1 00:00:00,120 --> 00:00:03,400 Speaker 1: My next guest is that person. Call him a good friend, 2 00:00:03,680 --> 00:00:07,800 Speaker 1: somebody I laughed. I've laughed many times and in entertainment 3 00:00:07,800 --> 00:00:10,680 Speaker 1: where we walked with eating together. He's called on me 4 00:00:10,720 --> 00:00:13,080 Speaker 1: to do favors for him, and I've and I've done 5 00:00:13,119 --> 00:00:15,160 Speaker 1: him because guess what, he's the type of person when 6 00:00:15,160 --> 00:00:17,599 Speaker 1: he calls you, you should do a favor for. And 7 00:00:17,640 --> 00:00:19,560 Speaker 1: more than thirty years, more than thirty year career. My 8 00:00:19,600 --> 00:00:22,840 Speaker 1: next guest is written, directed to produce numerous classic feature 9 00:00:22,840 --> 00:00:30,240 Speaker 1: films including House Party, Awesome, Boomerang, Classic Baby's Kids, Classic Django, 10 00:00:30,480 --> 00:00:35,199 Speaker 1: Unchained and started my board. Jamie Fox and Marshall, you know, hey, 11 00:00:35,240 --> 00:00:38,000 Speaker 1: my man Black Panther and that one. He's excutive abusive 12 00:00:38,040 --> 00:00:42,479 Speaker 1: writer of the animated TV series Black Panther, executive producer Boondocks. 13 00:00:42,680 --> 00:00:44,440 Speaker 1: He's on the show to day to talk about this 14 00:00:44,880 --> 00:00:47,160 Speaker 1: his first that's what the that's what the bio said, 15 00:00:47,440 --> 00:00:51,600 Speaker 1: his first feature Lynch documentary, The Black Girlfather, which is 16 00:00:51,640 --> 00:00:54,880 Speaker 1: currently airing right now on Netflix. Please work with the 17 00:00:54,880 --> 00:01:00,240 Speaker 1: money making conversation. My dear friend Reginald Hudland, thank you, 18 00:01:00,240 --> 00:01:07,760 Speaker 1: you come on now. Black Godfather Clarence A. Vot I 19 00:01:07,840 --> 00:01:10,280 Speaker 1: had a chance in the two thousand, I was in 20 00:01:10,319 --> 00:01:13,320 Speaker 1: there and and Steve Harvey was doing radio and l 21 00:01:13,400 --> 00:01:16,360 Speaker 1: A blowing up. We took a station that was nineteen 22 00:01:16,400 --> 00:01:19,039 Speaker 1: in the market. It was number one and six months 23 00:01:19,040 --> 00:01:23,679 Speaker 1: so we were Who's who black radio a radio period 24 00:01:24,040 --> 00:01:27,840 Speaker 1: in l A. And everybody kept telling me, Chean, you 25 00:01:27,840 --> 00:01:32,520 Speaker 1: gotta meet this guy, Clarence Avon. He's uh, you gotta 26 00:01:32,520 --> 00:01:35,119 Speaker 1: meet him, man, you gotta meet He's kind of like you. 27 00:01:35,200 --> 00:01:36,560 Speaker 1: He's kind of like you in a lot of ways, 28 00:01:36,600 --> 00:01:40,840 Speaker 1: but he's a bad man. I will tell you this, Reginald. 29 00:01:40,880 --> 00:01:43,880 Speaker 1: I did not meet him after watching this special, The 30 00:01:43,920 --> 00:01:48,080 Speaker 1: Black Girl Father, which I am recommending everybody watch. All right, 31 00:01:49,800 --> 00:01:52,240 Speaker 1: he's special. Man. How did you come across the story 32 00:01:52,240 --> 00:01:54,080 Speaker 1: and how were you able to put all of this, 33 00:01:54,600 --> 00:01:58,160 Speaker 1: all of this footage together. Man, there's so many clearances 34 00:01:58,160 --> 00:01:59,880 Speaker 1: you had to do to get all this stuff clear. 35 00:02:01,240 --> 00:02:04,560 Speaker 1: You know that. I love that you went straight to 36 00:02:04,560 --> 00:02:10,360 Speaker 1: the business side. The movie got mad. Yes, man, I'm 37 00:02:10,360 --> 00:02:13,519 Speaker 1: talking about I'm talking to people you're watching special. It's 38 00:02:13,520 --> 00:02:17,720 Speaker 1: amazing the journey this young man had through his life. Okay, 39 00:02:17,960 --> 00:02:23,040 Speaker 1: coming from the South, going to Chicago in l A. Presidents. 40 00:02:23,600 --> 00:02:27,160 Speaker 1: You know the fact that he um. But then I 41 00:02:27,320 --> 00:02:30,760 Speaker 1: then that can that go business? The Reginald go Okay, uh, okay, 42 00:02:30,760 --> 00:02:33,480 Speaker 1: that needs to be clear. Okay, that needs to be clear. Okay, 43 00:02:33,520 --> 00:02:35,359 Speaker 1: how did you get permissure of that? That needs to 44 00:02:35,400 --> 00:02:37,880 Speaker 1: because Stan Lathan sitting up in there, you know Lyon 45 00:02:38,080 --> 00:02:41,080 Speaker 1: Richie sitting up in there. You know l A. Reid 46 00:02:40,720 --> 00:02:43,960 Speaker 1: and Baby facitting up in there. You know Jimmy jam 47 00:02:43,960 --> 00:02:46,200 Speaker 1: and Terry Lewis sitting up in there. It's just a 48 00:02:46,880 --> 00:02:50,360 Speaker 1: list after listen, President Barack Obama sitting up in there, 49 00:02:50,680 --> 00:02:53,359 Speaker 1: President Bill Clinton sitting up in there. Talking about this man. 50 00:02:53,960 --> 00:02:56,440 Speaker 1: This is what this special is about. And I'm leaving 51 00:02:56,440 --> 00:02:58,400 Speaker 1: out a whole lot