WEBVTT - Reginald Hudlin Full Interview

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<v Speaker 1>My next guest is that person. Call him a good friend,

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<v Speaker 1>somebody I laughed. I've laughed many times and in entertainment

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<v Speaker 1>where we walked with eating together. He's called on me

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<v Speaker 1>to do favors for him, and I've and I've done

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<v Speaker 1>him because guess what, he's the type of person when

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<v Speaker 1>he calls you, you should do a favor for. And

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<v Speaker 1>more than thirty years, more than thirty year career. My

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<v Speaker 1>next guest is written, directed to produce numerous classic feature

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<v Speaker 1>films including House Party, Awesome, Boomerang, Classic Baby's Kids, Classic Django,

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<v Speaker 1>Unchained and started my board. Jamie Fox and Marshall, you know, hey,

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<v Speaker 1>my man Black Panther and that one. He's excutive abusive

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<v Speaker 1>writer of the animated TV series Black Panther, executive producer Boondocks.

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<v Speaker 1>He's on the show to day to talk about this

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<v Speaker 1>his first that's what the that's what the bio said,

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<v Speaker 1>his first feature Lynch documentary, The Black Girlfather, which is

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<v Speaker 1>currently airing right now on Netflix. Please work with the

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<v Speaker 1>money making conversation. My dear friend Reginald Hudland, thank you,

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<v Speaker 1>you come on now. Black Godfather Clarence A. Vot I

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<v Speaker 1>had a chance in the two thousand, I was in

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<v Speaker 1>there and and Steve Harvey was doing radio and l

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<v Speaker 1>A blowing up. We took a station that was nineteen

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<v Speaker 1>in the market. It was number one and six months

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<v Speaker 1>so we were Who's who black radio a radio period

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<v Speaker 1>in l A. And everybody kept telling me, Chean, you

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<v Speaker 1>gotta meet this guy, Clarence Avon. He's uh, you gotta

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<v Speaker 1>meet him, man, you gotta meet He's kind of like you.

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<v Speaker 1>He's kind of like you in a lot of ways,

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<v Speaker 1>but he's a bad man. I will tell you this, Reginald.

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<v Speaker 1>I did not meet him after watching this special, The

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<v Speaker 1>Black Girl Father, which I am recommending everybody watch. All right,

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<v Speaker 1>he's special. Man. How did you come across the story

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<v Speaker 1>and how were you able to put all of this,

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<v Speaker 1>all of this footage together. Man, there's so many clearances

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<v Speaker 1>you had to do to get all this stuff clear.

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<v Speaker 1>You know that. I love that you went straight to

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<v Speaker 1>the business side. The movie got mad. Yes, man, I'm

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<v Speaker 1>talking about I'm talking to people you're watching special. It's

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<v Speaker 1>amazing the journey this young man had through his life. Okay,

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<v Speaker 1>coming from the South, going to Chicago in l A. Presidents.

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<v Speaker 1>You know the fact that he um. But then I

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<v Speaker 1>then that can that go business? The Reginald go Okay, uh, okay,

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<v Speaker 1>that needs to be clear. Okay, that needs to be clear. Okay,

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<v Speaker 1>how did you get permissure of that? That needs to

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<v Speaker 1>because Stan Lathan sitting up in there, you know Lyon

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<v Speaker 1>Richie sitting up in there. You know l A. Reid

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<v Speaker 1>and Baby facitting up in there. You know Jimmy jam

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<v Speaker 1>and Terry Lewis sitting up in there. It's just a

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<v Speaker 1>list after listen, President Barack Obama sitting up in there,

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<v Speaker 1>President Bill Clinton sitting up in there. Talking about this man.

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<v Speaker 1>This is what this special is about. And I'm leaving

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<v Speaker 1>out a whole lot of names because guess what you

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<v Speaker 1>need to watch and be on at this man's ability

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<v Speaker 1>to be able to communicate at every level of our society. Who, Reginald,

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<v Speaker 1>how did you get this story and how did you

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<v Speaker 1>get started? Well? Crazy enough? I met him at the

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<v Speaker 1>beginning of my career in show business. Um. I made

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<v Speaker 1>some little short films, and when I started doing music videos,

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<v Speaker 1>all my music business friends would talk about Clarence A.

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<v Speaker 1>Vo Andre Herredo Russell Simmons. They talked about plans like

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<v Speaker 1>he was Zeus you know what I mean. He was

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<v Speaker 1>model Lympus level, like you know. Uh, so I knew

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<v Speaker 1>he was important. I knew he was at the top

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<v Speaker 1>of the food chain. But then I get a call

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<v Speaker 1>from George Jackson mckenry, who were black producers making movies,

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<v Speaker 1>and one of the movies. You know, I'm absolutely and

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<v Speaker 1>George was a few years ahead of me in college.

