shirt for my birthday and it's

1184
00:55:10,440 --> 00:55:11,840
Speaker 4: one of my favorite shirts.

1185
00:55:12,880 --> 00:55:15,759
Speaker 2: Let me let me just say the difference between what

1186
00:55:15,800 --> 00:55:17,759
Speaker 2: Anya's response is is that we should think of that.

1187
00:55:17,800 --> 00:55:20,400
Speaker 2: Why only think of ourselves? This is a book written

1188
00:55:20,560 --> 00:55:23,200
Speaker 2: about people who think about trying to get things from people.

1189
00:55:23,239 --> 00:55:25,680
Speaker 2: This is a book about how to manipulate people to

1190
00:55:25,840 --> 00:55:28,879
Speaker 2: like you. More so, it's not really thinking about someone else.

1191
00:55:28,920 --> 00:55:30,720
Speaker 2: This is what you would do to get that person

1192
00:55:30,760 --> 00:55:31,160
Speaker 2: to like you.

1193
00:55:31,400 --> 00:55:35,640
Speaker 1: Isn't this what the coach on Love on the Spectrum

1194
00:55:35,719 --> 00:55:38,160
Speaker 1: was teaching them when she was like rolling the ball back.

1195
00:55:38,040 --> 00:55:44,480
Speaker 2: And please Michael Michael, Yes, Michael, that's a great question.

1196
00:55:46,320 --> 00:55:47,400
Speaker 2: She also likes.

1197
00:55:49,920 --> 00:55:58,640
Speaker 4: That's that's an amazing Australian accent. That is so difficult.

1198
00:55:58,640 --> 00:56:00,319
Speaker 4: That's one of the most difficult accents to do.

1199
00:56:01,080 --> 00:56:02,759
Speaker 2: Well. Here's a trick if you want to say the

1200
00:56:02,760 --> 00:56:04,480
Speaker 2: word no, so thoughtful of.

1201
00:56:04,440 --> 00:56:06,400
Speaker 3: You to make that observation about Nikki.

1202
00:56:06,239 --> 00:56:08,439
Speaker 1: Brian my aunt once.

1203
00:56:08,680 --> 00:56:14,000
Speaker 4: Don't you make them feel smart for having observed.

1204
00:56:14,120 --> 00:56:17,160
Speaker 2: These are manipulative techniques. These aren't just like this is

1205
00:56:17,719 --> 00:56:19,880
Speaker 2: this is what you should do to be a good person.

1206
00:56:19,920 --> 00:56:21,400
Speaker 2: It's like, this is how you get them.

1207
00:56:21,480 --> 00:56:24,520
Speaker 1: Then you compliment them. What if they have a shirt.

1208
00:56:25,360 --> 00:56:25,879
Speaker 2: Because then.

1209
00:56:27,360 --> 00:56:30,160
Speaker 3: Thank you card and then thank you for the thank you.

1210
00:56:30,520 --> 00:56:32,080
Speaker 2: Here's a thank you.

1211
00:56:32,080 --> 00:56:34,600
Speaker 4: No, you don't return the compliment with a compliment. You

1212
00:56:34,680 --> 00:56:36,960
Speaker 4: compliment the compliment or for complimenting you. So if you

1213
00:56:37,040 --> 00:56:40,279
Speaker 4: say if they say, hey, that's a nice shirt, and

1214
00:56:40,320 --> 00:56:42,359
Speaker 4: then you go, oh, you have a nice shirt too,

1215
00:56:42,600 --> 00:56:44,720
Speaker 4: that's just as bad as saying bullshit.

1216
00:56:44,880 --> 00:56:45,440
Speaker 2: I hate that.

1217
00:56:46,160 --> 00:56:49,120
Speaker 3: I think it's like, I thank you, I love this shirt.

1218
00:56:49,719 --> 00:56:51,280
Speaker 3: It's so nice of you to say that.

1219
00:56:51,280 --> 00:56:53,759
Speaker 4: That's pretty good. That's like an a minus because you

1220
00:56:53,800 --> 00:56:57,360
Speaker 4: are telling the person that they are they for pointing

1221
00:56:57,400 --> 00:57:01,200
Speaker 4: that out because they they notice something that people noticed.

1222
00:57:01,760 --> 00:57:04,680
Speaker 2: Is one of my biggest pet peeves in win returning compliments.

1223
00:57:04,680 --> 00:57:07,880
Speaker 2: Someone will say, Nikki, you are so funny. That was

1224
00:57:07,960 --> 00:57:10,080
Speaker 2: so good. You're one of the best comments. I'll go with,

1225
00:57:10,160 --> 00:57:12,320
Speaker 2: that's so nice, and they go, no, I'm not being nice.

1226
00:57:12,520 --> 00:57:14,920
Speaker 2: Don't know, don't I'm not being And then I have

1227
00:57:14,960 --> 00:57:17,400
Speaker 2: to start fighting with them of like, well, it's still

1228
00:57:17,480 --> 00:57:19,880
Speaker 2: nice that you said it, and it can still be

1229
00:57:19,960 --> 00:57:22,560
Speaker 2: They go, it's just true, and I go, well, thank you,

1230
00:57:22,600 --> 00:57:24,360
Speaker 2: and they go, you don't need to thank me. I'm

1231
00:57:24,400 --> 00:57:26,760
Speaker 2: just and I'm like, I can't fucking win here, Like,

1232
00:57:27,000 --> 00:57:28,240
Speaker 2: do you know what I have to have people done

1233
00:57:28,280 --> 00:57:30,640
Speaker 2: that to you? Yeah, where they go, I'm not being nice,

1234
00:57:30,720 --> 00:57:33,640
Speaker 2: it's not nice, it's just true, and You're like Okay,

1235
00:57:33,800 --> 00:57:37,760
Speaker 2: I get it, You're I'm and I'm not saying that

1236
00:57:37,880 --> 00:57:41,080
Speaker 2: you're being nice to me does not mean a lie.

1237
00:57:41,240 --> 00:57:43,880
Speaker 2: It just means that makes me feel good. And then

1238
00:57:43,920 --> 00:57:45,720
Speaker 2: I eventually get to that and then they kind of

1239
00:57:45,760 --> 00:57:48,720
Speaker 2: move on, but where they have to kind of be like, no,

1240
00:57:48,840 --> 00:57:51,360
Speaker 2: I'm smarter than all these people here, I'm telling you

1241
00:57:51,440 --> 00:57:54,600
Speaker 2: the truth. Like I get it. I'm really a lot

1242
00:57:54,640 --> 00:57:58,880
Speaker 2: of girls will say to me, I'm like, I'm pretty

1243
00:57:58,880 --> 00:58:01,760
Speaker 2: intellectual and you're smart. Like I want to let you know,

1244
00:58:01,760 --> 00:58:04,120
Speaker 2: like I hang out with doctors mostly and you are

1245
00:58:04,240 --> 00:58:08,440
Speaker 2: like on the level, and I'll go appreciated.

1246
00:58:08,440 --> 00:58:13,160
Speaker 3: This looks like a little mini brag or like telling

1247
00:58:13,440 --> 00:58:15,760
Speaker 3: you know, people like trying to tell you their personality

1248
00:58:15,800 --> 00:58:17,120
Speaker 3: and it's like, I don't care.

1249
00:58:17,280 --> 00:58:19,240
Speaker 2: I did that a little bit with Justine, Like I

1250
00:58:19,320 --> 00:58:22,120
Speaker 2: knew that she probably respects me comedically, so I needed

1251
00:58:22,120 --> 00:58:25,680
Speaker 2: to let her know your comedic choices are, like I

1252
00:58:25,800 --> 00:58:28,600
Speaker 2: knew that she is, She's aware of me, So there

1253
00:58:28,680 --> 00:58:31,120
Speaker 2: is probably like a pedestal of like this girl knows

1254
00:58:31,160 --> 00:58:33,520
Speaker 2: comedy and I had to give her one because she

1255
00:58:33,720 --> 00:58:36,080
Speaker 2: is good at comedy in a way that maybe it

1256
00:58:36,080 --> 00:58:37,800
Speaker 2: would mean more to her than someone else. So I

1257
00:58:37,880 --> 00:58:38,640
Speaker 2: kind of did the same time.