of names because guess what you 52 00:02:58,440 --> 00:03:02,240 Speaker 1: need to watch and be on at this man's ability 53 00:03:02,440 --> 00:03:08,239 Speaker 1: to be able to communicate at every level of our society. Who, Reginald, 54 00:03:08,320 --> 00:03:10,120 Speaker 1: how did you get this story and how did you 55 00:03:10,120 --> 00:03:15,760 Speaker 1: get started? Well? Crazy enough? I met him at the 56 00:03:15,800 --> 00:03:20,400 Speaker 1: beginning of my career in show business. Um. I made 57 00:03:20,960 --> 00:03:26,520 Speaker 1: some little short films, and when I started doing music videos, 58 00:03:27,639 --> 00:03:30,799 Speaker 1: all my music business friends would talk about Clarence A. 59 00:03:30,880 --> 00:03:36,480 Speaker 1: Vo Andre Herredo Russell Simmons. They talked about plans like 60 00:03:36,640 --> 00:03:38,840 Speaker 1: he was Zeus you know what I mean. He was 61 00:03:39,720 --> 00:03:43,600 Speaker 1: model Lympus level, like you know. Uh, so I knew 62 00:03:43,640 --> 00:03:46,720 Speaker 1: he was important. I knew he was at the top 63 00:03:46,760 --> 00:03:50,440 Speaker 1: of the food chain. But then I get a call 64 00:03:50,880 --> 00:03:56,400 Speaker 1: from George Jackson mckenry, who were black producers making movies, 65 00:03:57,040 --> 00:04:05,640 Speaker 1: and one of the movies. You know, I'm absolutely and 66 00:04:06,080 --> 00:04:08,400 Speaker 1: George was a few years ahead of me in college. 67 00:04:08,680 --> 00:04:10,920 Speaker 1: So he said, oh, I know this young kid, he 68 00:04:11,120 --> 00:04:14,920 Speaker 1: just graduated. He's got a little student film called House Party. 69 00:04:15,040 --> 00:04:18,000 Speaker 1: He's talented. So they called me out to l A 70 00:04:18,640 --> 00:04:21,680 Speaker 1: for a meeting about a movie that was supposed to 71 00:04:21,680 --> 00:04:26,080 Speaker 1: start Janet Jackson. And the time, Janet Jackson had just 72 00:04:26,200 --> 00:04:29,560 Speaker 1: done her first album, uh, you know, a control that 73 00:04:29,600 --> 00:04:33,680 Speaker 1: really had broken out, and you know, the time was hot, 74 00:04:33,720 --> 00:04:36,840 Speaker 1: coming off a Purple Rain. So they were like, let's 75 00:04:36,839 --> 00:04:39,359 Speaker 1: do a movie with them together. So they brought me 76 00:04:39,400 --> 00:04:42,320 Speaker 1: out there and Clarence met me at the airport, which 77 00:04:42,400 --> 00:04:46,120 Speaker 1: I knew was a big deal because Clarence was the man. 78 00:04:47,279 --> 00:04:52,320 Speaker 1: And so then they brought me to his house, which 79 00:04:52,360 --> 00:04:55,440 Speaker 1: was in the beautiful home in Beverly Hills, filled with 80 00:04:55,480 --> 00:04:59,560 Speaker 1: the most amazing black art. It was like a museum. Uh. 81 00:04:59,600 --> 00:05:01,960 Speaker 1: And then I'm looking around, and then I see an 82 00:05:01,960 --> 00:05:06,080 Speaker 1: Andy Warhol painting and I'm like, whoa, that's that's stuff. 83 00:05:06,120 --> 00:05:09,840 Speaker 1: You see a museums in this man's house. And then 84 00:05:09,880 --> 00:05:12,560 Speaker 1: I met him, and he was everything everyone claimed he was. 85 00:05:12,680 --> 00:05:16,200 Speaker 1: He was wrong, he was real, He cut to it. 86 00:05:16,560 --> 00:05:19,520 Speaker 1: At the same time, you know, you knew he was 87 00:05:19,600 --> 00:05:23,239 Speaker 1: the man that just made things happen. And then over 88 00:05:23,279 --> 00:05:26,000 Speaker 1: the years, in all my time and show business, you 89 00:05:26,080 --> 00:05:30,080 Speaker 1: really can't do too much without hearing Clarence names evoked 90 00:05:30,160 --> 00:05:34,040 Speaker 1: one way or the other. Whether it's music business or 91 00:05:34,200 --> 00:05:39,320 Speaker 1: politics or whatever it is, Clarence is always up in there. 92 00:05:40,120 --> 00:05:43,279 Speaker 1: Uh So I knew I wanted to tell his story 93 00:05:43,440 --> 00:05:48,599 Speaker 1: because we all respected him, our whole generation of folks 94 00:05:48,640 --> 00:05:51,920 Speaker 1: who worked entertainment, Black folks who worked in entertainment. I 95 00:05:51,920 --> 00:05:54,800 Speaker 1: don't care if you're in the music business, movie business, whatever, 96 00:05:55,240 --> 00:05:58,839 Speaker 1: you respected Clarence avan And I thought, well, I want 97 00:05:58,839 --> 00:06:01,840 Speaker 1: to tell his story, right doc. Clarence did not want 98 00:06:01,880 --> 00:06:04,360 Speaker 1: his story told. He was like, I'm not writing a book. 99 00:06:04,400 --> 00:06:08,560 Speaker 1: I'm not doing this, I'm not doing that. So finally 100 00:06:08,760 --> 00:06:13,280 Speaker 1: his daughter and Nicole, maybe not a book, maybe let's 101 00:06:13,320 --> 00:06:16,719 Speaker 1: do a documentary, and he agreed to that, and then 102 00:06:16,839 --> 00:06:19,080 Speaker 1: She asked them, well, who do you want to make it? 103 00:06:19,360 --> 00:06:22,479 Speaker 1: And