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<v Speaker 1>So he said, oh, I know this young kid, he

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<v Speaker 1>just graduated. He's got a little student film called House Party.

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<v Speaker 1>He's talented. So they called me out to l A

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<v Speaker 1>for a meeting about a movie that was supposed to

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<v Speaker 1>start Janet Jackson. And the time, Janet Jackson had just

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<v Speaker 1>done her first album, uh, you know, a control that

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<v Speaker 1>really had broken out, and you know, the time was hot,

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<v Speaker 1>coming off a Purple Rain. So they were like, let's

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<v Speaker 1>do a movie with them together. So they brought me

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<v Speaker 1>out there and Clarence met me at the airport, which

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<v Speaker 1>I knew was a big deal because Clarence was the man.

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<v Speaker 1>And so then they brought me to his house, which

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<v Speaker 1>was in the beautiful home in Beverly Hills, filled with

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<v Speaker 1>the most amazing black art. It was like a museum. Uh.

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<v Speaker 1>And then I'm looking around, and then I see an

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<v Speaker 1>Andy Warhol painting and I'm like, whoa, that's that's stuff.

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<v Speaker 1>You see a museums in this man's house. And then

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<v Speaker 1>I met him, and he was everything everyone claimed he was.

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<v Speaker 1>He was wrong, he was real, He cut to it.

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<v Speaker 1>At the same time, you know, you knew he was

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<v Speaker 1>the man that just made things happen. And then over

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<v Speaker 1>the years, in all my time and show business, you

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<v Speaker 1>really can't do too much without hearing Clarence names evoked

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<v Speaker 1>one way or the other. Whether it's music business or

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<v Speaker 1>politics or whatever it is, Clarence is always up in there.

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<v Speaker 1>Uh So I knew I wanted to tell his story

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<v Speaker 1>because we all respected him, our whole generation of folks

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<v Speaker 1>who worked entertainment, Black folks who worked in entertainment. I

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<v Speaker 1>don't care if you're in the music business, movie business, whatever,

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<v Speaker 1>you respected Clarence avan And I thought, well, I want

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<v Speaker 1>to tell his story, right doc. Clarence did not want

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<v Speaker 1>his story told. He was like, I'm not writing a book.

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<v Speaker 1>I'm not doing this, I'm not doing that. So finally

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<v Speaker 1>his daughter and Nicole, maybe not a book, maybe let's

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<v Speaker 1>do a documentary, and he agreed to that, and then

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<v Speaker 1>She asked them, well, who do you want to make it?

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<v Speaker 1>And he said, well call Reggie. I like Reggie. And

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<v Speaker 1>that's funny, you know boom. Now when you get that

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<v Speaker 1>called that's like a papal order, that's like a Vatican right,

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<v Speaker 1>you do, go, your sir, get on it. And but

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<v Speaker 1>it also but it also has some fear in that

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<v Speaker 1>too when you say, because you know, you know the

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<v Speaker 1>body of work that you how do you do the beginning,

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<v Speaker 1>middle of the end, because this is an incredible beginning,

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<v Speaker 1>because we could have stayed on the beginning when you

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<v Speaker 1>got started, you know, a gainst the relation background, that

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<v Speaker 1>was a whole story yourself. You know that's a movie. Really,

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<v Speaker 1>you know that's a movie. Really right, well, there's no

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<v Speaker 1>question and you know when I you know it was me,

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<v Speaker 1>Nelson Georgs, the you know journalists, uh you know Byron Phillips,

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<v Speaker 1>my producing partner, and also had these backgrounds in the

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<v Speaker 1>music business. We all have new clearents. We all heard

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<v Speaker 1>all these great journeys. We thought we knew what we

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<v Speaker 1>were doing. But once you start thinking, then you realize

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<v Speaker 1>way that this door just opened to another door, open

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<v Speaker 1>to another door. Every time you interview somebody that at

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<v Speaker 1>the end of the interview they go, oh, you know

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<v Speaker 1>who you need to talk to, and then they name

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<v Speaker 1>three more names. So at a certain point I turned

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<v Speaker 1>to the cool um U I said, Nicole, this is

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<v Speaker 1>I don't know how far are we gonna go, but

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<v Speaker 1>this is my promise to you. I'm gonna shoot until

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<v Speaker 1>we're done, right to how long it takes. So we're

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<v Speaker 1>really supposed to interview thirty people in a year, so

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<v Speaker 1>we did seventy five people in three years because we