1258
00:58:39,040 --> 00:58:41,120
Speaker 3: I very badly because you couldn't do it. Wanted to

1259
00:58:41,120 --> 00:58:43,800
Speaker 3: be like when when you were like be well, you

1260
00:58:43,800 --> 00:58:46,080
Speaker 3: guys had that like a little exchange. I very badly

1261
00:58:46,120 --> 00:58:49,280
Speaker 3: wanted to be like, this is you don't know this,

1262
00:58:49,360 --> 00:58:51,480
Speaker 3: but this is this is Nicky. She's one of the

1263
00:58:51,480 --> 00:58:52,880
Speaker 3: best comics, like.

1264
00:58:52,960 --> 00:58:56,240
Speaker 2: Or she's one of the biggest succession fans. Yeah ever,

1265
00:58:56,760 --> 00:59:00,240
Speaker 2: but yeah, thank you bab for almost saying that. That's

1266
00:59:00,280 --> 00:59:06,800
Speaker 2: really nice of you. Yeah, smarter, thank you for being

1267
00:59:06,800 --> 00:59:10,320
Speaker 2: the Okay, what are some other tricks of the trade, Brian,

1268
00:59:10,400 --> 00:59:13,000
Speaker 2: to like be a good conversationalist and to get people

1269
00:59:13,000 --> 00:59:14,120
Speaker 2: to like you and fall in love with you.

1270
00:59:14,480 --> 00:59:16,600
Speaker 4: Okay, so if you are this is like, this is

1271
00:59:16,600 --> 00:59:18,880
Speaker 4: an easy one. Everybody knows this one, but sometimes people

1272
00:59:18,880 --> 00:59:21,960
Speaker 4: don't do it. If you are at a party and

1273
00:59:22,040 --> 00:59:27,000
Speaker 4: you are introducing, uh, somebody to somebody else, you should

1274
00:59:27,080 --> 00:59:31,520
Speaker 4: say something that is interesting about them that you think

1275
00:59:31,560 --> 00:59:35,080
Speaker 4: the other person will have in common with them. You

1276
00:59:35,120 --> 00:59:38,600
Speaker 4: don't just dump people off and say, oh, Jen, this

1277
00:59:38,680 --> 00:59:43,320
Speaker 4: is Alice, Jen is my coworker and then leave them.

1278
00:59:44,040 --> 00:59:46,360
Speaker 4: You got to think, what do these two people maybe

1279
00:59:46,400 --> 00:59:48,720
Speaker 4: have in common? Oh Jen, this is Alice. Do you

1280
00:59:48,720 --> 00:59:52,080
Speaker 4: know you guys? You know both went to UH school

1281
00:59:52,080 --> 00:59:54,640
Speaker 4: in Ohio. Boom. Now they can talk as long as

1282
00:59:54,640 --> 00:59:57,160
Speaker 4: you you can leave right.

1283
00:59:57,600 --> 01:00:00,040
Speaker 1: I'm going to thought over email intros. I give a

1284
01:00:00,080 --> 01:00:03,640
Speaker 1: great email intro, but I have a hard time in

1285
01:00:03,720 --> 01:00:05,200
Speaker 1: person A lot of times just.

1286
01:00:05,160 --> 01:00:07,320
Speaker 2: Frings it up beforehand and read it off when you

1287
01:00:07,320 --> 01:00:08,080
Speaker 2: go to a party.

1288
01:00:08,400 --> 01:00:11,040
Speaker 4: It sounds so common sense, it sounds like everyone must

1289
01:00:11,080 --> 01:00:12,680
Speaker 4: do that, But then you go to a party and

1290
01:00:12,720 --> 01:00:14,240
Speaker 4: it doesn't happen, and then you're just sitting.

1291
01:00:14,320 --> 01:00:17,880
Speaker 2: My favorite trick then, I've talked about this so many times,

1292
01:00:17,920 --> 01:00:20,280
Speaker 2: but it's just the funniest trick to me is that

1293
01:00:20,360 --> 01:00:23,480
Speaker 2: if you ask someone it's this is totally manipulative. If

1294
01:00:23,520 --> 01:00:25,560
Speaker 2: you ask someone for a favor that you can do.

1295
01:00:26,040 --> 01:00:27,800
Speaker 2: Like if I was like Anya, will you turn out

1296
01:00:27,840 --> 01:00:29,880
Speaker 2: my volume? And I easily could do it, and you

1297
01:00:29,920 --> 01:00:33,240
Speaker 2: do it, you in your head have to think I

1298
01:00:33,280 --> 01:00:35,360
Speaker 2: didn't just do that because I'm a little bitch. I

1299
01:00:35,440 --> 01:00:37,760
Speaker 2: must do it because I really like Niki, and so

1300
01:00:37,840 --> 01:00:40,920
Speaker 2: it makes you like me more because your subconscious doesn't

1301
01:00:40,920 --> 01:00:42,760
Speaker 2: want to feel like a little bitch that this girl

1302
01:00:42,840 --> 01:00:45,600
Speaker 2: just bosses around. So you convince yourself. I did it

1303
01:00:45,640 --> 01:00:48,520
Speaker 2: because I love Nikki and I like her, and I

1304
01:00:48,640 --> 01:00:51,800
Speaker 2: do think so, isn't that Have you ever read that one, Brian,

1305
01:00:52,320 --> 01:00:52,680
Speaker 2: I'm not.

1306
01:00:52,680 --> 01:00:53,920
Speaker 4: Really following what you're saying.

1307
01:00:54,240 --> 01:00:57,520
Speaker 3: I've seen it. It's basically, you ask for small favors

1308
01:00:57,640 --> 01:01:00,160
Speaker 3: and you think it's going to count against you, like man,

1309
01:01:00,240 --> 01:01:02,640
Speaker 3: Nicky's always asking me to do these favors, but it

1310
01:01:02,680 --> 01:01:06,600
Speaker 3: does the opposite. Instead of you not liking you liking

1311
01:01:06,640 --> 01:01:09,280
Speaker 3: Nikki less because she's always bugging you with stuff, it

1312
01:01:09,400 --> 01:01:11,640
Speaker 3: makes you think you like her more.

1313
01:01:12,200 --> 01:01:15,400
Speaker 2: Yes, because you have to convince yourself. It's too hard

1314
01:01:15,440 --> 01:01:17,720
Speaker 2: to think I'm doing this because she asks. I'm a

1315
01:01:17,760 --> 01:01:21,440
Speaker 2: little bit boy or whatever. I know, but that's the

1316
01:01:21,480 --> 01:01:22,760
Speaker 2: only way I can think of it, Like I'm like

1317
01:01:22,800 --> 01:01:25,640
Speaker 2: a pussy that gets bossed around by this lady because

1318
01:01:25,640 --> 01:01:27,480
Speaker 2: I've had it happen to me before, where I'm like,

1319
01:01:27,520 --> 01:01:29,720
Speaker 2: why am I doing this? And you do this cognitive

1320
01:01:30,280 --> 01:01:32,640
Speaker 2: shift where you go, oh, I don't do this because

1321
01:01:32,640 --> 01:01:39,320
Speaker 2: I I'm a pushover and a little bitch. I do it,

1322
01:01:39,360 --> 01:01:41,840
Speaker 2: but then I do it because I like her, and

1323
01:01:41,880 --> 01:01:44,320
Speaker 2: then therefore you then do like them more. It's a

1324
01:01:44,360 --> 01:01:46,640
Speaker 2: Dale Carnegie trick and it's also in this book called

1325
01:01:47,280 --> 01:01:51,040
Speaker 2: the Psychology of Influence that is very fascinating. I've never

1326
01:01:51,240 --> 01:01:54,080
Speaker 2: used that because I just don't. I don't want want

1327
01:01:54,360 --> 01:01:57,840
Speaker 2: someone to like me because I've done a mental manipulation

1328
01:01:58,000 --> 01:02:01,040
Speaker 2: on them. I want them to like me for pure reasons.