he said, well call Reggie. I like Reggie. And 104 00:06:23,320 --> 00:06:26,680 Speaker 1: that's funny, you know boom. Now when you get that 105 00:06:26,720 --> 00:06:29,560 Speaker 1: called that's like a papal order, that's like a Vatican right, 106 00:06:30,080 --> 00:06:34,640 Speaker 1: you do, go, your sir, get on it. And but 107 00:06:34,680 --> 00:06:36,560 Speaker 1: it also but it also has some fear in that 108 00:06:36,640 --> 00:06:39,200 Speaker 1: too when you say, because you know, you know the 109 00:06:39,240 --> 00:06:41,719 Speaker 1: body of work that you how do you do the beginning, 110 00:06:41,760 --> 00:06:43,839 Speaker 1: middle of the end, because this is an incredible beginning, 111 00:06:43,839 --> 00:06:45,760 Speaker 1: because we could have stayed on the beginning when you 112 00:06:45,839 --> 00:06:49,080 Speaker 1: got started, you know, a gainst the relation background, that 113 00:06:49,160 --> 00:06:51,719 Speaker 1: was a whole story yourself. You know that's a movie. Really, 114 00:06:52,040 --> 00:06:55,720 Speaker 1: you know that's a movie. Really right, well, there's no 115 00:06:55,880 --> 00:06:58,640 Speaker 1: question and you know when I you know it was me, 116 00:07:00,040 --> 00:07:04,360 Speaker 1: Nelson Georgs, the you know journalists, uh you know Byron Phillips, 117 00:07:04,440 --> 00:07:08,200 Speaker 1: my producing partner, and also had these backgrounds in the 118 00:07:08,279 --> 00:07:11,440 Speaker 1: music business. We all have new clearents. We all heard 119 00:07:11,480 --> 00:07:14,040 Speaker 1: all these great journeys. We thought we knew what we 120 00:07:14,040 --> 00:07:17,720 Speaker 1: were doing. But once you start thinking, then you realize 121 00:07:17,720 --> 00:07:20,960 Speaker 1: way that this door just opened to another door, open 122 00:07:21,040 --> 00:07:25,400 Speaker 1: to another door. Every time you interview somebody that at 123 00:07:25,400 --> 00:07:27,400 Speaker 1: the end of the interview they go, oh, you know 124 00:07:27,480 --> 00:07:29,520 Speaker 1: who you need to talk to, and then they name 125 00:07:29,600 --> 00:07:33,960 Speaker 1: three more names. So at a certain point I turned 126 00:07:34,000 --> 00:07:39,120 Speaker 1: to the cool um U I said, Nicole, this is 127 00:07:39,480 --> 00:07:42,280 Speaker 1: I don't know how far are we gonna go, but 128 00:07:42,400 --> 00:07:45,440 Speaker 1: this is my promise to you. I'm gonna shoot until 129 00:07:45,480 --> 00:07:49,400 Speaker 1: we're done, right to how long it takes. So we're 130 00:07:49,440 --> 00:07:52,720 Speaker 1: really supposed to interview thirty people in a year, so 131 00:07:52,880 --> 00:07:57,880 Speaker 1: we did seventy five people in three years because we 132 00:07:57,960 --> 00:08:01,080 Speaker 1: had to tell it right to me, Clarence is a 133 00:08:01,200 --> 00:08:05,160 Speaker 1: part of black history, but you don't know it because 134 00:08:05,200 --> 00:08:08,520 Speaker 1: he don't want you to know it. Right he You know, 135 00:08:08,560 --> 00:08:11,320 Speaker 1: people say the phrase like Carol or trus once said 136 00:08:11,320 --> 00:08:16,080 Speaker 1: it real bad boys moving silence. Clarence is the definition 137 00:08:16,120 --> 00:08:20,360 Speaker 1: of real bad boys moving silence. So many people today 138 00:08:20,480 --> 00:08:24,120 Speaker 1: they always want to gas themselves up. I'm this, I'm 139 00:08:24,200 --> 00:08:27,000 Speaker 1: not you know that. I'm on social media. You need 140 00:08:27,040 --> 00:08:29,720 Speaker 1: to give me my pops. I've won an award. He's 141 00:08:29,760 --> 00:08:33,880 Speaker 1: the opposite. He don't want nobody to know nothing unless 142 00:08:33,880 --> 00:08:37,560 Speaker 1: you need to know. But let's put this way. His boys, 143 00:08:37,640 --> 00:08:43,240 Speaker 1: Chrissy Jones, I mean they boys like his boy boy. 144 00:08:43,520 --> 00:08:47,400 Speaker 1: I mean, I mean, I mean they're sitting across each other. 145 00:08:47,440 --> 00:08:50,160 Speaker 1: So so that lets you know that you know, we 146 00:08:50,200 --> 00:08:52,840 Speaker 1: know Chrissy Jones just say you're hanging out called Nobody's boy. 147 00:08:53,240 --> 00:08:55,920 Speaker 1: You know. They it was like their friends best friends 148 00:08:56,040 --> 00:08:59,720 Speaker 1: and so and our journey has been years put together. 