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<v Speaker 1>had to tell it right to me, Clarence is a

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<v Speaker 1>part of black history, but you don't know it because

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<v Speaker 1>he don't want you to know it. Right he You know,

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<v Speaker 1>people say the phrase like Carol or trus once said

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<v Speaker 1>it real bad boys moving silence. Clarence is the definition

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<v Speaker 1>of real bad boys moving silence. So many people today

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<v Speaker 1>they always want to gas themselves up. I'm this, I'm

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<v Speaker 1>not you know that. I'm on social media. You need

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<v Speaker 1>to give me my pops. I've won an award. He's

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<v Speaker 1>the opposite. He don't want nobody to know nothing unless

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<v Speaker 1>you need to know. But let's put this way. His boys,

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<v Speaker 1>Chrissy Jones, I mean they boys like his boy boy.

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<v Speaker 1>I mean, I mean, I mean they're sitting across each other.

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<v Speaker 1>So so that lets you know that you know, we

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<v Speaker 1>know Chrissy Jones just say you're hanging out called Nobody's boy.

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<v Speaker 1>You know. They it was like their friends best friends

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<v Speaker 1>and so and our journey has been years put together.

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<v Speaker 1>But the beauty of this whole when I'm watching this,

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<v Speaker 1>I'm watching this, I'm going, you know, and I have

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<v Speaker 1>to consider myself a guy who knows a lot. Okay,

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<v Speaker 1>now here's a guy. People have been telling me when

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<v Speaker 1>I was in l a and the two early two thousand,

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<v Speaker 1>this is a guy I was supposed to meet. Several

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<v Speaker 1>times they kept saying, Rachelle, you gotta meet this guy.

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<v Speaker 1>Just talk to you, gotta meet this guy and then

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<v Speaker 1>to see what he was. And I just saw and

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<v Speaker 1>I'm sure, Reggie, you see a piece of yourself in

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<v Speaker 1>him because he is so fearless. He is so he

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<v Speaker 1>would go up and went to the head of Coca Cola.

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<v Speaker 1>Told me, I need to get Harry Aaron out there

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<v Speaker 1>because because black people, we need to say black people,

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<v Speaker 1>but black people drink cold. It was clean because he

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<v Speaker 1>told it he he was a straight shooter. He would saying,

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<v Speaker 1>and Henry Aaron will tell you in the interview that

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<v Speaker 1>he broke all the grounds for him to be a

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<v Speaker 1>recognized person and sponsors and commercial endorsements. You go, there's

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<v Speaker 1>no soul train. There's no Soul train without there's no

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<v Speaker 1>Clarence has been involved in every black institution there is,

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<v Speaker 1>from from Motown to Soul Trained, WBLS. You know, help

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<v Speaker 1>Kathy Hughes. Cathy would say, oh, you know, you know,

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<v Speaker 1>Clarence is like my dad. He advised me on everything.

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<v Speaker 1>You know, you know, you know everything magazine, w PLS,

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<v Speaker 1>you can just name it. If it's an important Black institution,

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<v Speaker 1>Clarence has had his fingers on it. You don't know it,

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<v Speaker 1>but he's there. So when you saw, you know, and

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<v Speaker 1>did his daughter became in you know, ambassador to the

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<v Speaker 1>Bahamas and you know his son. You know, he has

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<v Speaker 1>a talent agency. But you can tell in the story

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<v Speaker 1>that he cares to weight of his dad's greatness. How

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<v Speaker 1>can I live up to him my dad's greatness. There

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<v Speaker 1>It really was a touch moment in the documentary when

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<v Speaker 1>he when when he talks about when you hear him

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<v Speaker 1>talking feeling that that weight of his dad's greatness because

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<v Speaker 1>he is a great and then you don't understand it

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<v Speaker 1>because guess what, you don't know what just Dad's done.

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<v Speaker 1>Oh you know it's that successful. But when you look

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<v Speaker 1>through the history books of entertainment politics, that's the part

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<v Speaker 1>that you really don't that you can't you can't his value.

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<v Speaker 1>I remember when I met uh before he was President

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<v Speaker 1>Barack Obama. I made him at the L. A. Reids

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<v Speaker 1>penthouse in New York City, and I remember in that meeting,

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<v Speaker 1>you know, Ellie Reis said he was gonna have a

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<v Speaker 1>big event for him in uh l A at Clarence.

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<v Speaker 1>I didn't know who Clarence was. Okay, you're gonna come

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<v Speaker 1>to every shot I go. I guess I didn't make

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<v Speaker 1>it there because I didn't understand that the the layers here.