1329
01:02:01,160 --> 01:02:04,040
Speaker 2: That's also why and stand up. I don't I talk

1330
01:02:04,080 --> 01:02:07,760
Speaker 2: over claps because I know that the audience if they clap,

1331
01:02:08,080 --> 01:02:10,760
Speaker 2: if they if they laugh, and they keep laughing, they'll

1332
01:02:10,760 --> 01:02:12,680
Speaker 2: eventually go to a clap. If you just take a

1333
01:02:12,720 --> 01:02:14,960
Speaker 2: sip of water. But I don't want them to do

1334
01:02:15,040 --> 01:02:17,480
Speaker 2: that because I know that it's a trick and they

1335
01:02:17,480 --> 01:02:19,560
Speaker 2: will be at the end, they will like me more,

1336
01:02:19,680 --> 01:02:22,200
Speaker 2: not because I was funny, but because I tricked them

1337
01:02:22,240 --> 01:02:25,080
Speaker 2: into clapping to fill the silence to get through my

1338
01:02:25,160 --> 01:02:28,160
Speaker 2: water sip. And it's a thing that every comedian does.

1339
01:02:28,760 --> 01:02:30,560
Speaker 2: And I'm not saying I'm better because I don't do it,

1340
01:02:30,600 --> 01:02:33,600
Speaker 2: but I think I might be because I'm I want

1341
01:02:33,600 --> 01:02:35,960
Speaker 2: to be. I want to be judged on the merit

1342
01:02:35,960 --> 01:02:37,440
Speaker 2: of my comedy, which I don't think is up to

1343
01:02:37,480 --> 01:02:43,960
Speaker 2: snuff with a lot of comedians. Yes they don't. It's

1344
01:02:44,000 --> 01:02:47,240
Speaker 2: just like you call it clapter. Yeah, because it's last.

1345
01:02:48,480 --> 01:02:50,560
Speaker 2: We're watching some standard plowing through specials.

1346
01:02:51,040 --> 01:02:56,480
Speaker 3: It's wild that claps somehow are substitutes for laughs, and

1347
01:02:56,520 --> 01:02:57,760
Speaker 3: you're like, nobody was laughing there.

1348
01:02:57,840 --> 01:03:00,000
Speaker 2: And I don't, as a viewer, want to hear people

1349
01:03:00,200 --> 01:03:03,160
Speaker 2: clapping at home. It bores me. I'm like, I'm not there.

1350
01:03:03,400 --> 01:03:04,720
Speaker 2: Let's speed this up.

1351
01:03:04,800 --> 01:03:08,479
Speaker 1: I don't laugh and a clap last into claps great.

1352
01:03:08,760 --> 01:03:12,080
Speaker 2: Yeah, yeah, once in a while, I think three per special.

1353
01:03:12,280 --> 01:03:14,560
Speaker 1: It's a little Yeah. It's kind of like, is this

1354
01:03:14,600 --> 01:03:16,680
Speaker 1: a ted talk? Are you empowering us?

1355
01:03:17,000 --> 01:03:19,920
Speaker 2: Which is fine too, Like I'm okay with being empowered,

1356
01:03:20,240 --> 01:03:23,240
Speaker 2: but if you're using it, if you're just taking too

1357
01:03:23,280 --> 01:03:26,760
Speaker 2: many pauses, I'm just suspicious. And I think you're a

1358
01:03:26,800 --> 01:03:29,160
Speaker 2: little bit of a magician, which is part of comedy,

1359
01:03:29,200 --> 01:03:30,720
Speaker 2: and that's fine, and I've talked about it so much

1360
01:03:30,760 --> 01:03:33,040
Speaker 2: on here, But yeah, Chris and I are plowing through specials.

1361
01:03:33,280 --> 01:03:36,919
Speaker 2: We watched Seinfeld's twenty three Hours to Kill. It's so good.

1362
01:03:37,040 --> 01:03:39,800
Speaker 2: I loved it, but I can't. I have to say

1363
01:03:39,880 --> 01:03:43,000
Speaker 2: that Bill Burr's Red Rocks is the special to beat

1364
01:03:43,080 --> 01:03:47,120
Speaker 2: right now. I think it is. It is so fucking good.

1365
01:03:47,120 --> 01:03:48,840
Speaker 2: It took me so long to watch it because I

1366
01:03:48,920 --> 01:03:51,240
Speaker 2: just I don't want to compare myself to him. It

1367
01:03:51,440 --> 01:03:53,840
Speaker 2: makes me depressed about like how good you can be,

1368
01:03:54,120 --> 01:03:58,479
Speaker 2: and like he's just it's just just the best.

1369
01:03:58,480 --> 01:04:02,200
Speaker 3: There's no fear, straight straight to the funniest stuff. I mean,

1370
01:04:02,600 --> 01:04:03,760
Speaker 3: same sort of thing.

1371
01:04:03,880 --> 01:04:04,040
Speaker 1: You know.

1372
01:04:04,160 --> 01:04:06,400
Speaker 2: I mean, I would say Mullany is right there with him,

1373
01:04:06,440 --> 01:04:10,560
Speaker 2: but to me, it's Mullaney. And I will only say

1374
01:04:10,600 --> 01:04:15,919
Speaker 2: this because I do this too. Mullaney is more performative.

1375
01:04:16,680 --> 01:04:20,120
Speaker 2: Bill is like in the moment, like pissed off about

1376
01:04:20,160 --> 01:04:23,360
Speaker 2: these things, like there's no and I'm sure there's obviously

1377
01:04:23,480 --> 01:04:26,120
Speaker 2: he's having to amp some of this up. He can't

1378
01:04:26,120 --> 01:04:28,160
Speaker 2: be this mad about this thing he wrote about, but

1379
01:04:28,240 --> 01:04:32,040
Speaker 2: it does seem of his mind in that moment. And

1380
01:04:32,080 --> 01:04:34,160
Speaker 2: you know the way he plays with the mike sand,

1381
01:04:34,200 --> 01:04:37,640
Speaker 2: the way he plays with his water like there's nothing,

1382
01:04:37,800 --> 01:04:41,560
Speaker 2: there's no kind of movement that seems calculated. It seems

1383
01:04:41,600 --> 01:04:44,600
Speaker 2: like and Louie used to do this too, and say

1384
01:04:44,640 --> 01:04:46,520
Speaker 2: that every time he tells joke, he tells it a

1385
01:04:46,520 --> 01:04:48,640
Speaker 2: different way because he wants it to be like in

1386
01:04:48,680 --> 01:04:50,520
Speaker 2: the moment, he wants to find new things about it.

1387
01:04:51,080 --> 01:04:54,680
Speaker 2: I don't like when comedians are I don't like act

1388
01:04:54,680 --> 01:04:57,520
Speaker 2: outs very much unless they're really good. Taylor Thomlinson had

1389
01:04:57,520 --> 01:04:59,400
Speaker 2: a great act out where she was like climbing off

1390
01:04:59,440 --> 01:05:01,120
Speaker 2: a guy the other day, and I studied it, being like,

1391
01:05:01,200 --> 01:05:03,800
Speaker 2: it's so perfectly minmed out of being on top of

1392
01:05:03,800 --> 01:05:05,480
Speaker 2: a guy and him saying something gross and you kind

1393
01:05:05,480 --> 01:05:08,840
Speaker 2: of just go like it was so good and it

1394
01:05:08,880 --> 01:05:10,240
Speaker 2: made me like go, like, I need to do more

1395
01:05:10,280 --> 01:05:13,040
Speaker 2: act outs. But I don't like act outs where like

1396
01:05:13,960 --> 01:05:17,280
Speaker 2: you you just are preparing to get to something that

1397
01:05:17,440 --> 01:05:18,520
Speaker 2: is like not that good.

1398
01:05:18,520 --> 01:05:20,560
Speaker 3: I don't know, you've got some You've got some act

1399
01:05:20,600 --> 01:05:23,360
Speaker 3: out in your act right now that I'm into.