149 00:09:00,040 --> 00:09:02,400 Speaker 1: But the beauty of this whole when I'm watching this, 150 00:09:02,520 --> 00:09:05,160 Speaker 1: I'm watching this, I'm going, you know, and I have 151 00:09:05,200 --> 00:09:08,160 Speaker 1: to consider myself a guy who knows a lot. Okay, 152 00:09:08,280 --> 00:09:10,839 Speaker 1: now here's a guy. People have been telling me when 153 00:09:10,840 --> 00:09:13,440 Speaker 1: I was in l a and the two early two thousand, 154 00:09:13,720 --> 00:09:15,679 Speaker 1: this is a guy I was supposed to meet. Several 155 00:09:15,720 --> 00:09:17,680 Speaker 1: times they kept saying, Rachelle, you gotta meet this guy. 156 00:09:18,120 --> 00:09:20,280 Speaker 1: Just talk to you, gotta meet this guy and then 157 00:09:20,360 --> 00:09:23,320 Speaker 1: to see what he was. And I just saw and 158 00:09:23,480 --> 00:09:25,840 Speaker 1: I'm sure, Reggie, you see a piece of yourself in 159 00:09:25,960 --> 00:09:32,000 Speaker 1: him because he is so fearless. He is so he 160 00:09:32,000 --> 00:09:34,079 Speaker 1: would go up and went to the head of Coca Cola. 161 00:09:34,320 --> 00:09:37,000 Speaker 1: Told me, I need to get Harry Aaron out there 162 00:09:37,000 --> 00:09:39,559 Speaker 1: because because black people, we need to say black people, 163 00:09:39,640 --> 00:09:46,880 Speaker 1: but black people drink cold. It was clean because he 164 00:09:47,120 --> 00:09:49,440 Speaker 1: told it he he was a straight shooter. He would saying, 165 00:09:49,480 --> 00:09:52,160 Speaker 1: and Henry Aaron will tell you in the interview that 166 00:09:52,400 --> 00:09:54,400 Speaker 1: he broke all the grounds for him to be a 167 00:09:54,440 --> 00:10:00,240 Speaker 1: recognized person and sponsors and commercial endorsements. You go, there's 168 00:10:00,280 --> 00:10:04,960 Speaker 1: no soul train. There's no Soul train without there's no 169 00:10:06,120 --> 00:10:10,920 Speaker 1: Clarence has been involved in every black institution there is, 170 00:10:12,120 --> 00:10:18,440 Speaker 1: from from Motown to Soul Trained, WBLS. You know, help 171 00:10:18,600 --> 00:10:22,200 Speaker 1: Kathy Hughes. Cathy would say, oh, you know, you know, 172 00:10:22,280 --> 00:10:25,320 Speaker 1: Clarence is like my dad. He advised me on everything. 173 00:10:25,840 --> 00:10:30,720 Speaker 1: You know, you know, you know everything magazine, w PLS, 174 00:10:31,200 --> 00:10:35,040 Speaker 1: you can just name it. If it's an important Black institution, 175 00:10:35,800 --> 00:10:38,920 Speaker 1: Clarence has had his fingers on it. You don't know it, 176 00:10:39,080 --> 00:10:42,800 Speaker 1: but he's there. So when you saw, you know, and 177 00:10:42,840 --> 00:10:46,760 Speaker 1: did his daughter became in you know, ambassador to the 178 00:10:46,800 --> 00:10:51,040 Speaker 1: Bahamas and you know his son. You know, he has 179 00:10:51,080 --> 00:10:53,200 Speaker 1: a talent agency. But you can tell in the story 180 00:10:53,280 --> 00:10:56,520 Speaker 1: that he cares to weight of his dad's greatness. How 181 00:10:56,559 --> 00:10:58,800 Speaker 1: can I live up to him my dad's greatness. There 182 00:10:59,080 --> 00:11:01,920 Speaker 1: It really was a touch moment in the documentary when 183 00:11:01,960 --> 00:11:04,240 Speaker 1: he when when he talks about when you hear him 184 00:11:04,280 --> 00:11:09,000 Speaker 1: talking feeling that that weight of his dad's greatness because 185 00:11:09,440 --> 00:11:11,080 Speaker 1: he is a great and then you don't understand it 186 00:11:11,080 --> 00:11:13,480 Speaker 1: because guess what, you don't know what just Dad's done. 187 00:11:14,040 --> 00:11:15,920 Speaker 1: Oh you know it's that successful. But when you look 188 00:11:15,960 --> 00:11:20,680 Speaker 1: through the history books of entertainment politics, that's the part 189 00:11:20,720 --> 00:11:24,680 Speaker 1: that you really don't that you can't you can't his value. 190 00:11:24,720 --> 00:11:28,880 Speaker 1: I remember when I met uh before he was President 191 00:11:28,920 --> 00:11:31,200 Speaker 1: Barack Obama. I made him at the L. A. Reids 192 00:11:32,559 --> 00:11:35,760 Speaker 1: penthouse in New York City, and I remember in that meeting, 193 00:11:36,280 --> 00:11:39,760 Speaker 1: you know, Ellie Reis said he was gonna have a 194 00:11:39,800 --> 00:11:42,439 Speaker 1: big event for him in uh l A at Clarence. 195 00:11:42,440 --> 00:11:45,320 Speaker 1: I didn't know who Clarence was. Okay, you're gonna come 196 00:11:45,360 --> 00:11:47,640 Speaker 1: to every shot I go. I guess I didn't make 197 00:11:47,640 --> 00:11:51,520 Speaker 1: it there because I didn't understand that the the layers here. 198 00:11:51,760 --> 00:11:54,240 Speaker 1: But when you watch that special, you understand why he 199 00:11:54,360 --> 00:11:56,760 Speaker 1: said the next event is going to be a Clarence's 200 00:11:56,840 --> 00:11:58,679 Speaker 1: house in l A. We're gonna be right back when 201 00:11:58,679 --> 00:12:00,000 Speaker 1: we'll talk some more, because I also want to talk 202 00:12:00,000 --> 00:12:03,040 Speaker 1: about the Double A CP Image Awards. Who this man 203 00:12:03,200 --> 00:12:06,040 Speaker 1: right here has changed the game and has become one 204 00:12:06,080 --> 00:12:10,160 Speaker 1: of the most recognized awards shows on television, not just 205 00:12:10,200 --> 00:12:12,760 Speaker 1: for black people for for viewers in general. Hi, this 206 00:12:12,840 --> 00:12:16,080 Speaker 1: Rashan McDonald and you're listening to money making conversations on 207 00:12:16,080 --> 00:12:23,199 Speaker 1: the phone. Is ah is the producer, director, EP Relationship 208 00:12:23,280 --> 00:12:28,520 Speaker 1: Guy Academy Awards. But what we're really on the show 209 00:12:28,559 --> 00:12:32,120 Speaker 1: to talk about as the individual who who has in 210 00:12:32,160 --> 00:12:38,200 Speaker 1: the background changed the way black entertainment has grown in Hollywood. 