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<v Speaker 1>But when you watch that special, you understand why he

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<v Speaker 1>said the next event is going to be a Clarence's

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<v Speaker 1>house in l A. We're gonna be right back when

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<v Speaker 1>we'll talk some more, because I also want to talk

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<v Speaker 1>about the Double A CP Image Awards. Who this man

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<v Speaker 1>right here has changed the game and has become one

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<v Speaker 1>of the most recognized awards shows on television, not just

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<v Speaker 1>for black people for for viewers in general. Hi, this

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<v Speaker 1>Rashan McDonald and you're listening to money making conversations on

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<v Speaker 1>the phone. Is ah is the producer, director, EP Relationship

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<v Speaker 1>Guy Academy Awards. But what we're really on the show

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<v Speaker 1>to talk about as the individual who who has in

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<v Speaker 1>the background changed the way black entertainment has grown in Hollywood.

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<v Speaker 1>If he if he doesn't exist, a lot of things

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<v Speaker 1>that we consider rememberable about Hollywood that has been a

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<v Speaker 1>lawyers that we've where we've long that we've gained h

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<v Speaker 1>as part of our history, would not have been there.

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<v Speaker 1>His name is that gentleman. Name is Clarence Avon. The

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<v Speaker 1>documentary was put together by over three year period by

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<v Speaker 1>the incredible Reginald Hutland. Reginald we was talking about when

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<v Speaker 1>we left for the break was about one year project.

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<v Speaker 1>He turned into three because I remember last time he

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<v Speaker 1>was on the show, you talked about this project, but

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<v Speaker 1>you didn't have an exit. So so and you're looking

0:13:12.679 --> 0:13:15.000
<v Speaker 1>at the guy because you know it's a segment in

0:13:15.000 --> 0:13:17.960
<v Speaker 1>the in the show where he's going to be honored.

0:13:17.960 --> 0:13:19.480
<v Speaker 1>I won't tell you what he's being honored for. And

0:13:19.520 --> 0:13:21.680
<v Speaker 1>that's the only time you will see Reginald in the

0:13:21.720 --> 0:13:25.600
<v Speaker 1>documentary is that little it's a little quick shot him

0:13:25.880 --> 0:13:28.400
<v Speaker 1>him being that that I said, my boy didn't get

0:13:28.520 --> 0:13:30.600
<v Speaker 1>right over there a little face that a little bit,

0:13:32.800 --> 0:13:37.959
<v Speaker 1>but just seeing my man's stand Lathan stand Lathan, um uh,

0:13:38.080 --> 0:13:41.079
<v Speaker 1>there's no death comedy jam where I stand later. Okay,

0:13:41.240 --> 0:13:44.000
<v Speaker 1>just tell you that's just one um one of the ankles.

0:13:44.000 --> 0:13:47.360
<v Speaker 1>But stan Lathan was given opportunity to do the special

0:13:47.679 --> 0:13:52.240
<v Speaker 1>that Mohammed Ali did because class ain't gonna said, oh

0:13:52.280 --> 0:13:54.600
<v Speaker 1>he's gonna do it, and there's no other option. He

0:13:54.679 --> 0:13:57.440
<v Speaker 1>stood up. He stood up. But one thing that that

0:13:57.520 --> 0:14:00.120
<v Speaker 1>they walked you through this whole thing. He understood the

0:14:00.200 --> 0:14:03.000
<v Speaker 1>value of relationships. And I'm gonna tell you him, he

0:14:03.080 --> 0:14:08.120
<v Speaker 1>has some powerful relationships, didn't he. Reginald, He's he's he's

0:14:08.160 --> 0:14:16.600
<v Speaker 1>incredible because he's a person understand ninth grade education from Climax,

0:14:16.679 --> 0:14:20.600
<v Speaker 1>North Carolina. Okay, he gets kicked out of his house

0:14:20.760 --> 0:14:24.360
<v Speaker 1>from an abso stepfather. He gets on the train for

0:14:24.400 --> 0:14:26.520
<v Speaker 1>the first time in his life as a young boy,

0:14:26.880 --> 0:14:31.400
<v Speaker 1>goes to New Jersey. But somehow, no matter what situation

0:14:31.440 --> 0:14:34.920
<v Speaker 1>he's thrown in, he rises to the occasion and he

0:14:35.120 --> 0:14:39.320
<v Speaker 1>builds relationships, not because he's kissing, but but because he

0:14:39.440 --> 0:14:42.960
<v Speaker 1>works hard and he gets it done and everybody likes him,

0:14:43.040 --> 0:14:46.280
<v Speaker 1>and he just from that he gets given another opportunity

0:14:46.480 --> 0:14:49.840
<v Speaker 1>and guess what he achieved at that opportunity, which puts