1400
01:05:23,640 --> 01:05:26,200
Speaker 2: Yeah, language one, Oh yeah, yeah, it's.

1401
01:05:26,120 --> 01:05:27,640
Speaker 3: Like where you're just well, it's it's more of like

1402
01:05:27,640 --> 01:05:30,760
Speaker 3: a physical things similar. Oh yeah, I don't want to spoil.

1403
01:05:30,480 --> 01:05:33,400
Speaker 2: It right now, but I don't, right, But I guess

1404
01:05:33,440 --> 01:05:36,600
Speaker 2: I'm saying I don't want to act out ire or

1405
01:05:36,640 --> 01:05:40,480
Speaker 2: confusion or I want to be in the moment. Bilbert

1406
01:05:40,520 --> 01:05:42,280
Speaker 2: to me, which I don't know how he does it.

1407
01:05:42,600 --> 01:05:45,440
Speaker 2: I think it's because he he writes from such an

1408
01:05:45,480 --> 01:05:48,800
Speaker 2: authentic place and dude, this special is so good. And

1409
01:05:48,840 --> 01:05:52,080
Speaker 2: I've been talking about this because Bilbert I was always

1410
01:05:52,120 --> 01:05:54,960
Speaker 2: kind of reluctant to watch this stuff because he's so

1411
01:05:55,000 --> 01:05:56,920
Speaker 2: good and it's so undeniable, but there was a lot

1412
01:05:56,960 --> 01:05:59,440
Speaker 2: of like women suck, and it made me feel bad

1413
01:05:59,480 --> 01:06:01,840
Speaker 2: about being a woman, and because he would convinced me

1414
01:06:01,880 --> 01:06:04,160
Speaker 2: that I kind of women suck, and I'd really kind

1415
01:06:04,160 --> 01:06:08,720
Speaker 2: of sad about myself afterwards. Final thought, but Bill Burr

1416
01:06:08,920 --> 01:06:11,520
Speaker 2: I saw him on Conan back during COVID and he

1417
01:06:11,880 --> 01:06:14,160
Speaker 2: talked about it was one of the episodes where Conan

1418
01:06:14,160 --> 01:06:16,160
Speaker 2: was doing it at Largo and there's no audience, it

1419
01:06:16,280 --> 01:06:19,120
Speaker 2: was a little bit more intimate, and he was talking

1420
01:06:19,120 --> 01:06:22,760
Speaker 2: about doing mushrooms and having this epiphany that all of

1421
01:06:22,800 --> 01:06:26,120
Speaker 2: his anger on stage and off was coming from a

1422
01:06:26,160 --> 01:06:30,760
Speaker 2: place of feeling alone and unwanted and unloved as a child.

1423
01:06:30,760 --> 01:06:33,400
Speaker 2: And I'm paraphrasing, so I'm not exactly saying what he said,

1424
01:06:33,600 --> 01:06:35,560
Speaker 2: but he said this on Conan, and he was interesting

1425
01:06:35,600 --> 01:06:39,840
Speaker 2: because on Conan usually he is just like rapid fire,

1426
01:06:40,320 --> 01:06:43,240
Speaker 2: the funniest person that's ever existed, always saying things like

1427
01:06:43,240 --> 01:06:45,040
Speaker 2: they're off the top of his head, but they're somehow

1428
01:06:45,080 --> 01:06:50,280
Speaker 2: just beautifully written, but they're also seemingly so just pure,

1429
01:06:50,480 --> 01:06:53,280
Speaker 2: and he's just the best, I think, and and I've

1430
01:06:53,280 --> 01:06:55,600
Speaker 2: always watch him on Conan and just been in complete awe.

1431
01:06:55,640 --> 01:06:57,840
Speaker 2: But this Conan was so special because he was just like, yeah,

1432
01:06:57,840 --> 01:07:00,520
Speaker 2: I did mushrooms and I'm realize, I'm fucking anger because

1433
01:07:00,520 --> 01:07:02,920
Speaker 2: my childhood and I my dad didn't fucking love me,

1434
01:07:02,960 --> 01:07:04,800
Speaker 2: and I you know, I had shitty parents. And it

1435
01:07:04,880 --> 01:07:06,800
Speaker 2: was kind of just sat there and there was there

1436
01:07:06,880 --> 01:07:09,600
Speaker 2: wasn't a punchline coming, and he was like what did

1437
01:07:09,640 --> 01:07:11,760
Speaker 2: he say? He goes, you know what, Uh, there's a

1438
01:07:11,800 --> 01:07:13,560
Speaker 2: thing called like empathy that I've lacked.

1439
01:07:13,760 --> 01:07:14,040
Speaker 4: I don't know.

1440
01:07:14,120 --> 01:07:16,160
Speaker 2: I'm just like getting into empathy now. And there was

1441
01:07:16,200 --> 01:07:18,080
Speaker 2: no joke there. It was just and Cony was like yeah,

1442
01:07:18,120 --> 01:07:20,440
Speaker 2: and he goes yeah, and it was just there.

1443
01:07:20,200 --> 01:07:22,880
Speaker 1: And he's like, I have a lot to process. Yeah,

1444
01:07:22,880 --> 01:07:25,080
Speaker 1: And it takes me a long time. I realized to

1445
01:07:25,240 --> 01:07:27,320
Speaker 1: like emotionally make sure it's giving me goosebumps.

1446
01:07:27,920 --> 01:07:30,200
Speaker 2: I was like, oh my god, I'm so excited for

1447
01:07:30,240 --> 01:07:32,680
Speaker 2: whatever's going to come after this. And then he put

1448
01:07:32,720 --> 01:07:35,000
Speaker 2: out Red Rocks and I remember seeing some like women

1449
01:07:35,040 --> 01:07:37,520
Speaker 2: stuff on there where I'm like, oh, maybe he's back

1450
01:07:37,560 --> 01:07:40,000
Speaker 2: to his old ways or whatever. I didn't give it

1451
01:07:40,040 --> 01:07:42,320
Speaker 2: a chance, And then I saw one clip that I

1452
01:07:42,360 --> 01:07:43,960
Speaker 2: really loved, and I've talked about it before. It's the

1453
01:07:44,000 --> 01:07:46,720
Speaker 2: Lizo clip where he's like, women love Lizzo because they're

1454
01:07:46,760 --> 01:07:49,200
Speaker 2: not threatened by her, among other reasons they love her,

1455
01:07:49,240 --> 01:07:53,640
Speaker 2: but like everyone's like yeah, girl, because they're like, you're

1456
01:07:53,680 --> 01:07:55,600
Speaker 2: not gonna steal my like whatever it is. There was

1457
01:07:55,600 --> 01:08:00,920
Speaker 2: some truth to that that I found really refreshing. And so,

1458
01:08:00,960 --> 01:08:04,240
Speaker 2: but then we watched it the other night and he

1459
01:08:04,280 --> 01:08:06,520
Speaker 2: talks about doing Mushroom. He went into it. Now he

1460
01:08:06,520 --> 01:08:09,640
Speaker 2: has jokes around the whole Mushroom trip and how he

1461
01:08:10,320 --> 01:08:12,560
Speaker 2: felt this loneliness and he couldn't get out of it

1462
01:08:12,600 --> 01:08:14,920
Speaker 2: and he kept going lower and lower and lower, and

1463
01:08:14,960 --> 01:08:17,640
Speaker 2: he describes it and how and then he tells a

1464
01:08:17,680 --> 01:08:19,519
Speaker 2: story about running to a lesbian in the street and

1465
01:08:19,560 --> 01:08:21,360
Speaker 2: she like kind of like gives him like a really

1466
01:08:21,439 --> 01:08:23,920
Speaker 2: hard shoulder and he's so fucking pissed about it, like

1467
01:08:23,960 --> 01:08:26,719
Speaker 2: why the fuck would she do that? Like what a bitch?