211 00:12:38,480 --> 00:12:40,440 Speaker 1: If he if he doesn't exist, a lot of things 212 00:12:40,440 --> 00:12:44,800 Speaker 1: that we consider rememberable about Hollywood that has been a 213 00:12:44,920 --> 00:12:48,120 Speaker 1: lawyers that we've where we've long that we've gained h 214 00:12:48,520 --> 00:12:50,559 Speaker 1: as part of our history, would not have been there. 215 00:12:50,640 --> 00:12:53,880 Speaker 1: His name is that gentleman. Name is Clarence Avon. The 216 00:12:53,960 --> 00:12:57,520 Speaker 1: documentary was put together by over three year period by 217 00:12:57,559 --> 00:13:00,920 Speaker 1: the incredible Reginald Hutland. Reginald we was talking about when 218 00:13:00,920 --> 00:13:04,520 Speaker 1: we left for the break was about one year project. 219 00:13:04,600 --> 00:13:06,680 Speaker 1: He turned into three because I remember last time he 220 00:13:06,720 --> 00:13:08,840 Speaker 1: was on the show, you talked about this project, but 221 00:13:08,880 --> 00:13:12,640 Speaker 1: you didn't have an exit. So so and you're looking 222 00:13:12,679 --> 00:13:15,000 Speaker 1: at the guy because you know it's a segment in 223 00:13:15,000 --> 00:13:17,960 Speaker 1: the in the show where he's going to be honored. 224 00:13:17,960 --> 00:13:19,480 Speaker 1: I won't tell you what he's being honored for. And 225 00:13:19,520 --> 00:13:21,680 Speaker 1: that's the only time you will see Reginald in the 226 00:13:21,720 --> 00:13:25,600 Speaker 1: documentary is that little it's a little quick shot him 227 00:13:25,880 --> 00:13:28,400 Speaker 1: him being that that I said, my boy didn't get 228 00:13:28,520 --> 00:13:30,600 Speaker 1: right over there a little face that a little bit, 229 00:13:32,800 --> 00:13:37,959 Speaker 1: but just seeing my man's stand Lathan stand Lathan, um uh, 230 00:13:38,080 --> 00:13:41,079 Speaker 1: there's no death comedy jam where I stand later. Okay, 231 00:13:41,240 --> 00:13:44,000 Speaker 1: just tell you that's just one um one of the ankles. 232 00:13:44,000 --> 00:13:47,360 Speaker 1: But stan Lathan was given opportunity to do the special 233 00:13:47,679 --> 00:13:52,240 Speaker 1: that Mohammed Ali did because class ain't gonna said, oh 234 00:13:52,280 --> 00:13:54,600 Speaker 1: he's gonna do it, and there's no other option. He 235 00:13:54,679 --> 00:13:57,440 Speaker 1: stood up. He stood up. But one thing that that 236 00:13:57,520 --> 00:14:00,120 Speaker 1: they walked you through this whole thing. He understood the 237 00:14:00,200 --> 00:14:03,000 Speaker 1: value of relationships. And I'm gonna tell you him, he 238 00:14:03,080 --> 00:14:08,120 Speaker 1: has some powerful relationships, didn't he. Reginald, He's he's he's 239 00:14:08,160 --> 00:14:16,600 Speaker 1: incredible because he's a person understand ninth grade education from Climax, 240 00:14:16,679 --> 00:14:20,600 Speaker 1: North Carolina. Okay, he gets kicked out of his house 241 00:14:20,760 --> 00:14:24,360 Speaker 1: from an abso stepfather. He gets on the train for 242 00:14:24,400 --> 00:14:26,520 Speaker 1: the first time in his life as a young boy, 243 00:14:26,880 --> 00:14:31,400 Speaker 1: goes to New Jersey. But somehow, no matter what situation 244 00:14:31,440 --> 00:14:34,920 Speaker 1: he's thrown in, he rises to the occasion and he 245 00:14:35,120 --> 00:14:39,320 Speaker 1: builds relationships, not because he's kissing, but but because he 246 00:14:39,440 --> 00:14:42,960 Speaker 1: works hard and he gets it done and everybody likes him, 247 00:14:43,040 --> 00:14:46,280 Speaker 1: and he just from that he gets given another opportunity 248 00:14:46,480 --> 00:14:49,840 Speaker 1: and guess what he achieved at that opportunity, which puts 249 00:14:49,960 --> 00:14:52,840 Speaker 1: so he can hire and hire. Pretty soon he's in 250 00:14:52,920 --> 00:14:57,640 Speaker 1: the executive suite in New York, l A everywhere. He 251 00:14:57,800 --> 00:15:01,840 Speaker 1: still has his same values is them even though he 252 00:15:02,000 --> 00:15:05,240 Speaker 1: dealing with people that would make your head spin, and 253 00:15:06,760 --> 00:15:11,240 Speaker 1: that balancing that of thing, taming your core values at 254 00:15:11,240 --> 00:15:14,240 Speaker 1: the same time they gave betwe evolved as a person 255 00:15:14,600 --> 00:15:19,600 Speaker 1: and evolved as a set of goals is highly unusual. 