0:14:49.960 --> 0:14:52.840
<v Speaker 1>so he can hire and hire. Pretty soon he's in

0:14:52.920 --> 0:14:57.640
<v Speaker 1>the executive suite in New York, l A everywhere. He

0:14:57.800 --> 0:15:01.840
<v Speaker 1>still has his same values is them even though he

0:15:02.000 --> 0:15:05.240
<v Speaker 1>dealing with people that would make your head spin, and

0:15:06.760 --> 0:15:11.240
<v Speaker 1>that balancing that of thing, taming your core values at

0:15:11.240 --> 0:15:14.240
<v Speaker 1>the same time they gave betwe evolved as a person

0:15:14.600 --> 0:15:19.600
<v Speaker 1>and evolved as a set of goals is highly unusual.

0:15:20.920 --> 0:15:22.080
<v Speaker 1>You know, there is the thing I want to tell

0:15:22.080 --> 0:15:24.640
<v Speaker 1>everybody about. We're talking about The Black Guardfather, which is

0:15:24.680 --> 0:15:29.479
<v Speaker 1>currently available on Netflix. Um it's an in brilliant um

0:15:29.840 --> 0:15:34.040
<v Speaker 1>uh portrayal of an individual who didn't put himself in

0:15:34.040 --> 0:15:36.920
<v Speaker 1>front of the opportunity. He provided the opportunity. And that

0:15:37.080 --> 0:15:40.240
<v Speaker 1>point in question is this, If you came to him

0:15:40.280 --> 0:15:43.640
<v Speaker 1>with a bad record deal, he fixed it. If he

0:15:43.720 --> 0:15:45.600
<v Speaker 1>told you came to him and you didn't know how

0:15:45.640 --> 0:15:47.240
<v Speaker 1>to do a record deal, he told you how to

0:15:47.280 --> 0:15:49.120
<v Speaker 1>do it. He didn't try to take advantage of it.

0:15:50.200 --> 0:15:52.400
<v Speaker 1>That is what I'm talking about. When I talk about this,

0:15:52.760 --> 0:15:55.360
<v Speaker 1>I'm gonna call him a young man because he's still

0:15:55.360 --> 0:15:58.160
<v Speaker 1>out there making a difference in my life just by

0:15:58.200 --> 0:16:00.880
<v Speaker 1>watching this special. If you're an entrepreneur, if you're interested

0:16:00.920 --> 0:16:03.360
<v Speaker 1>in entertainment, you want to say you want to under

0:16:03.480 --> 0:16:08.280
<v Speaker 1>understand how you walk through life and understand the values

0:16:08.320 --> 0:16:12.960
<v Speaker 1>of relationships and and and people stepping in front of

0:16:13.000 --> 0:16:15.680
<v Speaker 1>you to give you the opportunity. He worked hard. First

0:16:15.680 --> 0:16:18.320
<v Speaker 1>of all, let's put that down. He worked hard. He

0:16:18.400 --> 0:16:21.240
<v Speaker 1>did not change who he was. So if he failed,

0:16:21.400 --> 0:16:24.080
<v Speaker 1>he knew why he failed because he was being himself.

0:16:24.440 --> 0:16:28.360
<v Speaker 1>So he always maintained that integrity. And that is why

0:16:28.360 --> 0:16:31.840
<v Speaker 1>it's important that we understood that. He also became the

0:16:31.960 --> 0:16:35.480
<v Speaker 1>voice of a brand, and at that time was black entertainment.

0:16:35.920 --> 0:16:38.360
<v Speaker 1>He was crazy enough, Yeah, coming to me, I can

0:16:38.400 --> 0:16:41.960
<v Speaker 1>make it happen. He said that, and then guess what,

0:16:43.240 --> 0:16:47.240
<v Speaker 1>White Hollywood went okay, and guess what he would and

0:16:47.240 --> 0:16:49.200
<v Speaker 1>made it happen. Even if he didn't have the relationship,

0:16:49.400 --> 0:16:51.520
<v Speaker 1>he wouldn't have made it happen. That was I'm saying.

0:16:51.520 --> 0:16:54.200
<v Speaker 1>This is an incredible journey. So let me ask you this.

0:16:54.360 --> 0:16:57.240
<v Speaker 1>Reginald and during the documentary The Black Guard Father, which

0:16:57.280 --> 0:17:00.920
<v Speaker 1>is available now on Netflix. What it a couple of

0:17:01.040 --> 0:17:05.280
<v Speaker 1>days the most for you, Well, a couple of things.