1468
01:08:26,720 --> 01:08:29,320
Speaker 2: And like and like anyone would about someone who like

1469
01:08:29,840 --> 01:08:32,880
Speaker 2: just bumps into them really hard with warning, Like he's,

1470
01:08:32,960 --> 01:08:34,840
Speaker 2: you know, walking towards her on the sidewalk and he's

1471
01:08:34,840 --> 01:08:36,240
Speaker 2: trying to get out of her way, and she switches

1472
01:08:36,280 --> 01:08:37,800
Speaker 2: to the side he's on, and then she switches when

1473
01:08:37,800 --> 01:08:39,200
Speaker 2: he tries to get to the other side, and then

1474
01:08:39,240 --> 01:08:42,400
Speaker 2: she fucking just like shoves him. And then by the

1475
01:08:42,479 --> 01:08:45,320
Speaker 2: end of it, he's like found this commonality and this

1476
01:08:45,439 --> 01:08:49,160
Speaker 2: empathy for her and just it's just the coolest thing.

1477
01:08:49,240 --> 01:08:51,320
Speaker 2: And he and he's just also seems like such a

1478
01:08:51,360 --> 01:08:53,559
Speaker 2: good dad. But he's sharing these moments where he thinks

1479
01:08:53,560 --> 01:08:56,479
Speaker 2: he's gonna suck up his kid, but there there there

1480
01:08:56,479 --> 01:08:58,879
Speaker 2: are moments where he's like a you know, quote unquote

1481
01:08:58,960 --> 01:09:01,600
Speaker 2: bad dad or like maybe not the best dad, but

1482
01:09:01,640 --> 01:09:04,519
Speaker 2: he also has empathy for himself. It's just like really

1483
01:09:04,640 --> 01:09:08,519
Speaker 2: beautiful and he just seems I don't know, I'm just

1484
01:09:08,640 --> 01:09:12,439
Speaker 2: I really think that's that's the level to aspire to

1485
01:09:12,479 --> 01:09:16,880
Speaker 2: get to, is to be completely authentic, not lying about

1486
01:09:16,960 --> 01:09:20,160
Speaker 2: anything you don't there's no bullshit. Louis used to tell

1487
01:09:20,240 --> 01:09:21,840
Speaker 2: us that his kids were pieces of shit and that

1488
01:09:21,920 --> 01:09:24,600
Speaker 2: he didn't you know, he gave his he got a

1489
01:09:24,640 --> 01:09:26,640
Speaker 2: hand up from his wife on the floor. But you know,

1490
01:09:26,720 --> 01:09:29,040
Speaker 2: things like that, and you go, God, this is refreshing.

1491
01:09:29,040 --> 01:09:32,120
Speaker 2: It's honest, and there were truth to that. Bill does

1492
01:09:32,160 --> 01:09:34,439
Speaker 2: not seem to be holding back any like ugly side

1493
01:09:34,479 --> 01:09:36,519
Speaker 2: of himself that he's not presenting to us, and I

1494
01:09:36,680 --> 01:09:40,000
Speaker 2: just found it to be just inspirational.

1495
01:09:40,120 --> 01:09:42,360
Speaker 3: Yeah, he was amazing. He's in the pocket, he's authentic.

1496
01:09:42,400 --> 01:09:45,040
Speaker 3: Ali Wong is another thing. It's just like yes, to

1497
01:09:45,120 --> 01:09:48,360
Speaker 3: see some of these people just being themselves and being

1498
01:09:48,439 --> 01:09:50,559
Speaker 3: so funny. I think it is one of my favorite

1499
01:09:50,560 --> 01:09:53,120
Speaker 3: things of watching specials back to back to back because

1500
01:09:53,160 --> 01:09:55,800
Speaker 3: you just see these people that are so comfortable with

1501
01:09:55,880 --> 01:09:58,320
Speaker 3: who they are. And part of that is like with

1502
01:09:58,400 --> 01:10:01,599
Speaker 3: age and all that stuff. But man, those two so good.

1503
01:10:01,640 --> 01:10:02,800
Speaker 3: Bargazi's so good.

1504
01:10:03,360 --> 01:10:06,719
Speaker 2: Yeah, Yes, it's something that you know comes with time,

1505
01:10:06,760 --> 01:10:08,080
Speaker 2: and that's the nice thing about stand.

1506
01:10:07,920 --> 01:10:11,320
Speaker 1: Up and also therapy and doing some work on yourself.

1507
01:10:11,360 --> 01:10:13,960
Speaker 1: Like I find if you watch older Bill Burr stuff,

1508
01:10:14,320 --> 01:10:16,200
Speaker 1: it's not quite I mean, it's all good, but it's

1509
01:10:16,240 --> 01:10:20,200
Speaker 1: not quite as deep because of these revelations.

1510
01:10:19,840 --> 01:10:22,600
Speaker 2: Have still be mad at women and see the hypocrisies

1511
01:10:22,760 --> 01:10:26,400
Speaker 2: of our movements and still have really good things that

1512
01:10:26,479 --> 01:10:28,559
Speaker 2: make me go, God, we do do that, and that

1513
01:10:28,760 --> 01:10:31,040
Speaker 2: is cringe And like, man, he does have a good point,

1514
01:10:31,040 --> 01:10:33,160
Speaker 2: which is the opposite of the side I'm on, and

1515
01:10:33,200 --> 01:10:36,560
Speaker 2: like makes me you know, his thing about abortion. I

1516
01:10:36,560 --> 01:10:38,640
Speaker 2: don't don't know if anyone's seen it, but his analogy

1517
01:10:38,720 --> 01:10:41,680
Speaker 2: is one of the best analogies going. He he says, like,

1518
01:10:41,720 --> 01:10:43,600
Speaker 2: you know, I'm pro choice, but you gotta admit it.

1519
01:10:43,640 --> 01:10:45,519
Speaker 2: You're you're killing a baby, like it is murder. Like

1520
01:10:45,560 --> 01:10:49,000
Speaker 2: I'm sorry, you know, And he says it's like he goes,

1521
01:10:49,040 --> 01:10:50,840
Speaker 2: you know, but they say it's not a baby yet,

1522
01:10:50,960 --> 01:10:53,400
Speaker 2: you know, whatever they say, And he says, it's like

1523
01:10:53,720 --> 01:10:55,400
Speaker 2: if you were to be baking a cake and you

1524
01:10:55,439 --> 01:10:56,960
Speaker 2: get a cake and you put it in the oven

1525
01:10:57,280 --> 01:10:59,439
Speaker 2: and then someone comes out and just takes the cake

1526
01:10:59,479 --> 01:11:02,479
Speaker 2: before it's fully done and just throws it on the floor,

1527
01:11:02,720 --> 01:11:04,519
Speaker 2: and you go, what did you do to my cake?

1528
01:11:04,560 --> 01:11:06,519
Speaker 2: And they're like, it wasn't a cake yet. You go,

1529
01:11:06,680 --> 01:11:10,800
Speaker 2: what a bit? And it just like, you know, it

1530
01:11:10,880 --> 01:11:13,439
Speaker 2: made me think a little bit. It was just such

1531
01:11:13,439 --> 01:11:16,840
Speaker 2: a perfect analogy. It's just it's nice to have someone

1532
01:11:16,840 --> 01:11:20,599
Speaker 2: out there that I aspire to be that is as

1533
01:11:20,640 --> 01:11:23,760
Speaker 2: good as he is. Because he is. I see the

1534
01:11:23,800 --> 01:11:26,360
Speaker 2: work he puts in, obviously to writing, but I think

1535
01:11:26,400 --> 01:11:28,599
Speaker 2: the real work that he's putting in is just finding

1536
01:11:28,920 --> 01:11:31,200
Speaker 2: out how to be as authentic as possible, which seems

1537
01:11:31,240 --> 01:11:33,280
Speaker 2: a lot more easy to me than like sitting down

1538
01:11:33,320 --> 01:11:36,200
Speaker 2: with a laptop at Starbucks, which to me is not

1539
01:11:36,320 --> 01:11:40,040
Speaker 2: gonna happen ever for me. But I might find a

1540
01:11:40,120 --> 01:11:44,439
Speaker 2: new truth to myself, like if just keeping it, Like

1541
01:11:44,479 --> 01:11:47,160
Speaker 2: what else am I? There's still things I'm probably not

1542
01:11:47,240 --> 01:11:51,559
Speaker 2: being fully honest about on stage, and that's exciting to go. Well,

1543
01:11:51,760 --> 01:11:54,800
Speaker 2: maybe I can get even further into something that is

1544
01:11:55,360 --> 01:11:58,000
Speaker 2: even more that I don't even realize about myself yet.