256 00:15:20,920 --> 00:15:22,080 Speaker 1: You know, there is the thing I want to tell 257 00:15:22,080 --> 00:15:24,640 Speaker 1: everybody about. We're talking about The Black Guardfather, which is 258 00:15:24,680 --> 00:15:29,479 Speaker 1: currently available on Netflix. Um it's an in brilliant um 259 00:15:29,840 --> 00:15:34,040 Speaker 1: uh portrayal of an individual who didn't put himself in 260 00:15:34,040 --> 00:15:36,920 Speaker 1: front of the opportunity. He provided the opportunity. And that 261 00:15:37,080 --> 00:15:40,240 Speaker 1: point in question is this, If you came to him 262 00:15:40,280 --> 00:15:43,640 Speaker 1: with a bad record deal, he fixed it. If he 263 00:15:43,720 --> 00:15:45,600 Speaker 1: told you came to him and you didn't know how 264 00:15:45,640 --> 00:15:47,240 Speaker 1: to do a record deal, he told you how to 265 00:15:47,280 --> 00:15:49,120 Speaker 1: do it. He didn't try to take advantage of it. 266 00:15:50,200 --> 00:15:52,400 Speaker 1: That is what I'm talking about. When I talk about this, 267 00:15:52,760 --> 00:15:55,360 Speaker 1: I'm gonna call him a young man because he's still 268 00:15:55,360 --> 00:15:58,160 Speaker 1: out there making a difference in my life just by 269 00:15:58,200 --> 00:16:00,880 Speaker 1: watching this special. If you're an entrepreneur, if you're interested 270 00:16:00,920 --> 00:16:03,360 Speaker 1: in entertainment, you want to say you want to under 271 00:16:03,480 --> 00:16:08,280 Speaker 1: understand how you walk through life and understand the values 272 00:16:08,320 --> 00:16:12,960 Speaker 1: of relationships and and and people stepping in front of 273 00:16:13,000 --> 00:16:15,680 Speaker 1: you to give you the opportunity. He worked hard. First 274 00:16:15,680 --> 00:16:18,320 Speaker 1: of all, let's put that down. He worked hard. He 275 00:16:18,400 --> 00:16:21,240 Speaker 1: did not change who he was. So if he failed, 276 00:16:21,400 --> 00:16:24,080 Speaker 1: he knew why he failed because he was being himself. 277 00:16:24,440 --> 00:16:28,360 Speaker 1: So he always maintained that integrity. And that is why 278 00:16:28,360 --> 00:16:31,840 Speaker 1: it's important that we understood that. He also became the 279 00:16:31,960 --> 00:16:35,480 Speaker 1: voice of a brand, and at that time was black entertainment. 280 00:16:35,920 --> 00:16:38,360 Speaker 1: He was crazy enough, Yeah, coming to me, I can 281 00:16:38,400 --> 00:16:41,960 Speaker 1: make it happen. He said that, and then guess what, 282 00:16:43,240 --> 00:16:47,240 Speaker 1: White Hollywood went okay, and guess what he would and 283 00:16:47,240 --> 00:16:49,200 Speaker 1: made it happen. Even if he didn't have the relationship, 284 00:16:49,400 --> 00:16:51,520 Speaker 1: he wouldn't have made it happen. That was I'm saying. 285 00:16:51,520 --> 00:16:54,200 Speaker 1: This is an incredible journey. So let me ask you this. 286 00:16:54,360 --> 00:16:57,240 Speaker 1: Reginald and during the documentary The Black Guard Father, which 287 00:16:57,280 --> 00:17:00,920 Speaker 1: is available now on Netflix. What it a couple of 288 00:17:01,040 --> 00:17:05,280 Speaker 1: days the most for you, Well, a couple of things. 289 00:17:05,320 --> 00:17:12,760 Speaker 1: One is that he would not sell out when when 290 00:17:12,880 --> 00:17:17,040 Speaker 1: Dick Clark was trying to create a competing black show 291 00:17:17,119 --> 00:17:21,639 Speaker 1: for Soul Train and Don Kurles is fighting for the 292 00:17:21,720 --> 00:17:25,720 Speaker 1: West my own man. If they do a knockoff, they're 293 00:17:25,720 --> 00:17:27,840 Speaker 1: gonna have the hook up. They're gonna take my advertiser, 294 00:17:27,880 --> 00:17:30,320 Speaker 1: they're gonna take my viewers, and I'll be done for 295 00:17:31,000 --> 00:17:35,000 Speaker 1: And Clarence was like, Nope, I don't care how much 296 00:17:35,040 --> 00:17:38,159 Speaker 1: money you are for me. I'm on Don Cornelius side. 297 00:17:38,760 --> 00:17:43,879 Speaker 1: You've got a black businessman who created this show, supported 298 00:17:43,880 --> 00:17:48,359 Speaker 1: by another black businessman, Johnson Products, the you know, the 299 00:17:48,359 --> 00:17:52,720 Speaker 1: the the the beauty product company, and this is for 300 00:17:52,880 --> 00:17:57,240 Speaker 1: black people. So no, we're not gonna put all these 301 00:17:57,280 --> 00:18:01,080 Speaker 1: black people out of work, Don Cornelia is We're not 302 00:18:01,080 --> 00:18:04,200 Speaker 1: gonna hurt this black hair care company. We're gonna protect 303 00:18:04,240 --> 00:18:06,879 Speaker 1: all this. You know, this is part of the bigger 304 00:18:06,960 --> 00:18:10,200 Speaker 1: plan of black people moving forward. These folks are all 305 00:18:10,280 --> 00:18:14,280 Speaker 1: doing excellent work, whether it's Johnson Products, whether it's not Cornelius. 