0:17:05.320 --> 0:17:12.760
<v Speaker 1>One is that he would not sell out when when

0:17:12.880 --> 0:17:17.040
<v Speaker 1>Dick Clark was trying to create a competing black show

0:17:17.119 --> 0:17:21.639
<v Speaker 1>for Soul Train and Don Kurles is fighting for the

0:17:21.720 --> 0:17:25.720
<v Speaker 1>West my own man. If they do a knockoff, they're

0:17:25.720 --> 0:17:27.840
<v Speaker 1>gonna have the hook up. They're gonna take my advertiser,

0:17:27.880 --> 0:17:30.320
<v Speaker 1>they're gonna take my viewers, and I'll be done for

0:17:31.000 --> 0:17:35.000
<v Speaker 1>And Clarence was like, Nope, I don't care how much

0:17:35.040 --> 0:17:38.159
<v Speaker 1>money you are for me. I'm on Don Cornelius side.

0:17:38.760 --> 0:17:43.879
<v Speaker 1>You've got a black businessman who created this show, supported

0:17:43.880 --> 0:17:48.359
<v Speaker 1>by another black businessman, Johnson Products, the you know, the

0:17:48.359 --> 0:17:52.720
<v Speaker 1>the the the beauty product company, and this is for

0:17:52.880 --> 0:17:57.240
<v Speaker 1>black people. So no, we're not gonna put all these

0:17:57.280 --> 0:18:01.080
<v Speaker 1>black people out of work, Don Cornelia is We're not

0:18:01.080 --> 0:18:04.200
<v Speaker 1>gonna hurt this black hair care company. We're gonna protect

0:18:04.240 --> 0:18:06.879
<v Speaker 1>all this. You know, this is part of the bigger

0:18:06.960 --> 0:18:10.200
<v Speaker 1>plan of black people moving forward. These folks are all

0:18:10.280 --> 0:18:14.280
<v Speaker 1>doing excellent work, whether it's Johnson Products, whether it's not Cornelius.

0:18:14.560 --> 0:18:17.280
<v Speaker 1>So you know what we're gonna we're gonna like link

0:18:17.440 --> 0:18:20.920
<v Speaker 1>arms and we're gonna protect that. And if it's just him,

0:18:20.960 --> 0:18:24.320
<v Speaker 1>then it's just him. And Clarence would go into the

0:18:24.400 --> 0:18:27.000
<v Speaker 1>rooms of the power brokers and he would tell them,

0:18:27.359 --> 0:18:30.320
<v Speaker 1>you're not gonna do this, and he would turn down

0:18:30.359 --> 0:18:32.800
<v Speaker 1>the payoff and he said, no, we're just gonna do

0:18:32.840 --> 0:18:37.400
<v Speaker 1>it for my man. That he just said that politely too.

0:18:37.560 --> 0:18:41.480
<v Speaker 1>You're not gonna do this to these in words, to us,

0:18:41.640 --> 0:18:43.560
<v Speaker 1>the white folks in the room. He just told him

0:18:43.600 --> 0:18:46.280
<v Speaker 1>like it is. Now he's not switched style depending on

0:18:46.320 --> 0:18:48.440
<v Speaker 1>who was in the room. Yeah, he don't care. He

0:18:48.560 --> 0:18:51.159
<v Speaker 1>don't care. Now, here's the funny part about listening to

0:18:51.320 --> 0:18:54.680
<v Speaker 1>watching this show. So you know, I know Regilards coming

0:18:54.680 --> 0:18:56.320
<v Speaker 1>on the show, and I would I know he did

0:18:56.359 --> 0:18:59.280
<v Speaker 1>the documentary Black Hard Father, So I thought, I cheat, right,

0:18:59.760 --> 0:19:03.359
<v Speaker 1>I came on Netflix two hours, so I go, okay,

0:19:04.320 --> 0:19:06.720
<v Speaker 1>thirty minutes. I know, thirty minutes. I could probably cheat.

0:19:06.760 --> 0:19:10.840
<v Speaker 1>Act like I watched the rest right minutes. Okay, I'm

0:19:10.880 --> 0:19:14.800
<v Speaker 1>in forty minutes. Okay, in an hour, because because each

0:19:15.359 --> 0:19:20.919
<v Speaker 1>fifteen minutes keeps you you're like nah, nah, another start.

0:19:21.400 --> 0:19:24.159
<v Speaker 1>You know. Bill Clinton goes on there talking about he

0:19:24.200 --> 0:19:26.760
<v Speaker 1>was there when he's about to be impeached. He went

0:19:26.800 --> 0:19:31.040
<v Speaker 1>to him, clans Clarson hanging that brother gonna be all good.