1545
01:11:58,040 --> 01:12:00,599
Speaker 1: Oh, your act has evolved so much. I mean, you've

1546
01:12:00,640 --> 01:12:05,920
Speaker 1: always been lauded as somebody that's like painfully honest, which

1547
01:12:05,920 --> 01:12:07,840
Speaker 1: is such a great thing that we all. That's why

1548
01:12:08,000 --> 01:12:10,640
Speaker 1: I think most people love you is that you're just

1549
01:12:10,680 --> 01:12:13,400
Speaker 1: going to say the things that no one is brave

1550
01:12:13,479 --> 01:12:16,200
Speaker 1: enough to say. But like I think if you compare

1551
01:12:16,240 --> 01:12:19,839
Speaker 1: your older comedy to now, it's like, now you're broaching

1552
01:12:19,880 --> 01:12:22,519
Speaker 1: topics that make people really uncomfortable, but you're like, I

1553
01:12:22,520 --> 01:12:25,000
Speaker 1: don't care. I want to talk about this shit. People

1554
01:12:25,080 --> 01:12:27,400
Speaker 1: should talk about this, And I think that's what is

1555
01:12:27,439 --> 01:12:30,719
Speaker 1: exciting because it's it's like funny and it can create

1556
01:12:30,840 --> 01:12:32,120
Speaker 1: change within people.

1557
01:12:32,360 --> 01:12:35,240
Speaker 2: Yeah, you know, thanks girl, It's true.

1558
01:12:35,240 --> 01:12:38,400
Speaker 1: I mean, it's I think earlier it's like joke, joke, joke, joke,

1559
01:12:38,439 --> 01:12:41,960
Speaker 1: And now you're more You're like, why is society this way?

1560
01:12:42,280 --> 01:12:42,519
Speaker 1: You know?

1561
01:12:43,400 --> 01:12:45,680
Speaker 2: Yeah, that's really nice. I appreciate that.

1562
01:12:45,960 --> 01:12:48,080
Speaker 3: Oh, it was so nice of you to say something that.

1563
01:12:48,080 --> 01:12:51,040
Speaker 2: Why why, it's really smart of you. No, Okay, I

1564
01:12:51,040 --> 01:12:53,479
Speaker 2: got it. You want to see this? Okay, Okay, you

1565
01:12:53,520 --> 01:12:56,479
Speaker 2: know what. I really appreciate that compliment because you are

1566
01:12:56,560 --> 01:12:59,040
Speaker 2: noticing this thing about myself that I didn't think anyone

1567
01:12:59,160 --> 01:13:02,519
Speaker 2: really saw, and you are paying attention to something that,

1568
01:13:02,920 --> 01:13:06,240
Speaker 2: first of all, no one else has even been that astute.

1569
01:13:06,400 --> 01:13:09,840
Speaker 2: And I'm trying to I'm giving that like bullshit version.

1570
01:13:10,360 --> 01:13:12,559
Speaker 2: No one else has ever given me a compliment like that,

1571
01:13:12,600 --> 01:13:15,800
Speaker 2: And you were noticing something about me that I really

1572
01:13:15,840 --> 01:13:18,880
Speaker 2: have only noticed about myself, and I was thinking, maybe

1573
01:13:18,880 --> 01:13:20,200
Speaker 2: someone got it, and you get it.

1574
01:13:20,280 --> 01:13:22,880
Speaker 1: I feel good now even though you know.

1575
01:13:22,880 --> 01:13:25,280
Speaker 4: The trick it's isn't it working?

1576
01:13:26,160 --> 01:13:26,240
Speaker 2: Ye?

1577
01:13:27,320 --> 01:13:29,639
Speaker 4: Aren't you more likely to compliment? Way through?

1578
01:13:29,720 --> 01:13:31,639
Speaker 2: I was like, this is I think in general people

1579
01:13:31,760 --> 01:13:40,400
Speaker 2: need to give more compliments. I I just know, but

1580
01:13:40,439 --> 01:13:43,160
Speaker 2: I do like you more. Okay, what do we have

1581
01:13:43,200 --> 01:13:45,000
Speaker 2: to do in London while we're here? The next couple

1582
01:13:45,000 --> 01:13:47,280
Speaker 2: of days. Have you guys been to London? Noah, Brian

1583
01:13:47,439 --> 01:13:51,200
Speaker 2: never Europe? Sadly you haven't. Is that on your list?

1584
01:13:52,280 --> 01:13:52,479
Speaker 4: Brian?

1585
01:13:52,520 --> 01:13:54,040
Speaker 3: Would you go to Europe with me? Would you we

1586
01:13:54,040 --> 01:13:55,120
Speaker 3: should do a trip together?

1587
01:13:57,160 --> 01:13:57,679
Speaker 4: On my list?

1588
01:13:58,160 --> 01:14:03,680
Speaker 1: Yeah, I'll go number four Strawberry.

1589
01:14:04,960 --> 01:14:06,800
Speaker 2: You just rattle off some of your lists. Can we

1590
01:14:06,840 --> 01:14:08,519
Speaker 2: just like get just rapid fire?

1591
01:14:09,320 --> 01:14:09,880
Speaker 4: So online?

1592
01:14:10,120 --> 01:14:10,639
Speaker 1: Is Brian?

1593
01:14:11,560 --> 01:14:16,240
Speaker 4: Go into the sea.

1594
01:14:17,400 --> 01:14:18,920
Speaker 2: There's done that yet.

1595
01:14:20,479 --> 01:14:22,360
Speaker 4: But it was a long time since I had gone

1596
01:14:22,400 --> 01:14:24,160
Speaker 4: into the sea. So I did it. I did it.

1597
01:14:24,200 --> 01:14:27,120
Speaker 2: I wait, like, sounds like you're about to kill yourself.

1598
01:14:27,800 --> 01:14:32,400
Speaker 4: Just walk in, walk into the sea wearing a heavy coat.

1599
01:14:35,360 --> 01:14:36,120
Speaker 2: Go into the sea.

1600
01:14:36,200 --> 01:14:38,240
Speaker 3: Okay, you your dad's number one boy.

1601
01:14:39,760 --> 01:14:40,759
Speaker 1: I love this list.

1602
01:14:42,120 --> 01:14:48,120
Speaker 4: Okay, Uh, spend a continuous month in New York, which

1603
01:14:48,160 --> 01:14:52,679
Speaker 4: I did. I did that last year. Uh make you.

1604
01:14:52,560 --> 01:14:53,639
Speaker 2: Live there for years?

1605
01:14:54,640 --> 01:14:56,760
Speaker 1: He grew up.

1606
01:14:57,920 --> 01:15:00,559
Speaker 4: Now now now that I live in l I want

1607
01:15:00,640 --> 01:15:02,280
Speaker 4: to go back to New York and spend a frae

1608
01:15:02,400 --> 01:15:08,920
Speaker 4: month there and I did. Okay, make a Genoese sponge.

1609
01:15:10,560 --> 01:15:13,200
Speaker 2: I like this list a lot. Have you done that

1610
01:15:13,200 --> 01:15:14,439
Speaker 2: one yet? No?

1611
01:15:14,520 --> 01:15:15,679
Speaker 4: I can't figure it out.

1612
01:15:16,760 --> 01:15:20,000
Speaker 2: Sorry, Friede, You're failing. It's got to be some kind

1613
01:15:20,000 --> 01:15:20,599
Speaker 2: of fucking cake.

1614
01:15:20,680 --> 01:15:21,000
Speaker 3: I don't know.