306 00:18:14,560 --> 00:18:17,280 Speaker 1: So you know what we're gonna we're gonna like link 307 00:18:17,440 --> 00:18:20,920 Speaker 1: arms and we're gonna protect that. And if it's just him, 308 00:18:20,960 --> 00:18:24,320 Speaker 1: then it's just him. And Clarence would go into the 309 00:18:24,400 --> 00:18:27,000 Speaker 1: rooms of the power brokers and he would tell them, 310 00:18:27,359 --> 00:18:30,320 Speaker 1: you're not gonna do this, and he would turn down 311 00:18:30,359 --> 00:18:32,800 Speaker 1: the payoff and he said, no, we're just gonna do 312 00:18:32,840 --> 00:18:37,400 Speaker 1: it for my man. That he just said that politely too. 313 00:18:37,560 --> 00:18:41,480 Speaker 1: You're not gonna do this to these in words, to us, 314 00:18:41,640 --> 00:18:43,560 Speaker 1: the white folks in the room. He just told him 315 00:18:43,600 --> 00:18:46,280 Speaker 1: like it is. Now he's not switched style depending on 316 00:18:46,320 --> 00:18:48,440 Speaker 1: who was in the room. Yeah, he don't care. He 317 00:18:48,560 --> 00:18:51,159 Speaker 1: don't care. Now, here's the funny part about listening to 318 00:18:51,320 --> 00:18:54,680 Speaker 1: watching this show. So you know, I know Regilards coming 319 00:18:54,680 --> 00:18:56,320 Speaker 1: on the show, and I would I know he did 320 00:18:56,359 --> 00:18:59,280 Speaker 1: the documentary Black Hard Father, So I thought, I cheat, right, 321 00:18:59,760 --> 00:19:03,359 Speaker 1: I came on Netflix two hours, so I go, okay, 322 00:19:04,320 --> 00:19:06,720 Speaker 1: thirty minutes. I know, thirty minutes. I could probably cheat. 323 00:19:06,760 --> 00:19:10,840 Speaker 1: Act like I watched the rest right minutes. Okay, I'm 324 00:19:10,880 --> 00:19:14,800 Speaker 1: in forty minutes. Okay, in an hour, because because each 325 00:19:15,359 --> 00:19:20,919 Speaker 1: fifteen minutes keeps you you're like nah, nah, another start. 326 00:19:21,400 --> 00:19:24,159 Speaker 1: You know. Bill Clinton goes on there talking about he 327 00:19:24,200 --> 00:19:26,760 Speaker 1: was there when he's about to be impeached. He went 328 00:19:26,800 --> 00:19:31,040 Speaker 1: to him, clans Clarson hanging that brother gonna be all good. 329 00:19:31,280 --> 00:19:34,960 Speaker 1: That's how he told him. Bill Clem said, thank you. Okay, 330 00:19:35,000 --> 00:19:36,879 Speaker 1: this is the guy. This is the this is the 331 00:19:36,920 --> 00:19:40,480 Speaker 1: type of guy we're talking about that people came to him. 332 00:19:40,520 --> 00:19:42,719 Speaker 1: You know, when they're talking about they talk about when 333 00:19:42,800 --> 00:19:47,240 Speaker 1: Loud Richard talks about, we're talking about you know, baby 334 00:19:47,280 --> 00:19:51,119 Speaker 1: face talking about his importance. It's just so many individuals 335 00:19:51,200 --> 00:19:54,199 Speaker 1: and yeah, like even though I know Cathy Hughes, and 336 00:19:54,280 --> 00:19:58,520 Speaker 1: Cathy Hughes, you know she expouses on him and and 337 00:19:58,640 --> 00:20:00,919 Speaker 1: his integrity and when he did for him. But the 338 00:20:01,000 --> 00:20:03,879 Speaker 1: number one thing that I kept hearing from everybody was 339 00:20:03,920 --> 00:20:06,240 Speaker 1: that it was never about him going how much money 340 00:20:06,240 --> 00:20:10,640 Speaker 1: I'm gonna make off you. It was never about how 341 00:20:10,720 --> 00:20:12,960 Speaker 1: much money I'm gonna make off of you. In fact, 342 00:20:13,280 --> 00:20:15,440 Speaker 1: when he should have been charging, it said several times 343 00:20:15,480 --> 00:20:17,440 Speaker 1: when he should have been charging, everybody's waiting on the 344 00:20:17,480 --> 00:20:20,480 Speaker 1: bill to come their way, and it never came. Because 345 00:20:20,480 --> 00:20:23,720 Speaker 1: he was all about protecting you, showing you the right 346 00:20:23,760 --> 00:20:26,520 Speaker 1: path to success, and he believed he was gonna get 347 00:20:26,560 --> 00:20:28,679 Speaker 1: taken care and he has been taken care of. But 348 00:20:28,720 --> 00:20:30,560 Speaker 1: it was never about sitting down in front of you 349 00:20:30,600 --> 00:20:32,320 Speaker 1: talking about Look here, I'm gonna show you how to 350 00:20:32,359 --> 00:20:34,320 Speaker 1: do this record deal. But I'm gonna take my little 351 00:20:34,359 --> 00:20:36,840 Speaker 1: side over here. What conna do I do my little 352 00:20:36,840 --> 00:20:38,639 Speaker 1: hook up? He showed you how to do it, so 353 00:20:38,720 --> 00:20:41,320 Speaker 1: you can show somebody else. That's the beauty of this special. 354 00:20:41,400 --> 00:20:43,359 Speaker 1: That's why you have to watch it. It's called The 355 00:20:43,400 --> 00:20:48,719 Speaker 1: Black gold Father is now available on Netflix, and it's produced, directed, edited, 356 00:20:49,040 --> 00:20:53,040 Speaker 1: executive produced by my man Reginald Hudling. Reginald, you bro, 357 00:20:53,200 --> 00:20:59,000 Speaker 1: there's another great project down in your resume. Huh. Look well, 358 00:20:59,040 --> 00:21:02,440 Speaker 1: I'm so grateful for is the response to the public. 