0:19:31.280 --> 0:19:34.960
<v Speaker 1>That's how he told him. Bill Clem said, thank you. Okay,

0:19:35.000 --> 0:19:36.879
<v Speaker 1>this is the guy. This is the this is the

0:19:36.920 --> 0:19:40.480
<v Speaker 1>type of guy we're talking about that people came to him.

0:19:40.520 --> 0:19:42.719
<v Speaker 1>You know, when they're talking about they talk about when

0:19:42.800 --> 0:19:47.240
<v Speaker 1>Loud Richard talks about, we're talking about you know, baby

0:19:47.280 --> 0:19:51.119
<v Speaker 1>face talking about his importance. It's just so many individuals

0:19:51.200 --> 0:19:54.199
<v Speaker 1>and yeah, like even though I know Cathy Hughes, and

0:19:54.280 --> 0:19:58.520
<v Speaker 1>Cathy Hughes, you know she expouses on him and and

0:19:58.640 --> 0:20:00.919
<v Speaker 1>his integrity and when he did for him. But the

0:20:01.000 --> 0:20:03.879
<v Speaker 1>number one thing that I kept hearing from everybody was

0:20:03.920 --> 0:20:06.240
<v Speaker 1>that it was never about him going how much money

0:20:06.240 --> 0:20:10.640
<v Speaker 1>I'm gonna make off you. It was never about how

0:20:10.720 --> 0:20:12.960
<v Speaker 1>much money I'm gonna make off of you. In fact,

0:20:13.280 --> 0:20:15.440
<v Speaker 1>when he should have been charging, it said several times

0:20:15.480 --> 0:20:17.440
<v Speaker 1>when he should have been charging, everybody's waiting on the

0:20:17.480 --> 0:20:20.480
<v Speaker 1>bill to come their way, and it never came. Because

0:20:20.480 --> 0:20:23.720
<v Speaker 1>he was all about protecting you, showing you the right

0:20:23.760 --> 0:20:26.520
<v Speaker 1>path to success, and he believed he was gonna get

0:20:26.560 --> 0:20:28.679
<v Speaker 1>taken care and he has been taken care of. But

0:20:28.720 --> 0:20:30.560
<v Speaker 1>it was never about sitting down in front of you

0:20:30.600 --> 0:20:32.320
<v Speaker 1>talking about Look here, I'm gonna show you how to

0:20:32.359 --> 0:20:34.320
<v Speaker 1>do this record deal. But I'm gonna take my little

0:20:34.359 --> 0:20:36.840
<v Speaker 1>side over here. What conna do I do my little

0:20:36.840 --> 0:20:38.639
<v Speaker 1>hook up? He showed you how to do it, so

0:20:38.720 --> 0:20:41.320
<v Speaker 1>you can show somebody else. That's the beauty of this special.

0:20:41.400 --> 0:20:43.359
<v Speaker 1>That's why you have to watch it. It's called The

0:20:43.400 --> 0:20:48.719
<v Speaker 1>Black gold Father is now available on Netflix, and it's produced, directed, edited,

0:20:49.040 --> 0:20:53.040
<v Speaker 1>executive produced by my man Reginald Hudling. Reginald, you bro,

0:20:53.200 --> 0:20:59.000
<v Speaker 1>there's another great project down in your resume. Huh. Look well,

0:20:59.040 --> 0:21:02.440
<v Speaker 1>I'm so grateful for is the response to the public.

0:21:02.680 --> 0:21:06.280
<v Speaker 1>I've got people who said, Reggie, I put it on

0:21:06.400 --> 0:21:10.879
<v Speaker 1>at eleven o'clock. I finished it at one. I know

0:21:10.960 --> 0:21:13.439
<v Speaker 1>I should have gone to bed. I just watched it again,

0:21:13.800 --> 0:21:16.520
<v Speaker 1>back to back, but this time I had my notepad

0:21:16.560 --> 0:21:19.600
<v Speaker 1>out and I'm taking notes. I'll talk to people who

0:21:19.600 --> 0:21:22.000
<v Speaker 1>said they've seen it four times, six times, and oh

0:21:22.080 --> 0:21:24.840
<v Speaker 1>I get something different out of it every time. And

0:21:25.840 --> 0:21:29.760
<v Speaker 1>I and I'm talking to black folks, white folks, rich people,

0:21:29.880 --> 0:21:35.240
<v Speaker 1>poor people. It doesn't matter young or old. Everyone is resonating.