1615
01:15:21,000 --> 01:15:23,880
Speaker 4: It's something they have to frequently make from scratch on

1616
01:15:23,920 --> 01:15:26,360
Speaker 4: the Great British Bakeoff. So I was like, I should

1617
01:15:26,560 --> 01:15:30,640
Speaker 4: how to do this? Which you have forty things? You

1618
01:15:30,640 --> 01:15:31,680
Speaker 4: got to make it achievable?

1619
01:15:32,160 --> 01:15:34,439
Speaker 2: What we need more? I'm sorry, I gotta keep going here.

1620
01:15:34,600 --> 01:15:35,520
Speaker 1: Make a trifle.

1621
01:15:37,120 --> 01:15:39,240
Speaker 4: No, there also is make a chocolate soup flee, which

1622
01:15:39,240 --> 01:15:41,280
Speaker 4: I haven't done yet either. That's hard.

1623
01:15:41,360 --> 01:15:42,920
Speaker 2: Let's go through the ones you haven't done.

1624
01:15:43,840 --> 01:15:48,920
Speaker 4: Okay, Uh, visit my mom's house in Florida. I have

1625
01:15:49,040 --> 01:15:49,719
Speaker 4: not done yet.

1626
01:15:51,840 --> 01:15:54,760
Speaker 3: Something everybody should do. I know what, everybody, if you're

1627
01:15:54,800 --> 01:15:57,360
Speaker 3: listening right now, put this on your forty under forty list.

1628
01:15:57,760 --> 01:15:59,320
Speaker 3: Visit Bryan's mom's.

1629
01:15:58,960 --> 01:16:05,000
Speaker 4: House in Florida. Go to Iceland. I haven't done that.

1630
01:16:05,040 --> 01:16:07,719
Speaker 4: I was supposed to go in twenty twenty, and obviously

1631
01:16:07,760 --> 01:16:17,200
Speaker 4: we couldn't. Well, there was a bear attack and ice. Okay, yeah,

1632
01:16:17,280 --> 01:16:18,600
Speaker 4: we got until we take care of this bear and

1633
01:16:18,640 --> 01:16:19,360
Speaker 4: no one can come in.

1634
01:16:20,040 --> 01:16:21,600
Speaker 3: Hey, Brian, you know what we should do is the

1635
01:16:21,600 --> 01:16:24,200
Speaker 3: next time there's a volcano there, we should just buy

1636
01:16:24,240 --> 01:16:26,679
Speaker 3: a ticket to Iceland immediately and go see the volcano.

1637
01:16:26,720 --> 01:16:27,280
Speaker 4: Well, I have to go.

1638
01:16:27,439 --> 01:16:30,360
Speaker 2: All ask me to go on any spontaneous trips, and

1639
01:16:30,400 --> 01:16:33,639
Speaker 2: you've asked Brian, that's not true.

1640
01:16:33,640 --> 01:16:36,040
Speaker 3: I'm always asking Nikdi going trips and she's like, no,

1641
01:16:36,080 --> 01:16:37,960
Speaker 3: I just can't. I can't make any time for it.

1642
01:16:38,000 --> 01:16:39,920
Speaker 3: And then it's like open in a week, we're doing

1643
01:16:39,920 --> 01:16:40,760
Speaker 3: another girl's trip.

1644
01:16:40,960 --> 01:16:42,880
Speaker 2: But you never say specifics like I want to go

1645
01:16:42,920 --> 01:16:45,280
Speaker 2: try a strawberry. I like a goal. I feel like

1646
01:16:45,280 --> 01:16:47,480
Speaker 2: we're just gonna go over there and walk around aimlessly.

1647
01:16:47,600 --> 01:16:49,360
Speaker 2: I like, I'll go, I'll go eat.

1648
01:16:49,200 --> 01:16:52,120
Speaker 3: A strawberry, and me and Brian have stuff for the

1649
01:16:52,200 --> 01:16:52,920
Speaker 3: next three years.

1650
01:16:52,920 --> 01:16:58,439
Speaker 2: So wow, seven, Okay, give me, give us a couple more.

1651
01:16:58,280 --> 01:17:03,439
Speaker 4: Brian, Okay. I want to read all the memoirs on

1652
01:17:03,479 --> 01:17:08,200
Speaker 4: my bookshelf, which is a lot that I haven't done. Yeah,

1653
01:17:08,320 --> 01:17:10,600
Speaker 4: and they're all they're all comedians' memoirs. And I like

1654
01:17:10,640 --> 01:17:13,080
Speaker 4: to only read memoirs of people who are over sixty

1655
01:17:13,160 --> 01:17:16,880
Speaker 4: because I don't think that they have enough knowledge and wisdom.

1656
01:17:16,880 --> 01:17:20,880
Speaker 3: If they're under sixty, you can fly through prior convictions

1657
01:17:20,960 --> 01:17:22,799
Speaker 3: and Born Standing Up those take.

1658
01:17:22,720 --> 01:17:25,360
Speaker 4: Like, oh, already read Born Standing Up? Who's prior conviction?

1659
01:17:25,400 --> 01:17:26,520
Speaker 4: Has Richard Pryor.

1660
01:17:26,360 --> 01:17:29,559
Speaker 3: Richard Pryor and then Sam Kinnison's brother Sam. I think

1661
01:17:30,040 --> 01:17:32,360
Speaker 3: is that one takes a little bit right now I'm

1662
01:17:32,360 --> 01:17:36,719
Speaker 3: on the Oh oh god, okay, I gotta do that one.

1663
01:17:38,080 --> 01:17:40,519
Speaker 4: The best one I've ever read. The best memoir I've

1664
01:17:40,560 --> 01:17:45,360
Speaker 4: ever read from a comedian so far is Dean and

1665
01:17:45,400 --> 01:17:50,280
Speaker 4: Me by Jerry Lewis. It is, it is the most

1666
01:17:50,439 --> 01:17:53,160
Speaker 4: it's the most succinct. It's focused on his relationship with

1667
01:17:53,200 --> 01:17:56,840
Speaker 4: Dean Martin. It made me, it made me so emotional,

1668
01:17:57,320 --> 01:17:57,960
Speaker 4: just the whole one.

1669
01:17:58,040 --> 01:18:01,640
Speaker 2: We read memoirs and autobiographies. Will you read a biography?

1670
01:18:02,720 --> 01:18:05,160
Speaker 4: No, I'll only read it if it's written by the person.

1671
01:18:05,240 --> 01:18:08,000
Speaker 2: Okay, okay, sorry, tell us why the woman was so good?

1672
01:18:08,439 --> 01:18:12,439
Speaker 4: Dean and Me is it's not framed. Also, Norm's memoir

1673
01:18:12,439 --> 01:18:15,280
Speaker 4: I read it was really good. Obviously he's not serious

1674
01:18:15,320 --> 01:18:19,960
Speaker 4: in it. But Dean and Me is focused on it's

1675
01:18:20,080 --> 01:18:23,519
Speaker 4: it's framed like a love story between Jerry Lewis and

1676
01:18:23,560 --> 01:18:26,360
Speaker 4: Dean Martin, and it's it's not like I was born

1677
01:18:26,439 --> 01:18:28,240
Speaker 4: this year and then I went to this school and

1678
01:18:28,280 --> 01:18:29,840
Speaker 4: then this was my mom was like, this was what

1679
01:18:29,840 --> 01:18:31,679
Speaker 4: my dad was like. It like a lot of memoirs

1680
01:18:31,720 --> 01:18:34,800
Speaker 4: will just like go through all the facts of someone's life.

1681
01:18:35,479 --> 01:18:39,599
Speaker 4: Dean and Me focuses on the day Jerry Lewis met

1682
01:18:39,640 --> 01:18:44,479
Speaker 4: Dean Martin, and then their relationship, how they their careers

1683
01:18:44,560 --> 01:18:46,920
Speaker 4: rose together, and how they had a falling out, like

1684
01:18:46,920 --> 01:18:49,439
Speaker 4: a relationship breaking up, and then it and then Jerry

1685
01:18:49,520 --> 01:18:52,200
Speaker 4: Lewis was still alive when he wrote the book. Obviously

1686
01:18:52,600 --> 01:18:56,200
Speaker 4: when it came out, he didn't write he was still alive.