359 00:21:02,680 --> 00:21:06,280 Speaker 1: I've got people who said, Reggie, I put it on 360 00:21:06,400 --> 00:21:10,879 Speaker 1: at eleven o'clock. I finished it at one. I know 361 00:21:10,960 --> 00:21:13,439 Speaker 1: I should have gone to bed. I just watched it again, 362 00:21:13,800 --> 00:21:16,520 Speaker 1: back to back, but this time I had my notepad 363 00:21:16,560 --> 00:21:19,600 Speaker 1: out and I'm taking notes. I'll talk to people who 364 00:21:19,600 --> 00:21:22,000 Speaker 1: said they've seen it four times, six times, and oh 365 00:21:22,080 --> 00:21:24,840 Speaker 1: I get something different out of it every time. And 366 00:21:25,840 --> 00:21:29,760 Speaker 1: I and I'm talking to black folks, white folks, rich people, 367 00:21:29,880 --> 00:21:35,240 Speaker 1: poor people. It doesn't matter young or old. Everyone is resonating. 368 00:21:35,280 --> 00:21:38,840 Speaker 1: My kids saw it and they were inspired. A lot 369 00:21:38,880 --> 00:21:41,040 Speaker 1: of folks they watched the movie, they said, Man, I'm 370 00:21:41,080 --> 00:21:42,720 Speaker 1: gonna go back to the office. I need to work 371 00:21:42,720 --> 00:21:45,639 Speaker 1: a little harder. Uh some people hit me and go, 372 00:21:45,800 --> 00:21:47,280 Speaker 1: you know what, I need to be a little more 373 00:21:47,280 --> 00:21:50,239 Speaker 1: generous that I'm being with people who are coming up 374 00:21:50,280 --> 00:21:53,880 Speaker 1: behind me. I need to help more. So it's it's 375 00:21:53,960 --> 00:21:59,399 Speaker 1: transforming people. Uh So I'm really grateful that the movie 376 00:21:59,480 --> 00:22:01,920 Speaker 1: is having the impact that it is. I want to 377 00:22:01,920 --> 00:22:03,520 Speaker 1: I know, we've got two minutes left in this interview, 378 00:22:03,800 --> 00:22:06,879 Speaker 1: and I just got to talk about the CP Image 379 00:22:06,920 --> 00:22:10,399 Speaker 1: Awards UM which has become the award show that it 380 00:22:10,480 --> 00:22:14,639 Speaker 1: always uh should have been. Is it recognizes Anthony Anderson 381 00:22:14,720 --> 00:22:17,080 Speaker 1: has been Anthony Anderson has been amazed as the host. 382 00:22:17,440 --> 00:22:19,560 Speaker 1: What do you feel that you brought to the table 383 00:22:19,640 --> 00:22:22,600 Speaker 1: that now makes this show they must see it, must 384 00:22:22,600 --> 00:22:27,360 Speaker 1: attend show, must attend show. Well, Well, well, thank you. 385 00:22:27,440 --> 00:22:30,200 Speaker 1: I mean, you know, we worked hard on a couple 386 00:22:30,200 --> 00:22:33,560 Speaker 1: of things. One is we wanted to make sure the 387 00:22:33,800 --> 00:22:37,919 Speaker 1: full range of black Hollywood was represented, you know, not 388 00:22:38,119 --> 00:22:41,040 Speaker 1: just your friends, but you know, okay, here's an exciting 389 00:22:41,080 --> 00:22:43,959 Speaker 1: new voice. Well let's make sure we honor the legends, 390 00:22:44,040 --> 00:22:46,800 Speaker 1: make sure we you know, folks who are working in 391 00:22:47,080 --> 00:22:50,600 Speaker 1: unusual parts of entertainment for black folks. We want to 392 00:22:50,600 --> 00:22:54,320 Speaker 1: make sure everybody's represented. And then the second thing is 393 00:22:54,560 --> 00:22:58,200 Speaker 1: and we you know, and you know, our our black 394 00:22:58,240 --> 00:23:01,159 Speaker 1: talent are Latin, are at in town on our Asian 395 00:23:01,200 --> 00:23:05,000 Speaker 1: talent are white allies. They're all are welcome. You know. 396 00:23:05,160 --> 00:23:07,960 Speaker 1: We make sure the show starts sometime and then sometimes 397 00:23:08,040 --> 00:23:11,600 Speaker 1: the live show. Everyone knows. We handle our business like 398 00:23:12,760 --> 00:23:18,680 Speaker 1: it's no CPT, it is JPT. And and and then 399 00:23:18,920 --> 00:23:21,720 Speaker 1: the last part is we try to keep up in 400 00:23:21,760 --> 00:23:24,960 Speaker 1: the production values a little more every year. How can 401 00:23:25,000 --> 00:23:27,520 Speaker 1: we top ourselves? How can we make it better? So 402 00:23:27,680 --> 00:23:31,280 Speaker 1: now people are like, whoa, you know what. I may 403 00:23:31,359 --> 00:23:33,840 Speaker 1: or may not win that Oscar this year, but I 404 00:23:34,040 --> 00:23:40,199 Speaker 1: know my family with the act and black folks are 405 00:23:40,240 --> 00:23:42,280 Speaker 1: going to embrace me and give me the love. I 406 00:23:42,440 --> 00:23:44,080 Speaker 1: may or may not get that at me, or may 407 00:23:44,160 --> 00:23:46,600 Speaker 1: or may not get that Grammy, but I know when 408 00:23:46,600 --> 00:23:49,680 Speaker 1: I come home, I'm going to get the warm embrace 409 00:23:49,760 --> 00:23:52,720 Speaker 1: that I deserve. Regild is always thank you for coming 410 00:23:52,760 --> 00:23:56,879 Speaker 1: on money making conversations, keep winning, my brother, Thank you, 411 00:23:56,960 --> 00:23:57,359 Speaker 1: my brother,