0:21:35.280 --> 0:21:38.840
<v Speaker 1>My kids saw it and they were inspired. A lot

0:21:38.880 --> 0:21:41.040
<v Speaker 1>of folks they watched the movie, they said, Man, I'm

0:21:41.080 --> 0:21:42.720
<v Speaker 1>gonna go back to the office. I need to work

0:21:42.720 --> 0:21:45.639
<v Speaker 1>a little harder. Uh some people hit me and go,

0:21:45.800 --> 0:21:47.280
<v Speaker 1>you know what, I need to be a little more

0:21:47.280 --> 0:21:50.239
<v Speaker 1>generous that I'm being with people who are coming up

0:21:50.280 --> 0:21:53.880
<v Speaker 1>behind me. I need to help more. So it's it's

0:21:53.960 --> 0:21:59.399
<v Speaker 1>transforming people. Uh So I'm really grateful that the movie

0:21:59.480 --> 0:22:01.920
<v Speaker 1>is having the impact that it is. I want to

0:22:01.920 --> 0:22:03.520
<v Speaker 1>I know, we've got two minutes left in this interview,

0:22:03.800 --> 0:22:06.879
<v Speaker 1>and I just got to talk about the CP Image

0:22:06.920 --> 0:22:10.399
<v Speaker 1>Awards UM which has become the award show that it

0:22:10.480 --> 0:22:14.639
<v Speaker 1>always uh should have been. Is it recognizes Anthony Anderson

0:22:14.720 --> 0:22:17.080
<v Speaker 1>has been Anthony Anderson has been amazed as the host.

0:22:17.440 --> 0:22:19.560
<v Speaker 1>What do you feel that you brought to the table

0:22:19.640 --> 0:22:22.600
<v Speaker 1>that now makes this show they must see it, must

0:22:22.600 --> 0:22:27.360
<v Speaker 1>attend show, must attend show. Well, Well, well, thank you.

0:22:27.440 --> 0:22:30.200
<v Speaker 1>I mean, you know, we worked hard on a couple

0:22:30.200 --> 0:22:33.560
<v Speaker 1>of things. One is we wanted to make sure the

0:22:33.800 --> 0:22:37.919
<v Speaker 1>full range of black Hollywood was represented, you know, not

0:22:38.119 --> 0:22:41.040
<v Speaker 1>just your friends, but you know, okay, here's an exciting

0:22:41.080 --> 0:22:43.959
<v Speaker 1>new voice. Well let's make sure we honor the legends,

0:22:44.040 --> 0:22:46.800
<v Speaker 1>make sure we you know, folks who are working in

0:22:47.080 --> 0:22:50.600
<v Speaker 1>unusual parts of entertainment for black folks. We want to

0:22:50.600 --> 0:22:54.320
<v Speaker 1>make sure everybody's represented. And then the second thing is

0:22:54.560 --> 0:22:58.200
<v Speaker 1>and we you know, and you know, our our black

0:22:58.240 --> 0:23:01.159
<v Speaker 1>talent are Latin, are at in town on our Asian

0:23:01.200 --> 0:23:05.000
<v Speaker 1>talent are white allies. They're all are welcome. You know.

0:23:05.160 --> 0:23:07.960
<v Speaker 1>We make sure the show starts sometime and then sometimes

0:23:08.040 --> 0:23:11.600
<v Speaker 1>the live show. Everyone knows. We handle our business like

0:23:12.760 --> 0:23:18.680
<v Speaker 1>it's no CPT, it is JPT. And and and then

0:23:18.920 --> 0:23:21.720
<v Speaker 1>the last part is we try to keep up in

0:23:21.760 --> 0:23:24.960
<v Speaker 1>the production values a little more every year. How can

0:23:25.000 --> 0:23:27.520
<v Speaker 1>we top ourselves? How can we make it better? So

0:23:27.680 --> 0:23:31.280
<v Speaker 1>now people are like, whoa, you know what. I may

0:23:31.359 --> 0:23:33.840
<v Speaker 1>or may not win that Oscar this year, but I

0:23:34.040 --> 0:23:40.199
<v Speaker 1>know my family with the act and black folks are

0:23:40.240 --> 0:23:42.280
<v Speaker 1>going to embrace me and give me the love. I

0:23:42.440 --> 0:23:44.080
<v Speaker 1>may or may not get that at me, or may

0:23:44.160 --> 0:23:46.600
<v Speaker 1>or may not get that Grammy, but I know when

0:23:46.600 --> 0:23:49.680
<v Speaker 1>I come home, I'm going to get the warm embrace

0:23:49.760 --> 0:23:52.720
<v Speaker 1>that I deserve. Regild is always thank you for coming

0:23:52.760 --> 0:23:56.879
<v Speaker 1>on money making conversations, keep winning, my brother, Thank you,

0:23:56.960 --> 0:23:57.359
<v Speaker 1>my brother,