1687
01:18:57,920 --> 01:19:00,559
Speaker 4: I think Dean Martin was dead though, and he wrote

1688
01:19:00,560 --> 01:19:05,320
Speaker 4: about after many years them reconnecting on one of the telethons,

1689
01:19:06,000 --> 01:19:09,439
Speaker 4: and the book ended. It didn't go like and now

1690
01:19:09,479 --> 01:19:11,920
Speaker 4: that I'm this age, now I'm doing this. It was like,

1691
01:19:11,960 --> 01:19:14,000
Speaker 4: it's about that focus thing. And I think that's that

1692
01:19:14,040 --> 01:19:15,800
Speaker 4: should be a lesson for anyone who wants to write

1693
01:19:15,800 --> 01:19:18,720
Speaker 4: a memoir. Focus it on a narrative. Focus it on

1694
01:19:18,720 --> 01:19:21,960
Speaker 4: a specific thing. Don't just make it a like a

1695
01:19:22,040 --> 01:19:26,200
Speaker 4: layer a list of facts going through the timeline of

1696
01:19:26,240 --> 01:19:28,680
Speaker 4: your life. Nobody really wants to know every single thing,

1697
01:19:28,760 --> 01:19:31,240
Speaker 4: the street you grew up on and stuff. Make it

1698
01:19:31,280 --> 01:19:34,240
Speaker 4: focused on a narrative, all right, That's why it was

1699
01:19:34,240 --> 01:19:34,679
Speaker 4: so good.

1700
01:19:35,520 --> 01:19:37,840
Speaker 3: Are there any memoirs that you're in two clays?

1701
01:19:38,720 --> 01:19:40,880
Speaker 2: Wait, are you setting me up for something. No, Oh,

1702
01:19:40,920 --> 01:19:42,640
Speaker 2: that was nice of you to just ask. That's a

1703
01:19:42,680 --> 01:19:44,960
Speaker 2: really good question. And it seems like you're really good

1704
01:19:44,960 --> 01:19:46,880
Speaker 2: at your job of being on radio.

1705
01:19:46,960 --> 01:19:49,160
Speaker 3: And I just want to say thank you for thank you, Yeah,

1706
01:19:49,320 --> 01:19:50,680
Speaker 3: because like that means a lot to me.

1707
01:19:50,880 --> 01:19:54,880
Speaker 2: I will say that I love the Johnny Carson biography,

1708
01:19:55,040 --> 01:19:58,640
Speaker 2: which was an unauthorized biography by his lawyer who is

1709
01:19:58,680 --> 01:20:02,559
Speaker 2: his best friend. I'm it's fucking good, dude. That guy

1710
01:20:02,720 --> 01:20:06,679
Speaker 2: was a monster, complicated, sad, but like obviously a legend

1711
01:20:06,800 --> 01:20:09,120
Speaker 2: and written by someone who loved him very much. But

1712
01:20:09,200 --> 01:20:12,679
Speaker 2: that is really good. And someone with like that mom

1713
01:20:12,680 --> 01:20:15,200
Speaker 2: would never love him enough and was never proud of him.

1714
01:20:15,400 --> 01:20:18,160
Speaker 2: There's one scene where he like, you know, buys his

1715
01:20:18,200 --> 01:20:20,839
Speaker 2: mama house and she's just and he's, you know, hosting

1716
01:20:20,840 --> 01:20:23,280
Speaker 2: the Tonight Show. He's like the most famous man in

1717
01:20:23,320 --> 01:20:26,559
Speaker 2: the country, and his mom is just like, I don't

1718
01:20:26,640 --> 01:20:28,479
Speaker 2: like it. Like she just will never she'd never say

1719
01:20:28,560 --> 01:20:30,639
Speaker 2: she's proud of him. She will never give him anything.

1720
01:20:30,720 --> 01:20:33,439
Speaker 2: And it's the root of everything that he does. It's

1721
01:20:33,479 --> 01:20:34,080
Speaker 2: so interesting.

1722
01:20:34,439 --> 01:20:37,599
Speaker 1: I like Nora Ephron's I Think I Hate my neck

1723
01:20:37,640 --> 01:20:40,919
Speaker 1: or I hate my neck. So good anything that related

1724
01:20:41,160 --> 01:20:45,760
Speaker 1: so much, Like, Yeah, I just remember one line she

1725
01:20:45,840 --> 01:20:50,559
Speaker 1: said something like, I have been to so many rock

1726
01:20:50,720 --> 01:20:56,120
Speaker 1: concerts with so many incredible bands and incredible musicians, and

1727
01:20:56,560 --> 01:21:00,439
Speaker 1: every time, all I'm thinking is where are we going

1728
01:21:00,479 --> 01:21:03,040
Speaker 1: to dinner afterwards? And what will I order?

1729
01:21:04,560 --> 01:21:06,800
Speaker 2: It makes me feel so good because we were at

1730
01:21:06,800 --> 01:21:09,160
Speaker 2: a museum yesterday and that's all I was thinking of

1731
01:21:09,360 --> 01:21:13,760
Speaker 2: the entire time. See, I feel so seen. I was

1732
01:21:13,760 --> 01:21:18,519
Speaker 2: at this museum. People are doing what like people at

1733
01:21:18,600 --> 01:21:22,240
Speaker 2: museums love looking at art. I just don't buy it.

1734
01:21:22,280 --> 01:21:23,680
Speaker 2: I think they just want to be like we went

1735
01:21:23,720 --> 01:21:26,240
Speaker 2: to the museum today, Like they just go to it

1736
01:21:26,320 --> 01:21:28,960
Speaker 2: so they can say they did it. They don't actually

1737
01:21:29,000 --> 01:21:30,320
Speaker 2: like you see a couple of things that you go,

1738
01:21:30,560 --> 01:21:34,120
Speaker 2: that's cool, but ninety percent of stuff in museums is

1739
01:21:34,360 --> 01:21:36,720
Speaker 2: you're just like, who kives a shit? You know, like

1740
01:21:37,280 --> 01:21:41,599
Speaker 2: I just don't buy that it's that that it's that cool.

1741
01:21:42,040 --> 01:21:45,120
Speaker 2: But thank god for them, because artist important.

1742
01:21:44,760 --> 01:21:48,320
Speaker 4: You posted your Instagram stories that were the oh look

1743
01:21:48,320 --> 01:21:50,960
Speaker 4: at Nikki's Instagram stories if they're still up from yesterday,

1744
01:21:51,560 --> 01:21:54,160
Speaker 4: because oh no.

1745
01:21:54,400 --> 01:21:57,640
Speaker 2: All screenshot them and put them on our with this

1746
01:21:57,680 --> 01:22:04,880
Speaker 2: episode the boy, Thank you boy, Yeah, thank you all right,

1747
01:22:04,920 --> 01:22:06,840
Speaker 2: So go check that out on our Instagram. Check out

1748
01:22:06,840 --> 01:22:10,040
Speaker 2: the podcast on our YouTube channel. Go subscribe. Thank you

1749
01:22:10,080 --> 01:22:14,320
Speaker 2: so much for doing this podcast, Chris and Anya and

1750
01:22:14,360 --> 01:22:16,960
Speaker 2: Brian and Noah, and we will be back in the

1751
01:22:16,960 --> 01:22:20,040
Speaker 2: States for the next iteration of this podcast. Thank you

1752
01:22:20,080 --> 01:22:22,839
Speaker 2: for joining us overseas, and thank you all the besties

1753
01:22:22,880 --> 01:22:24,320
Speaker 2: that have come out to the shows. It's been so

1754
01:22:24,400 --> 01:22:26,679
Speaker 2: much fun. And we'll see you in the States. Uh,

1755
01:22:26,800 --> 01:22:31,760
Speaker 2: don't Bika and just knock those forty before you're forty out.